pardes ( english : foreign land ) is a 1997 indian hindi-language musical drama film directed by subhash ghai .

it was released on 8 august 1997 .

the film stars shahrukh khan , amrish puri , alok nath , and newcomers mahima chaudhry and apurva agnihotri .

the film was a commercial , critical and musical hit .

mahima chaudary won the best newcomer award for her performance .

the film was remade in telugu as pelli kanuka ( 1998 ) .

pardes ( film )

pardes ( film ) <EOT> new pardes ( hindi film songs / film soundtrack / bol l . . . new pardes ( hindi film songs / film soundtrack / bol l . . .

here is a version of the song " i love my india " from the film pardes .

pardes - ( with making of film ) bollywood dvd - shah rukh khan , mahima choudhary .

the film pardes is a love story about people and a love story about india . released in 1997 , the film both opens and closes with the title :

there are no critic reviews yet for pardes . keep checking rotten tomatoes for updates !

film | rg number : rg - 60 . 1349 | film id : 2925

pardes was a three hour propaganda about the sanskari - ness of india by dissing every other culture .

chorus : ganga why are you going to pardes ( foreign land ) , leaving your own desh ( country ) .

that said , " pardes " does suffer from some challengingly old - fashioned viewpoints , which i ' m sure are more difficult to take as a non - native viewer . those , coupled with an overall datedness make " pardes " not among my favorites .

. while the academic study of " film and religion " as a subfield within religious studies has only come of age since the late 1980s , the connection between film and religion is as old as film itself . as film theorist andr

tabun sutradhar composed the film ' s music . several lyricists wrote for the film , including zameer kazmi and sameer .

at such a time , back in 1997 , subhash ghai released pardes , in the year that marked 50 years of indian independence .

pardes ( hindi film songs / film soundtrack / bollywood / shahrukh khan / yeh dil ) - buy online in uae . | audio cd products in the uae - see prices , reviews and free delivery in dubai , abu dhabi , sharjah - desertcart uae

this film was a surprise hit and acclaimed guddu dhanoa ' s reputation as an action film - maker . dhanoa had earlier made

this is the final untranslated song from pardes apart from the marriage one fs which are mostly lamentations about a girl leaving her father ' s home .

ghai is one of those directors who are known for using music very intelligently in his film . in fact he delivered some musical films like pardes , taal , yaadein , kisna : the warrior poet , yuvvraaj among others .

subhash ghai is one of those directors who are known for using music very intelligently in his film . in fact he delivered some musical films like pardes , taal , yaadein , kisna : the warrior poet , yuvvraaj among others .

madhuri dixit had great expectations from this film , produced by her secretary rikku . the film also starred sanjay kapoor and akshaye khanna . the film flopped , managing rs 13 million per territory after being sold at rs 15 million .

animation , graphic and web designer , vfx artists , film / video editor .

like when i watched pardes i asked my mum is this how it is in india , how it’s shown in the film . sometimes she agrees with the film , at other times she doesn’t . if she doesn’t then i’ll just take it in for myself and it’s interesting to see how they portray india and indian things . ( p . 73 )

it is not only the content of film that connects film and religion , for as a number of critics have observed , one can find religious interests and implications in the formal style of film , as well as in the cinematic experience of viewing film . as another early film critic and director , jean epstein , once said , " i would even go so far as to say that the cinema is polytheistic and theogonic " ( abel , 1988 , p . 317 ) . film , and the experience of viewing film , may be religious in and of itself , creating its own gods , goddesses , and myths , and film does not merely represent or reflect an already established religion . so , while not mutually exclusive categories , film studies and religion studies can be usefully divided into three key approaches , and the second half of this entry will examine the various scholarly responses to the connections between film and religion : religion in film , religion as film , and the cinematic experience and ritual .

100 the country where my husband is , that is where my heart is ( but ) how difficult it is to make two hearts merge coming to a pardes ( foreign ) country .

similar to the dual nation setting of dilwale dulhania le jayenge ( 1995 ) , pardes ( 1997 ) takes a serious look at the lives of westernized non - resident indians ( nris ) in north america . whereas dilwale dulhania le jayenge was about nris with indian hearts , pardes is about westernized nris . ) and hence the meaning of the title - " foreign land " .

the most awaited film of the year . indra kumar ' s fourth film proved he could have a hit without madhuri dixit , the heroine of his earlier three hits ,

but ghai maintains that it is too early in the game to pass a verdict on his movie . he says the film will soon settle down to steady business like his last release , pardes , which picked up after the opening week and went on to become a hit .

sold at rs 17 . 5 million the film netted rs 25 million on an average .

and still managed a better opening than either film . but thereafter , it lost out . sold at rs 9 million per territory , the film made rs 15 million per territory .

ghai is quite confident that his film will pick up steam soon and become a hit .

praised victor banerjee ' s acting , but said the film was too cliché and unoriginal .

subhash ghai ' s ' pardes ' celebrates 50 years of indian independence as it delves into the lives of nris in north america and beautifully encapsulates the sentiments of ' american dreams . . . indian soul ' .

yeh vaada raha - r . d burman bollywood cassette soundtrack tape ( 1981 film ) not lp

and kept telling all and sundry that it was his dream project . finally the film was called

early film theorists considered issues of religion on a regular basis . for a good critical study of early film theory and the quasi - religious language that the theorists used see rachel o . moore ,

up to date as of july 7th , 2018 ( give or take a film or three ) .

urltoken is a website devoted to providing authentic bollywood news , box - office reports and film reviews .

( 1999 ) , a prime film for teaching religious studies , as it deconstructs an exoticizing gaze .

early film theorists , chiefly because of the visual prominence of silent film , emphatically stressed formalist understandings of cinema . they argued about the psychological and social effects that the medium of film has on its audience due to its rearranging of " normal " space and time through cinematography , mise - en - sc

" film and religion . " encyclopedia of religion . . retrieved july 09 , 2018 from urltoken urltoken

this article is about the film . for the park in mumbai , see jogger ' s park .

pardes got all the rewards for championing the indian values but it was actually just the music of the film , by nadeem - shravan , that created an impact that still has the ability to make the audience sing along . songs like meri mehbooba , yeh dil deewana became instant hits and can easily be credited as contemporary classics .

the popular feeling of celebrating the golden jubilee of india ' s independence was everywhere and bollywood was right at the forefront . jp dutta ' s border had created a huge impact already and then , it was pardes ' turn .

there are three key scholarly approaches to the relationship between film and religion . the first might be called " religion in film , " a way of analyzing the religious dimensions of film by focusing primarily on its narrative content . " film as religion " is the second key approach , and is based on formal parallels between the aesthetic styles of film and religious practices . finally , there is an interest in " cinematic experience and ritual , " where a focus on spectatorship and its relation to ritual takes precedence . these categories often overlap in individual studies , and are charted here for heuristic reasons . the key question that divides these approaches seems to revolve around the location of meaning : is religious meaning found in the subject matter of the film , in the aesthetic form of the film , or in the experience of viewing the film ?

des pardes ( hindi : ? ? ? ? ? ? ? ? ; translation : home and foreign land ) is a 1978 hindi film produced and directed by dev anand . this family drama stars dev anand and tina munim ( debut film ) , with ajit khan , pran , amjad khan , shreeram lagoo , tom alter , bindu , prem chopra , a . k . hangal , sujit kumar , mehmood and paintal in supporting cast .

main prem ki diwani hoon , is a 2003 bollywood romantic comedy drama film by sooraj r . barjatya and a production by rajshri . the film is a remake of the 1976 film chitchor and features hrithik roshan , kareena kapoor and abhishek bachchan in the lead roles . the movie had a worldwide release on 26 june 2003 . the music of this film was composed by anu malik which was a musical sensation in 2003 .

similarly , on the very same day , twenty years ago , i . e august 8 , 1997 , one of srk’s most loved films of the ’90s and a sure shot box office blockbuster , pardes , had released . that film , too , had opened well and was also was universally loved by his critics as well as fans .

a westerner ' s appreciation for indian film - the stories , songs , and stars - without spoilers .

pardes ( 1997 ) the film was based on nri people who look out for young indian women to marry . ganga ( mahima ) travels abroad and gets the culture shock face and difficulties with her fianc and how srk helps her out and eventually falls in love . this was one of the first major bollywood films to do well in america .

clad packages or slapped across grand and lavish canvases . both approaches are used in subhash ghai ' s latest film ,

whatever the final fate of taal , the film has opened up new vistas in the overseas market . it is the first hindi film to enter the us top 20 . clearly , the overseas market won ' t be the same again .

