Martin Scorsese Francis Ford Coppola George Lucas Woody Allen Terrence Malick Robert Altman auteur theory Taxi Driver The Godfather William Friedkin The Exorcist Nashville Annie Hall Manhattan Badlands Days of Heaven Roman Polanski Chinatown Peter Bogdanovich At Long Last Love Michael Cimino Heaven's Gate United Artists M literature China auteur film
During the 1970s, a new group of American filmmakers emerged, such as Martin Scorsese, Francis Ford Coppola, George Lucas, Woody Allen, Terrence Malick, and Robert Altman. This coincided with the increasing popularity of the auteur theory in film literature and the media, which posited that a film director's films express their personal vision and creative insights. The development of the auteur style of filmmaking helped to give these directors far greater control over their projects than would have been possible in earlier eras. This led to some great critical and commercial successes, like Scorsese's Taxi Driver, Coppola's The Godfather films, William Friedkin's The Exorcist, Altman's Nashville, Allen's Annie Hall and Manhattan, Malick's Badlands and Days of Heaven, and Polish immigrant Roman Polanski's Chinatown. It also, however, resulted in some failures, including Peter Bogdanovich's At Long Last Love and Michael Cimino's hugely expensive Western epic Heaven's Gate, which helped to bring about the demise of its backer, United Artists.
