bollywood diaries is a 2016 indian hindi-language drama film written and directed by k. d. satyam .

it features raima sen , salim diwan , and ashish vidyarthi in lead roles , along with karuna pandey and vineet kumar singh .

produced by dr. sattar diwan under the banner of rehab pictures private limited , the film was released worldwide on 26 february 2016 .

bollywood diaries

bollywood diaries <EOT> home > movies > movie reviews > bollywood diaries movie review : bollywood diaries is an hone . . .

bollywood diaries ( 2016 ) : bollywood diaries review , posters , videos , trailer . - profile99 . com

review : bollywood diaries is a good attempt but . . . - urltoken movies

bollywood diaries - 2016 # production designer & art director # nilesh s . gorkshe

urltoken » movies » review : bollywood diaries is a good attempt but . . .

bollywood diaries captures the struggles of these three protagonists , and how they deal with failure .

bollywood diaries - 2016 # production designer & art director # nilesh s . gorkshe - youtube

bollywood diaries is a tribute to passionate aspiring actors . it chronicles the journey of three unr

himansh kohli at big zee entertainment awards 2017 welcome to the official youtube channel of bollywood diaries . get your daily dose of bollywood gossip , insights , interviews and much more ! stay tuned to this space for anything and everything bollywood ! subscribe to bollywood diaries : urltoken

mini mathur at femina women awards 2017 | femina 2017 welcome to the official youtube channel of bollywood diaries . get your daily dose of bollywood gossip , insights , interviews and much more ! stay tuned to this space for anything and everything bollywood ! subscribe to bollywood diaries : urltoken

national jewellery awards 2017 | kim sharma , zeenat aman , preeti jhangiani welcome to the official youtube channel of bollywood diaries . get your daily dose of bollywood gossip , insights , interviews and much more ! stay tuned to this space for anything and everything bollywood ! subscribe to bollywood diaries : urltoken

raima sen plays the role of a sex worker in kd satyam ' s next flick , bollywood diaries .

“bollywood diaries is a very public film and it is about common people” – director k . d . satyam

raima sen , k . d . satyam and salim diwan talk about bollywood diaries | full show | interview specials

bollywood diaries could well be director k . d . satyam ' s own life story . for a man from chattisgarh…

bollywood diaries release trailer | raima sen | ashish vidyarthi | salim diwan | 26th feb 2016 fwf bollywood scoop brings you the latest news in bollywood from gossips , to link ups to the latest trailers , songs , movie reviews . bollywood provides a complete bollywood entertainment . we have a vast array of a multitude of videos of bollywood actress , page 3 events , preview , reviews of upcoming bollywood films and a host of other spicy videos which definitely will grab your eyeballs .

the disclaimer in the end , which reads ‘bollywood diaries’ is a tribute to all those , who are still struggling to get their dreams fulfilled is impressive .

bollywood diaries movie is about three unrelated individuals – a guy working at a call - center in delhi , a middle - aged government servant from bhilai and . . .

kd satyam , an acclaimed director , has made the much - admired film gattu . satyam is also quite upbeat about shooting in kolkata . his upcoming project bollywood diaries is all about several unknown yet passionate characters , whose life revolves around bollywood . raima sen will be seen as imli , a sonagachi sex worker who fantasises to be a bollywood actress .

movie from : bollywood . rating : 8 / 10 from 30 , 000 users

omg ! top 5 bollywood famous celebs who got married 2 times or more .

bollywood diaries is an honest film with a great connect , and although the build - up gives you that disjointed feeling , it packs a punch towards the end . if there has been a time in your life when you had harbored hopes of being a part of bollywood , or still wanting to make it big in bollywood , then this movie is definitely for you .

we have seen movies on bollywood , but from a different perspective , of those who made it big , despite the odds . bollywood diaries celebrates the lives of millions of wannabe stars , whose dreams were torn asunder and whose lives came crashing down . there is no luck by chance here !

when the cheesy final tribute slate to " all bollywood aspirants " appears , it seems fairly heartfelt . the film preceding it has already elicited admiration , anxiety and fear ( in that order ) for such souls . one hopes ' bollywood diaries ' gets the kind of attention it lavishes on its subjects .

preview : bollywood set to ' stomp ' , ' rock ' new . . .

dr sattar diwan , the producer of the film , said to a leading daily that bollywood diaries will have three parallel stories set in three different cities . the movie will be mainly shot in bhillai , kolkata and delhi .

ranchi diaries movie review aimed as a back - slapping tribute to the crime dark comedies genre set in small towns , unfortunately . . .

the 28 - year - old said that after receiving rave reviews from fans , he started the hyderabad diaries channel on youtube . it features

bollywood diaries is a tribute to passionate aspiring actors . it chronicles the journey of three unrelated souls , who dream to make it big in bollywood . the plot encompasses a guy working at a call - center in delhi , a middle - aged government servant from bhilai and a prostitute from sonagachi kolkata . with read more

bollywood actress raima sen is excited about the character she will play in “bollywood diaries” . the actress is playing a sonagachi sex worker , imli , in kd satyam ' s film . director kd satyam said “bollywood diaries is a film about different unknown , yet passionate and talented characters whose life is all about bollywood . raima plays imli , a sex worker who copies all bolly actresses and thinks that one day , she will be a star . ” raima , too , is excited about the role . " when i heard imli ' s character , i immediately felt that as an actress , i can experiment with it , " she said .

the passionate journey of three bollywood fanatics who wish to make it big in the industry .

khan agreed that bollywood had become too large to cater to the preferences of local audiences .

" i am not saying that my passion for bollywood is dying . it ' s ever growing . but i feel hyderabad films are a more humorous and expressive version of bollywood . "

‘bollywood diaries’ is a tribute to passionate aspiring actors . it chronicles the journey of three unrelated souls – a guy working at a call centre in delhi , a middle - aged government servant from bhilai and a prostitute from sonagachi , kolkata . all three of them aspire to become bollywood actors and the movie captures their journey and struggles .

bollywood diaries - the film reflects the madness of bollywood that all aspiring actors landing in mumbai have salim diwan plays rohit , a call center executive , and is a key protagonist in it . he goes through an identity crisis living a normal life with a normal job but at the same time carrying on the suppressed passion of making it big in bollywood . the movie got be directed by k . d satyam . his co stars ashish vidyarthi , as a retired man and raima sen , a prostitute too portray the same ambitions . " bollywood diaries got awarded by best feature film in " fog festival " and also received the most prestigious award of " dada saheb phalke " award " .

nd studio showreel | karjat | bollywood , films , tv serials , commercial ads are shooted here .

the disclaimer in the end , which reads ‘bollywood diaries’ is a tribute to all those , who are still struggling to get their dreams fulfilled is impressive . i am glad that director k . d . satyam showed an ending , which one can connect with .

khan , who directed a full hyderabad feature film a few years ago , said that the audience was what motivated him to shoot weekly episodes of hyderabad diaries .

as bollywood expands to global markets and genres many , unable to connect , seek local alternatives that speak to them .

many of india ' s regional language filmmakers fear being swallowed up by the dominant hindi language film industry , bollywood .

muznah madeeha , a social researcher in qatar , said that she identifies more with bollywood films than local hyderabad films .

bollywood diaries is a tribute to passionate aspiring actors . it chronicles the journey of three unrelated souls , who dream to make it big in bollywood . the plot encompasses a guy working at a call - center in delhi , a middle - aged government servant from bhilai and a prostitute from sonagachi kolkata . with their sheer passion and perseverance , they bend over backwards to carve their name in bollywood . abiding by the saying , " live your dream " , they go beyond their conventional life . but , will their efforts lead them to their ultimate goal ?

bollywood diaries is a tribute to passionate aspiring actors . it chronicles the journey of three unrelated souls , who dream to make it big in bollywood . the plot encompasses a guy working at a call - centre in delhi , a middle - aged government servant from bhilai and a prostitute from sonagachi kolkata . with their sheer passion and perseverance , they bend over backwards to carve their name in bollywood . abiding by the saying , " live your dream " , they go beyond their conventional life . but , will their efforts lead them to their ultimate goal ?

bollywood diaries is a tribute to passionate aspiring actors . it chronicles the journey of three unrelated souls , who dream to make it big in bollywood . the plot encompasses a guy working at a call - center in delhi , a middle - aged government servant from bhilai and a prostitute from sonagachi kolkata . with their sheer passion and perseverance , they bend over backwards to carve their name in bollywood . abiding by the saying , ' ' live your dream ' ' , they go beyond their conventional life . but , will their efforts lead them to their ultimate goal ?

having finished with the shooting for her upcoming film , raima sen expresses her excitement related to her character in the movie . she plays the role of a sex worker in kd satyam’s next flick , bollywood diaries . the bong actress is thrilled because she will shooting in her homeland , kolkata from 2nd november for the project .

