mogudu ( english : husband ) is a 2011 telugu drama film produced by nallamalapu srinivas ( bujji ) on lakshmi narasimha productions banner , directed by krishna vamsi .

starring gopichand , taapsee pannu in the lead roles with rajendra prasad , roja and naresh in supporting roles .

music composed by babu shankar as his first debut .

the film recorded as flop at box office .

the film is all about how a man truly becomes husband when he understands his wife and wins her love .

the film released on 4 november 2011 .

later film dubbed in hindi as mard ki zaban .

it was dubbed into tamil as my dear purushan .

mogudu ( film )

mogudu ( film ) <EOT> yamudiki mogudu ( 2012 ) directed by e . sathi babu • film + cast • letterboxd

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yamudiki mogudu : ee nela thakkuvodu is a 2012 released telugu socio - fantasy and comedy film directed by e . satti babu .

mogudu ( original motion picture soundtrack ) by b . babushankar on amazon music - urltoken

urltoken has 700 , 000 + monthly visits . tell hyderabad what you feel about mogudu !

on 7 august , times of india newspaper reported that the film is likely to be titled as yamudiki mogudu after the 1988 film yamudiki mogudu starring chiranjeevi . [ 7 ] on 22 august , title of the film was officially announced as yamudiki mogudu with the tagline ee nela thakkuvodu . [ 8 ] the announcement came on the occasion of popular actor chiranjeevi ' s birthday , as the film title was inspired by his 1988 hit film . [ 9 ] it was also announced that the popular song " attho atthamma koothuro " from chiranjeevi ' s alluda majaka was remixed in the film . the film is scheduled to release on 27 december 2012 .

at the box office , the film will find it hard to survive . the only consolation is taapsee , only she can pull in some crowds . bottomline : drama mogudu

years was released on the film ' s silver anniversary ; it is the first documentary about a telugu film . siva , which attained cult status , is considered nagarjuna ' s breakthrough film .

final point : it is sometimes sad to see movies like bhale mogudu bhale pellam . though the topic of miscommunication between husband and wife has so many ways of being translated onto big screen , bhale mogudu bhale pellam is a sorry tale .

d irector krishnavamsi is known for his films with meaningful themes . his latest telugu film is mogudu , starring gopichand , taapsee pannu and shraddha das ( besides rajendra prasad , naresh , and roja ) .

yamudiki mogudu ( = one who trumps mr . yama himself ! ) is a hit 1988 telugu ( indian language ) action - fantasy film starring chiranjeevi , vijayashanti and radha . this film marked the 100th film for chiranjeevi . the plot deals with kaali - a small town robin hood , yama - lord of underwood and the challenge he throws at yama for his wrongful death .

" mogudu telugu full movie wi . . . " this video is no longer available due to a copyright claim by aiplex software private limited .

yamudiki mogudu : ee nela thakkuvodu is a 2012 telugu socio - fantasy and comedy film directed by e . satti babu , produced by chanti addala under friendly movies banner and starring allari naresh and richa panai in lead roles . the film also features ramya krishna and naresh in pivotal roles . the soundtrack for the film was composed by music director koti , and the cinematography was handled by ravindra babu . the film was theatrically released on 27 december 2012 . [ 1 ]

` yamudiki mogudu ` is an upcoming telugu socio - fantasy comedy , directed by e . satti babu , produced by chanti addala under friendly movies banner . starring allari naresh and richa panai in leading roles , the film also has popular telugu actors like ramya krishna and naresh in pivotal roles . the film ` s music was composed by popular music director koti and ace camera man , ravindra babu has shot the film .

the film has about eight songs and the music is composed by newcomer babu shankar who is from the advertising field . cinematographer srikanth is also making his debut with this film .

the film was completed in four months . overall , with all expenses for rights and remunerations , the film costed makers 10 . 5 lakh rupees , and they got a table profit of six lakhs . the film celebrated hundred day runs in almost all centers it was released .

yamudiki mogudu : ee nela thakkuvodu ( telugu : యముడికి మొగుడు : ఈ నెల తక్కువోడు ) is an upcoming telugu socio - fantasy and comedy film directed by e . satti babu , produced by chanti addala under friendly movies banner and starring allari naresh and richa panai in lead roles . the film also has popular telugu actors like ramya krishna and naresh in pivotal roles . soundtrack for the film was composed by popular music director koti and cinematography is handled by ravindra babu

all in all , mogudu is a below - the - mark film by any standard . it is a well - meaning attempt gone awry because of the poverty of imagination . also , as said above , its subject is not contemporary , which is its greatest demerit .

the soundtrack for the film was provided by telugu music director koti . the album was released through aditya music label on 25 november 2012 at an event held at shilpakala vedika in hyderabad . koti remixed one of his popular song " attho atthamma koothuro " from the 1995 film alluda majaka in the film .

mogudu is bogged down by many minuses . firstly , the story is archaic and old . secondly , krishna vamsi ' s style is routine . the actors do exaggerated comedy as well as teary acts . mogudu has not got a single comical moment . what a tragedy , considering the fact that ninne pelladatha and chandamama were such enjoyable family entertainers from the same maker !

to begin with , there is nothing new in this film that we have not seen in krishna vamsi ' s films in the past . mogudu is a family drama wherein the over a score of family members bond together like birds of same flock . a drama whrein the eldest member ( rajendra prasad in this case ) wears his love for the members on the sleeves ( and sometimes the members on the sleeves , literally ) . they are seen in a huddle every time . in short , mogudu is a film where krishna vamsi professes the ideology of joint family , once again .

on 18 march , the film was officially launched and the muhurat of the film was held at ramoji film city in hyderabad . it was announced that the film would be produced by chanti addala under friendly movies banner . in the muhurat event , it was announced that the film is set on yamalokam backdrop and sayaji shinde will play the role of yama while popular actress ramya krishna would be playing the role of yama ' s wife . [ 5 ] producer chanti addala announced that the regular shooting will begin in april and the entire filming will be done in 4 schedules from april to july . he also revealed that there would be six songs in the film and that graphics would play a vital role in the film . [ 6 ]

even the actors in my film expose their bodies . so it ' s not just the heroine alone .

bond returns ( 2016 ) telugu film dubbed into hindi full movie | jr . ntr , samantha , kajal aggarwal

what is good : rajendra prasad and suhasini easily share the responsibility of shouldering the film through to its end . naresh has a small role , and it isn ' t hard for him either . the best part of the movie is that it isn ' t too long and it doesn ' t have unnecessary songs . inspite of its mask that the film has a message , bhale mogudu bhale pellam has too many loopholes .

yes , there is a big family in mogudu but for me it ' s a game shooting with such a big star cast . i enjoy that . i live those moments . i work with excitement .

vedam had no promotional activities since the film ' s launch a year ago . first activity happened just before the music launch , by releasing the wallpaper masking the main actors and highlighting the film ' s title at www . idlebrain . com . after the film ' s music launch , the wallpaper was re - released without masking the actors . [ 6 ] the film was given a certificate because of violence and anushka ' s character by cbfc for video release .

mogudu is a film that should have been ideally released in the times of evv satyanarayana and muthyala subbaiah . no , we are not complaining about how the hero comes to marry the heroine twice in the film . the problem is that there are many things in mogudu that seem too much to digest . gopichand looks twice the age of the average telugu hero ; tapsee taps her tears twice as is required ; everyone from roja and rajendra prasad to the hero - heroine duo scream twice their pitch ; characters slap one another twice more than expected . ( shraddha das shows her skin twice more than she has done previously , but we are not complaining about that ) .

he takes some time off from post - production to talk to radhika rajamani about his film which releases on november 4 .

