title: Humboldt Broncos bus crash

text: The club played their first home game of the 2018–19 season on September 12 against Nipawin, which was televised nationally by TSN, and simulcast by CTV's Saskatchewan stations, as well as NHL Network in the United States. Most of the surviving players were in attendance and following the game, the numbers of all players on the bus were formally retired by the team. For players who are still active or planned to return to the Broncos (Brayden Camrud, Derek Patter, and Tyler Smith), they will retain their number while active, and they will be retired after the conclusion of their careers with the team. Despite scoring the first goal of the game, the Broncos lost the season opener by the score of 2–1.


title: Humboldt Broncos bus crash

text: In March 2019, Logan Schatz's hometown of Allan, Saskatchewan, renamed its local arena to the Logan Schatz Memorial Arena.


title: University of the Philippines

text: The University of the Philippines (UP; ) is a state university system in the Philippines. It is the country's national university, as mandated by Republic Act No. 9500 (UP Charter of 2008), giving it institutional autonomy.


title: University of the Philippines

text: Originally founded by the American colonial government on June 18, 1908, it was established through the ratification of Act No. 1870 of the 1st Philippine Legislature to serve as an "advanced instruction in literature, philosophy, the sciences and arts, and to give professional and technical training" to eligible students regardless of "age, sex, nationality, religious belief and political affiliation."


title: University of the Philippines

text: The University of the Philippines system has 8 constituent universities (CUs): UP Diliman, which serves as the system's flagship university, UP Los Baños, UP Manila, UP Visayas, UP Open University, UP Mindanao, UP Baguio, and UP Cebu which are scattered across 17 campuses.


title: University of the Philippines

text: Widely regarded and often cited as the Philippines' top university system, its alumni include a Nobel Peace Prize laureate, 7 of 17 Philippine presidents, 14 of 26 chief justices, 36 of 42 national scientists, and 40 of 57 national artists, the most of any university. UP's alumni also include more senators as well as members of the Philippine House of Representatives than any other university. Among its alumni are also 15,000 doctors, 15,000 engineers, 8,000 lawyers, 23,000 teachers, and thousands of graduates in other academic fields, which comprise some of its approximate 260,000 living alumni worldwide. UP has the most National Centers of Excellence and Development among higher education institutions in the country, and is one of the only three schools in Asia that have received institutional recognition in the Ramon Magsaysay Awards. Senate Resolution No. 276 of the Senate of the Philippines recognizes the institution as "the nation's premier university"; UP ranks as the country's No. 1 university, among the top 100 Asian universities, and among the top 400 universities worldwide in annual university rankings.


title: University of the Philippines

text: On June 18, 1908, the University of the Philippines was established through an act of the First Philippine Legislature. Act No. 1870, otherwise known as the "University Act", specified the function of the university, which is to provide advanced instruction in literature, philosophy, the sciences and arts, and to administer professional and technical training.


title: University of the Philippines

text: The university began with the establishment of the Philippine Medical School (later incorporated into the university as the College of Medicine and Surgery) in 1905, which started operating in 1907, a year ahead of the rest of the U.P. System. Together with the College of Fine Arts and the College of Liberal Arts, the College of Medicine occupied buildings distributed along Padre Faura Street (Ermita district) and R. Hidalgo Street (Quiapo district) in Manila, while the School of Agriculture was in Los Baños, Laguna. A few years later, the university opened the College of Law and the College of Engineering in Manila, as well as academic units under the College of Agriculture and Forestry in Los Baños, Laguna. The Board of Regents approved the decision to look for a larger site, and a 493-hectare lot was acquired by the university in Diliman, Quezon City, then a town in the province of Rizal. Construction of the Quezon City campus began in 1939.


title: University of the Philippines

text: During World War II, most of its colleges had to be closed except the Colleges of Medicine, Pharmacy, and Engineering. Meanwhile, the Japanese Imperial Army occupied three Diliman campus buildings: the College of Liberal Arts Building (now Benitez Hall) and the Colleges of Law (now Malcolm Hall) and Business Administration Building. The Japanese also occupied the campus of the College of Agriculture in Los Baños. U.P. President Bienvenido Ma. Gonzalez sought a grant of ₱ 13 million from the US-Philippines War Damage Commission. A massive rehabilitation and construction effort was executed during the post-war years. For the first time, an extensive Diliman campus master plan and map were created in 1949. More buildings were built across the Diliman campus landscape: the University Library (Gonzalez Hall), the College of Engineering (Melchor Hall), the Women's Residence Hall (now Kamia Residence Hall), the Conservatory of Music (Abelardo Hall and now the College of Music), the Administration Building (Quezon Hall), and the U.P. President's Residence. Most colleges and administration offices were temporarily housed in huts and shelters made of sawali and galvanized iron.


title: University of the Philippines

text: During U.P.'s 40th anniversary in February 1949, central administrative offices of U.P. were moved from Manila to Diliman together with the transfer of the U.P. Oblation. Administrative offices and its regional units in Manila, Los Baños, Baguio, and Cebu were all housed in the Diliman campus. General commencement exercises were also held in Diliman for the first time in 1949.


title: University of the Philippines

text: In the 1950s, new academic units and degree programs were established. Another major reform, the General Education (G.E.) Program, was introduced in 1959. The G.E. Program became a series of core courses prescribed for all students at the undergraduate level. Most of these courses were being taught at the then College of Liberal Arts. As a result, U.P. President Vicente Sinco saw fit to reorganize the college into a University College, which would offer the core subjects to be taken during the first two years of the undergraduate program. Meanwhile, the College of Arts and Sciences and Graduate School of Arts and Sciences, offered major courses in the humanities, natural sciences, and social sciences. During President Sinco's term, more institutes and colleges were established. These institutes and colleges include the Institute of Public Administration (1952), the Statistical Center (1953), the Labor Education Center (now the School of Labor and Industrial Relations, established in 1954), the Asian Studies Institute (now the Asian Center, established in 1955), the Institute of Library Science (now the School of Library and Information Studies, established in 1961), and the College of Home Economics (1961).


title: University of the Philippines

text: The administration of U.P. President Carlos P. Romulo was marked by the founding of the Population Institute, the Law Center and the Applied Geodesy and Photogrammetry Training Center in 1964; the Institute of Mass Communication, the College of Business Administration, and the Institute of Planning in 1965; the Computer Center, the Institute for Small-Scale Industries in 1966, the Institute of Social Work and Community Development in 1967, and the Asian Center in 1968.


title: University of the Philippines

text: During the Martial Law period, U.P.'s administrators tried to sustain the university's educational priorities and institutional autonomy. At the height of activism in the university, U.P. President Salvador P. Lopez established a system of democratic consultation in which decisions such as promotions and appointments were made through greater participation by the faculty and administrative personnel. Lopez also reorganized U.P. into the U.P. System. During that period of activism, U.P. Diliman was called the "Diliman Republic" and elements of the police and the Metrocom stormed the campus during Martial Law. In November 1972, the Los Baños campus was the first to be declared an autonomous unit under a chancellor. A ₱ 150 million grant from the national budget boosted U.P.'s Infrastructure Development Program. In Diliman, it funded the construction of buildings for the Colleges of Business Administration and Zoology, the Institute of Small-Scale Industries, the Transport Training Center, and the Coral Laboratory of the Marine Sciences Institute. Kalayaan Residence Hall and housing for low-income employees were also built around this time.


title: University of the Philippines

text: U.P. President Onofre D. Corpuz declared U.P. Manila, then known as the Health Sciences Center, and U.P. Visayas as autonomous units. At the same time, the Asian Institute of Tourism (AIT) was established in light of the prioritization of tourism as a national industry. New centers for research and degree-granting units such as the Third World Studies Center (1977), Creative Writing Center, National Engineering Center (1978), U.P. Extension Program in San Fernando, Pampanga (1979), which is now in Clark Freeport Zone, Pampanga, Institute of Islamic Studies (1973), U.P. Film Center, National Center for Transportation Studies (1976) were also established. U.P. celebrated its 75th year in 1983. In the same spirit, a U.P. Extension Program in Olongapo was also established in 1984.


title: University of the Philippines

text: Edgardo Angara's Diamond Jubilee project raised ₱ 80 million which was earmarked for the creation of new professorial chairs and faculty grants. Angara also organized the Management Review Committee (MRC) and the committee to Review Academic Programs (CRAP) to evaluate and recommend measures for improving university operations. The MRC report led to a wide-ranging reorganization of the U.P. System, the further decentralization of U.P. administration, and the declaration of U.P. Diliman as an autonomous unit on March 23, 1983. U.P. Baguio was then placed under the supervision of U.P. Diliman. Meanwhile, the College of Arts and Sciences also underwent a reorganization to become three separate colleges: the College of Science (CS), the College of Arts and Letters (CAL), and the College of Social Sciences and Philosophy (CSSP). There has been problems regarding this ever since the three colleges separated.


title: University of the Philippines

text: As the flagship campus, U.P. Diliman led the rest of the units. On April 26, 1982, it was formally designated as a constituent university, almost a decade after the reorganization. Although Diliman was the seat of the U.P. Administration, the campus was not immediately constituted after 1972. It was administered, along with the Manila unit, prior to the organization of the Health Sciences Center, as a "de facto" university.


title: University of the Philippines

text: U.P. President José Abueva introduced the Socialized Tuition Fee Assistance Program (STFAP) in 1987. Abueva also institutionalized a Filipino language policy within the university. U.P. President Emil Javier established the creation of U.P. Mindanao at Davao City, Southern Mindanao, and the U.P. Open University in 1995. U.P. President Francisco Nemenzo's legacy includes the Revitalized General Education Program (RGEP) and the institutionalization of more incentives for research and creative achievements by U.P. faculty members.


