title: 1 Timothy 2:12

text: Concluding that the author of 1 Timothy was addressing a specific situation that was a serious threat to the infant, fragile church, in an article entitled "1 Timothy 2:11–15: Anti-Gnostic Measures against Women" the author writes that the "tragedy is that these verses were extensively used in later tradition to justify contemporary prejudices against women. They were supposed to prove from the inspired Scriptures that God subjected women to men and that women are more susceptible to temptation and deception".


title: 1 Timothy 2:12

text: Trombley and Newport agree that the Kroegers rightly indicate that had meanings connected with sex acts and murder in extra-biblical literature. They find it consistent with the historical context of the first letter to Timothy, at the church in Ephesus—home to the goddess Diana's shrine where worship involved ritual sex and sacrifice.


title: 1 Timothy 2:12

text: Social worker Bob Edwards examines this issue from a psychological and sociological perspective. His work focuses on the impact of cultural norms on gender schemata, and subsequently the impact of gender schemata on church tradition as well as biblical translation and interpretation. Specifically, Edwards highlights the patriarchal norms that are evident in the writings of St. Augustine of Hippo. St. Augustine's views on women were consistent with sexist norms found in the culture of Rome in the 4th century. Sexism found in Plato's philosophy is also mirrored in Augustine's work. The impact of St. Augustine's work—and worldview—on the institutional norms of the church is highlighted by a number of authors. These norms, it is argued, shape the lenses through which passages such as 1 Timothy 2:12 are perceived and understood. Through psychological processes such as socialization, confirmation bias and belief perseverance, perception may exclude historical, cultural and literary context that contradicts patriarchal norms.


title: 1 Timothy 2:12

text: Catherine Kroeger has been one of the major proponents of egalitarian lexical arguments that the key word in the text, , does not support the exclusion of women from authoritative teaching positions in the congregation. In 1979 Kroeger asserted the meaning of the word was "to engage in fertility practices", but this was not universally accepted by scholars, complementarian or egalitarian. "Kroeger and Kroeger have done significant research into the nature and background of ancient Ephesus and have suggested an alternative interpretation to 1 Tim 2:11–15. While they have provided significant background data, their suggestion that the phrase 'to have authority' (, ) should be rendered 'to represent herself as originator of man' is, to say the least, far-fetched and has gained little support". "On the basis of outdated lexicography, uncited and no longer extant classical texts, a discredited background (see my Introduction n. 25), and the introduction of an ellipsis into a clause which is itself complete, the Kroegers rewrite v. 12". Details of lexical and syntactical studies into the meaning of by both egalitarians and complementarians are found further down in this article.


title: 1 Timothy 2:12

text: Egalitarians Aida Spencer and Wheaton New Testament scholar Gilbert Bilezikian have argued that the prohibition on women speaking in the congregation was only intended to be a temporary response to women who were teaching error.


title: 1 Timothy 2:12

text: Bilezikian points out that the word translated "authority" 1 Timothy 2:12 phrase, one that is a key proof text used to keep women out of church leadership, is a word used only here and never used again anywhere in Scripture. He writes that the word translated "authority" in that passage is a hapax, a word that appears only once within the structure of the Bible and never cross-referenced again. He says one should "never build a doctrine on or draw a teaching from an unclear or debated hapax". Therefore, since there is no "control text" to determine its meaning, Bilezikian asserts that no one knows for sure what the word means and what exactly Paul is forbidding. He adds that there is "so much clear non-hapaxic material available in the Bible that we do not need to press into service difficult texts that are better left aside when not understood. ... We are accountable only for that which we can understand".


title: 1 Timothy 2:12

text: Spencer notes that rather than using the imperative mood or even an aorist or future indicative to express that prohibition, Paul quite significantly utilizes a present indicative, perhaps best rendered "But I am not presently allowing". Spencer believes this is a temporary prohibition that is based solely on the regrettable similarity between the Ephesian women and Eve—in that the women of Ephesus had been deceived and as such, if allowed to teach, would be in danger of promoting false doctrine.


title: 1 Timothy 2:12

text: Spencer's argument has been criticized by complementarian authors and at least one egalitarian writer.


title: 1 Timothy 2:12

text: Barron points out that defenders of the traditional view have argued that Paul's blanket statement, "I do not permit a woman to teach", sounds universal. He asks if what Paul really meant was "I do not permit a woman to teach error", and that he would have no objection to women teaching once they got their doctrine straight, why did he not say that?


title: 1 Timothy 2:12

text: Gorden Fee, an egalitarian scholar, also has difficulty with Spencer's hermeneutical points. Fee says that despite protests to the contrary, Paul states the "rule" itself absolutely—without any form of qualification. Therefore, he finds it difficult to interpret this as meaning anything else than all forms of speaking out in churches.


title: 1 Timothy 2:12

text: Although he proposes an updated scenario in his 2006 version of "Beyond Sex Roles", Gilbert Bilezikian in his 1989 version proposed that Paul may have been distinguishing between qualified, trained teachers and some of the unschooled women who struggled to assert themselves as teachers with their newly found freedom in Christianity. However, this view is opposed by egalitarians B. Barron and Gordon Fee. Bilezikian further suggests that the fledgling church at Ephesus had been formed among confrontations of superstitious, occult practices. This view is opposed by egalitarians such as Walter Liefeld, as well as by complementarians such as Schreiner. Bilezikian proposes that "the solution for proper understanding of this passage is to follow its development to the letter":


title: 1 Timothy 2:12

text: "The Woman's Bible", a 19th century feminist reexamination of the bible, criticized the passage as sexist. Contributor Lucinda Banister Chandler writes that the prohibition of women from teaching is "tyrannical" considering that a large proportion of classroom teachers are women, and that teaching is an important part of motherhood.


title: 1 Timothy 2:12

text: Chandler finds the verse strikingly inconsistent with , also attributed to Paul, which states "There is neither Jew nor Greek, bond nor free, male or female, but ye are one in Christ Jesus." She observes that there is no similar statement by Jesus that woman should be subject to man or refrain from teaching.


title: 1 Timothy 2:12

text: British women's rights activist Annie Besant points to this verse (among others) to observe that women are treated as slaves in the Bible. She considers this the root of the unequal and paternalistic way in which women were treated during her own lifetime. Besant finds the explanation given in Timothy for the inferiority of women that men are superior because Adam was created before Eve to be absurd, implying that animals are superior to man, as the Bible states that animals were created even earlier.


title: 1 Timothy 2:12

text: The meaning of (), in verse 12 has been the source of considerable differences of opinion among biblical scholars in recent decades. The first is that the lexical history of this word is long and complex. Walter Liefeld describes briefly the word's problematically broad semantic range:


title: 1 Timothy 2:12

text: A perplexing issue for all is the meaning of . Over the course of its history this verb and its associated noun have had a wide semantic range, including some bizarre meanings, such as committing suicide, murdering one's parents, and being sexually aggressive. Some studies have been marred by a selective and improper use of the evidence.


title: 1 Timothy 2:12

text: The standard lexical reference work for classical Greek, the Liddell Scott Greek Lexicon has the following entry for the verb :


title: 1 Timothy 2:12

text: An exhaustive listing of all incidences is found in Köstenberger's appendix. Then the following related entry for the noun :


title: 1 Timothy 2:12

text: The issue is compounded by the fact that this word is found only once in the New Testament, and is not common in immediately proximate Greek literature. Nevertheless, English Bible translations over the years have been generally in agreement when rendering the word. In the translations below, the words corresponding to are in bold italics:


title: 1 Timothy 2:12

text: Elizabeth A. McCabe has identified and documented evidence of gender bias in English translations of the Bible. This does not apply exclusively to the word . Greek words indicating that women held positions of authority in the church also appear to have been altered in translation. Women identified in Greek manuscripts as a (deacon) or (leader) are referred to as servants in some English translations, like the King James Version. This is inconsistent with the manner in which these words are typically translated regarding men.


title: 1 Timothy 2:12

text: Furthermore, if this translation of is accepted without consideration of contextual factors related to the original letter (e.g., challenges facing Timothy at the church in Ephesus), it appears to contradict other biblical passages in which women are clearly depicted as leading or teaching:


title: 1 Timothy 2:12

text: The meaning of the word was seriously disputed in 1979 when Catherine Kroeger, then a university classics student, asserted the meaning was "to engage in fertility practices". Kroeger cites the findings of French linguist and noted authority on Greek philology, Pierre Chantraine to support her conclusions.


title: 1 Timothy 2:12

text: In later work, Kroeger explored other possible meanings of the word that are consistent with its use in Greek literature prior to and during the New Testament era. In 1992, she highlighted the possibility that authentein is a reference to ritual violence perpetrated against men in the goddess worship of Asia Minor. Specifically, she focused on the practice of ritual castration as a rite of purification for priests of Artemis and Cybele. A. H. Jones, J. Ferguson, and A. R. Favazza all highlight the prevalence of ritual castration in Asia Minor before, during and after the New Testament era. In 1 Timothy 1:3–7 and 4:1–5, the author of the epistle warns against false teaching, mythology and extreme forms of asceticism. Ritual castration was part of an extreme form of asceticism practiced in and around Ephesus during the New Testament period, and evidence presented by Favazza suggests that it did have an influence on the emerging traditions of the early Christian church.


title: 1 Timothy 2:12

text: Leland E. Wilshire in 2010 made a study of the database, which contains 329 references to variations of the word in Greek literature, and concluded that authentein in the New Testament period, in Ephesus of Asia Minor, most likely refers to some form of violence. Wilshire does not make a definitive statement regarding the nature of the violence the epistle may be referring to, but notes that was often used to express the commission of violence, murder or suicide.


title: 1 Timothy 2:12

text: Although the claim was rejected largely by complementarian scholars, debate over the meaning of the word had been opened, and Christians affirming an egalitarian view of the role of women in the church continued to contest the meaning of the word . Standard lexicons including are broadly in agreement with regard to its historical lexical range. Wilshire, however, documents that whereas lexicons such as the "Greek-English Lexicon of the New Testament and Other Early Christian Literauture" only contain 13 examples of the word authetein and its cognates, the computer database known as the (TLG) contains 329 examples, offering a much larger and more representative sample of the use of the word throughout the history of Greek literature. Uses of the word in the TLG from 200 B.C. to 200 A.D. are listed in a subsequent section below—syntactical study.


title: 1 Timothy 2:12

text: A number of key studies of have been undertaken over the last 30 years, some of which have involved comprehensive searches of the largest available databases of Greek literature, , and the Duke Databank of Documentary Papyri. These databases enable researchers to study the word in context, as it is used in a wide range of documents over a long period of time.


title: 1 Timothy 2:12

text: Those who favor "traditional" understandings of male ecclesiastical leadership have tended to translate this word in the neutral sense of "have authority" or "exercise authority" as, for example, George Knight in his widely cited article of 1984. In 1988, Leland Wilshire, examining 329 occurrences of this word and its cognate , claimed that, prior to and contemporary with the 1st century, often had negative overtones such as "domineer", "perpetrate a crime" or even "murder". Not until the later patristic period did the meaning "to exercise authority" come to predominate.