the title ‘bollywood diaries’ in itself may sound intriguing , but this film has a lot more in store for you . it’s not just a story of people from the chawls of mumbai but it’s about the people who didn’t really reach the much acclaimed city of dreams ; after all it’s not just mumbai where dreams are born .

director k . d . satyam surely touches the heart with his realistic portrayal of characters and situations . i felt bad when i saw just three people ( including me ) in the entire theatre on the first day of the first show . how many people even know about ‘bollywood diaries’ ? how many screens did the film get by the distributors ? with films like ‘aligarh’ and ‘tere bin laden : dead or alive’ releasing on the same date , ‘bollywood diaries’ will surely slip out of the theatres unnoticed . i feel pity on such filmmakers , who make film with such conviction and everything goes for a toss just because the film doesn’t have any big face and better distribution .

i was once part of a team auditioning actors for a hindi film . there was a pit in my stomach each time they became noticeably desperate . many performed while being escorted away , pleading for another chance - much like rohit ( debutant salim diwan , in bollywood diaries ) when he confronts a well - known filmmaker at a hotel .

already a veteran at plays during his college days he was keen to work in bollywood and was selected for a film . director k d satyam , after 2 screen tests and a strict regime wherein he had to lose weight , agreed to cast him in the role of rohit in bollywood diaries . salim plays rohit , a call centre executive , and is a key protagonist in the film reflecting the madness of bollywood that all aspiring actors landing in mumbai have . he goes through an identity crisis living a normal life with a normal job but at the same time carrying on the suppressed passion of making big in bollywood . his co stars ashish vidyarti , as a retired man and raima sen , a prostitute too portray the same ambitions .

the deccanwood industry caters to the same hindi - urdu speaking audience as bollywood , but it offers a local dialect that seems to appeal .

earlier , it might have been one film being released in a particular week . now there could be several . k . d . satyam , director of bollywood diaries , which released this year , says that a busy week can mean low visibility which in turn can spell bad news . “when it’s a low budget film , not much money can be set aside for pr . our pr agency , however , rightly created the perception that bollywood diaries was meaningful cinema . the reason as to why the film didn’t make huge collections at the box office was that the release date was not appropriate . twelve to thirteen films were released on that weekend . hence , it got low visibility . most of those who watched the film liked it . ”

watch bollywood dairies movie interview with the cast ashish vidyarthi , salim diwan , raima sen and director kd satyam talk about the movie and the story .

imli played by raima sen is a prostitute from sonagachi , kolkata . rohit played by salim diwan is a call - centre employee who wants to be a part of bollywood . vishnu played ashish vidyarthi is a retired government servant who wants to join bollywood after retirement . delhi bpo employee rohit gupta , bhilai steel plant employee vishnu srivastava and kolkata sex worker imli have nothing in common . but the three are bound by their all - encompassing passion for bollywood .

abrar khan began working in deccanwood part time when it was just starting . " in 2010 , i made my first video , hyderabad diaries , " khan , who also works as an administrator at a manufacturing plant , told al jazeera .

actor ashish vidyarthi suffered a mishap on the sets of his film ' bollywood diary ' when he nearly drowned in the river before being rescued by a policeman .

for this local hyderabad film industry , run by part - time actors and producers making films in the same language and genre as bollywood , the future seems promising .

a film that makes more than rs 100 crores at the box office will not necessarily make a profit . in bollywood trade parlance , here are the various categories :

raipur : actor ashish vidyarthi suffered a mishap on the sets of his film ' bollywood diary ' when he nearly drowned in the river before being rescued by a policeman .

the actor , who has also been part of an episode on television , said " the role i am looking to portray should be convincing and relate to the audience” . his film bollywood diaries has been awarded the special jury mention award ( critics choice ) by the dadasaheb phalke film foundation award for the year 2016 . the award function will take place / was presented at delhi on 30th april , 2016 at the hands of the president of india .

experience tends to indicate that a pr budget is necessary for a film to be noticed . for one , more films are being released today than earlier . mohan says , “twenty years ago , around 100 films were released in bollywood per year . ten years ago , approximately 120 to 130 films were released annually . currently , 160 to 175 bollywood films are released per annum . ”

the hyderabad deccan urdu film industry , also known as deccanwood , had its first cinema film release in 2005 . since then , many local films have been produced in hyderabad and released alongside bollywood productions .

bollywood dairies creates this same feel through the tales of three people who aspire to be an actor in films and can go any lengths to achieve their dream . the tales revolve around a young guy who wishes to become a star , a sex worker who believes her in bollywood calling and a family fan , who decides to go to mumbai to pursue his dreams and not to be stuck in his routine job .

" bollywood films fail to capture the hyderabad hindi / urdu dialect and the subtle comedy that is so inherent in this language , " said kaseri , who works as a manager at a motor vehicle company .

daman promises her a big bollywood launch but when he returns to mumbai , he changes his plan and casts a popular actress instead . imli is shattered and goes to dubai to work in a posh dance bar .

a bittersweet story about three principals obsessed with the bollywood dream , this film , written and directed by k d satyam ( of award winning ‘gattu’ fame ) has passion and substance and is smartly devoid of formulaic expressionism .

" the hyderabad film industry is from my city . when i support it , i feel i am supporting one of my own . bollywood is so huge that sometimes i fail to identify with it any more . "

how their lives impact the viewers is what bollywood diaries is all about . satyam struggles towards the beginning as he tries to get the lives of the three protagonists together on a single platter . this bringing together is rather disjointed and jarring at times . sundar ' s entry in kolkata is not in sync . he could have found a brothel in mumbai . the first half leaves you a bit confused . but come the latter half , and satyam fuses together his plot , leaving you breathless at times as he hammers out the frustrations of vishnu , imli and rohit .

" bollywood films showcase the nri [ non - resident indian ] culture nowadays , and that ' s who i am , " said madeeha , a mother of two who has been living outside india for more than 20 years .

kriti sanon , the raabta actor gives an honest account of how she is coping with bollywood being an outsider in the industry . she says that it is important to get noticed in the initial stage as they are less opportunities for outsiders to take up .

new delhi– the literary space has seen a rising tide of bollywood celebrities — from karan johar to rishi kapoor — turning towards memoirs and autobiographies in recent years , but books by their predecessors are striking in that they focussed on substance , rather than mere controversies .

back in 2005 - 06 he participated in star tv’s reality programme get set go and won an iifa award for the same . there he happened to meet stalwarts like karan johar , j p dutta and the urge to become an actor and making it to bollywood only got stronger .

but kiran rao’s dhobi ghat ( mumbai diaries ) is easily one of the most dynamic cinematic portraits of that decaying , vibrant , impossible city ever , a film that considers the city itself as a character and looks closely at how it impacts people from a range of social classes . the film is all the more remarkable since it’s a first feature by rao , who has worked in the hindi film industry but never written or directed a film before .

imli ( raima sen ) , a sex worker based in kolkata , aspires to become an actress in bollywood . she tries to please her clients from mumbai , with the hopes of geting into films . vineet kumar , a filmmaker incidentally comes to the red light area to research for his debut film and meets imli . he notices talent in her and encourages her to perform . vineet promises her a full - fledged role in his film that is inspired by her struggles . but will vineet live up to his promises or just fall in line with the many bollywood directors , who break more stars that make any .

" bollywood cannot provide the essence of hyderabad , such as the hyderabadi language . they cannot capture the culture as perfectly as we can . . . it ' s like a french cook trying to make bagaara khaana daalcha [ local hyderabad dishes ] ; it just doesn ' t work , " he chuckled .

they have , therefore , created their own fan bases and industries . there are kollywood , the tamil language film industry , tollywood , the telegu film industry , and many other woods . but one film industry is boldly reaching out to the same market as bollywood - and it isn ' t doing too badly .

her next encounter is with a dhobi wallah , or clothes washer , munna ( prateik ) , who messes up a stained blouse . when this is resolved , munna , a poor boy from the slums with dreams of bollywood stardom , spots her many cameras and asks if she would shoot the portfolio he’ll need as an actor .

imli is a sex worker living in sonargachi kolkata . she wants to be in bollywood . she is duped by people who know ber weakness for mumbai and bollywood . when an assistant film director and scriptwriter called daman from mumbai , arrives at her brothel for research , imli realises she can fulfill her acting dream with his help . daman promises him a break in the industry . he spends her money on doing a glamorous photo shoot for her and leaves with the promise that he will get her down to mumbai soon . once back in mumbai , the producers get him to cast a bigger name . imli is heartbroken and takes up the offer of becoming a dancer in a posh dubai night club .

it only takes a dirty look to set off the hair - trigger tempers of the men of angamaly , a small but crowded south indian town , in the dizzying action comedy angamaly diaries . the war between a former sports team of nice guys and a tougher crew led by two pork butchers causes several casualties , but gives director lijo jose pellissery a good excuse to stage a series of exhilarating free - for - alls . comic despite its violence , the story is so well told that two hours of mayhem fly by at the pace of machine gun fire .

