title: Arts and Crafts movement

text: In 1861, Morris began making furniture and decorative objects commercially, modelling his designs on medieval styles and using bold forms and strong colours. His patterns were based on flora and fauna, and his products were inspired by the vernacular or domestic traditions of the British countryside. Some were deliberately left unfinished in order to display the beauty of the materials and the work of the craftsman, thus creating a rustic appearance. Morris strove to unite all the arts within the decoration of the home, emphasizing nature and simplicity of form.


title: Arts and Crafts movement

text: William Morris shared Ruskin's critique of industrial society and at one time or another attacked the modern factory, the use of machinery, the division of labour, capitalism and the loss of traditional craft methods. But his attitude to machinery was inconsistent. He said at one point that production by machinery was "altogether an evil", but at others times, he was willing to commission work from manufacturers who were able to meet his standards with the aid of machines. Morris said that in a "true society", where neither luxuries nor cheap trash were made, machinery could be improved and used to reduce the hours of labour. Fiona MacCarthy says that "unlike later zealots like Gandhi, William Morris had no practical objections to the use of machinery "per se" so long as the machines produced the quality he needed."


title: Arts and Crafts movement

text: Morris insisted that the artist should be a craftsman-designer working by hand and advocated a society of free craftspeople, such as he believed had existed during the Middle Ages. "Because craftsmen took pleasure in their work", he wrote, "the Middle Ages was a period of greatness in the art of the common people. ... The treasures in our museums now are only the common utensils used in households of that age, when hundreds of medieval churches – each one a masterpiece – were built by unsophisticated peasants." Medieval art was the model for much of Arts and Crafts design, and medieval life, literature and building was idealised by the movement.


title: Arts and Crafts movement

text: Morris's followers also had differing views about machinery and the factory system. For example, C. R. Ashbee, a central figure in the Arts and Crafts movement, said in 1888, that, "We do not reject the machine, we welcome it. But we would desire to see it mastered." After unsuccessfully pitting his Guild and School of Handicraft guild against modern methods of manufacture, he acknowledged that "Modern civilisation rests on machinery", but he continued to criticise the deleterious effects of what he called "mechanism", saying that "the production of certain mechanical commodities is as bad for the national health as is the production of slave-grown cane or child-sweated wares." William Arthur Smith Benson, on the other hand, had no qualms about adapting the Arts and Crafts style to metalwork produced under industrial conditions. (See quotation box.)


title: Arts and Crafts movement

text: Morris and his followers believed the division of labour on which modern industry depended was undesirable, but the extent to which every design should be carried out by the designer was a matter for debate and disagreement. Not all Arts and Crafts artists carried out every stage in the making of goods themselves, and it was only in the twentieth century that that became essential to the definition of craftsmanship. Although Morris was famous for getting hands-on experience himself of many crafts (including weaving, dying, printing, calligraphy and embroidery), he did not regard the separation of designer and executant in his factory as problematic. Walter Crane, a close political associate of Morris's, took an unsympathetic view of the division of labour on both moral and artistic grounds, and strongly advocated that designing and making should come from the same hand. Lewis Foreman Day, a friend and contemporary of Crane's, as unstinting as Crane in his admiration of Morris, disagreed strongly with Crane. He thought that the separation of design and execution was not only inevitable in the modern world, but also that only that sort of specialisation allowed the best in design and the best in making. Few of the founders of the Arts and Crafts Exhibition Society insisted that the designer should also be the maker. Peter Floud, writing in the 1950s, said that "The founders of the Society ... never executed their own designs, but invariably turned them over to commercial firms." The idea that the designer should be the maker and the maker the designer derived "not from Morris or early Arts and Crafts teaching, but rather from the second-generation elaboration doctrine worked out in the first decade of [the twentieth] century by men such as W. R. Lethaby".


title: Arts and Crafts movement

text: Many of the Arts and Crafts movement designers were socialists, including Morris, T. J. Cobden Sanderson, Walter Crane, C.R. Ashbee, Philip Webb, Charles Faulkner, and A. H. Mackmurdo. In the early 1880s, Morris was spending more of his time on promoting socialism than on designing and making. Ashbee established a community of craftsmen called the Guild of Handicraft in east London, later moving to Chipping Campden. Those adherents who were not socialists, such as Alfred Hoare Powell, advocated a more humane and personal relationship between employer and employee. Lewis Foreman Day was another successful and influential Arts and Crafts designer who was not a socialist, despite his long friendship with Crane.


title: Arts and Crafts movement

text: In Britain, the movement was associated with dress reform, ruralism, the garden city movement and the folk-song revival. All were linked, in some degree, by the ideal of "the Simple Life". In continental Europe the movement was associated with the preservation of national traditions in building, the applied arts, domestic design and costume.


title: Arts and Crafts movement

text: Morris's designs quickly became popular, attracting interest when his company's work was exhibited at the 1862 International Exhibition in London. Much of Morris & Co's early work was for churches and Morris won important interior design commissions at St James's Palace and the South Kensington Museum (now the Victoria and Albert Museum). Later his work became popular with the middle and upper classes, despite his wish to create a democratic art, and by the end of the 19th century, Arts and Crafts design in houses and domestic interiors was the dominant style in Britain, copied in products made by conventional industrial methods.


title: Arts and Crafts movement

text: The spread of Arts and Crafts ideas during the late 19th and early 20th centuries resulted in the establishment of many associations and craft communities, although Morris had little to do with them because of his preoccupation with socialism at the time. A hundred and thirty Arts and Crafts organisations were formed in Britain, most between 1895 and 1905.


title: Arts and Crafts movement

text: In 1881, Eglantyne Louisa Jebb, Mary Fraser Tytler and others initiated the Home Arts and Industries Association to encourage the working classes, especially those in rural areas, to take up handicrafts under supervision, not for profit, but in order to provide them with useful occupations and to improve their taste. By 1889 it had 450 classes, 1,000 teachers and 5,000 students.


title: Arts and Crafts movement

text: In 1882, architect A.H.Mackmurdo formed the Century Guild, a partnership of designers including Selwyn Image, Herbert Horne, Clement Heaton and Benjamin Creswick.


title: Arts and Crafts movement

text: In 1884, the Art Workers Guild was initiated by five young architects, William Lethaby, Edward Prior, Ernest Newton, Mervyn Macartney and Gerald C. Horsley, with the goal of bringing together fine and applied arts and raising the status of the latter. It was directed originally by George Blackall Simonds. By 1890 the Guild had 150 members, representing the increasing number of practitioners of the Arts and Crafts style. It still exists.


title: Arts and Crafts movement

text: The London department store Liberty & Co., founded in 1875, was a prominent retailer of goods in the style and of the "artistic dress" favoured by followers of the Arts and Crafts movement.


title: Arts and Crafts movement

text: In 1887 the Arts and Crafts Exhibition Society, which gave its name to the movement, was formed with Walter Crane as president, holding its first exhibition in the New Gallery, London, in November 1888. It was the first show of contemporary decorative arts in London since the Grosvenor Gallery's Winter Exhibition of 1881. Morris & Co. was well represented in the exhibition with furniture, fabrics, carpets and embroideries. Edward Burne-Jones observed, "here for the first time one can measure a bit the change that has happened in the last twenty years". The society still exists as the Society of Designer Craftsmen.


title: Arts and Crafts movement

text: In 1888, C.R.Ashbee, a major late practitioner of the style in England, founded the Guild and School of Handicraft in the East End of London. The guild was a craft co-operative modelled on the medieval guilds and intended to give working men satisfaction in their craftsmanship. Skilled craftsmen, working on the principles of Ruskin and Morris, were to produce hand-crafted goods and manage a school for apprentices. The idea was greeted with enthusiasm by almost everyone except Morris, who was by now involved with promoting socialism and thought Ashbee's scheme trivial. From 1888 to 1902 the guild prospered, employing about 50 men. In 1902 Ashbee relocated the guild out of London to begin an experimental community in Chipping Campden in the Cotswolds. The guild's work is characterised by plain surfaces of hammered silver, flowing wirework and colored stones in simple settings. Ashbee designed jewellery and silver tableware. The guild flourished at Chipping Camden but did not prosper and was liquidated in 1908. Some craftsmen stayed, contributing to the tradition of modern craftsmanship in the area.


title: Arts and Crafts movement

text: C.F.A. Voysey (1857–1941) was an Arts and Crafts architect who also designed fabrics, tiles, ceramics, furniture and metalwork. His style combined simplicity with sophistication. His wallpapers and textiles, featuring stylised bird and plant forms in bold outlines with flat colors, were used widely.


title: Arts and Crafts movement

text: By the end of the nineteenth century, Arts and Crafts ideals had influenced architecture, painting, sculpture, graphics, illustration, book making and photography, domestic design and the decorative arts, including furniture and woodwork, stained glass, leatherwork, lacemaking, embroidery, rug making and weaving, jewelry and metalwork, enameling and ceramics. By 1910, there was a fashion for "Arts and Crafts" and all things hand-made. There was a proliferation of amateur handicrafts of variable quality and of incompetent imitators who caused the public to regard Arts and Crafts as "something less, instead of more, competent and fit for purpose than an ordinary mass produced article."


title: Arts and Crafts movement

text: The Arts and Crafts Exhibition Society held eleven exhibitions between 1888 and 1916. By the outbreak of war in 1914 it was in decline and faced a crisis. Its 1912 exhibition had been a financial failure. While designers in continental Europe were making innovations in design and alliances with industry through initiatives such as the Deutsche Werkbund and new initiatives were being taken in Britain by the Omega Workshops and the Design in Industries Association, the Arts and Crafts Exhibition Society, now under the control of an old guard, was withdrawing from commerce and collaboration with manufacturers into purist handwork and what Tania Harrod describes as "decommoditisation" Its rejection of a commercial role has been seen as a turning point in its fortunes. Nikolaus Pevsner in his book "Pioneers of Modern Design" presents the Arts and Crafts movement as design radicals who influenced the modern movement, but failed to change and were eventually superseded by it.


