title: Silence... Can You Hear It?

text: A team of special cops are investigating the mysterious murder of a high profile victim, who is the daughter of a retired justice. The team is led by ACP Avinash Verma who now works in narcotics division but has been brought on with a special team of serious crime officers to solve this case. The Superior Officers don't favour Avinash Verma but the retired justice Choudhary requests them to hire him for the case as he wants the case to be solved quickly and raptly. Pooja Choudhary, the daughter of Justice Choudhary was found on a tourist site on a hill top by four college students. There was a big wound on her head. The forensic department had found some bits of copper on the wound. This indicates that whatever equipment was used for killing her was a copper one. Also as there were no indications of sexual harassment, justifies that it was not rape case. If it was not a rape case then it means that due to some personal reason the killer had killed Pooja and that the killer is just around them. There were no blood scattered from Pooja's head on the surrounding spot she was found in which indicates that she was killed in a different place and her body was dumped in the spot she was found in. Pooja last visited her best friend, Kavita's house in the hope to meet her and show something. But due to an exhibition in Pune, Kavita had gone to Pune and Pooja had spent the night in Kavita's house as it was very late. Kavita's husband Ravi is an MLA. He and Dadu the servant were there and they provided her a room.


title: Silence... Can You Hear It?

text: ACP Verma and his team begin solving the murder mystery and they have a target to close the case and identify the killer in a week. ACP Verma begins investigation by questioning Pooja's family members and then MLA Ravi Khanna and his helper Dadu. After series of investigation and intriguing encounters ACP Verma solves the case and the plot is revealed. Pooja and Rishabh have an affair, which Rishab's fiancée Kia discovers. Enraged she visits Pooja after learning she's at Kavita Khanna's place and demands that Pooja leave Rishabh alone, as he's her fiancé but Pooja asks her to speak to Rishabh and not her. This angers Kia and she hits her hard on the head and not knowing what just happened she flees the spot. Kia is finally arrested and Rishab and MLA Ravi Khanna are also arrested for tampering with the evidence.


title: Silence... Can You Hear It?

text: Initially the digital release date was on 5 March 2021 on ZEE5 platform. Later, it was released on 26 March 2021.


title: Silence... Can You Hear It?

text: The movie generally received positive to mixed reaction, with particular praise to Bajpayee's and other cast's performance.


title: Silence... Can You Hear It?

text: Joginder Tuteja of Rediff Movies wrote "Silence... Can You Hear It is definitely a recommended watch" giving the movie 3.5 stars. Shubhra Gupta of Indian Express "Manoj Bajpayee is the star of this entertaining murder mystery" While giving the film Two stars.


title: Silence... Can You Hear It?

text: One of the critics who didn't like the movie, Gurnaaz Kaur of The Tribune wrote "The movie Silence…can you hear it? is a screaming bore!".


title: BMW Z1

text: The BMW Z1 is the first model in BMW's line of Z series roadsters (two-seater convertibles), and was produced in limited numbers from 1989 to 1991.


title: BMW Z1

text: The Z1 is unique for its plastic body panels and vertically sliding doors which drop into the door sills. It is one of the first BMWs to use a multi-link rear suspension. The sole drivetrain specification is the 2.5-litre straight-six engine and 5-speed manual transmission from the E30 325i.


title: BMW Z1

text: At the start of 1985, BMW set up a division called BMW Technik GmbH to develop concepts for new vehicles and technologies. The director of BMW Technik GmbH was Ulrich Bez, who oversaw the Z1's development. Control of the project was turned over to Klaus Faust when Bez left BMW in October 1988. The lead designer was Harm Lagaay.


title: BMW Z1

text: In August 1985, the BMW board gave approval to further develop the BMW Technik's first concept vehicle, the Z1. A year later, the first road-going prototype was produced and BMW publicly revealed the project. A coupe model was also the subject of a design study, but it did not reach production.


title: BMW Z1

text: In early 1987, BMW announced that the Z1 would enter production and in September 1987, the production form of the Z1 was unveiled at the Frankfurt Motor Show. Production began in October 1988. The original price target was DM 80,000, however by the time production began, the base price had increased to DM 83,000.


title: BMW Z1

text: The doors are unique in that they retract vertically, instead of traditional designs which swing outward or upward (the first car with retractable doors was the 1954 Kaiser Darrin, although those Kaiser Darrin doors slid forwards not downwards). The body with its high sills, offers crash protection independent of the doors, and it is possible (although perhaps not legal in some countries) for the Z1 to be driven with the doors lowered.


title: BMW Z1

text: The windows may be operated independently of the doors, although they do retract automatically if the door is lowered. Both the window and door are driven by electric motors through toothed rubber belts and may be moved manually in an emergency.


title: BMW Z1

text: In addition to the unique door design, the Z1 body featured several other innovations: removable plastic body panels, a flat undertray, a roll-hoop integrated into the windscreen surround and continuously zinc welded seams.


title: BMW Z1

text: The side panels and doors are made of GE's Xenoy thermoplastic. The bonnet, boot, and roof cover are GRP components made by Seger + Hoffman AG. The car is painted in a special flexible lacquer finish developed jointly by AKZO Coatings and BMW Technik GmbH. During the Z1s launch, BMW suggested that owners purchase an additional set of body panels and change the color of the car from time to time. The car could actually be driven with all of the panels completely removed, similar to the Pontiac Fiero. BMW noted that the body could be completely replaced in 40 minutes, although Z1 owners have reported that this may be highly optimistic.


title: BMW Z1

text: Aerodynamics were a focus of the vehicle design. The flat plastic undertray is used for ground effect aerodynamics and the rear bumper - in conjunction with the aerodynamically shaped muffler - forms a diffuser to reduce rear lift. The front end reportedly induces a high-pressure zone just forward of the front wheels to increase front-wheel traction. The Z1 has a drag coefficient of 0.36 C with the top up or 0.43 C with it down.


title: BMW Z1

text: The rear suspension, called the Z Axle, was specially designed for the Z1. It was one of the first BMWs to feature a multi-link design. In the 1990s, the Z Axle would be used on a variety of BMW Group vehicles, including the E36 3 Series and the R40 Rover 75.


title: BMW Z1

text: Front suspension is as per the E30 325i. Wheels, similar to the E30 325i, are by wheels on both the front and rear, equipped with 205/55VR-15 tires.


title: BMW Z1

text: The sole drivetrain configuration is a 2.5 Litre M20 straight-six engine and five-speed Getrag 260/5 manual transmission, sourced from the E30 325i. The engine is a SOHC straight-six engine, which produces at 5,800 rpm and of torque.


title: BMW Z1

text: The "Z" in Z1 originally stood for , the German word for "future". Later cars in the Z Series are the Z3, Z4, and Z8, which were all available as 2-seat convertibles (however some models were also available as 2-seat coupes).


title: BMW Z1

text: The Z1 was produced from March 1989 to June 1991, all at BMW's plant in Munich, Exactly 8,000 cars were produced. All the cars were left-hand drive, and the majority (6,443) were sold in BMW's native German market. The country to receive the second-greatest number of Z1s, Italy, received less than 7% of the total sold domestically. BMW Z1 vehicles officially imported to France for sale there have yellow headlights instead of the clear ones found elsewhere.


title: BMW Z1

text: Initial demand was strong, with BMW receiving orders for 3,500 vehicles before production began. However, demand dropped significantly around 1988 and BMW ended production in 1991. There is speculation that the drop in demand was due to the early inflated demand from speculative investors. In 1988, however, BMW was quoted as saying that they had 35,000 orders for the Z1.


title: BMW Z1

text: BMW was reportedly unable to build more than 10 to 20 Z1 vehicles each day. More than half of all Z1 vehicles (specifically, 4,091) were produced for the 1990 model year. Seventy-eight Z1 vehicles were reportedly used as test mules, although most were later sold without a warranty and, presumably, at a lower price.


title: BMW Z1

text: The Z1 was available in six exterior colours and four interior colours. Red is the most common exterior color. Most (6,177) were red, black, or green with a dark grey interior. Light yellow exterior ("fun-gelb" in German or "fun yellow" in English; 133 examples made) or red interior (38 examples made) are the rarest Z1 colours. The colours "swimming pool blue" and "oh-so-orange" were reserved for the car's designers, Ulrich Bez and Harm Lagaay.


title: BMW Z1

text: The Z1 was featured in an episode of "Wheeler Dealers" in 2014. They bought the car as a non-standard yellow and returned the car back to a red colour. It was observed that BMW claimed the removable panels could be removed in 40 minutes; however it actually took six hours.


title: Zoombombing

text: Zoombombing or Zoom raiding is the unwanted, disruptive intrusion, generally by Internet trolls, into a video-conference call. In a typical Zoombombing incident, a teleconferencing session is hijacked by the insertion of material that is lewd, obscene, racist, misogynistic, homophobic, Islamophobic, or antisemitic in nature, typically resulting in the shutdown of the session. The term is especially associated with and is derived from the name of the Zoom videoconferencing software program, but it has also been used to refer to the phenomenon on other video conferencing platforms. The term became popularized in 2020 when the COVID-19 pandemic forced many people to stay at home, and videoconferencing came to be used on a large scale by businesses, schools, and social groups.


title: Zoombombing

text: Zoombombing has caused significant issues in particular for schools, companies, and organizations worldwide. Such incidents have resulted in increased scrutiny on Zoom as well as restrictions on usage of the platform by educational, corporate, and governmental institutions globally. In response, Zoom, citing the sudden influx of new users due to the COVID-19 pandemic, has been taking measures to increase security of its teleconferencing application. Incidents of Zoombombing have prompted law enforcement officers in various countries to investigate such cases and file criminal charges for those responsible.


title: Zoombombing

text: The term "Zoombombing" is derived from the teleconferencing application Zoom, though the term has also been used in reference to similar incidents on other teleconferencing platforms, such as WebEx or Skype. The increased use of Zoom during the COVID-19 pandemic as an alternative to face-to-face meetings resulted in widespread exposure to hackers and Internet trolls, who exploit and work around the application's security features. In various forums such as Discord and Reddit, efforts have been coordinated to disrupt Zoom sessions, while certain Twitter accounts advertise meeting ids and passwords or meeting links (allowing users to instantly join a Zoom meeting instead of entering the credentials required to access a meeting) for sessions that were vulnerable to being joined without authorization. At educational institutions, some students were "actively asking strangers to Zoombomb or 'Zoom raid' their virtual classrooms to spice up their isolated lessons" and facilitating the raids by sharing passwords with the raiders. CNET pointed out that simple Google searches for URLs that include "Zoom.us" could bring up conferences that are not password protected, and that links within public pages can allow anyone to join. Hackers and trolls also look for easy targets such as unprotected or underprotected "check-in" meetings in which organizations meet with their employers or clients remotely.