rohit ( salim diwan ) , a young bpo worker from delhi , who is trapped in the boredom of his daily routine , tries his luck to win a big ticket to bollywood . he comes across an audition that is going on in delhi . with his intense acting , rohit manages to impress the judges , but is met harsh reality when he qualifies for the final round .

for a farmer ' s son from smalltown budhana in up ' s muzaffarnagar district , the journey to bollywood was not an easy one . the 13 years between sarfarosh and talaash saw him straddle bit roles , notably addressed in the end credits as ' dacoit informer ' in jungle , ' pickpocket ' in munnabhai mbbs , and ' local goon in the bathroom ' in ek chalis ki last local .

film festival runs also bring some revenue . licensed online film releases bring revenue to a film though it may not be adequate to recover losses at the box office . the focus therefore is to try to play safe and navigate the pr mechanism to make the film profitable at the box office stage . the pr sector in bollywood films is therefore booming and is expected to expand with every passing year .

but not every ' want - to - make - it - big - in - bollywood ' story ends like that of dharam , big b or srk . thousands die a frustrating death every day . this is what first - time director k d satyam brings on screen : the desire , the hunger and the ' will - go - to - any - lengths ' attitude , to get noticed .

in an age of cut - throat competition in bollywood , where a film which under - performs at the box office is taken off after a week’s run , is it feasible to make a film with little or no pr budget in the hope that word of mouth will suffice to ensure success ? some films have had no promotional expenditure yet managed to reach audiences and fill cinemas ; others have sunk without a trace .

how far can one go to achieve their bollywood dreams ? daily around 1000 people come to the city of dreams - mumbai to fulfil their dreams of dazzling on celluloid . some run from their house , some fight with family and friends , while others fight their inner battles in the hope of becoming a superstar one day . director k . d . satyam beautifully narrates this struggle in his two hours and two minutes feature film .

the film shows the actual struggle behind the glory and glitter that one sees through movies and stardom . it emphasizes on the fact that , it is indeed difficult to be a someone in bollywood , either you don’t have talent or you don’t have luck in the crowd of million dreamers . but again , the story is not something one hasn’t heard or seen before and that’s the point where film suffers although having its heart in the right place .

bollywood star kajol to venture into film production . kajol is all set to launch her home production in september and hopes to come up with a film early next year . the actress , who is currently gearing up for the release of her tamil film “vip 2” , says she was planning to foray into production for sometime but it got delayed . “my home production is finally starting . we’ll most probably be starting in september . and i’m excited about it . ”

ok , so she has an advantage being married to aamir khan , one of bollywood’s biggest stars , who is her star and co - producer here . ( american audiences may remember him from the oscar - nominated lagaan , which he starred in and produced . ) but dhobi ghat is no vanity project ; rather , it is a fully realized art film with european sensibilities that intertwines the stories of four characters from different worlds but the same lonely , overcrowded city .

nine out of ten indians would have dreamt of making it big on the silver screen . such is the impact of bollywood on our lives [ which is so ingrained in our psyche with the lives of actors and actresses over - riding our daily dose of editorial intake ] , that , inadvertently , one starts thinking of becoming another success story on screen like that of dharmendra , amitabh bachchan or shah rukh khan - outsiders who made it big , with name fame and money !

dale bhagwagar , bollywood’s pr guru , describes these brutal times . “if the film does not catch on in the first week , exhibitors and distributors are likely to pull it out . if the producer does not spend on pr , advertising , marketing and a whole gamut of exercises under the publicity umbrella , it’s tough to get the initials in today’s time . everything is a game of initials [ the returns of the first weekend ( friday , saturday and sunday ) ] nowadays . ”

all three are set up for heartbreak , yet director kd satyam ( wrote ' gattu ' ) explores their psyche with an unrelenting gaze . throughout , you can ' t shake off a disturbing thought - that they ' re one rejection away from suicide . but none of them are inherently that fragile of spirit . it already takes an extraordinary kind of strength to even consider being any kind of artist . the illusion of bollywood and fame is far removed from the reality of breaking in .

well defined and cleverly positioned , this film aims to tell it succinctly . the background score is haunting , the performances are very good and the treatment is smartly affective . the melodrama is minimal . the bollywood dream may be alive and thriving for a few but there are so many more who fail to strike it anywhere close . the poignancy of the heartburn experienced by the three lead characters emblematizes that . this one sure has what it takes to make good . the rest is up to you .

in early 2010 or 11 , udayan mitra , publisher - literary of harpercollins india , who was then working with penguin india , visited the residence of the iconic bollywood actor dev anand . the publisher had signed a book deal with the actor and mitra was there to discuss the progress of the book . assuming that he would have to convey all the necessary guidelines to his secretary , mitra met with one of the greatest shocks of his life when dev anand presented a completely hand - written 600 - page manuscript to him .

vishnu srivastava ( ashish vidyarthi ) , a middle class man from bhilai , who is also an ex - theatre artist , leaves the stage , to get married and have a family . vishnu works in a government office against his personal wish of becoming an actor . soon after , his daughter gets married , and he moves mumbai to make his way to bollywood . but destiny has it’s own plans . vishnu gets diagnosed with third stage of pancreatic cancer and is on the verge of dying . will he let his sickness overpower his dream ?

( raima sen ) a prostitute from kolkatta is single - handedly raising a young daughter . she openly expresses her desire to be a bollywood star . she throws herself on any client coming from mumbai in the hope of landing a role . as such , many clients come to her saying that they are from the city of dreams , until one writer walks in to research for a script he is writing . sundar ( robin das ) travels to kolkatta and befriends imli . she sees a light at the end of the dark tunnel . he writes her story and even suggests that after he goes back and speaks with the producer , he will ensure she acts in her story .

imli is heart - broken after losing her investment in bollywood . her move to dubai , resigning herself to her fate , going through the motions in life is portrayed with underplayed emotions . raima sen starts off hesitantly , but as the movie progresses she immerses herself into her character to give out a fine performance . her transformation in looks and performance as a prostitute in kolkata to her scorching new avatar in dubai also displays her mind - set . the problem with raima is that , at most times ( in her movies ) , she lets her character be . she needs to ' be there ' like she is in the latter half of the film to do justice to her talent .

the result ? “romancing with life” , one of the first - ever full - fledged memoirs by a leading bollywood star . in the book , dev anand tells his remarkable life story like only he can . here are tales from dev’s youth in 1930s gurdaspur and lahore ; his years of struggle in 1940s bombay ; his friendship with guru dutt and his doomed romance with suraiya ; his marriage to co - star kalpana kartik ; his relationships with his brothers chetan and vijay anand , with s . d . and r . d . burman , with contemporaries dilip kumar and raj kapoor — both of whom he was very close to — and with heroines like geeta bali , madhubala and meena kumari .

i don ' t want to give it full 10 stars because it get me emotional . i escape from being emotional often . but this movie does . excellent performances by all actors and actresses especially riya sen . i think she need to come back to movies now more often . she had not seen in movies from long time . its the movie for those who live their life in bollywood or urltoken it will give you goosebumps in many movie scenes especially songs , they are very urltoken exceeds my expectations . the guy who works in office also played a good character and the man who desire to become actor also gave mazing performance . i enjoyed a movie urltoken will not bore you . i suggest you to watch it in good print , in bluray or in original dvd print or for real experience , in theatre . 10 / 10 stars !

rohit is a 27 - year - old living in delhi with his parents . he is a non actor who harbours the dream of becoming an actor . he dances behind closed doors , under the shower and makes crank calla to bollywood stars from his office number . he is ridiculed when discovered . meanwhile , he also enrolls himself in a talent hunt competition where in the first audition he re - enacts a scene from darr and breaks a bottle on his head . the judges take him only for the sake of trp but the violence increases in his next audition where he slashes his wrists while performing . the final blow is when in the final round when he whips himself and judges ask him to leave the show . reason ? he can ' t act and he is told that ruthlessly . he comes home shattered , locks himself up and behaves like a deviant in the end of it .

html public " - / / w3c / / dtd html 4 . 01 transitional / / en " " urltoken "

director k . d . satyam beautifully narrates the struggle in his two hours and two minutes feature film .

ashish vidyarthi and raima sen are flawless in their roles . salim diwan could have done much better with his emotional act . the pain of unfulfilled wishes and broken dreams is heart wrenching . vineet kumar did justice to his small role . one can’t imagine how beautiful the music of such a low budget movie can be . vipin patwa’s emotional music and dr . sagar’s lyrics is surely ear soothing and melodic . ‘mann ka mirga’ by the noora sisters , ‘manwa behrupiya ‘ by arijit singh and ‘titli’ by papon will surely leave you in tears especially when these songs take the story forward .

html public " - / / w3c / / dtd xhtml 1 . 0 transitional / / en " " urltoken "

( ashish vidyarthi ) from chhattisgarh takes voluntary retirement after his daughter ' s marriage to pursue his dream of acting . he was a rising theatre actor in his school and college days but family pressure of a typical middle - class man had him focus on family instead of his dreams . now , he has the time to pursue his dream . amrish puri and boman irani did that he tells his wife lata ( karuna pandey ) who is aghast at his decision .