title: University of the Philippines

text: U.P. President Emerlinda Roman, from the College of Business Administration (CBA), has led a Centennial Campaign Fund to upgrade the university's services and facilities. Her term of office has been noted for the ascension of several key professors from the CBA to positions of power within the university. Notable among them is U.P. Diliman Chancellor Sergio S. Cao, Assistant Vice President for Planning and Development, Prof. Arthur S. Cayanan, Director of the U.P. System Budget Office, Prof. Joselito G. Florendo, Dr. Lina J. Valcarcel Executive Director, U.P. Provident Fund, Inc. and U.P. Foundation, Inc. Executive Director Gerardo B. Agulto.


title: University of the Philippines

text: On January 8, 2008, the University of the Philippines began its centennial celebration. The opening ceremony featured a 100-torch relay to light the eternal flame on the Centennial Cauldron at Quezon Hall. Torches were carried by, among others, Fernando Javier, 100, of Baguio, the oldest U.P. alumnus (Civil Engineering from University of the Philippines Manila, 1933), Michael Dumlao, a 6th-grader from the University of the Philippines Integrated School in U.P. Diliman and U.P. President Emerlinda Roman, the first woman president of the university. The Centennial Cauldron features three pillars to represent the three core values, and seven flowers representing the seven constituent universities, i.e. U.P. Manila, U.P. Diliman (together with U.P. Pampanga, its extension campus), U.P. Los Baños, U.P. Baguio, U.P. Visayas, U.P. Mindanao, and U.P. Open University.


title: University of the Philippines

text: The Bangko Sentral ng Pilipinas (BSP) and U.P. issued commemorative ₱ 100 U.P. Centennial notes at the BSP Security Plant Complex in Quezon City. The notes appear as four-outs (four uncut pieces) in a folder featuring the signatures of all U.P. presidents including Roman.


title: University of the Philippines

text: Inspired by the U.P. Oblation, the University of the Philippines Alumni Association (UPAA) launched an art exhibit, "100 Nudes/100 Years" featuring the works of nine U.P. alumni national artists.


title: University of the Philippines

text: The University of the Philippines Alumni Association announced its launching of a three-volume U.P.A.A. 2008 Centennial Yearbook on June 21, 2008, at the U.P.A.A. Grand Alumni-Faculty Homecoming and Reunion at the Araneta Coliseum, Cubao, Quezon City. The theme is “U.P. Alumni: Excellence, Leadership and Service in the Next 100 Years," with the three cover designs showing the works of National Artists Napoleon Abueva, Abdulmari Asia Imao, and Benedicto Cabrera, respectively. Chief Justice Reynato Puno is the Yearbook's most distinguished alumnus awardee (among 46 other awardees).


title: University of the Philippines

text: The U.P. Charter of 2008, Republic Act No. 9500, was signed by President Gloria Macapagal Arroyo into law on April 29, 2008, at the U.P. Library Conference Hall in Lahug, Cebu. It aims "to provide both institutional and fiscal autonomy to U.P., specifically, to protect student's democratic access and strengthen administration through the recognition of U.P. System's Board of Regents and U.P. Council." The new charter declared U.P. as the Philippines' national university, giving it "the enhanced capability to fulfill its mission and spread the benefits of knowledge." The new charter will help improve its competitiveness. The newly designated “national university" however, needs ₱ 3.6 billion to be on a par with other universities in the region.


title: University of the Philippines

text: The centennial ₱ 6 billion, UP-Ayala Land TechnoHub, a complex of low-rise buildings along Commonwealth Avenue, within the of the U.P. North Science and Technology Park, was constructed on February 16, 2006, and inaugurated on November 22, 2008. It was developed by the Ayala Land Property company into an information technology and IT-enabled services community to host business process outsourcing (BPO) and technology firms.


title: University of the Philippines

text: At present, the University of the Philippines is composed of eight constituent universities (CU) located in 15 campuses around the country.


title: University of the Philippines

text: U.P. Diliman is the flagship campus of the university and offers the most courses. On July 19, 2011, the Bases Conversion and Development Authority donated to U.P. a 4,300-square meter (1 acre) lot at the Bonifacio Global City (BGC) in Taguig for the U.P. Professional Schools, which will initially include extension classes for UP Diliman's College of Law, College of Business Administration, College of Engineering, School of Statistics, as well as the UP Open University.


title: University of the Philippines

text: Each constituent university of U.P. is headed by a chancellor, who is elected on a three-year term by the Board of Regents. Unlike the president, who is elected on a single six-year term without re-election, the chancellor maybe re-elected for another three-year term but it is upon the discretion of the members of the Board of Regents.


title: University of the Philippines

text: The satellite campuses do not have autonomous status. They are considered extension colleges of their parent unit. Some campuses host different programs of various colleges within the parent unit.


title: University of the Philippines

text: The President of the University of the Philippines is elected for a single six-year term by the university's twelve-member Board of Regents. As of 2019, two Americans and 19 Filipinos served as President of the University of the Philippines.


title: University of the Philippines

text: The current president of U.P. is lawyer and former University of the Philippines College of Law Dean Danilo L. Concepcion. He assumed office on February 10, 2017.


title: University of the Philippines

text: The governance of the university is vested in the Board of Regents of the University of the Philippines System (or "Lupon ng mga Rehente" in Filipino) and commonly abbreviated as BOR. The board, with its 11 members, is the highest decision-making body of the U.P. system.


title: University of the Philippines

text: The Chairperson of the Commission on Higher Education (CHED) serves as the Board's Chairperson while the President of the University of the Philippines is the co-chairperson. The Chairpersons of the Committee on Higher, Technical and Vocational Education of the Senate and the Committee on Higher and Technical Education House of Representatives are members of the Board of Regents which are concurrent with their functions as committee chairpersons.


title: University of the Philippines

text: U.P. students, represented by the General Assembly of Student Councils, nominate a Student Regent. While the Faculty Regent is likewise nominated by the faculty members of the whole University. Alumni are represented by the President of the U.P. Alumni Association. A Staff Regent, representing professional and administrative personnel, was included with the passage of the new U.P. Charter in 2008. The remaining members of the Board of Regents are nominated into the position by the President of the Philippines.


title: University of the Philippines

text: The University of the Philippines System offers 246 undergraduate degree programs and 362 graduate degree programs, more than any other university in the country.


title: University of the Philippines

text: The flagship campus in Diliman offers the largest number of degree programs, and other campuses are known to lead and specialize in specific programs. The university has 57 degree-granting units throughout the system, which may be a college, School or Institute that offers an undergraduate or a graduate program. In the Los Baños campus, a separate Graduate School administers the graduate programs in agriculture, forestry, the basic sciences, mathematics and statistics, development economics and management, agrarian studies and human ecology. The College of Public Health at the Manila campus has a collaboration with Boston University School of Public Health. This program allows students from Boston University to do a semester of coursework at U.P. Manila as well as an international field practicum in the Philippines. The university has 4,571 faculty, trained locally and abroad with 36% having graduate degrees. The university is one of the three universities in the Philippines affiliated with the ASEAN University Network, and the only Philippine university to be affiliated with the ASEAN-European University Network and the Association of Pacific Rim Universities.


title: University of the Philippines

text: The university has the highest financial endowment of all educational institutions in the Philippines. In 2008, the entire U.P. System received a financial subsidy from the national government of ₱ 5.7 billion. The total expenditure for the same year, however, is ₱ 7.2 billion, or approximately ₱ 135,000 per student. State universities and colleges have continually experienced budget cuts over the years. In 2019, the university requested ₱44.9 billion budget but only received ₱15.5 billion for its budget, with additional ₱1.5 billion for operational and equipment expenses. The Philippine General Hospital, the most affected unit of the UP System, received an insufficient budget of P2.92 billion, with only P155 million out of the requested P1.6 billion allocated for infrastructure and capital outlays.


title: University of the Philippines

text: The UP, as a university system, has been consistently ranked the top university in the Philippines since its inclusion in several university rankings. In 2020, UP was ranked 65th in the Times Higher Education (THE) Asia University Rankings and 69th in the QS Asia University Rankings for 2021, the highest ranked Philippine university. In the THE rankings, UP is the fifth best university in Southeast Asia, after National University of Singapore (3rd), Nanyang Technological University (6th), University of Malaya (43rd) and Universiti Brunei Darussalam (60th). On the other hand, the QS rankings put it as the 13th best university in Southeast Asia after two Singapore, five Malaysian, three Indonesian, and two Thai universities.


title: University of the Philippines

text: Moreover, UP ranks in numerous world subject rankings, most notably 51-100th place in Development Studies, 101-150th place in English Language and Literature, Geography, and Politics and International Studies, 151-200th place in Archaeology, Agriculture and Forestry, and Sociology in the QS World University Rankings by Subject Area. UP programs also place in Times Higher Education World University Rankings: 126-150th in Clinical, Pre-Clinical and Health subjects; 501-600 bracket for both Life Sciences and Social Sciences; in the 601+ bracket for Engineering and Technology, and Computer Science; and in the 801+ bracket in Physical Sciences.


title: University of the Philippines

text: Earlier, in the Asiaweek's Best Universities in Asia last published in 2000, UP ranked 48th. In 2006 the university, through President Emerlinda R. Roman, has expressed that it does not want to participate in the THES Ranking, but was included in 2007, 2008, and 2009 with an incomplete academic profile.


title: University of the Philippines

text: In the national rankings based on cumulative data from 1991 to 2001 of average passing rates in all courses of all Philippine colleges and universities in the licensure examinations, U.P. Diliman, U.P. Los Baños and U.P. Manila emerged as numbers one, two and three respectively. The study was done by the Professional Regulation Commission and the Commission on Higher Education.


title: University of the Philippines

text: The General Education Program was introduced in 1959 and formed core courses prescribed for all students at the undergraduate level. The General Education Program is the Revitalized General Education Program (abbreviated as RGEP), which was approved by the Board of Regents in 2001. The RGEP offers courses in three domains (Arts and Humanities; Mathematics, Science, and Technology; and Social Sciences and Philosophy) and gives students the freedom to choose the general education subjects in these domains that they would like to take. It has led to the development of courses unique to the campuses. Examples of these courses include NASC 10 ("Forests as Source of Life") in Los Baños, Geography 1 ("Places and Landscapes in a Changing World") in Diliman, and History 3 ("History of Philippine Ethnic Minorities") in Baguio.