title: 1 Timothy 2:12

text: By 2000, Scott Baldwin's study of the word was considered the most extensive, demonstrating that the meaning in a given passage must be determined by context. "After extended debate, the most thorough lexical study is undoubtedly that of H. Scott Baldwin, who conclusively demonstrates that various shades of meaning are possible, and that only the context can determine which is intended". Linda Belleville's later study examined the five occurrences of as a verb or noun prior to or contemporary with Paul and rendered these texts as follows: "commit acts of violence"; "the author of a message"; a letter of Tryphon (1st century BC), which Belleville rendered "I had my way with him"; the poet Dorotheus (1st and 2nd centuries AD) in an astrological text, rendered by Bellville "Saturn ... dominates Mercury". Belleville maintains that it is clear in these that a neutral meaning such as "have authority" is not in view. Her study has been criticized for treating the infinitive as a noun, which is considered a major weakness in her argument.


title: 1 Timothy 2:12

text: Lexical studies have been particularly focused on two early papyri; Papyrus BGU 1208 (c.27 BC), using the verb and speaking of Trypho exercising his authority, and Papyrus Tebtunis 15 (c. 100 AD), using the noun form and speaking of bookkeepers having authority over their accounts. These two papyri are significant not only because they are closest in time to Paul's own usage of , but because they both use their respective words with a sense which is generally held to be in agreement with the studies by Baldwin and Wolters, though some egalitarians (such as Linda Belleville), dispute the interpretation of in Papyrus BGU 1208.


title: 1 Timothy 2:12

text: The lexical data was later supplemented by a large scale contextual syntax study of the passage by Andreas Köstenberger in 1995, which argued that the syntactical construction ("not teach nor have/exercise authority") requires that both didaskein and authentein have a positive sense. Köstenbereger examined fifty-two examples of the same ("not... nor"), construction in the New Testament, as well as forty eight extra-biblical examples covering the 3rd century BC to the 3rd century AD. Köstenberger concluded that teaching has a positive meaning in such passages as ; , and . The force of the construction therefore would mean that likewise has a positive meaning, and does not refer to domineering but the positive exercise of authority.


title: 1 Timothy 2:12

text: The majority of complementarian and some egalitarian scholars agreed with Köstenberger, many considering that he has determined conclusively the contextual meaning of in 1 Timothy 2:12. Peter O'Brien, in a review published in Australia, concurred with the findings of this study, as did Helge Stadelmann in an extensive review that appeared in the German . Both reviewers accepted the results of the present study as valid. Köstenberger notes a range of egalitarians agreeing with his syntactical analysis. Kevin Giles "finds himself in essential agreement with the present syntactical analysis of 1 Tim 2:12", Craig Blomberg is quoted as saying "Decisively supporting the more positive sense of assuming appropriate authority is Andreas Köstenberger's study". Esther Ng continues, "However, since a negative connotation of is unlikely in this verse, the neutral meaning for (to have authority over) seems to fit the construction better". Egalitarian Craig Keener, in a review appearing in the "Journal of the Evangelical Theological Society", states that while in his view the principle is not clear in all instances cited in Köstenberger's study, "the pattern seems to hold in general, and this is what matters most". Keener concurs that the contention of the present essay is "probably correct that 'have authority' should be read as coordinate with 'teach' rather than as subordinate ('teach in a domineering way')".


title: 1 Timothy 2:12

text: Egalitarians such as Wilshire (2010), however, reject the conclusion that , as used in 1 Timothy 2:12, refers to the use of authority at all—either in a positive or negative sense. Wilshire concludes that might best be translated "to instigate violence". Women in Timothy's congregation, therefore, are to neither teach nor instigate violence. He bases this conclusion upon a study of every known use of the word authentein (and its cognates) in Greek literature from the years 200 B.C. to 200 A.D. This study was completed using the computer database. His findings are summarized as follows:


title: 1 Timothy 2:12

text: Whereas the word was used on rare occasions (e.g. by Irenaeus) to denote authority, it was much more commonly used to indicate something violent, murderous or suicidal.


title: 1 Timothy 2:12

text: More recently, John Dickson has questioned the meaning of the word ("teach"). Dickson argues that it refers to "preserving and laying down the traditions handed on by the apostles". Dickson goes on to argue that since that does not happen in most sermons today, women are not prohibited from giving sermons. Dickson's argument has been criticized in "Women, Sermons and the Bible: Essays interacting with John Dickson's Hearing Her Voice", published by Matthias Media.


title: Flower Boy

text: Flower Boy (alternatively titled Scum Fuck Flower Boy) is the fourth studio album by American rapper Tyler, the Creator. The album was released on July 21, 2017, by Columbia Records. Produced entirely by Tyler, the album features guest vocals from a range of artists, including Frank Ocean, ASAP Rocky, Anna of the North, Lil Wayne, Kali Uchis, Steve Lacy, Estelle, Jaden Smith and Rex Orange County.


title: Flower Boy

text: "Flower Boy" was supported by four singles: "Who Dat Boy" / "911", "Boredom", "I Ain't Got Time!" and "See You Again". The album received widespread acclaim from critics for its smoothness, unique blend of genres, collaborations and its production. It debuted at number two on the US "Billboard" 200. The album was named among the best albums of 2017 and the decade by multiple publications and was nominated for Best Rap Album at the 2018 Grammy Awards.


title: Flower Boy

text: With "Flower Boy", Tyler decided to take a more personal approach compared to his previous album, "Cherry Bomb", stating "For "Cherry Bomb" I purposely was like, I don't want to get personal at all. Like, I'm just going to make songs. And in this one I was like alright, let me write down every feeling". Tyler felt that the general response to "Cherry Bomb" was poor and he wanted to deliver an album that succeeded it well. The official title was originally thought to be "Scum Fuck Flower Boy" but was later confirmed simply as "Flower Boy" shortly prior to release. Tyler noted the works of Max Martin, Pharrell Williams and Justin Timberlake as musical inspirations for the album.


title: Flower Boy

text: Recording began in late 2015. Like previous releases, the album was produced by Tyler himself. He decided to keep his rap verses short and to-the-point to give guest artists and instrumentation more of a focal point. Many songs on the album featured guitar playing by Austin Feinstein. The beat used on the song "I Ain't Got Time!" was initially made for Kanye West during recording sessions for West's seventh studio album "The Life of Pablo". After West declined it, the beat was sent to rapper Nicki Minaj who, after a month, also turned it down. "Glitter" was written for Justin Bieber; Tyler kept it after Bieber did not return any of his calls. "See You Again" was written for former One Direction member Zayn Malik but was later kept after Malik rejected the song twice. "Who Dat Boy" was rejected by rapper Schoolboy Q.


title: Flower Boy

text: Correlating with the album's title, Tyler has noted flowers as a recurring theme of the album. Andy Kellman of AllMusic describes the overall lyrical content of the album as Tyler's "least vulgar release" compared to the shock value lyrics in his previous projects. The album's opening track, "Foreword", is described by Scott Glaysher of "XXL" as an open letter to the fans and the nation, citing the lines "How many raps can I write 'til I get me a chain?/How many chains can I wear 'til I'm considered a slave?/How many slaves can it be until Nat Turner arise?/How many riots can it be 'til them Black lives matter?" "Where This Flower Blooms" refers back to his times before fame and money in the first line. Tyler says "Let's take it back to them days/Counting sheep on Sadie Hannah's floor" which refers to the time before and during the release of his debut mixtape "Bastard" (2009) when he lived in his grandmother's house. "Sometimes..." is a short track which includes an unidentified male stating that he wants to hear the song about him, hinting that following song, "See You Again", is about Tyler's male lover. "See You Again" is described as a "positively kaleidoscopic love song" about an unidentified person.


title: Flower Boy

text: Jesse Fairfax of "HipHopDX" describes "Who Dat Boy" as a "raucous jam that sounds like a score to a horror film", while Zachary Hoskins of "Slant Magazine" compared the song to Kanye West's song "Freestyle 4". "Pothole" is described as a "low-profile standout" that features vehicular metaphors; potholes are used as a metaphor for being stuck in life. Calum Slingerland of "Exclaim!" describes "Garden Shed" featuring "psychedelic guitar licks and synths [that] build up a ballad featuring Estelle vocals, as liberation is encouraged before noisy feedback makes way for a confessional verse". Slingerland proclaimed the song is "one of [Tyler's] most powerful recorded moments to date", and also picked out the references to sexuality. Zachary Hoskins of "Slant Magazine" describes "Garden Shed" as a "woozy trapped-in-the-closet metaphor". Kevin Lozano of "Pitchfork" spoke on the song "Boredom", stating "[Tyler's] range is kaleidoscopic, and the neo-soul sound he started to shape on "Wolf" is in full flower" and "large parts of the song is an exercise for him to flex his production skills".


title: Flower Boy

text: Calum Slingerland of "Exclaim!" identifies the reference to River Phoenix on "I Ain't Got Time!". Tyler raps "Passenger a white boy, look like River Phoenix". This may also be a reference to the music video of "Who Dat Boy" in which Tyler is in a car with a River Phoenix lookalike sitting in the passenger seat. "I Ain't Got Time!" contains lines that were considered comparable to Eminem's "outlandish statements" throughout his career. "The A.V. Club" comments on the sampling on "I Ain't Got Time!", saying that it turns an "accordion into a fun-house mirror, warped and disorienting". The song "I Ain't Got Time!" contains the lyrics "I've been kissing white boys since 2004". The song "Garden Shed" also contains subtle references to sexuality with the lyrics "That was real love I was in/Ain't no reason to pretend" and "All my friends was lost/They couldn't read the signs/I didn't want to talk/I tell 'em my location and they ain't want to walk". This led many to speculate that Tyler was "coming out of the closet" as either bisexual or homosexual. This was especially interesting because his lyrics in previous albums were considered homophobic and led to him being banned from entering the United Kingdom for three to five years in 2015. Tyler had previously hinted towards his sexuality status a few years prior.


title: Flower Boy

text: Vanessa Okoth-Obbo of "Pitchfork" described "911 / Mr. Lonely" as "look[ing] at the overarching theme of loneliness, on two contrasting, but equally intriguing beats" and stated that the song "represents a further maturation in sound, and apparently his problems too". Hiba Argane of "Affinity Magazine" analyzed the song "Glitter", stating that it "possesses a repetitive quality, but you can almost feel a crescendo in the content". The final track, "Enjoy Right Now, Today", is an instrumental that features backing vocals from Pharrell Williams.


title: Flower Boy

text: The album title, tracklist and release date was announced by Tyler, the Creator on July 6, 2017, via social media. Two covers were unveiled upon announcement, the main cover designed by Michigan-born artist Eric White and the alternative cover designed by Tyler himself. "Billboard"s Tatiana Cirisano listed White's cover as one of the best of 2017, dubbing it "surreal". The album leaked 11 days before the announced release date of July 21.


