Read the following passage and questions, then choose the right answer from options, the answer should be one of A, B, C, D.

<passage>:
Sara lets the Lyft park itself in the drive, lets out a sigh, and tweets "It's OK Mom, I got it." Jesus. Not this already. "Mom. I can afford a cab ride. I'm not that much of a failure." Mom sighs, shoulders falling, looks at Sara directly. "I'm sorry honey." She looks old, Sara thinks, watching a resigned tiredness flicker across her face in a way she'd not noticed before. Like she's exhausted by conflict, surrendered to it. "Now, don't I get a hug?" Sara smiles. They hold each other for a few long seconds, rubbing and squeezing each other as the Lyft silently backs itself out of the driveway. When they part it's Mom's hand that's on the bag's handle. For a few seconds Sara is alone in the hallway, the smell of cooking meat coming from one doorway, the sound of rolling news from another. She shakes her head, kicks off shoes, tucks hair behind her ears. Braces herself. Sara finds herself in the front room, sobbing. Dad pauses the TV, looks up at her. It looks like he's been crying too. "Sara?" Their first words in nearly a year. Fine. So far. She relaxes. Of course it is. How bad could it be? "It's OK, honey. It really is." Mom and Dad watch Sara leave the room, and then look at each other. There's a brief second, a fleeting moment, where Sara can bite her lip, let it go. She misses it. "But I thought it was immigrants that are stealing people's jobs?" "Well I'm sure they'll be fine." She regrets the sarcasm as soon as she hears it in her own voice, but she still can't stop herself, like it's expected, like it's part of the routine. Part of their schtick. "They just got to get themselves out there, huh Dad? Pull themselves up by their bootstraps. That's the American way, right?" "I'm glad you think this is funny, I really do. But what you New York types need to realise is-" "Ed!" Mom had appeared in the doorway. "Please! Both of you. No fighting today, please." Awkward pause. "Fine." "Sorry Mom." Sara turns back to the TV, to watching the war, to trying to work out which one it is. It had always been this way, ever since she was about thirteen. Up until then it just seemed like constant warmth, as though she didn't have any childhood concept of Dad apart from him getting home from work, then her sitting on his knee, eating cookies and watching football highlights until Mom came in and scolded them both for ruining their appetites before dinner. 'We know what really makes America great' every opinion she had became a battle, every decision she made a conflict. Getting away to college gave her escape, but bred resentment too Dad wipes another team from his eye. "I think we're going to be OK," he says to himself. "I think we're going to be just fine." This article was originally published on TheLong+Short. Read the original article. Dad is in the bathroom, and Sara has had enough of Fox and whichever war this is. She reaches over and grabs the remote from the arm of his chair, and tries to find something else to watch. The government had scrapped all the rules about how the internet worked, and for most people like her parents it had suddenly gotten a lot cheaper to get their TV through Facebook, so all she can find is Dinner is Mom's meatloaf, with gravy and mashed potatoes. Cornbread and broccoli. Every mouthful tastes like nostalgia, and Sara can feel herself being encompassed by a bubble, this barrier of warm air and long forgotten simplicity enveloping her body, protecting her from the confusion of the world outside. "How's work, honey?" Mom asks. "Yeah, going OK." Sara works for a non-profit in Brooklyn that helps big organisations to transition to renewable energy. The pay is lousy but it feels important. "We just got the last few schools in the city to agree to put solar panels on their roofs. Big deal for us. I've been working on them for the last two years." Mom says nothing, just looks down at her plate. Sara laughs, covering her mouth as she nearly chokes on chewed food. "What? No they don't Dad." "Look it up?" Sara shakes her head, not knowing where to even start. "Dad, who is telling you this stuff?" "Jesus Christ Dad, these ads!" "No blasphemy at the dinner table, please honey" says Mom. "What about them?" Sara looks over to Mom, who looks like she's on the brink of tears. Suddenly she finds she's also lost the will to fight. Gently she closes the iPad and puts it down on the table, next to her plate. After dinner she helps Mom clean-up, the two of them loading the dishwasher in near silence. She's leaning against the counter, scrolling through Twitter on her phone, when Mom finally speaks. "Don't joke Sara, I'm serious. There's a lot that bothers him. The state of the world. The future. All these damn wars." Sara looks up from her phone, genuine concern. "Is he OK?" "Yeah, well you know your father. Doesn't like to talk about it. Doesn't want to burden other people with his problems. Hates pity." She pauses, looks out the window into the yard. When she turns back to Sara her eyes are damp. "This is why I was so excited about you coming back. Why he was so excited! I thought it'd take his mind of all this. He was so excited to see you. You know he loves watching the game with you, Sara." Sara slips her phone into her pocket, genuine guilt. Feels like a spoiled kid. "I didn't realise. I'm sorry." Mom smiles, walks over and kisses her on the forehead. "It's OK honey. Don't feel bad. Just go. Just go sit in there with him and watch some TV. Please." It's the second down on the Falcon's 60 yard line with 30 yards to cover, and the Lions need one touchdown to equalise. Sara and her Dad are sat in the front room, working their way through a family sized pack of Oreos, when the ad break starts. Dawn. Red skies over the desert. A Chevrolet truck pulls up next to a large, trailer. Low shot next to the front tire, as a cowboy booted foot drops down from the door, disturbing dust. Cut to: internal shot of the trailer, darkness split by morning light through the opening door. The figure enters, flicks on lights. The room is full of equipment, computers. The figure takes a seat, puts on a headset, thumbs on screens. Rests their hands on two large joysticks on the desk. "Sara!" says Mom. "Sara!" Mom makes to get up. Out in the kitchen Sara sits at the table and wants to scream. She's angry, mainly with herself. She should never have fucking come here. She should have known better. There was never any fucking way anything good was going to come from this. As much as Mom wants to romanticise things, to make them sound cute and adorable, the truth is shit with Dad has never been right since she was a teenager. Too much resentment, too much bad blood, too much control and rebellion. They hadn't agreed on anything - they hadn't managed to have a simple conversation that didn't descend into fighting - in 15 goddamn years, and no amount of eating cookies and watching fucking Super Bowl ads on the TV was going to fix that.

<question>:
Which term best describes Sara's relationship with her parents?

<options>:
A inflammatory
B tenuous
C strained
D obligatory

<answer>:

C