title: University of the Philippines

text: The university library system contains the largest collections of agricultural, medical, veterinary and animal science materials in the Philippines. The library system has a collection of Filipiniana material, serials and journals in both electronic and physical forms and UPIANA materials in its archives. It also has a collection of documents of student, political, and religious organizations advocating political, economic, and social changes during the Marcos administration in the Diliman library.


title: University of the Philippines

text: The university is one of the five governmental agencies involved with the Philippine eLib, a nationwide information resource-sharing consortium, to which it provides access to 758,649 of its bibliographic records.


title: University of the Philippines

text: The library was established in 1922 in the Manila campus and was considered one of the best in Asia prior to the Second World War. The collection, containing almost 150,000 volumes, was destroyed when Japanese troops stormed the library during the war, leaving only a handful of books intact. Gabriel Bernardo, the Librarian of the university who built the collection, described the loss as "intellectual famine." Bernardo would later rebuild the library in the Diliman campus. The university has likewise been one of the pioneers in library science education in the country. Library courses were first offered under the College of Liberal Arts under James Alexander Robertson in 1914. In 1961, the Institute of Library Science was established in Diliman and a year later, the institute established the country's first graduate program in Library Science.


title: University of the Philippines

text: As a public state university, ""selection is based on intellectual and personal preparedness of the applicant irrespective of sex, religious belief and political affiliation."" Admission into the university's undergraduate programs is very competitive, with over 70,000 students taking the exam every year, with about 11,000 being accepted, an admission rate of about 18%. Admission to a program is usually based on the result of the UPCAT, University Predicted Grade (UPG), which is an average of grades obtained during high school and sometimes, a quota set by the unit offering the program. The university also maintains a "Policy of Democratization" which aims to ""make the U.P. studentry more representative of the nation's population."" The UPCAT also allows students to enter Intarmed, the university's accelerated 7-year medicine curriculum, one of the two entry points into the program. Transferring to the university from other constituent units or schools outside the system are determined by the degree-granting unit that offers the program or the course, not by the university's Office of Admissions.


title: University of the Philippines

text: The Socialized Tuition System (also referred to as the “"Iskolar ng Bayan"" Program) (STS) was implemented in response to the increase in tuition in 2014. The program, proposed in 1988 by U.P. President Jose Abueva and mandated by the President and Congress of the Philippines, called for "a radical departure from the old fee and scholarship structure of UP, resulting in tremendous benefits for low-income and disadvantaged Filipino students". The Socialized Tuition and Financial Assistance Program (STFAP) is divided into four basic components: Subsidized Education, Socialized Tuition, Scholarships, and Student Assistantships. In the 1989 STFAP, income groups are divided into nine brackets, with one having the full benefits. In December 2006, the Board of Regents approved a restructured STFAP, along with the increase in tuition and other fees that will apply for incoming freshmen.


title: University of the Philippines

text: The Revised STFAP reduces the brackets from nine to five, and will supposedly increase the number of students receiving tuition subsidy and increase stipend rates and coverage. However, critics of the restructured STFAP argue that the data used in the formulation of the revised program is not an acceptable prediction of a student's family income, that some of the bracket assignments are flawed and that the program fails to address or revise student assistantship programs.


title: University of the Philippines

text: The university's colors are maroon and forest green. Maroon was chosen to represent the fight for freedom, as Maroon is also a name of a Jamaican tribe who were successful in defending their freedom from slavery and their independence from English conquerors for more than 100 years. The colors are also immortalized in the University's hymn;


title: University of the Philippines

text: In 2004, the university's seal and the Oblation were registered in the Philippine Intellectual Property Office to prevent unauthorized use and multiplication of the symbols for the centennial of the university in 2008. The centennial logo was used in visual materials and presentations of the centennial activities and events of the university. The logo, which was designed by Ringer Manalang, is composed of the Oblation, the sablay and a highlighted Philippine map.


title: University of the Philippines

text: The Seal of the University of the Philippines is the official device used by the university as its official symbol and mark for its legal and public documents and publications. The current seal in use was approved by the Board of Regents on February 25, 1913, during its 77th Meeting. It has two versions: a one-color and a full-color version, using the prescribed tones of Maroon and Forest Green, the official colors of the university as set by the University Brand Book released in 2007. The seal was registered in the Philippine Intellectual Property Office and was approved in the year 2006 to prevent unauthorized use in time for U.P.'s Centennial Celebration in 2008.


title: University of the Philippines

text: The bald eagle in the official seal holds a shield that carries a lamp, a cogwheel and; a volcano and tree (sometimes rendered erroneously as a star and the planet Saturn). These symbols represent science and medicine, engineering, and agriculture respectively. Until today, the university takes pride in these three areas of knowledge as these degree programs in U.P. are acknowledged as Centers of Excellence in the Philippines by the Commission on Higher Education. A myth persists that the bird in the seal is in fact, a parrot, as stated in some Freshmen orientation materials. The university's varsity team was also once called the "Parrots", adding to the confusion about the species of the bird in question. An explanation for the use of the eagle in the seal is that it was derived from the coat of arms of the City of Manila and the Great Seal of the United States of America.


title: University of the Philippines

text: Starting with the reorganization of the U.P. System in 1972, in order to signify their newly gained autonomy and specialization, most constituent universities of the System have adopted their own seals. These logos are either variations of the official seal, by changing the colors and adding elements, or are entirely new designs. These are sometimes used in place of the official University seal in official documents, such as transcripts and markers. Distinct seals or logos are sometimes produced, such as those for the U.P. System and UPLB Centennial Celebrations. A notable use of the System seal can be seen in the official seal of the U.P. Alumni Association, which features the Oblation, the Diliman Carillon, the Bahay ng Alumni facade and the university seal in its "entirety".


title: University of the Philippines

text: "U.P. Naming Mahal", or U.P. Our Beloved, is the university's hymn. The melody for the song was written by Nicanor Abelardo, an alumnus and former faculty member of the U.P. College of Music. Abelardo is considered to be one of the Philippines' greatest musicians. Because of the original scale of the hymn in B flat major, which is too high for the usual voice, U.P. Conservatory of Music (now U.P. College of Music) professors Hilarion Rubio and Tomas Aguirre reset the music in G major. The choral version arranged by Nhick Pacis was performed by the UP Concert Chorus.


title: University of the Philippines

text: The English lyrics (entitled as "U.P. Beloved") was taken from a poem by Teogenes Velez, a Liberal Arts student. The translation to Filipino was a composite from seven entries in a contest held by the university. The judges did not find any of the seven translations as fully satisfactory.


title: University of the Philippines

text: The university uses unique academic regalia, called the "Sablay," which is a sash patterned after the centuries-old sash academic regalia of Scandinavian universities. The "Sablay" is a sash joined in front by an ornament and embroidered or printed with the university's initials in Baybayin script and running geometric motifs of indigenous Filipino ethnic groups. It is traditionally worn over a white or ecru dress for females or an ecru barong Tagalog and black pants for males, although there has been instances wherein the Sablay is worn over other indigenous clothing. Candidates for graduation wear the sablay at the right shoulder, and is then moved to the left shoulder after the President of the university confers their degree, similar to the moving of the tassel of the academic cap.


title: University of the Philippines

text: The University of the Philippines ROTC Unit is the pioneer of the Reserve Officer Training Corps in the Philippines. With the activation of the U.P. ROTC Unit in 1912, several State and Private Universities-Colleges soon followed, activating ROTC units under the Army of the Philippine Commonwealth.


title: University of the Philippines

text: Although the Philippines had no significant military involvement during World War I, the conflagration made the Philippine Government realize the need for a good reserve force of able-bodied Filipinos trained in the art of war. With the formal organisation of the U.P. DMST on March 17, 1922, military drill was superseded by the term "military science and tactics."


title: University of the Philippines

text: Military training in the University of the Philippines started at the old Padre Faura Campus when it was made a required subject for all able-bodied male students in all colleges, institutes, and schools of the university. During the early years after its inception, military training in the university was mainly an infantry unit. After a few years, specialized units were established that made U.P. ROTC distinct for its military proficiency. U.P. produced precision FA Gunners through its Field Artillery Unit. Another distinguished U.P. ROTC Unit is the Rayadillo Honor Guard Battalion. It was created in 1963 by Carlos P. Romulo (U.P.ROTC/U.P. Vanguard Class 1918) during his term as U.P. President. The Rayadillo unit is famous for its patriotic Katipunero uniforms, silent drill exhibitions, arrival honors and formal military ceremonies rendered for visiting foreign heads of states and military officers.


title: University of the Philippines

text: The UP Fighting Maroons is the name of the collegiate varsity teams of the University of the Philippines, primarily off Diliman, which play in the University Athletic Association of the Philippines (UAAP), the premiere sports league in the country. The collegiate women's varsity teams are also sometimes called the Lady Maroons. The University of the Philippines Integrated School is the affiliate juniors division high school. They play as the Junior Maroons, formerly the Preps.


title: University of the Philippines

text: The University of the Philippines has numerous notable alumni and faculty. UP graduated many leading figures in the country. In the country's political history, UP has produced former Philippine presidents such as José P. Laurel; former senators Lorenzo Tañada, Jovito Salonga, and Ninoy Aquino; The 14th Vice President Leni Robredo; statesmen Arturo Tolentino, Gerardo Roxas, and Doy Laurel; prominent jurists such as former chief justices Hilario Davide, Maria Lourdes Sereno; incumbent Senators Francis Pangilinan and Richard J. Gordon; and incumbent Congressman Roman Romulo. In business, UP graduated billionaire and Araneta patriarch Jorge L. Araneta. Antonio Quirino, the founder of the first television station in the Philippines: Alto Broadcasting System (now part of ABS-CBN), is also a graduate, as is Marla Rausch, the founder and CEO of Animation Vertigo, a motion-capture animation company. UP also produced the first Filipina Nobel Peace Prize laureate with Maria Ressa winning the award in 2021.