( durham , n . c . , 2000 ) . useful anthologies on film theory include richard abel , ed . ,

for overviews of some of the studies dealing with religion in film , see chapter 1 of john c . lyden ' s

" film and religion . " encyclopedia of religion . . encyclopedia . com . ( july 9 , 2018 ) . urltoken

< b > pardes ( 1997 ) < / b > < br > the film was based on nri people who look out for young indian women to marry . ganga ( mahima ) travels abroad and gets the culture shock face and difficulties with her fianc and how srk helps her out and eventually falls in love . this was one of the first major bollywood films to do well in america .

the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .

the film does suffer from stereotypes of both indian and american cultures but the film makes a powerful point as well : how we treat others is a testament to who we really are . the interactions between arjun and ganga are the most engaging because they seem the most honest . late in the film , when arjun is further pressed to explain his relationship with ganga , he replies ,

inside , presented by intel and toshiba , launches july 25 . the final film can be seen online starting aug . 14 .

tina munim - ambani is a bollywood film actress who worked in several films between late 1970s and late 80s . she is married

the start of the decline of subhash ghai , the film maker . his sensibilities from desi to videsi was his greatest mistake .

from ek haseena thi that tells the core story of the film or romantic numbers like dard - e - dia , main solah baras ki and a dance number like paisa yeh paisa - - all songs of the film karz received huge appreciation from audience .

hum saath saath hain is a 1999 indian hindi language drama film written and directed by sooraj r . barjatya . the film was produced and distributed by the home production of sooraj barjatya , rajshri productions . the film stars actor mohnish behl , salman khan , saif ali khan , tabu , sonali bendre and karishma kapoor . while alok nath , reema lagoo and neelam kothari , mahesh takur play pivotal supporting roles . the story centers on a family headed by ramkishan , and containing his wife mamta as well as three sons , played by the leading actors . the film was shot in mumbai’s film city and in the villages of rajasthan state .

dosti is a 1964 indian black - and - white hindi film directed by satyen bose and produced by tarachand barjatya under his rajshri productions banner . it was sanjay khan’s debut film and had sudhir kumar sawant , and sushil kumar somaya in lead roles . the film focuses on the friendship between two boys , one blind and the other a cripple . dosti was amongst the top 10 grossers of 1964 and was declared a “super hit” at the box office . it was entered into the 4th moscow international film festival .

chitchor is a 1976 hindi romantic musical film . the film’s title means “heart stealer” in hindi . the film is a rajshri productions film produced by tarachand barjatya . it is based on a bengali story , chittachakor by subodh ghosh . recently in 2003 main prem ki diwani hoon starring hrithik roshan , kareena kapoor and abhishek bachchan was directed by sooraj r . barjatya based on same storyline . another uncredited remake titled minda poochakku kalyanam released in 1990 in malayalam starring suresh gopi , lizi priyadarshan and mukesh . it has also been remade in telugu as ammayi manasu which stars jayasudha , chandra mohan , kanta rao . a bengali remake by name sedin choitro mas was also made by director prabhat roy . a 1997 movie pardes , by subhash ghai , starring shahrukh khan & mahima chaudhry is also loosely based on this movie .

mahima chaudhry’s innocence in pardes was appreciated by all and even won her a filmfare award for best debut ( female ) . ahe disappeared from the scene for a while in 2008 , only to emerge earlier this year , first as the butt of jokes around a swiss bank account controversy and then for her foray into bengali cinema , with the film dark chocolate , where she’ll be playing a character inspired by indrani mukherjee .

ramgopal verma flubbed the formula test . sold at a very high price of 17 . 5 million per territory thanks to the sanjay dutt - urmila combination , the film collapsed like a pricked balloon . the film made losses of over rs 10 million per territory .

the study of film and religion became solidified through the decade of the 1990s , as evidenced by the upsurge of publications in the field , the establishment of a program unit on film and religion within the american academy of religion , and the launch of the online journal of religion and film . in many ways reacting to the earlier paradigm that found film and religion only in " serious " art house films , the 1990s witnessed the next wave of film and religion criticism , which self - consciously took popular hollywood film as its primary focus . biblical scholars and theologians began to take a second look at popular culture , and found a wealth of resources in film , particularly in popular film . christian theologians reworked reinhold niebuhr ' s and paul tillich ' s thoughts on the relation between christianity and culture , and decided that there must be an engagement with culture , with film being one of the cultural expressions par excellence in modern life . the prevalence of the ideas of tillich and niebuhr in film and religion studies , a half - century after their writing , attest to these theologians ' keen insights in relating religion and culture , though it probably also attests to the need for new theories of culture , since the culture of the first half of the twentieth century looks less and less like that of the twenty - first .

ne , and editing . in the 1920s in france , film theorists ( in particular , louis delluc , jean epstein , and l

joggers ' park released in india , the united states and kuwait . it also was screened at the 2003 cairo international film festival .

kabhi haan kabhi naa ( 1993 ) srk played the role of a young musician . it was a rare film where the hero played the role of a loser . it is considered one of khan ' s best performances , and he has said that it is his favorite film .

from another angle , the religious dimension to film form and style can also be seen in relation to the contemplative emphasis of various religious traditions , and here film becomes a new medium in a long list of visual media , from icons to yantras to thangka paintings , designed to facilitate meditation . francisca cho , for example , discusses the relation of korean buddhist films to a " cultic mode " of viewing heavily dependent on the aesthetic choices made in the making of film ( see cho in plate and jasper , 1999 ) . and as with each of the examples given here regarding " film as religion , " cho ' s cultic mode of viewing film implicitly suggests that meaning cannot simply be found in the film form , for there must also be an audience that views the edited juxtapositions , the austere lighting , or the slow movement of actors .

this second wave is also marked by a number of explicitly christian theological studies , in contrast to the tendency to use existentially universal language evident in many of the first - wave publications . studies through the 1990s include the relation of film to christian , and occasionally jewish , understandings of the bible ; the relation of film to doctrines of christian theology ; and a plethora of works on christ figures in film . while there are a variety of interests indicated in these works , they can be seen collectively through their examination of popular film , by their chiefly christian theological orientation , and ultimately by the ways they see religion in film , paying scant attention to the specificities of the medium or the role of spectatorship .

using these lines , subash ghai made and promoted a film where the sentiment of loving your maatrbhoomi was re - enforced in almost every scene .

the film had a strange storyline , about a wife who sells her husband . but though it flew in the face of convention , the film did well . of course , it could also have something to do with the presence of anil kapoor , sridevi and the sensuous urmila matondkar .

good camerawork , exotic locations and a strong team - - david dhawan , govinda and karisma - - saw the film rake in the shekels .

dilwale dulhania le jayenge ( 1995 ) srk - kajol starrer dilwale dulhania le jayenge was destined to create history and did so . the film was declared an all - time blockbuster and it remains as the longest - running film in the history of indian cinema . as of 2012 , it is still playing at the maratha mandir theatre in mumbai . this film also established srk - kajols pair as the most lovable on - screen pair .

dil to pagal hai ( 1997 ) the film depicts the love story of dancers in a musical dance troupe and how they fall in love and how their story twists during a live musical play . the tag line of the film was " someone somewhere is made for you . . . "

in one of the most epic scenes from the film , desi girl even manages to send a snake away by bowing down in front of it .

, 3d ed . ( oxford , 2002 ) . many of the early film theorists took this approach as well ; see the sources listed above .

because postmodern , postcolonial life consists of multicultural and interreligious encounters on a regular basis , there is an obvious need to branch out beyond the hollywood centrism evident in a majority of film - and - religion studies in the past . films made outside of hollywood do not conform to the same aesthetic standards that capitalist , industrial film relies upon , and by looking at films made in south america , africa , and asia , for example , and through attention to film form and reception , the student of film and religion begins to see the ways other worlds are visually constructed , not excluding religious worlds .

there were karisma , rambha and two salman khans in the film . it started of well and then lost steam . the film , sold for just rs 12 . 5 million per territory , caught the fancy of the masses with its racy lyrics and rap music . all in true david dhawan style .

way before karan johar taught us that “it’s all about loving your parents , ” subhash ghai schooled us well in the belief that it’s all about loving your country . from proudly singing i love my india to hoping , wishing and praying that ganga finds her true bliss with arjun , the 1997 film pardes gave us lots of special moments and more . but almost 20 years down the line , where can we find the cast members of this somewhat patriotic love saga now ? let’s find out…

if you are jewish , it is possible to purchase a right to be buried in advance of need . you will need to bring with you documents which confirm that you are jewish . these rights are sold in our community sections . we are currently only selling these rights at pardes chaim cemetery . please call our office for more information .

whereas in ddlj nri ' s are viewed mostly positively , in pardes they are filled with vice and mostly evil . and we ' re supposed to view as good family values the heroine ' s offer to her father to kill herself with poison for besmirching the family honor when she returns home after an attempted rape ? um , no .

a film about the battle between love and fear , between two stubborn men and their opposing beliefs and the outcome of the love stories of 3 couples .

and the title number amusing audiences , the film was sold at rs 10 million per territory and recovered , on average , rs 20 million per territory .

the film released in 2003 and did well at the box office , opening the way for a new genre of films like mumbai matinee and morning raga .

planet bollywood also positively reviewed bannerjee ' s performance , but criticised the film for having a " lack of tautness that makes it drag in patches " .