( srikkanth ' s 100th film ) krishnavamsi is back with a family - oriented subject , which is his strong point .

what is bad : bhale mogudu bhale pellam has a very weak story line . a man finding a hot girlfriend to win his wife ' s attention back doesn ' t make too much of a story . that kaveri jha is too uptight in her role adds nothing to the film . for a film that is supposedly for family audiences , it has unnecessary double entendres . it is a pity that jhansi chose to do such a role . while there is no necessity that a film should have out door locations , almost all of this film has been shot indoors . as a result we feel that we are watching a tv serial , with loud comic scenes , though there is nothing to laugh in them .

this is a family film with lots of fun , group activities and a marriage song - - all that they can expect from a kv film . it will be a aratti aaku meeda telugu bhojanam ( a telugu meal spread out on a banana leaf ) .

prema yuddham telugu movie featuring nagarjuna , amala , mohan babu , amjad khan , devaraj . directed by sv rajendra singh babu , produced by p vijaya kumari and music composed by hamsalekha . this film is a remake of the 1990 kannada film , bannada gejje starring ravichandran . cast & crew : ( filmography ) nagarjuna akkineni is an indian film actor well known for his movies like manam , shiridi sai . he has been the recipient of 2 national film awards , 9 nandi awards and 2 filmfare awards south . he received critical reception for his performance in biographical and historical films like annamayya and sri ramadasu . amala akkineni is an indian film actress well known for movies velaikaran , sathya , vetri vizha . she received filmfare awards for the movies - ulladakkam , and life is beautiful ( telugu ) . mohan babu is an indian film actor well known for movies like rowdy , pandavulu pandavulu tummeda , allari mogudu , major chandrakanth and kondaveeti donga . amjad khan is an indian film actor well known for movies like sholay , muqaddar ka sikandar , lok parlok , santosh , love . s . v . rajendra singh babu is an indian film director & producer well known for movies like rebel , love , karna , antha . hamsalekha is a music composer , song writer and screen writer well known for movies like agni , shanti kranti , anantana avantara . he has won indian national film award , filmfare award for 6 times , karnataka state film awards for 7 times . click here to watch : nagarjuna telugu full movies - urltoken puri jagannadh telugu full movies - urltoken jr . ntr telugu full movies - urltoken

babu shankar is a top ad filmmaker whose passion is music . after a long time , one will hear telugu songs in the film .

the film was dubbed in malayalam and krish later remade the film in tamil as vaanam ( 2011 ) , with silambarasan , bharath and prakash raj , while anushka and saranya reprised their roles . [ 4 ] it was also dubbed in hindi as " antim faisla " by goldmines telefilms .

( us $ 2 . 5 million ) , making it a table profit film even before its release . allu arjun took an acting fee of

note the beginning tune of the song andam hindolam is repeated as background score every time chiranjeevi is shown in any stunt or action in the film .

the film ' s music was composed by m . m . keeravani while the lyrics were written by sirivennela seetarama sastry , sahiti , e . s . murthy and m . m . keeravani [ 11 ] the audio was released in the presence of notable telugu film personalities [ 11 ] on 3 may 2010 .

gopichand seems uncomfortable in his role ; he is more suited to action roles . taapsee pannu is the one bright spot in the film though she has to contend with poor characterisation . shraddha das flits in and out of the film , adding some sex appeal , while rajendra prasad does the father ' s role well .

a thoroughly entertaining feature film with a tinge of mythology , a dose of ethics , a dash of stunts and a lot more punch of fun in it .

on the other hand , he was starred in blockbusters like alludugaru ( 1990 ) alongside ramya krishnan , assembly rowdy alongside divya bharti , allari mogudu alongside meena , major chandrakanth alongside nagma , veedevadandi babu alongside shilpa shetty , pandavulu pandavulu thummeda alongside raveena tandon , and rowdy alongside jaya sudha .

except for three days of shooting in madras ( now chennai ) , siva was filmed in andhra pradesh . produced on a budget of . although venkat and surendra expected the film to have average earnings , it was commercially successful ; siva completed a 1 . it was screened in the mainstream section of the international film festival of india , held on 1 . january 1 . 99 . 0 . in addition to the filmfare award for best film – telugu , siva won three nandi awards : best director ( varma ) , best first film of a director , and best dialogue writer ( bharani ) . a documentary titled exploring shiva after 2 .

are you hinting at skin show ? people want to see glamour . a film should have all the ingredients as , after all , people spend their hard - earned money to watch a film . in the relationship between a husband and wife , there is a physical aspect . i can shoot that aesthetically and in a classy way .

recommendation : a thoroughly entertaining feature film with a tinge of mythology , a dose of ethics , a dash of stunts and a lot more punch of fun in it .

the reason for me to pick this movie was because of one particular song from this film that was remixed for another telugu film that released earlier in the year 2016 . that remix song made me want to watch the movie the original song was from . thus the review . ( check spoiler alerts below for details around the remix song )

siva ( also spelt shiva ) is a 1989 indian telugu - language crime drama film written and directed by ram gopal varma in his directorial debut . produced by akkineni .

analysis : krishna vamsi is a talented storyteller and a highly regarded technician . so it is natural to have high expectations on his films . given the fact that this was a film on family bonding , some expected it to be another âmurariâ . however , there is a chalk and cheese difference between that . the primary reason for the film to suffer is a weak script . taking cinematic liberties is alright but not to the extent where audience is dumbstruck . here are few instances which resulted in the audience getting disconnected from the film totally

2 ) chiranjeevi had the title of " supreme hero " still at the time of this film . naturally the song andam hindolam made sense to have the word supreme in it .

siva ( 1 . 98 . 9 telugu film ) - wikipedia . siva ( also spelt shiva ) is a 1 . indian telugu - languagecrimedrama film written and directed by ram gopal varma in his directorial debut . produced by akkineni venkat and yarlagadda surendra under their banners of annapurna studios and ss creations , siva starred akkineni nagarjuna , amala , and raghuvaran . the film ' s basic plot , adapted from bruce lee ' s . way of the dragon ( 1 . siva and bhavani , a reputed crime boss mentored by the politician machiraju .

chitemma mogudu is a movie starring mohan babu , pooja bedi , and divya bharti . the young village girl chitti ( divya bharti ) is a bubbly and fun - loving childwoman . she is enjoying life with her young group of friends consisting of three younger boys . one day , while . . . see full summary »

i ' m not trying to preach . it ' s just an evolution of boy / girl to man / woman and husband / wife . you will connect with the film , you will be reminded of yourself , your kids , your parents and your family . the film is drawn out of my family and personal experiences . so , all the experiences are based on reality .

gopichand wanted to do a family film . he wanted to work with me for a long time , and he managed to corner me off . i finally gave up . producer , n bujji , was also interested in making a film . so , keeping in mind gopichand ' s immense capabilities , body language , his undiscovered talent and personality , i decided on a theme about human relations .

, in a lead role opposite academy award nominee taraji p . henson . trained at the london academy of music and dramatic art , hope has also worked in film / tv projects such as :

vedam received critical acclaim . the times of india gave a review stating " after watching contrived plots and stereotype protagonists , this path - breaking movie arrives as a breath of fresh air . undeniably , it ' s another inspiring film from the maker of gamyam . " [ 7 ] rediff gave a review stating " vedam is a must - watch for its story , screenplay , direction and technicalities . it offers a hope to the audience interested in good and sensible cinema that such a film can be made in telugu . vedam is a beautiful confluence of writing and technical aspects . it has set a benchmark in telugu cinema . " [ 8 ] urltoken gave a review stating " vedam is a good film . please watch it and encourage good / meaningful cinema . this film will be liked by classes and a center audiences . if masses and b / c centers patronages vedam , it will not only do good to the film , but to the entire telugu film industry . " [ 9 ] esskay of urltoken gave a review stating " if films like vedam aren ' t encouraged , we will be left with films that will be made with only money and without a soul ! watch vedam and ask your friends to watch it , for the sake of good cinema in telugu . the noise of clapping by the audience after the film finished is the loudest i ' ve heard . i plead and rest my case ! " [ 10 ]

5 ) aali has a very small role in this film as one of the street kids who depend on kaali . he has no dialogues as well , just expressions . check him out in the picture below .

mogudu : once its said that a krishnavamsi mark movie is a very good movie , , , now coming to mogudu this movie has its krishnavamsi mark only in its picturisation . the movie starts as a feast with all the dishes u want to have but soon proves that the dishes are lacking taste and flavor , , , too much melodrama makes this movie a below normal one but u can look out for the way krishnavamsi pictured the movie ( colorful ) and the way he showed thaapsi in some shots , , , the character doesn ' t fix to gopichand but he has done well in some scenes , , , thapsi did good but her own dubbing seems out of the line in some scenes , , shradda das once again into a routine character , , , rajendraprasad again lived in his part .

