kannur deluxe is a 1969 indian malayalam thriller film , directed by ab raj and produced by t. e. vasudevan .

the film is a road movie which pivots on a theft that occurs in a bus and stars prem nazir , sheela , adoor bhasi and ammini in the lead roles .

the film had musical score by v. dakshinamoorthy .

the film was well received .

the film has the resemblance of 1972 hindi movie " bombay to goa "

kannur deluxe

kannur deluxe <EOT> thottada is situated on kannur - tellichery highway 8 km away from kannur railway station in kannur .

hero hf deluxe eco price in kannur starts from ₹ 52 , 921 ( onroad price kannur ) . know hero hf deluxe eco on - road price in kannur at carandbike . for hero hf deluxe eco offers in kannur , please contact your closest hero dealership .

the famous , kannur deluxe running fast at asianet movies . watch online : urltoken

ethra chirichaalum chiri theerumo - kannur deluxe ( 1969 ) . mp3 play | download

the name “kannur deluxe” for ksrtc’s kannur – thiruvananthapuram super deluxe air bus got famous by the movie of the same name . kannur deluxe is one of the most popular and prestigious services of kerala rtc . the bus is well maintained and punctual on time .

varumallo raavil - kannur deluxe ( original track with lyrics ) . mp3 play | download

varumallo raavil priyathaman ( kannur deluxe - 1969 ) by sjanaki - . mp3 play | download

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most of the scenes in kannur deluxe were shot inside the kerala state road transport corporation ( ksrtc ) bus called kannur deluxe , a service that was started in 1967 and is still on .

mathrubhumi : readmore - ' 47 years on , ' kannur deluxe ' is still on the . . .

you are currently viewing price of hero hf dawn [ 2015 ] in kannur . not from kannur ? select your city to see price in your city .

: - the nearest bus stand is kannur bus stand about 8 km away .

ksrtc is running a super deluxe air bus from kannur to thiruvananthapuram and vice versa . the bus takes the route thalassery , vadakara , kozhikkode , thrissur , ernakulam , alappuzha and kollam to reach thiruvananthapuram .

deluxe room : - maximum occupancy per room - 02 , total number of bedrooms - 03 .

reservation facility is available for this service from kannur and thiruvananthapuram . online reservation facility is also available for this service .

best time to visit kannur is september to february . at that time this place will be more green and beautiful .

select deluxe room - rs . 4410 executive rooms - rs . 4120 kerala traditional room - rs . 7605

rooms : deluxe room : - maximum occupancy per room - 02 , total number of bedrooms - 03 .

‘this time it is solely intended to entertain you for two and half hours’ , is what the title cards of the malayalam film kannur deluxe , released on may 16 , 1969 , said . and this box office hit proved to be just that .

listen to the evergreen romantic hit , " ethra chirichalum " sung by kj yesudas from the suoer hit thriller film kannur deluxe featuring prem nazir and sheela . the majority of the film was shot inside the ksrtc bus kannur deluxe . director : raj a b producer : vasudevan t e cast : prem nazir , sheela , adoor bhasi , kp ummer , sankaradi , jose prakash music : dakshinamoorthy lyrics : sreekumaran thampi release : 1969 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken

listen to the evergreen romantic hit , " thaipooya kaavadiyattam " sung by kj yesudas from the super hit suspence thriller film kannur deluxe featuring prem nazir and sheela . the majority of the film was shot inside the ksrtc bus kannur deluxe . director : raj a b producer : vasudevan t e cast : prem nazir , sheela , adoor bhasi , kp ummer , sankaradi , jose prakash music : dakshinamoorthy lyrics : sreekumaran thampi release : 1969 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken

listen to the evergreen romantic hit , " thulliyodum pullimane " sung by p jayachandran from the super hit suspence thriller film kannur deluxe featuring prem nazir and sheela . the majority of the film was shot inside the ksrtc bus kannur deluxe . director : raj a b producer : vasudevan t e cast : prem nazir , sheela , adoor bhasi , kp ummer , sankaradi , jose prakash music : dakshinamoorthy lyrics : sreekumaran thampi release : 1969 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken

listen to the evergreen romantic hit , " kannundayathu ninne kanan " sung by kamukara purushothaman and p leela from the super hit thriller film kannur deluxe featuring prem nazir and sheela . the majority of the film was shot inside the ksrtc bus kannur deluxe . director : raj a b producer : vasudevan t e cast : prem nazir , sheela , adoor bhasi , kp ummer , sankaradi , jose prakash music : dakshinamoorthy lyrics : sreekumaran thampi release : 1969 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken

" kannur del . . . " the youtube account associated with this video has been terminated due to multiple third - party notifications of copyright infringement .

the film is perhaps the first road movie in malayalam . [ 1 ] a real life incident that occurred at cherthala in alappuzha district of kerala inspired the modus operandi used to arrest the thief in the film . major portions of the film were shot inside kannur deluxe , a ksrtc bus service between trivandrum and kannur that was started in 1967 and is still on . [ 3 ] the indoor portions were shot at vahini , arunachalam , and newton studios . i . v . sasi worked as assistant director in the film . [ 1 ]

the hf - deluxe , formerly known as cd - deluxe , is one of the best sellers from hero in the commuter segment . aimed at both urban and rural areas , the hf - deluxe is a good amalgamation of adequate performance , decent looks and fuel efficiency , which makes it an ideal tool for basic city commuting . the motorcycle is one of the most affordable products from the stable of hero , and has delivered its duty of being a trustful product since the past 10 years . . . . .

pillai sends jayasree to kozhikode with two bundles of currency notes worth rs . 25 , 000 rupees to be paid to his partners kbs nair ( govindankutty ) and abdul kader ( abbas ) as part of the profit share . one of the bundles comprised counterfeit currency notes . she is instructed to hand over the money to abdul kader at the kozhikode bus stand . jayasree travels by kannur deluxe .

avm’s romantic hindi film chori chori ( 1956 ) starring raj kapoor and nargis was derived from frank capra’s hollywood film it happened one night ( 1934 ) . a trendsetter , a major part of the film was shot in a public transport bus . not only romantic films like chori chori , but crime and suspense thrillers like the tamil film madras to pondicherry ( 1966 ) were successful road movies . kannur deluxe falls under this genre .

