assignment in brittany is a 1943 war film directed by jack conway and starring french actor jean-pierre aumont and swedish actress signe hasso , both in their american film debuts .

also starring was american actress susan peters , who in 1942 had been an academy award nominee for her performance in random harvest .

the film was adapted from a novel by helen macinnes which was serialized in the saturday evening post from may 2 to june 20 , 1942 .

when mgm bought the screen rights in february 1942 , the novel was titled " cross channel " .

the working title of this film was " fire in the night " .

assignment in brittany

assignment in brittany <EOT> assignment in brittany and over 2 million other books are available for amazon kindle . learn more

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assignment in brittany by helen macinnes ~ 1942 . this edition : little , brown & co . , 1942 . hardcover . 373 pages .

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author biography from the back cover of “assignment in brittany . ” check out the casual cigarette ! no doubt the other hidden hand is nonchalantly holding a martini glass…

engrossing and enjoyable spy story about a british spy in nazi - occupied brittany .

the queen of spy writers returns in a stunning series collecting all of her greatest works ! titan kicks off with assignment in brittany ; the gripping tale of an undercover operative deep in nazi - occupied france .

jean - pierre aumont ( day for night ) made his u . s . movie debut playing a french resistance fighter who ' s a dead ringer for a nazi official in assignment in brittany ( 1943 ) .

jean - pierre aumont ( day for night ) made his u . s . movie debut playing a french resistance fighter who ' s a dead ringer for a nazi official in assignment in brittany ( 1943 ) . >

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the first scenes of jumping into brittany were used as training for parajumpers in the military . great story !

read this book whilst visiting brittany , really enjoyed the story line , a real page turner .

above suspicion was the first , and published in 1941 in the opening moves of what was to become the prolonged agony of the second great war , its urgent and foreboding tone rocketed it to bestseller heights . macinnes followed her first novel by another even more topically urgent and dark , assignment in brittany , in 1942 .

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[ … ] i can think of . we have undercover missions and secret liasons , and a french village that recalled assignment in brittany . the horror and tragedy of the war are still present , but i guess the figures involved just seemed [ … ]

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i just picked up assignment in brittany at a booksale , however , so i know that i’ve never read it before . it’s a lovely jacketed hardcover , not a book club edition but the real deal from 1942 . according to the jacket biography this was only her second book .

this is a good story in a nice setting its nice to read a good old fashioned thriller before technology and drugs were involved . i read it onholiday in brittany and really enjoyed it

another review claimed that the book was given to american soldiers being sent to france later in the war . i have no idea whether or not that’s true , but if it is it speaks for the resonance and accuracy of the novel . assignment in brittany was also apparently made into a movie in 1943 . hopefully i’ll be able to watch it either through netflix or tcm .

the action continues in her second novel , assignment in brittany . the unlikely plot this time involves one martin hearn , who looks so much like an injured french soldier named bertrand corlay that military intelligence decides to have hearn impersonate corlay , and send him back to corlay’s home . corlay lives in an area of nazi - occupied france , and it would be quite a coup to have a british agent live in the area and report on nazi activities .

assignment in brittany . ( 1942 ) . helen macinnes . * * * . macinnes was a very popular writer of spy novels – up there with ambler and greene in her day . her novels tended to be low - key , but well plotted . in this adventure , martin hearnes , a member of one of our intelligence groups , takes on the responsibility of heading off to france to learn more about what is going on in brittany . he has a cover : a man who looks exactly like him has just been rescued after a battle with the axis forces . that man is

i so agree with darlynne about the experience of reading old books that were written during the time they were set . assignment in brittany was published in 1942 ; for those first readers it was a contemporary thriller , not a recreation of an earlier era . it’s hard to imagine how people must have felt , reading books like this when the world was still at war and the future so uncertain .

i have read above suspicion numerous times through the years , but assignment in brittany was new to me , and i was pleased at how engaging both of these were , even though in the first i knew the plot inside and out , and the second i guessed at rather successfully all of the way through , except for the rather heartrending ( but ultimately optimistic ) twist at the very end .

martin hearne , british intelligence agent , finds himself in nazi - occupied brittany , posing as bertrand corlay , with the frenchman ' s life reduced to headings in his memory . this is a story of treachery and intrigue .

i am a huge fan of helen macinnes . / assignment in brittany / is one of her early works set during wwii . one thing i think macinnes excels at is writing from the male perspective . add in a tense espionage mission , a " tale of martin guerre " case of assumed identity , and love and you have a story with real stakes . the uncertain ending just makes it especially poignant . highly recommend !

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i have been re - reading helen macinnes novels , which were beach - reading staples as a teenager . her work holds up very well , considering the significant changes since she wrote . assignment in brittany was her second novel , set during world war ii and published in 1942 - - very much of - the - moment in her day . she captures beautifully the isolation hearne feels as he hides in occupied france and figures out what he can and cannot accomplish . the romance is a little predictable by modern standards , and

like susan , i read macinnes way back in the ’60s and ’70s . i know i read ‘assignment in brittany’ , but nothing stuck ! i do have fond memories of her first–‘above suspicion’ . my favorite was ‘the venetian affair’ ( which was made into a mediocre movie starring robert vaughn ( fresh from his man from uncle gig ) and felecia farr ) . she did several non - spy things in the late ’40s which are enjoyable–‘friends and lovers’ is a charming romance and ‘rest and be thankful’ is set in the american west .

review taken from my blog , headsfilmreviews dot com helen macinnes was a remarkable woman . she was a scots presbyterian young lady of glasgow ( my mother ' s stomping grounds ) , degreed in french and german , a librarian , a classic german literature translator , a european traveler , an amateur actress and a wife of an mi6 british intelligence agent . she has a number of espionage thrillers to her name , and her second novel , assignment in brittany , reads as though she had been fully immersed in breton cu

i like it , though the story is a bit far fetch setting at the time before the battle of britain , the british forces could hardly be in a position tosend commando raid to raid brittany . the story would be more creditable if it was set in 1942 - 43 .

macinnes knew spy craft very well , and if you were sharp you picked up some good observational advice . like how one guy was a bit too liberal with the use of cooking oil while everyone else in occupied france is scraping by and using as little as possible . that clue , combined with a few others , show that the cook might be in the pay of the enemy . assignment in brittany was full of practical little observations of that sort , which made it a useful training tool for men heading behind the lines . these are the details that shine .

france may have signed an armistice with germany , but the british are still very interested in any suspicious german activity in the region of brittany . if the nazis are able to set up base along the coast here than things could get very bad for england . the intelligence office needs men to act as eyes , and hearne is the perfect choice . he has long been interested in brittany and its people because of his own cornish descent , and even studied for a year at the unversity in rennes before the war . in appearances he is a doppelganger to corlay , and can mimic the man’s breton accent perfectly .

during the war a french officer ( jean - pierre aumont ) is assigned by the british to impersonate a lookalike who is in their custody so that he can go live with his mother ( marvellous margaret wycherly ) in his village in brittany in order to find the hiding place of nazi submarines . typical wartime propaganda marred by the romantic sub - plot as he romances susan peters while tackling nazis in their usual villainous mode . pretty dull .

fascinating account of an english spy in brittany during wwii . the attention to detail necessary to pull off impersonating a known resident of the town is astounding . could this really happen ? i don ' t know , but it was a page turner .

oh , so retro ! these helen macinnes thrillers were everywhere when i was a teenager — she might even be comparable to the lee child of the era , which says a lot about cultural changes in the last 50 years . i never read them because they moved pretty slowly and because the proportion of romance to action was low for the teenage me . but assignment in brittany was a laundry - room acquisition and it fit the bill perfectly when i was laid low by a migraine . ( that’s the good kind of illness , when you feel too sick to do anything but lie in bed and read ! )

he stared at the unfamiliar watch on his wrist . three hours ago he had stood on english soil . three hours ago he had been martin hearne , british intelligence agent . now he was in nazi - occupied brittany , posing as bertrand corlay , with the frenchman’s life reduced to headings in his memory .

