title: Greek genocide

text: During the Hellenistic period (334 BC – 1st century BC), which followed the conquests of Alexander the Great, Greek culture and language began to dominate even the interior of Asia Minor. The Hellenization of the region accelerated under Roman and early Byzantine rule, and by the early centuries AD the local Indo-European Anatolian languages had become extinct, being replaced by the Koine Greek language. From this point until the late Middle Ages all of the indigenous inhabitants of Asia Minor practiced Christianity (called Greek Orthodox Christianity after the East–West Schism with the Catholics in 1054) and spoke Greek as their first language.


title: Greek genocide

text: The resultant Greek culture in Asia Minor flourished during a millennium of rule (4th century – 15th century AD) under the mainly Greek-speaking Eastern Roman Empire. Those from Asia Minor constituted the bulk of the empire's Greek-speaking Orthodox Christians; thus, many renowned Greek figures during late antiquity, the Middle Ages, and the Renaissance came from Asia Minor, including Saint Nicholas (270–343 AD), rhetorician John Chrysostomos (349–407 AD), Hagia Sophia architect Isidore of Miletus (6th century AD), several imperial dynasties, including the Phokas (10th century) and Komnenos (11th century), and Renaissance scholars George of Trebizond (1395–1472) and Basilios Bessarion (1403–1472).


title: Greek genocide

text: Thus, when the Turkic peoples began their late medieval conquest of Asia Minor, Byzantine Greek citizens were the largest group of inhabitants there. Even after the Turkic conquests of the interior, the mountainous Black Sea coast of Asia Minor remained the heart of a populous Greek Christian state, the Empire of Trebizond, until its eventual conquest by the Ottoman Turks in 1461, a year after the Ottomans conquered the area of Europe which is now the Greek mainland. Over the next four centuries the Greek natives of Asia Minor gradually became a minority in these lands under the now dominant Turkish culture.


title: Greek genocide

text: Beginning in the spring of 1913, the Ottomans implemented a programme of expulsions and forcible migrations, focusing on Greeks of the Aegean region and eastern Thrace, whose presence in these areas was deemed a threat to national security. The Ottoman government adopted a "dual-track mechanism" allowing it to deny responsibility for and prior knowledge of this campaign of intimidation, emptying Christian villages. The involvement in certain cases of local military and civil functionaries in planning and executing anti-Greek violence and looting led ambassadors of Greece and the Great Powers and the Patriarchate to address complaints to the Sublime Porte. In protest to government inaction in the face of these attacks and to the so-called "Muslim boycott" of Greek products that had begun in 1913, the Patriarchate closed Greek churches and schools in June 1914. Responding to international and domestic pressure, Talat Pasha headed a visit in Thrace in April 1914 and later in the Aegean to investigate reports and try to soothe bilateral tension with Greece. While claiming that he had no involvement or knowledge of these events, Talat met with Kuşçubaşı Eşref, head of the "cleansing" operation in the Aegean littoral, during his tour and advised him to be cautious not to be "visible". Also, after 1913 there were organized boycotts against the Greeks, initiated by the Ottoman Interior Ministry who asked the empire's provinces to start them.


title: Greek genocide

text: One of the worst attacks of this campaign attack took place in Phocaea (Greek: Φώκαια), on the night of 12 June 1914, a town in western Anatolia next to Smyrna, where Turkish irregular troops destroyed the city, killing 50 or 100 civilians and causing its population to flee to Greece. French eyewitness Charles Manciet states that the atrocities he had witnessed at Phocaea were of an organized nature that aimed at circling Christian peasant populations of the region. In another attack against Serenkieuy, in Menemen district, the villagers formed armed resistance groups but only a few managed to survive being outnumbered by the attacking Muslim irregular bands. During the summer of the same year the Special Organization (Teşkilat-ı Mahsusa), assisted by government and army officials, conscripted Greek men of military age from Thrace and western Anatolia into Labour Battalions in which hundreds of thousands died. These conscripts, after being sent hundreds of miles into the interior of Anatolia, were employed in road-making, building, tunnel excavating and other field work; but their numbers were heavily reduced through privations and ill-treatment and through outright massacre by their Ottoman guards.


title: Greek genocide

text: Following similar accords made with Bulgaria and Serbia, the Ottoman Empire signed a small voluntary population exchange agreement with Greece on 14 November 1913. Another such agreement was signed 1 July 1914 for the exchange of some "Turks" (that is, Muslims) of Greece for some Greeks of Aydin and Western Thrace, after the Ottomans had forced these Greeks from their homes in response to the Greek annexation of several islands. The swap was never completed due to the eruption of World War I. While discussions for population exchanges were still conducted, Special Organization units attacked Greek villages forcing their inhabitants to abandon their homes for Greece, being replaced with Muslim refugees.


title: Greek genocide

text: The forceful expulsion of Christians of western Anatolia, especially Ottoman Greeks, has many similarities with policy towards the Armenians, as observed by US ambassador Henry Morgenthau and historian Arnold Toynbee. In both cases, certain Ottoman officials, such as Şükrü Kaya, Nazım Bey and Mehmed Reshid, played a role; Special Organization units and labour battalions were involved; and a dual plan was implemented combining unofficial violence and the cover of state population policy. This policy of persecution and ethnic cleansing was expanded to other parts of the Ottoman Empire, including Greek communities in Pontus, Cappadocia, and Cilicia.


title: Greek genocide

text: According to a newspaper of the time, in November 1914, Turkish troops destroyed Christian properties and murdered several Christians at Trabzon. After November 1914 Ottoman policy towards the Greek population shifted; state policy was restricted to the forceful migration to the Anatolian hinterland of Greeks living in coastal areas, particularly the Black Sea region, close to the Turkish-Russian front. This change of policy was due to a German demand for the persecution of Ottoman Greeks to stop, after Eleftherios Venizelos had made this a condition of Greece's neutrality when speaking to the German ambassador in Athens. Venizelos also threatened to undertake a similar campaign against Muslims that were living in Greece if Ottoman policy did not change. While the Ottoman government tried to implement this change in policy, it was unsuccessful and attacks, even murders, continued to occur unpunished by local officials in the provinces, despite repeated instructions in cables sent from the central administration. Arbitrary violence and extortion of money intensified later, providing ammunition for the Venizelists arguing that Greece should join the Entente.


title: Greek genocide

text: In July 1915 the Greek chargé d'affaires claimed that the deportations "can not be any other issue than an annihilation war against the Greek nation in Turkey and as measures hereof they have been implementing forced conversions to Islam, in obvious aim to, that if after the end of the war there again would be a question of European intervention for the protection of the Christians, there will be as few of them left as possible." According to George W. Rendel of the British Foreign Office, by 1918 "over 500,000 Greeks were deported of whom comparatively few survived". In his memoirs, the United States ambassador to the Ottoman Empire between 1913 and 1916 wrote "Everywhere the Greeks were gathered in groups and, under the so-called protection of Turkish gendarmes, they were transported, the larger part on foot, into the interior. Just how many were scattered in this fashion is not definitely known, the estimates varying anywhere from 200,000 up to 1,000,000."


title: Greek genocide

text: Despite the shift of policy, the practice of evacuating Greek settlements and relocating the inhabitants was continued, albeit on a limited scale. Relocation was targeted at specific regions that were considered militarily vulnerable, not the whole of the Greek population. As a 1919 Patriarchate account records, the evacuation of many villages was accompanied with looting and murders, while many died as a result of not having been given the time to make the necessary provisions or of being relocated to uninhabitable places.


title: Greek genocide

text: State policy towards Ottoman Greeks changed again in the fall of 1916. With Entente forces occupying Lesbos, Chios and Samos since spring, the Russians advancing in Anatolia and Greece expected to enter the war siding with the Allies, preparations were made for the deportation of Greeks living in border areas. In January 1917 Talat Pasha sent a cable for the deportation of Greeks from the Samsun district "thirty to fifty kilometres inland" taking care for "no assaults on any persons or property". However, the execution of government decrees, which took a systematic form from December 1916, when Behaeddin Shakir came to the region, was not conducted as ordered: men were taken in labour battalions, women and children were attacked, villages were looted by Muslim neighbours. As such in March 1917 the population of Ayvalık, a town of c. 30,000 inhabitants on the Aegean coast was forcibly deported to the interior of Anatolia under order by German General Liman von Sanders. The operation included death marches, looting, torture and massacre against the civilian population. Germanos Karavangelis, the bishop of Samsun, reported to the Patriarchate that thirty thousands had been deported to the Ankara region and the convoys of the deportees had been attacked, with many being killed. Talat Pasha ordered an investigation for the looting and destruction of Greek villages by bandits. Later in 1917 instructions were sent to authorize military officials with the control of the operation and to broaden its scope, now including persons from cities in the coastal region. However, in certain areas Greek populations remained undeported.


title: Greek genocide

text: Greek deportees were sent to live in Greek villages in the inner provinces or, in some case, villages where Armenians were living before being deported. Greek villages evacuated during the war due to military concerns were then resettled with Muslim immigrants and refugees. According to cables sent to the provinces during this time, abandoned movable and non-movable Greek property was not to be liquidated, as that of the Armenians, but "preserved".


title: Greek genocide

text: On 14 January 1917 Cossva Anckarsvärd, Sweden's Ambassador to Constantinople, sent a dispatch regarding the decision to deport the Ottoman Greeks:


title: Greek genocide

text: According to Rendel, atrocities such as deportations involving death marches, starvation in labour camps etc. were referred to as "white massacres". Ottoman official Rafet Bey was active in the genocide of the Greeks and in November 1916, Austrian consul in Samsun, Kwiatkowski, reported that he said to him "We must finish off the Greeks as we did with the Armenians ... today I sent squads to the interior to kill every Greek on sight".


title: Greek genocide

text: Pontic Greeks responded by forming insurgent groups, which carried weapons salvaged from the battlefields of the Caucasus Campaign of World War I or directly supplied by the Russian army. In 1920, the insurgents reached their peak in regard to manpower numbering 18,000 men. On 15 November 1917, Ozakom delegates agreed to create a unified army composed of ethnically homogeneous units, Greeks were allotted a division consisting of three regiments. The Greek Caucasus Division was thus formed out of ethnic Greeks serving in Russian units stationed in the Caucasus and raw recruits from among the local population including former insurgents. The division took part in numerous engagements against the Ottoman army as well as Muslim and Armenian irregulars, safeguarding the withdrawal of Greek refugees into the Russian held Caucasus, before being disbanded in the aftermath of the Treaty of Poti.