" the ballad of narayama " is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…

while pardes focuses on the culture clash between nris and those living in india , it also highlights the divide between rich and poor . ganga ' s family is poor in money ( compared to u . s . standards ) , but rich in family and land and love . rajiv ' s family is rich in money and possessions , but poor in love and truth . near the end of the film , kishorilal confronts arjun and asks for the truth about his relationship with ganga . arjun responds ,

pardes means foreign land . this film was released in 1997 . shah rukh khan plays the role of arjun saagar . a wealthy indian man ( amrish puri ) raises his son ( apoorva agnihotri ) in america , but wants his son to marry a native girl from india . he arranges a marriage for his son . he sends his foster son ( shah rukh khan ) to india to make arrangements for the marriage . arjun ( shah rukh khan ) speaks favorably of his " brother " ( apoorva agnihotri ) . however apoorva agnihotri ' s character is not good . the young indian girl ( mahima chaudhary ) comes to america and finds it difficult to adjust to the " foreign land " . a very beautiful song called " i love my india " is in this film . this is a wonderful film !

mohabbatein ( 2000 ) srk plays a college teacher who helps three guys to get their love and fighting against the college principal . the film earned him filmfare award for the best actor . this was the first film in which amitabh bachchan and shah rukh appeared together , which created lot of buzz in the industry .

everyone in the film worked at astonishingly low prices , basically because the director was the malayali marvel , priyadarshan . the film , starring anil kapoor , amrish puri , tabu and pooja batra , was sold at just rs 6 . 5 million per territory . and earned four times the amount in almost every territory .

the sanjay dutt magic has withered and waned . or maybe several years in the making made the film , which also stars madhuri dixit , lose its lustre . it was sold at rs 15 million per territory and was swiftly pulled out of theatres . the film could not even manage rs 5 million per territory .

whether a film plot is based on a messiah , a saint , a bodhisattva , a pilgrimage , a reenactment of a sacred text , or whether religious performances are displayed in documentary film , religion shows up in film on a regular basis . this way of thinking about the relation between film and religion seems to be the most apparent to the textual and narrative bias of most religious studies , and it has therefore become the most prominent method of examining the relationship . as with so much of the study of religion itself , a vast majority of these studies have been based in christian theology and display a euro - american outlook .

the film sold at rs 15 million per territory and made almost double the sum invested , rs 29 million . in bombay it got back rs 35 million .

this film had the highest price tag of the year , rs 22 . 5 million per territory . it could not even make rs 10 million per territory .

the religious implications of film reception are most obvious when the experience is understood and analyzed in terms of ritual ; this is not to say that every screening of every film is a ritual , for that would make both terms meaningless , but that the cinematic experience can become a ritual . we can see this when viewers perform

these men are so consumed by cinema that they refuse to notice that they are physically frail or that most of their contemporaries are deadsix hindi films released last weekend—among them chargesheet , dev anand’s 113th film . the film is about the murder of a top actress . dev saab ( i’ve never been able to call him [ … ]

< b > kabhi haan kabhi naa ( 1993 ) < / b > < br > srk played the role of a young musician . it was a rare film where the hero played the role of a loser . it is considered one of khan ' s best performances , and he has said that it is his favorite film .

in july . in these ritualized performances , the religious content of the film is beside the point . rather , what is crucial is the way these activities occur at special " set apart " times ( often in seasonal cycles ) and in special places ( whether the living room of the family home or in the film theater ) in which there is an emphasis on a communal experience and on the aesthetics of seeing and listening ( and usually eating as well ) , and on interacting with other viewers and with the film . whatever else a ritual is , it certainly aims to be an activity that promotes attentiveness and sensual focus , and film form enables just that .

any individual or production company that wants to film or take photographs at our cemeteries is required to obtain prior authorization from toronto hebrew memorial parks . to obtain authorization , send a written request to info @ thmp . ca . rules such as those relating to conduct must be adhered to by those seeking to film or photograph at our cemeteries .

, the cinematic transformation of reality through the technological properties inherent in the form of film itself . because of its emphasis on the formal properties of filmmaking , much of this early film theory did not depend on narrative film , and indeed often triumphed nonlinear , nonnarrative films . thus , through the camera ' s ability to slow down or speed up " real time , " or to juxtapose images in ways that display new relations , or to zoom in on particular segments of visual reality , the world itself is reconfigured and viewers are given a brand new outlook , a new " worldview . " representation became a means for knowledge , " revealing " the truth of the world in an altogether new form . and even though debates eventually emerged between the realists and antirealists in film theory , both arguments have implications for a religious view of film form .

entry with a nod to avant - garde film , so will this entry . there remains much promise for religious studies in the avant - garde films of stan brakhage ,

pbs is redoing several dickens books and rerunning david copperfield with daniel radcliffe’s acting premiere . oliver twist is first with timothy spall ( hp film’s peter pettigrew ) as fagin .

ghai went slow on the publicity of the film , shot extensively in the united states and canada . it tugged some nostalgic strings overseas too . the film was sold at a price of rs 18 million per territory , the presence of shah rukh and ghai making it stick . it collected - - on an average - - over rs 40 million . the film did well in bombay , nizam and the archaically - termed central provinces . in fact , in bombay it had a collection of around rs 60 million .

dil se ( 1998 ) shah rukh ' s stellar performance in dil se is a journey through the seven shades of love . the different shades are described as attraction , infatuation , love , reverence , worship , obsession and death . as the film progresses , srk ' s character portrays each shade in the film with heart - touching emotions .

< b > dil to pagal hai ( 1997 ) < / b > < br > the film depicts the love story of dancers in a musical dance troupe and how they fall in love and how their story twists during a live musical play . the tag line of the film was " someone somewhere is made for you . . . "

here is another song from pardes . i will have a go at the qawwali too but somebody more fluent in languages like professor gul agha could do it more correctly . more people should help out . even one song a week would help . best to do it for those dvds which have english subtitles . an attempt is made to make it literal even if it sounds strange sometimes .

the continent of africa has experienced a strong increase in film production since the 1970s , with films confronting postcolonial situations that pit the traditional against the modern ; in sub - saharan africa this often includes the conflict between christianity and indigenous beliefs and practice . egypt is the " hollywood of the arab world " and has garnered the attention of the international film world , especially since youssef chahine ' s destiny , a film set in twelfth - century islamic andalusia , was nominated for the golden palm at the cannes film festival in 1997 . other egyptian standouts dealing with religious - political conflicts include daoud abdel sayed ' s land of fear ( 1999 ) and atef hetata ' s closed doors ( 1999 ) .

a westerner ' s appreciation for indian film - stories , songs , stars . if you ' re new to bollywood , this is a great place to start . no spoilers .

then an up and coming superstar , who had begun to establish himself as something of a romantic hero with films like dilwale dulhania le jayenge behind him , shah rukh khan went from playing the little master arjun in pardes , cementing his position as a romantic lead , to being one of the biggest superstars in the country today , who can cause a stir on social media even with a simple selfie .

< b > mohabbatein ( 2000 ) < / b > < br > srk plays a college teacher who helps three guys to get their love and fighting against the college principal . the film earned him filmfare award for the best actor . this was the first film in which amitabh bachchan and shah rukh appeared together , which created lot of buzz in the industry .

which is a critical point of interrogation for the scholar of religion . while theorists of film and religion continually mention the importance of audience reception , very little work has been done in this area . scholars often theorize about the effect of editing , for example , but seldom do they do any ethnographic work to find out how audiences actually do react . more complicated still would be a study that gauged the responses to a particular film in varying locations , times , and cultures , thereby reorienting the location of the meaning of film to the cinematic event .

saaransh is a 1984 hindi drama film directed by mahesh bhatt and starring anupam kher , rohini hattangadi , madan jain , nilu phule , suhas bhalekar and soni razdan . it is about an elderly maharashtrian couple living in mumbai who come to terms with the loss of their only son . this was the screen debut of anupam kher . the film had music by ajit verman and lyrics by vasant dev . it was distributed by rajshri productions . it was chosen as india’s official entry for the 1985 academy award for best foreign language film , where it wasn’t nominated .

< b > dilwale dulhania le jayenge ( 1995 ) < / b > < br > srk - kajol starrer < i > < / i > dilwale dulhania le jayenge < i > < / i > was destined to create history and did so . the film was declared an all - time blockbuster and it remains as the longest - running film in the history of indian cinema . as of 2012 , it is still playing at the maratha mandir theatre in mumbai . this film also established srk - kajols pair as the most lovable on - screen pair .

of all the films of shahrukh khan which are available on dvd , i would say this is one of the least pleasing i ' ve seen . try just about any other one first . this tangled , jumbled mess of a film makes little if any sense at all . any film with alok nath trying to slash someone to death with a sword is a bad one .

bollywood ( hindi cinema ) has had an amazing impact upon cinema audiences as well as scholars of film studies outside of india . arguably , hindi cinema has always provided a nostalgic link to the indian diaspora scattered around the world ( manas ray , 2000 ) , but it is only recently that western audiences , film studies scholars and film critics , ( who until recently described the genre somewhat negatively , and in some ways looked down upon the hindi cinema industry ) , have turned their attention to bollywood . until this period , it was predominantly films from the ‘parallel cinema’ in india , ( screened in art - house cinemas in western europe and north america ) that received attention and in some cases awards in the west . a noteworthy development occurred in 2001 when bollywood was recognised as an industry in india . the campaigning groups were the film federation and lobby groups who demanded legal status for the film industry under the industrial dispute act of 1947 . this meant that the film industry that was previously privately funded could now be funded by national banks . this period marked the new era in hindi cinema . ( bose , 2006 ) .

