a nightingale falling is a 2014 irish film set during the irish war of independence based on the 2012 novel by pj curtis .

directed by garret daly and martina mcglynn , and written by daly , the film stars tara breathnach , muireann bird and gerard mccarthy .

the story concerns two sisters who care for a wounded soldier .

the film was released in irish cinemas in september 2014 , and received its irish television premiere on utv ireland on easter sunday , 5 april 2015 .

a nightingale falling

a nightingale falling <EOT> oh well . a nightingale falling remains a logistic marvel . let’s just focus on that . shall we ?

‘a nightingale falling’ will have its irish tv premiere on utv ireland , easter sunday , 5th april at 10pm . ‘the making of a nightingale falling’ , will be broadcast on the same day 4 . 30pm .

the cast and crew of a new irish feature called a nightingale falling will attend tonights world premiere at the town hall theatre in galway .

we’d love your help . let us know what’s wrong with this preview of a nightingale falling by p . j . curtis .

based on the novel by pj curtis and shot in offaly during a heat wave on a tiny budget , this is certainly a logistical triumph but a nightingale falling sags under the crushing weight of its own sense of importance .

irish independent feature film ‘a nightingale falling’ , the period drama set during the war of independence , will have its irish television premiere this easter sunday at 10pm on utv ireland .

based on a novel by pj curtis , a nightingale falling tells a similar story to that of well - remembered 1971 melodrama the beguiled . don siegel’s american civil war picture saw two frustrated southern sisters tend a wounded yankee in the attractive form of clint eastwood .

a nightingale falling is a movie starring tara breathnach , muireann bird , and gerard mccarthy . set in ireland during the war of independence , two sisters lives are changed forever as they care for a wounded soldier . what transpires is a tragic love story of a household and its inhabitants , caught in the crucible of dark deep secrets .

tv audiences will also get a chance to see ‘the making of a nightingale falling’ in a special documentary which looks at the community involvement in county offaly . it focuses on the ways and means the filmmakers managed to produce the film and the efforts undertaken by everyone involved , including the recording of the score with the ulster orchestra for their very first film score . the film was co - directed / produced by garret daly and martina mcglynn alongside producers gerry burke and pj curtis . ‘a nightingale falling’ is a mixed bag media production in association with northern ireland screen .

mary curtis , head of channel at utv ireland , said : ‘garret daly and his team at mixed bag media have created an impressive production in a nightingale falling and we are delighted to be supporting the film . ireland’s independent production industry is regarded as a leading player on the global stage and it is very important that we continue to support the sector . the film will make its irish television premier on april 5th on utv ireland and , in addition to that , we will be showing a documentary on the making of ‘a nightingale falling’ on the same day . ’

in a story inspired somewhat by the romance in ryan ' s daughter , a nightingale falling is after that grand epic on a limited budget . while they don ' t exactly pull it off it isn ' t for the want of trying . like last year ' s independently produced irish feature a belfast story , a nightingale falling is overcooked in places . graeme stewart ' s grandiose soundtrack is overused and intrusive ( do we really need soaring strings when may is taking the washing off the line ? ) and while the flowery narration can be explained away by may ' s wordy diary entries , they do the job that visuals and dialogue could easily do .

a nightingale falling , the irish historical period drama set during the war of independence , will receive its world premiere at this year’s galway film fleadh . directed by garret daly and martina mcglynn , it tells the story of two sisters who , against the backdrop of war - torn ireland , take in a wounded british soldier . the lead actress , tara breathnach , has been nominated for the bingham ray new talent award .

a great but poorly written story , made a million times better in the film adaptation .

set against a backdrop of a turbulent , war - torn ireland in the early 1920’s , this is a story of three people and the unfolding events from a crucial time in their extradionary and tragic lives .

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lively , skillful prose . a trip to ireland without the leaving of home . a " gathering " if you will . you get your irish slant , your irish history , and a goodly dose of rural irish family life . ps : being made into a movie . eager to see that . see how it is transformed and interpreted .

welcome back . just a moment while we sign you in to your goodreads account .

founder and managing editor of scannain . if found please return to a cinema . always willing to lend a hand to an irish film , actor or director in need .

we must give credit where credit is due . working to a minuscule budget on a frantic schedule , garret daly and martina mcglynn , making their feature debut , have managed to deliver an irish period drama that looks prettier than a hovis commercial . good for them

the beguilingly reflective opening chapter quickly has the reader gripped . it ' s a real page - turner as we follow the subtle relationships of the characters going through a true . . .

set against a backdrop of a turbulent , war - torn ireland in the early 1920’s , this is a story centering on a group of people whose lives are caught up in an unfolding drama that leads to tragic ends as passions are fueled and familial relationships tested and , finally , torn apart . it is a story of a household and its inhabitants caught in the crucible of the merciless politics , cruelties and hardships of the period . it is also a story of love ( requited and un - requited ) , of broken hearts , of entrapment , desperation and madness and of secrets revealed and darker secrets kept – even to the grave . ultimately , it is a story of lives overtaken and destroyed by events outside their control , leading to the death of two souls ensnared in a tangled , deadly web not of their own spinning .

i almost wish this was a true story . i live quite near where the story was set which makes it all the more poignant , also my husband was a british soldier . this was a beautifully told tale of war , sadness and love . i look forward to seeing the film .

this book really does set the scene of a turbulent time in irish history . the relationship between the soldier and the two sisters is gradually developed in a way that draws the reader in . this book has been made into a movie of the same name and i will definitely want to see it having read the book . i really enjoyed the story .

i really , really loved his last book and it should have been a big seller - but we all know how difficult it is in the publishing game . nonetheless pj curtis has proven once again just how sensitive , how deep , how lyrical and just how magical his story telling ability is . it ' s all here in a wonderful page turner ! tension , emotion , a rippingly brilliant set up , a story told from four perspectives , an uncanny talent to write in the subtlety of style of the protagonist in all cases and a notable descriptive power in reference to nature throughout the book , makes this an involving , entertaining and poignant tale . i totally urge you all to take a punt on this ! ! you did it again pj !

