story of a love affair ( italian : cronaca di un amore ) is a 1950 italian drama film directed by michelangelo antonioni and starring massimo girotti and lucia bosè .

despite some neorealist background , the film was not fully compliant with the contemporary italian neorealist style both in its story and image , featuring upper-class characters portrayed by professional actors .

ferdinando sarmi was , however , a fashion designer rather than a professional actor .

its story was inspired by the james m. cain 's novel the postman always rings twice .

in the film , the camera pans the same street corner in ferrara , the director 's native city , that appears in his film par-delà les nuages forty-five years later .

in 1951 the film won the nastro d'argento silver ribbon award for best original score ( giovanni fusco ) and the special silver ribbon ( michelangelo antonioni ) for human and stylistic values .

story of a love affair was antonioni 's first full length feature film .

story of a love affair

story of a love affair <EOT> the stars of netflix ' s love talk about the show ' s love affair with l . a .

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michelangelo antonioni co - wrote and directed his first film , story of a love affair ( cronaca di un amore ) , in 1950 .

this cast list of who was in a love affair : the eleanor and lou gehrig story includes both lead and minor roles . ( 15 items )

if you want to answer the questions , " who starred in the movie a love affair : the eleanor and lou gehrig story ? " and " what is the full cast list of a love affair : the eleanor and lou gehrig story ? " then this page has got you covered .

a young woman meets a vital young man , but their love affair is doomed because of the man ' s materialistic nature .

not another cheesy love story . . . so far it ' s interesting .

the affair : an enthralling story of love and passion and hollywood glamour - kindle edition by gill paul . literature & fiction kindle ebooks @ amazon . com .

after ang lee received the golden globe award , he stated , “this is a universal story . i just wanted to make a love story . ” but that is really not the case . brokeback mountain is not a universal love story , as

a love affair : the eleanor and lou gehrig story cast list , listed alphabetically with photos when available . this list of a love affair : the eleanor and lou gehrig story actors includes any a love affair : the eleanor and lou gehrig story actresses and all other actors from the film . you can view additional information about each a love affair : the eleanor and lou gehrig story actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of a love affair : the eleanor and lou gehrig story have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .

it was the romantic and tragic story of a young couple whose love for one another was sadly cut short .

michael moore at goldman sachs in capitalism : a love story . photograph : everett collection / rex features

the story follows a group of birds on a journey where they try to find a better life for themselves and the ones they love .

the story of humanity’s love affair with alcohol goes back to a time before farming—to a time before humans , in fact . our taste for tipple may be a hardwired evolutionary trait that distinguishes us from most other animals .

a british woman recalls coming of age during world war i - a story of young love , the futility of war , and how to make sense of the darkest times .

this is the story of a love affair based on sadomasochistic role - play , with the choreography of sub and dom and the traditional paradox about who is really in charge . it is a passion based on a secret theatre of humiliation and pain . but what happens when one of the parties falls out of love and wants to end the affair , and the real humiliation and real pain come into play ?

the tasty sandwich shop , filming site for " good will hunting " and " love story . "

this is the story of a husband and his wife who want to adopt a child .

ultimately the story is one of love and loneliness , and this is the most poignant juxtaposition of all , for those in love are just not supposed to be so devastatingly lonely .

amidst a sea of litigation , two new york city divorce lawyers find love .

an enthralling story of love and passion from the bestselling author of the secret wife , set against the stunning backdrop of one of the most iconic hollywood movies ever made .

renowned filmmaker martin scorsese has declared story of a love affair to be one of his all - time favourite films and mr bongo films is proud to present it for the first time ever on dvd in the uk remastered from restored 35mm print .

anthony ' s pier 4 restaurant , filming site for " the thomas crown affair . "

no fourth river . a novel based on a true story . a profoundly moving read about a wo . . .

" the ballad of narayama " is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…

is about the simultaneity of love and loneliness , and is a story filled with contradictions and juxtapositions . it begins at the end , with a memory , a dream . the main character , ennis del mar , awakes and recalls his murdered lover , jack twist . the remainder of the story then revolves around the memory of ennis and jack’s deep and troubled homosexual love affair , which began during a summer when the two men worked as ranch hands on

made of four short tales , linked by a story filmed by wim wenders . taking place in ferrara , portofino , aix en provence and paris , each story , which always a woman as the crux of the story , . . . see full summary »

i love this film . the director did an excellent job in directing the special characteristics of each persons in the movie . it is a beautiful romantic but sad love story between a handsome young & most talented pianist & his exquisite most sensitive female ' mentor ' . thank you for a beautiful film . i love the story you built in this film ! i laughed & cried with all the casts . i love your movies ! ! !

a depiction of the love / hate relationship between queen elizabeth i and robert devereux , the earl of essex .

rome , 1961 . as the cameras roll on cleopatra , the world is transfixed by the love affair emerging between hollywood’s biggest stars : richard burton and elizabeth taylor .

" secret love affair " takes over the jtbc mondays & tuesdays 21 : 50 time slot previously occupied by " can we fall in love , again ? " and followed by " steal heart " on may 19 , 2014 .

nature plays a crucial role both in proulx’s original story as well as in the film adaptation of brokeback mountain . proulx uses nature expertly within her short story to create a great economy of words , allowing

providing a shield against the fear of death and the annihilation of personal identity or consciousness . this use of love would explain the inexorable connection between love and death in the characters ' speeches and actions .

a royal affair is a movie starring alicia vikander , mads mikkelsen , and mikkel boe følsgaard . a young queen , who is married to an insane king , falls secretly in love with her physician - and together they start a revolution that changes a nation forever .

the story has been compared by some critics to a greek tragedy or the story of star - crossed lovers , similar to romeo and juliet , but more accurately the story is about two rugged men living in a rugged terrain and a homophobic society , and it is a story about a relationship that simultaneously transcends and destroys both heroes as they try understand what drives their love and desire for one another and strive to have some kind of satisfactory relationship in the face of fear , denial and cultural stigma .

she began dating hollywood bad boy steve mcqueen and their tumultuous love affair - known for its alcohol - fuelled battles and passionate break - ups and make - ups - ended in a bitter public divorce .

the story stars beatty as mike gambril , a playboy sportscaster who is engaged to a millionaire talk show hostess .

oh hye won , a 40 year - old successful career woman . . . a love affair with lee sun jae , a 20 year - old innocent young man . . . 20 years gap doesn ' t feel like it . . . love the chemistry and how the story unveils every episode . you just deliberately appreciate and understand their individuality . the intensity and complexity of the story line gives emphasis to the core value of the discreet characters that makes me grasps and want to justify their cause . i love the musicality theme , as well ! hope ending is favorable .

as an american the social issues of a love affair between a mature woman and a youthful lover are not nearly as dramatic as they might be for your typical asian audience , it is just another story of two people with difficult circumstances . it just happens to be a very good story with an absolutely stellar musical score . it strikes me that , for once , the music is not entirely focused on difficult pieces played with accented power for a korean drama . " affair " is gentle on the senses , visual and audio , and the change is very much welcomed . i loved it .

despite the generally accepted view that heathcliff and catherine are deeply in love with each other , the question of whether they really " love " each other has to be addressed . this question raises another ; what kind of love - - or feeling - - is emily brontë depicting ? her sister charlotte , for example , called heathcliff ' s feelings " perverted passion and passionate perversity . " i list below a number of interpretations of their love / ostensible love .

my “first” response to this story is “i like it . ” that is because it is not my first time reading it . the first time i read this story i was shocked by the ending and disappointed with her view of marriage . at the time of my first reading of this story , i was newly married and “high on love” so to speak . therefore , i couldn’t possibly believe that someone could look at love and marriage in such a negative light .

the years haven ' t been kind to “story of a love affair” ( “crònanca di lin amore” ) , michelangelo antonioni ' s first feature , made in 1950 , but they have at least given it historical importance in view of the highly personal , hugely better films he made afterward , from “l ' avventura” to “the passenger . ”

with hindsight one can see here , the beginning of a style that this idiosyncratic italian marxist would go on to develop into what became virtually a genre all its own—the film about people disconnected from each other and the world around them . i doubt that if we saw “story of a love affair” today , without the benefit of hindsight , we would do much more than snicker between extended yawns .

set in 1930 ' s calcutta , this semiautobiographical novel by the world - renowned scholar mircea eliade details the passionate love affair of alain , a young french engineer , and maitreyi , the daughter of his indian employer . at once horrifying and deeply moving ,

a digitally remastered version of cronaca di un amore ( story of a love affair ) was released on dvd by noshame films in 2005 . this version of antonioni ' s first dramatic feature is the one restored by the cine citta studio lab in rome . the dvd package contains a booklet with the complete details of this restoration process , plus an interview with antonioni excerpted from the italian magazine cinema , april 1950 .

has , in many cases , become the foundation for a national joke . characters in the film were transformed into larger - than - life manly stereotypes in order to become more palatable to the movie - going public ( as in the scene with ennis standing tall with fireworks blazing behind him ) and there seems to be the need to define and market this as a “universal” love story rather than a story specifically about the tragedy of a homosexual affair in a homophobic society .