( salim diwan ) works in a call centre in new delhi . his spare time , between calls , is used to further his ' acting career ' as he dials various producers , directors and production houses to get his break . he even barges into five - star hotels when he learns of a shooting and ends up ' auditioning ' for reluctant audiences . he gets his break in a reality show , the organizers of which promise him big things . however , they are only looking at their trps , while ignoring his ' lack of talent ' .

when vishnu learns that his dream will not be fulfilled , he goes nuts . he wants to be reborn in an actor ' s home . this is craziness at its height , captured well by satyam . an image of amitabh bachchan looking quizzically at him from his

is serious in its intent although it displays craziness beyond explanation . ashish brings in his experience to portray his frustration .

rohit going nuts towards the end when the judges tell him exactly how they feel about him , is brilliant . both the scenes - at the reality show after his act with the judges and the after - - effects of the opinion and his wondering of what will now happen to him - - are honest . salim brings the house down with this one act of his . to pull off a good act on screen requires talent . but to pull off an act where you have to portray that you cannot act requires immense talent . good job , salim !

the reality show part when the camera crew visit rohit ' s house gives you that ' ' i - know - this - scene - feel ' . the judges ( ekavali khanna , mohit tripathi and manish shankar ) take time to grow on you . the female anchor poorva neeraj deserves a special mention for her act where she conveys the ' angst ' of the moment with the judges with her powerful body language .

the three star rating is for the honesty in the script and the final salvo fired on screen by satyam .

secret superstar movie review secret superstar is a sweet little song of dream , hope , love and humanity . powered by winning acts b . . .

victoria and abdul movie . . . stephen frears ' s victoria and abdul based on shrabani basu ' s non - fiction book is a master class in a . . .

chef movie review saif is perfect in a tailor made role and does full justice while chef helmed by raja krishna menon . . .

secret superstar is a sweet little song of dream , hope , love and humanity . powered by winning acts b . . .

aimed as a back - slapping tribute to the crime dark comedies genre set in small towns , unfortunately . . .

yatra teaser : mammootty returns to telugu cinema after 20 years with y . s . r reddy

the free press journal is one of the oldest english daily newspapers from mumbai with a heritage of more than 88 years . and yet , the free press journal is a contemporary paper and rooted in current urban realities .

© copyright indian national press ( bombay ) private limited 2018 . all rights reserved .

the incident occurred when the 52 - year - old actor was doing a scene in river shivnath and the current swept vidyarthi and he started drowning .

on seeing , the actor ' s plight , constable vikash singh , who was present on the site , jumped into the river and pulled vidyarthi out .

actor manoj bajpai tweeted about the incident , saying , " my friend ashish vidyarthi got saved from drowning in a river by a policeman . salute to the policeman . ashish is trying to come to terms with . "

© 1998 - 2018 zee media corporation ltd ( an essel group company ) , all rights reserved .

by continuing to use the site , you agree to the use of cookies . you can find out more by clicking this link

urltoken understands that your privacy is important to you and we are committed for being transparent about the technologies we use . this cookie policy explains how and why cookies and other similar technologies may be stored on and accessed from your device when you use or visit urltoken websites that posts a link to this policy ( collectively , “the sites” ) . this cookie policy should be read together with our privacy policy .

by continuing to browse or use our sites , you agree that we can store and access cookies and other tracking technologies as described in this policy .

a cookie is a small text file that can be stored on and accessed from your device when you visit one of our sites , to the extent you agree . the other tracking technologies work similarly to cookies and place small data files on your devices or monitor your website activity to enable us to collect information about how you use our sites . this allows our sites to recognize your device from those of other users on our sites . the information provided below about cookies also applies to these other tracking technologies .

urltoken use cookies and other technologies to store information in your web browser or on your mobile phone , tablet , computer , or other devices ( collectively " devices " ) that allow us to store and receive certain pieces of information whenever you use or interact with our urltoken applications and sites . such cookies and other technologies helps us to identify you and your interests , to remember your preferences and to track use of urltoken we also use cookies and other tracking technologies to control access to certain content on our sites , protect the sites , and to process any requests that you make to us . we also use cookies to administer our sites and for research purposes , urltoken also has contracted with third - party service providers to track and analyse statistical usage and volume information from our site users . these third - party service providers use persistent cookies to help us improve user experience , manage our site content , and analyse how users navigate and utilize the sites .

these are those cookies that belong to us and which we place on your device or are those set by a website that is being visited by the user at the time ( e . g . , cookies placed by zeenews . india . com )

some features used on this website may involve a cookie being sent to your computer by a third party . for example , if you view or listen to any embedded audio or video content you may be sent cookies from the site where the embedded content is hosted . likewise , if you share any content on this website through social networks ( for example by clicking a facebook “like” button or a “tweet” button ) you may be sent cookies from these websites . we do not control the setting of these cookies so please check the websites of these third parties for more information about their cookies and how to manage them .

persistent cookies we use persistent cookies to improve your experience of using the sites . this includes recording your acceptance of our cookie policy to remove the cookie message which first appears when you visit our site . session cookies session cookies are temporary and deleted from your machine when your web browser closes . we use session cookies to help us track internet usage as described above . you may refuse to accept browser cookies by activating the appropriate setting on your browser . however , if you select this setting you may be unable to access certain parts of the sites . unless you have adjusted your browser setting so that it will refuse cookies , our system will check if cookies can be captured when you direct your browser to our sites . the data collected by the sites and / or through cookies that may be placed on your computer will not be kept for longer than is necessary to fulfil the purposes mentioned above . in any event , such information will be kept in our database until we get explicit consent from you to remove all the stored cookies .

these cookie are essential to our site in order to enable you to move around it and to use its features . without these essential cookies we may not be able to provide certain services or features and our site will not perform as smoothly for you as we would like . these cookies , for example , let us recognize that you have created an account and have logged in / out to access site content . they also include cookies that enable us to remember your previous actions within the same browsing session and secure our sites .

these cookies are used by us or by our third - party service providers to analyse how the sites are used and how they are performing . for example , these cookies track what content are most frequently visited , your viewing history and from what locations our visitors come from . if you subscribe to a newsletter or otherwise register with the sites , these cookies may be correlated to you .

these cookies let us operate the sites in accordance with the choices you make . these cookies permit us to " remember you” in - between visits . for instance , we will recognize your user name and remember how you customized the sites and services , for example by adjusting text size , fonts , languages and other parts of web pages that are alterable , and provide you with the same customizations during future visits .

these cookies collect information about your activities on our sites as well as other sites to provide you targeted advertising . we may also allow our third - party service providers to use cookies on the sites for the same purposes identified above , including collecting information about your online activities over time and across different websites . the third - party service providers that generate these cookies , such as , social media platforms , have their own privacy policies , and may use their cookies to target advertisement to you on other websites , based on your visit to our sites .

if you do not want cookies to be dropped on your device , you can adjust the setting of your internet browser to reject the setting of all or some cookies and to alert you when a cookie is placed on your device . for further information about how to do so , please refer to your browser ‘help’ / ‘tool’ or ‘edit’ section for cookie settings w . r . t your browser that may be google chrome , safari , mozilla firefox etc . please note that if your browser setting is already setup to block all cookies ( including strictly necessary cookies ) you may not be able to access or use all or parts or functionalities of our sites . if you want to remove previously - stored cookies , you can manually delete the cookies at any time from your browser settings . however , this will not prevent the sites from placing further cookies on your device unless and until you adjust your internet browser setting as described above . for more information on the development of user - profiles and the use of targeting / advertising cookies , please see urltoken if you are located in europe or urltoken if in the united states .

if you have any other questions about our cookie policy , please contact us at : if you require any information or clarification regarding the use of your personal information or this privacy policy or grievances with respect to use of your personal information , please email us at response @ zeemedia . esselgroup . com .

stay updated on the go with the daily star news app . click here to download it for your device .

any unauthorized use or reproduction of the daily star content for commercial purposes is strictly prohibited and constitutes copyright infringement liable to legal action .

oops ! did esha gupta splurge rs . 1 lakh on a trendy ensemble and put priyanka chopra , katrina kaif , alia bhatt , janhvi kapoor and sara ali khan’s humble purchases to shame ?


haywire is a 2011 american action thriller film directed by steven soderbergh , starring gina carano , michael fassbender , ewan mcgregor , bill paxton , channing tatum , antonio banderas , and michael douglas .

carano , a mixed martial arts fighter , performs her own stunts in the film .

the score is by northern irish dj and composer david holmes .

carano is cast as mallory kane , an operative who works for a company that handles sensitive " black operations " covertly so that the government can maintain plausible deniability , and who is targeted for assassination by a conspiracy that she is forced to unravel .

haywire ( film )

haywire ( film ) <EOT> actor channing tatum’s 2011 action film “haywire” is in development as a small - screen series at relativity tv .

haywire official trailer # 2 - steven soderbergh . gina carano movie ( 2012 ) hd

sharp , uncomplicated , and thrilling , ' haywire ' packs its punches quite effectively .

actor channing tatum ' s 2011 action film " haywire " is in development as a small - screen series at relativity tv .

haywire is always interesting , it just isn ' t compelling and it needs to be .

steven soderbergh haywire is a knock - out action - girl romp , says robbie collin .

gina carano , a professional mixed martial arts fighter , stars in the movie " haywire . "

gina carano in a scene from “haywire . ” ms . carano makes her film debut in this story about a professional black - ops agent .

looking for movie tickets ? enter your location to see which movie theaters are playing haywire near you .

