Who invented velcro?
20646740#3
De Mestral gave the name "Velcro", a portmanteau of the French words "velour" ("velvet") and "crochet" ("hook"), to his invention as well as his company, which continues to manufacture and market the fastening system.
Velcro
20646740#1
Swiss electrical engineer George de Mestral invented his first touch fastener when, in 1941, he went for a walk in the woods and wondered why Burdock seeds clung to his coat and dog. He discovered it could be turned into something useful. He patented it in 1955 and subsequently refined and developed its practical manufacture until its commercial introduction in the late 1950s.
Velcro
34255387#2
The enzyme belongs to the group of oxidoreductases according to the EC classification and is dependent on FAD as cofactor, thus it was classified as an external flavoprotein monooxygenase (designated as type E). It forms a two-component system with a reductase (StyB, StyA2B). The reductase utilizes solely NADH to reduce the FAD, which is then transferred to the styrene monooxygenase (StyA, StyA1). Two types of that enzyme are described so far: StyA/StyB (designated E1), first described from "Pseudomonas" species, and StyA1/StyA2B (designated E2), first described from Actinobacteria. The E1-type is more abundant in nature and comprises a single monooxygenase (StyA) supported by a single reductase (StyB), whereas the E2-type has a major monooxygenase (StyA1) which is supported by fusion protein of a monooxygenase and reductase (StyA2B). The latter one is the source of reduced FAD for the monooxygenase subunits and has some side activity as a monooxygenase. So far all styrene monooxygenases perform enantioselective epoxidations of styrene and chemically analogous compounds, which makes them interesting for biotechnological applications.
Styrene monooxygenase
11247268#8
"We designed the building from the inside out, not the outside in,” said Loretta H. Cockrum, Foram’s founder, chairman and CEO. “We wanted the most efficient office building ever designed, with no wasted space or wasted energy. This is a building of the future more than a building of the present. A lot of love has gone into that building, and a lot of pride."
Brickell World Plaza
19477084#6
Recent exhibitions at Tensta konsthall include
• “Abstract Possible: The Stockholm Synergies,” with Doug Ashford, Claire Barclay, Goldin+Senneby, Wade Guyton, Mai-Thu Perret, Walid Raad, and Haegue Yang, among others
• “Kami, Khokha, Bert and Ernie: World Heritage” by Hinrich Sachs
• “Doing what you want: Marie-Louise Ekman accompanied by Sister Corita Kent, Mladen Stilinović, and Martha Wilson” 
• “The Society without qualities” with Sören Andreasen, Ane Hjort Guttu, Sture Johannesson, Sharon Lockhardt, and Palle Nielsen (part of “The new model” and curated by Lars Bang Larsen)
• “Working With…” by Zak Kyes
• “We are continuing BBDG” with Bernd Krauss
• “Two Archives” by Babak Afrassiabi and Nasrin Tabatabai
Tensta Konsthall
597203#20
Tortoiseshell wares were first mentioned by Thomas Whieldon in his "Account and Memorandum Book" of 1749. In his "Experiment Book", Josiah Wedgwood states that in 1759 tortoiseshell ware was the second most important ware at the Whieldon factory, but the market was declining:“[…] But as no improvement had been made in this branch for several years, the country was grown weary of it; and though the price had been lowered from time to time, in order to increase the sale, the expedient did not answer, and something new was wanted, to give a little spirit to the business."Historically, tortoiseshell wares have come to be associated almost exclusively with Thomas Whieldon, however, ceramics expert Pat Halfpenny warns that:“The ‘Whieldon’ label has inhibited scholarly research and limited our understanding of the pottery production dates in North Staffordshire.”In his 1991 study of William Greatbatch, David Barker also concluded:"Many of the wares manufactured by Whieldon are of types now known to have been made by Greatbatch and have been found on the Greatbatch site. Whieldon ware, or Whieldon-type ware are terms which are widely accepted in describing a variety of ceramics, particularly tortoiseshell wares, but which lead to problems in any objective research into the pottery of the period."In the absence of any supporting information, caution is therefore needed in ascribing any particular tortoiseshell wares to Thomas Whieldon.
Thomas Whieldon
3860515#2
Ɯ was used in the Zhuang alphabet from 1957 to 1986 to represent the same vowel as in IPA; sometime before or in 1986, it was replaced with W.
Ɯ
18691665#19
Sanaʽa was chosen as the 2004 Arab Cultural Capital by the Arab League. In 2008, the Al Saleh Mosque was completed. It holds over 40,000 worshipers.
Sanaʽa
55853074#1
s͎ is represented in Unicode by an s and U+034E (Combining Upwards Arrow Below).
S͎
5255884#1
Ƨ was used in the Zhuang alphabet from 1957 to 1986 to indicate the second, or falling, tone (), due to its resemblance to the numeral 2, along with four other letters resembling numbers. (See table). In 1986, Ƨ was replaced by the similarly shaped, but fully Latin, Z, when the alphabet was simplified for use in computers.
Ƨ