" secret affair " tells the story of secret romance between oh hye - won ( kim hee - ae ) , a woman in her 40 ' s , and lee sun - jae ( yoo ah - in ) , a man in his 20 ' s .

" love affair " depends on grace and style to make its effect , and that ' s just as well , because most of the people seeing this movie are going to know how it turns out . if they haven ' t seen the original " love affair " ( 1939 ) with irene dunne and charles boyer , or the remake " an affair to remember " ( 1957 ) with deborah kerr and cary grant , they ' ve seen " sleepless in seattle " ( 1993 ) , which was about people who loved the earlier films .

i love piano and mozart , so much ! ! ! high recommend kdrama . you are so beautiful stunning great unnie # kimheeae . love you , much

after a series of striking documentary short subjects , michelangelo antonioni made his first feature , cronaca di un amore ( story of a love affair ) , a loose , neutral treatment of a seemingly standard noir subject . cronaca is much like robert bresson’s early les dames du bois de boulogne —you can detect the future abstract style of the director underneath the conventional material . with these two films , a new type of reflective cinema was born , dedicated equally to the interior lives of actor “models” and the obscure surfaces of the photographed world .

until recently the love story seemed to be a threatened genre in hollywood . women characters in movies were more likely to stab you than kiss you . then came " sleepless in seattle " and " only you " and now " love affair , " all movies about nice people getting into goofy misunderstandings because they love one another so much . you have to be in the right mood to enjoy movies like this . or maybe they put you in the mood .

“story of a love affair , ” which opened yesterday at the cinema studio , has a number of easily identifiable antonioni moments , some quite fine , such as the scene in which the lovers are reunited after seven years , and another , photographed in the stairwell of an office building , when the pair ascend from one floor to the next only to reach an absolute impasse in their relationship .

after making highly regarded documentaries , story of a love affair was michelangelo antonioni ' s first feature length dramatic film . it also signalled a significant change in the direction of post - war neo - realism . antonioni , the future director of l ' avvetura , l ' eclisse , and blow up had already begun to set down the fundamentals of his future films , exploring the uneasy emotions that lie between the gazes of his characters .

he looks too cute and baby looking for this character in secret affair , i wish he didn ' t selected this role .

story of a love affair is a more straightforward endeavor than antonioni ' s later masterpieces , but it ' s still a mix of beautiful moving images and cinematic formalism . i wish i could take the film in without subtitles , but oh well . two images in particular stand out in my mind : the shot of lucia bose staring around the car door , and paola and guido walking through the park while a man plays guitar .

15 . one of the other axed love stories involved an african couple supporting each other through famine .

capitalism : a love story is by turns crude and sentimental , impassioned and invigorating . it posits a simple moral universe inhabited by good little guys and evil big ones , yet the basic thrust of its argument proves hard to resist .

freud explained this urge as an inherent part of love : " at the height of being in love the boundary between ego and object threatens to melt away . against all the evidence of his senses , a man who is in love declares ‘i ' and ' you ' are one , and is prepared to behave as if it were a fact . "

an emotionally charged journey through a harrowing true story of redemption and despair . . . and the risks one woman takes in the hope of loving again .

ennis’ dreams . but , while his dream at the beginning of the story steeps him in reverie , with fond and happy memories of jack , in his dream at the end of the story , there is a darker and menacing feeling , one of grief and sorrow , danger and death .

watched the series twice and i keep checkinf each time for a new season . . . hands downbthe best i have ever watched . amazing love story and cast . . could not have been better

how could this series have low ratings , i wonder . perhaps because of the stigma that the word " affair " holds . this series is done in no way audacious , and causes one to just drop the word affair in " love affair " and make one believe that it is just love . the characters were very convincing ; the 20 - yr old guy did his best i . e . while playing the piano , the 40 yr old woman plays her character elegantly which makes you feel that she ' s a goddess from somewhere , and even down to the scene of her drunken husband . . . oh and another thing , captivating musi

the unsurpassed beauty of antonioni ' s visual art lifts his two - penny story and hollow people into the exalted realm of the senses .

driven by dead - eyed commercial imperative . peter strickland’s new film , the duke of burgundy , is different : it is a labour of love , whereas

eventually , o ' neal met and fell in love with farrah fawcett , but said on oprah today that macgraw has always been his obsession and truly was his first love .

there you go guys , if you want to cheat on your girlfriend or wife just make sure you are doing it for love and affection from the other girl and you should be good to go . heck most of the women on hear would apparently be taken by the " love story " of your infidelity alone .

i found the details outlined in the book of the making of the movie cleopatra fascinating , but the affair depicted in the book was not that intriguing and i found myself often . . .

proulx , annie “getting movied , ” brokeback mountain : story to screenplay , scribner , 2005 .

in today’s era of overstuffed action movies and raunchy comedies , the epic hollywood love story is mostly a thing of the past . there was a time , however , when it was a moviegoing staple . starting with gone with the wind , which set the standard for the genre back in 1939 , historical romances on a monumental scale were big business for decades . even by the mid - 60s , when the hollywood studio system was beginning to crumble , an epic love story could still command an epic audience .

the story of one young man crossing the burning bridge between innocence and experience , spring ' s fall is a narrative dramatic poem about identity .

however , jack and ennis were not working as cowboys when they met and fell in love , but rather as shepherds , who have often been portrayed as living on the margin of society . the story is about two these young wyoming ranch hands who unexpectedly ( for the reader and characters alike ) fall in love as teen - age boys and continue their ill - fated affair in secret for the next 20 years , until jack is murdered .

according to the assistant director francesco ( citto ) maselli , the story of a love affair took its inspiration from the 1948 bellentani murder case , which thrilled italy at the time , including antonioni . the similarities between fact and fiction are fewer than we might expect - - the high society milanese setting is the same and pia bellentani ' s lover was a silk merchant but that ' s about it .

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in an industrial area , giuliana , an unstable woman , attempts to cope with life by starting an affair with a co - worker at the plant her husband manages .

story of a love affair ( cronaca di un amore ) 1950 | dir michelangelo antonioni | writ antonioni , citto maselli , daniele d " anza . silvio giovenetti , piero tellini | cine enzo serafin | edt eraldo da roma , raffaello vianello , antonioni | score giovanni fusco ( sax marcel male , piano arnando renzi ) | production design piero filippone costume design ferdinando sarmi prod franco villani

this drama is one - of - a - kind . the combination of story , music , and acting is just amazing . yoo ah in is superb as always !

and then , of course , there is the other side of the story . there are the lengths to which people throughout history have gone to go on a bender .

oh hye - won works as the director of planning for the seohan arts foundation . she is elegant and excels at dealing with other people . oh hye - won becomes involved in a love affair with lee sun - jae . he is genius like pianist in his 20 ' s .

the americans stars keri russell and matthew rhys have starred opposite each other on the fx spy drama since 2013 . and as their characters contended with the intricacies of a kgb orchestrated marriage , rhys and russell embarked on a real - world love story off screen .

if you like danielle steele , you ' ll love this . join an eclectic group of american visitors as they take a tour of ireland they will never forget .

looking forward to this drama . although i ' m not feeling kim hee ae but , i ' ll watch this drama for yoo ah in . hopefully their love story will be intense .

basically the story of a man forced to finally see the injustice around him . riley’s movie is designed to do the same thing to you . …

a french playboy and an american former nightclub singer fall in love aboard a ship . they arrange to reunite six months later , after he has had a chance to earn a decent living .

you ' ve reached the " hub " for any and all dramatica analysis of shakespeare in love . in addition to the storyform , you ' ll also find any additional analysis or media related to the story in question .

