 spend it wherever it goes and however it turns it changes like the described in grammar and description. among them is the inclination to talk so he hardly turns to anyone other than his beloved even if he does so intentionally and the affectation is clear to whoever watches him in it and listening to his talk when he speaks and being surprised at everything he does even if it is the very impossibility and a breach of customs and believing him even if he lies and agreeing with him even if he is unjust and bearing witness to him even if he is unjust and following him however he behaves and whatever aspect of speech he approaches and among them is hastening to walk towards the place where he is and intentionally sitting near him and getting close to him and abandoning the occupations that require departure from him and underestimating every great matter that calls for leaving him and slowing down in walking when getting up from him and in that i say a poem 
أصرفها حيث انصرفت وكيفما تقلبت كالمنعوت في النحو والنعت ومنها الإقبال بالحديث، فما يكاد يقبل على سوى محبوبه ولو تعمد ذلك، وإن التكلف ليستبين لمن يرمقه فيه؛ والإنصات لحديثه إذا حدث، واستغراب كل ما يأتي به ولو انه عين المحال وخرق العادات؛ وتصديقه وإن كذب؛ وموافقته وإن ظلم؛ والشهادة له وإن جار، واتباعه كيف سلك وأي وجه من وجوه القول تناول؛ ومنها الإسراع بالسير نحو المكان الذي يكون فيه؛ والتعمد للقعود بقربه والدنو منه؛ واطراح الأشغال الموجبة للزوال عنه، والاستهانة بكل خطب جليل داع إلى مفارقته؛ والتباطؤ في المشي عند القيام عنه؛ وفي ذلك أقول شعرا 