title: Olivia Rodrigo

text: Olivia Isabel Rodrigo was born on February 20, 2003, at Rancho Springs Medical Center in Murrieta, California, to school teacher Jennifer and family therapist Chris Rodrigo. She lived and grew up in neighboring Temecula. Rodrigo is Filipino American; her father is Filipino while her mother has German and Irish ancestry. She has stated that her paternal great-grandfather moved from the Philippines to the United States as a teenager and her family follows Filipino traditions and cuisine. Rodrigo started taking vocal lessons in kindergarten and learned to play piano soon after. She began taking acting and singing classes at age six and started acting in theater productions in elementary school. Rodrigo was playing guitar by age 12. She grew up listening to her parents' favorite alternative rock music, such as the bands No Doubt, Pearl Jam, the White Stripes, and Green Day. Rodrigo became interested in songwriting after listening to country music, especially American singer-songwriter Taylor Swift. She moved to Los Angeles after landing her role on "Bizaardvark".


title: Olivia Rodrigo

text: Rodrigo first appeared onscreen in an Old Navy commercial. Shortly after in 2015, at age twelve, she made her acting debut portraying the lead role of Grace Thomas in direct-to-video film "". In 2016, Rodrigo received recognition for starring as Paige Olvera, a guitarist in the Disney Channel series "Bizaardvark", a role she played for three seasons.


title: Olivia Rodrigo

text: In February 2019, she was cast in the starring role of Nini Salazar-Roberts on the Disney+ series "", which premiered in November of that year. For the show's soundtrack, Rodrigo wrote "All I Want" and co-wrote "Just for a Moment" with co-star Joshua Bassett. Rodrigo was praised for her performance, with Joel Keller from Decider describing her as "especially magnetic". In 2022, she left the show at the end of its third season to focus on her music career.


title: Olivia Rodrigo

text: Rodrigo signed with Interscope Records and Geffen Records in 2020. She negotiated the record deal to secure for herself ownership of the masters of her music. On January 8, 2021, she released her debut single, "Drivers License", which she co-wrote with producer Dan Nigro. Within the week of its release, "Drivers License" was critically acclaimed, and broke Spotify's record twice for most daily streams ever for a non-holiday song with over 15.7 million global streams on January 11 and over 17 million global streams the next day. It went on to break another Spotify record for the first song in history to hit 80 million streams in 7 days. The song debuted at number one on "Billboard" Hot 100, and reached number-one in numerous other countries. Rodrigo stated in an interview that "It's been the absolute craziest week of my life ... My entire life just, like, shifted in an instant."


title: Olivia Rodrigo

text: On April 1, 2021, Rodrigo released her follow-up single, "Deja Vu", which debuted at number eight on the "Billboard" Hot 100, making her the first artist to debut their first two releases in the top 10 of the Hot 100. The third single preceding her debut album, "Good 4 U", followed on May 14, 2021, and became her second single to debut at number one on the Hot 100. "Sour", her debut studio album, was released on May 21, 2021, to critical acclaim. Charlie Gunn of "The Forty-Five" called it "the greatest coming-of-age album since early Taylor Swift or Lorde". "Slate" Chris Molanphy said its first three singles alone established Rodrigo's "early status as Gen-Z's most versatile new artist". According to "Clash" critic Robin Murray, Rodrigo is regarded as one of Generation Z's finest artists, while "Variety" dubbed her "the Voice of her Generation" in its cover story of Rodrigo. "Sour" debuted at number one on the "Billboard" 200 chart and spent a total of five weeks at the spot, becoming the longest reigning number-one album by a female artist in 2021.


title: Olivia Rodrigo

text: In June 2021, Rodrigo premiered "Sour Prom", a prom-themed concert film on YouTube. On December 6, 2021, Rodrigo announced a world tour, including tour stops in the United States, Canada, and Europe. Three days later, she was named Entertainer of the Year by "Time". In an Instagram post on December 24, 2021, Rodrigo uploaded a snippet of a Christmas song called "The Bels" that she wrote and recorded at age five. According to "Billboard", Rodrigo closed 2021 as the best-selling singles artist worldwide, placing eight songs on the year-end Global 200 chart, including "Drivers License" at number four, "Good 4 U" at number nine, and "Deja Vu" at number 27. In the US and UK, "Sour" was respectively the third and fourth best-selling album of 2021. "Sour" and "Drivers License" were also respectively Spotify's most streamed album and song globally. The International Federation of the Phonographic Industry (IFPI) ranked Rodrigo as the tenth best selling artist of 2021 and "Sour" as the second best selling album of 2021.


title: Olivia Rodrigo

text: On February 17, 2022, Rodrigo announced and released the trailer of her Disney+ documentary film "", which was released on March 25, 2022. Rodrigo received seven nominations at the 64th Annual Grammy Awards, including Best New Artist, Album of the Year for "Sour", and Record of the Year and Song of the Year for "Drivers License". She won the awards for Best New Artist, Best Pop Vocal Album for "Sour", and Best Pop Solo Performance for "Drivers License".


title: Olivia Rodrigo

text: Rodrigo cites Taylor Swift and Lorde as her idols and main musical inspirations, and also dubbed herself Swift's biggest fan "in the whole world". She dubs The White Stripes band member Jack White her "hero of all heroes". Her other influences include Alanis Morissette, Kacey Musgraves, Fiona Apple, St. Vincent, Cardi B, Gwen Stefani and Avril Lavigne.


title: Olivia Rodrigo

text: Rodrigo's voice type is identified as soprano. Media outlets generally describe Rodrigo as a pop artist, musically rendering to pop rock, teen pop, and indie pop styles. Rodrigo has stated that she wants to be a songwriter and not "the biggest pop star that ever lived", and chose to sign with Interscope/Geffen Records because its CEO praised her songwriting, not her "potential star quality". Music journalist Laura Snapes called Rodrigo a "flag-bearer" for a new wave of songwriters who incline towards power ballads "that are as emotional as ever, but project that emotion inward, trading bombast for hush", and described her musical style as rooted in heartache, mental health, and sadness, without being melodramatic, expressing more realistic perspectives than resilient.


title: Olivia Rodrigo

text: On July 13, 2021, Rodrigo was involved in a White House effort to promote COVID-19 vaccinations among young people in the U.S. She met with President Joe Biden, Vice President Kamala Harris and Chief Medical Advisor Anthony Fauci, to discuss her efforts. CNN reported that Rodrigo would record videos about the importance of young people getting vaccinated, including answering questions the youth have regarding the vaccination.


title: Olivia Rodrigo

text: Rodrigo has shown support to several charities and causes. In January 2017, she encouraged her fans to support LoveYourMelon to help children fight against pediatric cancer. She and Madison Hu teamed up with Instagram #KindComments to encourage their fans to spread kindness and foster positivity on social media in October 2017. The following year, Rodrigo became the face of She Can STEM campaign. In 2018, Rodrigo was an institute speaker and panelist for the Geena Davis Institute on Gender in Media.


title: Olivia Rodrigo

text: In February 2021, she released her merchandise "Spicy Pisces T-shirts" on her website and all the proceeds went to Plus1 benefitting She's The First dedicated in sponsoring young girls' scholarship and education. In April, Sour Patch Kids and Rodrigo collaborated in creating a limited-edition Sour Patch Kids x Sour Candy mixes and 100% of the sales went to the Rainforest Foundation which support the indigenous people in protecting the rainforests. In December 2021, she joined Kelly Clarkson, Katy Perry and more on "Musicians on Call" in "Hope for the Holidays" to bring Christmas cheer to hospital patients via virtual concert.


title: Olivia Rodrigo

text: In response to the 2022 overruling of the "Roe v. Wade" U.S. Supreme Court ruling, Rodrigo performed "Fuck You" with British singer Lily Allen at Glastonbury Festival. She prefaced the performance by dedicating it to the associate justices who voted to overturn "Roe", Samuel Alito, Clarence Thomas, Neil Gorsuch, Amy Coney Barrett, Brett Kavanaugh, saying "I'm devastated and terrified. So many women and so many girls are going to die because of this. I wanted to dedicate this next song to the five members of the Supreme Court who have showed us that at the end of the day, they truly don't give a shit about freedom. The song is for the justices."


title: Olivia Rodrigo

text: In November 2022, Rodrigo joined Venus Williams, Billie Eilish, John Legend, Tom Holland and more with co-founders Eddie Vedder and Jill Vedder for the 3rd Annual Venture Fundraising event to find a cure for Epidermolysis Bullosa.


title: Olivia Rodrigo

text: For her work in music, Rodrigo has various accolades, including three Grammy Awards, seven Billboard Music Awards, four MTV Video Music Awards, four iHeartRadio Music Awards and two People's Choice Awards, an American Music Award, a Brit Award and a Juno Award.


title: Olivia Rodrigo

text: Rodrigo was placed on the 2021 edition of "Time" magazine's 100 Next list, and was named "Time"s Entertainer of the Year for 2021. "Billboard" also honored her with their Woman of the Year at the 2022 "Billboard" Women in Music event. She has also received "Songwriter of the Year" honors by "Variety" in 2021, and at the 2022 ASCAP Awards.


title: Leonardo da Vinci

text: Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanist ideal, and his collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo.


title: Leonardo da Vinci

text: Born out of wedlock to a successful notary and a lower-class woman in, or near, Vinci, he was educated in Florence by the Italian painter and sculptor Andrea del Verrocchio. He began his career in the city, but then spent much time in the service of Ludovico Sforza in Milan. Later, he worked in Florence and Milan again, as well as briefly in Rome, all while attracting a large following of imitators and students. Upon the invitation of Francis I, he spent his last three years in France, where he died in 1519. Since his death, there has not been a time where his achievements, diverse interests, personal life, and empirical thinking have failed to incite interest and admiration, making him a frequent namesake and subject in culture.


title: Leonardo da Vinci

text: Leonardo is identified as one of the greatest painters in the history of art and is often credited as the founder of the High Renaissance. Despite having many lost works and less than 25 attributed major works—including numerous unfinished works—he created some of the most influential paintings in Western art. His magnum opus, the "Mona Lisa", is his best known work and often regarded as the world's most famous painting. "The Last Supper" is the most reproduced religious painting of all time and his "Vitruvian Man" drawing is also regarded as a cultural icon. In 2017, "Salvator Mundi", attributed in whole or part to Leonardo, was sold at auction for , setting a new record for the most expensive painting ever sold at public auction.


