fanchon , the cricket is a 1915 american silent drama film produced by famous players film company and distributed by paramount pictures .

it is based on a novel , la petite fadette by george sand .

it was directed by james kirkwood and stars mary pickford , now working for adolph zukor and daniel frohman .

a previous film version of the story was released in 1912 by imp ( later universal ) and directed by herbert brenon .

fanchon , the cricket is the only film to feature all three pickford siblings : mary ( in the lead role ) , lottie , and jack pickford .

milton berle , fred , and adele astaire are also listed among the cast .

astaire biographer tim satchell maintains that the film is the only one to feature the dancing duo of fred and adele astaire .

fred astaire later said he had no recollection of working on the film .

all three roles have yet to be positively confirmed .

fanchon the cricket

fanchon the cricket <EOT> fanchon , the cricket was released may 1915 and is directed by james kirkwood . the fanchon , the cricket dvd or bluray release date is set to be or was : pending info

fanchon , the cricket is a drama movie and the approximate length of the movie is 0 minutes .

little barefoot : a domestic drama in five acts , and the companion piece of fanchon the cricket / from the german by aug . waldauer

are some of the actors that star in the fanchon , the cricket movie , for a full list please see the cast tab in the movie menu above .

theclassics . us 9 / 12 / 2013 , 2013 . paperback or softback . condition : new . fanchon the cricket . book .

grand opera house , london , ontario [ programme , thursday night : the favorite actress , ida van cortland . fanchon , the cricket . ]

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other victorian / edwardian childhood favorites : the railway children , the wind in the willows ( bbc series included ) , little princess , la petite fadette ( apparently translated to fanchon , the cricket ) .

lee ' s opera house , f ' ton monday eve ' ng march 26th , boston comedy co ' y . will be performed the world ' s famous drama fanchon , the cricket !

are you looking to by fanchon , the cricket on dvd , bluray or 3d ? if it ' s available to buy you will find the best prices and most trusted market places to buy from below .

fanchon , the cricket maybe available to watch online or stream from the links and rental services below . please note we only list legal streams and rentals for this movie and a rent or purchase fee may apply .

a young wild girl fanchon ( mary pickford ) lives in a forest with her eccentric grandmother who is suspected by the villagers of being a witch . the unkempt fanchon suffers from her . . . see full summary »

a young wild girl fanchon ( mary pickford ) lives in a forest with her eccentric grandmother who is suspected by the villagers of being a witch . the unkempt fanchon suffers from her grandmother ' s sorceress reputation . one day the girl rescues a boy from drowning and they fall in love , but fanchon . . . find out more

a young wild girl fanchon ( mary pickford ) lives in a forest with her eccentric grandmother who is suspected by the villagers of being a witch . the unkempt fanchon suffers from her grandmother ' s sorceress reputation . one day the girl rescues a boy from drowning and they fall in love , but fanchon won ' t agree to marry him unless his father asks her . a year later the boy has fallen very ill and it is only the presence of the enchanting fanchon that helps to restore his health .

…appeared in a new piece , fanchon , the cricket , a secondhand adaptation by august waldauer from george sand’s story “la petite fadette . ” her characterization of the sprite of a heroine , which included a graceful and entrancing shadow dance , was an immediate sensation . her southern tour was cut short by the civil…

fanchon , who lives in the forest with her grandmother , old fadette , reputed to be a witch , is snubbed because of her grandmother ' s reputation and her own unkempt appearance , by the village children , on whom she plays pranks . at a may day picnic , she first frightens and then intrigues landry , the son of a rich merchant . after fanchon saves landry ' s idiot brother didier from mistreatment and rescues landry himself from drowning , landry tells his parents , who want him to marry the priggish madelon , that he loves fanchon . although she longs for love , fanchon proudly tells landry she will not marry him until his father asks her . while landry leaves for a year , old fadette dies and fanchon is left alone . when landry returns and develops a serious fever , his parents ask fanchon to visit . after her presence leads to landry ' s recovery , his parents beg fanchon to marry their son .

the discovery of " fanchon the cricket " ( 1915 ) starring the pickford family , in the british film institute ( bfi ) archive , was also very exciting because this has always been considered a long lost pickford film . this information has been turned over to timeline films because bfi will not release films to individuals . upon research of my information , timeline informed me that they would be seeking a copy of this film from the bfi archive for release in the future .

i have forwarded the information for " fanchon the cricket " ( 1915 ) to timeline films so they can obtain the copy from the british film institute ( bfi ) since they cannot sell to individuals . i have also forwarded the jack pickford , lottie pickford , olive thomas and other mary pickford releases to timeline films for possible future release . all thanhouser productions , including " silas marner " and " under two flags " have been forwarded to ned thanhouser for possible future release , as well .

this is a reproduction of a book published before 1923 . this book may have occasional imperfections such as missing or blurred pages , poor pictures , errant marks , etc . that were either part of the original artifact , or were introduced by the scanning process . we believe this work is culturally important , and despite the imperfections , have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide . we appreciate your understanding of the imperfections in the preservation process , and hope you enjoy this valuable book . + + + + the below data was compiled from various identification fields in the bibliographic record of this title . this data is provided as an additional tool in helping to ensure edition identification : + + + + fanchon : the cricket george sand follett , foster & co . , 1863

book digitized by google from the library of the new york public library and uploaded to the internet archive by user tpb .

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this project would not have been possible without the use of the internet . the internet has been a vital tool in locating films in these various archives .

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on the other hand , i did have those “classic comics” versions of a few ( adult ) classics , and i loooooved them . except for the sherlock holmes story with the snake in the vents , which scared the living hell out of me and still does . : p

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the book is well written and hard to put down . i ordered it as my mother - in - law ' s name was fanchon and she had showed me the book her mother had read upon naming her in 1901 . the book became lost when her belongings were disbursed and i was afraid that i would never be able to find it . on my first try to amazon i found it and much to my surprise this treasure was reasonably priced . i have shared it with many of my neighbors who also have given it praise . i was so happy to get the first printing and not the later one in 1926 .

" while some of the narrative is quick , other parts move as slowly as pip ' s boat does and only then because dickens takes so long in describing the water that the people in the boat likely took to watching the thames water evaporate while waiting for him to get a move on . "

survival status : print exists in the national film and television archive of the british film institute film archive [ incomplete ] .

the overseas archives that may allow purchase of materials include : gosfilmofond of russia ; screensound australia ; filmmuseum nl ; the national film archive of iceland and the danish film institute ( dfi ) .

some archives won ' t release titles and they must be viewed on the archive ' s premises . these include the george eastman house ( geh ) , museum of modern art ( moma ) and the british film institute ( bfi ) . the overseas archives have individual policies regarding copyright materials and vary between the individual archives .

the films i have located in these various archives are , for the most part , extremely rare , and many are presumed lost . some of them are complete while others are partial films . the particular archive that holds the film can advise which ones are complete .

the railway children ! ( and the film . ) i’ve not heard of la petite fadette – feel i should do some research .

‘s 1915 release . adapted by frances marion from a george sand novel , the film was believed to be lost for decades . in the 1990s three of five reels were discovered in england , and now the mary pickford foundation is pleased to announce a screening of the complete feature at

i hope to purchase " silas marner " ( 1916 ) from the library of congress ; the one reel of " neptune ' s daughter " ( 1914 ) from gosfilmofond of russia and " siren of the sea " ( 1911 ) from the danish film institute ( dfi ) .

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publication date 1862 series french ' s standard drama . the acting edition ; no . 334 note probably based on " die grille , oder , die kleine fadette " , august schrader ' s version of george sand ' s " la petite fadette " . " to which are added , a description of the costume , cast of the characters , entrances and exits , relative positions of the performers on the stage , and the whole of the stage business . as now performed at the principal english and american theatres . " - - t . p . printed cast list for laura keene ' s theatre ' s production , new york , 1862 . partial cast : fanchon : maggie mitchell ; father barbeaud : j . h . stoddart ; landry : j . w . collier ; didier : a . h . davenport ; annette : miss blanchard . note with : fireman / samuel d . johnson . boston : william v . spencer , 1856 . ( item 1 of 2 ) related work schrader , august , 1815 - 1878 . grille . sand , george , 1804 - 1876 petite fadette .

