title: Sword

text: The sabre and similar blades such as the cutlass were built more heavily and were more typically used in warfare. Built for slashing and chopping at multiple enemies, often from horseback, the sabre's long curved blade and slightly forward weight balance gave it a deadly character all its own on the battlefield. Most sabres also had sharp points and double-edged blades, making them capable of piercing soldier after soldier in a cavalry charge. Sabres continued to see battlefield use until the early 20th century. The US Navy kept tens of thousands of sturdy cutlasses in their armory well into World War II and many were issued to Marines in the Pacific as jungle machetes.


title: Sword

text: Non-European weapons classified as swords include single-edged weapons such as the Middle Eastern scimitar, the Chinese Dao and the related Japanese katana. The Chinese jiàn is an example of a non-European double-edged sword, like the European models derived from the double-edged Iron Age sword.


title: Sword

text: The first weapons that can be described as "swords" date to around 3300 BC. They have been found in Arslantepe, Turkey, are made from arsenical bronze, and are about long. Some of them are inlaid with silver.


title: Sword

text: The sword developed from the knife or dagger. The sword became differentiated from the dagger during the Bronze Age ("c." 3000 BCE), when copper and bronze weapons were produced with long leaf-shaped blades and with hilts consisting of an extension of the blade in handle form. A knife is unlike a dagger in that a knife has only one cutting surface, while a dagger has two cutting surfaces. Construction of longer blades became possible during the 3rd millennium BC in the Middle East, first in arsenic copper, then in tin-bronze.


title: Sword

text: Blades longer than were rare and not practical until the late Bronze Age because the Young's modulus (stiffness) of bronze is relatively low, and consequently longer blades would bend easily. The development of the sword out of the dagger was gradual; the first weapons that can be classified as swords without any ambiguity are those found in Minoan Crete, dated to about 1700 BC, reaching a total length of more than . These are the "type A" swords of the Aegean Bronze Age.


title: Sword

text: One of the most important, and longest-lasting, types swords of the European Bronze Age was the "Naue II" type (named for Julius Naue who first described them), also known as "Griffzungenschwert" (lit. "grip-tongue sword"). This type first appears in c. the 13th century BC in Northern Italy (or a general Urnfield background), and survives well into the Iron Age, with a life-span of about seven centuries. During its lifetime, metallurgy changed from bronze to iron, but not its basic design.


title: Sword

text: Naue II swords were exported from Europe to the Aegean, and as far afield as Ugarit, beginning about 1200 BC, i.e. just a few decades before the final collapse of the palace cultures in the Bronze Age collapse. Naue II swords could be as long as 85 cm, but most specimens fall into the 60 to 70 cm range. Robert Drews linked the Naue Type II Swords, which spread from Southern Europe into the Mediterranean, with the Bronze Age collapse. Naue II swords, along with Nordic full-hilted swords, were made with functionality and aesthetics in mind. The hilts of these swords were beautifully crafted and often contained false rivets in order to make the sword more visually appealing. Swords coming from northern Denmark and northern Germany usually contained three or more fake rivets in the hilt.


title: Sword

text: Sword production in China is attested from the Bronze Age Shang Dynasty. The technology for bronze swords reached its high point during the Warring States period and Qin Dynasty. Amongst the Warring States period swords, some unique technologies were used, such as casting high tin edges over softer, lower tin cores, or the application of diamond shaped patterns on the blade (see sword of Goujian). Also unique for Chinese bronzes is the consistent use of high tin bronze (17–21% tin) which is very hard and breaks if stressed too far, whereas other cultures preferred lower tin bronze (usually 10%), which bends if stressed too far. Although iron swords were made alongside bronze, it was not until the early Han period that iron completely replaced bronze.


title: Sword

text: In the Indian subcontinent, earliest available Bronze age swords of copper were discovered in the Indus Valley civilization sites in the northwestern regions of South Asia. Swords have been recovered in archaeological findings throughout the Ganges-Jamuna Doab region of Indian subcontinent, consisting of bronze but more commonly copper. Diverse specimens have been discovered in Fatehgarh, where there are several varieties of hilt. These swords have been variously dated to times between 1700 and 1400 BC. Other swords from this period in India have been discovered from Kallur, Raichur.


title: Sword

text: Iron became increasingly common from the 13th century BC. Before that the use of swords was less frequent. The iron was not quench-hardened although often containing sufficient carbon, but work-hardened like bronze by hammering. This made them comparable or only slightly better in terms of strength and hardness to bronze swords. They could still bend during use rather than spring back into shape. But the easier production, and the better availability of the raw material for the first time permitted the equipment of entire armies with metal weapons, though Bronze Age Egyptian armies were sometimes fully equipped with bronze weapons.


title: Sword

text: Ancient swords are often found at burial sites. The sword was often placed on the right side of the corpse. Many times the sword was kept over the corpse. In many late Iron Age graves, the sword and the scabbard were bent at 180 degrees. It was known as killing the sword. Thus they might have considered swords as the most potent and powerful object.


title: Sword

text: High-carbon steel for swords, which would later appear as Damascus steel, was likely introduced in India around the mid-1st millennium BCE. The Periplus of the Erythraean Sea mentions swords of Indian iron and steel being exported from ancient India to Greece. Blades from the Indian subcontinent made of Damascus steel also found their way into Persia.


title: Sword

text: By the time of Classical Antiquity and the Parthian and Sassanid Empires in Iran, iron swords were common. The Greek xiphos and the Roman gladius are typical examples of the type, measuring some . The late Roman Empire introduced the longer spatha (the term for its wielder, spatharius, became a court rank in Constantinople), and from this time, the term "longsword" is applied to swords comparatively long for their respective periods.


title: Sword

text: Swords from the Parthian and Sassanian Empires were quite long, the blades on some late Sassanian swords being just under a metre long.


title: Sword

text: Swords were also used to administer various physical punishments, such as non-surgical amputation or capital punishment by decapitation. The use of a sword, an honourable weapon, was regarded in Europe since Roman times as a privilege reserved for the nobility and the upper classes.


title: Sword

text: In the first millennium BC the Persian armies used a sword that was originally of Scythian design called the akinaka (acinaces). However, the great conquests of the Persians made the sword more famous as a Persian weapon, to the extent that the true nature of the weapon has been lost somewhat as the name Akinaka has been used to refer to whichever form of sword the Persian army favoured at the time.


title: Sword

text: It is widely believed that the original akinaka was a 35 to 45 cm (14 to 18 inch) double-edged sword. The design was not uniform and in fact identification is made more on the nature of the scabbard than the weapon itself; the scabbard usually has a large, decorative mount allowing it to be suspended from a belt on the wearer's right side. Because of this, it is assumed that the sword was intended to be drawn with the blade pointing downwards ready for surprise stabbing attacks.


title: Sword

text: In the 12th century, the Seljuq dynasty had introduced the curved shamshir to Persia, and this was in extensive use by the early 16th century.


title: Sword

text: Chinese iron swords made their first appearance in the later part of the Western Zhou Dynasty, but iron and steel swords were not widely used until the 3rd century BC Han Dynasty. The Chinese Dao (刀 pinyin dāo) is single-edged, sometimes translated as sabre or broadsword, and the Jian (劍 or 剑 pinyin jiàn) is double-edged. The zhanmadao (literally "horse chopping sword"), an extremely long, anti-cavalry sword from the Song dynasty era.


title: Sword

text: During the Middle Ages sword technology improved, and the sword became a very advanced weapon. The spatha type remained popular throughout the Migration period and well into the Middle Ages. Vendel Age spathas were decorated with Germanic artwork (not unlike the Germanic bracteates fashioned after Roman coins). The Viking Age saw again a more standardized production, but the basic design remained indebted to the spatha.


title: Sword

text: Around the 10th century, the use of properly quenched hardened and tempered steel started to become much more common than in previous periods. The Frankish 'Ulfberht' blades (the name of the maker inlaid in the blade) were of particularly consistent high quality. Charles the Bald tried to prohibit the export of these swords, as they were used by Vikings in raids against the Franks.


title: Sword

text: Wootz steel which is also known as Damascus steel was a unique and highly prized steel developed on the Indian subcontinent as early as the 5th century BC. Its properties were unique due to the special smelting and reworking of the steel creating networks of iron carbides described as a globular cementite in a matrix of pearlite. The use of Damascus steel in swords became extremely popular in the 16th and 17th centuries.


title: Sword

text: It was only from the 11th century that Norman swords began to develop the crossguard (quillons). During the Crusades of the 12th to 13th century, this cruciform type of arming sword remained essentially stable, with variations mainly concerning the shape of the pommel. These swords were designed as cutting weapons, although effective points were becoming common to counter improvements in armour, especially the 14th-century change from mail to plate armour.


title: Sword

text: It was during the 14th century, with the growing use of more advanced armour, that the hand and a half sword, also known as a "bastard sword", came into being. It had an extended grip that meant it could be used with either one or two hands. Though these swords did not provide a full two-hand grip they allowed their wielders to hold a shield or parrying dagger in their off hand, or to use it as a two-handed sword for a more powerful blow.


title: Sword

text: In the Middle Ages, the sword was often used as a symbol of the word of God. The names given to many swords in mythology, literature, and history reflected the high prestige of the weapon and the wealth of the owner.


title: Sword

text: From around 1300 to 1500, in concert with improved armour, innovative sword designs evolved more and more rapidly. The main transition was the lengthening of the grip, allowing two-handed use, and a longer blade. By 1400, this type of sword, at the time called "langes Schwert" (longsword) or "spadone", was common, and a number of 15th- and 16th-century "Fechtbücher" offering instructions on their use survive. Another variant was the specialized armour-piercing swords of the estoc type. The longsword became popular due to its extreme reach and its cutting and thrusting abilities.


title: Sword

text: The estoc became popular because of its ability to thrust into the gaps between plates of armour. The grip was sometimes wrapped in wire or coarse animal hide to provide a better grip and to make it harder to knock a sword out of the user's hand.


title: Sword

text: A number of manuscripts covering longsword combat and techniques dating from the 13th–16th centuries exist in German, Italian, and English, providing extensive information on longsword combatives as used throughout this period. Many of these are now readily available online.


