we ca n't make the same mistake twice is a 2016 canadian documentary film by alanis obomsawin about the first nations activist cindy blackstock and her court case against the federal government of canada for underfunding social services to children living on first nations reserves .

the film details how the federal government has resisted applying jordan 's principle to restitution efforts .

also appearing in the film is assembly of first nations lawyer david nahwegahbow , who describes the government 's efforts to avoid living up to its agreements with indigenous peoples .

to make the film , obomsawin followed the case for six years , recording testimony from all sides .

we ca n't make the same mistake twice is the 49th film that obomsawin has directed for the national film board of canada — with her 50th , norway house , in production .

we can ' t make the same mistake twice

we can ' t make the same mistake twice <EOT> “we can’t make the same mistake twice” premiered at the 2016 toronto international film festival on september 13 .

there are no featured reviews for we can ' t make the same mistake twice at this time .

we can ' t make the same mistake twice premieres at tiff on september 13th . it will screen at film festivals across the country over the next several months .

in we can’t make the same mistake twice , director alanis obomsawin records the history and first - hand experience of residential schools , whose trauma is being replicated through foster care .

obomsawin ' s documentary is called , we can ' t make the same mistake twice . she explains that it ' s meant to reflect the mistakes made by the canadian government over many generations .

we can ' t make the same mistake twice screens oct . 22 , 10 a . m . , at the tiff bell lightbox as part of the imaginenative film and media arts festival ( urltoken ) .

well , okay , i don ' t really wonder that . because i know that i won ' t . i know that i won ' t be able to handle that because the second time i cried at tiff today was during alanis obomsawin ' s epic documentary we can ' t make the same mistake twice , a film that chronicles the canadian government ' s systematic , discriminatory abuse of first nations children .

the celebrated filmmaker ' s latest film is about blackstock , and the fight she led against the canadian government , alleging the federal government under - funds first nations children living on - reserve . the nfb film , we can ' t make the same mistake twice , will premiere at the toronto international film festival on september 13th .

cindy blackstock spent nine years fighting the federal government over under - funding indigenous children . legendary documentary maker alanis obomsawin watched her every step of the way — and made a film about it . they both join brent in advance of the opening of " we can ' t make the same mistake twice " at the toronto international film festival .

it looks like we don ' t have any akas for this title yet .

we can ' t make the same mistake twice is revelatory not only because of its content , but because of its deceptively radical form . it ' s compiled largely of legal tribunals , and to the bored viewer may play like two - plus hours of cpac coverage . but that cameras were allowed into these hearings , in which our nation ' s abominable shame is laid wrenchingly bare , is itself a revelation .

in 2007 , the child and family caring society of canada and the assembly of first nations filed a landmark discrimination complaint against indian affairs and northern development canada . they argued that child and family welfare services provided to first nations children on reserves and in yukon were underfunded and inferior to services offered to other canadian children . veteran director alanis obomsawin’s documentary we can’t make the same mistake twice documents this epic court challenge , giving voice to the tenacious childcare workers at its epicentre .

in 2007 , the child and family caring society of canada and the assembly of first nations filed a landmark discrimination complaint against indian affairs and northern development canada . they contended that child and family welfare services provided to first nations children on reserves and in yukon were underfunded and inferior to services offered to other canadian children . the veteran director alanis obomsawin’s we can’t make the same mistake twice documents this epic court challenge , giving voice to the tenacious child - care workers at its epicenter .

in 2007 , the child and family caring society of canada and the assembly of first nations filed a landmark discrimination complaint against indian affairs and northern development canada . they contended that child and family welfare services provided to first nations children on reserves and in yukon were underfunded and inferior to services offered to other canadian children . the veteran director alanis obomsawin ' s we can ' t make the same mistake twice documents this epic court challenge , giving voice to the tenacious child - care workers at its epicenter .

interested in telling first nations stories from all over canada have contributed their voices to help the next generation of decision makers understand the current status of aboriginal issues as well as how we got here . as canadians these films provide proof that our governments haven’t always acted in the best interests of all of its people . it’s up to us to hold them accountable now that we know of the injustices that have occurred in the past and present ; may we never have to deal with them in the future . we can’t make the same mistake twice screens wednesday sep 28 , 6 : 30 pm at globe downstairs and thursday sep 29 , 4 : 00 pm at globe upstairs . director alanis obomsawin and interviewee dr . cindy blackstock will be in attendance at both screenings .

the rights of first nations children take center stage in this landmark documentary , the 50th by legendary filmmaker alanis obomsawin . we can’t make the same mistake twice follows the historic discrimination complaint filed against the government of canada in 2007 by the first nations child & family caring society of canada and the assembly of first nations . led by cindy blackstock , the head of the caring society , they argued that child and family welfare services provided to first nations children on reserves were underfunded and inferior to those offered to other canadian children . over the course of the next three years , blackstock and her allies tenaciously fought for what they knew was right in the face of overt—and covert—challenges .

once the tribunal did finally take the case , it clearly made a decision all voices were to be heard and at length ; obomsawin honours that approach , which often makes the film ponderously discursive . so , although the government argued that evidence about the residential schools would be prejudicial to its case , that topic was admitted , and we hear both a scholar ' s lengthy history of the schools and one survivor ' s detailed experience . some editing would have brought the film more dramatically to the point : that foster care is now replicating the residential school trauma . " we can ' t make the same mistake twice , " says robert joseph , hereditary chief of b . c . ' s gwawaenuk nation , native activist and residential school survivor .

veteran abenaki filmmaker alanis obomsawin was in the courts and the hearing rooms with her camera and has produced we can ' t make the same mistake twice for the national film board of canada . the film , made up largely of testimony at the various hearings , is an odd example of form matching content : it will take a committed audience to sit through two hours and 45 minutes of dry legal arguments and administrative minutiae often well removed from the tragic tales of the children in question , but those viewers who do will experience for themselves the frustration and outrage engendered by this mind - numbingly bureaucratic approach to a human crisis . if there was any strong argument to be made in the government ' s favour , obomsawin doesn ' t show it : in her film , the lawyers and bureaucrats defending federal policies mainly look sheepish .

when i grow up , i want to be alanis obomsawin . at 84 years old she has the same energy and spirit as person a quarter of her age . during a lecture given at mount royal university on tuesday , she passionately articulated her reasons for making documentary films as vehicle to change the world and provided an example of where this was true in alberta . we watched a film called richard cardinal : cry from a diary of a métis child . this film from the 1980s helped open up a conversation about aboriginal child welfare in alberta and as a result policy changes were made . fast forward 30 years to alanis’s latest film we cannot make the same mistake twice deals with same issues of aboriginal children being removed from their homes due to chronic lack of funding rather than other measures being taken first .