title: Flower Boy

text: After a one-week countdown on Twitter and Instagram, Tyler, the Creator released a music video, titled "Who Dat Boy", to his official YouTube channel on June 29, 2017. The album's lead single, "Who Dat Boy" / "911", containing two songs: "Who Dat Boy" and "911 / Mr. Lonely" was released as a dual single on June 30, 2017. The single peaked at number 87 on the US "Billboard" Hot 100. The album's second single, "Boredom", was released on July 11, 2017. The album's third single, "I Ain't Got Time!", was released on July 19, 2017. The album's fourth single, "See You Again", was released on August 29, 2017, to rhythmic and urban contemporary radio.


title: Flower Boy

text: "Flower Boy" was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 84, based on 18 reviews. Aggregator AnyDecentMusic? gave it 7.9 out of 10, based on their assessment of the critical consensus.


title: Flower Boy

text: Andy Kellman of AllMusic gave a positive review, stating "While most of these songs are rife with anxiety and isolation, the open-hearted lyricism and wide-scoped productions, put together by an artist in peak form, make them immensely engrossing. Frank Ocean, Pharrell Williams, Kali Uchis, Syd, and Estelle are among 11 supporting cast members, not one of whom is inessential to the whole". "Flower Boy" was named "Best New Music" by "Pitchfork", with reviewer Sheldon Pearce writing, "Tyler's most sincere and most accomplished album, he gets to the essence of what he's been chiseling at: the angst of a missed connection, the pain of unrequited love, and navigating youthful ennui". In his review, Andy Gill of "The Independent" states, ""Flower Boy" presents a surprisingly sensitive, thoughtful, even pleasant personality". Jesse Fairfax of "HipHopDX" stated, "Clocking in at 47 minutes, the album is both Tyler, the Creator's shortest and most cohesive album to date and is full of introspective admissions that logically line up with his public character". Renato Pagnani of "The A.V. Club" said, ""Flower Boy" is the first time he's been equally as forthcoming in his actual music. His flow has tightened up, and for a man whose voice basically destined him for rap stardom, he's become even better at stretching his booming baritone into novel shapes, employing a plethora of flows". Scott Glaysher of "XXL" praised the album saying, "These days, there aren't many rap albums that can service as a deeply digested work of art as well as music for easy listening, yet Tyler, The Creator fills both lanes well. He manages to find the happy medium on "Flower Boy" and translates it to his best album yet".


title: Flower Boy

text: Jamie Milton of "NME" wrote that the album is "Backed by a supporting cast of R&B superstars and bright newcomers, it's a record of long, lazy summers; sitting back and staring at the clouds". Lewis Lister of "Clash" said, "Previously it felt like as though these two sides have been difficult to reconcile on record; the abrasive would often be at odds with the tranquil, particularly on last studio album "Cherry Bomb". On "Flower Boy", though, Tyler has perfected his marriage of the two". Paul Lester of "The Guardian" wrote: "If anything, "Flower Boy" captures Tyler at his least tormented and twisted; it is an album of exquisitely arranged, melodious synth-rap, wistful and reflective, heavy on the heavenly. It's not all dreamy—watch out for the occasional profane pothole—but largely this is the work of an evolved artist and mature person." Austin Reed of "Pretty Much Amazing" said, ""Flower Boy" has elevated Tyler closer to the line. An unexpected move to be sure, but no less impressive whatsoever". In a mixed review, "Consequence"s Kelly McClure stated: "It's more of the same. It seems to be needing something more. An extra spark of interest." In September 2022, "Consequence" regretted the review, with Eddie Fu stating: ""Flower Boy" represented musical growth characterized by its embrace of neo soul and jazz. Even then, it was apparent that the LP was a major leap in Tyler's career."


title: Flower Boy

text: "Flower Boy" debuted at number two on the US "Billboard" 200 with 106,000 album-equivalent units of which 70,000 were pure album sales.


title: Suicide of Vince Foster

text: Deputy White House counsel Vince Foster was found dead in Fort Marcy Park off the George Washington Parkway in Virginia, outside Washington, D.C., on July 20, 1993. His death was ruled a suicide by five official investigations.


title: Suicide of Vince Foster

text: Park Police discovered Foster dead from an apparently self-inflicted gun shot wound to the head in Fort Marcy Park off the George Washington Parkway in Virginia on July 20, 1993. Foster was holding a gun in his hand. An autopsy and subsequent investigation later confirmed that Foster had died by shooting himself once in the mouth with the .38 caliber Colt revolver found at the scene.


title: Suicide of Vince Foster

text: Subsequent investigations found that Foster was distraught over accusations and criticisms related to the White House travel office controversy. Foster had confided to friends and colleagues that he was considering resignation, but feared that he could not handle the "personal humiliation" of returning to Arkansas in defeat. Foster admitted to his sister that he was depressed shortly before his death, and he sought treatment for depression one day before committing suicide.


title: Suicide of Vince Foster

text: Although police found no evidence of foul play, several tabloids and newsletters speculated that Foster's death may have been a homicide, possibly involving the Clintons themselves. Subsequent investigations by special prosecutor Robert Fiske and the Senate Banking Committee concluded that there was no evidence of a homicide. A final investigation, led by special prosecutor Kenneth Starr, also concluded that there was no evidence to support the claim that Foster was murdered. Starr's report addressed several additional questions about physical and forensic evidence that had previously fueled speculation about the case. The report established that Foster owned the handgun used in the suicide, and confirmed that the body had not been moved from its position prior to its discovery by police. The report concluded "In sum, based on all of the available evidence, which is considerable, the OIC [Office of Independent Counsel] agrees with the conclusion reached by every official entity that has examined the issue: Mr. Foster committed suicide by gunshot in Fort Marcy Park on July 20, 1993."


title: Suicide of Vince Foster

text: The suicide has nevertheless continued to fuel speculation: then-presidential candidate Donald Trump made news in 2016 when he remarked in an interview with the "Washington Post" that Foster's death was "very fishy", and added "I will say there are people who continue to bring it up because they think it was absolutely a murder. I don't do that because I don't think it's fair."


title: Suicide of Vince Foster

text: A draft of a resignation letter was found torn into 27 pieces in a briefcase after his death. Associate White House counsel, Steve Neuwirth, discovered the torn pieces of the note in Foster's briefcase on July 26. After receiving the note from Neuwirth, White House Counsel Bernard Nussbaum handled the note various times before giving it to Park Police Lieutenant Joseph Megby the following evening.


title: Suicide of Vince Foster

text: The United States Department of Justice revealed the note's contents at a joint press conference with the Park Police on August 10. The DoJ stated that a smudged palm print was on the note, but no fingerprints; they confirmed the handwriting as Foster's.


title: Suicide of Vince Foster

text: Independent Counsel Robert Ray's report regarding the Whitewater controversy stated the FBI Laboratory performed a 1995 fingerprint examination of the note and identified Nussbaum's palm print on it. Three handwriting experts stated that the note was a forgery, with Oxford University manuscript expert Reginald Alton stating that the forgery was done by a "moderate forger, not necessarily a pro, somebody who could forge a check." However, the final report stated that three separate handwriting analyses of the note by the Capitol Police and the FBI determined that the handwriting on the note was Foster's.


title: Suicide of Vince Foster

text: On May 2, 1999, "The Washington Post" published new details on the pursuit of a Foster conspiracy in an article by David Brock, a key figure in the Troopergate and Whitewater scandals whose disillusionment with the political corruption motivating what would come to be known as the Arkansas Project ended his lifelong commitment to the Conservative movement and facilitated public dissemination of insider details on G.O.P. machinations. The article explains how Brock was "summoned" to a meeting with Rex Armistead in Miami, Florida at an airport hotel. Brock claims that Armistead laid out for him an elaborate "Vince Foster murder scenario" – a scenario that he found implausible.


title: Suicide of Vince Foster

text: In 1997 crime reporter Dan Moldea was approached by Regnery Publishing House, a conservative group whose leadership was impressed by Moldea's published works, to publish a book on the Foster case.


title: Suicide of Vince Foster

text: In researching Foster's death, Moldea found that documents relating to the Whitewater corporation were removed from Foster's office on July 22 and sent to the Clintons’ personal attorney, and that the most oft-used conspiracy scenario could be traced back to Park Police Major Robert Hines, who shared the idea with Reed Irvine (Accuracy in Media) and Christopher Ruddy ("New York Post"). Moldea concludes, and Maj. Hines publicly maintains, that Hines incorrectly told Irvine and Ruddy "... that there is no exit wound in Foster's head ... I don't think there was anything nefarious here; he was being approached by reporters and he wanted something to say." Still, the "missing exit wound" claim continued to surface.


title: Suicide of Vince Foster

text: Moldea's research sought, among other things, to discover the origins of this line of investigation into the Clintons' credibility. In an interview for "Salon.com", he suggests that "Foster had some blond hair and carpet fibers on his suit jacket, and he had semen in his underwear. So, the Jerry Falwells and the right-wing crowd get a hold of this information, and…they start making movies alleging that the Clintons were involved in this murder."


title: Suicide of Vince Foster

text: In 1994, Falwell subsidized the creation of a film called "The Clinton Chronicles" that featured Ruddy's claims that the gun that killed Foster was placed in his hand after the fact, and that Foster's body was laid out to give the appearance of suicide, among others. Funding for the film was provided by "Citizens for Honest Government", an organization to which Falwell gave $200,000 in 1994 and 1995.


title: Suicide of Vince Foster

text: Citizens for Honest Government covertly paid individuals who had provided information to media outlets such as the "Wall Street Journal" editorial page and the "American Spectator" magazine;" and in 1995, made discretionary payments to two Arkansas state troopers who had spoken out in support of the idea of a conspiracy surrounding Foster's death. The two troopers, Roger Perry and Larry Patterson, had also previously given testimony supporting Paula Jones's claims of sexual misconduct and misuse of government resources against Bill Clinton (see Troopergate).


title: Mobile Suit Gundam Wing

text: Mobile Suit Gundam Wing, also known in Japan as , is a 1995 Japanese mecha anime series directed by Masashi Ikeda and written by Katsuyuki Sumizawa. It is the sixth installment in the "Gundam" franchise, taking place in the "After Colony" timeline. As with the original series, the plot of "Gundam Wing" centers on a war in the future (specifically, After Colony 195) between Earth and its orbital colonies in the Earth-Moon system.


title: Mobile Suit Gundam Wing

text: The series aired in Japan on the terrestrial TV Asahi network. It ran for 49 episodes, beginning on April 7, 1995 and ending on March 29, 1996. It received multiple manga adaptations, as well as video games. Four original video animation (OVA) episodes were produced including a retelling of the series, "Operation Meteor", and a direct sequel, "". In 2010, Sumizawa started writing the novel "", another sequel to the series. While the series fared modestly well in Japan, it found greater success in the United States and popularized the "Gundam" franchise in the West.


title: Mobile Suit Gundam Wing

text: In the distant future, Mankind has colonized space, with clusters of space colonies at each of the five Earth-Moon Lagrange points. Down on the Earth, the nations have come together to form the United Earth Sphere Alliance. This Alliance oppresses the colonies with its vast military might. The colonies wishing to be free, join together in a movement headed by the pacifist Heero Yuy. In the year After Colony 175, Yuy is shot dead by an assassin, forcing the colonies to search for other paths to peace. The assassination prompts five disaffected scientists from the Organization of the Zodiac, more commonly referred to as OZ, to turn rogue upon the completion of the mobile suit prototype Tallgeese.


