Read the following passage and questions, then choose the right answer from options, the answer should be one of A, B, C, D.

<passage>:
Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Wayne, unseen, sneered down from the head of the stairs. The old man with his thick neck, thick cigar, evening highball, potgut and bald head without a brain in it. His slim mother with nervously Wayne watched the ritual, grinning. He listened to their purposeless noises, their blabbing and yakking as if they had something to say. Blab-blab about the same old bones, and end up chewing them in the But the old man was right on for once about the dangerous repressed impulses. Wayne had heard about it often enough. Anyway there was no doubt about it when every move he made was a restrained explosion. that must make the old man feel like Superman with a beerbelly. They heard Wayne slouching loosely down the stairs and looked up. on a slip of paper, handed the pass to Wayne. "Go to the Armory and "Thanks, sarge dear," Wayne said and took the elevator up to the Armory. breaking out tonight?" "Hold your teeth, pop," Wayne said, coolly and slowly lighting a cigarette. "I've decided." The corporal's little eyes studied Wayne with malicious amusement. you're starting late. You can get a cat, not a mouse, and some babes are clever hellcats in a dark alley." "You must be a genius," Wayne said. "A corporal with no hair and still Wayne's mouth twitched. He leaned across the counter toward the shelves and racks of weapons. "I'll remember that crack when I get my commission." He blew smoke in the corporal's face. "Bring me a Smith and Wesson .38, shoulder holster with spring-clip. And throw in a Skelly switchblade for kicks—the six-inch disguised job with the double springs." The corporal waddled back with the revolver and the switchblade disguised in a leather comb case. He checked them on a receipt ledger, while Wayne examined the weapons, broke open the revolver, twirled the cylinder and pushed cartridges into the waiting chamber. He slipped the knife from the comb case, flicked open the blade and stared at its gleam in the buttery light as his mouth went dry and the refracted incandescence of it trickled on his brain like melted ice, exciting and scary. He removed his leather jacket. He slung the holster under his left armpit and tested the spring clip release several times, feeling the way the serrated butt dropped into his wet palm. He put his jacket back on and the switchblade case in his pocket. He walked toward the a head shaped like a grinning bear. Wayne felt the assured smile die on his face. Something seemed to shrink him. If he didn't watch himself he'd begin feeling like a pea among bowling balls. Contemptuously amused little eyes glittered at Wayne from a shaggy head. Shoulders hunched like stuffed sea-bags. secretive and sparse, the uncared-for streets became rough with pitted potholes, narrow and winding and humid with wet unpleasant smells. Wayne's fearful exhilaration increased as he cruised with bated breath through the dark mazes of streets and rickety tenements crawling with the shadows of mysterious promise. the sultry beat of a combo, the wild pulse of drums and spinning brass a bank of garbage cans, humming to himself, pulling at a rainsoaked shirt clinging to a pale stick body. He reminded Wayne of a slim grub a dirty, greenish tinge as he sensed Wayne there. He turned in a grotesque uncoordinated jiggling and his eyes were wide with terror and doom. "I gotta hide, kid. They're on me." Wayne's chest rose and his hands curled. The bum's fingers drew at the air like white talons. as the Cad cruised in a slow follow-up. Wayne's breath quickened as he watched, feeling somehow blank wonder at finding himself there, free and breaking out at last with no curfew and no law but his own. He felt as though he couldn't stop anything. laughed. Wayne wanted to shout. He opened his mouth, but the yell clogged up somewhere, so that he remained soundless yet with his mouth still open as he heard the payoff thuds where the useless wino curled Wayne walked over and sneered down at the human garbage lying in scummed rain pools. The smell of raw violence, the scent of blood, made He hurried into the Four Aces, drawn by an exhilarating vision ... and pursued by the hollow haunting fears of his own desires. of being motionless, as though they were all actors performing in a weirdo drama being staged in that smoky thick-aired dive. Wayne smiled with wry superiority at the redheaded psycho in a dirty T-shirt, a big bruiser with a gorilla face. He was tussling his mouse heavy. fed on the promising terror and helplessness of her hunted face. She sat rigid, eyes fixed on Wayne like balls of frozen glass. Red looked up and stared straight at Wayne with eyes like black buttons imbedded in the waxlike skin of his face. Then he grinned all on one side. One huge hand scratched across the wet table top like a furious cat's. Wayne returned the challenging move but felt a nervous twitch jerk at his lips. A numbness covered his brain like a film as he concentrated on staring down Red the psycho. But Red kept looking, his eyes bright Wayne drank. Liquored heat dripped into his stomach. Fire tickled his veins, became hot wire twisting in his head. He drank again and forced out a shaky breath. The jazz beat thumped fast and muted brass moaned. Drumpulse, stabbing trumpet raped the air. Tension mounted as Wayne watched her pale throat convulsing, the "Okay, you creep," Wayne said. He stood up and started through the haze. The psycho leaped and a table crashed. Wayne's .38 dropped from its spring-clip holster and the blast filled the room. The psycho screamed and stumbled toward the door holding something in. The mouse darted by, eluded Wayne's grasp and was out the door. Wayne went out after her in a laughing frenzy of release. He felt the cold strange breath of moist air on his sweating skin as he sprinted down the alley into a wind full of blowing wet. terror. "You, baby," Wayne gasped. "I gotcha." She backed into darkness, up there against the sagging tenement wall, her arms out and poised like crippled wings. Wayne crept up. She gave a squeaking sob, turned, ran. Wayne leaped into gloom. Wood cracked. He clambered over rotten lumber. The doorway sagged and he hesitated in the musty dark. A few feet away was the sound of loose trickling plaster, a whimpering whine. "No use running," Wayne said. "Go loose. Give, baby. Give now." moon-streaming skylight. She crouched in the corner panting. He took his time moving in. He snickered as he flashed the switchblade and circled it like a serpent's tongue. He watched what was left of her nerves go to pieces like rotten cloth.

<question>:
What idea is introduced during the armory scene that becomes a motif throughout the rest of the story?

<options>:
A The idea that Wayne's end of curfew will mean more trips to the armory. More weapons always.
B The idea of cat and mouse games. From this point on Wayne thinks of his duty in terms of hunting.  The end of curfew. From this point on Wayne wants to live the rest of his life without curfew.
C The fear of ending up a counter boy like the corporal. From this point on Wayne does everything he can not to end up like the corporal.
D The exciting and scary power of the .38 and the switch blade. From this point on Wayne feels more powerful than ever

<answer>:

B