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but let maitreyi devi have the last word : " i do realize that mircea must have suffered a great deal because there was no physical culmination of this delightful never - ending love affair but i thank my stars that it was not . otherwise it would have finished there . this everlasting yearning freshly grown gives me a glimpse of eternity . . . "

based on the true story of an impoverished girl and a wealthy aristocrat , you will not want to put this book down . captivating from start to finish .

ah in did superb in secret love affair , so did kim hee ae . probably his best role so far , an innocent young boy who knew nothing but gradually became a real man through his affair with an older woman . i usually hate a storyline involving younger man loves older woman , but this drama hit me so hard that even i wish ah in engaged in a same kind of relation with kim hee ae for real . their chemistry was just so amazing and it makes me want to cry whenever i remember it .

brokeback mountain indeed is riddled with numerous contradictions and juxtapositions : a short , 55 pages that were turned into a film of epic proportions that infiltrated contemporary american culture . it is a story written by a female author about two men . it is a romantic love story , yet the characters are two rough , inarticulate western men who are never able to communicate their love for one another . the story begins in the 1960s – a time in american history typically associated by free love and experimentation . but clearly that freedom did not extend to two young gay men in the american west . it focuses on the desolation and loneliness of the west , yet the harsh landscape of this environment is also representative of the natural beauty and the love and closeness between ennis and jack . proulx’s descriptions of the landscape are at once poetic and beautiful and hard and desolate . the book’s prologue is an epilogue ; the tale begins at the end , book - ended by ennis’ dreams that represent both happy reverie and gut - wrenching grief .

gillian jacobs and paul rust , stars of netflix ' s love , talk about the show ' s quest to represent the real l . a . | l . a . weekly

here are a few secrets shared over the years as well as a few insider ones thanks to love actually creator richard curtis ' wife , emma freud .

recently restored and re - released in celebration of its 50th anniversary , ' doctor zhivago ' has come to be regarded as one of cinema’s greatest love stories .

with a phd in history and a special expertise in cleopatra , diana bailey leaves london and her husband trevor to consult on a film in rome - - and that film just happens to be a very real film , the magnificent cleopatra , starring elizabeth taylor and richard burton ( and their passionate affair ) . trevor hates to see her leave , but diana yearns for a bit of excitement before settling into years of motherhood . in rome , she quickly finds that all is not as it seems . history , romance , and murder meld into a fast - paced story set against a glamorous hollywood film backdrop . set in the 1960s , gill paul brings to life the fashions , scenery , and customs of the era with an expert eye . the affair is a passionate , well - told story set in a glamourous period and place . five - stars for this engaging read !

with the release of " concussion " on december 25 , here ' s a look at the real story of dr . bennet omalu and his battle to raise awareness about the issue of brain damage in retired nfl players .

the tasty sandwich shop was an institution in nearby cambridge , immortalized in scenes in both good will hunting and love story . unfortunately it closed in 1997 , replaced by various retail and bank chains in the years since .

and , so it would seem that while the film adaptation introduced this story to a significantly wider audience than the original written work , this new audience has not been able to truly experience the power and depth of proulx’s story . there is certainly nothing humorous about this tale , yet

“dirty dancing” is one of the great sleeper hits in film history , a dance - filled love story starring patrick swayze and jennifer grey that moviegoers , especially women , latched onto with a fervor that surprised even the people who made it . ( will the remake that abc broadcast last wednesday generate the same affection ? i’m going to guess , no . ) ms . grey plays baby , a teenager who with her parents and sister vacation at an old - school catskill resort in summer 1963 . there , she falls into a love affair with a dance instructor , johnny , mr . swayze’s character , who introduces her to the forbidden joys of steamy , pelvis - grinding dances and more .

wow 20 gaps love relationship , i wish i ' m not going to be annoyed watching this drama .

he talked about how he believed she was his first real love , even though the two never dated .

nevertheless , it is the passion of heathcliff and catherine that most readers respond to and remember and that has made this novel one of the great love stories not merely of english literature but of european literature as well . simone de beauvoir cites catherine ' s cry , " i am heathcliff , " in her discussion of romantic love , and movie adaptations of the novel include a mexican and a french version . in addition , their love has passed into popular culture ; kate bush and pat benetar both recorded " wuthering heights , " a song which bush wrote , and mtv showcased the lovers in a musical version .

31 . liam neeson ' s character , daniel , has a love story with carol . . . who he later calls karen . that ' s emma ' s character ' s name just in case you were wondering . . . ( dies happy )

the city’s good looks have provided the backdrop to some of the world’s most popular movies and blockbuster franchises ; there is a high concentration of glitzy hotels and seductive restaurants , making it a firm favourite with movie stars ; and the city is home to the world’s oldest film festival , taking place from 28 august to 7 september this year as part of the venice biennale . on top of all this , there is the venetians’ near obsessive love affair with hollywood .

love it ! ! ! ! passionate kiss ep . both r awesome : ) : ) : ) : )

i loved this little story - - it takes a couple of twists and turns that makes the ending ironic and unobvious . the year the story was written ( 1894 ) is included , and this adds interest to the content of the story . the fact that louise recognizes her oppression from the male - dominated society of the time is interesting to me . for some reason ( i don’t know why ) i haven’t read much work in which a woman of the time period speaks of feeling that a long life with her husband is undesirable . but when she realizes her husband is dead , louise’s view of a long life changes from dread to hope .

there are other significant differences in the film adaptation of the story . in addition to echoing proulx’s use of place and nature to enhance the story , the film also used music very effectively as an enhancement . a beautiful , simple score by gustavo santaolalla features a lone guitar , with long silences in the melody , a perfect complement to the themes of the story . the filmmakers did not choose to try to re - create proulx’s device of book - ending the beginning and ending of the story with descriptions of ennis’ reminiscences of jack . also , the character of ennis’ oldest daughter , alma , jr . , is developed much more in the film version than the book , and she is portrayed as a counterpoint to ennis . quiet like her father , “junior , ” as ennis calls her , also has a difficult time expressing herself . however , the message seems to be that despite their similarities , she is promised a happy and fulfilled life of love with her new husband , in stark contrast to her lonely , homosexual father .

? ? when miss bose ' s husband starts looking into her past . the fact that the affair is renewed as a result of the husband ' s groundless suspicions is an irony that is not to be taken lightly in a film that is completely without intentional humor .

i first saw a paperback version of eliade ' s bengal nights in 1995 . i recognized eliade ' s name from texts assigned in a survey course on world religions that i had taken as a university freshman , and i also recognized the title because i was aware that a french film with that same title had been made in 1987 - 88 , in calcutta . seeing that the book was about a " passionate love affair " between a western man and an indian woman , i purchased the book .

as with most of antonioni ' s films , the movement of the eyes tells the truth of the subtext , revealing the vacuity of words . paola and guido only make eye contact when in conflict and avert it when telling love words . the story is compelling and has a centrifugal effect on the viewer while the characters by contrast set us into a centripetal spinning away from it . brilliant photography and very poor sound .

a great combination of actress , actor , writer , director and music director . the story is not my type , i dont like any stories about affair but i like classic music . at the first i wasnt sure if i can finish this drama but yoo in ha and kim hee ae performance made me cant stop watching this drama . well it is of course not a drama for teenager who love a lovely dovely drama . full of realistic , a dark stories of someone life . sometimes life is not as lovely as we hope . i can understand why hye won love the talanted sun jae and i can understand why sun jae fall in love with the charismatic hye won . anyway , i give a thumb up for the music director . he / she can make this drama beautiful and dark with the music . i really enjoy all the music . and also for the director , must be hard to make this drama , with his kind of story , to be more accaptable , but he did awesome . 수고했어요 . 드라마는 너무 이쁘다 . 음막 도 너무 아름답다 .

i ' ve been coming to this page like 15 times since 2014 . . . just wondering should i watch it or not . to be honest , i ' m not a fan of a noona - doengseng love story , especially if it ' s 20 years apart ( just reading the synopsis already made my mood down )

opening credits are on pages of a book , through which a female hand is paging .

the story and much of mr . antonioni ' s treatment of it recall the kind glossy soapopera movie that was immensely popular in europe a quarter of a century ago , before europeans discovered the edifying joys of television drama . it ' s about the impossible love of a poor auto salesman ( massimo girotti ) and his former sweetheart ( lucia bose ) , who has married a rich milan textile manufacturer and moved bag and baggage into the upper classes , where she ' s lonely but very happy to be overdressed .

on reading the story this time around i see a much more positive side to the story . i probably also see it a little more objectively now . there are many signs of life in the story that represent a re - birth of this young woman . prior to her husband ' s death she dreaded each day and was “pressed down by a physical exhaustion that haunted her body . ” now that he is dead she sees the potential for life ( her life ) with phrases like “new spring life , breath of rain , and countless sparrows were twittering in the eaves . ” most of the story deals with her quick accepance of her husband ' s death and her quick acceptance of the new possibilities for her own life and soul . the title of the story would seem to reinforce this idea of quick acceptance . it indicates that her important transition took place within one short hour . normally people take months to fully come to terms with the death of a family member . mrs . mallard , however , is quick to put it all into perspective .

wow ! ! ! what a way to end the week with episode 6 . great show . i love the subtleties and the attention to detail .

i am going to watch the drama , coz i am a fan of ah in yoo , i love his acting prowess . i ' m going to wathc it next week .