title: Arts and Crafts movement

text: The British artist potter Bernard Leach brought to England many ideas he had developed in Japan with the social critic Yanagi Soetsu about the moral and social value of simple crafts; both were enthusiastic readers of Ruskin. Leach was an active propagandist for these ideas, which struck a chord with practitioners of the crafts in the inter-war years, and he expounded them in "A Potter's Book", published in 1940, which denounced industrial society in terms as vehement as those of Ruskin and Morris. Thus the Arts and Crafts philosophy was perpetuated among British craft workers in the 1950s and 1960s, long after the demise of the Arts and Crafts movement and at the high tide of Modernism. British Utility furniture of the 1940s also derived from Arts and Crafts principles. One of its main promoters, Gordon Russell, chairman of the Utility Furniture Design Panel, was imbued with Arts and Crafts ideas. He manufactured furniture in the Cotswold Hills, a region of Arts and Crafts furniture-making since Ashbee, and he was a member of the Arts and Crafts Exhibition Society. William Morris's biographer, Fiona MacCarthy, detected the Arts and Crafts philosophy even behind the Festival of Britain (1951), the work of the designer Terence Conran (b. 1931) and the founding of the British Crafts Council in the 1970s.


title: Arts and Crafts movement

text: The beginnings of the Arts and Crafts movement in Scotland were in the stained glass revival of the 1850s, pioneered by James Ballantine (1808–1877). His major works included the great west window of Dunfermline Abbey and the scheme for St. Giles Cathedral, Edinburgh. In Glasgow it was pioneered by Daniel Cottier (1838–1891), who had probably studied with Ballantine, and was directly influenced by William Morris, Ford Madox Brown and John Ruskin. His key works included the "Baptism of Christ" in Paisley Abbey, (c. 1880). His followers included Stephen Adam and his son of the same name. The Glasgow-born designer and theorist Christopher Dresser (1834–1904) was one of the first, and most important, independent designers, a pivotal figure in the Aesthetic Movement and a major contributor to the allied Anglo-Japanese movement. The movement had an "extraordinary flowering" in Scotland where it was represented by the development of the 'Glasgow Style' which was based on the talent of the Glasgow School of Art. Celtic revival took hold here, and motifs such as the Glasgow rose became popularised. Charles Rennie Mackintosh (1868–1928) and the Glasgow School of Art were to influence others worldwide.


title: Arts and Crafts movement

text: The situation in Wales was different than elsewhere in the UK. Insofar as craftsmanship was concerned, Arts and Crafts was a "revivalist" campaign. But in Wales, at least until World War I, a genuine craft tradition still existed. Local materials, stone or clay, continued to be used as a matter of course.


title: Arts and Crafts movement

text: Scotland become known in the Arts and Crafts movement for its stained glass; Wales would become known for its pottery. By the mid 19th century, the heavy, salt glazes used for generations by local craftsmen had gone out of fashion, not least as mass-produced ceramics undercut prices. But the Arts and Crafts Movement brought new appreciation to their work. Horace W Elliot, an English gallerist, visited the Ewenny Pottery (which dated back to the 17th century) in 1885, to both find local pieces and encourage a style compatible with the movement. The pieces he brought back to London for the next twenty years revivified interest in Welsh pottery work.


title: Arts and Crafts movement

text: A key promoter of the Arts and Crafts movement in Wales was Owen Morgan Edwards. Edwards was a reforming politician dedicated to renewing Welsh pride by exposing its people to their own language and history. For Edwards, "There is nothing that Wales requires more than an education in the arts and crafts." – though Edwards was more inclined to resurrecting Welsh Nationalism than admiring glazes or rustic integrity.


title: Arts and Crafts movement

text: In architecture, Clough Williams-Ellis sought to renew interest in ancient building, reviving "rammed earth" or pisé construction in Britain.


title: Arts and Crafts movement

text: The movement spread to Ireland, representing an important time for the nation's cultural development, a visual counterpart to the literary revival of the same time and was a publication of Irish nationalism. The Arts and Crafts use of stained glass was popular in Ireland, with Harry Clarke the best-known artist and also with Evie Hone. The architecture of the style is represented by the Honan Chapel (1916) in Cork city in the grounds of University College Cork. Other architects practicing in Ireland included Sir Edwin Lutyens (Heywood House in Co. Laois, Lambay Island and the Irish National War Memorial Gardens in Dublin) and Frederick 'Pa' Hicks (Malahide Castle estate buildings and round tower). Irish Celtic motifs were popular with the movement in silvercraft, carpet design, book illustrations and hand-carved furniture.


title: Arts and Crafts movement

text: In continental Europe, the revival and preservation of national styles was an important motive of Arts and Crafts designers; for example, in Germany, after unification in 1871 under the encouragement of the "Bund für Heimatschutz" (1897) and the "Vereinigte Werkstätten für Kunst im Handwerk" founded in 1898 by Karl Schmidt; and in Hungary Károly Kós revived the vernacular style of Transylvanian building. In central Europe, where several diverse nationalities lived under powerful empires (Germany, Austria-Hungary and Russia), the discovery of the vernacular was associated with the assertion of national pride and the striving for independence, and, whereas for Arts and Crafts practitioners in Britain the ideal style was to be found in the medieval, in central Europe it was sought in remote peasant villages.


title: Arts and Crafts movement

text: Widely exhibited in Europe, the Arts and Crafts style's simplicity inspired designers like Henry van de Velde and styles such as Art Nouveau, the Dutch De Stijl group, Vienna Secession, and eventually the Bauhaus style. Pevsner regarded the style as a prelude to Modernism, which used simple forms without ornamentation.


title: Arts and Crafts movement

text: The earliest Arts and Crafts activity in continental Europe was in Belgium in about 1890, where the English style inspired artists and architects including Henry Van de Velde, Gabriel Van Dievoet, Gustave Serrurier-Bovy and a group known as "La Libre Esthétique" (Free Aesthetic).


title: Arts and Crafts movement

text: Arts and Crafts products were admired in Austria and Germany in the early 20th century, and under their inspiration design moved rapidly forward while it stagnated in Britain. The Wiener Werkstätte, founded in 1903 by Josef Hoffmann and Koloman Moser, was influenced by the Arts and Crafts principles of the "unity of the arts" and the hand-made. The Deutscher Werkbund (German Association of Craftsmen) was formed in 1907 as an association of artists, architects, designers, and industrialists to improve the global competitiveness of German businesses and became an important element in the development of modern architecture and industrial design through its advocacy of standardized production. However, its leading members, van de Velde and Hermann Muthesius, had conflicting opinions about standardization. Muthesius believed that it was essential were Germany to become a leading nation in trade and culture. Van de Velde, representing a more traditional Arts and Crafts attitude, believed that artists would forever "protest against the imposition of orders or standardization," and that "The artist ... will never, of his own accord, submit to a discipline which imposes on him a canon or a type."


title: Arts and Crafts movement

text: In Finland, an idealistic artists' colony in Helsinki was designed by Herman Gesellius, Armas Lindgren and Eliel Saarinen, who worked in the National Romantic style, akin to the British Gothic Revival.


title: Arts and Crafts movement

text: In Hungary, under the influence of Ruskin and Morris, a group of artists and architects, including Károly Kós, Aladár Körösfői-Kriesch and Ede Toroczkai Wigand, discovered the folk art and vernacular architecture of Transylvania. Many of Kós's buildings, including those in the Budapest zoo and the Wekerle estate in the same city, show this influence.


title: Arts and Crafts movement

text: In Russia, Viktor Hartmann, Viktor Vasnetsov, Yelena Polenova and other artists associated with Abramtsevo Colony sought to revive the quality of medieval Russian decorative arts quite independently from the movement in Great Britain.


title: Arts and Crafts movement

text: In the United States, the Arts and Crafts style initiated a variety of attempts to reinterpret European Arts and Crafts ideals for Americans. These included the "Craftsman"-style architecture, furniture, and other decorative arts such as designs promoted by Gustav Stickley in his magazine, "The Craftsman" and designs produced on the Roycroft campus as publicized in Elbert Hubbard's "The Fra". Both men used their magazines as a vehicle to promote the goods produced with the Craftsman workshop in Eastwood, NY and Elbert Hubbard's Roycroft campus in East Aurora, NY. A host of imitators of Stickley's furniture (the designs of which are often mislabelled the "Mission Style") included three companies established by his brothers.


title: Arts and Crafts movement

text: The terms "American Craftsman" or "Craftsman style" are often used to denote the style of architecture, interior design, and decorative arts that prevailed between the dominant eras of Art Nouveau and Art Deco in the US, or approximately the period from 1910 to 1925. The movement was particularly notable for the professional opportunities it opened up for women as artisans, designers and entrepreneurs who founded and ran, or were employed by, such successful enterprises as the Kalo Shops, Pewabic Pottery, Rookwood Pottery, and Tiffany Studios. In Canada, the term "Arts and Crafts" predominates, but "Craftsman" is also recognized.


title: Arts and Crafts movement

text: While the Europeans tried to recreate the virtuous crafts being replaced by industrialisation, Americans tried to establish a new type of virtue to replace heroic craft production: well-decorated middle-class homes. They claimed that the simple but refined aesthetics of Arts and Crafts decorative arts would ennoble the new experience of industrial consumerism, making individuals more rational and society more harmonious. The American Arts and Crafts movement was the aesthetic counterpart of its contemporary political philosophy, progressivism. Characteristically, when the Arts and Crafts Society began in October 1897 in Chicago, it was at Hull House, one of the first American settlement houses for social reform.


title: Arts and Crafts movement

text: Arts and Crafts ideals disseminated in America through journal and newspaper writing were supplemented by societies that sponsored lectures. The first was organized in Boston in the late 1890s, when a group of influential architects, designers, and educators determined to bring to America the design reforms begun in Britain by William Morris; they met to organize an exhibition of contemporary craft objects. The first meeting was held on January 4, 1897, at the Museum of Fine Arts (MFA) in Boston to organize an exhibition of contemporary crafts. When craftsmen, consumers, and manufacturers realised the aesthetic and technical potential of the applied arts, the process of design reform in Boston started. Present at this meeting were General Charles Loring, Chairman of the Trustees of the MFA; William Sturgis Bigelow and Denman Ross, collectors, writers and MFA trustees; Ross Turner, painter; Sylvester Baxter, art critic for the "Boston Transcript"; Howard Baker, A.W. Longfellow Jr.; and Ralph Clipson Sturgis, architect.


