Darius Painter
The Darius Painter was an Apulian vase painter and the most eminent representative at the end of the "Ornate Style" in South Italian red-figure vase painting. His works were produced between 340 and 320 BC.

The Darius Painter's conventional name is derived from his name vase, the "Darius Vase", which was discovered in 1851 near Canosa di Puglia and now on display at the Museo Archaeologico Nazionale, Naples (H3253). Many of his works, mostly volute "kraters", amphorae and "loutrophoroi", are of large dimensions. He most frequently depicted theatrical scenes, especially ones from the Classical tragedies by Euripides, and mythological themes. A number of mythological motifs not represented in surviving literary texts are known exclusively from his vases. On other shapes, especially "pelikes", he also painted as wedding scenes, erotes, women, and dionysiac motifs. In contrast to other contemporary painters, sepulchral scenes ("naiskos" vases) by him are rare; where such motifs occur, they are virtually always on the back of the vessel. Some of his paintings, like those on the Darius Vase itself, show historical subjects. 

One of the most striking features of his work is the frequent use of inscriptions. He does not limit these to the normal practice of naming individual figures, but also uses them thematically (such as "persai" – Persians). To some extent these inscriptions can be seen as "titles". He also tends to use all available space on a vase for figural depictions, often arranged in two or three registers. Sometimes, the individual zones are structured by opulent ornamental friezes. The Darius Painter is considered the first painter to have fully exploited the possibilities of large-format vase painting. His drawing style is reputed to be especially good, particular as regards faces, which he often depicts in a three-quarter profile. 

The Darius Painter worked in a large factory-like workshop, probably at Taras. It is possible that he was the owner or foreman of his workshop. Many vase-paintings are so close to his style, though not by his hand, that they are attributed to his workshop. He was the last important vase-painter in Apulia; Apulian vase painting rapidly declined in quality in the third century. Stylistically, he follows after the Varrese Painter and his group (e.g. the Painter of Copenhagen 4223), but outdoes their achievements. Contemporaries of his that did not simply produce mass wares include the Perrone Painter and the Phrixos Painter. His most important stylistic successor was the Underworld Painter. Arthur Dale Trendall, a key authority on South Italian vase painting, described the Darius Painter as the most important painter of mythological scenes within the total of the South Italian development.
Q1447
Apulia
LOC
Q622339
vase painter
Concept
Q633683
Ornate Style
Concept
Q33845
South Italian
MEDIA
Q633683
red-figure
Concept
Q492201
name vase
Concept
Q59326080
Darius Vase
MISC
Q23187
Canosa di Puglia
LOC
Q637248
Museo Archaeologico Nazionale
LOC
Q476968
krater
Concept
Q178401
amphora
Concept
Q279304
loutrophoroi
Concept
Q34620
Classical tragedies
Concept
Q48305
Euripides
PER
Q34726
mythological
Concept
Q1539580
pelike
Concept
Q121973
erotes
MISC
Q41680
dionysiac
MISC
None
"naiskos" vases
UNK
Q83405
factory
Concept
Q13498
Taras
LOC
Q622339
Apulian vase painting
Concept
Q353469
Varrese Painter
PER
None
Painter of Copenhagen 4223
UNK
None
Perrone Painter
UNK
None
Phrixos Painter
UNK
Q348728
Underworld Painter
PER
Q709072
Arthur Dale Trendall
PER
Q33845
South Italian
MEDIA
Q902022
Darius Painter
PER
Q902022
Darius Painter
PER
Q902022
Darius Painter
PER
Q902022
Darius Painter
PER
Q902022
Darius Painter
PER
1851-01-01T00:00:00Z^^http://www.w3.org/2001/XMLSchema#dateTime
1851
DATE
4223-01-01T00:00:00Z^^http://www.w3.org/2001/XMLSchema#dateTime
4223
DATE
+3253^^http://www.w3.org/2001/XMLSchema#decimal
3253
NUMBER
named after
work location
location of discovery
location
creator
time of discovery or invention
genre