title: Sword

text: In the 16th century, the large zweihänder was used by the elite German and Swiss mercenaries known as doppelsöldners. Zweihänder, literally translated, means two-hander. The zweihänder possesses a long blade, as well as a huge guard for protection. It is estimated that some zweihänder swords were over long, with the one ascribed to Frisian warrior Pier Gerlofs Donia being long. The gigantic blade length was perfectly designed for manipulating and pushing away enemy pole-arms, which were major weapons around this time, in both Germany and Eastern Europe. Doppelsöldners also used katzbalgers, which means 'cat-gutter'. The katzbalger's S-shaped guard and blade made it perfect for bringing in when the fighting became too close to use a zweihänder.


title: Sword

text: Civilian use of swords became increasingly common during the late Renaissance, with duels being a preferred way to honourably settle disputes.


title: Sword

text: The side-sword was a type of war sword used by infantry during the Renaissance of Europe. This sword was a direct descendant of the knightly sword. Quite popular between the 16th and 17th centuries, they were ideal for handling the mix of armoured and unarmoured opponents of that time. A new technique of placing one's finger on the ricasso to improve the grip (a practice that would continue in the rapier) led to the production of hilts with a guard for the finger. This sword design eventually led to the development of the civilian rapier, but it was not replaced by it, and the side-sword continued to be used during the rapier's lifetime. As it could be used for both cutting and thrusting, the term "cut and thrust sword" is sometimes used interchangeably with side-sword. As rapiers became more popular, attempts were made to hybridize the blade, sacrificing the effectiveness found in each unique weapon design. These are still considered side-swords and are sometimes labeled "sword rapier" or "cutting rapier" by modern collectors.


title: Sword

text: Side-swords used in conjunction with bucklers became so popular that it caused the term swashbuckler to be coined. This word stems from the new fighting style of the side-sword and buckler which was filled with much "swashing and making a noise on the buckler".


title: Sword

text: Within the Ottoman Empire, the use of a curved sabre called the Yatagan started in the mid-16th century. It would become the weapon of choice for many in Turkey and the Balkans.


title: Sword

text: The sword in this time period was the most personal weapon, the most prestigious, and the most versatile for close combat, but it came to decline in military use as technology, such as the crossbow and firearms changed warfare. However, it maintained a key role in civilian self-defence.


title: Sword

text: The earliest evidence of curved swords, or scimitars (and other regional variants as the Arabian saif, the Persian shamshir and the Turkic kilij) is from the 9th century, when it was used among soldiers in the Khurasan region of Persia.


title: Sword

text: The takoba is a type of broadsword originating in the Sahel, descended from the various Byzantine and Islamic swords used across North Africa. Strongly associated with the Tuaregs, it has a straight double-edged blade measuring about 1 meter in length, usually imported from Europe.


title: Sword

text: The Ashanti people adopted swords under the name of akrafena. They are still used today in ceremonies, such as the Odwira festival.


title: Sword

text: As steel technology improved, single-edged weapons became popular throughout Asia. Derived from the Chinese Jian or dao, the Korean hwandudaedo are known from the early medieval Three Kingdoms. Production of the Japanese tachi, a precursor to the katana, is recorded from c. AD 900 (see Japanese sword).


title: Sword

text: Japan was famous for the swords it forged in the early 13th century for the class of warrior-nobility known as the Samurai. Western historians have said that Japanese katana were among the finest cutting weapons in world military history. The types of swords used by the Samurai included the ōdachi (extra long field sword), tachi (long cavalry sword), katana (long sword), and wakizashi (shorter companion sword for katana). Japanese swords that pre-date the rise of the samurai caste include the tsurugi (straight double-edged blade) and chokutō (straight one-edged blade). Japanese swordmaking reached the height of its development in the 15th and 16th centuries, when samurai increasingly found a need for a sword to use in closer quarters, leading to the creation of the modern katana. High quality Japanese swords have been exported to neighboring Asian countries since before the 11th century. From the 15th century to the 16th century, more than 200,000 swords were exported, reaching a quantitative peak, but these were simple swords made exclusively for mass production, specialized for export and lending to conscripted farmers ("ashigaru").


title: Sword

text: In Indonesia, the images of Indian style swords can be found in Hindu gods statues from ancient Java circa 8th to 10th century. However the native types of blade known as "kris", "parang", "klewang" and "golok" were more popular as weapons. These daggers are shorter than a sword but longer than a common dagger.


title: Sword

text: In the Philippines, traditional large swords known as the Kampilan and the Panabas were used in combat by the natives. A notable wielder of the "kampilan" was Lapu-Lapu, the king of Mactan and his warriors who defeated the Spaniards and killed Portuguese explorer Ferdinand Magellan at the Battle of Mactan on 27 April 1521. Traditional swords in the Philippines were immediately banned, but the training in swordsmanship was later hidden from the occupying Spaniards by practices in dances. But because of the banning, Filipinos were forced to use swords that were disguised as farm tools. Bolos and baliswords were used during the revolutions against the colonialists not only because ammunition for guns was scarce, but also for concealability while walking in crowded streets and homes. Bolos were also used by young boys who joined their parents in the revolution and by young girls and their mothers in defending the town while the men were on the battlefields. During the Philippine–American War in events such as the Balangiga Massacre, most of an American company was hacked to death or seriously injured by bolo-wielding guerillas in Balangiga, Samar. When the Japanese took control of the country, several American special operations groups stationed in the Philippines were introduced to the Filipino Martial Arts and swordsmanship, leading to this style reaching America despite the fact that natives were reluctant to allow outsiders in on their fighting secrets.


title: Sword

text: The "Khanda" is a double-edge straight sword. It is often featured in religious iconography, theatre and art depicting the ancient history of India. Some communities venerate the weapon as a symbol of Shiva. It is a common weapon in the martial arts in the Indian subcontinent. Khanda often appears in Hindu, Buddhist and Sikh scriptures and art. In Sri Lanka, a unique wind furnace was used to produce the high quality steel. This gave the blade a very hard cutting edge and beautiful patterns. For these reasons it became a very popular trading material.


title: Sword

text: The Firangi (, derived from the Arabic term for a Western European a "Frank") was a sword type which used blades manufactured in Western Europe and imported by the Portuguese, or made locally in imitation of European blades. Because of its length the firangi is usually regarded as primarily a cavalry weapon. The sword has been especially associated with the Marathas, who were famed for their cavalry. However, the firangi was also widely used by Sikhs and Rajputs.


title: Sword

text: The Talwar () is a type of curved sword from India and other countries of the Indian subcontinent, it was adopted by communities such as Rajputs, Sikhs and Marathas, who favored the sword as their main weapon. It became more widespread in the medieval era.


title: Sword

text: A single-edged type of sidearm used by the Hussites was popularized in 16th-century Germany under its Czech name "Dusack", also known as "Säbel auf Teutsch gefasst" ("sabre fitted in the German manner"). A closely related weapon is the "schnepf" or Swiss sabre used in Early Modern Switzerland.


title: Sword

text: The cut-and-thrust mortuary sword was used after 1625 by cavalry during the English Civil War. This (usually) two-edged sword sported a half-basket hilt with a straight blade some 90–105 cm long. Later in the 17th century, the swords used by cavalry became predominantly single-edged. The so-called walloon sword ("épée wallone") was common in the Thirty Years' War and Baroque era. Its hilt was ambidextrous with shell-guards and knuckle-bow that inspired 18th century continental hunting hangers. Following their campaign in the Netherlands in 1672, the French began producing this weapon as their first regulation sword. Weapons of this design were also issued to the Swedish army from the time of Gustavus Adolphus until as late as the 1850s.


title: Sword

text: The rapier is believed to have evolved either from the Spanish "espada ropera" or from the swords of the Italian nobility somewhere in the later part of the 16th century. The rapier differed from most earlier swords in that it was not a military weapon but a primarily civilian sword. Both the rapier and the Italian schiavona developed the crossguard into a basket-shaped guard for hand protection.


title: Sword

text: During the 17th and 18th centuries, the shorter small sword became an essential fashion accessory in European countries and the New World, though in some places such as the Scottish Highlands large swords as the basket-hilted broadsword were preferred, and most wealthy men and military officers carried one slung from a belt. Both the small sword and the rapier remained popular dueling swords well into the 18th century.


title: Sword

text: As the wearing of swords fell out of fashion, canes took their place in a gentleman's wardrobe. This developed to the gentlemen in the Victorian era to use the umbrella. Some examples of canes—those known as sword canes or swordsticks—incorporate a concealed blade. The French martial art "la canne" developed to fight with canes and swordsticks and has now evolved into a sport. The English martial art singlestick is very similar.


title: Sword

text: With the rise of the pistol duel, the duelling sword fell out of fashion long before the practice of duelling itself. By about 1770, English duelists enthusiastically adopted the pistol, and sword duels dwindled. However, the custom of duelling with epées persisted well into the 20th century in France. Such modern duels were not fought to the death; the duellists' aim was instead merely to draw blood from the opponent's sword arm.


title: Sword

text: Towards the end of its useful life, the sword served more as a weapon of self-defence than for use on the battlefield, and the military importance of swords steadily decreased during the Modern Age. Even as a personal sidearm, the sword began to lose its preeminence in the early 19th century, reflecting the development of reliable handguns.


title: Sword

text: However, swords were still normally carried in combat by cavalrymen and by officers of other branches throughout the 19th and early 20th centuries, both in colonial and European warfare. For example, during the Aceh War the Acehnese Klewangs, a sword similar to the machete, proved very effective in close quarters combat with Dutch troops, leading the Royal Netherlands East Indies Army to adopt a heavy cutlass, also called klewang (very similar in appearance to the US Navy Model 1917 Cutlass) to counter it. Mobile troops armed with carbines and klewangs succeeded in suppressing Aceh resistance where traditional infantry with rifle and bayonet had failed. From that time on until the 1950s the Royal Dutch East Indies Army, Royal Dutch Army, Royal Dutch Navy and Dutch police used these cutlasses called Klewang.


title: Sword

text: Swords continued in general peacetime use by cavalry of most armies during the years prior to World War I. The British Army formally adopted a completely new design of cavalry sword in 1908, almost the last change in British Army weapons before the outbreak of the war. At the outbreak of World War I infantry officers in all combatant armies then involved (French, German, British, Austro-Hungarian, Russian, Belgian and Serbian) still carried swords as part of their field equipment. On mobilization in August 1914 all serving British Army officers were required to have their swords sharpened as the only peacetime use of the weapon had been for saluting on parade. The high visibility and limited practical use of the sword however led to it being abandoned within weeks, although most cavalry continued to carry sabres throughout the war. While retained as a symbol of rank and status by at least senior officers of infantry, artillery and other branches the sword was usually left with non-essential baggage when units reached the front line. It was not until the late 1920s and early 1930s that this historic weapon was finally discarded for all but ceremonial purposes by most remaining horse mounted regiments of Europe and the Americas.