title: Arts and Crafts movement

text: The first American Arts and Crafts Exhibition began on April 5, 1897, at Copley Hall, Boston featuring more than 1000 objects made by 160 craftsmen, half of whom were women. Some of the advocates of the exhibit were Langford Warren, founder of Harvard's School of Architecture; Mrs. Richard Morris Hunt; Arthur Astor Carey and Edwin Mead, social reformers; and Will H. Bradley, graphic designer. The success of this exhibition resulted in the incorporation of The Society of Arts and Crafts (SAC), on June 28, 1897, with a mandate to "develop and encourage higher standards in the handicrafts." The 21 founders claimed to be interested in more than sales, and emphasized encouragement of artists to produce work with the best quality of workmanship and design. This mandate was soon expanded into a credo, possibly written by the SAC's first president, Charles Eliot Norton, which read:


title: Arts and Crafts movement

text: This Society was incorporated for the purpose of promoting artistic work in all branches of handicraft. It hopes to bring Designers and Workmen into mutually helpful relations, and to encourage workmen to execute designs of their own. It endeavors to stimulate in workmen an appreciation of the dignity and value of good design; to counteract the popular impatience of Law and Form, and the desire for over-ornamentation and specious originality. It will insist upon the necessity of sobriety and restraint, or ordered arrangement, of due regard for the relation between the form of an object and its use, and of harmony and fitness in the decoration put upon it.


title: Arts and Crafts movement

text: Built in 1913–14 by the Boston architect J. Williams Beal in the Ossipee Mountains of New Hampshire, Tom and Olive Plant's mountaintop estate, Castle in the Clouds also known as "Lucknow", is an excellent example of the American Craftsman style in New England.


title: Arts and Crafts movement

text: Also influential were the Roycroft community initiated by Elbert Hubbard in Buffalo and East Aurora, New York, Joseph Marbella, utopian communities like Byrdcliffe Colony in Woodstock, New York, and Rose Valley, Pennsylvania, developments such as Mountain Lakes, New Jersey, featuring clusters of bungalow and chateau homes built by Herbert J. Hapgood, and the contemporary studio craft style. Studio pottery – exemplified by the Grueby Faience Company, Newcomb Pottery in New Orleans, Marblehead Pottery, Teco pottery, Overbeck and Rookwood pottery and Mary Chase Perry Stratton's Pewabic Pottery in Detroit, the Van Briggle Pottery company in Colorado Springs, Colorado, as well as the art tiles made by Ernest A. Batchelder in Pasadena, California, and idiosyncratic furniture of Charles Rohlfs all demonstrate the influence of Arts and Crafts.


title: Arts and Crafts movement

text: The "Prairie School" of Frank Lloyd Wright, George Washington Maher and other architects in Chicago, the Country Day School movement, the bungalow and ultimate bungalow style of houses popularized by Greene and Greene, Julia Morgan, and Bernard Maybeck are some examples of the American Arts and Crafts and American Craftsman style of architecture. Restored and landmark-protected examples are still present in America, especially in California in Berkeley and Pasadena, and the sections of other towns originally developed during the era and not experiencing post-war urban renewal. Mission Revival, Prairie School, and the 'California bungalow' styles of residential building remain popular in the United States today.


title: Arts and Crafts movement

text: As theoreticians, educators, and prolific artists in mediums from printmaking to pottery and pastel, two of the most influential figures were Arthur Wesley Dow (1857–1922) on the East Coast and Pedro Joseph de Lemos (1882–1954) in California. Dow, who taught at Columbia University and founded the Ipswich Summer School of Art, published in 1899 his landmark "Composition", which distilled into a distinctly American approach the essence of Japanese composition, combining into a decorative harmonious amalgam three elements: simplicity of line, "notan" (the balance of light and dark areas), and symmetry of color. His purpose was to create objects that were finely crafted and beautifully rendered. His student de Lemos, who became head of the San Francisco Art Institute, Director of the Stanford University Museum and Art Gallery, and Editor-in-Chief of the "School Arts Magazine", expanded and substantially revised Dow's ideas in over 150 monographs and articles for art schools in the United States and Britain. Among his many unorthodox teachings was his belief that manufactured products could express "the sublime beauty" and that great insight was to be found in the abstract "design forms" of pre-Columbian civilizations.


title: Arts and Crafts movement

text: The Museum of the American Arts and Crafts Movement in St. Petersburg, Florida, opened its doors in 2021.


title: Arts and Crafts movement

text: In Japan, Yanagi Sōetsu, creator of the Mingei movement which promoted folk art from the 1920s onwards, was influenced by the writings of Morris and Ruskin. Like the Arts and Crafts movement in Europe, Mingei sought to preserve traditional crafts in the face of modernising industry.


title: Arts and Crafts movement

text: Many of the leaders of the Arts and Crafts movement were trained as architects (e.g. William Morris, A. H. Mackmurdo, C. R. Ashbee, W. R. Lethaby) and it was on building that the movement had its most visible and lasting influence.


title: Arts and Crafts movement

text: Red House, in Bexleyheath, London, designed for Morris in 1859 by architect Philip Webb, exemplifies the early Arts and Crafts style, with its well-proportioned solid forms, wide porches, steep roof, pointed window arches, brick fireplaces and wooden fittings. Webb rejected classical and other revivals of historical styles based on grand buildings, and based his design on British vernacular architecture, expressing the texture of ordinary materials, such as stone and tiles, with an asymmetrical and picturesque building composition.


title: Arts and Crafts movement

text: The London suburb of Bedford Park, built mainly in the 1880s and 1890s, has about 360 Arts and Crafts style houses and was once famous for its Aesthetic residents. Several Almshouses were built in the Arts and Crafts style, for example, Whiteley Village, Surrey, built between 1914 and 1917, with over 280 buildings, and the Dyers Almshouses, Sussex, built between 1939 and 1971. Letchworth Garden City, the first garden city, was inspired by Arts and Crafts ideals. The first houses were designed by Barry Parker and Raymond Unwin in the vernacular style popularized by the movement and the town became associated with high-mindedness and simple living. The sandal-making workshop set up by Edward Carpenter moved from Yorkshire to Letchworth Garden City and George Orwell's jibe about "every fruit-juice drinker, nudist, sandal-wearer, sex-maniac, Quaker, 'Nature Cure' quack, pacifist, and feminist in England" going to a socialist conference in Letchworth has become famous.


title: Arts and Crafts movement

text: Gertrude Jekyll applied Arts and Crafts principles to garden design. She worked with the English architect, Sir Edwin Lutyens, for whose projects she created numerous landscapes, and who designed her home Munstead Wood, near Godalming in Surrey. Jekyll created the gardens for Bishopsbarns, the home of York architect Walter Brierley, an exponent of the Arts and Crafts movement and known as the "Lutyens of the North". The garden for Brierley's final project, Goddards in York, was the work of George Dillistone, a gardener who worked with Lutyens and Jekyll at Castle Drogo. At Goddards the garden incorporated a number of features that reflected the arts and crafts style of the house, such as the use of hedges and herbaceous borders to divide the garden into a series of outdoor rooms. Another notable Arts and Crafts garden is Hidcote Manor Garden designed by Lawrence Johnston which is also laid out in a series of outdoor rooms and where, like Goddards, the landscaping becomes less formal further away from the house. Other examples of Arts and Crafts gardens include Hestercombe Gardens, Lytes Cary Manor and the gardens of some of the architectural examples of arts and crafts buildings (listed above).


title: Arts and Crafts movement

text: Morris's ideas were adopted by the New Education Movement in the late 1880s, which incorporated handicraft teaching in schools at Abbotsholme (1889) and Bedales (1892), and his influence has been noted in the social experiments of Dartington Hall during the mid-20th century.


title: Arts and Crafts movement

text: Arts and Crafts practitioners in Britain were critical of the government system of art education based on design in the abstract with little teaching of practical craft. This lack of craft training also caused concern in industrial and official circles, and in 1884 a Royal Commission (accepting the advice of William Morris) recommended that art education should pay more attention to the suitability of design to the material in which it was to be executed. The first school to make this change was the Birmingham School of Arts and Crafts, which "led the way in introducing executed design to the teaching of art and design nationally (working in the material for which the design was intended rather than designing on paper). In his external examiner's report of 1889, Walter Crane praised Birmingham School of Art in that it 'considered design in relationship to materials and usage.'" Under the direction of Edward Taylor, its headmaster from 1877 to 1903, and with the help of Henry Payne and Joseph Southall, the Birmingham School became a leading Arts-and-Crafts centre.


title: Arts and Crafts movement

text: Other local authority schools also began to introduce more practical teaching of crafts, and by the 1890s Arts and Crafts ideals were being disseminated by members of the Art Workers Guild into art schools throughout the country. Members of the Guild held influential positions: Walter Crane was director of the Manchester School of Art and subsequently the Royal College of Art; F.M. Simpson, Robert Anning Bell and C.J.Allen were respectively professor of architecture, instructor in painting and design, and instructor in sculpture at Liverpool School of Art; Robert Catterson-Smith, the headmaster of the Birmingham Art School from 1902 to 1920, was also an AWG member; W. R. Lethaby and George Frampton were inspectors and advisors to the London County Council's (LCC) education board and in 1896, largely as a result of their work, the LCC set up the Central School of Arts and Crafts and made them joint principals. Until the formation of the Bauhaus in Germany, the Central School was regarded as the most progressive art school in Europe. Shortly after its foundation, the Camberwell School of Arts and Crafts was set up on Arts and Crafts lines by the local borough council.


title: Arts and Crafts movement

text: As head of the Royal College of Art in 1898, Crane tried to reform it along more practical lines, but resigned after a year, defeated by the bureaucracy of the Board of Education, who then appointed Augustus Spencer to implement his plan. Spencer brought in Lethaby to head its school of design and several members of the Art Workers' Guild as teachers. Ten years after reform, a committee of inquiry reviewed the RCA and found that it was still not adequately training students for industry. In the debate that followed the publication of the committee's report, C.R.Ashbee published a highly critical essay, "Should We Stop Teaching Art", in which he called for the system of art education to be completely dismantled and for the crafts to be learned in state-subsidised workshops instead. Lewis Foreman Day, an important figure in the Arts and Crafts movement, took a different view in his dissenting report to the committee of inquiry, arguing for greater emphasis on principles of design against the growing orthodoxy of teaching design by direct working in materials. Nevertheless, the Arts and Crafts ethos thoroughly pervaded British art schools and persisted, in the view of the historian of art education, Stuart MacDonald, until after the Second World War.


