graham cantwell ( born march 25 , 1974 ) is an irish film and television director .

he is best known for directing feature film anton which achieved a three-week domestic cinema release and was nominated for three irish film and television awards in 2009 .

his short film a dublin story was shortlisted for academy award nomination in 2004 having picked up several film festival awards .

in 2010 he directed a new television drama the guards for tv3 in ireland .

most recently he directed a romantic comedy set in the film industry in london , the callback queen , which premiered at the galway film fleadh in july 2013 and screened in the u.s. at the jean cocteau cinema , owned and run by george _ r. _ r. _ martin .

in addition to his directing works he is co-founder of film venture london and the attic studio in dublin .

in 2006 he developed and staged the european premiere of babylon heights by irvine welsh ( of trainspotting fame ) and dean cavanagh .

he is represented by felix de wolfe in london .

graham cantwell

graham cantwell <EOT> graham cantwell was born on march 25 , 1974 in dublin , ireland . he is a director and writer , known for

" it ' s the first modern american fairy tale , " said cantwell .

following a deal struck at cannes , graham cantwell’s romantic comedy ‘the callback queen’ has been picked up for global sales rights across all media by us sales agent princ films .

" being an irvine welsh thing , it ' s obviously not going to be people holding hands and sitting watching the sunset , " said director graham cantwell . " it ' s pretty dark . "

the irish lgbt project was awarded as best narrative short while cantwell received the courage in cinema award .

- graham has recently been attached to write and direct world war ii drama ' faraway home ' with powerscourt pictures .

cantwell’s ifta - nominated ‘the callback queen’ previously screened in santa fe at george rr martin ' s jean cocteau cinema .

– is ireland’s leading course provider for short term camera acting intensive courses . our showreel services in both creating original footage for actors , and showreel editing are unparalleled in this country . we are a partnership comprised of film director / writer graham cantwell and actor / director amy - joyce hastings .

the film is written and directed by graham cantwell whose previous works include debut short film ‘a dublin story’ which was shortlisted for an oscar nomination in 2004 , as well as political thriller ‘anton’ which received three ifta nominations in 2009 . joseph conlan composed the score while anthony bowes served as dop . executive producers on the film were stephen gibson , martin carroll and martin witts .

rich henrich , festival programmer : “the courage in cinema award acknowledges a filmmaker for taking risks in storytelling to enlighten the world through the courage of cinematic storytelling . it isn ' t always easy to tell the stories of the marginalized and least heard or understood in society . graham cantwell places the quandary of humanity in the hands of an incredible cast to bring dignity and compassion to the screen for all to see . ”

" if you look at any situation where young people are stuck together , pretty much under house arrest , they ' re going to have to distract themselves somehow , " said cantwell , a founder of dublin ' s attic studio theater group . " drink , drugs , sex _ it ' s all there . "

showreel for london based irish director graham cantwell . footage from ifta nominated feature film " anton " ( international title " trapped " ) with gerard mcsorley , anthony fox and laura way , feature film " the callback queen " starring mark killeen , amy - joyce hastings and eoin macken , award winning short film " a dublin story " with robbie sheehan and cain williams , tv3 tv series " the guards " with emmett j scanlan and gordon mahon , tv pilot " the coalboat kids " and short films " the letter " , " one careful owner " and " exercise caution " . for more visit www . powertriphome . com . agent : wendy scozzaro felix de wolfe kingsway house 103 kingsway london wc2b 6qx t : + 44 ( 0 ) 20 7242 5066 e : wendy @ urltoken w : www . urltoken

speaking about the deal , igor princ , president of princ film said : “from the first look we felt that this clever , funny and engaging film will perfectly fit into our slate of films for next season . we are confident that ‘the callback queen’ will see warm welcome among film buyers and distributors we work with globally . at the same we are delighted that we can work with stephen and graham not only on this film but , hopefully , future projects they have in development . ”

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dublin , ireland - - on the stage of a small dublin theater , actors dressed as munchkins swear , steal , fight , drink and smoke opium .

the seamy underside of " the wizard of oz " is on display in " babylon heights , " a provocative backstage drama complete with drug addiction , sex and suicide among the movie ' s munchkin performers .

the show , which opened tuesday in dublin , has titillated the tabloid press _ and left some small people worried about how they will be portrayed .

it ' s easy to see why . the play is co - written by irvine welsh , an auteur of excess whose 1993 novel , " trainspotting , " put scottish heroin addicts and salty edinburgh slang on the literary map .

the play _ first staged at san francisco ' s exit theatre earlier this year _ has generated a flurry of headlines thanks to its depiction of dwarf debauchery . britain ' s daily mail recounted with relish the " shocking episodes of drunkenness , depravity and wild sexual propositions " behind the scenes of the 1939 film .

ruth morgan , manager of the 3 , 000 - member restricted growth association , said she was keeping an open mind about the play , in which the characters are played by full - sized actors on an oversized set .

but she is worried it will bring the derogatory word munchkin back into common use .