of course helen macinnes was a moonlighting librarian , married to an academic , so she would consider books an index to character . i knew that her husband was the columbia university classicist gilbert highet , but i did not know until i checked wikipedia that he had been in mi6 . nor that assignment in brittany “was required reading for allied intelligence agents who were being sent to work with the french resistance against the nazis . ” actually now that i think of it , macinnes ‘ books seem to cover a lot of the same territory as alan furst’s — but she’s earnestly informative , while he’s performing all those smoky , romantic riffs on the same themes .

helen macinnes was a scottish - american author of espionage novels . she graduated from the university of glasgow in scotland in 1928 with a degree in french and german . a librarian , she married professor gilbert highet in 1932 and moved with her husband to new york in 1937 so he could teach classics at columbia university . she wrote her first novel , above suspicion , in 1939 . she wrote many bestselling suspense novels and became an american citizen in 1951 .

tailspin tommy ( john trent ) in a movie in which real bullets are used . marjorie reynolds , milburn stone , george meeker .

to prepare for a fiction class i recently taught , i re - read assignment in brittany which i had read back in the ' 70s . it was , as then , a wonderful read : good , old fashioned espionage . it says a great deal about a book when the major spy organizations in the uk made this book required reading for their agents . macinnes ' husband was in mi6 , and her book was so well done that the government suspected her husband of revealing classified information to helen . he had not ( tom clancy had the same experience after his book the hunt for red october was published . he was called before a congressional committee to reveal how he got his submarine information . his reply : " i went to the public library . " ) the characters are well drawn and the situations very realistic . the book is so well written that there is tension / suspense on nearly every page . macinnes will always have a special place in my pantheon of favorite writers . apparently i am not alone in my love of her books . in 2013 all were reissued .

one of the best books about an undercover agent in wwii . . . a great story ; written while ww ii was ongoing in europe .

i am headed to brittany in may . so the title had me from the get go . i loved reading about the old towns and kept my map handy . unfortunately of course the smaller villages are imaginary . but i mean to track down what i can . and the history of the breton language is interesting . a good old fashioned ww2 intrigue .

. french screen star pierre aumont made his american acting debut in this film , as did swedish actress signe hasso . like the character he plays in

he stared at the unfamiliar watch on his wrist . three hours ago he had stood on english soil . three hours ago he had been martin hearne , british intelligence agent . now he was in nazi - occupied brittany , posing as bertrand corlay . hearne looked down at the faded uniform which had been corlays , felt for the papers in the inside pocket . he was ready . from now on he was one step away from death . . .

while it seemed to get off to a rather slow start , it quickly picked up the pace and became a well - written spy - yarn and filled with rich images and suspense . the plot follows a british agent , our hero hearne , who is discovered to be the spitting image of a guy who had been picked up wounded in a battle with axis forces , one bertrand corlay . this fellow corlay , a frenchman from brittany , will spend the rest of the war in the hospital . here is an opportunity to send hearne in his place . hearne learns him well , his language nuances , his town , the people there , what they do and who they are . hearne learns corlay’s business , and even had a cosmetic birthmark applied , which comes in handy later . he is going to drop in by parachute , take up the role of corlay , and find out all info about the state of things in brittany , and report back regularly . after all , the war effort includes a coming invasion almost two years away , so any kind of intel about the nazis is vital intel , especially in this area where a future invasion might occur .

this is how they did it , the transition in which the . . .

in the town for which the movie is named , sheriff shaw . . .

the movie debut of albert finney , at work in the raleigh . . .

a list of agents and collaborators , hidden by the nazis in an austrian lake in 1945 , is sought after by various interested parties during the cold war .

each book is rated in its own context , not in comparison to the entire range of literature , which would , of course , be an impossible task .

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great atmosphere , tight storyline . edge of seat narrative , with romance thrown in too

at west point , 1857 , in the conceit of wally kline and . . .

father barry ( karl malden ) with a fiery sermon in the hold . . .

an engishman who bears a uncanny resemblance to a frenchman wounded in battle travels to the man ' s small village in brittany and impersonates him in order to gain information about french resources and enemy plans . of course , there are surprises along the way . a bit too long , but engaging , and better than my other macinnes read . my ancient copy was printed during the war , and the inside of the dust jacket prommotes other great works at similarly reduced prices : the world ' s great speeches , practical outline of mechanial trades for home study , lillian eichler ' s new book of etiquette , etc .

i just got the book in my hot little hands yesterday and i t . . .

complicated ww ii espionage yarn about a plan by the french underground to plant nazi leader look - alike aumont among the huns to get vital information regarding a secret u - boat base off the coast of brittany . usual ww ii film , with touches of nazi terror . this movie represented the first u . s . starring exposure for aumont and hasso .

a baptism - by - fire assignment if there ever was one , life on the syria desk has already left its share of bumps and bruises . at any time , the team is constantly churning out informational briefs , action memos , meeting read - outs , public affairs talking points , responses to congressional inquiries , and more , about the ever - changing security environment in syria and along its borders . the sheer amount of information which passes through my inbox each day is staggering – and i’m not even privy to all of the classified systems .

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even though my 1967 dell paperback copy calls this book a " haunting novel of romance and suspense " on its front cover , it is most definitely a dyed - in - the - wool spy novel . because the copy was given to me in a box of books , i persevered and read the entire 336 pages . with the book written in 1942 , i thought it was interesting that ms . macinnes pointed out in her introduction in the reprint of the book that after wwii , she personally met veterans who tried to track down the places described in the

i read this book a year or so ago in my book club and loved . . .

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her first , above suspicion , made its appearance in 1941 . in this , the spousal and amateur - spy team of richard and frances myles are about to go on vacation when the british government politely asks the couple if they would participate in a wee bit of espionage along the way .

martin hearne is parachuted into brittany , into the very forefront of the nazi occupation , in the guise of his french body double , bertrand corlay . many surprises await hearne , not least of which is the discovery that his predecessor was less than forthcoming about some of his own activities before his evacuation to england via the dunkirk debacle . for instance , his pre - marital arrangement with the neighbouring farmer’s daughter , anne , and his estrangement from his invalid mother , who keeps strictly to her own rooms in the shared household . who is beautiful and passionately forthcoming elise ? why do the nazi occupiers greet “bertrand corlay” with warm enthusiasm , while his fellow villagers hiss in cold disgust ?

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macinnes uses a pace that one finds in older novels , slowly building up the tension , concentrating less on action in the beginning and more on subtle details of darkness . you can feel the nazis slowly constricting not just the myles , but the societies in which they operate . writing in 1940 ( the book was published in 1941 ) , macinness rails against nazi ideology and cultures which either attempt to assimilate or feel that they can “handle” the interlopers . those cultures are about to be destroyed .

it begins in media res with martin hearne about to parachute into occupied france . meticulously he mentally reviews the situation : his miraculous resemblance to an injured frenchman brought to england after dunkirk , his superior checking and rechecking the man’s background all the while slotting this mission into the greater whole of discovering exactly what the germans will be up to , his memorization of the man’s life and his small village , and his own knowledge of brittany . with a wave signal of the pilot’s hand , he’s off , jumping into the empty night sky , frantically hoping he won’t end up in some gunner’s sights .

can hearne pull off the doppelgänger assignment ? we learn quickly that there are things corlay did not tell hearne , especially once he realized why hearne wanted to know everything about him . would hearn fool corlay’s own mother ? his betrothed ? the farm hands ? his mistress that he didn’t know about… more importantly , would hearne be able to move seamlessly into the role that corlay did not even mention , his darker side ? would you tell some stranger who looked just like you every secret you kept ?

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this is a very fair , fast moving tale of behind - the - lines warfare in occupied france in 1940 . however , the characterisation is rather one - dimensional , and the human interest somewhat stereotyped .

in 1848 nyc , a frenchwoman visits exiled former french marshal thevenet to ask for his financial help in behalf of his french grandson but thevenet ' s house staff schemes to kill him and take his fortune .