title: Visa Waiver Program

text: The Visa Waiver Program (VWP) is a program of the United States federal government that allows nationals of specific countries to travel to the U.S. for tourism, business, or while in transit for up to 90 days without having to obtain a visa. It applies to all fifty U.S. states, the District of Columbia, Puerto Rico, and the U.S. Virgin Islands, as well as to Guam and the Northern Mariana Islands, which also have an additional program with waivers for more nationalities; American Samoa has a similar but separate program.


title: Visa Waiver Program

text: All the countries selected for the VWP by the U.S. government are generally regarded as developed countries, with high-income economies and a very high Human Development Index.


title: Visa Waiver Program

text: To be eligible for a visa waiver under the VWP, the traveler seeking admission to the United States must be a national of a country that has been designated by the U.S. Secretary of Homeland Security, in consultation with the Secretary of State, as a "program country". Permanent residents of designated countries who are not their nationals do not qualify for a visa waiver. The criteria for designation as program countries are specified in Section 217(c) of the Immigration and Nationality Act (). The criteria stress passport security, a nonimmigrant visa refusal rate below 3%, and a reciprocal visa waiver for U.S. nationals, among other requirements.


title: Visa Waiver Program

text: As of 2022, nationals of 40 countries are eligible for visa-free entry into the United States under the VWP:


title: Visa Waiver Program

text: Eligibility for the visa waiver may be withdrawn at any time. This may happen if the United States believes that nationals of a certain country are more likely than before to violate their VWP restrictions, such as working without a permit or overstaying their allowed period of stay in the United States. Accordingly, Argentina's participation in the VWP was terminated in 2002 in light of the financial crisis taking place in that country and its potential effect on mass emigration and unlawful overstay of its nationals in the United States by way of the VWP. Uruguay's participation in the program was revoked in 2003 for similar reasons. While a country's political and economic standing does not directly determine its eligibility, it is widely believed that nationals of politically stable and economically developed nations would not have much incentive to illegally seek employment and violate their visa while in the United States, risks that consular officers seriously consider in approving or denying a visa.


title: Visa Waiver Program

text: All travelers must have individual passports. It is not acceptable (for the VWP) for children to be included on a parent's passport.


title: Visa Waiver Program

text: In principle, the passport must be valid for six months beyond the expected date of departure from the United States. However, the United States has agreements with a large number of countries to waive this requirement, including all VWP countries except Brunei.


title: Visa Waiver Program

text: All incoming passengers who intend to take advantage of the Visa Waiver Program are required to apply for a travel authorization through the Electronic System for Travel Authorization (ESTA) online before departure to the United States, preferably at least 72 hours (3 days) in advance. This requirement was announced on June 3, 2008 and is intended to bolster U.S. security by pre-screening participating VWP passengers against terrorist or no-fly lists and databases. It is similar to Australia's Electronic Travel Authority system. The authorization is mandatory for participating VWP nationals before traveling to the United States, but as with formal visas this does not guarantee admission into the United States since final admission eligibility is determined at U.S. ports of entry by CBP officers.


title: Visa Waiver Program

text: ESTA has an application fee of $4, and if approved, an additional fee of $17 is charged, for a total of $21. An approved ESTA is valid for up to two years or until the traveler's passport expires, whichever comes first, and is valid for multiple entries into the United States.


title: Visa Waiver Program

text: When traveling to the United States by air or sea under the VWP with ESTA, the person must be traveling on a participating commercial carrier and hold a valid return or onward ticket, dated within 90 days. The VWP does not apply at all (i.e. a visa is required) if a passenger arrives via air or sea on an unapproved carrier. ESTA is also required for travel by land.


title: Visa Waiver Program

text: Since 2016, those who have previously traveled to Iran, Iraq, Libya, North Korea, Somalia, Sudan, Syria or Yemen on or after March 1, 2011, or who are dual nationals of Iran, Iraq, North Korea, Sudan or Syria, are not eligible to travel under the VWP. However, those who traveled to such countries as diplomats, military, journalists, humanitarian workers or legitimate businessmen may have this ineligibility waived by the Secretary of Homeland Security.


title: Visa Waiver Program

text: Applicants for ESTA asserting eligibility based on Hungarian nationality are automatically denied if they were not born in Hungary. This restriction was noted by the Hungarian government and media due to a consistent pattern of denials, but it was not publicly announced by the U.S. government. Some details are unclear, such as for those born in an area that was part of Hungary at the time but later annexed to another country. In any case, those who also have another nationality and apply for the VWP based on that nationality are not affected by this restriction.


title: Visa Waiver Program

text: Applicants should display social and economic ties which bind them to their country of origin or may be refused entry.


title: Visa Waiver Program

text: Having been arrested or convicted does not in itself make a person ineligible to use the Visa Waiver Program. However, some U.S. embassies advise such persons to apply for a tourist visa even though there is no legal obligation to do so.


title: Visa Waiver Program

text: Those who do not meet the requirements for the Visa Waiver Program must obtain a U.S. visitor visa from a U.S. embassy or consulate.


title: Visa Waiver Program

text: Visitors under the VWP may stay for up to 90 days in the United States and cannot request an extension of the original allowed period of stay (this practice is allowed to those holding regular visas). However, VWP visitors may seek to adjust status on the basis of either marriage to a U.S. citizen or an application for asylum.


title: Visa Waiver Program

text: U.S. Customs and Border Protection (CBP) officers determine admissibility upon the traveler's arrival. If one seeks to enter the U.S. under the VWP and is denied entry by a CBP officer at a port of entry, there is no path to appeal or review of the denial of entry.


title: Visa Waiver Program

text: Travelers can leave to neighboring jurisdictions (Canada, Mexico and the Caribbean), but will not be granted another 90 days after reentry in the United States; instead they are readmitted to the United States for the remaining days granted on their initial entry. Transit through the United States is generally permitted, if the total time in the United States, Canada, Mexico and adjacent islands is less than 90 days. However, if for example the traveler is transiting the United States on the way to a 6-month stay in Canada, the VWP cannot be used, as the total time in the United States, Canada, Mexico and adjacent islands will be over 90 days. In this case the traveler should apply for a B-1/B-2 visa, or a transit visa.


title: Visa Waiver Program

text: There are restrictions on the type of employment-related activities allowed. Meetings and conferences in relation to the travelers' profession, line of business or employer in their home country are generally acceptable, but most forms of "gainful employment" are not. There are however poorly-classifiable exceptions such as persons performing professional services in the United States for a non-U.S. employer, and persons installing, servicing and repairing commercial or industrial equipment or machinery pursuant to a contract of sale. Performers (such as actors and musicians) who plan on performing live or taping scenes for productions in their country of origin, as well as athletes participating in an athletic event, are likewise not allowed to use the VWP for their respective engagements and are instead required to have an O or P visa prior to arrival. Foreign media representatives and journalists on assignment are required to have a nonimmigrant media (I) visa.


title: Visa Waiver Program

text: Congress passed legislation in 1986 to create the Visa Waiver Program with the aim of facilitating tourism and short-term business visits to the United States, and allowing the United States Department of State to focus consular resources on addressing higher risks. The United Kingdom became the first country to participate in the Visa Waiver Program in July 1988, followed by Japan in December 1988. In July 1989, France, Italy, Netherlands, Sweden, Switzerland and West Germany were added to the VWP.


title: Visa Waiver Program

text: In 1991, more European countries joined the Program – Andorra, Austria, Belgium, Denmark, Finland, Iceland, Liechtenstein, Luxembourg, Monaco, Norway, San Marino and Spain – as well as New Zealand (the first country from Oceania). In 1993, Brunei became the second Asian country to be admitted to the Program.


title: Visa Waiver Program

text: On April 1, 1995, Ireland was added to the VWP. In 1996, Australia and Argentina (the first Latin American country) joined, although Argentina was later removed in 2002. On September 30, 1997, Slovenia was added. On August 9, 1999, Portugal, Singapore and Uruguay joined the program, although Uruguay was subsequently removed in 2003.


title: Visa Waiver Program

text: Following the September 11 terrorist attacks, the George W. Bush administration decided to tighten entry requirements into the United States, as a result of which legislation was passed requiring foreign visitors entering under the Visa Waiver Program to present a machine-readable passport upon arrival starting from October 1, 2003, and a biometric passport from October 26, 2004. However, as a number of VWP countries still issued non-machine readable passports (for example, more than a third of French and Spanish passport holders held a non-machine readable version), the implementation of this rule was postponed to October 26, 2004, with the exception of Belgian nationals, as there were concerns about the security and integrity of Belgian passports. Likewise, the biometric passport requirement was also postponed to October 26, 2005, only to be further postponed by another year to October 26, 2006 at the request of the European Union, which raised concerns about the number of participating countries which would have been able to make the deadline. When the new rule came into force on that day, three countries (Andorra, Brunei and Liechtenstein) had not yet started issuing biometric passports.


title: Visa Waiver Program

text: In November 2006, the U.S. government announced that plans for an "Electronic Travel Authorization" program (officially named "Electronic System for Travel Authorization") would be developed so that VWP travelers can give advance information on their travels to the United States. In return, they will be given authorization electronically to travel to the United States, although it does not guarantee admission to the United States. This program is modeled on the Electronic Travel Authority scheme that has been used in Australia for many years.


title: Visa Waiver Program

text: After the 2004 enlargement of the European Union, both the newly admitted countries and EU agencies began intensive lobbying efforts to include those new countries in the VWP. The U.S. government initially responded to those efforts by developing bilateral strategies with 19 candidate countries known as the Visa Waiver road map process. The U.S. government began to accept the possibility of departing from the original country designation criteria – which had been contained within immigration law "per se" – and to expand them by adding political criteria, with the latter being able to override the former. This development began first with Bill S.2844 which explicitly named Poland as the only country to be added to the VWP, and continued as an amendment to the Comprehensive Immigration Reform Act of 2006 (S.2611), whose Sec. 413, Visa Waiver Program Expansion, defined broader criteria that would apply to any EU country that provided "material support" to the multinational forces in Iraq and Afghanistan. However, the definition of that "material support" would be met again only by Poland and Romania, a fact that was not favorably received by the other EU candidate countries. Ironically, Poland remained the only Central European country that was not a participating nation in the VWP until 2019, due to a visa refusal rate above the critical threshold of 3%.