hero motocorp has introduced several entry - level bikes with attractive features at the reasonable price tag , hero motocorp hf deluxe is one amongst them . this bike could be the best 100cc bike ever in india . originally , it was launched as hero cd deluxe and later rebranded as hero hf deluxe once hero ended its joint venture with honda in the year 2010 . this new version of the bike is quite trendy and stylish and at the same time , there has been no compromise made in terms of mileage . giving a top speed of 85 kmph , one could add up more of plus points for this bike . this bike is available in the electric start and kick - start options based on different variants .

film : kannur deluxe ( 1969 ) lyrics : sreekumaran thampi music : v . dakshinamoorthy singer : s . janaki disclaimer : this video song has been uploaded for to introduce good song to the viewers . by this i don ' t wish to violate any copyrights owned by the respective owners of this song . i don ' t own any copyright of the song myself . if any song is in violation of the copyright you own , then please let me know , i shall remove it from my youtube channel .

bikewale takes utmost care in gathering precise and accurate information about hero hf dawn [ 2015 ] price in kannur . however , this information is only indicative and may not reflect the final price you may pay . for more information please read terms & condition , visitor agreement and privacy policy .

trend setting movie which put an end to the continuous sob stories dished out by malayalam directors during the late sixties . interesting plot , melodious songs and sankaradi ' s " kamath " character are some of the highlights of this entertaining film . perhaps the only movie in which prem nazir and his leading lady sheela both played c . i . d officers oblivious of each other till the very end . as the title suggests , the movie in most parts is shot inside the bus , kannur deluxe . a great entertainer worth watching anytime and any number of times .

hero motocorp hf deluxe aims at mileage conscious commuters . it gives a fuel efficiency of 70 - 80 kmpl and has a total fuel tank capacity of 10 . 5 litres . commuters who want to use it for daily use and focus on saving money would be definite users of this bike .

hero motocorp hf deluxe is powered by an air - cooled of 97 . 2 cc four - stroke single cylinder ohc engine that produces a max power of 7 . 8 bhp of power at 7500 rpm and a torque of 8 . 04nm at 4500 rpm . this bike is mated to a four - speed gearbox via chain drive transmission .

overall , the hf - deluxe has proved its credentials as a hero product which has been up to the mark of hero ' s other commuters on the traits of decent ride quality , easy to maintain and excellent fuel efficiency . the motorcycle is decently priced and is a very ' light - on - pocket ' motorcycle which is built to last long .

it is meant for medium yielding cows , delux pellet should be fed at the rate of 450 g per litre of milk produced and 1 . 5 - 2 kg for body maintenance per day per animal . k . s deluxe has a crude protein of 18 % and metabolisable energy of 2250 kcal / kg feed . it is 8 mm pellet packed in 50 kg hdpe laminated bags as k . s delux plus and in 70 kg gunny bag as k . s delux pellet .

the hero hf - deluxe is basically an hf - dawn with better clothes . the motorcycle sports a bikini fairing around its halogen headlamp which does not look bland at all . the fuel tank is a nicely styled unit similar to that of the hf - dawn , with curved knee recesses to continue with the flair of forward stance . the rear side panels are small and plain and sport an alloy grab rail for pillion riders . the tail lamp too , like the fuel tank , has been lifted off from hf - dawn . the overall silhoutte of the motorcycle looks decent without being too much loud , which is much likeable to the buyers of this segment . the instrument console is a two pod analog unit , in which the left one shows the speedometer and odometer , and the right one has a fuel gauge and tell - tale lights on display . the fit and finish of hf - deluxe is brilliant for a motorcycle which costs this less , living up to the tradition of hero ' s trademark quality standards .

the engine is where the real stuff of this motorcycle is incorporated . the hero hf - deluxe uses the same 97 . 2cc 4 - stroke , air cooled engine found in other 100cc models of hero , which makes a maximum of 7 . 8 ps of power and 8 . 04 nm of torque . the engine is refined from the word ' go ' and has enough punch to tackle the hassled city commutes with ease . the mid - range performance of the motorcycle clearly makes this motorcycle a perfect tool for flickering in traffic , however , with a limited high performance with a top speed of just 87 kmph , you will wish to have more power on straight stretches . the upside to it , however , is the outstanding fuel efficiency .

song : thrikkaakkara poo poraanjo . . . from film : line bus ( 1971 )

song : paurnami chandrika thottu vilichu . . . from film : rest house ( 1969 )

song : seemantha rekhayil . . . . from film : aseervaadam ( 1977 )

song : kizhakke malayile . . . from film : loraa nee evide ( 1971 ) - original

top 55 songs - tribute to i . v . sasi | one stop jukebox | k . j . yesudas , s . janaki | malayalam | hd songs

song : ninte mizhiyil . . . from film : arakkallan mukkaal kallan ( 1974 ) - original

song : nin maniyarayile . . . . from film : cid nazir ( 1971 ) - original

produced by t . e . vasudevan under the banner of jayamaruthi , and directed by a . b . raj , the film was shot at vahini , arunachalam , and newton studios . popular director i . v . sasi worked as assistant director , sl puram sadanandan wrote the dialogues for the story written by t . e . vasudevan under the pseudonym v . devan .

the story pivots on a theft that occurs in a bus and it is said that the modus operandi adopted to apprehend the thief was based on a real incident that took place at cherthala in alappuzha district .

editing by t r sreenivasalu , cinematography by t . n . krishnankutty , and music by v . dakshinamoorthy were the highpoints of the film .

prem nazir , k . p . ummer , g . k . pillai , n . govindankutty , adoor bhasi , kottayam chellappan , nellikodu bhaskaran , sheela etc . played significant roles .

jayasree ( sheela ) runs away from her home to avoid getting married to an old man . in thiruvananthapuram she is harassed by some city wastrels and seeks refuge in k . b . pillai’s ( g k pillai ) house . pillai , a businessman , takes pity on her and appoints her in his office . his son venugopal ( k . p . ummer ) takes a liking for her .

on the way , she finds that the bag containing the money is replaced by a similar bag . when alerted , the conductor ( nellikodu bhaskaran ) finds one passenger missing . he immediately takes the driver’s seat , reverses , changes the destination board to thiruvananthapuram and speeds in that direction .