title: Sword

text: In China troops used the long anti-cavalry Miao dao well into the Second Sino-Japanese War. The last units of British heavy cavalry switched to using armoured vehicles as late as 1938. Swords and other dedicated melee weapons were used occasionally by many countries during World War II, but typically as a secondary weapon as they were outclassed by coexisting firearms. A notable exception was the Imperial Japanese Army where, for cultural reasons, all officers and warrant officers carried the Type 94 "shin-gunto" ("new military sword") into battle from 1934 until 1945.


title: Sword

text: Swords are commonly worn as a ceremonial item by officers in many military and naval services throughout the world. Occasions to wear swords include any event in dress uniforms where the rank-and-file carry arms: parades, reviews, courts-martial, tattoos, and changes of command. They are also commonly worn for officers' weddings, and when wearing dress uniforms to church—although they are rarely actually worn in the church itself.


title: Sword

text: In the British forces they are also worn for any appearance at Court. In the United States, every Naval officer at or above the rank of Lieutenant Commander is required to own a sword, which can be prescribed for any formal outdoor ceremonial occasion; they are normally worn for changes of command and parades. For some Navy parades, cutlasses are issued to Petty Officers and Chief Petty Officers.


title: Sword

text: In the U.S. Marine Corps every officer must own a sword, which is prescribed for formal parades and other ceremonies where dress uniforms are worn and the rank-and-file are under arms. On these occasions depending on their billet, Marine Non-Commissioned Officers (E-4 and above) may also be required to carry swords, which have hilts of a pattern similar to U.S. Naval officers' swords but are actually sabres. The USMC Model 1859 NCO Sword is the longest continuously-issued edged weapon in the U.S. inventory


title: Sword

text: The Marine officer swords are of the Mameluke pattern which was adopted in 1825 in recognition of the Marines' key role in the capture of the Tripolitan city of Derna during the First Barbary War. Taken out of issue for approximately 20 years from 1855 until 1875, it was restored to service in the year of the Corps' centennial and has remained in issue since.


title: Sword

text: In the occult practices of Wicca, a sword or knife often referred to as an athame is used as a magical tool.


title: Sword

text: The production of replicas of historical swords originates with 19th-century historicism. Contemporary replicas can range from cheap factory produced look-alikes to exact recreations of individual artifacts, including an approximation of the historical production methods.


title: Sword

text: Some kinds of swords are still commonly used today as weapons, often as a side arm for military infantry. The Japanese katana, wakizashi and tanto are carried by some infantry and officers in Japan and other parts of Asia and the kukri is the official melee weapon for Nepal. Other swords in use today are the sabre, the scimitar, the shortsword and the machete.


title: Sword

text: There is considerable variation in the detailed design of sword blades. The diagram opposite shows a typical Medieval European sword.


title: Sword

text: Early iron blades have rounded points due to the limited metallurgy of the time. These were still effective for thrusting against lightly armoured opponents. As armour advanced, blades were made narrower, stiffer and sharply pointed to defeat the armour by thrusting.


title: Sword

text: Dedicated cutting blades are wide and thin, and often have grooves known as fullers which lighten the blade at the cost of some of the blade's stiffness. The edges of a cutting sword are almost parallel. Blades oriented for the thrust have thicker blades, sometimes with a distinct midrib for increased stiffness, with a strong taper and an acute point. The geometry of a cutting sword blade allows for acute edge angles. An edge with an acuter angle is more inclined to degrade quickly in combat situations than an edge with a more obtuse angle. Also, an acute edge angle is not the primary factor of a blade's sharpness.


title: Sword

text: The part of the blade between the center of percussion (CoP) and the point is called the "foible" (weak) of the blade, and that between the center of balance (CoB) and the hilt is the "forte" (strong). The section in between the CoP and the CoB is the "middle".


title: Sword

text: The "ricasso" or "shoulder" identifies a short section of blade immediately below the guard that is left completely unsharpened. Many swords have no ricasso. On some large weapons, such as the German "Zweihänder", a metal cover surrounded the ricasso, and a swordsman might grip it in one hand to wield the weapon more easily in close-quarter combat.


title: Sword

text: The hilt is the collective term for the parts allowing for the handling and control of the blade; these consist of the grip, the pommel, and a simple or elaborate guard, which in post-Viking Age swords could consist of only a crossguard (called a cruciform hilt or quillons). The pommel was originally designed as a stop to prevent the sword slipping from the hand. From around the 11th century onward it became a counterbalance to the blade, allowing a more fluid style of fighting.


title: Sword

text: It can also be used as a blunt instrument at close range, and its weight affects the centre of percussion. In later times a "sword knot" or "tassel" was sometimes added. By the 17th century, with the growing use of firearms and the accompanying decline in the use of armour, many rapiers and dueling swords had developed elaborate basket hilts, which protect the palm of the wielder and rendered the gauntlet obsolete.


title: Sword

text: In late medieval and Renaissance era European swords, a flap of leather called the "chappe" or "rain guard" was attached to a sword's crossguard at the base of the hilt to protect the mouth of the scabbard and prevent water from entering.


title: Sword

text: Sword typology is based on morphological criteria on one hand (blade shape (cross-section, taper, and length), shape and size of the hilt and pommel)


title: Sword

text: and age and place of origin on the other (Bronze Age, Iron Age, European (medieval, early modern, modern), Asian).


title: Sword

text: The relatively comprehensive Oakeshott typology was created by historian and illustrator Ewart Oakeshott as a way to define and catalogue European swords of the medieval period based on physical form, including blade shape and hilt configuration. The typology also focuses on the smaller, and in some cases contemporary, single-handed swords such as the arming sword.


title: Sword

text: As noted above, the terms longsword, broad sword, great sword, and Gaelic claymore are used relative to the era under consideration, and each term designates a particular type of sword.


title: Sword

text: In most Asian countries, a sword (jian 劍, geom (검), ken/tsurugi (剣) is a double-edged straight-bladed weapon, while a knife or sabre (dāo 刀, do (도), to/katana (刀) refers to a single-edged object.


title: Sword

text: Among the Sikhs, the sword is held in very high esteem. A single-edged sword is called a kirpan, and its double-edged counterpart a khanda or tega.


title: Sword

text: The South Indian "churika" is a handheld double-edged sword traditionally used in the Malabar region of Kerala. It is also worshipped as the weapon of Vettakkorumakan, the hunter god in Hinduism.


title: Sword

text: European terminology does give generic names for single-edged and double-edged blades but refers to specific types with the term 'sword' covering them all. For example, the backsword may be so called because it is single-edged but the falchion which is also single-edged is given its own specific name.


title: Sword

text: A two-handed sword is any sword that usually requires two hands to wield, or more specifically the very large swords of the 16th century.


title: Sword

text: Throughout history two-handed swords have generally been less common than their one-handed counterparts, one exception being their common use in Japan.


title: Sword

text: A Hand and a half sword, colloquially known as a "bastard sword", was a sword with an extended grip and sometimes pommel so that it could be used with either one or two hands. Although these swords may not provide a full two-hand grip, they allowed its wielders to hold a shield or parrying dagger in their off hand, or to use it as a two-handed sword for a more powerful blow. These should not be confused with a longsword, two-handed sword, or Zweihänder, which were always intended to be used with two hands.


title: Sword

text: The Visigothic Code of Ervig (680-687) made ownership of a sword mandatory for men joining the Visigothic army, regardless whether the men were Goth or Roman. A number of Charlemagne capitularies made ownership of a sword mandatory, for example, those who owned a warehouse needed to also own a sword.


title: Sword

text: In fantasy, magic swords often appear, based on their use in myth and legend. The science fiction counterpart to these is known as an energy sword (sometimes also referred to as a "beam sword" or "laser sword"), a sword whose blade consists of, or is augmented by, concentrated energy. A well known example of this type of sword is the lightsaber, shown in the "Star Wars" franchise.


title: Lernaean Hydra

text: The Lernaean Hydra or Hydra of Lerna (, "Lernaîa Hýdra"), more often known simply as the Hydra, is a serpentine water monster in Greek and Roman mythology. Its lair was the lake of Lerna in the Argolid, which was also the site of the myth of the Danaïdes. Lerna was reputed to be an entrance to the Underworld, and archaeology has established it as a sacred site older than Mycenaean Argos. In the canonical Hydra myth, the monster is killed by Heracles (Hercules) as the second of his Twelve Labors.


title: Lernaean Hydra

text: According to Hesiod, the Hydra was the offspring of Typhon and Echidna. It had poisonous breath and blood so virulent that even its scent was deadly. The Hydra possessed many heads, the exact number of which varies according to the source. Later versions of the Hydra story add a regeneration feature to the monster: for every head chopped off, the Hydra would regrow two heads. Heracles required the assistance of his nephew Iolaus to cut off all of the monster's heads and burn the neck using a sword and fire.


title: Lernaean Hydra

text: The oldest extant Hydra narrative appears in Hesiod's "Theogony", while the oldest images of the monster are found on a pair of bronze fibulae dating to c. 700 BC. In both these sources, the main motifs of the Hydra myth are already present: a multi-headed serpent that is slain by Heracles and Iolaus. While these fibulae portray a six-headed Hydra, its number of heads was first fixed in writing by Alcaeus (c. 600 BC), who gave it nine heads. Simonides, writing a century later, increased the number to fifty, while Euripides, Virgil, and others did not give an exact figure. Heraclitus the Paradoxographer rationalized the myth by suggesting that the Hydra would have been a single-headed snake accompanied by its offspring.


title: Lernaean Hydra

text: Like the initial number of heads, the monster's capacity to regenerate lost heads varies with time and author. The first mention of this ability of the Hydra occurs with Euripides, where the monster grew back a pair of heads for each one severed by Heracles. In the "Euthydemus" of Plato, Socrates likens Euthydemus and his brother Dionysidorus to a Hydra of a sophistical nature who grows two arguments for every one refuted. Palaephatus, Ovid, and Diodorus Siculus concur with Euripides, while Servius has the Hydra grow back three heads each time; the "Suda" does not give a number. Depictions of the monster dating to c. 500 BC show it with a double tail as well as multiple heads, suggesting the same regenerative ability at work, but no literary accounts have this feature.