title: Leonardo da Vinci

text: Revered for his technological ingenuity, he conceptualized flying machines, a type of armored fighting vehicle, concentrated solar power, a ratio machine that could be used in an adding machine, and the double hull. Relatively few of his designs were constructed or even feasible during his lifetime, as the modern scientific approaches to metallurgy and engineering were only in their infancy during the Renaissance. Some of his smaller inventions, however, entered the world of manufacturing unheralded, such as an automated bobbin winder and a machine for testing the tensile strength of wire. He made substantial discoveries in anatomy, civil engineering, hydrodynamics, geology, optics, and tribology, but he did not publish his findings and they had little to no direct influence on subsequent science.


title: Leonardo da Vinci

text: Leonardo da Vinci, properly named Leonardo di ser Piero da Vinci (Leonardo, son of ser Piero from Vinci), was born on 15 April 1452 in, or close to, the Tuscan hill town of Vinci; Florence was 20 miles away. He was born out of wedlock to (Ser Piero da Vinci d'Antonio di ser Piero di ser Guido; 1426–1504), a Florentine legal notary, and ( – 1494), from the lower-class. It remains uncertain where Leonardo was born; the traditional account, from a local oral tradition recorded by the historian Emanuele Repetti, is that he was born in Anchiano, a country hamlet that would have offered sufficient privacy for the illegitimate birth, though it is still possible he was born in a house in Florence that Ser Piero almost certainly had. Leonardo's parents both married separately the year after his birth. Caterina—who later appears in Leonardo's notes as only "Caterina" or "Catelina"—is usually identified as the Caterina Buti del Vacca who married the local artisan Antonio di Piero Buti del Vacca, nicknamed "L'Accattabriga" ("the quarrelsome one"). Other theories have been proposed, particularly that of art historian Martin Kemp, who suggested Caterina di Meo Lippi, an orphan who married purportedly with aid from Ser Piero and his family. Ser Piero married Albiera Amadori—having been betrothed to her the previous year—and after her death in 1464, went on to have three subsequent marriages. From all the marriages, Leonardo eventually had 16 half-siblings (of whom 11 survived infancy) who were much younger than he (the last was born when Leonardo was 46 years old) and with whom he had very little contact.


title: Leonardo da Vinci

text: Very little is known about Leonardo's childhood and much is shrouded in myth, partially because of his biography in the frequently apocryphal "Lives of the Most Excellent Painters, Sculptors, and Architects" (1550) by the 16th-century art historian Giorgio Vasari. Tax records indicate that by at least 1457 he lived in the household of his paternal grandfather, Antonio da Vinci, but it is possible that he spent the years before then in the care of his mother in Vinci, either Anchiano or Campo Zeppi in the parish of San Pantaleone. He is thought to have been close to his uncle, Francesco da Vinci, but his father was probably in Florence most of the time. Ser Piero, who was the descendant of a long line of notaries, established an official residence in Florence by at least 1469 and had a successful career. Despite his family history, Leonardo only received a basic and informal education in (vernacular) writing, reading and mathematics, possibly because his artistic talents were recognised early, so his family decided to focus their attention there.


title: Leonardo da Vinci

text: Later in life, Leonardo recorded his earliest memory, now in the Codex Atlanticus. While writing on the flight of birds, he recalled as an infant when a kite came to his cradle and opened his mouth with its tail; commentators still debate whether the anecdote was an actual memory or a fantasy.


title: Leonardo da Vinci

text: In the mid-1460s, Leonardo's family moved to Florence, which at the time was the centre of Christian Humanist thought and culture. Around the age of 14, he became a "garzone" (studio boy) in the workshop of Andrea del Verrocchio, who was the leading Florentine painter and sculptor of his time. This was about the time of the death of Verrocchio's master, the great sculptor Donatello. Leonardo became an apprentice by the age of 17 and remained in training for seven years. Other famous painters apprenticed in the workshop or associated with it include Ghirlandaio, Perugino, Botticelli, and Lorenzo di Credi. Leonardo was exposed to both theoretical training and a wide range of technical skills, including drafting, chemistry, metallurgy, metal working, plaster casting, leather working, mechanics, and woodwork, as well as the artistic skills of drawing, painting, sculpting, and modelling.


title: Leonardo da Vinci

text: Leonardo was a contemporary of Botticelli, Ghirlandaio and Perugino, who were all slightly older than he was. He would have met them at the workshop of Verrocchio or at the Platonic Academy of the Medici. Florence was ornamented by the works of artists such as Donatello's contemporaries Masaccio, whose figurative frescoes were imbued with realism and emotion, and Ghiberti, whose "Gates of Paradise", gleaming with gold leaf, displayed the art of combining complex figure compositions with detailed architectural backgrounds. Piero della Francesca had made a detailed study of perspective, and was the first painter to make a scientific study of light. These studies and Leon Battista Alberti's treatise "De pictura" were to have a profound effect on younger artists and in particular on Leonardo's own observations and artworks.


title: Leonardo da Vinci

text: Much of the painting in Verrocchio's workshop was done by his assistants. According to Vasari, Leonardo collaborated with Verrocchio on his "The Baptism of Christ", painting the young angel holding Jesus' robe in a manner that was so far superior to his master's that Verrocchio put down his brush and never painted again, although this is believed to be an apocryphal story. Close examination reveals areas of the work that have been painted or touched-up over the tempera, using the new technique of oil paint, including the landscape, the rocks seen through the brown mountain stream, and much of the figure of Jesus, bearing witness to the hand of Leonardo. Leonardo may have been the model for two works by Verrocchio: the bronze statue of "David" in the Bargello, and the Archangel Raphael in "Tobias and the Angel".


title: Leonardo da Vinci

text: Vasari tells a story of Leonardo as a very young man: a local peasant made himself a round shield and requested that Ser Piero have it painted for him. Leonardo, inspired by the story of Medusa, responded with a painting of a monster spitting fire that was so terrifying that his father bought a different shield to give to the peasant and sold Leonardo's to a Florentine art dealer for 100 ducats, who in turn sold it to the Duke of Milan.


title: Leonardo da Vinci

text: By 1472, at the age of 20, Leonardo qualified as a master in the Guild of Saint Luke, the guild of artists and doctors of medicine, but even after his father set him up in his own workshop, his attachment to Verrocchio was such that he continued to collaborate and live with him. Leonardo's earliest known dated work is of the Arno valley. According to Vasari, the young Leonardo was the first to suggest making the Arno river a navigable channel between Florence and Pisa.


title: Leonardo da Vinci

text: In January 1478, Leonardo received an independent commission to paint an altarpiece for the Chapel of Saint Bernard in the Palazzo Vecchio, an indication of his independence from Verrocchio's studio. An anonymous early biographer, known as Anonimo Gaddiano, claims that in 1480 Leonardo was living with the Medici and often worked in the garden of the Piazza San Marco, Florence, where a Neoplatonic academy of artists, poets and philosophers organized by the Medici met. In March 1481, he received a commission from the monks of for "The Adoration of the Magi". Neither of these initial commissions were completed, being abandoned when Leonardo went to offer his services to Duke of Milan Ludovico Sforza. Leonardo wrote Sforza a letter which described the diverse things that he could achieve in the fields of engineering and weapon design, and mentioned that he could paint. He brought with him a silver string instrument—either a lute or lyre—in the form of a horse's head.


title: Leonardo da Vinci

text: With Alberti, Leonardo visited the home of the Medici and through them came to know the older Humanist philosophers of whom Marsiglio Ficino, proponent of Neoplatonism; Cristoforo Landino, writer of commentaries on Classical writings, and John Argyropoulos, teacher of Greek and translator of Aristotle were the foremost. Also associated with the Platonic Academy of the Medici was Leonardo's contemporary, the brilliant young poet and philosopher Pico della Mirandola. In 1482, Leonardo was sent as an ambassador by Lorenzo de' Medici to Ludovico il Moro, who ruled Milan between 1479 and 1499.


title: Leonardo da Vinci

text: Leonardo worked in Milan from 1482 until 1499. He was commissioned to paint the "Virgin of the Rocks" for the Confraternity of the Immaculate Conception and "The Last Supper" for the monastery of Santa Maria delle Grazie. In the spring of 1485, Leonardo travelled to Hungary (on behalf of Sforza) to meet king Matthias Corvinus, and was commissioned by him to paint a Madonna. In 1490 he was called as a consultant, together with Francesco di Giorgio Martini, for the building site of the cathedral of Pavia and was struck by the equestrian statue of Regisole, of which he left a sketch. Leonardo was employed on many other projects for Sforza, such as preparation of floats and pageants for special occasions; , and wooden model for, a competition to design the cupola for Milan Cathedral; and a model for a huge equestrian monument to Ludovico's predecessor Francesco Sforza. This would have surpassed in size the only two large equestrian statues of the Renaissance, Donatello's "Gattamelata" in Padua and Verrocchio's "Bartolomeo Colleoni" in Venice, and became known as the "Gran Cavallo". Leonardo completed a model for the horse and made detailed plans for its casting, but in November 1494, Ludovico gave the metal to his brother-in-law to be used for a cannon to defend the city from Charles VIII of France.


title: Leonardo da Vinci

text: Contemporary correspondence records that Leonardo and his assistants were commissioned by the Duke of Milan to paint the Sala delle Asse in the Sforza Castle. The decoration was completed in 1498. The project became a trompe-l'œil decoration that made the great hall appear to be a pergola created by the interwoven limbs of sixteen mulberry trees, whose canopy included an intricate labyrinth of leaves and knots on the ceiling.


title: Leonardo da Vinci

text: When Ludovico Sforza was overthrown by France in 1500, Leonardo fled Milan for Venice, accompanied by his assistant Salaì and friend, the mathematician Luca Pacioli. In Venice, Leonardo was employed as a military architect and engineer, devising methods to defend the city from naval attack. On his return to Florence in 1500, he and his household were guests of the Servite monks at the monastery of Santissima Annunziata and were provided with a workshop where, according to Vasari, Leonardo created the cartoon of "The Virgin and Child with Saint Anne and Saint John the Baptist", a work that won such admiration that "men [and] women, young and old" flocked to see it "as if they were going to a solemn festival."