title: Greek genocide

text: After the Ottoman Empire capitulated on 30 October 1918, it came under the de jure control of the victorious Entente Powers. However, the latter failed to bring the perpetrators of the genocide to justice, although in the Turkish Courts-Martial of 1919–20 a number of leading Ottoman officials were accused of ordering massacres against both Greeks and Armenians. Thus, killings, massacres and deportations continued under the pretext of the national movement of Mustafa Kemal (later Atatürk).


title: Greek genocide

text: In an October 1920 report a British officer describes the aftermath of the massacres at İznik in north-western Anatolia in which he estimated that at least 100 decomposed mutilated bodies of men, women and children were present in and around a large cave about 300 yards outside the city walls.


title: Greek genocide

text: The systematic massacre and deportation of Greeks in Asia Minor, a program which had come into effect in 1914, was a precursor to the atrocities perpetrated by both the Greek and Turkish armies during the Greco-Turkish War, a conflict which followed the Greek landing at Smyrna in May 1919 and continued until the retaking of Smyrna by the Turks and the Great Fire of Smyrna in September 1922. Rudolph Rummel estimated the death toll of the fire at 100,000 Greeks and Armenians, who perished in the fire and accompanying massacres. According to Norman M. Naimark "more realistic estimates range between 10,000 to 15,000" for the casualties of the Great Fire of Smyrna. Some 150,000 to 200,000 Greeks were expelled after the fire, while about 30,000 able-bodied Greek and Armenian men were deported to the interior of Asia Minor, most of whom were executed on the way or died under brutal conditions. George W. Rendel of the British Foreign Office noted the massacres and deportations of Greeks during the Greco-Turkish War. According to estimates by Rudolph Rummel, between 213,000 and 368,000 Anatolian Greeks were killed between 1919 and 1922. There were also massacres of Turks carried out by the Hellenic troops during the occupation of western Anatolia from May 1919 to September 1922.


title: Greek genocide

text: For the massacres that occurred during the Greco-Turkish War of 1919–1922, British historian Arnold J. Toynbee wrote that it was the Greek landings that created the Turkish National Movement led by Mustafa Kemal: "The Greeks of 'Pontus' and the Turks of the Greek occupied territories, were in some degree victims of Mr. Venizelos's and Mr. Lloyd George's original miscalculations at Paris."


title: Greek genocide

text: In 1917 a relief organization by the name of the Relief Committee for Greeks of Asia Minor was formed in response to the deportations and massacres of Greeks in the Ottoman Empire. The committee worked in cooperation with the Near East Relief in distributing aid to Ottoman Greeks in Thrace and Asia Minor. The organisation disbanded in the summer of 1921 but Greek relief work was continued by other aid organisations.


title: Greek genocide

text: German and Austro-Hungarian diplomats, as well as the 1922 memorandum compiled by British diplomat George W. Rendel on "Turkish Massacres and Persecutions", provided evidence for series of systematic massacres and ethnic cleansing of the Greeks in Asia Minor. The quotes have been attributed to various diplomats, including the German ambassadors Hans Freiherr von Wangenheim and Richard von Kühlmann, the German vice-consul in Samsun Kuchhoff, Austria's ambassador Pallavicini and Samsun consul Ernst von Kwiatkowski, and the Italian unofficial agent in Angora Signor Tuozzi. Other quotes are from clergymen and activists, including the German missionary Johannes Lepsius, and Stanley Hopkins of the Near East Relief. Germany and Austria-Hungary were allied to the Ottoman Empire in World War I.


title: Greek genocide

text: The accounts describe systematic massacres, rapes and burnings of Greek villages, and attribute intent to Ottoman officials, including the Ottoman Prime Minister Mahmud Sevket Pasha, Rafet Bey, Talat Pasha and Enver Pasha.


title: Greek genocide

text: Additionally, "The New York Times" and its correspondents made extensive references to the events, recording massacres, deportations, individual killings, rapes, burning of entire Greek villages, destruction of Greek Orthodox churches and monasteries, drafts for "Labor Brigades", looting, terrorism and other "atrocities" for Greek, Armenian and also for British and American citizens and government officials. Australian press also had some coverage of the events.


title: Greek genocide

text: Henry Morgenthau, the United States ambassador to the Ottoman Empire from 1913 to 1916, accused the "Turkish government" of a campaign of "outrageous terrorizing, cruel torturing, driving of women into harems, debauchery of innocent girls, the sale of many of them at 80 cents each, the murdering of hundreds of thousands and the deportation to and starvation in the desert of other hundreds of thousands, [and] the destruction of hundreds of villages and many cities", all part of "the willful execution" of a "scheme to annihilate the Armenian, Greek and Syrian Christians of Turkey". However, months prior to the First World War, 100,000 Greeks were deported to Greek islands or the interior which Morgenthau stated, "for the larger part these were bona-fide deportations; that is, the Greek inhabitants were actually removed to new places and were not subjected to wholesale massacre. It was probably the reason that the civilized world did not protest against these deportations".


title: Greek genocide

text: US Consul-General George Horton, whose account has been criticised by scholars as anti-Turkish, claimed, "One of the cleverest statements circulated by the Turkish propagandists is to the effect that the massacred Christians were as bad as their executioners, that it was '50–50'." On this issue he comments: "Had the Greeks, after the massacres in the Pontus and at Smyrna, massacred all the Turks in Greece, the record would have been 50–50—almost." As an eye-witness, he also praises Greeks for their "conduct ... toward the thousands of Turks residing in Greece, while the ferocious massacres were going on", which, according to his opinion, was "one of the most inspiring and beautiful chapters in all that country's history".


title: Greek genocide

text: According to Benny Morris and Dror Ze'evi in "The Thirty-Year Genocide", as a result of Ottoman and Turkish state policy, "several hundred thousand Ottoman Greeks had died. Either they were murdered outright or were the intentional victims of hunger, disease, and exposure."


title: Greek genocide

text: For the whole of the period between 1914 and 1922 and for the whole of Anatolia, there are academic estimates of death toll ranging from 289,000 to 750,000. The figure of 750,000 is suggested by political scientist Adam Jones. Scholar Rudolph Rummel compiled various figures from several studies to estimate lower and higher bounds for the death toll between 1914 and 1923. He estimates that 84,000 Greeks were exterminated from 1914 to 1918, and 264,000 from 1919 to 1922. The total number reaching 347,000. Historian Constantine G. Hatzidimitriou writes that "loss of life among Anatolian Greeks during the WWI period and its aftermath was approximately 735,370". Erik Sjöberg states that "[a]ctivists tend to inflate the overall total of Ottoman Greek deaths" over what he considers "the cautious estimates between 300,000 to 700,000".


title: Greek genocide

text: Some contemporary sources claimed different death tolls. The Greek government collected figures together with the Patriarchate to claim that a total of one million people were massacred. A team of American researchers found in the early postwar period that the total number of Greeks killed may approach 900,000 people. Edward Hale Bierstadt, writing in 1924, stated that "According to official testimony, the Turks since 1914 have slaughtered in cold blood 1,500,000 Armenians, and 500,000 Greeks, men women and children, without the slightest provocation." On 4 November 1918, Emanuel Efendi, an Ottoman deputy of Aydin, criticised the ethnic cleansing of the previous government and reported that 550,000 Greeks had been killed in the coastal regions of Anatolia (including the Black Sea coast) and Aegean Islands during the deportations.


title: Greek genocide

text: According to various sources the Greek death toll in the Pontus region of Anatolia ranges from 300,000 to 360,000. Merrill D. Peterson cites the death toll of 360,000 for the Greeks of Pontus. According to George K. Valavanis, "The loss of human life among the Pontian Greeks, since the Great War (World War I) until March 1924, can be estimated at 353,000, as a result of murders, hangings, and from punishment, disease, and other hardships." Valavanis derived this figure from the 1922 record of the Central Pontian Council in Athens based on the "Black Book" of the Ecumenical Patriarchate, to which he adds "50,000 new martyrs", which "came to be included in the register by spring 1924".


title: Greek genocide

text: Article 142 of the 1920 Treaty of Sèvres, prepared after the first World War, called the Turkish regime "terrorist" and contained provisions "to repair so far as possible the wrongs inflicted on individuals in the course of the massacres perpetrated in Turkey during the war." The Treaty of Sèvres was never ratified by the Turkish government and ultimately was replaced by the Treaty of Lausanne. That treaty was accompanied by a "Declaration of Amnesty", without containing any provision in respect to punishment of war crimes.


title: Greek genocide

text: In 1923, a population exchange between Greece and Turkey resulted in a near-complete ending of the Greek ethnic presence in Turkey and a similar ending of the Turkish ethnic presence in much of Greece. According to the Greek census of 1928, 1,104,216 Ottoman Greeks had reached Greece. It is impossible to know exactly how many Greek inhabitants of Turkey died between 1914 and 1923, and how many ethnic Greeks of Anatolia were expelled to Greece or fled to the Soviet Union. Some of the survivors and expelled took refuge in the neighboring Russian Empire (later, Soviet Union). Similar plans for a population exchange had been negotiated earlier, in 1913–1914, between Ottoman and Greek officials during the first stage of the Greek genocide but had been interrupted by the onset of World War I.


title: Greek genocide

text: In December 1924, "The New York Times" reported that 400 tonnes of human bones consigned to manufacturers were transported from Mudania to Marseille, which might be the remains of massacred victims in Asia Minor.


title: Greek genocide

text: In 1955, the Istanbul Pogrom caused most of the remaining Greek inhabitants of Istanbul to flee the country. Historian Alfred-Maurice de Zayas identifies the pogrom as a crime against humanity and he states that the flight and migration of Greeks afterwards corresponds to the "intent to destroy in whole or in part" criteria of the Genocide Convention.


title: Greek genocide

text: The word "genocide" was coined in the early 1940s, the era of the Holocaust, by Raphael Lemkin, a Polish lawyer of Jewish descent. In his writings on genocide, Lemkin is known to have detailed the fate of Greeks in Turkey. In August 1946 the "New York Times" reported:


title: Greek genocide

text: The 1948 Convention on the Prevention and Punishment of the Crime of Genocide (CPPCG) was adopted by the United Nations General Assembly in December 1948 and came into force in January 1951. It includes a legal definition of genocide.


title: Greek genocide

text: Before the creation of the term "genocide", the destruction of the Ottoman Greeks was known by Greeks as "the Massacre" (in Greek: ), "the Great Catastrophe" (), or "the Great Tragedy" (). The Ottoman and Kemalist nationalist massacres of the Greeks in Anatolia, constituted genocide under the initial definition and international criminal application of the term, as in the international criminal tribunals authorized by the United Nations.