during ireland ' s war of independence , the lives of two sisters are changed forever when they care for a wounded soldier .

i liked the story and setting in 1920 ireland and the history but i thought the diary format wasn ' t working . also , i thought the plot was given away early on and as a reader , i would have liked a discovery of the unfolding story on my own .

the drawn and spinster - like before her time may is watchful and intense , while younger sister tilly is innocent and dreamy . it’s a dynamic that works well and their affection for each other is clear until may discovers a wounded british officer taking refuge in one of their outhouses .

set in ireland during the war of independence , two sisters ' lives are changed forever as they care for a wounded soldier in their home . what transpires in this historical period drama , is a tragic love story of an anglo - irish household and its inhabitants , caught in the crucible of deep dark secrets . framed against a backdrop of a turbulent war - torn ireland in the early1920 ' s , may collingwood is forced to make critical and difficult decisions when she rescues a british soldier and must now protect herself and sister tilly . they live in fear of the british black and tans , the rising ira , their own entrapment , and ultimately the dark secrets of un - requited love unfolding from within .

there ' s nothing that i can point to as being at fault , but think it would ' ve made a better tv adaptation than a full length feature . the setting and period were convincing , and one did get a sense of menace from the situation . the acting was fine . all in all though it just didn ' t really engage and take off . i never really reached the point of caring very much about the three central characters , and i can ' t say the acting was totally to blame . i feel the script could ' ve been better , a lot more could ' ve been made of the situation , it didn ' t lack drama , but didn ' t really live up to the possibilities , and seemed obvious at times . its not a bad film , but not a great one either , hence the score .

pj curtis creates a vivid picture of the west of ireland in the 1920s . you become engaged and involved with his characters and their story .

the score for the film was written by donegal born composer graeme stewart . stewart likens the score to “an emotional spectator of the film” , and describes it as having ”a lyrical and a pastoral quality , featuring woodwind and solo stringed instruments , while at the same time becoming much more symphonic when it needs to” . the ulster orchestra has recorded the full , feature length score and it joins only a handful of film scores recorded entirely in ireland .

now that the summer blockbuster season is coming to a close , the cinemas are making way for an audience that ' s ignored by and large by the multiplexes . in the space of three weeks there will be a grand seduction , the one hundred foot journey and this independently financed irish drama . film fans of a certain age might be seduced by the downton abby - esque tale of doomed romance but , if anything , it ' s trying too hard .

two sisters find a wounded british soldier during the irish war of independence , and provide him with a safe place to recover . the decision puts them at risk from both the rising ira and the british forces , while feelings of unrequited love threaten to drive the siblings apart . period drama , starring tara breathnach and muireann bird .

the film is based on the novel by clare author pj curtis and was released in cinemas last september where it enjoyed a six week nationwide run at the irish box office .

graeme stewart has written some fine music and the ulster orchestra have agreed to play it , but , apparently overwhelmed by their good - fortune , the film - makers layer on the chords with a virtual trowel . the parking of a bicycle is accompanied by the sort of epic surge other film - makers might reserve for the parting of the red sea .

the irish film takes place in and around a cash - strapped stately pile in the midlands during the war of independence . the assertive may ( tara breathnach ) and her more naïve sister tilly ( muireann bird ) happen upon a wounded british officer and , for slightly muddled reasons , end up offering the black and tan shelter in their home . various jealousies develop .

speaking on behalf of the production co - director garret daly said : ‘it’s really great and we’re immensely proud that the film will be broadcast in such a prime time slot on this new channel . ’

may collingwood ( breathnach ) , is forced to make critical and difficult decisions when she rescues a british soldier and must now protect herself and sister tilly . they live in fear of the british black and tans , the rising ira , their own entrapment , and ultimately the dark secrets of unrequited love unfolding from within . this is a powerful drama of lives overtaken and destroyed by the events and hardships of the period .

the actors struggle hard , but are constantly defeated by dialogue that sounds like neither spoken english nor heightened poetic prose . “tilly tells me that you aspire to depart here , ” breathnach mouths in a characteristically overcooked snippet .

in cinemas september 12th . set in ireland during the war of independence , two sisters ' lives are changed forever as they care for a wounded soldier . what transpires is a tragic love story of a household & its inhabitants , caught in the crucible of dark deep secrets . showing in imc screen , imc tallaght , imc santry , imc dun laoghaire , imc dundalk , imc tullamore , imc athlone , imc galway , empire ennis , gaiety sligo , carrick cineplex , cork omniplex , navan diamond , cinema killarney . starring tara breathnach , muireann bird , gerard mccarthy , brian fortune , elliot moriarty , andy kellegher , rose henderson , michael james ford , mark tankersley , blathnaid ryan , derek o ' sullivan , maura clancy and michael hough . urltoken

great authentic setting to a very poignant story . the depths of love including filial love are explored within an almost historical novel . novel should be read by anyone interested in the vagaries of ireland ' s past which could be set even on todays ireland . .

no , i got 11 % in on my kindle & i just thought ' no ' . i found the writing stilted , lots and lots of repetition ( in the first few pages anyway ) . i didnt like or believe the ' fathers voice in his letter and when i started reading the first journal that feeling was magnified . years ago i would have persisted with a book like this but now i ' ve go by the motto ' life ' s too short ' and im happy to park a book that doesn ' t grab or delight me . simply not for me . s

the film , which is set in 1920 with the anglo - irish war at its height , follows two sisters ( tara breathnach and muireann bird ) who discover a wounded british officer , and must outwit british and ira forces as well as confront their own personal rivalry in an attempt to save his life .

tara breathnach , her performance nominated for best new talent at this year ' s galway film fleadh , gives it socks as the under pressure matriarch and if anything she could have eased back on the throttle . the three leads fail to drum up the requisite chemistry to keep the ménage á trois bubbling with a little sex , however .