gopalakrishnan ( jose prakash ) , who had stolen jayasree’s bag , gets into the bus without knowing that it is the same bus from where he had alighted and is arrested by the police at kayamkulam . the police find the fake currency , but cleverly hands over the entire money to jayasree .

a mentally challenged namboodiri ( prem nazir ) and his escort chandu ( adoor bhasi ) get into the bus from kayamkulam . the bus reaches kozhikode . but abdul kader does not come to collect the money . jayasree goes to kbs nair’s office . on the way she is attacked by dineshan ( kottayam chellappan ) who has been sent by nair to track her . namboodiri and chandu come to her rescue . k . b . pillai reaches nair’s office at kozhikode . the police also reach the office to arrest jayasree .

and now for the climax . namboodiri and chandu reveal their true identities . they are police officers deputed to investigate cases related to fake currency and jayasree is an officer from the central intelligence department . kbs nair , k . b . pillai and abdul kader are arrested .

prem nazir and adoor bhasi were impressive , while sankaradi as kamath , the konkani speaking brahmin , stood out in a cameo role .

songs written by sreekumaran thampi and set to music by dakshinamoorthy based on carnatic ragas turned timeless hits . songs like thaippooya kavadiyattam … ( k . j . yesudas ) based on mohanam , marakkaan kazhiyumo … ( kamukara purushothaman ) in neelambari , the kalyani - based ethra chirichalum … ( yesudas ) and thulli odum pulli maane … ( p . jayachandran ) in sarasangi are still popular . some of the other songs in the film like varumallo raavil … ( s . janaki ) , kannundaayathu ninne kaanaan … ( p . b . sreenivas - p . leela ) and the qawwali en muhabath enthoru … ( yesudas - sreenivas - janaki ) also became hugely popular .

will be remembered : as a good entertainer and probably the first road movie in malayalam . and for its lovely songs .

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is a 1969 indian malayalam thriller film , directed by ab raj and produced by t . e . vasudevan . the film is a road movie which pivots on a theft . . .

one can imagine my surprise when i heard and saw the film . never told anybody about the similarities and the timing . of the film

kottarakkara had just one ' potti ' ( brahmin ) hotel at the junction , where all buses and cars stopped for food . the hotel was rickety , dirty , food was given on banana leaf and those who eat there where supposed take the banana leaf after eating and throw it into a pit .

such hotels were on the highway at kottarakkara town , changanacherry town etc . for light food it was appam , puttu etc [ . dosa and iddaly were supposed to be non kerala food those days ] chappathi poori and wheat dishes were not popular and unknown food then . the present mass eating of beef and non veg : food was not affordable to the poor people of travancore , only rich christian families ate non veg : for special occasions . muslims ate non veg : but in limited quantity , upper caste hindu ( nair etc ) were mainly vegetarians . people who were called lower caste in those days also never ate non veg : food much as they were poor and could not afford to buy

superhit song from the national award - winning malayalam classic film neelakuyil ( 1954 ) . neelakuyil was written by renowned . . .

syrian christians started mass emigration to malabar around same time - 1950 - poor used to stay in huts except a very few rich land owning families .

before malabar and later coorg / mysore / karnataka emigration of syrian christians many were landless labourers .

listen to the evergreen romantic hit , " thulliyodum pullimane " sung by p jayachandran from the super hit . . .

listen to the evergreen romantic hit , " thaipooya kaavadiyattam " sung by kj yesudas from the super hit . . .

' is not only a yesteryear blockbuster but is also a bus service , infact , the long . . .

listen to the evergreen romantic hit , " ethra chirichalum " sung by kj yesudas from the suoer hit thriller film . . .

listen to the evergreen romantic hit , " marakkan kazhiyumo premam " sung by kamukara purushothaman from . . .

listen to the evergreen romantic hit , " kannundayathu ninne kanan " sung by kamukara purushothaman and p . . .

kerala women topless costume in 19th urltoken malabar none of the hindu ladies except brahmins thought that the breast has to be covered ; and to them to cover the breast was an act of immodesty .

travancore houses plan and architecture based on constellation . life around 1900 a . d . - by dr . v . sankaran nair -

conductor - less buses on tiruchi - salem route the tamil nadu state transport corporation ( tnstc ) has started operating conductor - less buses between tiruchi and salem . while five conductor - less buses were . . .

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disclaimer : the car prices and information provided are only indicative and carandbike suggests that the buyer contacts the nearest car dealership to get the actual price to pay for the car . carandbike shall not be held responsible or liable for any disputes that arises from the use of the quoted car prices .

he heroines entering their middle age gets plenty of opportunities and they’re too busier now . it’s amazing the glamorous heroines

k . g george one of the quality director of malayalam cinema receives j . c daniel award

k . g george one of the quality director of malayalam cinema receives j . c daniel award . once the main stream malayalam cinema world was enriched with

the history of women prominent characters in malayalam cinema started long ago , perhaps in the era when sathyan and prem nazir were ruled malayalam cinema .

ramsan is religious festival of the islam followers , and in accordance with the islamic tradition ramsan is the 9th month in the luminal calendar .

so here is the question , what does a cinema means ? yes , in a broad sense it ' s a media for entertainment to the public . hotnosurmoviechannel portrayals that inbuilt entertainment into a wide canvas differentiated with a bit overdraw . some of them may be known to you or longing to known by you . our presentation tactics are realistic and bounded with variance and relevance .

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s . p . balasubrahmanyam & s . janaki - top 30 songs | rajan - nagendra , r . n . jayagopal | kannada jukebox

tms susheela 100 love songs ரசிகர்கள் நெஞ்சில் நீங்கா இடம்பெற்ற tms p . சுசிலாவின் 100 காதல் பாடல்கள்

unaroo vegam nee sumaraani vannu naayakan evergreen malayalam super hit song , singer s . janaki

song : mulla poothu . . . from film : aromalunni ( 1972 ) - original

onninum allathe enthino thonniyorishtam . . . ! ninakkayi ( 1998 ) . ( prajeesh )

song : chakkikkothoru chankaran . . . from film : achaaram ammini osaaram omana ( 1977 ) - original

m . s . baburaj - top 25 songs | audio jukebox | k . j . yesudas , s . janaki , p . bhaskaran | malayalam | hd songs

song : mazhamukil chithravela . . . from film : mudramothiram ( 1978 ) - original

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k . p . ummer as venu , k . b . pillai ' s son

the music was composed by v . dakshinamoorthy and lyrics was written by sreekumaran thampi .

this page was last edited on 24 june 2017 , at 02 : 47 .