title: University of the Philippines

text: The fraternities and sororities in UP are UP Delta Lambda Sigma Sorority, UP Portia Sorority (which produced UP Law dean Fides Cordero-Tan and Chief Justice Maria Lourdes Sereno, Alpha Phi Beta fraternity (which produced Chief Justice Reynato Puno), and Sigma Rho fraternity (which produced Justice Antonio Carpio and Senator Jovito R. Salonga), Alpha Sigma Fraternity (which produced UP Law dean and sitting Judge of the International Criminal Court Raul Pangalangan), Alpha Sigma Nu sorority, Alpha Phi Omega (which produced COMELEC Chair Haydee Yorac and Vice President Jejomar Binay), Pi Sigma Fraternity (which produced Bases Conversion and Development Authority CEO Arnel Casanova), UP Vanguard Fraternity (which produced Atty. Philip Sigfrid Fortun, the founding partner of the law firm Fortun, Narvasa and Salazar), Upsilon Sigma Phi (which produced President Ferdinand Marcos, President Jose P. Laurel, Vice President Doy Laurel, Vice President Arturo Tolentino, Senate President Gil Puyat, Senator Ninoy Aquino, Senator Richard Gordon, Senator Francis Pangilinan, Senator Joker Arroyo, Senator Gerardo Roxas, Senator Sotero Laurel, Senator Domocao Alonto, Senator Mamintal A.J. Tamano, Senator Estanislao Fernandez, Senator Juan Liwag, Chief Justice Querube Makalintal, Chief Justice Enrique Fernando, ten Associate Justices, ABS-CBN Vice President Jake Almeda Lopez, ABS founder (later part of a merger to form ABS-CBN) Antonio Quirino, and famous lawyer Estelito Mendoza), Pan Xenia Fraternity (which produced Manny Villar), Beta Sigma, Tau Alpha, Scintilla Juris, and Tau Gamma Phi. Each of these groups can boast of prominent alumni of the college as among its members. To gain membership, candidates must undergo initiation rites to determine a candidate's emotional stability, physical endurance, and mental capacity.


title: University of the Philippines

text: The University of the Philippines system maintains its own independent campus police forces owing to the fact that the 1989 accord with the Department of National Defense (DND) which restricts the entry of the national government's police and the military in any of UP's campuses without prior notice.


title: University of the Philippines

text: The UP Diliman Police covers the Diliman campus while the University Police Force covers the Los Baños campus.


title: University of the Philippines

text: The accord was terminated by the DND in January 2021, but the termination is disputed by the UP system.


title: Meher Vij

text: Meher Vij (born Vaishali Sahdev) is an Indian actress who appears in Hindi films and television. She is the recipient of a Filmfare Award. She played supporting roles in the drama film "Bajrangi Bhaijaan" (2015) and the musical drama "Secret Superstar" (2017), both of which rank among the highest grossing Indian films of all time; for the latter she won the Filmfare Award Best Supporting Actress. She has appeared in television shows including "Kis Desh Mein Hai Meraa Dil" and "Ram Milaye Jodi".


title: Meher Vij

text: Vij has two brothers, actors Piyush Sahdev and Gireesh Sahdev. In 2009, she married Manav Vij in Mumbai, after which she changed her name from Vaishali Sahdev to Meher Vij.


title: Distributed control system

text: A distributed control system (DCS) is a computerised control system for a process or plant usually with many control loops, in which autonomous controllers are distributed throughout the system, but there is no central operator supervisory control. This is in contrast to systems that use centralized controllers; either discrete controllers located at a central control room or within a central computer. The DCS concept increases reliability and reduces installation costs by localising control functions near the process plant, with remote monitoring and supervision.


title: Distributed control system

text: Distributed control systems first emerged in large, high value, safety critical process industries, and were attractive because the DCS manufacturer would supply both the local control level and central supervisory equipment as an integrated package, thus reducing design integration risk. Today the functionality of Supervisory control and data acquisition (SCADA) and DCS systems are very similar, but DCS tends to be used on large continuous process plants where high reliability and security is important, and the control room is not geographically remote.


title: Distributed control system

text: The key attribute of a DCS is its reliability due to the distribution of the control processing around nodes in the system. This mitigates a single processor failure. If a processor fails, it will only affect one section of the plant process, as opposed to a failure of a central computer which would affect the whole process. This distribution of computing power local to the field Input/Output (I/O) connection racks also ensures fast controller processing times by removing possible network and central processing delays.


title: Distributed control system

text: The accompanying diagram is a general model which shows functional manufacturing levels using computerised control.


title: Distributed control system

text: Levels 1 and 2 are the functional levels of a traditional DCS, in which all equipment are part of an integrated system from a single manufacturer.


title: Distributed control system

text: Levels 3 and 4 are not strictly process control in the traditional sense, but where production control and scheduling takes place.


title: Distributed control system

text: The processor nodes and operator graphical displays are connected over proprietary or industry standard networks, and network reliability is increased by dual redundancy cabling over diverse routes. This distributed topology also reduces the amount of field cabling by siting the I/O modules and their associated processors close to the process plant.


title: Distributed control system

text: The processors receive information from input modules, process the information and decide control actions to be signalled by the output modules. The field inputs and outputs can be analog signals e.g. 4–20 mA DC current loop or two-state signals that switch either "on" or "off", such as relay contacts or a semiconductor switch.


title: Distributed control system

text: DCSs are connected to sensors and actuators and use setpoint control to control the flow of material through the plant. A typical application is a PID controller fed by a flow meter and using a control valve as the final control element. The DCS sends the setpoint required by the process to the controller which instructs a valve to operate so that the process reaches and stays at the desired setpoint. (see 4–20 mA schematic for example).


title: Distributed control system

text: Large oil refineries and chemical plants have several thousand I/O points and employ very large DCS. Processes are not limited to fluidic flow through pipes, however, and can also include things like paper machines and their associated quality controls, variable speed drives and motor control centers, cement kilns, mining operations, ore processing facilities, and many others.


title: Distributed control system

text: DCSs in very high reliability applications can have dual redundant processors with "hot" switch over on fault, to enhance the reliability of the control system.


title: Distributed control system

text: Although 4–20 mA has been the main field signalling standard, modern DCS systems can also support fieldbus digital protocols, such as Foundation Fieldbus, profibus, HART, modbus, PC Link, etc.


title: Distributed control system

text: Modern DCSs also support neural networks and fuzzy logic applications. Recent research focuses on the synthesis of optimal distributed controllers, which optimizes a certain H-infinity or the H 2 control criterion.


title: Distributed control system

text: Distributed control systems (DCS) are dedicated systems used in manufacturing processes that are continuous or batch-oriented.


title: Distributed control system

text: Process control of large industrial plants has evolved through many stages. Initially, control would be from panels local to the process plant. However this required a large manpower resource to attend to these dispersed panels, and there was no overall view of the process. The next logical development was the transmission of all plant measurements to a permanently-manned central control room. Effectively this was the centralisation of all the localised panels, with the advantages of lower manning levels and easier overview of the process. Often the controllers were behind the control room panels, and all automatic and manual control outputs were transmitted back to plant. However, whilst providing a central control focus, this arrangement was inflexible as each control loop had its own controller hardware, and continual operator movement within the control room was required to view different parts of the process.


title: Distributed control system

text: With the coming of electronic processors and graphic displays it became possible to replace these discrete controllers with computer-based algorithms, hosted on a network of input/output racks with their own control processors. These could be distributed around plant, and communicate with the graphic display in the control room or rooms. The distributed control system was born.


title: Distributed control system

text: The introduction of DCSs allowed easy interconnection and re-configuration of plant controls such as cascaded loops and interlocks, and easy interfacing with other production computer systems. It enabled sophisticated alarm handling, introduced automatic event logging, removed the need for physical records such as chart recorders, allowed the control racks to be networked and thereby located locally to plant to reduce cabling runs, and provided high level overviews of plant status and production levels.


title: Distributed control system

text: Early minicomputers were used in the control of industrial processes since the beginning of the 1960s. The IBM 1800, for example, was an early computer that had input/output hardware to gather process signals in a plant for conversion from field contact levels (for digital points) and analog signals to the digital domain.


title: Distributed control system

text: The first industrial control computer system was built 1959 at the Texaco Port Arthur, Texas, refinery with an RW-300 of the Ramo-Wooldridge Company.


title: Distributed control system

text: In 1975, both Yamatake-Honeywelland Japanese electrical engineering firm Yokogawa introduced their own independently produced DCS's - TDC 2000 and CENTUM systems, respectively. US-based Bristol also introduced their UCS 3000 universal controller in 1975. In 1978 Valmet introduced their own DCS system called Damatic (latest generation named Valmet DNA). In 1980, Bailey (now part of ABB) introduced the NETWORK 90 system, Fisher Controls (now part of Emerson Electric) introduced the PROVoX system, Fischer & Porter Company (now also part of ABB) introduced DCI-4000 (DCI stands for Distributed Control Instrumentation).


title: Distributed control system

text: The DCS largely came about due to the increased availability of microcomputers and the proliferation of microprocessors in the world of process control. Computers had already been applied to process automation for some time in the form of both direct digital control (DDC) and setpoint control. In the early 1970s Taylor Instrument Company, (now part of ABB) developed the 1010 system, Foxboro the FOX1 system, Fisher Controls the DC system and Bailey Controls the 1055 systems. All of these were DDC applications implemented within minicomputers (DEC PDP-11, Varian Data Machines, MODCOMP etc.) and connected to proprietary Input/Output hardware. Sophisticated (for the time) continuous as well as batch control was implemented in this way. A more conservative approach was setpoint control, where process computers supervised clusters of analog process controllers. A workstation provided visibility into the process using text and crude character graphics. Availability of a fully functional graphical user interface was a way away.