title: Zoombombing

text: While a Zoom session is in progress, unfamiliar users show up and hijack the session by saying or showing things that are lewd, obscene, racist, or antisemitic in nature. The compromised Zoom session is then typically shut down by the host. Many of those successful in disrupting sessions have posted video footage of those incidents to social media and video sharing platforms such as TikTok and YouTube.


title: Zoombombing

text: While it is believed Zoombombing attacks are mainly orchestrated by external hackers and trolls, many are also orchestrated internally from within their respective organization or entity. Some view Zoombombing as a continuation of cyberbullying by teenagers, particularly after schools were shut down due to the pandemic.


title: Zoombombing

text: Zoombombing has caused a number of problems for schools and educators, with unwanted participants posting lewd content to interrupt learning sessions. Some schools had to suspend using video conferencing altogether. The University of Southern California called Zoombombing a type of trolling and apologized for "vile" events that interrupted "lectures and learning." Zoombombing has prompted colleges and universities to publish guides and resources to educate and bring awareness to their students and staff about the phenomenon. Zoombombing has left online lectures vulnerable to the intrusion of people looking to inflict harm. These crimes have brought attention not only to the lack of security on videoconferencing platforms, but also the lack in the universities. According to an article from "The Guardian", the University of Warwick, in the midst of a rape-chat scandal, received criticisms for its weak cybersecurity.


title: Zoombombing

text: Zoombombing affected twelve-step programs such as Alcoholics Anonymous and Narcotics Anonymous and other substance abuse and addiction recovery programs who were forced to switch to online meetings. Concerns arise from causing undue stress to an already vulnerable population and video recording which can break anonymity. Some bombers reference the drug-of-choice for recovery members, such as alcohol, in an attempt to emotionally trigger the participants of the meeting.


title: Zoombombing

text: The problem reached such prominence that the United States Federal Bureau of Investigation (FBI) warned of video-teleconferencing and online classroom hijacking, which it called "Zoom-bombing." The FBI advised users of teleconferencing software to keep meetings private, require passwords or other forms of access control such as "waiting rooms" to limit access only to specific people, and limiting screen-sharing access to the meeting host only. Given the number of incidents of Zoombombing, New York's attorney general initiated an inquiry into Zoom's data privacy and security policies. U.S. Senator Sherrod Brown (D-OH) asked the Federal Trade Commission to investigate into the matter, accusing Zoom of engaging in deceptive practices regarding user privacy and security.


title: Zoombombing

text: Amid concerns about Zoombombing, various organizations banned the use of Zoom. In April 2020, Google banned the use of Zoom on its corporate computers, directing employees to instead use its video chat app Google Duo. The use of Zoom was also banned by SpaceX, Smart Communications, NASA, and the Australian Defence Force. The Taiwanese and Canadian governments banned Zoom for all government use. The New York City Department of Education prohibited all its teachers from using the platform with students, and the Clark County School District in Nevada disabled access to Zoom to its staff. Singapore's Ministry of Education briefly banned all teachers within the country from using Zoom before lifting the ban three days later, adding extra security features. Some Zoombombers have shared their side of the story, claiming they aren't trying to cause harm. They claim it is a form of protest in response to the extensive amount of work given from teachers. Not all incidents are malicious, as many have shared some new pop culture, such as memes and TikToks, to bring some relief and fun during the pandemic.


title: Zoombombing

text: Zoom CEO Eric Yuan made a public apology, saying that the teleconferencing company had not anticipated the sudden influx of new consumer users and stating that "this is a mistake and lesson learned." In response to the concerns, Zoom has published a guide on their blog on how to avoid these types of incidents. On April 7, 2020, Zoom implemented user experience and security updates to the application. Such updates include a more visible "Security" icon for users to see and use, suppression of meeting ID numbers, and a change in the default settings to require passwords and waiting rooms for sessions. On April 8, 2020, Zoom announced that it had formed a council of chief information security officers from other companies to share ideas on best practices, and that it had hired Alex Stamos, former chief security officer of Facebook, as an adviser. Zoom released its 5.0 version in April 2020 with security features that include AES 256-bit GCM encryption, passwords by default, and a feature to report suspicious users to its Trust and Safety Team for possible misuse. In May 2020, Zoom announced it had temporarily disabled its Giphy (frequently used as a tactic in zoombombing) integration until security concerns could be properly and fully addressed. On July 1, 2020, Zoom stated it had released 100 new safety features over the past 90 days, including end-to-end encryption for all users, turning on meeting passwords by default, giving users the ability to choose which data centers calls are routed from, consulting with security experts, forming a CISO council, an improved bug bounty program, and working with third parties to help test security.


title: Zoombombing

text: National authorities worldwide warned of possible charges against people engaging with Zoombombing. On April 8, 2020, a teen in Madison, Connecticut, was arrested for computer crime, conspiracy, and disturbing the peace following a Zoombombing incident involving online classes at Daniel Hand High School; police also identified another teen involved in the incident. In San Francisco, a man was arrested after being traced to pornographic videos that were streamed on Zoom. As of May 2020, the FBI has received 195 incidents of Zoombombing involving child abuse, while the United Kingdom's National Crime Agency has reported more than 120 such cases.


title: Zoombombing

text: St. Paulus Lutheran Church in San Francisco filed a class-action lawsuit against Zoom after one of its Bible study classes was "Zoombombed" on May 6, 2020. The church alleged that Zoom "did nothing" when it tried to reach out to the company.


title: Zoombombing

text: In 2022, an online event hosted by the Italian Senate's "Movimento 5 Stelle" and broadcast live to "Senato della Repubblica" was interrupted by roughly a minute of CGI Final Fantasy pornography, displaying the character Tifa Lockhart in the middle of sexual intercourse. Overlapping the content's original audio was a man speaking English with a thick Italian accent stating, "I used to be a sex offender, but now I am a kindergarten teacher."


title: 3 Ninjas Knuckle Up

text: 3 Ninjas Knuckle Up is a 1993 American martial arts comedy film taking place in between "3 Ninjas" and "3 Ninjas Kick Back". The film was directed by Shin Sang-ok, using the pseudonym "Simon Sheen". The film was shot in 1992, the same year the first film was released, but was not released until 1995.


title: 3 Ninjas Knuckle Up

text: 13-year-old Rocky, 12-year-old Colt, 8-year-old Tum Tum defend "Truth, Justice and the American Way", once more - this time, protecting a Native American village and the rest of society against a Toxic Waste Company.


title: 3 Ninjas Knuckle Up

text: During a summer, the boys are staying with Grandpa Mori when they witness the Native Americans protesting against the waste industry and the fight soon breaks out while Mori and the boys are ordered to drive away by the authorities. The next day, Colt and Tum-Tum encounters a same group of men led by J.J. harassing and assaulting a girl named Jo from the protest at the pizza parlor after she demands them about her father's whereabouts. Colt, Tum-Tum and Rocky step in to protect her by fighting them and getting cheered on by the admiring customers. After fending off the men with their martial arts techniques, they are praised as heroes which gives them big heads. However, the boys are put to work by Mori and the owner of the pizza parlor to work off damages from their fight. Mori tries to teach them a lesson in humility, but the reference of a flower blooming goes over their heads. Jo comes to the boys later at the pizza parlor and explains that the men are under the employ of Jack Harding, an industrialist who is illegally dumping toxic contents into the Native American reserve. Without proof, they can do nothing. Jo's father named Charlie had gone to investigate, but he had not returned. Colt, who is seemingly attracted to Jo, agrees that they will help and find her father. The boys follow and sneaks into Jack's waste management, overheard his conversation with the Mayor about corruption and founds Charlie imprisoned. The boys managed to fight of the some of Jack's men and escape as they report Jo. That night, they mount an escape plan for her father, which is successful. They spend the night celebrating with the tribe and getting thanks for helping them. During the dance, Jack and his men attack them once again until the boys and Native Americans fight them off with the help of Mori, who suspicious about his grandsons.


title: 3 Ninjas Knuckle Up

text: Charlie and his family prepares and appeals for a court date with significant evidence to put Jack out of business for good. Soon, Jack arranges to have Jo kidnapped by the Bikers and convince her father to falsify his evidence, which he has no other choice for her safety.


title: 3 Ninjas Knuckle Up

text: Rocky and his brothers get the information to find where Jo is being held hostage, drive out to rescue her and return before the court case is dismissed and all of Charlie's hard work accounts for nothing at all. After fighting through a small band of armed bikers at the abandoned town, they found Jo and return her to the court house. The boys arrive and fight off Jack's men and the Sheriffs as Jo arrives to the courtroom just before her father about to turn the real evidence over to Jack. Charlie punches Jack, admits his mistake and hands the real evidence to the EPA representative who signifies the case and shuts down the company producing the waste.


title: 3 Ninjas Knuckle Up

text: As the boys leave the court, Jo and her family looks around for the 'heroes' of the day, but they are nowhere to be found. Returning to Mori's home, Rocky, Colt and Tum-Tum realizes the point of Mori's earlier lesson: that a flower is content to bloom quietly, without clamoring for attention. The film ends with Grandpa Mori and the boys somersaulting into the air in victory.


title: 3 Ninjas Knuckle Up

text: On Metacritic, "3 Ninjas Knuckle Up" holds 39 out of a 100 based on 6 critics, indicating "generally unfavorable reviews".


title: 3 Ninjas Knuckle Up

text: The film was nominated for Worst Sequel and The Sequel Nobody Was Clamoring For at the 1995 Stinkers Bad Movie Awards, but lost to "" and "", respectively.


title: Chuck Mawhinney

text: Charles Benjamin "Chuck" Mawhinney (born 1949) is a United States Marine who holds the Corps' record for the most confirmed sniper kills, having recorded 103 confirmed kills and 216 probable kills in 16 months during the Vietnam War.


title: Chuck Mawhinney

text: Mawhinney, the son of a World War II Marine Corps veteran, was born in 1949 in Lakeview, Oregon, and was an avid hunter in his youth. He graduated from high school in June 1967 and joined the U.S. Marine Corps later that year—after the deer season.


title: Chuck Mawhinney

text: Following enlistment, he attended Scout Sniper School at Camp Pendleton and graduated in April 1968. From there he received orders to South Vietnam where upon arrival he was assigned as a rifleman to Lima Company 1st Battalion, 5th Marines, 1st Marine Division. He remained in this unit for 3 months until he was re-assigned to 5th Marine Regiment HQ Scout Sniper Platoon. There he worked as a scout sniper for different companies with the 1st, 2nd and 3rd Battalions. He also worked with the South Korean Marines, Force Recon, Army CAG Unit, but the majority of his time was with Delta Company, 1/5 Marines. During this tour he is credited with 103 confirmed People's Army of Vietnam (PAVN)/Viet Cong (VC) kills and 216 probables. He spent 16 months in Vietnam, starting in early 1968.