" the wicked darling " ( 1919 )  lon chaney sr .  filmmuseum nl

i don’t think i finished a single children’s classic as a child , except my abridged version of little women . i read the complete version as an adult , but jo still didn’t marry laurie and there was even more tedious stuff about her professor . heidi lost me early on with the saga about the bread rolls . i had no idea why one sort was better for the old woman than the other . i think i was on the cusp of teenagerhood when i read , and loved , the secret garden . my favourite books as a child ( apart from enid blyton ) were mostly written by modern writers , but set in the past . by ‘modern’ i obviously mean half a century ago . books like tom’s midnight garden and the septimus quinn stories . when i was teenager i discovered the nineteenth century novel and there was no stopping me .

the footage of ms . kellerman in " neptune ' s daughter " ( 1914 ) is quite interesting . the surviving footage i received runs about 20 minutes in length and shows what a great film this was when it was originally released in 1914 . the attention to details ; lavish sets and swimming scenes all are proof of the film ' s quality .

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they have been extremely helpful in their information to me . they started by giving me the link of worldwide film archives that will take you directly to each of the archive websites .

this is the worm hole , one of the multitude of book blogs and written by a brit . i review , discuss , and talk about anything and everything literature - related .

oh , i was so , so angry when i realized that the copy of the count of monte cristo i was reading at age eight was abridged . when i tried to read the long version , it was a bit much for me , and i gave up , but i didn’t go back to the abridged version . i felt so cheated ! abridged indeed .

cassandra editions , 1977 . paperback . condition : very good . there is shelfwear & rubbing on the surfaces , with a slight cock to & reading crease down the spine , edge & corner wear , & impacted front hinge ; the book is attractive & in very good condition .

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, the foundation has acquired an hd transfer from the recently preserved film elements which were created from an original nitrate negative . also featuring jack standing and gertrude norman and directed by james kirkwood ,

the same is true of the discovery of " onze filmsterren " ( 1919 ) starring mary miles minter and " heldige de friere " ( 1912 ) starring valda valkyrien because these titles were not listed on internet movie database until i located them in the filmmuseum nl and museum of modern art archives .

at the moment i’m on a victorian literature learning bender and as tends to be the case when you’ve already learned a fair amount on a subject i’ve been looking into the smaller details , going further afield to writers of other countries , looking at lesser - known writers who wrote for different ages .

andesite press , 2017 . paperback . condition : new . language : english . brand new book * * * * * print on demand * * * * * . this work has been selected by scholars as being culturally important , and is part of the knowledge base of civilization as we know it . this work was reproduced from the original artifact , and remains as true to the original work as possible . therefore , you will see the original copyright references , library stamps ( as most of these works have been housed in our most important libraries around the world ) , and other notations in the work . this work is in the public domain in the united states of america , and possibly other nations . within the united states , you may freely copy and distribute this work , as no entity ( individual or corporate ) has a copyright on the body of the work . as a reproduction of a historical artifact , this work may contain missing or blurred pages , poor pictures , errant marks , etc . scholars believe , and we concur , that this work is important enough to be preserved , reproduced , and made generally available to the public . we appreciate your support of the preservation process , and thank you for being an important part of keeping this knowledge alive and relevant .

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jessica : i seem to remember the story was fun and rebellious ? that’s a very good idea , adding them to your classics list . i’d think i’d do the same only then it’d be even longer…

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silent films have always been of great interest to me . i remember the first silent films i ever saw were on the local public television station out of urbana , illinois . they were lon chaney ' s " phantom of the opera " ( 1925 ) and harold lloyd ' s " safety last " ( 1923 ) . i was about 13 years old at the time , and it was around 1979 .

chicago review press , incorporated . paperback . condition : fair . a readable copy . all pages are intact , and the cover is intact . pages can include considerable notes - in pen or highlighter - but the notes cannot obscure the text . at thriftbooks , our motto is : read more , spend less .

the responses and assistance i have been given by bronwyn dowdall of screensound australia were invaluable . i would not have been able to obtain a copy of this film without the help of this archive . they are to be commended for their replies to my endless email inquiries . this is extremely remarkable in light of the events surrounding screensound australia in the past couple of weeks . this archive was in danger of drastic cutbacks and layoffs , but thanks to public outcry denouncing these actions , these plans have been shelved for the time being . in order to show support for this archive and its dedicated staff , please go to the screensound australia website at urltoken or go to the save screensound campaign at www . cpsu . org . au .

a growing source of silent era film information . this listing is from the progressive silent film list by carl bennett . copyright © 1999 - 2018 by carl bennett and the silent era company . all rights reserved .

this is starting to sound as though it’s in line with my feelings as to the appropriateness of classics at exam level so i’ll say now that it’s not . whilst i think classics at school are classics before their time , children’s books are obviously read at the right age , it’s just that time has moved on since their release date . whereas a gcse student will go on to have the experiences and knowledge to appreciate the victorian adult canon , a children’s book naturally comes without the requirement to live first . it’s simply a sad fact that due to the progression of time a person may enjoy victorian children’s literature more as an adult .

these films left a lasting impression on me that caused me to seek out other silent films and research the lives of silent film era stars , particularly the ones that were little known ; obscure or long since forgotten .

this was a very rewarding experience for me locating the lost footage of these films . i have sent many updates to internet movie database regarding corrections and additions to the filmographies of both ms . kellerman and ms . valkyrien .

i use the word ‘tricked’ loosely because in fact i really love the idea . i can see in it my classics - loving father and my you - can - never - have - too - many - books - oh - dear - what - have - i - done mother , introducing me to the canon without any fanfare .

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is notable for being the only feature to co - star all three pickford siblings , mary , jack and lottie .

the discovery of ms . kellerman ' s 1911 short film entitled " siren of the sea " ( 1911 ) , costarring maurice costello , which i located in the danish film institute ( dfi ) , is important because it was not listed as a known title with internet movie database or american film institute ( afi ) until i discovered it in this archive .

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my goal is to make these films available for viewing and purchase by the average silent film fan , which is what i consider myself to be . this way , all silent film fans will be able to easily access these films without having to travel to an archive to see them . being an average silent film fan myself , i live in a very small town not close to any of these archives , which makes viewing them in person extremely difficult . i am of the hope that because of the advancement of the internet , which makes access to archival information easily obtainable , and the introduction of dvd , this goal will be an eventual reality .

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in my opinion , the only truth in the common stereotype is that they are from a long ago era in history when the world was a much more innocent place than it is today . i have convinced several persons to give silent film a chance by watching a good example of the genre , such as f . w . murnau ' s " nosferatu " ( 1921 ) or g . w . pabst ' s " pandora ' s box " ( 1928 ) . upon viewing a good silent film such as these examples , they have found them to be quite intriguing and entertaining which makes them seek out other silent films thus destroying the common stereotype about silent film .

the culmination of my search resulted in locating a partial copy of annette kellerman ' s first feature film , " neptune ' s daughter " ( 1914 ) . this was the first collaboration between ms . kellerman and herbert brenon and has long been considered a lost film , so for me to locate it was quite exciting . the footage is currently held in two archives , screensound australia and gosfilmofond of russia .

cassandra editions , 1977 . condition : good . reprint . shows some signs of wear , and may have some markings on the inside .

of course there’s a reason ; i suppose it’s to counteract that problem i had – the inability to relate . children’s books don’t tend to be violent and whilst culture has changed as the years have gone by , victorian children’s books were hardly gruesome . it’s an interesting one .