" people of restricted growth are not munchkins , " she said . " they are people of restricted growth . "

judging by opening night , the play is deliriously vulgar , as subtle as a sledgehammer _ and far too long . but the irish cast imbue the characters with genuine emotion , and the trick of perspective played by the huge set does give audience members a sense of what it ' s like to be small in a big person ' s world .

the alleged offstage antics of the actors who played the munchkins have become part of " wizard of oz " lore . more than 120 small performers appeared in the movie as inhabitants of the magical munchkinland visited by dorothy and her loyal dog , toto .

some were seasoned performers recruited from circuses and vaudeville troupes . others were inexperienced hopefuls _ lured , like many before and since , by the promise of the hollywood dream . they were , welsh said in a recent interview , " the smallest of the small people in depression america . "

billeted apart from the other actors in a hotel near the mgm studios _ and reportedly paid less than the dog playing toto _ they were an object of prurient fascination to their co - stars .

director mervyn leroy recalled " sex orgies at the hotel . " in a 1960s talk show appearance , judy garland blurted out " they were drunks " when asked about her diminutive co - stars .

welsh and co - author dean cavanagh confine four characters _ a new jersey tough guy , a self - important thespian , an irish lass and a sensitive englishman _ in a dingy hotel room , then let the tension and tantrums unfold .

the fate of one munchkin became a movie myth : it ' s rumored that a dark figure glimpsed dangling from a tree in one scene is the body of an actor who hanged himself in despair . film historians say it was a bird , but welsh and cavanagh try to imagine what would drive a munchkin to suicide .

" it ' s a persistent myth , " welsh told the british broadcasting corp . last week . " the point about myths is they don ' t really need to be true . people need to believe in them . "

" the wizard of oz " is a similarly persistent tale . the story of young dorothy ' s journey from depression - era kansas to magical emerald city , the film was only modestly successful on its release but has become a much - loved , often - televised classic .

generations have grown up laughing with the cowardly lion and trembling at the wicked witch of the west . the story , adapted from l . frank baum ' s novel , " the wonderful wizard of oz , " has inspired innumerable tributes and takeoffs , from disco musical " the wiz " to gregory maguire ' s revisionist novel _ adapted into a hit musical _ " wicked : the life and times of the wicked witch of the west . "

welsh hopes to bring his take on the tale to theaters in chicago and new york .

" it starts out quite dark _ toto is kidnapped , there ' s a tornado , ( dorothy ) kills a witch . and it gets brighter and brighter and brighter . and the play mirrors that in reverse . it starts off quite upbeat and gets darker and darker .

" if you scratch the surface of any fairy tale , you ' ll find something pretty nasty going on underneath . "

" babylon heights " runs until aug . 19 at the mill theatre , dublin .

go behind the scenes of the mission : impossible movies , check out the latest videos and trailers , and see which spy movies topped the box office in our mission : impossible guide .

2008 : director ' primetime ' reconstruction of court case for rte current affairs program .

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please use the links at the top of the screen to navigate the site .

- lily has won the tiernan mcbride best irish drama award at the galway film fleadh , qualifying it for academy award consideration . it also screened as part of the global shorts forum at the prestigious savannah film festival .

- the callback queen was recently nominated for two irish film and television academy awards at the 2016 iftas .

georgina barley actor , the native woodland trust , stanley kubrick , the lir academy , the real mighty boosh , i am holly matthews , the wiley fox , the craic festival , muhammad ali , george r . r . martin , carbonated comet productions , fastnet film festival , men for repeal , together for yes , irish arts center

all the above course weeks will take place at the lab , foley st , dublin 1 .

as well as our own work in the irish and british film industries , we are both passionate about discovering and developing new talent . drawing on years of combined experience we have designed practical workshops for actors , directors and writers in the film and television industries .

we specialise in practical training , believing that time in front of the camera is the only way to properly develop your camera craft . our group classes promise to inform and educate in a comfortable and inclusive atmosphere . we cater to the needs of artists at all levels , from beginners to the highly experienced .

film venture also operates as a production company of original narrative fiction films . credits include feature films the callback queen ( 2 x ifta nominations 2016 ) , duets ( in development ) as well as many award winning short films body of christ , parfum , nocturne passage , exercise caution , qed and the oscar longlisted , ifta nominated lily .

as well as our group courses we offer intensive one to one tuition sessions for film , individual showreel scene shoots , headshot photography and a variety of showreel editing packages to suit your budget . please browse the tabs above to learn more about our services or check out our upcoming course listings below . register for production news and training opportunities on the contacts page .

the film’s executive producer stephen gibson said : “when igor and i met at cannes i knew we had found the perfect partner to help implement our distribution strategy . princ films have a sterling track record and vast experience in the independent sector . ”

the romantic comedy which stars amy - joyce hastings ( ' the tudors ' ) and mark killeen ( ' 300 : rise of an empire ' ) will soon enjoy a select uk theatrical release . a number of northern ireland cinemas are confirmed , with dates and screens to be announced soon . the film has also just sealed a uk and ireland vod and tv distribution deal with the movie partnership , europe ' s premium aggregator , based in the uk .