wanna get famous ? want to share your analysis about a star or film ? urltoken invites you to write about your favourite films , stars or anything bollywood ! check out more details here .

sold at rs 20 million per territory , playing on the shah rukh - madhuri - karisma combo , this film has picked up more than rs 70 million per territory already . in bombay alone , it has picked up rs 90 million . the film is also a hit in the south , where hindi films rarely do well , and in the overseas market , a chopra monopoly .

by raveena tandon . the film , sold at rs 15 million per territory , made more than double per territory . the north netted rs 50 million , thanks to sunny ' s presence .

jab harry met sejal hit the silver screens on august 4 , 2017 and after a fair opening day and a weekend below expectations , the film is struggling to even touch rs 70 crores domestic lifetime , leave alone joining rs 100 crore club . today is august 8 and so far the film is on slippery road . even though shah rukh khan had a fan last year , which didn’t go the distance , the film was critically acclaimed and was more of an experiment . and even though this film caters to a niche audience , still the rejection it has faced by the movie going audience is something shah rukh khan has not witnessed ever in his career . actually the actor had faced a similar situation only after the release of ra . one but even that wasn’t as bad . anyway , while his latest film is struggling at the box office and is on course to be his biggest flop yet , it is interesting to see that around the same time in 2013 , shah rukh khan was wreaking havoc at the box office . also read : will jab harry met sejal’s poor performance affect shah rukh khan’s film with aanand l rai ? hear it from a trade expert

the figures can be approximate and we do not make any claims about the authenticity of the data . however they are adequately indicative of the box - office performance of the film ( s ) .

banaji’s book is a brilliant integration of a review of the theoretical literature on hindi cinema and the results from her audience studies . the result is a multifaceted exploration of bollywood that draws upon a range of discussions and theories concerning hindi films , as well as audience studies . banaji weaves these theories into an analysis of the film texts and the responses of young film viewers in london and bombay .

kuch kuch hota hai ( 1998 ) the film is shah rukh khan and kajol ' s fourth film together . the love story revolves around the college years of anjali ( kajol ) who was in love with her best - friend rahul ( srk ) , but he falls in love with tina ( rani ) who dies later . years later , rahuls daughter tries to reunite her father and anjali .

srk ki yeh film dekhna 1 . dtph 2 . ddlj 3 . ram jaane urltoken name is khan 5 . veer zara 6 . chak de india jo fan nahi hain vo srk ke bhakt ho jayenge

akshaye khanna ' s rather chastening entry into bollywood . the film was sold at rs 12 . 5 million per territory , but it failed to get back more than 7 . 5 million per territory .

taal , a love triangle involving an nri boy , a small town girl turned international pop star and a music impresario is perhaps bollywood ' s first film to qualify both as super hit and flop .

' s account of the arbitrariness of the sign ) and that experienced a general mode of alienation due to industrialized , modern life . in the early 1960s , avant - garde filmmaker stan brakhage would continue this language , expressing the religious possibilities of film form in his quasi - manifesto " metaphors on vision " ( 1963 ) . for brakhage , film artists are " essentially preoccupied by and deal imagistically with

there is a lovely assembly hall located at pardes shalom cemetery . if you would like more information about renting the hall , please contact our office . if you decide that you want to use the hall for a gathering , you will be asked to review and sign an agreement . you may read the agreement here . to view a few pictures of the assembly hall and the quiet room please see photo 1 , photo 2 , photo 3 and photo 4

devdas ( 2002 ) a tragic story of a loser lover which helped shah rukh khan won a filmfare award . the film was recently included in time magazine ' s top 10 films of the millennium worldwide .

the film starts with kishorilal ( amrish puri ) , an nri who loves all things desi and even though he lives and earns in the us , his great indian dream is to find a desi bahu .

it didn ' t do as well as expected and , considering it ' s a hit , you can gauge the expectation . it was director ' s second film with shah rukh khan and juhi chawla after

vivah is a 2006 indian romantic drama film , written and directed by sooraj r . barjatya . starring amrita rao and shahid kapoor , it was produced and distributed by rajshri productions . vivah tells the story of two individuals , and relates their journey from engagement to marriage and aftermath . vivah is the fourth film to feature shahid kapoor opposite amrita rao . critical reception was mixed ; some reviewers found it dramatically lacking and bloated , but it also has been credited for triggering changes to the way marriage is depicted on film . it became an unexpected success , as well as rao and kapoor’s biggest commercial success at that point .

had a sluggish start , bounced over some bad reviews , and then quickly shifted into top gear . chopra took up the worn - to - death theme of the love triangle and stuffed in a fourth angle to surprise the populace . the add - on , whose name was kept out of the poster and publicity material , did the film much good ; the film didn ' t do him much good , though .

incarnation is out of fashion and distributors wouldn ' t touch it and the sippys released it themselves . but in bengal , the film failed even to get a release . the estimated loss was rs 30 million .

< b > dil se ( 1998 ) < / b > < br > shah rukh ' s stellar performance in < i > dil se < / i > is a journey through the seven shades of love . the different shades are described as attraction , infatuation , love , reverence , worship , obsession and death . as the film progresses , srk ' s character portrays each shade in the film with heart - touching emotions .

since manisha and kajol are well known in the south , tamil nadu itself netted rs 12 . 5 million . the film collected rs 45 million in bombay and had an average collection of rs 30 million per territory .

both authors selected the film hum apke hain koun… ! ( hahk ) ( who am i to you ? , 1994 , dir . sooraj barjatya ) to discuss . hahk was one of the most successful films in hindi cinema in the 1990s . in the uk , hahk ran for many weeks in cinemas in london , and “the high quality of production , family values and no violence were cited by numerous indian film commentators as contributing to its huge success” ( dudrah , p . 55 ) . banaji provides a very interesting interpretation of her respondents’ reading of hahk , whereas dudrah gives an account of the role of the music and songs in the film .

asked what drives him to make films on unusual subjects , ghai said , “i’m always been a director who is experimental by nature . whenever i worked on a subject for my film , they were ahead of its time . the same thing happened with karz . people told me that the film will not do well at the box office . but if i have to follow the box office formula , how will i make a difference ? ”

darr ( 1993 ) in the film darr , he played another negative role . srk essayed the role of an obsessive lover of juhi chawla and the lengths to which he goes to get the girl who is already engaged .

, or have delved into the hybrid religions of afro - catholic mixings . cuba has been a fertile site for film production since the 1959 revolution , with santerian practices showing up , for example , in gloria rolando ' s

< b > kuch kuch hota hai ( 1998 ) < / b > < br > the film is shah rukh khan and kajol ' s fourth film together . the love story revolves around the college years of anjali ( kajol ) who was in love with her best - friend rahul ( srk ) , but he falls in love with tina ( rani ) who dies later . years later , rahuls daughter tries to reunite her father and anjali .

but later , despite a dull first stretch in 1997 , a surprisingly large number of films did well . the consistently dull showing had been some cause of anxiety for hindi cinema , other than the aforementioned film and the 1995 hit

note dvd copy does not have burned - in timecode according to email correspondence in october 2016 , the jewish federations of north america does not own the copyright to this film , so fv staff changed the rights to public domain .

deal with the religious reception of films . film and religion are usefully brought together by the use of such third terms as cultural studies , media studies , or visual culture . from a media studies perspective , see eric rothenbuhler ' s

the subfield of film and religion has gradually gained acceptance in religious studies , and prominent theorists of religion now regularly incorporate discussion of films into their analyses of myth , ritual , and other aspects of religion . alongside this development are newer modes of religious inquiry that utilize material and visual artifacts as primary evidence , rather than " illustration , " of religious belief and practice . as part of a broader movement within religious studies that is increasingly paying attention to visual - and material - culture studies ( and concomitantly emphasizing religious practice rather than merely belief ) , film and religion studies can continue to play a vital role in the shaping of religious studies and not merely be an appendage to the discipline . along these lines there are two key directions that the field is beginning to take ( and will likely keep elaborating on ) . first , film and religion studies is moving beyond the christian - hollywood matrix and displaying the varieties of global religious experiences and traditions as mediated through film . second , religious approaches to film are helping to point out the constructed nature of vision by making links between visual representation and the creation of socioreligious , worlds with all their attendant myths , ideologies , and practices .


the umbrellas of cherbourg ( french : les parapluies de cherbourg ) is a 1964 french-german romantic musical film directed by jacques demy , starring catherine deneuve and nino castelnuovo .

the music was written by michel legrand .

the film dialogue is all sung as recitative , including casual conversation ( similar in style to an opera ) .

it was styled full of color .

umbrellas is the middle film in an informal " romantic trilogy " of demy films that share some of the same actors , characters and overall look ; it comes after lola ( 1961 ) and before the young girls of rochefort ( 1967 ) .

the film was very successful in france with a total of 1,275,00 - admissions .

it was also shown internationally , introducing deneuve to a larger audience , and was nominated for several academy awards , including for best foreign film , best song , best soundtrack , and best original screenplay .

it won three awards at the 1964 cannes film festival , including its top prize , the palme d'or .