famous players film company production ; distributed by paramount pictures corporation . / scenario by james kirkwood + [ frances marion ] , from the novel la petite fadette by george sand . cinematography by edward wynard . presented by daniel frohman . / released 10 may 1915 . / standard 35mm spherical 1 . 33 : 1 format . / all three pickfords appeared together in a motion picture for the first time in this film . the astaire’s film debut .

what’s interesting is the next thought i had . these books constituted gifts from my parents and extended family , books i’d not specifically asked for . and these i read at home ; my choices at school were modern . it’s been a revelation – during a certain period of my childhood i finished very few books . i’ve often felt embarrassed by this . now i can correlate the period with those books ; it was the classical literature i didn’t finish .

reink books , 2017 . softcover . condition : new . reprinted from edition . no changes have been made to the original text . this is not a retyped or an ocr ' d reprint . illustrations , index , if any , are included in black and white . each page is checked manually before printing . as this reprint is from very old book , there could be some missing or flawed pages , but we always try to make the book as complete as possible . fold - outs , if any , are not part of the book . if the original book was published in multiple volumes then this reprint is of only one volume , not the whole set . this paperback book is sewn , where the book block is actually sewn ( smythe sewn / section sewn ) with thread before binding which results in a more durable type of paperback binding . it can also be open wide . the pages will not fall out and will be around for a lot longer than normal paperbacks . this print on demand book is printed on high quality acid - free paper .

2018 . softcover . condition : new . this is a reprint of the original work published in 1863 . we are professionally publishing these works using the classic text and artwork . the content of this print on demand book has not been changed . the book is printed in black and white . illustrations , if any , are also in black and white . re - sized . sewn perfect bound for longer life . fold - outs , if any , not included . this is a reprint of a very old book so there might be some imperfections like blurred pages , poor images or missing pages which we were not able to remove . if the book is a multi volume set , then this is only a single volume . we are proud to offer numerous titles , all at incredible prices with worldwide free delivery to over 100 countries . the image , if shown any , is for reference only , so that you can be sure of the book title before buying . original publisher : f . leypoldt [ etc . , etc . ] language : english pages : 245 .

included the word ‘unabridged’ . even then i was very happy to hear from my mother that this meant it was the complete text – i’ve always been someone who prefers a slow trudge if it means reading a book as it was written . what intrigues me about this is that abridged books are often children’s books . adult books are abridged for children and recently there’s even been the publication of classics as board books for toddlers , told in twelve words ( it’s quite fascinating ,

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i am trying to obtain a copy of this footage held by gosfilmofond of russia to see if it completes the footage i have already received from screensound australia .

reink books , 2017 . softcover . condition : new . reprinted from 1871 edition . no changes have been made to the original text . this is not a retyped or an ocr ' d reprint . illustrations , index , if any , are included in black and white . each page is checked manually before printing . as this reprint is from very old book , there could be some missing or flawed pages , but we always try to make the book as complete as possible . fold - outs , if any , are not part of the book . if the original book was published in multiple volumes then this reprint is of only one volume , not the whole set . this paperback book is sewn , where the book block is actually sewn ( smythe sewn / section sewn ) with thread before binding which results in a more durable type of paperback binding . it can also be open wide . the pages will not fall out and will be around for a lot longer than normal paperbacks . this print on demand book is printed on high quality acid - free paper . original publisher : t . b . peterson , 1871 .

reink books , 2017 . softcover . condition : new . reprinted from 1866 edition . no changes have been made to the original text . this is not a retyped or an ocr ' d reprint . illustrations , index , if any , are included in black and white . each page is checked manually before printing . as this reprint is from very old book , there could be some missing or flawed pages , but we always try to make the book as complete as possible . fold - outs , if any , are not part of the book . if the original book was published in multiple volumes then this reprint is of only one volume , not the whole set . this paperback book is sewn , where the book block is actually sewn ( smythe sewn / section sewn ) with thread before binding which results in a more durable type of paperback binding . it can also be open wide . the pages will not fall out and will be around for a lot longer than normal paperbacks . this print on demand book is printed on high quality acid - free paper . original publisher : s . n . , 1866 ? ] .

reink books , 2017 . softcover . condition : new . reprinted from 1888 edition . no changes have been made to the original text . this is not a retyped or an ocr ' d reprint . illustrations , index , if any , are included in black and white . each page is checked manually before printing . as this reprint is from very old book , there could be some missing or flawed pages , but we always try to make the book as complete as possible . fold - outs , if any , are not part of the book . if the original book was published in multiple volumes then this reprint is of only one volume , not the whole set . this paperback book is sewn , where the book block is actually sewn ( smythe sewn / section sewn ) with thread before binding which results in a more durable type of paperback binding . it can also be open wide . the pages will not fall out and will be around for a lot longer than normal paperbacks . this print on demand book is printed on high quality acid - free paper . original publisher : s . n . , 1888 ? ] .

reink books , 2017 . softcover . condition : new . reprinted from 1894 edition . no changes have been made to the original text . this is not a retyped or an ocr ' d reprint . illustrations , index , if any , are included in black and white . each page is checked manually before printing . as this reprint is from very old book , there could be some missing or flawed pages , but we always try to make the book as complete as possible . fold - outs , if any , are not part of the book . if the original book was published in multiple volumes then this reprint is of only one volume , not the whole set . this paperback book is sewn , where the book block is actually sewn ( smythe sewn / section sewn ) with thread before binding which results in a more durable type of paperback binding . it can also be open wide . the pages will not fall out and will be around for a lot longer than normal paperbacks . this print on demand book is printed on high quality acid - free paper . original publisher : s . n . , 1894 ? ] .

? no . i remember finding them all very charming , though i wouldn’t have used that word then , but looking back with the hindsight and knowledge i have now i can see that the differences in culture and so on made these books less appealing . they were lovely and somewhat utopian but they didn’t represent my experience of life .

reink books , 2018 . softcover . condition : new . reprinted from 1863 edition . language : english . no changes have been made to the original text . this is not a retyped or an ocr ' d reprint . illustrations , index , if any , are included in black and white . each page is checked manually before printing . as this reprint is from very old book , there could be some missing or flawed pages , but we always try to make the book as complete as possible . fold - outs , if any , are not part of the book . if the original book was published in multiple volumes then this reprint is of only one volume , not the whole set . this paperback book is sewn , where the book block is actually sewn ( smythe sewn / section sewn ) with thread before binding which results in a more durable type of paperback binding . it can also be open wide . the pages will not fall out and will be around for a lot longer than normal paperbacks . this print on demand book is printed on high quality acid - free paper . original publisher : f . leypoldt [ etc . , etc . ] 245 pages .

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i have had many conversations with people regarding silent films , and i must say that most people have a tendency to believe the common stereotype associated with silent film . it is the generally accepted belief of persons not associated with silent film that all silent films are slow paced ; overly acted and badly acted melodramas from an ancient , long forgotten time .

i have finally confirmed that gosfilmofond of russia holds one reel ( about 150 feet ) of this film and not " a daughter of the gods " ( 1916 ) , as previously believed . this was ms . kellerman ' s second feature film and second collaboration with herbert brenon . the only footage i was able to locate for this elusive film was through the cinema museum of london . at one time this archive held a few feet of this film , but it was not enough for preservation efforts and is presumed lost .

the list of persons that have been instrumental in my location of these films is as follows . i wish to acknowledge them for their contribution in making this project a success .

the only known films that are currently available with ms . kellerman and ms . valkyrien are " venus of the south seas " ( 1925 ) and " shattered dreams " ( " bolshevism on trial " ) ( 1919 ) , both of which could be purchased through grapevine video which closed its doors in november , 2003 , due to jack hardy ' s retirement .

visited the set of this film as it was being made . they did not appear on camera , but it is often erroneously reported that they made their film debuts in this movie .

cassandra editions , 1977 . condition : good . reprint . ships from reno , nv . former library book . shows some signs of wear , and may have some markings on the inside .