title: Greek genocide

text: In December 2007 the International Association of Genocide Scholars (IAGS) passed a resolution affirming that the 1914–23 campaign against Ottoman Greeks constituted genocide "qualitatively similar" to the Armenian genocide. IAGS President Gregory Stanton urged the Turkish government to finally acknowledge the three genocides: "The history of these genocides is clear, and there is no more excuse for the current Turkish government, which did not itself commit the crimes, to deny the facts." Drafted by Canadian scholar Adam Jones, the resolution was adopted on 1 December 2007 with the support of 83% of all voting IAGS members. Several scholars researching the Armenian genocide, such as Peter Balakian, Taner Akçam, Richard Hovannisian and Robert Melson, however stated that "the issue had to be further researched before a resolution was passed."


title: Greek genocide

text: Manus Midlarsky notes a disjunction between statements of genocidal intent against the Greeks by Ottoman officials and their actions, pointing to the containment of massacres in selected "sensitive" areas and the large numbers of Greek survivors at the end of the war. Because of cultural and political ties of the Ottoman Greeks with European powers, Midlarsky argues, genocide was "not a viable option for the Ottomans in their case." Taner Akçam refers to contemporary accounts noting the difference in government treatment of Ottoman Greeks and Armenians during WW I and concludes that "despite the increasingly severe wartime policies, in particular for the period between late 1916 and the first months of 1917, the government's treatment of the Greeks – although comparable in some ways to the measures against the Armenians – differed in scope, intent, and motivation."


title: Greek genocide

text: Some historians, including , , and Andrekos Varnava argue that the persecution of Greeks was ethnic cleansing or deportation, but not genocide. This is also a position of some Greek mainstream historians; according to Aristide Caratzas this is due to a number of factors, "which range from governmental reticence to criticize Turkey to spilling over into the academic world, to ideological currents promoting a diffuse internationalism cultivated by a network of NGOs, often supported by western governments and western interests". Others, such as Dominik J. Schaller and Jürgen Zimmerer, argue that the "genocidal quality of the murderous campaigns against Greeks" was "obvious". The historians Samuel Totten and Paul R. Bartrop, who specialize on the history of genocides, also call it a genocide; so is Alexander Kitroeff. Another scholar who considers it a genocide is Hannibal Travis; he also adds that the widespread attacks by the successive governments of Turkey, on the homes, places of worship, and heritage of minority communities since the 1930s, constitute cultural genocide as well.


title: Greek genocide

text: Dror Ze'evi and Benny Morris, authors of "The Thirty-Year Genocide", write that "the story about what happened in Turkey is much broader and deeper [than just the Armenian genocide]. It's deeper because it isn't just about World War I, but about a series of homicidal ethno-religious cleansings that took place from the late 1890s to the 1920s and beyond. It is wider because the victims weren't only Armenians. Alongside hundreds of thousands of Armenians... Greeks and Assyrians... were massacred in similar numbers... We estimate that during the 30 year period that we studied between a million and a half and two and a half million Christians from all three religious groups were murdered or intentionally left for dead of starvation and sickness, and millions of others were deported and lost everything. In addition, tens of thousands of Christians were forced to convert, and many thousands of girls and women were raped by their Muslim neighbors and the security forces. The Turks even set up markets where Christian girls were sold as sex slaves. These horrendous acts were committed by three entirely different regimes: the authoritarian-Islamist regime of Sultan Abdul Hamid II, the wartime regime of the Committee of Union and Progress ("The Young Turks") led by Talaat and Enver, and the nationalist-secular post-war regime of Mustafa Kemal Atatürk."


title: Greek genocide

text: Following an initiative of MPs of the so-called "patriotic" wing of the ruling PASOK party's parliamentary group and like-minded MPs of conservative New Democracy, the Greek Parliament passed two laws on the fate of the Ottoman Greeks; the first in 1994 and the second in 1998. The decrees were published in the Greek "Government Gazette" on 8 March 1994 and 13 October 1998 respectively. The 1994 decree, created by Georgios Daskalakis, affirmed the genocide in the Pontus region of Asia Minor and designated 19 May (the day Mustafa Kemal landed in Samsun in 1919) a day of commemoration, (called Pontian Greek Genocide Remembrance Day) while the 1998 decree affirmed the genocide of Greeks in Asia Minor as a whole and designated 14 September a day of commemoration. These laws were signed by the President of Greece but were not immediately ratified after political interventions. After leftist newspaper I Avgi initiated a campaign against the application of this law, the subject became subject of a political debate. The president of the left-ecologist Synaspismos party Nikos Konstantopoulos and historian Angelos Elefantis, known for his books on the history of Greek communism, were two of the major figures of the political left who expressed their opposition to the decree. However, the non-parliamentary left-wing nationalist intellectual and author George Karabelias bitterly criticized Elefantis and others opposing the recognition of genocide and called them "revisionist historians", accusing the Greek mainstream left of a "distorted ideological evolution". He said that for the Greek left 19 May is a "day of amnesia".


title: Greek genocide

text: In the late 2000s the Communist Party of Greece adopted the term "Genocide of the Pontic (Greeks)" () in its official newspaper "Rizospastis" and participates in memorial events.


title: Greek genocide

text: The Republic of Cyprus has also officially called the events "Greek Genocide in Pontus of Asia Minor".


title: Greek genocide

text: In response to the 1998 law, the Turkish government released a statement which claimed that describing the events as genocide was "without any historical basis". "We condemn and protest this resolution" a Turkish Foreign Ministry statement said. "With this resolution the Greek Parliament, which in fact has to apologize to the Turkish people for the large-scale destruction and massacres Greece perpetrated in Anatolia, not only sustains the traditional Greek policy of distorting history, but it also displays that the expansionist Greek mentality is still alive," the statement added.


title: Greek genocide

text: On 11 March 2010, Sweden's Riksdag passed a motion recognising "as an act of genocide the killing of Armenians, Assyrians/Syriacs/Chaldeans and Pontic Greeks in 1915".


title: Greek genocide

text: On 14 May 2013, the government of New South Wales was submitted a genocide recognition motion by Fred Nile of the Christian Democratic Party, which was later passed making it the fourth political entity to recognise the genocide.


title: Greek genocide

text: In March 2015, the National Assembly of Armenia unanimously adopted a resolution recognizing both the Greek and Assyrian genocides.


title: Greek genocide

text: In April 2015, the States General of the Netherlands and the Austrian Parliament passed resolutions recognizing the Greek and Assyrian genocides.


title: Greek genocide

text: The United Nations, the European Parliament, and the Council of Europe have not made any related statements. According to Constantine Fotiadis, professor of Modern Greek History at the Aristotle University of Thessaloniki, some of the reasons for the lack of wider recognition and delay in seeking acknowledgement of these events are as follows:


title: Greek genocide

text: In his book "With Intent to Destroy: Reflections on Genocide", Colin Tatz argues that Turkey denies the genocide so as not to jeopardize "its ninety-five-year-old dream of becoming the beacon of democracy in the Near East".


title: Greek genocide

text: In their book "Negotiating the Sacred: Blasphemy and Sacrilege in a Multicultural Society", Elizabeth Burns Coleman and Kevin White present a list of reasons explaining Turkey's inability to admit the genocides committed by the Young Turks, writing:


title: Greek genocide

text: According to Stefan Ihrig, Kemal's "model" remained active for the Nazi movement in Weimar Germany and the Third Reich until the end of World War II. Adolf Hitler had declared that he considered himself a "student" of Kemal, whom he referred to as his "star in the darkness", while the latter's contribution to the formation of National Socialist ideology is intensely apparent in Nazi literature. Kemal and his new Turkey of 1923 constituted the archetype of the "perfect Führer" and of "good national practices" for Nazism. The news media of the Third Reich emphasised the "Turkish model" and continuously praised the "benefits" of ethnic cleansing and genocide. Hitler referred to Kemal as being of Germanic descent.


title: Greek genocide

text: Hitler's National Socialist Party, from its first steps, had used the methods of the Turkish state as a standard to draw inspiration from. The official Nazi newspaper "Völkischer Beobachter" (""Völkisch" Observer"), on its February 1921 issue, stressed with admiration in an article titled "The Role Model": "The German nation will one day have no other choice but to resort to Turkish methods as well."


title: Greek genocide

text: A Nazi publication of 1925 exalted the new Turkish state for its "cleansing" policy, which "threw the Greek element to the sea". The majority of writers of the Third Reich stressed that the double genocide (against Greeks and Armenians) was a prerequisite for the success of the new Turkey, the NSDAP claimed: "Only through the annihilation of the Greek and the Armenian tribes in Anatolia was the creation of a Turkish national state and the formation of an unflawed Turkish body of society within one state possible."


title: Greek genocide

text: Memorials commemorating the plight of Ottoman Greeks have been erected throughout Greece, as well as in a number of other countries including Australia, Canada, Germany, Sweden, and the United States.


title: Cádiz

text: Cádiz (, , ) is a city and port in southwestern Spain. It is the capital of the Province of Cádiz, one of eight that make up the autonomous community of Andalusia.


title: Cádiz

text: Cádiz, one of the oldest continuously inhabited cities in Western Europe, was founded by the Phoenicians. In the 18th century, the Port in the Bay of Cádiz consolidated as the main harbor of mainland Spain, enjoying the virtual monopoly of trade with the Americas until 1778. It is also the site of the University of Cádiz.


title: Cádiz

text: Situated on a narrow slice of land surrounded by the sea‚ Cádiz is, in most respects, a typically Andalusian city with well-preserved historical landmarks. The older part of Cádiz, within the remnants of the city walls, is commonly referred to as the Old Town (Spanish: "Casco Antiguo"). It is characterized by the antiquity of its various quarters ("barrios"), among them "El Pópulo", "La Viña", and "Santa María", which present a marked contrast to the newer areas of town. While the Old City's street plan consists of narrow winding alleys connecting large plazas, newer areas of Cádiz typically have wide avenues and more modern buildings. In addition, the city is dotted with numerous parks where exotic plants flourish, including giant trees allegedly brought to Spain by Columbus from the New World.


title: Cádiz

text: Numismatic inscriptions in the Phoenician language record that the Phoenicians knew the site as or (, ), meaning 'wall', 'compound', or (by metonymy) 'stronghold'. Borrowed by the Berber languages, this became the "agadir" (Tamazight: 'wall'; Shilha: 'fortified granary') common in North African place names, such as that of the Moroccan city of Agadir. The Carthaginians continued to use this name and all subsequent names have derived from it.


title: Cádiz

text: Attic Greek sources hellenized "Gadir" as (), which is neuter plural. Herodotus, using Ionic Greek, transcribed it a little differently, as (). Rarely, as in Stephanus of Byzantium's notes on the writings of Eratosthenes, is the name given in the feminine singular form as ().


