When did Degas sculpt his "Little Dancer"?
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Between 1878 and 1881, Degas drew, painted and sculpted Marie in artworks including "Dancer with Fan", "Dancing Lesson", "Dancer Resting", numerous preparatory sketches, and most famously in "Little Dancer of Fourteen Years". He frequently attended ballet performances at the Paris Opera and often observed classes at the dance school. By posing for Degas, Marie likely earned five to six francs per four-hour sitting.
Marie van Goethem
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The "Little Dancer" wax sculpture we see today is a reworked version of the original sculpture that was shown in 1881. After seeing the wax sculpture in Degas’ living quarters in April 1903, the New York collector Louisine Havemeyer expressed interest in buying the wax. After proposing a bronze or cast wax of the sculpture, which Mrs. Havemeyer refused, Degas took his wax figure upstairs to his working studio and told Vollard he was reworking the sculpture for Havemeyer for 40,000 francs. Degas never sold the sculpture to Mrs. Havemeyer. After Degas died, it was found in a corner of his studio. Paul Lefond, Degas’ biographer, described the "Little Dancer" wax after Degas’ death as "nothing but a ruin;" and Mary Cassatt telegraphed Mrs. Havemeyer "Statue Bad Condition." However, the wax sculpture we know today is not a ruin. It is Degas' reworked second version of his wax figure. At some point before Degas extensively reworked his sculpture, he allowed a plaster to be cast from the wax figure. This recently re-discovered plaster records the "Little Dancer"’s original pose, bodice, and hairdo. The plaster is now in a private collection in the United States.
Little Dancer of Fourteen Years
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Degas's only showing of sculpture during his life took place in 1881 when he exhibited "The Little Dancer of Fourteen Years". A nearly life-size wax figure with real hair and dressed in a cloth tutu, it provoked a strong reaction from critics, most of whom found its realism extraordinary but denounced the dancer as ugly. In a review, J.-K. Huysmans wrote: "The terrible reality of this statuette evidently produces uneasiness in the spectators; all their notions about sculpture, about those cold inanimate whitenesses ... are here overturned. The fact is that with his first attempt Monsieur Degas has revolutionized the traditions of sculpture as he has long since shaken the conventions of painting."
Edgar Degas
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Degas's work was controversial, but was generally admired for its draftsmanship. His "La Petite Danseuse de Quatorze Ans", or "Little Dancer of Fourteen Years", which he displayed at the sixth Impressionist exhibition in 1881, was probably his most controversial piece; some critics decried what they thought its "appalling ugliness" while others saw in it a "blossoming". In part Degas' originality consisted in disregarding the smooth, full surfaces and contours of classical sculpture ... [and] in garnishing his little statue with real hair and clothing made to scale like the accoutrements for a doll. These relatively "real" additions heightened the illusion, but they also posed searching questions, such as what can be referred to as "real" when art is concerned. The suite of pastels depicting nudes that Degas exhibited in the eighth Impressionist Exhibition in 1886 produced "the most concentrated body of critical writing on the artist during his lifetime ... The overall reaction was positive and laudatory".
Edgar Degas
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The Little Fourteen-Year-Old Dancer (French: "La Petite Danseuse de Quatorze Ans") is a sculpture begun c. 1880 by Edgar Degas of a young student of the Paris Opera Ballet dance school, a Belgian named Marie van Goethem.
Little Dancer of Fourteen Years
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Art historian Richard Kendall published a scholarly account of the history of Degas's sculpture, "Degas and the Little Dancer", with contributions by Douglas Druick and Arthur Beale. The BBC Two documentary "The Private Life of a Masterpiece: Little Dancer Aged Fourteen", produced in 2004, closely examines the sculpture, the model, the circumstances of her life, and the critical reaction to the work. Cathy Marie Buchanan's novel, "The Painted Girls", presents a fictionalised account of the life of Marie van Goethem, the model for the sculpture, as does Carolyn Meyer's young adult novel "Marie, Dancing" and Laurence Anholt's children's picture book "Degas and the Little Dancer". In 2014, the Kennedy Center for the Performing Arts in Washington, D.C. premiered the stage musical, "Little Dancer", inspired by the story of the young ballerina immortalized by Edgar Degas in his famous sculpture. On September 12, 2016, Dr. Gregory Hedberg presented a paper entitled "Unraveling the Mysteries of Degas’ "Little Dancer, Aged Fourteen"," at the French Institute, Alliance Français, in New York City.
Little Dancer of Fourteen Years
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The original wax sculpture was acquired by Paul Mellon in 1956. Beginning in 1985, Mr and Mrs Mellon gave the National Gallery of Art 49 Degas waxes, 10 bronzes and 2 plasters, the largest group of original Degas sculptures. "Little Dancer" was among the bequests. In 1997, the Airaindor-Valsuani foundry in France began casting a limited edition of Degas bronzes from the pre-1903 "Little Dancer" plaster. One such "Little Dancer" bronze is owned by the M.T. Abraham Foundation, which, at times, is lent to other institutions and museums including the State Hermitage Museum in Saint Petersburg, Russia. Like the various states of many of Degas' prints, the Valsuani bronzes record the first version of Degas' "Little Dancer", while the Hébrard casts record the second and final state of the sculpture.
Little Dancer of Fourteen Years
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After Degas' death, his heirs (brother and sister's children) made the decision to have the bronze repetitions of "La Petite Danseuse" and other wax and mixed-media sculptures cast. The casting took place at the Hébrard foundry in Paris from 1920 until 1936 when the Hébrard foundry went bankrupt and closed. Thereafter, "Hébrard" Degas "Little Dancer" bronzes were cast at the Valsuani foundry in Paris until the mid-1970s. Sixty-nine of Degas' wax sculptures survived the casting process. One copy of "La Petite Danseuse" is currently owned by the creator and owner of Auto Trader, John Madejski. He stated that he bought the sculpture by accident. That copy was sold for £13,257,250 ($19,077,250) at Sotheby's on February, 3rd 2009. Another Hébrard "Little Dancer" bronze failed to sell at a November 2011 auction at Christie's.
Little Dancer of Fourteen Years
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The foundation owns a complete collection of 74 bronze sculptures by the French Impressionist Edgar Degas, including a casting of "The Little Dancer Aged Fourteen." According to a number of experts, Degas, after meeting with criticism for his first sculpture "Little Dancer," had privately accumulated plasters for sculptures that were not found until after his death. They feature dancers, horses, bathers, etc. Apart from the M.T. Abraham Foundation, as of 2010 only four museums worldwide have near-complete collections.
M.T. Abraham Foundation
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The sculpture is one-third life size and was originally sculpted in wax, a somewhat unusual choice of medium for the time. It is dressed in a real bodice, tutu and ballet slippers and has a wig of real hair. All but a hair ribbon and the tutu are covered in wax. The 28 bronze repetitions that appear in museums and galleries around the world today were cast after Degas' death. The tutus worn by the bronzes vary from museum to museum.
Little Dancer of Fourteen Years
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Realistic wax figures with real hair and real clothes had also been popular in religious, Folk, and fine arts for centuries before Degas created his "Little Dancer".
Little Dancer of Fourteen Years