title: Distributed control system

text: Central to the DCS model was the inclusion of control function blocks. Function blocks evolved from early, more primitive DDC concepts of "Table Driven" software. One of the first embodiments of object-oriented software, function blocks were self-contained "blocks" of code that emulated analog hardware control components and performed tasks that were essential to process control, such as execution of PID algorithms. Function blocks continue to endure as the predominant method of control for DCS suppliers, and are supported by key technologies such as Foundation Fieldbus today.


title: Distributed control system

text: Midac Systems, of Sydney, Australia, developed an objected-oriented distributed direct digital control system in 1982. The central system ran 11 microprocessors sharing tasks and common memory and connected to a serial communication network of distributed controllers each running two Z80s. The system was installed at the University of Melbourne.


title: Distributed control system

text: Digital communication between distributed controllers, workstations and other computing elements (peer to peer access) was one of the primary advantages of the DCS. Attention was duly focused on the networks, which provided the all-important lines of communication that, for process applications, had to incorporate specific functions such as determinism and redundancy. As a result, many suppliers embraced the IEEE 802.4 networking standard. This decision set the stage for the wave of migrations necessary when information technology moved into process automation and IEEE 802.3 rather than IEEE 802.4 prevailed as the control LAN.


title: Distributed control system

text: In the 1980s, users began to look at DCSs as more than just basic process control. A very early example of a Direct Digital Control DCS was completed by the Australian business Midac in 1981–82 using R-Tec Australian designed hardware. The system installed at the University of Melbourne used a serial communications network, connecting campus buildings back to a control room "front end". Each remote unit ran two Z80 microprocessors, while the front end ran eleven Z80s in a parallel processing configuration with paged common memory to share tasks and that could run up to 20,000 concurrent control objects.


title: Distributed control system

text: It was believed that if openness could be achieved and greater amounts of data could be shared throughout the enterprise that even greater things could be achieved. The first attempts to increase the openness of DCSs resulted in the adoption of the predominant operating system of the day: "UNIX". UNIX and its companion networking technology TCP-IP were developed by the US Department of Defense for openness, which was precisely the issue the process industries were looking to resolve.


title: Distributed control system

text: As a result, suppliers also began to adopt Ethernet-based networks with their own proprietary protocol layers. The full TCP/IP standard was not implemented, but the use of Ethernet made it possible to implement the first instances of object management and global data access technology. The 1980s also witnessed the first PLCs integrated into the DCS infrastructure. Plant-wide historians also emerged to capitalize on the extended reach of automation systems. The first DCS supplier to adopt UNIX and Ethernet networking technologies was Foxboro, who introduced the I/A Series system in 1987.


title: Distributed control system

text: The drive toward openness in the 1980s gained momentum through the 1990s with the increased adoption of commercial off-the-shelf (COTS) components and IT standards. Probably the biggest transition undertaken during this time was the move from the UNIX operating system to the Windows environment. While the realm of the real time operating system (RTOS) for control applications remains dominated by real time commercial variants of UNIX or proprietary operating systems, everything above real-time control has made the transition to Windows.


title: Distributed control system

text: The introduction of Microsoft at the desktop and server layers resulted in the development of technologies such as OLE for process control (OPC), which is now a de facto industry connectivity standard. Internet technology also began to make its mark in automation and the world, with most DCS HMI supporting Internet connectivity. The 1990s were also known for the "Fieldbus Wars", where rival organizations competed to define what would become the IEC fieldbus standard for digital communication with field instrumentation instead of 4–20 milliamp analog communications. The first fieldbus installations occurred in the 1990s. Towards the end of the decade, the technology began to develop significant momentum, with the market consolidated around Ethernet I/P, Foundation Fieldbus and Profibus PA for process automation applications. Some suppliers built new systems from the ground up to maximize functionality with fieldbus, such as Rockwell PlantPAx System, Honeywell with Experion & Plantscape SCADA systems, ABB with System 800xA, Emerson Process Management with the Emerson Process Management DeltaV control system, Siemens with the SPPA-T3000 or Simatic PCS 7, Forbes Marshall with the Microcon+ control system and Azbil Corporation with the Harmonas-DEO system. Fieldbus technics have been used to integrate machine, drives, quality and condition monitoring applications to one DCS with Valmet DNA system.


title: Distributed control system

text: The impact of COTS, however, was most pronounced at the hardware layer. For years, the primary business of DCS suppliers had been the supply of large amounts of hardware, particularly I/O and controllers. The initial proliferation of DCSs required the installation of prodigious amounts of this hardware, most of it manufactured from the bottom up by DCS suppliers. Standard computer components from manufacturers such as Intel and Motorola, however, made it cost prohibitive for DCS suppliers to continue making their own components, workstations, and networking hardware.


title: Distributed control system

text: As the suppliers made the transition to COTS components, they also discovered that the hardware market was shrinking fast. COTS not only resulted in lower manufacturing costs for the supplier, but also steadily decreasing prices for the end users, who were also becoming increasingly vocal over what they perceived to be unduly high hardware costs. Some suppliers that were previously stronger in the PLC business, such as Rockwell Automation and Siemens, were able to leverage their expertise in manufacturing control hardware to enter the DCS marketplace with cost effective offerings, while the stability/scalability/reliability and functionality of these emerging systems are still improving. The traditional DCS suppliers introduced new generation DCS System based on the latest Communication and IEC Standards, which resulting in a trend of combining the traditional concepts/functionalities for PLC and DCS into a one for all solution—named "Process Automation System" (PAS). The gaps among the various systems remain at the areas such as: the database integrity, pre-engineering functionality, system maturity, communication transparency and reliability. While it is expected the cost ratio is relatively the same (the more powerful the systems are, the more expensive they will be), the reality of the automation business is often operating strategically case by case. The current next evolution step is called Collaborative Process Automation Systems.


title: Distributed control system

text: To compound the issue, suppliers were also realizing that the hardware market was becoming saturated. The life cycle of hardware components such as I/O and wiring is also typically in the range of 15 to over 20 years, making for a challenging replacement market. Many of the older systems that were installed in the 1970s and 1980s are still in use today, and there is a considerable installed base of systems in the market that are approaching the end of their useful life. Developed industrial economies in North America, Europe, and Japan already had many thousands of DCSs installed, and with few if any new plants being built, the market for new hardware was shifting rapidly to smaller, albeit faster growing regions such as China, Latin America, and Eastern Europe.


title: Distributed control system

text: Because of the shrinking hardware business, suppliers began to make the challenging transition from a hardware-based business model to one based on software and value-added services. It is a transition that is still being made today. The applications portfolio offered by suppliers expanded considerably in the '90s to include areas such as production management, model-based control, real-time optimization, plant asset management (PAM), Real-time performance management (RPM) tools, alarm management, and many others. To obtain the true value from these applications, however, often requires a considerable service content, which the suppliers also provide.


title: Distributed control system

text: Increasingly, and ironically, DCS are becoming centralised at plant level, with the ability to log into the remote equipment. This enables operator to control both at enterprise level ( macro ) and at the equipment level (micro), both within and outside the plant, because the importance of the physical location drops due to interconnectivity primarily thanks to wireless and remote access.


title: Distributed control system

text: The more wireless protocols are developed and refined, the more they are included in DCS. DCS controllers are now often equipped with embedded servers and provide on-the-go web access. Whether DCS will lead Industrial Internet of Things (IIOT) or borrow key elements from remains to be seen.


title: Distributed control system

text: Many vendors provide the option of a mobile HMI, ready for both Android and iOS. With these interfaces, the threat of security breaches and possible damage to plant and process are now very real.


title: Sixth and Seventh Books of Moses

text: The Sixth and Seventh Books of Moses is an 18th- or 19th-century magical text allegedly written by Moses, and passed down as hidden (or lost) books of the Hebrew Bible. Self-described as "the wonderful arts of the old Hebrews, taken from the Mosaic books of the Kabbalah and the Talmud", it is actually a grimoire, or text of magical incantations and seals, that purports to instruct the reader in the spells used to create some of the miracles portrayed in the Bible as well as to grant other forms of good fortune and good health. The work contains reputed Talmudic magic names, words, and ideograms, some written in Hebrew and some with letters from the Latin alphabet. It contains "Seals" or magical drawings accompanied by instructions intended to help the user perform various tasks, from controlling weather or people to contacting the dead or Biblical religious figures.


title: Sixth and Seventh Books of Moses

text: Copies have been traced to 18th-century German pamphlets, but an 1849 printing, aided by the appearance of the popular press in the 19th century, spread the text through Germany and Northern Europe to German Americans and eventually helped popularize the texts among African Americans in the United States, the Caribbean, and Anglophone West Africa. It influenced European Occult Spiritualism as well as African American hoodoo folk magic, and magical-spiritual practices in the Caribbean, and West Africa.


title: Sixth and Seventh Books of Moses

text: An older magical text, a fourth-century Greek papyrus entitled "Eighth Book of Moses" otherwise unrelated to the Sixth and Seventh Books, was found in Thebes in the 19th century and published as part of the Greek Magical Papyri.


title: Sixth and Seventh Books of Moses

text: No first version of this work has been established, but early versions began to appear as inexpensive pamphlets in Germany in the 18th century. Elements of the "Seventh Book", such as "The Seven Semiphoras of Adam" and "The Seven Semiphoras of Moses" appear to have come from the seventh book of the earlier European copies of the "Sefer Raziel HaMalakh". The work came to wide prominence when published as volume 6 of ("The Cloister") in 1849 in Stuttgart by antiquarian Johann Scheible.


title: Sixth and Seventh Books of Moses

text: Historian Owen Davies traces copies of the work from the 18th century in Germany. After circulating there, the work was popularized in the United States first in the communities of the Pennsylvania Dutch.


title: Sixth and Seventh Books of Moses

text: In the early 19th-century European or European-American grimoires were popular among immigrants and in rural communities where the folk traditions of Europe, intertwined with European religious mysticism, survived. One of the earliest American grimoires is John George Hohman's "Pow-Wows; or, Long Lost Friend", a collection of magical spells originally published in 1820 for Pennsylvania Dutch spiritualists known as "hexmeisters".


