当前的文化世界弥漫着“公司”思维 — — 从财务角度出发预先选定发行商、制作商及其他艺术经理的支持对象 — — 这使得即便是广受赞誉的“竞争”概念看起来也是假的，被可悲地操纵着。
Even the much-praised notion of competition seems fake and cynically manipulated by the “corporate” mentality that now pervades the world of culture – by the financial pre-selection that determines what publishers, producers, and other impresarios will support.