directors garret daly and martina mc glynn said [ quote ] we are thrilled to be in the galway film fleadh . as an independent film , it gives us the recognition we needed to vindicate our passion for this film , and to demonstrate what we’ve always believed – that this story needs to be told and seen . we can’t wait till the premiere , because there is something magical about the festival and walking up the steps of the town hall for our first feature and it will be a special moment . that’s how important a festival of this magnitude is to an independent production . already it has brought great attention to the film , so we are very excited . [ / quote ]

another well crafted book by pj curtis . after a tantalizing opening , the story cleverly unfolds through the journals of two of the key characters , their innermost thoughts and emotions grip the reader , sharing their pain and joy . the story is sensitively told leaving one to ponder " what would i have done in such circumstances ? " i look forward to reading more from this author .

director garrat daly said : ‘all any filmmaker wants to do is find an audience and we always believed there was one there for this type of period drama . we now thankfully have a commercially successful film , and the movie will continue to find audiences , as we’ve secured great deals in south korea , germany and hong kong . i’m delighted for the entire cast and crew and communities that helped us make the film . ’

but it looks the part . the house is kept deliberately icy and sparse and lonely , with breathnach and bird clomping their way across creaky floorboards that boom with each step . in stark contrast to these cold interior sets , the exterior scenes are attractively shot in a warm hue ( daly doubling up as cinematographer ) , belying the dull autumn and winter months the story is set - the irish countryside can look beautiful when there ' s an eye behind the camera .

the story begins with the end , but not quite . do not be beguiled by the beginning . you will be intrigued and before you know it , you are lost in 1920 ' s war - torn ireland with may and her sister tilly , two protestant sisters who wish for peace , but are cruelly trapped in the destructive politics of the times . there is struggle , passion , and requited and unrequited love , and when events become uncontrollable , choices have to be made . it is a story of ethics , self - preservation , and the entanglement of love , and although tragedy prevails , you will close the book and feel empathy for ireland and for the human condition . there is characterization , imagery , and storytelling that will take you out of your own skin and into the skin of the characters . the story ends , but will stay on in your memory .

it ' s 1920 and the war of independence rages with black and tans roaming the back roads of offaly flushing out ira suspects . in glebe house , a once well - to - do country home that has now fallen on hard times , may ( breathnach ) shoulders the financial burden , hoping that loyal farmhand tom ( fortune ) can sell off another field to pay for their upkeep . the only other occupant , naïve younger sister tilly ( bird ) , is oblivious to her sister ' s mental strain , giving the glad eye first to tom ' s son ( elliot moriarty ) , an ira sympathiser , and then to captain shearing ( mccarthy ) , an english officer may finds unconscious in her shed . hiding the soldier upstairs , may and tilly fall for his dashing looks but are all too aware that the ira would execute him , and possibly them , if they were discovered harbouring the enemy . . .

following its premiere at the galway film fleadh the film went on to win best film at the sky road film festival , best feature at the underground film festival , and recently picked up an award for best drama score of 2014 at the reel music awards .

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unfortunately , the film is hard to embrace . stilted , sluggish and occasionally ludicrous , it seems suffocated by its own good intentions .

all this is filmed in such pristine folk - park surroundings that one half - expects to see blue ropes around the period bedstead and guides leading japanese tourists through the eerily deserted streets .

review : the film’s freaky visuals are peak psychedelia . the songs aren’t bad either

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sad and heart warming in equal measures . very informative on irish history for an english person like myself . much like spanish history , people were torn between helping and fear of retribution .

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tara breathnach and muireann bird play anglo - irish sisters may and tilly collingwood in this handsome - looking but overwrought drama set during the irish war of independence . they struggle to keep their big house going as black and tans and the ira clash in bloody showdowns in the surrounding countryside .

for reasons that are never fully explained other than basic humanity in an era of base savagery , and at great personal risk they take him in and nurse him back to health . inevitably , the frigid may and the girl - like tilly soon develop feelings for the handsome captain and tension rules the formerly serene household .

an intrusive orchestral soundtrack and stilted dialogue of old world sophistry sacrifice subtly and drama for shrillness and perhaps the camera is over busy at times .

husband and wife directing team of garret daly and martina mcglynn have done very well to make their debut feature with little cash and less than perfect conditions but perhaps this is not quite the terrible beauty they may have been aiming for .

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the lead actress , tara breathnach from galway has been nominated for the bingham ray new talent award . also in attendance will be gerard mccarthy , known for key roles

canadian singer and songwriter loreena mc kennitt has written the original song for the film .

the screening is already sold out and plans to release the film later this year are already underway . for more information about the film , visit

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idhayam ( english : heart ) is a 1991 tamil language romantic film directed by debutant director kathir .

the movie stars murali and heera and was a super hit .

the music was composed by ilayaraja .

it was popular and trend setter in between 1990s lovers .

idhayam ( film )

idhayam ( film ) <EOT> idhayam is a 1991 tamil film directed by kathir . the film stars and in lead roles .

udhayanidhi ' s 4th film titled " idhayam murali " for which hansika and has been roped in heroine and music director respectively . urltoken urltoken

idhayam ( 1991 ) tamil movie cd - rip 320kbps mp3 songs music by ilaiyaraaja - starmusiq . com

idhayam ( from " kochadaiiyaan " ) by a . r . rahman , srinivas & chinmayi on apple music

this ultimate soundtrack composed by maestro illayaraja for the film idhayam ( 1991 ) was the best ever in indian cinema . a stunner and an evergreen soundtrack that will never ever be forgotton . .

idhayam film was a major hit . why , i have never been able to understand . was it the music , or was it the campy college atmosphere , or was it the fact that the . . .

speaking about the film , an excited priyadarshan said that his film is one of the 10 films and the only one from india in the final round .

idhayam is a 1991 tamil romance , drama film , directed by kathir and produced by sathya jyothi films . this film stars murali , heera , rajgopal , chinni jayanth , manorama , vijayakumar in the lead role . the films soundtrack and background score were composed by ilaiyaraaja with lyrics by vaali , piraisoodan .

the film is notable for its remarkable background score which gels with the story .

the film is written and directed by badri venkatesh who is a product of tamil nadu film institute . he was also a professor at the institute . he knows his job well and has already got a national award for a short film ` vidiyalai nokki ' .