romantic love takes many forms in wuthering heights : the grand passion of heathcliff and catherine , the insipid sentimental languishing of lockwood , the coupleism of hindley and frances , the tame indulgence of edgar , the romantic infatuation of isabella , the puppy love of cathy and linton , and the flirtatious sexual attraction of cathy and hareton . these lovers , with the possible exception of hareton and cathy , are ultimately self - centered and ignore the needs , feelings , and claims of others ; what matters is the lovers ' own feelings and needs .

who was l . frank baum and where did his story come from ? in celebration of his birth , we explore the imagination of the author who created the beloved children ' s book series .

the trouble with the film is not that their problems are mini . to paraphrase claude chabrol , there are no small problems , only small films . in a better movie we might he able to take seriously miss bose ' s inability to cast aside her life of luxury , and mr . girotti ' s inability to see her for the bore she is . but “story of a love affair” is tacky . it seems to share miss bose ' s fascination for high society , which , as shown in the movie , means playing bridge all afternoon and throwing fur coats floors .

ah , venice . its film festival can only mean one thing : love . and food . and frocks . and photo opportunities on a gondola . oh , and films . but this year ' s fest , so far at least , looks to be all about the love

interestingly , this device of menacing weather to frame these scenes was not used in the film . however , nature and place do play crucial roles in the cinematography . for marketing purposes , the film’s tagline is “love is a force of nature . ” this suggestion that that ennis’ and jack’s love was a force of nature over which they had no control might be one meaning of the use of nature as symbol in this story . but , neither proulx nor the film’s director of photography , rodrigo prieto , uses nature to represent this message solely . rather prieto’s photography captures the magnificence of the natural setting , while successfully echoing proulx’s use of the outdoor environment to suggest both natural beauty as well as the feeling of remoteness , isolation and loneliness of the american western terrain .

a wealthy industrialist becomes curious about his trophy wife paola’s past and hires a private investigator . the detective discovers that she had fallen desperately in love with the handsome guido as a young girl , and may have participated in a crime to win his hand…

instead of chilling and enjoying the movie , emma kindly decided to live tweet . bad news for emma ' s thumbs , good news for love actually fans .

awww . . . young man really is in love , they both do . real love holds no boundaries . . . true love knows no reason , no boundaries , no distance , it just flows when it ' s there . . . nobody shall cease . . . no inhibitions . open ended story but both showed compassion most likely they ' ll wait and decide to stay together . . . who knows ? as what lee sun jae said she ' s his home and even though they ended up breaking up , at least they gave it a try . love is more painful when you lost it as dyland park says , in angel eyes : - )

a touching drama about love , age gap , poignancy of life , rich and poor how they live their life and values and also an examination of the life on how have one lived done pretty well that focuses more on naturalness and substance with a touch of candy but not too much .

just out of curiosity . . . does anyone have any ideas about what the title of the story suggests ? what about the idea that louise may have died of guilt ? maybe she thought her husband was actually a ghost . she did scream when she saw him .

on set and reported dedication to the role hasn’t really amounted to much on screen . his chemical romance with harley quinn is an intriguingly toxic love affair , a morally questionable relationship that we certainly don’t see often in a superhero blockbuster . more joker and harley , and less … everybody else would have resulted in something far more interesting than the zombie shoot - ’em - up we were left with .

this story is both humorous and is valuable in a historical perspective . it is first a commentary on the feelings that a woman trapped into marriage during this time period may have experienced . marriage may have seemed to be an interminable “trap” and the only “honorable” way out for a woman may have been through death of her husband . this story is ironic in that the narrator ' s death is attributed to being overcome with great joy , when in fact she died of a combination of shock and disapointment . i liked this story , and i think that despite the time that the story was written , it is very easy to relate to . it also presents the way death can encourage many different feelings at once . the narrator admits that she will probably miss her husband , but she can also see the years of freedom stretching into the future .

clifford collins calls their love a life - force relationship , a principle that is not conditioned by anything but itself . it is a principle because the relationship is of an ideal nature ; it does not exist in life , though as in many statements of an ideal this principle has implications of a profound living significance . catherine ' s conventional feelings for edgar linton and his superficial appeal contrast with her profound love for heathcliff , which is " an acceptance of identity below the level of consciousness . " their relationship expresses " the impersonal essence of personal existence , " an essence which collins calls the

love as addiction . is what catherine and heathcliff call love and generations of readers have accepted as ideal love really an addiction ? stanton peele argues that romantic or passion love is in itself an addiction . what exactly does he mean by addiction ? an addiction exists when a person ' s attachment to a sensation , an object , or another person is such as to lessen his appreciation of and ability to deal with other things in his environment , or in himself , so that he has become increasingly dependent on that experience as his only source of gratification . individuals who lack direction and commitment , who are emotionally unstable , or who are isolated and have few interests are especially vulnerable to addictions . an addictive love wants to break down the boundaries of identity and merge with the lover into one identity . lacking inner resources , love addicts look outside themselves for meaning and purpose , usually in people similar to themselves . even if the initial pleasure and sense of fulfillment or satisfaction does not last , the love - addict is driven by need and clings desperately to the relationship and the lover . catherine , for example , calls her relationship " a source of little visible delight , but necessary . " the loss of the lover , whether through rejection or death , causes the addict withdrawal symptoms , often extreme ones like illness , not eating , and faintness . the addict wants possession of the lover regardless of the consequences to the loved one ; a healthy love , on the other hand , is capable of putting the needs of the beloved first .

a couple ' s big dreams give way to a life full of unexpected sadness and unexpected joy .

i pour a few fingers into a flimsy plastic cup . bits of grain float to the top .

i did not expect a story that would give a semi history lesson . i was a 23 year old woman who remembers the whole liz taylor epic . i would only recommend this book to people who like to read glorified history stories .

this drama always makes me on my toes . . . so afraid to watch them together worried for them to get caught . i hate and love the love affair , feel sorry sometimes love has to be that way and life can be so cruel . i just in episode 9 when i wrote this , and the character great and daring acting kept me from one to another ; the moment i want to quit here comes another heart thump plot line . i wish they can live together as a couple but in reality especially in asian country finally the woman will back to his family life and the boy will find his another true love , the husband will not grant the divorce just to keep his ego while he actually never cares anything about the wife well being

the tragedy of this story is that not only do ennis and jack lose each other , but they also lose themselves , and are unable to clearly articulate their love or live satisfactory lives . they are lost in memory , fantasy , fear and the constraints of their society . “it’s because of you that i’m like this – nothing , nobody , ” cries ennis toward the end of the story . and , jack longs to be freed of his feelings , pleading , “i wish i knew how to quit you , ” trying to deny the depth of his affection for ennis , as mendelsohn points out in his essay .

if you like danielle steele , you ' ll love this . set in ireland , carmel believes she was abandoned at birth but a facebook message reveals her past .

the unsurpassed beauty of antonioni ' s visual art lifts this fairly average story and it ' s people into the exalted realm of the senses . each scene is so tastefully done , and one can see the slight differences in each segment , yet the film works seamlessly , a beautiful piece of work by one of the all time masters of film .

the pair , who had earlier parted full of guilt when they did nothing to prevent the accidental death of mr . girotti ' s fiancee , are reunited , first in fear , then in love ,


love and bullets is a 1979 film directed by stuart rosenberg .

starring charles bronson , it is based on a screenplay by wendell mayes and john melson .

the film was originally to have been directed by john huston and advertisements were taken out in variety to promote this fact .

huston apparently did film some scenes but walked off the set after disagreements with the producers .

veteran director rosenberg stepped in on the troubled production .

the resulting movie received almost-unanimously poor reviews .

love and bullets ( 1979 film )

love and bullets ( 1979 film ) <EOT> love and bullets ( 1979 ) – mike ' s take on the movies ……… . rediscovering cinema ' s past

this movie ' s working title was ' love and bullets , charlie ' .

this was not the first movie ever made with the ' love and bullets ' title . two silent comedy shorts made in the nineteen - tens preceded it [ see : love and bullets ( 1914 ) and love and bullets ( 1916 ) ] .

charles bronson can always be counted on for a lot of bullets in his films…but love and bullets adds another layer to his iconic screen persona .

principal photography on this picture started late 1977 but the film did not debut theatrically until 1979 .