‘the callback queen’ is about an irish actress in the cut - throat london film industry , striving to land a role in an epic fantasy film , directed by famous movie director vincent catalano . the film also stars eoin macken , ger ryan and seán t . ó meallaigh .

the independent film had its world premiere at the galway film fleadh and its london premiere at leicester square theatre , before going on to screen as part of the british and irish film season in luxembourg , selling out two screens at the irish film festa in rome , and a week - long test run at ‘game of thrones’ creator george r . r . martin ' s jean cocteau cinema in new mexico .

subscribe to iftn ' s industry newsletter - it ' s free and e - mailed directly to your inbox every week . click here to sign up .

‘lily’ also won the the tiernan mcbride best short drama award at the galway film fleadh this year . its us premiere was had at the prestigious savannah film festival , while at home it was selected for the kerry film festival and clones film festival .

clara harte plays the titular character in this short film , starring alongside dean quinn as best friend simon , with a supporting cast which includes paul ronan ( veronica guerin ) , aisling o’neill ( fair city ) , and lynette callaghan ( the yank ) . amy - joyce hastings ( the callback queen ) and leah mcnamara ( nails ) also star .

“with a combination of wild west style buildings and a thriving artistic community it is unique in my experience of american cities . we have close ties with santa fe , having visited previously and made many friends , so to be honoured here in this way really means a lot . i am grateful to the organisers of the santa fe film festival and to the people of santa fe for giving us such a warm reception and supporting us and our film in the way that they have . the quality of films in competition was exceptional , so for ‘lily’ to have been awarded the ' best narrative short ' award is also very gratifying . ”

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saathiya ( hindi : साथिया , english : companion ) is a 2002 indian hindi romantic drama film directed by shaad ali and produced by mani ratnam and yash chopra under the banner of yash raj films .

the film stars rani mukerji opposite vivek oberoi in lead roles .

the soundtrack was composed by a. r. rahman .

it is a remake of the tamil film , alaipayuthey directed by mani ratnam which also had its music by a. r. rahman .

the film was released on 20 december 2002 .

it features cameo appearances by shahrukh khan , tabu and aditya srivastava .

box office india declared the film as a " super hit " in india .

saathiya ( film )

saathiya ( film ) <EOT> it ' s been almost 15 years since shaad ali ' s dewy romantic film saathiya entered our lives . the film has a bit hatke in terms of story - telling .

saathiya audio jukebox | vivek oberoi | rani mukerji | a . r . rahman

saathiya ( original motion picture soundtrack ) by a . r . rahman on apple music

saathiya hindi songs / bollywood music / film soundtrack / vivek oberoi / rani mukharjee / a . r . rahman / oscar winner for slumdog millionaire / indian music

saathiya audio jukebox | vivek oberoi | rani mukerji | a . r . rahman - youtube

mix - saathiya audio jukebox | vivek oberoi | rani mukerji | a . r . rahman

i am not responsible for such expectations . this film will do what it is supposed to do . i want every film to do well .

sonu nigam wins best playback singer award for saathiya . one of the most popular film awards ceremony in bollywood , zca 2003 was held in mumbai . # zeetv # zeetvshow

it was important for me to make a film . it is very difficult to get a chance to make a film . it is a big struggle .

if you want to answer the questions , " who starred in the movie saathiya ? " and " what is the full cast list of saathiya ? " then this page has got you covered .

looking for movie tickets ? enter your location to see which movie theaters are playing saathiya near you .

this cast list of who was in saathiya includes both lead and minor roles . ( 57 items )

mumbai : tv actor mohammad nazim , who plays ahem in the show " saath nibhana saathiya " , will make his bollywood debut with horror film " plot no 666 " . it was the " unique concept " of the film that attracted him to the project .

saathiya cast list , listed alphabetically with photos when available . this list of saathiya actors includes any saathiya actresses and all other actors from the film . you can view additional information about each saathiya actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of saathiya have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .

met him , he was exhausted . it only needed a mention of his film ,

mumbai : popular tv actor vishal singh of ' saath nibhana saathiya ' fame says he learnt a lot by observing his co - star manoj bajpayee while working with him in the upcoming film ' traffic ' .

i hope critics and people will give me a fair chance and not look at it as a film that was made earlier by mani ratnam . i hope they will not compare my film with

the ' bank chor ' actor said that he would cast ranbir - alia if saathiya is ever remade in bollywood today .

visual pleasure in narrative cinema ! 180 people " satisfied their guilty pleasures " on september 13 , 2003 watching a screening of saathiya organized by tavishi alagh at anthology film archives . the audience members comprised a wide spectrum of backgrounds , from hard core bollywood fans to newcomers who had never seen a hindi film before . the screening included a behind - the - scenes photo exhibit on the film and an after - party with san francisco ' s dj rhino _ fx featuring an eclectic mix of music including remixed music from the film .

saathiya written by gulzar ( as sampooran singh gulzar ) composed by a . r . rahman performed by sonu nigam courtesy of saregama hmv

because i wanted the film to look fresh . madhavan had already signed a couple of hindi films then .

for those who don ' t know , vivek oberoi - rani mukherji starrer saathiya which released on 2002 , was a remake of the tamil film , alaipayuthey , which was directed by mani ratnam and featured r . madhavan and shalini kumar in lead roles .