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since the motorcycle is tailor made for city riding , the handling and ride quality of this motorcycle can be said as good . the light - weight nature of the motorcycle allows it to be easily twisted around the corners and potter around without much difficulty . the conventional suspension setup of telescopic front forks and five way adjustable rear coil springs , coupled with a rather flat seat , gives it a comfortable ride trait . the brakes too , 130mm drums at both ends , do their task pretty well . the tyres , though , could have been a bit wider .

it ' s the price of the bike exclusive of duties , taxes , depot charges , and insurance . to get on - road price , click on ' get onroad price ' button below

accessories shown and mentioned above may not be part of standard equipment . vehicle body colour may differ from printed / digital photographs . features , colours and prices vary across variants

please take this complaint in consideration because this problem faces many more customers . . . read full review »

if you maintain 40 - 50km always so i assured you that this is perfect . but one thing maintain & time to time servicing required . one thing remember that service center service is just poor poor . . . . read full review »

i would highly recommend it to purchase . i am too satisfied with the performance and service of this bike . . . . read full review »

amidst religious barriers haseena - a home - maker pursues the art of living . : mathrubhumi she news

cochin express is a 1967 indian malayalam thriller film , directed by m . krishnan nair and produced by te vasudevan . the film stars prem nazir , sheela , adoor bhasi and sankaradi in lead roles . the film had musical score by v . dakshinamoorthy . subscribe to cinecurry malayalam : urltoken

superhit malayalam movie | peruvannapurathe visheshangal [ hd ] | full movie | ft . jayaram , parvathi

superhit malayalam old movie | vilakku vangiya veena | full movie | ft . prem nazir , sharada

malayalam full movie | ladies hostel | comedy movie | ft . prem nazir , jayabharathi , adoor bhasi

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k . s supreme pellet is a bypass protein feed with high percentage of protein and energy . it has isi certification ( is 2052 : 1979 ) . k . s supreme is meant for high yielders and it has crude protein of 20 % and metabolisable energy of 2450 kcal / kg feed . supreme pellet should be fed at the rate of 400 g per litre of milk production and 1 . 5 - 2 kg for body maintenance per day per animal . k . s supreme feed is 6mm pellet available in 50 kg hdpe laminated bags and 70 kg gunny bags .

it is a mash feed meant for medium yielding cows . it is available in 60 kg gunny bags .

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: - maximum occupancy per room - 02 , total number of bedrooms - 04 .

: - maximum occupancy per room - 02 , total number of bedrooms - 01 .

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hero has discontinued the hf dawn [ 2015 ] and the bike is out of production .

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sundara ravil chandana mukilil ( kochaniyathi - 1971 ) by sjanaki - . mp3 play | download

s janaki - g devarajan hits | jukebox | malayalam | solo . mp3 play | download

varavaayee vellimeen ( jalakanyaka - 1974 ) by yesudas - . mp3 play | download

kannil urakkam | | baktha kujela | | malayalam film song . mp3 play | download

agrajan - etho yugathinte version ii malayalam song | manoj k jayan kasthuri . mp3 play | download


bal tabarin is a 1952 american drama film directed by philip ford and written by houston branch .

the film stars muriel lawrence , william ching , claire carleton , steve brodie , steven geray and carl milletaire .

the film was released on june 1 , 1952 , by republic pictures .

bal tabarin ( film )

bal tabarin ( film ) <EOT> an appearance at the popular bal tabarin in san francisco won a contract at rko studio , where her name was shortened to ann .

alice guy blache’s film the cabbage fairy is widely regarded as the first narrative film .

here a woman with brown curls and a white , blue , and pink flounced dress dances in the paris nightclub bal tabarin . elements of the work point to current events—the arab riding a camel refers to the turco - italian war of 1911 and flags indicate sentiments of nationalism . in his depiction of bal tabarin the artist merges his interest in capturing the dynamism of motion , shared with fellow futurists , with the integration of text and collage elements , such as sequins , influenced by his study of french cubism .

all requests to license audio or video footage produced by moma should be addressed to scala archives at firenze @ urltoken . motion picture film stills or motion picture footage from films in moma ' s film collection cannot be licensed by moma / scala . for licensing motion picture film footage it is advised to apply directly to the copyright holders . for access to motion picture film stills please contact the film study center . more information is also available about the film collection and the circulating film and video library .

future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .

leger worked with dudley murphy and man ray on the visual ( silent ) film . man ray was an artist and experimental photographer and cinematographer , and murphy a young revolutionary film maker ( danse macabre 1922 ) who went on to make the first feature film with a black cast and star ( bessie smith in st louis blues ( 1929 ) .

this was the first ever feature film ( not just the main film in an evening’s entertainment but at some venues in australia in 1906 the only film to be shown ) . produced by the theatrical entrepreneurs the tait brothers , the film capitalised on the public’s taste for bushranger stories , as evidenced by the success of shorts like bushranging in north queensland ( 1904 ) and the bushranger ( 1904 ) . the eponymous hero and most notorious bush - ranger , ned kelly , had been captured and executed only 25 years previously ( 1880 ) .

but with this smorgasbord of different inventions in the technology of film - making , viewing and projection , what was actually drawing the audiences into the kinetoscope parlours , amusement arcades , and viewing theatres ( no proper ‘cinemas’ until 1904 ) , was the films themselves – often no more than a minute or two long . alice guy blach é was t he first female film director that we know of , and the author of the first narrative film – predating those of lumiere by a few months . it fell to blach é to make the first narrative film – the first attempt to tell a story with motion pictures . although only a minute long , blach é’s film was the first one of several hundred thousand storytelling movies .

by 1898 - 1900 smith had created significant innovations – like the film title , the inter - title , and parallel action – as in santa claus 1898 .

bunuel had met salvador dali and the poet federico garcia lorca at university in madrid . beginning his adult life as a philosopher , he moved to paris and began work as an assistant director , working with jean epstein and josephine baker . in 1929 , he developed a short film le chien andalou ( the andalusian dog ) with salvador dali . this became the most famous film of the surrealist movement , and vastly influential in the world of experimental film . so in 1929 you have two major seminal works : from vertov and bunuel .

