What was the first documentary film?
2503816#1
"First Contact" is the first documentary in what later became known as "The Highland Trilogy". The other two films are "Joe Leahy's Neighbours" (1989) and "Black Harvest" (1992). These three films, between them, have won some thirty major awards, included each film winning both the Grand Prix at the Festival Cinéma du Réel in Paris and AFI Award for Best Documentary.
First Contact (1983 film)
35764741#1
The first known Dutch documentary was made in 1916 by Johann Vierboom. The film "Storm en noodweer in Nederland" shows the 1916 flood disaster at the coasts of the Zuiderzee. An other documentary film of this era is "Holland Neutraal: De leger- en vlootfilm" (1917) by Willy Mullens. One of the most famous Dutch documentary film directors is Joris Ivens. Ivens started making his own films in 1928. The first was an avant-garde look at a Rotterdam bridge, "The Bridge" ("De brug", 1928). His later films were more realistic, socially concerned and polemical.
"The Spanish Earth" (1937) is one of his most famous films. In order to make internationally oriented documentaries, Ivens travelled to countries such as the Soviet Union, Spain, China, Australia and the United States.
List of Dutch documentary films
39424615#2
The documentary starts in 1947, with the first widely publicized UFO sightings in the United States, including recreations of the Kenneth Arnold UFO sighting, the Mantell UFO incident, and the Gorman Dogfight. It then traces the development of UFOs as both a popular fad and a serious concern for the US Air Force. The history of Project Sign, the first Air Force study of the UFO phenomenon, is discussed. The documentary then focuses upon Albert M. Chop and his growing involvement with UFOs. Chop is assigned as the public information officer at Wright-Patterson Air Force Base in Dayton, Ohio, in the late 1940s. In that position he is required to answer numerous news media queries about UFO sightings and what the Air Force knows about them. Although he is initially portrayed as a UFO debunker, Chop gradually changes his views as the movie progresses, and he comes to believe that UFOs are unknown, and possibly extraterrestrial, aircraft. By 1952 Chop has moved to Washington, DC, where he is the press spokesman for Project Blue Book. The documentary analyzes two famous pieces of UFO footage: the Mariana UFO Incident of 1950, in which the manager of the Great Falls, Montana minor-league baseball team claimed to have filmed two UFOs flying over the local baseball stadium, and the 1952 UFO film taken near the Great Salt Lake in Utah by a US Navy photographer, Delbert Newhouse. The documentary concludes with the famous 1952 Washington DC UFO incident, in which Albert Chop played a central role. The documentary recreates Chop's experiences during the incident, and at the end of the documentary Chop states his belief that UFOs are a "real", physical phenomenon of unknown origin.
UFO (1956 film)
56761469#2
In early 2013, the company launched the documentary short “Bob the Baker,” the first film in what would become the company's. Once Films would go on to produce 5 more films in the series in 2014 while growing its rolodex of clients and hiring several full-time staffers. By the end of 2015, Once Films had completed nearly 200 films for projects in the St. Louis area and across the country.
Once films
51274534#8
The first film made by her is I Live in Behrampada (1993). The documentary made on a Muslim ghetto in the context of communal riots in Mumbai 1992-93 received Filmfare Award for best documentary in 1994. The film turned out to be a serious discursive material for conflict study and the script of it was published in an anthology - Politics of Violence: From Ayodhya to Behrampada, eds. John McGuire, Peter Reeves and Howard Brasted, Sage Publication,1996. Subsequently, she has made several films – documentary, shorts, video spots and non-fiction features. Most of her films are made with the same unit comprising cameraman Avijit Mukul Kishore and editor Shyamal Karmakar. Her 2006 film Seven Islands and A Metro, on the city of Bombay / Mumbai was one of the first documentary films to have been commercially released in the theatres in India. Apart from making her own films she has also produced several documentaries for younger filmmakers. Her role as a pedagogue, mentor, and producer has helped to consolidate a peer group around documentary practices in Mumbai. Her films had received three National Film Awards.