title: Visa Waiver Program

text: During his visit to Estonia in November 2006, President Bush announced his intention "to work with our Congress and our international partners to modify our visa waiver program". In 2006, the Secure Travel and Counterterrorism Partnership Bill was introduced in the Senate but no action was taken and that bill, as well as a similar one introduced in the House the following year, died after two years of inactivity. The bill would have directed the Secretary of Homeland Security to establish a pilot program to expand the visa waiver program for up to five new countries that were cooperating with the United States on security and counterterrorism matters.


title: Visa Waiver Program

text: A June 2007 Hudson Institute Panel stressed the urgency of the inclusion of Central Europe in the VWP: "An inexplicable policy that is causing inestimable damage to the United States with its new Central and Eastern European NATO allies is the region's exclusion from the visa waiver program. As Helle Dale wrote in the spring issue of European Affairs: "Meanwhile, the problem is fueling anti-U.S. antagonisms and a perception of capricious discrimination by U.S. bureaucrats ---and damping the visits to the U.S. of people from countries with whom Washington would like to improve commercial and intellectual ties. Meanwhile, horror stories abound from friends and diplomats from Central and Eastern Europe about the problems besetting foreigners seeking to visit the United States. In fact bringing up the subject of visas with any resident of those countries is like waving a red flag before a bull." Visa waiver must be satisfactorily addressed and resolved at long last."


title: Visa Waiver Program

text: The Implementing Recommendations of the 9/11 Commission Act of 2007 allowed the inclusion of new countries in the VWP with a visa refusal rate up to 10% (up from the standard requirement of 3%) if they satisfied certain other conditions, from October 2008. With the relaxed criteria, eight countries were added to the program: Czech Republic, Estonia, Hungary, Latvia, Lithuania, Slovakia and South Korea in November 2008, and Malta in December 2008. Czech Prime Minister Mirek Topolánek called it "a removal of the last relict of Communism and the Cold War". However, from July 2009, the authority to include countries with such higher visa refusal rate became conditioned on the implementation of a system capable of matching the entry and exit from the United States of travelers under the VWP using biometric identifiers. As such system was not implemented, the visa refusal rate requirement returned to 3%.


title: Visa Waiver Program

text: On October 2, 2012, Secretary Janet Napolitano announced the inclusion of Taiwan into the program effectively as of November 1, 2012. Only holders of passports with a national identification number can benefit from the visa waiver.


title: Visa Waiver Program

text: In 2013 there was conflict over the United States-Israel Strategic Partnership Act of 2013 whose Senate version specified that satisfaction of the requirements regarding reciprocal travel privileges for U.S. nationals would be subject to security concerns. Many members of the House of Representatives opposed the security language because it seemed to validate Israel's tendency to turn away Arab Americans without giving any reason. None of the other 37 countries in the visa waiver program had such an exemption.


title: Visa Waiver Program

text: Hong Kong is the only jurisdiction with a higher Human Development Index than the United States whose citizens cannot enjoy the program. The visa refusal rate for Hong Kong dropped to 1.7% for HKSAR passport and 2.6% for British National (Overseas) passport in 2012. Hong Kong met all VWP criteria but did not qualify at the time because it was not legally a separate country, despite having its own passports and independent judicial system, monetary system and immigration control. The former Chief Executive of Hong Kong, Donald Tsang, raised the issue with then-Secretary of State Hillary Clinton during his visit to the United States in 2011 and was met with positive response. On May 16, 2013, a bipartisan amendment bill was passed by the Senate Judiciary Committee but not ratified into law. On August 10, 2015, the U.S. Consul General to Hong Kong and Macau, Clifford Hart, said during an interview with South China Morning Post that the visa waiver was "not happening anytime soon", as the Visa Waiver law required the participant to be a "sovereign state" and Hong Kong was not independent, thus ending the possibility of Hong Kong joining the program. He also denied that the failed lobbying effort of the HKSAR government on this issue was a result of the refusal of detaining Edward Snowden in 2013.


title: Visa Waiver Program

text: On May 11, 2018, the U.S. threatened to remove Hungary from the Visa Waiver Program after multiple cases of passport fraud. An official report discovered a fraud scheme which allowed non-Hungarians to enter the U.S. under false identities.


title: Visa Waiver Program

text: As of December 2018, ESTA is no longer approved in real-time to qualifying passengers and passengers are required to apply no later than 72 hours before departure.


title: Visa Waiver Program

text: In July 2019, U.S. Ambassador to Poland Georgette Mosbacher stated that "Poland would fully qualify for the Visa Waiver Program within 3 to 6 months after September 2019" depending on bureaucratic procedures. On October 4, 2019, U.S. President Donald Trump confirmed that the Department of State had formally nominated Poland for entry into the Visa Waiver Program. On November 11, 2019 Poland officially joined the Program and became its 39th member.


title: Visa Waiver Program

text: On February 12, 2021, U.S. Embassy in Croatia's Chargé d’Affaires, a.i. Victoria J. Taylor, announced on Twitter that the refusal rate for business and tourist visas in Croatia in 2020 dropped to 2.69%, marking a step forward for Croatia to join the WVP "in the near future." On August 2, 2021, Secretary of State Antony Blinken announced that Croatia had been formally nominated to join the VWP. On September 28, 2021, Secretary of Homeland Security Alejandro Mayorkas officially announced that Croatia would join the VWP before December 1, 2021. Croatia joined the VWP on October 23, 2021.


title: Visa Waiver Program

text: On November 11, 2021, the Consular Services of Hungary announced that they had noted a consistent pattern of ESTA denials to Hungarian nationals born outside Hungary, who were automatically asked to apply for a regular visa instead.


title: Visa Waiver Program

text: Of the 19 road map countries listed in 2007, 11 have been admitted to the VWP. In 2021, the U.S. government cited eight countries aspiring to join the VWP:


title: Visa Waiver Program

text: Israel has not been included in the VWP reportedly in part because of its strict scrutiny of Palestinian Americans traveling to Israel, thus not fulfilling the reciprocity requirement. In addition, U.S. lawmakers and intelligence officials fear the country's entry into the program would facilitate espionage by Israel, and homeland security officials worry that too many Israelis overstay their visas.


title: Visa Waiver Program

text: In 2014, the European Union pressured the United States to extend the Visa Waiver Program to its five member states that were not yet included in it (Bulgaria, Croatia, Cyprus, Poland and Romania). In November 2014, the Bulgarian government announced it would not ratify the Transatlantic Trade and Investment Partnership unless the United States lifted the visa requirement for its nationals. Due to incomplete U.S. reciprocity, in March 2017 the European Parliament approved a non-binding resolution calling on the European Commission to revoke the visa-free travel for U.S. nationals to the Schengen Area. On May 2, 2017 the European Commission decided not act on the resolution and hoped to restart full visa reciprocity negotiations for the remaining EU member stats with the new U.S. Administration. As of 2022, three EU member states (Bulgaria, Cyprus and Romania) are still not included in the VWP, and nationals of Hungary born outside Hungary are automatically denied ESTA.


title: Visa Waiver Program

text: Although the U.S. Visa Waiver Program also applies to the U.S. territories of Guam and the Northern Mariana Islands, and therefore nationals of VWP countries may travel to these territories with an ESTA, both territories have additional visa waiver programs for certain nationalities. The Guam–CNMI Visa Waiver Program, first enacted in October 1988 and periodically amended, permits nationals from 12 countries in Asia, Europe and Oceania to enter Guam and the Northern Mariana Islands as tourists for up to 45 days without the need to obtain a U.S. visa or an ESTA. A parole policy also allows nationals of China visa-free access to the Northern Mariana Islands for up to 14 days.


title: Visa Waiver Program

text: U.S. visa policy does not apply to American Samoa, as it has its own entry requirements and maintains control of its own borders. Hence, neither a U.S. visa nor an ESTA can be used to enter American Samoa. If required, an entry permit or electronic authorization must be obtained from the Department of Legal Affairs of American Samoa.


title: Visa Waiver Program

text: Nationals of Canada, Israel, Marshall Islands, Micronesia, Palau, and countries in the U.S. Visa Waiver Program (except Croatia and Poland) may visit for up to 30 days without an entry permit. However, if arriving by air, they must apply online for an electronic authorization called "OK Board", at least 48 hours before travel, for a fee of $20.


title: Visa Waiver Program

text: Nationals of other countries need an entry permit, which must be requested by a local sponsor at the Immigration Office of the Department of Legal Affairs of American Samoa.


title: Visa Waiver Program

text: To qualify for the Visa Waiver Program, a country must have had a visa refusal rate of less than 3% for the previous year. This refusal rate is based on applications for B visas, for tourism and business purposes. B visas are adjudicated based on applicant interviews, which generally last between 60 and 90 seconds.


title: Visa Waiver Program

text: A number of visitors from the Visa Waiver Program countries have overstayed the 90-day maximum. The Department of Homeland Security publishes a report that lists the number of violations made by passengers who arrived via air and sea on the Visa Waiver Program, excluding visa holders such as nonimmigrant students and exchange visitors. The table below excludes statistics on people who left the United States later than their allowed stay or legalized their status and shows only suspected overstays who remained in the country.


title: Visa Waiver Program

text: Separate from the Visa Waiver Program, permits the Attorney General and the Secretary of State (acting jointly) to waive visa requirements for admission to the United States in nonimmigrant status for nationals of foreign contiguous territories or adjacent islands or for residents of those territories or islands who have a common nationality with those nationals. The regulations relating to such admissions can be found at .


title: Visa Waiver Program

text: Under this provision, nationals of the following jurisdictions may travel to the United States without a visa:


title: Visa Waiver Program

text: Restrictions on the use of the Visa Waiver Program do not affect this class of travelers unless separately provided for by statute or regulation. For example, a Canadian citizen who has briefly overstayed a previous visit to the United States (by less than 180 days) will still not require a visa for future visits, while a VWP national who overstays will become ineligible for the VWP for life and will need a visa for future visits. ESTA is not required from British Overseas Territories citizens using one of the above waivers with the respective territory's passport, but it is required if they use the VWP with a British citizen passport.


title: Visa Waiver Program

text: Until 2003, this visa waiver was granted not only to nationals of those countries and territories, but also to permanent residents of Bermuda and Canada who were nationals of countries in the Commonwealth of Nations or Ireland.