i found the music of ballet mecanique so inspiring i incorporated in my film zeiteye – which features 11 decades of media - arts innovations in 11 minutes , set to antheil’s iconic composition .

the history of experimental film is therefor heavily weighted towards the early experiments – simply , there was much more to innovate and invent then ! so what we take for granted as devices ‘natural’ to film – the edit , the flashback , intercut parallel stories , the closeup , medium close - up , long - shot , positioning or location shot , the pan , tracking , back - projection , double - exposure , special effects – all these techniques had to be ‘invented’ by the early film - makers , and this has justifiably made these men and women famous .

kahn’s project lasted from 1909 to 1930 . he commissioned hundreds of photographers , gave them cameras and colour film ( autochrome ) and they created and collected 72000 colour photographs from over 50 countries .

a onetime childhood dance prodigy , she reached the peak of her film career at mgm in the late 1940s and early ’50s with “on the town , ” “easter parade” and “kiss me kate . ”

in france , georges melies , the great experimental film - maker , had also enjoyed a background in music hall and variety theatre – as a magician . this was an ideal background for his work with cinematic special effects . voyage to the moon ( 1902 ) is his masterpiece – the first science - fiction film – and a catalogue of innovative effects , stage designs and cinematic story - telling .

but recently the complexity of the story of the invention of the motion picture has become apparent . after nearly a century of necessary preliminary inventions , including various toys that provided the illusion of a motion picture ( like the thaumatrope ) , the magic lantern , photography itself , flip - books , cameras that could take successive images on paper , the invention of celluloid film and then film strips , film - projectors ( etc ) . by the last decade of the 19th century , all these ‘preliminary’ inventions werre in place , and several dozen inventors , working largely on their own , competed to produce a viable motion - picture system .

her first film at rko , “new faces of 1937 , ” featured her dancing . she next played an acting hopeful in “stage door , ” with katharine hepburn , ginger rogers , lucille ball and eve arden .

the popularity of musicals declined in the 1950s , and her film career ended in 1956 . miller remained active in television and the theater , dancing and belting songs on broadway in “hello , dolly” and “mame . ”

this is the first ever feature film . it was a box - office success in both australia and england , and spawned several imitations , and indeed was remade or partially remade by the tait brothers in 1910 .

leger was already an established and successful ‘post - cubist’ painter at the time he collaborated with american film - maker dudley murphy and composer george antheil on maybe one of the first ‘art’ movies – the ballet mecanique .

of course these machines only had an audience of one , so it wasn’t long before edison was developing a film camera and projector system – one machine could reach audiences of a few hundred ! in 1896 edison launched first the vitascope then the kinetoscope projector .

a hundred years later , working at the new york institute of technology , nancy burson developed sophisticated computer - graphic layering techniques to create composite portraits . by averaging dozens of photographs of models , film - stars , great society beauties ( etc ) can you create the portrait of a type of person ?

in the climate of dada , and the vibrant russian constructivist arts emerging from the civil war ( 1917 - 1922 ) ruttman , richter and other artists began to experiment with abstract animations . these short films set the tone for a wave of 1920s experimental films that have become collectively known as avant - garde film .

of course there are many other experimental films still of interest from the 1920s . it was the decade in which the artist’s film – the experimental film – came alive . and they weren’t just ‘films’ in the narrative style that had become major box office – they weren’t just films that told stories , or ‘remediated’ older media like the play , or the novel . a classic example from this period is marcel duchamp’s anemic cinema ( 1926 ) – working with man ray and others , duchamp began to explore the same territory as laslo moholy nagy and hirschfield - mack ( we’ll look at their work a bit later in this talk ) – building machines that would make films…

miller’s legs , pretty face and fast tapping ( she claimed the record of 500 taps a minute ) earned her jobs in vaudeville and night clubs when she first came to hollywood . she adopted the stage name of anne miller . her early film career included working as a child extra in films and as a chorus girl in a minor musical , “the devil on horseback . ”

the other main contenders for the invention of the movies were august and louis lumiere , with their combined camera - projector launched in 1895 . their ingenious invention was commercially supported by a range of films shot by themselves ( including the famous arrival of a train at la ciotat ) , as well as talented new directors , including the first woman film director alice guy blach é :

it’s inspiring of course , because it is the first ever feature film ( predating d . w . griffiths’ birth of a nation ( 1915 ) by almost a decade , and a year before the first european feature l’enfant prodigue ( michel carre 1907 ) . coincidentally , the first westerns shot in the real wild west , were made in the usa the following year – bushrangers , bandits and outlaws fuelled the public taste for screened entertainment .

ballet mecanique was a unique and influential experiment , though due both to technical reasons ( synchronised sound wasn’t available until 1929 - 30 ) , and artistic - personal reasons , the film was not married to its sound - track until the late 1990s . antheil’s music is an iconic modernist piece – at one and the same time , very much of its time , but using sound samples and audio - trouve techniques more familiar to the digital age . it must have seemed incomprehensible at the time…

george albert smith , like georges melies , came from a theatrical , music - hall background ( as a hypnotist ) , running his own stage - show with his wife , a professional music - hall entertainer and actress , who appears in several of his films . smith began by showing magic lantern slides as part of his stage - show , amplifying these with live performance and narration ( and presumedly smoke , mirrors , lighting effects and music and sound effects ) , before experimenting by transferring these skills and techniques to film - making .

so during this fascinating period of transformative developments in the arts , sciences and communications and entertainment media ( arts : cubism , futurism , fauvism ; sciences : quantum theory , relativity , psychology ; technology : wireless telegraphy and voice radio , theory of television , colour printing , electric typewriter , telephone , ( etc ) ; entertainment : film , mutoscope , cylinder and disc record players ; juke - box , colour photography , brownie snapshot camera , etc ) ) there is a parallel between the innovation in media technologies and the innovation of artists , directors and entrepreneurs ( producers , impresarios , show - men , arcade owners ) who were developing commercial content for these technologies .

dziga vertov man with a movie camera 1929 urltoken this is vertov’s masterpiece , following his epic one sixth of the world ( 1926 ) , and his work on the agit kino trains with alexander medvedkin during the russian civil war ( 1917 - 1922 – the period central to pasternak’s dr zhivago ) , and his work on kino - pravda – ( movie - truth ) in the early 1920s . the man with a movie camera is ‘an experiment in cinematic communication’ – ‘without the help of intertitles , without the help of a story , without the help of theatre , ” it is a film that attempts to create a truly international , purely cinematic experience… the ‘author - supervisor - experimenter’ is david abelevich kaufmann , aka dziga vertov . luis bunuel : le chien andalou 1929

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story of a girl who witnesses murder of notorious international jewel thief . afraid that the gang will attack her , she flees to paris .