title: Chuck Mawhinney

text: On Valentine's Day 1969, Mawhinney encountered an enemy platoon and killed 16 PAVN soldiers with head shots.


title: Chuck Mawhinney

text: "It was the ultimate hunting trip: a man hunting another man who was hunting me," Mawhinney told the "Los Angeles Times". "Don't talk to me about hunting lions or elephants; they don't fight back with rifles and scopes. I just loved it." Mawhinney sought to change the public perception about snipers, who he maintains save lives by sapping the enemy's will to fight. "My rules of engagement were simple: If they had a weapon, they were going down. Except for an NVA paymaster I hit at 900 yards, everyone I killed had a weapon," he said.


title: Chuck Mawhinney

text: Mawhinney's one regret was the one that got away. After a leave from Vietnam, he returned and retrieved his weapon from the armorer, who assured Mawhinney that he hadn't altered the rifle. But when Mawhinney spotted an enemy at only 300 yards, a range he was routinely a deadly shot, he missed several times, and the man got away.


title: Chuck Mawhinney

text: "I can't help thinking about how many people that he may have killed later, how many of my friends, how many Marines. He [messed] up and he deserved to die. That still bothers me."


title: Chuck Mawhinney

text: After a chaplain declared him "combat fatigued", Mawhinney returned to the United States and served briefly as a marksmanship instructor at Camp Pendleton.


title: Chuck Mawhinney

text: After leaving the Marine Corps in 1970, Mawhinney returned home to Lakeview, Oregon, married, and worked for the U.S. Forest Service until his retirement in the late 1990s.


title: Chuck Mawhinney

text: Mawhinney told no one about his service as a sniper, not even his wife. For more than two decades, his accomplishments as a sniper were almost entirely unknown—even Mawhinney himself did not know how his record compared to his peers.


title: Chuck Mawhinney

text: In 1991, Mawhinney was thrust into the limelight when his exploits were recounted by fellow Marine sniper and author Joseph Ward in his book, "Dear Mom: A Sniper's Vietnam". In it, Ward credited Mawhinney with 101 confirmed kills. This was controversial at the time, as it was generally believed that the 93 confirmed kills by the legendary Carlos Hathcock was more than any other American sniper. However, subsequent research showed that U.S. Army sniper Adelbert Waldron actually held the record, with 109 confirmed kills. Mawhinney's documented total was found to be 103 confirmed kills, with an additional 216 "probable kills". A third Marine Corps sniper, Eric R. England, had 98 confirmed kills. Mawhinney was then recognized as the USMC sniper with the most confirmed kills, and the second most of any US service member.


title: Chuck Mawhinney

text: After the revelation of his extraordinary record as a sniper, Mawhinney slowly increased his public profile. Following his retirement from the Forest Service, he began speaking at conventions and public events and attending national sniper shooting competitions. Mawhinney is a spokesman for Strider Knives, which produces a knife bearing his signature on the blade. One of these knives is awarded to the top graduate of each class from the USMC Scout Sniper School in Camp Pendleton, CA. , Mawhinney continues to speak to classes of professional snipers in training.


title: Chuck Mawhinney

text: One of the rifles he used in Vietnam is displayed in the Vietnam Gallery of the National Museum of the Marine Corps, where it has been shown since its opening in 2006.


title: Chuck Mawhinney

text: An "astounding" shot by Mawhinney has been recreated for the History Channel special, "Sniper: The Anatomy of the Kill".


title: Nolberto Solano

text: Nolberto Albino "Ñol" Solano Todco (born 12 December 1974), commonly known as Nobby Solano, is a retired Peruvian professional footballer who played as a midfielder. He is currently the assistant manager of the Peru national football team, as well as the manager of the Peru Olympic football team.


title: Nolberto Solano

text: His talents in football range from accurate crosses to accomplished dead-ball skills and he traditionally played either on the right side of midfield, or as a right back during his career. Solano spent much of his career in the Premier League, where he is generally associated with Newcastle United. He became the first Peruvian to play in the Premier League, and appear in the FA Cup Final. He is considered a cult hero at the Tyneside club, and was also noted for his trumpet playing and formed his own salsa band named The Geordie Latinos. He has described himself as an "adopted Geordie."


title: Nolberto Solano

text: Solano is a popular figure in his native Peru, where he is seen as one of the most famous Peruvians, appearing on telephone cards and having his wedding televised live. He played 95 times for the national team between 1994 and 2009.


title: Nolberto Solano

text: Towards the end of his career, he went into coaching, and was first team coach at non-league side Newcastle Benfield, while contracted to Hartlepool United. He had short spells at Universitario and José Gálvez, and was manager of Internacional de Toronto for a few matches, before the club had its licensing agreement terminated. Since 2015, Solano has been involved within the national team setup, where he is assistant manager to Ricardo Gareca, and is the manager of the Olympic football team.


title: Nolberto Solano

text: Born in Callao, Peru, Solano was the youngest of seven. His father, Albino, was in the Peru Navy, whilst his mother was a housewife who raised him, his four brothers and two sisters. He began playing football at a very early age in the streets of Callao.


title: Nolberto Solano

text: Solano witnessed the Peru national football team qualify for the 1978 FIFA World Cup at the age of three and again qualify for the 1982 FIFA World Cup at the age of seven. The second World Cup he witnessed had the biggest effect on him. At that time he played a lot of football and his national team inspired him.


title: Nolberto Solano

text: Solano signed his first professional contract with the Peruvian Primera División side Sporting Cristal in 1992 at the age of 17. He made his league debut on 13 April 1992 in his team's 2–0 win against San Agustín. Towards the end of his first season at Sporting Cristal, he signed a one-year contract with Deportivo Municipal, before returning to Cristal at the end of 1993. He was part of the Sporting Cristal squad of the 1990s during which the club won the Peru Primera División Championships (1994, 1995 and 1996) and reached the finals of the 1997 Copa Libertadores. Along with Roberto Palacios, Flavio Maestri, Julinho and Jorge Soto, he was one of Sporting Cristal's most recognized players of the era.


title: Nolberto Solano

text: In 1997 aged 22 he signed for Argentinian side Boca Juniors where he became a teammate of Diego Maradona, who nicknamed Solano the 'Maestrito'. Solano said in 2004 that he would like to play for Boca Juniors again, but admitted he was perhaps too old for the ambition to be realized.


title: Nolberto Solano

text: In 1998, Solano became the first professional Peruvian footballer to play in England when he signed a contract with Newcastle United for £2,480,000. Interest in his first appearance for Newcastle reserves was so substantial that the kick off was delayed to accommodate the large crowd, many of whom had been delayed after a lorry had shed its load blocking one of the major routes into the city. Solano marked the occasion with a goal. His first team debut for Newcastle came in a Premier League match against Chelsea on 22 August 1998, when he came on after 67 minutes as a substitute for goalscorer Andreas Andersson. In June 2001, he signed a new five-year contract with the club. A month later he scored what he later described as "the best goal of [his] career" with a solo effort against 1860 München. During this first spell at Newcastle, he played in the 1999 FA Cup Final.


title: Nolberto Solano

text: Solano joined Aston Villa in January 2004 for a fee of £1.5 million and signed a two-and-a-half-year contract with the club. He attributed his leaving Newcastle to a "strained relationship" with manager Bobby Robson. He made his debut in a 5–0 win over Leicester City on 31 January, ended the 2004–05 season as top scorer, and was elected the club's Player of the Year by the supporters, his teammates, and the local press.


title: Nolberto Solano

text: In what was Solano's last appearance for Villa, in August 2005, he was sent off for striking Portsmouth's Richard Hughes in the face. On transfer deadline day, Solano rejected a late offer to join Liverpool and agreed to return to Newcastle.


title: Nolberto Solano

text: Solano returned to Newcastle United in August 2005 for a fee believed by the BBC to be £1.5 million. He signed a contract originally for two years, but with the option for Newcastle to extend it for another year. Midfielder James Milner went in the other direction, joining Aston Villa on a season-long loan. Solano revealed that Alan Shearer had played an influential role in arranging his return.


title: Nolberto Solano

text: In the 2006–07 season, injuries to right-back Stephen Carr and others caused manager Glenn Roeder to play Solano at right-back instead of his usual right-wing position. However it was not an unfamiliar playing position to Solano, as he had started his football career in defence and had featured at right-back for his country. With his contract due to expire at the end of the season, Solano said he would be "crazy" to move on at the age of 32, and duly signed a new one-year contract. However a few months later, he asked to leave the club to be closer to his family, who had moved to London. His one regret was that he had been unable to help the club win a trophy for the fans.


title: Nolberto Solano

text: Solano signed a one-year contract with West Ham United in August 2007. He made his debut for West Ham in October 2007, coming on as a second-half substitute in the 3–1 home win against Sunderland, and was instrumental in West Ham's second goal, his shot being deflected into the Sunderland goal by goalkeeper, Craig Gordon. His first goal for West Ham was a free-kick and the fifth goal in West Ham's 5–0 away win against Derby County on 10 November 2007. In the last game of the season on 11 May 2008 Solano scored his second free-kick goal, against Aston Villa, the match ended 2–2. He was released by West Ham when his contract expired at the end of the 2007–08 season having scored four goals in 23 appearances.


title: Nolberto Solano

text: Although Solano was rumoured to be interesting LA Galaxy, he became "one of the biggest signings in the club’s history" when he signed for Super League Greece club AE Larissa in August 2008.


title: Nolberto Solano

text: He then returned to Peru with Universitario de Deportes, for whom he scored a crucial penalty against Alianza Lima in the play-off for the Peruvian Primera División title, helping the team to a 2–0 aggregate victory to seal the club's 25th league title.


title: Nolberto Solano

text: Solano returned to England, where he trained with Colchester United and with Newcastle, before, on 22 January 2010, signing for Leicester City until the end of the season. He was reunited with Nigel Pearson, who had been assistant manager at Newcastle. He made his debut as an 84th-minute substitute in a goalless draw against Newcastle at the Walkers Stadium on 30 January, to an enthusiastic reception from both sets of fans. He played his first full game in a 1–0 win over Crystal Palace on 16 March. Solano played eleven league games, scoring in a 4–3 penalty shootout defeat to Cardiff City in the Championship play-off semi-final second leg. He was offered a contract for a further six months, but chose to leave the club, preferring to follow Pearson to Hull City.