' haywire ' looks really special but doesn ' t live up . it ' s merely decent .

avc : contagion seems like such a strange imax movie . it seems like haywire would be better suited .

“haywire” is rated r ( under 17 requires accompanying parent or adult guardian ) . strong action and rough talk .

steven soderbergh’s full frontal now available on netflix watch instantly . soderbergh’s knockout , now titled haywire , gets early test screening

steven soderbergh continues his occasional practice of using actors as found objects in his perfectly enjoyable formula action - thriller haywire .

looking for movie tickets ? enter your location to see which movie theaters are playing haywire ( 1980 ) near you .

' haywire ' and ' underworld : awakening ' have women in leading roles , but not all such films avoid sexism .

gina carano stars as mallory kane in steven soderbergh ' s action thriller haywire . photograph : allstar / relativity media / sportsphoto ltd

mma fighter gina carano is a smart fit as the rough - and - tumble star of the covert spy thriller ' haywire . '

a film review on friday about “haywire , ” starring gina carano , misidentified her role on the television show “american gladiators . ” she was a member of the gladiator cast , not a contestant .

steven soderbergh ' s full frontal now available on netflix watch instantly . soderbergh ' s knockout , now titled haywire , gets early test screening

soderbergh , whose latest film the informant makes its premiere at the 2009 venice film festival , is repped by anonymous content’s michael sugar .

“haywire , ” a 2011 action movie starring channing tatum and gina carano , is in development as a small - screen series at relativity tv .

families can talk about haywire ' s violence . how necessary was it to include dead bodies ? could the story have worked without the killings ?

director steven soderbergh turns his hand to the action genre with haywire . how do he and mma star turned actress gina carano fare ? here’s duncan’s review…

haywire and underworld : awakening are the latest in a growing field of action flicks starring women . but history has shown that not all such movies avoid sexism .

steven soderbergh’s haywire started its run in fifth place , pulling in $ 9 million . the film , which features former mma fighter gina carano , earned a dismal “d + ” cinemascore grade , despite strong critical reviews overall . ( another well reviewed action film , drive , earned a similarly unenthusiastic “c - ” grade a few months back . ) relativity shelled out $ 23 million on the film , but haywire will have to work hard to earn that number back at the box office . ( also , let’s please ignore the inevitable discussion of whether women can open action movies at the box office and look at this week’s number one film . cool ? )

chaudhuri , shohini ( 2006 ) . feminist film theorists . london : routledge .

charles gant : war horse is top dog – j edgar , w . e . and coriolanus disappoint , haywire keeps it crazy at the multiplex and the artist grows in stealth

in other soderbergh related news , bloody elbow is reporting that not only has his next film , knockout , an action thriller starring mma champ gina carano , ewan mcgregor , michael douglas , michael fassbender and channing tatum , gotten a new name , haywire , but after a research screening , the film seems to be receiving rather good reviews .

and speaking of things i did love in the film , there is gina carano .

as with any great action movie , what we ' re really here to see is the star showing off whatever skills got them on screen to begin with . and haywire never disappoints .

would soderbergh consider working on a haywire tv show ? it wouldn’t be surprising if he became involved , and the same goes for the film’s leading lady carano . the girlfriend experience star sasha grey isn’t returning for the starz show , but i could see carano playing kane again .

though not among soderbergh ' s best — those would be out of sight , traffic and king of the hill — haywire and its fight scenes jangle the nerves and do it with panache .

is built upon this . the only film of his to get any respect from critics is

film , after all . what makes this example notable is that its amazon rating is at

while it would be unfair to say that haywire was widely disliked by audiences across the country ( cinemascore , much like nielsen ratings , can’t gauge everyone ) , is it another case of moviegoers feeling mislead à la drive , or was the film simply a letdown ? the not - nearly - packed - for - a - friday - night crowd i watched haywire with in a theater in manhattan seemed to enjoy themselves plenty for 93 minutes of pure escapism , but perhaps we were the exception to the rule . i’m curious popwatchers , were you disappointed by haywire or does the grade from cinemascore not reflect the reaction you had to the movie ? share in the comments section below .

haywire ' s major theme is betrayal , followed by revenge . although this revenge includes violence , you could argue that it ' s a way to set things right and to protect innocent people .

just as with many movies released recently , haywire does not live up to the hype . while there is violence , there is not grotesque or gruesome violence . think mo . . . continue reading

another stephen soderbergh film may make its way to the small - screen . the 2011 action movie haywire was a very modest box - office hit , and proved that mma fighter gina carano has real screen presence , given the right circumstances , of course . will she return to play mallory kane in the television series ? little is known about the project at this point , but it’s an exciting prospect , to say the least . read more about the potential haywire show after the jump .

haywire was well - received by critics ( 80 % on rotten tomatoes ) , who are usually familiar with steven soderbergh ' s films , but hated by audiences ( a d on cinemascore ) who expected a more hollywood - style action film ( the film was even promoted as being like the director ' s ocean ' s eleven ) . the same thing happened with the director ' s contagion , which has an 84 % on rotten tomatoes but a c on cinemascore ( but at least was profitable with over $ 135 million worldwide , unlike haywire , which barely recouped its budget ) .

fund , which has raised $ 5 million , was launched in the wake of the indie film biz bouncing back with structured financing available to invest into film and international buyers actively acquiring films .

box office : fourth ' underworld ' film is no . 1 on strong weekend [ updated ]

there has always been an eclectic nature to steven soderbergh’s career , so it should come as no surprise that he has made an action film . if anything it seems odd that it took him this long . he’s done plenty of crime films , which feature some action in them , but haywire is the first time that soderbergh has really tackled a film whose heart lies in the kicking and the punching .

calling attention to the heterogeneity of the film experience , altman offers a film - historical approach that removes the need to refer to the film as a single phenomenon . instead , we should embrace the multiplicity of spaces and versions of the cinema experience . to put this another way , altman worries that by homogenizing film as a singular , unchanging text we miss an opportunity to explore the diversity of spaces in which films are presented and the various “social contexts in which the film is seen . ” specifically , he is pointing to silent film exhibition where feature films were shown with differing musical accompaniment or different ticketing and seating policies , thereby contributing to an altogether different experience of the same film .

( where the film has a more reasonable 5 . 9 score ) denounced this as a case of

if you ' re tired of the same old action movies with nauseating shaky - cam and even more nauseating editing , then you should give ' haywire ' a try . soderbergh has created quite the genre film here by staying away from all the clichés that come with action movies . he ' s also taken an mma fighter and put her into a believable role . she isn ' t a great actress , but this is the right role for her . ' haywire ' is hard not to love . it ' s recommended on all fronts .

january seems to be an increasingly reliable time of year to find a great , if perhaps trashy , genre movie , so it was with great enthusiasm that i snatched up the chance to go to a screening of haywire .

the men of ' haywire ' ( hd , 5 min . ) – this is a promo reel of interviews featuring the famous male faces of the movie like fassbender , mcgregor , banderas , channing tatum , and michael douglas .

to help facilitate a broader discussion of this phenomenon , i believe we need to consider altman’s “cinema as event” thesis . even if we do not engage with the social dimensions of his platform , it is important to ask if a film text is a singular entity . we are conditioned to speak about films as singular texts . we tell our friends that we went to see this film or that film , not a version of that film .

let me in got rave reviews from film critics , but did so - so at the box office . some people believe that the low turnout was due to people who refused to go see it out of sheer bitter spite ( or on simple principle ) because it ' s an american remake of a foreign film . but what really killed let me in was distributor relativity media ( who acquired the film from starz due to buying the overture distribution outlet from them ) giving the film the invisible advertising treatment . there were few trailers or tv spots released and the film wasn ' t even listed on relativity ' s website . not helping the film was that the company chose to open it the same day as the social network ( a film relativity co - financed with sony ) .

so when director steven soderbergh caught mixed martial arts fighter gina carano on tv by chance one night — and saw in her the sort of charisma and physical talent of a great action hero — the seed of haywire was planted just like that . this is a film built around its star , just as surely as any of its cheesier ' 80s forebears .