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i hadn’t read her books for many years and this summer i have decided to read as many as i can find in order in which they were published . i had forgotten what a good writer she was .

for the first half of the book , corlay isn’t in very much danger but he discovers an american hiding out on his farm . he decides to help the man escape to the border and have a boat attempt to ship him over the channel to safety in england . this is when the nazis arrive in town .

an american ( allan lane ) gets involved in a foreign revolutionary plot . linda hayes , robert barrat .

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a classic spy novel set in wwii . macinnes writes intelligently , letting the mysteries and tiny observations of human behavior drive the plot rather than complicated conspiracy motives . drifted toward a melodramatic ending but pulled itself out in the final moments .

easy read and a good page - turner . good atmosphere - remarkable given that the author was writing in the us

a disparate group of women try to adjust to their new lives after enlisting in the women ' s army corps .

there is something about reading these old / classic books that feels very much like time travel , or perhaps it’s my own nostalgic memory of my first encounter with them . they are immersive in a way i miss sometimes in current fiction . and it’s not as though any world - building is going on ; on the contrary , they’re very much based in the , then , here - and - now , in days that were / are familiar and almost mundane .

occupied brittany , 1940 . . . hearne looked at the unfamiliar watch on his wrist . three hours ago he had joked with the red - haired pilot over a last cup of hot chocolate . three hours ago he had stood on english earth . three hours ago he had been martin hearne with 27 years of his life behind him . now he was bertrand corlay , with 26 years of another man ' s life reduced to headings and sub - headings in his memory . he looked down at the faded uniform which had been corlay ' s , felt once more for the papers in the inside pocket . all set . he patted the pocked of the tunic with his earth - stained hand , and smiled grimly . from now on , he would not only have to speak , but think , in french . . .

in nazi germany in 1936 seven men escape from a concentration camp . the camp commander puts up seven crosses and , as the gestapo returns each escapee he is put to death on a cross . the . . . see full summary »

this is a story of the remarkable resemblance of two french men during ww ii : one of whom is dealing traitorously with the nazi occupation , and the other who is sent by british intelligence to try to discover the location of a nazi port in brittany that is destroying english ships . both the mother and the sweetheart of bertrand ( the first man ) are very disappointed with his activities and find it hard to believe in the goodness of pierre , who is impersonating him , and are slow to accept the deception . complicating the plot is bertrand ' s mistress whose existence is unknown to pierre . how the location of the nazi port is discovered and the double - identity is resolved form a thrilling development .

this was something my husband picked up at a flea market and i expected very little from it . it turned out to be an excellent , absorbing and well - paced story . and it gave a great sense of the fear and confusion in the late days of the second world war in france , where the protagonist goes undercover to gather intelligence in occupied france .

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early on in this blog i began rating the books i talked about on a 1 to 10 scale ; it was meant to be a quick way to communicate my personal degree of satisfaction / pleasure ( or the opposite ) in each reading experience .

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both books were immediate bestsellers , and remain very readable – and continually in print – almost seventy - five years after their first publication .

what is the accomplishment you are most proud of ? winning miss iowa u . s . and placing top 10 in miss united states .

macinnes has the ability to craft a scene , a place , and characters . i found myself scouring maps of north - western france for some of the place - names so i could examine the land on google maps’ street view . besides the obvious larger cities , i discovered like so many readers , that the places are mostly fictional . that said , macinnes’ travels , familiarity with the languages and nuances of regional cultures , and her experience in brittany gives her credible subject - matter authority . the breton culture , its rebel attitude , its mistrust of outsiders , shine through and form good plot - moving devices . the condition of the minds and hearts of the locals is well presented .

macinnes , who wrote more than 20 spy novels , would probably advise any budding espionage writers looking for fieldwork that the next best thing is to marry a spy . her husband , gilbert highet , was an agent for mi6 as well as an eminent oxford classicist . this , her second novel , concerns a british intelligence officer who tries to spy on nazis in brittany by impersonating a french local for whom he happens to be a dead ringer . macinnes pulls off this difficult literary conceit , making you believe that the interloper can really fool his doppelganger’s mother , fiancée and mistress . so authentic was the novel’s depiction of espionage behind enemy lines that it was used to train real - life allied spies .

from 2 may to june 20 , 1942 . when m - g - m bought the screen rights in february 1942 , the novel was titled

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with the nazi occupation of northern france , the underground resistance is forced to sneak about in the dark . hearne , british soldier whose french is excellent , is sent to spy as part of that resistance , and he finds help in hiding with the beautiful anne . danger abounds . action , adventure , suspense - - a gripping story here , memorable in itself and for the skill with which it is told . helen macinnes seems to have passed from the scene , but her spy novels are well worth looking up , and this one could be best of all in my view .

@ jean s . : in rereading books written in this era , i’m finding a fair number of passive , and also passive - aggressive , heroines . i guess it was the style . while still we live was a favorite , though , so i’m hoping it will still work for me .

rachel teaches autistic chlldren in the christina school district and dan is an accountant at the same financial services company where he worked when they met . they

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, aumont fought with the free french forces in tunisia , italy and france . he was awarded both the legion of honor and the croix de guerre .

martin hearne had been summoned by military intelligence and given an important mission – enter nazi - occupied france to gather information about german activities in the area . but to do so hearne must impersonate a frenchman to whom he bears an uncanny resemblance , and that includes having to fool the women in corlay’s life .

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5 & higher are what i consider as " keepers " , in various degrees . a 10 indicates that i can think of no possible improvement . ratings under 5 are rare & i struggle with giving those , but in all honesty sometimes feel them appropriate for , again , undeniably arbitrary and very personal reasons .

a french officer is parachuted into a breton village disguised as a missing soldier to discover information about a u - boat base in the 1939 - 45 war .

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prepare for a long day . it may be hot and humid , or cool and raining . either way it is likely that hundreds of residents and family members will be waiting in long lines to check - in and to use the elevators . patience and a sense of humor will be invaluable assets to carry with you throughout the day .

how late or early can i check - in after august 26th ? after august 26th , residence hall resource centers are open 10 : 00am - 10 : 00pm daily .

i have been reading an old musty edition of this book , which i borrowed from a friend because it appears to be out of print . it is a spy story in which the main character impersonates a frenchman , whom he resembles , and takes up residence at his home in brittany . the frenchman ' s mother is shortsighted and much is made of this - - unncessarily , in my view . i am also shortsighted and i am absolutely sure that very little of the information we use to recognise people is visual . many great stories involve some sort of implausible impersonation , of course , so it ' s probably best to leave that to one side and plunge headlong into occupied rural france . the author takes us there by parachute and it ' s an exhilarating descent . i find the way helen macinnes writes to be very congenial . it is without humour , which is a bit dull , but she pays close attention to all the evocative little details that bring a place to life . reading one of her books is quite a sensual experience , which makes it especially frustrating to have to read a foetid old cast - off from a friend . but it ' s ok to read in the bath , especially if you can afford a liberal lacing of pungent lotions or oils . the story becomes more plausible as it develops and i enjoyed it more and more .

well - done movie version of the outstanding story by the author of above suspicion , another favorite of mine . aumont passes for another in france to fool the . . .

an amnesiac world war i veteran falls in love with a music hall star , only to suffer an accident which restores his original memories but erases his post - war life .

for all of its cluttered bureaucracy , my summer at the pentagon reminds me why i went back to school for my master’s degree in policy . despite laying down a clear “red line” against the use of chemical weapons in syria , in late august 2013 barack obama retreated from his promise to use military force against the assad regime , deciding at the last moment to not attack . while there was no way to know then that syria would become one of the greatest humanitarian disasters of the twenty first century - - costing hundreds of thousands of lives , turning millions into refugees , and helping to give rise to the barbarically cruel islamic state – i was still shocked by the president’s sudden about - face decision . in the week leading up to the decision not to strike , i had spent most of my waking hours on the phone with members of the media laying out all the reasons the united states should honor its “red line” in syria . i realized there is a difference in shaping talking points and policy , and i wanted to be on the other side of the coin .