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, invites them to his office the next day and offers them jobs performing don ' s music . meanwhile , at the cafe goheen frequents , manet confronts goheen with what he has learned about the murder and the missing jewels . goheen now claims he is an insurance inspector , and as they talk , judy and stella show up in front of the cafe . goheen overhears them mention the name of their apartment building , but manet does not see them . later , goheen and augie break into stella ' s apartment and after finding mendies ' money clip among judy ' s things , conclude that judy also has the key to his safe . on the day that don and judy are to open at the

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we used machine learning to identify this work in photos from our exhibition history .

moma collaborated with google arts & culture lab on a project using machine learning to identify artworks in installation photos .

this work is included in the provenance research project , which investigates the ownership history of works in moma ' s collection .

on consignment to filippo tommaso marinetti ( 1876 - 1944 ) , milan , until c . 1925 [ 1 ] . richard wyndham ( 1896 - 1948 ) , london , by 1935 [ 2 ] ; estate of richard wyndham , 1948 ; sold through sotheby ' s , london to the museum of modern art , new york , november 24 , 1948 ( acquired through the lillie p . bliss bequest ) [ 3 ] .

[ 1 ] per daniela fonti , with maurizio fagiolo dell ' arco , gina severini franchina , et al . ,

, milan : a . mondadori , 1988 , pp . 128 - 129 , no . 107 : " milano , collezione marinetti ( in deposito fino al 1925 c ) . " severini stated in an artist ' s questionnaire issued by the museum of modern art that he first sold the painting to léonce rosenberg , paris , who subsequently sold it to richard wyndham ( collection files , department of painting and sculpture , the museum of modern art , new york ) . the questionnaire is undated . though it is correct that severini signed a three - year contract with rosenberg in 1919 , the provenance information given by the artist could not be confirmed so far .

fine modern paintings & drawings including the well - known collection formed by the late major richard wyndham , m . c . , sold by order of the executors

[ … ] , sotheby ' s , london , november 24 , 1948 , no . 153 :

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ann miller , the raven - haired , long - legged actress and dancer whose machine - gun taps won her stardom during the golden age of movie musicals , died thursday of lung cancer . she was 81 .

miller died at cedars - sinai medical center , said esme chandlee , her longtime friend and former publicist .

she remained a dazzling tapper in her 60s and earned millions on broadway and touring with mickey rooney in “sugar babies , ” a razzmatazz tribute to the era of burlesque .

“at mgm , i always played the second feminine lead ; i was never the star in films , ” she once recalled . “i was the brassy , good - hearted showgirl . i never really had my big moment on the screen .

“‘sugar babies’ gave me the stardom that my soul kind of yearned for . ”

most of her rko films were low - budget musicals and comedies . a contract at columbia pictures started impressively with the role of the would - be ballerina in frank capra’s oscar - winning “you can’t take it with you . ”

then she was cast in a series of wartime b musicals with titles like “true to the army , ” “priorities on parade” and “hey rookie . ”

when cyd charisse broke a leg before starting “easter parade” at mgm with fred astaire , miller replaced her . that led to an mgm contract and her most enduring work .

she was teamed with gene kelly and frank sinatra in “on the town , ” red skelton in “watch the birdie , ” and bob fosse in “kiss me kate . ”

‘ lonely life’ other mgm films included : “texas carnival , ” “lovely to look at , ” “small town girl , ” “deep in my heart , ” “hit the deck” and “the opposite sex . ”

in later years , she astounded audiences in new york , las vegas and on the road with her dynamic tapping in “sugar babies” when she was in her 60s . in 1990 , she commented that “sugar babies” had made her financially independent .

before each performance ( 1 , 700 on broadway ) , she practiced for an hour .

“honestly , i have had to live like a high priestess in this show , ” she remarked in a 1984 interview . “it is a very , very lonely life . when you work the way i work — that means hard — there’s no time for play . ”

she was born johnnie lucille collier in chireno , texas , the first name dictated by her father , who had wanted a boy . after her parents divorced , she was called annie , for reasons she never knew .

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“the measure of an artist’s originality , put in its simplest terms . is the extent to which his selective emphasis deviates from the conventional norm , and establishes new standards of relevance . all great innovations which inaugerate a new era , movement or school , consist in sudden shifts of a previously neglected aspect of experience , some blacked - out range of the existential spectrum . the decisive turning - points in the history of every art form…uncover what has already been there : they are “revolutionary” , that is destructive and constructive , they compel us to revalue our values and impose new sets of rules on the eternal game . ”

“ ( ettiene - jules ) marey made it possible for the avant - garde to become receptive to new values : instead of escape into the past , the unreal or the dream , there was the double cult of machines and their propulsion … . inspiring giacomo balla & luigi russolo , marinetti , and ultimately duchamp ( 1912 nude decending a staircase )

credit for the invention of motion pictures is usually given to the american thomas alva edison ( 1891 ) , or to the french brothers auguste and louis lumiere ( 1895 ) . the lumiere brothers have the best claim because their technology used a camera - projector technology that produced a projected image for an audience of many people , while edison’s first machine was a ‘peep - show’ machine .

louis le prince was french , and later worked in england and the usa . as a child he spent time with his father’s friend jacques louis mande daguerre who in the 1830s had perfected the first positive photographic system the daguerrotype . so le prince learned about chemistry , cameras , lenses , and the art of photography from one of the great inventors . ( daguerre had made his own name initially by the production of large scale dioramas ( 360 - degree panoramas ) – huge paintings on canvas that were mounted in specially built circular pavilions , and showed famous city - scapes , battle - scenes or notable countryside vistas )

louis le prince went on the study painting in paris , and chemistry in leipzig . he went to leeds in 1866 where he married an artist and with his wife’s brother set up a company specialising in printing coloured images onto metals and ceramics , they also founded leeds technical school of art . in the early 1880s , le prince first worked on a 16 - lens camera in an attempt to make a motion picture , by exposing a sensitised sheet of paper – one frame per lens , but the results were jerky as each lens was taking an image from a slightly different perspective . then le prince made a single lens camera , shooting onto a strip of sensitised paper 90mm wide and 1 . 2 metres long ( very short movies ! ) .