title: Leonardo da Vinci

text: In Cesena in 1502, Leonardo entered the service of Cesare Borgia, the son of Pope Alexander VI, acting as a military architect and engineer and travelling throughout Italy with his patron. Leonardo created a map of Cesare Borgia's stronghold, a town plan of Imola in order to win his patronage. Upon seeing it, Cesare hired Leonardo as his chief military engineer and architect. Later in the year, Leonardo produced another map for his patron, one of Chiana Valley, Tuscany, so as to give his patron a better overlay of the land and greater strategic position. He created this map in conjunction with his other project of constructing a dam from the sea to Florence, in order to allow a supply of water to sustain the canal during all seasons.


title: Leonardo da Vinci

text: Leonardo had left Borgia's service and returned to Florence by early 1503, where he rejoined the Guild of Saint Luke on 18 October of that year. By this same month, Leonardo had begun working on a portrait of Lisa del Giocondo, the model for the "Mona Lisa", which he would continue working on until his twilight years. In January 1504, he was part of a committee formed to recommend where Michelangelo's statue of "David" should be placed. He then spent two years in Florence designing and painting a mural of "The Battle of Anghiari" for the Signoria, with Michelangelo designing its companion piece, "The Battle of Cascina".


title: Leonardo da Vinci

text: In 1506, Leonardo was summoned to Milan by Charles II d'Amboise, the acting French governor of the city. There, Leonardo took on another pupil, Count Francesco Melzi, the son of a Lombard aristocrat, who is considered to have been his favourite student. The Council of Florence wished Leonardo to return promptly to finish "The Battle of Anghiari", but he was given leave at the behest of Louis XII, who considered commissioning the artist to make some portraits. Leonardo may have commenced a project for an equestrian figure of d'Amboise; a wax model survives and, if genuine, is the only extant example of Leonardo's sculpture. Leonardo was otherwise free to pursue his scientific interests. Many of Leonardo's most prominent pupils either knew or worked with him in Milan, including Bernardino Luini, Giovanni Antonio Boltraffio, and Marco d'Oggiono. In 1507, Leonardo was in Florence sorting out a dispute with his brothers over the estate of his father, who had died in 1504.


title: Leonardo da Vinci

text: By 1508, Leonardo was back in Milan, living in his own house in Porta Orientale in the parish of Santa Babila.


title: Leonardo da Vinci

text: In 1512, Leonardo was working on plans for an equestrian monument for Gian Giacomo Trivulzio, but this was prevented by an invasion of a confederation of Swiss, Spanish and Venetian forces, which drove the French from Milan. Leonardo stayed in the city, spending several months in 1513 at the Medici's Vaprio d'Adda villa.


title: Leonardo da Vinci

text: In March of 1513, Lorenzo de' Medici's son Giovanni assumed the papacy (as Leo X); Leonardo went to Rome that September, where he was received by the pope's brother Giuliano. From September 1513 to 1516, Leonardo spent much of his time living in the Belvedere Courtyard in the Apostolic Palace, where Michelangelo and Raphael were both active. Leonardo was given an allowance of 33 ducats a month, and according to Vasari, decorated a lizard with scales dipped in quicksilver. The pope gave him a painting commission of unknown subject matter, but cancelled it when the artist set about developing a new kind of varnish. Leonardo became ill, in what may have been the first of multiple strokes leading to his death. He practiced botany in the Gardens of Vatican City, and was commissioned to make plans for the pope's proposed draining of the Pontine Marshes. He also dissected cadavers, making notes for a treatise on vocal cords; these he gave to an official in hopes of regaining the pope's favor, but was unsuccessful.


title: Leonardo da Vinci

text: In October 1515, King Francis I of France recaptured Milan. Leonardo was present at the 19 December meeting of Francis I and Leo X, which took place in Bologna. In 1516, Leonardo entered Francis' service, being given the use of the manor house Clos Lucé, near the king's residence at the royal Château d'Amboise. Being frequently visited by Francis, he drew plans for an immense castle town the king intended to erect at Romorantin, and made a mechanical lion, which during a pageant walked toward the king and—upon being struck by a wand—opened its chest to reveal a cluster of lilies. Leonardo was accompanied during this time by his friend and apprentice Francesco Melzi, and supported by a pension totalling 10,000 scudi. At some point, Melzi drew a ; the only others known from his lifetime were a sketch by an unknown assistant on the back of one of Leonardo's studies () and a drawing by Giovanni Ambrogio Figino depicting an elderly Leonardo with his right arm wrapped in clothing. The latter, in addition to the record of an October 1517 visit by Louis d'Aragon, confirms an account of Leonardo's right hand being paralytic when he was 65, which may indicate why he left works such as the "Mona Lisa" unfinished. He continued to work at some capacity until eventually becoming ill and bedridden for several months.


title: Leonardo da Vinci

text: Leonardo died at Clos Lucé on 2 May 1519 at the age of 67, possibly of a stroke. Francis I had become a close friend. Vasari describes Leonardo as lamenting on his deathbed, full of repentance, that "he had offended against God and men by failing to practice his art as he should have done." Vasari states that in his last days, Leonardo sent for a priest to make his confession and to receive the Holy Sacrament. Vasari also records that the king held Leonardo's head in his arms as he died, although this story may be legend rather than fact. In accordance with his will, sixty beggars carrying tapers followed Leonardo's casket. Melzi was the principal heir and executor, receiving, as well as money, Leonardo's paintings, tools, library and personal effects. Leonardo's other long-time pupil and companion, Salaì, and his servant Baptista de Vilanis, each received half of Leonardo's vineyards. His brothers received land, and his serving woman received a fur-lined cloak. On 12 August 1519, Leonardo's remains were interred in the Collegiate Church of Saint Florentin at the Château d'Amboise.


title: Leonardo da Vinci

text: Salaì, or Il Salaino ("The Little Unclean One", i.e., the devil), entered Leonardo's household in 1490 as an assistant. After only a year, Leonardo made a list of his misdemeanours, calling him "a thief, a liar, stubborn, and a glutton," after he had made off with money and valuables on at least five occasions and spent a fortune on clothes. Nevertheless, Leonardo treated him with great indulgence, and he remained in Leonardo's household for the next thirty years. Salaì executed a number of paintings under the name of Andrea Salaì, but although Vasari claims that Leonardo "taught him many things about painting," his work is generally considered to be of less artistic merit than others among Leonardo's pupils, such as Marco d'Oggiono and Boltraffio.


title: Leonardo da Vinci

text: Salaì owned the "Mona Lisa" at the time of Leonardo's death in 1524, and in his will it was assessed at 505 lire, an exceptionally high valuation for a small panel portrait. Some 20 years after Leonardo's death, Francis was reported by the goldsmith and sculptor Benvenuto Cellini as saying: "There had never been another man born in the world who knew as much as Leonardo, not so much about painting, sculpture and architecture, as that he was a very great philosopher."


title: Leonardo da Vinci

text: Despite the thousands of pages Leonardo left in notebooks and manuscripts, he scarcely made reference to his personal life.


title: Leonardo da Vinci

text: Within Leonardo's lifetime, his extraordinary powers of invention, his "great physical beauty" and "infinite grace," as described by Vasari, as well as all other aspects of his life, attracted the curiosity of others. One such aspect was his love for animals, likely including vegetarianism and according to Vasari, a habit of purchasing caged birds and releasing them.


title: Leonardo da Vinci

text: Leonardo had many friends who are now notable either in their fields or for their historical significance, including mathematician Luca Pacioli, with whom he collaborated on the book "Divina proportione" in the 1490s. Leonardo appears to have had no close relationships with women except for his friendship with Cecilia Gallerani and the two Este sisters, Beatrice and Isabella. While on a journey that took him through Mantua, he drew a portrait of Isabella that appears to have been used to create a painted portrait, now lost.


title: Leonardo da Vinci

text: Beyond friendship, Leonardo kept his private life secret. His sexuality has been the subject of satire, analysis, and speculation. This trend began in the mid-16th century and was revived in the 19th and 20th centuries, most notably by Sigmund Freud in his "Leonardo da Vinci, A Memory of His Childhood". Leonardo's most intimate relationships were perhaps with his pupils Salaì and Melzi. Melzi, writing to inform Leonardo's brothers of his death, described Leonardo's feelings for his pupils as both loving and passionate. It has been claimed since the 16th century that these relationships were of a sexual or erotic nature. Court records of 1476, when he was aged twenty-four, show that Leonardo and three other young men were charged with sodomy in an incident involving a well-known male prostitute. The charges were dismissed for lack of evidence, and there is speculation that since one of the accused, Lionardo de Tornabuoni, was related to Lorenzo de' Medici, the family exerted its influence to secure the dismissal. Since that date much has been written about his presumed homosexuality and its role in his art, particularly in the androgyny and eroticism manifested in "Saint John the Baptist" and "Bacchus" and more explicitly in a number of erotic drawings.


title: Leonardo da Vinci

text: Despite the recent awareness and admiration of Leonardo as a scientist and inventor, for the better part of four hundred years his fame rested on his achievements as a painter. A handful of works that are either authenticated or attributed to him have been regarded as among the great masterpieces. These paintings are famous for a variety of qualities that have been much imitated by students and discussed at great length by connoisseurs and critics. By the 1490s Leonardo had already been described as a "Divine" painter.


title: Leonardo da Vinci

text: Among the qualities that make Leonardo's work unique are his innovative techniques for laying on the paint; his detailed knowledge of anatomy, light, botany and geology; his interest in physiognomy and the way humans register emotion in expression and gesture; his innovative use of the human form in figurative composition; and his use of subtle gradation of tone. All these qualities come together in his most famous painted works, the "Mona Lisa", the "Last Supper", and the "Virgin of the Rocks".


title: Leonardo da Vinci

text: Leonardo first gained attention for his work on the "Baptism of Christ", painted in conjunction with Verrocchio. Two other paintings appear to date from his time at Verrocchio's workshop, both of which are Annunciations. One is small, long and high. It is a "predella" to go at the base of a larger composition, a painting by Lorenzo di Credi from which it has become separated. The other is a much larger work, long. In both Annunciations, Leonardo used a formal arrangement, like two well-known pictures by Fra Angelico of the same subject, of the Virgin Mary sitting or kneeling to the right of the picture, approached from the left by an angel in profile, with a rich flowing garment, raised wings and bearing a lily. Although previously attributed to Ghirlandaio, the larger work is now generally attributed to Leonardo.


