Read the following passage and questions, then choose the right answer from options, the answer should be one of A, B, C, D.

<passage>:
who knew chevrolet were so woke Sara lets the Lyft park itself in the drive, lets out a sigh, and tweets i can't believe they did that, so amazing Hang on, are they taking about the same ad? A little way away from the main group sits a small child, a girl. Maybe 8 years old. She is drawing shapes in the dust with a stick. She's drawn quite a bit it looks like, but from our angle we can't see what. Cut to: drone footage. The pilot is watching the group. As he tracks away from the main party to where the girl is sat, the camera reveals what she has drawn. Mom sighs, shoulders falling, looks at Sara directly. "I'm sorry honey." She looks old, Sara thinks, watching a resigned tiredness flicker across her face in a way she'd not noticed before. Like she's exhausted by conflict, surrendered to it. "Now, don't I get a hug?" Sara smiles. They hold each other for a few long seconds, rubbing and squeezing each other as the Lyft silently backs itself out of the driveway. When they part it's Mom's hand that's on the bag's handle. For a few seconds Sara is alone in the hallway, the smell of cooking meat coming from one doorway, the sound of rolling news from another. She shakes her head, kicks off shoes, tucks hair behind her ears. Braces herself. Sara finds herself in the front room, sobbing. He's sat in the living room, reclining in the Lazy Boy. He doesn't hear her enter - her socked feet silent on the pile carpet floor, his attention lost in the screen that fills most of the wall. Fox News. She braces herself again. Dad pauses the TV, looks up at her. It looks like he's been crying too. "Sara?" "Yeah. Fine. Y'know. Same as always." He smiles back at her, nods knowingly. Their first words in nearly a year. Fine. So far. She relaxes. Of course it is. How bad could it be? "No, it is. It's my fault. I got myself into thinking we can never agree on anything, that we can never see eye to eye. That we've got nothing in common anymore." She lifts her head to look up at him. "But I know that's wrong. That I shouldn't assume things about you. That there's still things that can bring us together." Mom and Dad watch Sara leave the room, and then look at each other. "One of those driverless things?" "Yeah." Ad break. An elderly couple ride a tandem bicycle through a park, laughing and smiling in Instagram-perfect sunshine, as a calm, relaxing voice lists the potentially lethal side effects of a diabetes drug. Dad shakes his head. "I don't know how you can use those things. I don't trust them." "Dad, they're perfectly safe." There's a brief second, a fleeting moment, where Sara can bite her lip, let it go. She misses it. "But I thought it was immigrants that are stealing people's jobs?" "No. I don't want to hear you two as much as disagreeing about anything today, unless it's about the game. And even then you'd better keep it civil. Otherwise you can both go hungry. Understand?" Awkward pause. "Fine." Sara turns back to the TV, to watching the war, to trying to work out which one it is. It had always been this way, ever since she was about thirteen. Up until then it just seemed like constant warmth, as though she didn't have any childhood concept of Dad apart from him getting home from work, then her sitting on his knee, eating cookies and watching football highlights until Mom came in and scolded them both for ruining their appetites before dinner. And then everything changed. Suddenly there was rap music and nose rings, sneaking out of the house to see her friends and not wanting to go to church. Suddenly he was no longer this lovable bear-man that ruffled her hair and gave her candy and explained defensive plays to her, but this huge obelisk of injustice that just wanted to crush her high school life into dust. It was constant warfare Dad is in the bathroom, and Sara has had enough of Fox and whichever war this is. She reaches over and grabs the remote from the arm of his chair, and tries to find something else to watch. The government had scrapped all the rules about how the internet worked, and for most people like her parents it had suddenly gotten a lot cheaper to get their TV through Facebook, so all she can find is Dinner is Mom's meatloaf, with gravy and mashed potatoes. Cornbread and broccoli. Every mouthful tastes like nostalgia, and Sara can feel herself being encompassed by a bubble, this barrier of warm air and long forgotten simplicity enveloping her body, protecting her from the confusion of the world outside. Sara laughs, covering her mouth as she nearly chokes on chewed food. "What? No they don't Dad." "Look it up?" Sara shakes her head, not knowing where to even start. "Dad, who is telling you this stuff?" "What about them?" "They show me this stuff because they've got products to sell. That's how the economy works. That's how we create jobs. Godammit Sara, are you telling me you hate Sara looks over to Mom, who looks like she's on the brink of tears. Suddenly she finds she's also lost the will to fight. Gently she closes the iPad and puts it down on the table, next to her plate. "You should go easy on your father, you know. He's worried about a lot of things." "Don't joke Sara, I'm serious. There's a lot that bothers him. The state of the world. The future. All these damn wars." "He's worried about his health. I'm Sara looks up from her phone, genuine concern. "Is he OK?" "Yeah, well you know your father. Doesn't like to talk about it. Doesn't want to burden other people with his problems. Hates pity." She pauses, looks out the window into the yard. When she turns back to Sara her eyes are damp. "This is why I was so excited about you coming back. Why he was so excited! I thought it'd take his mind of all this. He was so excited to see you. You know he loves watching the game with you, Sara." Sara slips her phone into her pocket, genuine guilt. Feels like a spoiled kid. "I didn't realise. I'm sorry." "Fuck this," says Sara, getting up from her seat. "Sara!" says Mom. "Sara!" Mom makes to get up. Out in the kitchen Sara sits at the table and wants to scream. She's angry, mainly with herself. She should never have fucking come here. She should have known better. There was never any fucking way anything good was going to come from this. As much as Mom wants to romanticise things, to make them sound cute and adorable, the truth is shit with Dad has never been right since she was a teenager. Too much resentment, too much bad blood, too much control and rebellion. They hadn't agreed on anything - they hadn't managed to have a simple conversation that didn't descend into fighting - in 15 goddamn years, and no amount of eating cookies and watching fucking Super Bowl ads on the TV was going to fix that. Everybody seems to be talking about the same thing. omg im crying holy shit that chevrolet ad /fire emoji

<question>:
Describe Sara's attitude toward Fox:

<options>:
A disgusted
B irked
C confused
D ambivalent

<answer>:

A