but comparisons are bound to happen . did you think of that when you accepted the offer to direct this film ?

i have known vivek since kindergarten . he is like what you see him in my film . he has acted in

the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .

i purchased this film because i am a fan of shah rukh khan and he has a special appearance in this film . he appeared in the second half of the film for quite a few minutes and it was very enjoyable to see him . rani mukerji stars in this film and i really enjoy seeing her in films . i believe the name of the male lead is vivek oberoi . he did a good job in his role . this film tells the love story of two young adults who marry dispite opposition from family . it depicts the reality of life for newlyweds . it also shows how true love rises above trivial matters in the face of a major crisis .

the remo d ' souza - directed film also stars prabhu deva and is slated to release on june 19 in 2d and 3d formats .

, which elaborates on the love story of the film ' s lead pair suresh and vinnie , played by varun dhawan and shraddha kapoor respectively .

was offered to me , i could only say yes . for me , mani sir asking me to do the film was an achievement in itself .

soundtrack , which features the same music from the tamil film . clearly , those who enjoyed the tamil music will also find the hindi version catchy .

to write a new script . i knew he would have a different approach to the film . at the same time , we didn ' t want to lose the essence . it is a treatment - based film , not plot - oriented . the relationship between the characters and their performances are important .

" i think there is no film that shouldn ' t be remade . if a story is beautiful , it should be told again and again . "

after working as an assistant director on mani ratnam’s dil se . . , shaad ali made his directorial debut in 2002 with saathiya , a hindi remake of ratnam’s alaipayuthey . having since assisted ratnam on two features , and directing three of his own ( bunty aur bubli being the most notable ) , ali has returned to reworking his mentor’s hits with ok jaanu , an adaptation of ok kanmani , a 2015 ratnam film . i haven’t seen the original , which is probably for the better ; saathiya was fine , but only if you weren’t comparing it to alaipayuthey .

at a time when hindi cinema rolled the curtains when the protagonists got married , saathiya told a tale of what happens next post that ' happily ever after ' . what made the film even more memorable was vivek oberoi - rani mukherji ' s heart - melting romance , a . r rahman ' s soul - stirring music and gulzar ' s beautiful lyrics .

the film that truly announced ali ' s arrival as a filmmaker was bunty aur babli , which , was also one of the first solo hits of abhishek bachchan . written by jaideep sahni , bunty aur babli was also the first time ali was not encumbered by the rigid template that is somewhat inescapable while remaking a film .

the initial script was at the back of my mind . i wanted to get the images of the film out of my mind . that is why i asked gulzar

he said , ' it doesnt look like your first film . ' that comment was a big compliment for me . mani sir is a man of few words .

hile the hindi film industry tries to get its act together hoping to salvage the crucial december month , at least one producer has decided to find solutions from the south .

the film that ok jaanu reprises , ok kanmani , is perhaps the weakest of mani ratnam ' s films . it also a film which even some die - hard ratnam fans found difficult to sit through . ali is the best person to reinterpret the film for the hindi audience but this rather safe refuge of the filmmaker where he seems to return to his guru when he needs a miracle , to this writer ' s mind , has somewhere robbed hindi films of a filmmaker who could have been so much more .

delhi 6 ( cd ) ( 2009 ) ( a . r . rahman / oscar winner for slumdog millionaire / indian music / bollywood movie / indian cinema / hindi film )

this film was great ! ar rahman is a great composer , and this film is just another perfect soundtrack from him . i loved all the songs . the film in itself is very , very good ! rani mukerji and vivek oberoi had incredible chemistry , and they were great in this film . it makes me sad that vivek didn ' t become the big star he obviously was meant to be . the story was able to keep me interested throughout , and i liked how we were able to see everything an everyday couple go through without anything being too outlandish . it made the story more realistic and relatable . if only we could break out into beautiful song and dance numbers from time to time .

madhushree , a r rahman , kk , shaan , kunal , sreenivas , asha bhosle , karthik , richa sharma , mahalaxmi , vaishali , shoma , pravin mani , murtuza , qadir , sonu nigam , adnan sami sadhana sargam - saathiya ( hindi songs / bollywood music / film soundtrack / vivek oberoi / rani mukharjee / a . r . rahman / oscar winner for slumdog millionaire / indian music ) - urltoken music

tunes , screeches and thrums beautifully . kapoor gives what might be her best performance yet , the conflicting emotions on her face in the latter stages hinting at a complexity the film just doesn’t possess ( kapur prefers to submit one emotion at a time ) . all in all , a film that fits snugly into a category coined by critic andrew sarris : lightly likeable .

the rest of the cast in the film especially bobby deol , the second lead , was not a draw anymore and the entire onus rested on bachchan junior , which was too much for the kind of irreverence that jhoom barabar jhoom was probably aiming for . the word of mouth on the film was so poor that its fate was sealed within the first few days of its release .

recently when we caught up with vivek for an interview , we couldn ' t help ourselves from asking him who would he like to see if saathiya ever gets a remake . and here ' s what he had to say . . . .