as a general rule , titles produced before 1923 can be purchased from us archives that will work with individuals , such as the library of congress , because they are exempt from copyright restrictions .

i’m quite fond of blyton , my mum read my her books and was all over the famous five ; i remember tom’s midnight garden well . love that you started your victorian classics early !

f . m . lupton publishing company , new york , 1895 . 18 mo . vg - / no dj . green spine with gold text ; cover has some rubbing around the edges and 3 brown circular stains on the back ( spanning 1 cm , 0 . 7 cm , and 0 . 2 cm respectively ) ; boards are strong and clean ; hinge is still attached but there is thinning around parts of it ; front free end page has signature of the previous owner ; binding is strong ; textblock is age - toned and clean . pp . 230 . rockville .

george sand is the pen name of amantine lucile aurore dupin , baroness dudevant , a 19th century french novelist and memoirist . sand is best known for her novels indiana , l ? lia , and consuelo , and for her memoir a winter in majorca , in which she reflects on her time on the island with chopin in 1838 - 39 . a champion of the poor and working classes , sand was an early socialist who published her own newspaper using a workers co - operative and scorned gender conventions by wearing men s clothing and smoking tobacco in public . george sand died in france in 1876 .

fred astaire and adele astaire visited the set of this film as it was being made . they did not appear on camera , but it is often erroneously reported that they made their film debuts in this movie .

i read abridged versions of most of those adult classics and i liked most of them . the only book that was hard , if i remember right , was dickens’ ‘the pickwick papers’ . i think that is a real grown up book and it is best read and appreciated when one is older . my mom used to rave about it when i was younger and i didn’t understand what was great about it . now i do .

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responsibility translated from the german by aug . waldauer . imprint new york : samuel french , [ 1862 ? ] physical description 48 p . ; 21 cm . series french ' s standard drama . acting edition ; no . 334 .

if you know the book but cannot find it on abebooks , we can automatically search for it on your behalf as new inventory is added . if it is added to abebooks by one of our member booksellers , we will notify you !

ebay parter network urltoken is part of the ebay partner network . this partner network program is designed to provide a means for sites to earn advertising fees and / or commissions by advertising and linking to various products on urltoken and it ' s partner websites .

it is believed that ms . kellerman had a cameo role in " the great stone face " ( 1968 ) as well as " fatty at coney island " ( 1918 ) . " fatty at coney island " ( 1918 ) is also available for purchase .

when i met my husband in 1987 , one of the many things we found we had in common was a shared love of silent films . since our marriage in 1990 , we have amassed quite an impressive collection of films , about a third of which are silent .

april : yes ! i can understand you thinking perhaps jo’s marriage would be different later and then being disappointed . i don’t think i got that far ( can’t remember if it happened in the first book or later… ) but certainly laurie seemed the right choice . i wouldn’t be surprised if there’s a ton of jo / laurie fan fiction out there . she’s ensured we’ll keep talking about her work ! i don’t remember that in heidi , i think i gave up early , seem to remember a lot of repetition , not much chance for action in that book .

mary pickford ® is a registered trademark and an unregistered service mark of mary pickford foundation . mary pickford foundation is also the sole owner of all rights to use mary pickford’s name , voice , signature , photograph , or likeness , in any manner , including on or in products , merchandise , or goods , or for purposes of advertising or selling , or soliciting purchases of , products , merchandise , goods , or services , and use of any of these rights without prior written consent from mary pickford foundation is a violation of law and subjects the unauthorized user to liability for money damages , among other remedies .

i started my research by asking about several different film actors and actresses as well as film titles , but ultimately i concentrated my research on two obscure silent era actresses by the names of annette kellerman ( a / k / a annette kellermann ) and valda valkyrien ( a / k / a valkyrien ) .

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he originally asked me to review a silent film that i had seen , and because i was having difficulty picking out just one , i asked if i could write the article about something else pertaining to silent film . he agreed , and i suggested doing an article on " lost silent films that might exist in worldwide archives . " i started my search by going to the library of congress ' website . they have a feature called " ask a librarian . " this feature is free , and they usually answer your email inquiry in 48 hours if not sooner . in most cases , if they cannot help you , they can direct you to another source .

to sum it up , all the children’s writers listed were ones i’d read in my childhood . it was a sudden realisation and please feel free to laugh because i’ve been reading and studying literature for , what is it , six years now , but have only just worked it out – my parents tricked me into reading classic books .

2018 . hardcover . condition : new . 245 lang : - english , pages 245 , print on demand . reprinted in 2018 with the help of original edition published long back [ 1863 ] . this book is printed in black & white , hardcover , sewing binding for longer life with matt laminated multi - colour dust cover , printed on high quality paper , re - sized as per current standards , professionally processed without changing its contents . as these are old books , we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots . if it is multi volume set , then it is only single volume . we expect that you will understand our compulsion in these books . we found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves . ( any type of customisation is possible ) . hope you will like it and give your comments and suggestions . language : english .

2018 . softcover . condition : new . 245 lang : - english , pages 245 , print on demand . reprinted in 2018 with the help of original edition published long back [ 1863 ] . this book is printed in black & white , sewing binding for longer life with matt laminated multi - colour soft cover { hardcover edition is also available } , printed on high quality paper , re - sized as per current standards , professionally processed without changing its contents . as these are old books , we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots . if it is multi volume set , then it is only single volume . we expect that you will understand our compulsion in these books . we found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves . ( any type of customisation is possible ) . hope you will like it and give your comments and suggestions . language : english .

sadly as a child the only victorian novels i completed was what katy did and what katy did next . for some reason i loved them but i couldn’t tell you why now as it has been years and years since i read them ! to make up for this i have a lot of victorian children’s classics on my classics club list : - )

wonderful post , charlie ! out of the books you have mentioned , i read ‘little women’ when i was a child ( not really ‘child - child’ , but probably in my early / middle teens ) . i also used to love r . l . stevenson’s books then and i read most of his major adventure novels . also r . m . ballantyne’s ‘the coral island’ . i loved that . i was a big lover of adventure fiction . i also read the abridged version of ‘pride and prejudice’ i remember . i read many abridged classics when i was a child – some dickens , charlotte bronte , dumas , austen , jules verne , rider haggard . i have thank my parents for that . i actually didn’t like lewis carroll’s works much when i read them as a child : ) i didn’t read ‘what katy did’ as a child , but recently i got a copy of it , because i wanted to read it . jacqueline wilson wrote her own version of it and i got that too . i am hoping to read both of them together .


compensation is award-winning independent film about a young african american couple at the beginning and end of the twentieth century .

the film is produced and directed by zeinabu irene davis and the screen play was written by marc arthur chéry .

it stars michelle a. banks and john earl jelks in the leading roles .

the film was shot throughout chicago beginning july 1993 and wrapped up early august .

the film premièred at the 2000 sundance film festival and ran in the dramatic feature category .

the film was screened in san diego , california at the museum of photographic arts .

it was also screened at ifp the independent film market in new york , new york and the pan african film festival in los angeles .

compensation ( film )

compensation ( film ) <EOT> 24 . a multilayer optical compensation film according to claim 1 wherein , the thickness of said compensation film is less than 50μm .

12 . a multilayer optical compensation film according to claim 1 wherein , one or more alignment layers is disposed within the compensation film .

14 . a multilayer optical compensation film according to claim 1 wherein , one or more barrier layer is disposed within the compensation film .

25 . a multilayer optical compensation film according to claim 24 wherein , the thickness of said compensation film is from 4 to 45μm .

26 . a multilayer optical compensation film according to claim 25 wherein , the thickness of said compensation film is from 5 to 20μm .

9 . a multilayer optical compensation film according to claim 1 wherein , one or more adhesion promotion layers is disposed within the compensation film .