title: Nolberto Solano

text: Solano rejoined former Foxes' boss Nigel Pearson, who had recently taken over the manager's job at Hull City, signing a one-year deal. Despite initial expectations that Solano would be with Hull City for only a single season before retiring, Solano revealed in April 2011, that he hoped that he would be able to extend his stay with the Tigers beyond the 2010–11 season, by combining a playing and coaching role, as Nick Barmby had done.


title: Nolberto Solano

text: It was announced on 13 May 2011 that Solano had signed for Hartlepool United, having previously worked with their manager Mick Wadsworth at Newcastle. Solano, on the first day of signing, promoted the idea of "Are You Coming To Pools?" with Hartlepool United selling season tickets for £100, the lowest price in Football League One.


title: Nolberto Solano

text: On 2 August, Solano scored in a friendly against Sunderland, rivals of his former club Newcastle United, and scored his first league goal for Hartlepool on 17 September at home against Bury. The following week, Solano doubled his Hartlepool tally by scoring their first goal direct from a free-kick in the 2–1 away win at AFC Bournemouth. Following Wadsworth's sacking, his successor, first-team coach Neale Cooper, confirmed that Solano was not part of his plans, because he needed "players who will really graft, [and] that's not Nobby's game". In April 2012, the club confirmed Solano had been advised not to play for the remainder of the season because of recurring illness.


title: Nolberto Solano

text: In February 2012, he became first-team coach at Northern League side Newcastle Benfield while remaining a member of Hartlepool's playing squad.


title: Nolberto Solano

text: Solano made his full international debut for Peru at the age of 18, and went on to be capped 95 times, scoring 20 goals. He has been a key member of the squad since the mid-1990s but, in June 2005, Solano decided to quit the Peru national football team due to disagreements with the coach, Freddy Ternero. In 2006, he returned to the national team setup under new coach Franco Navarro. Despite his return to the national team, Solano was not selected for Peru's Copa America 2007 squad. He continued to represent the national team thereafter, but with his country having no chance at all of qualifying for the 2010 FIFA World Cup, he announced his decision to retire from international football after World Cup Qualifiers against Argentina and Bolivia. Solano has also stated his desire to try and guide his country to the World Cup as a coach in the near future to try to make up for never making it as a player.


title: Nolberto Solano

text: Solano took the first step into coaching as the part-time first-team coach of Newcastle Benfield in 2012.


title: Nolberto Solano

text: In June 2012, he was confirmed as manager of Peruvian Primera División club Universitario de Deportes. On 12 December, Universitario confirmed that Solano had left the club, despite the fact he guided the club into the top half of the table after being in the relegation zone when he first took charge.


title: Nolberto Solano

text: In 2014, he became the head coach of Canadian club Internacional de Toronto in League1 Ontario. However, on 22 July, the club had its licensing agreement terminated due to issues regarding the payment of player salaries, ending his tenure.


title: Nolberto Solano

text: , Solano is a technical assistant to Ricardo Gareca with the Peru national team, and taking charge as coach of the U-23 team.


title: Laura Mulvey

text: Laura Mulvey (born 15 August 1941) is a British feminist film theorist. She was educated at St Hilda's College, Oxford. She is currently professor of film and media studies at Birkbeck, University of London. She previously taught at Bulmershe College, the London College of Printing, the University of East Anglia, and the British Film Institute.


title: Laura Mulvey

text: During the 2008–09 academic year, Mulvey was the Mary Cornille Distinguished Visiting Professor in the Humanities at Wellesley College. Mulvey has been awarded three honorary degrees: in 2006 a Doctor of Letters from the University of East Anglia; in 2009 a Doctor of Law from Concordia University; and in 2012 a Bloomsday Doctor of Literature from University College Dublin.


title: Laura Mulvey

text: Mulvey is best known for her essay, "Visual Pleasure and Narrative Cinema", written in 1973 and published in 1975 in the influential British film theory journal "Screen". It later appeared in a collection of her essays entitled "Visual and Other Pleasures", as well as in numerous other anthologies. Her article, which was influenced by the theories of Sigmund Freud and Jacques Lacan, is one of the first major essays that helped shift the orientation of film theory towards a psychoanalytic framework. According to film scholar Robert Kolker, it "remains a touchstone not only for film studies, but for art and literary analysis as well". Prior to Mulvey, film theorists such as Jean-Louis Baudry and Christian Metz used psychoanalytic ideas in their theoretical accounts of the cinema. Mulvey's contribution, however, inaugurated the intersection of film theory, psychoanalysis and feminism. "Visual Pleasure and Narrative Cinema" helped to bring the term "male gaze" into film criticism and eventually into common parlance. It was first used by the English art critic John Berger in his seminal "Ways of Seeing", a series of films for the BBC aired in January 1972, and later a book, as part of his analysis of the treatment of the nude in European painting.


title: Laura Mulvey

text: Mulvey states that she intends to use Freud and Lacan's concepts as a "political weapon". She employs some of their concepts to argue that the cinematic apparatus of classical Hollywood cinema inevitably put the spectator in a masculine subject position, with the figure of the woman on screen as the object of desire and "the male gaze". In the era of classical Hollywood cinema, viewers were encouraged to identify with the protagonists, who were and still are overwhelmingly male. Meanwhile, Hollywood women characters of the 1950s and 1960s were, according to Mulvey, coded with "to-be-looked-at-ness" while the camera positioning and the male viewer constituted the "bearer of the look". Mulvey suggests two distinct modes of the male gaze of this era: "voyeuristic" (i.e., seeing woman as image "to be looked at") and "fetishistic" (i.e., seeing woman as a substitute for "the lack", the underlying psychoanalytic fear of castration).


title: Laura Mulvey

text: To account for the fascination of Hollywood cinema, Mulvey employs the concept of "scopophilia". This concept was first introduced by Sigmund Freud in "Three Essays on the Theory of Sexuality" (1905) and it refers to the pleasure gained from looking as well as to the pleasure gained from being looked at, two fundamental human drives in Freud’s view. Sexual in origin, the concept of scopophilia has voyeuristic, exhibitionistic and narcissistic overtones and it is what keeps the male audience’s attention on the screen. According to Anneke Smelik, Professor of the Department of Modern Languages and Cultures at Radboud University, classic cinema encourages the deep desire to look through the incorporation of structures of voyeurism and narcissism into the narrative and image of the film. As regards the narcissistic overtone of scopophilia, narcissistic visual pleasure can arise from self-identification with the image. In Mulvey’s view, male spectators project their look, and thus themselves, onto the male protagonists. In this manner, male spectators come to indirectly possess the woman on screen as well. Furthermore, Mulvey explores the concept of scopophilia in relation to two axes: one of activity and one of passivity. This “binary opposition is gendered.” The male characters are seen as active and powerful: they are endowed with agentivity and the narrative unfolds around them. On the other hand, females are presented as passive and powerless: they are objects of desire that exist solely for male pleasure, and thus females are placed in an exhibitionist role. This perspective is further perpetuated in "unconscious patriarchal society".


title: Laura Mulvey

text: Furthermore, as regards the fetishistic mode of the male gaze as suggested by Mulvey, this is one way in which the threat of castration is solved. According to Mulvey, the paradox of the image of ‘woman’ is that although they stand for attraction and seduction, they also stand for the lack of the phallus, which results in "castration anxiety". As previously stated, the fear of castration is solved through fetishism, but also through the narrative structure. To alleviate said fear on the level of narrative, the female character must be found guilty. To exemplify this kind of narrative plot, Mulvey analyzes the works of Alfred Hitchcock and Josef von Sternberg, such as "Vertigo" (1958) and "Morocco" (1930), respectively. This tension is resolved through the death of the female character (as in Vertigo, 1958) or through her marriage with the male protagonist (as in Hitchcock’s "Marnie", 1964). Through fetishization of the female form, attention to the female “lack” is diverted, and thus, renders women a safe object of pure beauty, not a threatening object.


title: Laura Mulvey

text: Mulvey also explores Jacques Lacan’s concepts of "ego formation" and "the mirror stage". In Lacan’s view, children gain pleasure through the identification with a perfect image reflected in the mirror, which shapes children’s ego ideal. For Mulvey, this notion is analogous to the manner in which the spectator obtains narcissistic pleasure from the identification with a human figure on the screen, that of the male characters. Both identifications are based on Lacan’s concept of "méconnaissance" (misrecognition), which means that such identifications are “blinded by narcissistic forces that structure them rather than being acknowledged.”


title: Laura Mulvey

text: Different filming techniques are at the service of making voyeurism into an essentially male prerogative, that is, voyeuristic pleasure is exclusively male. As regards camera work, the camera films from the optical as well as libidinal point of view of the male character, contributing to the spectator’s identification with the male look. Furthermore, Mulvey argues that cinematic identifications are gendered, structured along sexual difference. The representation of powerful male characters is opposite to the representation of powerless female characters. Hence, the spectator readily identifies with the male characters. The representation of powerless female characters can be achieved through camera angle. The camera films women from above, at a high camera angle, thus portraying women as defenseless. Camera movement, editing and lighting are used in this respect as well. A case in point here is the film "The Silence of the Lambs" (1990). Here, it is possible to appreciate the portrayal of the female protagonist, Clarice Starling (Jodie Foster), as an object of stare. In the opening sequence, the elevator scene shows Clarice surrounded by several tall FBI agents, all dressed identically, all towering above her, “all subjecting her to their (male) gaze.”


title: Laura Mulvey

text: Mulvey argues that the only way to annihilate the patriarchal Hollywood system is to radically challenge and re-shape the filmic strategies of classical Hollywood with alternative feminist methods. She calls for a new feminist avant-garde filmmaking that would rupture the narrative pleasure of classical Hollywood filmmaking. She writes, "It is said that analyzing pleasure or beauty annihilates it. That is the intention of this article."


title: Laura Mulvey

text: "Visual Pleasure and Narrative Cinema" was the subject of much interdisciplinary discussion among film theorists, which continued into the mid-1980s. Critics of the article pointed out that Mulvey's argument implies the impossibility of the enjoyment of classical Hollywood cinema by women, and that her argument did not seem to take into account spectatorship not organized along normative gender lines. Mulvey addresses these issues in her later (1981) article, "Afterthoughts on 'Visual Pleasure and Narrative Cinema' inspired by King Vidor's "Duel in the Sun" (1946)," in which she argues a metaphoric 'transvestism' in which a female viewer might oscillate between a male-coded and a female-coded analytic viewing position. These ideas led to theories of how gay, lesbian, and bisexual spectatorship might also be negotiated. Her article was written before the findings of the later wave of media audience studies on the complex nature of fan cultures and their interaction with stars. Queer theory, such as that developed by Richard Dyer, has grounded its work in Mulvey to explore the complex projections that many gay men and women fix onto certain female stars (e.g., Doris Day, Liza Minnelli, Greta Garbo, Marlene Dietrich, Judy Garland).