duets and full scale wedding routines follow each other as the first half zips along with its charter to set the musical mood . in cinemas , saathiya will be played with an interval in keeping with indian cinema rituals , when patrons can discuss the songs ,

shaad is nervous . he is excited . he can ' t wait for his film to release on friday , december 20 . bear in mind , he takes on sanjay gupta ' s multi - starrer

the album opens with the title song saathiya , a melodious number with the rich flute solos and guitar accompaniment in the backdrop . lyrics by gulzar are good and sonu nigam rendition is appreciable . the album then gets into a festive mood with chalka chalka re sung by richa sharma , mahalaxmi , vaishali , and shoma . the song is a wedding number with a distinct south indian flavor . on the whole saathiya has one of the most commendable compositions by rahman . gulzar s meaningful words enrich the album . - - apunkachoice . com

revisiting jhoom barabar jhoom one can see how if the film ' s screenplay ( which was written by ali himself and is also the only film he has written himself ) had been treated slightly differently , it could have been a richer cinematic experience . in spite of having fallen short of its potential , jhoom barabar jhoom is one of the best examples of metacinema when it comes popular hindi films and worth a re - look .

at the beginning of the film , when vivek oberoi is seen driving his bike and grooving to the music on his headphones , he is simply acting as he performed the scene without any music whatsoever . see more »

i worked as his assistant for four years . maybe he felt i could do this . i was also the associate director on the original . i had worked with the script for five years before it was made into a film .

probably . it is a challenge to make a film made by mani sir again . i learnt filmmaking from him . once i finished shooting , i started thinking about how mani sir would have done each shot , how he would react , etc .

this was also the film where ali ' s knack for picking up a great tune came to the fore and moreover , his imaginative use of the legendary lyricist gulzar who penned instant classics such as ' kajra re ' and ' chup chup ke ' .

well , since ranbir and alia are already doing a film together ( ayan mukherji ' s superhero flick ) , we won ' t mind seeing them one more time sharing screen space since we know that they are one of the most talented actors among the younger lot .

saathiya , indian director shaad ali ' s acclaimed first film , takes a new angle on the time - tested bollywood love story . it is the story of star - crossed young lovers who elope , then continue living apart with their parents , without telling anyone about their marriage . the secret marriage implodes when the bride ' s parents discover the truth , and the young couple is forced to fend for itself , making do with more love than money . using non - linear plot movement , the film stylishly explores the warmth and passion of a young marriage , and its subsequent unraveling under financial and familial strains . shaad , who apprenticed under directors like his father muzaffar ali , mani ratnam and ketan mehta , makes innovative use of bombay ' s commuter trains , a familiar setting for untold numbers of real world romances . the story starts with a waiting lover at churchgate station , and places the young romance and marriage against the backdrop of ever - present commuter trains .

debuting with saathiya that was the hindi version of ratnam ' s alai payuthey ( 2000 ) , ali has almost come a full circle where his next release , ok jaanu , is also based on ratnam ' s ok kanmani ( 2015 ) . amongst the younger crop of filmmakers in hindi cinema today , ali is blessed with one of the best ears for music and can effortlessly elevate screenwriting ( that could otherwise have fallen woefully short ) to become a sociocultural statement . these were best seen in jhoom barabar jhoom , a film where he had taken a departure from the things that he had become used to , and also relied upon — namely , a ready - made project in the form of a remake . perhaps the film ' s lackluster run at the box - office in spite of decent enough star power and a soundtrack that was one of the best in recent times , somewhere dented his chances of going beyond remaking his mentor ' s films in a different language .

bollywood meets south india in “saathiya , ” a hindi remake of a tamil b . o . hit in which the more relaxed southern style of filmmaking has a loosening effect on its northern cousin’s formulae . paired with boyish - looking up - and - comer vivek oberoi ( “company” ) in a standard love story told in a slightly unstandard way , young actress rani mukherji steps [ … ]

bollywood meets south india in " saathiya , " a hindi remake of a tamil b . o . hit . paired with vivek oberoi ( " company " ) in a standard love story told in a slightly unstandard way , young actress rani mukherji steps up to the plate with one of her best perfs to date , making this an enjoyable < i > masala < / i > item for bollywood buffs .

feedback from audience members : " if this is bollywood , bring it on ! " - chris arnold . brooklyn , ny . " fantastic - do it again ! i bawled like a baby ! " - lenge hong . new york , ny . " spectacular ! spectacular ! " - anusha chari . university of michigan , ann arbor . " i was flooded with tears . they were lucky it was a happy ending . " - rebecca wright . new york , ny . " fabulous movie ! fabulous party ! " - nathan letts . san francisco , ca . " all the non - desis i spoke to who saw the movie were very happy with their first bollywood experience . also , those who hadn ' t seen saathiya before enjoyed your choice of hindi film . " - kartik desai . columbia university , new york . " doug and i enjoyed the movie . it would be great to see more indian blockbusters making it in the us . this film was a very positive portrayal of indians . the music was specially lovely . i look forward to more . " - nandita parker . connecticut .

born to filmmaker muzzafar ali ( gaman , umrao jaan ) and subhashini ali née sehgal , ali assisted mani ratnam on dil se . . . ( 1998 ) where he learnt the finer aspects of the craft observing one of india ' s best filmmakers . unlike most assistants or associates who move on once they embark on a solo career , ali continued to collaborate with ratnam even after delivering successes such as saathiya and bunty aur babli .