title: Leonardo da Vinci

text: In the smaller painting, Mary averts her eyes and folds her hands in a gesture that symbolised submission to God's will. Mary is not submissive, however, in the larger piece. The girl, interrupted in her reading by this unexpected messenger, puts a finger in her bible to mark the place and raises her hand in a formal gesture of greeting or surprise. This calm young woman appears to accept her role as the Mother of God, not with resignation but with confidence. In this painting, the young Leonardo presents the humanist face of the Virgin Mary, recognising humanity's role in God's incarnation.


title: Leonardo da Vinci

text: In the 1480s, Leonardo received two very important commissions and commenced another work that was of ground-breaking importance in terms of composition. Two of the three were never finished, and the third took so long that it was subject to lengthy negotiations over completion and payment.


title: Leonardo da Vinci

text: One of these paintings was "Saint Jerome in the Wilderness", which Bortolon associates with a difficult period of Leonardo's life, as evidenced in his diary: "I thought I was learning to live; I was only learning to die." Although the painting is barely begun, the composition can be seen and is very unusual. Jerome, as a penitent, occupies the middle of the picture, set on a slight diagonal and viewed somewhat from above. His kneeling form takes on a trapezoid shape, with one arm stretched to the outer edge of the painting and his gaze looking in the opposite direction. J. Wasserman points out the link between this painting and Leonardo's anatomical studies. Across the foreground sprawls his symbol, a great lion whose body and tail make a double spiral across the base of the picture space. The other remarkable feature is the sketchy landscape of craggy rocks against which the figure is silhouetted.


title: Leonardo da Vinci

text: The daring display of figure composition, the landscape elements and personal drama also appear in the great unfinished masterpiece, the "Adoration of the Magi", a commission from the Monks of San Donato a Scopeto. It is a complex composition, of about Leonardo did numerous drawings and preparatory studies, including a detailed one in linear perspective of the ruined classical architecture that forms part of the background. In 1482 Leonardo went to Milan at the behest of Lorenzo de' Medici in order to win favour with Ludovico il Moro, and the painting was abandoned.


title: Leonardo da Vinci

text: The third important work of this period is the "Virgin of the Rocks", commissioned in Milan for the Confraternity of the Immaculate Conception. The painting, to be done with the assistance of the de Predis brothers, was to fill a large complex altarpiece. Leonardo chose to paint an apocryphal moment of the infancy of Christ when the infant John the Baptist, in protection of an angel, met the Holy Family on the road to Egypt. The painting demonstrates an eerie beauty as the graceful figures kneel in adoration around the infant Christ in a wild landscape of tumbling rock and whirling water. While the painting is quite large, about , it is not nearly as complex as the painting ordered by the monks of San Donato, having only four figures rather than about fifty and a rocky landscape rather than architectural details. The painting was eventually finished; in fact, two versions of the painting were finished: one remained at the chapel of the Confraternity, while Leonardo took the other to France. The Brothers did not get their painting, however, nor the de Predis their payment, until the next century.


title: Leonardo da Vinci

text: Leonardo's most remarkable portrait of this period is the "Lady with an Ermine", presumed to be Cecilia Gallerani (), lover of Ludovico Sforza. The painting is characterised by the pose of the figure with the head turned at a very different angle to the torso, unusual at a date when many portraits were still rigidly in profile. The ermine plainly carries symbolic meaning, relating either to the sitter, or to Ludovico who belonged to the prestigious Order of the Ermine.


title: Leonardo da Vinci

text: Leonardo's most famous painting of the 1490s is "The Last Supper", commissioned for the refectory of the Convent of Santa Maria della Grazie in Milan. It represents the last meal shared by Jesus with his disciples before his capture and death, and shows the moment when Jesus has just said "one of you will betray me", and the consternation that this statement caused.


title: Leonardo da Vinci

text: The writer Matteo Bandello observed Leonardo at work and wrote that some days he would paint from dawn till dusk without stopping to eat and then not paint for three or four days at a time. This was beyond the comprehension of the prior of the convent, who hounded him until Leonardo asked Ludovico to intervene. Vasari describes how Leonardo, troubled over his ability to adequately depict the faces of Christ and the traitor Judas, told the duke that he might be obliged to use the prior as his model.


title: Leonardo da Vinci

text: The painting was acclaimed as a masterpiece of design and characterization, but it deteriorated rapidly, so that within a hundred years it was described by one viewer as "completely ruined." Leonardo, instead of using the reliable technique of fresco, had used tempera over a ground that was mainly gesso, resulting in a surface subject to mould and to flaking. Despite this, the painting remains one of the most reproduced works of art; countless copies have been made in various mediums.


title: Leonardo da Vinci

text: Toward the end of this period, in 1498 da Vinci's trompe-l'œil decoration of the Sala delle Asse was painted for the Duke of Milan in the Castello Sforzesco.


title: Leonardo da Vinci

text: In 1505, Leonardo was commissioned to paint "The Battle of Anghiari" in the Salone dei Cinquecento (Hall of the Five Hundred) in the Palazzo Vecchio, Florence. Leonardo devised a dynamic composition depicting four men riding raging war horses engaged in a battle for possession of a standard, at the Battle of Anghiari in 1440. Michelangelo was assigned the opposite wall to depict the Battle of Cascina. Leonardo's painting deteriorated rapidly and is now known from a copy by Rubens.


title: Leonardo da Vinci

text: Among the works created by Leonardo in the 16th century is the small portrait known as the "Mona Lisa" or "La Gioconda", the laughing one. In the present era, it is arguably the most famous painting in the world. Its fame rests, in particular, on the elusive smile on the woman's face, its mysterious quality perhaps due to the subtly shadowed corners of the mouth and eyes such that the exact nature of the smile cannot be determined. The shadowy quality for which the work is renowned came to be called "sfumato", or Leonardo's smoke. Vasari wrote that the smile was "so pleasing that it seems more divine than human, and it was considered a wondrous thing that it was as lively as the smile of the living original."


title: Leonardo da Vinci

text: Other characteristics of the painting are the unadorned dress, in which the eyes and hands have no competition from other details; the dramatic landscape background, in which the world seems to be in a state of flux; the subdued colouring; and the extremely smooth nature of the painterly technique, employing oils laid on much like tempera, and blended on the surface so that the brushstrokes are indistinguishable. Vasari expressed that the painting's quality would make even "the most confident master ... despair and lose heart." The perfect state of preservation and the fact that there is no sign of repair or overpainting is rare in a panel painting of this date.


title: Leonardo da Vinci

text: In the painting "Virgin and Child with Saint Anne", the composition again picks up the theme of figures in a landscape, which Wasserman describes as "breathtakingly beautiful" and harkens back to the "Saint Jerome" with the figure set at an oblique angle. What makes this painting unusual is that there are two obliquely set figures superimposed. Mary is seated on the knee of her mother, Saint Anne. She leans forward to restrain the Christ Child as he plays roughly with a lamb, the sign of his own impending sacrifice. This painting, which was copied many times, influenced Michelangelo, Raphael, and Andrea del Sarto, and through them Pontormo and Correggio. The trends in composition were adopted in particular by the Venetian painters Tintoretto and Veronese.


title: Leonardo da Vinci

text: Leonardo was a prolific draughtsman, keeping journals full of small sketches and detailed drawings recording all manner of things that took his attention. As well as the journals there exist many studies for paintings, some of which can be identified as preparatory to particular works such as "The Adoration of the Magi", "The Virgin of the Rocks" and "The Last Supper". His earliest dated drawing is a "Landscape of the Arno Valley", 1473, which shows the river, the mountains, Montelupo Castle and the farmlands beyond it in great detail.


title: Leonardo da Vinci

text: Among his famous drawings are the "Vitruvian Man", a study of the proportions of the human body; the "Head of an Angel", for "The Virgin of the Rocks" in the Louvre; a botanical study of "Star of Bethlehem"; and a large drawing (160×100 cm) in black chalk on coloured paper of "The Virgin and Child with Saint Anne and Saint John the Baptist" in the National Gallery, London. This drawing employs the subtle "sfumato" technique of shading, in the manner of the "Mona Lisa". It is thought that Leonardo never made a painting from it, the closest similarity being to "The Virgin and Child with Saint Anne" in the Louvre.


title: Leonardo da Vinci

text: Other drawings of interest include numerous studies generally referred to as "caricatures" because, although exaggerated, they appear to be based upon observation of live models. Vasari relates that Leonardo would look for interesting faces in public to use as models for some of his work. There are numerous studies of beautiful young men, often associated with Salaì, with the rare and much admired facial feature, the so-called "Grecian profile". These faces are often contrasted with that of a warrior. Salaì is often depicted in fancy-dress costume. Leonardo is known to have designed sets for pageants with which these may be associated. Other, often meticulous, drawings show studies of drapery. A marked development in Leonardo's ability to draw drapery occurred in his early works. Another often-reproduced drawing is a macabre sketch that was done by Leonardo in Florence in 1479 showing the body of Bernardo Baroncelli, hanged in connection with the murder of Giuliano, brother of Lorenzo de' Medici, in the Pazzi conspiracy. In his notes, Leonardo recorded the colours of the robes that Baroncelli was wearing when he died.


title: Leonardo da Vinci

text: Like the two contemporary architects Donato Bramante (who designed the Belvedere Courtyard) and Antonio da Sangallo the Elder, Leonardo experimented with designs for centrally planned churches, a number of which appear in his journals, as both plans and views, although none was ever realised.


title: Leonardo da Vinci

text: Renaissance humanism recognised no mutually exclusive polarities between the sciences and the arts, and Leonardo's studies in science and engineering are sometimes considered as impressive and innovative as his artistic work. These studies were recorded in 13,000 pages of notes and drawings, which fuse art and natural philosophy (the forerunner of modern science). They were made and maintained daily throughout Leonardo's life and travels, as he made continual observations of the world around him. Leonardo's notes and drawings display an enormous range of interests and preoccupations, some as mundane as lists of groceries and people who owed him money and some as intriguing as designs for wings and shoes for walking on water. There are compositions for paintings, studies of details and drapery, studies of faces and emotions, of animals, babies, dissections, plant studies, rock formations, whirlpools, war machines, flying machines and architecture.