title: Laura Mulvey

text: Another point of criticism over Mulvey’s essay is the presence of essentialism in her work; that is, the idea that the female body has a set of attributes that are necessary to its identity and function and that is essentially other to masculinity. Then, the question of sexual identity suggests opposed ontological categories based on a biological experience of genital sex. As a result, affirming that there is an essence to being a woman contradicts the idea that being a woman is a construction of the patriarchal system.


title: Laura Mulvey

text: Regarding Mulvey’s view of the identity of the gaze, some authors questioned “Visual Pleasure and Narrative Cinema” on the matter of whether the gaze is really always male. Mulvey does not acknowledge a protagonist and a spectator other than a heterosexual male, failing to consider a woman or homosexual as the gaze. Other critics pointed out that there is an oversimplification of gender relations in “Visual Pleasure and Narrative Cinema”. According to them, Mulvey’s essay shows a binary and categorical division of genders into male and female. This view does not acknowledge theoretical postulates put forward by LGBTQ+ theorists -and the mutant community itself- that understand gender as something flexible.


title: Laura Mulvey

text: Additionally, Mulvey is criticized for not acknowledging other than white spectators. From this viewpoint, by not recognizing racial differences, when Mulvey refers to “women”, she is only speaking about white women. For some authors, Mulvey does not consider the black female spectators who choose not to identify with white womanhood and who would not take on the phallocentric gaze of desire and possession. Thus, Mulvey fails to consider that these women create a critical space outside of the active/male passive/female dichotomy.


title: Laura Mulvey

text: Feminist critic Gaylyn Studlar wrote extensively to problematize Mulvey's central thesis that the spectator is male and derives visual pleasure from a dominant and controlling perspective. Studlar suggested rather that visual pleasure for all audiences is derived from a passive, masochistic perspective, where the audience seeks to be powerless and overwhelmed by the cinematic image.


title: Laura Mulvey

text: Mulvey later wrote that her article was meant to be a provocation or a manifesto, rather than a reasoned academic article that took all objections into account. She addressed many of her critics, and clarified many of her points, in "Afterthoughts" (which also appears in the "Visual and Other Pleasures" collection).


title: Laura Mulvey

text: Mulvey's most recent book is titled "Death 24x a Second: Stillness and the Moving Image" (2006). In this work, Mulvey responds to the ways in which video and DVD technologies have altered the relationship between film and viewer. No longer are audience members forced to watch a film in its entirety in a linear fashion from beginning to ending. Instead, viewers today exhibit much more control over the films they consume. In the preface to her book, therefore, Mulvey begins by explicating the changes that film has undergone between the 1970s and the 2000s. Whereas Mulvey notes that, when she first began writing about films, she had been "preoccupied by Hollywood's ability to construct the female star as ultimate spectacle, the emblem and guarantee of its fascination and power," she is now "more interested in the way that those moments of spectacle were also moments of narrative halt, hinting at the stillness of the single celluloid frame." With the evolution of film-viewing technologies, Mulvey redefines the relationship between viewer and film. Before the emergence of VHS and DVD players, spectators could only gaze; they could not possess the cinema's "precious moments, images and, most particularly, its idols," and so, "in response to this problem, the film industry produced, from the very earliest moments of fandom, a panoply of still images that could supplement the movie itself," which were "designed to give the film fan the illusion of possession, making a bridge between the irretrievable spectacle and the individual's imagination." These stills, larger reproductions of celluloid still-frames from the original reels of movies, became the basis for Mulvey's assertion that even the linear experience of a cinematic viewing has always exhibited a modicum of stillness. Thus, until a fan could adequately control a film to fulfill his or her own viewing desires, Mulvey notes that "the desire to possess and hold the elusive image led to repeated viewing, a return to the cinema to watch the same film over and over again." However, with digital technology, spectators can now pause films at any given moment, replay their favourite scenes, and even skip the scenes they do not desire to watch. According to Mulvey, this power has led to the emergence of her "possessive spectator." Films, then, can now be "delayed and thus fragmented from linear narrative into favorite moments or scenes" in which "the spectator finds a heightened relation to the human body, particularly that of the star." It is within the confines of this redefined relationship that Mulvey asserts that spectators can now engage in a sexual form of possession of the bodies they see on screen.


title: Laura Mulvey

text: Mulvey believes that avant-garde film "poses certain questions which consciously confront traditional practice, often with a political motivation" that work towards changing "modes of representation" as well as "expectations in consumption." Mulvey has stated that feminists recognise modernist avant-garde "as relevant to their own struggle to develop a radical approach to art."


title: Laura Mulvey

text: Mulvey incorporates the Freudian idea of phallocentrism into "Visual Pleasure and Narrative Cinema". Using Freud's thoughts, Mulvey insists on the idea that the images, characters, plots and stories, and dialogues in films are inadvertently built on the ideals of patriarchies, both within and beyond sexual contexts. She also incorporates the works of thinkers including Jacques Lacan and meditates on the works of directors Josef von Sternberg and Alfred Hitchcock.


title: Laura Mulvey

text: Within her essay, Mulvey discusses several different types of spectatorship that occur while viewing a film. Viewing a film involves unconsciously or semi-consciously engaging the typical societal roles of men and women. The "three different looks", as they are referred to, explain just exactly how films are viewed in relation to phallocentrism. The first "look" refers to the camera as it records the actual events of the film. The second "look" describes the nearly voyeuristic act of the audience as one engages in watching the film itself. Lastly, the third "look" refers to the characters that interact with one another throughout the film.


title: Laura Mulvey

text: The main idea that seems to bring these actions together is that "looking" is generally seen as an active male role while the passive role of being looked at is immediately adopted as a female characteristic. It is under the construction of patriarchy that Mulvey argues that women in film are tied to desire and that female characters hold an "appearance coded for strong visual and erotic impact". The female actor is never meant to represent a character that directly effects the outcome of a plot or keep the story line going, but is inserted into the film as a way of supporting the male role and "bearing the burden of sexual objectification" that he cannot.


title: Laura Mulvey

text: Mulvey was prominent as an avant-garde filmmaker in the 1970s and 1980s. With Peter Wollen, her husband, she co-wrote and co-directed "Penthesilea: Queen of the Amazons" (1974), "Riddles of the Sphinx" (1977 – perhaps their most influential film), "AMY!" (1980), "Crystal Gazing" (1982), "Frida Kahlo and Tina Modotti" (1982), and "The Bad Sister" (1982).


title: Laura Mulvey

text: "Penthesilea: Queen of the Amazons" was the first of Mulvey and Wollen's films. In this film, Mulvey attempted to link her own feminist writings on the Amazon myth with the paintings of Allen Jones. These writings concerned themes such as male fantasy, symbolic language, women in relation to men and the patriarchal myth. Both filmmakers were interested in exploring ideology as well as the "structure of mythologizing, its position in mainstream culture and notions of modernism."


title: Laura Mulvey

text: With "Riddles of the Sphinx," Mulvey and Wollen connected "modernist forms" with a narrative that explored feminism and psychoanalytical theory. This film was fundamental in presenting film as a space "in which the female experience could be expressed."


title: Laura Mulvey

text: "AMY!" was a film tribute to Amy Johnson and explores the previous themes of Mulvey and Wollen's past films. One of the main themes of the film is that women "struggling towards achievement in the public sphere" must transition between the male and female worlds.


title: Laura Mulvey

text: "Crystal Gazing" exemplified more spontaneous filmmaking than their past films. Many of the elements of the film were decided once production began. The film was well received but lacked a "feminist underpinning" that had been the core of many of their past films.


title: Laura Mulvey

text: The last films of Mulvey and Wollen as a team, "Frida Kahlo and Tina Modotti" and "The Bad Sister" revisited feminist issues previously explored by the filmmakers.


title: Laura Mulvey

text: In 1991, Mulvey returned to filmmaking with "Disgraced Monuments", which she co-directed with Mark Lewis. This film examines "the fate of revolutionary monuments in the Soviet Union after the fall of communism."


title: Danuel House

text: Danuel Kennedy House Jr. (born June 7, 1993) is an American professional basketball player for the Philadelphia 76ers of the National Basketball Association (NBA). He played two seasons of college basketball for the Houston Cougars before transferring to the Texas A&M Aggies. During his senior season, he was instrumental in the Aggies' first share of a regular-season Southeastern Conference (SEC) championship, as well as their run to the Sweet Sixteen in the 2016 NCAA tournament.


title: Danuel House

text: House was born in Houston and grew up in the Fourth Ward. He attended Hightower High School in Missouri City, Texas. As a junior, he averaged 13.9 points, 5.4 rebounds, 1.5 steals, 1.1 blocks and 1.3 assists per game and was named All-District 23-5A First-Team honoree. He averaged 26.0 points, 6.2 rebounds, 2.1 assists, 1.3 blocks and 1.5 steals per game as a senior and was one of 10 finalists for the Guy V. Lewis Award, an award given to the best player in the Greater Houston area. That season, the Hightower Hurricanes finished with an overall record of 29–9 and a Regional championship game berth. House was ranked 15th in the 2012 class by ESPNU 100 and 26th overall by Scout.com. House committed to Houston over Ohio State, Baylor, Texas, Georgetown, and Kansas.


title: Danuel House

text: House began his collegiate career at Houston, where he averaged 12.4 points per game as a freshman while competing in 33 games with 27 starts. He was named C-USA Freshman of the Year, the first in school history to receive the honor. In the first round of the College Basketball Invitational, House hit the game-winning shot against Texas with 17 seconds left. As a sophomore, he was the Cougars' leading scorer and rebounder with 19.6 points and 9.4 rebounds per game, and led the team to the conference semifinals. After the 2013–14 season, House left the team after coach James Dickey had resigned, and the school granted House's immediate release with the stipulation that he not transfer to another Texas school—a condition the NCAA later refused.