title: Lernaean Hydra

text: The Hydra had many parallels in ancient Near Eastern religions. In particular, Sumerian, Babylonian, and Assyrian mythology celebrated the deeds of the war and hunting god Ninurta, whom the "Angim" credited with slaying 11 monsters on an expedition to the mountains, including a seven-headed serpent (possibly identical with the Mushmahhu) and Bashmu, whose constellation (despite having a single Head) was later associated by the Greeks with the Hydra. The constellation is also sometimes associated in Babylonian contexts with Marduk's dragon, the Mushhushshu.


title: Lernaean Hydra

text: Eurystheus, the king of the Tiryns, sent Heracles (or Hercules) to slay the Hydra, which Hera had raised just to slay Heracles. Upon reaching the swamp near Lake Lerna, where the Hydra dwelt, Heracles covered his mouth and nose with a cloth to protect himself from the poisonous fumes. He shot flaming arrows into the Hydra's lair, the spring of Amymone, a deep cave from which it emerged only to terrorize neighboring villages. He then confronted the Hydra, wielding either a harvesting sickle (according to some early vase-paintings), a sword, or his famed club. The chthonic creature's reaction to this decapitation was botanical: two grew back, an expression of the hopelessness of such a struggle for any but the hero. The weakness of the Hydra was that it was invulnerable only if it retained at least one head.


title: Lernaean Hydra

text: The details of the struggle are explicit in the "Bibliotheca": realizing that he could not defeat the Hydra in this way, Heracles called on his nephew Iolaus for help. His nephew then came upon the idea (possibly inspired by Athena) of using a firebrand to scorch the neck stumps after each decapitation. Heracles cut off each head and Iolaus cauterized the open stumps. Seeing that Heracles was winning the struggle, Hera sent a giant crab to distract him. He crushed it under his mighty foot. The Hydra's one immortal head was cut off with a golden sword given to Heracles by Athena. Heracles placed the head—still alive and writhing—under a great rock on the sacred way between Lerna and Elaius, and dipped his arrows in the Hydra's poisonous blood. Thus, his second task was complete.


title: Lernaean Hydra

text: The alternate version of this myth is that after cutting off one head he then dipped his sword in its neck and used its venom to burn each head so it could not grow back. Hera, upset that Heracles had slain the beast she raised to kill him, placed it in the dark blue vault of the sky as the constellation Hydra. She then turned the crab into the constellation Cancer.


title: Lernaean Hydra

text: Heracles would later use arrows dipped in the Hydra's poisonous blood to kill other foes during his remaining labors, such as Stymphalian Birds and the giant Geryon. He later used one to kill the centaur Nessus; and Nessus' tainted blood was applied to the Tunic of Nessus, by which the centaur had his posthumous revenge. Both Strabo and Pausanias report that the stench of the river Anigrus in Elis, making all the fish of the river inedible, was reputed to be due to the Hydra's poison, washed from the arrows Heracles used on the centaur.


title: Lernaean Hydra

text: When Eurystheus, the agent of Hera who was assigning The Twelve Labors to Heracles, found out that it was Heracles' nephew Iolaus who had handed Heracles the firebrand, he declared that the labor had not been completed alone and as a result did not count toward the ten labors set for him. The mythic element is an equivocating attempt to resolve the submerged conflict between an ancient ten labors and a more recent twelve.


title: Lernaean Hydra

text: Greek and Roman writers related that Hera placed the Hydra and crab as constellations in the night sky after Heracles slew him. When the sun is in the sign of Cancer (Latin for "The Crab"), the constellation Hydra has its head nearby. In fact, both constellations derived from the earlier Babylonian signs: Bashmu ("The Venomous Snake") and Alluttu ("The Crayfish").


title: Lernaean Hydra

text: Hydra (often capitalized as HYDRA) is a fictional terrorist organization appearing in American comic books published by Marvel Comics. Its name alludes to Lernaean Hydra as does its motto: "Cut off one head, two more shall take its place," proclaiming the group's resilience and growing strength in the face of resistance.


title: Emiliano Zapata

text: Emiliano Zapata Salazar (; August 8, 1879 – April 10, 1919) was a Mexican revolutionary. He was a leading figure in the Mexican Revolution of 1910–1920, the main leader of the people's revolution in the Mexican state of Morelos, and the inspiration of the agrarian movement called "Zapatismo".


title: Emiliano Zapata

text: Zapata was born in the rural village of Anenecuilco in Morelos, in an era when peasant communities came under increasing repression from the small-landowning class who monopolized land and water resources for sugarcane production with the support of dictator Porfirio Díaz (President from 1877 to 1880 and 1884 to 1911). Zapata early on participated in political movements against Díaz and the landowning "hacendados", and when the Revolution broke out in 1910 he became a leader of the peasant revolt in Morelos. Cooperating with a number of other peasant leaders, he formed the Liberation Army of the South, of which he soon became the undisputed leader. Zapata's forces contributed to the fall of Díaz, defeating the Federal Army in the Battle of Cuautla in May 1911, but when the revolutionary leader Francisco I. Madero became president he disavowed the role of the Zapatistas, denouncing them as mere bandits.


title: Emiliano Zapata

text: In November 1911 Zapata promulgated the Plan de Ayala, which called for substantial land reforms, redistributing lands to the peasants. Madero sent the Federal Army to root out the Zapatistas in Morelos. Madero's generals employed a scorched-earth policy, burning villages and forcibly removing their inhabitants, and drafting many men into the Army or sending them to forced-labor camps in southern Mexico. Such actions strengthened Zapata's standing among the peasants, and succeeded in driving the forces of Madero, led by Victoriano Huerta, out of Morelos. In a coup against Madero in February 1913, Huerta took power in Mexico, but a coalition of Constitutionalist forces in northern Mexico, led by Venustiano Carranza, Álvaro Obregón and Francisco "Pancho" Villa, ousted him in July 1914 with the support of Zapata's troops. Zapata did not recognize the authority that Carranza asserted as leader of the revolutionary movement, continuing his adherence to the Plan de Ayala.


title: Emiliano Zapata

text: In the aftermath of the revolutionaries' victory over Huerta, they attempted to sort out power relations in the Convention of Aguascalientes (October to November 1914). Zapata and Villa broke with Carranza, and Mexico descended into a civil war among the winners. Dismayed with the alliance with Villa, Zapata focused his energies on rebuilding society in Morelos (which he now controlled), instituting the land reforms of the Plan de Ayala. As Carranza consolidated his power and defeated Villa in 1915, Zapata initiated guerrilla warfare against the Carrancistas, who in turn invaded Morelos, employing once again scorched-earth tactics to oust the Zapatista rebels. Zapata re-took Morelos in 1917 and held most of the state against Carranza's troops until he was killed in an ambush in April 1919. After his death, Zapatista generals aligned with Obregón against Carranza and helped drive Carranza from power. In 1920 Zapatistas obtained important positions in the government of Morelos after Carranza's fall, instituting many of the land reforms envisioned by Zapata.


title: Emiliano Zapata

text: Zapata remains an iconic figure in Mexico, used both as a nationalist symbol as well as a symbol of the neo-Zapatista movement. Article 27 of the 1917 Mexican Constitution was drafted in response to Zapata's agrarian demands.


title: Emiliano Zapata

text: Emiliano Zapata was born to Gabriel Zapata and Cleofas Jertrudiz Salazar of Anenecuilco, Morelos, the ninth of ten children. Contrary to popular legend, the Zapatas were a well-known local family and reasonably well-off. Emiliano's maternal grandfather, José Salazar, had served in the army of José María Morelos y Pavón during the siege of Cuautla, while his paternal uncles Cristino and José Zapata fought in the Reform War and the French Intervention. Emiliano's godfather was the manager of a large local hacienda and his godmother was the manager's wife. The Zapata family were descended from the Zapata of Mapaztlán and were likely mestizos, Mexicans of both Spanish and Nahua heritage. Although it is not known conclusively whether Zapata himself spoke Nahuatl, historian Miguel León-Portilla has cited later Zapatista proclamations and eyewitness accounts to argue that he was fluent in the language.


title: Emiliano Zapata

text: Gabriel Zapata was a farmer and horse trainer, and Emiliano's upbringing on the farm gave him an intimate familiarity with the difficulties of the countryside and his village's long struggle to regain the land taken by expanding haciendas. He received a limited education from his teacher, Emilio Vara, but it included "the rudiments of bookkeeping". Gabriel died when Emiliano was about 16 or 17, leaving the latter to care for his family. Emiliano was entrepreneurial and bought a team of mules to haul maize from farms to town and bricks to the Hacienda of Chinameca; he was also a successful farmer, growing watermelons as a cash crop. He was a skilled horseman and competed in rodeos and races, as well as bullfighting from horseback. These skills as a horseman brought him work as a horse trainer for Porfirio Díaz's son-in-law, Ignacio de la Torre y Mier who had a large sugar hacienda nearby. Emiliano had a striking appearance, with a large mustache in which he took pride, and good quality clothing described by his loyal secretary: "General Zapata's dress until his death was a "charro" outfit: tight-fitting black cashmere pants with silver buttons, a broad charro hat, a fine linen shirt or jacket, a scarf around his neck, boots of a single piece, Amozoqueña-style spurs, and a pistol at his belt." In an undated studio photo, Zapata is dressed in a standard business suit and tie, projecting an image of a man of means.


title: Emiliano Zapata

text: Around the turn of the 20th century, Anenecuilco was a mixed Spanish-speaking mestizo and indigenous Nahuatl-speaking town. It had a long history of protesting the local haciendas taking community members' land, and its leaders gathered colonial-era documentation of their land titles to prove their claims. Some of the colonial documentation was in Nahuatl, with contemporary translations to Spanish for use in legal cases in the Spanish courts. As referenced above, one eyewitness account by Luz Jiménez of Milpa Alta states that Emiliano Zapata spoke Nahuatl fluently when his forces arrived in her community.