in january 2012 , e . satti babu who previously worked with allari naresh on betting bangaraju and nenu had announced that they would collaborate again for a new film . [ 2 ] it was reported that the film was titled as nela thakkuvodu and would begin production in early 2012 . [ 3 ] in february 2012 , more details about the project were revealed about the project it was announced that the project would be a socio - fantasy film and eight huge sets were being built for the project . the director also announced that prominent music composer koti had already started working on the project and would compose the entire soundtrack . it was also revealed that pre - production work was going on since three months and the filming will begin from 17 march 2012 . it was also announced that the process of selecting the heroine has not been completed . the director also revealed that the title for the film had not been decided . [ 4 ]

b . next they show a song sequence from the 1985 hit telugu film vijetha ( = winner ) . sung by s . p . balasubrahmanyam and s . jananki , music composed by k . chakravarthy and lyrics penned by veturi sundararama murthy

performance - wise , tapsee shines in the film . she is watchable in the rom - com episodes of the second half . besides her , roja fits the bill and her arrogant character is a treat to watch . rajendra prasad is good .

there is something about rajendra prasad , even though he does movies which senior actors like him wouldn ' t have done . however , it is the same man who came up with interesting characters like the way he did in aa naluguru , mee sreyobhilashi brahmalokam to yamalokam via bhoolokam etc . bhale mogudu bhale pellam doesn ' t definitely belong to any of the movies mentioned above , even though it has seasoned actors like suhasini and naresh to accompany .

is another family entertainer from director krishnavamsi , but the telugu film is stuck in a time warp . it harks back to a time when such films reflected the society of which they were a part , but times have changed and so have people .

vedam ( english : chant ) is a 2010 telugu language indian drama film written and directed by radhakrishna jagarlamudi , starring allu arjun , manoj manchu , anushka shetty , manoj bajpayee , [ 2 ] saranya ponvannan , deeksha seth , lekha washington , and siya gautham . broadly falling into the hyperlink cinema genre , the film was critically acclaimed , receiving several accolades including four filmfare awards ( best movie , best director , best actor and best actress ) and had a decent run at the box office as well . [ 3 ]

padaharella vayasu is a 1978 telugu film starring sridevi kapoor , chandra mohan , and mohan babu . directed by k . raghavendra rao , it is a remake of the tamil super hit " 16 vayathinile " ( 1977 ) which starred kamal hassan , rajinikanth and sridevi .

as with any chiranjeevi - radha - vijayashanti combo films , this one also comes with some good music . apart from andam hindolam there are other tunes that are somewhat remembered even after almost 30 years of the release of the film . music composed by raj - koti , lyrics penned by veturi sundararama murthy - a combination that vouches for some amazing songs . s . p . balasubrahmanama , mano as nagoorbabu , p . susheela , and s . janaki constituted of the singers for these tunes . here are the all the songs from the film :

varma wanted m . keeravani to compose the film ' s soundtrack and score , since keeravani had assisted k . chakravarthy on rao gari illu . as both were inexperienced , keeravani suggested that varma choose a more seasoned technician and ilaiyaraaja was signed instead . s . gopala reddy , thota tharani and sattibabu were the film ' s director of photography , art director and editor , respectively . varma found him the only actor who could understand his perspective . that , and varma ' s passion for and dedication to films , prompted nagarjuna to work with him .

this film revolves around a 16 - year - old girl , malli ( sridevi ) . she is a recent high school graduate ( 10th pass ) with exceptional scores . she is an attractive , intelligent woman living in a small society filled with ambitions of becoming a teacher .

after learning that steadicam was available in chennai for four years and was already obsolete , varma decided to use it despite gopala reddy ' s apprehension . except for three days in chennai , the film was shot in andhra pradesh . the scenes of the protagonist ' s college life were filmed at keyes high school , near secunderabad junction railway station . a school wall was demolished and a gate was repaired for the film ' s opening scene . raghuvaran was carried away during the shoot of few action sequences and slapped brahmaji for nearly six times in a row .

4 ) kaikala satyanarayana reprised his role as yama in the 1994 hit telugu comedy film yamaleela ( = the stories of yama ) . however this time around brahmanandam played the role of chitragupta instead of allu ramalingaiah . another good movie that is on my list to post . : )

rajendra prasad is an extremely popular hero and actor . everyone likes him . the mere mention of his name brings a smile to people ' s faces . he is god ' s gift to the telugu film industry . no other language has this kind of a performer , hero or actor .

the film has many positive features that made it a huge success . satyanarayana , allu ramalingaiah and velu made the perfect trio of yama - chitragupta - vichitragupta . not only the timing of their dialogues matched but also the emotions and expressions were perfect . normally a film has one or two major villains . however in this three actors who made their name big as villains are included - rao gopala rao , gollapudi maruthi rao and kota srinivasa rao . to keep all four balanced in their roles is a feat that the director achieved it well . neither characters were portrayed less nor more .

ilaiyaraaja composed siva ' s soundtrack and score , and s . gopala reddy was its director of photography . thota tharani and sattibabu were the film ' s art director and editor , respectively . its principal photography began on 1 . february 1 . 98 . 9 , and was completed in 5 .

padaharella ammayi ( english : sixteen years girl ) is a 1986 telugu , comedy film , produced by r . d . reddy on sri sailaja films banner and directed by p . s . krishna mohan reddy . starring rajendra prasad , sudha in the lead roles and music composed by sivaji raja .

as for the lead actresses - radha and vijayashanti - both ruling the telugu film industry then - complemented to each other rather than being opponents and creating a chaos in the middle . then the trio of villainesses / mothers - suryakantam - annapurna - y . viajaya - who better but these could portray these roles .

fitting for susheela to sing this one as she sung the original one too . the beginning tunes of the song very closely resembles the song piluvaku ra from the 1957 hit telugu film suvarna sundari sung by p . susheela . music composed by p . adinarayana rao and lyrics penned by samdurala raghavacharya aka samudrala senior .

producer midde rama rao bought the remake rights of tamil film " 16 vayathinile " at the cost of 1 . 25 lakhs . sobhan babu showed interest in character but the character was ultimately played by chandramohan . mohan babu was selected to play the antagonist . sridevi reprised her role from the original after attempts to sign jayasudha turned out unsuccessful .

the song " egiripothe entha baguntundhi " , performed by sunitha & m . m . keeravani , became a major hit in hyderabad and the state of andhra pradesh in the months following the release of the audio and film . tracks 9 to 12 of the soundtrack were only made available on the official digital release [ 12 ] and not the physical cd .

he was ready to do any kind of role in my film , so when i needed a guy to play the hero ' s father , and since rajendra prasad wanted to work with me , i approached him . he said ' there is no need to narrate the story . i know you will show me in a fresh way and extract something different ' .

1 ) in the 2016 telugu film supreme , the song andam hindolam was remixed for the lead actors - sai dharam tej and raashi khanna . sai dharam tej is chiranjeevi ' s nephew - on whom the original song was pictured . music composed by raj - koti , lyrics penned by veturi sundararama murthy - both the original lyricist and musician . however the remix song was sung by chitra and l . v . revanth .

krishnavamsi ' s fascination for the family and for tradition is given full play in the film . the decibel levels are high : everyone is either shouting , screaming , or hitting everyone else . the lyrics are meaningful in the song kaavali picturised on the bare - chested hero and glamorous heroine . ¬†shraddha das too bares some skin in one of her songs . dialogues are tacky and it ' s all just one big high - voltage melodrama .

the casting worked out well in bringing out the manliness and femininity . shraddha das who is also a part of the cast is a surprise package in the film . she plays a girl who is confused and doesn ' t experience the depths of life . she is a representation of the camouflaged hearts of today ' s society - - no deep values , just floating and flowing around . shraddha is star material ; she has the capacity to become a star heroine .