however the film will not feature the remix of the ` aathadi paavadai ' from murali ' s debut film poovilangu . earlier there was a talk in the media of this re - mix featuring in the film . the audio was released on april 30 at sathyam cinemas .

produced by vijay and ganesh , the film has actor prakash raj playing the lead role .

the film received standing ovation from the crowd for its entertaining , yet moving take on aids .

plot of idhayam set in a medical college backdrop , the film is about a person ( introvert ) , who loves his fellow college mate , but does not have courage to convey his love to her . the film has some memorable scenes , where the hero wants to convey his love , then he mistakes that the heroine is in love with someone else ( whereas , actually she is helping her sister and her lover to unite )

adharva , son of actor murali debuts in the film . interestingly it was sathyajothi films that gave murali one of biggest breakthrough films in his career . murali ' s hugely successful film ` idhayam ' was produced by the same company . samantha debuts as the heroine . samantha is the girl who played trisha ' s role in the telugu version of ` vinnaithandi varuvaya ' . even in tamil she played a cameo as the assistant to silambarasan who later becomes the heroine of his film . both the new comers have generated a lot of expectations . prasanna is playing an important role . karunaas is in charge of the comedy .

a short review i wrote without watching the film purely based on the review from this site . i would like feedback if possible .

director priyadarshan’s sila samayangalil was in the news last month for making it to the prestigious golden globe awards screening . the film , starring prakash raj , sriya reddy , ashok selvan and others , had its first premiere at the mumbai international film festival ( mami ) on october 24 .

sathya jyothi films who have produced award winning and evergreen films such as moondram pirai , kizhakku vaasal , idhayam , parthiban kanavu & em - mahan will be working with star director prabu solomon , director of some memorable films such as myna , kumki and kayal and national award winner dhanush , who has enthralled audiences with his performances in a variety of roles & films will be expected to deliver in yet another notable film .

priyadarshan , who is currently basking in the success of his crime thriller oppam , has another reason to celebrate . his tamil film sila samayangalil ( in sometimes ) , a film which was made on aids awareness , has made it to the final round of selection for the 74th annual golden globe awards .

wanted to use that title for a film , odds are that by the time this one hits the marquee , it would have undergone a name change .

` baana kaathadi ' is believed to be a realistic romantic film in which the highlight is supposed to be its climax . it is hitting the screens in may .

amil film - makers appear to have hit on a hot trend - - the one song appearance . it ' s been going on for a while , actually - -

this film will be produced by sendhil thyagarajan and arjun thyagarajan . music is by d . imman , who will be continuing his successful combination with prabu solomon . motion picture . v . mahendran will lead cinematography and editing will be handled by das ( don max ) , co - produced by g . saravanan and selvi thyagarajan . raahul will be this film’s executive producer .

` baana kaathadi ' is a unique film as it brings together a few third generation young talents in the business of films . this film is produced by senthil thyagarajan and t . arjun , the next generation from t . g thyagarajan household . similarly it introduces atharva who is the son of actor murali . and then there is yuvan shankar raja another new generation doing the music .

- - in fact , the film also bagged seven other nandis into the bargain . and now soundarya is all set to play a snake - - okay , snake goddess - - in director

. with the film well past the 100 - day mark in tn , doing brilliant business in kerala and ap , and storming even far away centres like japan , the lass is on a roll .

- - a thriller , based on a terrorist operation centred in a movie house - - was a disaster at the box office , but has just won him the national award for best tamil film .

msv raja has worked for more than 500 regional films , one bengali , five hindi feature films and contributed more than 1000 songs for the film industry . here is one person who fits the dictionary definition of the word ' versatile ' : m . s . v . raja or sax raja , as he is popularly known in the film circles , is an expert in playing the piano , saxophone , clarinet , and oboe . he is the music composer for abaavaanan ' s " karuppu roja " , the first dts film in tamil . for over three decades , raja has been playing and conducting orchestra for several films .

more to the point , mani is slated to play an on - screen role in the film . nope , not the fleeting , blink - and - you - miss - it type of thing the likes of

that climax just rescued the film bigtime . i mean what else can you say except what you said , “come out of the movie chuckling” . people were angry and hooting but by the end , they were just dumbstruck 😀

btw , why do you call this a meta detail ? this layer in the film is just a hint , a wink . the only meta layer as far as i could see was surya’s comment on his own career .

, a film loosely based on the recent indo - pak imbroglio . it will have " family sentiment " as an important ingredient , we are told - - so stand by for heroic sons and weepy moms / wives .

the film tells the story of eight characters who arrive at a pathology lab at 9 a . m to give their blood for an aids test . however , it all ends at 5 p . m when the results arrive .

most entertaining review , probably more fun than the film itself . but , a tiny nitpicking : your last but one sentence carries a ‘between’ followed by some four options . was that an oversight , or has the usage become acceptable ?

the romantic thriller film has been finally christened as thodari which roughly translates to train in tamil . and the first look , which are in fact two posters , are pretty exciting . the movie has dhanush and keerthi suresh in the lead roles .

, mani r ' s latest , is now likely to have its full complement of ditties . someone , somewhere , apparently got the jitters at the prospect of a mani rathnam film sans chartbusting music , and that lacuna is now being plugged .

the film was shot in chennai , gujarat and thailand . important scenes were filmed in gujarat where the international kite festival is held every year . first time in kollywood history a song and scenes were shot with the real crowd at the kite festival .

` baana kaathadi ' is a different film and the plot is new to south indian cinema . it ' s about two young kite fliers , their life and their environment . the plot shows that tamil cinema is maturing fast to handle off beat plots .

richard m nathan who is an expert in shooting scenes amidst crowd realistically is the cameraman of this film . you must have seen the expertise of richard nathan in the recent trend setting ` angadi theru . rembon is the art director and suresh urs takes care of editing .

one of the main drawbacks of this film is its poor storyline that lacks guidance . after deciding to dish out a thriller on the lines of speed , prabhu seems to have committed the cardinal sin of incorporating a host of preposterous sequences which slows down this supposedly fast moving train .

that particular scene may not have been written about by reviewers / film critics . even if it was , the number of readers would not have been like what we have now . that one song scene or anything played out on a movie screen first runs in the mind of the director .