“love and bullets” is rated pg ( “parental guidance suggested” ) . it contains some violent episodes and a relatively tasteful shot of a nude corpse .

overall , love and bullets has some first rate action scenes and bronson is watchable as always but the supporting cast let it down with hammy performances and poor accents .

love and bullets is a british 1979 crime drama directed by stuart rosenberg and starring charles bronson as phoenix pd lt . charlie congers who is sent by fbi in switzerland to brink back in usa jackie pruit ( jill ireland ) , a former mistress of a crime boss joe bomposa ( rod steiger ) .

solid cast makes it worth a look . love that film poster as well ! yes it’s in my personal collection .

the film won a silver bear at the 1968 berlin film festival for best first film and was hailed by the influential film critic lotte eisner as having " a romantic spirit inspired by german silents " .

both transfers are adequate though not overly impressive . love and bullets was shot in widescreen but is presented here in full screen ratio . russian roulette is presented in letterboxed format . there are no extras .

the only other ' 70s bronson where he plays a cop . the other being , the much better , the stone killer ( 1973 ) . love and bullets is awful and jill ireland looks terrible in that wig .

i couldn’t disagree more . i love this movie , even without having read the novel .

top bronson film , a worthy film to my bronson collection . fast delivery , item as described .

a similarly titled movie , love and a bullet ( 2002 ) , another hollywood action film , was made about twenty - three years after this movie was made and released .

accessibility concerns ? email us at accessibility @ urltoken . we would love to hear from you .

with let the bullets fly , jiang wen and his team have a clear agenda to synchronize their creativity with the new chinese film market . bullets preserves the most popular elements of its immediate predecessor and irons out the idiosyncrasies that kept audiences ( and critics ) at a distance . if a blockbuster was the plan , then jiang’s success is unmitigated .

some feature films : signs of life , 1968 ; even dwarfs started small , 1971 ; aguirre , the wrath of god , 1972 ; the enigma of kaspar hauser , 1974 ; heart of glass , 1976 ; stroszek , 1977 ; woyzeck , 1979 ; nosferatu the vampyre , 1979 ; fitzcarraldo , 1982 ; invincible , 2001 .

love and bullets , directed by stuart rosenberg ; an original story written for the screen by wendell mayes ; film editors , michael anderson , lesley walker and tom priestley ; cinematograhers , fred koenekamp and anthony richmond ; music by lab schiffrin ; produced by pancho kohner ; a sir lew grade presentation for itc entertainment ltd . at the rivoli , broadway and 49th street , and other theaters . running time : 103 minutes . this film is rated pg .

as early as 1979 nationwide were given enough access to warrant titling a whole edition kate bush on tour , following rehearsals and the official first night in liverpool of the successful tour of life .

. . where the worlds of film noir and pre - code collide . .

stuart rosenberg , who directed “the amityville horror” as well as “love and bullets , ” is one of the great wonders of the movie world . mr . rosenberg has had a long and successful career , and yet he still pays little heed to the most basic tricks of the trade , like establishing clear time sequences or letting the viewer know on which continent the action is taking place or even keeping his actors’ faces out of the shadows . the swiss scenery for “love and bullets” involves a lot of bright , snowy outdoor shots in which mr . bronson and miss ireland virtually disappear .

“love and bullets , ” which opens today at the rivoli , also features rod steiger as a godfather with a very large mansion and a stammer . his performance , which could seem restrained only in comparison with his “amityville horror” turn , would have been quite overwrought enough without the speech defect .

he took promotional images for hounds of love in 1985 , the album that remains bush’s best - seller and which spawned hits such as running up that hill and cloudbusting .

by the late 1970s , charles bronson was as famous in america as he had been for many years in the 1960s in europe . many european thrillers and westerns had taken advantage of the actor’s impassivity before his american stardom was guaranteed in his partnership with michael winner for such as chato’s land , the mechanic and death wish . although bronson had had his first effective flop with the white buffalo , he was still very much at the top of the box office rankings when he accepted the role in love and bullets , effectively cast opposite his wife and frequent co - star jill ireland . love and bullets was originally scheduled to have been directed by the great john huston but when this fell…

glenys groves , one of the two backing singers on bush’s 1979 tour of life , devoted a chapter to that experience in her recently published memoir ballads , songs and snatches , thus earning a plug on the kb fan sites .

cinema scope mag for film reviews , criticism news & comments . one of the most respected publications on film , uniting experienced critics with new writers .

steve martin reinvents edmond rostand ' s 1897 cyrano de bergerac for a modern colorado setting . the film was directed by fred schepisi and martin plays charlie ' cd ' bales , a small - town fire chief with a large hooter who is desperately in love with astronomer roxanne kowalski ( daryl hannah ) . the film is charming and earned martin a string of awards , including the national society of film critics award for best actor and writers guild of america award for best adapted screenplay .

this is all very chivalrous , but it ' s also dull . the british‐born miss ireland has no luck in affecting a hillbilly accent , and as a comic presence she ' s simply not there . however , she and mr . bronson approach each other with an appealing ease , which would be more appealing if it were not the movie ' s only selling point . mr . bronson grows ever more coolly dependable with each new film , but “love and bullets” is too clumsy to show him off to much advantage .

the scene has earned the 1979 film a lot of mockery because of its campy outlandishness . but in the wake of moore ' s death from cancer on tuesday , at 89 years old , the entire sequence is worth a rewatch—along with the opening skydive chase —because it captures what was quintessentially special about the beloved actor ' s take on bond .

was attached to direct at one stage . in the end , the film was directed by

this is a very good film . the action is just a little slow . . .

classic film collector who never tires of discovering new titles and re - discovering old ones . view all posts by mikestakeonthemovies

debut theatrical feature film of model and actress lorraine chase who played the girlfriend of vittorio farroni ( henry silva ) .

best line : " this film is only for madagascar and iran . neither of which follow american copyright law . "

cult , b - movies , cheesy fun films to film noir to classics new to me .

chris , i certainly recognize that they are two separate mediums , but choosing to watch the film first does privilege film over books . i don’t think reading the book first ‘taints’ the experience of watching a film , or vice versa . but , i do often find that reading the book first enriches my experience of films . i would also say that it often depends on the book or film itself .

and now for something completely different . today i watched the crystal clear and perfect criterion blu ray of “the front page” . excellent . i may tip my toe into films of other cultures / countries , but i will always love hollywood pictures from back when .

“with this scum , you gotta take the law into your own hands . you don ' t just book these guys , you kill ‘em . ” that ' s a line of dialogue from “love and bullets , ” the new charles bronson movie , and it bears the unmistakable paw print of wendell mayes , who also wrote “death wish . ” however , this time there ' s a twist : mr . bronson doesn ' t speak that line , nor does he even endorse its sentiments very strongly .

an interview with writer / director boots riley about his incendiary new film , " sorry to bother you . "

" at a time when everything is fake and virtual and digital , he brought back the idea that cinema is to record basic human experience , " says his fellow film director and friend , volker schlondorff .

i grew up watching jcvd , sly and arnold destroy bad guys , blow things up and spew one - liners like it ' s a fashion statement . action is everything i go to the movies for and the reason i came up with this site is to share my love for the genre with everyone .

it ' s also interesting to note that the main bond girl in moonraker is an american astronaut named holly goodhead ( heh ) , making her one of many fictional female spacefarers who predated the first american woman in space , sally ride ( sigourney weaver ' s ripley , who also debuted in 1979 , is another example ) .

born in war - time germany , he wrote a prize - winning screenplay at the age of 15 and made his first film at 20 . now one of cinema ' s most controversial and iconoclastic directors , he is also credited with leading a renaissance in european film . john o ' mahony reports

from the film the line , the cross & the curve , 1993 , london , black island studios . harari : ‘kate dances during the filming of the song lily , inspired by her healer friend lily who was in the film too’ .

" the ballad of narayama " is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…

these are questions on which the whole plot is supposed to hinge and it would , too , if the movie were organized along rational lines . it is not . " love and bullets " is a hopelessly confused hodgepodge of chases , killings , enigmatic meetings and separations , and insufferably overacted scenes by steiger alternating with alarmingly underacted scenes by bronson . one example : after a killing , bronson and ireland are seen walking down a snowy slope next to a mountain lodge . cut to a dock , and they ' re climbing out of a boat . where are they ? where were they ? whose boat is it ? why did they have to go from one place to the other ?

this is a very good film . the action is just a little slow but still one of charles bronson best films .

looks great to me , maybe not a great film but like you , i can’t resist silva , bronson et al .

director jules dassin was attached to direct at one stage . in the end , the film was directed by stuart rosenberg .

father of the bride and its sequel garnered steve martin a host of film awards and nominations for his role as family man george stanley banks . his wife nina was played by diane keaton .

greg , i didn’t have much , if any exposure to foreign film’s until i was in my 40′s and dvds became the standard for home video . i’m at the point now where i visit “streamline” to discover films such as “judex” which expand my film horizons . always more to see .

t’s established in allen lore that the picture was originally a two - and - a - half - hour solipsistic ramble , with alvy and annie’s fling relegated to a subplot . but in the edit , their relationship was what brought the film to life , and the dead wood was mercilessly cut back . allen’s preferred name for the film he’d originally planned was anhedonia : a greek term for the inability to feel pleasure . there couldn’t have been a less appropriate title for the finished film .