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ao : the biggest challenge was to get into the courtroom to film what was happening there . it’s really a historical moment because we’ve never been allowed to do this before .

ao : my advice is based on documentary filmmaking but i think it applies to everyone . be aware and figure out if this is what you really want to do and why . it can be difficult , and you have to really believe in what you’re doing , but if you’re passionate , no one can stop you .

ao : i just watched animated short by amanda strong , “ four faces of the moon . ” it is so beautiful . she’s got voices speaking many different indigenous languages saying the same word , and through the images and the few words you hear , it tells you the history of the people . i am still thinking about it .

" so this kind of stuff - - the public don ' t realize what that means , " says obomsawin . " all that is taking away all the human aspect of a life of a child . "

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" the government always said , ' look at all the money that we spent , " explains obomsawin . " so the public that hears this , they say look at all the money they ' re spending on indigenous people and they ' re complaining . "

obomsawin depicts canadian politics in the whole of their procedural banality , with the guiding notion being that it was precisely this ho - hum plainness that enabled the historical oppression of first nations peoples , whose language we stole to name our stupid country in the first place .

[ alanis obomsawin ' s ] never been a flashy or self - consciously dexterous director , and yet she ' s managed - here and elsewhere - one of the greatest tricks a documentarian can pull .

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blackstock says obomsawin is the perfect person to tell the story of the human rights case .

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" i think most listeners can understand that , " says blackstock . " it ' s a huge amount of time in a childhood , and what was so frustrating is that the legal technicalities that the federal government relied upon were all about fairness for the government . never once in the nine years of this trial did they ever advance an argument about the best interest of the kids . "

heart wrenching and beautiful . i couldn ' t stop crying . such real , committed and resilient people , and such a shameful colonial legacy . it ' s time for justice and love . thank you !

nearly a decade earlier in 2007 , dr . cindy blackstock among others raised the alarm bells that the aboriginal child welfare system had problems . this january , yes you read that correctly , january 2016 , they won their case against the canadian government who constantly tried to delay and have the case dismissed . in april 2016 , the tribunal issued another order to the canadian government to pick up the pace on implementing the january ruling . with the release of this film to educate canadians about what has happened in the courts , hopefully they can help speed up this process .

" this pattern of the federal government using racial discrimination against children as a fiscal restraint measure continues , and i pray every day that the government will see the light and stop the practice . but it ' s going to take canadians rising up and saying that we no longer want to be a country that pays for anything on the backs of kids , " says blackstock .

in 2007 , two aboriginal groups brought a human rights complaint against the federal government , alleging its child welfare policies discriminate against first nations children . by limiting the federal funding available , the government deprived children on reserves of the level of service provided by provincial and territorial governments to non - aboriginal children and aboriginal children off the reserves . furthermore , the federal policies were encouraging child welfare authorities to place first nations children in foster care because they didn ' t have the resources to intervene with the families .

never once in the nine years of this trial did they [ the federal government ] ever advance an argument about the best interest of the kids .

" i just think that her ability to tell that story , and for the public to see this story being told , not just through her lens , but to see the government witnesses themselves , " explains blackstock , " i ' m hoping it really awakens the canadian consciousness in ways that we ' ve never seen before . "

much of this documentary while in the context of the tribunal gave insight into the history of first nations people ; from experiences in residential schools to culturally significant ceremonies regarding children . alanis does a fantastic job of providing archival images and footage to accompany some of the testimony provided by the various witnesses . giving the viewers a chance to read the highlighted sections of the documents in question , keeps them engaged in the proceedings as well as provide tangible proof that the canadian government has in fact known about these issues for decades but hasn’t done anything to solve the problems . i particularly enjoyed the footage towards the end of film when dr . robert joseph , hereditary chief of the gwawaenuk first nation , spoke about the ceremonies regarding a child’s place in his community . alanis followed up his voice with images he described .

the federal government fought the case every step of the way , at one point having the complaint dismissed . but that decision was overturned , and the tribunal case dragged on , with a decision coming nine years after the complaint had originally been filed .

in this documentary , distinguished filmmaker alanis obomsawin focuses her lens on the landmark discrimination case filed by the assembly of first nations and the child and family caring society of canada against indian affairs and northern development canada in 2007 . obomsawin exposes injustices to the community by showing how the child and welfare services provided to them are vastly inferior to the services available to other canadian children , while giving voice to the childcare workers at the heart of the battle .

the subject who is truly loyal to the chief magistrate will neither advise nor submit to arbitrary measures .

the tribunal issued a further compliance order due to the lack of action on the earlier ruling , and blackstock expects another order to be issued this autumn .

" obviously , many people feel there ' s a repetition of the model of the residential schools in terms of removing the children , " says obomsawin .

this is the reason why there is so much sickness of the mind and physical sickness in our indigenous population — because of the way they are treated .

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blackstock first took her complaint before the canadian human rights tribunal in february 2007 . the case ended nine years later , on january 26 , 2016 , when the tribunal ruled that the federal government does discriminate against first nations children .

ao : the main reason for making the film is to educate . it’s for the public at large to understand what the real story is about : the fact that our children living on reserves do not have equal rights in relation to other canadian children when it comes to education and health services .

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today , blackstock is the executive director of the first nations child and family caring society of canada . in 2007 , together with the assembly of first nations , blackstock filed a complaint with the canadian human rights tribunal alleging that first nations children were being discriminated against through the under - funding of services provided to children living on reserves .

during the trial , blackstock filed an access to information request for documents withheld by the federal government . it was through those documents that she learned the canadian government had been gathering personal information about her .

