title: Jackie Stallone

text: On May 21, 1992, Stallone appeared on "The Howard Stern Show" and engaged in a heated on-air argument with Sylvester's dad, Frank Stallone Sr. She accused him of being horrible in bed and wanting to have Sylvester aborted. She said that she faked the abortion and that Frank did not know about it until she gave birth. Several curse words were said and some were not censored.


title: Jackie Stallone

text: In January 2005, she appeared on the UK TV series "Celebrity Big Brother" as a "surprise" contestant. She was brought onto the show to create tension within the "house", as her former daughter-in-law Brigitte Nielsen, with whom she notoriously did not get along, was also a contestant. Stallone was the first contestant voted out by viewers after spending four days in the house.


title: Jackie Stallone

text: Stallone appeared on BBC TV show "Through the Keyhole" in March 2007. On the show, Stefanie Powers explored her LA home and then interviewed her.


title: Jackie Stallone

text: In 1994, Stallone was parodied in a "Saturday Night Live" skit in which Janeane Garofalo played Stallone. In the skit, Stallone advertised a psychic hotline telling of her two sons "Sylvester, the famous star, and Frank, a struggling musician". Stallone encouraged customers to call so she could steer them away from the "Frank" (negativity) in their lives and toward the "Sylvester" (success).


title: Jackie Stallone

text: Her appearance on "Celebrity Big Brother 3" in the United Kingdom was parodied on the British TV comedy show "French and Saunders", with Dawn French playing Stallone and Jennifer Saunders playing Brigitte Nielsen.


title: Jackie Stallone

text: In "Absolutely Fabulous", Season 1, Episode 1, entitled "Fashion" (1992), Saffy mistakes £300 worth of royal jelly for honey and eats it on toast, to which Edina says, "This is the stuff, sweetie... Jackie Stallone would kill for this, darling".


title: Jackie Stallone

text: In a clip on the TV show "Talk Soup", Stallone ate shrimp and a producer dubbed in belches. This caused host Greg Kinnear to laugh uncontrollably on camera.


title: Jackie Stallone

text: Jackie Stallone had three children and seven grandchildren. Her eldest grandchild Sage Stallone died unexpectedly in 2012. She had another grandson and three granddaughters through eldest son Sylvester, a grandson Rob Stallone through Frank, and a grandson through her late daughter Toni Filiti.


title: Jackie Stallone

text: Stallone died in her sleep at her home in Los Angeles on September 21, 2020, at the age of 98. Her death was announced by her son Frank.


title: Depersonalization

text: Depersonalization can consist of a detachment within the self, regarding one's mind or body, or being a detached observer of oneself. Subjects feel they have changed and that the world has become vague, dreamlike, less real, lacking in significance or being outside reality while looking in. It can be described as feeling like one is on “autopilot” and that the person's sense of individuality or selfhood has been hindered or suppressed.


title: Depersonalization

text: Chronic depersonalization refers to depersonalization/derealization disorder, which is classified by the DSM-5 as a dissociative disorder, based on the findings that depersonalization and derealization are prevalent in other dissociative disorders including dissociative identity disorder.


title: Depersonalization

text: Though degrees of depersonalization and derealization can happen to anyone who is subject to temporary anxiety or stress, chronic depersonalization is more related to individuals who have experienced a severe trauma or prolonged stress/anxiety. Depersonalization-derealization is the single most important symptom in the spectrum of dissociative disorders, including dissociative identity disorder and "dissociative disorder not otherwise specified" (DD-NOS). It is also a prominent symptom in some other non-dissociative disorders, such as anxiety disorders, clinical depression, bipolar disorder, schizophrenia, schizoid personality disorder, hypothyroidism or endocrine disorders, schizotypal personality disorder, borderline personality disorder, obsessive–compulsive disorder, migraines, and sleep deprivation; it can also be a symptom of some types of neurological seizure.


title: Depersonalization

text: In social psychology, and in particular self-categorization theory, the term "depersonalization" has a different meaning and refers to "the stereotypical perception of the self as an example of some defining social category".


title: Depersonalization

text: Individuals who experience depersonalization feel divorced from their own personal self by sensing their body sensations, feelings, emotions, behaviors etc. as not belonging to the same person or identity. Often a person who has experienced depersonalization claims that things seem unreal or hazy. Also, a recognition of a self breaks down (hence the name). Depersonalization can result in very high anxiety levels, which further increase these perceptions.


title: Depersonalization

text: Depersonalization is a subjective experience of unreality in one's self, while derealization is unreality of the outside world. Although most authors currently regard depersonalization (personal/self) and derealization (reality/surroundings) as independent constructs, many do not want to separate derealization from depersonalization.


title: Depersonalization

text: Depersonalization is a symptom of anxiety disorders, such as panic disorder. It can also accompany sleep deprivation (often occurring when experiencing jet lag), migraine,


title: Depersonalization

text: especially cannabis, hallucinogens, ketamine, and MDMA, certain types of meditation, deep hypnosis, extended mirror or crystal gazing, sensory deprivation, and mild-to-moderate head injury with little or full loss of consciousness (less likely if unconscious for more than 30 minutes).


title: Depersonalization

text: In the general population, transient depersonalization/derealization are common, having a lifetime prevalence between 26 and 74%. A random community-based survey of 1,000 adults in the US rural south found a 1-year depersonalization prevalence rate at 19%. Several studies, but not all, found age to be a significant factor: adolescents and young adults in the normal population reported the highest rate. In a study, 46% of college students reported at least one significant episode in the previous year. In another study, 20% of patients with minor head injury experience significant depersonalization and derealization. Several studies found that up to 66% of individuals in life-threatening accidents report transient depersonalization at minimum during or immediately after the accidents.


title: Depersonalization

text: A similar and overlapping concept called ipseity disturbance (ipse is Latin for "self" or "itself") may be part of the core process of schizophrenia spectrum disorders. However, specific to the schizophrenia spectrum seems to be "a "dis"location of first-person perspective such that self and other or self and world may seem to be non-distinguishable, or in which the individual self or field of consciousness takes on an inordinate significance in relation to the objective or intersubjective world" (emphasis in original).


title: Depersonalization

text: For the purposes of evaluation and measurement depersonalization can be conceived of as a construct and scales are now available to map its dimensions in A study of undergraduate students found that individuals high on the depersonalization/derealization subscale of the Dissociative Experiences Scale exhibited a more pronounced cortisol response in stress. Individuals high on the absorption subscale, which measures a subject's experiences of concentration to the exclusion of awareness of other events, showed weaker cortisol responses.


title: Depersonalization

text: In general infantry and special forces soldiers, measures of depersonalization and derealization increased significantly after training that includes experiences of uncontrollable stress, semi-starvation, sleep deprivation, as well as lack of control over hygiene, movement, communications, and social interactions.


title: Depersonalization

text: Depersonalization has been described by some as a desirable state, particularly by those that have experienced it under the influence of mood-altering recreational drugs. It is an effect of dissociatives and psychedelics, as well as a possible side effect of caffeine, alcohol, amphetamine, cannabis, and antidepressants. It is a classic withdrawal symptom from many drugs.


title: Depersonalization

text: Benzodiazepine dependence, which can occur with long-term use of benzodiazepines, can induce chronic depersonalization symptomatology and perceptual disturbances in some people, even in those who are taking a stable daily dosage, and it can also become a protracted feature of the benzodiazepine withdrawal syndrome.


title: Depersonalization

text: Lieutenant Colonel Dave Grossman, in his book "", suggests that military training artificially creates depersonalization in soldiers, suppressing empathy and making it easier for them to kill other human beings.


title: Depersonalization

text: Graham Reed (1974) claimed that depersonalization occurs in relation to the experience of falling in love.


title: Depersonalization

text: Depersonalization is a classic response to acute trauma, and may be highly prevalent in individuals involved in different traumatic situations including motor vehicle accident, and imprisonment.


title: Depersonalization

text: Psychologically depersonalization can, just like dissociation in general, be considered a type of coping mechanism. Depersonalization is in that case unconsciously used to decrease the intensity of unpleasant experience, whether that is something as mild as stress or something as severe as chronically high anxiety and post-traumatic stress disorder.


title: Depersonalization

text: The decrease in anxiety and psychobiological hyperarousal helps preserving adaptive behaviors and resources under threat or danger.


title: Depersonalization

text: Depersonalization is an overgeneralized reaction in that it doesn't diminish just the unpleasant experience, but more or less all experience – leading to a feeling of being detached from the world and experiencing it in a more bland way. An important distinction must be made between depersonalization as a mild, short-term reaction to unpleasant experience and depersonalization as a chronic symptom stemming from a severe mental disorder such as PTSD or dissociative identity disorder.


title: Depersonalization

text: Treatment is dependent on the underlying cause, whether it is organic or psychological in origin. If depersonalization is a symptom of neurological disease, then diagnosis and treatment of the specific disease is the first approach. Depersonalization can be a cognitive symptom of such diseases as amyotrophic lateral sclerosis, Alzheimer's disease, multiple sclerosis (MS), or any other neurological disease affecting the brain. For those with both depersonalization and migraine, tricyclic antidepressants are often prescribed.


title: Depersonalization

text: If depersonalization is a symptom of psychological causes such as developmental trauma, treatment depends on the diagnosis. In case of dissociative identity disorder or DD-NOS as a developmental disorder, in which extreme developmental trauma interferes with formation of a single cohesive identity, treatment requires proper psychotherapy, and—in the case of additional (co-morbid) disorders such as eating disorders—a team of specialists treating such an individual. It can also be a symptom of borderline personality disorder, which can be treated in the long term with proper psychotherapy and psychopharmacology.


title: Depersonalization

text: A 2001 Russian study showed that naloxone, a drug used to reverse the intoxicating effects of opioid drugs, can successfully treat depersonalization disorder. According to the study: "In three of 14 patients, depersonalization symptoms disappeared entirely and seven patients showed a marked improvement. The therapeutic effect of naloxone provides evidence for the role of the endogenous opioid system in the pathogenesis of depersonalization." The anti convulsion drug Lamotrigine has shown some success in treating symptoms of depersonalization, often in combination with a selective serotonin reuptake inhibitor and is the first drug of choice at the depersonalisation research unit at King's College London.


title: Depersonalization

text: The Depersonalisation Research Unit at the Institute of Psychiatry in London conducts research into depersonalization disorder. Researchers there use the acronym DPAFU (Depersonalisation and Feelings of Unreality) as a shortened label for the disorder.


title: Depersonalization

text: In a 2020 article in the journal Nature, Vesuna, et al. describe experimental findings which show that layer 5 of the retrosplenial cortex is likely responsible for dissociative states of consciousness in mammals.


title: Beetlejuice (musical)

text: Beetlejuice is a musical with music and lyrics by Eddie Perfect and book by Scott Brown and Anthony King. It is based on the 1988 film of the same name. The story concerns a deceased couple who try to haunt the new inhabitants of their former home and call for help from a devious bio-exorcist ghost named Betelgeuse (pronounced "Beetlejuice"), who is summoned by saying his name three times. One of the new inhabitants is a young girl, Lydia, who is dealing with her mother's death and her neglectful father.