title: Leonardo da Vinci

text: These notebooks—originally loose papers of different types and sizes—were largely entrusted to Leonardo's pupil and heir Francesco Melzi after the master's death. These were to be published, a task of overwhelming difficulty because of its scope and Leonardo's idiosyncratic writing. Some of Leonardo's drawings were copied by an anonymous Milanese artist for a planned treatise on art . After Melzi's death in 1570, the collection passed to his son, the lawyer Orazio, who initially took little interest in the journals. In 1587, a Melzi household tutor named Lelio Gavardi took 13 of the manuscripts to Pisa; there, the architect Giovanni Magenta reproached Gavardi for having taken the manuscripts illicitly and returned them to Orazio. Having many more such works in his possession, Orazio gifted the volumes to Magenta. News spread of these lost works of Leonardo's, and Orazio retrieved seven of the 13 manuscripts, which he then gave to Pompeo Leoni for publication in two volumes; one of these was the Codex Atlanticus. The other six works had been distributed to a few others. After Orazio's death, his heirs sold the rest of Leonardo's possessions, and thus began their dispersal.


title: Leonardo da Vinci

text: Some works have found their way into major collections such as the Royal Library at Windsor Castle, the Louvre, the Biblioteca Nacional de España, the Victoria and Albert Museum, the Biblioteca Ambrosiana in Milan, which holds the 12-volume Codex Atlanticus, and the British Library in London, which has put a selection from the Codex Arundel (BL Arundel MS 263) online. Works have also been at Holkham Hall, the Metropolitan Museum of Art, and in the private hands of John Nicholas Brown I and Robert Lehman. The Codex Leicester is the only privately owned major scientific work of Leonardo; it is owned by Bill Gates and displayed once a year in different cities around the world.


title: Leonardo da Vinci

text: Most of Leonardo's writings are in mirror-image cursive. Since Leonardo wrote with his left hand, it was probably easier for him to write from right to left. Leonardo used a variety of shorthand and symbols, and states in his notes that he intended to prepare them for publication. In many cases a single topic is covered in detail in both words and pictures on a single sheet, together conveying information that would not be lost if the pages were published out of order. Why they were not published during Leonardo's lifetime is unknown.


title: Leonardo da Vinci

text: Leonardo's approach to science was observational: he tried to understand a phenomenon by describing and depicting it in utmost detail and did not emphasise experiments or theoretical explanation. Since he lacked formal education in Latin and mathematics, contemporary scholars mostly ignored Leonardo the scientist, although he did teach himself Latin. His keen observations in many areas were noted, such as when he wrote "Il sole non si move." ("The Sun does not move.")


title: Leonardo da Vinci

text: In the 1490s he studied mathematics under Luca Pacioli and prepared a series of drawings of regular solids in a skeletal form to be engraved as plates for Pacioli's book "Divina proportione", published in 1509. While living in Milan, he studied light from the summit of Monte Rosa. Scientific writings in his notebook on fossils have been considered as influential on early palaeontology.


title: Leonardo da Vinci

text: The content of his journals suggest that he was planning a series of treatises on a variety of subjects. A coherent treatise on anatomy is said to have been observed during a visit by Cardinal Louis d'Aragon's secretary in 1517. Aspects of his work on the studies of anatomy, light and the landscape were assembled for publication by Melzi and eventually published as "A Treatise on Painting" in France and Italy in 1651 and Germany in 1724, with engravings based upon drawings by the Classical painter Nicolas Poussin. According to Arasse, the treatise, which in France went into 62 editions in fifty years, caused Leonardo to be seen as "the precursor of French academic thought on art."


title: Leonardo da Vinci

text: While Leonardo's experimentation followed scientific methods, a recent and exhaustive analysis of Leonardo as a scientist by Fritjof Capra argues that Leonardo was a fundamentally different kind of scientist from Galileo, Newton and other scientists who followed him in that, as a "Renaissance Man", his theorising and hypothesising integrated the arts and particularly painting.


title: Leonardo da Vinci

text: Leonardo started his study in the anatomy of the human body under the apprenticeship of Verrocchio, who demanded that his students develop a deep knowledge of the subject. As an artist, he quickly became master of "topographic anatomy", drawing many studies of muscles, tendons and other visible anatomical features.


title: Leonardo da Vinci

text: As a successful artist, Leonardo was given permission to dissect human corpses at the Hospital of Santa Maria Nuova in Florence and later at hospitals in Milan and Rome. From 1510 to 1511 he collaborated in his studies with the doctor Marcantonio della Torre, professor of Anatomy at the University of Pavia. Leonardo made over 240 detailed drawings and wrote about 13,000 words toward a treatise on anatomy. Only a small amount of the material on anatomy was published in Leonardo's "Treatise on painting". During the time that Melzi was ordering the material into chapters for publication, they were examined by a number of anatomists and artists, including Vasari, Cellini and Albrecht Dürer, who made a number of drawings from them.


title: Leonardo da Vinci

text: Leonardo's anatomical drawings include many studies of the human skeleton and its parts, and of muscles and sinews. He studied the mechanical functions of the skeleton and the muscular forces that are applied to it in a manner that prefigured the modern science of biomechanics. He drew the heart and vascular system, the sex organs and other internal organs, making one of the first scientific drawings of a fetus "in utero". The drawings and notation are far ahead of their time, and if published would undoubtedly have made a major contribution to medical science.


title: Leonardo da Vinci

text: Leonardo also closely observed and recorded the effects of age and of human emotion on the physiology, studying in particular the effects of rage. He drew many figures who had significant facial deformities or signs of illness. Leonardo also studied and drew the anatomy of many animals, dissecting cows, birds, monkeys, bears, and frogs, and comparing in his drawings their anatomical structure with that of humans. He also made a number of studies of horses.


title: Leonardo da Vinci

text: Leonardo's dissections and documentation of muscles, nerves, and vessels helped to describe the physiology and mechanics of movement. He attempted to identify the source of 'emotions' and their expression. He found it difficult to incorporate the prevailing system and theories of bodily humours, but eventually he abandoned these physiological explanations of bodily functions. He made the observations that humours were not located in cerebral spaces or ventricles. He documented that the humours were not contained in the heart or the liver, and that it was the heart that defined the circulatory system. He was the first to define atherosclerosis and liver cirrhosis. He created models of the cerebral ventricles with the use of melted wax and constructed a glass aorta to observe the circulation of blood through the aortic valve by using water and grass seed to watch flow patterns.


title: Leonardo da Vinci

text: During his lifetime, Leonardo was also valued as an engineer. With the same rational and analytical approach that moved him to represent the human body and to investigate anatomy, Leonardo studied and designed many machines and devices. He drew their “anatomy” with unparalleled mastery, producing the first form of the modern technical drawing, including a perfected "exploded view" technique, to represent internal components. Those studies and projects collected in his codices fill more than 5,000 pages. In a letter of 1482 to the lord of Milan Ludovico il Moro, he wrote that he could create all sorts of machines both for the protection of a city and for siege. When he fled from Milan to Venice in 1499, he found employment as an engineer and devised a system of moveable barricades to protect the city from attack. In 1502, he created a scheme for diverting the flow of the Arno river, a project on which Niccolò Machiavelli also worked. He continued to contemplate the canalization of Lombardy's plains while in Louis XII's company and of the Loire and its tributaries in the company of Francis I. Leonardo's journals include a vast number of inventions, both practical and impractical. They include musical instruments, a mechanical knight, hydraulic pumps, reversible crank mechanisms, finned mortar shells, and a steam cannon.


title: Leonardo da Vinci

text: Leonardo was fascinated by the phenomenon of flight for much of his life, producing many studies, including "Codex on the Flight of Birds" (), as well as plans for several flying machines, such as a flapping ornithopter and a machine with a helical rotor. A 2003 documentary by British television station Channel Four, titled "Leonardo's Dream Machines", various designs by Leonardo, such as a parachute and a giant crossbow, were interpreted and constructed. Some of those designs proved successful, whilst others fared less well when tested.


title: Leonardo da Vinci

text: Research performed by Marc van den Broek revealed older prototypes for more than 100 inventions that are ascribed to Leonardo. Similarities between Leonardo's illustrations and drawings from the Middle Ages and from Ancient Greece and Rome, the Chinese and Persian Empires, and Egypt suggest that a large portion of Leonardo's inventions had been conceived before his lifetime. Leonardo's innovation was to combine different functions from existing drafts and set them into scenes that illustrated their utility. By reconstituting technical inventions he created something new.


title: Leonardo da Vinci

text: In his notebooks, Leonardo first stated the ‘laws’ of sliding friction in 1493. His inspiration for investigating friction came about in part from his study of perpetual motion, which he correctly concluded was not possible. His results were never published and the friction laws were not rediscovered until 1699 by Guillaume Amontons, with whose name they are now usually associated. For this contribution, Leonardo was named as the first of the 23 "Men of Tribology" by Duncan Dowson.


title: Leonardo da Vinci

text: Although he had no formal academic training, many historians and scholars regard Leonardo as the prime exemplar of the "Universal Genius" or "Renaissance Man", an individual of "unquenchable curiosity" and "feverishly inventive imagination." He is widely considered one of the most diversely talented individuals ever to have lived. According to art historian Helen Gardner, the scope and depth of his interests were without precedent in recorded history, and "his mind and personality seem to us superhuman, while the man himself mysterious and remote." Scholars interpret his view of the world as being based in logic, though the empirical methods he used were unorthodox for his time.


title: Leonardo da Vinci

text: Leonardo's fame within his own lifetime was such that the King of France carried him away like a trophy, and was claimed to have supported him in his old age and held him in his arms as he died. Interest in Leonardo and his work has never diminished. Crowds still queue to see his best-known artworks, T-shirts still bear his most famous drawing, and writers continue to hail him as a genius while speculating about his private life, as well as about what one so intelligent actually believed in.


title: Leonardo da Vinci

text: The continued admiration that Leonardo commanded from painters, critics and historians is reflected in many other written tributes. Baldassare Castiglione, author of "Il Cortegiano" ("The Courtier"), wrote in 1528: "...Another of the greatest painters in this world looks down on this art in which he is unequalled..." while the biographer known as "Anonimo Gaddiano" wrote, : "His genius was so rare and universal that it can be said that nature worked a miracle on his behalf..." Vasari, in his "Lives of the Artists" (1568), opens his chapter on Leonardo:


title: Leonardo da Vinci

text: In the normal course of events many men and women are born with remarkable talents; but occasionally, in a way that transcends nature, a single person is marvellously endowed by Heaven with beauty, grace and talent in such abundance that he leaves other men far behind, all his actions seem inspired and indeed everything he does clearly comes from God rather than from human skill. Everyone acknowledged that this was true of Leonardo da Vinci, an artist of outstanding physical beauty, who displayed infinite grace in everything that he did and who cultivated his genius so brilliantly that all problems he studied he solved with ease.