title: Cádiz

text: In Latin, the city was known as and its Roman colony as ("The August City of Julia of Cádiz"). In Arabic, the Latin name became (), from which the Spanish derives. The Spanish demonym for people and things from Cádiz is .


title: Cádiz

text: In English, the name is pronounced variously. When the accent is on the second syllable, it is usually pronounced but, when the accent is on the first syllable, it may be pronounced as , , , and similar, typically in American English. In Spanish, the accent is always, as according to the spelling, on the first syllable but, while the usual pronunciation in Spain is , the local dialect says , or even instead.


title: Cádiz

text: Founded as "Gadir" or "Agadir" by Phoenicians from Tyre, Cádiz is often regarded as the most ancient city still standing in Western Europe. The Phoenicians established a port in the 7th century BC.


title: Cádiz

text: Traditionally, its founding is dated to 1100 BC, although no archaeological strata on the site can be dated earlier than the 9th century BC. One resolution for this discrepancy has been to assume that Gadir was merely a small seasonal trading post in its earliest days.


title: Cádiz

text: The expeditions of Himilco around Spain and France and of Hanno around Western Africa began there. The Phoenician settlement traded with Tartessos, a city-state whose exact location remains unknown but is thought to have been somewhere near the mouth of the Guadalquivir River.


title: Cádiz

text: One of the city's notable features during antiquity was the temple on the south end of its island dedicated to the Phoenician god Melqart, who was conflated with Hercules by the Greeks and Romans under the names "Tyrian Hercules" and "Hercules Gaditanus". It had an oracle and was famed for its wealth. In Greek mythology, Hercules was sometimes credited with founding "Gadeira" after performing his tenth labor, the slaying of Geryon, a monster with three heads and torsos joined to a single pair of legs. (A tumulus near Gadeira was associated with Geryon's final resting-place.) According to the "Life of Apollonius of Tyana", the "Heracleum" (i.e., the temple of Melqart) was still standing during the 1st century. Some historians, based in part on this source, believe that the columns of this temple were the origin of the myth of the "pillars of Hercules".


title: Cádiz

text: The city fell under the sway of Carthage during Hamilcar Barca's Iberian campaign after the First Punic War. Cádiz became a depot for Hannibal's conquest of southern Iberia, and he sacrificed there to Hercules/Melqart before setting off on his famous journey in 218 BC to cross the Alps and invade Italy. Later the city fell to Romans under Scipio Africanus in 206 BC. Under the Roman Republic and Empire, the city flourished as a port and naval base known as "Gades". Suetonius relates how Julius Caesar, when visiting Gades as a quaestor (junior senator), saw a statue of Alexander the Great there and was saddened to think that he himself, though the same age, had still achieved nothing memorable.


title: Cádiz

text: The people of Gades had an alliance with Rome and Julius Caesar bestowed Roman citizenship on all its inhabitants in 49 BC. By the time of Augustus's census, Cádiz was home to more than five hundred "equites" (members of the wealthy upper class), a concentration rivaled only by Patavium (Padua) and Rome itself. It was the principal city of the Roman colony of Augusta Urbs Julia Gaditana. An aqueduct provided fresh water to the town (the island's supply was notoriously bad), running across open sea for its last leg. However, Roman Gades was never very large. It consisted only of the northwest corner of the present island, and most of its wealthy citizens maintained estates outside of it on the nearby island or on the mainland. The lifestyle maintained on the estates led to the Gaditan dancing girls becoming infamous throughout the ancient world.


title: Cádiz

text: Although it is not in fact the most westerly city in the Spanish peninsula, for the Romans Cádiz had that reputation. The poet Juvenal begins his famous tenth satire with the words: "Omnibus in terris quae sunt a Gadibus usque Auroram et Gangen" ('In all the lands which exist from Gades as far as Dawn and the Ganges...').


title: Cádiz

text: The overthrow of Roman power in Hispania Baetica by the Visigoths in the 400s saw the destruction of the original city, of which there remain few remnants today. The site was later reconquered by Justinian in 551 as part of the Byzantine province of Spania. It would remain Byzantine until Leovigild's reconquest in 572 returned it to the Visigothic Kingdom.


title: Cádiz

text: Under Moorish rule between 711 and 1262, the city was called "Qādis", whence the modern Spanish name was derived. A famous Muslim legend developed concerning an "idol" ("sanam Qādis") over 100 cubits tall on the outskirts of Cádiz whose magic blocked the strait of Gibraltar with contrary winds and currents; its destruction by Abd-al-Mumin supposedly permitted ships to sail through the strait once more. It also appeared (as "Salamcadis") in the 12th-century Pseudo-Turpin's history of Charlemagne, where it was considered a statue of Muhammad and thought to warn the Muslims of Christian invasion. Classical sources are entirely silent on such a structure, but it has been conjectured that the origin of the legend was the ruins of a navigational aid constructed in late antiquity. Abd-al-Mumin (or Admiral Ali ibn-Isa ibn-Maymun) found that the idol was gilded bronze rather than pure gold, but coined what there was to help fund his revolt. In 1217, according to the "De itinere frisonum" the city was raided by a group of Frisian crusaders en route to the Holy Land who burned it and destroyed its congregational mosque. The Moors were ousted by Alphonso X of Castile in 1262.


title: Cádiz

text: During the Age of Exploration, the city experienced a renaissance. Christopher Columbus sailed from Cádiz on his second and fourth voyages and the city later became the home port of the Spanish treasure fleet. Consequently, it became a major target of Spain's enemies. The 16th century saw a series of failed raids by Barbary corsairs; the greater part of the old town was consumed in a major fire in 1569; and in April 1587 a raid by the Englishman Francis Drake occupied the harbor for three days, captured six ships, and destroyed 31 others (an event which became known in England as 'The Singeing of the King of Spain's Beard'). The attack delayed the sailing of the Spanish Armada by a year.


title: Cádiz

text: The city suffered a still more serious attack in 1596, when it was captured by an Anglo-Dutch fleet, this time under the Earls of Essex and Nottingham. 32 Spanish ships were destroyed and the city was captured, looted and occupied for almost a month. Finally, when the royal authorities refused to pay a ransom demanded by the English for returning the city intact, they burned much of it before leaving with their booty. A third English raid was mounted against the city in 1625 by George Villiers, 1st Duke of Buckingham, and Edward Cecil, but the attempt was unsuccessful. During the Anglo-Spanish War, Admiral Robert Blake blockaded Cádiz from 1655 to 1657. In the 1702 Battle of Cádiz, the English attacked again under George Rooke and James Butler, 2nd Duke of Ormonde, but they were repelled after a costly siege.


title: Cádiz

text: In the 18th century, the sand bars of the Guadalquivir forced the Spanish government to transfer its American trade from Seville to Cádiz, which now commanded better access to the Atlantic. Although the empire itself was declining, Cádiz now experienced another golden age from its new importance. It became one of Spain's greatest and most cosmopolitan cities and home to trading communities from many countries, the richest of which were the Irishmen. Many of today's historic buildings in the Old City date from this era.


title: Cádiz

text: On 12 October 1778, the right to trade with the Americas was expanded to most ports of mainland Spain, bringing the monopoly of trade hitherto enjoyed by the Port of the Bay of Cádiz to an end.


title: Cádiz

text: During the Napoleonic Wars, Cádiz was blockaded by the British from 1797 until the Peace of Amiens in 1802 and again from 1803 until the outbreak of the Peninsular War in 1808. In that war, it was one of the few Spanish cities to hold out against the invading French and their candidate Joseph Bonaparte. Cádiz then became the seat of Spain's military high command and Cortes (parliament) for the duration of the war. It was here that the liberal Spanish Constitution of 1812 was proclaimed. The citizens revolted in 1820 to secure a renewal of this constitution and the revolution spread successfully until Ferdinand VII was imprisoned in Cádiz. French forces secured the release of Ferdinand in the 1823 Battle of Trocadero and suppressed liberalism for a time. In 1868, Cádiz was once again the seat of a revolution, resulting in the eventual abdication and exile of Queen Isabella II. The Cortes of Cádiz decided to reinstate the monarchy under King Amadeo just two years later.


title: Cádiz

text: In recent years, the city has undergone much reconstruction. Many monuments, cathedrals, and landmarks have been cleaned and restored.


title: Cádiz

text: The diocese of Cádiz and Ceuta is a suffragan of the Roman Catholic Archdiocese of Seville; that is, it is a diocese within the metropolitan see of Seville. It became a diocese in 1263 after its Reconquista (reconquest) from the Moors. By the Concordat of 1753, in which the Spanish crown also gained the rights to make appointments to church offices and to tax church lands, the Diocese of Cádiz was merged with the Diocese of Ceuta, a Spanish conclave on the northern coast of Africa, and the diocesan bishop became, by virtue of his office, the apostolic administrator of Ceuta.


title: Cádiz

text: Among the many landmarks of historical and scenic interest in Cádiz, a few stand out. The city can boast of an unusual cathedral of various architectural styles, a theater, an old municipal building, an 18th-century watchtower, a vestige of the ancient city wall, an ancient Roman theater, and electrical pylons of an eye-catchingly modern design carrying cables across the Bay of Cádiz. The old town is characterized by narrow streets connecting squares ("plazas"), bordered by the sea and by the city walls. Most of the landmark buildings are situated in the plazas.


title: Cádiz

text: The old town of Cádiz is one of the most densely populated urban areas in Europe, and is packed with narrow streets. The old town benefits, though, from several striking plazas, which are enjoyed by citizens and tourists alike. These are the "Plaza de Mina", "Plaza San Antonio", "Plaza de Candelaria", "Plaza de San Juan de Dios", and "Plaza de España".


title: Cádiz

text: Located in the heart of the old town, Plaza de Mina was developed in the first half of the 19th century. Previously, the land occupied by the plaza was the orchard of the convent of San Francisco. The plaza was converted into a plaza in 1838 by the architect Torcuato Benjumeda and (later) Juan Daura, with its trees being planted in 1861. It was then redeveloped again in 1897, and has remained virtually unchanged since that time. It is named after General Francisco Espoz y Mina, a hero of the war of independence. Manuel de Falla y Matheu was born in Number 3 Plaza de Mina, where a plaque bears his name. The plaza also contains several statues, one of these is a bust of José Macpherson (a pioneer in the development of petrography, stratigraphy and tectonics) who was born in number 12 Plaza de Mina in 1839. The Museum of Cádiz, is to be found at number 5 Plaza de Mina, and contains many objects from Cádiz's 3000-year history as well as works by artists such as Peter Paul Rubens. The houses which face the plaza, many of which can be classified as neo-classical architecture or built in the style of Isabelline Gothic, were originally occupied by the Cádiz bourgeoisie.