1962 marked the beginning of bhojpuri cinema in india . bhojpuri cinema continued existing on the fringes of lime light for all these years . 2005 is the land mark year in the history of bhojpuri cinema in india , when bhojpuri zealot shri vinod gupta started bhojpuri film awards to felicitate artistes and technicians from bhojpuri cinema . . . . . read more

yes , i am . they understood the characters quite well . rani and vivek have given the finest performances you have seen in recent times . they are natural ; they are themselves . they were committed . the film was made in one schedule . there is continuity in their look and characterisation . both of them were genuinely involved in the project .

subscribe now : - urltoken download wave music official app from google play store - urltoken if you like bhojpuri song , , bhojpuri full film and bhojpuri movie songs , subscribe our channel . subscribe now : - urltoken visit our website to download our songs and videos : urltoken film : - satya star cast : - pawan singh , akshara singh , amarpali dubey , annu upadhyay , umesh singh , brijesh tripathi , lota tiwari , sweety singh , nidhi jha , rahul verma , mukesh tiwari & dayashankar pandey singer : - pawan singh , kailash kher , akshra singh & indu sonali chief assit drector : - mukesh tiwari writer : - viru thakur lyrics : - vinay bihari , manoj matalbi , sumit chandravanshi , vibhaker pandey , arun bihari and vinay nirmal . music director : - chhote baba . director : - sujeet kumar singh producer : - radheshyam jivrajji luha , gajanand lal singh chauhan , sujeet kumar singh editor : - dipak jaul dop : - devendra tiwari dance director : - ramdevan action : - bajiroa rockki rajesh art : - nazir shaikh desiner : - narsu marketing manager : - vijay yadav excutive producer : - arshad shaikh chief assi director : - mukesh tiwari business manager : - vijay yadav baner : - shyam ghanshyam film international pvt . ltd . present . company / label : - wave music

now that it’s in a film title , does that mean it’s acceptable to call someone jaanu in public ? this term of endearment has always struck me as the sort of thing one would mutter , in a suitably embarrassed fashion , under one’s breath . kanmani is a beautiful word , tripping off the tongue , affectionate and warm and fun . jaanu , on the other hand , sounds like something people who wear friendship bands are liable to call each other .

he made the most of a narrative that allowed enough opportunities to create vignettes and moments that could bear his signature . the film ' s story — two people ( abhishek bachchan and rani mukherji ) from small town india with dreams too big for anyone ' s liking embarking on a crime spree where they con people for kicks — and it ' s unapologetic celebration of crooks resonated with a generation of viewers who did not find anything wrong with taking the easier way out .

bollywood meets south india in “saathiya , ” a hindi remake of a tamil b . o . hit in which the more relaxed southern style of filmmaking has a loosening effect on its northern cousin’s formulae . paired with boyish - looking up - and - comer vivek oberoi ( “company” ) in a standard love story told in a slightly unstandard way , young actress rani mukherji steps up to the plate with one of her best perfs to date , making this an enjoyable masala item for bollywood buffs . initial biz at home has been average since the pic opened dec . 20 , as counter - programming to male - dominated gangster blockbuster “kaante . ”

for a film about people who’d rather move up in the world than make the kind of compromises relationships require , there’s one significant stumbling block : no viewer with a grip on reality would mistake either adi or tara for the career - obsessed sort . what will the millions of young people who actually have to juggle relationships and their careers make of these two , barely breaking a sweat , receiving nothing but congratulations from their bosses , with nothing as prosaic as a late night in office to disturb their pursuit of fun ?

running away from home can ' t keep a couple together . a signed paper can ' t keep a couple together . love can . while for most love stories , marriage is the " goal " , the fact remains that marriage is just the beginning . saathiya continues on , from where most love stories end . from the infatuation stage " when a couple thinks they are in love " right through to " when a couple discovers the true meaning of love " . aditya and suhani met and fell in love . but when they eloped and set up home hoping that just love will do the trick . . . well that ' s just the beginning of their story . . .

there are times when certain tags get attached to filmmakers and these , unfortunately enough , end up becoming their calling cards . this writer has always felt that when one thinks of shaad ali , best known for saathiya ( 2002 ) and bunty aur babli ( 2005 ) and the misfire - yet - still - grossly - underrated jhoom barabar jhoom ( 2007 ) , one more often than not , ends up thinking of him as the guy who mostly remade mani ratnam films in hindi . in a career that now nearly spans a decade - and - a - half , ali had made five films , including the upcoming ok jaanu ( 2016 ) , and nearly half his oeuvre comprises mani ratnam remakes .