“because of the acute shortage of regular book cloth under war - time rationing , this book is bound in ‘leatherette , ’ a sturdy paper fabric especially designed for this purpose . ”

i am arriving earlier than my check - in time . where can i leave my bags ? there is no place on campus to check your bags . if you arrive earlier than your check - in time you will be integrated into the process at the end of the current time slot . tip : do not park your car and leave your bags unattended .

a mix of lengthy descriptions , unlikely central plot elements and a measured pace may not sound gripping , but it is intensely so . the element of creepiness in above suspicion forces you to keep reading , worrying ever more and more about the myles as the nazi noose begins to slip around their necks , until a crazy action - filled ending results in significant bloodshed .

i am on a classic thrillers of the genre kick right now ( escapism ? ) - these early hm books are amazing . the characters and plots and writing all superb - utterly superb - and the pacing and density of the story remind me of how writing decades ago felt more meaty than a lot of similar genre fiction now . there is just no comparison between this and most modern thrillers - this is amazing . but the thing that is always in the back of my head is the view that macinnes , who was there in europe in the

an engaging period thriller , written at the time it depicts , and so a valuable snapshot of the mood and details of its moment in time as well as a very readable diversion .

the dress : rachel wore a strapless lace gown by modern trousseau from jennifer’s bridal in hockessin . she didn ' t have anything old , but her something new was her gown and shoes . she also didn ' t have anything borrowed , but her something blue was a hair clip that had a touch of blue to pick up the color in dan ' s tie .

can i send things to myself ahead of time ? no , packages can be sent only after you have checked in . deliveries attempted prior to august 26th will be returned to sender .

plot : an english military intelligence guy named hearne parachutes into rural brittany in 1941 to spy on german troop movements . he adopts the identity of a wounded dunkirk evacuee , bertrand corlay , who is his physical double . hearne speaks perfect french , etc . etc . and gets a complete briefing so the substitution while suspenseful is not the main motor of the plot . so far , the novel reminded me of a minor but wonderful daphne dumaurier called the scapegoat : english guy drops into rural french setting and discovers that the french guy he’s pretending to be is a real jerk . the spying plot proceeds with slow , methodical detail which i quite relished , but which certainly dated the book as an entertainment . though the biggest shock came when our hero hearne is looking at his double corlay’s bookshelf and says to himself , “books are half of the man . ” at which point i could not help thinking , “not anymore , pal . ”

great review , jayne ! i have a few macinnes ebooks in the tbr . i was surprised how well rest and be thankful held up , and i’m looking forward to rereading this one .

young oxford university don richard myles and his wife frances are recruited to travel to europe during summer break in order to discover what has happened to a possibly - compromised chain of british secret service agents . the premise being that the two are so innocent - seeming as to be able to wander at will , from agent to agent , following the links as identified at each contact . in their travels they run in and out of numerous sinister encounters ; the nazis are very much on the ascendant and their evil shadow looms over the lands the myles visit on their journeyings .

to emphasize : these are very personal , completely arbitrary ratings . these are merely meant to be a measure of the book ' s success in meeting my hopes and expectations as a reader .

what a gift ! i found this book 20 years ago in my father in law’s library , and couldn’t put it down . then it disappeared . i’ve been desperate to find it lately , but couldn’t remember the title . thank you , carol ! i love the way you’ve woven the story without giving away all the details because i can’t wait to read it again and be surprised .

of the many things i had in mind for the summer in between my first and second years of graduate school , being a 27 year old intern was not one of them . and yet , now halfway through my 10 week stint at the pentagon , i can confidently say these past few weeks on the syria desk have been some of the most professionally fulfilling of my short career .


ritual is a 2013 american horror film written and directed by mickey keating .

it stars lisa summerscales and dean cates as a married couple who must deal with a murderous cult .

it was released in the united states on december 31 , 2013 .

ritual ( 2013 film )

ritual ( 2013 film ) <EOT> full frame documentary festival , 2013 and will screen in edinburgh , scotland in june 2013 .

the wolf of wall street ( 2013 ) scene : ' morning ritual ' .

austin film festival , 2012 ( winner of the audience award for best student short ) ; boston science fiction film festival , 2013 ; texas independent film festival , 2013 ; lonestarcon3 film festival ( screens august 2013 ) ; tri - cities international fantastic film festival ( screens october 2013 ) .

austin film festival , 2012 ; fargo film festival , 2012 ; lone star film festival , 2012 ; texas independent film festival , 2013 ; capital city film festival , 2013 ; wxwc film festival ( jury award winner ) .

the wolf of wall street ( 2013 ) scene : ' morning ritual ' . - youtube

lisa summerscales ( bfa ' 10 ) lead role in the feature film ritual , sold to lionsgate films in april of 2013 for national release . release date tba .

jesse graham ( mfa 2010 ) the odyssey experience , mccarter theater center ( outreach ) 6 / 2013 .

copyright © 2013 - 2018 ian sedensky and culture crypt llc . all rights reserved . terms of use privacy policy

there are no critic reviews yet for ritual . keep checking rotten tomatoes for updates !

[ bd review ] cult thriller ' ritual ' rambles on . . . - bloody disgusting

i highly recommend this film , if you can find it . a truly great film from under the radar .

[ … ] andrew robinson , ‘walter benjamin : art , aura and authenticity’ , ceasefire . retrieved june 14 , 2013 , from urltoken [ … ]

there are no featured audience reviews yet . click the link below to see what others say about ritual !

[ … ] a . 2013 . walter benjamin : art , aura and authenticity . [ online ] available from : urltoken [ assessed on 20th october [ … ]

[ … ] a . ( 2013 ) walter benjamin : art , aura and authenticity . 14 june . available at : urltoken [ accessed 10 november [ … ]

there is fantasy in it ( it is fiction , after all ) , but there were some very exciting , realistic ' pagan moments ' in there for me , including a very inspiring autumn equinox ritual that’s probably the most realistic fiction film portrayal of a pagan sabbat ritual i ' ve ever seen .

; kyle henry , whose film , “fourplay : tampa , ” premiered at the cannes film festival ; rachel tsangari , whose film “attenberg” was greece’s official entry for a foreign language academy award ; and bryan poyser , whose feature “lovers of hate” premiered at the sundance film festival .

[ … ] “walter benjamin : art , aura and authenticity . ” ceasefire magazine rss . 14 june 2013 . web . 27 mar . 2015 . urltoken [ … ]

student award winner ( wild and scenic film festival ) , recipient of the kodak student scholarship award , winner of audience award ( rocks with wings film festival ) , and screened in the pbs online film festival .

document iv ( transcription ) , arthur lipsett , “‘free fall” proposed experimental film” [ 1963 ] , national film board of canada archives , montréal .

[ … ] robinson , a . ( 2013 ) . walter benjamin : art , aura and authenticity . ceasefire magazine . retrieved 8 august 2015 , from urltoken [ … ]

many students who have screened at the longhorn film showcase or graduated from the department of radio - television - film have become internationally renowned filmmakers . soham mehta , who screened “fatakra” at the 2011 longhorn film showcase , later received a student academy award for the film . other recent graduates include susan youssef , who won grand prizes at both the cinema novo festival and the dubai international film festival for

“ritual” needed a richer back half and a faster track to getting there . a prolonged buildup to the discovery already revealed by the film’s own synopsis negates any tension and nothing along the way justifies the extended journey .

theme crafted by george e . frog . film music reporter wordpress theme by :

ritual is not necessarily reactionary . the communion of ritual practices may be necessary for the formation of non - massified social groups , as in peterson’s account of activism as neo - sect . an example would be the use of puppets in protests . on the other hand , the ‘liberation’ of art from ritual may not free it for progressive politics . it may , instead , become a property of the society of the spectacle .

a film delivery man promises a beautiful young woman to deliver a film reel on time to a movie theater . but the the whole city seems to conspire against him .

poor character development , a thin plot and predictability make this one a forgettable film .

founded in 1999 , senses of cinema is one of the first online film journals of its kind and has set the standard for professional , high quality film - related content on the internet .

tradition and ritual have mainly negative meanings for benjamin . but they could also be taken to connote the density of local knowledges , of particular lifeworlds , and of the uniqueness of each person and their personal world . in his works on flânerie and collecting , baudrillard is melancholy about the impending loss of these personalised forms of ritual and tradition .

the final cut : ritual suffers from some ( probably ) budget related problems but there are moments of greatness . the film has some effective scares . and keating gains our sympathies for his characters quickly , so we cheer ( and fear ) for them right from the start .

art was originally derived from ritual , and depended on it for its aura . the earliest works of art might have been items such as totem poles , cave paintings , and fertility dolls . ( in one - way street , benjamin provides a list of differences between art and ‘fetishes’ , suggesting the latter are ‘documents’ of subject - matter ) . in the modern age , art is ‘liberated’ from its dependence on ritual . as a result , the experiences connected with ritual and tradition are lost . the autonomy of art is also lost .

after love no stranger to stories of domestic horror like “our children” ( 2013 ) , the belgian filmmaker joachim lafosse directs this fraught scenario about a couple ( cédric kahn and bérénice bejo ) who separate but continue living in the same apartment with their kids .

a psycobabbling story would be a more apt title , for this badly acted , bordering on silly film .

brittany farrell ( with megaphone ) in “whose streets ? ” the film is due out aug . 11 .