the film critic jim ridley has called cherbourg " the most affecting of movie musicals , and perhaps the fullest expression of [ demy 's ] career-long fascination with the entwining of real life , chance , and the bewitching artifice of cinematic illusion . "

the umbrellas of cherbourg

the umbrellas of cherbourg <EOT> the art of love … kneehigh ' s the umbrellas of cherbourg . photograph : tristram kenton

once upon a time . . . “the umbrellas of cherbourg , ” a 2008 documentary

" once upon a time . . . the umbrellas of cherbourg , " a 2008 documentary

jacques demy’s film , more than the umbrellas of cherbourg , elevates the banal vicissitudes of lives spent dreaming .

french films like the umbrellas of cherbourg may have showed chazelle a path to avoiding traditional happy endings .

nino castelnuovo and catherine deneuve navigate the stormy channels of romance in jacques demy ' s proletariat opera " the umbrellas of cherbourg . "

barbra meets french composer michel legrand ( " the umbrellas of cherbourg " ) and they discuss collaborating on an album .

looking for movie tickets ? enter your location to see which movie theaters are playing the umbrellas of cherbourg near you .

the summer theme in la la land is called " madeline . " madeline is one of the more melancholy main characters in the umbrellas of cherbourg . chazelle also borrowed the names of two the umbrellas of cherbourg characters for his first film , guy and madeline on a park bench .

i’ll never forget the first time i saw jacques demy’s the umbrellas of cherbourg while i was still in university in the early ’90s .

now let ' s move on to the more subtle references a true the umbrellas of cherbourg fan like me may read into .

in her play , mia ' s main character is named geneviève , the name of catherine deneuve ' s character in the umbrellas of cherbourg .

jacques demy and michel legrand’s pop art operatic masterpiece , ‘the umbrellas of cherbourg , ’ stars a young catherine deneuve in the role that made her an international star – the beautiful cherbourg shopgirl swept up in the delirium of doomed first love .

what ' s so overpoweringly beautiful about the umbrellas of cherbourg is that it matches human - scaled feelings of regret with the color and intensity of the movies demy loved as a boy .

i ' m writing a play that ' s inspired by the movie called the umbrellas of cherbourg . it ' s called las tortillas de los angeles .

the kneehigh theatre company ' s stage adaptation of the umbrellas of cherbourg will play its final performance on may 21 at the west end ' s gielgud theatre . the musical opened on march 22 and originally planned to run through october 1 . in the umbrellas of cherbourg , based on the 1964 jacques demy film of the same title , young french auto mechanic guy . . .

the umbrellas of cherbourg and la la land use jazz music , saturated colors , and the eschewing of a neat , happy ending to bring to life a rich and realist presentation of young love .

weather comes into play in the intro scene for both movies . in the umbrellas of cherbourg , constant rain comes down on the city of cherbourg . in la la land , we see the unrelenting sun . in both instances , the rain or sun is unyielding and indifferent to the moods of the characters .

one of the storefronts on the studio lot where mia works has a " parapluies " sign on it . much of the umbrellas of cherbourg takes place in the parapluies ( umbrella ) shop where geneviève works with her mother .

the film was part of demy ' s romantic trilogy , which included ' ' lola ' ' ( 1961 ) and ' ' the umbrellas of cherbourg ' ' ( 1964 ) . its restoration was undertaken mostly because of the determination of agnes varda , the filmmaker and demy ' s widow . ' ' the umbrellas of cherbourg , ' ' which made ms . deneuve a star , was also re - released , in 1995 .

if you have not seen the umbrellas of cherbourg but loved la la land , i suggest you stream the french film asap . ( feel free to come back to this post after . )

seasoned a . p . c . collaborator vanessa seward reinvents mod french chic in her costume designs for a stage version of * * catherine deneuve’ * * s sixties breakout film the umbrellas of cherbourg .

la la land ' s song " madeline " also sounds very similar to a song from the umbrellas of cherbourg . judge for yourself : listen to la la land ' s " summer montage " / " madeline " and the umbrella of cherbourg ' s " la terrasse du café " .

the film , starring ryan gosling and emma stone as a pair of star - crossed dreamers muddling through life in the city of angels , is also something of a crypto - remake of french new wave director jacques demy’s 1964 masterpiece the umbrellas of cherbourg —a fact chazelle himself was only too eager to admit at a special film independent at lacma screening of umbrellas on january 5 .

the umbrellas of cherbourg is inspired as much by rené clair ' s innovative french classic of 1930 , sous les toits de paris , and the prewar pagnol marseilles trilogy ( marius / fanny / césar ) as by hollywood .

to demonstrate how it follows in the footsteps of the umbrellas of cherbourg , let ' s start with la la land ' s explicit references to the french classic , perhaps added by chazelle as a homage to his apparent favorite movie .

watching la la land , i couldn ' t help but notice references to the umbrellas of cherbourg , whether they were intentional easter eggs , stylistic choices , or plot points that left me with the same overwhelming emotions . the films may be of a different time and place , but both the umbrellas of cherbourg and la la land use jazz music , saturated colors , and the eschewing of a neat , happy ending to bring to life a rich and realist presentation of young love .

as spun - sugar holiday treats go , " umbrellas " is hard to resist .

it ' s hard for me to talk about the umbrellas of cherbourg " because i think it is one if the most romantic , bittersweet movies ever made . denueve looked so ethereally beautiful it ' s almost laughable .

as in the umbrellas of cherbourg , the young lovers of la la land don ' t end up together . chazelle uses a similar device as demy — a flash forward to the future , allowing the audience to see how much has changed . before time and distance brought an end to the relationships , the couples in the umbrellas of cherbourg and la la land told each other they would always love each other . and that may be true — but life gets in the way of them being together forever . french films like the umbrellas of cherbourg may have showed chazelle a path to avoiding traditional happy endings . professor joshua blaylock , who teaches courses on french cinema at texas christian university , explains that " filmmakers in france have tended to focus more on psychology and really play with the inherent ambiguities of human relationships . "

i have already said that i love jacques demy’s the umbrellas of cherbourg , but i must admit : before i re - watched it recently as part of the criterion collection’s new the essential jacques demy boxset , i was a bit worried i wouldn’t like it as much as i once did . from what i remembered , it was a relatively simple story and i don’t like musicals as much these days as i used to ( the umbrellas of cherbourg is , famously , entirely sung ) . was i merely vulnerable when i last saw it over a decade ago ? no . if anything , i underrated it . the umbrellas of cherbourg has expanded . i see now that it is ever expanding . the film’s edges are porous ; it cannot contain all of the ghosts — ghosts that materialize due to absence , due to chance , due to choices not taken , due to the intractability of time — that roam the streets of cherbourg .

the umbrellas of cherbourg has been described as a " love tragedy . " and despite all the similarities , la la land chooses a more positive ending . professor phil powrie , who teaches cinema studies at the university of surrey and has authored many books on french cinema , explains how the films depart : " although seb and mia don ' t end up together , they both realize their dream . " the characters in the umbrellas of cherbourg , on the other hand , seem indifferent to each other at the end of the film . powrie continues , " seb and mia smile knowingly to each other after he plays ' their ' theme . the umbrellas of cherbourg is melancholy ; la la land plays into the american dream . " la la land may take inspiration from french film , but its optimism is all american .

years later chazelle showed umbrellas to composer justin hurwitz as they began to develop the idea for la la land . soon , hurwitz “became even more obsessed , ” than chazelle himself . chazelle then recalled bringing would - be financiers to hurwitz’s spartan apartment , which was completely empty except for a piano and a single umbrellas of cherbourg poster .

directors influence each other with their work . sometimes that influence is overt — “ la la land ” clearly evokes “singin’ in the rain” and “umbrellas of cherbourg” — but other times it is more unexpected , hinging on storytelling choices or structure .

" without doubt one of the west end ' s most imaginatively staged shows " ( tweet from lyn gardner , guardian writer ) the innovative theatrical creative force kneehigh return to the west end with their exciting new adaptation of cult french musical film the umbrellas of cherbourg by jacques demy . featuring the beautiful songs of michel legrand including " watch what happens " and " i will wait for you " , and directed by award - winning director emma rice , the umbrellas of cherbourg is making the west end fall in love until the 21st may 2011 . find out more at urltoken video produced by matthew titterton , advision tv ltd

koch lorber ' s dvd of the umbrellas of cherbourg is good news all around . criterion ' s old laserdisc and the earlier fox - lorber dvd were both time compressed ( pal conversion ? ) and slightly cropped at the sides , and this release solves those problems ( i think ! ) .

the quote resonated with me , as i ' ve seen the umbrellas of cherbourg at least a dozen times and can remember the emotional impact of the first time i saw it as a teenager . the film is a colorful masterpiece that will leave you heartbroken . you could say the same thing about chazelle ' s la la land .

it’s the anniversary of the release of jacques demy’s the umbrellas of cherbourg and you can imagine what the birthday cake should look like : icing and candles of bright blue , pink , green and yellow . for if ever a film pops out of the screen with vibrant colour it’s this 1964 musical classic , in which every dress , every shop front , every vividly wallpapered room seems freshly minted from a rainbow .

la la land ' s first lyrics , and therefore the first words of the movie , in the song " another day of sun " could describe the plot of the umbrellas of cherbourg : " i think about that day / i left him at a greyhound station / west of santa fe / we were 17 , but he was sweet and it was true / still i did what i had to do / ' cause i just knew . " in the umbrellas of cherbourg , geneviève is 17 when she has to leave her love , guy , at the train station . he is sweet and their love is true , but she soon makes the calculation that they can ' t be together .

splurge on criterion ' s 2014 jacques demy box set if possible , but if money ' s tight or you ' re just looking to step into a rain shower before diving headfirst into demy ' s cinematic pool , this wonderful release of the umbrellas of cherbourg is likely the best place to start .

the umbrellas of cherbourg begins a two - week run at ut ' s hogg auditorium beginning friday , july 19 - thursday , august 1 . shows run daily every evening except mondays ; consult listings for daily show times or call 475 - 6666 for recorded info .

kneehigh theatre company , the imaginative british group behind broadway’s recent multimedia romance brief encounter , has a new creation hitting the london stage : a musical reimagining of that classic of french cinema , the umbrellas of cherbourg . catherine deneuve starred in the 1964 jacques demy film , and olivier award winner joanna riding and cabaret artist meow meow star in this stage version . . .