title: Cádiz

text: The Plaza de la Catedral houses both the Cathedral and the Baroque church of "Santiago", built in 1635.


title: Cádiz

text: Located next to Plaza de Mina, this smaller square houses the San Francisco church and convent. Originally built in 1566, it was substantially renovated in the 17th century, when its cloisters were added. Originally, the Plaza de Mina formed the convent's orchard.


title: Cádiz

text: In the 19th century Plaza San Antonio was considered to be Cádiz's main square. The square is surrounded by a number of mansions built in neo-classical architecture or Isabelline Gothic style, once occupied by the Cádiz upper classes. San Antonio church, originally built in 1669, is also situated in the plaza.


title: Cádiz

text: The plaza was built in the 18th century, and on 19 March 1812 the Spanish Constitution of 1812 was proclaimed here, leading to the plaza to be named Plaza de la Constitución, and then later Plaza San Antonio, after the hermit San Antonio.


title: Cádiz

text: The Plaza de Candelaria is named after the Candelaria convent, situated in the square until it was demolished in 1873 under the First Spanish Republic, when its grounds were redeveloped as a plaza. The plaza is notable for a statue in its centre of Emilio Castelar, president of the first Spanish republic, who was born in a house facing the square. A plaque situated on another house, states that Bernardo O'Higgins, an Irish-Chilean adventurer and former dictator of Chile, also lived in the square.


title: Cádiz

text: One of Cádiz's most famous landmarks is its cathedral. Unlike in many places, this cathedral, known locally as the "New Cathedral," the Cathedral of Cádiz is officially the Cathedral de "Santa Cruz sobre el mar" or "Santa Cruz sobre las Aguas". It was not built on the site of the original Cathedral de Santa Cruz. The original Cathedral of Santa Cruz was completed in 1263 at the behest of Alfonso X. The old cathedral burned in the Anglo-Dutch attack on the city in 1596. The reconstruction of the old cathedral started in the early 17th century, but when the city became more prosperous following the move of the Casa de Contratación from Seville to Cádiz in 1717, it was felt that a grander cathedral was needed.


title: Cádiz

text: Work on the New Cathedral started in 1722 and was supervised by the architect Vicente Acero, who had also built the Granada Cathedral. Acero resigned from the project and was succeeded by several other architects. As a result, this largely Baroque-style cathedral was built over a period of 116 years, and, due to this drawn-out period of construction, the cathedral underwent several major changes to its original design. Though the cathedral was originally intended to be a baroque edifice with some rococo elements, it was completed in the neoclassical style. Its chapels have many paintings and relics from the old cathedral in Cádiz and as well as from monasteries throughout Spain.


title: Cádiz

text: Construction of this plaza began in the 15th century on lands reclaimed from the sea. With the demolition of the City walls in 1906 the plaza increased in size and a statue of the Cádiz politician Segismundo Moret was unveiled. Overlooking the plaza, the "Ayuntamiento" is the town hall of Cádiz's "Old City". The structure, constructed on the bases and location of the previous Consistorial Houses (1699), was built in two stages. The first stage began in 1799 under the direction of architect Torcuato Benjumeda in the neoclassical style. The second stage was completed in 1861 under the direction of García del Alamo, in the Isabelline Gothic ( or, simply, the "Isabelino") style. Here, in 1936, the flag of Andalusia was hoisted for the first time.


title: Cádiz

text: The Plaza de España is a large square close to the port. It is dominated by the Monument to the Constitution of 1812, which came into being as a consequence of the demolition of a portion of the old city wall. The plaza is an extension of the old Plazuela del Carbón.


title: Cádiz

text: The goal of this demolition was to create a grand new city square to mark the hundredth anniversary of the liberal constitution, which was proclaimed in this city in 1812, and provide a setting for a suitable memorial. The work is by the architect, Modesto Lopez Otero, and of the sculptor, Aniceto Marinas. The work began in 1912 and finished in 1929.


title: Cádiz

text: The original "Gran Teatro" was constructed in 1871 by the architect García del Alamo, and was destroyed by a fire in August 1881. The current theater was built between 1884 and 1905 over the remains of the previous Gran Teatro. The architect was Adolfo Morales de los Rios, and the overseer of construction was Juan Cabrera de la Torre. The outside was covered in red bricks and is of a neo-Mudéjar or Moorish revival style. Following renovations in the 1920s, the theater was renamed the "Gran Teatro Falla", in honor of composer Manuel de Falla, who is buried in the crypt of the cathedral. After a period of disrepair in the 1980s, the theater has since undergone extensive renovation.


title: Cádiz

text: The Constitution of 1812 Bridge, also known as La Pepa Bridge, is a new bridge across the Bay of Cádiz, linking Cádiz with the town of Puerto Real.


title: Cádiz

text: This is one of the highest bridges in Europe, with 5 kilometers in total length. It is the third access to the city, along with the San Fernando road and the Carranza bridge.


title: Cádiz

text: In the 18th century, Cádiz had more than 160 towers from which local merchants could look out to sea to watch for arriving merchant ships from the New World. These towers often formed part of the merchants' houses, but this particular tower was located on a high point in the city, 45 meters above sea level, and was chosen by the Navy as their official lookout in 1787 (after eliminating several other locations previously.) The "Torre Tavira", was named for its original watchman, Don Antonio Tavira, a lieutenant in the Spanish Navy. Today it is the tallest of the towers which still dot the Cádiz skyline. Since 1994 there is a "camera obscura", a room that uses the principle of the pinhole camera and a specially prepared convex lens to project panoramic views of the Old City onto a concave disc. There are also two exhibition rooms and a rooftop terrace.


title: Cádiz

text: The "Casa del Almirante" is a palatial house, adjacent to the Plaza San Martín in the Barrio del Pópulo, which was constructed in 1690 with the proceeds of the lucrative trade with the Americas. It was built by the family of the admiral of the Spanish treasure fleet, the so-called Fleet of the Indies, Don Diego de Barrios. The exterior is sheathed in exquisite red and white Genoan marble, prepared in the workshops of Andreoli, and mounted by the master, García Narváez. The colonnaded portico, the grand staircase under the cupola, and the hall on the main floor are architectural features of great nobility and beauty. The shield of the Barrios family appears on the second-floor balcony.


title: Cádiz

text: Situated within the confines of the walls which protect the flank of the port of Cádiz are three identical adjacent buildings: the Customs House, the House of Hiring and the consulate. Of the three, the former had been erected first, built in a sober neo-classical style and of ample and balanced proportions. The works began in 1765 under the direction of Juan Caballero at a cost of 7,717,200 reales.


title: Cádiz

text: Cádiz's refurbished tobacco factory offers international conference and trade-show facilities. Home to the third annual MAST Conference and trade-show (12 to 14 November 2008).


title: Cádiz

text: The Roman theatre was discovered in 1980, in the El Pópulo district, after a fire had destroyed some old warehouses, revealing a layer of construction that was judged to be the foundations of some medieval buildings; the foundations of these buildings had been built, in turn, upon much more ancient stones, hand-hewn limestone of a Roman character. Systematic excavations have revealed a largely intact Roman theatre.


title: Cádiz

text: The theatre, constructed by order of Lucius Cornelius Balbus (minor) during the 1st century BC, is the second-largest Roman theatre in the world, surpassed only by the theatre of Pompeii, south of Rome. Cicero, in his "Epistulae ad Familiares" ('Letters to his friends'), wrote of its use by Balbus for personal propaganda.


title: Cádiz

text: The Pylons of Cádiz are electricity pylons of unusual design, one on either side of the Bay of Cádiz, used to support huge electric-power cables. The pylons are high and designed for two circuits. The very unconventional construction consists of a narrow frustum steel framework with one crossbar at the top of each one for the insulators.


title: Cádiz

text: La Pepa Bridge, officially "La Pepa" and also named the second bridge to Cádiz or new access to Cádiz. It opened 24 September 2015. It crosses the Bay of Cádiz linking Cádiz with Puerto Real in mainland Spain. It is the longest bridge in Spain and the longest span cable-stayed in the country.


title: Cádiz

text: "Las Puertas de Tierra" originated in the 16th century. Once consisting of several layers of walls, only one of these remain today. By the 20th century it was necessary to remodel the entrance to the Old City to accommodate modern traffic. Today, the two side-by-side arches cut into the wall serve as one of the primary entrances to the city.


title: Cádiz

text: "El Arco de los Blancos" is the gate to the Populo district, built around 1300. It was the principal gate to the medieval town. The gate is named after the family of Felipe Blanco who built a chapel (now disappeared) above the gate.


title: Cádiz

text: "El Arco de la Rosa" ("Rose Arch") is a gate carved into the medieval walls next to the cathedral. It is named after captain Gaspar de la Rosa, who lived in the city during the 18th century. The gate was renovated in 1973.


title: Cádiz

text: The "Baluarte de la Candelaria" (fortress or stronghold of Candlemas) is a military fortification. Taking advantage of a natural elevation of land, it was constructed in 1672 at the initiative of the governor, Diego Caballero de Illescas. Protected by a seaward-facing wall that had previously served as a seawall, Candelaria's cannons were in a position to command the channels approaching the port of Cádiz. In more recent times, the edifice has served as a headquarters for the corps of military engineers and as the home to the army's homing pigeons, birds used to carry written messages over hostile terrain. Thoroughly renovated, it is now used as a cultural venue. There has been some discussion of using it to house a maritime museum, but, at present, it is designated for use as a permanent exposition space.


title: Cádiz

text: The "Castle of San Sebastián" is also a military fortification and is situated at the end of a road leading out from the Caleta beach. It was built in 1706. Today the castle remains unused, although its future uses remain much debated.


title: Cádiz

text: The "Castle of Santa Catalina" is also a military fortification, and is situated at the end of the Caleta beach. It was built in 1598 following the English sacking of Cádiz two years earlier. Recently renovated, today it is used for exhibitions and concerts.


title: Cádiz

text: Cádiz has a hot-summer mediterranean climate (Köppen "Csa") with very mild winters and warm to hot summers. The city has significant maritime influences due to its position on a narrow peninsula. Amongst any European places, Cádiz has one of the warmest winters. The annual sunshine hours of Cádiz are above 3,000h, being one of the sunniest cities in Europe. Although summer nights are tropical in nature, daytime temperatures are comparatively subdued compared to nearby inland areas such as Jerez and the very hot far inland areas in Andalucía. The average sea temperature is around during the winter and around during the summer. Snowfall is unknown at least since 1935.