title: Leonardo da Vinci

text: The 19th century brought a particular admiration for Leonardo's genius, causing Henry Fuseli to write in 1801: "Such was the dawn of modern art, when Leonardo da Vinci broke forth with a splendour that distanced former excellence: made up of all the elements that constitute the essence of genius..." This is echoed by A.E. Rio who wrote in 1861: "He towered above all other artists through the strength and the nobility of his talents."


title: Leonardo da Vinci

text: By the 19th century, the scope of Leonardo's notebooks was known, as well as his paintings. Hippolyte Taine wrote in 1866: "There may not be in the world an example of another genius so universal, so incapable of fulfilment, so full of yearning for the infinite, so naturally refined, so far ahead of his own century and the following centuries." Art historian Bernard Berenson wrote in 1896: "Leonardo is the one artist of whom it may be said with perfect literalness: Nothing that he touched but turned into a thing of eternal beauty. Whether it be the cross section of a skull, the structure of a weed, or a study of muscles, he, with his feeling for line and for light and shade, forever transmuted it into life-communicating values."


title: Leonardo da Vinci

text: The interest in Leonardo's genius has continued unabated; experts study and translate his writings, analyse his paintings using scientific techniques, argue over attributions and search for works which have been recorded but never found. Liana Bortolon, writing in 1967, said: "Because of the multiplicity of interests that spurred him to pursue every field of knowledge...Leonardo can be considered, quite rightly, to have been the universal genius par excellence, and with all the disquieting overtones inherent in that term. Man is as uncomfortable today, faced with a genius, as he was in the 16th century. Five centuries have passed, yet we still view Leonardo with awe." The Elmer Belt Library of Vinciana is a special collection at the University of California, Los Angeles.


title: Leonardo da Vinci

text: Twenty-first-century author Walter Isaacson based much of his biography of Leonardo on thousands of notebook entries, studying the personal notes, sketches, budget notations, and musings of the man whom he considers the greatest of innovators. Isaacson was surprised to discover a "fun, joyous" side of Leonardo in addition to his limitless curiosity and creative genius.


title: Leonardo da Vinci

text: On the 500th anniversary of Leonardo's death, the Louvre in Paris arranged for the largest ever single exhibit of his work, called "Leonardo", between November 2019 and February 2020. The exhibit includes over 100 paintings, drawings and notebooks. Eleven of the paintings that Leonardo completed in his lifetime were included. Five of these are owned by the Louvre, but the "Mona Lisa" was not included because it is in such great demand among general visitors to the Louvre; it remains on display in its gallery. "Vitruvian Man", however, is on display following a legal battle with its owner, the Gallerie dell'Accademia in Venice. "Salvator Mundi" was also not included because its Saudi owner did not agree to lease the work.


title: Leonardo da Vinci

text: The "Mona Lisa", considered Leonardo's magnum opus, is often regarded as the most famous portrait ever made. "The Last Supper" is the most reproduced religious painting of all time, and Leonardo's "Vitruvian Man" drawing is also considered a cultural icon.


title: Leonardo da Vinci

text: More than a decade of analysis of Leonardo's genetic genealogy, conducted by Alessandro Vezzosi and Agnese Sabato, came to a conclusion in mid-2021. It was determined that the artist has 14 living male relatives. The work could also help determine the authenticity of remains thought to belong to Leonardo.


title: Leonardo da Vinci

text: While Leonardo was certainly buried in the collegiate church of Saint Florentin at the Château d'Amboise in 12 August 1519, the current location of his remains is unclear. Much of Château d'Amboise was damaged during the French Revolution, leading to the church's demolition in 1802. Some of the graves were destroyed in the process, scattering the bones interred there and thereby leaving the whereabouts of Leonardo's remains subject to dispute; a gardener may have even buried some in the corner of the courtyard.


title: Leonardo da Vinci

text: In 1863, fine-arts inspector general Arsène Houssaye received an imperial commission to excavate the site and discovered a partially complete skeleton with a bronze ring on one finger, white hair, and stone fragments bearing the inscriptions "EO", "AR", "DUS", and "VINC"—interpreted as forming "Leonardus Vinci". The skull's eight teeth corresponds to someone of approximately the appropriate age and a silver shield found near the bones depicts a beardless Francis I, corresponding to the king's appearance during Leonardo's time in France.


title: Leonardo da Vinci

text: Houssaye postulated that the unusually large skull was an indicator of Leonardo's intelligence; author Charles Nicholl describes this as a "dubious phrenological deduction". At the same time, Houssaye noted some issues with his observations, including that the feet were turned toward the high altar, a practice generally reserved for laymen, and that the skeleton of seemed too short. Art historian Mary Margaret Heaton wrote in 1874 that the height would be appropriate for Leonardo. The skull was allegedly presented to Napoleon III before being returned to the Château d'Amboise, where they were in the chapel of Saint Hubert in 1874. A plaque above the tomb states that its contents are only presumed to be those of Leonardo.


title: Leonardo da Vinci

text: It has since been theorized that the folding of the skeleton's right arm over the head may correspond to the paralysis of Leonardo's right hand. In 2016, it was announced that DNA tests would be conducted to determine whether the attribution is correct. The DNA of the remains will be compared to that of samples collected from Leonardo's work and his half-brother Domenico's descendants; it may also be sequenced.


title: Leonardo da Vinci

text: In 2019, documents were published revealing that Houssaye had kept the ring and a lock of hair. In 1925, his great-grandson sold these to an American collector. Sixty years later, another American acquired them, leading to them being displayed at the Leonardo Museum in Vinci beginning on 2 May 2019, the 500th anniversary of the artist's death.


title: Ku Klux Klan

text: The Ku Klux Klan (), commonly shortened to the KKK or the Klan, is an American white supremacist, right-wing terrorist, and hate group whose primary targets are African Americans, Jews, Latinos, Asian Americans, Native Americans, and Catholics, as well as immigrants, leftists, homosexuals, Muslims, abortion providers and atheists.


title: Ku Klux Klan

text: The Klan has existed in three distinct eras. Each has advocated extremist reactionary positions such as white nationalism, anti-immigration and—especially in later iterations—Nordicism, antisemitism, anti-Catholicism, Prohibition, right-wing populism, anti-communism, homophobia, Islamophobia, anti-progressivism and anti-atheism. The first Klan used terrorism—both physical assault and murder—against politically active Black people and their allies in the Southern United States in the late 1860s. The third Klan used murders and bombings from the late 1940s to the early 1960s to achieve its aims. All three movements have called for the "purification" of American society, and are all considered far-right extremist organizations. In each era, membership was secret and estimates of the total were highly exaggerated by both friends and enemies.


title: Ku Klux Klan

text: The first Klan was established in the wake of the American Civil War and was a defining organization of the Reconstruction era. Organized in numerous chapters across the Southern United States, federal law enforcement suppressed it around 1871. It sought to overthrow the Republican state governments in the South, especially by using voter intimidation and targeted violence against African-American leaders. Each chapter was autonomous and highly secretive about membership and plans. Members made their own, often colorful, costumes: robes, masks and conical hats, designed to be terrifying and to hide their identities.


title: Ku Klux Klan

text: The second Klan started in 1915 as a small group in Georgia. It grew after 1920 and flourished nationwide in the early and mid-1920s, including urban areas of the Midwest and West. Taking inspiration from D. W. Griffith's 1915 silent film "The Birth of a Nation", which mythologized the founding of the first Klan, it employed marketing techniques and a popular fraternal organization structure. Rooted in local Protestant communities, it sought to maintain white supremacy, often took a pro-Prohibition and pro-compulsory public education stance, and it opposed Jews, while also stressing its opposition to the alleged political power of the pope and the Catholic Church. This second Klan flourished both in the south and northern states; it was funded by initiation fees and selling its members a standard white costume. The chapters did not have dues. It used K-words which were similar to those used by the first Klan, while adding cross burnings and mass parades to intimidate others. It rapidly declined in the latter half of the 1920s.


title: Ku Klux Klan

text: The third and current manifestation of the KKK emerged after 1950, in the form of localized and isolated groups that use the KKK name. They have focused on opposition to the civil rights movement, often using violence and murder to suppress activists. This manifestation is classified as a hate group by the Anti-Defamation League and the Southern Poverty Law Center. , the Anti-Defamation League puts total KKK membership nationwide at around 3,000, while the Southern Poverty Law Center puts it at 6,000 members total.


title: Ku Klux Klan

text: The second and third incarnations of the Ku Klux Klan made frequent references to a false mythologized perception of America's "Anglo-Saxon" blood, hearkening back to 19th-century nativism. Although members of the KKK swear to uphold Christian morality, Christian denominations widely denounce them.


title: Ku Klux Klan

text: The first Klan was founded in Pulaski, Tennessee, on December 24, 1865, by six former officers of the Confederate army: Frank McCord, Richard Reed, John Lester, John Kennedy, J. Calvin Jones, and James Crowe. It started as a fraternal social club inspired at least in part by the then largely defunct Sons of Malta. It borrowed parts of the initiation ceremony from that group, with the same purpose: "ludicrous initiations, the baffling of public curiosity, and the amusement for members were the only objects of the Klan", according to Albert Stevens in 1907. The manual of rituals was printed by Laps D. McCord of Pulaski. The Klan also culturally appropriated the Spanish capirote hood.


title: Ku Klux Klan

text: According to "The Cyclopædia of Fraternities" (1907), "Beginning in April, 1867, there was a gradual transformation. ... The members had conjured up a veritable Frankenstein. They had played with an engine of power and mystery, though organized on entirely innocent lines, and found themselves overcome by a belief that something must lie behind it all—that there was, after all, a serious purpose, a work for the Klan to do."