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santosh kumar t k : oh , i see why he did that . but this is not like the usual narratives at the beginning of the film , in text . here , there’s a lot of talk about success etc . , and then there’s a segue to thiss disclaimer . hence the mention .

sathyajothi films is one of the oldest and most respected production houses in kollywood . from its first independent production ` moondram pirai ' in 1982 the banner has been consistently giving the audiences only clean entertaining family films like ` moondram pirai ' , ` kizhaku vasal ' , ` idhayam ' , ` parthiban kanavu ' , ` em magan ' . the most recent one to come out of this banner was ` jayam kondaan ' . after the success of ` jayam kondaan ' , sathyajothi films is now ready with ` baana kaathadi ' . the movie was launched in may last year and is now complete and ready for release .

" from these 10 , five will make it to the golden globes , and the film has been cleared for its global premiere by golden globes . the hfpa ( hollywood foreign press association ) screening will take place on october 6 at beverly hills at 7 p . m . at the real d screening room , " said priyadarshan .

of all the people who i felt may have had the artistic sensibility to make a genuine and thought provoking movie about the career path and destiny of 2 musical geniuses of indian film industry sj surya wouldn’t even make the list . and yet here he is with his latest இசை ( isai – music ) that charts a fictional path against the backdrop of real life incidents surrounding the career paths of ilayaraja and ar rahman .

and these are the reasons why i think there is a lot of difference between a zoom - in on the navel in a sj suryah movie compared to one in an item number of a commercial movie . in the latter , they do it for money , to sell more tickets and for various other reasons while sj suryah seems to be indulging in what he thinks as art . this movie is honest film - making in my opinion .

singer ( s ) : ilaiyaraaja , deepan chakravarthy , s . n . surendar

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a village boy who comes to town to study medicine , falls in love with a city girl , but never discloses his love .

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two college students , the slum child raja and the dean ' s daughter roja , chat with each other over the internet and fall in love . however , roja is engaged and raja cannot bear to disrespect her father , to whom he owes his livelihood .

a barber has a bad encounter with a gangster on the road and this results in him running all over the city to save himself .

a neighborhood good - for - nothing attempts to romance the new girl in town .

the urbane son of a village chieftain struggles between his personal aspirations and those of his family .

after a failed suicide attempt that ultimately leaves his lover dead , a dancer changes his life .

a love triangle on a college campus between two young students who try to deny their feelings for each other . the entry of a lecturer who has a soft corner for the boy , changes things around .

the story on the lives of a salesgirl and sales boy of a popular saree store in chennai .

a boy raised in a cemetery grows up with no social skills , and leads a turbulent life readjusting once he moves out of the cemetery .

the movie revolves around the struggle and vulnerability of 16 - year old mayil ( sridevi ) when in love .

after a difficult romance in a class - divided society , the love birds find out marriage is not what they thought it would be .

a pauper was made the member of legislative assembly by a politician and grows to become the strongest and most corrupt politician .

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finding love , falling in love , following love n failing in love ( temporarily ) is the story . the movie is a inspirational one and has made many people to fall in love . murali’s performance , ilayaraja’s music , kathir’s direction n a fitting climax makes it a classic .

in one scene chinni will be taking murali to a sex worker n will justify stating that , this is to gain experience before marriage . murali’s fitting response - are we ok if our future wife also thinks the same way .

in another scene heera will be teased n followed by raju sundaram . if i remember right she would say if you concentrate on your career , women will follow you .

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most excellent thing about the movie is it ' s music ( songs and background score ) . this is only because of maestro isaiyani ilayaraja .

the songs are very apt to the movie and screenplay . each carries heavy emotions which the character would convey . here is the list in the order of my favorites .

why could the tamil films not compete with the telugu films in terms of grandeur and sticks to quality less rural - oriented films of rajini fil . . .

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isai genre : psycho drama director : s . j . surya cast : s . j . surya , sulagna panigrahi , sathyaraj storyline : an older musician is distraught when a younger one displaces him

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baana kaathadi ' s music is composed by yuvan shankar raja . the music album features 5 songs and interestingly 4 of them are solo numbers . two are written by na . muthukumar . vaali , snehan and gangai amaran have written one song each .

finally , till the time he leaves the medical college , he does not convey his love to the lady and finally , by the time the lady understands his love , he becomes a heart patient himself , where he cannot digest a very happy or sad news .

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an edited version of this piece can be found here . copyright ©2014 the hindu . this article may not be reproduced in its entirety without permission . a link to this url , instead , would be appreciated .

now i have never heard it described like that – but now i have to see this .

venkatesh : connoisseur laam ille pa . just went to youtube and typed in a search and this came up… along with a lot more 🙂

( feel rather dumb doing this time and again . professional hazard . 😦 what to do ? especially when i’ve been advertising your blog as model writing to my students ! )

all intended to showcase surya’s prowess as a performer . ( let’s just say kamal haasan needn’t lose any sleep . )

br , i see what you did when you started off with “borderline - legalese” but to be fair — of late — almost all movies come with that . don’t they ? even when it is very very evident that the narratives unfold in fictional / alternative / cartoonish universes . because someone somewhere gets offended easily ( sometimes for groups ) , this bit of legalese absolves the makers of any shit later on ? so this has nothing to do with the real references alluded to in this particular movie ?

speaking of which , br , this is something i have wanted to ask you for a while now .

i know it’s subjective , but would love to know what you think of it .

also , regarding “ realistic , ” i’d like to know what filmmakers and writers start off with . “ this will be a realistic movie a ) we acknowledge it and the viewers also acknowledge it b ) only we , the viewers may / may not c ) unintentional d ) any other ”

iswarya : please . no need for apologies . i actually appreciate someone looking over my shoulder . as i’ve said , these pieces are written under a tight deadline and are hardly examples of “model writing , ” especially for students ! ! !

when i write these reviews , the main things i look at is ( 1 ) whether i put down all the points i have in mind about the movie , and ( 2 ) whether i put it down with a semblance of style / wit / flamboyance .