georges demeny worked with etienne - jules marey on his chrono - photographes , and then in 1892 devised his photophone for taking motion images and his phonoscope for projecting them .

photography was spurring innovation in other directions too – both hp bowditch and darwin’s cousin francis galton , who was mainly interested in research into faces , and whether facial features could reveal anything of the inner psychology or character of the sitter ( he made many composites of criminal types ) – both bowditch and galton produced studies or composition images ( over - printed or sandwich - printed ) portraits , where several negatives would be printed onto one sensitised plate .

these were still images formed from overprinting 12 negatives in order to produce an ‘archetypal’ or average image ( centre ) for a doctor .

original ‘types’ are called ur - types or archetypes , and i guess burson had the same fascination as galton and bowditch in trying to discover the ur - type ‘holy man’ or avatar . this is a fascinating area of research . have you ever wondered where we get our mental image of christ , buddha or mohammed ? historically there are no contemporary portraits that we know of , so where do these pervasive images come from ? they recur throughout recent history as artists and illustrators tackle the mythological – look at the commonalities in pictures of fairies and elves and other mythological creatures . what souces do illustrators and artists draw from ? how do they assess the verisimilitude of their pictures ?

wulz was a late - futurist artist – she met marinetti in 1931 . by this time the futurists were aligning behind mussolini’s fascist . a very beautiful woman , she made a variety of futurist photographs using multiple exposures , photodynamic long exposures , and she was a very proficient conventional photographer too – running her father’s studio in trieste . but wanda and her sister marion also flirted with surrealism . in this double - exposure , wanda has retained a human eye – her own . she also made a portrait of her cat again with her own left eye superimposed on the cat’s .

of course artists and experimental photographers – like duchamp , man ray , moholy nagy , dziga vertov – had experimented with multiple exposure composites or ‘sandwich printing’ . the discovery of how photography could be a flexible tool for compositing images together , had been shaired by mid victorian photographers like henry peach - robinson and oscar rejlander .

oscar rejlander : two ways of life 1857 – the kindly father shows his sons the rewards of the life of vice and a life of virtue . a composite of 32 separate negatives were used to create this , ( at that time ) a really large photograph – 41cm x 79 cm – one of the first great examples of multiple - printing .

muybridge : test - track for the leland stanford - funded horse locomotion photographs – 24 cameras , 24 trip - wires = 24 photographs of each stage of a horse’s locomotion .

muybridge , another great media innovator from this period had started to animate drawings based on his chronological photographs in a device based upon a magic lantern that he called the zoopraxiscope ( from 1893 ) .

and he built his own filming studio with glass roof , proscenium stage , barn doors for extra daylight . and as noted , i n 1897 smith invented and patented a double - exposure technique in 1897 , enabling him to produce ‘frame - in - frame’ parallel action sequences .

between them , these early pioneers ( george albert smith , rw paul , georges melies , edwin s . porter ( and others ) invented most of the basic grammar and syntax of the motion picture , including : the close - up , the double - exposure , stop motion , elapsed time , hand - colouring , editing shots into sequences , parallel action , titles and inter - titles , prosthetic make - up , and much more that would become the building - blocks of the major art and entertainment form of the 20th century .

the paris world exposition in 1900 was the launchpad for a number of innovations and continued an artistic obsession which re - occurs throughout the history of media developments from greek theatre , through wagnerian opera , victorian dioramas and the ballets russes , – it was the interest in making immersive multimedia experiences . wagner christened this the gesampkunstwerk or ‘composite art work’ . grimoin - sanson’s fabulous cineorama was shown at the paris exposition in 1900 and was a brave attempt to create a 360 - degree simulation of a balloon flight over paris , using 10 synchronised 70mm projectors…

during this same period , the lumiere brothers were experimenting with a colour photography technique that they called autochrome ( patented in 1903 ) . this produced beautiful , soft - coloured images , the soft colour coming from the microscopic potato - starch partlcles that had been dyed with three primary colours – red - orange , green and blue - violet , then randomly mixed onto a paper substrate , coated with a lamp black background , then covered with a pan - chromatic photo - sensitive solution .

these 3 additive primary colours had been identified in the young - helmholtz - maxwell theory of trichromatic vision in 1861 – which analysed the light - sensitive rods and cones in the eye , and determined that they were sensitive to red , green and blue and that all other colours were made by mixing rgb values .

renoir and the impressionists began to explore the the nature of vision in the light of the young - helmholtz - maxwell theory of colour vision , often using a pointillist brush - mark – dots of pure colour – to create their subtle paintings . so trichromatic printing , the autochrome colour photograph , and the pointillist painting shared some features in common , all being derived from the same theory .

stereo viewers had been invented by charles wheatstone in the 1850s , and a spate of stereo cameras became available soon after . when kodak launched its stereo brownie camera around 1904 , stereo photography became widespread . the brilliant 20th century photographer jacques henri lartigue ( diary of a century , 1970 ) , made most of his early work in the stereo format .

charles wheatstone ( who had previously invented a telegraph system ) proposed his theory of stereo vision in 1838 . by 1851 , stereo - cameras and viewers like this one were available .

maxwell’s 1855 suggestion and this seriously defective 1861 demonstration appear to have been quickly and completely forgotten until being brought to light again in the 1890s . in the intervening decades , the basic concept was independently re - invented by several people . ” ( wikipedia )

“the mutoscope worked on the same principle as the “flip book . ” the individual image frames were conventional black - and - white , silver - based photographic prints on tough , flexible opaque cards . rather than being bound into a booklet , the cards were attached to a circular core , rather like a huge rolodex . a reel typically held about 850 cards , giving a viewing time of about a minute . the reel with cards attached had a total diameter of about ten inches ( 25 cm ) ; the individual cards had dimensions of about 2 - 3 / 4″ x 1 - 7 / 8″ ( 7 cm x 4 . 75 cm ) .