title: Sixth and Seventh Books of Moses

text: While versions of "The Sixth and Seventh Books" were likely passed around German immigrant communities from the late 18th century, the 1849 Leipzig copy was followed by a New York printing, in German, in 1865, and an English translation in 1880. The growth of inexpensive paperback publication in the 19th century, like those of Chicago occult publisher L. W. de Laurence, helped the work gain popularity outside German communities.


title: Sixth and Seventh Books of Moses

text: Its prominence as a source of popular rural Pennsylvanian and Appalachian "folk magic" spells has been recorded as late as the mid-20th century.


title: Sixth and Seventh Books of Moses

text: The boom in inexpensive publishing, and the interest in Spiritualism helped the work gain popularity in the African-American population of the United States, and from there, the Anglophone parts of the Caribbean.


title: Sixth and Seventh Books of Moses

text: From 1936 through 1972, the folklorist Harry Middleton Hyatt interviewed 1,600 African-American Christian root doctors and home practitioners of hoodoo, and many of them made reference to using this book and other seal-bearing grimoires of the era, such as the Key of Solomon. When Hyatt asked his informants where such books were purchased, he was told that they could be had by mail order from hoodoo suppliers in Chicago, Memphis, or Baltimore.


title: Sixth and Seventh Books of Moses

text: In the West Indies, the book became one of the central texts of Jamaican obeah and was counted among the founding works of the "Zion Revivalist" Christian movement and the Rastafari movement of the early 20th century. The influential Jamaican musical group Toots and the Maytals, for instance, released in 1963 the song "Six And Seven Books Of Moses": its lyrics list the accepted books of the Old Testament, ending in "... the Sixth and the Seventh books, they wrote them all."


title: Sixth and Seventh Books of Moses

text: In early 20th-century British West Africa and Liberia, "The Sixth and Seventh Books" was adopted widely. It served as a source for "Christian Magic", both by West African spiritualist Christian cults and "assimilated" Africans. In colonial Gold Coast and Nigeria, it was seen as a "western" form of magic that might be used by educated Africans seeking access to Britain or its power, much like Masonic ritual or Rosicrucianism. The Nigerian press in the 1920s regularly featured advertisements for copies of "The Sixth and Seventh Books" and other Christian occult books.


title: Sixth and Seventh Books of Moses

text: It was also influential in Christian occult movements in Anglophone West Africa, and West African religious movements which blended Christianity and traditional magic made use of the work. Josiah Olunowo Ositelu's seals and mystical written incantations, used in the Nigerian Church of the Lord (Aladura) were likely derived from the "Sixth and Seventh Books".


title: Sixth and Seventh Books of Moses

text: Versions of this work circulated throughout Scandinavia and Central Europe. In Sweden and Finland these books are compiled and published under the titles and , respectively, meaning "The Black Bible".


title: Sixth and Seventh Books of Moses

text: The printed texts of "The Sixth and Seven Books of Moses" (from 1849) combine two purportedly lost short Biblical texts with several contemporary essays and half a dozen purported writings of those who kept this knowledge and practiced its use through history, dated from Biblical times to the 17th century. These works attempt to paint a portrait of secret knowledge which Moses was given by God, and then handed down father to son until King Solomon, when it was handed to Priests, and finally, Talmudic scholars. In Christian circles, the text appealed to the same authority as did Biblical apocrypha: Biblical texts outside the current Biblical canon.


title: Sixth and Seventh Books of Moses

text: Containing numerous allegedly magical spells used to summon spirits to do the will of the conjurer, the books are attributed to works in which Moses sets forth the magic which enabled him to defeat the magicians of Egypt, part the Red Sea, and perform the acts attributed to him in the Old Testament. Although these are allegedly Kabbalistic in nature, there is very little or no influence of Kabbala within the pages. Most texts are reputed to be Hebrew, passed to the editors through European Talmudic scholars or Christian Medieval ecclesiastics who were privy to secret Biblical texts. Some of the texts are allegedly translated from a text written by Canaanite magicians and keepers of the Samaritan Pentateuch in the "Cuthan-Samaritan language", a language considered extinct since the 12th century.


title: Sixth and Seventh Books of Moses

text: No complete manuscripts older than Scheible's 1849 printing are extant, and the claimed origin must be regarded pseudepigraphic and spurious. It is rather of a school of European Medieval and Enlightenment grimoires, such as The Key of Solomon, The Red Dragon, Petit Albert and others. Elements appear directly reprinted from Three Books of Occult Philosophy by Heinrich Cornelius Agrippa (1531) and an 18th-century German translation by Gottfried Selig of the Hebrew Sepher Schimmush Tehillim ("The magical uses of the Psalms").


title: Sixth and Seventh Books of Moses

text: The vast majority of the printed works of 1849, a New York German printing of 1865, and the first English public printing of 1880 are additions to the reputed biblical books. In the 1880 edition, for instance, "the Sixth Book of Moses" and "the Seventh Book of Moses" run only from page 6 to 28, making up 23 of the 190 pages. The vast majority of the work is appendices, restatements of similar seals and incantations, reputedly from those Kabala teachers to whom this knowledge was passed. Finally, there are sections including lists of the powers associated with each of the Hebrew "Names of God", the powers and use of reciting each of the Psalms and each Hebrew letter.


title: Sixth and Seventh Books of Moses

text: Scheible also inserted an introduction, "The Magic of the Israelites", taken from Joseph Ennemoser's 1844 . The introduction to the 1880 New York edition explains the genesis of the books.


title: Sixth and Seventh Books of Moses

text: The Sixth Book includes an introduction along with seven chapters, known as "The Mystery of the First Seal" through "The Mystery of the Seventh Seal". The included pictures of the "seals" consist of various stylized symbols surrounded by pseudo-Hebrew and pseudo-Latin phrases and letters. Each "Seal" or "Table" (in the Seventh Book) is paired with an incantation (reputedly Hebrew) and a very brief description of its powers.


title: Sixth and Seventh Books of Moses

text: The seventh book is much the same: taking the events of the Biblical narrative of Moses' life (and other Biblical and unknown stories) and gives a reputed pairing of an incantation and a drawn magical object, here called "Tables". There are twelve tables, each said to control powers associated with certain Angels, elements, or astronomical symbols:


title: Sixth and Seventh Books of Moses

text: In the New York Edition this is followed by "The Magic of the Israelites", used in the 1849 version as the introduction.


title: Sixth and Seventh Books of Moses

text: The second volume of the work collects a series of works claimed to be "in the tradition of" the original two books. In the New York edition, this begins with "Formulas of the Magical Kabala of the Sixth and Seventh Books of Moses", which again demonstrates seals and incantations, these said to be the Magic used by Moses himself at various points in the Biblical stories, such as how to turn his staff into a snake or conjure the pillar of fire. They include other incantations, such as the one labeled "These words are terrible, and will assemble devils or spirits, or they will cause the dead to appear." This is followed by works of only a dozen or so pages, all giving similar "Seals" and incantations (often with identical titles, such as "the Breastplate of Moses"). These include "Extract From The True Clavicula Of Solomon And Of The Girdle Of Aaron" (a version of the Key of Solomon grimoire), the "Biblia Arcana Magica Alexander, According To The Tradition Of The Sixth And Seventh Books Of Moses, Besides Magical Laws", and the "Citation of the Seven Great Princes in The Tradition Of The Sixth And Seventh Books Of Moses" which contains similar seals and incantations with more or less Biblical connotations.


title: Sixth and Seventh Books of Moses

text: These are followed by a long section reputing to explain the powers associated with each of the Hebrew "Names of God", other seals which are to be used with these incantations, the "Schemhamphoras of King Solomon" ("The Semiphoras and Schemhamphorash" a 1686 occult book attributed to King Solomon printed by Andreas Luppius), and the powers and use of reciting each of the Psalms and each Hebrew letter. For example:


title: Sixth and Seventh Books of Moses

text: Finally there are sections "Astrological Influence Upon Man and Magical Cures of the Old Hebrews. From Dr. Gideon Brechee's work: The Transcendental, Magic and Magical Healing Art in the Talmud. Vienna: 1850". This is a likely bowdlerizing of Gideon Brecher's (Vienna: Klopf und Eurich, 1850). This work was one of a school of ("The science of Judaism" in German), a 19th-century movement of critical investigations of Jewish literature and culture, including rabbinic literature, using more or less scientific methods.


title: Sixth and Seventh Books of Moses

text: After a long treatise on Astrology, a further section lists cures, spells and amulets, and gives a source preceding each, such as


title: Ode to a Nightingale

text: "Ode to a Nightingale" is a poem by John Keats written either in the garden of the Spaniards Inn, Hampstead, London or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats' house at Wentworth Place, also in Hampstead. According to Brown, a nightingale had built its nest near the house that he shared with Keats in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in "Annals of the Fine Arts" the following July. The poem is one of the most frequently anthologized in the English language.


title: Ode to a Nightingale

text: "Ode to a Nightingale" is a personal poem which describes Keats' journey into the state of negative capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and, instead, explores the themes of nature, transience and mortality, the latter being particularly relevant to Keats.


title: Ode to a Nightingale

text: The nightingale described experiences a type of death but does not actually die. Instead, the songbird is capable of living through its song, which is a fate that humans cannot expect. The poem ends with an acceptance that pleasure cannot last and that death is an inevitable part of life. In the poem, Keats imagines the loss of the physical world and sees himself dead—as a "sod" over which the nightingale sings. The contrast between the immortal nightingale and mortal man sitting in his garden, is made all the more acute by an effort of the imagination. The presence of weather is noticeable in the poem, as spring came early in 1819, bringing nightingales all over the heath.