title: Mobile Suit Gundam Wing

text: The story of "Gundam Wing" begins in the year After Colony 195, with the start of "Operation Meteor": the scientists' plan for revenge against OZ. The operation involves five teenage boys, who have each been chosen and trained by each of the five scientists, then sent to Earth independently in extremely advanced mobile suits (one designed by each of the scientists) known as "Gundams" (called such because they are constructed from a rare and astonishingly durable material called Gundanium alloy, which can only be created in outer space). Each Gundam is sent from a different colony, and the pilots are initially unaware of each other's existence.


title: Mobile Suit Gundam Wing

text: The series focuses primarily on the five Gundam pilots: Heero Yuy (an alias, not to be confused with the martyred pacifist), Duo Maxwell, Trowa Barton, Quatre Raberba Winner and Chang Wufei. Their mission is to use their Gundams to attack OZ directly, in order to rid the Alliance of its weapons and free the colonies from its oppressive rule. The series also focuses on Relena Peacecraft, heir to the pacifist Sanc Kingdom, who becomes an important political ally to the Gundam pilots (particularly Heero) over the course of the series.


title: Mobile Suit Gundam Wing

text: The making of "Gundam Wing" was influenced by "Mobile Fighter G Gundam" with the idea of having five main characters. Originally, the series was meant to be titled "Gundam Meteor" after "Operation Meteor." Bandai suggested having a Gundam with the ability of transforming into a plane-like form. The writers worked together for one week conceptualizing the characters, mobile suits and first 40 episodes. Director Masashi Ikeda reacted to their work comparing it to the first "Gundam" series, "Zeta" and "G" all at once. The series was more focused on drama than mecha, which the staff credits as one of the reasons for the show's popularity within the female demographic.


title: Mobile Suit Gundam Wing

text: Writer Katsuyuki Sumizawa expressed difficulties in the making of the story as opposed to his work in novels due to the fact he relayed duties to other members. However, the handling of the five characters was made easy due to the setting. Early sketches of the protagonists by Ikeda were handled by character designer Shuko Murase. He was cast due to his work with Ikeda in "Samurai Troopers". The director wanted the designs to appeal to the female demographic. Originally, Duo Maxwell was set as the protagonist but was replaced by Heero Yuy. The staff members noted Heero was too different from previous Gundam protagonists and were afraid he would be unpopular. The voice casting was more difficult to do than the ones from previous series due to the different atmosphere.


title: Mobile Suit Gundam Wing

text: Following the series' ending, the staff members were asked by the studio to make a sequel due to its popularity. Neither Ikeda nor executive producer Hideyuki Tomioka intended to make a sequel for "Gundam Wing". However, Sumizawa was bothered by the finale as he felt the series ended abruptly. Tomioka asked Sumizawa if he could write a continuation which he agreed.


title: Mobile Suit Gundam Wing

text: "Gundam Wing" was not the first series in the "Gundam" franchise to be dubbed and distributed in the U.S. (the compilation film version of the original "Mobile Suit Gundam", as well as the OVAs "" and "", preceded it by about two years), but it is well known as the first "Gundam" series to be aired on American television. This dub was produced by Bandai Entertainment and the voice work was done by Ocean Productions. The series aired on Cartoon Network's weekday afternoon after-school programming block Toonami, premiering on March 6, 2000. In the first extended promo leading up to the series' premiere, voice actor Peter Cullen narrated the back story, evoking memories of "Voltron's" opening credits. The promo was said to be so riveting that Bandai decided to use it as the official promo for the series. "Gundam Wing" was a huge ratings winner for Toonami (often outperforming veteran series such as "Dragon Ball Z" and "Sailor Moon") and became, for a time, not only the highest rated series on Toonami but on all of Cartoon Network.


title: Mobile Suit Gundam Wing

text: It was broadcast in two formats: an edited version shown in the daytime on Toonami and an uncut version shown past midnight as part of Toonami's "Midnight Run." Examples of the edits included the removal of blood, profanity, atheism, and the word "kill" being replaced with the word "destroy" (this was extended to Duo's nickname, "The God of Death," changed to "The Great Destroyer," forcing the alteration of two episode titles), though the word "death" was mostly left intact. All "Gundam Wing" episodes have been released to VHS and DVD in the U.S. Differences between the two video systems is that the VHS episodes contain the edited version while the DVD episodes contain the uncut version.


title: Mobile Suit Gundam Wing

text: Due to the closure of Bandai Entertainment, the series was out-of-print for sometime. On October 11, 2014 at their 2014 New York Comic-Con panel, Sunrise announced they will be releasing all of the "Gundam" franchise, including "Gundam Wing" in North America though distribution from Right Stuf Inc., beginning in Spring 2015. Right Stuf released the series on Blu-ray and DVD in two sets in November 2017. In addition, a collector's edition set containing the complete series, "Endless Waltz", "Operation Meteor" and the "Frozen Teardrop" picture drama was released in December 2017.


title: Mobile Suit Gundam Wing

text: After the series ended, four original video animation (OVA) episodes, compiling various scenes from the series along with a few minutes of new footage, were released in 1996 as "Gundam Wing: Operation Meteor" I and II.


title: Mobile Suit Gundam Wing

text: A three-part OVA titled "" was produced in 1997 as a sequel to the TV series; plot-wise, it brought the "After Colony" timeline to a close. The OVA was also notable for its massive redesigns of all the Gundams by Hajime Katoki, such as the Wing Gundam Zero's new "angel-winged" appearance. A compilation film version of "Endless Waltz" (featuring additional footage, alterations of the music score and a different ending theme) was later released in Japan on August 1, 1998. "Endless Waltz" premiered on Cartoon Network in the U.S. on November 10, 2000. Both the OVA and film versions of "Endless Waltz" were later released together on DVD. Right Stuf released both OVAs on Blu-ray and DVD in December 2017 (though "Operation Meteor" remains un-dubbed).


title: Mobile Suit Gundam Wing

text: In addition to manga adaptations of the series and "Endless Waltz", several manga sidestories have also been produced. "" is a prequel, detailing the events leading up to series; the stories have been collected in a volume that also contains one brief open-ended interlude, "Preventer 5", that details an operation that occurs after "Endless Waltz". A coincident storyline to the series is presented in "". Several sequel manga, occurring between "Gundam Wing" and "Endless Waltz", have also been written: "Blind Target", "Ground Zero" and "Battlefield of Pacifists".


title: Mobile Suit Gundam Wing

text: The "Gundam Wing", "Battlefield of Pacifists" and "Endless Waltz" manga series were published in English by Tokyopop, while "Blind Target", "Ground Zero" and "" were published by Viz Communications. Another sequel manga detailing the future of the colonies entitled "Tiel's Impulse" was printed in 1998 and has not been published in the United States.


title: Mobile Suit Gundam Wing

text: In September 2010, "Gundam Ace" magazine began serializing a manga titled "New Mobile Report Gundam Wing Endless Waltz: The Glory of Losers" that retells the events of the anime while incorporating facts from "Episode Zero" and the novel "Frozen Teardrop". The manga ended in November 2017 and was compiled into fourteen volumes. The manga also uses Hajime Katoki's Gundam redesigns from "Endless Waltz" and other subsequent media, instead of the original Kunio Okawara designs featured in the anime. Vertical published English editions of the manga volumes under the title "Mobile Suit Gundam Wing Endless Waltz: Glory of the Losers" from July 2017 to November 2019.


title: Mobile Suit Gundam Wing

text: In early 2010, "Gundam Ace" magazine announced they would serialize a "New "Gundam Wing" Project". The project was eventually revealed to be a novel, titled "". Written by Katsuyuki Sumizawa, the novel begins a new timeline, following the "Mars Century" calendar ("MC") which was the successor of the previous "After Colony" calendar. According to an interview with the author, the novel spans backwards into the AC century and the Gundam pilots, Relena, and their children make appearances.


title: Mobile Suit Gundam Wing

text: A fighting video game titled "" was developed by Natsume and released for the Super Famicom in Japan on March 29, 1996. A second fighting game titled "Shin Kidō Senki Gundam Wing: The Battle" was developed by Natsume and released for the PlayStation in Japan on October 11, 2002 as the 13th volume of the Simple Characters 2000 series. "Gundam Wing" characters and mecha have also appeared in several other video game series including "Super Robot Wars", "Gundam Battle Assault", "Another Century's Episode", "" and "".


title: Mobile Suit Gundam Wing

text: Upon the series' debut in North America, "Gundam Wing" received a large roster of licensees for merchandise including wallscrolls, apparel, school supplies, skateboards, trading cards, model kits and action figures.


title: Mobile Suit Gundam Wing

text: "Gundam Wing" was only a modest success in Japan during its initial run; it, along with "G Gundam", was the only "Gundam" series of the 1990s that managed an average television rating over four percent. It was ranked number two in "Animage" magazine's Anime Grand Prix in 1996 and was also ranked number 76 in the publication's list of the 100 most important anime of all time. The series is infamous within "dōjinshi" where authors tend to depict romantic relationships between several of the protagonists.


title: Mobile Suit Gundam Wing

text: "Gundam Wing" was a greater success in North America, however, and is credited with single-handedly popularizing the "Gundam" franchise among Western audiences. Just over a week after its premiere on Cartoon Network on March 6, 2000, the series was the top rated program in all age groups. During the summer of 2000, it remained as the first or second top-rated show among kids and teens during its twelve airings per week on the Toonami block. "Gundam Wing" was ranked the 73rd best animated series by IGN, calling the series "so good that even those opposed to anime have to give the show its due credit".


title: Qveen Herby

text: Amy Renee Heidemann Noonan (born April 29, 1986), known professionally as Qveen Herby, is an American rapper, singer, songwriter and entrepreneur. Born and raised in Seward, Nebraska, she first gained fame as part of the music duo Karmin, with which she released two studio albums. Following the duo's hiatus in 2017, she began the solo project, Qveen Herby, which incorporated R&B and hip hop influences. She released her first solo extended play, "EP 1" on June 2, 2017. She released her debut album, "A Woman" on May 21, 2021.


title: Qveen Herby

text: After the release of "EP 1" and "EP 2", Herby began to release a series of extended plays. "EP 3" and "EP 4" were released in 2018; with "EP 5", "EP 6", and "EP 7" being out in 2019. In 2020, Herby revealed that "EP 8" and "EP 9" was considered to be the last EPs from her extended play era. On Halloween 2021, Qveen Herby released a Halloween-themed EP called, "Halloqveen". The following April, she revealed another EP called "Mad Qveen".