title: Emiliano Zapata

text: Community members in Anenecuilco, including Zapata, sought redress against land seizures. In 1892, a delegation had an audience with Díaz, who with the intervention of a lawyer, agreed to hear them. Although promising them to deal favorably with their petition, Díaz had them arrested and Zapata was conscripted into the Federal Army. Under Díaz, conscription into the Federal Army was much feared by ordinary Mexican men and their families. Zapata was one of many rebel leaders who were conscripted at some point.


title: Emiliano Zapata

text: In 1909, an important meeting was called by the elders of Anenecuilco, whose chief elder was José Merino. He announced "my intention to resign from my position due to my old age and limited abilities to continue the fight for the land rights of the village." The meeting was used as a time for discussion and nomination of individuals as a replacement for Merino as the president of the village council. The elders on the council were so well respected by the village men that no one would dare to override their nominations or vote for an individual against the advice of the current council at that time. The nominations made were Modesto González, Bartolo Parral, and Emiliano Zapata. After the nominations were closed, a vote was taken and Zapata became the new council president without contest.


title: Emiliano Zapata

text: Although Zapata had turned 30 only a month before, voters knew that it was necessary to elect someone respected by the community who would be responsible for the village. Even though he was relatively young, Anenecuilco was ready to hand over the leadership to him without any worry of failure. Before he was elected he had shown the village his nature by helping to lead a campaign in opposition to the candidate Díaz had chosen governor. Even though Zapata's efforts failed, he was able to create and cultivate relationships with political authority figures that would prove useful for him.


title: Emiliano Zapata

text: Zapata became a leading figure in the village of Anenecuilco, where his family had lived for many generations, though he did not take the title of Don, as was custom for someone of his status. Instead, the Anenecuilcans referred to Zapata affectionately as "Miliano" and later as "pobrecito" (poor little thing) after his death.


title: Emiliano Zapata

text: The flawed 1910 elections were a major reason for the outbreak of the Mexican Revolution in 1910. Porfirio Díaz was being threatened by the candidacy of Francisco I. Madero. Zapata, seeing an opportunity to promote land reform in Mexico, joined with Madero and his Constitutionalists, who included Pascual Orozco and Pancho Villa, whom he perceived to be the best chance for genuine change in the country. Although he was wary about Madero, Zapata cooperated with him when Madero made vague promises about land reform in his Plan of San Luis Potosí. Land reform was the central feature of Zapata's political vision.


title: Emiliano Zapata

text: Zapata joined Madero's campaign against President Díaz. The first military campaign of Zapata was the capture of the Hacienda of Chinameca. When Zapata's army captured Cuautla after a six-day battle on May 19, 1911, it became clear that Díaz would not hold on to power for long.


title: Emiliano Zapata

text: During his interim presidency, Francisco León de la Barra tasked General Victoriano Huerta to suppress revolutionaries in Morelos. Huerta was to disarm revolutionaries peacefully if possible, but could use force. In August 1911, Huerta led 1,000 Federal troops to Cuernavaca, which Madero saw as provocative. Writing the Minister of the Interior, Zapata demanded the Federal troops withdraw from Morelos, saying "I won't be responsible for the blood that is going to flow if the Federal forces remain."


title: Emiliano Zapata

text: Although Madero's Plan of San Luis Potosí specified the return of village land and won the support of peasants seeking land reform, he was not ready to implement radical change. Madero simply demanded that "Public servants act 'morally' in enforcing the law ...". Upon seeing the response by villagers, Madero offered formal justice in courts to individuals who had been wronged by others with regard to agrarian politics. Zapata decided that on the surface it seemed as though Madero was doing good things for the people of Mexico, but Zapata did not know the level of sincerity in Madero's actions and thus did not know if he should support him completely.


title: Emiliano Zapata

text: Compromises between the Madero and Zapata failed in November 1911, days after Madero was elected president. Zapata and Otilio Montaño Sánchez, a former school teacher, fled to the mountains of southwest Puebla. There they promulgated the most radical reform plan in Mexico, the Plan de Ayala (Plan of Ayala). The plan declared Madero a traitor, named as head of the revolution Pascual Orozco, the victorious general who captured Ciudad Juárez in 1911 forcing the resignation of Díaz. He outlined a plan for true land reform.


title: Emiliano Zapata

text: Zapata had supported the ouster of Díaz and had the expectation that Madero would fulfill the promises made in the Plan of San Luis Potosí to return village lands. He did not share Madero's vision of democracy built on particular freedoms and guarantees that were meaningless to peasants:


title: Emiliano Zapata

text: The 1911 Plan of Ayala called for all lands stolen under Díaz to be immediately returned; there had been considerable land fraud under the old dictator, so a great deal of territory was involved. It also stated that large plantations owned by a single person or family should have one-third of their land nationalized, which would then be required to be given to poor farmers. It also argued that if any large plantation owner resisted this action, they should have the other two-thirds confiscated as well. The Plan of Ayala also invoked the name of President Benito Juárez, one of Mexico's great liberal leaders, and compared the taking of land from the wealthy to Juarez's actions when land was expropriated from the Catholic church during the Liberal Reform. Another part of the plan stated that rural cooperatives and other measurements should be put in place to prevent the land from being seized or stolen in the future.


title: Emiliano Zapata

text: In the following weeks, the development of military operations "betray(ed) good evidence of clear and intelligent planning." During Orozco's rebellion, Zapata fought Mexican troops in the south near Mexico City. In the original design of the armed force, Zapata was a mere colonel among several others; however, the true plan that came about through this organization lent itself to Zapata. Zapata believed that the best route of attack would be to center the fighting and action in Cuautla. If this political location could be overthrown, the army would have enough power to "veto anyone else's control of the state, negotiate for Cuernavaca or attack it directly, and maintain independent access to Mexico City as well as escape routes to the southern hills." However, in order to gain this great success, Zapata realized that his men needed to be better armed and trained.


title: Emiliano Zapata

text: The first line of action demanded that Zapata and his men "control the area behind and below a line from Jojutla to Yecapixtla." When this was accomplished it gave the army the ability to complete raids as well as wait. As the opposition of the Federal Army and police detachments slowly dissipated, the army would be able to eventually gain powerful control over key locations on the Interoceanic Railway from Puebla City to Cuautla. If these feats could be completed, it would gain access to Cuautla directly and the city would fall.


title: Emiliano Zapata

text: The plan of action was carried out successfully in Jojutla. However, Pablo Torres Burgos, the commander of the operation, was disappointed that the army disobeyed his orders against looting and ransacking. The army took complete control of the area, and it seemed as though Torres Burgos had lost control over his forces prior to this event. Shortly after, Torres Burgos called a meeting and resigned from his position. Upon leaving Jojutla with his two sons, he was surprised by a federal police patrol who subsequently shot all three of the men on the spot. This seemed to some to be an ending blow to the movement, because Torres Burgos had not selected a successor for his position; however, Zapata was ready to take up where Torres Burgos had left off.


title: Emiliano Zapata

text: Shortly after Torres Burgos's death, a party of rebels elected Zapata as "Supreme Chief of the Revolutionary Movement of the South". This seemed to be the fix to all of the problems that had just arisen, but other individuals wanted to replace Zapata as well. Due to this new conflict, the individual who would come out on top would have to do so by "convincing his peers he deserved their backing."


title: Emiliano Zapata

text: Zapata finally gained the support necessary by his peers and was considered a "singularly qualified candidate". This decision to make Zapata the leader of the revolution in Morelos did not occur all at once, nor did it ever reach a true definitive level of recognition. In order to succeed, Zapata needed a strong financial backing for the battles to come. This came in the form of 10,000 pesos delivered by Rodolfo from the Tacubayans. Due to this amount of money Zapata's group of rebels became one of the strongest in the state financially.


title: Emiliano Zapata

text: After a period Zapata became the leader of his "strategic zone", which gave him power and control over the actions of many more individual rebel groups and thus greatly increased his margin of success. "Among revolutionaries in other districts of the state, however, Zapata's authority was more tenuous." After a meeting between Zapata and Ambrosio Figueroa in Jolalpan, it was decided that Zapata would have joint power with Figueroa with regard to operations in Morelos. This was a turning point in the level of authority and influence that Zapata had gained and proved useful in the direct overthrow of Morelos.


title: Emiliano Zapata

text: If there was anyone that Zapata hated more than Díaz and Madero, it was Victoriano Huerta, the bitter, violent alcoholic who had been responsible for many atrocities in southern Mexico while trying to end the rebellion. Zapata was not alone: in the north, Pancho Villa, who had supported Madero, immediately took to the field against Huerta. Zapata revised the Plan of Ayala and named himself the leader of his revolution. He was joined by two newcomers to the Revolution, Venustiano Carranza and Alvaro Obregón, who raised large armies in Coahuila and Sonora respectively. Together they made short work of Huerta, who resigned and fled in June 1914 after repeated military losses.


title: Emiliano Zapata

text: On April 21, 1914, U.S. President Woodrow Wilson sent a contingent of troops to occupy the port city of Veracruz. This sudden threat caused Huerta to withdraw his troops from Morelos and Puebla, leaving only Jojutla and Cuernavaca under federal control. Zapatistas quickly assumed control of eastern Morelos, taking Cuautla and Jonacatepec with no resistance. In spite of being faced with a possible foreign invasion, Zapata refused to unite with Huerta in defense of the nation. He stated that if need be he would defend Mexico alone as chief of the Ayalan forces. In May the Zapatistas took Jojutla from the Federal Army, many of whom joined the rebels, and captured guns and ammunition. They also laid siege to Cuernavaca where a small contingent of federal troops were holed up. By the summer of 1915 Zapata's forces had taken the southern edge of the Federal District, occupying Milpa Alta and Xochimilco, and was poised to move into the capital. In mid July, Huerta was forced to flee as a Constitutionalist force under Carranza, Obregón and Villa took the Federal District. The Constitutionalists established a peace treaty inserting Carranza as First Authority of the nation. Carranza, an aristocrat with politically relevant connections, then gained the backing of the U.S., who passed over Villa and Zapata due to their lower status backgrounds and more progressive ideologies. In spite of having contributed decisively to the fall of Huerta, the Zapatistas were left out of the peace treaties, probably because of Carranza's intense dislike for the Zapatistas whom he saw as uncultured savages. Through 1915 there was a tentative peace in Morelos and the rest of the country.