13 - year - old late bloomer gabe kowalski goes to desperate measures to impress a more mature classmate , shane . " yeah , kowalski ! " has screened at the maryland film festival , sarasota film festival , dallas international film festival , san antonio q fest , roze filmdagen ( amsterdam lgbt festival ) , and toronto in and out film festival . it was also a runner up for the iris prize . ( 10 : 01 )

ah , but nothing can just be what it appears in a keating film , and ritual is where it all began . this case of domestic ‘no - chill’ gets one more profound turn of the screw , and if you somehow managed to miss the trailer for it , it’s a jaw dropper .

, at fantastic fest 2015 . this earlier film offers a glimpse into the talent that would go on to make

culture crypt looks at a few fantasia film festival features shaping up to be hot topics among horror fans in 2018 .

ascent experience mount fuji — through a selection of 4 , 000 photographs snapped over 150 years . the dutch artist fiona tan has built this experimental film out of those stills . screenings at film forum in new york will be free .

sky burial , a private ritual where the bodies of tibetan dead are offered to wild griffon vultures , becomes a tourist attraction as chinese modernization in tibet invigorates an ideological conflict often hidden to the outside world .

thin plotting and an unconvincing production have “ritual” far in the hole . writer / director mickey keating’s film doubles the disappointment with poor choices for scene placement . tom spends the first four and a half minutes after the opening credits just driving to the motel while listening to the radio . lovely injures herself while fleeing and spends two and a half minutes pulling an object out of her foot . “ritual” is lost about what to emphasize and when . the result is a pace that falls flat and a weak hook with little potential to captivate .

“ritual” ( known elsewhere as modus anomali” is a very interesting indonesian film . i don’t remember where i heard about it , and you can search the internet for info on it , but you will come up awfully short . as for our director , joko anwar , you can search for him and come up pretty short also .

the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .

a long time ago , tom and lovely were married and everything was perfect . but that’s over . when lovely kills a man after he tries to drug and kidnap her , she calls tom for help and while cleaning up , they find a vhs tape that depicts a satanic ritual in which a woman is brutally murdered . when they’re forced to return to the scene they discover just how far this cult will go to perform their ritual .

annabelle : creation a prequel to a spinoff : “annabelle” ( 2014 ) was an offshoot of “the conjuring” ( 2013 ) , and this film concerns events before “annabelle , ” with presumably no connection to “the conjuring 2” ( 2016 ) . got it ? “annabelle : creation” tells the story of how one evil doll came to haunt so many movies . talitha bateman , anthony lapaglia and miranda otto star . david f . sandberg ( “lights out” ) directs .

culture crypt is the most reliable website for genre movie reviews and the best in popular culture , specializing in independent horror film entertainment .

how i came about this film , was my mom can home with the film one day ( not sure where she got it from ) but once i watched it i fell in love . it is one of my favourite films . i suggest to the people who hasn ' t watched it yet , you must ! to me it is a wonderful film . thanks you for this wonderful review .

department of radio - television - film the university of texas at austin 2504 whitis ave . stop a0800 austin , tx 78712 - 1067

reactionaries attempt to revive the old , ritual function of art . film , for instance , is assigned the function of expressing supernatural and mythical phenomena . this view is central to critiques of special effects . benjamin thinks this attempt is ultimately untenable . the viewer of films or photographs takes the position of the cameraman . this is a standpoint which cannot be mystified .

set in a remote small town outside of the catskill mountains , the film centers on the parkers , a fairly reclusive but otherwise normal - seeming family that , as the story opens , is marked by tragedy when the matriarch dies in a tragic accident brought on by a massive rainstorm . this is horrible enough but to make things worse , it is just about time for them to go through a religious ritual that has been performed in the family for a couple of centuries and which can only be done by the woman of the house . oh yeah , the ritual in question involves cannibalism .

then there are the cultists themselves – what is their point ? we get a bunch of guys in skull masks that like to stab women with knives , but for what purpose ? it doesn’t seem so much like a ritual of any type as much as a bunch of goofy guys who like to dress up and kill people . and what about that guy who was stabbed in the hotel room by lovely ? he was a violent and rednecky guy in a mechanic’s shirt who picked up lovely in a bar and decided to get rough with her , but how did that play into the ritual ? what was the ritual ? who are these guys ? what the hell is going on here ?

good teen role models in film can be hard to find . it ' s nice to see a movie depict teens taking things slow .

each film selection encompasses a wide range of cinematic forms and formulas , from documentary to the avant - garde , for youth and adults .

the cultists of “ritual” are not the kindly next - door neighbors in tweed suits and everyday passersby with evil eyes that horror films of the seventies scared audiences into fearing . these are nondescript truck stop hillbillies putting knives to female throats for unexplained reasons . when confronted , these would - be demon worshippers laugh maniacally without sense and without any discernible motivation . “ritual” does not offer a backstory or a reason to be frightened , unless wearing rubber silver shamrock skeleton masks counts as fearsome .

score : a film music documentary going behind the scenes of how film scores are composed , this portrait of the craft features some of the most familiar “music by” credits in the business , including hans zimmer , john williams , danny elfman , quincy jones , rachel portman and thomas newman .

arthur lipsett’s nine - minute experimental film free fall ( 1964 ) is exemplary of what might be considered both an artistic and a spiritual project . although he may not have fully realised it , lipsett was using media as a ritual or gateway , acting as medium and prophet , and reaching into the subconscious of humanity . with his films , he created a trance - like experience for the viewer .

" the ballad of narayama " is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…

her love interest is portrayed by sam underwood . it appears this might be his first feature film , though he’s done a lot of television as well .

fractal film articulates the concepts of generative art with the language of cinema . it is a collaboration between video artist delphine doukhan and generative artist antoine schmitt .

be a tightly coiled thing of urgency and despair . unfortunately , the painfully slow pacing of the first half prevents the film from building any steam . when the climax arrives and the time comes for the film to really let loose , it rushes through the finish line leaving us high and dry . it ' s almost as if writer / director mickey keating decided to make a film that dwells upon all the scenes that take place between the bits that would normally be in a thriller .

camera obscura suffering from post - traumatic stress disorder , a war photographer begins to see real premonitions of deaths in his pictures . it’s a horror film , naturally .

since its inception in 1974 , the newark black film festival ( nbff ) has become known among its peers as the longest running black film festival in the united states . throughout the years , it has continued to provide a progressive public forum for hundreds of emerging writers , directors , producers , performers and film buffs who enjoy african american and african diaspora cinema . screening in the summer months , the films that are shown reflect the full diversity of the black experience in america , both past and present .

one warning for those looking for this film on places like youtube— there are some versions of the film posted , but none are complete . there are cut scenes ( and from what i could find , it’s mostly the pagan / religious scenes that were cut ) . so you might not get full enjoyment out of the film if you seek it on such websites . it’s as of this writing available on netflix streaming wireless , and if you don’t have that you’d do better to rent it or just buy it .