34 . a passive optical compensation film product as set forth in claim 28 wherein the film product comprises more than one optical compensation layer .

an object of the present invention is to provide a liquid crystal display device having a compensation film and a fabrication method thereof , in which the compensation film is formed of a material having both functions of the compensation film and an alignment film .

cast for short film compensation : paid . . . - philly area auditions | facebook

4 . a display according to claim 1 wherein the compensation film comprises a positively birefringent material disposed on a base film .

fig . 21 is a cross - sectional representation of a second laminate film using the optical compensation film of the present invention .

meanwhile , instead of attaching the compensation film manufactured by the extending method , a method in which a compensation film is directly coated on a substrate has been proposed . fig . 2 is a schematic view of an lcd provided with a compensation film coating according to the related art .

15 . the film of claim 1 or claim 2 , wherein the film is a monolayer film or at least one layer of a multilayer film .

9 . an optical compensation film product as set forth in claim 1 wherein the polymerization product is a production scale roll of film .

[ 27 ] the present invention relates to a negative c - type compensation film . the negative

field of the invention the present invention generally relates to optical compensation films and to liquid crystal displays containing optical compensation films . more particularly , the present invention relates to an optical compensations film containing two or more optically anisotropic layers , to a liquid crystal display containing an optical compensation film , and to a process of forming an optical compensation film .

as described above , according to an lcd having a cotable compensation film and fabrication method thereof , a material functions as an alignment film for aligning the liquid crystal molecules as well as a compensation film , thereby decreasing the number of the processes .

4 . an optical compensation film product as set forth in claim 1 wherein the polymerization product is a film comprising a layer of a laminate .

11 . an optical compensation film product as set forth in claim 1 wherein the film is from about 1 to about 25 microns in thickness .

2 . an optical compensation film product as set forth in claim 1 wherein the polymerization is a photopolymerization .

13 . an optical compensation film product as set forth in claim 1 wherein the mixture further comprises spacers .

27 . a roll of optical compensation film set forth in claim 22 wherein the composite further comprises spacers .

figs . 1 to 5 are sectional views of structures of a compensation film according to the present invention .

24 . a roll of optical compensation film as set forth in claim 23 wherein the film is from about 1 to about 25 microns in thickness .

25 . a roll of optical compensation film as set forth in claim 24 wherein the film is from about 1 to about 20 microns in thickness .

30 . a passive optical compensation film product as set forth in claim 28 wherein the film is from about 1 to about 25 microns in thickness .

33 . a passive optical compensation film product as set forth in claim 28 wherein the film is from about 1 to about 25 microns in thickness .

24 . the film of claim 1 , wherein an out - of - plane retardation rth of the multilayer optical compensation film is greater than 20nm .

5 . the film of claim 1 , wherein the film comprises a block copolymer .

a second compensation film disposed on an inner surface of the lower substrate and including retarder material coating , the second compensation film being provided for compensating for anisotropic distribution and aligning liquid crystal material of the liquid crystal layer .

8 . an optical compensation film product as set forth in claim 4 wherein the film is from about 0 . 5 to about 20 microns in thickness .

10 . an optical compensation film product as set forth in claim 9 wherein the film is from about 0 . 5 to about 50 microns in thickness .

25 . the film of claim 1 , wherein an out - of - plane retardation rth of the multilayer optical compensation film is between 30nm and 300nm .

26 . the film of claim 1 , wherein an out - of - plane retardation rth of the multilayer optical compensation film is between 40nm and 200nm .

17 . a display according to claim 14 wherein the compensation film is disposed on a base film and wherein the tilt in the optic axis thereof varies .

35 . a multilayer optical compensation film according to claim 1 wherein , the substrate of claim 8 is glass .

29 . a passive optical compensation film product as set forth in claim 28 wherein the composite further includes spacers .

[ 0023 ] figs . 8a and 8b are diagrams of a compensation film placement with respect to the display .

13 . a display according to claim 1 wherein the tilt in the optic axis of the compensation film varies .

to overcome the foregoing problems , a compensation film has been proposed for compensating for anisotropic distribution according to the viewing angle of the liquid crystal cell . the compensation film , being made of a polymer film , causes a change in a phase difference of a transmitted light . also , the compensation film is extended in a predetermined direction to cause birefringence due to anisotropic induction of the molecules .

23 . a roll of optical compensation film as set forth in claim 22 wherein the film is from about 0 . 5 to about 50 microns in thickness .

31 . a passive optical compensation film product as set forth in claim 28 wherein the film is from about 0 . 5 to about 22 microns in thickness .

16 . a display according to claim 14 wherein the compensation film is disposed on a base film and wherein the tilt in the optic axis thereof is uniform .

however , when the lcd is formed using the compensation film coating , the process of forming the compensation film coating and the process of forming the alignment film for alignment of liquid crystal molecules are respectively performed , thereby increasing the number of processes used and resultantly decreasing the yield .

7 . an optical compensation film product as set forth in claim 4 wherein the laminate further comprises an orientation layer .

12 . a display according to claim 1 wherein the tilt in the optic axis of the compensation film is uniform .

2 . a multilayer optical compensation film according to claim 1 wherein , at least one x layer comprises positively birefringent material .

3 . a multilayer optical compensation film according to claim 1 wherein , at least one x layer comprises negatively birefringent material .

16 . a multilayer optical compensation film according to claim 1 wherein , one or more z layers function as barrier layers .

17 . a multilayer optical compensation film according to claim 1 wherein , one or more z layers function as alignment layers .

19 . a multilayer optical compensation film according to claim 1 wherein , one or more x layers function as barrier layers .

20 . a multilayer optical compensation film according to claim 1 wherein , one or more x layers function as alignment layers .

17 . an optical cell as set forth in claim 14 which includes more than one layer of optical compensation film layer .

31 . the display of claim 27 , further comprising another multilayer compensation film located between the second polarizer and the cell .

disclosed are a negative c - type compensation film and a method of preparing the same . the negative c - type compensation film includes a ) a base layer , and b ) a polymer layer comprising polyarylate prepared by a method comprising the step of copolymerizing divalent phenols , divalent aromatic carboxylic acid halides , and allyl bisphenol derivatives , the base layer and the polymer layer being sequentially layered . the compensation film is capable of being used for the negative c - type compensation film without a stretching process , significantly reduces the thickness of the compensation film , and has significantly improved interlayer adhesion force in a multilayer structure .

furthermore , the present invention provides a liquid crystal display having the negative c - type compensation film according to the invention .

[ 24 ] figs . 1 to 5 are sectional views of structures of a compensation film according to the present invention .

in another aspect , a liquid crystal display device comprises an upper substrate ; a lower substrate ; a liquid crystal layer disposed between the upper substrate and the lower substrate ; a first compensation film disposed on the upper substrate , the first compensation film for compensating for anisotropic distribution and aligning liquid crystal material of the liquid crystal layer ; and a second compensation film disposed on the lower substrate and material , the second compensation film for compensating for anisotropic distribution and aligning liquid crystal material of the liquid crystal layer .

15 . a multilayer optical compensation film according to claim 1 wherein , one or more z layers function as adhesion promotion layers .

18 . a multilayer optical compensation film according to claim 1 wherein , one or more x layers function as adhesion promotion layers .

21 . a reflective liquid display as set forth in claim 18 which includes more than one layer of optical compensation film layer .

birefringent elements , e . g . for optical compensation characterized by the wavelength dispersion

[ 13 ] the present inventors have found polyarylate that is capable of being used for a negative c - type compensation film without a stretching process and has excellent adhesion force to other layers such as a transparent base substrate . therefore , an object of the present invention is to provide a compensation film that includes polyarylate capable of being used for the negative c - type compensation film without a stretching process , significantly reducing the thickness of the compensation film , and providing excellent interlayer adhesion force to a multilayered compensation film , and a method of preparing the same . technical solution [ 14 ] in order to accomplish the above object , the present invention provides a negative

6 . an optical compensation film product as set forth in claim 4 wherein the laminate further comprises a layer of indium tin oxide .