title: Beetlejuice (musical)

text: The musical had a tryout at the National Theatre, Washington, D.C. in October 2018, prior to opening on Broadway at the Winter Garden Theatre on April 25, 2019. It is produced by Warner Bros. Theatre Ventures (a unit of franchise owner Warner Bros.). Due to the COVID-19 pandemic, the show played its final performance at the Winter Garden on March 10, 2020. It reopened at the Marquis Theatre on Broadway on April 8, 2022, and is scheduled to close on January 8, 2023; a US national tour of the production is planned to begin in December 2022.


title: Beetlejuice (musical)

text: In 2016, a musical adaptation of the 1988 film "Beetlejuice" (directed by Tim Burton and starring Geena Davis as Barbara Maitland, Alec Baldwin as Adam Maitland, Winona Ryder as Lydia Deetz and Michael Keaton as Betelgeuse) was reported to be in the works, directed by Alex Timbers and produced by Warner Bros., following a reading with Christopher Fitzgerald in the title role. In March 2017, it was reported that Australian musical comedian Eddie Perfect would be writing the music and lyrics and Scott Brown and Anthony King would be writing the book of the musical, and that another reading would take place in May, featuring Kris Kukul as musical director. The musical had three readings and two workshops with Alex Brightman in the title role, Sophia Anne Caruso as Lydia Deetz, and Kerry Butler and Rob McClure as Barbara and Adam Maitland.


title: Beetlejuice (musical)

text: A group of people at a graveyard mourn the passing of Emily Deetz. Emily's daughter, Lydia, reflects on the death of her mother and her own inability to be noticed by her father, Charles ("Prologue: Invisible"). A millennia-old demon named Beetlejuice appears and mocks the idea of living life to the fullest, as it will all be worthless once death comes ("The Whole 'Being Dead' Thing"). Beetlejuice then addresses the audience directly, explaining that, as a demon, he is invisible to all living beings unless he gets a living person to say his name three times, and reveals that he has come up with a plan to accomplish this.


title: Beetlejuice (musical)

text: Beetlejuice then introduces Adam and Barbara Maitland. They are a normal married couple who desperately want to start a family, but are not emotionally ready and project their insecurities onto their hobbies. As the Maitlands reason to themselves why they are not ready for a child, they fall to their deaths through unstable floorboards in their home ("Ready, Set, Not Yet"). The "Handbook for the Recently Deceased" falls from the sky, but Beetlejuice burns it, wanting the newly deceased Maitlands to haunt their house and get a living person to say his name three times. When the Maitlands awaken from their fall and realize that they are dead, Beetlejuice reveals himself to the couple and offers to help them adjust to the Afterlife ("The Whole "Being Dead" Thing, Pt. 2"). He reveals to the Maitlands that a new family, the Deetzes, have bought their house and that in order to remain alone, they will have to scare them away, so the Maitlands accept his help ("The Whole "Being Dead" Thing, Pt. 3").


title: Beetlejuice (musical)

text: While moving in, Charles reveals to Lydia that he wants to start a gated community, using the house as a flagship model home, and is holding a dinner party with some business friends. Lydia expresses her desire for her mother to return, mentioning the fact that nobody seems to care that she is gone. Praying for her to send a sign that she is still there, Lydia vows to make her father acknowledge the fact that tragedy struck their family ("Dead Mom"). In the attic, Beetlejuice is trying to teach the Maitlands how to be scary. Despite his best attempts, they prove to be not scary at all ("Fright of Their Lives"). Beetlejuice becomes frustrated with the couple and abandons them, so they vow to scare the Deetz family away themselves ("Ready Set" ). Meanwhile, Delia, a woman who Charles hired to be Lydia's life coach and his secret lover, tells Lydia how everything happens for a reason, but fails to get her in a positive state of mind ("No Reason"). After their session, Lydia meets the Maitlands as they are roaming the house trying to scare the Deetzes. Lydia wants to leave the house just as much as the Maitlands want her family out, so she tries to convince her dad that the house is haunted, only to find out that he and Delia are engaged.


title: Beetlejuice (musical)

text: Feeling as if Charles is just trying to replace her mother, Lydia flees to the roof, where a depressed Beetlejuice laments that he will never be seen ("Invisible" ). He becomes ecstatic however when he realizes Lydia can see him and tries to convince her not to kill herself, with the intention of getting her to free him from his curse. Lydia teases Beetlejuice, but does not say his name. The Maitlands come to check on Lydia, only to be possessed by Beetlejuice into saying positive things about him to further convince Lydia. Upon learning about possession and that any ghost can do it, regardless of skill, Lydia decides not to work with Beetlejuice and instead work with the Maitlands to ruin Charles' party ("Say My Name").


title: Beetlejuice (musical)

text: At the dinner party, Barbara and Adam possess Charles, Delia and their guests ("Day-O (The Banana Boat Song)"). However, instead of being scared, the investors see the ghosts as a selling point; making them more interested in Charles' project. Feeling desperate, Lydia resorts to summoning Beetlejuice. Now visible to the living and able to affect the world around him, he forces the Maitlands to the attic before throwing Charles, Delia and the investors out of the house, much to Lydia's joy.


title: Beetlejuice (musical)

text: A Girl Scout named Skye explains to the audience how she has a heart condition where anything shocking could stop her heart but that she is nevertheless excited to be a Girl Scout. She rings the doorbell of the Deetzes' house and is greeted by Lydia, who invites her inside ("Girl Scout"). However, Beetlejuice appears and frightens the poor girl into leaving. He summons more versions of himself to help Lydia scare every visitor that comes to the house ("That Beautiful Sound"). He also tells Lydia that since she lives and works among the dead now, she should also follow their rules, and gives her a copy of the "Handbook for the Recently Deceased". But because she is not dead, Lydia cannot open it. Despite this, she realizes it could help her reunite with her mother, and runs to the attic for Barbara and Adam's help. Feeling alone and betrayed again, Beetlejuice talks with his clones about how he wants to leave the house to finally connect with people now that he can be seen. To achieve this, he decides to trick Lydia into marrying him, which will allow him to roam free in the living world ("That Beautiful Sound" ).


title: Beetlejuice (musical)

text: In the attic, Barbara and Adam help Lydia open the "Handbook", when they realize they should have gone straight to the Netherworld instead of remaining in their house. Adam opens the door to the Netherworld, but Barbara shuts it and the "Handbook", afraid of leaving the house. Lydia berates them because she hoped to use the book to summon her dead mother and leaves disappointed and angry. Barbara realizes that all of their fear has held her and Adam back, so they decide to become bolder and better people ("Barbara 2.0").


title: Beetlejuice (musical)

text: Delia, Charles, and Delia's guru, Otho, re-enter the house to rescue Lydia, bringing a box that can supposedly trap souls. Beetlejuice tricks Lydia by telling her that reading a passage from the book will resurrect her mother, but instead she unknowingly begins to exorcise Barbara and is forced to agree to marry Beetlejuice to stop it ("The Whole "Being Dead" Thing, Pt. 4"). He stops the exorcism and opens a door to the Netherworld to send the Maitlands away for good, but Lydia jumps through the door, with Charles following. Enraged that his plan has failed again, Beetlejuice decides to kill everyone instead ("Good Old Fashioned Wedding").


title: Beetlejuice (musical)

text: Lydia and Charles enter the Netherworld and are greeted by Miss Argentina, who along with other Netherworld residents, urges them to return to the living world ("What I Know Now"). They then meet Juno, director of Netherworld Customs and Processing, who soon finds out they are still alive. Lydia runs from Juno and frantically searches for her mother in the Netherworld, but is unable to find her. Charles finds Lydia in distress and reconciles with her ("Home").


title: Beetlejuice (musical)

text: The Deetzes return to the house, where Beetlejuice is preparing to kill everyone. Lydia plans to trick him by agreeing to marry him as Charles, Delia, and the Maitlands get the demon ready ("Creepy Old Guy"). The wedding brings Beetlejuice to life, allowing Lydia to stab him and kill him again, making him "Recently Deceased". Lydia and the Maitlands try to send him back to the Netherworld, but Juno appears, reveals herself as Beetlejuice's mother, and tries to take Lydia back with her. Beetlejuice stands up to Juno, having learned to appreciate life in his brief experience. Juno pretends to be moved by Beetlejuice's speech and throws him out of the house. The Maitlands, Charles, and Delia refuse to let Juno take Lydia. Beetlejuice then crashes through the wall riding a sand worm, which eats Juno.


title: Beetlejuice (musical)

text: Beetlejuice says his last goodbyes to everyone before leaving. The Deetzes and Maitlands rejoice in their victory and agree to share the house as they clean up and repair the damage. Lydia accepts that although her mother is gone, there is still so much left to enjoy in life ("Jump in the Line").


title: Beetlejuice (musical)

text: The musical had a pre-Broadway tryout at the National Theatre in Washington, D.C. for a limited run from October 14 to November 18, 2018. The production was directed by Alex Timbers and choreographed by Connor Gallagher, with musical direction by Kris Kukul, scenic design by David Korins, costume design by William Ivey Long, lighting design by Kenneth Posner, sound design by Peter Hylenski, projection design Peter Nigrini, puppet design by Michael Curry, special effects by Jeremy Chernick, illusions by Michael Weber, music producing by Matt Stine and dance arrangements by David Dabbon. The cast included Alex Brightman in the title role alongside Sophia Anne Caruso as Lydia, Kerry Butler and Rob McClure as Barbara and Adam, Leslie Kritzer and Adam Dannheisser as Delia and Charles, Jill Abramovitz and Danny Rutigliano as Maxine and Maxie, and Kelvin Moon Loh as Otho.


title: Beetlejuice (musical)

text: "Beetlejuice" premiered on Broadway at the Winter Garden Theatre with the same cast and creative team. Previews began on March 28, 2019, with an official opening night on April 25, 2019. David Josefsberg took over the role of Adam in September 2019, and understudy Presley Ryan took over the role of Lydia in February 2020 for the run's last two weeks. Due to a contractual commitment with the theatre to make room for a revival of "The Music Man", the production was scheduled to close at the Winter Garden on June 6, 2020. However, after a total of 27 previews and 366 regular performances, the production played its last performance at the Winter Garden on March 10, 2020, before The Broadway League suspended performances of all Broadway productions because of the COVID-19 pandemic. The show released a successful cast album.


title: Beetlejuice (musical)

text: The production reopened at the Marquis Theatre on April 8, 2022, with Brightman returning in the title role and Butler, Josefsberg, Dannheisser, Kritzer, Loh, Rutigliano and Steingold reprising their roles. Elizabeth Teeter joined the cast as Lydia, with Michelle Aravena as Miss Argentina and Zonya Love as Maxine Dean/Juno. The production is set to close on January 8, 2023, after 679 performances and 27 previews.