Madhusree Dutta
2400055#9
In the late 1960s he began directing his own films. The first was "Poem Posters" (1967), a 20-minute documentary about the installation, opening, and breakdown of the exhibition of his surrealist collages. It was chosen for the Fourth International Avant-Garde Festival in Belgium. His second film was "Johnny Minotaur", which premiered in 1971. Its nominal subject was the Greek myth of Theseus, Ariadne, and the Minotaur's labyrinth. It was an exercise in surrealist juxtaposition of styles, including cinema vérité and "erotic kitsch". Shot in Crete and employing the structure of a film-within-a-film, it pretended to document the experiences of a film producer as he worked on a contemporary film about a classical myth, but Ford's work moved freely between the documentary subject and the supposed film in production with little respect for any distinction between the two. A reviewer in "The New York Times" said of the film, "The order of the day is male anatomy and male sexuality." The film played for a time at New York's Bleecker Street Cinema and been rarely screened since then. The Film-Makers' Cooperative has screened what it describes as the only surviving print of the film in festival settings, though some venues have refused to show it because of its explicit sexual content given the youthful appearance of some of the actors.
Charles Henri Ford
36528632#2
With the Wong brothers, Balink started the Java Pacific Film production company in 1934, in what was then the Dutch East Indies. At the time Balink was inexperienced with film, having only book knowledge. Java Pacific Film, which was headquartered in an old tapioca flour factory, first produced the documentary film "De Merapi Dreigt" ("Mount Merapi Looms"), in 1934. Advertised as the first documentary film with sound in the Dutch East Indies, it was a critical success. However, Balink's main interest was in feature films. All feature films released in the Dutch East Indies between 1934 and 1935 had been directed by The Teng Chun, based on Chinese mythology or martial arts, and targeted at low-class audiences, generally ethnic Chinese. Balink intended to reach an upper-class audience.
Albert Balink
21530274#1
The advance publicity booklet on the film when it was entitled "Africa Sings", touted it as showing "what the white man achieved for himself" and "what he has done for he natives." "Africa Sings" was one of the first documentary films from South Africa to take a look at the lives of South Africans of all races. There are images of location life, schools and colleges, and a cross-section of occupations, from mine-workers to road-gangs, school-teachers to house- servants, waiters to cane-cutters. Mainstream reviewers gave the documentary a tepid response; the London Daily Worker thought it was too bland to serve a staunch liberationist purpose.
My Song Goes Forth
19477084#6
Recent exhibitions at Tensta konsthall include
• “Abstract Possible: The Stockholm Synergies,” with Doug Ashford, Claire Barclay, Goldin+Senneby, Wade Guyton, Mai-Thu Perret, Walid Raad, and Haegue Yang, among others
• “Kami, Khokha, Bert and Ernie: World Heritage” by Hinrich Sachs
• “Doing what you want: Marie-Louise Ekman accompanied by Sister Corita Kent, Mladen Stilinović, and Martha Wilson” 
• “The Society without qualities” with Sören Andreasen, Ane Hjort Guttu, Sture Johannesson, Sharon Lockhardt, and Palle Nielsen (part of “The new model” and curated by Lars Bang Larsen)
• “Working With…” by Zak Kyes
• “We are continuing BBDG” with Bernd Krauss
• “Two Archives” by Babak Afrassiabi and Nasrin Tabatabai
Tensta Konsthall
36247785#0
Fortunate Son (French title "Le fils béni", Greek title "Kalotyhos gios") is an autobiographical feature documentary film by Tony Asimakopoulos, a Canadian film director of Greek origin. The film was released in 2011 and produceed by Mila Aung-Thwin, Daniel Cross and Bob Moore of the Montreal-based film production company, EyeSteelFilm. The film is in English and Greek, with subtitles in English and French. As Asimakopoulos' first documentary, the film has been called "A searing documentary about family" by Liz Braun of the Toronto Sun, as well as "[...] a story of what binds families together, and what it means to be loved" by Daniel Pratt of Exclaim!.
Fortunate Son (film)