[ 12 ] a liquid crystal display having the negative c - type compensation film according to any one of claims 1 to 10 .

8 . a multilayer optical compensation film according to claim 1 wherein , the layers x and the layers z are disposed on a substrate .

13 . a multilayer optical compensation film according to claim 12 wherein , at least one of the alignment layers functions also as barrier layer .

5 . an optical compensation film product as set forth in claim 4 wherein the laminate further comprises a layer of a pressure sensitive adhesive .

3 . a display according to claim 1 wherein the compensation film is disposed between the bend aligned nematic liquid crystal cell and the polarizer .

[ 23 ] furthermore , the present invention provides a liquid crystal display having the negative c - type compensation film according to the invention .

if a company has no employees the company may submit a workers compensation waiver letter .

10 . a multilayer optical compensation film according to claim 9 wherein , at least one of the adhesion promotion layers functions also as alignment layer .

11 . a multilayer optical compensation film according to claim 9 wherein , at least one of the adhesion promotion layers functions also as barrier layer .

21 . a multilayer optical compensation film according to claim 1 wherein , the thickness of each z layer is from 0 . 1 to 20μm .

3 . an optical compensation film product as set forth in claim 2 wherein the photopolymerization is initiated by the application of ultra - violet light .

next , a method of fabricating an exemplary lcd having a compensation film coating will be described with reference to figs . 4a through 4d . figs . 4a through 4d are flow diagrams illustrating a method of fabricating an lcd having a compensation film according to an exemplary configuration the present invention .

5 . a display according to claim 1 wherein the compensation film comprises a first positively birefringent material disposed on a base film and a second positively birefringent material disposed on the said first positively birefringent material .

aminaka e , hayashi h , nakayama h , ishiguro m , saitoh y , ito y , mihayashi k , kishima m , tanaka h ( 2010 ) development of low haze va compensation tac film and proposal of compensation film arrangement for improving cr in va panel . sid’10 dig 41 : 822

each film maker attending will have an opportunity for questions and answers with our audience following the presentation of their film .

subsequently , the cast film is dried to produce the compensation film . since internal stress occurs due to shrinkage of the film during the drying of the film , it is necessary to reduce the shrinkage to minimize the occurrence of the birefringence in surface direction . accordingly , in the present invention , it is preferable that the drying of the cast film be performed while the dimension of the cast film is constant . in the embodiment of the present invention , the cast film is dried while being fixed to a frame which is designed so that force is uniformly applied to the entire cast film , thereby preparing the polyarylate compensation film having the minimized internal stress . the drying may be performed at , for example , about 150° c . , so that the content of solvent remaining in the compensation film is 0 . 05 % or less . further , during the drying of the cast film , the drying temperature may be increased stepwise to prevent the film from being sagged at high temperatures , thereby preparing the film having the flat surface .

10 . a display according to claim 2 wherein the compensation film is disposed between the bend aligned nematic liquid crystal cell and one of the polarizers .

film and music fans who buy songs and movies online are for the first time entitled to compensation if they download a virus which harms their computer .

compensation a film by zeinabu irene davis , 1999 , 92 min . , bw compensation the first feature by award - winning filmmaker zeinabu irene davis ( cycles and a powerful thang ) , presents two unique african - american lov . . .

[ 47 ] subsequently , the cast film is dried to produce the compensation film . since internal stress occurs due to shrinkage of the film during the drying of the film , it is necessary to reduce the shrinkage to minimize the occurrence of the birefringence in surface direction . accordingly , in the present invention , it is preferable that the drying of the cast film be performed while the dimension of the cast film is constant . in the embodiment of the present invention , the cast film is dried while being fixed to a frame which is designed so that force is uniformly applied to the entire cast film , thereby preparing the polyarylate compensation film having the minimized internal stress . the drying may be performed at , for example , about 150°c , so that the content of solvent remaining in the compensation film is 0 . 05 % or less . further , during the drying of the cast film , the drying temperature may be increased stepwise to prevent the film from being sagged at high temperatures , thereby preparing the film having the flat surface .

next , as shown in fig . 4b , the cured alignment film is alignment - treated by irradiating polarized or unpolarized ultraviolet rays or an ion beam onto the alignment film . at this time , by variably adjusting an alignment direction of the alignment film , an optical axis of a compensation film being formed later may have a predetermined angle with respect to an advancing direction of the film . alternatively , the alignment film may be aligned by a rubbing method .

23 . a multilayer optical compensation film according to claim 22 wherein , the thickness of each z layer is from 2 . 0 to 8 . 0μm .

12 . an optical compensation film product as set forth in claim 1 wherein the amount of the reactive monomer is from about 5 to about 60 % .

22 . a multilayer optical compensation film according to claim 21 wherein , the thickness of each z layer is from 1 . 0 to 10 . 0 μm .

26 . a roll of optical compensation film as set forth in claim 22 wherein the amount of the reactive monomer is from about 5 to about 60 % .

fig . 3 is a view schematically showing a construction of a liquid crystal display device having a compensation film coating according to an embodiment of the present invention .

the present invention relates to a negative c - type compensation film . the negative c - type compensation film has a polymer layer that includes polyarylate prepared using a method comprising the step of copolymerizing divalent phenol , divalent aromatic carboxylic acid halides , and allyl bisphenol derivatives of the above formula ( 2 ) on a base layer .

" monstrosity " won best indie film at the los angeles film awards and an " honorable mention " for cinematography and acting .

[ 48 ] during the production of the compensation film of the present invention , a small amount of additive may be used to improve weatherability , thermal stability , and surface property of the film , or to improve adhesion force .

32 . a passive optical compensation film product as set forth in claim 28 wherein the amount of reactive monomer is from about 5 to about 60 % by weight .

indexing scheme related to g02f1 / 13363 , i . e . to birefringent elements , e . g . for optical compensation , characterised by the number , position , orientation or value of the compensation plates

example 2 : fig . 7d shows the iso - leakage plot of crossed polarizers with ips mode liquid crystal when compensation films were applied . the arrangement is the same as shown in fig . 6 . the compensation film includes one first layer and one second layer . the first layer of the compensation film is a stretched cyclic polyolephin having indices of refraction , nxj = 1 . 5316 , ny ] = 1 . 5307 and nz 5

16 . the film of claim 5 or claim 6 , wherein the film further comprises an amount of a non - block copolymer .

[ 0020 ] figs . 5a and 5b show structures of compensation film with uniform tilt in optic axis . they are equivalent through the 90° rotation around the γ axis .

22 . a method of forming a display of claim 1 wherein the orientation of the optic axis of positively birefringent materials in the compensation film is accomplished using mechanical rubbing .

23 . a method of forming a display of claim 1 wherein the orientation of the optic axis of positively birefringent materials in the compensation film is accomplished using shear forces .

[ 1 ] the present invention relates to a negative c - type compensation film and a method of preparing the same . more particularly , the present invention pertains to a negative c - type compensation film , which is capable of being used without a stretching process and has a significantly reduced thickness and significantly improved interlayer adhesion force when the film has a multilayer structure , and a method of preparing the same .

depending on their category , the businesses were offered $ 60 , $ 100 or $ 125 in compensation .

ms woodhouse appealed the cica’s initial refusal and was eventually offered the maximum amount of compensation she qualified for .

21 . a method of forming a display of claim 1 wherein the orientation of the optic axis of positively birefringent materials in the compensation film is accomplished using photo - alignment .

10 . the negative c - type compensation film according to claim 1 , further comprising a surface reforming layer between the base layer a ) and the polymer layer b ) .

22 . the film of claim 1 or claim 2 , further comprising a coating on at least one major planar surface of the film .

production companies requesting to film on state owned or operated property must submit all of the following insurance documentation when applying for a film permit .

next , as shown in fig . 4c , a retarder film coating including reactive mesogen is coated on the alignment - treated alignment film .