it may seem like this is merely an exercise in style and to be honest , it is . soderbergh ' s clearly fascinated by the physicality of carano as a fighter and haywire ' s sole reason for existence is to highlight those skills .

avc : there are certain subtle gestures in that film , just involving things that are touched , and how a disease like this would spread , that are as far from an irwin allen film as you could get , though .

in this psychologically tense slice of hallucinogenic eco - horror , a land surveyor on a secretive mission in a remote and unnamed irish forest begins to have strange visions after his equipment goes haywire , leading him suspect that someone—or something—is lurking in the woods .

thr reports that into the blue director john stockwell is directing , the film and i hope that means one thing : someone gets their face blown off underwater . ( don’t know what i’m talking about ? find a clip of josh brolin’s wonderful final scene in into the blue . ) the haywire stunt team 8711 is in talks to work on this one , too .

haywire ( * * * out of four , rated r , opens friday nationwide ) is a vigorous spy thriller that consistently beckons the viewer to catch up with its narrative twists and turns . bordering on convoluted , it works best when in combat mode .

in haywire , an electrifying tale of espionage and betrayal , a female covert ops specialist ( carano ) , who works in the deadly world of international operatives , strikes back after discovering she’s been double - crossed by someone close to her in the agency .

one for the money . a whopping 2 % on rotten tomatoes and bombed at the box office , but fans of the book series the film was based on generally enjoyed it and the film did considerably better once it reached home media .

avc : do you make a lot of decisions based on locale ? this is a film that jet - sets from one place to another . how in a film like this one were you trying to evoke the cities you were in ?

so , the story goes that steven soderbergh hit on the idea for haywire while he was loafing in front of some saturday night telly . starting up on cbs was a female - only ultimate fighting gala . up stepped the formidable gina carano . it was , for soderbergh , love at first strike , but the question he asked was this : “how come angelina jolie’s the only woman allowed to run around with a gun and beat people up ? ” haywire is his answer , and jolie better renew her gym membership .

in a sense , the film becomes a slave to technology when stylistic concerns are motivated by technical standards . strangely , a . o . scott in the times praises the cg work in this film as building on previous models of cinematic illusion :

it’s incredibly hard for me to actually decide where to stand on haywire . even as the credits were rolling and i was asked if i enjoyed the film , my response was , “i think so” . nothing in the film made me hate it , while the likes of tatum and paxton did help to elevate the slightly lifeless narrative . i can’t help but feel that it was one of the few soderbergh films that would have benefitted from a bigger budget , as there was no real spectacle outside of carano’s encounters .

the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .

to this end , i support what rick altman has already called for in his “heterogeneous” approach to film study , whereby film is understood as a experience or event that is mediated by various factors . altman suggests that by “ostensibly analyzing the film , cinema critics have been at pains both to homogenize the lived experience of film - viewing and to avoid undermining that homogeneity . rather than recognize the legitimate existence of multiple versions of a film , based on diverse social and industrial needs ( censorship , standardized length , colorization , foreign - language dubbing , etc . ) , critics have regularly made a fetish of locating the ‘original’ version . ”

this is a question plagued by many film scholars who give themselves the job of historicizing the technical and aesthetic qualities of cinema . to study early technicolor ( as scott higgins has admirably done ) or sound design in the 1970s requires a caveat : material conditions change . can we productively analyze technicolor stock qualities based on a remastered dvd of gone with the wind ? how about the study of mise en scene using a full frame copy of blow out ? if we tow the party line of film studies , then there is no real difference . a film is a film is a film . but we know better , don’t we ?

that is , i would like to consider how the visual effects technology of the film undermines the structural and emotional arc of the narrative . my comments are still fairly fresh since i have just seen the film and am responding rather quickly to something that will no doubt require a little more thought . for those who have yet to see the film , there are serious spoilers ahead .

this appears to be the working hypothesis behind “haywire , ” a cold and kinetic experiment in high - impact , low - concept genre filmmaking directed by steven soderbergh . starting with a brawl in a rural roadside diner , the film , written by lem dobbs , proceeds through a series of expertly choreographed , meticulously edited scuffles and chases , set pieces threaded around a plot that seems almost defiantly preposterous and uninteresting .

transformers age of extinction continued the tradition , also making over $ 1 billion worldwide ( and actually becoming the highest - grossing film of its year , the second time a bay film accomplished this feat after armageddon ) despite opening to near - universally negative reviews .

with inception , zimmer may have composed a thoroughly contemporary film score that rejects the “bullshit heroism” of an earlier era , but it would be a mistake to conflate the suitability of a particular approach to all film with its applicability to a composer’s particular working style .

in that early george clooney vehicle , everything felt fresh and exciting , with its perfect blend of stylistic visuals and soothing sounds , whereas in haywire it seems dated and massively inappropriate . when someone’s being chased down in the street , smooth retro jazz doesn’t really get the adrenaline pumping .

haywire is essentially a novelty , a great director trying his hand out something that might be considered outside of his wheelhouse . of course even as a novelty , haywire is better than most of the action films released in any given year . it’s incredibly entertaining , and the parade of cool actors adds a definite level of badass . what it really does , though , is show how good soderbergh’s instincts are : while gina carano may never be a truly great actor , she’s got remarkable screen presence and charisma . she’s got that ineffable something you see in movie stars .

relativity has made a few movies that could work on television , like battle los angeles or immortals . haywire is an interesting choice to start with , that is if they actually follow through on the show . to make it as fun as the movie , the series would need a style as dynamic as soderbergh’s . he’s currently busy on season two of the knick and executive - producing a tv adaptation of the girlfriend experience . regarding the latter , soderbergh said , “we didn’t want to just remake the film . we were intrigued with the idea of going to a new location with a new character on a new trajectory , ” and that approach would probably be best for the haywire project as well .

box office : fourth ' underworld ' film is no . 1 on strong weekend [ updated ] | company town | los angeles times

the realism in ' haywire ' is its crowning achievement . let ' s forget about the tightly wound espionage plot simmering underneath , because we all know soderbergh will tie it all up at the end anyway . no , this movie isn ' t about finding out anything . this movie is about watching carano in action , directed by a director who knows how to film that action and get the most out of it .

movie review - ' haywire ' - a star is born , fists flying the genre - hopping director takes on the action flick in a smart , forceful showcase for newcomer gina carano — whom critic ian buckwalter says is a magnetic marvel of a big - screen badass . ( recommended )

haywire is more tense than it is exciting , or explosive , with some well employed moments of silence , especially when a violent outcome seems just around the corner . it’s a pity , then , that soderbergh decided to use david holmes’ music throughout , as it really does jar quite badly with the rest of the film’s content , especially when i loved the pairing of them in the excellent and effortlessly cool out of sight .

critics were mixed towards were the millers , some outright hating the film , but it was a financial success and scored better with audiences .

it would seem that in the weeks since i’ve seen the film , the dominant conversation has shifted away from knight ‘s technical and stylistic achievements to a more interpretive , if not totally reductive , schema that aims to set in relief the political overtones and undertones of nolan’s film .

i remember hearing about the film a dozen years ago when i was just getting acquainted with kubrick’s works . back then there was still hope that he might mount a return to the film , but that sadly never happened . there was also the aryan papers , which receives some attention in the archive . it’s rumored that kubrick abandoned the film in the early 90s after he learned that spielberg was producing his own holocaust drama .

in an arrangement very unique to the industry , soderbergh will forgo his upfront salary , and retain ownership of the film , along with rml .

copyright © 2005 - 2018 / film . privacy policy / cookie policy . web design by pro blog design . logo concept by : illumination ink

in ' haywire ' soderbergh uses all natural light and it ' s evident from the very first scene as carano walks into a small diner . instead of the outside light being kept at bay , the light bleeds into the field of view creating a soft , hazy look . while this may crush detail and create extremely soft edges , this is the intended look of the film . as a result this digitally shot ( soderbergh used red one cameras ) there are many times in the film that detail takes a hit because of the invading natural light . that ' s just the way it is .

it’s been a few weeks since my last post , which focused on the technical possibilities and implications of imax technology in christopher nolan’s the dark knight . since then i’ve read a number of reviews and appraisals of the film at various film blogs and news sites ( many of which make up my links section ) , which tend to emphasize its direct and indirect allegorical and symbolic textures . most recently , ted pigeon over at the cinematic art has written a sharp piece of criticism that highlights the social and political tone not of nolan’s film but of these reviewers’ responses to the film .

as the dark knight continues to break box office records i thought it might be worthwhile to examine one of the key features of the film’s success : imax . the film’s imax treatment has been getting some press lately , but i’ve read nothing that really situates the technology ( or the dark knight ‘s use of it ) with the history of the format . christopher nolan’s second batman film is , indeed , a cinematic achievement for incorporating –for the first time in hollywood– the imax process into the visual structure of the film . of the many accolades the film will likely continue to garner , this is one worth exploring further . here are some thoughts on imax in the dark knight , its relationship to hollywood , and its future .