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the new film from celebrated documentarian alanis obomsawin ( kanehsatake : 270 years of resistance ) chronicles the events following the filing of a human - rights complaint by a group of activists , which charged that the federal government ' s woefully inadequate funding of services for indigenous children constituted a discriminatory practice .

this activity is made possible by the voters of minnesota through a minnesota state arts board operating support grant , thanks to a legislative appropriation from the arts and cultural heritage fund , and a grant from the wells fargo foundation .

ao : this film was totally funded by the national film board of canada , the finest institution in this country , because it gives a voice to all nations in canada . i’ve directed 49 films and produced one as well , so i’ve made a total of 50 films with the nfb . my next film about norway house will be the fiftieth film i’ve directed with the nfb .

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laura bari made her full - length debut with “antoine , ” a documentary about the imaginary life of a blind boy . the film was shown at 30 festivals around the world and won over a dozen prizes . she . . .

the first time was in the last moment of kelly reichardt ' s very , very good certain woman , which is dedicated to lucy – reichardt ' s own dog , and the co - star of her 2008 film wendy and lucy .

about half of the 20 people who bothered to show up walked out . maybe they thought it seemed boring or didactic . but sometimes the truth is such .

mentorship is very important . i give master classes at universities across the country and i’m currently mentoring two filmmakers through the national screen institute . there’s a lot going on , so i’m very impressed with the possibilities for women to have easier access .

with canada ' s 150th approaching , there is much talk of reconciliation with aboriginal people : obomsawin has painstakingly exposed the official attitudes that might get in the way .

the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .

" she feels in her heart and soul the preciousness of children . and in many ways this is what the story is about . it ' s about 163 , 000 children right now who are living their lives in canada , but are being told by the federal government that they ' re not worth the money , " says blackstock .

ao : i want them to have a clear understanding of the true story concerning the rights of our people . human rights are children’s rights , and children’s rights are human rights .

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it seemed like an issue of basic fairness but the federal government proceeded to fight tooth and nail , dragging out the case with a series of jurisdictional disputes and appeals for six years . in 2013 , the assembly of first nations and the first nations child and family caring society finally made it before a human rights tribunal , which ruled in their favour last january .

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alanis obomsawin : master filmmaker alanis obomsawin has been making documentaries through the national film board of canada since the 1960s . one of the most significant voices in documentary filmmaking , obomsawin is committed to sharing indigenous perspectives in her expansive body of work , which now stands at 50 features and shorts .

ao : this particular story has to do with education , and education and children are the main reasons why i live . my concern is always about children and the educational system in this country .

" with canada ' s 150th approaching , there is much talk of reconciliation with aboriginal people : obomsawin has painstakingly exposed the official attitudes that might get in the way . " - globe and mail

canadian documentarian alanis obomsawin describes cindy blackstock as " the strongest person i ' ve ever met . "

note : the showtimes listed on urltoken come directly from the theatres ' announced schedules , which are distributed to us on a weekly basis . all showtimes are subject to change without notice or recourse to urltoken .

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on the other hand , a long section about jordan ' s principle – that jurisdictional disputes should not be allowed to delay payment – builds slowly but relentlessly toward a devastating indictment of ottawa ' s penny - pinching motivations . the house of commons had voted unanimously to adopt jordan ' s principle , so named for a seriously ill child who spent the entire five years of his life in a winnipeg hospital because no one could agree which level of government was to pay for his care if he was discharged . but the federal bureaucrats applied the new principle so narrowly that an $ 11 - million fund set aside to cover its costs was never needed . in the film ' s most bitter moment , an indigenous affairs official explains how the team who worked on applying jordan ' s principle , which the government has avoided recognizing in a single case , was awarded a public service prize .

blackstock says that the 189 government staffers monitoring her activity found no other motive because there was no other motive .

blackstock says she is still waiting for substantial change to take effect following the tribunal ' s ruling in january .

ao : i have a very soft spot for tiff because they were the first festival to invite me to attend , for my 1984 film “incident at restigouche , ” back when they used to have another name , the festival of festivals . it was very well received and i’ve always had a very good connection with tiff since the beginning .

" they were trying to find ' other motives ' so they could get the case thrown out on frivolous and vexatious grounds , " explains blackstock . " so they were looking for some other motive , personal issue or grudge that i might have , so they could bring that to the attention of the court and have it thrown out . "

the film ' s primary subject is cindy blackstock , a woman whose compassion and spirit as a social worker and advocate of first nations ' rights are only faintly comprehensible to me : a fat , white , canadian man of scotch - english - irish derivation who enjoys the full privileges of citizenship and moans about paying taxes . over the course of nearly three hours obomsawin chronicles blackstock ' s tireless mission to advocate for the rights of first nations children , arguing that the lack of funding allocated to these communities essentially functions as a modern reproduction of the historically abusive and shameful residential school system , which ex - pm stephen harper , despite his many , many faults , publicly apologized for before leaving office .

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w & h : how did you get your film funded ? share some insights into how you got the film made .

one of the arguments in the case was that first nations children were being unnecessarily removed from their homes because of a lack of services provided on reserve . a disproportionate number of indigenous children are removed from their homes in comparison to non - indigenous children .

both blackstock and obomsawin spoke with day 6 host brent bambury about why it was important to share the story with a wider film audience .

activists file a human - rights complaint against the canadian government ' s inadequate funding of services for indigenous children claiming it ' s discriminatory .

when blackstock was working as a social worker in british columbia , she noticed the difference between services provided to indigenous and non - indigenous children .

