What years did Moliere live?
47099786#97
In 1661, Moliere moved his company into the theater built by Cardinal Richelieu at the Palais-Royal. After the death of Moliere in 1673, the composer Jean-Baptiste Lully expelled Moliere's actors from the theater and used it for performances of operas. Chased from their home, the actors of Moliere moved to a different theater, called La Couteillle, on the modern rue Jacques-Callot, where they merged with their old rivals, the company of the Hôtel de Bourgogne. In 1680, the new company was officially chartered by the King as the "Comédiens de Roi", which became known as the Comédie-Française. In 1689, they were forced to depart because of complaints that the actors were a bad influence on the neighboring noble students of the Collège des Quatre-Nations. They moved further south on the left bank to the modern rue de l'Ancienne-Comédie, where they remained until 1770, before moving back to their present home at the Palais-Royal between 1786 and 1790.
Paris in the 17th century
51465#0
Jean-Baptiste Poquelin, known by his stage name Molière (; ; 15 January 162217 February 1673), was a French playwright, actor and poet, widely regarded as one of the greatest writers in the French language and universal literature. His extant works includes comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language itself is often referred to as the "language of Molière".
Molière
32570548#2
The main bronze sculpture, showing Moliere seated under a portico under an imposing arch, is by Bernard-Gabriel Seurre (1795–1875) and cast by the fonderie Eck et Durand. Under him is an inscription flanked by two marble female sculptures by Jean-Jacques Pradier (1792–1852), 'Serious Comedy' and 'Light Comedy' - each holds a scroll listing Moliere's works. Right at the bottom are lion masks, from which the water pours into a semi-circular basin. A commemorative medal for the fountain's inauguration was designed by François Augustin Caunois in 1844 - an example of it is in the musée Carnavalet (ND 0367).
Fontaine Molière
17192473#1
László Magyar was born on November 13, 1818 in Szombathely, Hungary, and lived 17 years in Ponte de Cuio, Angola, where he died on November 9, 1864. His geographical explorations, as well as his ethnological research, were supported by his father-in-law, the king of Bié. The king's relations, as well as his donation of 300 slaves, enabled Magyar to go on six exploring journeys in Angola. Unlike other European travelers, he did not only explore one area, but also described the life of the people living there.
The African people called him "Mister What-Is-This", because he always asked them questions about his interests: the local people, their habits and the way they administered themselves. Magyar spent over a decade living among the native people and learning their languages.
László Magyar
52638887#2
The play premiered on 16 February 1936 and enjoyed huge success. But on 9 March the article "Glamorous on the Surface, False Beneath" appeared in "Pravda" and "Moliere" was banned, after just seven sold out performances. In October that year Bulgakov left the Moscow Art Theatre calling it in his diary "the graveyard of my plays" and referring to it as "the theatre where "Moliere" had been destroyed" in a letter to his friend Vikenty Veresayev.
The Cabal of Hypocrites
30370167#11
From May 1973 to September 1974, Abdelghani Bousta lived in hiding. During this time, he realised the mistakes made when the March 1973 events were organised. In 1975, he wrote a critical analysis of UNFP on behalf of the Option Révolutionnaire (Revolutionary option) movement, harshly criticising the events and the leaders: “[…] the March 1973 events helped shed light on the internal contradictions of the Party and show the true nature of its leaders: putschist and adventurous leaders who did not see any problem in sacrificing dozens of activists in a hazardous battle.”
Abdelghani Bousta
54133571#4
A 1982 attempted revival of "What a Life" at the Manhattan Punch Line failed. The production was panned in "The New York Times", with reviewer Mel Gussow writing: "The play is piffle. Far funnier efforts can be seen nightly in television reruns of situation comedies. Next to "What a Life," "Leave It to Beaver" is Moliere."
What a Life (play)
14046416#2
This enzyme belongs to the family of oxidoreductases, specifically those acting on paired donors, with O2 as oxidant and incorporation or reduction of oxygen. The oxygen incorporated need not be derived from O2 with 2-oxoglutarate as one donor, and incorporation of one atom o oxygen into each donor. The systematic name of this enzyme class is N6,N6,N6-trimethyl-L-lysine,2-oxoglutarate:oxygen oxidoreductase (3-hydroxylating). Other names in common use include trimethyllysine alpha-ketoglutarate dioxygenase, TML-alpha-ketoglutarate dioxygenase, TML hydroxylase, 6-N,6-N,6-N-trimethyl-L-lysine,2-oxoglutarate:oxygen oxidoreductase, and (3-hydroxylating). This enzyme participates in lysine degradation and L-carnitine biosynthesis and requires the presence of iron and ascorbate.
Trimethyllysine dioxygenase
11247268#8
"We designed the building from the inside out, not the outside in,” said Loretta H. Cockrum, Foram’s founder, chairman and CEO. “We wanted the most efficient office building ever designed, with no wasted space or wasted energy. This is a building of the future more than a building of the present. A lot of love has gone into that building, and a lot of pride."
Brickell World Plaza
19477084#6
Recent exhibitions at Tensta konsthall include
• “Abstract Possible: The Stockholm Synergies,” with Doug Ashford, Claire Barclay, Goldin+Senneby, Wade Guyton, Mai-Thu Perret, Walid Raad, and Haegue Yang, among others
• “Kami, Khokha, Bert and Ernie: World Heritage” by Hinrich Sachs
• “Doing what you want: Marie-Louise Ekman accompanied by Sister Corita Kent, Mladen Stilinović, and Martha Wilson” 
• “The Society without qualities” with Sören Andreasen, Ane Hjort Guttu, Sture Johannesson, Sharon Lockhardt, and Palle Nielsen (part of “The new model” and curated by Lars Bang Larsen)
• “Working With…” by Zak Kyes
• “We are continuing BBDG” with Bernd Krauss
• “Two Archives” by Babak Afrassiabi and Nasrin Tabatabai
Tensta Konsthall
2011268#11
From 1952 until her death in 1986, Molter was the subject of ongoing media and documentary coverage. Her life was the subject of a book entitled "The Root Beer Lady" by Bob Cary of Ely, which is a collection of short stories based on the author's friendship with Dorothy, and in 2011, a biography entitled "Dorothy Molter: The Root Beer Lady of Knife Lake" by Sarah Guy-Levar (executive director of the Dorothy Molter Museum 2007-2017) and Terry Schocke (former staff at the Dorothy Molter Museum) was published. She was also the subject of National Geographic publications, a broadcast of the "Real People" television series, and of a documentary video "Dorothy Molter - Living in the Boundary Waters." Charles Kuralt visited her and featured her on his television program, and also wrote about her in his book "Charles Kuralt's America".
Dorothy Molter