paathshaala ( hindi : पाठशाला ; school ) is a 2010 indian drama film that stars shahid kapoor , ayesha takia , shraddha arya , ali haji , sushant singh and nana patekar and is directed by milind ukey .

the story revolves around children on a school campus .

it comments on the indian education system and its shortcomings .

kapoor plays an english and music teacher .

it is inspired by the marathi film shaala , also directed by milind ukey .

paathshaala opened on 16 april 2010 to mixed reviews .

paathshaala

paathshaala <EOT> i take pleasure in introducing you to actors paathshaala . actors paathshaala is formed by atul bali ( ex barry john faculty ) and team .

paathshaala . . ahmed khan’s production . . starring shahid kapoor , nana patekar and ayesha takia . . paathshaala looks promising with light - hearted promos , decent publicity and aye khuda ( awesome track ) . . so will this paathshaala work ?

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if you want to answer the questions , " who starred in the movie paathshaala ? " and " what is the full cast list of paathshaala ? " then this page has got you covered .

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this cast list of who was in paathshaala includes both lead and minor roles . ( 17 items )

paathshaala cast list , listed alphabetically with photos when available . this list of paathshaala actors includes any paathshaala actresses and all other actors from the film . you can view additional information about each paathshaala actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of paathshaala have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .

paathshaala is a 2010 bollywood film that stars ayesha takia , ali haji and nana patekar and is directed by milind ukey .

paathshaala is a poisonous movie which is seriously not good for your health . it’s foolish and definitely the worst education movie ever .

paathshaala is a movie catering to the children and focuses on the indian education system . paathshala tries to answer many such questions related to the . . .

book basics : shahid kapoor plays a teacher and ayesha takia a nutritionist in milind ukey’s paathshaala play teachers in a school where every incident becomes a battle between good and evil .

the largely young call centre audience i watched the film with at an 8am first - day show chuckled at as well as applauded the histrionics of the tv reporters in paathshaala .

paathshaala : get educated , a eros international presens ; paperdoll ent . production ; story / screenplay , ahmed khan ; producer , shaira khan ; director , milind k . ukey , ( dvd videorecording )

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the resource paathshaala : get educated , a eros international presens ; paperdoll ent . production ; story / screenplay , ahmed khan ; producer , shaira khan ; director , milind k . ukey , ( dvd videorecording )

stream & watch back to back full movies only on eros now - urltoken watch the trailer of the movie paathshaala . film – paathshaala music – hanif sheikh actor – shahid kapoor , ayesha takia & nana patekar produced by – ahmed khan & shaira khan directed by - milind ukey for mobile downloads click : urltoken to watch more log on to urltoken for all the updates on our movies and more : urltoken urltoken urltoken urltoken urltoken urltoken urltoken

get educated : paathshaala is a movie starring nana patekar , shahid kapoor , and ayesha takia . a new english school - teacher also teaches music but ends up leading both teachers and students to revolt against the school management .

data citation of the item paathshaala : get educated , a eros international presens ; paperdoll ent . production ; story / screenplay , ahmed khan ; producer , shaira khan ; director , milind k . ukey , ( dvd videorecording )

paathshaala is the kind of film that will appeal to my grandmother . when you have children living in a boarding school , who are shouted at and who are puppets of the evil management , who are so tired by auditioning for reality shows that they sleep without having dinner , it’s a tear - jerker for the elderly . schmaltzy music plays in the background while all this injustice is unleashed on the children . in thought , paathshaala is reformist , in execution it’s preachy— like a bad soap opera .

" paathshaala challenges the increasing immoralities and unethical practices in the indian education system . it analyses intricately the relationship between students , teachers , and the education system with sensitivity , sensibility and reflects the true spirit of an education system " - - on container

paathshaala has had a disappointing start . released on limited prints , the opening weekend numbers are very poor… last week ' s prince witnessed a big decline… my name is khan has almost exhausted its run in u . k . and u . s . a .

u . k . box - office * paathshaala has debuted at no . 21 position . in its opening weekend , the film has collected £ 26 , 432 [ approx . rs . 18 . 04 lacs ] on 14 screens , with the per screen average working out to £ 1 , 888 .

listen to the song " mujhe teri " from the bollywood movie " paathshaala " starring shahid kapoor . this song is sung by tulsi kumar and hanif sheikh . song - mujhe teri film - paathshaala singer - tulsi kumar , hanif sheikh lyricist - hanif sheikh music director - hanif sheikh artist - shahid kapoor , nana patekar , ayesha takia azmi , swini khara , dwij yadav , master ali haji , avika gor , sushant singh , saurabh shukla , anjan srivastava , vicky ahuja , preeti kopikar music on - t series enjoy and stay connected with us ! subscribe t - series channel for unlimited entertainment urltoken circle us on g + urltoken like us on facebook urltoken follow us urltoken find us on urltoken

it would be interesting to know how many multiplex patrons know what the word means though they may be familiar with it , thanks to rang de basanti . however , having dared to call the film paathshaala , the film tackles a social issue which again doesn’t have many takers via cinema medium . it deals with the gross commercialisation of the education system .