title: Danuel House

text: House transferred to Texas A&M and received a waiver from the NCAA to immediately play rather than sit out a year. He averaged 16.2 points per game and earned first-team All-SEC honors. House suffered a foot injury near the end of the season and missed the team's final four games. During his senior season, House averaged 15.6 points, 4.8 rebounds and 2.1 assists per game and scored at least 20 points in nine games. For the first three games of the season, House scored a total of 50 points in wins over USC Upstate, Southeastern Louisiana, and Texas A&M-Corpus Christi. The Aggies went to the Battle 4 Atlantis finals, losing to Syracuse 74–67. Along the way, the Aggies beat former rival Texas and upset No. 10 Gonzaga with House scoring 19 in each contest. The Aggies finished the regular season with 13 wins, sharing the SEC championship with Kentucky. In the SEC tournament, House averaged 17.0 points per game and scored 32 in the championship game against Kentucky, where the Aggies lost 82–77 in overtime. In the first round of the NCAA Tournament, House scored 20 points in 26 minutes to defeat the Green Bay Phoenix 92–65. In the second round, the Aggies faced the #11 seed Northern Iowa Panthers. By the 5:14 mark in the second half, House had not scored any points and ended with 22 in a double-overtime game where the Aggies overcame a 12-point deficit with 44 seconds remaining in regulation to win 92–88. It was the largest last-minute comeback in NCAA basketball history.


title: Danuel House

text: After going undrafted in the 2016 NBA draft, House joined the Washington Wizards for the 2016 NBA Summer League. On September 23, 2016, he signed with the Wizards. House made his NBA debut on November 11, 2016, recording one rebound in 50 seconds of action against the Cleveland Cavaliers. On November 30, 2016, he was diagnosed with a fracture in his right wrist and was subsequently ruled out for at least six weeks. On March 1, 2017, he was waived by the Wizards. House appeared in just one game for the Wizards, as he missed 39 games with the right wrist injury and 10 games on assignment to the NBA Development League with the Delaware 87ers.


title: Danuel House

text: Around the start of training camp, he signed up with the Houston Rockets. However, he would be one of the players cut from the final roster at the conclusion of preseason on October 15. He would later be assigned to the Rio Grande Valley Vipers of the newly rebranded NBA G League afterwards. House would play for the squad throughout the month of November and the beginning of December, averaging 17.7 points, 6.3 rebounds, and 2.5 assists per game there.


title: Danuel House

text: On December 8, 2017, the Phoenix Suns signed House to a two-way contract with the team. Throughout the rest of the season, House would split his playing time there between Phoenix and their NBA G League squad, the Northern Arizona Suns. House would make his debut with the team a day later, scoring two points and recording a single rebound in 11 minutes of play in a close loss against the San Antonio Spurs. On December 16, House would score a season-high 8 points in 15 minutes of playing time in a 108–106 win over the Minnesota Timberwolves. House was later assigned to the Northern Arizona Suns affiliate alongside Davon Reed on December 28, mainly for healing purposes. House then returned to action on January 5, 2018, recording what was at the time a new season-high 9 points in a loss against the San Antonio Spurs. On February 23, his two-way contract expired, meaning he couldn't be allowed to play for Phoenix again until after the NBA G League's first season under its rebranded name concluded. Once that happened, he was allowed to return to Phoenix for the rest of the season. On March 30, House recorded a career-high 8 rebounds in a heartbreaking, buzzer-beating loss against the Houston Rockets. On April 1, House would record a new season-high with 16 points scored alongside 6 rebounds and 3 assists in a 117–107 loss against the Golden State Warriors. Two days later, House recorded 14 points, 6 rebounds, and a career-high 5 assists in a 97–94 win against the Sacramento Kings. On April 6, House would put up his first start in the NBA against the New Orleans Pelicans. Two days later, House would record career-highs of 22 points and 8 rebounds in a 117–100 loss to the Golden State Warriors.


title: Danuel House

text: On June 26, 2018, it was revealed that House would play for the Houston Rockets in the 2018 NBA Summer League, in which he started in all five games. On September 21, 2018, House signed an Exhibit 10 contract with the Golden State Warriors. The Warriors released him on October 12. He then re-joined the Rio Grande Valley Vipers (RGV). In 18 games this season for RGV, he averaged a team-high 20.7 points, 4.6 rebounds, 3.8 assists, and 1.3 steals, including 2.8 made 3-pointers per game.


title: Danuel House

text: On November 26, 2018, the Houston Rockets announced that they had called up House from their NBA G League affiliate, Rio Grande Valley Vipers, but several days later, on December 4, the Houston Rockets announced that House was waived. Two days later, he was signed to a two-way contract by the Rockets. On January 16, he was sent back to Rio Grande after House turned down Houston's contract offers, both of which revolved around signing a three-year deal. In 25 games, House averaged 24.8 minutes, 9.0 points, 3.6 rebounds, and 1.0 assists per game, shooting 39.0 percent from three-point range.


title: Danuel House

text: On March 12, 2019, Jonathan Feigen of the Houston Chronicle reported that the Houston Rockets intended to convert House's two-way contract into a standard NBA contract for the remainder of the season. On March 13, 2019, Daryl Morey announced that the contract conversion was official.


title: Danuel House

text: On March 15, Chris Paul was rested against the Phoenix Suns, allowing House to join the starting lineup in his first game back. In 35 minutes of play, House Jr. tied his season-high number of points in one game with 18 points. He collected three rebounds and one steal, shot 50% from three-point range and 54.55% from the field overall.


title: Danuel House

text: On June 30, House agreed to a three-year, $11.1 million extension. On November 27, 2019, House scored a career-high 23 points in 34 minutes in a 117–108 win against the Miami Heat.


title: Danuel House

text: On September 11, 2020, it was announced that House had been expelled from the NBA's bubble in Orlando for violating the league's COVID-19 safety guidelines. House, who had missed two games while the league's investigation was pending, had reportedly had an unauthorized female guest in his hotel room for a span of "multiple hours." Furthermore, the NBA determined that House would be sent home and would not play for the rest of the 2019–20 season.


title: Danuel House

text: On January 6, 2022, House signed a 10-day contract with the Utah Jazz. He signed a second 10-day contract with the Jazz on January 18. House signed a third 10-day contract with the Jazz on January 28. On February 11, the team signed him for the rest of the season.


title: I Don't Live Here Anymore

text: I Don't Live Here Anymore is the fifth studio album by American indie rock band The War on Drugs. It was released on October 29, 2021, through Atlantic Records. The album received widespread acclaim. "Harmonia's Dream" is nominated for Best Rock Song at the 65th Annual Grammy Awards.


title: I Don't Live Here Anymore

text: "I Don't Live Here Anymore" was recorded at seven different studios over the course of three years. The album was co-produced by frontman Adam Granduciel and engineer Shawn Everett. Granduciel moved to Los Angeles at the end of 2014, but spent most of 2018 living in New York City. In March 2018, while still on tour in support of the band's fourth album "A Deeper Understanding", Granduciel began work on the album at Outlier Inn studio in Upstate New York. He spent a week there demoing songs with bassist Dave Hartley and multi-instrumentalist Anthony LaMarca. In between touring, Granduciel also spent time writing and recording at Studio G in Brooklyn. At the end of 2018, the band spent a week recording at Electric Lady Studios in downtown Manhattan. Granduciel spent 2019 in Los Angeles, and recorded with band at Electro-Vox Recording Studios in May 2019. Granduciel and Everett separated in March 2020 as a result of the COVID-19 pandemic. They reunited in October 2020 at Sound City Studios, where they recorded for three weeks. Recording also took place at Sunset Sound Recorders and EastWest Studios.


title: I Don't Live Here Anymore

text: The songs on "I Don't Live Here Anymore" were all reimagined, rewritten and/or remixed multiple times over the course of the album's three-year recording process. Once the album was given a "final" mixing and was mastered by Greg Calbi, Granduciel decided to change the mixes of several songs. After a month of revision, Atlantic Records pushed back its release date. One day, Granduciel arranged a final session with Everett to complete the album. They spent twelve hours in Everett's studio remixing several tracks, and then remastered those songs themselves.


title: I Don't Live Here Anymore

text: The band announced the album on July 19, 2021, simultaneously releasing the single "Living Proof". The album's title track, which features Lucius, was released on September 15, 2021. "Change" was released on October 26, 2021. "I Don't Live Here Anymore" was released on October 29, 2021, through Atlantic Records. It follows their Grammy Award-winning album "A Deeper Understanding" (2017) and is the second record of a two-album deal with Atlantic.


title: I Don't Live Here Anymore

text: "I Don't Live Here Anymore" received acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 85, based on 25 reviews, indicating "universal acclaim". Aggregator AnyDecentMusic? gave it 8.0 out of 10, based on their assessment of the critical consensus. Rhys Buchanan of "NME" gave the album 5 out of 5 stars, writing, "There's magic everywhere you look on this triumph of an album." Mark Beaumont of "Classic Rock" wrote that the album is "at its most immersive when they strip the moodscapes back to piano, glacial atmospherics and cracked emotion on "Living Proof", "Rings Around My Father's Eyes" and the rousing "Old Skin", allowing a little fragility to tint their mist blue." Writing for "Beats Per Minute", John Amen concluded, "There’s something ungraspable about their music: referential yet original, derivative yet prototypical, memorable yet oddly irretrievable. Ponderous yet transcendent. A listener is invited to encounter the assorted boundaries of their own preferences, biases, identity – to let those hard lines dissolve." Sharon O'Connell of "Uncut" wrote, "The War On Drugs have fine-tuned their hybrid of American drivetime classicism and kosmische on "I Don't Live Here Anymore" and buffed it to a warm sheen."


title: 2022 Wyoming gubernatorial election

text: The 2022 Wyoming gubernatorial election took place on November 8, 2022, to elect the governor of Wyoming. Incumbent Republican Governor Mark Gordon won a second term against Democratic Wyoming State Facilities Commission member Theresa Livingston. Livingston's vote percentage remains the lowest for a Democratic candidate running for governor in Wyoming since it was admitted to the union in 1890, beating Leslie Petersen's 22.90% performance in 2010. Gordon won by the widest margin in the state’s history, winning by 61.9 points and was the first Republican to win every county since 2010.


title: The Great American Bash (2004)

text: The 2004 Great American Bash was the first Great American Bash professional wrestling pay-per-view (PPV) event produced by World Wrestling Entertainment (WWE), and 15th Great American Bash event overall. It was held exclusively for wrestlers from the promotion's SmackDown! brand division. The event took place on June 27, 2004, at the Norfolk Scope in Norfolk, Virginia. The Great American Bash was previously promoted by World Championship Wrestling (WCW), which WWE acquired in 2001, thus the 2004 event was the first Great American Bash held since 2000. The 2004 event grossed $325,000 with 6,500 ticket sales and received a 0.47 buyrate.