title: Soviet–Japanese War

text: The Soviet–Japanese War (; ), known in Mongolia as the Liberation War of 1945 (), was a military conflict within the Second World War beginning soon after midnight on 9 August 1945, with the Soviet invasion of the Japanese puppet state of Manchukuo. The Soviets and Mongolians ended Japanese control of Manchukuo, Mengjiang (Inner Mongolia), northern Korea, Karafuto (South Sakhalin), and the Chishima Islands (Kuril Islands). The defeat of Japan's Kwantung Army helped bring about the Japanese surrender and the termination of World War II. The Soviet entry into the war was a significant factor in the Japanese government's decision to surrender unconditionally, as it was made apparent that the Soviet Union was not willing to act as a third party in negotiating an end to hostilities on conditional terms.


title: Soviet–Japanese War

text: At the Tehran Conference in November 1943, Joseph Stalin agreed that the Soviet Union would enter the war against Japan once Germany was defeated. At the Yalta Conference in February 1945, Stalin agreed to Allied pleas to enter World War II in the Pacific Theater within three months of the end of the war in Europe. On 26 July, the US, the UK, and China made the Potsdam Declaration, an ultimatum calling for the Japanese surrender that if ignored would lead to their "prompt and utter destruction".


title: Soviet–Japanese War

text: The commencement of the invasion fell between the US atomic bombings of Hiroshima on 6 August and Nagasaki on 9 August. Although Stalin had been told virtually nothing of the US and UK's atomic bomb program by Allied governments, the date of the invasion was foreshadowed by the Yalta agreement, the date of the German surrender, and the fact that, on 3 August, Marshal Vasilevsky reported to Stalin that, if necessary, he could attack on the morning of 5 August. The timing was well-planned and enabled the Soviet Union to enter the Pacific Theater on the side of the Allies, as previously agreed, before the war's end. The invasion of the second largest Japanese island of Hokkaido was originally planned by the Soviets to be part of the territory taken.


title: Soviet–Japanese War

text: At 11 pm Trans-Baikal time on 8 August 1945, Soviet foreign minister Vyacheslav Molotov informed Japanese ambassador Naotake Satō that the Soviet Union had declared war on Japan, and that from 9 August the Soviet Government would consider itself to be at war with Japan. At one minute past midnight Trans-Baikal time on 9 August 1945, the Soviets commenced their invasion simultaneously on three fronts to the east, west and north of Manchuria. The operation was subdivided into smaller operational and tactical parts:


title: Soviet–Japanese War

text: Though the battle extended beyond the borders traditionally known as "Manchuria" – that is, the traditional lands of the Manchus – the coordinated and integrated invasions of Japan's northern territories has also been called "the Battle of Manchuria". Since 1983, the operation has sometimes been called "Operation August Storm", after American Army historian Lieutenant-Colonel David Glantz used this title for a paper on the subject. It has also been referred to by its Soviet name, the "Manchurian Strategic Offensive Operation", but this name refers more to the Soviet invasion of Manchuria than to the whole war.


title: Soviet–Japanese War

text: This offensive should not be confused with the Soviet–Japanese Border Wars (1932–1939) (particularly the Battle of Khalkhin Gol/Nomonhan Incident of May–September 1939), that ended in Japan's defeat in 1939, and led to the Soviet–Japanese Neutrality Pact.


title: Soviet–Japanese War

text: The Russo-Japanese War of the early 20th century resulted in a Japanese victory and the Treaty of Portsmouth by which, in conjunction with other later events including the Mukden Incident and Japanese invasion of Manchuria in September 1931, Japan eventually gained control of Korea, Manchuria and South Sakhalin. In the late 1930s were a number of Soviet-Japanese border incidents, the most significant being the Battle of Lake Khasan (Changkufeng Incident, July–August 1938) and the Battle of Khalkhin Gol (Nomonhan Incident, May–September 1939), which led to the Soviet–Japanese Neutrality Pact of April 1941. The Neutrality Pact freed up forces from the border incidents and enabled the Soviets to concentrate on their war with Germany and the Japanese to concentrate on their southern expansion into Asia and the Pacific Ocean.


title: Soviet–Japanese War

text: With success at the Battle of Stalingrad and the eventual defeat of Germany becoming increasingly certain, the Soviet attitude to Japan changed, both publicly, with Stalin making speeches denouncing Japan, and privately, with the Soviets building up forces and supplies in the Far East. At the Tehran Conference (November 1943), Stalin, Winston Churchill, and Franklin Roosevelt agreed that the Soviet Union would enter the war against Japan once Germany was defeated. Stalin faced a dilemma since he wanted to avoid a two-front war at almost any cost but also wanted to extract gains in the Far East as well as Europe. The only way that Stalin could make Far Eastern gains without a two-front war would be for Germany to surrender before Japan.


title: Soviet–Japanese War

text: The Soviet–Japanese Neutrality Pact caused the Soviets to make it policy to intern Allied aircrews who landed in Soviet territory after operations against Japan, but airmen held in the Soviet Union under such circumstances were usually allowed to "escape" after some period of time. Nevertheless, even before the defeat of Germany, the Soviet buildup in the Far East had steadily accelerated. By early 1945, it had become apparent to the Japanese that the Soviets were preparing to invade Manchuria, but they were unlikely to attack prior to Germany's defeat. In addition to their problems in the Pacific, the Japanese realised that they needed to determine when and where a Soviet invasion would occur.


title: Soviet–Japanese War

text: At the Yalta Conference (February 1945), Stalin secured from Roosevelt the promise of Stalin's Far Eastern territorial desires in return for agreeing to enter the Pacific War within two or three months of the defeat of Germany. By mid-March 1945, things were not going well in the Pacific for the Japanese, who withdrew their elite troops from Manchuria to support actions in the Pacific. Meanwhile, the Soviets continued their Far Eastern buildup. The Soviets had decided that they did not wish to renew the Neutrality Pact. The Neutrality Pact required that twelve months before its expiry, the Soviets must advise the Japanese and so on 5 April 1945, they informed the Japanese that they did not wish to renew the treaty. That caused the Japanese considerable concern, but the Soviets went to great efforts to assure the Japanese that the treaty would still be in force for another twelve months and that the Japanese had nothing to worry about.


title: Soviet–Japanese War

text: On 9 May 1945 (Moscow Time), Germany surrendered and so if the Soviets were to honour the Yalta Agreement, they would need to enter war with Japan by 9 August 1945. The situation continued to deteriorate for the Japanese, now the only Axis power left in the war. They were keen to remain at peace with the Soviets and extend the Neutrality Pact and also wanted to achieve an end to the war. Since Yalta, they had repeatedly approached or tried to approach the Soviets to extend the Neutrality Pact and to enlist the Soviets in negotiating peace with the Allies. The Soviets did nothing to discourage the Japanese hopes and drew the process out as long as possible but continued to prepare their invasion forces. One of the roles of the Cabinet of Admiral Baron Suzuki, which took office in April 1945, was to try to secure any peace terms short of unconditional surrender. In late June, they approached the Soviets (the Neutrality Pact was still in place), inviting them to negotiate peace with the Allies in support of Japan, providing them with specific proposals and in return, they offered the Soviets very attractive territorial concessions. Stalin expressed interest, and the Japanese awaited the Soviet response. The Soviets continued to avoid providing a response. The Potsdam Conference was held from 16 July to 2 August 1945. On 24 July, the Soviet Union recalled all embassy staff and families from Japan. On 26 July, the conference produced the Potsdam Declaration whereby Churchill, Harry S. Truman and Chiang Kai-shek (the Soviet Union was not officially at war with Japan) demanded the unconditional surrender of Japan. The Japanese continued to wait for the Soviet response and avoided responding to the declaration.


title: Soviet–Japanese War

text: The Japanese had been monitoring Trans-Siberian Railway traffic and Soviet activity to the east of Manchuria and the Soviet delaying tactics, which suggested to them that the Soviets would not be ready to invade east Manchuria before the end of August. They did not have any real idea and no confirming evidence as to when or where any invasion would occur. They had estimated that an attack was not likely in August 1945 or before spring 1946, but "Stavka" had planned for a mid-August 1945 offensive and had concealed the buildup of a force of 90 divisions. Many had crossed Siberia in their vehicles to avoid straining the rail link.


title: Soviet–Japanese War

text: The Far East Command, under Marshal of the Soviet Union Aleksandr Vasilevsky, had a plan for the conquest of Manchuria that was simple but huge in scale by calling for a massive pincer movement over all of Manchuria. The pincer movement was to be performed by the Transbaikal Front from the west and by the 1st Far East Front from the east. The 2nd Far East Front was to attack the center of the pocket from the north. The only Soviet equivalent of a theater command that operated during the war (apart from the short-lived 1941 "Directions" in the west), Far East Command, consisted of three Red Army fronts.


title: Soviet–Japanese War

text: Each Front had "front units" attached directly to the front, instead of an army. The forces totaled 89 divisions with 1.5 million men, 3,704 tanks, 1,852 self propelled guns, 85,819 vehicles and 3,721 aircraft. One third of its strength was in combat support and services. Its naval forces contained 12 major surface combatants, 78 submarines, numerous amphibious craft, and the Amur River flotilla, consisting of gunboats and numerous small craft. The Soviet plan incorporated all the experience in maneuver warfare that the Soviets had acquired fighting the Germans, and also used new improved weapons, such as the RPD light machine gun, the new main battle tank T-44 and a small number of JS-3 heavy tanks.


title: Soviet–Japanese War

text: The Transbaikal Front, under Marshal Rodion Malinovsky, was to form the western half of the Soviet pincer movement and to attack across the Inner Mongolian desert and over the Greater Khingan mountains. These forces had the objective to secure Mukden (now Shenyang), then meet troops of the 1st Far East Front at the Changchun area in south-central Manchuria and so end the double envelopment.


title: Soviet–Japanese War

text: The 1st Far East Front, under Marshal Kirill Meretskov, was to form the eastern half of the pincer movement. The attack involved striking towards Mudanjiang (or Mutanchiang), and once that city was captured, the force was to advance towards the cities of Jilin (or Kirin), Changchun, and Harbin. Its final objective was to link up with forces of the Trans-Baikal Front at Changchun and Jilin (or Kirin) thus closing the double envelopment movement.


title: Soviet–Japanese War

text: As a secondary objective, the 1st Far East Front was to prevent Japanese forces from escaping to Korea and to then invade the Korean Peninsula up to the 38th parallel, establishing in the process what later became North Korea.