paathshaala is a movie catering to the children and focuses on the indian education system . paathshala tries to answer many such questions related to the sanctity of today ' s education system . it sheds light on the shortcomings and wrong doings in today ' s schools where the high morals and basic ethics associated with the teaching profession seem to have taken a back seat .

here is the song " aye khuda " from the bollywood movie " paathshaala " starring shahid kapoor and ayesha takia . this song is sung by salim merchant and lyrics are penned down by hanif shaikh . song - aye khuda film - paathshaala singer - salim merchant lyricist - hanif sheikh music director - hanif sheikh artist - shahid kapoor , nana patekar , ayesha takia azmi , swini khara , dwij yadav , master ali haji , avika gor , sushant singh , saurabh shukla , anjan srivastava , vicky ahuja , preeti kopikar music on - t series enjoy and stay connected with us ! subscribe t - series channel for unlimited entertainment urltoken circle us on g + urltoken like us on facebook urltoken follow us urltoken find us on urltoken

6 ) rang de basanti ( 2006 ) – if jaane tu . . had “pappu can’t dance” , rdb had “masti ki paathshaala” . the music of rdb was unlike anything heard before . the title track had underground bhangra elements , “khalbali” was a very dark mid - eastern composition , whereas “paathshaala” was a fun track with electronic beats , samples , bass and what not . on the other hand there was rubaroo with just a guitar and some light beats as accompaniment , “tu bin bataaye” with a very unusual and light orchestration , and there was also “lukka chuppi” . lukka chuppi is a song that was incredible in every sense ; it was a duet between arr and lata mangeshkar , it featured an exotic combination of guitar and tabla and a full blown crescendo building up tension towards the end .

paathshaala is unhealthy . it is idiotic and grows more idiotic progressively after first 30 minutes till the end . you find traces of taare zameen par in it . overally , it seems like a wanna be popular tv serial . after watching the movie , you will seriously go wtf . i have no suitable bad adjectives except for abusive words on the idiocy of the movie . surely frustrating ! ! !

there are times when you come out of a theatre and you think why on earth does this story have to be told ? or maybe why on earth should the story be told in that particular way ? and after seeing paathshaala you just feel a bit confused on which of the two it is . to set the record straight paathshaala is neither taare zameen par nor is it 3 idiots . the starting credits clippings did give us a feel that it might have some issues which 3 idiots dealt with but none were present . the story is about schools becoming more commercialized , which seems to be a brilliant topic for a short film or documentary but definitely not a feature film . this painstakingly slow movie has not just gobbled up a heightened multiplex ticket price but also has stolen 2 hours of your precious life . the movie did start off on a

chalk n duster is mostly about the management of a popular public school kantaben high school where indu ji ( zarina wahab ) is the principal . kamini gupta ( divya dutta ) , who can’t see education and business in seclusion , is her deputy . vidya sawant ( shabana azmi ) and jyoti thakur ( juhi chawla ) are senior and much - loved teachers who put their students above everything . has it started to remind you of shahid kapoor - starrer paathshaala ? well , that film was also based on a similar theme . but this one dares to venture beyond the school’s staffroom .

for ukey and his writers , the ideal school is remarkably sterile and in parts too old world to digest—for example , there’s not a single girl in sports class . the girls paint while the boys play basketball . but that isn’t only why paathshaala , in the 2 hours of its running time , tests your patience . every turn of the story , every incident is turned into a battle between good and evil . eventually , ? it’s too preachy to engage you or move you . the makers seem to sign off by saying , “so the moral of the story is . . . ”

aye khuda is breezy , like a beautiful indipop number and salim merchant does his usual brilliant job with the vocals . vishal dadlani brings his own attitude in the spunky title song , while bekarar is typical lucky ali material – thoroughly hummable . mujhe teri starts off in tulsi kumar’s pop album style ( co - composed by vijay lama ) , but thankfully the composer intervenes with the better portions . teri marzi has a distinct rahman feel to it and kailash is dependably wonderful in his rendition . the paathshaala theme too is passable . a surprisingly good soundtrack by a singer debuting as a composer , with every song featuring a composer !

some reviewers here go on rambling on about matters of movie making technique . it is just like how indians discuss cricket - every one has a theory about how the players played - but less than 0 . 004 % have ever picked up a bat in their lives . great deal of art does not have to do with technique but it has more to do with conveying the feelings of the artist . it is like love making - after the act is over - the only thing that endures is whether it was done with feeling . paathshaala is a sincere movie and one with a circumspect message . if that message resonates with the viewer , this movie is splendid - splendid enough for me to register and write my first review in imdb .