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please bring this film to north bay , ontario and the union of ontario indians is in north bay also . . . . . they would help

obomsawin’s deft documentary lens gives us a rare and detailed glimpse into the canadian legal system as a remarkable story of courage , conviction and justice unfolds .

a new documentary looks at cindy blackstock ' s 9 - year battle to prove the federal government discriminated against indigenous children living on reserves . ( canadian press )

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i recently handed my own beautiful dog , lilly , off to my very capable parents , so i could handle my tiff - related responsibilities while ensuring my canine best buddy is being looked after in the manner she deserves . i tied her little iron maiden - branded bandana around her neck , and kissed her on her wide , wet nose , and waved goodbye , as her grandparents ' buick drove up the street . so i understand something of the love reichardt is driving at when she dedicates a film to her own , presumably recently deceased , dog . but i wonder if i know enough about love .

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i am currently writing a paper on this chra case decision and would love to be able to watch this documentary as a further expansion of my familiarity with the topic . is there a date for release ?

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obomsawin goes on to tell a story from the canadian human rights tribunal hearing , in which blackstock describes a scenario in which an organization is paid to take care of 500 children , when in fact they have 690 children under their care .

ao : i’m very encouraged by the fact that you see more and more women making films and it’s been made easier to access money . female filmmakers need more funds and more space to function — to be encouraged to tell their stories .

after watching the film , i think people will understand that this has been going on for many decades and is really a misunderstood issue . many canadians think that indigenous people get a lot of money , more than other children , and that’s totally false .

it made me ashamed to be canadian . it also made me ashamed to be part of a cohort of ' film writers ' who were largely absent from the wildly underpopulated press and industry screening . where were you guys ? discussing walter hill ' s new terrible movie and constructing new frameworks of irony over a free grolsch ? do you posses literally no sense of national or civil obligation ? do you even vote ?

the @ transmilitary team is ready for their # nyc premiere tomorrow and on wednesday ! 🙌🏼🙌🏼 are you ! ? be sure to get your tix ! # hrwffny . repost @ transmilitary ・・・ our # newyork premiere is tomorrow night at @ hrwfilmfestival ! tickets for 6 / 19 & 6 / 20 are at urltoken get yours now , please ! : ) — @ sidexsidestudios @ jamiebcoughlin @ gesilver @ fionajdawson # hrwffny @ glaad @ odd _ ny @ simcomplete @ archergraynyc # opentransservice # transgender # lgbt # documentary # pride

government officials had monitored blackstock ' s facebook page , took screen - shots and copied information that was then shared among government staff .

i just feel it ' s our job as adults to stand up for kids when something wrong is happening , and that ' s what i was doing .

" i just feel it ' s our job as adults to stand up for kids when something wrong is happening , and that ' s what i was doing , " she says .

full episode : episode 301 : human rights in china , u . s . open , getting schooled in comedy , cindy blackstock and more

audience relations , cbc p . o . box 500 station a toronto , on canada , m5w 1e6

it is a priority for cbc to create a website that is accessible to all canadians including people with visual , hearing , motor and cognitive challenges .

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in addition to being a director , obomsawin is a singer , songwriter , printmaker , and engraver .

[ one of my all - time favorite women - directed films ] is “qatuwas : people gathering together” by barb cranmer .

alba sotorra is an independent filmmaker and producer based in barcelona . she has directed a number of documentaries , including “unveiled views , ” which premiered at guadalajara international . . .

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i wonder if i ' ll ever love something enough to handle seeing it torn away from me , and from its family ; to be swept away and beaten and indoctrinated in a culture that ' s not its own ; to learn to hate itself , and still be able to hunker down , find some strength inside of me , and get on with my life , as if it ' s no big deal .

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another amazing documentary alanis . . . . once again , thank you for opening up our eyes !

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is this what a democratic transition looks like ? myanmar authorities fear what reuters journalists have exposed . fo… urltoken

ella mai – boo ' d up ( remix ) ft . nicki minaj & quavo

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canada is a different place than it was even ten years ago . many first nation film makers and those

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puthiya vaarpugal is a 1979 tamil language feature film directed by p. bharathiraja .

k. bhagyaraj and rati agnihotri played the lead roles in this film along with goundamani and g.srinivasan .

the music was composed by ilaiyaraaja the film marked the debut of bhagyaraj as a lead actor .

the film was remade in telugu as kotha jeevithalu .

the movie was shot in picturesque locations in the theni area of tamil nadu .

puthiya vaarpugal

puthiya vaarpugal <EOT> puthiya vaarpugal ( 1979 ) tamil movie cd - rip 320kbps mp3 songs music by ilaiyaraaja - starmusiq . com

kannukku mai azhagu - puthiya mugam amezing voice - arun ashok & laya . must watch

puthiya vaarpugal is a 1979 tamil language feature film directed by p . bharathiraja . k . bhagyaraj and rati agnihotri played the lead roles in this film along with goundamani and g . srinivasan . the music was composed by ilaiyaraaja

02 yen radhaiye puthiya kavithaiye - prema paasam - tamil - k . j . yesudas - s . janaki - vaali

puthiya vaarpugal is a 1979 tamil comedy , drama film , directed by bharathiraja and produced by manoj creations . this film stars k . bhagyaraj , rati agnihotri , goundamani in the lead role . the films soundtrack and background score were composed by ilaiyaraaja with lyrics by kannadasan , muthulingam , gangai amaran .

of the lot , my favourite ending is the one in pudhiya vaarpugal , an otherwise unremarkable movie that features bhagyaraj as a village schoolteacher who falls in love with a local belle ( rati agnihotri ) . after having the teacher hounded out of the village , the local bigwig decides to have the girl for himself . he makes it seem that she is having an affair with one of his cronies , and gets her married to him . on the wedding night , he asks her husband to leave so that he could do the honours , so to speak . by this time , the girl has reached a state where all that remains is a grim determination to do what is right by her — a recurring leitmotif in bharathiraja’s movies . up to this point , whatever happens is familiar territory , so when she kills the bigwig to save her virtue , i was not too surprised .

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tamil superhit comedy movie | darling darling darling | full movie | ft . k . bhagyaraj , poornima

who is the best director . ? ks ravi kumar , k . bhagyaraj and bharathiraja snubbing pyramid nadarajan

mundhanai mudichu | tamil movie comedy | k . bhagyaraj | urvashi | poornima bhagyaraj

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lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .

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this is rati agnihotri ' s first film , and it made her an overnight star in south indian films .

bharathiraja and ilayaraja come together in a fascinating rustic tale of love , conservatism and rebellion . told in the poetic fashion that the director later over - exploited , it remains as engaging as it must have been all those years ago . ilayaraja is in his element . when are we going to listen to such rhythms ?

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singer ( s ) : bharathi raja , ilaiyaraaja , gangai amaran , rd . sekar

copyright disclaimer under section 107 of the copyright act 1976 . all the songs at starmusiq . com are for listening purposes only . making duplicate audio cd ' s from mp3 files is illegal . allowance is made for " fair use " . therefore please kindly support us by buying original version of audio cd ' s from your local retailer . all the rights are reserved to the audio company . the owner of this website cannot held liability for any illegal usage of the contents . any disclaimer , please click here to contact us .

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the film marked the debut of bhagyaraj as a lead actor . the film was remade in telugu as kotha jeevithalu . the movie was shot in picturesque locations in the theni area of tamil nadu .

shanmugakani ( k . bhagyaraj ) arrives in the village of thaayamangalam as the new school teacher and soon falls in love with a local damsel jothi ( rati agnihotri ) . the village head called as " periyavar " ( played by g . srinivasan ) is a lecherous and sinister man who has a lustful eye on jothi . amavasai ( goundamani ) is periyavar ' s stooge who also has a long - standing desire to marry jothi . periyavar frames shanmugakani for the rape and murder of a woman social activist and gets him evicted from the village and gets jothi married by deceit to amavasai . he asks amavasai and jothi to stay with him in order to satiate his lust with jothi . what happens afterwards forms the rest of the story .

the music was composed by ilaiyaraaja for the lyrics of gangai amaran and kannadasan . [ 4 ]

this page was last edited on 29 may 2018 , at 17 : 03 .

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wait a minute ! wait a minute ! you ain ' t heard nothin ' yet .

most people would agree that bharathiraja was one of tamil cinema’s foremost directors in the late seventies and eighties , along with k . balachander and mani rathnam . but where kb and mani brought an urban sensibility and sophistication to tamil cinema , bharathiraja reinvented the village on celluloid . he epitomized earthiness . the acting in many of his movies was raw , almost too staged to be real . but somehow , none of that seemed to detract from their emotional power . i think it is because the stories he told were undeniably powerful .

in terms of storytelling ability , the man had one skill that was unmatched by any of his contemporaries . he knew how to craft a powerful ending . his trick was simple : he placed his characters in environments defined by very restrictive social mores , and for the most part , he let it seem like they wanted to play by the rules . even when they embarked upon something transgressive , like a love affair between two people of different religions ( alaigal oivathillai ) , they craved acceptance . he did this long enough and well enough that you , as a viewer , wanted the environment to accept them as well . and then , right at the very end , he pushed his characters to a point where they no longer cared , and even a simple gesture of rebellion had the impact of a sledgehammer .

what surprised me , though , is what happens next . the husband , who has by now developed something of a conscience , tells her that she did the right thing , rips her thali from her neck ( signifying that their sham of a marriage is over ) and helps her elope with the schoolteacher who has returned to claim her . he then takes his master’s body to a nearby hay pile and hides it in there , in time for the villagers to light it as part of a village festival , and then scurries away into the dark .

maybe it is because he is played by goundamani , an actor best known for his loud comic roles . but those last few minutes absolutely blew me away . even today , when i watch that movie , it seems just as surprising and gratifying .

brilliant analysis . i haven’t seen this film but i am ultra curious now . i have seldom come across a rustic tamizh village sequence being understood and analysed so beautifully . more often than not , we miss the finesse and the complexity of such a scene owing to an urban prejudice of controlled exposition . i have seen numerous tamizh films set in the village milieu that i loved but this freeze frame post has given me a new perspective to understand them .

people like sarath kumar have made a career out of the “mora pillai” idea but there is surely is a lot more to films set in rural tamizh nadu . i particularly recall being impressed with bharathiraja after watching vedam pudidu , kizhake pogum rail , alaigal oyivadhulai and seegapu rojakal . the last one being significantly different in story telling and execution compared to the other ones .

on a slightly different note , i am unable to recollect many hindi films post 1990 set in rural india . lagaan and jodha akbar being period films are not exactly in this category and neither is swades .

you’re right – i can’t think of a great village film in hindi in recent times . virasat probably came close , and that too was a remake ( of thevar magan ) .

there isn’t much by way of groundbreaking village cinema coming out these days in tamil either . there is the occasional pithamagan or paruthiveeran — a different kind of film to be sure , but thankfully just as fascinating . then again , the proportion of crap to good cinema was probably just as high back then — we just pick the good ones in retrospect .

in some ways , what bharathiraja brought to the table was a view of the village as a world of its own , with its ( sometimes strange ) beliefs and customs . some of it still exists — i remember watching the female infanticide portrayed in karuthamma with a sort of horrified fascination . while he used these customs sometimes as a plot device ( notably in kizhakke pogum rayil ) , it was clear that he took it all quite seriously , and that honesty somehow shone through . later movies mostly took the formula , but shortchanged the sincerity .

somehow i don’t think bharathiraja was as successful in making an urban film . sigappu rojakkal was more of a notable exception . movies like tick tick tick or the later captain magal turned out to fall woefully short of the mark .

semi - urban , i think . kesu is chosen over langda because of his connections t5o the student body , if i remember right . and that sort of a plot point might not make so much sense in a completely rural setting .

more recently , there have been movies like ishqiya , peepli live , dabang , well done abba , welcome to sajjanpr etc which had a rural setting . on bharatiraja’s powerful endings , i watched this movie kallukkul eeram ( in which he’s given credit for screenplay & direction supervision ) which too had a dramatic and unexpected twist . ilaiyaraja’s brilliant bgm in the last 10 mins led one to think there was going to be a predictable happy ending only to be jolted with a shocking denouement

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@ krishashok @ sidin i suspect this question will end up being asked the other way round in five years . 2 weeks ago