in other words , the piece should be informative . the piece should not be boring . these are the only two things i care about on friday evenings .

the niceties — grammar , punctuation , etc . — i leave to the subbing desk , at least at this point , till i return to this piece and re - read it and fix the things that are a problem .

you are actually saving me work . so please tell me where i am slipping up 🙂

also , wanted to point it out in the review , because the raja - rahman narrative was irresistible . to go by sj surya’s imagining of this narrative , raja ends up murdering mani ratnam on a rainy night 😀

about your second comment , will reply later . and please remind me if i don’t get back to it soon .

though was prepared by the heroine’s costumes and the picturisation of “isai veesi” as a trailer , naming as “savithri” , sj surya’s claims that this panipuri would be her replacement was a bit too far . now your review makes me wonder if he was really looking at the real one in a different way to what the rest of us looked at…

his supreme confidence on any “material” he produces , is really inspirational , though . . reminds of the other surya and “soapu dappa” in “pitamagan” . will try to venture this .

you pervert : - ) , and this is the blog people recommend to their students , help ! . btw , no references to amadeus or its classic hindi counterpart shakalaka boom boom . brangan who would you say was more interesting - upen patel or s . j . surya . ?

@ iswarya - some say between is used for 2 things and among for more than 2 . i hope you are not pointing this out . because this is not the case always . especially when we have distinguishable items , we can or rather should use between .

ok . you’ve certainly made me feel less guilty . as for the ‘model writing’ part , i should have probably clarified that i used to cite your reviews mostly in my own movie review classes for journalism students and so , they do have an idea of the constraints of time and all that . the idea was to make them see how much quality could be delivered even with all those constraints in place .

and that last line query sort of put me in a spot . my editor always used to give me this mysterious smile whenever i posed the question to her on how she could have possibly rewritten something . we both agreed , of course , that it was always easier to write something entirely your way than rewrite something written by anyone else .

well , in this case , i guess i’d have chosen to put it as “…lurches madly between x and y , between p and q” while making sure that x / y and p / q were genuinely self - contained opposites . but , i guess this doesn’t make much sense in your style of writing . probably why they say “le style c’est l’homme même . ” 🙂

navel and surroundings as non - stick skillet ? the expression “saar , engeyo poiteenga…” comes to mind . that prabhu deva guy must be a genius !

audacity . . ? ! really ? desperation would be an apt description . this fringe movie personality called sj surya , scavenges all over and tries to spruce up his fundamentally b - grade movie making skills .

isnt sulagna panigrahi the girl from murder 2 and one half of the conjoined twins from the serial amber dhaara ? that’s some journey from amber dhaara to isai then . .

as a side note on disclaimers , maniratnam was at his playful best in iruvar . the movie starts with the disclaimer “idhu unmai kadhai illai” .

if you read with a pause after unmai then : idhu unmai , kadhai illai .

i agree – the movie had its moments but boy did sjs indulge big time or what . sure , you do have to appreciate how he’s tried a slew of different things to make the 2nd half work but i don’t think he executed it very well at all . the one scene where i thought he acted really well was the miscarriage scene . the lines in that scene were lovely .

i am a huge fan of sathyaraj . i mean , there was a phase in the late 80s when he did some superb acting in movies like “vedham pudhidhu” and “paalaivana rojakal . ” of course , amaidhi padai is the stuff of legends . here , he got a very meaty part but i think he should’ve underplayed it a little . plus , he just didn’t come across convincingly as a musical genius . too many sathyarajisms and too little character delineation…but he had the best line of the movie i thought – “naan ilakanathukkulliye irundhen enna pazhasu - nu sollitaange . avan ilakanatha odachu odachu panitrukaan , avana pudhusu - nu solitaange . ” aptly sums up isai vendhar and ak shiva .

the one scene where i laughed the hardest was the one with raju sundaram and his assistant . the way he casually asks , “editor antony - ta povom ipo . avanaachu saaptrupaana ? ” was hilarious , i thought !

it is possible that the subject is too contemporary ( what with both protagonists still alive and creating ) for someone ( not sj surya ) to make a meaningful movie on this subject that has it all – a rags to riches story , a story of enormous success fueled by sheer genius followed by a sudden eclipse commercially by another genius .

this is the stuff a good filmmaker could gorge on like someone who sees home cooked indian food after being on a business trip to a scandinavian country for a few months . during winter .

mani ratnam might have been a good candidate for bringing such a movie to life before his sudden drop in creativity in recent times . but i would guess since he has been involved with both geniuses it may not be easy to take an unbiased stance .

1 ) well , even if he chose to chart the careers of ir and arr , he still could have made a few changes to make it look sufficiently like fiction . it could have been something other than music , like art direction , camera work or even fashion designing . the passion of creation and disappointment of somebody else’s success happens in all fields . he is just making it too close to real people for the sensation - quotient of it all . is he trying to tell a story or just trying to annoy people for the heck of it ?

2 ) i guess we already discussed movies like this in the first broad reflections post . i just standby what i told there . urltoken

3 ) this movie is basically a “if mani can make iruvar , then so can i” with absolutely no consideration as to what made iruvar what it is . i am guessing that people make the same mistake in making their heroine as audacious as nirosha and hoping that it has the same effect as agnin . if only people knew that imitation and counterfeiting not the same thing .

i really didn’t understand the need to do this ir - arr hinting . whatever the man’s faults might be , i’m sure ilaiyaraaja doesn’t do murder and the such .

but what i really didn’t understand was a couple of parents in the theater with me . they got their 5 - 6 year old kids to the movie , knowing it was from sj suryah . then they spent a good chunk of it closing the kids’ eyes .

santosh kumar t k : well i operate on the principle that what the maker says / claims is less important than what he has ended up making — in the sense that if the maker says the movie is about x and i see the movie as being about y , then to me the movie is about y .

so in the case of “iruvar , ” i see it very much as the story of mgr and karunanidhi . in this particular case , the disclaimer — in my eyes — is purely a bit of legalese .

eg . “nayakan” ( based on varadaraja mudaliar ) and “guru” ( based on ambani ) ; the filmmaking , though stylish , is fairly rooted and “real” .