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in 2010 , kapoor reteamed with ken ghosh in chance pe dance , a comedy - drama about a struggling actor , in which kapoor ' s performance was described as " uneven " by aniruddha guha of daily news and analysis . [ 38 ] he had a supporting role in paathshaala , a drama starring nana patekar , following which he starred in yash raj films ' badmaash company , a comedy - drama about a group of overambitious youngsters who become con men . rachel saltz of the new york times praised kapoor ' s look in the film , though tushar joshi of mid day found him to be a miscast . [ 39 ] [ 40 ] kapoor ' s fourth and final release that year was satish kaushik ' s romantic comedy milenge milenge , opposite kareena kapoor , a production delayed since 2005 . [ 41 ] during its production in december 2004 at phuket , kapoor requested for a delay in filming to attend the premiere of dil maange more . the hotel that the crew was supposed to stay in was subsequently destroyed during the 2004 indian ocean tsunami , the delay thus potentially saving their lives . [ 42 ] with the exception of badmaash company , none of these films performed well commercially . [ 43 ]

in 2010 , kapoor reteamed with ken ghosh in chance pe dance , a comedy - drama about a struggling actor , in which kapoor’s performance was described as “uneven” by aniruddha guha of daily news and analysis . [ 42 ] he had a supporting role in paathshaala , a drama about the education system in india , starring nana patekar , [ 43 ] following which he starred in yash raj films ‘ badmaash company , a comedy - drama about a group of overambitious youngsters who become con men . rachel saltz of the new york times praised kapoor’s look in the film , though tushar joshi of mid day thought that he was miscast . [ 44 ] [ 45 ] kapoor’s fourth and final release that year was satish kaushik ‘s romantic comedy milenge milenge , which marked his fourth collaboration with kareena kapoor . [ 46 ] plagiarised from the hollywood film serendipity , the production was delayed since 2005 . [ 47 ] during its production in december 2004 at phuket , kapoor requested a delay in filming to attend the premiere of dil maange more . the delay may have saved the lives of the crew , since the hotel booked for them was destroyed during the 2004 indian ocean tsunami . [ 48 ] with the exception of badmaash company , none of these films performed well commercially . [ 49 ]

the times of india , tnn , updated : apr 11 , 2016 , 08 . 20 pm ist

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a new english school - teacher also teaches music but ends up leading both teachers and students to revolt against the school management .

paathshala , an entertainer with a social message , is the story of a school on the verge of being shut down due to financial constraints and also being exploited by its stakeholders . » read more

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every other hindi movie these days either eulogizes tv news or vilifies it . breaking news is part of the climax , it propels the plot forward and it’s often as important as the film’s characters .

are just three examples . in any film that deals with experiences where society and politics impinge on the human and personal—and that’s true of many movies made in the new india—a writer or director can’t avoid breaking news . it’s a stinging testimony to the ubiquitousness of tv news and how integral it is to our lives .

in ukey’s film , tv is the villain as well as hero . reality tv is a predator , killing the spirit of students at the boarding school where it is set . tv news tries to save it from the predator . a new management , driven only by profit and bent on competing with the expensive private schools of the city , is about to change the way things work around the school . one of the ways they want to do this is by making the school’s infrastructure and facilities attractive to parents . they believe that parents will enrol their children for a higher tuition fee if the school’s pre - adolescent students appear in talent hunts on tv .

there is absolutely nothing that is subtle in this campus film . honest principal against greedy , monstrous trustee ; rich against poor ; cold drinks against natural food ; reality shows against reality . every conflict is loud , and black and white .

but the messages , conveyed explicitly through some tediously dramatic dialogues , are relevant and mirror some unpalatable truths : the state of teachers in our country , how poorly rewarded they are ; the importance of a friendly , tyranny - free environment for a child’s development ; that modern infrastructure doesn’t necessarily mean progressive thought .

the story begins when rahul prakash udyavar ( shahid kapoor ) joins the school in an eastern mumbai suburb as a teacher of english . every teacher , including a scatterbrained bengali teacher of geography and a blustering parsi teacher of science , is a caricature ( why do we have only a bengali , a sikh , a parsi or a gujarati representative in all our movies ? ) .

the nutritionist anjali mathur ( ayesha takia ) is gregarious and caring , enthusiastically going about her job . she has banned aerated drinks in the school canteen and wants to introduce a good music class for younger students . the principal , aditya sahay ( nana patekar ) , is a terror—the kind of principal whose life revolves around his school , but who is such an extreme disciplinarian that students fear the sight of him ( it helps that patekar has a frown and a raspy voice ) .