title: Soviet–Japanese War

text: The 2nd Far East Front, under General Purkayev, was in a supporting attack role. Its objectives were the cities of Harbin and Tsitsihar and the prevention of an orderly withdrawal to the south by Japanese forces.


title: Soviet–Japanese War

text: Once troops from the 1st Far East Front and Trans-Baikal Front had captured the city of Changchun, the 2nd Far East Front was to attack the Liaotung Peninsula and seize Port Arthur (present day Lüshun).


title: Soviet–Japanese War

text: The Kwantung Army of the Imperial Japanese Army, under General Otozō Yamada, was the major part of the Japanese occupation forces in Manchuria and Korea and consisted of two Area Armies: the First Area Army (northeastern Manchukuo) and the Third Area Army (southwestern Manchukuo), as well as three independent armies (responsible for northern Manchuria, North Korea, Mengjiang, South Sakhalin, and the Kurils).


title: Soviet–Japanese War

text: Each area army ("Homen Gun", the equivalent of a Western "army") had headquarters units and units attached directly to it, in addition to the field armies (the equivalent of a Western corps). In addition was the 40,000-strong Manchukuo Defense Force, composed of eight weak, poorly-equipped, and poorly-trained Manchukuoan divisions.


title: Soviet–Japanese War

text: The combined forces of the Kwantung Army in Manchuria and the Seventeenth Area Army in Korea came close to one million men. The two armies had no fewer than 31 divisions and 13 brigades (including two tank brigades) between them, together with numerous separate regiments and fortress units. In Manchuria alone there were approximately 700 armored vehicles and 5,000 guns and mortars (excluding 50 mm grenade dischargers), while the Japanese Air Forces had 2,004 planes in Manchuria and Korea, of which only 627 were combat types. The Imperial Japanese Navy did not contribute surface forces to the defense of Manchuria, the occupation of which it had always opposed on strategic grounds. Additionally, by the time of the invasion, the few remnants of its fleet were stationed in defense of the Japanese home islands in anticipation of a possible invasion by Western Allied forces. Despite its large size, the Kwantung Army was badly trained, poorly equipped, and had only limited supplies: overall ammunition stockpiles were sufficient to meet the needs of only 13 divisions for 3 months, compared with 24 divisions then in Manchuria. Most of its heavy equipment and all of its best troops had been transferred to the Pacific Front over the previous three years, with second-rate units raised to replace them. As a result, it had essentially been reduced to a light infantry counterinsurgency force with limited mobility or ability to fight a conventional land war against a co-ordinated enemy.


title: Soviet–Japanese War

text: Compounding the problem, the Japanese military made many wrong assumptions and major mistakes, the two most significant the following:


title: Soviet–Japanese War

text: The withdrawal of the Kwantung Army's elite forces for redeployment into the Pacific Theatre made new operational plans for the defence of Manchuria against a seemingly-inevitable Soviet attack prepared by the Japanese in the summer of 1945. They called for the redeployment of most forces from the border areas, which were to be held lightly with delaying actions. The main force was to hold the southeastern corner in strength to defend Korea from attack.


title: Soviet–Japanese War

text: Furthermore, the Japanese had observed Soviet activity only on the Trans-Siberian Railway and along the East Manchurian front and so prepared for an invasion from the east. They believed that when an attack occurred from the west, their redeployed forces would be able to deal with it.


title: Soviet–Japanese War

text: Although the redeployment had been initiated, it was not supposed to be completed until September and so the Kwantung Army was in the process of redeployment when the Soviets launched their attack simultaneously on all three fronts.


title: Soviet–Japanese War

text: The operation was carried out as a classic double pincer movement over an area the size of Western Europe. In the western pincer, the Red Army advanced over the deserts and mountains from Mongolia, far from their resupply railways. That confounded the Japanese military analysis of Soviet logistics, and the defenders were caught by surprise in unfortified positions. The Kwantung Army commanders, involved in a planning exercise at the time of the invasion, were away from their forces for the first 18 hours of conflict. Communication infrastructure was poor, and communication was lost with forward units very early. The Kwantung Army had a formidable reputation as fierce and relentless fighters, and even though weak and unprepared, they put up strong resistance in the town of Hailar, which tied down some of the Soviet forces. At the same time, Soviet airborne units were used to seize airfields and city centers in advance of the land forces and to ferry fuel to the units that had outrun their supply lines. Due to Japanese 37mm and 47mm anti-tank guns were only suitable for fighting light Soviet tanks. Japanese were decide to use suicide bomber squads strapped with grenades and explosives as their main improvised anti-tank weapon. At same time, there are some reports said Japanese Army aviation were using kamikaze planes attempt to stop Soviet advance. The Soviet pincer from the east crossed the Ussuri and advanced around Khanka Lake and attacked towards Suifenhe. Although Japanese defenders fought hard and provided strong resistance, the Soviets proved to be overwhelming.


title: Soviet–Japanese War

text: Nevertheless, the prospect of a quick defeat to the Japanese Army seemed far from clear. Given the fanatical and sometimes suicidal resistance put up by the Japanese forces similar in April-June 1945 battle on Okinawa, there was every reason to believe that a long, difficult campaign for the capture of the last remaining Japanese fortified areas was expected. In some parts of the Soviet offensive these expectations were fully fulfilled.


title: Soviet–Japanese War

text: After a week of fighting during which Soviet forces had penetrated deep into Manchukuo, Japanese Emperor Hirohito recorded the "Gyokuon-hōsō", which was broadcast on radio to the Japanese nation on 15 August 1945. The idea of surrender was incomprehensible to the Japanese people, and combined with Hirohito's use of formal and archaic language, the fact that he did not use the word "surrender", the poor quality of the broadcast, and the poor lines of communication, there was some confusion for the Japanese about what the announcement meant. The Imperial Japanese Army Headquarters did not immediately communicate the ceasefire order to the Kwantung Army, and many elements of the Army either did not understand it or ignored it. Hence, pockets of fierce resistance from the Kwantung Army continued, and the Soviets continued their advance, largely avoiding the pockets of resistance, reaching Mukden, Changchun and Qiqihar by 20 August. On the Soviet right flank, the Soviet-Mongolian Cavalry-Mechanized Group had entered Inner Mongolia and quickly took Dolon Nur and Kalgan. The Emperor of Manchukuo and former Emperor of China, Puyi, was captured by the Soviet Red Army. The ceasefire order was eventually communicated to the Kwantung Army but not before the Soviet Union had made most of their territorial gains.


title: Soviet–Japanese War

text: On 18 August, several Soviet amphibious landings had been conducted ahead of the land advance: three in northern Korea, one in South Sakhalin, and one in the Chishima Islands. In Korea at least, there were already Soviet soldiers waiting for the troops coming overland. In Karafuto and the Chishimas, that meant a sudden and undeniable establishment of Soviet sovereignty.


title: Soviet–Japanese War

text: On 10 August, the US government proposed to the Soviet government to divide the occupation of Korea between them at the 38th parallel north. The Americans were surprised that the Soviet government accepted. Soviet troops were able to move freely by rail, and there was nothing to stop them from occupying the whole of Korea. Soviet forces began amphibious landings in northern Korea by 14 August and rapidly took over the northeast of the peninsula, and on 16 August, they landed at Wonsan. On 24 August, the Red Army entered Pyongyang and established a military government over Korea north of the 38th parallel. American forces landed at Incheon on 8 September and took control of the south.


title: Soviet–Japanese War

text: Since the first major Japanese military defeats in the Pacific in the summer of 1942, the civilian leaders of Japan had come to realise that the Japanese military campaign was economically unsustainable, as Japan did not have the industrial capacity to fight the United States, China and the British Empire at the same time, and there were a number of initiatives to negotiate a cessation of hostilities and the consolidation of Japanese territorial and economic gains. Hence, elements of the non-military leadership had first made the decision to surrender as early as 1943. The major issue was the terms and conditions of surrender, not the issue of surrender itself. For a variety of diverse reasons, none of the initiatives was successful, the two major reasons being the Soviet Union's deception and delaying tactics and the attitudes of the "Big Six", the powerful Japanese military leaders.


title: Soviet–Japanese War

text: The Manchurian Strategic Offensive Operation, along with the atomic bombings of Hiroshima and Nagasaki, combined to break the Japanese political deadlock and force the Japanese leaders to accept the terms of surrender demanded by the Allies.


title: Soviet–Japanese War

text: In the "Sixty Years after Hiroshima" issue of "The Weekly Standard", the American historian Richard B. Frank points out that there are a number of schools of thought with varying opinions of what caused the Japanese to surrender. He describes what he calls the "traditionalist" view, which asserts that the Japanese surrendered because the Americans dropped the atomic bombs. He goes on summarize other points of view in conflict with the traditionalist view: namely, that the Japanese government saw their situation as hopeless and was already ready to surrender before the atomic bombs – and that the Soviets went to war against Japan.


title: Soviet–Japanese War

text: Tsuyoshi Hasegawa's research has led him to conclude that the atomic bombings were not the principal reason for Japan's capitulation. He argues that Japan's leaders were impacted more by the swift and devastating Soviet victories on the mainland in the week after Joseph Stalin's 8 August declaration of war because the Japanese strategy to protect the home islands was designed to fend off an Allied invasion from the south and left virtually no spare troops to counter a Soviet threat from the north. Furthermore, the Japanese could no longer hope to achieve a negotiated peace with the Allies by using the Soviet Union as a mediator with the Soviet declaration of war. That, according to Hasegawa, amounted to a "strategic bankruptcy" for the Japanese and forced their message of surrender on 15 August 1945. Others with similar views include the "Battlefield" series documentary, among others, but all, including Hasegawa, state that the surrender was not caused by only one factor or event.


title: Soviet–Japanese War

text: The Soviet invasion and occupation of the defunct Manchukuo marked the start of a traumatic period for the more than one million residents of the puppet state who were of Japanese descent. The situation for the Japanese military occupants was clear, but the Japanese colonists who had made Manchukuo their home, particularly those born in Manchukuo, were now stateless and homeless, and the (non-Japanese) Manchurians wanted to be rid of these foreigners. Many residents were killed, and others ended up in Siberian prisons for up to 20 years. Some made their way to the Japanese home islands, where they were also treated as foreigners.