10 ) towards the end , the characters radha and gauri entertain us with a version of dance on the song " nalla vaade ammammo allari pillavaade " - originally from the 1971 hit telugu family drama dasara bullodu ( = a guy as festive as the festival dusshera ) . sung by s . janaki and p . susheela to the music composed by k . v . mahadevan and lyrics penned by acharya aatreya . another film that is on my list to post a review of .

technical departments : as said already the movie has a very weak story line and only an expert comedy director like priyadarshan could have done a better job out of this film . the director of this movie dinesh babu is no priyadarshan . inspite of many follies , he manages to ensure that the situation of a married lady trying to woo a young kid doesn ' t look too ugly . there is nothing much left to be talked about . cameraman and art director had very little to do , and the music director chose to do very little .

we were contemplating many girls . bujji ( the producer ) suggested taapsee . i was hesitant initially as i felt she looks urbanised and westernised and i wondered if she would suit the character . then i saw her tamil film adukalam and i liked her performance . she plays an anglo - indian character and i liked the way she projected life into her character . i worked a lot on her in terms of dress and looks . she is very enthusiastic and has a fighting spirit . she has done an amazing job . gopichand , too , has performed well . i ' m happy .

its tamil - dubbed version , udhayam , was also successful . varma remade the film twice in hindi with the same title . the first , starring nagarjuna , amala and raghuvaran , performed well at the box office , but the second , with mohit ahlawat and priyanka kothari , did not . siva , a student , comes to vijayawada from a nearby town to pursue his education . he lives with his brother sharath ' s family , and enrolls in the vas college of arts and sciences . although sharath and his daughter keerthi get along well with siva , his wife considers him a financial burden .

ramprasad , also known as bujji ( gopichand ) , is the only son of anjaneya prasad ( rajendra prasad ) who runs a mercedes benz showroom . he and his three sisters and their families live with their father .

one day bujji sees a girl dancing with others at the golconda fort and it is love at first sight for him . she introduces herself as rajarajeshwari ( taapsee pannu ) , who happens to be the daughter of a politician chamundeshwari ( roja ) . she too falls in love with bujji and the wedding is fixed .

after the wedding , there is an argument about the taking of the gowri idol , which leads to a scuffle between the two and ends with rajarajeshwari throwing off her mangalsutra . her mother wants her to apply for a divorce and bujji reluctantly signs the divorce papers to save his family from being

the two meet again at the airport when taking a flight to mauritius . a friend of bujji ' s from the past ( shraddha das ) also reappears , and as rajarajeshwari shows signs of being jealous of bujji ' s old flame , the question predictably is : will this rekindle the old emotions in rajarajeshwari and bujji ?

what is a r rahman doing at a dubai mall ? reader talib sends us a picture .

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the relationship between a man and woman caught my fancy . is it lust ? is it sex ? is it emotional dependency or more ? what is the connection ? then automatically marriage and family come . making it entertaining , spicy , heartfelt and soulful , i wove a dramatic story around that phenomenon .

for the last 20 years , nobody has touched the subject - - man and woman as husband and wife . human relationships are taking a bashing because of various pressures . i want to rekindle the beauty and importance of the relationship , the uniqueness of the relationship , in a dramatic and cinematic form . this is an age - old phenomenon and i am putting it in an audio - visual , entertaining form . i am also looking at the family , at values , traditions and cultures .

that is where our identity and soul is . otherwise we are employees , students , citizens etc . we exist because of the family ; we belong there .

y ou said gopichand wanted to work with you . how did you choose taapsee then ?

it was indeed a nice experience and a pleasure working with him . i ' ll cherish those moments .

s ome of the posters show a glamorous side of taapsee . what ' s your view on this ?

your films have something to take home as they entertain . what is it this time ?

my guru , sita ramasastry garu , has created magic with the lyrics for the song kavaali . just like there is this sanskrit sloka karyeshu mantra karneshu daasi . . . which gives the attributes of how a wife must be , sastry garu has written how a man should be . every word of his is vedam . this song will become an anthem for wives and husbands !

she ' s my worst critic . she saw the songs and surprised me by saying they are good . she doesn ' t involve herself in my work . if i ask , she ' ll see and give her opinion .

i ' m exhausted now . for the last six months , i have been working continuously . i ' m drained physically and mentally . i want to sleep , then wake up and see . there are some ideas . i ' ll think about them after a few days .

irector krishnavamsi is known for his entertainers laced with a message . after the debacle of

, starring gopichand , taapsee and shraddha das , is produced by nallamallapu srinivas ( bujji ) .

and wins her love . the story is set in a large family and there are twists and turns in the plot and enough emotion to satisfy any audience .

rajendra prasad plays gopichand ' s father while naresh and roja play taapsee ' s parents . krishnudu , venu madhav , ahuti prasad , geethanjali are others in the cast .

the movie story deals with surendra an honest and hot - blooded cop . archana is the daughter of police commissioner . they meet accidentally and their relationship blossoms into love . archana ' s father is of bihar origin . parents settle the match of surendra and archana . when they are about to get engaged , surendra expresses his reservations due to archana overhearing her father ' s conversation with his long estranged sister on the subject of archana and sinha marrying . surendra takes the blame for the destroyed relationship and archana goes back to bihar to wed her cousin sinha . the rest of the story is all about how surendra goes to bihar and wins archana back .

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a couple truly in love get married . on the day of marriage just after the ritual due to a stupid reason an argument sparks , egoes crash which turns into violence . the couple separates . how they finally unite is rest of the movie .

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venky tries to right his wrongs by involving his family and also convince the girls side without getting messed up in between .

jai ( gopichand ) is a fire officer . he happens to help a stranger ranganath ( brahmaji ) , who is the right man of mumbai don chota naik ( kabir duhan singh ) . ranganath turns informer and runs . . . see full summary »

the son of a billionaire decides to take an extreme step by leaving behind his riches and swapping his life with a depressed techie look - alike who wants to be a billionaire .

gautham varma , an a . t . m security guard , goes on a treasure hunt for the diamonds hidden by his grandfather in the hinglaj temple during the time of the india - pakistan partition .

while visiting india , krishna prasad is arranged to get married to sruthi but an external force at play threatens their safety and relationship .

ram babu ( gopichand ) is the only son of cute couple ram babu and janaki ( chandramohan and jayasudha ) , who have earned so much for their son to lead a happy life without doing any work . in . . . see full summary »

soukhyam tells the story of a happy - go - lucky young man , who wants to provide the comforts of life to his family . when he falls in love with a girl , he suddenly faces a lot of obstacles . how . . . see full summary »

an ' encounter specialist ' police officer is accused of extortion and accepting bribes .

vicky ( prabhas ) , an expert in gaming software , lives in australia and never compromises in his life , a principle he adheres to since his childhood . he believes that one should be oneself in . . . see full summary »

an nri wants to sell his ancestral home , but later hears rumours of it being haunted . unwilling to sell the property at a throwaway price , he asks a team of four guys to spend a night in the house and prove that it isn ' t a ghost den .

a man discovers that he must complete a gruesome task to marry the woman he loves .

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anjaneya prasad ( rajendra prasad ) wants his son ( gopichand ) to marry a suitable girl at the earliest . our hero has a problem though . he wants a girl who can live at the home with his family members without carping about the largeness of the size . ( now , why does such a man go to see a wannabe fashion model , played by shraddha das , is a puzzle ) . however , one fine day , he spots raja rajeshwari ( tapsee pannu ) doing classical dance and it is love at first sight for our hero .

he again bumps into the girl on a night when she , now drunken , comes to him asking for lift . our hero brings her home . as you think of taking forty winks , love blossoms between them . they are married off .

before you start wondering as to why the post - marriage rituals are dealt with elaborately , you see rajendra prasad and roja ( bride ' s loud - mouthed mother ) in violent disagreement over a tradition followed post - marriage in the groom ' s family . it results in one too many slaps . result : gopichand and tapsee break up .

the second half is about how the divorced couple patch up and the two families bury the hatchet following a tear jerker by gopichand . ( the climax is the blandest one in recent times ) .

however , gopichand is a disappointment . he should stick to doing roles that suit his age . he is a complete misfit in the romantic scenes .

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bujji is also a man of ideals and believes in essence of marriage as a lifelong commitment . his life takes a turn when he sees rajeshwari ( taapsee ) and in no time they fall in love . rajeshwariâs mother ( roja ) is a politician .

the initial process goes smooth but moments after the marriage takes place , a clash between the traditions of both families leads to major fight . it leads to bujji and rajeshwari going for divorce . the misunderstanding widens further due to certain incidents . however , both bujji and rajeshwari love each other . do they unite ? what happens to the families ? all this forms the rest of the story . performances : gopichand has come up with a mild and subdued performance and this is not something his fans would like to see but , he did his best to give a matured and balanced act . it is good to see rajendra prasad in a full length role and that too in a very effective manner . though his role was not etched rightly , he has given a valuable act . taapsee is the show stealer . she is sexy , she is energetic and she has carried her role with aplomb . the dubbing she has done was not that perfect but it was natural to an extent . shraddha plays the typical sacrificial role and oozes her bit of glamour wherever required . but she has developed ease and confidence in her expressions and body language .

ahuthi prasad appeared in a short role saying a dialogue about ys jagan , chiranjeevi and chandrababu . his role is a bit hilarious . roja was loud as usual and more than her dialogues , it is her expressions which were apt . naresh was natural and made his presence felt . the support artistes in the form of pragati , raghava , harshavardhan , lakshmi bhargavi , taapseeâs friend , gitanjali were there to fill the screen and give the required emotional dose . venu madhav was just okay . highlights :

drunk taapsee brought to gopiâs home and the next day she is considered as a traditional girl and welcomed with open arms . such things are not common in regular telugu families .

chain reaction of slapping between the families of gopichand and taapsee . kv tried to bring an intense emotion but it turned out to be a comedy .

rajendra prasad being a senior citizen gets all geared up with a knife and rushes to rojaâs home with vengeance . thatâs absurd for his image and characterization .

the conversation between roja and taapsee in their puja mandiram about sleeping with husbands . that was cheap .

since it was being essayed as a neat family treat , the dialogues should have been polite , the number of times they got muted goes to show the flavour of raunchiness .

as such , the idea of coming up with the value of marriage , importance of family is all good but there is a way one has to execute it and krishna vamsi has failed this time .