title: Cádiz

text: "La Playa de la Caleta" is the best-loved beach of Cádiz. It has always been in Carnival songs, due to its unequalled beauty and its proximity to the "Barrio de la Viña". It is the beach of the Old City, situated between two castles, San Sebastian and Santa Catalina. It is around long and wide at low tide. La Caleta and the boulevard show a lot of resemblance to parts of Havana, the capital city of Cuba, like the malecon. Therefore, it served as the set for several of the Cuban scenes in the beginning of the James Bond movie "Die Another Day".


title: Cádiz

text: "La Playa de la Victoria", in the newer part of Cádiz, is the beach most visited by tourists and natives of Cádiz. It is about three km long, and it has an average width of of sand. The moderate swell and the absence of rocks allow family bathing. It is separated from the city by an avenue; on the landward side of the avenue, there are many shops and restaurants.


title: Cádiz

text: "La Playa de Santa María del Mar" or "Playita de las Mujeres" is a small beach in Cádiz, situated between La Playa de Victoria and La Playa de la Caleta. It features excellent views of the old district of Cádiz.


title: Cádiz

text: According to a 2021 census estimate, the population of the city of Cádiz was 114,244 (the third-most-populated city of the province after Jerez de la Frontera, with 212,830 inhabitants, and Algeciras with 122,982). It is the only capital city in Spain that is not the most or second-most populated City on its province. Cádiz is the fifty-seventh-largest Spanish city. In recent years, the city's population has steadily declined; it is the only municipality of the Bay of Cádiz (the "comarca" composed of Cádiz, Chiclana, El Puerto de Santa María, Puerto Real, and San Fernando), whose population has diminished. There are forecasts that Cádiz may become the fourth or fifth city in the province after losing more than 10,000 inhabitants from 2011 to 2021. Between 1995 and 2006, it lost more than 14,000 residents, a decrease of 9%.


title: Cádiz

text: Among the causes of this loss of population is the peculiar geography of Cádiz; the city lies on a narrow spit of land hemmed in by the sea. Consequently, there is a pronounced shortage of land to be developed. The city has very little vacant land, and a high proportion of its housing stock is relatively low in density. (That is to say, many buildings are only two or three stories tall, and they are only able to house a relatively small number of people within their "footprint".) The older quarters of Cádiz are full of buildings that, because of their age and historical significance, are not eligible for urban renewal.


title: Cádiz

text: Two other physical factors tend to limit the city's population. It is impossible to increase the amount of land available for building by reclaiming land from the sea; a new national law governing coastal development thwarts this possibility. Also, because Cádiz is built on a sandspit, it is a costly proposition to sink foundations deep enough to support the high-rise buildings that would allow for a higher population density. As it stands, the city's skyline is not substantially different from in the Middle Ages. A 17th-century watchtower, the Tavira Tower, still commands a panoramic view of the city and the bay despite its relatively modest height. (See below.)


title: Cádiz

text: Cádiz is the provincial capital with the highest rate of unemployment in Spain. This, too, tends to depress the population level. Young Gaditanos, those between 18 and 30 years of age, have been migrating to other places in Spain (Madrid and Castellón, chiefly), as well as to other places in Europe and the Americas. The population younger than twenty years old is only 20.58% of the total, and the population older than sixty-five is 21.67%, making Cádiz one of the most aged cities in all of Spain.


title: Cádiz

text: The population distribution of the municipality is extremely uneven. In its inhabited areas, Cádiz is one of the most densely populated cities in Europe. The uninhabited Zona Franca industrial area, Bay of Cádiz Port Area, and Bay of Cádiz Natural Park occupy 63.63% of the municipal area. The entire city population lives in the remaining , at an average density close to 30,000 inhabitants per square kilometer. The city is divided for statistical purposes into 10 divisions, the most densely populated one having 39,592 inhabitants per square kilometer, the least having 20,835.


title: Cádiz

text: The table below lists the area, population, and population density of the ten statistical divisions of Cádiz. Divisions 1 to 7, the ""stats divisions"", belong to the old town; 8, 9 and 10 correspond to the "new city".


title: Cádiz

text: The Carnival of Cádiz is one of the best known carnivals in the world. Throughout the year, carnival-related activities are almost constant in the city; there are always rehearsals, public demonstrations, and contests of various kinds.


title: Cádiz

text: The Carnival of Cádiz is famous for the satirical groups called "chirigotas", who perform comical musical pieces. Typically, a chirigota is composed of seven to twelve performers who sing, act and improvise accompanied by guitars, kazoos, a bass drum, and a variety of noise-makers. Other than the chirigotas, there are many other groups of performers: choruses; ensembles called "comparsas", who sing in close harmony much like the barbershop quartets of African-American culture or the mariachis of Mexico; "cuartetos", consisting of four (or sometimes three) performers alternating dramatic parodies and humorous songs; and "romanceros", storytellers who recite tales in verse. These diverse spectacles turn the city into a colourful and popular open-air theatre for two entire weeks in February.


title: Cádiz

text: The "" (the official association of carnival groups) sponsors a contest in the "Gran Teatro Falla" (see above) each year where chirigotas and other performers compete for prizes. This is the climactic event of the Cádiz carnival.


title: Cádiz

text: Cádiz is connected to European route E5 which connects it with Sevilla, Cordoba and Madrid to the North and Algeciras to the South East, continuing as E15 northbound along the Spanish Mediterranean coast.


title: Cádiz

text: The city is served by Jerez Airport, which is approximately 40 km (25 mi) north of the city centre. The airport offers regular domestic flights to Madrid and Barcelona as well as scheduled and seasonal charter flights to the UK, Germany and other European destinations. Cercanías Cádiz line C1 connects the airport to Cádiz main train station in 1hr.


title: Cádiz

text: Cádiz railway station is located just outside the old town. It offers suburban, regional and national services. The connection to the Madrid-Seville high-speed rail line was finished in 2015 after 14 years of construction, which extends the high speed Alvia trains to the city. Local services make the outskirts and regional destinations accessible along the line to Jerez and Seville. It is also the terminal of the new Cádiz Bay tram-train.


title: Cádiz

text: The port opposite the train station provides weekly ferry services to the Canary Islands (2–3 days travel time) as well as providing a stop for seasonal cruise ships.


title: Type 10

text: The is a fourth generation main battle tank of JSDF produced by Mitsubishi Heavy Industries for the Japanese Ground Self Defense Force, entering service in 2012. Compared with other currently-serving main battle tanks in the JGSDF, the Type 10 has been equipped with enhancements in its capability to respond to anti-tank warfare and other contingencies.


title: Type 10

text: The TK-X (MBT-X) project aimed to produce the new Type 10 main battle tank, to replace or complement the existing Type 74 and Type 90 main battle tanks that are currently in service with the Japan Ground Self Defense Force. Development began in the 1990s, and production was expected to start in 2010–2011. A prototype was revealed on February 13, 2008 at the Technology Research and Development Institute (TRDI) in Sagamihara. Heavy emphasis was placed on C4I capabilities as well as on performance, firepower, protection and mobility.


title: Type 10

text: In the early 2000s, Japan decided to update its tank force to better prepare for 21st century warfare. One of the most important requirements for the new tank is the capability of having a C4I (Command, Control, Communication, Computing and Intelligence) system.


title: Type 10

text: After assessing the upgrade potential of current Type 74 and Type 90 main battle tanks, the Ministry of Defense concluded that there was not enough internal space for a C4I system upgrade on existing tanks. Therefore, the development of a new main battle tank capable of various future battle missions was necessary.


title: Type 10

text: The use of modular components significantly improved the side armor compared to the Type 90. The Commander's Panoramic Sight was moved to the right and is located at a higher position than the Type 90, giving the commander a wide range of view.


title: Type 10

text: The vehicle's armor consists of modular sections, providing the ability to mount varying degrees of protection depending on the mission profile and weight requirements. Vehicle weight is 40 tonnes in base configuration, 44 tonnes in standard configuration, and 48 tonnes in full configuration (fully equipped). The prototype featured in 2008 at TRDI weighed 44 tonnes.


title: Type 10

text: Compared to the Type 90, the Type 10 is lighter. However, the weight of the composite armor has been greatly strengthened, from 1,380 kg to 1,940 kg for the turret and from 1,249 kg to 2,680 kg for the hull. In the penetration resistance test, APFSDS type IV (Prototype of Type 10 APFSDS) was used to shoot at full load from 250 m based on the Japanese Ministry of Defense standard "Resilience test method for armored kinetic energy bullets NDS Z 0012B". As a result, it is said that each composite armor module and mantlet achieved the required performance based on the required specification "Type 10 tank GV-Y120001E" for frontal protection.


title: Type 10

text: "This case is related to the bullet resistance test of the front main part of the new tank conducted at the Kamioka Branch Office of Nippon Oil & Fat Co.


title: Type 10

text: This case is to evaluate the bullet resistance of the module armor by shooting at a range of 250m using a 120mm Mounted Gun Type IV, one of the prototypes of the new tank, in the bullet resistance test of the front main part conducted at the Kamioka Sub-branch of Nippon Oil & Fat Co. The test is to evaluate the bullet resistance of the module armor."


title: Type 10

text: The Type 10 tank's protection against 120 mm class KE is limited to the front of the turret and gun mantlet, and the front of the hull, except for the lowest part.


title: Type 10

text: The composite armor technology has been greatly improved compared to the Type 90, and it has become possible to make it with the same protective performance at a reduced weight. As for the basic armor, "nanocrystal" steel and triple hardness steel are used to improve the protection performance.


title: Type 10

text: The upper surface armor adopts a lightweight bulletproof structure for the upper surface and can effectively respond to Explosively formed penetrators and the like.


title: Type 10

text: Whereas the Type 90 used the same 120 mm Rheinmetall main gun as the Leopard 2 tanks, the Type 10 uses a completely new 120mm smoothbore gun, developed indigenously by Japan Steel Works. The Type 10's new cannon can fire an improved round, the newly developed Type 10 APFSDS round, which is specifically designed for and can only be fired by the Type 10.


title: Type 10

text: The Type 10 APFSDS round is composed of amorphous metals containing heavy metal particles. Lightweight ammunition is fired at high initial velocity (estimated 1,780m/s) due to high cavity pressure. The Japan Steel Works L/44 120 mm has 640 MPa pressure and shoots a 7.8 kg projectile, while the longer Rheinmetall Rh-120 L/55 120 mm has 570 MPa pressure and shoots the heavier DM53 8.35 kg projectile at a similar: 1,750 m/s. The new ammunition is designed to penetrate reactive armor such as ['Kontakt-5'].


title: Type 10

text: The Type 10 tank can also fire the JM33 APFSDS (license produced DM33 shell acquired from Germany) as well as all standard 120 mm NATO ammunition. The Type 10 can load 14 rounds in the autoloader, 2 rounds behind the gunner, and 6 rounds in the ready ammunition storage; with a total of 36 rounds carried on board.