they unearth a vhs tape which suggests that the dead stranger was about to make lovely the centerpiece of a satanic ritual with his cult buddies . tom and lovely decide to scram before the cult members get there but soon have to turn back when tom realizes that he forgot an incriminating bit of evidence in the room . will they run into the cult members when they get back to the motel ? will the cult take kindly to the fact that the sacrificial lamb du jour took out one of their brothers ? will they try to go through with the ritual anyway ? what do you think ?

this sounds so cool ! i haven ' t even heard of this film . i ' m always on the hunt for positive pagan films and literature . thanks for sharing !

lucky lucky , played by the film’s writer and director , bari king , is an undocumented immigrant who gets enmeshed in a crime web and has to fight his way out .

the wedding plan the ultra - orthodox filmmaker rama burshtein made one of the more intriguing recent splashes on the festival circuit with “fill the void” ( 2013 ) , a jewish take on jane austen themes . in “the wedding plan , ” called “through the wall” at festivals , a 32 - year - old ( noa koler ) pre - emptively plans a wedding , giving herself a three - week deadline to find a husband .

according to benjamin , art is now gaining ‘entirely new functions’ . the liberation of art from ritual frees it for connections to the practice of politics . responses to art are also increasingly collective – as in audience responses to film – the individual reaction is produced or compounded by the reaction of the entire audience . earlier artworks , even when exhibited in galleries , did not lead to an ‘organised’ mass response . ( this difference is probably less relevant in the era of television ) .

a feature - length experimental film starring comprised of a series of counter - cultural vignettes that examine the conflicting values of divergent generations and challenge societal attitudes . . . see full summary »

the wound a factory worker from queenstown , south africa , takes a boy from johannesburg under his wing as part of a xhosa initiation ritual . when the movie showed at this year’s new directors / new films festival , a . o . scott called it “affecting and suspenseful even as it hits a few predictable beats . ”

what follows is basically a build up to the titular ritual . turns out the guy bleeding on the floor is in a cult that gets off on wearing skull masks and stabbing women with a sacrificial dagger . black cloaks , candles , the whole thing . tom and lovely learn this by watching a vhs tape they find in the guy’s car . why they’re still at the fucking motel at this point is beyond me . the bulk of the film takes place there , and after a while it simply begins to meander .

starring lisa summerscales ( web series “destroy the alpha gammas” ) , dean cates ( tv’s freshman ) and derek phillips ( tv’s “friday night lights” ) , ritual tells the tale of a young woman and her estranged husband , who become entangled with a horrifying cult and find themselves swept into a world of kidnapping , violence and satanic rituals .

one of the reasons i was surprised that i’d never heard of this film , and that so few others have ever heard of it , is that the supporting cast draws from some pretty strong talent .

is a relationship drama tucked into a occult sacrifice horror / thriller . its director , mickey keating , has become something of a horror media darling ( nailed it ! ) since the premiere of his film ,

i have to admit , it was the supporting adult cast and pagan themes that i enjoyed about this film more than mamet’s performance or mamet and underwood’s character ' s relationship . but i’ll get to that .

this bare bones game of hide - and - seek is everything going on in the story department . to redeem itself as a horror movie worth watching , all the movie has left in its empty bag of tricks is to perhaps create creepy atmosphere or to establish a setpiece worth mentioning . while “ritual” gives it a go , it accomplishes neither of these things .

jesús after committing an assault , a teenager ( nicolás durán ) in santiago is forced to confront his father ( alejandro goic ) in a film inspired by a real - life hate crime in chile in 2012 .

blends fantasy , mystery , and historical fiction to explore universal perceptions of time , maturation , and death . the film is told entirely in the endangered language of tewa ( less than 500 native speakers remain ) .

so , here we are , folks…one of the first things i wanted to accomplish for the new year , was to finish this examination of mickey keating’s body of work , and ye gods , i have stuck a fork in the sumbitch ! i didn’t quite do what i intended , which was to watch all of his movies in chronological order . but i have seen them all , and because of that , going back to the very beginning of his film career with ritual , his freshman effort…well , it’s been interesting to see how his skills and confidence have grown since then .

there are a few moments that go on a bit too long toward the end , like “branches on the arrow peak revelation” and “north star ordination” , but overall , illumination ritual is the band at its poetic best , riding the quiet night wind to a restful conclusion . the appleseed cast combines the chaos of the shore with the underlying calm beauty of the waves .

dean demetri martin , a former fixture of “the daily show , ” directed , wrote and stars in this film , playing an illustrator who , after his mother’s death , works through a complicated relationship with his father ( kevin kline ) . from last year’s tribeca film festival , mike hale wrote in the new york times that mr . martin “delivers a winning combination of winsomeness and rue . ” gillian jacobs and mary steenburgen also star .

tom is frantically summoned to a seedy south texas motel room by his estranged wife lovely , who has gotten herself into quite a jam by murdering the room’s occupant . tom learns that the dead man belonged to a mysterious cult and lovely was on tap to be their next ritual murder . now the other cultists are after the couple to finish what the dead man started .

a platter spinning 50’s soundtrack and beach blanket bingo wardrobe attempt injecting style , but “ritual” never pulls together a cohesive fantasy with enough chills to deliver a slick satanic sensibility . the rambling approach to devil - worshipping themes on display here has nothing on the post - “rosemary’s baby” heyday of cinema where grainy kodak stock gave an uncomfortably sinister tinge to black robes and shaved heads .

while he and lovely discuss what to do , tom unknowingly drops his engraved lighter near the bed . tom searches the man’s car in the parking lot and finds a video camera . he brings it back to the motel room and plays the tape on the tv . from the tape , tom and lovely learn that the man was a cult member involved in ritual human sacrifice .

without reading a story summary beforehand , the title of the movie and the cover art featuring a skull and candles are enough of an indication that “ritual” features a cult dealing in human sacrifice . by using nearly half of the runtime to give this same information to the two protagonists , the script cannot help but underwhelm while spending forty minutes simply booting its premise off the ground .

part crime caper gone awry , part survival horror film , this 1970s set thriller depicts a harrowing fight for survival after a pair of wannabe crooks botch a bank heist and flee into the . . . see full summary »

in this romantic drama featured at the cannes film festival , a couple , sophia and daniel , find their passionate romance taking a shocking turn when they visit the bulgarian seaside . as they . . . see full summary »

hearing is believing the star of this documentary is rachel flowers , who was born prematurely and went blind , but learned to play music and grew into a vibrant performer . the film follows two years in her family’s life .

“ritual” starts out with a man buried alive in the ground in a desolate forest . he wakes up , disoriented and confused . he checks his cell phone , no contacts are listed . no previous calls . he checks his wallet , and he finds an id card and a family picture featuring two children . he wanders through the woods , and finds a cabin . outside of the cabin is a suv truck . inside the cabin , he finds a snuff film with a pregnant girl being killed by an obscured man . who is she ? who is he ? where are the children ? what has happened here ?

i liked the story and the cast . i am drawn to zosia ' s looks : the first time i saw the film i came upon it at about 20 minutes in : the first shot of zosia i was captivated .

wiccansage , i had not heard of this film before reading your hub , and i ' m so glad you wrote about it ! i didn ' t know studios ever made realistic movies about pagans - so refreshing to hear .

dawson city : frozen time in the silent era , the gold rush town of dawson city in the yukon was the last stop on the film - shipping circuit . the creative solutions used to dispose of flammable nitrate stock resulted in the inadvertent preservation of 500 films — forgotten reels were excavated in the 1970s . bill morrison ( the found - footage collage “decasia” ) uses those clips to tell a story that interweaves film history and a sociological history of dawson .

all in all , anyone who likes films with an earthy / magical theme , anyone who likes the teen romance fantasy genre , and anyone who likes seeing pagans depicted in film might enjoy this movie and should give it a try .

i have heard rumors of a possible sequel featuring the parents / grandmother , when the teen goes off to college . i don ' t know if it ' s true ( small film company ) but i would jump on that !

i would tell you more about the plot , but it would ruin the entire movie . there are so many twists and turns in anwar’s film that it literally feels like you are gong a mile a minute . the pacing of this movie is brilliant , as it never seems like it is dragging . however , if you are a person ( like my wife ) that cannot stand it when a movie gives you zero clues , and has a grand finale , you will be irritated . personally , i like it when a film doesn’t show its cards until the final act . you spend the whole film guessing and wondering where the story is going . it’s an old trick , but it is also very effective .