“hollywood is the most rich and famous company in the world , so they might have given enough compensation to business owners at a reasonable price , but now the authorities just offer very little compensation , ” he said .

if liquid crystal molecules are aligned in an identical direction to an alignment direction of the alignment film , the compensation film has an identical refractive index distribution to that of the liquid crystal molecules . accordingly , if a birefringence ( δn ) of the liquid crystal molecules is 0 . 133 , a birefringence ( δn ) of the fabricated compensation film is 0 . 133 , which is equal to the birefringence of the liquid crystal molecules .

film and television producers in louisiana benefit from the state ' s numerous film offices and mild climate . learn more about louisiana ' s film production resources and explore an interactive map of the state ' s infrastructure .

27 . a display comprising a ) a liquid crystal cell , b ) at least one polarizing element , and c ) at least one optical compensation film according to claim 1 .

[ 10 ] the negative c - type compensation film according to claim 1 , further comprising a surface reforming layer between the base layer a ) and the polymer layer b ) .

industrial applicability [ 93 ] a compensation film according to the present invention includes a polyarylate layer comprising the polyarylate that is prepared by copolymerizing divalent phenols , aromatic carboxylic acids , and allyl bisphenol derivatives . since the polyarylate layer has high negative birefringence , the layer may be used as a negative c - type compensation film for increasing a viewing angle of a liquid crystal display without the stretching process . furthermore , the thickness of the polyarylate layer is controlled to easily adjust a phase difference . thereby , it is possible to produce the compensation film having the desired phase difference and to significantly reduce the thickness of the compensation film . additionally , since the double bond or the functional group is provided to the main chain of the polymer as well as the ends of the polymer in polyarylate , it is possible to improve interlayer adhesion force through chemical bonding to the base substrate or the protective layer in the multilayered compensation film .

a similar experiment was carried out by using zli - 2806 ( low wavelength dispersion , 10 - micron film ) as a guest lc for hybrid retardation film . fig . 16 shows the wavelength dependence of retardation for the film - compensated reflective display . once again the device is that shown in fig . 15 except that the first compensation film uses a combination of zli 2862 and bl006 , and the second film uses zli 2806 . the dispersion characteristic gives much better agreement with the ideal line ( the ideal compensation films ) in the whole wavelength region in comparison with the combination of medium wavelength dispersion film and high wave dispersion cell ( example 4 ) .

11 . a display according to claim 2 wherein there is a compensation film disposed on each side of the bend aligned nematic liquid crystal cell between the cell and each of the polarizers .

24 . a method of forming a display of claim 1 wherein the orientation of the optic axis of positively birefringent materials in the compensation film is accomplished using electric or magnetic field effects .

the present invention relates to a liquid crystal display device and fabrication method thereof , and more particularly , to a liquid crystal display device having a compensation film and a fabrication method thereof .

getting the " sync rights " would both compensate the artists and allow grahsler and lozano to shop their film to distributors—prior to this , it had only been screened at a few film festivals , including the maryland film festival .

you left off an amazing , emerging film festival in the eastern oregon film festival . for a small area , this festival has accomplished mountainous goals .

birefringent elements , e . g . for optical compensation with refractive index ellipsoid inclined relative to the lc - layer surface

by completing this form , you consent to receive e - mail messages from the workers compensation board of manitoba . you may unsubscribe at any time . workers compensation board of manitoba 333 broadway winnipeg , mb r3c 4w3 canada wcb @ urltoken

he was jailed for 35 years but the criminal injuries compensation authority ( cica ) did not immediately recognise his crimes .

[ 10 ] meanwhile , ep no . 1469328 discloses that a transparent optical film of polyimide is applied on a tac ( triacetyl cellulose ) film to obtain uniform compensation and to remove irregularity causing rainbow - colored rays . jp - a - 2001 - 194668 discloses a compensation film that is prepared by layering stretched polycarbonate films . however , the production requires a complicated layering process and also requires optic axes which are perpendicular to each other when two films are layered .

in the following , preferable optical properties of the optical compensation film , such as the thickness and the optic axis tilt are given . as described above , the compensation scheme is two fold : first , to optically compensate the liquid crystal cell , and , secondly , to prevent light leakage from the crossed polarizers .

7 . a multilayer optical compensation film according to claim 1 wherein , the azimuthal angle φ of the optic axis of at least one x layer changes in the thickness direction of the x layers .

in more detail , to form the first and second compensation films 23 and 13 , an alignment film is first formed and then subjected to an alignment treatment process , thereby allowing an optical axis of the compensation films to have an arbitrary angle . after that , a curable liquid crystal having a retarder material coating is coated on the alignment - treated alignment film . the curable liquid crystal is cured using ultraviolet rays to be adhered as a film on each of the substrates .

[ 22 ] furthermore , the present invention provides a method of preparing the negative c - type compensation film . the method includes a ) mixing polyarylate , which is prepared by the method comprising the step of copolymerizing divalent phenols , divalent aromatic carboxylic acid halides , and allyl bisphenol derivatives of the formula ( 2 ) , and an organic solvent to prepare a polyarylate solution , b ) applying the polyarylate solution on a base substrate , and volatilizing a solvent to produce a cast film , and c ) drying the case film to produce the compensation film .

as shown in fig . 2 , an lcd 1 having a compensation film coating includes an upper substrate 20 provided with a color filter layer 22 formed thereon , and a lower substrate 10 provided with thin film transistors 12 formed thereon . the upper substrate 20 is spaced apart by a predetermined distance from the lower substrate 10 , and a liquid crystal layer 30 is disposed between the upper substrate 20 and the lower substrate 10 . first and second polarizing plates 21 and 11 are respectively disposed on outer surfaces of the upper substrate 20 and the lower substrate 10 . first and second compensation films 23 and 13 are respectively coated on outer surfaces of the upper substrate 20 and the lower substrate 10 . the lcd 1 further includes a first alignment film 24 formed on the first compensation film 23 for initially aligning liquid crystal molecules of the liquid crystal layer 30 , and a second alignment film formed on the second compensation film 13 for initially aligning liquid crystal molecules of the liquid crystal layer 30 . the first and second compensation films 23 and 13 are formed by coating a retarder material .

[ 55 ] the compensation film of the present invention may further include a surface reforming layer if necessary . the surface reforming layer 40 may be interposed between a base layer 10 and a protective layer 20 as shown in figs . 2 and 4 , or between the base layer 10 and a polyarylate layer 30 . [ 56 ] the compensation film according to the present invention has a phase difference of

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chen j , kim k - h , jyu j - j , soukjh , kelly jr , bos pj ( 1998 ) optimum film compensation modes for tn and va lcds . sid’98 dig 29 : 315

6 . a multilayer optical compensation film according to claim 1 wherein , the azimuthal angle φ of the optic axis of at least one x layer is constant in the thickness direction of the x layers .

to characterize the vac of the current invention , isocontrast plots for displays 100 configurations figs . 7a and 7b are shown in figs . 9a and 9b . for both cases , the inner structure of the compensation films 55 a and 55 b is that of compensation film 55 shown in fig . 6c . comparable results are obtained with other film structures , for example , one shown in fig . 5a .

20 . the liquid crystal display according to claim 12 , wherein the negative c - type compensation film further comprises a surface reforming layer between the base layer a ) and the polymer layer b ) .

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us2003 / 0086033 ) . the compensation film according to the current invention can be easily manufactured . the following specific examples are presented to particularly illustrate the invention and should not be construed to place limitations thereon .