title: Emiliano Zapata

text: As the Constitutionalist forces began to split, with Francisco "Pancho" Villa creating a popular front against Carranza's Constitutionalists, Carranza worked diplomatically to get the Zapatistas to recognize his rule, sending Dr. Atl as an envoy to propose a compromise with Zapata. For Carranza, an agreement with Zapata would mean that he did not need to worry about his force's southern flank and could concentrate on defeating Villa. Zapata demanded veto power over Carranza's decisions, which Carranza rejected and negotiations broke off. Zapata issued a statement, perhaps drafted by his advisor, Antonio Díaz Soto y Gama. "The country wishes to destroy feudalism once and for all [while Carranza offers] administrative reform...complete honesty in the handling of public monies...freedom of the press for those who cannot read; free elections for those who do not know the candidates; proper legal proceedings for those who have never had anything to do with an attorney. All those beautiful democratic principles, all those great words that give such joy to our fathers and grandfathers have lost their magic...The people continue to suffer from poverty and endless disappointments."


title: Emiliano Zapata

text: Unable to reach an agreement, the Constitutionalists divided along ideological lines, with Zapata and Villa leading a progressive rebellion and the conservative faction of the remaining Constituitionalists being headed Carranza and Obregón. Villa and the other anti-Carrancista leaders of the North established the Convention of Aguascalientes against Carranza. Zapata and his envoys got the convention to adopt some of the agrarian principles of the Plan de Ayala. Zapata and Villa met in Xochimilco to negotiate an alliance and divide the responsibility for ridding Mexico of the remaining Carrancistas. The meeting was awkward but amiable, and was widely publicized. It was decided that Zapata should work on securing the area east of Morelos from Puebla towards Veracruz. Nonetheless, during the ensuing campaign in Puebla, Zapata was disappointed by Villa's lack of support. Villa did not initially provide the Zapatistas with the weaponry they had agreed on and, when he did, he did not provide adequate transportation. There were also a series of abuses by Villistas against Zapatista soldiers and chiefs. These experiences led Zapata to grow unsatisfied with the alliance, turning instead his efforts to reorganizing the state of Morelos that had been left in shambles by the onslaught of Huerta and Robles. Having taken Puebla, Zapata left a couple of garrisons there but did not support Villa further against Obregón and Carranza. The Carrancistas saw that the convention was divided and decided to concentrate on beating Villa, which left the Zapatistas to their own devices for a while.


title: Emiliano Zapata

text: Through 1915, Zapata began reshaping Morelos after the Plan de Ayala, redistributing "hacienda" lands to the peasants, and largely letting village councils run their own local affairs. Most peasants did not turn to cash crops, instead growing subsistence crops such as corn, beans, and vegetables. The result was that as the capital was starving, Morelos peasants had more to eat than they had had in 1910 and at lower prices. The only official event in Morelos during this entire year was a bullfight in which Zapata himself and his nephew Amador Salazar participated. 1915 was a short period of peace and prosperity for the farmers of Morelos, in between the massacres of the Huerta era and the civil war of the winners to come.


title: Emiliano Zapata

text: Even when Villa was retreating, having lost the Battle of Celaya in 1915, and when Obregón took the capital from the Conventionists who retreated to Toluca, Zapata did not open a second front.


title: Emiliano Zapata

text: When Carranza's forces were poised to move into Morelos, Zapata took action. He attacked Carrancista positions with large forces trying to harry the Carrancistas in the rear as they were occupied with routing Villa throughout the Northwest. Though Zapata managed to take many important sites such as the Necaxa power plant that supplied Mexico City, he was unable to hold them. The convention was finally routed from Toluca, and Carranza was recognized by US President Woodrow Wilson as the head of state of Mexico in October.


title: Emiliano Zapata

text: Through 1916 Zapata raided federal forces from Hidalgo to Oaxaca, and Genovevo de la O fought the Carrancistas in Guerrero. The Zapatistas attempted to amass support for their cause by promulgating new manifestos against the "hacendados", but this had little effect since the "hacendados" had already lost power throughout the country.


title: Emiliano Zapata

text: Having been put in charge of the efforts to root out Zapatismo in Morelos, Pablo González Garza was humiliated by Zapata's counterattacks and enforced increasingly draconian measures against the locals. He received no reinforcements, as Obregón, the Minister of War, needed all his forces against Villa in the north and against Felix Díaz in Oaxaca. Through low-scale attacks on Gonzalez's positions, Zapata had driven Gonzalez out of Morelos by the end of 1916.


title: Emiliano Zapata

text: Nonetheless, outside of Morelos the revolutionary forces started disbanding. Some joined the constitutionalists such as Domingo Arena, or lapsed into banditry. In Morelos, Zapata once more reorganized the Zapatista state, continuing with democratic reforms and legislation meant to keep the civil population safe from abuses by soldiers. Though his advisers urged him to mount a concerted campaign against the Carrancistas across southern Mexico, again he concentrated entirely on stabilizing Morelos and making life tolerable for the peasants. Meanwhile, Carranza mounted national elections in all state capitals except Cuernavaca, and promulgated the 1917 Constitution which incorporated elements of the Plan de Ayala.


title: Emiliano Zapata

text: Meanwhile, the disintegration of the revolution outside of Morelos put pressure on the Zapatistas. As General Arenas turned over to the constitutionalists, he secured peace for his region and remained in control there. This suggested to many revolutionaries that perhaps the time had come to seek a peaceful conclusion to the struggle. A movement within the Zapatista ranks led by former General Vazquez and Zapata's erstwhile adviser and inspiration Otilio Montaño moved against the Tlaltizapan headquarters demanding surrender to the Carrancistas. Reluctantly, Zapata had Montaño tried for treason and executed.


title: Emiliano Zapata

text: Zapata began looking for allies among the northern revolutionaries and the southern Felicistas, followers of the Liberalist Felix Díaz. He sent Gildardo Magaña as an envoy to communicate with the Americans and other possible sources of support. In the fall of 1917 a force led by Gonzalez and the ex-Zapatista Sidronio Camacho, who had killed Zapata's brother Eufemio, moved into the eastern part of Morelos taking Cuautla, Zacualpan and Jonacatepec.


title: Emiliano Zapata

text: Zapata continued his work to try to unite with the national anti-Carrancista movement through the next year, and the constitutionalists did not make further advances. In the winter of 1918 a harsh cold and the onset of the Spanish flu decimated the population of Morelos, causing the loss of a quarter of the total population of the state, almost as many as had been lost to Huerta in 1914. Furthermore, Zapata began to worry that by the end of the World War, the United States would turn its attention to Mexico, forcing the Zapatistas to either join the Carrancistas in a national defense or to acquiesce to foreign domination of Mexico.


title: Emiliano Zapata

text: In December 1918 Carrancistas under Gonzalez undertook an offensive campaign taking most of the state of Morelos, and pushing Zapata to retreat. The main Zapatista headquarters were moved to Tochimilco, Puebla, although Tlaltizapan also continued to be under Zapatista control. Through Castro, Carranza issued offers to the main Zapatista generals to join the nationalist cause, with pardon. But apart from Manuel Palafox, who having fallen in disgrace among the Zapatistas had joined the Arenistas, none of the major generals did.


title: Emiliano Zapata

text: Zapata released statements accusing Carranza of being secretly sympathetic to the Germans. In March Zapata finally sent an open letter to Carranza urging him for the good of the fatherland to resign his leadership to Vazquez Gómez, by now the rallying point of the anti-constitutionalist movement. Having posed this formidable moral challenge to Carranza prior to the upcoming 1920 presidential elections, the Zapatista generals at Tochimilco, Magaña and Ayaquica, urged Zapata not to take any risks and to lie low. But Zapata declined, considering that the respect of his troops depended on his active presence at the front.


title: Emiliano Zapata

text: Eliminating Zapata was a top priority for President Carranza. Carranza was unwilling to compromise with domestic foes and wanted to demonstrate to Mexican elites and to American interests that Carranza was the "only viable alternative to both anarchy and radicalism." In mid-March 1919, General Pablo González ordered his subordinate Jesús Guajardo to begin operations against the Zapatistas in the mountains around Huautla. But when González later discovered Guajardo carousing in a "cantina", he had him arrested, and a public scandal ensued. On March 21, Zapata attempted to smuggle in a note to Guajardo, inviting him to switch sides. The note, however, never reached Guajardo but instead wound up on González's desk. González devised a plan to use this note to his advantage. He accused Guajardo of not only being a drunk, but of being a traitor. After reducing Guajardo to tears, González explained to him that he could recover from this disgrace if he feigned a defection to Zapata. So Guajardo wrote to Zapata telling him that he would bring over his men and supplies if certain guarantees were promised. Zapata answered Guajardo's letter on April 1, 1919, agreeing to all of Guajardo's terms. Zapata suggested a mutiny on April 4. Guajardo replied that his defection should wait until a new shipment of arms and ammunition arrived sometime between the 6th and the 10th. By the 7th, the plans were set: Zapata ordered Guajardo to attack the Federal garrison at Jonacatepec because the garrison included troops who had defected from Zapata. Pablo González and Guajardo notified the Jonacatepec garrison ahead of time, and a mock battle was staged on April 9. At the conclusion of the mock battle, the former Zapatistas were arrested and shot. Convinced that Guajardo was sincere, Zapata agreed to a final meeting where Guajardo would defect.


title: Emiliano Zapata

text: On April 10, 1919, Guajardo invited Zapata to a meeting, intimating that he intended to defect to the revolutionaries. However, when Zapata arrived at the Hacienda de San Juan, in Chinameca, Ayala municipality, Guajardo's men riddled him with bullets.


title: Emiliano Zapata

text: Zapata's body was photographed, displayed for 24 hours, and then buried in Cuautla. Pablo González wanted the body photographed, so that there would be no doubt that Zapata was dead: "it was an actual fact that the famous "jefe" of the southern region had died." Although Mexico City newspapers had called for Zapata's body to be brought to the capital, Carranza did not do so. However, Zapata's clothing was displayed outside a newspaper's office across from the Alameda Park in the capital.