title: Ku Klux Klan

text: Although there was little organizational structure above the local level, similar groups rose across the South and adopted the same name and methods. Klan groups spread throughout the South as an insurgent movement promoting resistance and white supremacy during the Reconstruction Era. For example, Confederate veteran John W. Morton founded a chapter in Nashville, Tennessee. As a secret vigilante group, the Klan targeted freedmen and their allies; it sought to restore white supremacy by threats and violence, including murder. "They targeted white Northern leaders, Southern sympathizers and politically active Blacks." In 1870 and 1871, the federal government passed the Enforcement Acts, which were intended to prosecute and suppress Klan crimes.


title: Ku Klux Klan

text: The first Klan had mixed results in terms of achieving its objectives. It seriously weakened the Black political leadership through its use of assassinations and threats of violence, and it drove some people out of politics. On the other hand, it caused a sharp backlash, with passage of federal laws that historian Eric Foner says were a success in terms of "restoring order, reinvigorating the morale of Southern Republicans, and enabling Blacks to exercise their rights as citizens". Historian George C. Rable argues that the Klan was a political failure and therefore was discarded by the Democratic Party leaders of the South. He says:


title: Ku Klux Klan

text: After the Klan was suppressed, similar insurgent paramilitary groups arose that were explicitly directed at suppressing Republican voting and turning Republicans out of office: the White League, which started in Louisiana in 1874; and the Red Shirts, which started in Mississippi and developed chapters in the Carolinas. For instance, the Red Shirts are credited with helping elect Wade Hampton as governor in South Carolina. They were described as acting as the military arm of the Democratic Party and are attributed with helping white Democrats regain control of state legislatures throughout the South.


title: Ku Klux Klan

text: In 1915, the second Klan was founded atop Stone Mountain, Georgia, by William Joseph Simmons. While Simmons relied on documents from the original Klan and memories of some surviving elders, the revived Klan was based significantly on the wildly popular film "The Birth of a Nation". The earlier Klan had not worn the white costumes and had not burned crosses; these aspects were introduced in on which the film was based. When the film was shown in Atlanta in December of that year, Simmons and his new klansmen paraded to the theater in robes and pointed hoods – many on robed horses – just like in the film. These mass parades became another hallmark of the new Klan that had not existed in the original Reconstruction-era organization.


title: Ku Klux Klan

text: Beginning in 1921, it adopted a modern business system of using full-time, paid recruiters and it appealed to new members as a fraternal organization, of which many examples were flourishing at the time. The national headquarters made its profit through a monopoly on costume sales, while the organizers were paid through initiation fees. It grew rapidly nationwide at a time of prosperity. Reflecting the social tensions pitting urban versus rural America, it spread to every state and was prominent in many cities. The second KKK preached "One Hundred Percent Americanism" and demanded the purification of politics, calling for strict morality and better enforcement of Prohibition. Its official rhetoric focused on the threat of the Catholic Church, using anti-Catholicism and nativism. Its appeal was directed exclusively toward white Protestants; it opposed Jews, Black people, Catholics, and newly arriving Southern and Eastern European immigrants such as Italians, Russians, and Lithuanians, many of whom were Jewish or Catholic. Some local groups threatened violence against rum runners and those they deemed "notorious sinners"; the violent episodes generally took place in the South. The Red Knights were a militant group organized in opposition to the Klan and responded violently to Klan provocations on several occasions.


title: Ku Klux Klan

text: The second Klan was a formal fraternal organization, with a national and state structure. During the resurgence of the second Klan in the 1920s, its publicity was handled by the Southern Publicity Association. Within the first six months of the Association's national recruitment campaign, Klan membership had increased by 85,000. At its peak in the mid-1920s, the organization's membership ranged from three to eight million members.


title: Ku Klux Klan

text: In 1923, Simmons was ousted as leader of the KKK by Hiram Wesley Evans. From September 1923 there were two Ku Klux Klan organizations: the one founded by Simmons and led by Evans with its strength primarily in the southern United States, and a breakaway group led by Grand Dragon D. C. Stephenson based in Indiana with its membership primarily in the midwestern United States.


title: Ku Klux Klan

text: Internal divisions, criminal behavior by leaders – especially Stephenson's conviction for the abduction, rape, and murder of Madge Oberholtzer – and external opposition brought about a collapse in the membership of both groups. The main group's membership had dropped to about 30,000 by 1930. It finally faded away in the 1940s. Klan organizers also operated in Canada, especially in Saskatchewan in 1926–1928, where Klansmen denounced immigrants from Eastern Europe as a threat to Canada's "Anglo-Saxon" heritage.


title: Ku Klux Klan

text: The "Ku Klux Klan" name was used by numerous independent local groups opposing the civil rights movement and desegregation, especially in the 1950s and 1960s. During this period, they often forged alliances with Southern police departments, as in Birmingham, Alabama; or with governor's offices, as with George Wallace of Alabama. Several members of Klan groups were convicted of murder in the deaths of civil rights workers in Mississippi in 1964 and of children in the bombing of the 16th Street Baptist Church in Birmingham in 1963.


title: Ku Klux Klan

text: The United States government still considers the Klan to be a "subversive terrorist organization". In April 1997, FBI agents arrested four members of the True Knights of the Ku Klux Klan in Dallas for conspiracy to commit robbery and for conspiring to blow up a natural gas processing plant. In 1999, the city council of Charleston, South Carolina, passed a resolution declaring the Klan a terrorist organization. In 2004, a professor at the University of Louisville began a campaign to have the Klan declared a terrorist organization in order to ban it from campus.


title: Ku Klux Klan

text: The existence of modern Klan groups has been in a state of consistent decline due to a variety of factors from the American public's negative distaste of the group's image, platform, and history, infiltration and prosecution by law enforcement, civil lawsuit forfeitures, and the radical right-wing's perception of the Klan as outdated and unfashionable. The Southern Poverty Law Center reported that just between 2016 and 2019 the number of Klan groups in America dropped from 130 to just 51. A 2016 report by the Anti-Defamation League claims an estimate of just over 30 active Klan groups existing in the United States. Estimates of total collective membership range from about 3,000 to 8,000. In addition to its active membership, the Klan has an "unknown number of associates and supporters".


title: Ku Klux Klan

text: The name was probably formed by combining the Greek ' (κύκλος, which means circle) with "clan". The word had previously been used for other fraternal organizations in the South such as Kuklos Adelphon.


title: Ku Klux Klan

text: Six Confederate veterans from Pulaski, Tennessee, created the original Ku Klux Klan on December 24, 1865, shortly after the Civil War, during the Reconstruction of the South. The group was known for a short time as the "Kuklux Clan". The Ku Klux Klan was one of a number of secret, oath-bound organizations using violence, which included the Southern Cross in New Orleans (1865) and the Knights of the White Camelia (1867) in Louisiana.


title: Ku Klux Klan

text: Historians generally classify the KKK as part of the post-Civil War insurgent violence related not only to the high number of veterans in the population, but also to their effort to control the dramatically changed social situation by using extrajudicial means to restore white supremacy. In 1866, Mississippi governor William L. Sharkey reported that disorder, lack of control, and lawlessness were widespread; in some states armed bands of Confederate soldiers roamed at will. The Klan used public violence against Black people and their allies as intimidation. They burned houses and attacked and killed Black people, leaving their bodies on the roads. While racism was a core belief of the Klan, anti-Semitism was not. Many prominent southern Jews identified wholly with southern culture, resulting in examples of Jewish participation in the Klan.


title: Ku Klux Klan

text: At an 1867 meeting in Nashville, Tennessee, Klan members gathered to try to create a hierarchical organization with local chapters eventually reporting to a national headquarters. Since most of the Klan's members were veterans, they were used to such military hierarchy, but the Klan never operated under this centralized structure. Local chapters and bands were highly independent.


title: Ku Klux Klan

text: Former Confederate brigadier general George Gordon developed the "Prescript", which espoused white supremacist belief. For instance, an applicant should be asked if he was in favor of "a white man's government", "the reenfranchisement and emancipation of the white men of the South, and the restitution of the Southern people to all their rights". The latter is a reference to the Ironclad Oath, which stripped the vote from white persons who refused to swear that they had not borne arms against the Union.


title: Ku Klux Klan

text: Confederate general Nathan Bedford Forrest was elected the first grand wizard, and claimed to be the Klan's national leader. In an 1868 newspaper interview, Forrest stated that the Klan's primary opposition was to the Loyal Leagues, Republican state governments, people such as Tennessee governor William Gannaway Brownlow, and other "carpetbaggers" and "scalawags". He argued that many Southerners believed that Black people were voting for the Republican Party because they were being hoodwinked by the Loyal Leagues. One Alabama newspaper editor declared "The League is nothing more than a nigger Ku Klux Klan."


title: Ku Klux Klan

text: Despite Gordon's and Forrest's work, local Klan units never accepted the "Prescript" and continued to operate autonomously. There were never hierarchical levels or state headquarters. Klan members used violence to settle old personal feuds and local grudges, as they worked to restore general white dominance in the disrupted postwar society. The historian Elaine Frantz Parsons describes the membership:


title: Ku Klux Klan

text: Lifting the Klan mask revealed a chaotic multitude of anti-Black vigilante groups, disgruntled poor white farmers, wartime guerrilla bands, displaced Democratic politicians, illegal whiskey distillers, coercive moral reformers, sadists, rapists, white workmen fearful of Black competition, employers trying to enforce labor discipline, common thieves, neighbors with decades-old grudges, and even a few freedmen and white Republicans who allied with Democratic whites or had criminal agendas of their own. Indeed, all they had in common, besides being overwhelmingly white, southern, and Democratic, was that they called themselves, or were called, Klansmen.


title: Ku Klux Klan

text: Historian Eric Foner observed: "In effect, the Klan was a military force serving the interests of the Democratic party, the planter class, and all those who desired restoration of white supremacy. Its purposes were political, but political in the broadest sense, for it sought to affect power relations, both public and private, throughout Southern society. It aimed to reverse the interlocking changes sweeping over the South during Reconstruction: to destroy the Republican party's infrastructure, undermine the Reconstruction state, reestablish control of the Black labor force, and restore racial subordination in every aspect of Southern life. To that end they worked to curb the education, economic advancement, voting rights, and right to keep and bear arms of Black people. The Klan soon spread into nearly every Southern state, launching a reign of terror against Republican leaders both Black and white. Those political leaders assassinated during the campaign included Arkansas Congressman James M. Hinds, three members of the South Carolina legislature, and several men who served in constitutional conventions."