streamline is the official blog of filmstruck , a new subscription service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house , indie , foreign and cult films .

steve martin ' s film career began in 1972 with a small role as a hippy in a political comedy called another nice mess . but the stand - up comedian ' s first real triumph was the 1979 carl reiner - directed movie the jerk . martin starred as navin r johnson , the simpleton adopted white son of african - american sharecroppers . the jerk is a warm and engagingly silly film , featuring jokes about cat jugglers , but at the time of its release it had a mixed reception . " it took a long time to get over the bad reviews , " martin later said . he added that british comedian peter sellers had offered him great encouragement at what was a difficult time in his career .

american detective charlie congers ( bronson ) is sent to the swiss alps to find and protect jackie ( jill ireland ) , the lover of a notorious gangster so that she can potentially testify against him . the stakes become even higher for congers when he and jackie fall in love and the jealous crime lord sends out assassins to put a permanent end to their budding romance .

the movie doesn ' t really care . it ' s all texture and no plot , which is fine for a travelog but not so hot for a thriller . there ' s so little dialog we begin to suspect that ' s deliberate : has the wordage in this movie been kept to a minimum to make it easier to dub for the international market ? thrillers , even sure " pure " thrillers as hitchcock ' s " north by northwest , " work on some level because we ' ve gotten to know the characters and care about them . " love and bullets " seems to expect us to care about bronson simply because he is bronson the attempts to flesh out his character are brief and routine .

more and more screens , rising ticket prices , and a more affluent ticket - buying middle class means that records will continue to be broken rather rapidly ( to the professional delight of these upbeat chinese producers and investors ) . but let the bullets fly owes its success to deliberate design . this chinese action comedy connected with audiences and critics in an unprecedented way , earning a kind of across - the - board critical and public acclaim that i haven’t seen in the eight years i’ve been in china .

woody’s fourth and , thus far , final london film is a lightly cynical ensemble juggling act , taking in gold - digging , psychic love advice and ambulance - chasing literary plagiarism . josh brolin is well cast as a desperate novelist , but gemma jones has the best of it as the jilted wife of anthony hopkins , whose new girlfriend is a tacky ex - hooker ( lucy punch ) . allen , alas , seems above all of his characters here , and inflicts petty twists of fate on them which feel forced and malicious rather than wise or illuminating .

he first film in which allen directed diane keaton was also , perhaps not coincidentally , the first film to suggest he had more in him than than madcap , gag - driven comedies . ( they appeared in a film together before his directing days ) . that’s not to say sleeper isn’t as madcap and gag - driven as his earliest work : a film about a health food shop owner who falls into a vat of liquid nitrogen and wakes up 200 years later kind of has to be . but allen’s painting with new colours here : romance , melancholy , and even – gasp ! – coherent plotting , while the uproarious robot butler sequence showcased his talent for silent - era physical clowning .

also agree about the casting of the child . i actually think the stills of bennent are far more powerful than his performance in the film .

this movie marks the second time that star actor charles bronson has appeared in a movie written by wendell mayes . mayes adapted brian garfield ' s death wish ( 1974 ) novel and wrote the story and co - wrote the film script for this picture . this movie was made and released about five years after death wish ( 1974 ) and some dvd tag - lines emphasize that this film is from the writer of death wish ( 1974 ) .

a gift from aphrodite , wonder woman’s lasso makes persuasive capacity external and material rather than something internally sourced . in ancient greek textual and material culture , and from nuptial vases to cultic spaces , aphrodite was often accompanied by peithō ( persuasion ) , also a goddess . in his descriptions of greece , the second - century ce historian pausanias peered through dense mythic mist to report that when the hero theseus united attica , he established a shrine with two statues on the acropolis to hold the union together : one of aphrodite pandēmos ( all the people’s goddess of love ) and the other of peithō ( 1 . 22 . 3 ) . a capacious love joined with persuasion made political unification possible .

chow yun - fat’s depraved , corrupt , and powerful monopoly - capitalist huang silang appears to be the purest villain of the piece : brilliant but dishonourable , lacking moral restraints . he could be , in allegorical terms , an embodiment of the corrupt capitalist base of chiang kai - shek’s kuomintang , the “nationalist” party who temporarily brought a kind of order to warlord - ridden china shortly after the period in which this film takes place , and who were subsequently overthrown by the communists in 1949 , partly because the kuomintang’s venality and corruption drove people to the ccp . or huang silang could equally well incarnate the nexus of local power and corruption that has taken over the communist party since deng xiaoping introduced capitalist reforms after 1979 and jiang zemin opened the floodgates to massive official corruption in the ‘90s .

an older bronson paired with jill ireland typically doom a film from the onset . fortunately this film benefits from an interesting location ( switzerland ) , the casting of some of the best character actors working at the time ( strother martin , michael v . gazzo , paul koslo and henry silva ! ) , and a crazed performance by rod steiger . with this dream cast the film must be a winer . . . sadly no . it ' s good but charlies " blow - dart " attacks on the mafia hitmen is a real letdown and jill ireland is more annoying than usual .

allen cast a fond eye back to the hollywood musicals of his childhood for this all - singing , star - stuffed confection , which follows a clan of wealthy manhattanites chasing after love in new york , venice and paris . edward norton , drew barrymore , julia roberts and goldie hawn are among the game cast singing their hearts out . despite those names it was a commercial flop , and its airiness can sometimes play as insubstantial . but when the film works , it really works : not least when hawn defies gravity on the banks of the seine in its magical finale .

this picture was not the first time that star actors rod steiger and charles bronson worked on the same film production . previously , the two had both appeared in the 1950s westerns jubal ( 1956 ) and run of the arrow ( 1957 ) .

truthfully this isn’t all that great of a film but it’s hard for me as a bronson fan to come right out and say it . when he’s on screen he dominates so what can i say .

eceived wisdom has it that manhattan is a cinematic love letter to new york . but it’s actually the opposite : a thank - you card from new york , via allen , to cinema – for the alchemical process by which light and shade and music can turn buildings and streets into a miraculous , shared dream of a city . in theory it’s a romantic comedy , though its romance and humour are by turns anxious and wistful , and its characters come weighed down by manifold flaws and neuroses ( not least the troublesome may - september romance between isaac , allen’s conflicted comedy writer , and mariel hemingway’s 17 - year - old student ) .

it’s a glorious premise , explored by allen and his cast to dazzlingly funny ends . what gives the film its existential bite , though , is a two - part acknowledgement late in the game : firstly , that the beautiful solace film offers is a lie , and secondly , that it doesn’t matter . watching it , you feel ( and probably look ) like farrow’s heroine : a smiling face in the dark , lit up , flickering , alive .

alexander payne was just at the tribeca film festival for a director’s series edition of tribeca talks , where he revealed that “downsizing” was the most difficult film he’s ever made . dick cavett moderated the discussion , which eventually touched on the icy reception of his ambitious drama released last year . matt damon and hong chau star in the film , whose out - there premise helped make it one of the most anticipated films of 2017 . payne said it was difficult on every level — writing , financing , editing — and also addressed the lukewarm reviews it was met with upon opening late last year , suggesting that its ambitious narrative may have been too much to fit into the framework of a single film . payne was also asked whether any of his movies would be different if he made them today . “if you’re an open director , you cannot help but have the winds of history blow through your film ,

steve martin was nominated for a best actor golden globe for his portrayal of gil buckman in director ron howard ' s sentimental comedy . the film was a box - office smash hit , grossing more than £120 million worldwide . keanu reeves also starred in the film . in real life , martin is a talented banjo player .

if you happen to be a chinese film producer , china looks like the promised land , if not the wild west—a place that’s available , for the taking , with its doors wide open . ( though if you’re an activist in the marginal non - governmental sphere these days , the picture looks quite different ) . 2010 box - office numbers continued their exponential rise , with blockbuster hit succeeding blockbuster hit all the way to december . and the biggest box - office earner yet in chinese movie history is jiang wen’s let the bullets fly ( rang zidan fei ) . released in december , jiang’s eagerly awaited film raced past the record set by feng xiangang’s aftershock ( 2010 ) , which held up for a scant five months .

others have criticised herzog for being monomaniacal and exploitative . after the filming of heart of glass , co - writer herbert achternbusch wondered whether herzog " might possibly nail his actors to trees in his next film " .

classic wife and husband duo flick here starring the late charles bronson and also the late jill ireland who sadly were in some great films in the 1970s and always liked charles bronson and jill ireland together in heartbreak pass and assassination .