title: Qveen Herby

text: Heidemann began her musical career as a member of pop duo Karmin, with now-husband Nick Noonan, releasing cover songs on YouTube. The duo signed with Epic Records and released their debut EP, "Hello", on May 7, 2012, to poor reviews from critics; despite this, the EP was a commercial success supplemented by two hit singles: "Brokenhearted" peaked at number 16 on "Billboard" Hot 100 charts, and peaked within the top ten of the charts in Australia, New Zealand, and the United Kingdom, while "Hello" peaked at number one on the "Billboard" Hot Dance Club Songs charts in the United States.


title: Qveen Herby

text: The duo followed "Hello" up by their debut full-length studio album, "Pulses" (2014), which saw less commercial success, and was supplemented by the single "Acapella". "Acapella" reached the top ten in Australia and New Zealand. Following the conclusion of promotion for "Pulses", Karmin left Epic Records and began releasing music independently. They released a slew of singles from 2014 to 2016 in anticipation of a second studio album. These included "Sugar", "Yesterday", "Along the Road", "Didn't Know You", and "Come with Me (Pure Imagination)". In 2016, Karmin released the "Sugar" EP in collaboration with Wild Culture. It features three remixes of "Sugar" and a remix of Riley Pearce's single "Brave". The duo released their second studio album, "Leo Rising", on September 9, 2016.


title: Qveen Herby

text: In 2017, all of Karmin's social media was rebranded to Qveen Herby with a small preview stating ""Karmin Is Dead, Long Live the Qveen."" Heidemann formally announced her solo career as well as her debut extended play, "EP 1". Although her husband, Nick Noonan, was still involved in the project, Heidemann noted that they felt that they could not release the extended play as Karmin as "There was that much happening sonically." Heidemann picked her stage name by combining "Qveen" a nickname given to her in college alongside "Herby" the mascot of the Nebraska Cornhuskers, later realizing that "Herby" means "Warrior".


title: Qveen Herby

text: The music video for her first single "Busta Rhymes" was released on June 1, 2017, followed by the release of "EP 1" a day later. The EP experienced fair success, peaking at No. 37 on the US Billboard Independent Albums Chart and No. 13 on the US Heatseekers Albums Chart.


title: Qveen Herby

text: After the release of "EP 1", Herby released her second extended play, "EP 2", on December 1, 2017. Around the release of "EP 2", Herby and DJ Audrey Napoleon launched their cosmetic business "Qveen Studios" with the makeup line inspired by songs on Qveen Herby's discography.


title: Qveen Herby

text: Following the release of "EP 1" and "EP 2", Herby began releasing a series of extended plays. Starting with "EP 3" and "EP 4" released in 2018. "EP 5", "EP 6", and "EP 7" being released in 2019. She has also released a live EP and a single album, "The Vignettes" and "Tiny Piano".


title: Qveen Herby

text: And lastly, "EP 8" and "EP 9" out in 2020. Three of the EPs charted within "Billboard" charts in the US. Throughout in 2020, Herby revealed that "EP 9" was considered to be the last EP. After the end of her EP era (in 2020), she began releasing droplets such as, "Alright" and "The Show", until the year was over.


title: Qveen Herby

text: On April 16, 2021, Qveen Herby released "Juice" the lead single for her debut album. Herby announced the debut album title, named "A Woman", and the release date on April 27, 2021. Herby eventually released her debut album on May 21, 2021, along with a second single and a music video named, "Naughty Girl". In early October, Qveen Herby revealed that a Halloween-themed EP was in works with a celebration.


title: Qveen Herby

text: On October 15, 2021, Qveen Herby released the Halloween-themed EP named, "Halloqveen". Later on, she revealed a date for her EP's release party which took place in Downtown Los Angeles on October 23.


title: Qveen Herby

text: In March 2022, Qveen Herby announced on Instagram a new EP named "Mad Qveen", which was released on April 1 through her own record label "Checkbook Records". The EP included 7 tracks such as """Rabbit Hole" and "Cruella".


title: Emerson Palmieri

text: Emerson Palmieri dos Santos (born 3 August 1994), known as Emerson Palmieri or simply Emerson, is a professional footballer who plays as a left-back for club West Ham United and the Italy national team.


title: Emerson Palmieri

text: Internationally, Emerson played for his native Brazil at under-17 level, but he later declared his desire to represent Italy, having been granted Italian citizenship in 2017. He has since been called up to the Italy national team, making his senior international debut with the side in 2018 and later taking part at UEFA Euro 2020, winning the tournament.


title: Emerson Palmieri

text: Born in Santos, São Paulo, Emerson played in Santos' youth team making his first team debut on 17 April 2011, coming on as a late substitute for Keirrison in a 3–0 Campeonato Paulista home win against Paulista. His first start occurred on 21 January 2012, in a 1–1 away draw against XV de Piracicaba. In February, he returned to the youth team, but he was called up to the match against Mogi Mirim in the following month. He also appeared against Ituano and Paulista, as the club was crowned champions of "Paulistão" for the third consecutive time.


title: Emerson Palmieri

text: On 17 June, Emerson made his Série A debut, in a 0–1 defeat against Flamengo. He scored his first goal on 5 September 2013, but in a 1–2 loss at Atlético Paranaense.


title: Emerson Palmieri

text: On 25 August 2014, Emerson was loaned to Serie A's Palermo, with a buyout clause. He made his debut in the competition on 24 September, coming on as a second half substitute for Fabio Daprelà in a 3–3 away draw against Napoli. Emerson played nine league matches for the club, being mainly a backup to another new signing, Achraf Lazaar.


title: Emerson Palmieri

text: On 31 August 2015, Emerson joined fellow league team Roma, on loan for one year. A second-choice behind Lucas Digne, he made his debut for the club on 4 October in a 4–2 away win against former side Palermo.


title: Emerson Palmieri

text: Emerson scored his first goal in the top league of Italian football on 14 May 2016, in a 3–1 away win against Milan; after replacing Stephan El Shaarawy in the 78th minute, he netted his team's third after a rebound. His loan was extended for a further season on 7 July.


title: Emerson Palmieri

text: On 5 December 2016, after reaching 12 matches during the campaign, Emerson was bought outright for a reported fee of €2 million.


title: Emerson Palmieri

text: Emerson missed much of the first half of the 2017–18 season due to an anterior cruciate ligament injury that he suffered in May 2017. He made his comeback on 1 December 2017, coming off the bench in the last 15 minutes of the match against SPAL for the Serie A, which turned out as his sole appearance for Roma during that season.


title: Emerson Palmieri

text: On 30 January 2018, Emerson joined English side Chelsea on a four-and-half-year deal for an undisclosed fee. According to Roma, the transfer fee was €20 million plus €9 million bonus. He made his debut against Hull City in the fifth round of the FA Cup, assisting fellow January signing Olivier Giroud for his first Chelsea goal. The Blues came out 4–0 winners at Stamford Bridge.


title: Emerson Palmieri

text: Emerson made his Premier League debut on 4 March 2018 as a second-half substitute in a 1–0 defeat at Manchester City. His first Premier League start came away to Burnley on 19 April. Emerson set up Victor Moses for the winning goal as Chelsea claimed a 2–1 victory. Chelsea went on to win the 2017–18 FA Cup but Emerson was injured and missed the final.


title: Emerson Palmieri

text: On 26 September 2018, in his first appearance of the 2018–19 season, Emerson scored his first goal for Chelsea, the equaliser in an eventual 2–1 away win against Liverpool, in the third round of the EFL Cup. On 24 February 2019, he started for Chelsea in the 2019 EFL Cup Final on, and was one of the three Chelsea players to convert their spot kicks in the resulting shoot-out following a 0–0 draw after extra-time; however, Manchester City ultimately prevailed 4–3. On 29 May, he assisted Olivier Giroud's opening goal in a 4–1 win over Arsenal in the 2019 UEFA Europa League Final. On 17 March 2021, Emerson scored his first UEFA Champions League goal for the Blues in a 2–0 home win over Atlético Madrid in the second leg of the Round of 16 tie. Emerson was part of the Chelsea squad which won the 2021 UEFA Champions League Final 1–0 against Manchester City, however did not come off the bench in the match.


title: Emerson Palmieri

text: On 23 August 2022, Emerson joined Premier League side West Ham United on a four-year contract with a one-year option for an undisclosed fee from fellow Premier League club Chelsea.


title: Emerson Palmieri

text: Emerson represented Brazil at under-17 level during the 2011 South American U-17 Championship and during 2011 FIFA U-17 World Cup, being crowned champions of the former. He was an undisputed starter during both tournaments, scoring a goal against Chile on 16 March 2011.


title: Emerson Palmieri

text: In March 2017, after being close to acquiring Italian citizenship, Emerson was reportedly pursued by Italy head coach Gian Piero Ventura with the intention of switching his international allegiance to Italy. He officially switched allegiance to Italy on 29 March 2017. Emerson was called up by Ventura for matches against Uruguay and Liechtenstein in June 2017, however, withdrew due to injury and replaced by Andrea Conti.


title: Emerson Palmieri

text: On 19 May 2018, new Italy coach Roberto Mancini called Emerson for Italy's May and June friendly matches against Saudi Arabia, France and the Netherlands, however, he withdrew due to another injury. He was later called up again to the team in September 2018, for Italy's opening UEFA Nations League matches against Poland and Portugal later that month. He made his senior international debut for Italy on 10 September, during the UEFA Nations League match against Portugal, coming on as a second-half substitute for Domenico Criscito in his team's 1–0 away loss.


title: Emerson Palmieri

text: In June 2021, Emerson was included in Italy's squad for UEFA Euro 2020. On 11 July, Emerson won the European Championship with Italy following a 3–2 penalty shoot-out victory over England at Wembley Stadium in the final, after a 1–1 draw in extra-time; Emerson started the final, and was substituted for Alessandro Florenzi in extra-time.


title: Emerson Palmieri

text: Emerson usually plays as a left-back, and is known for his stamina, athleticism, physical qualities, and technique, which make him an effective offensive asset. He is also known for his ability to get past opponents and provide crosses into the penalty box. A versatile player, he is also capable of playing as a wing-back or wide midfielder on the left flank, and has even been used in a more advanced role as an offensive winger on occasion. Emerson's Chelsea profile notes that he is "skilful, possesses a good range of passing and reads the game well".


title: Emerson Palmieri

text: Emerson has Italian ancestry on his mother's side from Rossano, near Cosenza in Calabria, and has been an Italian citizen since March 2017. His older brother, Giovanni, is also a footballer and a left back.


title: Golden Wind (manga)

text: , also known as Vento Aureo, is the fifth story arc of the Japanese manga series "JoJo's Bizarre Adventure", written and illustrated by Hirohiko Araki. It was serialized in Shueisha's "Weekly Shōnen Jump" for a little under 4 years, from December 11, 1995, to April 5, 1999. In its original publication, it was referred to as . Within "Golden Wind", the "JoJo's Bizarre Adventure" title is rendered in Italian, as "Le Bizzarre Avventure di GioGio".


title: Golden Wind (manga)

text: As it is the fifth part of the series, the 155 chapters pick up where the fourth left off and are numbered 440 to 594, with the "tankōbon" volumes numbered 47 to 63. It was preceded by "Diamond Is Unbreakable" and followed by "Stone Ocean". An anime adaptation by David Production, "", aired on TV from October 2018 to July 2019. A hardcover edition release of the manga in English by Viz Media began publication in August 2021.