title: Ku Klux Klan

text: Klan members adopted masks and robes that hid their identities and added to the drama of their night rides, their chosen time for attacks. Many of them operated in small towns and rural areas where people otherwise knew each other's faces, and sometimes still recognized the attackers by voice and mannerisms. "The kind of thing that men are afraid or ashamed to do openly, and by day, they accomplish secretly, masked, and at night." The KKK night riders "sometimes claimed to be ghosts of Confederate soldiers so, as they claimed, to frighten superstitious Blacks. Few freedmen took such nonsense seriously."


title: Ku Klux Klan

text: The Klan attacked Black members of the Loyal Leagues and intimidated Southern Republicans and Freedmen's Bureau workers. When they killed Black political leaders, they also took heads of families, along with the leaders of churches and community groups, because these people had many roles in society. Agents of the Freedmen's Bureau reported weekly assaults and murders of Black people.


title: Ku Klux Klan

text: "Armed guerrilla warfare killed thousands of Negroes; political riots were staged; their causes or occasions were always obscure, their results always certain: ten to one hundred times as many Negroes were killed as whites." Masked men shot into houses and burned them, sometimes with the occupants still inside. They drove successful Black farmers off their land. "Generally, it can be reported that in North and South Carolina, in 18 months ending in June 1867, there were 197 murders and 548 cases of aggravated assault."


title: Ku Klux Klan

text: Klan violence worked to suppress Black voting, and campaign seasons were deadly. More than 2,000 people were killed, wounded, or otherwise injured in Louisiana within a few weeks prior to the Presidential election of November 1868. Although St. Landry Parish had a registered Republican majority of 1,071, after the murders, no Republicans voted in the fall elections. White Democrats cast the full vote of the parish for President Grant's opponent. The KKK killed and wounded more than 200 Black Republicans, hunting and chasing them through the woods. Thirteen captives were taken from jail and shot; a half-buried pile of 25 bodies was found in the woods. The KKK made people vote Democratic and gave them certificates of the fact.


title: Ku Klux Klan

text: In the April 1868 Georgia gubernatorial election, Columbia County cast 1,222 votes for Republican Rufus Bullock. By the November presidential election, Klan intimidation led to suppression of the Republican vote and only one person voted for Ulysses S. Grant.


title: Ku Klux Klan

text: Klansmen killed more than 150 African Americans in a county in Florida, and hundreds more in other counties. Florida Freedmen's Bureau records provided a detailed recounting of Klansmen's beatings and murders of freedmen and their white allies.


title: Ku Klux Klan

text: Milder encounters, including some against white teachers, also occurred. In Mississippi, according to the Congressional inquiry:


title: Ku Klux Klan

text: One of these teachers (Miss Allen of Illinois), whose school was at Cotton Gin Port in Monroe County, was visited ... between one and two o'clock in the morning in March 1871, by about fifty men mounted and disguised. Each man wore a long white robe and his face was covered by a loose mask with scarlet stripes. She was ordered to get up and dress which she did at once and then admitted to her room the captain and lieutenant who in addition to the usual disguise had long horns on their heads and a sort of device in front. The lieutenant had a pistol in his hand and he and the captain sat down while eight or ten men stood inside the door and the porch was full. They treated her "gentlemanly and quietly" but complained of the heavy school-tax, said she must stop teaching and go away and warned her that they never gave a second notice. She heeded the warning and left the county.


title: Ku Klux Klan

text: By 1868, two years after the Klan's creation, its activity was beginning to decrease. Members were hiding behind Klan masks and robes as a way to avoid prosecution for freelance violence. Many influential Southern Democrats feared that Klan lawlessness provided an excuse for the federal government to retain its power over the South, and they began to turn against it. There were outlandish claims made, such as Georgian B. H. Hill stating "that some of these outrages were actually perpetrated by the political friends of the parties slain."


title: Ku Klux Klan

text: Union Army veterans in mountainous Blount County, Alabama, organized "the anti-Ku Klux". They put an end to violence by threatening Klansmen with reprisals unless they stopped whipping Unionists and burning Black churches and schools. Armed Black people formed their own defense in Bennettsville, South Carolina, and patrolled the streets to protect their homes.


title: Ku Klux Klan

text: National sentiment gathered to crack down on the Klan, even though some Democrats at the national level questioned whether the Klan really existed, or believed that it was a creation of nervous Southern Republican governors. Many southern states began to pass anti-Klan legislation.


title: Ku Klux Klan

text: In January 1871, Pennsylvania Republican senator John Scott convened a congressional committee which took testimony from 52 witnesses about Klan atrocities, accumulating 12 volumes. In February, former Union general and congressman Benjamin Franklin Butler of Massachusetts introduced the Civil Rights Act of 1871 (Ku Klux Klan Act). This added to the enmity that Southern white Democrats bore toward him. While the bill was being considered, further violence in the South swung support for its passage. The governor of South Carolina appealed for federal troops to assist his efforts in keeping control of the state. A riot and massacre occurred in a Meridian, Mississippi, courthouse, from which a Black state representative escaped by fleeing to the woods. The 1871 Civil Rights Act allowed the president to suspend "habeas corpus."


title: Ku Klux Klan

text: In 1871, President Ulysses S. Grant signed Butler's legislation. The Ku Klux Klan Act and the Enforcement Act of 1870 were used by the federal government to enforce the civil rights provisions for individuals under the constitution. The Klan refused to voluntarily dissolve after the 1871 Klan Act, so President Grant issued a suspension of "habeas corpus" and stationed federal troops in nine South Carolina counties by invoking the Insurrection Act of 1807. The Klansmen were apprehended and prosecuted in federal court. Judges Hugh Lennox Bond and George S. Bryan presided over the trial of KKK members in Columbia, South Carolina, during December 1871. The defendants were given from three months to five years of incarceration with fines. More Black people served on juries in federal court than on local or state juries, so they had a chance to participate in the process. Hundreds of Klan members were fined or imprisoned during the crackdown.


title: Ku Klux Klan

text: Klan leader Nathan Bedford Forrest boasted that the Klan was a nationwide organization of 550,000 men and that he could muster 40,000 Klansmen within five days' notice. However, the Klan had no membership rosters, no chapters, and no local officers, so it was difficult for observers to judge its membership. It had created a sensation by the dramatic nature of its masked forays and because of its many murders.


title: Ku Klux Klan

text: In 1870, a federal grand jury determined that the Klan was a "terrorist organization" and issued hundreds of indictments for crimes of violence and terrorism. Klan members were prosecuted, and many fled from areas that were under federal government jurisdiction, particularly in South Carolina. Many people not formally inducted into the Klan had used the Klan's costume to hide their identities when carrying out independent acts of violence. Forrest called for the Klan to disband in 1869, arguing that it was "being perverted from its original honorable and patriotic purposes, becoming injurious instead of subservient to the public peace". Historian Stanley Horn argues that "generally speaking, the Klan's end was more in the form of spotty, slow, and gradual disintegration than a formal and decisive disbandment". A Georgia-based reporter wrote in 1870: "A true statement of the case is not that the Ku Klux are an organized band of licensed criminals, but that men who commit crimes call themselves Ku Klux".


title: Ku Klux Klan

text: In many states, officials were reluctant to use Black militia against the Klan out of fear that racial tensions would be raised. Republican governor of North Carolina William Woods Holden called out the militia against the Klan in 1870, adding to his unpopularity. This and extensive violence and fraud at the polls caused the Republicans to lose their majority in the state legislature. Disaffection with Holden's actions contributed to white Democratic legislators impeaching him and removing him from office, but their reasons for doing so were numerous.


title: Ku Klux Klan

text: Klan operations ended in South Carolina and gradually withered away throughout the rest of the South. Attorney General Amos Tappan Ackerman led the prosecutions.


title: Ku Klux Klan

text: New groups of insurgents emerged in the mid-1870s, local paramilitary organizations such as the White League, Red Shirts, saber clubs, and rifle clubs, that intimidated and murdered Black political leaders. The White League and Red Shirts were distinguished by their willingness to cultivate publicity, working directly to overturn Republican officeholders and regain control of politics.


title: Ku Klux Klan

text: In 1882, the Supreme Court ruled in "United States v. Harris" that the Klan Act was partially unconstitutional. It ruled that Congress's power under the Fourteenth Amendment did not include the right to regulate against private conspiracies. It recommended that persons who had been victimized should seek relief in state courts, which were entirely unsympathetic to such appeals.


title: Ku Klux Klan

text: Klan costumes, also called "regalia", disappeared from use by the early 1870s, after Grand Wizard Forrest called for their destruction as part of disbanding the Klan. The Klan was broken as an organization by 1872. In 1915, William Joseph Simmons held a meeting to revive the Klan in Georgia; he attracted two aging former members, and all other members were new.


title: Ku Klux Klan

text: In 1915 the film "The Birth of a Nation" was released, mythologizing and glorifying the first Klan and its endeavors. The second Ku Klux Klan was founded in 1915 by William Joseph Simmons at Stone Mountain, near Atlanta, with fifteen "charter members". Its growth was based on a new anti-immigrant, anti-Catholic, Prohibitionist and anti-Semitic agenda, which reflected contemporary social tensions, particularly recent immigration. The new organization and chapters adopted regalia featured in "The Birth of a Nation"; membership was kept secret by wearing masks in public.


title: Ku Klux Klan

text: Director D. W. Griffith's "The Birth of a Nation" glorified the original Klan. The film was based on the book and play "", as well as the book "The Leopard's Spots", both by Thomas Dixon Jr. Much of the modern Klan's iconography is derived from it, including the standardized white costume and the burning cross. Its imagery was based on Dixon's romanticized concept of old England and Scotland, as portrayed in the novels and poetry of Sir Walter Scott. The film's influence was enhanced by a false claim of endorsement by President Woodrow Wilson. Dixon was an old friend of Wilson's and, before its release, there was a private showing of the film at the White House. A publicist claimed that Wilson said, "It is like writing history with lightning, and my only regret is that it is all so terribly true." Wilson strongly disliked the film and felt he had been tricked by Dixon. The White House issued a denial of the "lightning" quote, saying that he was entirely unaware of the nature of the film and at no time had expressed his approbation of it.


title: Ku Klux Klan

text: The first and third Klans were primarily Southeastern groups aimed against Black people. The second Klan, in contrast, broadened the scope of the organization to appeal to people in the Midwestern and Western states who considered Catholics, Jews, and foreign-born minorities to be anti-American.