mutoscopes were coin - operated . the patron viewed the cards through a single lens enclosed by a hood , similar to the viewing hood of a stereoscope . the cards were generally lit electrically , but the reel was driven by means of a geared - down hand crank . each machine held only a single reel and was dedicated to the presentation of a single short subject , described by a poster affixed to the machine . ”

the highly successful mutoscope ( still in amusement arcades in the uk until decimalisation in 1970 ) , and edison’s profitable kinetoscope , followed in a long tradition of toys like the thaumatrope and joseph plateau’s phenakistoscope as individual viewing machines in parlours , amusement arcades and fair - grounds around the uk .

matisse was a most important contemporary of picasso – his style of painting extended the impressionist idea of colour into a much more expressive territory – this style of painting was called fauvist ( like a wild beast ) by its detractors .

just another flavour of how the 20th century media - arts were developing around the same time as cubism and fauvism – peter behrens was a german artist who became the world’s first ‘industrial’ designer , and in 1906 he created a wide range of products , including electric lamps , electric clocks , and other products for the german electrical supplier aeg . in doing this , he also created the world’s first ‘corporate identity’ – a complete branding system for aeg , all their products , their factories , livery , etc…

all this activity – new art movements ( futurism , fauvism , post - impressionism , vorticism etc ) , new ways of looking at the world ( cubism , special relativity , the movies , animation etc ) , industrial design – all these things were happening at the same time as the invention of radio telegraph ( marconi ) , voice - radio transmission ( fessender ) , half - tone photo - reproduction , trichromatic printing , the autochrome colour photograph , electric typewriter… all these innovations and inventions in art and science and technology began to create a world that is a kind of preview of our own times . consider how the www ( 1993 ) , ipod ( 2001 ) , iphone ( 2007 ) , ipad ( 2010 ) , ps2 ( 2000 ) , x - box ( 2001 ) , hdtv ( 2004 ) , itunes ( 2003 ) , movie special effects , e - books ( 2007 ) , facebook ( 2004 ) , and the rest have altered our world in just a few years…

the directors , including georges melies , alice guy blache , charles tait , louis feuillade , george albert smith , eric porter , and rw paul invented the movies as much as edison , lumiere and the others that we have mentioned invented the technology of the movies .

the remainder of this talk illustrates just some of these developments in form and content that characterised the period up to around 1915 – the period of the invention of cinema .

campbell swinton’s visionary article in scientific american of 1908 is the first ever description of an electronic television – he calls it ‘distant electronic vision’ which , after baird’s abortive attempt at an electro - mechanical television system , became the only way that tv works . . until the digital revolution removed the need for the cathode ray tube .

“this part of the problem of obtaining distant electric vision can probably be solved by the employment of two beams of kathode rays ( one at the transmitting and one at the receiving station ) synchronously deflected by the varying fields of two electromagnets placed at right angles to one another and energised by two alternating electric currents of widely different frequencies , so that the moving extremities of the two beams are caused to sweep simultaneously over the whole of the required surface within the one - tenth of a second necessary to take advantage of visual persistence . ” - a . a . campbell swinton in scientific american

ballets russes were another epic attempt to create a composite or total art work , after the gesamptkunstwerk ideal described by wagner 50 years earlier .

working directly for czar nicholas , prokudin - gorsky tried to document every aspect and region of the imperial russian empire – stretching from the baltic to the pacific , and the arctic to azerbajan , with beautiful autochrome - style colour photographs – a project nearly as grand in concept as albert kahn’s planetary archive – began the previous year .

winsor mccay created animated films and stage performances , where he would tell a little nemo story , illustrating it with drawings , clips of previously made animations , and live drawing .

mccay stands out above all other comic artists , for his delightful and quintessential art nouveau drawing and colouring , but it is the imaginative animation that inspires . like norman mclaren some 30 years later , mccay is not afraid to improvise and innovate . in little nemo , he combines frame - by - frame drawing , live drawing to camera , live action , colour and captioning – mixing these styles to both capture the magic of animation , and hinting at his stage performances to be developed fully in 1914 with his gertie the dinosaur shows . the breakdown of the audiences’ cognitive framework – their suspension of disbelief – by revealing the technique of the animator and illustrator , is mccay’s original contribution to the history of animation .

photography was still under the spell of marey and muybridge , and the futurists welcomed this opportunity to exploit motion blur , multiple exposure and chrono - photography to create images with motion .

in a series of works initiated by the city of paris , robert delaunay began to use painting as a compositing tool , drawing together and synthesising visual components derived from his own paintings and sketches from nature , postcards , newspaper images and the works of other painters , developing a cubist - derived style to integrate these fragments together in works that are still fresh and new . in city of paris , you can detect fragments of his own eiffel tower ( the red tower 1910 ) some cityscape by henri rousseau , and the classical three graces . this approach is revolutionary in modernist painting , though some victorian artists had explored the compositing idea some 50 years before ( see william powell frith derby day 1858 ) , and so too had photographers in the 19th century – see aaron scharf : art and photography ( 1967 )

the main strands of avant - garde art during this period affected music too – alexandr scriabin composed his prometheus for instruments and coloured lights , russolo – another futurist – developed his theory of the art of noise – and put this theory into practice with his ‘ mechanical orchestra ’ .

the surrealists were also vastly impressed and influenced by the serial films of louis feuillade : fantomas ( 1913 ) , les vampires ( 1915 ) , judex ( 1916 ) – these were serials – 10 , 12 , or 13 part - films , each around 25 minutes long , magical and fantastic crime thrillers ( the vampires are a gang of thieves and murderers , who invent ingenious crimes ) . most , if not all of these films are available on youtube .

the jugs , crockery and bottles in an hotel room come alive after dark in the haunted hotel , and they are joined by a tiny comedia del’arte mannequin . this is an early stop - motion animation .

florey was a franco - american who directed many hollywood movies including murders in the rue morgue . you can see from the still above that he was influenced by robert weine’s cabinet of dr caligari , and his aptitude for interesting shorts in the 1920s probably stemmed from his work as an assistant to louis feuillade in the early part of the century .

duchamp had become famous with his nude descending a staircase ( 1912 ) , and his giant construction – the ‘large glass’ – the bride stripped bare by her bachelors , even . ( 1923 )

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