title: Beetlejuice (musical)

text: The show began its US national tour at the Carson Center in Paducah, Kentucky, on December 1, 2022, with tour stops announced into October 2023. Justin Collette plays the title role, with Isabella Esler as Lydia, Britney Coleman as Barbara and Will Burton as Adam and Karmine Alers as Maxine; Timbers again directs and Gallagher choreographs.


title: Beetlejuice (musical)

text: "Beetlejuice" played in Seoul, South Korea, at the Sejong Center for the Performing Arts, in July and August 2021. Jung Sung-hwa and Yoo Jun-sang shared the title role.


title: Beetlejuice (musical)

text: Ben Brantley, in "The New York Times", wrote: "Invisibility is definitely not among this show's problems; overcompensating from the fear that it might lose an audience with a limited attention span is. Though it features a jaw-droppingly well-appointed gothic funhouse set (by David Korins, lighted by Kenneth Posner), replete with spooky surprises, this show so overstuffs itself with gags, one-liners and visual diversions that you shut down from sensory overload."


title: Beetlejuice (musical)

text: Sara Holdren, in "New York Vulture", wrote that the show "openly embraces the theme park-y aspects of an enterprise like the one it's engaged in. True to its source material, it's loud, it's cheeky, and it's all about excess. It's also – thanks in large part to Alex Brightman's spot-on performance as the incorrigible titular ghoul – a pretty fun time." Nick Romano from "Entertainment Weekly" commented that the musical "was crafted from a group of creative minds who clearly love the source material, though not all of it works. There are still second act problems and a song list void of any real bops, but it's a fun time for the Burton novice and pure fan service for the Burton stans, thanks in large part to the titular puckish undead spirit breathing life into a Broadway experiment that could've been dead in the water."


title: Beetlejuice (musical)

text: Peter Marks, theatre critic for "The Washington Post", was pleased by the changes made during the show's transition to Broadway: "during its tryout run in November in Washington's National Theatre, the blithe, dizzily antic spirit of the movie was suffocating under the weight of sophomoric, phallic gags. This reworked incarnation, under Alex Timbers's direction, breathes slightly more enjoyably even as it remains too faithful to the pumped-up inclinations of book writers Scott Brown and Anthony King and composer-lyricist Eddie Perfect. This means that the eager-to-please quotient of a musical about the quest by a bevy of souls, alive and dead, to alleviate loneliness, is still amped up a bit too frantically. This may be of more concern to overly entertained theater analysts than to those musical-theater enthusiasts who thrive on the supercharged exertions of an ensemble on hyperdrive. On a measurement scale of energy-output-per-minute, high-octane "Beetlejuice" would now be the safest ticket in town."


title: Beetlejuice (musical)

text: Frank Rizzo wrote in "Variety": "Keeping things entertaining enough are the off-the-wall humor, endless visuals and aural delights, tuneful music and wicked lyrics of Perfect... Brightman is matched in star presence and musical chops by Caruso, as she travels to hell and back without losing her way. McLure "[sic]" and Butler find big laughs, too, as the sweet – but not too sweet – a couple who finally find a reason to live after they've died. Dannheisser, as Lydia's dad, grounds the role with sincerity without forgoing the loopy side, too."


title: Beetlejuice (musical)

text: Ghostlight released "Beetlejuice – The Demos! The Demos! The Demos!" on October 30, 2020, compiling material composer-lyricist Perfect recorded between 2014 and 2019 during the development of the musical. It features both final and cut songs from the show as well as commentary by Perfect.


title: Dave (TV series)

text: Dave (stylized as DAVE) is an American comedy television series that premiered on FXX on March 4, 2020. It was co-created by rapper/comedian Lil Dicky, who plays the titular character, and Jeff Schaffer. Kevin Hart and Greg Mottola form part of the production team. Lil Dicky's real-life hype man, GaTa, co-stars as himself. On May 11, 2020, the series was renewed for second season, which premiered on June 16, 2021. On February 17, 2022, FXX renewed the series for a third season.


title: Dave (TV series)

text: The series stars a fictionalized version of Lil Dicky, a suburban neurotic man in his late twenties who has convinced himself that he's destined to be one of the best rappers of all time.


title: Dave (TV series)

text: "Dave" has received positive reviews from critics. On Metacritic, the first season has a score of 64 out of 100 based on 10 reviews indicating "generally positive reviews." On Rotten Tomatoes, it has a certified fresh approval rating of 76% with an average score of 6.80 out of 10 based on 21 reviews. The website's critical consensus is, ""DAVE" can be just as off-putting as Lil Dicky's rap persona with its abundance of genitalia jokes and self-aggrandizement, but beneath the raunchy veneer is a surprisingly self-aware show with a sweet core."


title: Dave (TV series)

text: On Metacritic, the second season has a score of 84 out of 100 based on 10 reviews indicating "universal acclaim." On Rotten Tomatoes, the second season received an approval rating of 91% with an average score of 8.30 out of 10 based on 11 reviews. The website's critical consensus is, "Dave still has a lot of growing up to do, but "DAVE" has matured into a darkly hilarious and disarmingly wise comedy about the alienating price of fame." GaTa's performance as himself has been singled as a standout from the first two seasons.


title: Dave (TV series)

text: After mixed reviews for the first few episodes that were previewed by media outlets, the second half of the season was positively received by "The Guardian", "IndieWire", "Financial Times", "Rolling Stone", and more. Reviewers noted the expansion of the series' sources of humor, its dedication to character development, and improved emotional depth. At the end of its first season, "Dave" averaged 5.32 million viewers per episode, making it the most popular comedy in FX's history. It was renewed for a second season in May 2020.


title: Dave (TV series)

text: While most of the characters and actors have been praised, the "Lil Dicky" character in the show has been negatively received. Many reviewers have noted that while the character's success is the center of the show, his poor treatment of his friends makes him difficult to root for. Additionally, the first season has been criticized for exploring and idealizing fame over art. Daniel D'Addario of Variety unfavorably compared the show to "Atlanta", another entry from FX. D'Addario states "When Donald Glover made an FX show about characters trying to break into the music industry, it was 'Atlanta,' among the most expansive, richly imaginative shows of the century so far. When Lil Dicky does it, it's a show whose breaks from flatly telling us about his character's private parts tend to follow a linear trajectory: Lil Dicky, a ditherer with more zeal for fame than true creative ambition, ends up trying something, it goes viral, everyone loves it."


title: All Too Well: The Short Film

text: All Too Well: The Short Film is a 2021 American romantic drama short film written and directed by singer-songwriter Taylor Swift in her filmmaking debut. A film adaptation of her critically acclaimed song "All Too Well" (2012), it is set against the backdrop of her 10-minute version of the song released in 2021. It stars Sadie Sink and Dylan O'Brien as a romantic couple whose up-and-down relationship ultimately falls apart, compounded by their age gap. Swift cited the works of Barbara Stanwyck, John Cassavetes and Noah Baumbach as artistic influences upon her film.


title: All Too Well: The Short Film

text: Produced by Saul Projects and Taylor Swift Productions, "All Too Well: The Short Film" was released on November 12, 2021, in select theaters by Universal Pictures and on YouTube by PolyGram Entertainment and Republic Records, in conjunction with Swift's second re-recorded album "Red (Taylor's Version)". After a premiere at the AMC Theatres in Lincoln Square, New York City, it had a limited theatrical release in major cities as well as special screenings at the 2022 Tribeca and Toronto film festivals. It enjoyed wide critical acclaim, with particular praise towards Swift's direction as a debut filmmaker as well as the acting, drama, and production values.


title: All Too Well: The Short Film

text: The film garnered several awards and nominations from music and film organizations, including Video of the Year and Best Direction at the 2022 Video Music Awards, becoming the first act in VMA history to win the former award for an original work. It has also received a nomination for Best Music Video at the upcoming 65th Annual Grammy Awards (2023).


title: All Too Well: The Short Film

text: "All Too Well: The Short Film" is a film adaptation of the 2021 song "All Too Well (10 Minute Version) (Taylor's Version) (From the Vault)" by American singer-songwriter Taylor Swift. It also functions as a music video for the song. A literary quote from Chilean poet Pablo Neruda—"Love is so short, forgetting is so long", from his poem "Puedo Escribir Los Versos"—opens the film. The story chronicles the relationship of two doomed lovers, Her and Him, compounded by an age gap. "All Too Well (10 Minute Version)" plays throughout the film, except during a dialogued conflict between Her and Him. The song details a blooming romance between two people, and its subsequent dissolution and resulting heartbreak. Her is the younger version of Swift, and Him the subject. The nearly 15-minute film is divided into seven chapters—"An Upstate Escape", "The First Crack in the Glass", "Are You Real?", "The Breaking Point", "The Reeling", "The Remembering", and the epilogue "Thirteen Years Gone"—each of which represent a formative period in the relationship between Her and Him.


title: All Too Well: The Short Film

text: The story starts with the couple lying in bed together, Her mesmerized by Him. They venture into upstate New York in a car. Her leaves her red scarf at a house belonging to Him's sister. Their relationship takes a turn at a dinner party, where Him ignores his girlfriend with a hand gesture, as he is busy catching up with his friends, making Her uncomfortable. They fight afterwards; Him is arrogant and dismissive, while a distraught Her is heartbroken but still wants to stay with Him. He apologizes and kisses Her to end the argument, and they dance in the refrigerator light. Him starts to distance himself from Her, eventually breaking up with her. A devastated Her weeps in bed, ignoring his phone calls. Her is seen typing on her typewriter and crumbling paper sheets. A montage shows Her alone at parties and dismal on her 21st birthday. Him's life carries on as he walks alone down a Brooklyn street, recalling some of the happier moments in his relationship with Her. The film then jumps 13 years into the future, where Her has become an author and released her book "All Too Well", presumably detailing the heartache of her early twenties. She reads out the book to an audience in a packed bookstore. Outside the store, an older Him stands in the snow, watching Her through the window, wearing the same scarf she had abandoned 13 years ago.


title: All Too Well: The Short Film

text: Swift stated via her social media that "All Too Well: The Short Film" was shot on 35 mm film by Japanese-Korean-British cinematographer Rina Yang. Yang used an Arri Arriflex 235 for handheld and steadicam, and Panavision MXL for dolly work; lenses were Panavision Primo, with 11:1 Primo zoom. She shot exterior scenes on Kodak Ektachrome—the same kind she had used to shoot the HBO television series "Euphoria". Swift cited "Barbara Stanwyck films, particularly 1937's "Stella Dallas"," as artistic influences upon her film in addition to those of John Cassavetes and Noah Baumbach, especially his drama film "Marriage Story" (2019). She also mentioned the films "The Way We Were" (1973), "Love Story" (1970), and "Kramer vs. Kramer" (1979) as sources of inspiration.