title: Emiliano Zapata

text: Although Zapata's assassination weakened his forces in Morelos, the Zapatistas continued the fight against Carranza. For Carranza the death of Zapata was the removal of an ongoing threat, for many Zapata's assassination undermined "worker and peasant support for Carranza and [Pablo] González." Obregón seized on the opportunity to attack Carranza and González, Obregón's rival candidate for the presidency, by saying "this crime reveals a lack of ethics in some members of the government and also of political sense, since peasant votes in the upcoming election will now go to whoever runs against Pablo González." In spite of González's attempts to sully the name of Zapata and the Plan de Ayala during his 1920 campaign for the presidency, the people of Morelos continued to support Zapatista generals, providing them with weapons, supplies and protection. Carranza was wary of the threat of a U.S. intervention, and Zapatista generals decided to take a conciliatory approach. Bands of Zapatistas started surrendering in exchange for amnesties, and many Zapatista generals went on to become local authorities, such as Fortino Ayaquica who became municipal president of Tochimilco. Other generals such as Genovevo de la O remained active in small-scale guerrilla warfare.


title: Emiliano Zapata

text: As Venustiano Carranza moved to curb his former allies and now rivals in 1920 to impose a civilian, Ignacio Bonillas, as his successor in the presidency, Obregón sought to align himself with the Zapatista movement against that of Carranza. Genovevo de la O and Magaña supported him in the coup by former Constitutionalists, fighting in Morelos against Carranza and helping prompt Carranza to flee Mexico City toward Veracruz in May 1920. "Obregón and Genovevo de la O entered Mexico City in triumph." Zapatistas were given important posts in the interim government of Adolfo de la Huerta and the administration of Álvaro Obregón, following his election to the presidency after the coup. Zapatistas had almost total control of the state of Morelos, where they carried out a program of agrarian reform and land redistribution based on the provisions of the Plan de Ayala and with the support of the government.


title: Emiliano Zapata

text: According to "La Demócrata", after Zapata's assassination, "in the consciousness of the natives", Zapata "had taken on the proportions of a myth" because he had "given them a formula of vindication against old offenses." Mythmaking would continue for decades after Zapata was gunned down.


title: Emiliano Zapata

text: Zapata's influence continues to this day, particularly in revolutionary tendencies in southern Mexico. In the long run, he has done more for his ideals in death than he did in life. Like many charismatic idealists, Zapata became a martyr after his murder. Even though Mexico still has not implemented the sort of land reform he wanted, he is remembered as a visionary who fought for his countrymen.


title: Emiliano Zapata

text: Zapata's Plan of Ayala influenced Article 27 of the progressive 1917 Constitution of Mexico that codified an agrarian reform program. Even though the Mexican Revolution did restore some land that had been taken under Díaz, the land reform on the scale imagined by Zapata was never enacted. However, a great deal of the significant land distribution which Zapata sought would later be enacted after Mexican President Lázaro Cárdenas took office in 1934. Cárdenas would fulfill not only the land distribution policies written in Article 27, but other reforms written in the Mexican Constitution as well.


title: Emiliano Zapata

text: There are controversies about the portrayal of Emiliano Zapata and his followers, whether they were bandits or revolutionaries. At the outbreak of the Revolution, "Zapata's agrarian revolt was soon construed as a 'caste war' [race war], in which members of an 'inferior race' were captained by a 'modern Attila'".


title: Emiliano Zapata

text: Zapata is now one of the most revered national heroes of Mexico. To many Mexicans, especially the peasant and indigenous citizens, Zapata was a practical revolutionary who sought the implementation of liberties and agrarian rights outlined in the Plan of Ayala. He was a realist with the goal of achieving political and economic emancipation of the peasants in southern Mexico and leading them out of severe poverty.


title: Emiliano Zapata

text: Many popular organizations take their name from Zapata, most notably the Zapatista Army of National Liberation "(Ejército Zapatista de Liberación Nacional" or EZLN in Spanish), the Neozapatismo group that emerged in the state of Chiapas in 1983 and precipitated the 1994 indigenous Zapatista uprising which still continues in Chiapas. Towns, streets, and housing developments called "Emiliano Zapata" are common across the country and he has, at times, been depicted on Mexican banknotes.


title: Emiliano Zapata

text: Modern activists in Mexico frequently make reference to Zapata in their campaigns; his image is commonly seen on banners, and many chants invoke his name: "Si Zapata viviera con nosotros anduviera" ("If Zapata lived, he would walk with us"), and "Zapata vive, la lucha sigue" ("Zapata lives; the struggle continues").


title: Emiliano Zapata

text: His daughter by Petra Portillo Torres, Paulina Ana María Zapata Portillo, was aware of her father's legacy from a very early age. She continued his work of dedication to agrarian rights, serving as treasurer of the "ejido" of Cuautla, as "ejidataria" of Cuautla, as municipal councilor and municipal trustee.


title: Emiliano Zapata

text: Zapata has been depicted in movies, comics, books, music, and clothing. For example, there was the stage musical "Zapata" (1980), written by Harry Nilsson and Perry Botkin, with a libretto by Allan Katz, which ran for 16 weeks at the Goodspeed Opera House in East Haddam, Connecticut. A movie called "" ("Zapata: A Hero's Dream") was produced in 2004, starring Mexican actors Alejandro Fernandez, Jaime Camil, and Lucero. There is also a sub-genre of the Spaghetti Western called the "Zapata Western", which features stories set during the Mexican Revolution.


title: Emiliano Zapata

text: Marlon Brando played Emiliano Zapata in the award-winning movie based on his life, "Viva Zapata!" in 1952. The film co-starred Anthony Quinn, who won best supporting actor. The director was Elia Kazan and the writer was John Steinbeck.


title: Emiliano Zapata

text: Emiliano Zapata is a major character in "The Friends of Pancho Villa" (1996), by "James Carlos Blake"


title: Emiliano Zapata

text: Emiliano Zapata is referenced in the songs "Calm Like a Bomb" by American rock band Rage Against the Machine from their album "The Battle of Los Angeles." and "Zapata's Blood" from their album "The Battle of Mexico City".


title: Emiliano Zapata

text: In December 2019, an arts show commemorating the 100 year anniversary of his death was held at the Palacio de Bellas Artes. The show featured 141 works. A painting called "La Revolución" depicted Zapata as intentionally effeminate, riding an erect horse, nude except for high heels and a pink hat. According to the artist, he created the painting to combat machismo. The painting caused protests from the farmer's union and admirers of Zapata. His grandson Jorge Zapata González threatened to sue if the painting was not removed. There was a clash between supporters of the painting and detractors at the museum. A compromise was reached with some of Zapata's family, a label was placed next to the painting outlining their disagreement with the painting.


title: The Fountainhead

text: The Fountainhead is a 1943 novel by Russian-American author Ayn Rand, her first major literary success. The novel's protagonist, Howard Roark, is an intransigent young architect, who battles against conventional standards and refuses to compromise with an architectural establishment unwilling to accept innovation. Roark embodies what Rand believed to be the ideal man, and his struggle reflects Rand's belief that individualism is superior to collectivism.


title: The Fountainhead

text: Roark is opposed by what he calls "second-handers", who value conformity over independence and integrity. These include Roark's former classmate, Peter Keating, who succeeds by following popular styles but turns to Roark for help with design problems. Ellsworth Toohey, a socialist architecture critic who uses his influence to promote his political and social agenda, tries to destroy Roark's career. Tabloid newspaper publisher Gail Wynand seeks to shape popular opinion; he befriends Roark, then betrays him when public opinion turns in a direction he cannot control. The novel's most controversial character is Roark's lover, Dominique Francon. She believes that non-conformity has no chance of winning, so she alternates between helping Roark and working to undermine him.


title: The Fountainhead

text: Twelve publishers rejected the manuscript before an editor at the Bobbs-Merrill Company risked his job to get it published. Contemporary reviewers' opinions were polarized. Some praised the novel as a powerful paean to individualism, while others thought it overlong and lacking sympathetic characters. Initial sales were slow, but the book gained a following by word of mouth and became a bestseller. More than 6.5 million copies of "The Fountainhead" have been sold worldwide and it has been translated into more than 20 languages. The novel attracted a new following for Rand and has enjoyed a lasting influence, especially among architects, entrepreneurs, American conservatives and libertarians.


title: The Fountainhead

text: The novel has been adapted into other media several times. An illustrated version was syndicated in newspapers in 1945. Warner Bros. produced a film version in 1949; Rand wrote the screenplay, and Gary Cooper played Roark. Critics panned the film, which did not recoup its budget; several directors and writers have considered developing a new film adaptation. In 2014, Belgian theater director Ivo van Hove created a stage adaptation, which has received mostly positive reviews.


title: The Fountainhead

text: In early 1922, Howard Roark is expelled from the architecture department of the Stanton Institute of Technology because he has not adhered to the school's preference for historical convention in building design. Roark goes to New York City and gets a job with Henry Cameron. Cameron was once a renowned architect, but now gets few commissions. In the meantime, Roark's popular, but vacuous, fellow student and housemate Peter Keating (whom Roark sometimes helped with projects) graduates with high honors. He too moves to New York, where he has been offered a position with the prestigious architecture firm, Francon & Heyer. Keating ingratiates himself with Guy Francon and works to remove rivals among his coworkers. After Francon's partner, Lucius Heyer, suffers a fatal stroke brought on by Keating's antagonism, Francon chooses Keating to replace him. Meanwhile, Roark and Cameron create inspired work, but struggle financially.


title: The Fountainhead

text: After Cameron retires, Keating hires Roark, whom Francon soon fires for refusing to design a building in the classical style. Roark works briefly at another firm, then opens his own office but has trouble finding clients and closes it down. He gets a job in a granite quarry owned by Francon. There he meets Francon's daughter Dominique, a columnist for "The New York Banner", while she is staying at her family's estate nearby. They are immediately attracted to each other, leading to a rough sexual encounter that Dominique later calls a rape. Shortly after, Roark is notified that a client is ready to start a new building, and he returns to New York. Dominique also returns to New York and learns Roark is an architect. She attacks his work in public, but visits him for secret sexual encounters.


title: The Fountainhead

text: Ellsworth M. Toohey, who writes a popular architecture column in the "Banner", is an outspoken socialist who shapes public opinion through his column and a circle of influential associates. Toohey sets out to destroy Roark through a smear campaign. He recommends Roark to Hopton Stoddard, a wealthy acquaintance who wants to build a Temple of the Human Spirit. Roark's unusual design includes a nude statue modeled on Dominique; Toohey persuades Stoddard to sue Roark for malpractice. Toohey and several architects (including Keating) testify at the trial that Roark is incompetent as an architect due to his rejection of historical styles. Dominique also argues for the prosecution in tones that can be interpreted to be speaking more in Roark's defense than for the plaintiff, but he loses the case. Dominique decides that since she cannot have the world she wants, in which men like Roark are recognized for their greatness, she will live entirely in the world she has, which shuns Roark and praises Keating. She marries Keating and turns herself over to him, doing and saying whatever he wants, and actively persuading potential clients to hire him instead of Roark.