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sundar , my mom loves this movie so much . there is a reason behind it . i am telling u some thing bagyaraj was my moms classmate in mani highschool in coimbatore along with nizhalgal ravi . but k . b was in peelamedu where my granny ' s house was . and u know when kb entered movies my mom and her friends were waiting for hrs to get the ticket of the movie to see their school mate : ) ) ) ) ) she now wants to sakkarakatti . i told her its a horrible movie but still she wants to see her friends son ' s acting . . . . : )

hei ! thats lovely da . . . : ) : ) bagyaraj ' s classmate ! ! : )

this is one movie i am longing to watch . interestingly , ir had attempted something very unique in the song " thamthana thamthana " ; the song has pallavi and anu pallavi but no charanam . that is even the charanams have same tune and hence , effectively there is no charanam . for more on the song , check this post urltoken i think even the parent thread would be of interest to you as it discusses some of the unique attempts of ir . urltoken

cha . . cosmicu . . appappo ipdi touch pannariyeyppa ! ! : ) that was a very interesting info . . [ will chek out the links once i get a better network ]

as said by every one , the song " thamthana thamthana " kindles our heart even now when we hear the song , the song gels very well with the scene and only ilayaraja can create such a master piece . u can see the mix of chorus , folk , indian classical and western in this song , i am just overwhelmed by the excellent composition of this song , one cannot imagine such a point perfect fusion of various types of strings , chords , chorus and rythm . only a talented music director can deliver such a master piece . even now many light music troupes find it very difficult to reproduce the same music , not only this song but many songs of ilayaraja are very difficult to reproduce . as clearly told by s . p balasubramanian , it will take another 100 years for another music genius to be born like ilayaraja . maestro ! we salute your talent . may your fame spread across all corners of the world

once watch . now , this is going to be long . ( has some spoilers too ) with kaala , pa . ranjith has rewritten ramayanam . in his version , t . . .

it all began in aug 2007 . now i ' m in a middle management role which is basically like that of a home maker - no one notices your work , . . .

the school life culminates in the twelfth class ( xii standard ) ; no wonder the stress levels of the kids also peak around the time . i vivid . . .

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thanthana thamthana . mp3 artists : jency , b . vasantha duration : 4 : 33 min

thiruvizha koothu . mp3 artists : bharathi raja , ilaiyaraaja , gangai amaran , rd . . duration : 5 : 50 min

vaan megangale . mp3 artists : malaysia vasudevan , s . janaki duration : 4 : 55 min

copyright disclaimer under section 107 of the copyright act 1976 . all the songs at tamilfreemp3songs . com are for listening purposes only . making duplicate audio cd " s from mp3 files is illegal . allowance is made for " fair use " . therefore please kindly support us by buying original version of audio cd " s from your local retailer . all the rights are reserved to the audio company . the owner of this website cannot held liability for any illegal usage of the contents . any disclaimer can contact us .

play download : director bharathiraja hints about problem with ilayaraja and praises all the directors in a function . mp3 lyrics

play download : bharathiraja about ilayaraja ' s mudhal mariyaadhai bgm - rare podhigai clip . mp3 lyrics

play download : i have conflict with bharathiraja - vairamuthu | briic . mp3 lyrics

play download : bhagyaraj shares funny work experience with director bharathiraja | ninaithathu yaaro audio launch . mp3 lyrics

play download : threat letter to ilayaraja - bharathiraja talks about mgr ' s intervention with english subtitles . mp3 lyrics

play download : actor arul mani says ilayaraja is the great music director . mp3 lyrics

play download : ilayaraja will never sing the vairamuthu ' s lyrics - ilayaraja fans club | tamil songs | fight . mp3 lyrics

play download : t rajendar praises p bharathi raja & bhagyaraj | nba 24x7 . mp3 lyrics

play download : ilaiyaraja talks about muthal mariyathai and bharathiraja at megha press meet . mp3 lyrics

play download : balu mahendra speech about ilayaraja | favorite song | thumbi va . mp3 lyrics

play download : ilayaraja clarifies on recent fight issue | ilayaraja , spb . mp3 lyrics

my son is more romantic than me - karthick yennamo yedho audio launch gautham karthick , d . imman


vanaja girija is a 1994 tamil comedy film directed by keyaar .

the film features napoleon , ramki , kushboo and mohini in lead roles .

the film , produced by meena panju arunachalam , had musical score by ilaiyaraaja and was released on 16 december 1994 .

the film was remade in telugu as mama bagunnava with mohini reprising her role .

this film is a remake of 1974 movie engamma sapatham by the same writer .

vanaja girija

vanaja girija <EOT> vanaja girija mp3 songs download vanaja girija tamil movie mp3 songs download : : tamilmusiq . net

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if you want to answer the questions , " who starred in the movie vanaja girija ? " and " what is the full cast list of vanaja girija ? " then this page has got you covered .

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this cast list of who was in vanaja girija includes both lead and minor roles . ( 10 items )

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watch the full movie , vanaja girija , only on eros now . vanaja girija a 1994 indian tamil film , directed by keyaar and produced by meena panju . the film stars napoleon , ramki , kushboo , . . . see full summary »

vanaja girija cast list , listed alphabetically with photos when available . this list of vanaja girija actors includes any vanaja girija actresses and all other actors from the film . you can view additional information about each vanaja girija actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of vanaja girija have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .

watch vanaja girija tamil movie video songs subscribe to kollywood / tamil no . 1 youtube channel for non stop entertainment click here to subscribe - - urltoken

watch the full movie , vanaja girija , only on eros now . vanaja girija a 1994 indian tamil film , directed by keyaar and produced by meena panju . the film stars napoleon , ramki , kushboo , mohini , urvashi , senthil , kavitha in lead roles . the film had musical score by ilaiyaraaja .