title: All Too Well: The Short Film

text: Swift said she wanted tell a story about "girlhood calcifying into this bruised adulthood" with the film. On "Late Night with Seth Meyers," she said she cast Sink and O'Brien because they were the only two people she imagined playing the roles, noting that she was a fan of O'Brien's works and that she would not have proceeded with making the film had Sink turned down the offer. Swift explained that she likes "working with friends or people who I think would be excited about working with me" and added that she was "just blown away by what [Sink and O'Brien] did—they went out and left it all on the field". Sink stated she accepted Swift's offer without hesitation as she was a fan of Swift and was also interested in playing a "more rounded and mature" role while portraying her "Stranger Things" character Max Mayfield during production of the series' fourth season. Swift further revealed that Sink and O'Brien "were so electric and [improvising] a lot of what they were doing that we just couldn't take the camera off [them]". O'Brien stated that Swift was "more than willing" to let Sink and himself contribute ideas and improvise on the project, referring to the argument scene; he said that Swift liked their improvised dialogues and complimented Swift's confidence and instinct in identifying a "moment on set".


title: All Too Well: The Short Film

text: In September 2021, Swift announced that her re-recorded album, "Red (Taylor's Version)", a re-recording of her fourth studio album "Red" (2012), would be released on November 12, 2021. It contains both the re-recorded version of the track "All Too Well" and its 10-minute uncut version as a bonus track "from the vault". On November 5, 2021, "Good Morning America" revealed a teaser for the short film. The teaser featured a vintage car driving down on a quiet road surrounded by autumnal trees, as well as the names of the cast members. "All Too Well: The Short Film" is a dramatized account of the incidents and dynamics of the relationship described in the song. It is about "an effervescent, curious young woman who ends up completely out of her depth", stated Swift. She described it as an expression of her gratitude to her fans for their reception to the song "All Too Well" over the years.


title: All Too Well: The Short Film

text: The film's world premiere took place on November 12 at the AMC Theatres in Lincoln Square, New York City with handpicked fans among those who attended. Each audience member received an autographed movie poster and a custom packet of tissues. Swift performed "All Too Well (10 Minute Version)" in the theatre after the screening. The film was later released on the same day on YouTube, 19 hours after the album's release at midnight. It had a limited theatrical release in major cities.


title: All Too Well: The Short Film

text: It was also screened in two film festivals. On June 11, 2022, "All Too Well: The Short Film" had a special screening at the 2022 Tribeca Film Festival at the Beacon Theatre in New York City. The film was screened in its 35 mm form for the first time at the 2022 Toronto International Film Festival on September 9, 2022, at the TIFF Bell Lightbox in Toronto, Ontario.


title: All Too Well: The Short Film

text: The short film had a limited release in select theatres of major cities. Following its release to YouTube, the film was the number-one trending video on the platform with over 14 million views. It amassed 32 million views in its first three days. The short film helped its source material, "All Too Well (10 Minute Version)", debut atop the "Billboard" Hot 100 chart, garnering Swift her eighth number-one song in the US, and the longest song ever to top the chart—a feat recognized in "Guinness World Records". As of September 2, 2022, the film has 75 million views on YouTube.


title: All Too Well: The Short Film

text: "All Too Well: The Short Film" was met with strong acclaim from contemporary film critics, with emphasis on the vision of Swift's direction. "Variety" Setoodeh dubbed the short film "a music video on steroids meets a Noah Baumbach movie". Brittany Spanos of "Rolling Stone" called it a "dramatic and moving" film that "digs deep into heartache and scarf lore". Writing for "Entertainment Weekly", Jessica Derschowitz and Jason Lamphier stated "All Too Well: The Short Film" depicts a blooming romance, and "how fractured it is before it eventually falls apart".


title: All Too Well: The Short Film

text: Rhian Daly of "NME" said the film underscores "the emotional power of [Swift's] storytelling" with "devastating" cinematography and "electric performances" by Sink and O'Brien. "The Hollywood Reporter" Lexy Perez opined that "All Too Well: The Short Film" chronicles "the rise and fall of a relationship" between the lead characters, exploring the couple's first "blissful moments of new love" till their downfall and separation. In Collider, Shane Romanchick wrote the film "recontextualizes how relationships, through all their painful and rose-colored moments, help us grow to be better people". Ryan Louis Mantilla added that "Sink and O'Brien bring Swift's characters to life with vividly emotional performances telling an incredibly moving tale of love, power, gaslighting, and heartache in the 15-minute film."


title: All Too Well: The Short Film

text: Karl Quinn, in his review for "The Sydney Morning Herald", complimented the "gorgeously cliched "Notebook"-style" screenplay, Swift's direction, and the "finely tuned" performances of Sink and O'Brien. Vogue Sarah Spellings said many of the film's scenes felt like "in-jokes with the audience" and commended the midway dialogue featuring an argument between Sink and O'Brien's characters: "It felt less like a real fight and more like how you describe a fight to your friends later. In other words, it was a depiction of how a fight feels." In "USA Today", Patrick Ryan wrote that the film was "operatic in its emotions and scope" and felt the argument scene was "particularly gut-wrenching". "Billboard" Paul Grein also praised the argument, saying the writing in the scene is "so vivid that it's easy to see Swift winning an Oscar for screenwriting one day".


title: All Too Well: The Short Film

text: Laura Coates, publishing on "RogerEbert.com", commended Swift's direction, the "meticulous lighting and eye for production design", Yang's camerawork, and the "electric" chemistry between Sink and O'Brien. Coates highlighted the argument scene as well: "Though the instinct may be to emphasize the volatility of their relationship with quick, jarring cuts, the unflinching persistence of the single take means the viewer is left with nothing to do but squirm and despair as we watch their relationship fall apart before our eyes." In a less favorable review, Renaldo Matadeen of "Comic Book Resources" described the film as a "powerful character portrait" with "great cinematography and clever pacing" but felt that Swift's appearance near the end as a grown Sink "takes away from the artistic, auteur feel" of the film, preventing it from being a "perfect indie film".


title: All Too Well: The Short Film

text: The film briefly had the highest rating on film review site Letterboxd before "Parasite" (2019) regained the status.


title: All Too Well: The Short Film

text: "All Too Well: The Short Film" has received awards recognition in a diverse set of fields. It was nominated in five categories at the 2022 MTV Video Music Awards, including Swift's fifth nomination for Video of the Year,—a record tied with Beyoncé for the most Video of the Year nominations; Swift was also nominated for Best Direction for a third consecutive year, following the music videos of "The Man" in 2020 and "Willow" in 2021. The film won Video of the Year and Best Longform Video, and Swift won Best Direction; she became the first artist to win Video of the Year three times, and the first artist to win Video of the Year for a self-directed video. She won four awards at the 2022 MTV Europe Music Awards, including Best Artist and Best Pop Act for the first time, and tied Lady Gaga as the most awarded woman in EMA history (12 each). Swift won six awards at the 2022 American Music Awards, including Favorite Music Video and Artist of the Year.


title: All Too Well: The Short Film

text: Publications have described the short film as one of the biggest newsmakers and pop culture moments of 2021. iHeartRadio called it a "cultural sensation". The film was met with "Oscar buzz". Google searches of Sink and O'Brien reached an all-time high after the film's release.


title: All Too Well: The Short Film

text: Canadian singer Michael Bublé, in the music video for his 2022 single "I'll Never Not Love You", referenced and recreated iconic "love scenes" from various movies with his wife, Luisana Lopilato; it included "All Too Well: The Short Film", with Bublé as Him and Lopilato as Her.


title: All Too Well: The Short Film

text: The Department of English of the Queen's University at Kingston, a public research university in Ontario, Canada, offers a fall semester course titled "Taylor Swift's Literary Legacy (Taylor's Version)", with a syllabus requiring students to analyse many of Swift's works, such as "All Too Well: The Short Film," to understand their literary references and sociopolitical relevance in contemporary culture.


title: All Too Well: The Short Film

text: Following the success of the short film, Swift was inspired to venture further into filmmaking. She took part in the "Variety" Directors on Directors series opposite British-Irish filmmaker Martin McDonagh in December 2022. On December 9, 2022, Searchlight Pictures announced that Swift has written an original script and will direct her debut feature film; details about the cast, plot, and title were withheld "until a later date".


title: Georg Friedrich, Prince of Prussia

text: Georg Friedrich Ferdinand, Prince of Prussia (born 10 June 1976) is a German businessman who is the current head of the Prussian branch of the House of Hohenzollern, the former ruling dynasty of the German Empire and of the Kingdom of Prussia. He is the great-great-grandson and historic heir of Wilhelm II, the last German Emperor and King of Prussia, who abdicated and went into exile upon Germany's defeat in World War I in 1918. Thus he is a fourth great-grandson of Queen Victoria of the United Kingdom and a distant cousin of many European monarchs.


title: Georg Friedrich, Prince of Prussia

text: Georg Friedrich is the only son of Prince Louis Ferdinand of Prussia (1944–1977) and Countess Donata of Castell-Rüdenhausen (1950–2015). Born into a mediatised princely family, his mother later became Duchess Donata of Oldenburg when she married secondly Duke Friedrich August of Oldenburg, who had previously been married to her sister-in-law Princess Marie Cécile of Prussia. His only sister is Cornelie-Cécile (b. 1978).


title: Georg Friedrich, Prince of Prussia

text: He attended grammar schools in Bremen and Oldenburg and completed his education at Glenalmond College near Perth, Scotland, where he passed his A-levels. He then served for a two-year commission in the Alpine troops of the and was discharged after his term of service. Georg Friedrich earned his degree in business economics at the Freiberg University of Mining and Technology.


title: Georg Friedrich, Prince of Prussia

text: Georg Friedrich works for a company specialising in helping universities to bring their innovations to market. He also administered the Princess Kira of Prussia Foundation, founded by his grandmother Grand Duchess Kira of Russia in 1952, now administered by his wife. In 2018 he moved from a house near Bremen, where he had also spent his childhood, to Babelsberg, a district of Potsdam, the capital city of the German state of Brandenburg.


title: Georg Friedrich, Prince of Prussia

text: He owns a two-thirds share of his family's original seat, Hohenzollern Castle, while the other share is held by the head of the Swabian branch, Karl Friedrich, Prince of Hohenzollern. He also owns the Princes' Island in the Great Lake of . In 2017 he founded a beer trademark called (Royal Prussian Beer Manufactory) producing a Pilsner brand called .


title: Georg Friedrich, Prince of Prussia

text: Prince Georg Friedrich continues to claim compensation for land and palaces in Berlin expropriated from his family, a claim begun in March 1991 by his grandfather Prince Louis Ferdinand of Prussia under the Compensation Act (EALG).


title: Georg Friedrich, Prince of Prussia

text: Georg Friedrich succeeded his grandfather, Louis Ferdinand, as Head of the Royal House of Prussia, a branch of the House of Hohenzollern, on 26 September 1994. He stated that he learned to appreciate the history and responsibility of his heritage during time spent with his paternal grandfather, who often recounted to him anecdotes from the life in exile of his own grandfather, the last German Kaiser, Wilhelm II.