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dasharatham ( malayalam : ദശരഥം ) is a 1989 malayalam drama film written by a. k. lohithadas and directed by sibi malayil .

it stars mohanlal , rekha , murali , nedumudi venu , sukumaran , karamana janardanan nair , sukumari , kaviyoor ponnamma , k. p. a. c. lalitha and jayabharathi .

the music was composed by johnson .

the film deals with the subject of artificial insemination .

a. k. lohithadas won the kerala film critics award for best scriptwriter .

this is widely regarded as one of the best films from the writer-director duo lohithadas-sibi malayil .

dasharatham was the first malayalam movie officially dubbed and released in marathi .

it released in marathi as mazaa mulga ( meaning : my son ) .

dasharatham

dasharatham <EOT> round - stories - of - the - film - dasharatham - 035404 . html

dasharatham - 12 mohanlal & lohithadas finest malayalam movie w / eng . sub ( 1989 )

dasharatham - 13 mohanlal & lohithadas finest malayalam movie w / eng . sub ( 1989 )

dasharatham - 15 mohanlal & lohithadas finest malayalam movie w / eng . sub ( 1989 )

dasharatham - 16 climax mohanlal & lohithadas finest malayalam movie w / eng . sub ( 1989 )

back to movies . . innale kanan pattathirinna # dasharatham . . . innu kananam . . .

an old still of @ mohanlal from # dasharatham location . # mohanlal playing chess during break . urltoken

dasharatham - 16 climax mohanlal & lohithadas finest malayalam movie w / eng . sub ( 1989 ) - youtube

added to countless list though still getting same emotion when the movie meets its end . # lalettan # dasharatham urltoken

mandharacheppundo , , , , , malayalam song , , , , dasharatham , m . g . sreekumar , k . s . chithra

mandharacheppundo , , , , , malayalam song , , , , dasharatham , m . g . sreekumar , k . s . chithra - youtube

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just watched # dasharatham . @ mohanlal sir at his best . especially emotional scenes . i am a kannadiga who admired ur masterpiece ! ! # respect

dasharatham : mohanlal delivered a mesmerising performance in the movie , which dealt with the subject of surrogacy . he played rajeev menon , a rich o… | pinteres…

@ kannuraan i was also plannin to watch rithu , but not yet decided . . sakudumbam shyamala ond . . so athu kanano ennum doubt , then # dasharatham

@ nimishhalkar # dasharatham is a clasic 1989 mohanlal flm wch dlt wit de subject of surrogacy ! p . s mohanlal ' s acting at its bst ! mst wac ! urltoken

dasharatham movie is all about rajiv menon ( mohnalal ) who is born into riches and who is an alcoholic womanizer with absolutely no aim in life . with no parents . . .

agashadoothu rt @ aashkey : not really ! . rt @ sadu _ arun # dasharatham rt @ aashkey : can anyone tell me the most tear jerking mallu movie ever ? . .

@ ashwinkgopal and how about # dasharatham ? it ' s my all time favorite . . . so natural . . . so perfect . . . again it ' s a villianless movie . . .

sibi malayil and lohitadas formed such a prolific combo in the eighties and nineties to pull of so many successful heartbreaking tearjerkers like thaniyavarthanam , bharatham , kireedom . dasharatham is one another gem in that elite list . its one pair , that we really wished , shouldn’t have split up as they never found such critical or commercial success individually after parting ways . johnson’s music once again proves a great asset to a movie with both the song ‘ mantharacheppundo’ and its theme version adding soul and depth to dasharatham .

very few writers could leave lump in our throats consistently at the end of their movies end like lohitadas did with almost his every other script . just like kireedom , bharatham or amaram , dasharatham also reminds you how much we miss the great writer today .

“redbus created a huge market for online bus ticketing , not even seen as a market by the big players , and helped create several other companies along the way , ” said dasharatham bitla , founder and chief executive of bitla software , which also develops bus travel management software .

siddharth menon is a playback singer and film actor from mumbai , india . menon has rendered some film songs but is most popular for his band thaikkudam bridge . his rendition of " mandaracheppundo " from the movie dasharatham for a musical show " music mojo " in the malayalam channel kappa tv topped the music charts .

24 years ago , dasharaham told a unconventional story that was much ahead of its time . the concept of renting a womb , artificial insemination etc did not sit well with the audience back then and the movie did not get the success it deserved . but today dasharatham is a movie that a lot of us love watching many a time and also confounds us at the fact that we had such ace film makers in the past who could create such fresh and innovative stories .

i ' m tamil . malare kinda gets played here often on most crappy speakers , so i kinda know well it can get screwed up . i do like the song quite a bit much tho ! i ' ve seen limited malayalam films - dasharatham , munnariyippu and a few nivin pauly movies . i ' m not a big fan of ar rahman ( and my favorites of him are not really the popular ones - see my reply to aornic ) , but his songs get played around often and i kinda know them well as well .

dasharatham which released in 1989 told the story of a rich reckless young man , rajiv menon , who is alcoholic and has no aim in life . he gets attached to his friend’s children during their family’s stay at his house and decides to rent a womb and get a child through artificial insemination . the character might look crazy on paper but mohanlal’s awe - inspiring portrayal gives rajiv menon a whole different dimension on screen . when he tells nedumudi venu – ‘thommiye eniku tharumo’ or tells karamana janaardhanan – ‘njan avanu oru adi kodukatte uncle’ , mohanlal amuses us with his innocence .

from tamil star surya to malayalam actor ganesh , one common thing a lot of them use to say about mohanlal is that even his fingers and fingernails can act . in dasharatham’s climax , when mohanlal rests his hand on sukumari’s shoulder and tells her - ” annie mone snehikunna pole maggieku enne snehikaamo’ , you could just watch his fingers and you would understand what they all mean . mohanlal’s terrific acting quite ably supported by the ever versatile sukumari and a hauntingly beautiful background score makes sure lohitadas’s well scripted climax is one that viewed by many of us multiple times and which stays with you for long anytime you watch it .

there is a general notion that even if you don’t have a great script or character for mohanlal , if you can cast him as a drunkard throughout a movie , you could have wonderful returns . hello is a fine example of this where the makers produced a huge hit just at a time when mohanlal was having flops and siddeeq too tried the same with the recent ‘ladies and gentlemen’ . there are few actors in the business who could match up to mohanlal’s flamboyance when he acts drunk . in dasharatham too , he just sizzles on screen as you see in several instances like his introduction scene where he asks random people in the bar to give him a company , when he gets out and walks into the glass door and when he gets into the jeep and searches for the steering .

dasharatham movie is all about rajiv menon ( mohnalal ) who is born into riches and who is an alcoholic womanizer with absolutely no aim in life . with no parents to guide him and with the family business being run by a trusted manager pillai ( karamana janardanan nair ) , rajiv is free to waste his life and money on drinks and debauchery . a close friend scariah ( nedumudi venu ) with his wife and children come over to stay at rajiv’s palatial house for a week . soon rajiv gets attached to one of scariah ' s children and decides that he wants to have a child of his own , but neither does he want to get married nor does he want to adopt a baby . good friend , guide and philospher dr . hameed ( sukumaran ) advises rajiv to rent a womb . they come across a former football player chandradas ( murali ) who is in dire need of money for an operation , his wife annie ( rekha ) agrees to give birth to rajiv’s child through artificial insemination . both charandas and annie aren’t happy about the decision – it’s clearly a desperate solution to their financial needs .

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rajeev , an orphan eccentric millionaire , has his own strange taste towards everything . with less knowledge about family relationships , he struggles hard to achieve his aim to become a father without marrying .

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the retelling of epic ramayana through the lives of two brothers , their affection , their professional rivalry and the eventual transition of each person .

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chacko master ( thilakan ) is a school headmaster in mathematics . he is a very strict teacher and does not go easy with his own son thomas ( mohanlal ) . frustrated with his father ' s . . . see full summary »

govardhan , a doctor by profession , is wrongly accused of bombing a train and is jailed by the british in cellular jail , also known as kala pani , in the andaman and nicobar islands . he witnesses the sufferings of hundreds of indian prisoners there .

a woman hires a stranger to pose as her husband because she doesn ' t want her ailing father to know that her fiance broke their engagement .

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situations turn a man who believes in secularism into an extremist . he plots to bomb a monastery where the survivors of a riot take refuge .

a man falls in love with his new neighbor but then finds that her family life is difficult .

a depressed kathakali artist falls in love with a member of an aristocratic family .

rajeev menon ( mohanlal ) is a wealthy orphan , a spoilt rich brat who grew up to be an eccentric millionaire . while his trusty manager ( karamana janardhanan nair ) takes care of his vast estates , rajeev drowns his days in alcohol . his lack of values stems from bitter childhood memories of his mother deserting his father . his eccentricities vary from picking up drunken brawls with strangers to wanting to experience ' interesting ' things in life like being handcuffed by the police . winds of change gush into his lonely life when he agrees to play host to his friend scaria ' s ( nedumudi venu ) family for the vacation . scaria ' s brood of mischievous kids take a liking to rajeev . as they tear his palatial house down , they also make him realize what he ' s been missing in life . once they leave , he feels a void in his existence which he intends to fill by adopting a child . when he is denied adoption due to his wayward ways , his friend dr . hameed ( sukumaran ) suggests artificial insemination as a way of . . .

the film was released on 19 october 1989 and has a running time of 154 minutes .

i just happened to watch this movie . loved the storyline , the direction and every character . the songs are brilliant too . it is so heart touching and beautifully portrayed . an underrated movie , this truly deserves a 10 . the storyline and mohanlal ' s character feels so real . a must watch malayalam movie and my all time favorite actor is at his best . most actors in the movie have showed a brilliant performance . the direction is amazing and the song is extremely beautiful . watch it if you haven ' t already !

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evergreen malayalam full movie | mizhikal sakshi [ മിഴികൾ സാക്ഷി ] | ft . mohanlal , sukumari

phantom malayalam full movie 2002 | mammootty , manoj k . jayan | malayalam action movies full

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mohanlal or mammootty is best . . ? ? must see . . its a judgment . .

the bestest climax ever made in malayalam . none could beat this till date . mohanlal - you are quite astonishing !

during the final portions of the movie where he visits murali’s house and asks to hold his son for one last time , later when he tells annie – ‘ninniloode njan puthiyathu palathum padikkan thudangukayaanu’ and in the closing scene with sukumari , mohanlal makes a wonderful transition as his character learns some new lessons in life and he just tugs at our heartstrings with his brilliant and effortless acting .

‘namuku gramangalil chennu rapaarkam , athikalathu munthirithoppukalil poyi munthirivalli thalirthu poovidukayum mathalanarakam pookukkayum cheytho ennu nokkaam…’ solomon ( mohanlal ) tells sofia ( shari ) this and asks her to check bible for the rest of the lines . a proposal in malayalam cinema has never been so beautiful before or after . padmarajan’s 1986 movie – ‘namuku parkaan munthiri thoppukal’ released with [ … ]

“ഞാൻ വല്ലപ്പോഴും ഇത്തിരി കുടിച്ചിരുന്നത് എന്തെങ്കിലും ആഘോഷങ്ങളൊക്കെ ഉണ്ടാകുമ്പോഴാണ് . . ഇപ്പോ ഞാൻ കുടിക്കുന്നത് സ്വസ്ഥതക്കു വേണ്ടി ആണ് . ഞാൻ തനിച്ചായിരുന്നപ്പോ എനിക്ക് സ്വസ്ഥത ഉണ്ടായിരുന്നു . എന്റെ ഹൃദയത്തിലും ചിന്തയിലും ഒക്കെ അപ്പോ സിനിമ മാത്രമേ ഉണ്ടായിരുന്നുള്ളു . എല്ലാം പോയി . . i lost everything everything . . ” i think udayananu tharam has one of mohanlal’s most underrated performances since 2000 . the more restrained or subtle mohanlal is in a [ … ]

some of our blockbusters in recent years make you wonder if they are really worth all its success . 28 years back when chithram ran for around 400 days in theaters , no one would have really doubted if it was deserving of its phenomenal success . it might still be the all time highest grossing malayalam movie [ … ]

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at first annie just wants to get over with the 9 month pregnancy period , handover the baby and move on with life . the usually rash and immature rajiv is now a changed man , reading up books on pregnancy , child birth and making sure that annie stays in an atmosphere that is cheerful , beautiful and is taken care of by nurses , provided with the best diet and so on to ensure the birth of a healthy and happy baby . he is completely taken up by the thought of having a child , the thought of finally having someone he can call his own . but by the time of the child’s birth annie gets emotionally attached to the life that’s taking shape in her womb and refuses to part with the baby . how the two ultimately resolve their conflicting interests forms the climax of the film .

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for the uninitiated , imagine toying with the concept of ' artificial insemination ' in the 80s and that too during a period when the indian society was still overcoming the british raj hang over and the pangs of conservatism ! surely the efforts , if not the movie ' dasaratham ' itself needs to be lauded for it is indeed a brave attempt . considering that the lohi - sibi - lal were at the helm of affairs it was destined to stand out as a jewel in indian cinema .

watching the movie for the first time , i was blown away by the audacity of lohi to even come up with a story that could well have had the conservatists demanding for his execution ! i am pretty certain that the movie would have met with a fair amount of consternation at that time but eventually it prevailed over these impediments to give us one of the most touching films . clearly the golden period of malayalam cinema also meant that lohi was at his writing peak and thank goodness for it .

the most telling aspect of ' dasaratham ' is the treatment rendered to the script by lohi and sibi . had the same movie been made in tamil , i am certain it would be vulgar , obscene and highly objectionable . there is not a moment in the movie where you sense any vulgarity or obscenity and that according to me is perhaps the usp of the movie performances notwithstanding . in this sense i feel this also sibi ' s best directorial venture to date . he could have easily crossed the line and made it crass but instead he decided it should a classic ! kudos to sibi .

coming to the performances - lal is just phenomenal . he underscores his genius in this cult classic . he brings to the table his entire repertoire of acting skills and displays the whole range of emotions in his own inimitable restrained style . to show case comic skills and the ability to emote they way he did in the climax is just top notch . the body language of lal especially in the climax just before he asks sukumari to be his mom is brilliant , the trembling hand before he asks sukumari the question is etched vividly to this day in my mind . lal shines like an incandescent light throughout the movie .

murali ( expected ) and rekha ( surprisingly ) have turned in performances that would leave the movie goers at the end of the movie on their feet and clapping . murali is without doubt a jewel in the actors guild but highly underrated for reasons beyond my comprehension . the helplness portrayed by these actors in varyiing degrees of the movie is highly commendable . nedumudi venu is brilliant as usual .

the film is to be watched , admired and celebrated as a classic for a long time to come .

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ella mai – boo ' d up ( remix ) ft . nicki minaj & quavo

urltoken is the second highest transacted travel website in the country , next only to irctc .

omewhere in 2006 when phanindra sama and his friends approached the indus entrepreneurs ( tie ) for support to incubate their raw business solution as a venture , it introduced them to their first mentor , anand rajaram , himself a successful entrepreneur and a seed investor .

the first advice he gave to sama and his teammates made a lasting impression on the minds of these aspiring entrepreneurs and led them to build one of the most successful ecommerce ventures in the country .

rajaram told them he often felt surprised and laughed at people who spend a lot of money on t - shirts with logos of well - known brand to earn respect from others . instead , they should buy clothes that give comfort .

the moral of the story for the team was to be careful about their spending habits . it should be need - based , instead of massaging egos and earning respect . till date , not just sama but most of the team management prefer to travel by buses when going to neighbouring cities to do jobs that can wait for the time spent on a night’s travel .

rajaram , who spent his initial years at wipro working closely with its founder chairman azim premji , used to tell the redbus founding team stories on how the latter never compromises on the value system and never takes short - cuts like bribery to get work done .

aybe , we could have grown a little faster by getting work done by paying a bribe but that was never meant to be long - lasting , ” says sama , the co - founder and chief executive of pilani soft labs , which owns the redbus platform .

the company , recently acquired by south african media giant naspers through its indian subsidiary , ibibogroup , for around $ 120 million ( around rs 790 crore today ) , has since grown at a scorching pace to establish a virtual monopoly in the bus ticketing market in india .

it commands a whopping 65 per cent market share in this segment , issuing 12 million bus tickets a year , with a gross merchandise value ( gmv ) of around rs 600 crore . the platform developed by sama and his two other colleagues , charan padmaraju and sudhakar pasupunuri , initially as a not - for - profit initiative , today supports 1 , 200 bus operators belonging to 24 states , apart from the road transport corporations of five states .