title: Type 10

text: The Type 10 tank is equipped with a C4I system (command, control, communication, computer & intelligence) called "10NW". This system can be incorporated into the JGSDF network to enable sharing of information among tanks in real-time conjunction with "Field Communication System" (FiCS), as well as connected to the infantry's outdoor computer network "Regiment Command Control System" (ReCS) to facilitate integrated military operations with the infantry troops.


title: Type 10

text: According to the specifications described in "Type 10 tank GV-Y120001E", it has the following functions.


title: Type 10

text: The predecessor of the Type 10, the Type 90 main battle tank, was deployed only in Hokkaido due to the weight limit of roads and bridges in other parts of Japan. One of the primary purposes of Type 10 is to be able to deploy anywhere in Japan. Size and weight reductions have made the Type 10 six tonnes lighter than the Type 90, weighing only 44 tonnes. 84% of Japan's 17,920 bridges are passable for the Type 10, compared to only 65% for the Type 90 and 40% for mainstream western main battle tanks.


title: Type 10

text: The development costs as of 2008 are approximately JPY ¥48,400M (approximately USD $450M). Each unit is expected to cost approximately ¥700M ($6.5M).


title: Type 10

text: In 2010, the Japanese Ministry of Defense placed a ¥12,400M order for thirteen Type 10 tanks (unit cost: ¥954M).


title: Type 10

text: These Type 10 tanks entered JGSDF service in January, 2012.Production continues at a modest but steady rate. Spring of 2020, there were 76 Type 10 tanks in service, with plans to order 12 more that year.


title: Type 10

text: On 4 January 2014, sources revealed that Turkey was interested in signing a joint development deal of tank engines based on the Type 10's engine. The Type 10 tank boasts of high mobility, including a backward movement speed of . The engine was to power the Turkish Altay tank. However, negotiations broke down and the deal was "off the agenda" by March 2014. Reasons included Japan's stringent arms export ban laws, the intention of Turkey to attempt to export the Altay, and Japan's reluctance to license the joint engine.


title: Cave painting

text: In archaeology, Cave paintings are a type of parietal art (which category also includes petroglyphs, or engravings), found on the wall or ceilings of caves. The term usually implies prehistoric origin, and the oldest known are more than 40,000 years old (art of the Upper Paleolithic), found in the caves in the district of Maros (Sulawesi, Indonesia). The oldest are often constructed from hand stencils and simple geometric shapes. However, more recently, in 2021, cave art of a pig found in an Indonesian island, and dated to over 45,500 years ago, has been reported.


title: Cave painting

text: A 2018 study claimed an age of 64,000 years for the oldest examples of non-figurative cave art in the Iberian Peninsula. Represented by three red non-figurative symbols found in the caves of Maltravieso, Ardales and La Pasiega, Spain, these predate the appearance of modern humans in Europe by at least 20,000 years and thus must have been made by Neanderthals rather than modern humans.


title: Cave painting

text: In November 2018, scientists reported the discovery of the then-oldest known figurative art painting, over 40,000 (perhaps as old as 52,000) years old, of an unknown animal, in the cave of Lubang Jeriji Saléh on the Indonesian island of Borneo. In December 2019, however, figurative cave paintings depicting pig hunting in the Maros-Pangkep karst in Sulawesi were estimated to be even older, at least 43,900 years old. The finding was noted to be "the oldest pictorial record of storytelling and the earliest figurative artwork in the world".


title: Cave painting

text: Nearly 350 caves have now been discovered in France and Spain that contain art from prehistoric times. Initially, the age of the paintings had been a contentious issue, since methods like radiocarbon dating can produce misleading results if contaminated by other samples, and caves and rocky overhangs (where parietal art is found) are typically littered with debris from many time periods. But subsequent technology has made it possible to date the paintings by sampling the pigment itself, torch marks on the walls, or the formation of carbonate deposits on top of the paintings. The subject matter can also indicate chronology: for instance, the reindeer depicted in the Spanish cave of Cueva de las Monedas places the drawings in the last Ice Age.


title: Cave painting

text: The oldest known cave painting is a red hand stencil in Maltravieso cave, Cáceres, Spain. It has been dated using the uranium-thorium method to older than 64,000 years and was made by a Neanderthal. The oldest date given to an animal cave painting is now a depiction of several human figures hunting pigs in the caves in the Maros-Pangkep karst of South Sulawesi, Indonesia, dated to be over 43,900 years old. Before this, the oldest known figurative cave paintings were that of a bull dated to 40,000 years, at Lubang Jeriji Saléh cave, East Kalimantan, Indonesian Borneo, and a depiction of a pig with a minimum age of 35,400 years at Timpuseng cave in Sulawesi.


title: Cave painting

text: The earliest known European figurative cave paintings are those of Chauvet Cave in France, dating to earlier than 30,000 BC in the Upper Paleolithic according to radiocarbon dating. Some researchers believe the drawings are too advanced for this era and question this age. However, more than 80 radiocarbon dates had been obtained by 2011, with samples taken from torch marks and from the paintings themselves, as well as from animal bones and charcoal found on the cave floor. The radiocarbon dates from these samples show that there were two periods of creation in Chauvet: 35,000 years ago and 30,000 years ago. One of the surprises was that many of the paintings were modified repeatedly over thousands of years, possibly explaining the confusion about finer paintings that seemed to date earlier than cruder ones.


title: Cave painting

text: In 2009, cavers discovered drawings in Coliboaia Cave in Romania, stylistically comparable to those at Chauvet. An initial dating puts the age of an image in the same range as Chauvet: about 32,000 years old.


title: Cave painting

text: In Australia, cave paintings have been found on the Arnhem Land plateau showing megafauna which are thought to have been extinct for over 40,000 years, making this site another candidate for oldest known painting; however, the proposed age is dependent on the estimate of the extinction of the species seemingly depicted. Another Australian site, Nawarla Gabarnmang, has charcoal drawings that have been radiocarbon-dated to 28,000 years, making it the oldest site in Australia and among the oldest in the world for which reliable date evidence has been obtained.


title: Cave painting

text: Other examples may date as late as the Early Bronze Age, but the well-known Magdalenian style seen at Lascaux in France (c.15,000 BC) and Altamira in Spain died out about 10,000BC, coinciding with the advent of the Neolithic period. Some caves probably continued to be painted over a period of several thousands of years.


title: Cave painting

text: The next phase of surviving European prehistoric painting, the rock art of the Iberian Mediterranean Basin, was very different, concentrating on large assemblies of smaller and much less detailed figures, with at least as many humans as animals. This was created roughly between 10,000 and 5,500 years ago, and painted in rock shelters under cliffs or shallow caves, in contrast to the recesses of deep caves used in the earlier (and much colder) period. Although individual figures are less naturalistic, they are grouped in coherent grouped compositions to a much greater degree. Over a long period of time, the cave art has become less naturalistic and has graduated from beautiful, naturalistic animal drawings to simple ones, and then to abstract shapes.


title: Cave painting

text: Cave artists use a variety of techniques such as finger tracing, modeling in clay, engravings, bas-relief sculpture, hand stencils, and paintings done in two or three colors. Scholars classify cave art as "Signs" or abstract marks.


title: Cave painting

text: Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal. Sometimes the silhouette of the animal was incised in the rock first, and in some caves all or many of the images are only engraved in this fashion, taking them somewhat out of a strict definition of "cave painting".


title: Cave painting

text: Similarly, large animals are also the most common subjects in the many small carved and engraved bone or ivory (less often stone) pieces dating from the same periods. But these include the group of Venus figurines, which with a few incomplete exceptions have no real equivalent in Paleolithic cave paintings.


title: Cave painting

text: Hand stencils, formed by placing a hand against the wall and covering the surrounding area in pigment result in the characteristic image of a roughly round area of solid pigment with the uncoloured shape of the hand in the centre, these may then be decorated with dots, dashes, and patterns. Often, these are found in the same caves as other paintings, or may be the only form of painting in a location. Some walls contain many hand stencils. Similar hands are also painted in the usual fashion. A number of hands show a finger wholly or partly missing, for which a number of explanations have been given. Hand images are found in similar forms in Europe, Eastern Asia, Australia, and South America.


title: Cave painting

text: In the early 20th century, following the work of Walter Baldwin Spencer and Francis James Gillen, scholars such as Salomon Reinach, Henri Breuil and interpreted the paintings as 'utilitarian' hunting magic to increase the abundance of prey. Jacob Bronowski states, "I think that the power that we see expressed here for the first time is the power of anticipation: the forward-looking imagination. In these paintings the hunter was made familiar with dangers which he knew he had to face but to which he had not yet come."


title: Cave painting

text: Another theory, developed by David Lewis-Williams and broadly based on ethnographic studies of contemporary hunter-gatherer societies, is that the paintings were made by paleolithic shamans. The shaman would retreat into the darkness of the caves, enter into a trance state, then paint images of their visions, perhaps with some notion of drawing out power from the cave walls themselves.


title: Cave painting

text: R. Dale Guthrie, who has studied both highly artistic and lower quality art and figurines, identifies a wide range of skill and age among the artists. He hypothesizes that the main themes in the paintings and other artifacts (powerful beasts, risky hunting scenes and the representation of women in the Venus figurines) are the work of adolescent males, who constituted a large part of the human population at the time. However, in analyzing hand prints and stencils in French and Spanish caves, Dean Snow of Pennsylvania State University has proposed that a proportion of them, including those around the spotted horses in Pech Merle, were of female hands.


title: Cave painting

text: Other sites include Creswell Crags, Nottinghamshire, England (~14,500 ys old cave etchings and bas-reliefs discovered in 2003), Peștera Coliboaia in Romania (~29,000 y.o. art?).


title: Cave painting

text: Rock painting was also performed on cliff faces; but fewer of those have survived because of erosion. One example is the rock paintings of Astuvansalmi (3000–2500 BC) in the Saimaa area of Finland.


title: Cave painting

text: When Marcelino Sanz de Sautuola first encountered the Magdalenian paintings of the Cave of Altamira in Cantabria, Spain in 1879, the academics of the time considered them hoaxes. Recent reappraisals and numerous additional discoveries have since demonstrated their authenticity, while at the same time stimulating interest in the artistry and symbolism of Upper Palaeolithic peoples.


title: Cave painting

text: In Indonesia the caves in the district of Maros in Sulawesi are famous for their hand prints. About 1,500 negative handprints have also been found in 30 painted caves in the Sangkulirang area of Kalimantan; preliminary dating analysis as of 2005 put their age in the range of 10,000 years old. A 2014 study based on uranium–thorium dating dated a Maros hand stencil to a minimum age of 39,900 years. A painting of a babirusa was dated to at least 35.4 ka, placing it among the oldest known figurative depictions worldwide.