title: Georg Friedrich, Prince of Prussia

text: His position as sole heir to the estate of his grandfather was challenged by his uncles, Friedrich Wilhelm and Michael, who filed a lawsuit claiming that, despite their renunciations as dynasts at the time of their marriages, the loss of their inheritance rights based on their selection of spouse was discriminatory and unconstitutional. His uncles were initially successful, the Regional Court of Hechingen and the higher Regional Court of Stuttgart ruling in their favour in 1997 on the grounds that the requirement to marry equally was "immoral". However, the Federal Court of Justice of Germany overturned the original rulings in favour of Georg Friedrich's uncles, the case being remanded to the courts at Hechingen and Stuttgart. This time both courts ruled in favour of Georg Friedrich. His uncles then took their case to the Federal Constitutional Court of Germany which overruled the previous court rulings in Georg Friedrich's favour. On 19 October 2005, a German regional court ruled that Georg Friedrich was indeed the principal heir of his grandfather, Louis Ferdinand (who was the primary beneficiary of the trust set up for the estate of Wilhelm II), but also concluded that each of the children of Louis Ferdinand was entitled to a portion of the Prussian inheritance.


title: Georg Friedrich, Prince of Prussia

text: In 2011 Georg Friedrich married Princess Sophie of Isenburg. The civil wedding took place in Potsdam on 25 August 2011, and the ecumenical religious wedding took place at the Church of Peace in Potsdam on 27 August 2011, in commemoration of the 950th anniversary of the founding of the House of Hohenzollern. The religious wedding was also broadcast live by local public television.


title: Georg Friedrich, Prince of Prussia

text: On 20 January 2013, Georg Friedrich's wife, Sophie, gave birth to twin sons in Bremen, Carl Friedrich Franz Alexander and Louis Ferdinand Christian Albrecht. Carl Friedrich, the elder of the two, is his father's heir apparent. Their third child, Emma Marie Charlotte Sofia, was born on 2 April 2015. On 17 November 2016, Sophie gave birth to Heinrich Albert Johann Georg, their fourth child.


title: Georg Friedrich, Prince of Prussia

text: In mid-2019 it was revealed that Georg Friedrich had filed claims for permanent right of residency for his family in Cecilienhof, or one of two other former Hohenzollern palaces in Potsdam, as well as return of the family library, 266 paintings, an imperial crown and sceptre, and the letters of Empress Augusta Victoria. This sparked a public debate about the legitimacy of these claims and the role of the Hohenzollern during and before the Nazi regime in Germany, specifically Crown Prince Wilhelm's involvement.


title: Georg Friedrich, Prince of Prussia

text: In June 2019, a claim made by Georg Friedrich that Rheinfels Castle be returned to the Hohenzollern family was dismissed by a court. In 1924, the ruined castle had been given to the town of St Goar, under the proviso it was not sold. In 1998 the town leased the ruins to a nearby hotel. His case made the claim that this constituted a breach of the bequest.


title: Nasdaq-100

text: The Nasdaq-100 (^NDX) is a stock market index made up of 101 equity securities issued by 100 of the largest non-financial companies listed on the Nasdaq stock exchange. It is a modified capitalization-weighted index. The stocks' weights in the index are based on their market capitalizations, with certain rules capping the influence of the largest components. It is limited to companies from a single exchange, and it does not have any financial companies. The financial companies are in a separate index, the NASDAQ Financial-100.


title: Nasdaq-100

text: The NASDAQ-100 was launched on January 31, 1985 by the Nasdaq. It created two indices: the NASDAQ-100, which consists of Industrial, Technology, Retail, Telecommunication, Biotechnology, Health Care, Transportation, Media and Service companies, and the NASDAQ Financial-100, which consists of banking companies, insurance firms, brokerage firms, and Mortgage loan companies.


title: Nasdaq-100

text: The base price of the index was initially set at 250, but when it closed near 800 on December 31, 1993, the base was reset at 125 the following trading day, leaving the halved NASDAQ-100 price below that of the more commonly known NASDAQ Composite. The first annual adjustments were made in 1993 in advance of options on the index that would trade at the Chicago Board Options Exchange in 1994. Foreign companies were first admitted to the NASDAQ-100 in January 1998, but had higher standards to meet before they could be added. Those standards were relaxed in 2002, while standards for domestic firms were raised, ensuring that all companies met the same standards.


title: Nasdaq-100

text: The Invesco QQQ exchange-traded fund, sponsored and overseen since March 21, 2007 by Invesco, trades under the ticker . It is nicknamed “triple Qs” or “cubes”. It was formerly called NASDAQ-100 Trust Series 1. On December 1, 2004, it was moved from the American Stock Exchange, where it had the symbol QQQ, to the NASDAQ, and given the new ticker symbol QQQQ, sometimes called the "quad Qs" by traders. On March 23, 2011, Nasdaq changed its symbol back to QQQ.


title: Nasdaq-100

text: The NASDAQ-100 is often abbreviated as NDX100 in the derivatives markets. Its corresponding futures contracts are traded on the Chicago Mercantile Exchange. The regular futures are denoted by the Reuters Instrument Code ND, and the smaller "E-mini" version uses the code NQ. Both are among the most heavily traded futures at the exchange.


title: Nasdaq-100

text: The index set highs above the 4,700 level at the peak of the dot-com bubble in 2000, but fell 78% during the Stock market downturn of 2002.


title: Nasdaq-100

text: After a gradual 5-year recovery to an intraday high of 2,239.51 on October 31, 2007, the highest reached since February 16, 2002, the index corrected below the 2,000 level in early 2008 amid the Late-2000s recession, the United States housing bubble and the Financial crisis of 2007–2008. Panic focusing on the failure of the investment banking industry culminated in a loss of more than 10% on September 29, 2008, subsequently plunging the index firmly into a bear market. The NASDAQ-100, with much of the broader market, experienced a Limit down open on October 24 and reached a 6-year intraday low of 1,018 on November 20, 2008.


title: Nasdaq-100

text: Amid quantitative easing (QE) from the Federal Reserve and optimism that the financial crisis was ending, the index embarked on a volatile four-year climb higher, closing above 3,000 on May 15, 2013 for the first time since November 15, 2000. By October 18, 2013, with GOOG passing $1,000 per share for the first time, the index had made a closing high of 3,353.88 and intraday high of 3,355.63, its highest levels since the 2000 United States elections and more than triple the 2008 low.


title: Nasdaq-100

text: The NASDAQ has refined a series of stringent standards which companies must meet to be indexed. Those standards include:


title: Nasdaq-100

text: Additionally, since 2014, companies with multiple classes of stock are allowed to have multiple classes included in the index, provided they meet NASDAQ's criteria. Prior to 2014, companies were limited to one class of stock in the index (usually the one with the larger market capitalization).


title: Nasdaq-100

text: While the composition of the NASDAQ-100 changes in the case of delisting (such as transferring to another exchange, mergers and acquisitions, or declaring bankruptcy, and in a few cases, being delisted by NASDAQ for failing to meet listing requirements), the index is rebalanced once a year, in December, when NASDAQ reviews its components, compares them with those not in the index, re-ranks all eligible companies and makes the appropriate adjustments.


title: Nasdaq-100

text: There are two tools the NASDAQ uses to determine the market values of companies for the annual review:


title: Nasdaq-100

text: Those components that are in the top 100 of all eligible companies at the annual review are retained in the index. Those ranked 101 to 125 are retained only if they were in the top 100 of the previous year's annual review. If they fail to move into the top 100 in the following year's review, they are dropped. Those not ranked in the top 125 are dropped regardless of the previous year's rank.


title: Nasdaq-100

text: The index also drops a company if, at the end of two consecutive months, it fails to have an index weighting of at least one-tenth of a percent. This can occur at any time. Companies that are dropped are replaced by those with the largest market value that are not already in the index. Anticipation of these changes can lead to changes in the stock prices of affected companies.


title: Nasdaq-100

text: The index publicly announces all changes, regardless of when they occur, via press releases at least five business days before the change takes place. The 2018 results of the re-ranking and rebalancing were announced on December 14, with the changes effective the morning of December 24, coinciding with the expiration of options on December 21.


title: Nasdaq-100

text: The NASDAQ-100 is frequently confused with the Nasdaq Composite Index. The latter index (often referred to simply as ""The Nasdaq"") includes the stock of every company that is listed on NASDAQ (more than 3,000 altogether) and is quoted more frequently than the NASDAQ-100 in popular media.


title: Nasdaq-100

text: The NASDAQ-100 is a modified capitalization-weighted index. This particular methodology was created in 1998 in advance of the creation of the NASDAQ-100 Index Trust, which holds portions of all NASDAQ-100 firms. The new methodology allowed NASDAQ to reduce the influence of the largest companies and to allow for more diversification. However, the weights of the stocks were not changed after that, which led to more problems. In May 2011, NASDAQ did a major rebalance of the index to bring it closer to market-cap weighting.


title: Nasdaq-100

text: In addition to its almost complete lack of financial companies, the Nasdaq-100 includes 8 companies incorporated outside the United States. Although the S&P 500 Index includes non-U.S. companies, the Dow Jones Industrial Average has never included foreign companies.


title: Nasdaq-100

text: As of December 2022, the Nasdaq-100 has five companies incorporated in foreign countries, as follows:


title: Nasdaq-100

text: Additionally, the NASDAQ-100 is also the only index of the three that has a regularly scheduled re-ranking of its index each year (in December), ensuring that the largest non-financial companies on NASDAQ are accurately included.


title: Nasdaq-100

text: In 2006, NASDAQ created a "farm team" index, the NASDAQ Q-50, representing the next fifty stocks in line to enter the NASDAQ-100. With some exceptions, most stocks that are added to the index come up through the Q-50. In 2011, NASDAQ created the NASDAQ-500 to track the 500 largest stocks on NASDAQ, and the NASDAQ-400, tracking those stocks not included in the NASDAQ-100.


title: Nasdaq-100

text: NASDAQ has also divided the 100 into two distinct sub-indices; the NASDAQ-100 Tech follows those components who service the tech sector, and the NASDAQ-100 Ex-Tech, which follows those components that are not considered tech companies. The latter index includes noted e-commerce companies Amazon.com and eBay, which are classified as retailers.


title: Nasdaq-100

text: "This table is current as of the open of trading on December 19, 2022. An up-to-date list is available in the External links section."


title: Nasdaq-100

text: As of November 2022, 500 companies have been components of the index. Of these, only four, Apple, Costco (through its merger in 1993 with Price Club, with Costco, as a separate entity, not becoming a component until at least 1989), Intel and PACCAR, have been components, continuously, since the first dissemination of the index in 1985. Two other current components, KLA Corporation and Micron Technology, were also components when the index started, but have been removed from the index over time for various reasons.


title: Nasdaq-100

text: DirecTV replaced BEA Systems on April 30, CA, Inc. replaced Tellabs on May 19. FLIR Systems replaced UAL Corporation on July 21, and on November 10 Seagate Technology replaced Monster Worldwide. On December 22, 2008, NASDAQ added the following companies to the NASDAQ-100 index: Automatic Data Processing, First Solar, Life Technologies, Ross Stores, Maxim Integrated Products, Illumina, Inc., Pharmaceutical Product Development, O'Reilly Auto Parts, Urban Outfitters, J. B. Hunt, and Warner Chilcott, replacing Amylin Pharmaceuticals, Cadence Design Systems, Discovery Communications, Lamar Advertising Company, Leap Wireless International, Level 3 Communications, PetSmart, SanDisk, Sirius XM Radio, Virgin Media, and Whole Foods Market.