movie : saathiya presenter : aadi shakti entertainment & navbhyu multimedia banner : a . s . pictures & maheshwara productions producer : anuj kumar , ganesh pendela co producer : mahesh upadhyay & laxmi narayana pendela director : praveen kumar guduri associate director : harish gupta choreographer : kanumukharjee , sanjay korve , ram devan star cast : khesari lal yadav , akshara singh writer : arbind tiwari action : hira yadav lyrics : pyarelal yadav , azad singh , zahid akhtar , arbind tiwari music director : ghunghuroo music on : aadi shakti audio - worldwide records bhojpuri ( div ) urltoken for latest bhojpuri movies and songs , don ' t forget to subscribe to us on youtube : urltoken follow us on facebook : urltoken follow us on google : urltoken

running away from home can ' t keep a couple together . a signed paper can ' t keep a couple together . love can . while for most love stories , marriage is the " goal " , the fact remains that marriage is just the beginning . saathiya continues on , from where most love stories end . from the infatuation stage " when a couple thinks they are in love " right through to " when a couple discovers the true meaning of love " . aditya ( vivek oberoi ) and suhani ( rani mukerji ) met and fell in love . but when they eloped and set up home hoping that just love will do the trick - well that ' s just the beginning of their story . written by official source

story is told largely in flashbacks — announced by the frozen widescreen image turning to ochre and receding within the frame — as aditya sehgal ( oberoi ) waits one evening at a mumbai station for the love of his life , suhani sharma ( mukherji ) . first flashback shows their meeting at a wedding where , in a zippy musical number , suhani is one of the dancers . he’s a law student and she’s studying pediatrics , and when they later pass each other on different trains — one of several sequences fluidly shot and edited that sum up the film’s special flavor — a spark flies .

even beyond his straight ratnam remakes ali ' s kill dil where two orphans ( ali zafar , ranveer singh ) raised by a local gangster ( govinda ) to be assassins appears to be inspired by the mood of vishnuvardhan ' s tamil gangster film pattiyal ( 2006 ) where kosi ( arya ) and selva ( bharath ) , are contract killers working for a middleman sami ( cochin haneefa ) , who is almost like a father figure to them . even the character of the ' girl ' in both films — parineeti chopra in kill dil and padmapriya janakiraman in pattiyal — has a similar track where things go south once she enters .

making the most of bunty aur babli ' s success , ali ' s next jhoom barabar jhoom was an ambitious project and one where the stakes were the highest up until then in his career . here was a film that otherwise might have been just another in the roster for the producer ' s , yash raj films , but the focus become sharper as the music had caught the fancy of the people and the success of bluffmaster ( 2005 ) , dhoom : 2 ( 2006 ) , guru ( 2007 ) and also the critical appreciation in kabhi alvia na kehna ( 2006 ) had made abhishek bachchan in a star in his own right .

a . r . rahman borrowed most of the tracks from this movie from " alaiputhiye " , but the tracks are extremely good . i am listening to these tracks more than 10 years after it was first released - that ' s how good the album is . at times , it seems like rahman tries to bring in michael jackson - ish beats into his music ( like in " humdum suniyo re " , but it always works . my favourites : chupke se - a song about longing . o humdum suniyo re - the opening track to the movie . aye udi udi udi - a song about the high point of newly - married viveik oberoi and rani mukerji ' s troubled marriage . mera yaar mila de - accompanies the movie when viveik goes in search of rani , who is a volunteer doctor in rural india . saathiya - a beautifully composed and choreographed sequence . songs like these deserve to be played again and again on your music player .

it’s when they decide to move in together that the film , ever so slightly , raises the emotional stakes . we already know that tara , an architect , wants to move to paris , while game creator adi is eyeing fame and fortune in the us . they’re on borrowed time—something that ali and dialogue writer gulzar underline through the example of the elderly couple subletting a room to adi . charu ( leela samson ) has alzheimer’s ; she’s hesitant but still mentally present , except for worrying episodes in which she wanders off alone . her husband , gopi ( naseeruddin shah ) , knows she’ll be lost to him soon , but puts on a brave face . it’s a reasonable , if somewhat pat , parallel : an imposed expiry date for one relationship , a self - imposed one for the other .

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tabadala - तबादला | official trailer | pawan singh . akshara singh | superhit bhojpuri movie 2017

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a couple elopes to get married and set up home hoping that just love will do the trick - but that ' s just the beginning of their story .

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veer - zaara is a saga of love , separation , courage and sacrifice . a love story that is an inspiration and will remain a legend forever .

moving into a new house , a family witnesses an unfriendly ghost who wants to drive them away from the house . however , he befriends a little boy who changes his outlook forever .

a woman is made to realize that her prayers and sacrifice to save her boyfriend ' s life may have led him to a fate worse than death .

stern , strict and prestigious ashok bansal is an industrialist and the eldest in the bansal family . he is a very strict man especially when it comes to his family , his younger brother , anil . . . see full summary »

smitten by a 22 - year old woman , a 12 - year old boy ' s wish to be older comes true .

babul tells the tale of a man ( bachchan ) who tries to bring happiness back into his daughter - in - law ( mukherjee ) ' s life after his son ( salman ) ' s death .