“hawaizaada” ( based on shivkar talpade ) ; the filmmaking is deliberately “unreal , ” set in a world of fantasy .

many farces ( “rettaivaal kuruvi” , “mmkr” ) come under this category ; the situations are obviously contrived , but the execution is in a realistic style .

ram murali : i’m guessing that it would have been too obvious if they’d picked a raja tune . still , i agree — of all people , why l - p , who were hardly a presence in tamil cinema ? or was the song a hint at kovaithambi or something ?

anything meta has to be a bit self - referential ( which the raja - arr angle isn’t ) and also with a bit of abstraction between the pointer and the pointed at . that’s why i say the raja - arr track isn’t really meta — it’s just a ( very broad ) wink .

rangan , thanks for the clarification . it was after reading your reviews of jigarthanda and ktvi that i thought that i understood what would constitute “meta . ” looks like i misinterpreted it…

“with jigarthanda and kathai thiraikathai , we seem to be in the midst of a little “meta” festival , with filmmakers outside as well as inside these films offering a running commentary on the state of the industry . ”

– > so , i thought that isai was similar in that it felt like a commentary on twisted geniuses and the more humble ones…but your distinction between meta and a wink makes sense . thx .

man i was laughing out loud and clapping ! i am a little late to catch this movie i guess , but i thoroughly enjoyed it . there were a lot of lame scenes yes , but there were too many good , well - written and well - staged drama scenes that make up for them . and i thought the climax was a stroke of genius . the way he justifies all the logical flaws in one line ! this guy knows what he is writing . he seems to have closed all the loopholes with that one twist .

the next para may be offensive to some , the idea is however not to offend anyone but just to give an opinion .

regarding the navel scenes , the scenes where he explains how he has to transfer the heart etc , i did find them very silly . you very nicely put it – “you don’t have to look any further if you wondered what it’d be like if a horny , hyper - imaginative teenage boy wrote a penthouse letter . ”

— i read real naughtiness in your above line . i was actually laughing when i read that bit and got a funny stare from people around me . “you don’t have to look any further if you wondered what it’d be like if a horny , hyper - imaginative teenage boy wrote a penthouse letter . ”

i happened to see one particular song from a famous movie by a famous ‘village’ subject specialist director .

the poor heroine is made to get drenched in waterfalls with ‘only’ a very thin white saree to boot . ( like ram teri ganga . . ) here the hero ‘collects’ the water flowing through the …

oh . . i cant even write more , lest it be deemed porn .

it brings in a thought that the director brings to screen the acts which he wants to do , but cannot . he had the ways and means to do what he cannot using the puppets he can control .

there is lust in the mind , some are able to show it and some dont . there is violence in the mind , some are able to show it and some dont .

i read somewhere , that you have a violent man inside you , if you even ‘think’ of killing someone . i guess the same applies in many contexts .

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when dhanush , a pantry worker , finds himself in the midst of officials , trying to save the day by averting a major crisis , his romance with keerthi suresh on top of a train travelling at 90 kmph hardly makes sense .

action sequences too , looks a tad over - the - top and the lousiness is well supported by some poor visual effects .

when all is said and done , how dhanush and keerthi survive and thrive in this hazardous situation forms the crux of thodari .

it will be an big budget action entertainer that will appeal to all sections of audiences .

thazhuvaadha kaikal | tamil super hit family movie | vijayakanth , ambika | ilayaraja | r . sundarrajan

meyaadha maan | address song - adiye s . madhu song with lyrics | vaibhav , priya | santhosh narayanan

great 10 tamil songs of spb ( s . p . balasubramanyam ) with ilayaraja & mohan - volume - 1

kochadaiiyaan ( original motion picture soundtrack ) by a . r . rahman on apple music

jai ho ! ( you are my destiny ) [ feat . nicole scherzinger ]

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incidentally , this has come at a time when the director ' s 24 - year marriage with actor lissy ended .

specialise in - - the word we hear is that mani will play a character of heft and substance in his latest offering .

he dust is yet to settle in kargil , and the dream factory is already up and doing . specifically ,

, who for the first time handles a remake after a string of successful originals . and while on remakes , another one on the kannada floors is

, before going on to parlay his mobile features and rubber - limbed dancing skills into an acting career . now he is set to do another one dance appearance , in director

( raj , if you ask tamil movie fans ) is on a roll . his own production ( rai ' s banner is duet , named after the

won him eight nandi awards , then went on to gain for him the national award , that too in the special jury category , for acting .

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actor arulnithi and his wife keerthana welcomed a baby boy on october 25 at a private hospital in chennai . an excited arulnithi posted , “super happy to let u all know . . . . that i’m blessed with a baby boyyyyy” ( sic ) . the couple entered marital bliss on june , 2015 . the actor has wrapped up radha mohan’s brindavanam and is looking forward for the release .

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bears the unique solo sax with veena , flute or solo violin with 9 people live orchestra . we are a well experienced

who are in to light music instrumental orchestration in sax with full orchestra led by sri . msv raja who have been in the cinema music for over 4 decades . so far sri . msv raja successfully presented many light music shows . and even before the origination of saxowinds , sri . msv raja has performed many stage shows with illayaraja , ar rahman , harris jayaraj , hamsalekha & yuvan shankar raja in india and abroad .

next event : 16th june 2018 : sri raghavendra kalyana mandapam , kodambakkam - marriage reception at 6 . 30 pm 26th august 2018 : sgr mahal , medavakkam - marriage reception at 6 . 30 pm 28th august 2018 : kusalambal kalyana mandapam , chetpet - marriage reception at 6 . 30 pm 30th august 2018 : sanandha kalyana mandapam , tambaram - marriage reception at 6 . 30 pm 06th september 2018 : sivasakthi kalyana mandapam , west tambaram - marriage reception at 6 . 30 pm 11th september 2018 : balaji mahal , chrompet - marriage reception at 6 . 30 pm 28th october 2018 : sree varaaham convention hall , koyambedu - marriage reception at 6 . 30 pm 13th november 2018 : sri krishnaswamy kalyana mandapam , south boag road , t . nagar - marriage reception at 6 . 30 pm 30th january 2019 : sree devi mahal , saliyur , tambaram - marriage reception at 6 . 30 pm

including kamesh - rajamani and a . v . ramanan ' s ' musiano ' .