watch vanaja girija tamil full movie starring : napoleon , ramki , kushboo , mohini , urvashi director : keyaar producer : meena panju arunachalam music director : ilaiyaraaja subscribe to kollywood / tamil no . 1 youtube channel for non stop entertainment click here to subscribe - - urltoken

vanaja girija is a 1994 tamil comedy , drama film , directed by keyaar and produced by p . a art productions . this film stars napoleon , ramki , kushboo , mohini , urvashi , visu in the lead role . the films soundtrack and background score were composed by ilaiyaraaja with lyrics by vaali , panchu arunachalam .

watch full tamil movie " vanaja girija " starring napoleon , ramki , kushboo , mohini and other . director : keyaar producer : meena panju and arunachalam music : ilaiyaraaja writer : panchu arunachalam cast : napoleon , ramki , kushboo , mohini and other . for more blockbuster super hits movie stay connected and subscribe here : urltoken log on to our official website : urltoken instagram : urltoken facebook : urltoken twitter : urltoken pinterest : urltoken google + : urltoken

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{ " title " : " othaiyila ninnathenna " , " songseokeyword " : " othaiyilaninnathenna " , " song _ id " : " 266445 " , " singers " : " chitra " , " music " : " illayaraja " , " albumname " : " vanaja girija " , " albumkeyword " : " vanajagirija " , " lyricist " : " panju arunachalam " , " albumid " : " t0002998 " , " rating " : 4 , " duration " : " 04 : 21 " , " songkeywords " : " otiyilaninatena ramkikusboooorvasi chitra ilaaraja panjuarunachalam vanajakirija " , " songimg " : " https : \ / \ / d1k89quaw9hlgo . cloudfront . net \ / raagaimg \ / r _ img \ / 250 \ / t \ / t0002998 - 1 . jpg " }

{ " title " : " siragadikkathu " , " songseokeyword " : " siragadikkathu " , " song _ id " : " 266444 " , " singers " : " chitra , swarnalatha " , " music " : " illayaraja " , " albumname " : " vanaja girija " , " albumkeyword " : " vanajagirija " , " lyricist " : " panju arunachalam " , " albumid " : " t0002998 " , " rating " : 3 , " duration " : " 05 : 04 " , " songkeywords " : " sirakadikatu ramkikusboooorvasi chitraswarnalata ilaaraja panjuarunachalam vanajakirija " , " songimg " : " https : \ / \ / d1k89quaw9hlgo . cloudfront . net \ / raagaimg \ / r _ img \ / 250 \ / t \ / t0002998 - 1 . jpg " }

{ " title " : " unnai ethir paarthen " , " songseokeyword " : " unnaiethirpaarthen " , " song _ id " : " 266446 " , " singers " : " swarnalatha " , " music " : " illayaraja " , " albumname " : " vanaja girija " , " albumkeyword " : " vanajagirija " , " lyricist " : " panju arunachalam " , " albumid " : " t0002998 " , " rating " : 5 , " duration " : " 01 : 30 " , " songkeywords " : " unietirparten ramkikusboooorvasi swarnalata ilaaraja panjuarunachalam vanajakirija " , " songimg " : " https : \ / \ / d1k89quaw9hlgo . cloudfront . net \ / raagaimg \ / r _ img \ / 250 \ / t \ / t0002998 - 1 . jpg " }

{ " title " : " thirumagal un mugam " , " songseokeyword " : " thirumagalunmugam " , " song _ id " : " 266447 " , " singers " : " arun mozhi " , " music " : " illayaraja " , " albumname " : " vanaja girija " , " albumkeyword " : " vanajagirija " , " lyricist " : " illayaraja " , " albumid " : " t0002998 " , " rating " : 5 , " duration " : " 01 : 36 " , " songkeywords " : " tirumakalunmukam ramkikusboooorvasi arunmoli ilaaraja ilaaraja vanajakirija " , " songimg " : " https : \ / \ / d1k89quaw9hlgo . cloudfront . net \ / raagaimg \ / r _ img \ / 250 \ / t \ / t0002998 - 1 . jpg " }

{ " title " : " munnam seitha thavam " , " songseokeyword " : " munnamseithathavam " , " song _ id " : " 266442 " , " singers " : " sp . balasubramaniam , janaki " , " music " : " illayaraja " , " albumname " : " vanaja girija " , " albumkeyword " : " vanajagirija " , " lyricist " : " panju arunachalam " , " albumid " : " t0002998 " , " rating " : 3 , " duration " : " 06 : 42 " , " songkeywords " : " munamsetatavam ramkikusboooorvasi spbalasubramaniamjanaki ilaaraja panjuarunachalam vanajakirija " , " songimg " : " https : \ / \ / d1k89quaw9hlgo . cloudfront . net \ / raagaimg \ / r _ img \ / 250 \ / t \ / t0002998 - 1 . jpg " }

{ " title " : " unnai ethir paarthen " , " songseokeyword " : " unnaiethirpaarthen " , " song _ id " : " 266443 " , " singers " : " sp . balasubramaniam , swarnalatha " , " music " : " illayaraja " , " albumname " : " vanaja girija " , " albumkeyword " : " vanajagirija " , " lyricist " : " panju arunachalam " , " albumid " : " t0002998 " , " rating " : 3 , " duration " : " 05 : 35 " , " songkeywords " : " unietirparten ramkikusboooorvasi spbalasubramaniamswarnalata ilaaraja panjuarunachalam vanajakirija " , " songimg " : " https : \ / \ / d1k89quaw9hlgo . cloudfront . net \ / raagaimg \ / r _ img \ / 250 \ / t \ / t0002998 - 1 . jpg " }

kalyana agathigal ( hd ) - full tamil movie | k . balachander | saritha , y . vijaya

great 10 tamil songs of spb ( s . p . balasubramanyam ) with ilayaraja & mohan - volume - 1

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visu ( born july 1 , 1945 ) is a tamil writer , director , stage , film and television actor and talk show host from the indian state of tamil nadu . visu fine tuned his directorial skills under the mentor - ship of legendary k . balachander until becoming a full - fledged director . he ventured into acting in his self - directed tamil movie , kudumbam oru kadambam meaning family is a mixture , which was a talk of the period for its crisp story line , sensitive story , sensational dialogues and timed jokes . further on , he directed movies like samsaram adhu minsaaram which was remade in almost in all indian languages based on a short story , thirumathi oru vegumathi , manal kayiru etc .