title: The Fountainhead

text: To win Keating a prestigious commission offered by Gail Wynand, the owner and editor-in-chief of the "Banner", Dominique agrees to sleep with Wynand. Wynand is so strongly attracted to Dominique that he pays Keating to divorce her, after which Wynand and Dominique are married. Wanting to build a home for himself and his new wife, Wynand discovers that Roark designed every building he likes and so hires him. Roark and Wynand become close friends; Wynand is unaware of Roark's past relationship with Dominique.


title: The Fountainhead

text: Washed up and out of the public eye, Keating pleads with Toohey to use his influence to get the commission for the much-sought-after Cortlandt housing project. Keating knows his most successful projects were aided by Roark, so he asks for Roark's help in designing Cortlandt. Roark agrees in exchange for complete anonymity and Keating's promise that it will be built exactly as designed. After taking a long vacation with Wynand, Roark returns to find that Keating was not able to prevent major changes from being made in Cortlandt's construction. Roark dynamites the project to prevent the subversion of his vision.


title: The Fountainhead

text: Roark is arrested and his action is widely condemned, but Wynand decides to use his papers to defend his friend. This unpopular stance hurts the circulation of his newspapers, and Wynand's employees go on strike after Wynand dismisses Toohey for disobeying him and criticizing Roark. Faced with the prospect of closing the paper, Wynand gives in and publishes a denunciation of Roark. At his trial, Roark makes a lengthy speech about the value of ego and integrity, and he is found not guilty. Dominique leaves Wynand for Roark. Wynand, who has betrayed his own values by attacking Roark, finally grasps the nature of the power he thought he held. He shuts down the "Banner" and commissions a final building from Roark, a skyscraper that will serve as a monument to human achievement. Eighteen months later, the Wynand Building is under construction. Dominique, now Roark's wife, enters the site to meet him atop its steel framework.


title: The Fountainhead

text: Rand's stated goal in writing fiction was to portray her vision of an ideal man. The character of Howard Roark, the protagonist of "The Fountainhead", was the first instance where she believed she had achieved this. Roark embodies Rand's egoistic moral ideals, especially the virtues of independence and integrity.


title: The Fountainhead

text: The character of Roark was at least partly inspired by American architect Frank Lloyd Wright. Rand described the inspiration as limited to specific ideas he had about architecture and "the pattern of his career". She denied that Wright had anything to do with the philosophy expressed by Roark or the events of the plot. Rand's denials have not stopped commentators from claiming stronger connections between Wright and Roark. Wright equivocated about whether he thought Roark was based on him, sometimes implying that he did, at other times denying it. Wright biographer Ada Louise Huxtable described significant differences between Wright's philosophy and Rand's, and quoted him declaring, "I deny the paternity and refuse to marry the mother." Architecture critic Martin Filler said that Roark resembles the Swiss-French modernist architect Le Corbusier more closely than Wright.


title: The Fountainhead

text: In contrast to the individualistic Roark, Peter Keating is a conformist who bases his choices on what others want. Introduced to the reader as Roark's classmate in architecture school, Keating does not really want to be an architect. He loves painting, but his mother steers him toward architecture instead. In this as in all his decisions, Keating does what others expect rather than follow his personal interests. He becomes a social climber, focused on improving his career and social standing using a combination of personal manipulation and conformity to popular styles. He follows a similar path in his private life: he chooses a loveless marriage to Dominique instead of marrying the woman he loveswho lacks Dominique's beauty and social connections. By middle age, Keating's career is in decline and he is unhappy with his path, but it is too late for him to change.


title: The Fountainhead

text: Rand did not use a specific architect as a model for Keating. Her inspiration for the character came from a neighbor she knew while working in Hollywood in the early 1930s. Rand asked this young woman to explain her goals in life. The woman's response was focused on social comparisons: the neighbor wanted her material possessions and social standing to equal or exceed those of other people. Rand created Keating as an archetype of this motivation, which she saw as the opposite of self-interest.


title: The Fountainhead

text: Dominique Francon is the heroine of "The Fountainhead", described by Rand as "the woman for a man like Howard Roark". Rand described Dominique as similar to herself "in a bad mood". Philosopher Andrew Bernstein wrote: "For much of the novel, Dominique is a tortured soul, tormented by a profound inner conflict between her imperishable idealism and a deep-seated conviction that a debased society will inexorably crush the towering genius she so fervently hero-worships". Believing that the values she admires cannot survive in the real world, she chooses to turn away from them so that the world cannot harm her. Only at the end of the novel does she accept that she can be happy and survive.


title: The Fountainhead

text: The character has provoked varied reactions from commentators. Philosopher Chris Matthew Sciabarra called her "one of the more bizarre characters in the novel". Literature scholar Mimi Reisel Gladstein called her "an interesting case study in perverseness". Writer Tore Boeckmann described her as a character with conflicting beliefs and saw her actions as a logical representation of how those conflicts might play out.


title: The Fountainhead

text: Gail Wynand is a wealthy newspaper mogul who rose from a destitute childhood in the ghettoes of New York (Hell's Kitchen) to control much of the city's print media. While Wynand shares many of the character qualities of Roark, his success is dependent upon his ability to pander to public opinion. Rand presents this as a tragic flaw that eventually leads to his downfall. In her journals Rand described Wynand as "the man who could have been" a heroic individualist, contrasting him to Roark, "the man who can be and is". Some elements of Wynand's character were inspired by real-life newspaper tycoon William Randolph Hearst, including Hearst's yellow journalism and mixed success in attempts to gain political influence. Wynand ultimately fails in his attempts to wield power, losing his newspaper, his wife (Dominique), and his friendship with Roark. The character has been interpreted as a representation of the master morality described by philosopher Friedrich Nietzsche; his tragic nature illustrates Rand's rejection of Nietzsche's philosophy. In Rand's view, a person like Wynand, who seeks power over others, is as much a "second-hander" as a conformist such as Keating.


title: The Fountainhead

text: Ellsworth Monkton Toohey is Roark's antagonist. He is Rand's personification of evilthe most active and self-aware villain in any of her novels. Toohey is a socialist, and represents the spirit of collectivism more generally. He styles himself as representative of the will of the masses, but his actual desire is for power over others. He controls individual victims by destroying their sense of self-worth, and seeks broader power (over "the world", as he declares to Keating in a moment of candor) by promoting the ideals of ethical altruism and a rigorous egalitarianism that treats all people and achievements as equally valuable. Rand used her memory of the democratic socialist British Labour Party Chairman Harold Laski to help her imagine what Toohey would do in a given situation. She attended a New York lecture by Laski as part of gathering material for the novel, following which she changed the physical appearance of the character to be similar to that of Laski. New York intellectuals Lewis Mumford and Clifton Fadiman also helped inspire the character.


title: The Fountainhead

text: When Rand first arrived in New York as an immigrant from the Soviet Union in 1926, she was greatly impressed by the Manhattan skyline's towering skyscrapers, which she saw as symbols of freedom, and resolved that she would write about them. In 1927, Rand was working as a junior screenwriter for movie producer Cecil B. DeMille when he asked her to write a script for what would become the 1928 film "Skyscraper". The original story by Dudley Murphy was about two construction workers working on a skyscraper who are rivals for a woman's love. Rand rewrote it, transforming the rivals into architects. One of them, Howard Kane, was an idealist dedicated to erecting the skyscraper despite enormous obstacles. The film would have ended with Kane standing atop the completed skyscraper. DeMille rejected Rand's script, and the completed film followed Murphy's original idea. Rand's version contained elements she would use in "The Fountainhead".


title: The Fountainhead

text: In 1928, Rand made notes for a proposed, but never written, novel titled "The Little Street". Rand's notes for it contain elements that carried over into her work on "The Fountainhead". David Harriman, who edited the notes for the posthumously published "Journals of Ayn Rand" (1997), described the story's villain as a preliminary version of the character Ellsworth Toohey, and this villain's assassination by the protagonist as prefiguring the attempted assassination of Toohey.


title: The Fountainhead

text: Rand began "The Fountainhead" (originally titled "Second-Hand Lives") following the completion of her first novel, "We the Living", in 1934. That earlier novel was based in part on people and events familiar to Rand; the new novel, on the other hand, focused on the less-familiar world of architecture. She therefore conducted extensive research that included reading many biographies and other books about architecture. She also worked as an unpaid typist in the office of architect Ely Jacques Kahn. Rand began her notes for the new novel in December 1935.


title: The Fountainhead

text: Rand wanted to write a novel that was less overtly political than "We the Living", to avoid being viewed as "a 'one-theme' author". As she developed the story, she began to see more political meaning in the novel's ideas about individualism. Rand also planned to introduce the novel's four sections with quotes from Friedrich Nietzsche, whose ideas had influenced her own intellectual development, but she eventually decided that Nietzsche's ideas were too different from hers. She edited the final manuscript to remove the quotes and other allusions to him.


title: The Fountainhead

text: Rand's work on "The Fountainhead" was repeatedly interrupted. In 1937, she took a break from it to write a novella called "Anthem". She also completed a stage adaptation of "We the Living" that ran briefly in 1940. That same year, she became active in politics. She first worked as a volunteer in Wendell Willkie's presidential campaign, and then attempted to form a group for conservative intellectuals. As her royalties from earlier projects ran out, she began doing freelance work as a script reader for movie studios. When Rand finally found a publisher, the novel was only one-third complete.


title: The Fountainhead

text: Although she was a previously published novelist and had a successful Broadway play, Rand had difficulty finding a publisher for "The Fountainhead". Macmillan Publishing, which had published "We the Living", rejected the book after Rand insisted they provide more publicity for her new novel than they had done for the first one. Rand's agent began submitting the book to other publishers; in 1938, Knopf signed a contract to publish the book. When Rand was only a quarter done with the manuscript by October 1940, Knopf canceled her contract. Several other publishers rejected the book. When Rand's agent began to criticize the novel, Rand fired the agent and decided to handle submissions herself. Twelve publishers (including Macmillan and Knopf) rejected the book.