All Quiet on the Western Front Paths of Glory King and Country Poppies of Flanders Shoulder Arms Paul Nash John Nash Christopher Nevinson Henry Tonks Muirhead Bone John Terraine Niall Ferguson Gary Sheffield polemical Count Britain Western Front
This has become the most common perception of World War I, perpetuated by the art, cinema, poems, and stories published subsequently. Films such as All Quiet on the Western Front, Paths of Glory and King and Country have perpetuated the idea, while war-time films including Camrades, Poppies of Flanders, and Shoulder Arms indicate that the most contemporary views of the war were overall far more positive. Likewise, the art of Paul Nash, John Nash, Christopher Nevinson, and Henry Tonks in Britain painted a negative view of the conflict in keeping with the growing perception, while popular war-time artists such as Muirhead Bone painted more serene and pleasant interpretations subsequently rejected as inaccurate. Several historians like John Terraine, Niall Ferguson and Gary Sheffield have challenged these interpretations as partial and polemical views:
