panchama veda ( kannada : ಪಂಚಮವೇದ ) is a 1990 indian kannada romantic drama film written and directed by p. h. vishwanath , in his first independent film as a director , while the dialogues are written by t. n. seetharam .

the film features ramesh aravind , sudharani and ramakrishna in the lead roles .

the film had musical score by sangeetha raja .

upon release , the film was critically acclaimed and won multiple awards at the karnataka state film awards for the year 1989-90 .

panchama veda ( film )

panchama veda ( film ) <EOT> play download : panchama veda 15 : the gospel of sri ramakrishna . mp3 lyrics

panchama veda – ಪಂಚಮವೇದ | kannada full hd movie | feat . ramesh aravind , sudharani

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panchama veda – ಪಂಚಮವೇದ | kannada full hd movie | feat . ramesh aravind , sudharani - youtube

panchama veda ( fifth veda ) . a 1990 kannada drama , romance movie by p h vishwanath starring : ramesh aravind , sudha rani , ramakrishna

sudha rani was twice awarded the karnataka state award for best actress : in 1988 for the film panchama veda and in 1991 for mysore mallige .

she paired with ramesh aravind in over eight films , including panchama veda , shrigandha , aragini , and anuraga sangama .

rani dominated the kannada film industry in the 1990s . sudha rani was twice awarded the karnataka state award for best actress : in 1988 for the film panchama veda and in 1991 for mysore mallige .

watch ramesh aravind playing lead role from the film panchama veda . also staring sudharani and others . film : panchama veda starcast : ramesh aravind , sudharani music : sangeetha raja director : p h vishwanath producer : d rajkumar , p r prabhakar , smt sarojamma banner : sri sathyasai combines release : 1990 for more info : youtube : urltoken twitter : urltoken google + : urltoken facebook : urltoken

manju warrier is an indian film actress and dancer in the [ [ malayalam cinema | malayalam film industry ] .

means worship but in this context of the film , it means a mock marriage . the film is based on the novel

sudha rani is an indian actress in kannada film industry . she has featured in several commercial and critically acclaimed films in kannada , malayalam and telugu . some of her notable films include anand , panchama veda ( 1989 ) , mysooru mallige ( 1992 ) , mannina doni ( 1992 ) , anuraga sangama ( 1995 ) and sparsha ( 2000 ) among others . she has so far twice won the filmfare awards and karnataka state film awards for her performances .

she has featured in several commercial and critically acclaimed films in kannada , malayalam and telugu . some of her notable films include anand ( 1986 ) , panchama veda ( 1989 ) , mysooru mallige ( 1992 ) , mannina doni ( 1992 ) , anuraga sangama ( 1995 ) and sparsha ( 2000 ) among others .

rani was twice awarded the karnataka state award for best actress : in 1988 for the film panchama veda and in 1991 for mysore mallige . for the latter film , she also won the filmfare best actress award . sudha lives in bangalore and is actively involved in the films and art industry carefully picking her projects . she is widely respected as a judge of talent competitions and as an actress who has matured with age . she is very selective about the films that she signs

for the latter film , she also won the filmfare best actress award . .

directed by sr puttana kanagal , the film has in pivotal role by gangadhar , kalpana and leelavati . the film has six soundtracks with music coming from vijay bhaskar .

sudha rani ( born 14 august 1974 ) is an indian actress in kannada film industry .

kesavan venugopal nair , known popularly by his stage name nedumudi venu , is an indian film actor from kerala . widely regarded as one of the greatest actors in indian cinema , he has acted in more than 500 films . he has also written screenplays and has directed one film . he has won two national film awards and six kerala state film awards for his various performances .

she has so far won the filmfare awards and karnataka state film awards twice for her performances .

she has so far twice won the filmfare awards and karnataka state film awards for her performances .

divya spandana , known professionally as ramya , is an indian film actress and politician . she primarily works in kannada film industry , but also appears in tamil and telugu language films . ramya is the recipient of two filmfare awards south , an udaya award , and a karnataka state film award .

at the age of 3 , rani was chosen as a child model for a commercial biscuit brand . as a child artist , she played her first child role in the film kiladi kittu . she followed it with films such as kulla kulli , anupama and ranganayaki . she debuted as a lead actress at age 12 with the film anand opposite shiva rajkumar . during the late 1980s and throughout 1990s , she was part of several commercial successes such as ranaranga , krishna nee kunidaga , panchama veda , mysooru mallige , mannina doni , mane devru , anuraga sangama and sparsha among others . her tamil films , annakili sonna kathai and vasanthakala paravai were commercial successes .

in 1989 she has acted in her 1st film which is tamil and after a gap of 3 years she has made her debut in the film ( in tamil ) : vasantakala paravai and that was a hit . . .

she has so far won the filmfare awards and karnataka state film awards twice for her performances . [ 2 ]

rani was noticed by the spouse of actor and singer rajkumar in a thread ceremony video at the age of 12 . rajkumar selected her to be the heroine of the film anand ( 1986 ) . she went on to appear in such films as mana mechchida hudugi , samara , aasegobba meesegobba , anna tangi , and midida shruthi . in 1989 , she made her debut in tamil with the film annakili sonna kathai and after a gap of 3 years , she starred in vasanthakala paravai , which was a commercial success . following the same she has acted in 10 more tamil films and in all these films she was credited as ' shali ' . she speaks tamil very fluently . she paired with ramesh aravind in over eight films , including panchama veda , shrigandha , aragini , and anuraga sangama . rani dominated the kannada film industry in the 1990s .

gandhi made her film debut in 2003 with a bengali film tomake salam and tamil film kokki in 2006 . since then , she has played lead roles in commercially successful films such as mungaru male , milana , krishna , taj mahal , budhivanta , anu , gokula , dandupalya and dandupalya 2 . gandhi has acted in more than 50 films in a decade .

hamsalekha has won one national film awards and six filmfare awards in the best music director category ; seven karnataka state film awards - four for music direction and three for lyrics - and is a recipient of honorary doctorate , conferred by the bangalore university .

rani is an accomplished kuchipudi and bharata natyam dancer . rani began her acting career as a child in the 1978 film kiladi kittu .

simhada mari is a indian kannada action drama film directed by om prakash rao and produced by ramu . the film features shivarajkumar , telugu actor krishnam raju and a newcomer simran in the lead roles . the film ' s score and soundtrack was scored by hamsalekha and the cinematography was by t . janardhan . subscribe us for latest movies : urltoken like us on facebook : urltoken follow us on twitter : urltoken

hamsalekha is an indian film composer and a songwriter who works in south indian cinema , predominantly in the kannada film industry since the late 1980s . he is also a screenplay writer , dialogue writer , instrumentalist and a conductor . composed and written for over 300 feature films .

upendra rao known mononymously as upendra , is an indian filmmaker , actor and politician known for his work in kannada cinema . he started his film career under actor and film director kashinath , as a writer and an assistant director . his first directorial venture was tharle nan maga .

at the age of 3 , rani was chosen as a child model for a commercial biscuit brand . as a child artist , she played her first child role in the film kiladi kittu ( 1978 ) . she followed it with films such as kulla kulli ( 1980 ) , anupama ( 1981 ) and ranganayaki ( 1981 ) . she debuted as a lead actress at age 12 with the film anand ( 1986 ) opposite shiva rajkumar . during the late 1980s and throughout 1990s , she was part of several commercial successes such as ranaranga ( 1988 ) , krishna nee kunidaga ( 1989 ) , panchama veda ( 1989 ) , mysooru mallige ( 1992 ) , mannina doni ( 1992 ) , mane devru ( 1993 ) , anuraga sangama ( 1995 ) and sparsha ( 2000 ) among others . her tamil films , annakili sonna kathai ( 1989 ) and vasanthakala paravai ( 1991 ) were commercial successes .

ramya made her acting debut in the 2003 kannada - language film abhi . although she has sporadically worked in tamil and telugu films her work in kannada film industry garnered her greater attention ; she won the udaya award and filmfare award for best actress for the amrithadhare and tananam tananam respectively . her performance as the eponymous heroine in the 2011 romantic drama sanju weds geetha garnered her further critical success and a karnataka state film award for best actress . ramya has also starred in the 2011 blockbuster fantasy film katari veera surasundarangi and other commercially successful films including he 2016 epic - fantasy nagarahavu .

pooja gandhi is an indian film actress and producer . she has acted mainly in kannada language films and also appears in tamil , malayalam , bengali and hindi films . gandhi , after starring in the commercially successful 2006 film mungaru male , become one of the most popular and highest paid actresses in south indian cinema and also the recipient of several awards . gandhi popularly came to be known as ' male hudugi ' in the media and kannada film industry .

three decades in an industry is no mean feat and sudharani says there is nowhere else she would have rather been . “in a way , before i could even make a decision about my life , i was already acting . first as a child actor and later , post anand…” but it was not like she wasn’t conscious of her responsibility as an actor . “having come from a conservative family , at some point in my adult life , it was important for me to make a name . i don’t mean money but a repertoire of work that i will be known for , ” she adds . films like panchama veda and mysuru mallige , she says , changed her as an actor and catapulted her career from the sphere of the professional to that of pure passion .

shiva has worked in the film industry for over 30 years , featuring in films such as anand , ratha sapthami , om , janumada jodi , nammoora mandara hoove , a . k . 47 , jogi , bhajarangi , killing veerappan and shivalinga which became milestones in the kannada film industry and made records at the box office . he was conferred an honorary doctorate by vijayanagara sri krishnadevaraya university in 2014 .

he is honored with the guinness world record for recording the most number of film scores . in 2012 , he received the state nandamuri taraka rama rao national award for his contributions to indian cinema . in 2016 , he is honored with the indian film personality of the year consisting of a silver peacock medal . he is a recipient of civilian awards such as padmashri and padma bhushan from the government of india .

nobody will watch those boring plots , they say . for example , why can’t a movie like naanu avanalla avalu be considered a mainstream film ? why not give it good publicity , release it properly etc .

the lovely sudharani is among the long - standing actors of the kannada film industry . having been around for three decades , she tells archana nathan with a sense of sadness , that the present state of affairs in the industry have given her a cause for introspection

vishnuvardhan , was an indian film actor known for his works predominantly in kannada cinema . he appeared in over 220 films in kannada , hindi , telugu , tamil and malayalam . he was called ' the phoenix of indian cinema ' . he made his debut in the 1972 film , vamsha vriksha , in a supporting role . the same year he played the lead role in puttanna kanagal ' s naagarahaavu , and was recognized as the angry young man of kannada cinema . he has played a variety of roles in different genres .

absolutely . from the ones i have worked with and those i’ve seen , i think it is very difficult . they are dieting like crazy , because the producers or the makers of the film have gotten the skimpiest of costumes and they have to fit into that .

jaggesh is an indian actor , director , producer and politician who predominantly works in kannada film industry and is very famous by his screen name as " navarasa nayaka " . jaggesh ' s net worth was ₹124 crore according to the forbes list in the year of 2018 .

sudha rani was born to gopalakrishna and nagalakshmi . she is the niece of popular film personality , chi . udaya shankar and the cousin of actor - director chi . guru dutt . she began modelling in print ads at the age of three . her mother enrolled her in dance classes at age five . rani is a kuchipudi and bharata natyam dancer . at age 7 , she was roped in by her brother for his short film based on children , titled as child is here which won an international award . she was also actively participating in the children shows at the prabhat kalavidaru theatre troupe .

sometimes , the way some of these filmmakers narrate the story , i get the impression that the film will be really good . but five or six shots later , i’ll know the calibre of the filmmaker . visually , they go overboard or they lose track . or they’ll be told ee track tumba chanagide ( this track is really good ) , comedy track swalp develop madbeku , bere yella mamooli ( let’s develop comedy track and focus on that , everything else is pretty ordinary ) . the argument used to add these x , y and z elements is often that no one will buy the film otherwise .

the first government institute in india to start technical courses related to films was established in 1941 named as occupational institute then named as s . j . polytechnic in bengaluru . in september 1996 , two specialized courses cinematography and sound & television were separated and a new institute government film and television institute was started at hesaraghatta , under the world bank assisted project for technician development in india . the industry is known for kannada language literary works , being translated into motion pictures , some of the works which received global acclaim include , b . v . karanth ' s chomana dudi ( 1975 ) , girish karnad ' s kaadu ( 1973 ) , pattabhirama reddy ' s samskara ( 1970 ) ( based on a novel by u . r . ananthamurthy ) , which won bronze leopard at locarno international film festival , and girish kasaravalli ' s ghatashraddha ( 1977 ) which won ducats award at the manneham film festival germany .

manju warrier made her acting debut in sakshyam at the age of 16 . her most well - known films are thooval kottaram , sallapam , ee puzhayum kadannu , krishnagudiyil oru pranayakalathu , pranayavarnangal , kanmadam , summer in bethlehem , pathram , kannezhuthi pottum thottu , how old are you ? , and udaharanam sujatha . manju won the national film award – special mention for her performance as bhadra in kannezhuthi pottum thottu . she also won the kerala state film award for best actress for her performance as anjali in ee puzhayum kadannu , along with five filmfare awards for best actress which is a record in that category .

as a composer , he is a two - time recipient of the karnataka state film award for best music director , which he won for rakshasa and inthi ninna preethiya . as an actor , he has received multiple nominations and awards in the category of best comedian in the south indian international movie awards .

he has also acted in malgudi days , directed by his younger brother shankar nag , based on the stories by r . k . narayan . he is fluent in kannada , konkani , marathi , hindi . he is a recipient of six filmfare awards south and five karnataka state film awards for best actor .

sripathi panditaradhyula balasubrahmanyam mostly referred to as s . p . b . or balu is an indian playback singer , music director and film producer who works predominantly in telugu , tamil and kannada cinema . he has recorded over 40 , 000 songs in 16 indian languages . he has garnered six national film awards for best male playback singer for his works in 4 different languages ; hindi , kannada , tamil and telugu ; twenty five andhra pradesh state nandi awards for his works towards telugu cinema , numerous other state awards from tamil nadu and karnataka . in addition , he garnered the bollywood filmfare award , and six filmfare awards south .

either it is going to maintain status quo or it will go further down . in the current crop of heroes , we don ' t have actors or performers who can shoulder a good film . i have not seen a promising youngster who is capable of delivering a convincing , complete performancei don’t even want to talk about the women…

manju warrier got married to actor dileep in 1998 and quit acting . in 2015 , they divorced . she has since made a comeback to cinema after a 14 - year break with the critically and commercially successful film how old are you ? , which won her many accolades , notably her record setting fifth filmfare award for best actress - malayalam .

rajkumar entered the film industry after his long stint as a dramatist with gubbi veeranna ' s gubbi drama company , which he joined at the age of eight , and got his first break as a lead in the 1954 film bedara kannappa . he went on to work in over 220 films essaying a variety of roles , and excelling in portraying mythological and historical characters in films such as bhakta kanakadasa , ranadheera kanteerava , satya harishchandra , immadi pulikeshi , sri krishnadevaraya , bhakta kumbara , mayura and babruvahana and bhakta prahlada . trained in classical music during his theatre days , rajkumar also became an accomplished singer in kannada cinema and despite imperfections in shruti and pitch , he came to be known for his diction in the language .

in terms of technical aspects , we have improved perhaps . but even this ‘growth’ is not really for the better . earlier , filmmaking had a framework and that was followed . there used to be a lot of planning of shots , of dialogues… filmmakers would analyse each aspect of the film in detail . this is why we are still able to recollect those old films .

veeraswamy ravichandran known mononymously as ravichandran , is an indian film actor , director , music director and editor best known for his work in kannada cinema . he is the real " the show man " of kannada cinema for his multi - faceted works in his associated films . ravichandran ' s net worth was ₹872 crore according to the forbes list in the year of 2018 .

in the mid 1990s upendra directed om , which portrayed actual bangalore gangsters , followed by a , which was his debut film as an actor . upendra , his next film , starred raveena tandon , a bollywood actress . after a decade of acting in kannada , telugu and tamil films , he returned to the role of director with the multilingual movie super , which was well - received critically and commercially . upendra is known for his work in films such as a , upendra , preethse , super star , hollywood , raktha kanneeru , budhivanta , super , kalpana , s / o satyamurthy , uppi 2 . upendra has thus established himself as one of the most successful actors and directors of kannada cinema . he is currently one of the highest paid directors and actors in the kannada cinema .

nagaraju shiva putta swamy , known by his screen name shiva rajkumar is an indian film actor , producer , playback singer and television presenter , best known for his work in kannada cinema . he is the eldest son of actor rajkumar . in his career spanning over three decades , shiva has worked in over 125 films . shivarajkumar ' s net worth was ₹641 crore according to the forbes list in the year of 2018 .

son of notable film producer n . veeraswamy , ravichandran made his acting debut in khadeema kallaru as an antagonist and followed it up with chakravyuha in 1983 . after starring in a series of multi - starrers in supporting and lead roles , he cast himself in his directorial debut premaloka , which became one of the highest grossing blockbuster films in kannada cinema . as a producer , he continues to run sri eswari productions . he is fondly and popularly known as the crazy star of kannada cinema .

sahaya sheelan shadrach known by his screen name sadhu kokila , is an indian musician , actor , film director and producer , and an occasional screenwriter and lyricist who works in kannada cinema . having trained in music at a young age , he is today considered one of india ' s fastest musical keyboard players . he began his career as a composer before taking to acting in films , appearing mostly in comic roles . he has also directed ten kannada films , the notable one being raktha kanneeru .

vinaya prasad born as vinaya bhat is a popular film and television actress in south india who has primarily featured in kannada and malayalam films , tv series besides acting in a few tamil and telugu language films . she has won the state best actress award for her performances in aathanka and bannada hejje . the senior actress in her career has shared screen space with chiranjeevi , vishnuvardhan , rajinikanth , mohanlal , ambareesh , venkatesh , ananth nag , akkineni nagarjuna , v . ravichandran , shivrajkumar , mahesh babu , mukesh and others .

kannada cinema , colloquially referred to as chandanavana or the sandalwood , is a part of indian cinema , where motion pictures are produced in the kannada language . as of 2013 , the kannada film industry based in bengaluru , karnataka , produces more than 100 films each year . although the industry ' s gross box - office is smaller , when compared to large market driven industries such as tamil cinema and telugu cinema , kannada films are released in a total of 950 single screen theatres in karnataka and a handful of the movies are also released in the united states , australia , germany , the united kingdom and other countries .

in 2008 , a poll conducted by cnn - ibn listed vishnuvardhan as the most popular star in the kannada film industry . a road stretching 14 . 5 km from banashankari temple to kengeri in bengaluru has been named after the superstar . it is the longest road in asia to be named after a celebrity . he was a martial artist , in an interview with the hindu , he had said that it was the era of bruce lee and it was only kamal haasan and himself who had learnt martial arts in his generation . he was also the story writer of the 1997 movie ganesha i love you directed by phani ramachandra .

it would not be an exaggeration if we say that sudharani grew up in and with kannada cinema . an avid worshipper of rajkumar , she and her brothers would watch all of his films as children . “in fact , when we played with dolls as children , we would name them after the characters in rajkumar’s films . there was one particular film we used for our game… one doll was rajkumar , one was jayamala and the other , with curly hair , was prabhakar , ” she says suppressing her giggles . interestingly , sudharani also owes her own professional tryst with cinema to rajkumar , her icon and the doyen of kannada cinema .

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watch the best kannada movie evergreen , old kannada full movie on our channel . please subscribe , by clicking the subscribe button above . stars : ramesh aravind , sudharani , ramakrishna , geetha , krishne gowda , kashi , mallikarjunaiah , neernalli raju , nagendra shaw , nagesh r , soori , ramesh babu , buddivantha nayari , ramachandra hulimavu , vijaykumar jitthuri , chayapathi , ithal , robin , sujatha , geethanjali , sundaramma , baby aarathi , pushpa , bhagirathi direction : director p h vishwanath associate director neernalli raju , nagendra shaw assistant director soori production : banner sri sathyasai combines presenter m d naidu producer d rajkumar , p r prabhakar , smt sarojamma production manager jayakumar

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it has been 30 years ( february 19 , 1986 ) since she made her debut in singeetham srinivasa rao’s anand ( 1986 ) , a role that was given to her because rajkumar and parvathamma recommended her for it . last week , the davangere rajkumar abhimanigala sangha felicitated sudharani to commemorate her contribution to kannada cinema . “it was heartening to see that at least someone acknowledged a woman’s contribution to kannada cinema , ” she said looking at the memento fondly .

strangely therefore , in all these years , it is only now , with the industry in its current avatar , that she feels that there is an urgent need for an introspection from her side . with a diminishing potential for character roles and roles for women in general , sudharani feels encouraged to pause and make her decisions carefully . as she settles down for a conversation about the present , in her beautiful home in malleswaram , the past regularly intervenes . excerpts :

you’re someone who has seen the industry change over the years . what is your assessment of the industry today ?

today , for example , in a scene we have close to 42 cut shots ! it is considered great . but , from the audience’s point of view , it takes a certain amount of time for the brain to register a scene or a dialogue , right ? you should not have so much happening on screen .

earlier , i was lucky enough to see films that were celebrating a 25th week run or a 365 - day run . now , i see amogha eradane vaara , celebrations after the second week ! it is funny but at the same time , it is really sad to see that an industry that was once flourishing has become like this .

i think things started to change drastically sometime in the early 2000s . earlier , people entered this industry with a passion for the form . they would fight their community and their family to come into the industry in order to create something valuable . gradually , with the real estate boom , it became ‘fashionable’ to be associated with the movies . suddenly , it became a trend to shout out loud that one is associated with a movie , irrespective of its quality or the filmmaker’s experience .

honestly , i’m not getting the kind of roles that i’d really like to do . i guess it is happening to many of my colleagues too . also , look at the kind of roles for these young girls today ! there is nothing great about the role itself .

i do feel sorry for them because other than being just a decked up glamour doll , there is nothing else . sometimes they are not even comfortable carrying those outfits . now more than ever , most heroines don’t even know kannada . the industry seems to be happy with just bringing actors from mumbai and so on . all of them look like a copy of each another .

i’ve generally cut down on the number of movies i do because i don’t want to do movies for the sake of doing them . i have lived my life here in this industry and never deviated from it . i have not developed any other alternative profession like others who have ventured into fields like politics or dance etc . i’m still trying to introspect and find out what else i can do . until then , this is what i know and this is what gives me happiness .

you have to accept that in an industry like this , it will always be a cycle . you cannot always remain in the limelight . earlier character roles would be given so much importance . they would say that only so and so can perform this particular role . nowadays the first consideration is the money to be paid to an actor . also , there is no stuff in the role , so it doesn’t matter whether i do it or someone else does it .

it is a man’s industry . it is all about the hero . or , the comedian or the villain who is at par with the hero .

as women , we should put our foot down and ask them why they want to ridicule us . i used to get worked up before . but it was only me that used to speak up and even though others would feel the same way , they wouldn’t express themselves .

i was once offered to be a part of the censor board but i said no . i’ll be the only one saying these things and it will cause rift . there are people in the board who don’t even know kannada .

i think they’ve been pushed aside . the current crop of so - called filmmakers are only interested in making the ‘commercially successful’ movies .

asking us to come up with a good movie is a fair demand , but that doesn’t mean it should be a movie that is similar or is aping another industry’s . we need our own idiom .

rukmini a young full of life girl believes in getting married to the boy who loves her and not her father ' s wealth . ravi is welcomed at rukminis place , and after a few misunderstandings , both rukmini and ravi fall in love with each other . then chaos descends upon the rukmini ' s family when they find out that the boy named ravi is a fake , and that the real ravi was delayed and is now reaching their village

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upon rewease , de fiwm was criticawwy accwaimed and won muwtipwe awards at de karnataka state fiwm awards for de year 1989 - 90 . the fiwm was remade in tewugu as rukmini ( 1998 ) .

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ramesh aravind ( born 1964 ) ( mononymously referred to as ramesh ) is an indian actor , writer , director , producer and a tv host . he has predominantly worked in kannada and tamil films whilst acting in a few telugu , malayalam and bollywood films . ramesh is known for his roles in sathi leelavathi , duet , america america , nammoora mandara hoove , ulta palta , hoomale and amrutha varshini .

he has earned and been nominated for numerous awards during his career , including winning two filmfare awards for best actor and karnataka state awards for best actor and best story for his script in hoomale , as well as udaya tv and suvarna tv awards .

ramesh is also known for his collaboration with the director k . balachander , who introduced him in the 1986 kannada hit sundara swapnagalu and further went on to work in films such as manathil uruthi vendum ( his tamil debut ) , duet and rudraveena ( his telugu debut ) .

it ' s fine it ' s ok to take 27 the good scenes you ' re so good the bad scenes we ' ll edit later and the moon and the stars and the highway it ' s perfect everyone ' s getting all their lines right tonight it ' s an ongoing affair it ' s no one cares it ' s like a piano or a suitcase or jet lag or a fountain of love everybody wants to be like movies no you ' re right i don ' t know what i ' m doing the sound is searching you it ' s finding the smallest part of your mass it ' s taking you over it ' s like ally sheedy says she ' s the protagonist in your head like an anthem or a bad p . a . system or arugula or kiss me now

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upendra is known for his thematic representation of indian politics and society in films directed by him .

anant nagarkatte , popularly known as anant nag , is an actor from karnataka , india . he is reputed for his natural , under - playing style of acting , in kannada cinema . in addition to kannada movies , he has acted in marathi , tamil , malayalam , telugu and hindi movies .

jayashree , known by her screen name sudha rani , is an indian actress , voice artist and a former model . she has primarily worked in kannada films , though she appeared in a few tamil , telugu and malayalam cinemas .

hamsalekha is usually referred to by the title naadha brahma who is considered to be the major cause for the change in the music composing and lyric writing style which would appeal much to the younger generation . he integrated folk and introduced western musical sensibilities into the mainstream cinema . he is also accredited for introducing many musical talents to the industry .

k . r . vijaya is an indian actress who has starred in tamil , malayalam , telugu and kannada films . she started her career in the 1960s . she has been acting for more than four decades now in south indian cinema . k . r . vijaya has worked with almost all the stalwarts of south indian cinema and has played a variety of roles . she had acted in more than 320 films in tamil , malayalam , telugu and kannada .

honnasandra narasimhaiah chandrashekar , known popularly as mukhyamantri chandru , is an indian actor and politician . as an actor , he is known for his work in kannada theatre and cinema . the sobriquet mukhyamantri stuck to his name after the play of the same name that sees him portray the titular role became widely popular . having portrayed mostly comic and negative roles throughout his career , chandru is a regarded as a character actor , and has acted in over 500 films since making his debut in 1983 .

chandru joined the janata party in 1985 and won the year ' s assembly elections from gauribidanur . switching to bharatiya janata party , he became a member of the legislative council in 1998 and 2004 . he served as the chairperson of the kannada development authority till 2013 before quitting to join the indian national congress in 2014 .

he made his debut in 1983 movie ibbani karagithu in a small role prior to appearing as a hero in banda nanna ganda . he holds high success rate to his credit starting from his old movies like banda nanna ganda , tharle nan maga , super nan maga , server somanna , bevu bella to recent movies like mata , eddelu manjunatha , vaastu prakaara and neer dose .

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this socially relevant movie explores the problem of prostitutes also known as devadasis . it was based on the novel written by m . k . indira . the heroine chandra ( played by kalpana ) is the daughter of a devadasi is in love with a young man who is her neighbour . the young girl understands the value of education and with the support of her mother intends to reject the life of prostitution . circumstances and the young man ' s suspicion makes him abandon the heroine . ironically the girl he marries is the daughter of the heroine ' s father who had abandoned both her and her mother . chandra agrees to perform gejjepooje as part of initiation into a life of prostitution but in the end she commits suicide by swallowing a diamond .

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b . c . gowrishankar , india , karnataka , kannada language , s . ramachandra

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teachers sudha and sudha rani who are part of the core team that help run the garden activities explain , “passion fruit isn & # 39 ; ta very common fruit . this way we introduce the children to a wider range of plants . it & # 39 ; s really sad , but some of them can & # 39 ; t

the team : s . rama devi ( captain ) , s . meghana , ns tulasi rama lakshmi , pv sudha rani , p . kalpana , e . dhanalakshmi , manvin kaur kohli , a . priyanka , r . kalpana , p . nagamani , s . lavanya , am meghana , v . tejeshree , ch . jhansi lakshmi

cnn - ibn met patients like sudha rani who has been here with her son . she is worried not just about her son & # 39 ; s deteriorating condition , but also that she will be asked to leave the icu given the lack of space . & quot ; we are already sharing the bed with another

6 . variation of terms of appointment of shri venkateswarlu jasti as chairman & amp ; ceo from 5 years to 3 years . 7 . variation of terms of appointment of smt . sudha rani jasti as whole - time director from 5 years to 3 years

his mother , sudha rani , a teacher at ims test prep , a chain of management entrance test training centres , says chandradeep has benefited from the device . “more than anything else , he is able to understand and answer not 100 % , but about 80 % of the

telugu desam party & # 39 ; s ( tdp ) rajya sabha mp gundu sudha rani declared that she would be sending her resignation to rajya sabha chairman hamid ansari . nine lok sabha members of congress party and two members each of tdp and telangana rashtra samithi

tdp leaders - - r . prakash reddy , mla , gundu sudha rani , mp , and n . rajalingam , mlc , were virtually chased away by unruly crowds . the youth remained highly charged and unrelenting despite requests from trs leaders to stay calm . political jac chairman p

in 2009 , 36 - year - old sudha rani used to look for excuses to keep her two children occupied during the holidays so that they do not play outdoor games under the scorching sun . “not anymore . with the simplest online games on offer now ,

the & # 39 ; best student & # 39 ; under diploma courses was won by ms . v . sudha rani whereas the & # 39 ; best student & # 39 ; for m . sc cosmetology iii batch was won by ms . alexon clora . ms . annapurna , director of anoo & # 39 ; s beauty salon and clinic for men and women appreciated the

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her mother nurtured sudha ' s talent by enrolling her in dance classes at age five .

she was noticed by the spouse of actor and singer rajkumar in a thread ceremony video at the age of 12 .

she went on to appear in such films as mana mechida hudugi , samara , aasegobba meesegobba , anna tangi , and midida shruti .

please help by adding reliable sources . contentious material about living persons that is unsourced or poorly sourced must be removed immediately , especially if potentially libelous or harmful .

jayashree ( born 14 august 1973 ) , known by her screen name sudha rani ( kannada ? ) , is an indian actress , voice artist and a former model . she has primarily worked in kannada films , though she appeared in a few tamil ( credited as shali ) , telugu and malayalam cinemas . [ 1 ]

at the peak of her career , rani married a u . s . - based anesthesia specialist , dr . sanjay . however citing understanding differences , she parted ways after having stayed in the us for 5 years . [ 3 ] later , she married her relative , govardhan . [ 4 ] she has a daughter nidhi born in the year 2001 . [ 5 ] [ 6 ]

sudharani ragupathy interacts with shri v . a . k . ranga rao on thillanas in bharatanatyam

mimicry artist - chittoor gopichand & mrs . sudharani - who is home minister of the house ? - 01

manda sudharani & m . p . sruthi ravali - shankara sri giri - hamsanandi - 19 . 01 . 2013

mimicry artist - chittoor gopichand & mrs . sudharani - who is home minister of the house ? - 02

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after graduating with bachelor of science , shiva made his debut screen appearance in films with singeetham srinivas rao ' s anand , which fetched him the cinema express award for best actor . his first three films , namely anand , ratha sapthami and mana mechchida hudugi were all highly successful , earning him the title hat - trick hero coined by the media and his fan followers .

she joined the janata dal party in 2012 by taking the membership of the party . she soon hopped onto kjp party and later to the bsr congress party and contested the karnataka assembly elections from raichur constituency . however , she was defeated in the elections and did not win any seat from the constituency .

spandana joined the indian national congress in 2012 as a member of its youth wing ; she later won a 2013 by - election to become a member of parliament for mandya constituency in karnataka , but was defeated in a general elections the following year .

sudeep sanjeev , known mononymously as sudeep , is an indian actor , filmmaker and television presenter , known primarily for his work in kannada cinema , in addition to appearances in a handful of telugu , hindi and tamil films .


pattinathar ( தமிழ் : பட்டினத்தார் ) is 1962 tamil biographical film was directed by k. somu and produced by film center with distribution by j. r. productions .

the film script was written by thanjai ramaiah doss and akilan .

music by g. ramanathan is an added asset to the movie .

the film stars t. m. soundararajan who played the title role and m. r. radha played the antagonist .

another film of the same name was previously released in 1936 .

that film was directed by t. c. vadivelu nayakar and the male lead actor was m. m. dhandapani desikar .

pattinathar ( 1962 film )

pattinathar ( 1962 film ) <EOT> pattinathar ( 1936 film ) , tamil film directed by t . c . vadivelu nayakar

1962 and as “chirikkudukka” - 1976 in malayalam ) but the corresponding songs in these films – “nazar bacha ke…… “ ( rafi ) and “chithra kanyake… . “ ( yesudas ) .

tms composed music for the tamil film “balapareekshai” ( 1976 ) . the film or its music could not impress the audience .

free wallpapers download of pattinathar movie , hero , heroine , etc is available in our gallery section .

tamil mythological film written and directed by t . c . vadivelu nayakar and produced by m . t . rajan . music by gopal sharma is an added asset to the film . the film stars

at his ardent request . saint pattinathar accepts the king as a discipline and order him to report at tiruvadamarudur . at tiruvadamarudur pattinathar and his discipline station themselves at the eastern and the western gates of the temple . one day a devotee begs ( lord shiva disguised ) to pattinathar but , the saint replies to the devotee ,

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the film was initially released 1936 film was directed by t . c . vadivelu nayakar and male lead actor as m . m . dhandapani desikar .

murattu kaalai ( rough bullock ) was a blockbuster rajnikanth ' s film of 1980s . this was the first film for rajnikanth with avm production . . .

. the film distributed by vel films . starring m . m . dhandapani desikar as played pattinathar role to protagonist with v . n . sundaram , d . r . muthulakshmi , t . k . rukmini , m . s . radhabhai and p . g . venkatesan . the film cinematography by k . ramnath and art director by a . k . sekhar . the film was super - hit at the year . the film ran at

and produced by m . t . rajan . the film script was written by

pattinathar - another film with the same name , was released earlier in 1936 . it was a black and white tamil mythological and biographical film directed by t . c . vadivelu nayakar and produced by m . t . rajan . the film script was written by t . c . vadivelu nayakar . the film was distributed by vel films . starring m . m . dhandapani desikar who played pattinathar ' s role as protagonist , and other actors like v . n . sundaram , d . r . muthulakshmi , t . k . rukmini , m . s . radhabhai and p . g . venkatesan . the film ' s cinematography was by k . ramnath and art direction by a . k . sekhar . the film was super - hit at that year . the film ran at chennai broadway theatre for 25 weeks .

the film message that one should for true meaning of life . not waste it in pilling up wealth seemed to have gone deep in to the psyche of the film going public of the 30s snd the film become a range . the impact of the film was so great that it popularly believed that young man even married young men , gave up social life and donned saffron robes after seeing the film ! .

nandanar ( tamil : நந்தனார் ) or bhakta nandanar is a 1935 tamil film directed by manik lal tandon . it marked the film debut of the carna . . .

pattinathar - produced by lotus films . 1935 . directed by v s k padam . starcast – c s sundaramoorthy othuvar , k r saradambal

the film ' s message that one should search for the true meaning of life , not waste it in pilling up wealth seemed to have gone deep into the psyche of the film - going public of the 30s and the film become a rage . the impact of the film was so great that it is popularly believed that some young men , even some married men , gave up worldly life and donned saffron robes after seeing the film .

. music by g . ramanathan is an added asset to the movie . the film stars

chithiram pesuthadi tms music t g lingappa 1958 lyric ku . ma . balasubramaniam film sabaash meena

pattinathar was subject made thrice in tamil cinema . the first version was made in 1935 by lotus pictures with c . s . sundaramoorthy odhuvaar as the saint , the second was made in 1936 by vel pictures with m . m . dandapani desikar ( this film ) and it was made again in 1962 with t . m . soundararajan as the saint . in those days , only actors trained in theatre were given roles in films , but occasionally , good musicians were also given opportunities when the film demanded good singing from actors m . m . dandapani desikar , a musician well versed in thevaram recitals , was picked to play eponymous hero .

another film of the same name was previously released in 1936 . that film was directed by t . c . vadivelu nayakar and the male lead actor was m . m . dhandapani desikar .

in the tamil film “avar enakke sontham “ ( 1977 ) , tms sang the hindi film lyrics from the film “kabhi kabhi “ ( 1976 ) – the title song – “kabhi kabhi mere dil mein… . . “ as a kacheri . ! ! . the song sequence became a hit .

the film ' s message is that one should look for the true meaning of life , and not waste it in pilling up wealth . it seemed to have gone deep into the psyche of the film going public of the 30 ' s and the film become a rage . the impact of the film was so great that it is popularly believed that some young men who were even married to young women , gave up wordly life and donned the saffron robes of a mendicant , after seeing the film ! . unfortunately there are no prints of this film available now . [ 4 ]

pattinathar heard invisible voice of lord shiva , shiva told where the bottom of sugarcane gives to sweet taste , that place his attains salvation . after visiting various saivite shrines pattinathar finally comes to tiruvottiyur and eaten sugarcane and it gives sweet taste . at tiruvottiyur beach he requested some yadhava youths to cover him with a big mud pot . the boys accedes to his wish but twice time pattinathar way out and again sit inside mud pot . third time the boys are closed the pot and grip to tightly and opening the pot they are stunned to fine shivalingam instead of the sage . meantime , sivakalai pattinathar wife sees a vision of him at tiruvottiyur about attain salvation .

played the antagonist . another film of the same name was previously released in 1936 . that film was directed by t . c . vadivelu nayakar and the male lead actor was m . m . dhandapani desikar .

pattinathar was a subject made thrice in tamil cinema . the first version was made in 1935 by lotus pictures with c . s . sundaramoorthy odhuvaar as the saint , the second was made in 1936 by vel pictures with m . m . dandapani desikar ( this film ) and it was made again in 1962 with t . m . soundararajan as the saint . [ 2 ] [ 3 ] in those days , only actors trained in theatre were given roles in films , but occasionally , good musicians were also given opportunities when the film demanded good singing from actors . m . m . dandapani desikar , a musician well versed in thevaram recitals , was picked to play the eponymous hero . [ 2 ] [ 4 ] [ 5 ]

few years back , i was shocked to see him in the advertisement programmes of some medicines in some tv channels . the film world , the tinsel world turned face from the legendary singer who was once the king of tamil film music . the singing voice of legends like mgr , sivaji ganeshan etc . but the gems that he filled in the treasury of tamil film music – those gems remain most valuable in the khazana of south indian film music .

is a 1936 indian tamil mythological film written and directed by t . c . vadivelu nayakar and produced by m . t . rajan . music by gopal shara assets to the film . the film starring m . m . dandapani desikar played titled role with v . n . sundaram , d . r . muthulakshmi , t . k . rukmini , m . s . radhabai and p . g . venkatesan played portraying supporting role . the film was a major success , ran for 25 weeks and established desikar as an excellent singer - actor on the ladder of success . pattinathar is about saint who lived in kaveripoompattinam , his closeness to lord shiva and the miracles he performed .

music composed by gopal sharma and lyrics had the original compositions of the saint pattinathar himself and some other songs were written and composed by papanasam sivan . the film had 52 songs , most of rendered by m . m . dandapani desikar . [ 7 ] the songs were great hits and popular among them . [ 6 ]

the film had 52 songs , most of them rendered by dhandapani desikar . the songs were great hits and popular among them were

ലേഖനം - 13 “paattum neeye , bhaavamum neeye…… . . “ – tms – the “laya” and “bhava” of tamil film song is no more… .

the film was a major success , and ran for 25 weeks and established desikar as an excellent singer - actor on the ladder of success .

tms is defined by some film music critics and his fans as “paattu nadikan” , meaning playback singing actor . because one could feel the emotions of the character who sings the song . for example the hero lamenting and praying for peace of mind – “enkey nimmathi… . . “ ( puthiya paravai - 1964 ) , “andha naal njaapakam… . . “ ( uyarntha manithan – 1968 ) , “devane ennai parunkal… . “ ( gnana oli – 1972 ) etc . tms acted in a few films , as a singing star , " pattinathar " ( 1962 ) , " arunagirinathar " ( 1964 ) , " kallum kaniyakum " ( 1968 , as hero and co producer ) , " kavi kalamegham " ( 1978 ) . his performance in the key roles as the saint poets in the films pattinathar and arunagirinathar was very impressive . but the films failed to attract the audience and were box office failures . the box office failure of the films – pattinathaar , arunagirinathar and kavi raja kalamegham enacted by tms is attributed to the unusual success of tamil films of the same story released in the past . the indelible impression that these films created in the minds of the film lovers discarded the tms films though these films also were well directed and presented . the classics of the past are –

he is taken to the king , who orders his execution on the spike , but the spike catches fire . king badragiri thereupon abdicates his crown in favour of his son . at his ardent request , saint pattinathar accepts the king as a disciple and orders him to report at thiruvidaimarudur . at thiruvidaimarudur , pattinathar and his disciple station themselves at the eastern and the western gates of the temple , till years later badragiri attains salvation . after visiting various shaivite shrines , pattinathar comes to tiruvottiyur at the behest of lord shiva . at tiruvottiyur beach , he requests some yaadhava children to cover him with a big mud plastered basket . the boys accede to his wish . on opening it , they are stunned to find a shivalingam ( lord shiva ' s image ) , instead of the sage . meantime , sivakalai , pattinathar ' s wife sees a vision of him at tiruvottiyur , about to attain salvation . by divine grace she becomes a bilva tree by the side of the sivalingam and thereby attains salvation . [ 6 ]

then pattinathar realised the philosophy and wisdom of the words and renounced everything , his wife , his wealth , kith , kin and with only a loin cloth he left his home . he began singing many philosophical songs to enlighten people on the blissful state of renunciation .

malliswari ( telugu : మల్లీశ్వరి ) is a 1951 telugu musical film directed by b . n . reddi and produced by vauhini studios , with songs penn . . .

music was composed by g . ramanathan . there are a number of songs composed by the saint pattinathar himself included in the film . lyrics for other songs were written by t . k . sundara vaathiyaar , thanjai n . ramaiah dass , ku . ma . balasubramaniam and a . maruthakasi . singer is t . m . soundararajan . playback singers are p . leela , soolamangalam rajalakshmi , thiruchi loganathan and p . susheela . [ 8 ]

in this film . it was such a great success that the gag has been used in tamil cinema over and over by many a comedian after nsk with equal success .

in the 1951 film " devaki " , tms acted as a beggar and sang a song , " theeratha thuyarale paazhakiye . . . " under the music of g ramanathan . it was the 1954 film " thookkuthookki " that escalated the name and fame of tms and there was no turn back after that . the playback singer tiruchi lokanathan was first approached by the producer to sing for the film , but due to some dispute with him the chance came to tms . tms sang all the 8 songs for the hero sivaji ganeshan in the film . tms first sang for sivaji ganeshan in the film " koondukkili " the same year , but it was the film thookkuthookki that stamped the voice of tms as the singing voice of sivaji . tms sang for mgr for the first time in the 1954film " malaikkallan " . and after that for about more than a decade , tms was the preferred voice for the two super stars mgr and sivaji . tms sang for the other super stars of 1960s like jayasankar ( first in " iravum pakalum " 1964 ) and ravichandran ( first in " naan " 1967 ) .

ranjan and vasundhara became stars with this film and the heroine’s exotic dances are still recalled by old –timers . also one of the early box - office bonanzas of s . s . vasan .

“paattum neeye , bhaavamum neeye…… . . “ – tms – the “laya” and “bhava” of tamil film song is no more… . | പാട്ടും നീയെ . . ഭാവവും നീയെ . . ടി എം എസ് മണ്‍മറഞ്ഞു

pattinathar is a tamil movie , directed by k . somu , starring t . m . soundarrajan , leelavati , m . r . radha along with others . here , on the movie page , you will find every thing that you need to know . check out what others are saying about the movie on twitter .

more than the box office success of running for over 2015 weeks , the film brought in a strong social change on the need to find the true meaning of life rather than amassing wealth . [ 6 ]

on reading the scroll , realisation of eternal truth and teaching of life dawn on him and he renounces all his worldly possessions . poignant scenes take place on his exit from his house as an ascetic . thereafter , thiruvengadar becomes pattinathar and leads the life of a mendicant living on alms . meenakshi , his elder sister , feeling that the dignity of her family will suffer by his conduct , decides to kill him by giving him a poisoned appam ( breakfast pancake ) . discovering her plot through divine grace , he throws it on the roof of her house which catches fire immediately . but the miraculous fire is extinguished by him when she begs his pardon and then pattinathar goes on his way .

romantic duets – it is the monopoly of the hero and the heroines , is it not ? there is a romantic duet sung by tms with radha jayalakshmi in the film “mullaivanam” ( 1955 ) . and a special and unique song , a romantic number it is ! ! the villain sings the song with the heroine ! ! . tms singing for p s veerappa . sreeram was the hero of the film , and this was the first “cowboy” film of the south . the song – “enkiruntho inku vandha rathiye… . “ was a hit of those days . in few films tms sang playback for singing stars of yester years like chittoor v nagiah also .

the film had 52 songs , most of them rendered by dhandapani desikar . the songs were great hits and popular among them were desam nilaiyailave . . oru mada maadhu . . irukkum yedam thedi and vettililum thottililum ' ' .

the film had 52 songs , most of them rendered by dhandapani desikar . the songs were great hits and popular among them were desam nilaiyailave . . oru mada maadhu . . irukkum yedam thedi and vettililum thottililum . [ sic ]

he also performs the cremation of his dead mother by placing her on a pyre of plantain stems : by divine grace , it catches fire and her body gets cremated . thereafter , pattinathar leaves the city of his birth and wanders from place to place . one night , feeling hungry , he peeps into a hut . the villagers mistakes him for a thief and beat him . deciding not to beg for alms in future , he goes to a lonely lord ganesha ' s temple in the jungle and sits behind the vigragam ( god ' s idol ) for meditation . a band of robbers returning from a successful loot of king badragiri ' s palace , throw a necklace at the vigragam as their offering . it accidentally falls on pattinathar ' s neck as he is sitting behind the vigragam . he gets arrested by the king ' s sentries for having the stolen necklace .

but marudesan was not in the room and his wife sivakalai gave him to a small box the son had given before he disappeared . thiruvenkadar read the scroll he wrote a needle with an eyelet . then pattinathar realised the philosophy and wisdom of the word and renounced everything his wife , his wealth and kith and kin with only a loin cloth he left . he sang many a philosophical song to enlighten people on the blishfull state of reunication .

, was the first major gemini studios - s . s . vasan production made on a mammoth scale , which became the hallmark of a gemini - vasan product . it was only after this film , critics and crowds used the hollywood adjective ‘colossal’ for a madras - made movie .

tms was awarded “padmasri” in 2003 . several other awards including the “kalaimamani” award of tamilnadu are to his credit . he was awarded “swaralaya kairali yesudas award” for his lifetime contributions to indian film music in 2012 . thanks to the jury and the fans of tms in kerala for honoring tms with this award .

was a blockbuster and made vasan a very rich man . it also set him firmly on the ladder of success . vasundhara and ranjan became household names . interestingly , the film also turned out to be vasundhara’s last hit . her career declined fast and the few films she did thereafter , did not help .

the movie started once his dream , lord shiva appeared and told him , he would find him siva as a baby at certain spot . hand over the baby boy to thiruvenkatar ( t . m . soundararajan ) . he would give gold equal to the weight of the baby . the saint devotee found the baby and took him to pattinathar and his wife sivakalai ( gemini k . chandra ) . he adapted child and gave the couple and more wealth . the divine child grow up and follows in his father food step .

n . s . krishnan and t . a . mathuram , working for gemini for the first time , provided their own brand of comedy . nsk trained hard to learn tightrope walking so that he could do those scenes in the film without a double . he lifted the famous glass window - breaking scene from charlie chaplin’s immortal classic

acharya worked on the screenplay giving it a modern touch . he made mangamma look glamourous when she comes disguised as a sultry gypsy to seduce her husband with her song and dance and make him spend the night with her . vasundhara , the glamour girl of the south indian art world who made a splash with her first film s . soundararajan’s

“chayam” ( 1973 ) was the only malayalam film in which tms sang . the song – tamil lyrics – kannadasan . music – devarajan . the song – “mariyamman thaaye… . “ ( tms , madhuri ) . the captivating voice of tms , enthrall the new generations also , and will continue to haunt the minds of the music lovers of all time

then deciding not to beg for alms in future he goes to a lonely lord ganesha temple in the jungle and sits behind the idol for meditation . a band of robberies returning from a successful loot of king badragiri palace throw a pearl necklace at the idol as their offers . it accidentally falls on pattinathar neck as he is siting behind the idol . he get arrested by the king sentries for having the stolen necklace . he is taken to the king , who order his execution on the spikes . but spikes catches fire king badragiri there up abdicates his crown in favour of his son .

therefore thiruvenkadar becomes and leads the life of medicant lying on alms , meenakshi ( s . d . subbulakshmi ) his sister feeling that the dignity of her family will suffer by his conduct , decides to kill him by giving him poisoned appam ( for english cake ) . discovering her plot through divine grace . he throw it on the roof of her house which catches fire immediately . but the miraculous fire is extinguished by him when she begs his pardon and pattinathar on goes his way . one night feeling very hungry he peeps into a hut . the villagers mistakes him for a thief and beat him .

written and directed by lawyer - turned - filmmaker t . g . raghavachari ( acharya ) , this film created a sensation all over south india . a popular folktale , it was about a sprightly tough village girl , mangamma , who when insulted by a woman - chasing crown prince vows to take revenge ( hence the title mangamma’s vow ) by having a child through him and make the child whip the father in court . the salacious prince too takes a vow to marry her and have her imprisoned in a lonely palace . how she builds an underground tunnel from her gilded cage to her village home , outwits her husband and has a son without his knowing her identity and the son then trapping his father form the rest of the film story .