“redbus is the dominant online bus ticket aggregator , with a well - recognised brand among bus travellers , as demonstrated by its market share , growth , quality of traffic and conversation rates , and with deep relationships among major luxury bus operators , ” said nitin nayar , managing director , warburg pincus india .

“further , redbus is developing proprietary data to strengthen its long - term lead . user reviews on the consumer side , and custom analytics to help operators plan routes and offer dynamic pricing will ensure all participants continue to be engaged with the platform , even as the market becomes more competitive , ” nayar added .

hat made redbus grow at such a past pace ? sama says there are many factors . from the external point of view , it could be the sheer luck of identifying the right opportunity at the right time .

“when we started this , internet was not that big . we were perhaps slightly ignorant , because nobody else believed that even so many number of bus tickets could be sold though internet . otherwise , somebody else would have started , ” says sama .

for sama and his friends , the idea of developing an online bus ticketing platform came out of their personal need , to address an issue most bus passengers face .

it started after sama failed to get a bus to his home city during the durga puja time in 2005 . when he proposed an idea to develop this platform , his other two co - founders who were staying in the same flat liked it very much . they started taking the help of a few other techies ( in fact , initially seven of them had started working on developing the platform ) , who were staying in the same flat . the idea was to empower bus operators by providing this as an open source platform . but it never clicked , as not many were ready to take it even as free . at this juncture , someone suggested they approach tie .

s advised by their mentor , sama and his team had to first identify the market opportunities for their venture . they decided to start with karnataka . there was no study done to evaluate this industry . at that stage , they did not have funds to appoint anybody to do it . so , they decided to do it themselves .

“we went to kalasipalyam ( a place in bangalore from where most private buses operate ) and checked shop by shop . they gave some information but that was based more on guess . so , we tried to find the most repetitive number . that’s how we did the survey , ” recalls sama .

thus , the team gave shape to a company known for its flagship redbus platform . sama virtually built a sector that was almost non - existent and created the market and the demand .

edbus created a huge market for online bus ticketing , which was not even seen as a market by the big players and helped create several other companies along the way , ” he added .

redbus and sama never looked back since then . with an initial funding of just rs 2 . 5 crore from seedfund in 2007 and a subsequent round by inventus of around rs 8 crore ( rs 80 million ) , the company started growing at a scorching pace from the first year .

from just rs 50 lakh of gmv in the first year ( it’s for six months as the company started in august ) to rs 5 crore ( rs 50 million ) in the second year and rs 30 crore ( rs 300 million ) in the third year . the gmv had hit rs 600 crore ( rs 6 billion ) in 2012 , when the company last publicly disclosed the figure .

apart from giving birth to the online bus ticketing industry , redbus engine today runs on most of the competing online bus ticketing platforms . the bus ticketing platforms of the competitions such as makemytrip , expedia and urltoken share the revenues with it for every ticket booked using its platform .

and that is what sama believes in . “in internet , there is space for only one company in every field of internet . for example , we only have one popular search engine , one popular social platform . so there is always a big race to become that large company because all of them know that unless they become large , they will become smaller and smaller and die one day , ” concludes sama .

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only the genius of mohanlal could pull this off ! the complexity of the lower caste kathakali artist kunikuttan ' s character earning for his father ' s acceptance and grieving over his estranged son has been performed extremely graciously by him . this is perhaps one of the greatest characters he has ever performed ! and rightfully so he received his 3rd national award for best actor with this !

this particular scene is considered as one of the most heart wrenching scenes in malayalam movie history . a distraught rajiv menon ' s emotions have been brought to life by mohanlal to create an extremely emotional climax to the classic .

sethumadhavan is perhaps one of the most unforgettable performances by the stalwart ! the angst of shattered dreams as well as the gravity between the father ( brilliantly portrayed by another maestro - thilakan ) and the aspiring police officer son is showcased brilliantly in this sibi malayil masterpiece . this movie fetched him his first national award !

manichitrathazhu is a landmark movie in malayalam cinema on many fronts . the look of fear is evident on dr . sunny ' s face as he tries to comfort a worried nakul is depicted with ease by mohanlal . to stand out considering that shobhana has provided one of the best performances as a mentally unstable ganga in this technical masterpiece is a feat in itself . dr . sunny is as fondly remembered just as ganga is feared by the malayalis all around the world .

this movie shows the versatility of mohanlal . gifted with one of the finest comic timings , he makes you laugh clinching your stomach and then he makes you cry .

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sethu madhavan in chenkol . one of the best movies in which a character grows and matures in front of your eyes . i consider this as mohanlal ' s the most powerful character in malayalam . not poetic , not heroic , but the simple frustration of a common man due to the circumstances he is thrown into . just watch the below scene . the first time i saw this , i was mesmorized . i didnt see " lalettan " . i only saw sethu . i dont know if there exists one with english subtitle though . if anyone wants to know , i will translate when free : )

the film revolves around t . p . balagopalan ( mohanlal ) , a middle class post - graduate salaried person , who wants to build himself and also needs to take care of his extended family members . the film went over factors influencing kerala of the 1980s such as widespread unemployment , poverty , and the poor economy .

the film is the story of a doctor played by mohanlal , who unknowingly kills his junior played by vineeth in medical college ragging , while he was a senior student and that incident always haunting his guilty mind and his reciprocation towards vineeth ' s poor family . ultimately he helps vineeth ' s sister parvathy to become a doctor .

it tells the tale of balan ( mohanlal ) who ' s on the lookout for revenge against raju ( salim ghouse ) for the murder of balan ' s wife .

' s perspective . how , in the absence of his elder brother , bharath takes the responsibility of the family and hides his griefs is the core of the story .

the story is about convict sathyanathan ( mohanlal ) sentenced to death following multiple murders ( of two adult men and two girl - children ) he has committed and his subsequent prison life till death .

) as a once respected dance teacher turned a drunkard after his wife ' s death at the kerala kala mandiram .

the film deals with the relationship between siblings unnikrishnan ( mohanlal ) and meenakshi ( vinduja menon ) who have an almost 30 year age difference between them .

is a fantasy film . it is highly symbolic and makes a statement on terrorism by religions and the evils of the world . the film was selected as

he plays the role of a jeep driver who finds his childhood friends to prove his innocence after 30 yrs .

its a movie dealing with alcoholism , mohanlal plays the role of raghunandan a tv show host an alcoholic .

oh ! my god…there will be a big list . he is one of the best and the most complete actor the country has ever scene . during the 80’s and 90’s often termed as “golden age of malayalam cinema” , there are so many characters that he has performed where nobody can match with him .

there are also movies where his screen presence is just for 15 minutes or even less than that and that one small portion will speak about his acting excellence . these are some of them ,

mohanlal the complete actor and he acting in malayalam industry around 3 decades . there are many unforgettable role are there and he is very flexible actor and he can suite any role . some of best roles played by mohanlal is sethumadhavan in kireedam , its hurt touching movie and its about father son relationship . onother strong character played by mohanlal is aaduthomma in sphadikam , its ever green action movie and thomma one of the strong character . vishnu in chithram is make every one cry , only mohanlal can act there character in malayalam industry .

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mohanlal , nedumudi venu , sukumaran , murali , rekha , sukumari , kaviyoor ponnamma , jayabharathi , k . p . a . c . lalitha , ajay mathias , m . s . thripunithura , kollam thulasi , karamana janardanan nair , vineeth kumar

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this is one of the cult classic film of mohanlal . a . k . lohithadas won kerala film critics award for best script writer . the movie is partly adapted from the korean movie the surrogate woman .

one of many finest hours in malayalam cinema . very few actors can pull of childishness and sincere vulnerability with equal elan and depth like lalettan . as for the final scene it ; s one of the most heart breaking in indian cinema .