" haywire , " steven soderbergh ' s action thriller starring mixed martial arts star gina carano , had a less impressive opening of only $ 9 million . that trailed the $ 10 . 5 million the 9 / 11 drama " extremely loud and incredibly loud " made as it expanded from limited release to theaters nationwide .

" haywire " got the most love from critics , but audiences didn ' t like the movie , giving it a dismal d + cinemascore . the movie — which cost relativity media $ 23 million to produce before tax rebates — resonated with young moviegoers , as 64 % of the audience was under the age of 35 .

unlike her all - business “haywire” character , she is quite animated in person . after one “american gladiators” bout , for instance , she was accused of using an illegal kick to the head . but she just shrugged lightly and said , “it wasn’t a kick , it was a step , ” demonstrating with an insouciant smile .

" the ballad of narayama " is a japanese film of great beauty and elegant artifice , telling a story of startling cruelty . what a space it opens…

the film of the book of daisy miller received a rare 100 % rating on rotten tomatoes from 6 critics , but a measly 23 % from audiences .

religious films are often given mixed or negative reviews by critics , but popular with the audiences that watch them . for example , the passion of the christ was rated 49 % on rotten tomatoes , but is the highest - grossing religious film and the highest grossing non - english language film of all time .

story : afi fest : secret screening is steven soderbergh’s ‘haywire’ the fine use of locations , elegantly mobile shooting style and hair - trigger editing are all in line with what one expects from soderbergh . but here the generally larky but serious - when - it - needs - to - be tone is set by the wildly diverse musical contributions of david holmes , whose film score - sampling background and blues - and - jazz techno orientation yield many different flavors to occasionally jarring but overall bouyant effect .

earlier this summer i found myself wondering how i could best describe the work of film composer hans zimmer . in many respects , zimmer’s contribution to modern film scoring is extensive as it is expansive . with this post i’d like to discuss the constitutive elements of the zimmer “sound” and how it works with the image .

the movie appealed largely to an african american audience this weekend , and 66 % of the crowd was over the age of 25 . those who saw the film loved it , giving it an average grade of a . like the new " underworld " film , " red tails " has received overwhelmingly negative reviews .

steven soderbergh has mashed , fermented and distilled a range of familiar seventies revenge - movie tropes into a cask - strength action thriller . haywire , his 25th feature as director , features a wronged woman out for payback , an ever - deepening conspiracy and a raunchy brass and wah - wah soundtrack , but it’s no mere exercise in pastiche .

it also includes the company’s minority stakes in a sports management group , the for - profit relativity education and a joint film marketing and distribution entity with europacorp .

there have been at least two points in history where critical dissonance got to such a point that it led to a paradigm shift within film criticism in general .

which leads me to my next point regarding zimmer’s sound . the power anthem may be the most recognizable and disseminated technique popularized by the composer , but it says nothing of his art . there is a much more instinctive scoring technique that zimmer continues to employ in film after film that has evaded considerable focus and attention .

to come to the rescue . when you see a woman gamboling in the nude in a meyer film , you stay gamboled with . . . i return to

, took top spot on the chart . the film sold 510 , 000 units / $ 10 . 19 million giving it an opening week blu - ray share of 52 % . at this point , any action film that doesn ' t open with a 50 % blu - ray share should be considered a disappointment .

after all , despite the unknown quality of its former mma fighter turned actress , gina carano , haywire looked like a straight to video action gem , only with an elite cast and the artistic eye of director steven soderbergh . all of which i assumed would make for a near perfect action flick . this , however , is not the case .

“haywire” is lovingly lighted and filmed , its action as sparingly edited as old hollywood musicals , so that the painstaking fight choreography can be appreciated . as the double - crossed freelance agent mallory kane , ms . carano gives “haywire” jolts of energy with her arsenal of explosive moves : pushing off walls , slinging sheet pans , twisting arms until they break . in one memorable scene michael fassbender , playing a suave colleague , engages mallory in a furniture - smashing brawl in an expensive hotel room in dublin . mr . fassbender recalled ms . carano needling him to hit her harder . “i kept telling her , ‘gina , this is called acting , yeah ? it’s pretend . i don’t have to hit you , ’ ” said mr . fassbender , who in “haywire” tosses ms . carano , dressed in black herve leger , into a flat - screen television . “i’m going to make myself look like a real wuss , but i was wearing padding . but she wouldn’t . she was stubborn like that . i think she likes the bruising . ”

batman v superman dawn of justice is incredibly polarizing . the vast majority of critics panned the film , with one memorable headline calling it " a crime against comic book fans . " audiences well , it ' s actually hard to tell . many sites were review - bombed with perfect scores about a day before the film came out , but the voices and user reviews since then haven ' t been anywhere near as vitriolic as the critics , finding it a flawed but entertaining film .

gina carano is not an actor by trade , and there are a few times during ' haywire ' where that ' s pretty apparent . she delivers her lines flat , with little embellishment , but the thing is , that ' s the point , because soderbergh has expertly crafted a movie around her that can only be described as action movie minimalism .

but the storied superhero and super - spy movies that hit theaters each summer , which comprise most of the action roles available to men , are based on properties that are decades ( and sometimes centuries ) old . by contrast , the three best - reviewed female - led action movies in recent years— salt , hanna , and now haywire —are completely original properties , with strong , well - written female leads to match . these movies have a contemporary , refreshingly progressive tone that speaks to the changes in the genre . salt was originally intended as a vehicle for tom cruise ; the script was successfully rewritten for angelina jolie when she commented to a sony executive , " i want to be bond ! " haywire ' s star , gina carano , is known primarily not from the red carpet but from the mixed - martials arts octagon . " you want me to be eye candy ? " asks carano in haywire ' s trailer , with a skeptical tone that indicates that a night in an evening gown is the worst assignment she ' s had in ages .

christmas eve , a forgettable 2015 film starring patrick stewart , has a rare 0 % on rotten tomatoes , but audiences gave it a barely - fresh 61 % .

looking to cast a new film sensation ? then visit a prison , look at instagram or head to a station . because that’s where these future stars were hanging out

haywire will inevitably be compared to action - woman romps such as kill bill , salt and lara croft : tomb raider , but it’s genetically closer to nicolas winding refn’s pulp - literate neo - noir drive . for the first time since his ocean’s eleven films , soderbergh seems to be relishing cinema’s potential for fun – and that means we do , too .

the second approach rests on the expressiveness of film music . i am particularly drawn to noel carroll’s theory of “modifying music , ” whereby music helps to clarify mood , setting , character , or dramatic import of a scene . jeff smith has noted that carroll’s theory represents “an aspect of musical cognition , a means of enabling spectators to gauge the emotional qualities of a scene” ( “unheard melodies ? a critique of psychoanalytic theories of film music” ) . by acknowledging the emotional currency of film music , we can begin to understand its affective qualities beyond both musicological and abstract psychoanalytic frameworks . “a cognitive account of film music , ” writes smith , “would not only more directly address the issue of the spectator’s awareness of film music , but would also address the spectator’s mental activities in utilizing cues that musically convey setting , character , and point of view . ”

avc : you talked about critical perception . what do you feel is your most underrated film ? is there an orphan in your filmography that you’d like to see adopted ?

if you had a schwarzenegger , you crafted a film that required raw power , little agility , and ( particularly early in his career ) a bare minimum of speech .

video : comic - con 2011 gina carano , michael douglas in ' haywire ' trailer soderbergh and scenarist lem dobbs , who previously wrote kafka and the limey for the director , seem keen to admit that the action scenes are the point of the film , content to construct a plainly generic story around them . it’s a straight revenge tale , with mallory fighting her way through assorted muscle - bound , well - armed and otherwise formidable obstacles in order to find out who set her up for assassination after she pulled off the barcelona job .

not one of my favorite soderbergh films , it is one hell of a film , and one that should be seen by as many people as humanly possible . shot digitally for only $ 2 million , the film stars david duchovny , julia roberts , catherine keener , david hyde pierce , blair underwood , brad pitt , rainn wilson , rashida jones , and even david fincher , and is best described as a film about the day in the life of a collective of people in hollywood , prior to a birthday .

there is no doubting mr . soderbergh’s skill or the sincerity of his interest in some of the technical problems of postmodern cinema . and “haywire” explores interesting questions about the nature of acting . ms . carano does , strictly speaking , very little of it . her expressions run the gamut from glower to pout , and her features give little indication of her character’s inner state .

mallory kane , the heroine of " haywire , " is a splendid example of the character type . her first name springs from a latin root for evil , and her last name evokes associations with british pornography ( " strict instruction for naughty schoolboys . call miss kane " ) . steven soderbergh ' s latest film is a thriller that has next to nothing to do with sex , except as an implement of distraction , but under the surface , there ' s an appeal coiling to that part of many men that feels kinda needy about lara croft .

