cross-cutting between parallel actions D. W. Griffith The Fatal Hour Point of View shot Mario Caserini cross-cutting Pathé film
Continuity of action from shot to shot was also refined, such as in Pathé's le Cheval emballé (The Runaway Horse) (1907) where cross-cutting between parallel actions is used. D. W. Griffith also began using cross-cutting in the film The Fatal Hour, made in July 1908. Another development was the use of the Point of View shot, first used in 1910 in Vitagraph's Back to Nature. Insert shots were also used for artistic purposes; the Italian film La mala planta (The Evil Plant), directed by Mario Caserini had an insert shot of a snake slithering over the "Evil Plant". By 1914 it was widely held in the American film industry that cross-cutting was most generally useful because it made possible the elimination of uninteresting parts of the action that play no part in advancing the drama.