title: Golden Wind (manga)

text: In 2001, Koichi Hirose arrives in Naples, Italy at Jotaro Kujo's request to obtain a skin sample from a young man named Haruno Shiobana whom Jotaro suspects to be the son of Dio Brando, conceived with Jonathan Joestar's body prior to the events of "Stardust Crusaders". Koichi ends up being scammed by Haruno, now going by the name of Giorno Giovanna, whose Stand Gold Experience allows him to transform inanimate objects into living organisms. After defeating a Stand-wielding mafioso named Bruno Bucciarati who was sent to avenge the injury he inflicted on a gang member, Giorno wins him over by revealing his goal of becoming a mafia boss to better Naples and end the scourge of drug trafficking plaguing the city's youth. Bucciarati agrees to introduce Giorno into the Passione organization, allowing Giorno to take a deadly initiation test from the morbidly obese capo Polpo. After convincing Koichi to cease his investigation, Giorno passes the test, though he indirectly kills Polpo afterward as revenge for an innocent bystander's death.


title: Golden Wind (manga)

text: Giorno is placed in Bucciarati's group, which consists of fellow Stand users Guido Mista, Leone Abbacchio, Narancia Ghirga and Pannacotta Fugo. Polpo's apparent suicide provides an opening for Bucciarati to achieve the rank of capo by donating Polpo's amassed fortune on the island of Capri to a gang representative. Bucciarati is then given Polpo's final mission: Passione's boss, a mysterious figure whose identity is unknown to even his subordinates, requests that his teenage daughter Trish Una be brought safely to him in Venice. Along the way, Bucciarati's team eliminates all but one of the members of Passione's traitorous Hitman Team, who seek to use Trish as a means to identify and defeat the boss. On the boss's orders, the group retrieves a key in Pompeii and use it to unlock the room inside the Stand-using turtle Coco Jumbo.


title: Golden Wind (manga)

text: After reaching Venice safely and escorting Trish into the Church of San Giorgio Maggiore, Bucciarati realizes that the boss intends to kill his own daughter to maintain his anonymity. An enraged Bucciarati pursues the boss in order to save Trish, but suffers grievous injuries at the hands of the boss's invincible Stand King Crimson, which has the ability to see into and skip time's progression several seconds into the future. Giorno seemingly heals Bucciarati's injuries as he escapes with Trish, and the two manage to escape the church, unaware that the body Bucciarati's soul resides in has already died. Despite Fugo's objections, the rest of the group defects from Passione and pledges to uncover the boss's identity in order to defeat him. The group and Trish, who discovers her own Stand Spice Girl, are forced to fight for their lives against elite assassins sent by the boss.


title: Golden Wind (manga)

text: Bucciarati's group travels to the island of Sardinia after Trish recalls it as the boss's birthplace so Abbacchio can use his Stand to identify the boss. Vinegar Doppio, an alter ego of the boss who acts as his liaison to the assassins, reaches Sardina at the same time as the Hitman Team's leader, killing him before getting close enough for the boss to quickly kill Abbacchio. Abbacchio creates a likeness of the boss in his final moments before the group are then contacted by a third party, who reveals the boss's name to be Diavolo and requests that the group visit the Colosseum in Rome to receive a special Arrow. The group arrives in Rome, but is held up when they meet a pair of Stand users called Cioccolatta and Secco, assigned to bump off Bucciarati's group. The group manages to overpower the enemy Stand users, but Diavolo reaches the informant first. He confronts the informant, who is revealed to be Jean Pierre Polnareff. Diavolo fatally wounds Polnareff, forcing him to stab his Stand Silver Chariot with the Arrow and evolve it into Chariot Requiem. Requiem, gifted the ability to swap the souls of living beings, goes berserk and causes a city-wide soul swap, leaving Polnareff's soul in Coco Jumbo's body.


title: Golden Wind (manga)

text: Polnareff explains the Arrow and his Stand to the group, who realize that their own Stands will attack them upon approaching the Arrow. Though the group cripples Bucciarati's body as it awakens, Narancia is killed in skipped time, revealing a dying Doppio to be a separate soul of Diavolo's. Giorno attempts to revive Narancia, but can only reclaim his own body that was originally swapped. Diavolo's own soul is revealed to be inside Mista's body alongside Trish's soul and succeeds in weakening Requiem, but Bucciarati sacrifices himself to dispel the soul swap and pass the Arrow to Giorno. Using the Arrow, Giorno evolves his Stand into Gold Experience Requiem, which condemns Diavolo to an endless loop of being killed in various ways.


title: Golden Wind (manga)

text: The story jumps back to an incident before Bucciarati's encounter with Giorno. Visited by a florist requesting vengeance for his daughter's death, Bucciarati, Fugo, and Mista visit the alleged murderer's place of residence. It is revealed that the suspect, Scolippi, is a Stand user whose Stand tries to euthanize those who are fated to die, such as the florist's daughter. Scolippi's Stand predicts Bucciarati's death and attempts to reach him, but Mista breaks the Stand before it can do so. As the group leaves the building, the dust of the broken Stand forms the shapes of Bucciarati's, Narancia's, and Abbacchio's faces, revealing their changed fates to an optimistic Scolippi.


title: Golden Wind (manga)

text: As Trish and Mista return to the Colosseum, unaware of Bucciarati's death, Giorno and Polnareff's ghost (now within Coco Jumbo's Stand) agree to preserve the Arrow. Sometime afterward, Giorno becomes the new boss of Passione as Mista and Polnareff observe gang members kneeling before him.


title: Golden Wind (manga)

text: Hirohiko Araki described the themes of "Golden Wind" as "human relationships," "friends versus enemies," and "the beauty of betrayal." By depicting the mafia, the author said the story deals with the sadness of having no choice in life or only one place where one belongs——the "dark underbelly of society." Araki also stated that the main focus was to draw "beautiful men" who can only exist in a world where there is "beauty in meeting one's doom." He wanted the characters, sculptures and fashion to be in the style of the Italian city of Rome. The curls in Giorno Giovanna's hair were inspired by Michelangelo's statue "David". Araki cited Guido Mista and Prosciutto as characters he enjoyed drawing; the former due to his positive attitude and for being "true to himself without doubts" and the latter for his "brotherly relationship" with his subordinate Pesci and fun Stand power.


title: Golden Wind (manga)

text: The anime adaptation of "" was announced by series creator Hirohiko Araki at the "Ripples of Adventure" art exhibition on June 21, 2018, and premiered the first episode at Anime Expo on July 5, 2018. The anime adaptation by David Production aired from October 5, 2018, to July 28, 2019, as part of their "JoJo's Bizarre Adventure" anime television series. "Golden Wind" was directed by returning series director Naokatsu Tsuda who was accompanied by the senior writer Yasuko Kobayashi. The character designer for "Golden Wind" was Takahiro Kishida, and the animation director was Shun'ichi Ishimoto. Yugo Kanno returned as composer from previous seasons. The series ran for 39 episodes.


title: Golden Wind (manga)

text: The novel "Le Bizzarre Avventure di GioGio II: Golden Heart/Golden Ring" was written by Gichi Ōtsuka and Miya Shōtarō, and released on May 28, 2001. An Italian translation was released in 2004. A second novel, "Purple Haze Feedback", was written by Kouhei Kadono and released on September 16, 2011.


title: Golden Wind (manga)

text: The PlayStation 2 video game "GioGio's Bizarre Adventure" was released in Japan in 2002, adapting the arc.


title: Golden Wind (manga)

text: In a 2018 survey of 17,000 "JoJo's Bizarre Adventure" fans, "Golden Wind" was chosen as the favorite story arc with 19.1% of the vote.


title: Golden Wind (manga)

text: Both Screen Rant's Steven Blackburn and Jordan Richards of AIPT Comics called "Golden Wind" a breath of fresh air for "JoJo's Bizarre Adventure" by deviating from the basic formula and following Giorno, son of villain Dio Brando, as he looks to cement a reputation and build a criminal empire. Jenni Lada of Siliconera also praised the protagonist Giorno and said the first volume of "Golden Wind" shows how skilled Araki is at getting people quickly invested in a character and story. She wrote, by giving readers a look at Giorno's past and insights into the person he is now, it emphasizes why he is compelling; "We're introduced to his dream and see him take his first steps toward it." Richards wrote that Part 5's vivid and imaginative Stand fights continue "JoJo's Bizarre Adventure"s "wholly unique" style of art not seen in any other series. However, despite calling the supporting cast a memorable bunch, Richards felt they were underdeveloped as of the first volume, but noted they had potential.


title: Marcus King

text: Marcus King (born March 11, 1996) is an American musician, singer, songwriter and guitarist. He is best known as the frontman, lead singer and guitarist for The Marcus King Band.


title: Marcus King

text: His 2020 album "El Dorado" received a nomination for Best Americana Album at the 63rd Annual Grammy Awards.


title: Marcus King

text: Marcus King was born in Greenville, South Carolina, United States. His father, Marvin King, was a well-known blues guitarist in South Carolina who also played with gospel acts, and his grandfather was also a regionally popular musician. Marcus began playing guitar at a very early age, and at age eight he started playing shows with his father. At age eleven, he played guitar on one of his father's albums. King was in his teens when he began playing out with his own band, juggling club gigs at night and school in the morning as he and his bandmates brainstormed with what they called "soul-influenced psychedelic Southern rock." Deciding to pursue a career in music, King dropped out of high school in his junior year and got his GED. King took an academic approach to music, studying his favorite guitar players, particularly The Allman Brothers Band co-founder Duane Allman, B.B. King, Albert King, Waylon Jennings and Merle Haggard. King studied jazz theory and jazz performance with Steve Watson at the Greenville Fine Arts Center. He received some notable early attention in 2014 after a video of him jamming at Norman's Guitars racked up millions of views on YouTube.


title: Marcus King

text: In 2019, King announced his debut solo album, "El Dorado", produced by Dan Auerbach of The Black Keys at his Easy Eye Studio in Nashville. The album is a genre-bending release that was released on January 17, 2020 by Fantasy Records. On release, Associated Press declared “El Dorado already stands out as a definite high point of 2020.”


title: Marcus King

text: On 26 August 2022, King released his second album "Young Blood," again produced by Dan Auerbach. Melinda Newman of "Billboard" called it "a staggeringly confident work." It debuted at number one in the "Billboard" Top Blues Albums Chart.


title: Diana Muldaur

text: Diana Muldaur (born August 19, 1938) is an American film and television actress. Muldaur's television roles include Rosalind Shays on "L.A. Law" and Dr. Katherine Pulaski in the second season of "". She also appeared in two episodes of "" in the late 1960s, playing two different roles (Dr. Miranda Jones and Ann Mulhall). She has been nominated for an Emmy, twice as a supporting actress on "L.A. Law" in 1990 and 1991.