title: Cave painting

text: In November 2018, scientists reported the discovery of the oldest known figurative art painting, over 40,000 (perhaps as old as 52,000) years old, of an unknown animal, in the cave of Lubang Jeriji Saléh on the Indonesian island of Borneo.


title: Cave painting

text: And more recently, in 2021, archaeologists announced the discovery of cave art at least 45,500 years old in Leang Tedongnge cave, Indonesia. According to the journal "Science Advances", the cave painting of a warty pig is the earliest evidence of human settlement of the region. It has been reported that it is rapidly deteriorating as a result of climate change in the region.


title: Cave painting

text: Originating in the Paleolithic period, the rock art found in Khoit Tsenkher Cave, Mongolia, includes symbols and animal forms painted from the walls up to the ceiling. Stags, buffalo, oxen, ibex, lions, Argali sheep, antelopes, camels, elephants, ostriches, and other animal pictorials are present, often forming a palimpsest of overlapping images. The paintings appear brown or red in color, and are stylistically similar to other Paleolithic rock art from around the world but are unlike any other examples in Mongolia.


title: Cave painting

text: The Ambadevi rock shelters have the oldest cave paintings in India, dating back to 25,000 years. The Bhimbetka rock shelters are dated to about 8,000 BC. Similar paintings are found in other parts of India as well. In Tamil Nadu, ancient Paleolithic Cave paintings are found in Kombaikadu, Kilvalai, Settavarai and Nehanurpatti. In Odisha they are found in Yogimatha and Gudahandi. In Karnataka, these paintings are found in Hiregudda near Badami. The most recent painting, consisting of geometric figures, date to the medieval period.


title: Cave painting

text: Executed mainly in red and white with the occasional use of green and yellow, the paintings depict the lives and times of the people who lived in the caves, including scenes of childbirth, communal dancing and drinking, religious rites and burials, as well as indigenous animals.


title: Cave painting

text: Cave paintings found at the Apollo 11 Cave in Namibia are estimated to date from approximately 25,500–27,500 years ago.


title: Cave painting

text: In 2011, archaeologists found a small rock fragment at Blombos Cave, about east of Cape Town on the southern cape coastline in South Africa, among spear points and other excavated material. After extensive testing for seven years, it was revealed that the lines drawn on the rock were handmade and from an ochre crayon dating back 73,000 years. This makes it the oldest known rock painting.


title: Cave painting

text: Significant early cave paintings, executed in ochre, have been found in Kimberley and Kakadu, Australia. Ochre is not an organic material, so carbon dating of these pictures is often impossible. The oldest so far dated at 17,300 years is an ochre painting of a kangaroo in the Kimberley region, which was dated by carbon dating wasp nest material underlying and overlying the painting. Sometimes the approximate date, or at least, an epoch, can be surmised from the painting content, contextual artifacts, or organic material intentionally or inadvertently mixed with the inorganic ochre paint, including torch soot.


title: Cave painting

text: A red ochre painting, discovered at the centre of the Arnhem Land Plateau, depicts two emu-like birds with their necks outstretched. They have been identified by a palaeontologist as depicting the megafauna species "Genyornis", giant birds thought to have become extinct more than 40,000 years ago; however, this evidence is inconclusive for dating. It may suggest that Genyornis became extinct at a later date than previously determined.


title: Cave painting

text: Hook Island in the Whitsunday Islands is also home to a number of cave paintings created by the seafaring Ngaro people.


title: Cave painting

text: In the Philippines at Tabon Caves the oldest artwork may be a relief of a shark above the cave entrance. It was partially disfigured by a later jar burial scene.


title: Cave painting

text: The Edakkal Caves of Kerala, India, contain drawings that range over periods from the Neolithic as early as 5,000 BC to 1,000 BC.


title: Cave painting

text: Rock art near Qohaito appears to indicate habitation in the area since the fifth millennium BC, while the town is known to have survived to the sixth century AD. Mount Emba Soira, Eritrea's highest mountain, lies near the site, as does a small successor village. Much of the rock art sites are found together with evidence of prehistoric stone tools, suggesting that the art could predate the widely presumed pastoralist and domestication events that occurred 5000– 4000 years ago.


title: Cave painting

text: In 2002, a French archaeological team discovered the Laas Geel cave paintings on the outskirts of Hargeisa in Somaliland. Dating back around 5,000 years, the paintings depict both wild animals and decorated cows. They also feature herders, who are believed to be the creators of the rock art. In 2008, Somali archaeologists announced the discovery of other cave paintings in Dhambalin region, which the researchers suggest includes one of the earliest known depictions of a hunter on horseback. The rock art is dated to 1000 to 3000 BC.


title: Cave painting

text: Additionally, between the towns of Las Khorey and El Ayo in Karinhegane is a site of numerous cave paintings of real and mythical animals. Each painting has an inscription below it, which collectively have been estimated to be around 2,500 years old. Karihegane's rock art is in the same distinctive style as the Laas Geel and Dhambalin cave paintings. Around 25 miles from Las Khorey is found Gelweita, another key rock art site.


title: Cave painting

text: In Djibouti, rock art of what appear to be antelopes and a giraffe are also found at Dorra and Balho.


title: Cave painting

text: Many cave paintings are found in the Tassili n'Ajjer mountains in southeast Algeria. A UNESCO World Heritage Site, the rock art was first discovered in 1933 and has since yielded 15,000 engravings and drawings that keep a record of the various animal migrations, climatic shifts, and change in human inhabitation patterns in this part of the Sahara from 6000 BC to the late classical period. Other cave paintings are also found at the Akakus, Mesak Settafet and Tadrart in Libya and other Sahara regions including: Ayr mountains, Niger and Tibesti, Chad.


title: Cave painting

text: The Cave of Swimmers and the Cave of Beasts in southwest Egypt, near the border with Libya, in the mountainous Gilf Kebir region of the Sahara Desert. The Cave of Swimmers was discovered in October 1933 by the Hungarian explorer László Almásy. The site contains rock painting images of people swimming, which are estimated to have been created 10,000 years ago during the time of the most recent Ice Age.


title: Cave painting

text: In 2020, limestone cave decorated with scenes of animals such as donkeys, camels, deer, mule and mountain goats was uncovered in the area of Wadi Al-Zulma by the archaeological mission from the Tourism and Antiquities Ministry. Rock art cave is 15 meters deep and 20 meters high.


title: Cave painting

text: At uKhahlamba / Drakensberg Park, South Africa, now thought to be some 3,000 years old, the paintings by the San people who settled in the area some 8,000 years ago depict animals and humans, and are thought to represent religious beliefs. Human figures are much more common in the rock art of Africa than in Europe.


title: Cave painting

text: Distinctive monochrome and polychrome cave paintings and murals exist in the mid-peninsula regions of southern Baja California and northern Baja California Sur, consisting of Pre-Columbian paintings of humans, land animals, sea creatures, and abstract designs. These paintings are mostly confined to the sierras of this region, but can also be found in outlying mesas and rock shelters. According to recent radiocarbon studies of the area, of materials recovered from archaeological deposits in the rock shelters and on materials in the paintings themselves, suggest that the Great Murals may have a time range extending as far back as 7,500 years ago.


title: Cave painting

text: Native artists in the Chumash tribes created cave paintings that are located in present-day Santa Barbara, Ventura, and San Luis Obispo Counties in Southern California in the United States. They include examples at Burro Flats Painted Cave and Chumash Painted Cave State Historic Park.


title: Cave painting

text: There are also Native American pictogram examples in caves of the Southwestern United States. Cave art that is 6,000 years old was found in the Cumberland Plateau region of Tennessee.


title: Cave painting

text: Serra da Capivara National Park is a national park in the north east of Brazil with many prehistoric paintings; the park was created to protect the prehistoric artifacts and paintings found there. It became a World Heritage Site in 1991. Its best known archaeological site is Pedra Furada.


title: Cave painting

text: It is located in northeast state of Piauí, between latitudes 8° 26' 50" and 8° 54' 23" south and longitudes 42° 19' 47" and 42° 45' 51" west. It falls within the municipal areas of São Raimundo Nonato, São João do Piauí, Coronel José Dias and Canto do Buriti. It has an area of 1291.4 square kilometres (319,000 acres). The area has the largest concentration of prehistoric small farms on the American continents. Scientific studies confirm that the Capivara mountain range was densely populated in prehistoric periods.


title: Cave painting

text: Cueva de las Manos (Spanish for "Cave of the Hands") is a cave located in the province of Santa Cruz, Argentina, 163 km (101 mi) south of the town of Perito Moreno, within the borders of the Francisco P. Moreno National Park, which includes many sites of archaeological and paleontological importance.


title: Cave painting

text: The hand images are often negative (stencilled). Besides these there are also depictions of human beings, guanacos, rheas, felines and other animals, as well as geometric shapes, zigzag patterns, representations of the sun, and hunting scenes. Similar paintings, though in smaller numbers, can be found in nearby caves. There are also red dots on the ceilings, probably made by submerging their hunting bolas in ink, and then throwing them up. The colours of the paintings vary from red (made from hematite) to white, black or yellow. The negative hand impressions date to around 550 BC, the positive impressions from 180 BC, while the hunting drawings are calculated to more than 10,000 years old. Most of the hands are left hands, which suggests that painters held the spraying pipe with their right hand.


title: Cave painting

text: There are rock paintings in caves in Thailand, Malaysia, Indonesia, and Burma. In Thailand, caves and scarps along the Thai-Burmese border, in the Petchabun Range of Central Thailand, and overlooking the Mekong River in Nakorn Sawan Province, all contain galleries of rock paintings. In Malaysia, the Tambun rock art is dated at 2000 years, and those in the Painted Cave at Niah Caves National Park are 1200 years old. The anthropologist Ivor Hugh Norman Evans visited Malaysia in the early 1920s and found that some of the tribes (especially Negritos) were still producing cave paintings and had added depictions of modern objects including what are believed to be automobiles. (See prehistoric Malaysia.).


title: Cave painting

text: In Indonesia, the rock painting can be found in Kalimantan, Maluku, Papua, and Sulawesi. In 2018, Some rock paintings have been found on Lembata Island of Nusa Tenggara Timur.


title: Mark Meadows

text: Mark Randall Meadows (born July 28, 1959) is an American politician who served as the 29th White House chief of staff from 2020 to 2021. A member of the Republican Party, he also served as the U.S. representative for North Carolina's 11th congressional district from 2013 to 2020. During his legislative tenure, Meadows chaired the Freedom Caucus from 2017 to 2019. He was considered one of President Donald Trump's closest allies in Congress before his appointment as chief of staff.