Read the following passage and questions, then choose the right answer from options, the answer should be one of A, B, C, D.

<passage>:
In his foreword to the book, Lessig writes that you understand your subjects “by learning to see them in a certain way.” What is that certain way? I think I’m trying to capture pictures of people that help others see what they’re about. Some photographers will make someone look the way the photographer wants them to look, and not the way they appear, so they’ll pick the one picture out of 100 where the guy looks more egotistical than he really is. Some photographers are almost medical, and are going after a perfect portrait. I’m somewhere in between. It’s amazing how many people will upload snapshots of people where the pictures don’t look like them at all. To me, uploading a picture that is not an easily recognizable picture of that person defeats the point, which I’m working toward, to try to express who they are. On the other hand, professional photographers usually have a subject whom they don’t know personally, so they end up having to try to capture an image that they’ve created based on who they think the person is or how they want make this hard. A lot of people are uncomfortable in front of a camera, person is nervous, it’s very difficult to try to see what it is that you’re trying to capture. A lot of what I’m doing is, I just start shooting photos. After half an hour of having their picture taken, people start to ignore you. Or I’ll take pictures when I’m talking to people about what they’re doing, so after a while they get distracted by the conversation and forget about the camera. That’s something that I’m not perfect at, but I’m getting better. I think good photographers are also able to disarm people through conversation, but still, it’s difficult to have a disarming conversation with somebody you don’t know, or to make them laugh. Many times people make a face for me that they wouldn’t make for a professional photographer. For instance, a board meeting picture, like the one with Eric Saltzman: that was during a very tense discussion. I’ve found that people are at their most animated at these kinds of meetings, and look the most alive when they are under a lot of pressure, and super- focused. But usually if an outsider is in the room, they won’t get into that. I mean, it would be difficult for a cameraman to be in a room where a board is having a heated debate. But those are the things that I’m trying to capture, because most people asked me to put the camera away after awhile [laughs] because it was distracting. We were having a very heated discussion and I was taking all of these pictures. But he credited me later because afterward those pictures turned out the best. In your mind, what is a ‘Freesoul’ ? copyright of the photographer, or the institution who hired the photographer to take the picture. Often, even the subject of the article can’t make an image available to the Wikimedia/Wikipedia community. all the time, “By the way, do you have a photo that we can use?” But wonderful work, and allow others to create derivative works. Of course people can abuse that, just like they can abuse anything. But I want people to see the value in sharing over the fear in sharing. The pictures for something positive, rather than for something negative. The way, giving up your image and allowing anyone to use it: it’s the picture is sad. Besides Wikipedia, how do you imagine these photos being used? They can be used in textbooks and in mainstream media articles about the person. Now they can get a picture that represents the person, at least from my perspective. That said, I shouldn’t be the only person doing this. More people should do the same, and make the photographs available freely. For one, I feel that “free” CC licensed photos have a much higher chance of not disappearing. But I don’t know exactly how these photos are going to be used, so in a sense I’m curious. For example, of what they’re doing, and they also had a bunch of my pictures in they’re not all pictures of people sitting at desks in the Berkman Center. There’s one more important thing: Creative Commons is great for original creative works or derivative creative works, but when it involves human images, it gets very complicated. We all know the Virgin more thorough from a legal perspective. It’s also an important educational point, so people understand that, in addition to the images, and a lot of the photographers were professionals. This is beyond what anybody has done in the US. A lot of the progress that we’re Well, we’re all getting old, if you look at these pictures. But there’s another thing, though, about this book: the number of professional-quality amateurs has increased significantly due to the importance of digital in both professional and high-end amateur photography I hate to say it, a lot of people love the darkroom, but it really feels like the death of the darkroom with this year. With new 22 megapixel cameras coming in under $10,000, and Lightroom and some of this software at a couple hundred dollars, it doesn’t really make sense, except for particularly fussy artists, to do wet-work anymore. If you’re a commercial photographer or a high-end amateur, you can do anything you used to do in the darkroom. I think it has really lowered the bar. I don’t know how that affects the industry directly, but for me, it bridged a huge gap. I used to be darkroom geek. I loved my darkroom, and even when I didn’t have my darkroom anymore, I still was shooting 6x6 Hasselblad 120 film and processing it in a special lab, and then digitizing it. For me, that film was it. You could never get as good as medium-format film or large-format film At the time, the digital Hasselblad backs were too expensive, and were still not as good as 8x10 film. So there was this whole period where the darkroom was not all that exciting, but the digital wasn’t perfect. I went through a limbo period. I had invested so much in my Hasselblad system, and my Leica M6 set. I had bought the Leica R8, but I was I could use my old gear, and it had enough megapixels to be as good as some film. Another way of saying it was that there was a gear breakthrough at the a technology breakthrough, let’s call it that, that allowed me to switch completely away from film, and I think this happened to a lot of photographers. It caused an explosion of content and an increase in the quality of content on sites like Flickr. It has allowed amateurs to create a business model with professionals. Interestingly, I think these new high-end amateurs are buying more photography books and photographs and are probably providing an increasing revenue stream for professional photographers. I think most amateurs, including myself, are paying homage to the professionals and not trying to “compete” with them. For me, the right way to use a lot of the new social software is by making it easier to spend more physical time with the people you like best. Dopplr is a great example. When I visit a city, I will see all of the people who are in the city at the would bet that more than half of the photos in this book are pictures of really increasing your ability to spend quality time with, actually, a smaller number of people. It allows you to actively filter. Your were drinking, what we were talking about, and to me that’s a much more rich experience. It’s the combination of social software and photography. For me, reality is “the present” plus what you remember from the past. I think this well, but to me photography is a really good way of doing that. When I look at the expressions, I remember the moment and get a sense of presence. I think the main problem for me is the environmental impact of flying around. Just as I never believed that we would have a paperless office, is essential. My job is to keep that focus and maintain that balance. Also, CC needs to run smoothly as an organization and there is a lot of operational work that we all need to do. My photography is a way for me to participate in a small measure on the creative side of the Free

<question>:
How does the photographer feel about dark rooms?

<options>:
A Darkrooms don't make sense anymore with today's technology.
B They are a darkroom geek.
C Darkrooms are not all that exciting.
D Doing the wet work in the darkroom will always produce a superior picture.

<answer>:

A