desperation to be with his only child forces a divorced man to take the guise of the child ' s nanny . situations get really messy when the child ' s grandfather ( the man ' s ex - father - in - law ) falls in love with his disguised ex - son - in - law .

kabir khan is the coach of the indian women ' s national hockey team and his dream is to make his all girls team emerge victorious against all odds .

dia ' s dance teacher is dying . she returns to the town where she learnt to live and dance and most importantly to save the endangered ajanta theatre .

a poor but big - hearted man takes orphans into his home . after discovering his scientist father ' s invisibility device , he rises to the occasion and fights to save his children and all of india from the clutches of a megalomaniac .

poonam , a traditionally brought - up young woman , is to marry prem , a groom chosen by her uncle . poonam and prem ' s faith and love are to be tested however , when an accident occurs and poonam might be scarred for life .

ramkishen and mamta have three sons vivek , prem and vinod and a daughter sangeeta . this family is part of a joint family whose close knit bond is challenged by a misunderstanding .

shaad ali had originally intended abhishek bachchan to play the role of aditya sehgal , but he turned it down . however , he accepted a role in ali ' s next venture , _ bunty aur babli _ ( 2005 ) _ .

: means that i am in love with you , i can do anything for you .

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sonu nigam ' s syrupy sweet vocals do wonders for the title track . gulzar ' s lyrics are a breath of fresh air and he seems to be in fine form here . rahman has created a very soft and soothing number , and shaad ali seems to have done justice to it by picturising it beautifully as it ' s evident from the trailers .

the master music composer and oscar award winner a . r . rehman has given the bollywood industry many hit songs . this album is a collection of few of them .

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with : with : rani mukherji , vivek oberoi , sandhya mridul , tanuja , satish shah , sharat saxena , swaroop sampat , tinnu anand , shamita shetty , shah rukh khan , tabu . ( hindi dialogue )

remakes are nothing new to the voracious hindi industry , but this one sticks pretty close to the 2000 original , “alai payuthey” ( waves ) , written and helmed by mani ratnam , the tamil industry’s internationally best - known filmmaker . lyricist gulzar is responsible for the hindi dialogue , many of the original’s songs by noted composer a . r . rahman are re - used , pic’s plot still revolves round a train station , and even two star names from the original pop up for no discernible reason in the final act . remake is confidently helmed by shaad ali , a onetime assistant to ratnam .

however , suhani ain’t no pushover and , though she obviously likes aditya a lot , she turns down his marriage proposal , citing her upcoming finals . there’s also a class difference between their families , pointed up when the parents meet and suhani’s poorer father ( sharat saxena ) is miffed at the perceived condescension of aditya’s upper - middle class dad ( satish shah ) .

but when suhani heads south to tamil nadu to work for a brief spell as an intern , aditya pursues her , and they agree to marry in secret and live apart in mumbai until suhani’s elder sister , dina ( sandhya mridul ) , is hitched . that plan is torpedoed when aditya’s family tries to pair suhani off with aditya’s younger brother , and suhani blurts out the truth .

the light , flowing feel of the first half — enhanced by d . p . anil mehta’s gliding camerawork and sharp colors — continues after intermission as the plot proper gets going . the two are now living together in a cheap rooftop apartment and an entertaining number musically sketches the ups - and - downs of early married life . however , personal dramas and misunderstandings intrude , bringing the story up to the present and explaining why suhani is late for her meeting with aditya at the railway station .

though the story lacks the simple charm of the tamil original , and bollywood conventions invade the pic at , among other places , a beach number ( showcasing singer shamita shetty ) , there’s still a freshness to the movie , thanks to some witty dialogue by gulzar and — especially — the perfs of the two leads . oberoi makes a likable , unnarcissistic aditya and pairs well with the vivacious , husky - voiced mukherji , 24 , who’s at the top of her game as the all - or - nothing suhani . among a solid cast of supports , tv thesp mridul stands out as suhani’s sensible older sister .

musical sequences , which are more rhythmic than melodically memorable , run the gamut from fully fledged fantasy numbers to montages with songs on the soundtrack , though there are no mass - choreographed showstoppers . tech credits are very good throughout .

production : a yash raj films presentation of a kaleidoscope entertainment production . produced by bobby bedi . directed by shaad ali . screenplay , mani ratnam , gulzar , based on ratnam ' s tamil screenplay " alai payuthey " ( waves ) .

crew : camera ( color , widescreen ) , anil mehta ; editor , sreekar prasad ; music , a . r . rahman ; lyrics , gulzar ; art directors , chetna prabhu , priya raghunathan ; costume designers , manish malhotra , ferzeen khambatta ; sound ( dolby digital / dts digital ) , robert taylor ; choreographers , saroj khan , geeta , piyush ; assistant directors , kiran rao , richa gupta , hasan kutty . reviewed at warner village west end 8 , london , dec . 23 , 2002 . running time : 137 min . ( i : 70 min . ; ii : 67 min . )

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gopi asks rashi to teach her how to spell ahem ' s name so she can stitch it on his socks and handkerchiefs , but rashi tricks her . ahem wears the newly embroidered socks , but does not see what ' s written on it . later , gopi tells kokila rashi helped her write ahem ' s name .

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