title: Diana Muldaur

text: Born in Brooklyn, New York, and raised on the Massachusetts island of Martha's Vineyard, Muldaur started acting in high school and continued on through college, graduating from Sweet Briar College in Virginia in 1960. She studied acting under Stella Adler, and made her name on the New York stage. She was at one point a board member of the Screen Actors Guild and was the first woman to serve as president of the Academy of Television Arts & Sciences (1983–1985).


title: Diana Muldaur

text: In 1965, Muldaur landed the role of Ann Wicker in the CBS daytime soap opera "The Secret Storm". She then did a five-episode arc as Jeannie Orloff in the final season of Richard Chamberlain's NBC medical drama, "Dr. Kildare".


title: Diana Muldaur

text: Various roles as a guest star in episodes of numerous television shows followed, including "Bonanza", "I Spy", "The Courtship of Eddie's Father", "The Invaders", "Mannix", "Mod Squad", "Hawaii Five-O", "The F.B.I.", "The Virginian", a two-episode arc on the Ben Gazzara drama "Run for Your Life", and as a guest star in 1975 in "S.W.A.T." playing Kate Darby in the episode "Terror Ship".


title: Diana Muldaur

text: Multiple collaborations between Muldaur and Burt Reynolds began when Muldaur appeared in an episode of "Hawk" (1966), a weekly procedural with Reynolds in the title role. Subsequently, they both guest-starred in a third-season episode of "The F.B.I." (1968), and Muldaur guest starred in an episode of Reynolds' series "Dan August" (1970).


title: Diana Muldaur

text: In 1967, Muldaur guest-starred on the "Gunsmoke" episode "Fandango" with James Arness. An excerpt of that episode's dialogue was sampled on the Pink Floyd album "The Wall", after "Hey You" and before the brief song "Is There Anybody Out There?"


title: Diana Muldaur

text: In 1968, she appeared in the original "Star Trek" episodes "Return to Tomorrow" as Science Officer Dr. Ann Mulhall, and in "Is There in Truth No Beauty?" as Dr. Miranda Jones. During this time, a friendship with creator Gene Roddenberry formed that led to him casting Muldaur as Marg in the television movie "Planet Earth" (1974) with John Saxon. Later, she appeared as Dr. Katherine Pulaski in 20 episodes of the second season of "" (1988–1989).


title: Diana Muldaur

text: Muldaur's first major role was Belle in the ABC primetime serial "Harold Robbins' The Survivors" (1970)"." The soap, intended as a comeback vehicle for Hollywood star Lana Turner, was cancelled early into the 1970 television season after 15 episodes.


title: Diana Muldaur

text: After the cancellation of "The Survivors", Muldaur accepted a number of supporting roles in motion pictures, including "The Swimmer" (1968) with Burt Lancaster, football film "Number One" (1969), and psychological thriller "The Other" (1972) with Uta Hagen. She also appeared in Sidney J. Furie's "The Lawyer" (1970), "One More Train to Rob" (1971) with George Peppard, and the John Wayne crime drama, "McQ" (1974).


title: Diana Muldaur

text: Muldaur appeared in the ensemble-apocalypse thriller "Chosen Survivors" (1974) with Jackie Cooper, Richard Jaeckel, and Barbara Babcock. In 1977, she played Elaine Mati, the concerned wife of mentally unstable doctor Telly Savalas in the independent film "Beyond Reason".


title: Diana Muldaur

text: In 1967, Muldaur guest-starred on "Mannix" episode "Coffin for a Clown". In 1971, she appeared as Rachel Bonham in "The Men From Shiloh" (rebranded name for the TV Western "The Virginian") in the episode titled "The Politician". Muldaur guest-starred in a first-season episode of "Alias Smith and Jones", "The Great Shell Game" in 1971. In the second season of "Kung Fu" in 1973, opposite David Carradine, she guest-starred in the episode "The Elixir" playing a traveling-show woman who yearned for freedom from men—topical at the time—and starred in the pilot episode of "Charlie's Angels". In a 1972 "Hawaii Five-O" episode, she was a guest star along with Ricardo Montalbán.


title: Diana Muldaur

text: She had a recurring role as Judge Eleanor Hooper on "The Tony Randall Show" during the show's 1976–1978 run, and was a guest star in season two of "Fantasy Island". Muldaur guest-starred on "The Incredible Hulk", playing the part of Helen Banner, David Banner's sister, in the season-three episode "Homecoming" in November 1979. In 1981, she played a nun in the fifth-season episode "Sanctuary".


title: Diana Muldaur

text: In 1975, she made a guest appearance in an episode of "The Rockford Files" as Mrs. Bannister, a married woman who has an affair with a former cellmate of the series' title character. During this time, Muldaur also appeared on "Police Woman", "Quincy M.E.", "The Streets of San Francisco", "The Love Boat", "The Hardy Boys/Nancy Drew Mysteries", and "Hart to Hart", among others. She appeared in the first season of Angela Lansbury's "Murder, She Wrote".


title: Diana Muldaur

text: Muldaur had a recurring role on the seven-season Dennis Weaver mystery anthology "McCloud" as Chris Couglin, McCloud's love interest. Her character was introduced in the pilot episode in 1970, and made her last of 16 appearances in April 1977. She reprised her role as Chris for the 1989 reunion movie "The Return of Sam McCloud".


title: Diana Muldaur

text: Muldaur was cast as conservationist Joy Adamson in the television drama "Born Free" about Elsa the Lioness. Filming for the ambitious project, which co-starred Gary Collins, took place in Kenya, and the NBC series, which debuted in the fall of 1974, lasted one season. Guest stars on "Born Free" included several of Muldaur's future co-stars, including Alex Cord ("Chosen Survivors") and Susan Dey ("L.A. Law").


title: Diana Muldaur

text: In 1979, Muldaur starred with David Huddleston in the short-lived NBC sitcom "Hizzonner", which lasted just seven episodes and co-starred Kathy Cronkite, daughter of news presenter Walter Cronkite. She played the mayor's secretary, Ginny.


title: Diana Muldaur

text: First an Emmy-winning miniseries and then a weekly drama, "A Year in the Life" was a critical success for NBC, with a cast including Richard Kiley and Sarah Jessica Parker. As Dr. Alice Foley, Muldaur praised the show as an example of how television was becoming more realistic about women.


title: Diana Muldaur

text: Muldaur is known for playing "dignified, sophisticated characters". Gene Roddenberry was already familiar with Muldaur from her second-season appearance in the "Star Trek" episode, "Return to Tomorrow", and later in a third-season appearance in "Is There in Truth No Beauty?". He subsequently cast her in his 1973 TV movie "Planet Earth". Consequently, for the second season of "Star Trek: The Next Generation", Roddenberry chose her specifically to replace the outgoing Gates McFadden (who was let go on the insistence of one of the show's first-season producers). Muldaur was cast to play the role of Dr. Pulaski, the new chief medical officer. "We needed someone with a little more of an edge," Rick Berman explained of the choice. "Kate's a strong, confident woman with an edge who can hold her own with Captain Picard. Their relationship is not all that unlike the one between Kirk and McCoy ... although from the onset we had no intention of trying to duplicate the original team."


title: Diana Muldaur

text: Some television critics praised Muldaur's performance, with one noting her "wry, no-nonsense warmth that plays nicely off of some of the icier regulars". The addition of Muldaur, along with Whoopi Goldberg, also served to redress the absence of women from the principal cast, as the departure of McFadden and Denise Crosby had left only Marina Sirtis, a rapid attrition of women that recalled the imbalance of the original "Star Trek" series.


title: Diana Muldaur

text: Ultimately, Muldaur found working on the syndicated show an "unhappy" experience, saying, "The imagination and joy wasn't there." "Everybody was out for themselves. I don't think they were happy to have me there." "It wasn't what I hoped it would be. I thought it would be wonderfully inventive and wonderfully creative, and I found it was not any of those things, but it did give me Trekkies. I love Trekkies. I find them very dear."


title: Diana Muldaur

text: The character also proved unpopular with some fans, who among other things found her treatment of the lovable android Data to be mean-spirited. Muldaur left the series after only one season. Show representatives denied that she had been fired, saying, "Technically, she's just not returning", while other sources said that her option had not been renewed. Roddenberry described Muldaur as "a most talented actress", and said that the decision "to let her go was made solely because the hoped-for chemistry between her and the rest of the starship cast did not develop." Berman added, "The thought of bringing Gates back was a good idea to us. The feeling was that we had perhaps made a mistake, and the best way to remedy it was to bring her back." The "revolving door" and the limited opportunities for female crew led critics to suggest that the mostly male series still had a problem featuring women.


title: Diana Muldaur

text: Muldaur subsequently earned two Emmy nominations for her role as lawyer Rosalind Shays on "L.A. Law". Of Roz's creation, by prolific television writer David E. Kelley, Muldaur said:


title: Diana Muldaur

text: In one episode of the Stephen Bochco drama, Jill Eikenberry's character Ann Kelsey tells Shays: "If you were a man, you'd be applauded for your achievements." Muldaur insisted her character "was just too strong for a lot of men".


title: Diana Muldaur

text: Muldaur described the "L.A. Law" actors as "the closest family", and said she was "thrilled" to play a villain like Shays after portraying "everybody's mistress for 20 years", and expressed fascination with the public reception for Shays:


title: Diana Muldaur

text: The surprise scene where Roz and Leland are seen in bed together was ranked as the 38th-greatest moment in television in an issue of "EGG" magazine. Equally spectacular was Roz's fatal exit from the show, falling down an elevator shaft. Muldaur joked: "I was as shocked as everybody else. I thought maybe I had asked for too much money!"


title: Diana Muldaur

text: Jill Eikenberry, who played Ann Kelsey on "L.A. Law", said on "E! True Hollywood Story" that the whole "L.A. Law" cast loved the dynamic between Muldaur and Richard Dysart, and that they were all very sad to see Muldaur leave the show.


title: Diana Muldaur

text: In 1975, Muldaur appeared in one episode in the first season of "The Rockford Files". In 1977, she guest-starred in the second episode ("Mirror Image") of the short-lived CBS espionage series "Hunter". Early in 1979, she guest-starred in the second episode ("Dewey and Harold and Sarah and Maggie") of the NBC anthology series "$weepstake$". In the early 1990s, she also guest-starred on two episodes of "Matlock", as well as "Empty Nest" with Richard Mulligan and the pilot for Aaron Spelling's "Hearts Are Wild". Muldaur provided the voice of Dr. Leslie Thompkins on "" from 1992 to 1994.


title: Diana Muldaur

text: In 1973, Muldaur co-starred in the television film "Call to Danger" as Carrie Donovon, a Justice Department investigator. In 1974, Muldaur starred in "The Wonderful World of Disney" movie presentation of "Hog Wild!" with John Ericson and Kim Richards for NBC. In 1979, she starred in the made-for-television film version of "The Miracle Worker" in which she played the role of Katie Keller, the mother of Helen Keller. The NBC film starred Melissa Gilbert and Patty Duke Astin.


title: Diana Muldaur

text: In an attempt to capitalize on Burt Reynolds' international superstardom, Muldaur's performance in the pilot episode of the Reynolds-Norman Fell crime series, "Dan August" (1970–1971) was edited together with a subsequent episode and repackaged as a 1980 ABC Movie of the Week titled "Dan August: The Jealousy Factor".