title: Nasdaq-100

text: On January 20, 2009, News Corporation was added to the index, replacing Focus Media Holding, which did not meet the minimum monthly weight requirements. On July 17, 2009, Cerner replaced Sun Microsystems after Sun Microsystems was acquired by Oracle Corporation. On October 29, 2009, Priceline.com replaced Juniper Networks after Juniper transferred its listing to the NYSE. On December 21, 2009, seven stocks joined the NASDAQ-100 index before the market open: Vodafone, Mattel, BMC Software, Mylan, Qiagen, SanDisk and Virgin Media. These stocks replaced Akamai Technologies, Hansen Natural, IAC/InterActiveCorp, Liberty Global, Pharmaceutical Product Development, Ryanair and Steel Dynamics.


title: Nasdaq-100

text: On December 20, 2010, seven companies were added to the NASDAQ-100 index: F5 Networks, Akamai Technologies, Netflix, Micron Technology, Whole Foods Market, Ctrip and Dollar Tree, replacing Cintas, Dish Network, Foster Wheeler, Hologic, J. B. Hunt, Logitech and Patterson Companies. These were the only changes made to the index that year and the fewest since 1997.


title: Nasdaq-100

text: On April 4, 2011, Alexion Pharmaceuticals replaced Genzyme before the market open. On May 27, 2011, Green Mountain Coffee Roasters replaced Millicom International Cellular after Millicom (MICC) withdrew its NASDAQ listing. On July 15, 2011, Sirius XM Radio replaced Cephalon in the index, and on December 6, 2011, Perrigo joined the index, replacing Joy Global, which transferred its listing to the NYSE. Perrigo had been a member of the index in the 1990s, being dropped in 1996. On December 19, 2011, five companies joined the NASDAQ-100 index due to the annual reranking of the index: Avago Technologies, Fossil, Inc., Monster Beverage (Hansen Natural Corporation), Nuance Communications, and Randgold Resources, replacing FLIR Systems, Illumina, NII Holdings, Qiagen, and Urban Outfitters.


title: Nasdaq-100

text: On April 23, 2012, Texas Instruments replaced First Solar . On May 30, 2012, Viacom became a component of the index, replacing Teva Pharmaceutical Industries, which transferred to the NYSE. On July 23, 2012, Kraft Foods, now known as Mondelez, became a component of the index, replacing Ctrip. Kraft Foods was the fourth component of the NASDAQ-100 to also be included in the Dow Jones Industrial Average, joining Cisco Systems, Intel, and Microsoft, but was removed from the DJIA when it subsequently split into two companies. On Wednesday December 12, 2012, Facebook, Inc. was added to the index, replacing Infosys, which transferred its listing to the NYSE. On December 24, 2012, 20 changes to the index took place. The ten companies joining the index were Analog Devices, Catamaran Corporation, Discovery Communications, Equinix, Liberty Global, Liberty Media, Regeneron Pharmaceuticals, SBA Communications, Verisk Analytics and Western Digital. The ten companies being dropped were Apollo Group, Electronic Arts, Flextronics, Green Mountain Coffee Roasters, Lam Research, Marvell Technology Group, Netflix, Research in Motion, VeriSign and Warner Chilcott.


title: Nasdaq-100

text: On January 15, 2013, Starz Inc. replaced Liberty Media after a spinoff. On March 18, 2013, Kraft Foods Group Inc. replaced Starz Inc. On June 5, 2013, Liberty Media replaced Virgin Media after the companies merged. On June 6, 2013, Netflix replaced Perrigo, which had transferred to the NYSE. On July 15, 2013, Tesla Motors replaced Oracle Corporation, which transferred to the NYSE. On July 25, Charter Communications replaced BMC Software. On August 22, Green Mountain Coffee Roasters returned to the index, replacing Life Technologies. On October 29, VimpelCom Ltd. replaced DELL. On November 18, Marriott International was added to the index, replacing Randgold Resources. On December 23, 2013, 10 changes to the index took place. The five companies joining the index were DISH Network Corporation, Illumina, NXP Semiconductors, Tractor Supply Company, and TripAdvisor. The five companies that were dropped were Fossil, Inc., Microchip Technology, Nuance Communications, Sears Holdings Corporation, and Dentsply.


title: Nasdaq-100

text: On April 3, 2014, the Class C common stock of Google was added to the index as a result of Google's stock split. This meant the index had 101 components. Later in 2014, additional classes of stock from other index companies were added to the index, bringing the number of constituent securities in the index to 107. On December 12, 2014, NASDAQ announced that American Airlines Group, Electronic Arts, and Lam Research would be added to the index, effective December 22, replacing Expedia, Inc., F5 Networks, and Maxim Integrated Products.


title: Nasdaq-100

text: On March 23, Walgreens Boots Alliance replaced Equinix in the index. Equinix converted into a real estate investment trust, making it ineligible for inclusion in the NASDAQ-100, but it did gain eligibility for the NASDAQ Financial-100. On July 1, Liberty Interactive created two new tracking stocks, tracking the company's interests in Latin America. Both tracking stocks were added to the index the same day. On July 2, Kraft Foods merged with Heinz, becoming the Kraft Heinz Company. Catamaran Corporation was removed from the index after the close of trading on July 23, after going private. JD.com replaced it on July 29. DirecTV was removed from the index on July 24 and replaced by BioMarin Pharmaceutical on July 27. Sigma-Aldrich was removed on July 31, after being acquired by Merck KGaA. Skyworks Solutions replaced Sigma-Aldrich on August 3.


title: Nasdaq-100

text: Altera was removed on October 7 as a result of its merger with Intel. Incyte replaced Altera's on that date. PayPal was added to the index on November 11, as Broadcom was in the process of merging with Avago.


title: Nasdaq-100

text: NASDAQ announced on December 11 that seven companies would be replaced in the index on December 21 due to annual re-ranking: Ctrip, Endo International, Expedia, Inc., Maxim Integrated Products, Norwegian Cruise Line, T-Mobile US, and Ulta Beauty, replacing C. H. Robinson Worldwide, Expeditors International, Garmin, Keurig Green Mountain, Staples, Inc., VimpelCom, and Wynn ResortsTwo Liberty Media (Liberty Global plc) tracking stocks (LILA) and (LILAK) were removed from the index, leaving 106 separate components.


title: Nasdaq-100

text: On February 1, Avago Technologies changed its name to Broadcom Limited. On February 22, CSX Corporation replaced KLA-Tencor as a member of the index. On March 16, NetEase replaced SanDisk as a member of the index. On April 18, Liberty Media established two tracking stocks (BATRA), (BATRK) to follow the performance of its investment in the Atlanta Braves. On June 20, Dentsply Sirona returned to the index, replacing four Liberty Media tracking stocks (LMCA), (LMCK), (BATRA), (BATRK). On July 18, Microchip Technology Incorporated returned to the index, replacing Endo International plc. On October 19, Shire PLC replaced Linear Technology in the index. On December 9, the annual re-ranking of the index was announced, resulting in four changes. Joining the index December 19 were Cintas, Hasbro, Hologic and KLA-Tencor. Bed Bath & Beyond, NetApp, Stericycle and Whole Foods Market were dropped from the index.


title: Nasdaq-100

text: On February 1, Tesla Motors changed its corporate name to simply Tesla. On February 7, J. B. Hunt replaced NXP Semiconductors in the index. On March 20, Idexx Laboratories replaced SBA Communications in the index after SBA converted to a REIT, rendering it ineligible for inclusion. On April 24, Wynn Resorts replaced TripAdvisor. On June 19, MercadoLibre replaced Yahoo! Inc due to its acquisition by Verizon and subsequent conversion to a closed-end fund. On October 23, Align Technology replaced Mattel in the index. On December 8, NASDAQ announced that five companies would enter the index on December 18. They were ASML Holding, Cadence Design Systems, Synopsys, Take-Two Interactive, and Workday, Inc. These companies replaced Akamai Technologies, Discovery Communications - both classes listed in the index (DISCA) (DISCK), Norwegian Cruise Lines, Tractor Supply and Viacom.


title: Nasdaq-100

text: On July 23, PepsiCo replaced Dish Network. On November 5, NXP Semiconductors replaced CA, which merged with Broadcom. On November 19, Xcel Energy replaced Dentsply Sirona. On December 14, NASDAQ announced that 6 stocks will join the index on December 24: Advanced Micro Devices, lululemon Athletica, NetApp, United Continental Holdings, Verisign, and Willis Towers Watson, replacing Express Scripts, Hologic, Qurate Retail Group, Seagate Technology, Shire and Vodafone.


title: Nasdaq-100

text: On March 19, the two classes of stock of Fox Corporation replaced the two classes of stock of 21st Century Fox. On November 21, Exelon Corporation replaced Celgene. On December 13, Nasdaq announced that as a result of the annual re-ranking of the index, six companies would join December 23: Ansys, CDW, Copart, CoStar Group, Seattle Genetics, and Splunk, replacing Hasbro, Henry Schein, J.B. Hunt, Mylan, NortonLifeLock, and Wynn Resorts.


title: Nasdaq-100

text: On April 20, Dexcom replaced American Airlines Group in the index, and Zoom Video Communications replaced Willis Towers Watson on April 30. On June 22, DocuSign replaced United Airlines Holdings, and other replacements that year included Moderna replacing CoStar Group on July 20, Pinduoduo replacing NetApp on August 24, and Keurig Dr Pepper replacing Western Digital on October 19. On December 21, six companies joined the index: American Electric Power, Atlassian, Marvell Technology Group, Match Group, Okta, and Peloton Interactive. They replaced BioMarin Pharmaceutical, Citrix Systems, Expedia Group, Liberty Global (both classes of shares), Take-Two Interactive, and Ulta Beauty.


title: Nasdaq-100

text: On December 10, 2021 Nasdaq announced that six new companies would join the index prior to the market open on December 20, 2021. They are Airbnb (ABNB), Datadog (DDOG), Fortinet (FTNT), Lucid Group (LCID), Palo Alto Networks (PANW), and Zscaler (ZS). They will replace CDW (CDW), Cerner (CERN), Check Point (CHKP), Fox Corporation (FOXA/FOX), Incyte (INCY), and Trip.com (TCOM).


title: Nasdaq-100

text: On February 2, Constellation Energy was announced as being added to the index as of the end of the previous day. Exelon, from which Constellation was spun off, remained in the index; this increased the number of companies in the index to 101 and the number of stocks to 102 (because 2 classes of Alphabet Inc. stock are in the index).


title: Nasdaq-100

text: On December 19, the annual re-ranking of the index took place prior to market open. The six stocks joining the index were CoStar Group, Rivian Automotive, Warner Bros. Discovery, GlobalFoundries, Baker Hughes, and Diamondback Energy. They replaced Baidu, DocuSign, Match Group, NetEase, Skyworks Solutions, Splunk, and Verisign. Dropping seven components allowed the Nasdaq-100 index to once again have 100 companies.