36 . a multilayer optical compensation film according to claim 1 wherein , the substrate of claim 8 is comprised of triacetylcellulose , ( tac ) , cellulose acetate butyrate ( cab ) , polycarbonate or cyclic polyolefin .

accordingly , the present invention is directed to a liquid crystal display device having a compensation film coating and fabrication method thereof that substantially obviates one or more problems due to limitations and disadvantages of the related art .

data in table 2 also demonstrate that melt processing conditions help determine whether a hydrogenated styrenic block copolymer film has an optical retardation that makes the film suitable for use as a compensation film . as shown by comp ex a - b relative to ex 2 through ex 4 , all of which use the same resin , melt casting a film at a melt or extrusion temperature that is too high with respect to to dt ( + 36 0 c for comp ex a and + 45 0 c for comp ex b ) leads to an unstretched film retardation ( r 0 ) that is too low to be useful in compensation film applications whereas melt casting at a lower temperature ( + 11 0 c for ex 2 , + 20 0 c for ex 3 and + 28 0 c for ex 4 ) provides an unstretched r 0 that is useful for compensation film applications . skilled artisans recognize that orientation or stretching of the films of comp ex a and comp ex b may increase the r 0 value sufficient to make them useful in compensation film applications . skilled artisans also recognize that orientation or stretching adds to cost of manufacture . ex 24 - 33 and cex f

a multilayer optical compensation film comprises one or more optically anisotropic layers x and one or more optically anisotropic layers z wherein , said each layer x has its optic axis tilted with respect to the plane of said multilayer compensation film , and said each layer z comprises amorphous polymer with glass transition temperature tg above 180c° . the film is readily manufactured and provides the required optical property for proper compensation of lcds . each layer z satisfies the following two relations : | nx - ny | < 0 . 001 ( 1 ) ; δnth = nz - ( nx + ny ) / 2 < - 0 . 005 ( 2 ) .

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[ 11 ] a method of preparing the negative c - type compensation film according to any one of claims 1 to 7 , the method comprising : a ) mixing polyarylate , which is prepared by copolymerizing divalent phenols , divalent aromatic carboxylic acid halides , and 0 . 01 to 49 . 9 mol % of allyl bisphenol derivatives of the formula ( 2 ) , and an organic solvent to prepare a polyarylate solution ; b ) applying the polyarylate solution on a base substrate , and volatilizing a solvent to produce a cast film ; and c ) drying the case film to produce the compensation film ,

a liquid crystal display device includes an upper substrate ; a lower substrate separated from the upper substrate ; a liquid crystal layer between the upper substrate and the lower substrate ; a first polarizing plate on a surface of the upper substrate ; a second polarizing plate on a surface of the lower substrate such that a first optical axis of the first polarizing plate is substantially perpendicular to a second optical axis of the second polarizing plate ; a first compensation film on an inner surface of the upper substrate and including a retarder material coating , the first compensation film being provided for compensating for anisotropic distribution and aligning liquid crystal material of the liquid crystal layer ; and a second compensation film on an inner surface of the lower substrate and including retarder material coating , the second compensation film being provided for compensating for anisotropic distribution and aligning liquid crystal material of the liquid crystal layer .

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figs . 1a through 1c show a refractive anisotropic ellipsoid of a phase difference compensation film . as shown in figs . 1a through 1c , when assuming that refractive indexes in x , y , z - direction of a cartesian coordinate are n x , n y and n z , the uniaxial property and the biaxial property are determined by sizes of n x and n y . in other words , as shown in fig . 1a , when refractive indexes in two directions are identical to each other but different than the refractive index in the remaining direction , it is called ‘uniaxial property’ . the commonly used compensation film using a uniaxial refractive index anisotropic material has a long axis of an ellipsoid , which is parallel to or perpendicular to a surface of a film . the compensation film may be manufactured by extending a polymer film uniaxially or biaxially to obtain a desired birefringence such that an optical axis of the phase difference film has an arbitrary angle with respect to an advancing direction of the film .

wherein r th is a phase difference in thickness direction , n x and n y are refractive indexes of the film in surface direction , n z is a refractive index of the film in thickness direction , and d is a thickness of the film .

wherein n z is a refractive index of the film in thickness direction , n x and n y are refractive indexes of the film in surface direction , d is a thickness of the film , and r th is the phase difference in thickness direction .

wherein n z is a refractive index of the film in thickness direction , n x and n y are refractive indexes of the film in surface direction , d is the thickness of the film , and r th is the phase difference in thickness direction .

6 . the film of claim 2 , wherein the polymer is a block copolymer .

24 . a liquid crystal display comprising the film of claim 1 or claim 2 .

27 . a polarizer assembly comprising the film of any of claims 1 through 23 .

saitoh y , kimura s , kusafuka k , shimizu h ( 1998 ) optimum film compensation of viewing angle of contrast in in - plane - switching - mode liquid crystal display . jpn j appl phys 37 : 4822

field of the invention the present invention relates to a multilayer optical compensation film useful for a liquid crystal display comprising one or more optically anisotropic layers x and one or more optically anisotropic layers z wherein , said each layer x has their optic axis tilted with respect to the plane of said multilayer compensation film , and said each layer z comprises amorphous polymer with glass transition temperature , tg , above 180c° , and satisfy two specified relations .

in another aspect , a method of fabricating a liquid crystal display device comprises forming an alignment film on a substrate ; curing the formed alignment film ; performing an alignment treatment of the alignment film ; coating a liquid crystal material including reactive mesogen on the alignment - treated alignment film ; and performing an alignment treatment of the coated liquid crystal material .

59c relative humidity for a period of 24 hours , sufficient to limit dimensional changes to less than 1 % percent in at least one of film length and film width directions .

ishiguro m , sekiguchi m , saitoh y ( 2010 ) new approach to enhance contrast ratio at normal incidence by controlling the retardation of optical compensation film in vertically aligned liquid crystal displays . jpn j appl phys 49 : 030208

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15 . the liquid crystal display device of claim 14 , wherein the first and second compensation films include retarder material coatings of reactive mesogen .

1 . a display comprising a bend aligned nematic liquid crystal cell , a polarizer , and a compensation film containing a positively birefringent material oriented with its optic axis tilted in a plane perpendicular to the liquid crystal cell surface plane .

8 . the negative c - type compensation film according to claim 1 , further comprising a protective layer on at least one side of the base layer and / or at least one side of the polymer layer formed of polyarylate .

3 . the film of claim 1 , wherein said first and second layers are contiguous .

4 . the film of claim 2 , wherein the crystallinity is at least one percent .

26 . an image display device comprising the film of any of claims 1 through 23 .

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from the criteria of optical design listed above , zli - 2861 ( medium wavelength dispersion , 10 - micron film ) and bl006 ( high wave length dispersion ) were used for hybrid retardation film and hybrid lc cell , respectively . the wave length dispersion at black state was evaluated . fig . 14 shows the wavelength dependence on retardation at black state , the black line shows the dispersion line for an ideal compensation film . it was found that reversed wave length dispersion could be obtained using the combined hybrid film and cell shown in fig . 15 at 50 , and comprised of a detector 52 , a first hybrid polymer stabilized compensation film 54 and a second hybrid stabilized compensation film 56 . in this example , the first film uses bl006 as the guest lc , and zli 2861 as the second guest lc . furthermore , the dispersion characteristic becomes closer to the ideal one in the short wavelength region to optimize the retardation value of the retardation film . however , the deviation from the ideal line was observed in the long wavelength region , because the wavelength of dispersions of zli - 2861 and bl006 in the high wavelength region was almost the same .

the present invention provides a method of preparing a negative c - type compensation film using the above - mentioned polyarylate . in detail , the method of the present invention includes a ) mixing polyarylate , which is prepared by the method comprising the step of copolymerizing divalent phenol , divalent aromatic carboxylic acid halides , and allyl bisphenol derivatives of the above formula ( 2 ) , and an organic solvent to prepare a polyarylate solution , b ) applying the polyarylate solution on a base substrate , and volatilizing the solvent to produce a cast film , and c ) drying the case film to produce the compensation film . the steps will be described in detail .

[ 88 ] as shown in tables 1 and 2 , the phase difference was easily controlled by the thickness of the film , and the polyarylate layer of the present invention had the phase difference enough to use the polyarylate layer as the compensation film even though the thickness of the polyarylate layer of the present invention was reduced .