then deciding not to beg for alms in future , he goes to a lonely lord ganesha temple in the jungle and sits behind the vigragam ( god ' s idol ) for meditation . a band of robbers returning from a successful loot of king badragiri ' s palace throw a pearl necklace at the vigragam as their offering to god . it accidentally falls on pattinathar ' s neck as he is sitting behind the vigragam . he gets arrested by the king ' s sentries for having the stolen necklace . he is taken to the king , who orders his execution on the spikes . but the spikes catch fire and burn . king badragiri gives up all worldly pleasures and abdicates his crown in favour of his son .

in modern theatres’s “valaiyapathi” ( 1953 ) tms sang a duet with jamunarani under the music of s dakshinamoorthy – “kulunkidum poovilellaam… . . “ . this is an example of successful “imitation song” – it was true copy of roshan’s composition for the hindi film “malhar” ( 1951 ) , the perennial hit duet , “bade arman se rakha hai balam… . “ ( mukesh , lata ) . the tamil imitation became as popular as its hindi original . the soulful voice of tms made the romantic duet an all time hit . this is considered as the best duet of jamunarani with tms . k v mahadevan was a composer who encouraged and supported start from the beginning of the versatile singer’s career . k v mahadevan was associated with hmv company . he recorded two devotional songs in the voice of tms for hmv records . the playback singer was paid rs . 80 / - , a reasonable remuneration during that time . k v mahadevan directed tms to avm company . a v maiyyappa chettiar , “all in all “ of avm company was not impressed by the voice of tmsat first . tms was asked to sing a comedy number . tms sang a popular comedy number of that time , a film song , from the film “marmayogi” ( 1951 ) – “nalla kazhuthai mika nalla kazhuthai… . “ ( k v janaki ) . tms proved his metal by rendering this song , meiyyappa chettiar was taken a back by tms’s singing . tms got a chance to sing in avm’s “chellappillai” ( 1955 ) . the comedy number “naadu nadakkira nadappile… . “ and “gullapp podanum naisaa … . “ went un noticed . tms gave playback to the comedian thankavelu in this film . but before the release of “chellappillai “ in 1955 , tms’s fate was decided by the songs of “thookku thookki” ( 1954 ) . later on tms became a favourite playback singer for avm company . tms sang several super hits for avm films .

chronicles of chaste women from the vedas such as “anusuya” , “savithri” , “ahalya” , “sulochana” were treated as subject - matter for films during the early and later years of indian cinema . kunjan nambiar’s poetic work “sheelavathi naalu vritham” published in 1874 was probably the first indian movie that narrated this story as “sheelavathi” in celluloid . the story revolved around a chaste woman ( k r vijaya as sheelavathi ) and her husband ( sathyan as ugrathapas ) who contracts leprosy . while sheelavathi nurses him , ugrathapas was cursed by sage mandavya to death by sunrise while travelling to the palace of royal courtesan ( vijayalalitha ) . how sheelavathi saves ugrathapas and brings him back to life becomes the rest of the plot . directed by p . b . unni & with some great casting , the film tasted dust at the box - office for reasons unknown . even the extraordinary musical score of maestro g devarajan with lyrical support from the renowned p bhaskaran could not salvage the film .

legendary stars and singers , when they are in the peak of popularity , media , fans , encircle them . people crowd wherever they move . in most cases , when they are out of the field , when they are just ignored . in the case of tms also , late 1970s and 1980s , tms was not in popularity . what an injustice , the voice of tamilnadu kept away from the selfish film world . he conducted musical programmes to keep himself engaged and to earn the livelihood .

interestingly this film had few songs rendered by s janaki ( rare indeed ! ) under maestro’s baton . maestro devarajan composed 9 songs – including this romantic duet ‘valkalamooriya vasantha yamini” ( k . j . yesudas – p . susheela ) , “surabhi maasam vannallo” , “uthareeyam” , “muttathu prathyusha deepam” ( all by s janaki ) , “om saraswathim namami” ( devarajan , p . b . sreenivas , k j yesudas ) , “chirichu kondodi nadakkum” ( k j yesudas ) , “karthika manideepa’ ( s janaki , p jayachandran ) , “mathi mathi janani” , “maheswari” ( both by p susheela ) .

the songs which crowned tms as the voice of the super stars – mgr and sivaji ganeshan were – songs from thookkuthookki for sivaji ganeshan and the philosophical number ‘ethanai kaalam than… “ from malaikkallan for mgr . the rest was the history . tms became the singing voice for most of the films enacted by the legendary stars - the two “thilakams” of tamil cinema – makkalthilakam mgr and nadikarthilakam sivaji ganeshan . tms’s voice modulation for these stars was wonderful . the voice modulation and the style of singing that tms adopted for these two stars to a greater extent distinguishes themselves the super star who sings the songs on the screen . one who is keen on tamil film somgs can easily identify whether the song is a mgr number or sivaji number . ! ! here is an example for his voice modulation . the song , a philosophical cum comedy number , from the film “bhama vijayam” ( 1967 ) – ( this was remade in hindi as “teen bahuraniyan – 1968 and later in malayalam as “sreekrishnapurathu nakshathra thilakkam” - 1998 ) - “varavu ettana chilavu patthana… . . “ tms sang playback for t s baliah , nagesh , muthuraman and major sunderarajan who acted in the song sequence ! ! the voice modulation was that much perfect that the listeners did not feel that it was tms that sang for all the four actors in the song scene . a god’s given gift , that was the magic of tms’s voice modulation .

saint paṭṭiṉattār tamil : பட்டினத்தார் was a saivaite and a spiritual leader . he was born to sivanesa chettiar and gnanakalai . his father was a trader in tiruvidaimarudur , thanjavur district . his birth name was swetharanyar after an epithet of lord siva of swetharanyeswarar temple . he was also called as thiruvenkadar by the people . when he was five years old , he lost his father . like his father he spent money on siva devotees , and fed them daily . he was a trader and had enough wealth . at sixteen years , he was married to sivakalai , daughter of another trader by the name of sivasithamparam chettiyar and his wife sivakamy . even after fifteen years of marriage they had no children . meantime there was a very poor saivaite by the name of sivasarumar who spent all his wealth in feeding the siva devotees . when all his wealth was spent he sold his wife ' s nuptial chain ( thali ) and fed the devotees of lord siva . once in his dream , lord siva appeared and told him , he would find him ( siva ) as a baby at a certain spot . " hand over the baby boy to thiruvenkadar . he would give gold equal to the weight of the baby . the saivaite devotees found the baby and took him to pattinathar . he adopted the child and gave the couple , gold and more wealth . "

tms ' s first music lessons started from his father who taught him bhajans . tms was very much fond of films songs , and m k thyagaraja bhagavathar , v a chellappa and p u chinnappa , the singing stars of early tamil cinema were his matinee idols . tms sang their songs in family get togethers and functions . meenakshi iyengar could not afford to send his son for music lessons under established music teachers . the urge to study music forced tms to approach two gentlemen in madurai – kuppu swami iyer and babu iyer who were associated with film producing companies like “murugan talkies “ and “royal talkies” . both of them were leaders of the saurashtra brahmin community . two other rich men joined hands for the “sponsorship” to educate tms in music . all the four sponsored rs . 15 / - each to meet the fees for tms’s music lessons .

thuguluva meenakshi iyengar soundararajan , the iconic playback singer of tamil cinema popularly known by the initials , the three letters – t m s , is no more . the voice that shaped tamil cinema , who was 91 , passed away on 25 away , the buddha purnima day of 2013 , saturday , 25 of tms and left to the eternal world of heavenly music . and it was the vaishakh pournami too for the hindus , an auspicious day for the hindus , especially for the vaishnavites . an ardent devotee of the varadaraja perumal of madurai , tms bid goodbye to this mortal world on an auspicious day , leaving the immortal melodies sung by him as his footsteps in the path of south indian film music . the voice that emerged as the voice of tamil language and people , kannadasan’s poems and the passionate voice that absorbed in its singing the navarasas , quite impressing way left us for ever ! a look back into the life and career of the versatile artist – playback singer , actor and producer .