title: Ode to a Nightingale

text: Of Keats's six major odes of 1819, "Ode to Psyche", was probably written first and "To Autumn" written last. Sometime between these two, he wrote "Ode to a Nightingale". It is possible that "Ode to a Nightingale" was written between 26 April and 18 May 1819, based on weather conditions and similarities between images in the poem and those in a letter sent to Fanny Brawne on May Day. The poem was composed at the Hampstead house Keats shared with Brown, possibly while sitting beneath a plum tree in the garden. According to Keats' friend Brown, Keats finished the ode in just one morning: "In the spring of 1819 a nightingale had built her nest near my house. Keats felt a tranquil and continual joy in her song; and one morning he took his chair from the breakfast-table to the grass-plot under a plum-tree, where he sat for two or three hours. When he came into the house, I perceived he had some scraps of paper in his hand, and these he was quietly thrusting behind the books. On inquiry, I found those scraps, four or five in number, contained his poetic feelings on the song of the nightingale." Brown's account is personal, as he claimed the poem was directly influenced by his house and preserved by his own doing. However, Keats relied on both his own imagination and other literature as sources for his depiction of the nightingale.


title: Ode to a Nightingale

text: The exact date of "Ode to a Nightingale", as well as those of "Ode on Indolence", "Ode on Melancholy", and "Ode on a Grecian Urn", is unknown, as Keats dated all as 'May 1819'. However, he worked on the four poems together, and there is a unity in both their stanza forms and their themes. The exact order in which the poems were written is also unknown, but they form a sequence within their structures. While Keats was writing "Ode on a Grecian Urn" and the other poems, Brown transcribed copies of the poems and submitted them to Richard Woodhouse. During this time, Benjamin Haydon, Keats' friend, was given a copy of "Ode to a Nightingale", and he shared the poem with the editor of the "Annals of the Fine Arts", James Elmes. Elmes paid Keats a small sum of money, and the poem was published in the July issue. The poem was later included in Keats' 1820 collection of poems "Lamia, Isabella, The Eve of St Agnes, and Other Poems".


title: Ode to a Nightingale

text: "Ode to a Nightingale" was probably the first of the middle set of four odes that Keats wrote following "Ode to Psyche", according to Brown. This is further evidenced by the poems' structures. Keats experimentally combines two different types of lyrical poetry: the odal hymn and the lyric of questioning voice that responds to the odal hymn. This combination of structures is similar to that in "Ode on a Grecian Urn". In both poems, the dual form creates a dramatic element within the text. The stanza form of the poem is a combination of elements from Petrarchan sonnets and Shakespearean sonnets.


title: Ode to a Nightingale

text: Keats incorporates a pattern of alternating historically "short" and "long" vowel sounds in his ode. In particular, line 18 ("And purple-stained mouth") has the historical pattern of "short" followed by "long" followed by "short" and followed by "long". This alternation is continued in longer lines, including line 31 ("Away! away! for I will fly to thee") which contains five pairs of alternations. However, other lines, such as line 3 ("Or emptied some dull opiate to the drains") rely on a pattern of five "short" vowels followed by "long" and "short" vowel pairings until they end with a "long" vowel. These are not the only combination patterns present, and there are patterns of two "short" vowels followed by a "long" vowel in other lines, including 12, 22, and 59, which are repeated twice and then followed up with two sets of "short" and then "long" vowel pairs. This reliance on vowel sounds is not unique to this ode, but is common to Keats's other 1819 odes and his "Eve of St. Agnes".


title: Ode to a Nightingale

text: The poem incorporates a complex reliance on assonance—the repetition of vowel sounds—in a conscious pattern, as found in many of his poems. Such a reliance on assonance is found in very few English poems. Within "Ode to a Nightingale", an example of this pattern can be found in line 35 ("Already with thee! tender is the night"), where the "ea" of "Already" connects with the "e" of "tender" and the "i" of "with" connects with the "i" of "is". This same pattern is found again in line 41 ("I cannot see what flowers are at my feet") with the "a" of "cannot" linking with the "a" of "at" and the "ee" of "see" linking with the "ee" of "feet". This system of assonance can be found in approximately a tenth of the lines of Keats's later poetry.


title: Ode to a Nightingale

text: When it comes to other sound patterns, Keats relies on double or triple caesuras in approximately 6% of lines throughout the 1819 odes. An example from "Ode to a Nightingale" can be found within line 45 ("The grass, the thicket, and the fruit-tree wild") as the pauses after the commas are a "masculine" pause. Furthermore, Keats began to reduce the amount of Latin-based words and syntax that he relied on in his poetry, which in turn shortened the length of the words that dominate the poem. There is also an emphasis on words beginning with consonants, especially those that begin with "b", "p" or "v". The first stanza relies heavily on these three consonants, and they are used as a syzygy to add a musical tone within the poem.


title: Ode to a Nightingale

text: Compared to his earlier verse, spondees are relatively abundant in his 1819 odes and other late poems. In "Ode to a Nightingale" they are used in just over 8% of his lines (compared to a mere 2.6% in "Endymion"). Examples include:


title: Ode to a Nightingale

text: To Walter Jackson Bate, the use of spondees in lines 31–34 creates a feeling of slow flight, and "in the final stanza . . . the distinctive use of scattered spondees, together with initial inversion, lend[s] an approximate phonetic suggestion of the peculiar spring and bounce of the bird in its flight."


title: Ode to a Nightingale

text: "Ode to a Nightingale" describes a series of conflicts between reality and the Romantic ideal of uniting with nature. In the words of Richard Fogle, "The principal stress of the poem is a struggle between ideal and actual: inclusive terms which, however, contain more particular antitheses of pleasure and pain, of imagination and common sense reason, of fullness and privation, of permanence and change, of nature and the human, of art and life, freedom and bondage, waking and dream." Of course, the nightingale's song is the dominant image and dominant "voice" within the ode. The nightingale is also the object of empathy and praise within the poem. However, the nightingale and the discussion of the nightingale is not simply about the bird or the song, but about human experience in general. This is not to say that the song is a simple metaphor, but it is a complex image that is formed through the interaction of the conflicting voices of praise and questioning. On this theme, David Perkins summarizes the way "Ode to a Nightingale" and "Ode on a Grecian Urn" perform this when he says, "we are dealing with a talent, indeed an entire approach to poetry, in which symbol, however necessary, may possibly not satisfy as the principal concern of poetry, any more than it could with Shakespeare, but is rather an element in the poetry and drama of human reactions". However, there is a difference between an urn and a nightingale in that the nightingale is not an eternal entity. Furthermore, in creating any aspect of the nightingale immortal during the poem the narrator separates any union that he can have with the nightingale.


title: Ode to a Nightingale

text: The nightingale's song within the poem is connected to the art of music in a way that the urn in "Ode on a Grecian Urn" is connected to the art of sculpture. As such, the nightingale would represent an enchanting presence and, unlike the urn, is directly connected to nature. As natural music, the song is for beauty and lacks a message of truth. Keats follows Coleridge's belief, as found in "The Nightingale", in separating from the world by losing himself in the bird's song. Although Keats favours a female nightingale over Coleridge's masculine bird, both reject the traditional depiction of the nightingale as related to the tragedy of Philomela. Their songbird is a happy nightingale that lacks the melancholic feel of previous poetic depictions. The bird is only a voice within the poem, but it is a voice that compels the narrator to join with in and forget the sorrows of the world. However, there is tension in that the narrator holds Keats's guilt regarding the death of Tom Keats, his brother. The song's conclusion represents the result of trying to escape into the realm of fancy.


title: Ode to a Nightingale

text: Like Percy Bysshe Shelley's "To a Skylark", Keats's narrator listens to a bird song, but listening to the song within "Ode to a Nightingale" is almost painful and similar to death. The narrator seeks to be with the nightingale and abandons his sense of vision in order to embrace the sound in an attempt to share in the darkness with the bird. As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' "Sleep and Poetry" and "Eve of St. Agnes". This further separates the image of the nightingale's song from its closest comparative image, the urn as represented in "Ode on a Grecian Urn". The nightingale is distant and mysterious, and even disappears at the end of the poem. The dream image emphasizes the shadowiness and elusiveness of the poem. These elements make it impossible for there to be a complete self-identification with the nightingale, but it also allows for self-awareness to permeate throughout the poem, albeit in an altered state.


title: Ode to a Nightingale

text: Midway through the poem, there is a split between the two actions of the poem: the first attempts to identify with the nightingale and its song, and the second discusses the convergence of the past with the future while experiencing the present. This second theme is reminiscent of Keats's view of human progression through the Mansion of Many Apartments and how man develops from experiencing and wanting only pleasure to understanding truth as a mixture of both pleasure and pain. The Elysian fields and the nightingale's song in the first half of the poem represent the pleasurable moments that overwhelm the individual like a drug. However, the experience does not last forever, and the body is left desiring it until the narrator feels helpless without the pleasure. Instead of embracing the coming truth, the narrator clings to poetry to hide from the loss of pleasure. Poetry does not bring about the pleasure that the narrator original asks for, but it does liberate him from his desire for only pleasure.


title: Ode to a Nightingale

text: Responding to this emphasis on pleasure, Albert Guerard, Jr. argues that the poem contains a "longing not for art but a free reverie of any kind. The form of the poem is that of progression by association, so that the movement of feeling is at the mercy of words evoked by chance, such words as "fade" and "forlorn", the very words that, like a bell, toll the dreamer back to his sole self." However, Fogle points out that the terms Guerard emphasizes are "associational translations" and that Guerard misunderstands Keats's aesthetic. After all, the acceptance of the loss of pleasure by the end of the poem is an acceptance of life and, in turn, of death. Death was a constant theme that permeated aspects of Keats poetry because he was exposed to death of his family members throughout his life. Within the poem, there are many images of death. The nightingale experiences a sort of death and even the god Apollo experiences death, but his death reveals his own divine state. As Perkins explains, "But, of course, the nightingale is not thought to be literally dying. The point is that the deity or the nightingale can sing without dying. But, as the ode makes clear, man cannot—or at least not in a visionary way."