title: The Great American Bash (2004)

text: Three of the eight matches on the card were contested for a championship; one was lost while the other two were retained. The main event was a Handicap match between The Dudley Boyz (Bubba Ray Dudley and D-Von Dudley) and The Undertaker. Undertaker won the match after pinning D-Von following a Tombstone piledriver. One of the featured matches on the undercard was a Texas Bullrope match for the WWE Championship between John "Bradshaw" Layfield (JBL) and champion Eddie Guerrero. JBL won the match and the WWE Championship after touching all four turnbuckles in succession. Guerrero was at first declared the winner, but General Manager Kurt Angle came out and showed that JBL had touched the final turnbuckle before Guerrero. Another primary match on the undercard was Rey Mysterio versus Chavo Guerrero for the WWE Cruiserweight Championship, which Mysterio won with a sunset flip.


title: The Great American Bash (2004)

text: The Great American Bash is a professional wrestling event established in 1985. It was first produced by the National Wrestling Alliance's (NWA) Jim Crockett Promotions (JCP) and aired on closed-circuit television before becoming a pay-per-view (PPV) event in 1988; JCP was rebranded as World Championship Wrestling (WCW) later that same year. WCW then seceded from the NWA in 1991. The final Great American Bash event promoted by WCW was the 2000 event, as in March 2001, the then-World Wrestling Federation (WWF) purchased WCW. In 2002, the WWF was renamed to World Wrestling Entertainment (WWE). That same year, WWE introduced the brand extension where the promotion divided its roster into brands where wrestlers were exclusively assigned to perform. After three years since the acquisition of WCW, WWE revived The Great American Bash as their own PPV to be held on June 27, 2004, at the Norfolk Scope in Norfolk, Virginia and as a SmackDown!-branded event. Although it was the first Great American Bash held by WWE, it was the 15th overall.


title: The Great American Bash (2004)

text: The main feud heading into The Great American Bash was between The Dudley Boyz (Bubba Ray Dudley and D-Von Dudley) and The Undertaker. On the May 27 episode of "SmackDown!", Paul Heyman told The Dudley Boyz to "make an impact".<ref name="5/27 SD!"></ref><ref name="5/27 SD! 2"></ref> As part of the storyline, The Dudley Boyz responded by abducting Paul Bearer, The Undertaker's manager. On the June 3 episode of "SmackDown!", Heyman told The Undertaker that the only way he would ever see Bearer again, was to align himself with The Dudley Boyz.<ref name="6/03 SD!"></ref><ref name="6/03 SD! 2"></ref> On the June 17 episode of "SmackDown!", a Handicap match between The Dudley Boyz and The Undertaker was booked for The Great American Bash, with the stipulation being if The Undertaker won, Bearer would be buried in a glass crypt with cement.<ref name="6/17 SD!"></ref><ref name="6/17 SD! 2"></ref>


title: The Great American Bash (2004)

text: Another primary feud heading into the event was between Eddie Guerrero and John "Bradshaw" Layfield (JBL) over the WWE Championship. At Judgment Day, JBL defeated Guerrero by disqualification after Guerrero hit JBL with the WWE Championship belt. Since a championship cannot be lost via countout or disqualification, Guerrero retained the title. On the May 27 episode of "SmackDown!", SmackDown! General Manager Kurt Angle announced that JBL was the number-one contender to the WWE Championship at The Great American Bash, and that JBL was allowed to choose the stipulation for the match. On the June 3 episode of "SmackDown!", JBL announced that his match against Guerrero would be a Texas Bullrope match.


title: The Great American Bash (2004)

text: One of the main matches on the undercard was a Fatal Four-Way Elimination match for the WWE United States Championship between the champion, John Cena, René Duprée, Booker T, and Rob Van Dam. At Judgment Day, Cena defeated Duprée to retain the United States Championship. On the May 20 episode of "SmackDown!", Cena faced Duprée in a rematch for the title. Duprée executed a low blow on Cena outside the ring, which caused Cena to be counted out. Duprée won the match, but not the title since a championship cannot be lost via countout or disqualification.<ref name="5/20 SD!"></ref><ref name="5/20 SD! 2"></ref> On the May 27 episode of "SmackDown!", Cena defeated Duprée in a Lumberjack match to retain the title. On the June 3 episode of "SmackDown!", Cena confronted Booker T about his interference in the Lumberjack match the week before. As General Manager Kurt Angle told Cena to leave the arena, Booker T attacked Cena from behind and pushed him onto Angle. Angle claimed he was going to strip Cena of the United States Championship for what he did. On the June 10 episode of "SmackDown!", Cena faced Booker T, Van Dam, and Duprée, respectively, in one-on-one matches with a five-minute time limit.<ref name="6/10 SD!"></ref><ref name="6/10 SD! 2"></ref> The man to defeat Cena would become the number-one contender to the United States Championship at The Great American Bash. Cena, however, won all three matches as no man was able to defeat him within the time limit. This led to Angle booking Cena in a Fatal Four-Way match for the title at The Great American Bash. On the June 17 episode of "SmackDown!", Angle changed the match to an elimination match.


title: The Great American Bash (2004)

text: The Divas rivalry heading into the event was between Sable and Torrie Wilson. Sable and Torrie teamed together at WrestleMania XX and defeated Raw Divas Miss Jackie and Stacy Keibler, but when Torrie was featured on the cover of "SmackDown! Magazine", Sable turned heel by displaying jealousy over Torrie's cover and berating her in a backstage segment, leading to a brawl between the two Divas. The events led to the announcement that Sable and Torrie would face each other at The Great American Bash.


title: The Great American Bash (2004)

text: Before the live broadcast of the event began, Spike Dudley defeated Jamie Noble in a match that aired on "Sunday Night Heat".


title: The Great American Bash (2004)

text: The first match of the event was a Fatal Four-Way Elimination match for the WWE United States Championship in which John Cena defended the title against René Duprée, Booker T, and Rob Van Dam. Cena eliminated Van Dam with a roll-up. Booker eliminated Duprée by pinning him following an (FU) from Cena. Cena eliminated Booker after an FU to retain the title.


title: The Great American Bash (2004)

text: The next match was between Luther Reigns and Charlie Haas. After a match predominantly controlled by Reigns, Reigns executed a Reign of Terror for the win.


title: The Great American Bash (2004)

text: The third match was between Rey Mysterio Jr. and Chavo Guerrero Jr. for the WWE Cruiserweight Championship. Guerrero gained the early advantage, as he applied various submission holds to Mysterio's knee, including a single leg Boston crab and an Argentine leglock. After a back and forth match between the two, Mysterio pinned Guerrero with a sunset flip to retain the title.


title: The Great American Bash (2004)

text: The match that followed saw Kenzo Suzuki face Billy Gunn. The match went back and forth, as each man was able to gain the advantage numerous times. Suzuki defeated Gunn after an inverted headlock backbreaker.


title: The Great American Bash (2004)

text: The following match was between Sable and Torrie Wilson. Sable controlled Wilson throughout the contest, as she choked her using the bottom rope and applied a criss-cross choke. After both women ran into each other, Sable pinned Wilson with a schoolgirl to win the match.


title: The Great American Bash (2004)

text: The sixth match was between Mordecai and Hardcore Holly, which Mordecai won after performing a powerbomb.


title: The Great American Bash (2004)

text: The next match was a Texas Bullrope match for the WWE Championship between Eddie Guerrero and John "Bradshaw" Layfield (JBL). One preplanned move in the match saw Guerrero hit JBL with a steel chair, which caused JBL to bleed. Guerrero went on to touch three turnbuckles but was unable to touch the fourth as JBL held him back. Guerrero executed a dropkick on JBL and attempted to touch the fourth again but JBL held him back and took the advantage. JBL threw Guerrero into a broadcast table and executed a powerbomb through the broadcast table. In the end, each man had touched three turnbuckles and were vying for the fourth. Guerrero attempted to jump over JBL and touch the remaining turnbuckle, but was unsuccessful; he splashed himself and JBL into the turnbuckle. Guerrero was declared the winner, as it appeared he had touched all four turnbuckles first, but SmackDown! General Manager Kurt Angle came out and reversed the decision. He showed on the TitanTron that JBL's shoulder touched the final turnbuckle before Guerrero's hand, also, Angle stated that it did not matter which part of the body touched, all that mattered was who touched first; as a result, JBL won the WWE Championship.


title: The Great American Bash (2004)

text: The main event saw The Undertaker face off against The Dudley Boyz (Bubba Ray Dudley and D-Von Dudley) in a Handicap match. Per the pre-match stipulation, Paul Bearer would be cemented in a glass crypt if The Dudley Boyz won. Throughout the duration of the match, Bearer was locked on a chair inside a glass crypt with the pump of a cement truck above him. After a match evenly controlled by Undertaker and The Dudleys, Undertaker pinned D-Von following a Tombstone piledriver to win. After the match, Undertaker pulled the lever to the cement truck, which in turn filled the crypt with Bearer inside full of cement.


title: The Great American Bash (2004)

text: At the event, John "Bradshaw" Layfield (JBL) defeated Eddie Guerrero to begin his first reign as WWE Champion, which would last nearly ten months. JBL began feuding with The Undertaker following the event, and the two faced off for the WWE Championship at SummerSlam. JBL won the match and retained the title after The Undertaker was disqualified for hitting JBL with the title belt. The two faced off again at No Mercy in a Ambulance match, in which the objective is to place your opponent in a hearse and drive out of the arena. JBL defeated The Undertaker and concluded their storyline after interference from Heidenreich.


title: The Great American Bash (2004)

text: Following the conclusion of his title match against JBL at the event, Eddie Guerrero began to feud with Kurt Angle. During a Steel Cage match between Guerrero and JBL for the WWE Championship, El Gran Luchadore (Kurt Angle in disguise) interfered on JBL's behalf, which allowed JBL to escape the cage and win the match.<ref name="7/15 SD!"></ref><ref name="7/15 SD! 2"></ref> After the match, Guerrero attacked El Gran Luchadore and pulled off his mask, revealing him to be Kurt Angle. The following week, Vince McMahon scheduled a match between the two at SummerSlam. Angle won the match, and their feud concluded at the November pay-per-view, Survivor Series, when Guerrero's team defeated Angle's in a 4 on 4 Survivor Series match.


title: The Great American Bash (2004)

text: On the July 8 episode of "SmackDown!", Booker T challenged John Cena for the WWE United States Championship. During the match, General Manager Kurt Angle and Luther Reigns interfered on Booker's behalf, and Booker inadvertently caused Cena to attack Angle. The match ended in a disqualification subsequently thereafter; however, Angle stripped Cena of the title for attacking him.<ref name="7/08 SD!"></ref><ref name="7/08 SD! 2"></ref> On the July 29 episode of "SmackDown!", Booker T won the vacant United States Championship after last eliminating Rob Van Dam in an elimination match. The following week, Cena defeated Van Dam to become the number-one contender to the title.<ref name="8/05 SD!"></ref><ref name="8/05 SD! 2"></ref> Theodore Long, who proceeded Angle as General Manager after he was fired as part of the storyline, announced that Cena would be facing Booker in a "Best of 5 series", in which the winner would be the man who earns three victories over the other first. Cena defeated Booker in the first match at SummerSlam, and eventually won the fifth and final match at No Mercy to begin his second reign as United States Champion.