title: Diana Muldaur

text: In 1991, Muldaur played Lauren Jeffreys, the main client of Perry Mason (Raymond Burr) in the NBC television movie "Perry Mason and the Case of the Fatal Fashion". Muldaur had previously worked with Burr as a guest star on the detective series "Ironside" (1971) and his short-lived series "" (1977).


title: Diana Muldaur

text: Her other television films include the "Black Beauty" miniseries (1977), "Pine Canyon is Burning" (1977), "Maneaters Are Loose!" (1978), "The Word" (1978), and Joseph Wambaugh's two-hour film "Police Story: A Cry for Justice" (1978) with Dennis Weaver and Larry Hagman. Muldaur teamed with The Smothers Brothers for "Terror at Alcatraz" (1982) and turned in strong dramatic performances in "Murder in Three Acts" (1986) opposite Peter Ustinov and "" (1991) with Jean Smart and Angela Bassett.


title: Diana Muldaur

text: Muldaur is a 1960 graduate of Sweet Briar College, a small, private, women's school in central Virginia.


title: Diana Muldaur

text: She is the older sister of singer-songwriter Geoff Muldaur, who is the former husband of singer Maria Muldaur. She is also the aunt of singer-songwriter Jenni Muldaur and singer-songwriter Clare Muldaur-Manchon. She lived in Los Angeles from 1970 to 1991.


title: Diana Muldaur

text: Muldaur was married to actor James Vickery, her co-star on "The Secret Storm", until his death from cancer in 1979. She then married writer and producer Robert Dozier (son of producer William Dozier), who died of prostate cancer in 2012.


title: Diana Muldaur

text: At one point, Muldaur contemplated a face lift, noting in 2000 at the age of 61, "You don't see many people my age on television", but eventually decided against it, remarking, "Somebody has to look the right age." Her stated ambition is "to play all the great women's roles... I'd love to play Lady Macbeth."


title: Rammstein discography

text: The discography of Rammstein, a German rock band, consists of eight studio albums, three live albums, and six video albums. Rammstein has also released 33 singles, 30 of which are accompanied by music videos. The band was formed in the mid-1990s by six musicians from East Berlin and Schwerin: singer Till Lindemann, guitarists Richard Kruspe and Paul Landers, keyboardist Flake Lorenz, bassist Oliver Riedel, and drummer Christoph Schneider.


title: Rammstein discography

text: Rammstein debuted with the single "Du riechst so gut", released on 24 August 1995 in a scented digipack format. A month later, the band issued their first studio album, "Herzeleid", which peaked at number six on the German Media Control Charts and remained there for 102 weeks. Before the release of their second studio album, Rammstein issued the single "Engel"; the track was featured in the closing credits of the 1997 film "", while the song's music video itself was a tribute to the movie "From Dusk till Dawn", released on 1 April 1997. Engel reached the top three on the German singles chart and was certified gold by the Bundesverband Musikindustrie (BVMI) for the sale of more than 250,000 copies.


title: Rammstein discography

text: Rammstein's second album, "Sehnsucht", was released in August 1997; it topped both German and Austrian charts, and eventually was certified platinum in the respective record industry associations of IFPI. On 30 August 1999, the band released their first live album, "Live aus Berlin". It was recorded over two nights at the Wuhlheide Venue, and issued on both CD and DVD formats. Released in April 2001, "Mutter" is Rammstein's third studio album; it topped the German and Swiss charts and was certified double platinum in both countries. Five tracks were released from the album as singles: "Sonne", "Links 2 3 4", "Ich will", "Mutter" and "Feuer frei!"; the latter was also used in the opening scenes of the Rob Cohen film "xXx". In 2003, the group released the DVD "Lichtspielhaus", containing live performances, music videos, and interviews.


title: Rammstein discography

text: On 26 July 2004, Rammstein released the single "Mein Teil", a song inspired by a German cannibal, Armin Meiwes, which peaked at number two on both German and Finnish charts. Later that year, the band released their fourth studio album, "Reise, Reise"; it topped the Austrian, Finnish, German and Swiss charts, and was certified platinum in the last two countries. Other singles from this album include "Amerika", "Ohne dich" and "Keine Lust". Released worldwide on 28 October 2005, "Rosenrot" peaked at number one in Germany, Austria, and Finland, and was certified gold in Austria and Finland and platinum in Germany. The album spawned the singles "Rosenrot", the homosexuality-themed "Mann gegen Mann" and "Benzin". "Benzin" reached the top of the Danish Tracklisten. In November 2006, the band issued the "Völkerball" CD and DVD set, featuring live footage filmed in the United Kingdom, France, Japan and Russia, plus a documentary. It peaked at number one in the German and Finnish charts, and was certificated double platinum by BVMI.


title: Parmeet Sethi

text: Parmeet Sethi is an Indian actor, director, producer and writer. He is best known for portraying Kuljeet Singh in his debut in Aditya Chopra's directorial debut "Dilwale Dulhania Le Jayenge" (1995).


title: Parmeet Sethi

text: Sethi has also acted in films such as "Dhadkan" (2000), "Om Jai Jagadish" (2002), "Lakshya" (2004), "Baabul" (2006), "Dil Dhadakne Do" (2015), "Rustom" (2016), "Laila Majnu" (2018) and "Bhangra Paa Le" (2020).


title: Parmeet Sethi

text: He made his directorial debut with "Badmaash Company" (2010) which earned him a nomination for the Best Debutante Director at Zee Cine Awards. Apart from films, he is also active in television shows and has appeared in "Dastaan" (1995-1996) and "Jassi Jaissi Koi Nahin" (2003-2006), "Detective Omkar Nath" (2006), "Sujata" (2008), "Pehredaar Piya Ki" (2017), "My Name Ijj Lakhan" (2019), "Special OPS" (2020) and " Hundred " (2020).


title: Parmeet Sethi

text: Sethi married actress Archana Puran Singh on 30 June 1992. They have two sons, Aryamann and Ayushmaan. He is the cousin of television actress Niki Aneja Walia.


title: Parmeet Sethi

text: Sethi made his Bollywood debut in the award winning film "Dilwale Dulhania Le Jayenge" (1995), portraying the role of Kuljeet Singh. The movie went onto became a commercially and critically acclaimed film. Subsequently he starred in "Diljale" (1996) as Captain Ranveer with Ajay Devgn and Sonali Bendre. He also starred in the critically acclaimed Punjabi language film "Des Hoyaa Pardes" (2004). The film won a National Award for Best Feature Film in Punjabi.


title: Parmeet Sethi

text: In 2005, he participated in the first season of Indian television dance reality show " Nach Baliye " with his wife Archana Puran Singh. Then in 2006, he hosted another television dance reality show "Jhalak Dikhhla Jaa" with his wife.


title: Parmeet Sethi

text: In 2010, he tried his first directorial venture, Yash Raj's "Badmaash Company" starring Shahid Kapoor, Anushka Sharma and Meiyang Chang, which was a success at box office earning 530 million Indian rupees. Sethi wrote its entire script with dialogues in just six days.


title: Parmeet Sethi

text: In 2008, after his appearance in the film named "Dus Kahaniyaan" (2007), he took a break from acting to focus on writing and direction. But in 2015, he made his comeback after seven years as an actor in Zoya Akhtar directorial "Dil Dhadakne Do" (2015).


title: Parmeet Sethi

text: He has also directed some episodes of sitcom "Sumit Sambhal Lega" (2015). In 2017, he again directed another television sitcom "Har Mard Ka Dard". It starred Faisal Rashid in lead. In 2020, Sethi appeared in Neeraj Pandey directed hotstar original web series "Special OPS". In 2021, he made his Punjabi television debut with a show named "Akhiyaan Udeek Diyan", which was aired on Zee Punjabi.


title: Éomer

text: Éomer is a fictional character in J. R. R. Tolkien's Middle-earth. He appears in "The Lord of the Rings" as a leader of the Riders of Rohan who serve as cavalry to the army of Gondor, fighting against Mordor.


title: Éomer

text: The name Éomer, meaning "Horse-famous" in Old English, is from "Beowulf", a work that Tolkien had studied extensively. Despite the evident Old English connection, Tolkien denied that Éomer and the Riders of Rohan directly represented the Anglo-Saxons. Scholars have noted that while in a book the imagery remains ambiguous, and can combine suggestions of Gothic as well as Anglo-Saxon origins, film such as Peter Jackson's "Lord of the Rings" trilogy inevitably has to choose. When Éomer appears in a helmet recalling the Sutton Hoo helmet, he is plainly Anglo-Saxon.


title: Éomer

text: Éomer is the son of Théodwyn and Éomund. After their parents' death Éomer and his sister Éowyn were adopted by their uncle Théoden, king of the Rohirrim. He is the leader of the forces of Rohan who attack and kill the Uruk-hai who had kidnapped the hobbits Merry Brandybuck and Pippin Took. Against orders, impressed by Aragorn, he helps Aragorn, Gimli and Legolas by lending them horses and guiding them to where the attack had taken place.


title: Éomer

text: On his return to Edoras, Éomer reports this meeting to Théoden, and is imprisoned on the orders of Gríma Wormtongue, Théoden's sinister advisor. Aragorn, Gimli and Legolas arrive in Edoras with the wizard Gandalf, who releases the king from Gríma's spell. Éomer is set free and restored to honour. He fights at the battle of Helm's Deep, where the forces of Rohan drive Saruman's army of Orcs and Dunlendings from the walls of the Hornburg, buying enough time for Gandalf to arrive with Erkenbrand and his men of the Westfold of Rohan.


title: Éomer

text: Éomer plays a major role in the Battle of the Pelennor Fields, the pivotal battle of "The Return of the King" against the forces of the Dark Lord Sauron from Mordor. After leading a successful cavalry charge, he is dismayed to find Théoden mortally wounded. Théoden appoints him King of Rohan with his dying breath. Seeing Éowyn seemingly dead on the battlefield, Éomer throws himself and the remaining Rohirrim at the enemy. Aragorn arrives unexpectedly from Pelargir, and joins forces with Éomer, fulfilling his prediction that they would meet in the midst of their enemies. They rout the Orcs and win the battle.


title: Éomer

text: Éomer accompanies Aragorn to the Gates of Mordor for the final stand against Sauron, the Battle of the Morannon. This distracts Sauron long enough for the One Ring to be destroyed in Mount Doom, causing his immediate downfall. Théoden is taken back to Edoras to be buried, and Éomer becomes King of the Mark.


title: Éomer

text: The name Éomer, meaning "Horse-famous" in Old English, occurs in "Beowulf", at line 1959, as that of a king descended from Offa of Mercia. Tolkien had studied "Beowulf" extensively and drew material from it in writing "The Lord of the Rings".


title: Éomer

text: The critic Paul Kocher notes that in his first meeting with Aragorn on the plains of Rohan, Éomer is moved by affection more than just by the policy of the Mark, and indeed he risks both his command and his life by assisting him, contrary to orders.