title: Kingdom (manga)

text: The series was adapted into a four-season anime television series by studio Pierrot. The first 38-episode season aired from June 2012 to February 2013. A second 39-episode season aired from June 2013 to March 2014. A third 26-episode season by Studio Signpost and Pierrot aired from April 2020 to October 2021. A fourth 26-episode season aired from April to October 2022. A fifth season is set to premiere in January 2024. A live-action film was released in April 2019; a sequel film is set to premiere in 2022. The anime has been licensed for English-language release by Crunchyroll.


title: Kingdom (manga)

text: As of September 2022, the "Kingdom" manga had over 92 million copies in circulation, making it one of the best-selling manga series of all time. In 2013, the manga won the Grand Prize of the Tezuka Osamu Cultural Prize.


title: Kingdom (manga)

text: The story of "Kingdom" is a fictional adaptation of the Chinese history period known as the Warring States period, which ended in 221 BC when Ying Zheng, king of Qin, succeeded in conquering the other states and unifying China.


title: Kingdom (manga)

text: Several of the characters are based on historical figures. Many characters will take the names of people in history, and other times they will have completely different names; oftentimes, this is the result of Japanese "kanji" borrowing from Chinese characters, and some Chinese names have no equivalent characters in "kanji".


title: Kingdom (manga)

text: Born during the Warring States period of ancient China, Xin and Piao are war-orphans working as servants in a poor village in the kingdom of Qin. However, they dream to become the "Great Generals of the Heavens" and train daily. One day, Piao is taken to the palace for an unknown purpose by a minister and Xin is left behind. A few months later, Piao returns to the village on the verge of death, urging Xin to travel to another village. There, Xin meets a boy nearly identical to Piao, Ying Zheng the current King of Qin. Xin learns that Piao served as a body double for Ying Zheng and was mortally wounded in a power struggle for the throne. Though initially furious at Ying Zheng for causing Piao's death, Xin decides to seize the opportunity and aids Ying Zheng in ousting his younger half-brother Cheng Jiao and reclaiming the Qin throne. Successful in this endeavor, Xin starts his military life as a Qin soldier and then commander on the battlefields of the warring states of China. He relentlessly pursues his goal of becoming the "Greatest General in the World", also helping King Zheng of Qin achieve his dream of unification to end the incessant warfare once and for all.


title: Kingdom (manga)

text: Written and illustrated by , "Kingdom" has been serialized in Shueisha's "seinen" manga magazine "Weekly Young Jump" since January 26, 2006. Shueisha has collected its chapters into individual "tankōbon" volumes. The first volume was released on May 19, 2006. In 2015, Hara stated that he has planned to extend the series up to 100 volumes. As of September 16, 2022, sixty-six "tankōbon" volumes have been released.


title: Kingdom (manga)

text: Before "Kingdom", Hara published four prototype one-shot chapters: ("Young Jump Zōkan Mankaku" vol. 36, November 18, 2003); ("Young Jump Zōkan Mankaku" vol. 37, January 15, 2004); ("Weekly Young Jump" #18 of 2004, April 18, 2004); and ("Weekly Young Jump" #1 of 2005, December 2, 2004). The four chapters were later collected in , a two-volume edition, released on June 5 and June 26, 2012, respectively.


title: Kingdom (manga)

text: An anime television series was adapted by studio Pierrot. Two seasons of seventy-seven episodes were produced. The first season which consisted of thirty-eight episodes aired from June 4, 2012, to February 25, 2013, on NHK BS Premium. The first season was directed by Jun Kamiya, written by Naruhisa Arakawa, featured music composed by Minako Seki, and was produced by Izumi Nakazawa. The series' characters were designed by Atsuo Tobe, Noriko Otake, and Masatoshi Hakanda.


title: Kingdom (manga)

text: A second season aired thirty-nine episodes from June 8, 2013 to March 1, 2014. The season featured returning staff Minako Seki and Naruhisa Arakawa, the first season's composer and writer, respectively. Akira Iwanaga replaced Jun Kamiya as director, Izumi Nakazawa served as series producer, and the character designs were handled by Itsuko Takeda, Kumiko Tokunaga, and Makoto Shimojima. The anime has been licensed for English language release by Funimation outside of Asia. Following Sony's acquisition of Crunchyroll, the series was moved to Crunchyroll. Mighty Media has licensed the series in Southeast Asian territories.


title: Kingdom (manga)

text: On November 8, 2019, a third season of the series was announced, and that the series would feature an entirely new production team, and that the season would cover the manga's Coalition Invasion arc. The series' third season has Kenichi Imaizumi directing at Pierrot and Pierrot's subsidiary company Studio Signpost, with scripts by Noboru Takagi and character designs by Hisashi Abe. Hiroyuki Sawano and Kohta Yamamoto composed the music. The season premiered on April 6, 2020. On April 26, 2020, the anime production committee announced that episode 5 and onwards of the third series would be postponed by the COVID-19 pandemic. The third season restarted broadcasting from its first episode on April 5, 2021, and finished on October 18 of the same year. Unlike with the series' first two seasons, the third season of "Kingdom" was made using traditional 2D animation, rather than CGI animation. Composers Sawano and Yamamoto were brought onto the project as a personal request from Yasuhisa Hara himself. Director Imaizumi, in meetings with the composers, opted to not use traditional Chinese instruments despite the series' setting, and they instead decided on using modern instrumentations.


title: Kingdom (manga)

text: At the end of the third season's final episode, a fourth season was announced. It aired from April 10 to October 2, 2022. The cast returned to reprise their roles.


title: Kingdom (manga)

text: A fifth season was announced at the end of the fourth season, and is set to premiere in January 2024.


title: Kingdom (manga)

text: On April 17, 2016, a special short movie was released by the manga's publishing magazine "Weekly Young Jump". It is a live-action promotional short film for the series. It was made for the 10th Anniversary of Kingdom's release and filmed by Hengdian World Studios in China.


title: Kingdom (manga)

text: In April 2018, "Kingdom"s author, Yasuhira Hara, revealed that a full-length live-action film of the series had been green-lit. The author stated he took part in script meetings, praising the 'satisfying' screenplay, the 'unprecedented' budget, and everyone in the 'ultra-grand' casts, starring Kento Yamazaki and directed by Shinsuke Sato. The film was released on April 19, 2019.


title: Kingdom (manga)

text: A second film was announced to be green-lit on May 28, 2020, with Shinsuke Sato returning as director, and the core cast returning to reprise their roles. The film premiered on July 15, 2022.


title: Kingdom (manga)

text: A PlayStation Portable beat 'em up styled video game was released on November 25, 2010, entitled "Kingdom Ikki Tousen No Tsurugi". The game was released only in Japan.


title: Kingdom (manga)

text: The series had over 30 million copies in circulation as of April 2017, over 38 million copies in circulation as of December 2018; over 47 million copies in circulation as of November 2019; As of December 2020, the manga had over 70 million copies in circulation and its 60th volume was the series' first volume with a first run of 1 million copies. The manga had over 84 million copies in circulation as of December 2021; over 87 million copies in circulation as of February 2022; over 90 million copies in circulation as of June 2022; and over 92 million copies in circulation as of September 2022.


title: Kingdom (manga)

text: "Kingdom" was the 5th best-selling manga of 2015, with over 8.5 million copies sold. It was the 3rd best-selling manga of 2016, with over 6.5 million copies sold. It was the 3rd best-selling manga of 2017, with over 6.1 million copies sold. It was the 6th best-selling manga of 2018, with over 4.9 million copies sold. "Kingdom" was the 3rd best selling manga in 2019, with over 7.6 million copies sold. "Kingdom" was the 2nd best-selling manga series in 2020, with over 8.2 million copies sold. It was the 9th best selling manga in 2021, with over 4.6 million copies sold.


title: Kingdom (manga)

text: "Kingdom" was the grand prize winner for the Tezuka Osamu Cultural Prize in 2013 with one judge commenting, "I can't remember the last time I read nearly 30 volumes (of a manga title) in a row feeling this excited." "Kingdom" won the first annual Tsutaya Comic Awards' All-Time Best Section in 2017. "Kingdom" has ranked on the "Book of the Year" list from Media Factory's "Da Vinci" magazine, where professional book reviewers, bookstore employees, and "Da Vinci" readers participate; it ranked 46th in 2015; 26th in 2016; 7th in 2018; it topped the list in 2019; it ranked 11th in 2020; 15th in 2021; and 16th in 2022. On TV Asahi's Manga Sōsenkyo 2021 poll, in which 150.000 people voted for their top 100 manga series, "Kingdom" ranked 13th.


title: Kingdom (manga)

text: The manga earned a Guinness World Record on December 12, 2012 for Manga written by the most people. The record was due to its "Social Kingdom" campaign in which fans and other artists were given the task of redrawing the entire 26th volume. Participants included manga creators Eiichiro Oda ("One Piece"), Masashi Kishimoto ("Naruto"), Hirohiko Araki ("JoJo's Bizarre Adventure"), Takehiko Inoue ("Slam Dunk"), Hiroshi Motomiya ("Salary Man Kintaro"), as well as voice actors and fans. The Social Kingdom campaign was one of the Entertainment Division's Jury Recommended Works at the 16th Japan Media Arts Festival in 2012.


title: Maite Perroni

text: Perroni gained international fame in 2004 as a member of the Latin Grammy-nominated Latin pop group RBD.


title: Maite Perroni

text: As an actress, Perroni's career began in 2004 and since then she has starred in numerous television series'. She gained acclaim in 2009 when she was named "The New Queen of Telenovelas" by Univision. In 2016 she won the Premios TVyNovelas of Best Actress of the Year for her work in "Antes muerta que Lichita".


title: Maite Perroni

text: Perroni is more recently known for starring in the Mexican telenovela "Rebelde" and the Netflix series "Dark Desire"


title: Maite Perroni

text: In 2012, Perroni signed a contract with Warner Music Group and the following year Perroni released her first solo album "Eclipse de Luna" (2013), which debuted in the third position at Amprofon Top 20, the main table of Mexican albums, and got to ninth position on the "Billboard" Latin Albums and second in Latin Pop Albums.


title: Maite Perroni

text: Maite Perroni Beorlegui was born in Mexico City but grew up in Guadalajara until age 12, when her family moved back to Mexico City. She has two younger brothers, Adolfo (born in 1986) and Francisco (born in 1992). In early childhood, Perroni had an inclination towards acting and appeared in many TV commercials and in some music videos. In school she was involved in acting, art, singing and dancing.


title: Maite Perroni

text: She also participated as a dancer in a Disney Channel show. After graduating from high school, Perroni signed up for the Centro de Educación Artística (CEA), an acting school run by Televisa, and signed up for a three-year course, though it only took her two years to complete. She graduated and landed the role Guadalupe "Lupita" Fernandez, in the Mexican telenovela Rebelde. She was one of the six protagonists alongside Anahí, Dulce María, Christian Chávez, Alfonso Herrera, and Christopher von Uckermann. The series lasted three seasons.