in the comic books , diana receives her lasso at least twice . in the first offering , her mother , queen hippolyta , hands her the lasso , which contains aphrodite’s power to gain submission from men and women alike . in the second offering , aphrodite and athena make a special delivery . having prayed to them and shown herself to be “bound by love and wisdom , ” she has earned the power to bind others . wonder woman’s lasso , then , is originally a lasso of obedience .

i caught this film for the first time in the early eighties when it made it’s network premier . i was far to young to see most bronson films at the theater so i would catch most of his seventies output on late night television . this film boasted a cast of well known faces and offered the swiss alps as a backdrop to the carnage that bronson was about to unleash .

when kinski threatened to leave , herzog came close to fulfilling this wish : " i told him i would do him in if he left the set now , " says herzog , " that i had a gun with nine bullets , eight of which i would use on him , leaving the final one for myself . he understood that it was not a joke . "

the salary of star charles bronson was a then exorbitant us $ 1 , 500 , 000 . moreover , this did not include his back - end points percentage profit from the film ' s box - office grosses and the cost and expenditure for his and wife jill ireland ' s entourage of about a dozen personnel .

moonraker has inspired a " love it or hate it " reception since its release . but it captures the magic of space - age visions in the final year of the 1970s , reflecting the afterglow of the apollo program while anticipating president ronald reagan ' s weird obsession with building a space - based laser defense system during the 1980s .

steve martin plays private investigator rigby reardon in this 1982 comedy directed by carl reiner . it ' s a parody and celebration of the forties film noir thrillers and has a running gag ( a vaudeville routine tribute ) in which martin goes berserk every time he hears the phrase : " the cleaning lady " . using splicing and trick photography the black - and - white film also has appearances from celebrated actors and actresses including ingrid bergman , humphrey bogart , james cagney , joan crawford , bette davis and lana turner . legendary costume designer edith head , who had created outfits for films such as double indemnity ( 1944 ) , notorious ( 1946 ) and sunset boulevard ( 1950 ) , created more than 20 suits for martin .

the film also received a dm300 , 000 government film award which helped fund his next projects , including fata morgana , a trek through the sahara in search of mirages , and a wildly offbeat feature , even dwarfs started small , the story of an anarchist uprising in a criminal institution for small people . this picture caused uproar when shown at the 1970 new york film festival , with herzog accused of fascism for what was perceived as a satire on the 1968 student uprisings , and of exploiting his actors : " they were performing in some sort of a ' tiny town ' amusement park , " he counters . " for the first time they got some real , decent work and enjoyed it tremendously . "

t opens with one of allen’s most vividly written , shot and acted scenes ever , as judy davis and sydney pollack arrive for dinner and announce their separation plans . the way their best friends , allen and farrow , respond – shocked , but also offended – turns this into a rapid marvel of four - way characterisation . this is allen’s most scorching anatomy of marital bonds , a film so bitter , witheringly frank and unsentimental he entirely reinvented his style of shooting and editing for it .

as i said i haven’t read the novel ( yet ) but i wonder how grass handled the problem of a boy talking like an adult . that he behaves like one i disagree with ; he keeps playing with toys even when the bullets fly . but i agree there’s an uneven mix between adult and childish behaviour . i’ve always seen oskar as a boy who’s born fully formed : how else can he make a conscious decision not to grow at age three ?

fter a run of russet - hued collaborations with cinematographer darius khondji , allen is working here for the first time with the venerable vittorio storaro , and the change has done him the good . a couple of scenes with bobby and vonnie together are the most visually beautiful sequences in an allen film in goodness knows how long . and then there ' s

f allen’s many mooted returns to form , here’s the film that actually was one : a lacerating comedy of financial and romantic recessions , and his best work since his extraordinary mid - career hot streak came crunching to a halt in the early 1990s . cate blanchett won an oscar for her heart - tightening performance in the title role – a kind of blanche dubois of park avenue brought low by her husband’s economic chicanery . jasmine’s dogged denial of her desperate circumstances is the fire under the film’s feet , and watching her crumble is agonising , thrilling – and , most damning of all , great fun .

due to hijack and terrorism threats from the terrorist organization the baader - meinhof group , a permit request to film at the geneva airport ( aka the cointrin airport ) was denied , and as such , the intended shoot - out sequence was relocated to the same city ' s elegant hotel beau rivage .

this movie was the first film of a three picture contract that star charles bronson had with lord lew grade ' s itc films . borderline ( 1980 ) was the second whilst the evil that men do ( 1984 ) was the third and final .

even the film that was supposedly made of before the dawn has still not seen the light . that means that anyone who has got something original to say or show about her is guaranteed attention .

steve martin has one of the great hollywood fictional names in this 1983 carl reiner comedy : doctor michael hfuhruhurr . hfuhruhurr is a widowed brain surgeon who has invented a method of " cranial screw - top " brain surgery . kathleen turner plays hfuhruhurr ' s nasty and unfaithful second wife , dolores benedict . sissy spacek voices the disembodied brain that hfuhruhurr falls in love with . it ' s a brilliant madcap comedy .

another close up from the set of the line , the cross & the curve . harari ' s total access on the set of her film allowed him ' to capture some interesting candid moments ' .

when fans noticed the absence of women of color — especially philippus , a prominent black amazonian general who guides wonder woman in the comics , and nubia , diana’s black twin — from early promotional material for the film , director patty jenkins promised a diverse cast . how can we ensure that these roles are prominent and meaningful ? and how can diverse wonder women join in the fight for all that is good and just ? ”

e’s speaking to the film’s other main character , allen’s documentary filmmaker clifford stern , in the one scene they share , sitting apart from a wedding celebration at the film’s very end . not here the fortune - cookie insights that some of allen’s lesser pictures call philosophy . here he’s thinking deeply about moral choice , the question of whether guilt in your own eyes or the eyes of the world matters more . this bubblingly wise film , rich with beautifully dovetailing metaphors about blindness and conscience and the perils of self - knowledge , has only grown in stature since its release . it is allen on soaring form , gliding so elegantly through its maze of ideas it’s as if the spirit of fred astaire gave it lift - off .

london films achieved the weird distinction of getting no theatrical release in its place of origin , despite the returning presence of scarlett johansson , and hugh jackman in the lead . the reasons are simple : it’s flagrantly disposable , continues allen’s embarrassing love affair with a london that doesn’t exist , and cooks up no intrigue worth bothering with , for all the ins and outs of its thin man - esque plot . the one redeeming feature , surprisingly , is allen himself , in the supporting role of an amusingly befuddled stage magician called the great splendini .

steve martin joined up with singer and songwriter randy newman ( and saturday night live ' s lorne michaels ) to write this spoof western , directed by john landis . newman also contributed some songs . martin ( lucky day ) , chevy chase ( dusty bottoms ) and martin short ( ned nederlander ) star as the hollywood silent film actors who portray the amigos on screen and get dragged into a real - life battle with mexican bandits .

overall a great cast here that is mostly wasted but for fans of the stone faced bronson you’ll have to pick up a copy that was recently released on dvd as a double bill with the film russian roulette .

arms akimbo , wonder woman stands with one well - greaved leg in the ancient world and one in ours . the imminent release of the first full - length , live - action wonder woman film is an occasion for classical reception work that joins dynamic efforts already underway on the classics and comics and the classics and modern fantasy . the decades of interpretive enthusiasm wonder woman has inspired , however , make it difficult to put a new spin on things .

described by janet maslin , the new york times critic , as the " consummate poet of doom , " herzog is one of cinema ' s most crusading directors . along with wim wenders and the late rainer werner fassbinder , he has led german film - making out of the post - war doldrums and into a period of rebirth . this has been mirrored by a personal quest for a " cinema of illiterates " , that has led him to explore subjects such as collective insanity ( in heart of glass ) and the rise of nazism ( in his new film invincible , which opens this week ) and taken him to the depths of the peruvian jungle , ( for films such as aguirre , the wrath of god and fitzcarraldo ) and the sahara desert ( for fata morgana ) .

facing deportation back to germany , he fled to mexico where he worked at the charreada , the mexican equivalent of rodeo . this period has since mutated into reports that he was a gun - runner . " it has a grain of truth , " herzog admits . " i stole a special commuter pass which allowed me to get across the border without being checked . some wealthy rancher asked me to take across a pistol made of pure silver and bullets of silver . now it has transformed me into a gun - runner . "

ere it is : not just allen ' s creative pinnacle , but perhaps the most perfectly assured braiding of comedy and drama in mainstream american film . it feels like the miraculous sweet spot between all of its filmmaker ' s many modes and tones – biting without being cruel , profound without seeming sanctimonious , warmly humane without collapsing into goo .