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i ' m currently digging on daft punk ' s random access memory . let ' s share and compare !

nothing beats stuff ( of decent / good enough production and mastering ) that you are intensely familiar with .

when i demo ' d the orpheus , i listened to tracks i had known for at least a decade by artists like pink floyd , nine inch nails and prince .

beyond that , i even find stuff like k - pop ( slick production , overly processed vocals ) to be a good test of how headphones perform on different types of music . the hd800 butchers k - pop , especially female groups because of the shrill vocal production , but the omni and elear accentuate the low end and mids to make the sound have more body to it while taming the highs . the he - 500 is more towards the omni and elear ' s end of the spectrum . whenever i mention how a headphone performs on " electropop " in my reviews , i usually just mean k - pop but am too self - conscious to mention it on video .

beyond that , binaural recordings and stuff like this ( not a binaural recording but similar in feel ) are great for testing soundstage and imaging . due to using these , i found that the hd800 was a clear winner in all headphones that i ' ve reviewed in these categories .

edit : i ' d also like to highlight " dreams " by fleetwood mac . hell , the entire rumours album is a great test for audio equipment .

i was on the fence between the hd650 and he - 400i , but then i put on " the chain " and suddenly the sennheiser wasn ' t an option any more .

so the elear isn ' t the hd800 killer ? ( i got badly carried away by innerfidelitys - wall - fame ) .

it is for my tastes , overall . but it ' s apples and oranges really .

what do you think would suit my tastes tho ( my reply to op has what i love for now ) ? and i kinda love headphones that demolish autotune / huge modulation in voice in exchange for magic when it comes to acoustic and 70s and a little bit of synthetic music . i do like electronic and pop , but the daft punk and backstreet boys kinda stuff . and if i am right , minority by green day should sound better on elear than 800 or is it the other way around ?

and eager about the hd598 review . i have one , just curious to learn what i ' m missing out from high end headphones . . if possible please compare the 598 against hd600 and hd800 , ( i know mine is gonna be crushed , but still curious )

all the ones you mentioned are better on the elear , especially if you like indian soundtracks by the likes of ar rahman where there ' s a lot going on .

i ' ll review the hd598 in the near future , need to do an iem on loaner first . i can already tell you that it ' s warmer than the hd800 . the soundstage is comparable to the elear and hd600 in my view , even though i heard from people that the 598 has a wider soundstage than the hd600 .

no doing ar rahman well is not a criterion for headphones for me . my favorite arr albums are not very popular ( ayutha ezhuthu , new , uyire / dil se , may maadham , kangalal kaidhu sei , boys , guru , shivaji the boss ) . as a matter of fact i hate most ar rahman songs that came after 2007 ( but it ' s nice to see him being popular abroad ) . his songs are played around here often and just kinda know them well , so i use it when testing my headphones . but i do love indian voices like shreya ghoshal ' s ( especially barso re ) , hariharan and chitra and indian classical music and instruments like sitar , mridangam , etc . .

my major preferences are pink floyd , michael jackson especially those 2 albums i mentioned , followed by the songs i specifically mentioned for testing like summertime sadness , alphabeat , minority , that soundstage bubbles song , those sound tracks and artists like sarah jarosz ( especially ring them bells ) , mariah carey , daft punk , etc . . so yep quite a lot of genres . in your elear review , i guess you mentioned hd800 does focused songs like pink floyd better and that kinda got me , but i do listen to chunky songs like minority as well . i do listen to other electronic / dubstep but they are hardly a priority for me .

my tracks kept changing with new gear . my first one was kryptonite , the sound magic e10 did that song some real good justice , drums were very punchy . then when i got my vsd3s , i knew songs with lots of female vocals , dubstep and 70s classics . three particular songs i thought i knew end to end was bet my life by imagine dragons , dreams by beck and the right time by the corrs . but now hd598 s came and my current test tracks ( including what i obtained from my vsd3s ) are

michael jackson - man in the mirror ( emotion , feel , mids and highs . . became my most favorite after hd598 came )

enrique iglesias - why not me , disclosure ft sam smith - latch , the script - walk away ( bass quality and coherence with rest of spectrum ) .

michael jackson - blood on the dance floor . ( the chorus around 3 . 15 ) michael jackson - butterflies ( the backgroud female vocals that come around the later part of the song ) - ( both for testing if any mids is being submerged / compressed and fighting for room , and testing choruses brings out the best in mids )

s . o . a . d - b . y . o . b , and some raps like eminem - lose yourself ( check how effortlessly i can make out the lyrics , lesser the effort better the headphones . they flow like butter out of my hd598 )

norah jones - don ' t know why , bjork - quiet , cranberries - zombie , lana del ray - summertime sadness ( extremely quiet masters , show how contrasting sounds your headphone can produce especially when it played after alphabeat ) . . will show if your source is under driving your headphones .

metallica - nothing else matters , avenged sevenfold - hail to the king , mariah carey - always be my baby ( coherence , ease of understanding lyrics especially in hail to the king , feel and continuity ) . i also use always be my baby as sub bass nsturality / existence if any test ( 12 to 22 seconds )

the corrs - toss the feathers , cma - fragments of the past , audiomachine - breath and life , baptiste thirty - dreams ( non vocal music ) .

soundtracks - hans zimmer ( especially inception ) , thomas newman , james horner ( this guy ' s my most favourite ) , james newton howard . . american beauty soundtrack is pretty amazing to test stuff .

quite a bit of v shaped , bass head or dubstep tracks . skrillex - bangarang ( feat . sirah ) , benny benassi ft . gary go - cinema ( skrillex remix )

sennheisers test tracks of hd800 or orpheis . . found them somewhere on youtube and they were damn impressive even on my vsd3s .

this malayalam song is one of my favorites , so i kinda know it pretty well .

some videos from the net like ads ( they have some really epic music ) and some live stage performances like world of dance for testing emotion , stage feel , realism and sub bass quality / existence . soundstage as well to an extent , but realism > too much soundstage in this case .

i listen to a looot of genres - vocals , instrumentals , orchestras , live videos , short films , lots of ads and adventure videos like devinsupertramp and music from 70s classic 8 / 90s pop to modern hip hop , dubstep , electronica , metal , etc and am open to trashing my old collection and moving to newer ones . fortunately i ' ve never had to trash much other than some chris brown , justin bieber and the likes stuff . but my favorites wavered a lot before settling on the 70s greats of pink floyd ( shine on you crazy diamonds , crying song , us and them , brain damage ) , the doors ( the end , riders in the storm ) , eagles and queen . so much feel , coherence and complexity , yet simple . and exceptional talent . if these felt spot on on any headphone , it ' ll be my end game . and i also find michael jackson ' s invincible ( especially speechless , heaven can wait and break of dawn ) and dangerous ( could there be anyone who doesn ' t like this album ? ) albums to be incredibly good for enjoying and testing . they have all tests in one package . they sound good on anything decent , but they keep scaling as the equipment quality increases . none of my headphones keep me contended with these and give me one big reason to go down the rabbit hole .

i wouldn ' t be surprised if all other songs got replaced from this list with my next headphone , except those 4 70s greats and invincible and dangerous . the soundtracks i mentioned are pretty deep as well .

i also listen to some ar rahman music on new headphones , not because i ' m a fan or anything , just because i know them pretty well and his songs are mastered very well . they are decent but nothing special to test for me .

and sometimes you can confirm your headphone is excellent if it shows how horrible some music / mastering is . lot of people say rhcp sounds bad on good headphones , but to me songs like scar tissue and hey oh sound just fine on all my gear . . i haven ' t tried californication yet tho ! ! . i have certain youtube tracks that have pretty bad mastering , random jumping and popping of music and my hd598 show them clearly well , like a magnifying gslass . kinda makes me feel very good about them .

i think quite a lot of songs above could be used for testing imaging and timbre , but i ' m newbie when it comes to audio , and i don ' t know musical instruments any good . so can ' t comment on that .

and yes , one song will never make it for me . i never get excited for reviews stating about 10 - 15 minute experiences , except if for pink floyd , doors or eagles .

i like your style man - also i like your comments on the songs , im only 1 quater through but lovin most so far .

they ' ve put out apologies with albums for not sounding as good as they wanted , albums that years later are still held in exceptional regard for their quality . they ' re studio perfectionists . . .