sadly there are still people who will ask me or my family if our religion is like something out of charmed… it’s nice to have a film where i can point to a scene and say , “no , it’s more like that . ”

amelia does was consulting producer for the documentary film remembering arthur , author of the biography do not look away : the life of arthur lipsett , and is contributing editor for an anthology of essays about lipsett’s films to be published in 2014 .

to anyone and everyone who has that ex , or that ‘slightly estranged’ former significant other , who take pride in the fact that you’re ‘still friends’ with them…some of us ain’t got it like that , for good fucking reasons , too . and ritual’s unhappy couple , tom ( dean cates in his first role for keating ) , and lovely , ( lisa marie summerscales ) , are here to show you why .

enigmatic lawrence , ks rockers the appleseed cast are one of the few emo bands that grew into something more by pushing their music into new arenas — their music matured as they did . now with a more post - rock lean , the appleseed cast have been forging songs out of complex guitar riffs , technical drum work , and atmospheric effects . their newest album , illumination ritual , fully embraces that grandiosity .

the man is tom , played by dean cates . as the film picks up some time later , we learn that he and lovely are now estranged marrieds . the honeymoon was over after that first beach stalking , i guess . upon receiving a frantic call from lovely , he drives to the motel she phoned from . within the first ten minutes , keating struggles to keep “ritual” progressing at a suitable pace . an inexplicably lengthy driving scene leads to an equally painful conversation through the motel room door as he persuades her to let him in . why this hesitation on her part in the first place , i haven’t a clue . didn’t she call him ?

i can ' t deny that there is a certain quirk to keating ' s work . i suspect he would work wonders with a pitch black comedy but here his instincts seem to go against the brutish energy that this film deserves . he is so fixated on building atmosphere and indulging his directorial flourishes that he forgets to include any sort of meaningful payoff . it ' s a shame too because a tighter focus on pacing and a more developed second half could have turned this film around .

. the film starring rafe spall , arsher ali , robert james - collier & sam troughton follows four old college friends hiking through the scandinavian wilderness into the ancient forests of norse legend where something evil is stalking their every step . joe barton (

fractal film is designed to be shown as a gallery installation in a dark room on a large projection hd screen with seats and quality sound , in a cinema - like atmosphere . the duration is infinite , the audience comes and leaves freely .

hi there ! i enjoyed your review very much . i watched with my husband recently and was excited to be able to say to him , " isn ' t it neat to think there are actual families like that out there ? " in the pagan sense , of course . he was like , " are there ? " i was pleased to see you second that some of the ritual and daily life is realistic in the film . reminded me of my pagan and wiccan friends in college ! i ' m a christian but i recognize that many of my traditions are tied to these older ways and it was always a pleasure to be invited to celebrations like mabon .

the themes and messages in the movie , about all things being connected , about man being not in nature , but part of nature . the scenery and surroundings were often breathtaking . i think it’s a feel - good film—but then , i’m pagan . in my research i’ve found a few reviews by christians who were highly disturbed at seeing paganism portrayed in a positive light in a film advertised as a teen romance ; so i guess ‘feel good’ depends on your point of view of what feels good .

harmonium a prizewinner at cannes , koji fukada’s film captures the ripple effects on one family after the father ( kanji furutachi ) invites an acquaintance ( tadanobu asano ) , a recent ex - convict , to work with him in the garage next to his home .

after dark films’ new release ritual opens with a warning of extreme violence , then lets us know that we have 30 seconds to leave before it starts . aw , c’mon . already i wanna turn it off . i hate gimmicks like that . gaspar noé pulled that shit in i stand alone and i didn’t buy it back then . it’s like the filmmakers are rubbing how “extreme” they’re trying to be in the audience’s face instead of just going for it .

maggie greenwald directed the film , another person with whom i’m not that familiar . she’s done much more for tv , which is probably why the last keepers sometimes has the feel of a made - for - tv movie you might see on channels like hallmark or lifetime .

the loss of distance between meaning and its deployment in immediate propaganda may produce a flattened world in which revolutionary possibilities become invisible . if the audience absorbs the work of art , but the audience is itself trapped in mythologies and alienated subjectivity , then the revolutionary power of art is truncated . the absorption of art becomes tautological , and the lines of flight available are correspondingly reduced . authors sympathetic to benjamin’s analysis might see in this a reproduction of ritual aspects of art .

“every year , this celebration of student films features young filmmakers who go on to national and international prominence , ” said paul stekler , chair of the department of radio - television - film and the wofford denius chair in entertainment studies . “our filmmakers have screened at venice , sundance , toronto , dubai and other major festivals where they have received critical acclaim . they got started in screenings right here in austin . i encourage everyone to come out and see the filmmakers who’ll find similar success in the future and continue to fuel the film industry in texas . ”

quick random thought : what if the video camera had already been in the room , and our leads called the cops immediately like rational individuals , only to discover that the officer on duty was one of the bad guys ? that would have gotten the ball rolling much sooner , and perhaps saved “ritual” from being more than just a moderately entertaining time - passer . but , that’s backseat screenwriting , a nasty habit of yours truly . pity i have to do it at all .

all - in - all , ritual is mickey keating’s least successful picture , which is not a swipe at the man or his talents , considering he made three more after it , each one better than the last . it’s not a waste of time , since it gives you a look at the maiden voyage of an emerging , burgeoning filmmaker , but bear in mind that i can’t in good conscience give it more than two - and - a - half out of five stars .

lemon this year’s designated sundance squirm comedy stars brett gelman ( who wrote the script with his wife , the film’s director , janicza bravo ) as a 40 - year - old drama teacher who alienates everyone around him . judy greer , michael cera and gillian jacobs endure his disagreeable behavior .

wild ill at ease with civilized life , ania ( lilith stangenberg ) forges what becomes an increasingly close and physical bond with a wolf . if festival reviews are any indication , the film is poised somewhere between a tall tale and a provocative social commentary . nicolette krebitz wrote and directed .

the aura of the actor , and of the character portrayed by the actor , vanishes because the camera is substituted for the audience . in place of the aura , film studios build up a cult of the star as a constructed image . this is not a true aura , but the ‘phony spell of a commodity’ . what’s more , art is no longer semblance . it fuses with reality . benjamin’s example here is that filmmakers will sometimes actually startle an actor , so as to get the startled reaction on film . there are also echoes here with the feminist critique of pornography .

moscow never sleeps an irish filmmaker , johnny o’reilly , pays tribute to his adopted city of moscow with this ensemble film . the trailer at least paints a much sunnier view of the city than russian imports usually do . aleksey serebryakov ( the protagonist of “leviathan” ) is in the large cast .

the woman who left ten years ago , the filipino director lav diaz was a forbidding figure , even among extreme cinephiles . at film festivals they would ask one another in hushed tones whether they really planned to see his nine - hour “death in the land of encantos . ” lately , mr . diaz seems to have widened his appeal , earning acclaim for his dostoyevsky - inspired “norte , the end of history” and for this new drama , which won the golden lion at the venice film festival in 2016 . at nearly four hours , it is also one of mr . diaz’s shortest films .

awakening the zodiac shane west and leslie bibb play a couple who find a 40 - year - old film reel that they believe was shot by the zodiac killer in california . they try to sleuth him out . this displeases the zodiac killer , who is probably a member of aarp by now .

the art - sleaze film about the decadent rites of american college kids stars former disney sweethearts selena gomez and vanessa hudgens alongside " pretty little liars ' " ashley benson and korine ' s wife , rachel , as broke coeds who stick up a chicken shack to fund the spring break of their dreams .

the survivalist a standout at the 2015 tribeca film festival , stephen fingleton’s debut feature is a terse portrait of life in a postapocalyptic wood . martin mccann is the title character , who lives alone and fends off all comers until two women ( mia goth and olwen fouéré ) turn up at his doorstep .