( 2012 ) , the umbrellas of cherbourg is director jacques demy’s third feature , a controversial palme d’or winner , more for its groundbreaking technique than its own substance , nevertheless it instantly launched the starlet catherine deneuve into stardom and has initiated her extended and illustrious career not only limited in the french cinema .

" no movie has ever hit me more . i remember seeing it for the first time as a kid and going from annoyed — ' are they really going to do this much singing ? ' — to utterly overwhelmed by the end . it was the combination of fantasy and realism that got me . " speaking to the hollywood reporter , la la land director damien chazelle described his reaction to jacques demy ' s 1964 romantic musical the umbrellas of cherbourg ( les parapluies de cherbourg ) .

in terms of films released in the uk , 2005 was not that strong a year , with the exception of some wonderful revivals , ranging from nashville ( robert altman , 1975 ) and the ‘director’s cut’ of the big red one ( samuel fuller , 1980 and 2004 ) to les parapluies de cherbourg ( the umbrellas of cherbourg , jacques demy , 1964 ) and l’eclisse ( michelangelo antonioni , 1962 ) . but in terms of films i saw premiered at festivals during 2005 , it was actually pretty good . because of this unusually clear split , i offer two separate lists and a note concerning two pieces of work by abbas kiarostami .

directors influence each other with their work . sometimes that influence is overt — “la la land” clearly evokes “singin’ in the rain” and “umbrellas of cherbourg” — but other times it is more unexpected , hinging on storytelling choices or structure . variety asked this year’s directing nominees to help us trace the dna of their movies , [ … ]

soothing , mournful , and delightful exhilaration from the first frame to the last . didn ' t know that the umbrellas of cherbourg was actually a non - stop musical , but after that initial jarring moment , i was completely on board . it ' s a typical story of romance and adolescent passion laid against the harsh realities of the world , but every blooming color , gentle glance and sudden burst of cinematic exuberance swept me into a snuggling ball of warmth .

kneehigh theatre , the company behind the recent broadway hit brief encounter , has announced casting for its newest creation , an adaptation michel legrand’s the umbrellas of cherbourg . olivier award winner joanna riding and cabaret artist meow meow will star in the musical reimagining , directed by emma rice with lyrics translated by sheldon harnick . the show will premiere at the curve leicester . . .

we were there to talk about another matter—her costumes for a musical stage adaptation , opening at the théâtre du châtelet tomorrow , of the umbrellas of cherbourg . director jacques demy’s deliriously beautiful , 1964 palme d’or winner was also catherine deneuve’s breakout film , a tale of missed chances and love gone awry in a provincial french town during the late fifties , at the height of the algerian war . every word of the film’s dialogue is sung to * * michel legrand’ * * s lush score .

kneehigh theatre , which presented the broadway - bound international hit brief encounter in 2008 , will return to london’s west end with its newest musical reimagining , that of michel legrand’s the umbrellas of cherbourg . directed by emma rice with lyrics translated by sheldon harnick , the new version will play the curve leicester from february 11 through 26 , 2011 , before transferring to a west . . .

the umbrellas of cherbourg continues performances ( eves : wed . - sat . 8 pm / mats : sat . & sun . 3 pm ) through october 9 , 2005 at the two river theatre company , 21 bridge street , red bank , new jersey 07701 . box office : 732 - 345 - 1400 ; online urltoken

– which draws as its inspiration from the classic musicals singin’ in the rain and the umbrellas of cherbourg – has provoked such ire , this is the pop cultural world we live in . every piece of art is now politicized and parsed for its problematic elements . these complaints may take some of the joy out of a film intended only to entertain , but they also reveal vital perspectives that have been hidden for too long from our white - male dominated discourse .

the umbrellas of cherbourg koch lorber 1964 / color / 1 : 85 anamorphic 16 : 9 / 91 87 min . / les parapluies de cherbourg / street date april 6 2004 / 24 . 98 starring catherine deneuve , nino castelnuovo , anne vernon , marc michel , ellen farner , mireille perrey cinematography jean rabier production designer bernard evein film editors anne - marie cotret , monique teisseire original music michel legrand produced by mag bodard written and directed by jacques demy

in conjunction with the release of the essential jacques demy box set , criterion has offered up a supplemental look inside the 2013 digital restoration of the umbrellas of cherbourg . above , agnès varda , the couple’s children , mathieu and rosalie , and technical specialists discuss the intricacies of upgrading the film’s sound , color , and image for the modern viewer . it’s depressingly easy to see why so many films fall by the wayside as prints run obsolete , and digital projection cements its spot as the industry standard . the attention to detail is , as criterion notes , painstaking , to say nothing of the expense .

considered one of the most beautiful color films ever made , jacques demy’s the umbrellas of cherbourg —a masterpiece of music and romance and winner of the 1964 cannes film festival grand prize—catapulted the 20 - year - old catherine deneuve to international stardom . the memorable 1960s french romance finds an umbrella shop girl ( deneuve ) distraught when her boyfriend is called for military service in algeria , forcing her to face a life - altering decision alone . the director enlisted michel legrand to compose the music dialogue and songs .

the average imdb vote of the best 5 films of each star gives the ranking . maximum 100 persons .

if the red shoes sent a million girls to ballet lessons , the umbrellas of cherbourg re - popularized taking french in school . i have fond memories of my sister coming home from a french class field trip to the art theater in the next town to see this splendid operetta . considering the level of culture where we lived , it must have been a revelation . somewhere life was beautiful . the french language practically sounded like it was being sung anyway .

if memory serves , when this adaptation was staged at the public theatre in 1979 , it had much greater vitality . i recall the use of screens to provide a cinematic flow , and the employment by the cast of a panoply of brightly colored umbrellas ( most likely during curtain calls ) .

if that makes the umbrellas of cherbourg sound old - fashioned , demy’s film was anything but . the director was one of the great , young , modern - minded filmmakers who emerged during the french new wave of the 1960s . demy was more nostalgically minded than directors like jean - luc godard and alain resnais , but , though his paintbox vision of life in the seaside town of cherbourg is a loving tribute to old hollywood musicals , it’s also a film that tackles very real - world issues , like unexpected pregnancy , the algerian war , parental pressures on their children , and what happens to young love when time and circumstances are against it . the bittersweet climax even occurs at an esso petrol station .

after months of speculation , barbra is announced as the winner of the coveted role of fanny brice in the broadway musical " funny girl . "

even before the title appears , demy establishes a universe that fuses the commonplace and the cinematically heightened . the iris that closed on the black - and - white world of his 1961 debut lola opens on the sepia - toned harbor of coastal cherbourg , its workaday fleets of trawlers and naval ships . without cutting—a seamless transition into the realm of stylization—jean rabier’s camera tilts directly down on the waterfront’s stone streets . a light rain begins ; pastel umbrellas seen from overhead engage in delicate spatial choreography with the credits . on the soundtrack , we hear the first wistful iteration of michel legrand’s “je ne pourrai jamais vivre sans toi , ” the theme song that will follow the leads like the fading scent of prom gardenias .

by the mid - 1970s , the received wisdom on demy was that he was a dabbler in irrelevant genres whose time had passed . and none of his films sounded sillier in the abstract than the umbrellas of cherbourg , this oddity in which every line of dialogue is not only sung but sung in french . it didn’t help that his movies grew harder to find in subsequent years , or that the superlatives of his style—brilliant color , exquisite framing , elegantly choreographed camera work—were grotesquely ill served by the aesthetic abattoir of lop - and - chop vhs .

guided tour of the building of 1903 , staircase of honour , big ( great ) lounges ( shows ) , marble fireplaces of different provenances , footbridges passageways , movies of mark ( brand ) real cherbourg in the room of video - conference , museum living on the umbrella , embroidery , factory and shop . and exclusively , enter the strongroom of the old ( former ) bank of france ( lasted 2 h ) guided tour on saturday and sunday 10 h , 14 h and 16 h

3 . the power of nightmares : the rise of the politics of fear ( adam curtis , 2004 ) – television version a film of ideas and provocative , sustained argument . great use of sabu , too .