though he was never shy of publicity , marston seems particularly at ease in an interview printed in the magazine family circle in 1942 and entitled “ our women are our future . ” the interview was conducted by his lover , olive byrne ( using her nom de plume olive richard ) , and appeared as part of a series of articles she published to make good press for his comics . when she ribs him that “we ordinary mortals” do not have “any such fantastic weapons such as bracelets that repel bullets or her magic lasso that compels whomever it binds to obey her commands , ” marston sharply disagrees :

the success of nosferatu paved the way for what is arguably herzog ' s finest film , fitzcarraldo . shot once more in the peruvian jungle , the movie has also been the source of the director ' s most disfigured and destructive dàppelgangers : herzog the imperialist , who pays scant regard to the natives or their culture ; herzog the delusional romantic , who places the success of his film above all else ; herzog the dictatorial " pharaoh " , as pauline kael put it , who " risked other people ' s lives and put his co - workers through misery " .

the most enigmatic figure is jiang wen’s zhang muzhi , whose own identities are multiple . he is muzhi , former soldier in the xinhai revolutionary army and something of a complicated idealist . at the same time , he impersonates the fearsome bandit zhang mazi , pillaging towns in the area of sichuan where the film is set . ( all three main characters , in fact , have double identities : huang silang has an idiot double for protection , and councillor tang is in fact ma bangde , the would - be county governor in waiting . ) he’s also very clearly jiang wen playing someone much like jiang wen , the dominant force and omnipresent onscreen auteur of the film . jiang is immediately present , maintaining control with his macho dominance of shot and setting and tone , and exploiting all his gifts : physical charisma , theatrical verbal command , and a powerful moral charisma emanating from the jiang wen persona well known to ( and revered by ) chinese audiences .

allen has often shown an interest in stage magic and hypnotism ( see also : scoop , magic in the moonlight ) , but this enthusiasm reached its unfortunate nadir in this dodo of a light comedy , his most expensive film ( it cost $ 33m ) and by his own reckoning among the worst . his own performance as a wisecracking insurance investigator hypnotised into jewel theft was one problem , but helen hunt doesn ' t fare much better as the ruthless efficiency expert he wants off his back . all the film achieves is managing to look lavishly nostalgic for a more sexist era .

the chemistry between eddie murphy and steve martin works terrifically in this satire on hollywood film - making . martin stars as director robert k ' bobby ' bowfinger and murphy plays actor jefferson ' jiff ' ramsey . the film was directed by frank oz . asked whether he would like to be a director one day , martin replied : " even after all these years of doing films , the camera , the lenses . . . maybe i ' m a little bit lazy , i don ' t know . i like dealing with the script , i like dealing with the comedy . "

jackie pruit is the girlfriend of gangster joe bomposa , and when her life is endangered by some of his henchmen , the fbi begins to protect her . the agency , hoping that she will be able to supply them information they can use to put bomposa in prison , assigns agent charlie congers to her case . congers soon learns that jackie does not have any useful information for the fbi , and he also quickly falls in love with her . but in spite of the fact that jackie cannot incriminate him , bombosa decides he wants her dead . his men slip through security and kill her , but no one anticpated the intensity of anger and determination for vengeance of congers .

instead , in 1963 , he accepted a fulbright grant to study literature and theatre at the university of pittsburg . on the atlantic crossing he met martje grohmann , on a fulbright to study literature in wisconsin : " one day werner came to our table and talked about one of his dreams that he had the night before , " she remembers . " it was so visual , so visionary i would say that it impressed me very much . he came more often and i thought , my god , he has the quality of a biblical prophet or something . " after a courtship conducted mostly on deck playing shuffle - board , they fell in love and married in 1967 .

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so bronson is off to the alps to bring back jill ireland to testify against her former love . it isn’t long before a team of assassins descends upon them . henry silva plays it slick and along with paul koslo are one step behind the real life married couple of charlie and jill . they begin to realize what we the viewers have known all along . that this small time cop is no amateur . the bodies are piling up as charlie takes out one killer after another demonstrating his prowess at designing make shift weapons put together from a tool box .

the following essay was produced as part of the 2017 nyff critics academy , a workshop for aspiring film critics that took place during the 55th edition of the new york film festival . the western is an iconic genre tied to the very genesis of cinema itself , but it doesn’t have the currency it held decades ago . that’s why it’s such a thrill to see chloe zhao ’s “ the rider ” and valeski grisebach’s “ western ” — two highlights from this year’s new york film festival — reshape the genre from the ground up . it’s only possible to appreciate that if you consider how far the genre has come . the western reigned hollywood for decades—particularly from the ‘30s to the ‘60s . the genre’s appeal was that its unequivocal good vs . evil narrative could translate to any cultural zeitgeist . it wasn’t until sergio leone ’s spaghetti westerns and

for the last 10 days of shooting , herzog claims , kinski was quite docile . however , the film was given a low merit classification by the german film board and struggled to get a release . undaunted , herzog proceeded to his next project , the enigma of kaspar hauser , the true story of a young man who appeared in nuremberg in 1828 , unable to speak or walk . for the lead , herzog chose bruno s , a disturbed individual who had been brutalised as a child by his prostitute mother , losing the power of speech as a result , and had spent 23 of his 40 - odd years in mental institution . when the film was released in 1974 it was hailed as a " stunning fable " , though herzog was again accused of exploitation , in particular for allowing bruno to return afterwards to his squalid life .

this post really clarified my ambivalence towards this film . i found the book powerful , but i certainly wouldn’t say that i liked it , rather that it effected me – it made me feel queasy and uncomfortable and frustrated . the movie , on the other hand , just didn’t effect me very much . there’s something thin about it and i think you’re totally right that there’s something rather staid and conservative about the style of the filmmaking . the movie lacks something , even though visually it’s so rich .

throughout the seventies charles bronson had been a busy action star appearing in an average of two to three films per year . after telefon , the white buffalo and raid on entebbe in ’77 he took a break with no releases in 1978 and only this film from director stuart rosenberg in ’79 . thus it was his final release of the decade that saw his greatest period of success .

michele kennerly is an assistant professor of communication arts and sciences at penn state university . she is the author of editorial bodies : perfection and rejection in ancient rhetoric and poetics and co - editor of ancient rhetorics & digital networks , both of which are forthcoming in 2018 .

harari notes , ' my collaboration with kate owes everything to my work with lindsay kemp ( on the left ) in the late 70s ' . kemp would be one of the leading actors of the film the line , the cross & the curve .

but jiang wen is not only a master populist in the manner of , say , feng xiaogang . his films reveal a chinese artist bearing the typical crushing burden of “responsibility for the nation , ” something this country’s artists have borne since at least the qin dynasty . jiang is an institution , a powerful national figure with a strong sense of his own cultural significance . his films together take on the project of reinterpreting and reconfiguring chinese history . with exactly what ideological commitment , though , is an open question . critical readings of bullets in chinese have distributed themselves more or less evenly along the political spectrum : an arch - maoist allegory ; a post - socialist or post - capitalist text ; a subversive anti - communist work . can it be all of these ? a brief look at the genre , plot , and characters of the film can show how it presents a corresponding allegory for almost every kind of ideologically engaged viewer .

seemingly unconvinced , richard takes the conversation into geopolitics , claiming that nazi “chains” seem inordinately stronger “than the bonds of personal charm . ” marston concedes a difference between persuasive charm and dominating force , but he points out that hitler initially gained power by “stirring oratory and personal magnetism” — the magic lasso method stretched from interpersonal relations to mass communication — as did mussolini , churchill , and fdr . many can be captivated by persuasion , but the trick is never to surrender independent judgment . wonder woman can be bound by the power of others , and she may want to be bound temporarily for some greater strategic purpose , but ultimately she has the power to break free from whatever contraption used to keep her down . her bracelets , also from aphrodite , are emblematic of her strange relationship with resistance and submission , since they repel bullets but also , when held together tightly , make her weak .

llen does pygmalion , complete with a borscht belt greek chorus , although the jumbled , snobbish and emotionally curdled results fall noticeably short of mythic . a well - to - do new yorker ( allen ) decides to trace the birth mother of his adorable adopted son , and is horrified – plus more than a little turned on – to discover she’s a hooker and porn starlet . mira sorvino gives an oscar - winning , eardrum - tightening turn in a thankless role : the film patronises sorvino’s character relentlessly , and when it works , it’s because the actress heroically refuses to roll over and take it .

herzog returned to the us and then to germany in 1965 . with a camera which he is reputed to have purloined from a munich film school , he managed to make another short film entitled the unprecedented defence of the fortress deutschkreutz , in which four youths defend a fortress against an invisible enemy . then , in 1966 , herzog finally managed to raise the budget to make his first feature signs of life , the story of a recuperating soldier who is put in charge of a munitions dump on a greek island , a plot loosely adapted from a novella by achim von arnim .