title: Soviet–Japanese War

text: Manchuria was "cleansed" by Soviet forces of any potential military resistance. With Soviet support for the spread of communism, Manchuria provided the main base of operations for Mao Zedong's forces, who proved victorious in the following four years of the Chinese Civil War. The military successes in Manchuria and China by the Communist Chinese led to the Soviet Union giving up their rights to bases in China, promised by the Western Allies, because all of the land deemed by the Soviets to be Chinese, as distinct from what the Soviets considered to be Soviet land that had been occupied by the Japanese, was eventually turned over to the People's Republic of China. Before leaving Manchuria, Soviet forces and bureaucracy dismantled almost all of the portable parts of the considerable Japanese-built industry in Manchuria and relocated it to "restore industry in war-torn Soviet territory." What was not portable was either disabled or destroyed since the Soviets had no desire for Manchuria to be an economic rival, particularly to the underdeveloped Far Eastern Soviet Territories. After the establishment of the People's Republic of China, the bulk of the Soviet economic assistance went to Manchuria to help rebuilding the region's industry.


title: Soviet–Japanese War

text: As agreed at Yalta, the Soviet Union had intervened in the war with Japan within three months of the German surrender and so was therefore entitled to annex the territories of South Sakhalin, which Russia had lost to Japan in aftermath of the Russo-Japanese War, and the Kuril Islands and also to preeminent interests over Port Arthur and Dalian, with its strategic rail connections, via the China Changchun Railway, a company owned jointly by China and the Soviet Union that operated all railways of the former Manchukuo. The territories on the Asian mainland were transferred to the full control of the People's Republic of China in 1955. The other possessions are still administered by the Soviet Union's successor state, Russia. The annexation of South Sakhalin and the Kuril Islands is of great importance as the Sea of Okhotsk became a Soviet inland sea, which continues to have great strategic benefit to Russia.


title: Soviet–Japanese War

text: The division of Korea between the Soviet and US occupations led to the creation of the separate states of North and South Korea, a precursor to the Korean War five years later.


title: Soviet–Japanese War

text: The "Japanese Monographs" and the "Japanese Studies on Manchuria" – The 187 Japan Monographs are a series of operational histories written by former officers of the Japanese army and navy under the direction of General Headquarters of the U.S. Far East Command.


title: Super Bowl LVIII

text: Super Bowl LVIII is the planned championship game of the National Football League (NFL) for the 2023 NFL season. The game is scheduled to be played on February 11, 2024, at Allegiant Stadium in Paradise, Nevada. It is the first Super Bowl that will be held in Nevada. The game will be televised nationally by CBS.


title: Super Bowl LVIII

text: On May 23, 2018, the league initially selected New Orleans as the site for Super Bowl LVIII. The game, along with Super Bowl LVII, was part of a new awarding process implemented by the league. In the previous process, cities that wished to host a Super Bowl submitted bids, which were deliberated and voted upon at the league owners' meetings. The new process no longer allows cities to bid for the game; the league now chooses the potential candidates.


title: Super Bowl LVIII

text: In March 2020, the league and the National Football League Players Association agreed to expand the regular season from 16 to 17 games beginning in 2021, pushing Super Bowl LVIII to February 11, 2024, and causing a conflict with New Orleans' Mardi Gras celebrations. The league formally announced on October 14, 2020, that New Orleans would host Super Bowl LIX instead of Super Bowl LVIII. On December 15, 2021, Las Vegas was chosen to host the game.


title: Super Bowl LVIII

text: Super Bowl LVIII will be televised by CBS. This marks the first Super Bowl to be broadcast under the new 11-year NFL television contract, which allows a four-year rotation between CBS, Fox, NBC, and ABC/ESPN.


title: Torpedo

text: A modern torpedo is an underwater ranged weapon launched above or below the water surface, self-propelled towards a target, and with an explosive warhead designed to detonate either on contact with or in proximity to the target. Historically, such a device was called an automotive, automobile, locomotive, or fish torpedo; colloquially a "fish". The term "torpedo" originally applied to a variety of devices, most of which would today be called mines. From about 1900, "torpedo" has been used strictly to designate a self-propelled underwater explosive device.


title: Torpedo

text: While the 19th-century battleship had evolved primarily with a view to engagements between armored warships with large-caliber guns, the invention and refinement of torpedoes from the 1860s onwards allowed small torpedo boats and other lighter surface vessels, submarines/submersibles, even improvised fishing boats or frogmen, and later light aircraft, to destroy large ships without the need of large guns, though sometimes at the risk of being hit by longer-range artillery fire.


title: Torpedo

text: One can divide modern torpedoes into lightweight and heavyweight classes; and into straight-running, autonomous homers, and wire-guided types. They can be launched from a variety of platforms.


title: Torpedo

text: The word "torpedo" comes from the name of a genus of electric rays in the order "Torpediniformes", which in turn comes from the Latin "torpere" ("to be stiff or numb"). In naval usage, the American Robert Fulton introduced the name to refer to a towed gunpowder charge used by his French submarine (first tested in 1800) to demonstrate that it could sink warships.


title: Torpedo

text: Torpedo-like weapons were first proposed many centuries before they were successfully developed. For example, in 1275, Arab engineer Hasan al-Rammah – who worked as a military scientist for the Mamluk Sultanate of Egypt – wrote that it might be possible to create a projectile resembling "an egg", which propelled itself through water, whilst carrying "fire".


title: Torpedo

text: In modern language, a "torpedo" is an underwater self-propelled explosive, but historically, the term also applied to primitive naval mines. These were used on an ad hoc basis during the early modern period up to the late 19th century. Early spar torpedoes were created by the Dutchman Cornelius Drebbel in the employ of King James I of England; he attached explosives to the end of a beam affixed to one of his submarines and they were used (to little effect) during the English expeditions to La Rochelle in 1626.


title: Torpedo

text: An early submarine, , attempted to lay a bomb with a timed fuse on the hull of during the American Revolutionary War, but failed in the attempt.


title: Torpedo

text: In the early 1800s, the American inventor Robert Fulton, while in France, "conceived the idea of destroying ships by introducing floating mines under their bottoms in submarine boats". He coined the term "torpedo" about the explosive charges with which he outfitted his submarine "Nautilus". However, both the French and the Dutch governments were uninterested in the submarine. Fulton then concentrated on developing the torpedo independent of a submarine deployment. On 15 October 1805, while in England, Fulton put on a public display of his "infernal machine", sinking the brig "Dorothea" with a submerged bomb filled with of gunpowder and a clock set to explode in 18 minutes. However, the British government refused to purchase the invention, stating they did not wish to "introduce into naval warfare a system that would give great advantage to weaker maritime nations". Fulton carried out a similar demonstration for the US government on 20 July 1807, destroying a vessel in New York's harbor. Further development languished as Fulton focused on his "steam-boat matters". During the War of 1812, torpedoes were employed in attempts to destroy British vessels and protect American harbors. A submarine-deployed torpedo was used in an unsuccessful attempt to destroy while in New London's harbor. This prompted the British Captain Hardy to warn the Americans to cease efforts with the use of any "torpedo boat" in this "cruel and unheard-of warfare", or he would "order every house near the shore to be destroyed".


title: Torpedo

text: Torpedoes were used by the Russian Empire during the Crimean War in 1855 against British warships in the Gulf of Finland. They used an early form of chemical detonator.


title: Torpedo

text: During the American Civil War, the term torpedo was used for what is today called a contact mine, floating on or below the water surface using an air-filled demijohn or similar flotation device. These devices were very primitive and apt to prematurely explode. They would be detonated on contact with the ship or after a set time, although electrical detonators were also occasionally used. was the first warship to be sunk in 1862 by an electrically-detonated mine. Spar torpedoes were also used; an explosive device was mounted at the end of a spar up to long projecting forward underwater from the bow of the attacking vessel, which would then ram the opponent with the explosives. These were used by the Confederate submarine to sink although the weapon was apt to cause as much harm to its user as to its target. Rear Admiral David Farragut's famous/apocryphal command during the Battle of Mobile Bay in 1864, "Damn the torpedoes, full speed ahead!" refers to a minefield laid at Mobile, Alabama.


title: Torpedo

text: On 26 May 1877, during the Romanian War of Independence, the Romanian spar torpedo boat attacked and sank the Ottoman river monitor "Seyfi". This was the first instance in history when a torpedo craft sank its targets without also sinking.


title: Torpedo

text: A prototype of the self-propelled torpedo was created on a commission placed by Giovanni Luppis, an Austro-Hungarian naval officer from Rijeka (modern-day Croatia), at the time a port city of the Austro-Hungarian Monarchy and Robert Whitehead, an English engineer who was the manager of a town factory. In 1864, Luppis presented Whitehead with the plans of the "Salvacoste" ("Coastsaver"), a floating weapon driven by ropes from the land that had been dismissed by the naval authorities due to the impractical steering and propulsion mechanisms.


title: Torpedo

text: In 1866, Whitehead invented the first effective self-propelled torpedo, the eponymous Whitehead torpedo. French and German inventions followed closely, and the term "torpedo" came to describe self-propelled projectiles that traveled under or on water. By 1900, the term no longer included mines and booby-traps as the navies of the world added submarines, torpedo boats and torpedo boat destroyers to their fleets.


title: Torpedo

text: Whitehead was unable to improve the machine substantially, since the clockwork motor, attached ropes, and surface attack mode all contributed to a slow and cumbersome weapon. However, he kept considering the problem after the contract had finished, and eventually developed a tubular device, designed to run underwater on its own, and powered by compressed air. The result was a submarine weapon, the "Minenschiff" (mine ship), the first modern self-propelled torpedo, officially presented to the Austrian Imperial Naval commission on 21 December 1866.


title: Torpedo

text: The first trials were not successful as the weapon was unable to maintain a course at a steady depth. After much work, Whitehead introduced his "secret" in 1868 which overcame this. It was a mechanism consisting of a hydrostatic valve and pendulum that caused the torpedo's hydroplanes to be adjusted to maintain a preset depth.


title: Torpedo

text: After the Austrian government decided to invest in the invention, Whitehead started the first torpedo factory in Rijeka. In 1870, he improved the devices to travel up to approximately at a speed of up to , and by 1881 the factory was exporting torpedoes to ten other countries. The torpedo was powered by compressed air and had an explosive charge of gun-cotton. Whitehead went on to develop more efficient devices, demonstrating torpedoes capable of in 1876, in 1886, and, finally, in 1890.