the film is about pattinatthar , the saint who lived during10th century in kaveripoompattinam intamil nadu . lord shiva , on the report of dharmavathi about the atrocities committed by men in the world , sends kubera from kailas to be born as thiruvengadar at kaveripoompattinam . at the age of 20 , thiruvengadar , marries sivakalai and leads a happy , successful and pious life with her , with the only sorrow that they are childless . siva sarama , a poor brahmin of thiruvidaimarudur , finds a child under a bilva tree and presents the child named marudhavaanan to thiruvengadar , who offers gold equal to the child ' s weight to the temple and brings him up as his son . when marudhavaanan is 16 years old , he goes on a pleasure trip on a boat and encounters a big fish . by his touch , marudhavaanan ends the curse of the gandharva ( cursed to be the giant fish ) . [ 2 ] marudhavaanan goes on business voyage with merchandise and returns with only a small box and two bags of sand .

tms entered the tamil cinema world when playback singing was not that much popular , or was not having wide acceptance . in 78 rpm discs of the songs sometimes the credits were not given to the playback singers . and it was the names of the characters who sing the song that was given on the discs . even in song booklets of the films the names of playback singers was not given . tms sang in the tamil film “manthrikumari” ( 1950 ) produced by modern theatres . the song “annam itta veettile… . . “ that he sang for an “extra artist” subbiah ( he acted in minor roles in films like “digambara samiyar “ ) became a hit . but name of tms is not included in the list of playback singers that appeared in the song book . ( see the relevant page of the song book given along with the article , . ) . those times names of playback singers was not included in the title cards . tms fought against such practices and though a bit late , playback singers got the acceptance and their names were inscribed in the labels of the 78 rpms and also in the song books .

the second charanam or lyrical narrative begins with a therapeutic voice of gana saraswathi p susheela engulfing “puspabhanan sharamundakan” and her enthusiasm is intense & compelling making yesudas’s initial narrative ( pallavi ) under - par ? he tackles “marakatha pullil nin madiyil” with such ease and mesmerizes you with “mayangi mayangi onnukidanotte” , a technically demanding line – singing it with such vigor and feeling – a finest performance by dasettan . what can go wrong ? both yesudas & susheela’s voices blended magnificently , styles meshed equally well and they sang with finesse and great presence – a keen understanding & absorption of their lyrical material and indulging in the film sequence . a lyric and vocals should complement & contain aesthetics , rhythm , symmetry , harmony . in maestro devarajan’s school they are a must and always become integral part of the score – bright and new , without overdone orchestration leaving the scope of interpretation to the vocalists . you can usually sense yesudas & t m soundararajan holding back somewhat in their duets so as not to steamroll their singing partners . now in his early seventies , he’s still got the strong , mellifluous voice ; the impeccable inflections ; the emotional range and power ; and the pure communications skills of a great vocal artist .

tms is distinguished from other playback singers by some special features related with his playback singing . some of these features might be quite accidental , and some the singer acquired by his own efforts and dedication to the fine art of music . for example , tms sang with the singing star of 1940s , u r jeevaratnam . in an interview tms himself narrated the story . u r jeevaratnam was one of his favourite singers , and he adored her singing voice from his childhood . it was his ambition to sing with the versatile singer who was specially known for her high pitch singing . his ambition was fulfilled , tms sang with her in the film “vaazhvile oru naal” ( 1956 ) . the duet – “thenrale vaaraayo inpasukham thaaraayo… became a super hit . this song was included in the album released by hmv in the super hits series - in the 1956 album . and , in this song sequence the singing star u r jeevaratnam sang playback for another singing star g varalakshmi . this is a special feature of the song itself - a singing star singing playback for another singing star . in this aspect this might be a unique song , so far no other song is located with such special feature .

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and when he came brought back sacks full of paddy husks and cow dung cakes , marudesan friends gaves his father to one box , the box inside three cow dung cakes and borrow document . the angered father threw the cow dung cakes out , what was his surprise to see they were all gold and gems . thiruvenkatar hurried home to see his son .

nothing else to give for you " . then he told the devotee to go to the western gate where he can find a family man sitting near the temple tower . you beg to him , may be he can give you some thing

. the devotee comes to the king and begs to him . the king was shocked , to know that he as called a family man just for having a begging bowl with him . at the very moment the king threw the begging blow away and it hit the dog which dies . after the incident till years later badragiri attains salvation . think of

audiography = m . b . valkay , francis a . samy and r . kannan

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music director g . ramanathan actors m . m . dhandapani desikar , muthulakshmi , v . n . sundaram

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the movie starts with a dream by a pious couple , where lord shiva appeared and told them that , they would find a baby boy at a certain spot . they were to take that baby to poompugaar ( kaveripoom pattinam ) and hand over the baby boy to thiruvengadar , also called pattinatthar , ( played by t . m . soundararajan ) and he would give gold equal to the weight of the baby to the pious couple . the saintly devotees found the baby and took him to pattinatthar and his wife sivakalai ( gemini k . chandra ) . a similar dream had also appeared to pattinatthar and his wife ; who then adopted the child and gave the pious couple wealth , as told in their dream . they name the child marudhavaanan , the divine child grows up and follows in his father ' s footsteps .

once , the father pattinatthar sent his adopted son marudhavaanan on a ship with merchantile goods for overseas trading . when the son came back , there was a severe storm and he arrived safely at home . marudhavaanan ' s merchant friends from his business trip meet his father & say that they had lost all their goods in the storm at sea , but marudhavaanan had only brought back sacks full of paddy husks and cow dung cakes . then marudhavaanan gives his father just a small box containing three cow dung cakes and palm leaf documents which are loan promissory notes from his friends . the angered father throws the cow dung cakes out , and to his surprise sees there are gold coins and precious gems like diamonds & pearls in them . thiruvengadar hurries home to see his son . [ 5 ]

but marudhavaanan was not at home and sivakalai gives thiruvengadar a very small box , which the son marudhavaanan had given her , to be handed over to his father , before the son had disappeared . inside the box , thiruvengadar sees a palm - leaf manuscript and a needle without an eyelet . on the script were the following words ( in english for understanding ) :

" not even an eyeless needle will accompany you in the final journey of life . "

thereafter thiruvengadar becomes and leads the life of a mendicant relying on alms . meenakshi ( s . d . subbulakshmi ) his sister feels that the dignity of her family will suffer by his conduct , and she decides to kill him by giving him poisoned appam ( breakfast pancake ) . discovering her plot through divine grace , he throws it on the roof of her house which catches fire immediately . but the miraculous fire is extinguished by him when she begs his pardon and pattinatthar forgives her & goes on his way . one night , feeling very hungry he peeps into a hut . the villagers mistake him for a thief and beat him .

at his ardent request , saint pattinatthar accepts the king badragiri as a disciple and asks him to come to thiruvidai marudur temple . at thiruvidai marudur , pattinatthar and his disciples station themselves at the eastern and the western gates of the temple respectively . one day a devotee ( lord shiva himself disguised ) begs for food to pattinatthar but , the saint replies to the devotee , " i have no food to give for your hunger " . then he told the devotee to go to the western gate where he can find a family man sitting near the temple tower . " you beg to him , may be he can give you some food " . the devotee comes to the former king and begs him for food . the former king who became a renunciant is now shocked , to know that he was called a family man just for having a begging bowl and a dog with him . at the very moment , the former king threw the begging bowl away and it accidentally hit the dog , after which it dies . after this incident and several years later badragiri attains salvation by thinking of lord shiva and surrendering to god ' s feet . [ 6 ]

at that time pattinatthar heard the voice ( divine voice made without bodily presence ) of lord shiva , which told him that , where the bottom of sugarcane stalk gives a sweet taste , at that place he will attain his salvation . after visiting various shaivite shrines , pattinatthar finally comes to tiruvottiyur and eats sugarcane and its bottom stalk gives a sweet taste . at tiruvottiyur beach , he requested some yadhava children playing in the beach , to cover him with a big mud plastered basket and to hold it tightly closed . the boys accede to his wish but twice , pattinatthar got out by using his siddhis and without opening the basket , while the children were holding it closed and standing guard . the third time , again he sits inside . this third time , the boys closed the basket & grip it very tightly closed . after a while , they open it . they are stunned to find a shivalingam instead of the sage . in the meantime , sivakalai , pattinatthar ' s wife sees a vision of him at tiruvottiyur about to attain salvation .

( in tamil ) . manivasagar publishers , chennai 108 ( ph : 044 25361039 ) . first edition november 2016 . p . 74 — 75 .

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set in raga “shuddha dhanyasi” , today’s pick was an instant hit and showcases the raga interpretation as adapted to light music & trance - like preludes and interludes of maestro , the lyrical beauty of p bhaskaran’s words , the transcendental voices of ma saraswathi swaroop / gana saraswathi susheelamma & gana gandharvan k j yesudas .