while trying to reconcile after an argument , jordan ( leonardo dicaprio ) is teased by his wife naomi ( margot robbie ) . ' the wolf of wall street ' ; a film by martin scorsese . starring : leonardo dicaprio , jonah hill , kyle chandler , margot robbie , cristin milioti & matthew mcconaughey .

afterimage the polish director andrzej wajda , who died at 90 in october , grappled one last time with his country’s history in his final film , a portrait of the painter wladyslaw strzeminski ( boguslaw linda ) , who pushed back against the postwar communist regime’s mandates for art and sacrificed his career as a result .

the traditional work of art is experienced mainly through distanced contemplation . in declining bourgeois society , this became an asocial stance . in contrast , modern cultural forms such as photographs , tv shows and film do not lend themselves to contemplation . they are imperative , challenging and agitating the viewer , putting up signposts .

writer / director mickey keating made an interesting choice for the end of the film . i won’t spoil it , but i will mention that the head cult guy turns and smiles into the camera . don’t involve me in this , brah ! breaking the fourth wall doesn’t work unless your ferris bueller or michael haneke !

but , anyone who has read my hubs knows my niche here . i ' m not a film or book critic ; i ' m a pagan writer who occasionally reviews books and films that touch on pagan spiritual themes . i guess i am a ‘pagan fiction buff’ - - that is , i like to check out movies and books that have something to do with paganism , witchcraft and wicca ( the more it claims to be a realistic portrayal , the better ) - - and i know there are more pagans out there who love to see positive pagan depictions in film , so i thought i’d get the word out .

lipsett , likewise , was striving to induce an experience through which the viewer might be transported into an altered state of perception , reception or being . his notes for the production of free fall reveal a clear desire to use the film medium to transcend the viewer’s everyday state of mind . he described free fall as

unlocked in an espionage thriller from michael apted , noomi rapace plays a c . i . a . agent who is on the run and working to stop a terrorist attack in london . orlando bloom , michael douglas , toni collette and john malkovich are also in the film , but who knows whose side they’re on ?

manifesto those who can’t get enough of cate blanchett will find her here playing 13 roles . the words the characters recite are drawn from more than 50 manifestoes — most of them artistic declarations from the 20th century . the film was shown in installation form at the park avenue armory in december and january before heading to sundance .

in transit a founding figure of the direct - cinema movement , albert maysles died in 2015 , shortly before this film’s premiere . his last feature observes the passengers on amtrak’s empire builder route , which connects chicago and the pacific northwest . mr . maysles directed with lynn true , nelson walker , ben wu and david usui .

a family man a cutthroat headhunter ( gerard butler ) who’s competing with a colleague ( alison brie ) for a promotion finds his ambitions threatened when his son receives a cancer diagnosis . not to be confused with the brett ratner film “the family man , ” this drama also stars gretchen mol , willem dafoe and alfred molina .

what . . ? i ' m sorry it just seems like it was a magically brilliant idea that ended up so not magically brilliant after all . in fact the movie would have been half as good if it were played in reverse . i give the movie a 4 out of 10 and only because of the opening blessing scene , the autumn equinox ritual scene , even the scene where rhea is magically place the dead tree stumps into place , and because of the three adult characters and their decent acting . that ' s it ; the end .

vincent - n - roxxy in an update of old noir themes , “vincent - n - roxxy” casts emile hirsch and zoë kravitz as a couple whom circumstances bring together and send on the lam . romance follows to some degree , but word from last year’s tribeca film festival suggests that violence dominates . zoey deutch co - stars .

in his later years , lipsett leaned towards what some would call performance art . this was , however , no act for lipsett . taping his fingers into mudras , making sculpture - films , murals and assemblages , dancing spontaneously , and “filming” with no film in the camera were some of the ways he expressed himself , and dealt with his feelings , fears and pain . descending into mental illness after leaving the national film board of canada ( nfbc ) , he did not show his work publicly . the once oscar - nominated lipsett lived in a state of poverty and unemployment which demoralised him for the last decade - and - a - half of his life .

isn’t overly graphic or gory at all . the score got under my skin more than anything my eyeballs took in . anyway , i disregarded the warning and watched the whole thing , which turned out to be a tedious attempt at slow - burn horror . by the time the creepy parts kicked in , the film’s just treading water .

king arthur : legend of the sword after two revisionist takes on sherlock holmes , the director guy ritchie aims to show off the hipper side of king arthur , a character whose last major reboot was in a 2004 antoine fuqua film . an irreverent charlie hunnam plays the title role ; jude law is the pretender to arthur’s rightful throne .

final thoughts : ritual is an odd little thriller that hardly ever thrills . the protracted setup gives way to a rushed climax that turns into a showcase for director mickey keating ' s grab bag of tonally mismatched ( though sometimes interesting ) ideas . there is a kernel of a good idea present here but the execution frustratingly misses the mark . with that said , there is just enough ambition on display here to separate it from the countless hack jobs that litter the genre . those flashes of vision coupled with the bold soundtrack push this just over the line into rent it territory .

if only his script had found a groove much sooner . cates and summerscales are both fine actors , but not magicians . their bitter arguing over relationship woes earlier on is not only monotonous thematic filibustering , but mind - boggling to boot . is a crime scene you’re planning to flee really the time and place to have a domestic spat ? for fear of being too hard on “ritual” ( because there is a lot to admire ) , i won’t even touch the pointless discussion that occurs between two of the cultists and slams on the venture’s brakes once more before the credits roll .

realive the spanish director mateo gil ( who has collaborated with alejandro amenábar on scripts for films like “open your eyes” ) wrote and directed this science - fiction film about a man ( tom hughes ) with a terminal disease who is cryogenically frozen and then awakened in 2084 after 60 years of limbo . charlotte le bon and oona chaplin co - star .

the layover stranded at the st . louis airport after a flight diversion , two friends ( alexandra daddario and kate upton ) vie for the affections of the same man ( matt barr ) . william h . macy , who is also in the film , directs this comedy from a script by david hornsby ( “it’s always sunny in philadelphia” ) and lance krall .

the commune you wouldn’t know it from the high - society recriminations in his dogma 95 landmark , “the celebration , ” but the danish director thomas vinterberg was raised in a commune . although this 1970s - set film isn’t a memoir , it draws on that experience . trine dyrholm and ulrich thomsen play a couple who decide to start their own group - living arrangement .

diary of a wimpy kid : the long haul the wimpy kid grew up , so hollywood found a new one . in the fourth film based on jeff kinney’s popular books , greg ( now jason ian drucker ) goes on a family road trip . alicia silverstone and tom everett scott , also on their first outings in the wimpy - verse , play his parents .

the exception a nazi soldier ( jai courtney ) assigned to look after the exiled kaiser wilhelm ii ( christopher plummer ) has an affair with a maid ( lily james ) who is both jewish and a spy . eddie marsan ( as himmler ) and janet mcteer add to the intrigue . the director is david leveaux , a multiple tony nominee making his first film .

dunkirk christopher nolan trades the cerebral for the visceral with this epic - scale restaging of the 1940 military actions in dunkirk , france , which ended with the evacuation of more than 300 , 000 allied troops from the french port town but endured as a kind of rallying cry for the british . the cast includes kenneth branagh , cillian murphy , mark rylance , tom hardy , fionn whitehead and , in his film acting debut , harry styles , formerly of one direction . mr . nolan , perhaps hollywood’s most outspoken advocate for the continued use of celluloid , shot the movie in a mixture of 70 - millimeter imax and 65 - millimeter , the gold standards for movies designed to be seen big . it will show in select theaters on film .


ramapurada ravana ( kannada : ರಾಮಾಪುರದ ರಾವಣ ) is a 1984 indian kannada film , directed by rajachandra and produced by c jayaram and g radhakrishna .

the film stars anant nag , geetha , aarathi and thoogudeepa srinivas in lead roles .

the film had musical score by rajan-nagendra .

the film was remade in tamil as naam iruvar .

ramapurada ravana

ramapurada ravana <EOT> ramapurada ravana ( ravana of ramapura ) . a 1984 kannada comedy , drama movie by rajachandra starring : ananth nag , geetha , aarathi

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