a philanthropist , visu had been supporting the needy through his own foundation . the program at jaya tv " visuvin makkal arangam " had been serving for a genuine cause since its inception . the same type of program arratai arangam was hosted by him in sun tv . though he could serve through a registered foundation , he had been using the program as a tool / media to reach the common man .

this list below has a variety of actors in it , from vivek to urvashi .

manal kayiru | tamil comedy movie | visu | s . v . sekar | full movie

nattamai tamil movie | sarath kumar | meena | kushboo | k . s . ravikumar

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red sparrow , in darkness , lean on pete and more ! it ' s this week ' s new dvds at hmv . . .

years & years , tom grennan , the carters and more : this week ' s new albums at hmv . . .

jennifet lawrence wows in dark thriller red sparrow , read our full preview . . .

the pop trio follow up 2015 ' s hugely successful debut lp communion with a second full - length effort .

the album , which features hit singles ' sanctify ' and ' if you ' re over me ' , sees the band teaming up with a range of production talent , including kid harpoon , bastille / the wombats man mark ralph , one direction / olly murs key man steve mac and dance eccentric two inch punch .

the pop trio follow up 2015 ' s hugely successful debut lp . . .

grennan , best known for his collaborations with chase & status and bugzy malone , goes it alone this week with the release of his debut album .

among the production talent grennan has called on are stormzy / adele key man fraser t smith and athlete frontman and george ezra mentor joel pott .

the synth duo ' s 2017 lp silver eye gets re - released and re - packaged with a brand new second disc . among the added extras are a duet with depeche mode ' s dave gahan and remixes from the likes of joe goddard and ralphi rosario .

the synth duo ' s 2017 lp silver eye gets re - released and . . .

itv2 ' s summer reality series , which is currently dominating the airwaves , gets its own compilation in collaboration with ministry of sound .

among the artists included across three cds and 60 tracks are sigala , jax jones , duke dumont , french montana and rudimental .

itv2 ' s summer reality series , which is currently dominating the airwaves , . . .

jay - z and beyoncé , currently in the middle of their second on the run tour , team up for this joint album , which features nine tracks and collaborations with pharrell williams , cool & dre and dave sitek .

jay - z and beyoncé , currently in the middle of their second on . . .

the movie is an adaptation of jason matthews ' best - selling novel , which follows dominika egorov , former prima ballerina turned state intelligence officer .

despite her reservations , egorov is drafted to become a “sparrow , ” a trained seductress in the service and asked to operate against nathaniel nash , a first - tour cia officer who handles the agency’s most sensitive penetration of russian intelligence .

co - starring alongside lawrence are joel edgerton , jeremy irons , matthias schoenaerts , ciaran hinds , joely richardson , mary louise parker and charlotte rampling .

the movie has been directed by francis lawrence , who directed lawrence in three of the four hunger games movies . snitch scribe justin haythe has written the script .

saturday night live regular taran killam directs , writes and stars alongside arnold schwarzenegger , bobby moynihan , hannah simone and cobie smulders in this action spectacular .

the movie follows eccentric assassins are fed up with gunther , the world ' s greatest hitman , and decide to kill him , but their plan turns into a series of bungled encounters as gunther seems to always be one step ahead . . .

liam neeson stars in the political drama , he plays mark felt , who became the notorious ' deep throat ' , the anonymous source for reporters bob woodward and carl bernstein and helped them in the investigation which led them to the watergate scandal .

diane lane , marton csokas , tony goldwyn and ike barinholtz co - star , with concussion / parkland writer / director peter landesman behind the camera .

liam neeson stars in the political drama , he plays mark felt , who became . . .

hunger games and game of thrones star natalie dormer writes and stars in this tense thriller , working alongside director and real - life partner anthony byrne .

dormer as a blind pianist named sofia who hears a disturbance in the flat upstairs that leads to the death of her neighbour . sofia soon finds herself pulled into london ' s criminal underworld as those responsible attempt to tie up any loose ends that could lead police to her killers , including her visually impaired neighbour .

starring alongside dormer is a cast that includes ed skrein , emily ratajkowski , joely richardson and neil maskill .

charlie plummer , travis fimmel , steve buscemi , chloe sevigny and steve zahn star in this tender drama .

the story follows 15 - year - old charley , who has just moved with his father to portland , oregon . with his father struggling with personal demons , charley finds camaraderie at a local racetrack where he lands a job caring for an ageing quarter horse named lean on pete .

andrew haigh , writer and director of looking and 45 years , takes charge .

charlie plummer , travis fimmel , steve buscemi , chloe sevigny and steve . . .

tom grennan will be performing live and signing copies of his debut album “lighting matches” . . .

sigrid will be performing live , meeting fans and signing copies of her new hmv exclusive ep “raw” . . .

the vamps will be signing copies of their new album night & day ( day edition ) . . .

bury tomorrow will be meeting fans and signing copies of their new album “black flame” . . .

the hunna will be meeting fans and signing copies of their new album “dare” . . .

a young man befriends an aging race horse in # leanonpete . here ' s what you need to know about the film . . . … urltoken

icymi : samuel l . jackson & clark gregg to be de - aged for key roles in # captainmarvel . . . urltoken urltoken

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avar enakkae sondham ( original motion picture soundtrack ) ilaiyaraaja 1977 from £3 . 96

oru kal oru kannadi ( original motion picture soundtrack ) harris jayaraj 2012 £4 . 95

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sagara sangamam ( original motion picture soundtrack ) ilaiyaraaja 2007 from $ 8 . 33

kangalin varthaigal ( original motion picture soundtrack ) ilaiyaraaja 1998 from $ 7 . 14

avar enakkae sondham ( original motion picture soundtrack ) ilaiyaraaja 1977 from $ 4 . 76

akhiri intaqam ( original motion picture soundtrack ) ilaiyaraaja 1994 from $ 7 . 14

oru kal oru kannadi ( original motion picture soundtrack ) harris jayaraj 2012 $ 8 . 45

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