title: The Great American Bash (2004)

text: The Great American Bash would continue as an annual summer PPV for WWE until 2009, with that year's event titled as The Bash. In 2010, the event was replaced on PPV by Fatal 4-Way. The event, which reverted to being called The Great American Bash, then returned in July 2012 as a special episode of "SmackDown". It was again revived in 2020 for the NXT brand and has since been held as special episodes of "NXT".


title: Orlando Brown (American football)

text: Orlando Claude Brown Sr. (November 12, 1970 – September 23, 2011) was an American football player who played offensive tackle in the NFL for the Baltimore Ravens and Cleveland Browns. He attended Howard D. Woodson High School. He played college football for Willie Jeffries at South Carolina State University. He was nicknamed "Zeus".


title: Orlando Brown (American football)

text: Brown was born in 1970 in Washington, D.C. Brown attended H. D. Woodson Senior High School. He went to South Carolina State University and played offensive tackle.


title: Orlando Brown (American football)

text: Brown signed with the Cleveland Browns as an undrafted free agent in 1993. He spent three seasons with the Browns.


title: Orlando Brown (American football)

text: In 1996, the Browns franchise was moved by owner Art Modell to Baltimore, becoming the Baltimore Ravens. In his first stint as a Raven, Brown who, at 6-foot-7, 360 pounds, was known as an energetic and intimidating player, earned the nickname "Zeus". In his prime he was one of the highest-paid offensive linemen in the NFL.


title: Orlando Brown (American football)

text: Brown was signed as an unrestricted free agent by the "reactivated" Cleveland Browns before the 1999 season. During a December 19, 1999, game against the Jacksonville Jaguars, Brown was hit in the right eye by a penalty flag weighted with ball bearings thrown by referee Jeff Triplette. Triplette immediately apologized to Brown. Brown left the game temporarily, then returned to the field only to shove Triplette, knocking him to the ground. Brown was ejected from the game and had to be escorted off the field by his teammates. Brown was subsequently suspended by the NFL, but the suspension was lifted when the severity of his injury became apparent. Brown missed three seasons due to temporary blindness. Brown was one of only two players to have played for the original Cleveland Browns and the Browns after the team was revived in 1999, as most of the Browns roster was moved to Baltimore. The other player is Antonio Langham.


title: Orlando Brown (American football)

text: Brown sat out the entire 2000 NFL season waiting for his right eye to heal. The Browns released him after the season. In 2001, he sued the NFL for $200 million in damages. According to reports, he settled for a sum between $15 million and $25 million in 2002.


title: Orlando Brown (American football)

text: Brown spent the 2001 and 2002 seasons in rehabilitation before he was picked back up by the Ravens in 2003. During the 2003 season, Brown started at both offensive and defensive tackle in a game against the Oakland Raiders. He remained with the team until being released in March 2006. Following his retirement, Brown retained ties with the Ravens and mentored players.


title: Orlando Brown (American football)

text: After retiring from football, Brown went into the restaurant business, and became the owner of the first Fatburger franchise in Maryland.


title: Orlando Brown (American football)

text: In September 2009, Brown was arrested and charged with third-degree burglary and destruction of property. The charges were later dropped.


title: Orlando Brown (American football)

text: Brown was found dead on September 23, 2011, in his Baltimore townhouse. The state medical examiner ruled that Brown died of diabetic ketoacidosis, an ailment common among diabetics and caused by high blood sugar and lack of insulin.


title: Woh Kaun Thi?

text: Woh Kaun Thi? () is a 1964 Indian Hindi-language mystery thriller film directed by Raj Khosla, starring Sadhana, Manoj Kumar and Prem Chopra. Though the screenplay was written by Dhruva Chatterjee, parts were later rewritten, wherein Manoj Kumar took an active role. Music by Madan Mohan was the asset of this movie. The film became a hit at the box office. Its success had Khosla directing Sadhana in two more suspense thrillers: "Mera Saaya" (1966) and "Anita" (1967).


title: Woh Kaun Thi?

text: On a rainy night, the highly reputed Dr. Anand is driving. He sees a woman standing in the road and gives her a lift. She introduces herself as No one. As soon as she steps in the car (Austin Cambridge A55 Mark II), the wipers eerily stop working. He's even more spooked when the lady shows him the way when it is not visible and guides him outside a cemetery. On reaching the cemetery, the gates open automatically and he hears someone sing the words "Naina Barse Rimjhim Rimjhim".


title: Woh Kaun Thi?

text: Dr. Anand is about to inherit a large fortune from a distant relative under the condition that he is perfectly mentally stable—otherwise, he would not inherit the property as there had already been cases of mental instability in his family in the past. His colleague, Dr. Lata loves Dr. Anand, but he already has a girlfriend, Seema. The mystery unfolds when Seema is killed by a cyanide injection and the suspects are Dr. Lata and her father, Dr. Singh, the head doctor of the hospital in which Anand and Lata work.


title: Woh Kaun Thi?

text: On a stormy night, Anand is called to a dilapidated mansion on an emergency case. There, he learns that the patient has already died. He is surprised to see that the patient is the same girl. Some policemen tell him that the place has been deserted for a while and that it is rumored to be haunted. The policemen inform him that what he saw in the mansion happened years ago and many a doctor has registered similar cases with the police on rainy nights. On another occasion, he sees a newspaper that says that the same girl died in a rail accident.


title: Woh Kaun Thi?

text: Anand is very unhappy after his girlfriend's demise, but his marriage is fixed to a girl named Sandhya, Anand's mother has never even seen but was recommended by her sister. On the wedding night, Anand is shocked to see that she is like the same girl. He starts avoiding her. One day, he sees that she has painted the same bungalow in which he was called on that rainy night. Just after that, he hears her singing a part of "Naina Barse Rimjhim Rimjhim". Another evening, he sees an unmanned boat sailing in the lake and hears another part of "Naina Barse Rimjhim Rimjhim". Yet another night, the Same Girl reaches Anand's hospital and tries to impress him with her beauty and singing. He gets impressed and they sit in the car, where he gets déjà vu as again the wipers stop working and she can clearly see the way on the stormy and foggy night. He takes her to the bungalow and to the room where he had seen her dead and she disappears. When he reaches home, she is waiting for him and his mother says that she never left the house.


title: Woh Kaun Thi?

text: Anand is finally successful in persuading his mother to let Sandhya go back to her home by train. The next day, he learns that the train was in an accident, but he saw her on the terrace that same night. All these things take a toll on his mental health and he is advised to take some rest in Shimla. There, he meets a monk on a hilltop who tells him that 100 years ago at this very spot, a boy and a girl were romancing when the girl fell and died. Since then, her spirit has been roaming, waiting for her lover to return, who has been reincarnated in Anand's form. Anand then sees Sandhya far down the hillside and she sings the last part of "Naina Barse Rimjhim Rimjhim". Persuaded, Anand jumps but is saved by Lata.


title: Woh Kaun Thi?

text: Later, when Anand sees Sandhya trying to lure him out, he follows her to the same old bungalow, where he sees Sandhya on the stairway in one moment and then impossibly beside him in another. She lures him to the roof, where suddenly he sees a duplicate of Sandhya who came running out of a room in the house. The duplicate shouts that she is the real Sandhya but she is taken away. Strengthened by this sudden revelation, Anand realizes this woman on the roof is not a ghost and confronts her, but she accidentally falls down and dies. Then comes Ramesh, Anand's cousin. The climax of the movie comes here as Ramesh reveals that all this was his plan from the very beginning so that Anand is termed as mentally unstable and that his entire inheritance would pass to the next cousin i.e., Ramesh. A duel follows with other henchmen of Ramesh joining to kill Anand but the police arrive and arrest all the culprits.


title: Woh Kaun Thi?

text: The superintendent reveals the hidden details of how the previous acts had been staged with the policeman, the monk, and the 'servant' Madhav and tells the story of the other woman who was Sandhya's twin, whose existence was unknown to Sandhya. Sandhya's parents had separated them 18 years ago when her mother took away the other girl. Her mother died, and she was forced to adopt unfair means for her living. Her father learned of her after 16 years but he could not tell Sandhya about her twin sister. But somehow Ramesh learned of this twin sister and he started his brilliant planning. The "Sandhya" who had lured him in the hospital, the woman he had met on the road, the dead girl in the mansion, and the woman in white in Shimla were all acts done by this other girl. This explains the entire story and Sandhya's simultaneous presence in two places. Hence, the mystery is solved and at the end of the film Sandhya and Anand reunite.


title: Woh Kaun Thi?

text: The music became very famous and it was also nominated for the Filmfare award that year. The beautiful lyrics of the songs were written by Raja Mehdi Ali Khan


title: Monstera adansonii

text: Monstera adansonii, the Adanson's monstera, Swiss cheese plant, or five holes plant, is a species of flowering plant from family Araceae which is widespread across much of South America and Central America. Besides South American countries it can also be found in the West Indies on islands such as Antigua, Grenada, Saba, St. Kitts, Guadeloupe, Marie Galante, Dominica, Martinique, St. Lucia, St. Vincent, Tobago, and Trinidad. The species is quite common near river valleys at lower elevations.


title: Monstera adansonii

text: The common name "Swiss cheese plant" is also used for the closely related species "Monstera deliciosa".


title: Monstera adansonii

text: "Monstera adansonii" is known for its beautiful heart-shaped leaves. The leaves have a somewhat thick, waxy texture, and contain large oval-shaped perforations, which lead to its common name of "swiss cheese plant". It grows to be 3-5’ tall as a houseplant and up to 13’ as a vine. The Monstera adansonii is an easy to care for houseplant, that likes bright indirect sunlight. This plant needs well-draining soil like peat and perlite potting mix to avoid root rot and water only when the top of the soil becomes dry and reduces watering in the winter.


title: Josh Lyman

text: Joshua Lyman is a fictional character played by Bradley Whitford on the television drama series "The West Wing". The role earned Whitford the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series in 2001. For the majority of the series, he is White House Deputy Chief of Staff and Chief Political Advisor in the Josiah Bartlet administration.


title: Josh Lyman

text: Josh is portrayed as having one of the sharpest minds on the President's staff; he is a witty, somewhat cocky, boyishly charming know-it-all.