the movies ' endings also include references from earlier in the relationships that prove the former couples have not forgotten each other . seb names his jazz club " seb ' s " — a suggestion of mia ' s — and uses a logo she made him . in the umbrellas of cherbourg , we find out that both guy and geneviève name their children francoise / francois , a name geneviève loved and they discussed when they were together .

journey from the fall ( ham tran , 2005 ) . who really feels the need of such an embarrassing relic of cold war - era manichaeism to commemorate the thirtieth anniversary of the fall of saigon ?

president and co - curator of the melbourne cinémathèque ( co - curator of the national cinémathèque ) .

his is essentially cheating , because the umbrellas of cherbourg is first and foremost a film . written and directed by jacques demy , it wasn ' t so much released in 1964 as unleashed across cinema screens in an explosion of bittersweet sentiment , soaring music and saturated colour . there are entire scenes in which the actors are outshone by the tropical glare of the wallpaper designs – and rather than take the conventional musical route , demy opts for the quasi - operatic , with every single word of his narrative sung . the only thing not heightened to the hilt is the status of the central characters : a young apprentice mechanic and his girlfriend , the only child of a single mum . we see their

the young girls of rochefort site on the film , from the town’s official site .

the angelically beautiful catherine deneuve was launched to stardom by this dazzling musical heart - tugger from jacques demy . she plays an umbrella - shop owner’s delicate daughter , glowing with first love for a handsome garage mechanic , played by nino castelnuovo . when the boy is shipped off to fight in algeria , the two lovers must grow up quickly . exquisitely designed in a kaleidoscope of colors , and told entirely through lilting songs by the great composer michel legrand , the umbrellas of cherbourg is one of the most revered and unorthodox movie musicals of all time .

the transfer has been ported over from criterion ' s 2014 box set featuring six demy features and the restoration work on the umbrellas of cherbourg remains as impressive on a revisit . the film is so vibrant as to seem otherworldly , yet grain and in - camera effects retain the visual signifiers of the era . the interior of madame emery ' s shop staggers with its wealth of detail and color , while the rain - soaked streets shimmer with a hint of blue amid the balanced blacks . there ' s nary an inch of any single frame that doesn ' t appear to have been tirelessly scrubbed of defect or debris . sound is lossless , with the 5 . 1 dts - hd audio track booming from start to finish .

an unsurpassed work of film as art . the director , the brilliant color cinematography , the actors and the timeless music of michelle le grande all combine to create the story of . . .

fifty years ago today , the world fell in love with catherine deneuve and nino castelnuovo in “ the umbreallas of cherbourg . ” one of the best musicals of all time , and one of jacques demy ‘s finest films , the sweeping tale packs romance , war , drama and music — oh , the music — into an unforgettable 90 minutes that are very much treasured by fans today .

1 . though it has little or no discussion of politics , the umbrellas of cherbourg is a great anti - war movie . it ' s guys like guy who get sent away to be killed leaving lovers to deal with the loss . i saw this film just as it was becoming apparent that i had to make some choices about vietnam . staying home with geneviève or madeleine or even the café pickup ginny is the better choice , believe me . return

the umbrellas of cherbourg contains so many emotional , dramatic , cinematic , and musical riches that it is easy to see why many people consider it not only demy ' s masterpiece but one of the greatest films , musical or otherwise . it reminds us that we can mend our hearts even when they are at their most broken  although in ways which we may never have expected , even as we hold onto our memories of the romantic fantasies which we left behind long ago .

n addition to the marvelous music and the visuals , the film features a very young and fresh catherine deneuve , an actress so pure - looking that the very sight of her was enough to set both roman polanski and luis buñuel scheming for revenge , like villains in a potboiler . for a lone bit of heavy irony in the umbrellas of cherbourg , demy includes a pleasant dockside whore who tries to give the grieving guy some solace . to add to his misery , it turns out her name is jenny , short for genevieve .

jacques demy in the umbrellas of cherbourg essentially reinvents the operetta format . when people aren ' t flat - out singing they ' re speaking in rhythm to the melodies . the direction and especially the vivid color stylize the film just enough to make it all work . even though the streets , apartments and shops are basically naturalistic , the candy colors and manipulation of elements ( mostly rain and snow ) are all carefully orchestrated . we accept demy ' s melodic world as easily as we accept ballet dancers in manhattan in west side story .

she can say that encore une fois . the most salient feature of the screen musical is that , though it has only one real song , the plangent reprised - to - death " if it takes forever ( i will wait for you ) " , all the dialogue , including the most thudding banalities , is sung too . i ' m normally a huge admirer of composer , michel legrand . but much of the brush - on - cymbals - hustled jazz music here sounds like so much doodling and the english translation is often risibly flat . so i ' m afraid to say that this account of the umbrellas of cherbourg kept reminding me of the game on i ' m sorry i haven ' t a clue where they struggle to fit the words of one song on to the tune of another .

the colors , the picaresque locales , the entirely sung dialogue , and the angel that is catherine deneuve ! " the umbrellas of cherbourgh " is 90 minutes of cinematic joy . simple human melodrama made engaging , profound , and unforgettable in the hands of a master ( demy ) . if the ending doesn ' t make you weep then i guess you ' re just not human . a classic musical and easily one of the finest ever crafted .

with the umbrellas of cherbourg , demy expanded his fictional world , and his filmmaking , through a bold use of such new ( for him ) elements as color and a greatly expanded role for music . but before exploring those aspects , let ' s look at his original screenplay , and what it brings to this extraordinary film . ( demy was a true writer / director , having authored nineteen of his twenty - one films ; the two exceptions were early shorts . )

“of all the new wave directors who once professed their joy in cinema , demy remained most faithful to the delights of sight and sound and to the romance of movie iconography . with loving attention to those atlantic - coast towns—rochefort , cherbourg , and nantes , where he grew up—demy invented a world of benign and enchanting imagination . it is constantly on the verge of fairy story , but never yields to the foreboding of the grimm brothers . instead , demy has his own domain of chivalry and love , born out of perrault and schoolgirls’ novelettes , the rural sentiment of rouquier , and the hollywood scheme of coincidence and happily ever after , but as distinguished and ennobling as , say , the beautiful hours of the duc de berry . " — a biographical dictionary of film , by david thomson

i think the film is one of the best musicals ever written for the screen . the music is gorgeous and the use of color and camera movement is masterful .

the cover states : " original sound track from the french film ( les parapluies de cherbourg ) the umbrellas of cherbourg dialogue by jacques demy music by michel legrand " comes in a thick gatefold sleeve with an 8 page booklet featuring the original french lyrics and their english translation . notes on inside booklet : all selections published and licenced [ sic ] by south mountain music corp . ( b . m . i . ) distributed in the united states by the landau releasing organization noted on back cover : printed in u . s . a . © wayne printing corp . 1964 two sided insert pictured promoting other " connoisseur collection " releases was inside cover .

when the academy film archive embarked on a new restoration of the front page , preservationists stumbled onto a mystery regarding the existing prints of the film .

james ryan endowed professor of film studies , professor of english at the university of nebraska , lincoln , and , with gwendolyn audrey foster , editor - in - chief of quarterly review of film and video .

" the umbrellas of cherbourg " did not initiate a new movie style ( although demy tried it again in " the young girls of rochefort , " in 1967 , with deneuve , her sister francoise dorleac and gene kelly ) . but it is remembered as a bold original experiment , and now that it is restored and back in circulation , it can also be remembered as a surprisingly effective film , touching and knowing and , like deneuve , ageless .

this is life as viewed through demy’s lens . but if umbrellas uses the conventions of the hollywood musical to express the immediate exhilaration of young love , it also subverts them to convey what’s left when the illusions fade . among other things—many things—the film is about how our lives measure up against the romantic ideals we see on the big screen . “people only die of love in movies , ” a character tartly observes—yet her pronouncement has an unmistakable note of regret .

the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .

has there ever been an actress in the history of the movies who has changed as little and aged as slowly as catherine deneuve ? here she is in " the umbrellas of cherbourg , " her first major film , made in 1964 and now restored . thirty - one years later , i met her at the 1995 cannes film festival . to the degree that she had changed , it was simply to ripen , to add experience and sympathy to the raw beauty of a teenager . i am not making empty compliments . her beauty , then and now , is like a blow to the eyes .

heaven and hell michael atkinson’s review of the 2001 re - release of la baie des anges from the village voice .

what demy delivers instead is the most affecting of movie musicals , and perhaps the fullest expression of a career - long fascination with the entwining of real life , chance , and the bewitching artifice of cinematic illusion . more than any other film i know , umbrellas affects people differently at different stages of life . when i first saw it , newly married but still remembering vividly the pang of adolescent crushes , it played as tragedy : the story of a young love snuffed out by war , fate , and economic hardship . over the years , seen in the light of demy’s other films , it has come to seem more properly an exaltation of life’s bittersweet balances and trade - offs—of unexpected triumphs made richer by the dashed hopes that offset them .

but despite the presence of one of hollywood’s most exciting young filmmakers , it wasn’t until the lights dimmed that the real fun began , as the opening moments of umbrellas began to swirl onscreen to legrand’s evocative score . and once the characters started singing they didn’t stop until 90 minutes later , at which point the crowd filtered out of lacma’s bing theater onto an la street that maybe wasn’t quite as magical as the ones found in la la land —but which wasn’t far off .