title: Maite Perroni

text: Through the musical group she was a part of, RBD, she is a recording artist, performing sold-out concerts throughout Brazil, Mexico, Spain and Ecuador. Her first solo album, Eclipse de Luna, was released on the Warner Brothers label in August 2013, and was considered a commercial success. It quickly climbed to number 3 on the Mexican Albums Chart and number 2 on the "Billboard" Latin Pop Albums chart.


title: Maite Perroni

text: In 2014, she launched her own clothing line, known as Colección Maite Perroni. She has hosted prestigious awards shows such as the 2015 "Lo Nuestro Awards" and "The 25th Annual Hispanic Heritage Awards Ceremony." She has 8 million followers on Facebook, over 4 million on Twitter, more than 9 million on Instagram, and more than 2 million YouTube subscribers.


title: Maite Perroni

text: In 2012, Maite voiced the lead roles in the Spanish language versions of several movies such as the DreamWorks' movie "El Origen de los Guardianes" (Rise of the Guardians) being "El Hada de los Dientes" (Tooth Fairy), Nahuala Film's "Selección Canina" (Canine's National Football Team) as "Maite Terranova" and Lionsgate's "Un Gallo con Muchos Huevos" (Little Rooster's Egg-cellent Adventure) as "Di".


title: Maite Perroni

text: Maite's TV career began when she starred in the telenovela (soap opera) "Rebelde". From the show came the musical group RBD, which featured Maite as a lead singer. She helped carry the group to worldwide recognition and acclaim; they won several awards including "Best Group of the Year," "Best album of the Year," "Best Concert," and "Best Song of the Year." RBD has sold over 50 million records and entirely sold venues such as "Estadio Maracaná" in Brazil, Madison Square Garden in New York, L.A. Coliseum, American Airlines Arena in Miami, Estadio Vicente Calderón in Spain, Auditorio Nacional and Palacio de los Deportes in Mexico City among others.


title: Maite Perroni

text: Her popularity was cemented in 2008 when she was selected by Mexico's youth to become one of the first Latin women to have an iconic Barbie doll fashioned after her. The Maite Perroni Barbie was a success in Mexico, elsewhere in Latin America, the United States, and Spain.


title: Maite Perroni

text: She has won numerous awards including the Tvynovelas Award's "Best Young Actress" for the soap opera, "Cuidado con el Ángel" (Don't mess with an Angel), Tvynovelas Award's "Most Popular Social Media Artist 2011", "Alta Inspiration Award 2016" by Alta Med, Tvynovelas Award's "Best Actress in a Leading Role" and "Favorite Leading Actress" at the "Premios Juventud 2016" both for the soap opera "Antes Muerta Que Lichita" (Anything But Plain).


title: Maite Perroni

text: She released her first solo album in 2013, entitled "Eclipse de Luna" (Moon Eclipse). The release of the music video for the album's first single, "Tu y Yo" was during the "Premios Juventud 2013" (2013 Youth Awards), which aired on Univision and was seen by over 13 million viewers. The CD reached No. 2 on the U.S. Latin Pop Charts.


title: Maite Perroni

text: In July 2016, she released a new single, "Adicta". Its official video has over 7.5 million views on YouTube. During that year she also won numerous music awards such as "Best Latin Female Artist / Best Latin Female Video - Adicta" at the "Latin Music Italian Awards 2016" and "Latin Artist of the Year" by "La Caja de Música" in Spain.


title: Maite Perroni

text: Renowned for her beauty, Maite was selected to be among the top ten of the "100 Most Beautiful Faces 2016" by TC Candler - the only Mexican on the list for 5 years in a row. She has also made "The 50 Most Beautiful People in the World" list by People Magazine En Español for 8 years running. Maite has been an ambassador for the brand Proactiv in the U.S. Hispanic market for a long time.


title: Maite Perroni

text: Maite is fluent in Spanish and English. She is an Ambassador for PADF, an organization with the mission of raising awareness and combatting child labor. "Variety" picked Maite as one of the "Top 10 Latinas to Watch" in 2015


title: Maite Perroni

text: Perroni made her acting debut starring in "Rebelde", a remake of the acclaimed Argentine novela "Rebelde Way". She portrayed Guadalupe "Lupita" Fernández, a teenage girl from a lower-class family who gets the opportunity to study at the fictitious Elite Way School. "Rebelde" ran from 2004 to 2006, filming 440 episodes.


title: Maite Perroni

text: Following the success of "Rebelde" in 2007, Televisa released "", which starred the members of RBD. The characters of the sitcom were not based on the band's characters in "Rebelde", but intended to be similar to the actors' real personalities. "RBD: La Familia" was the first Mexican show shot entirely in high definition and ran from March 14, 2007, to June 13, 2007, and only lasted 13 episodes.


title: Maite Perroni

text: In 2008, she starred as the lead character in "Cuidado con el ángel", opposite William Levy. The show had great success around the world. She starred in her third leading role in "Mi Pecado" opposite Eugenio Siller. She was part of the third season of "Mujeres Asesinas" in the sixth episode called "Las Blanco, Viudas" along with Diana Bracho, Luz Maria Aguilar, and Mark Tacher.


title: Maite Perroni

text: In 2010, Maite was confirmed to star with her previous co-star, William Levy, in "Triunfo del Amor", a remake of the Venezuelan classic "Cristal".


title: Maite Perroni

text: In 2012, Perroni was confirmed to star with Pedro Fernandez in "Cachito de Cielo", her fifth lead role.


title: Maite Perroni

text: In 2014, it was confirmed that Perroni was to star in her sixth lead role in a telenovela called "La Gata" along with Daniel Arenas, Erika Buenfil, and Laura Zapata. It aired on May 5, 2014.


title: Maite Perroni

text: In 2015, Perroni landed her seventh lead role next to Arath De La Torre, called "Antes muerta que Lichita". It became a hit right away in Mexico and the U.S., where she was invited to promote it, as she has a huge fanbase in North America.


title: Maite Perroni

text: Then in 2017, she landed her eighth lead role with Sebastian Rulli, called "Papá a toda madre". More recently, she signed an overall deal with Pantaya.


title: Maite Perroni

text: Perroni was a member of the popular band RBD, which was launched off of the success of the most-watched telenovela in years, "Rebelde". To date, RBD has made 9 studio albums, including albums in Spanish, Portuguese, and English. They have sold over 15 million albums worldwide, and have embarked on various international tours including shows throughout Latin America and Europe.


title: Maite Perroni

text: Mai composed "Tal Vez Mañana", for RBD's fourth Spanish language album, "Empezar Desde Cero" and sang solo on the title track for the album.


title: Maite Perroni

text: On August 8, 2008, RBD released a message telling fans that they had decided to split up. They went on one final tour, Gira Del Adios World Tour, which ended in early 2009. Perroni was absent part of the tour, due to her filming of "Cuidado con el ángel".


title: Maite Perroni

text: For her role in "Cuidado con el ángel", Perroni recorded three songs for the show called "Esta Soledad", "Separada De Ti", and "Contigo".


title: Maite Perroni

text: She recorded a song with Reik, entitled "Mi Pecado", which was used as the opening song for the telenovela, "Mi Pecado".


title: Maite Perroni

text: She recorded a song with Marco di Mauro called "A Partir De Hoy" which forms part of the musical soundtrack of the telenovela "Triunfo del Amor", her fourth lead role.


title: Maite Perroni

text: In 2012, Perroni released a single called "Te daré mi corazón" that was used for her telenovola "Cachito de Cielo".


title: Maite Perroni

text: In May 2014, Perroni released another bachata song called "Vas A Querer Volver" which is also the theme song for her soap opera "La Gata".


title: Maite Perroni

text: In June 2014, Perroni released a duet song with Alex Ubago called "Todo lo que soy" which was the couple's theme song in the telenovela La Gata.


title: Maite Perroni

text: On July 14, 2016, Perroni released her first single called "Adicta". She performed it at Premios Juventud 2016. It will be included in her new album soon to be released.


title: Maite Perroni

text: Mai is the spokesmodel for NYX Cosmetics. In 2007, a Barbie doll version of Perroni was released based on her character in "Rebelde".


title: Maite Perroni

text: In fall 2014, Perroni partnered with National Stores to introduce her Coleccion Maite Perroni, a contemporary fashion line inspired by her favorite designers reflecting her own personal taste. "Latinas who accept, love themselves... who want to look good and feel better, who maximize your qualities and analyze the defects you project onto the world...and discover that you love yourself and you are passionate... "And you know how to face life, how to live life, give life and be alive, who are who they are and don't follow stereotypes."


title: Maite Perroni

text: Perroni is currently living in Los Angeles, California. She was in a relationship with Chilean musician and producer Koko Stambuk from 2013 to 2020. As of 2021, Perroni has been dating producer Andrés Tovar. They announced their engagement in September 2022 and got married on October 9, 2022.


title: Genesis flood narrative

text: The Genesis flood narrative (chapters 6–9 of the Book of Genesis) is the Hebrew version of the universal flood myth. It tells of God's decision to return the universe to its pre-creation state of watery chaos and remake it through the microcosm of Noah's ark.


title: Genesis flood narrative

text: The Book of Genesis was probably composed around the 5th century BCE, although some scholars believe that Primeval history (chapters 1–11), including the flood narrative, may have been composed and added as late as the 3rd century BCE. It draws on two sources, called the Priestly source and the non-Priestly or Yahwist, and although many of its details are contradictory, the story forms a unified whole.


title: Genesis flood narrative

text: A global flood as described in this myth is inconsistent with the physical findings of geology, paleontology, and the global distribution of species. A branch of creationism known as flood geology is a pseudoscientific attempt to argue that such a global flood actually occurred. Some Christians have preferred to interpret the narrative as describing a local flood, instead of a global event.


title: Genesis flood narrative

text: The story of the flood takes up chapters 6–9 of the Book of Genesis, the first book of the Bible. Ten generations after the creation of Adam God saw that the earth was corrupt and filled with violence, and he decided to destroy what he had created. But God found one righteous man, Noah, and to him he confided his intention: "I am about to bring on the Flood ... to eliminate everywhere all flesh in which there is the breath of life ... ." So God instructed him to build an ark (in Hebrew, a chest or box), and Noah entered the Ark in his six hundredth year, and on the 17th day of the second month of that year "the fountains of the Great Deep burst apart and the floodgates of heaven broke open" and rain fell for forty days and forty nights until the highest mountains were covered to a depth of 15 cubits, and all life perished except Noah and those with him in the Ark. After 150 days, "God remembered Noah ... and the waters subsided" until the Ark rested on the mountains of Ararat, and on the 27th day of the second month of Noah's six hundred and first year the earth was dry. Then Noah built an altar and made a sacrifice, and God made a covenant with Noah that man would be allowed to eat every living thing but not its blood, and that God would never again destroy all life by a flood.


title: Genesis flood narrative

text: but as the first eleven chapters show little relationship to the rest of the book, some scholars believe that this section (the so-called Primeval History) may have been composed as late as the 3rd century BCE.