for example , in blood simple , abby shots through a door at the end of the film believing that she is wasting her nasty husband . alas , he was already dispatched , buried alive by the roadside . the audience knows what abby does not , that she is actually shooting the sleazy private detective visser . similarly , the extensive cross - cutting in fargo enables the audience to generally know what its ensemble of characters do not ; to wit , the kidnapping plot , a heinously bad idea to begin with , is going tragically haywire . [ ↩ ]

well , this is a kick in the pants . ( and the face… and pretty much anywhere else gina carano could knock you on your butt clear into next week . ) in addition to a less - than - impressive opening weekend at the box office , steven soderbergh’s well - reviewed action caper haywire earned a dreadful , if not entirely baffling , d + grade from cinemascore .

in haywire , there’s nothing to really cling on to from the outset . we gather that ‘something’s gone bad’ on a mission and that carano’s character , mallory kane , is on the run , but we’re never really given any reason to care about her , have no idea what her thoughts or feelings are towards anyone , or anything , beyond ambivalence and a dislike of wearing dresses .

haywire is a pared - down , almost simplistic action movie . director steven soderbergh has a wide - ranging filmography , though it can be argued that his " fun " entries ( out of sight , ocean ' s eleven , etc . ) , are overall better than his " serious " movies . this one is mostly designed to showcase the beauty and power of soderbergh ' s new star , female mixed martial arts fighter carano . haywire features many fine , recognizable actors in small roles ; their dialogue is spare and never divulges too much information or panders to the audience . ( that said , the story itself is a fairly old one in this genre , and aside from the fact that haywire is told in a non - linear fashion , it doesn ' t have much to add . ) soderbergh presents the fight scenes cleanly and simply , often without a music score , though he uses a funky brass score for chase scenes . however , in stripping away the fat , soderbergh has also taken away some of the movie ' s emotional content ; though it ' s a thrilling experience , it ' s also a somewhat surface one .

she’s wary when it comes to speculating about her future in movies , but she’ll allow that she’d love to play someone more light - hearted than the tough customer she portrays in “haywire . ” “she’s very serious . i laugh a lot , ” ms . carano said . “there’s only one time in the movie that she smiles , and that’s when she’s pretending to be drunk . ”

haywire gets right down to the business in the opening scene , a very rough tussle between mallory and an agent ( channing tatum ) with whom she has history . escaping in a car with a freaked - out young man named scott ( michael angarano ) , she relates what’s led up to this tense moment , beginning with the barcelona caper , which mallory pulled off with great panache .

critics looooove the horror film it follows . audiences are much more mixed , though generally positive . ( a 65 % on rotten tomatoes isn ' t bad , after all . )

but then understanding entirely what ' s happening isn ' t really necessary , because much of that jargon - heavy complexity is really a decoy — a device supporting the first - act notion that haywire is a complicated machine in the mold of ocean ' s eleven . ( that film ' s composer , david holmes , heightens that perception with the same sort of jaunty , jazzy lounge music that defined ocean ' s . ) in reality , it ' ll turn out to be a deft , single - minded revenge story that shares dna with the thoughtful , darkly funny the limey .

chris hemsworth kicks off filming for the star - studded men in black spin - off as he cuts a sharp figure in london . . . 21 years after the first film hit screens

the steven soderbergh film is being adapted at the unit — soon to be an independent company following its purchase by a group of senior lenders in relativity’s ongoing bankruptcy process , reported thewrap .

david lynch is very popular among film critics and intellectuals for making innovative cinema that at least tries to do something different . other moviegoers literally hate his pictures for being bizarre and arty .

ss : here was my plan : my way of trying to keep the film in a commercial zone was to treat it like a genre film , to treat it like a horror movie , and not make it feel important , and not make it feel like oscar bait . i wanted it to move . i really looked at it like a genre film . at the same time , i wanted not to indulge in a lot of the tropes that genre films trade in . but it was an irwin allen movie , as far as i was concerned .

the movie got off to a far worse start than soderbergh ' s last film , " contagion , " the global pandemic thriller that debuted with $ 22 . 4 million last september .

carano’s acting was her weakest skill in haywire , but it didn’t help that she was working with some of the best actors in the business — doing scenes with michael fassbender can make anyone look like a rank amateur . but is john stockwell the guy to bring out her acting talent ? not sure about that , but carano is a good screen presence regardless , so i’m willing to see what happens .

imagine an entire action film dedicated to the proposition that every fight possesses the intensity of the classic sean connery - robert shaw to - the - death scrap in from russia with love and you’ll know what haywire is all about . with all the feel of a vacation from more high - minded and ambitious projects , steven soderbergh celebrates making his 25th feature film within 22 years with a kick - ass international action romp toplining mixed martial arts star gina carano as a covert operative who proceeds to whup a succession of macho leading men in addition to assorted anonymous foes ; she’s pepper to angelina’s salt . world - premiered as a surprise sneak preview at hollywood’s afi fest , this relativity release should enjoy a solid commercial career with action - seeking male and female audiences upon its jan . 20 release .

execs from the london - based banner , who are heading to cannes next week , have already invested in “queen of diamonds , ” a 1960s london gangster movie to be helmed by catherine hardwicke ; black - list script “blood mountain” ; inferno’s and chuck russell ’s “arabian nights” ; and action pic “in the blood . ” “in the blood” will shoot this fall in puerto rico and star “ haywire ’s” gina carano .

how the grinch stole christmas is a very divisive film , especially in terms of this trope . it received a 53 % on rotten tomatoes and a 46 % on metacritic , but spent four weeks as the # 1 film in the us , and was the highest - grossing movie of 2000 domestically , with $ 260 million . the film was nominated for three academy awards , winning for best makeup ( which , if you ' ve seen the behind - the - scenes footage , is very well - deserved ) , and was nominated for two razzies , but won neither .

as for genre , james mottram ( 2000 : p . 124 ) has neologized fargo as a film blanc ( “white film” ) . in this vein , fargo opens with a blinding haze of white as jerry’s car traverses the austere upper midwest winter in one of many moments that emphasize the harsh environs . however , the film presents slipperiness that extends further than its relation to genre , as i discuss below . this article attempts to parse what fargo says , mainly with respect to identities ( particularly as they are gendered ) and in its posture toward the structuring logics of capitalism .

i really liked " haywire " and gina carano is one tough cookie with an ax to grind . the film has a very independent feel about it , along with a very retro style . carano is great in her role , totally believable and the girl does her own stunts ! the story is a bit hard to follow so you do have to pay attention and have a normal adult attention span . if you are expecting " fast and furious " or some other schlock like that , this is not the movie for you . there are intense action scenes and slower parts where the story really unfolds . all of the male stars in this film are simply backdrop for gina ' s kick ass , don ' t f * * k with me fellows attitude . a very unique and intelligent story worth seeing .

die hard with a vengeance was somewhat divisive to critics ( though its reputation has improved since then ) , but was still the highest - grossing film of 1995 and well - received by fans .

darren aronofsky ' s film mother got fairly positive reviews from critics with a 68 % rating on rotten tomatoes , but in manner similar to killing them softly , audiences gave it an f cinemascore .

out cold was panned by reviewers giving it an 8 % on rotten tomatoes . but the film immediately gained a small cult following , as it has an 85 % user rating on that site .

the 2009 canadian sci - fi / horror film splice was a critical hit because it was different from most horror films . audiences , meanwhile , got turned off by it for the same reason .

a few years ago , two other approaches to the study of film music struck a chord with me . the first is exemplified by robert faulkner’s 1978 essay in qualitative sociology , “swimming with sharks : occupational mandate and the hollywood film composer . ” faulkner distills the working relationship between the composer and director in hollywood and argues that the composer may have artistic license on a project , but ultimately the producer and / or director will negotiate the role and function of music in the film . faulkner writes , “only the craft really belongs to the craftsman . the product belongs to someone else . ”

i call the plot nonsense . ask yourself this : how could any organization or " contractor " survive for long with the death rate we see here ? at the end of a year , no one would be left alive , except a few mail - room clerks . soderbergh seems to be amusing himself with the variety of his locations : barcelona , dublin , new mexico , new york state and executive offices in unnamed cities . a film like " haywire " has no lasting significance , but it ' s a pleasure to see an a - list director taking the care to make a first - rate genre thriller .

in another sense , though , nothing is really in doubt , and very little is at stake . unlike the “bourne” films , whose baroque webbing of plot and counterplot suggested an allegory of global paranoia , “haywire” goes to great lengths to avoid being about anything beyond its immediate situations and effects . it is self - consciously and aggressively trivial , a feast for formalists who sentimentalize the gloriously cheap b - movies of the past .

though her mixed martial arts career has been put aside for 2 ½ years , ms . carano still thinks of herself as a fighter . time and the “haywire” experience have allowed her to view her loss to cyborg differently . “it put me in a very humble and honest place , ” ms . carano said . “like : ‘gina ? maybe that can happen . maybe life isn’t always going to go your way . ’ ”