but in umbrellas , demy found an ingenious way to extend the form of the screen musical , restoring its effervescence in part by reducing its scale to something recognizably human . rather than surge and lunge in elephantine production numbers , the entire movie would flow on an uninterrupted current of music . the singing and color would evoke the piercing immediacy of first love , even as the abstraction granted a very contemporary distancing effect .

the films selected for the 2013 edition of cannes classics will be screened in the company of those who restored the films as well as those directors still alive .

has been under the spell of the cinema for half a century . he was involved with the film society movement , assisted with the former national film theatre of australia and was a committee member of the melbourne film festival in the 1970s .

the film print comes appended with various restoration credits that add twenty seconds to the running time . the disc ' s one extra is a pleasant excerpt from an agnes varda docu about her director husband jacques demy . in it we meet the producer of umbrellas - a woman - and see anne vernon , nino castelnuovo and mirelle perrey at the re - premiere of the movie .

when she made " umbrellas " for the french director jacques demy , deneuve was 20 , and her work in this film was a flowering that introduced one of the great stars of modern french cinema . the film itself was a curious experiment in which all of the words were sung ; michel legrand wrote the wall - to - wall score , which includes not only the famous main theme and other songs , but also demy ' s sung dialogue , in the style of the lines used to link passages in opera . this style would seem to suggest a work of featherweight romanticism , but " umbrellas " is unexpectedly sad and wise , a bittersweet reflection on the way true love sometimes does not ( and perhaps should not ) conquer all .

the team behind that great revival of brief interlude a few years ago mounted a surreal production of " umbrellas " in the west end in maybe 2012 or 2013 which i took my parents to see . great director , great cast , but again an insufferably repetitive libretto and score made all of us really eager for the thing to be over well before the folks onstage were done .

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among demy’s few disciples in pushing the film musical in a modern direction – at least until damien chazelle came along – is baz luhrmann , whose paris - set moulin rouge ( 2001 ) scored a similar tale of unrequited love to a mashup of pop songs old and new . but , watching the digitally restored version of the umbrellas of cherbourg ( available on dvd and blu - ray ) , with the colours once again as wet - paint bright as demy intended , it’s easy to see how this world of heightened décor has also been an influence on the films of wes anderson . from the darjeeling limited ( 2007 ) to moonrise kingdom ( 2012 ) , anderson’s films share the same wistful romanticism , the same care and attention to set design and immaculate story worlds .

the restoration teams at warner bros . and criterion explain how they captured the silken texture of the nitrate print of michael curtiz’s classic noir melodrama .

once upon a time . . . the umbrellas of cherbourg is a 2008 documentary , directed by marie genin and serge july . it runs 55 minutes and features a variety of interviews , including some from jacques demy and michel legrand . it was great to hear how these two collaborated to create the film that just affected me so much ( their goal all along ) . it was also wonderful to see legrand sitting at a piano while being interviewed , just popping out the tunes on request . the documentary is more broad that just those two , also going into the film’s place in the context of world events .

the story spans the years 1957 through 1962 , and tells of the romance of 17 - year - old genevieve , who works in her mother ' s umbrella shop , and guy , a 20 - year - old garage mechanic . their relationship is interrupted when guy is called up to fight in algeria . umbrellas is divided into three sections , the departure , the absence , and the return . there is one intermission after the first section , and , although the first section is the longest of the three , it comes very early in the arc of the musical . it would probably work best without any intermission , but that is the least of the problems here .

the umbrellas of cherbourg ( french : les parapluies de cherbourg ) is a 1964 french musical film directed by jacques demy , starring catherine deneuve and nino castelnuovo . the music was written by michel legrand . the film dialogue is all sung as recitative , even the most casual conversation ( similar in style to an opera ) . nominated for the academy award for best foreign language film at the 37th academy awards held in 1965 nominated for four more academy awards at the 38th academy awards held in 1966 , three for legrand and demy , though it did not win any : " best song " ( for " i will wait for you " ) , " best original score " , " best scoring - adaptation or treatment " and " best screenplay written directly for the screen

last week , we were saddened to learn of the passing of raoul coutard . our technical director , lee kline , shared some memories of working with the great cinematographer .

founded in 1999 , senses of cinema is one of the first online film journals of its kind and has set the standard for professional , high quality film - related content on the internet .

* follow the bouncing bus * ( all images are iphone photos taken of frames of the film playing off the arrow blu - ray of the film . ) = = = if paul mccartney w . . .

streisand becomes the second woman in history to be honored by the friar ' s club with one of their legendary roasts as entertainer of the year .

barbra is one of the entertainers at the democratic inaugural gala for president lyndon johnson .

emy was himself the son of a small - town auto mechanic . in the documentary

the five stars are simply because amazon had this movie at a decent price . i purchased it for my mother who is 91 and not so nice about my gifts over the years . watching this movie with my mom back in the 60 ' s was always a special treat - we had to wait until it was on television , then we piled into her bed after the little sisters were sleeping , and cried to the beauty of the music and singing , the diplomacy in handling the subject matter , and the soul - tugging sadness of tough decisions and a first love that never dies . instead of an actual gift , my mother will receive a lovely basket of movie night - umbrellas of cherbourg , some canned stuffed grape leaves , her favorite crackers , and a few other items to provide memories of the things i know she used to love .

her work in theater , she says , is “like a breath of fresh air . so much else is involved in fashion—it’s a business . here it’s all about art , but at the same time , you are part of a team , and your work has to serve the production . so for fashion designers , i think it’s a good exercise , and a challenge . ” what’s more , she says , in this umbrellas of cherbourg , “i’m playing with timeless staples . and in my work as a designer , that’s what i try to do . ”

since lola , demy had been cultivating a project for an experimental musical , “a film entirely sung” . ( 3 ) les parapluies de cherbourg ( the umbrellas of cherbourg , 1964 ) continued the path of the lola protagonist roland cassard , but in a completely new form , all of its dialogue set to composer michel legrand’s music . les parapluies , with its color , spectacle , and melodrama , featured an unknown catherine deneuve and opened to wide critical acclaim . demy took this musical experiment further with les demoiselles de rochefort ( the young girls of rochefort , 1967 ) , another legrand musical , starring deneuve , her sister françoise dorléac , george chakiris , and gene kelly , who also choreographed the film’s dance sequences . while les parapluies had ventured into new territory as a quotidian opera , rochefort alternated music and spoken dialogue , in the tradition of american musical comedy . critics in france and abroad criticised demy for replacing substance with spectacle .

the irony is that this hilarious artiste is both the best thing about the show and an unwitting act of sabotage given that her rapport with the audience and her scandalous / mock - scandalised antics serve to expose the enervating wispiness of the central story . at the start , maitresse clambers over the front rows , her legs thrust out in ballet extensions designed to offer the punters a gynaecologist ' s - eye - view of her assets . she then gives us crash course on cherbourg and on its strange customs – the locals never stop singing .

, deneuve plays the 16 - year - old genevieve , who is in the throes of experiencing her first love . she lives in the rainy harbor town of cherbourg with her mother ( anne vernon ) , who owns the ever - colorful umbrella shop called " les parapluies de cherbourg . " genevieve and guy ( nino castelnuovo ) are starry - eyed lovers who coo their proclamations of eternal love , and believe every word they sing . then guy receives his draft notice and departs for his two - year military stint ( made all the more dangerous because of france ' s then - involvement in the algerian war ) . after guy ' s departure , which is followed by his infrequent letters , genevieve learns she is pregnant . deciding what to do and then facing the consequences of that decision form the rest of the movie ' s plot line .

in umbrellas of cherbourg , roland is a successful jewel merchant , and we may question his motives as he becomes friendly with geneviève’s mother . he wants to help this widowed woman and her daughter , so he plans to step in and marry geneviève . he is at least empathetic enough to understand geneviève’s reluctance and he sings about lola . here’s the set of lola , up in nantes , where roland and lola met up again after years and where he realized he was losing her . it’s empty :

" the ballad of narayama " is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…

none of these films have ever approached the popularity of umbrellas , whose influence turns up in the least expected of places . even if they hadn’t featured the undimmed presence of deneuve , such dramatic musicals as lars von trier’s dancer in the dark and françois ozon’s 8 women would be unmistakable as tributaries of demy’s initial vision . curiously enough , one of the strangest yet most astute homages to the movie is a 2002 episode of the animated science - fiction sitcom futurama , in which the cryogenically thawed hero debates whether to clone a dna sample from his dog , left a millennium earlier with the instruction not to move from his spot . he ultimately decides that the dog must have moved on and leaves the matter be—at which point the show cues a time - lapse montage of the dog waiting faithfully for his owner for years , until the moment he slumps to the sidewalk . the music playing over the montage is connie francis’s recording of “i will wait for you” ( the americanized version of legrand’s song ) —that anthem of a finite forever and an eternally preserved present that never loses its ache .

senior film editor of time out london magazine , programmer of london’s national film theatre and the author of numerous books on the cinema , the most recent being a monograph for the bfi modern classics series on abbas kiarostami’s 10 .