title: Ode to a Nightingale

text: With this theme of a loss of pleasure and inevitable death, the poem, according to Claude Finney, describes "the inadequacy of the romantic escape from the world of reality to the world of ideal beauty". Earl Wasserman essentially agrees with Finney, but he extended his summation of the poem to incorporate the themes of Keats's Mansion of Many Apartments when he says, "the core of the poem is the search for the mystery, the unsuccessful quest for light within its darkness" and this "leads only to an increasing darkness, or a growing recognition of how impenetrable the mystery is to mortals." With these views in mind, the poem recalls Keats's earlier view of pleasure and an optimistic view of poetry found within his earlier poems, especially "Sleep and Poetry", and rejects them. This loss of pleasure and incorporation of death imagery lends the poem a dark air, which connects "Ode to a Nightingale" with Keats' other poems that discuss the demonic nature of poetic imagination, including "Lamia". In the poem, Keats imagines the loss of the physical world and sees himself dead—he uses an abrupt, almost brutal word for it—as a "sod" over which the nightingale sings. The contrast between the immortal nightingale and mortal man, sitting in his garden, is made all the more acute by an effort of the imagination.


title: Ode to a Nightingale

text: Contemporary critics of Keats enjoyed the poem, and it was heavily quoted in their reviews. An anonymous review of Keats's poetry that ran in the August and October 1820 "Scots Magazine" stated: "Amongst the minor poems we prefer the 'Ode to the Nightingale'. Indeed, we are inclined to prefer it beyond every other poem in the book; but let the reader judge. The third and seventh stanzas have a charm for us which we should find it difficult to explain. We have read this ode over and over again, and every time with increased delight." At the same time, Leigh Hunt wrote a review of Keats's poem for the 2 August and 9 August 1820 "The Indicator": "As a specimen of the Poems, which are all lyrical, we must indulge ourselves in quoting entire the 'Ode to a Nightingale'. There is that mixture in it of real melancholy and imaginative relief, which poetry alone presents us in her 'charmed cup,' and which some over-rational critics have undertaken to find wrong because it is not true. It does not follow that what is not true to them, is not true to others. If the relief is real, the mixture is good and sufficing."


title: Ode to a Nightingale

text: John Scott, in an anonymous review for the September 1820 edition of "The London Magazine", argued for the greatness of Keats's poetry as exemplified by poems including "Ode to a Nightingale":


title: Ode to a Nightingale

text: The injustice which has been done to our author's works, in estimating their poetical merit, rendered us doubly anxious, on opening his last volume, to find it likely to seize fast hold of general sympathy, and thus turn an overwhelming power against the paltry traducers of talent, more eminently promising in many respects, than any the present age has been called upon to encourage. We have not found it to be quite all that we wished in this respect—and it would have been very extraordinary if we had, for our wishes went far beyond reasonable expectations. But we have found it of a nature to present to common understandings the poetical power with which the author's mind is gifted, in a more tangible and intelligible shape than that in which it has appeared in any of his former compositions. It is, therefore, calculated to throw shame on the lying, vulgar spirit, in which this young worshipper in the temple of the Muses has been cried-down; whatever questions may still leave to be settled as to the kind and degree of his poetical merits. Take for instance, as proof of the justice of our praise, the following passage from an Ode to the Nightingale:--it is distinct, noble, pathetic, and true: the thoughts have all chords of direct communication with naturally-constituted hearts: the echoes of the strain linger bout the depths of human bosoms.


title: Ode to a Nightingale

text: In a review for the 21 January 1835 "London Journal", Hunt claimed that while Keats wrote the poem, "The poet had then his mortal illness upon him, and knew it. Never was the voice of death sweeter." David Moir, in 1851, used "The Eve of St Agnes" to claim, "We have here a specimen of descriptive power luxuriously rich and original; but the following lines, from the 'Ode to a Nightingale,' flow from a far more profound fountain of inspiration."


title: Ode to a Nightingale

text: At the end of the 19th century, Robert Bridges's analysis of the poem became a dominant view and would influence later interpretations of the poem. Bridges, in 1895, declared that the poem was the best of Keats's odes but he thought that the poem contained too much artificial language. In particular, he emphasised the use of the word "forlorn" and the last stanza as being examples of Keats's artificial language. In "Two odes of Keats's" (1897), William C Wilkinson suggested that "Ode to a Nightingale" is deeply flawed because it contains too many "incoherent musings" that failed to supply a standard of logic that would allow the reader to understand the relationship between the poet and the bird. However, Herbert Grierson, arguing in 1928, believed "Nightingale" to be superior to "Ode on a Grecian Urn", "Ode on Melancholy", and "Ode to Psyche", arguing the exact opposite of Wilkinson as he stated that "Nightingale", along with "To Autumn", showed a greater amount of logical thought and more aptly presented the cases they were intended to make.


title: Ode to a Nightingale

text: At the beginning of the 20th century, Rudyard Kipling referred to lines 69 and 70, alongside three lines from Samuel Taylor Coleridge's "Kubla Khan", when he claimed of poetry: "In all the millions permitted there are no more than five—five little lines—of which one can say, 'These are the magic. These are the vision. The rest is only Poetry.'" In 1906, Alexander Mackie argued: "The nightingale and the lark for long monopolised poetic idolatry—a privilege they enjoyed solely on account of their pre-eminence as song birds. Keats's "Ode to a Nightingale" and Shelley's "Ode to a Skylark" are two of the glories of English literature; but both were written by men who had no claim to special or exact knowledge of ornithology as such." Sidney Colvin, in 1920, argued, "Throughout this ode Keats's genius is at its height. Imagination cannot be more rich and satisfying, felicity of phrase and cadence cannot be more absolute, than in the several contrasted stanzas calling for the draft of southern vintage […] To praise the art of a passage like that in the fourth stanza […] to praise or comment on a stroke of art like this is to throw doubt on the reader's power to perceive it for himself."


title: Ode to a Nightingale

text: Bridges' view of "Ode to a Nightingale" was taken up by H. W. Garrod in his 1926 analysis of Keats's poems. As Albert Gerard would argue later in 1944, Garrod believed that the problem within Keats's poem was his emphasis on the rhythm and the language instead of the main ideas of the poem. When describing the fourth stanza of the poem, Maurice Ridley, in 1933, claimed, "And so comes the stanza, with that remarkable piece of imagination at the end which feels the light as blown by the breezes, one of those characteristic sudden flashes with which Keats fires the most ordinary material." He later declared of the seventh stanza: "And now for the great stanza in which the imagination is fanned to yet whiter heat, the stanza that would, I suppose, by common consent be taken, along with "Kubla Khan", as offering us the distilled sorceries of 'Romanticism'". He concluded on the stanza that "I do not believe that any reader who has watched Keats at work on the more exquisitely finished of the stanzas in "The Eve of St. Agnes", and seen this craftsman slowly elaborating and refining, will ever believe that this perfect stanza was achieved with the easy fluency with which, in the draft we have, it was obviously written down." In 1936, F. R. Leavis wrote, "One remembers the poem both as recording, and as being for the reader, an indulgence." Following Leavis, Cleanth Brooks and Robert Penn Warren, in a 1938 essay, saw the poem as "a very rich poem. It contains some complications which we must not gloss over if we are to appreciate the depth and significance of the issues engaged." Brooks would later argue in "The Well-Wrought Urn" (1947) that the poem was thematically unified while contradicting many of the negative criticisms lodged against the poem.


title: Ode to a Nightingale

text: Richard Fogle responded to the critical attack on Keats's emphasis on rhyme and language put forth by Garrod, Gerard, and others in 1953. His argument was similar to Brooks: that the poem was thematically coherent and that there is a poet within the poem that is different from Keats the writer of the poem. As such, Keats consciously chose the shift in the themes of the poem and the contrasts within the poem represent the pain felt when comparing the real world to an ideal world found within the imagination. Fogle also responded directly to the claims made by Leavis: "I find Mr. Leavis too austere, but he points out a quality which Keats plainly sought for. His profusion and prodigality is, however, modified by a principle of sobriety." It is possible that Fogle's statements were a defense of Romanticism as a group that was both respectable in terms of thought and poetic ability. Wasserman, following in 1953, claimed that "Of all Keats' poems, it is probably the 'Ode to a Nightingale' that has most tormented the critic [...] in any reading of the 'Ode to a Nightingale' the turmoil will not down. Forces contend wildly within the poem, not only without resolution, but without possibility of resolution; and the reader comes away from his experience with the sense that he has been in 'a wild Abyss'". He then explained, "It is this turbulence, I suspect, that has led Allen Tate to believe the ode 'at least tries to say everything that poetry can say.' But I propose it is the 'Ode on a Grecian Urn' that succeeds in saying what poetry can say, and that the other ode attempts to say all that the "poet" can."


title: Ode to a Nightingale

text: Although the poem was defended by a few critics, E. C. Pettet returned to the argument that the poem lacked a structure and emphasized the word "forlorn" as evidence of his view. In his 1957 work, Pettet did praise the poem as he declared, "The "Ode to a Nightingale" has a special interest in that most of us would probably regard it as the most richly representative of all Keats's poems. Two reasons for this quality are immediately apparent: there is its matchless evocation of that late spring and early summer season […] and there is its exceptional degree of 'distillation', of concentrated recollection". David Perkins felt the need to defend the use of the word "forlorn" and claimed that it described the feeling from the impossibility of not being able to live in the world of the imagination. When praising the poem in 1959, Perkins claimed, "Although the "Ode to a Nightingale" ranges more widely than the "Ode on a Grecian Urn," the poem can also be regarded as the exploration or testing out of a symbol, and, compared with the urn as a symbol, the nightingale would seem to have both limitations and advantages." Walter Jackson Bate also made a similar defense of the word "forlorn" by claiming that the world described by describing the impossibility of reaching that land. When describing the poem compared to the rest of English poetry, Bate argued in 1963, "Ode to a Nightingale" is among "the greatest lyrics in English" and the only one written with such speed: "We are free to doubt whether any poem in English of comparable length and quality has been composed so quickly." In 1968, Robert Gittins stated, "It may not be wrong to regard ["Ode on Indolence" and "Ode on Melancholy"] as Keats's earlier essays in this [ode] form, and the great "Nightingale" and "Grecian Urn" as his more finished and later works."