later , he was part of the ilayaraja ' s troupe . he also worked as an assistant to music directors vijayanand , hamsalekha , manoj - ghyan , sirpi , haradhwaj and gurukiran . he has worked as a musical arranger for nearly 400 films . also , the artist is one of the rare oboe players in the country and owes much to a . r . rahman , who motivated him to learn the instrument . " oboe looks similar to shenai , but the sound and playing techniques is much different . it is used for highlighting emotional and sentimental scenes in pictures . " at present , it is not so popular in india as many are not familiar with it , but it is very popular in european countries . "

he played clarinet in the background score for the signature tune of avm . " i re - recorded the tune during the 1980 ' s for the company . before me another person called meera bhai had played for the tune , " he said .

he holds a licentiate degree from the trinity college of london ( ltcl ) in saxophone ; has passed the associate degree of music ( atcl ) in clarinet & ( a mustcl ) in western music theory , vi grade in oboe and v grade in piano . he is presently working for fellowship degree of music ( ftcl ) . his teachers are g . dhanraj ( piano ) ganesan ( clarinet ) vijayakumar ( a student of lalgudi jayaraman ) and they are teaching him different styles .

coming from a family , which has been closely associated with the tinsel world , raja ' s father sellamuthu had worked as violinist for late g . ramanathan , sm subbhai naidu , kv mahadeven , & kunnagudi vaidhyanathan .

" today ' s youngsters are more intelligent and knowledgeable than us . with so much of advancements in the technology we can definitely strive more to give quality music to the masses , " raja concludes .

msv raja playing sax for illayaraja , ar rahman , hamsalekha , harris jayaraj , yuvan shankar raja & others . . .

creates a newdimension in instrumental orchestra since it is a rare combination of playing solo and duet with veena or solo violin , the total programme will be very pleasant to ears and mr . msv raja play even the difficult old & new numbers . we are totally customer friendly and can entertain the audiences as per their taste and tradition .

a unique way playing the duet cine songs in two separate instruments and solo songs individually . on fixing our programme we use to send a list of songs readily practiced by us and request the customer their choice of songs . on receipt of the song list from the customer , we perform rehearsals for the new songs requested by the customers . we also perform

the musical program by saxowinds on our wedding reception day was excellent and soothing . in contrast to the traditional light music program , the songs played with instruments without vocals was pleasant to hear and clear . the musical troop was ready to adjust with individual needs , and even played around 5 - 6 of our favorite songs . the troop members were friendly and interacted with everyone politely . the audience really enjoyed the event and many asked for contacts of saxowinds . we are glad for choosing saxowinds and we recommend them sincerely .

thank you very much m . s . v raja uncle for the lovely and lively program . . .

- dr . srivani veeranarayanan & dr . m . sheikh mohamed , japan .

1 ) harivarasanam ( swami ayappan ) , 2 ) nalam nalam thiru nalam ( kadhalika neramillai ) , 3 ) sentamil then moziyal ( t . r . mahalingham ) , 4 ) oru nall podhuma ( thiru vilaiadal ) 5 ) mettu podu ( duet ) , 6 ) chinanj chiru keliae , 7 ) neila kaigiradhu ( indhira ) , 8 ) singara velane ( konjum salangai ) , 9 ) en ieniya pon nilave , 10 ) pattum nanae ( thiru vilaiyadal ) , 11 ) karrinelae varum getham ( meera ) , 12 ) vellai pookal malaratum ( kannathil muthamittal ) , 13 ) malai sudum mana nall , 14 ) mun dhinam parhanae ( varanam airam * ) , 15 ) vasigera ( minnale ) , 16 ) avalukenna , 17 ) palingu nall oru maligai , 18 ) pani vilum iravu ( mouna ragangal ) , 19 ) raja raja cholen ( rettai vall kuruvi ) , 20 ) mere sapunike ( aradhana - hindi song ) 21 ) kurai onrum illai , 22 ) enna enna vartaigalo ( vennira adai ) , 23 ) pesugiraen pesugiraen ( satham podadhe * ) , 24 ) ennamo edho ( ko ) , 24 ) pavadai dhavaniel , 25 ) mun andhi saralil ( 7 am arivu * ) 26 ) anjali pushpanjali ( duet ) , 27 ) athaan en athaan , 28 ) enna satham endha nerum ( punnagai mannan ) , 29 ) unnai onru keatpen ( pudhiya paravai ) , 30 ) nenjukullae ( kadal ) 31 ) oh o oh kiku eruthae ( padaiappa * ) , 32 ) mannil indha kadhalukku , 33 ) chithiram pasudhade , 34 ) kadhal ovium , 35 ) kalyana samaiyal sadhum , 36 ) yarumilla thanimaiiyel ( kaviath thalaivan * ) , 37 ) ek dho theen char ( annjan * ) , 38 ) danga maari oodhari ( anegan ) , 39 ) ganapathie varuvai ( devotgional ) , 40 ) iam so cool ( kakki sattai ) , 41 ) unakena venum sollu ( ennai arjndhal ) , 42 ) kagitha kappal ( madras ) , 43 ) anandha yazhai metugerai ( thanga meengal ) and 44 ) yarumilla thani arangil ( kaviath thalaivan * ) .

12 / 34 , rajaji colony , virugambakkam , chennai - 600092 , tamil nadu . india

haira haira jeans bgm ( a . r . rahman best bgm compilation ( 2017 ) )

jodi flute ( a . r . rahman best bgm compilation ( 2017 ) )

love theme ( a . r . rahman best bgm compilation ( 2017 ) )

nisarisa jeans theme ( a . r . rahman best bgm compilation ( 2017 ) )

punnagayil theemooti ponavale ( a . r . rahman best bgm compilation ( 2017 ) )

theme music 1 ( a . r . rahman best bgm compilation ( 2017 ) )

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