all is hunky - dory in this “old world” school ( except for a boy who is taunted because of how he looks ) until the management decides to transform it . can principal sahay and his staff stand up to the management and retain the institute’s innocence and joy ?

kapoor’s role has a charming intensity about it—he is unwittingly the hero , who can turn things around—but it’s nowhere close to his best roles . there isn’t much room for the loud , angry histrionics that patekar is known for ; here , he is a quiet angry man . among the performances , he seems to fit into the role best . takia and almost all the other actors are competent .

the story begins with a new english teacher rahul prakash udyavar ( shahid kapoor ) joining swaraswati vidya mandir school , situated in the mumbai suburbs . he strikes instant rapport with students and teachers alike .

when rahul udyawar unifies the teachers ( ayesha takia , sushant singh ) against the atrocities of school management , the principal aditya sahay ( nana patekar ) defends the management decision . this comes as a shocker to the teachers as mr . sahay is known for his dedication as an educator for the last 32 years which has built the school ' s high reputation . the situation becomes graver as school management becomes overambitious with its growth and involves media planners in the extracurricular activities . this demands the involvement of students in tv reality shows and many other media pr activities used for building up the school image in public which starts reflecting on the students ' stress levels . the pressure on young minds increases incredibly , leading to unexpected and grim consequences .

caught in the web of commercialization and internal rebellion , the school ' s situation becomes so explosive that it finally becomes a national issue .

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it ' s shameful that even schooling has fallen prey to the pressures of competition and the vices of money - making mantra . paathshala attempts to challenge such notions that threaten our children ' s future and thus our society .

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rahul prakash udyavar ( shahid kapoor ) joins saraswati vidya mandir , which is located in mumbai ' s eastern suburbs , as an english teacher . shortly thereafter he also agrees to teach music at the request of nutritionist , anjali mathur ( ayesha takia ) . with the school facing shortage of funds , pressure is being brought by manager lallan sharma ( saurabh shukla ) to try to get students ' parents to pay more for a variety of activities . when the principal , aditya sahay ( nana patekar ) , supports lallan , the students and staff are forced to raise funds . despite of their best efforts , however , a stage will be set for a much - publicized confrontation that may well result in the closure of this institution .

the film attempts to challenge several harmful notions that threaten our children ' s future and thus our society .

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starring : shahid kapoor , nana patekar , ayesha takia azmi , swini khara . direction : milind ukey music : hanif sheikh production : eros entertainment , paperdoll entertainment

promising note , it had excellent music and the leads have given their best , but the movie is filled with clichés , melodrama and artificiality which make this a torturous experience . there are several stranded stories which were not finished like the love story of two high schoolers , the student who stands up for the right and gets , what happened to the student idols , did the girl who had a crush on shahid reveal it ? did she give the gift that she intended to give ? what was in it ? , what happened to the guy who secretly loved the girl who had a crush on shahid ? ufff . . . too many plot lines and none ended . clinical ! isn’t it ? the idea of not having a romantic angle with shahid and ayesha was a welcome decision . the director milind ukey showed tremendous maturity handling stars but have not shown that much the entire movie through . technically the movie doesn’t boast of anything special , mediocre cinematography by basha lal , haphazard editing , but the movie does boast of a good soundtrack , kudos to music director hanif sheikh who has also handled the bg and lyrics . art by kishan leaves a lot to be desired . the school set looked fake from the very first frame and the open skies seen from the first floor classroom windows didn’t help either . the dialogues were fake and lacked punch except for the final dialogue from nana patekar . the movie didn’t demand any stars as such and nana patekar except for the last few sequences was wasted but still an enthralling performance by the pro . shahid and ayesha act naturally and claims goodwill . saurabh shukla is impressive . sushant singh is expressive . overall a movie which is not worth a trip to the movie halls . it does try to talk about an important issue but the execution is just plain horrendous . verdict : skip this school

this list below has a variety of actors , like sunil shetty and saurabh shukla , in it .

in his almost a decade - old bollywood career , shahid kapoor has acted with kareena kapoor , sonam kapoor , anushka sharma , amrita rao , rani mukerji and vidya balan , but who is his favoute co - star ? kunal kohli’s teri meri kahaani , marks the actor’s second film with priyanka chopra .

the young actress , who is riding high on the success of ragini mms , is grateful to ekta kapoor for the edgy role , and doesn’t mind doing the sequel if the role is offered to herkainaz motivala is on a high . the success of ragini mms has opened up new doors for this pretty girl . “i [ … ]

the female lead of ragini mms reveals all about shooting intimate scenes with co - star raj kumar yadavdid you know actor kainaz motivala was a journalist ? one simple twist of fate ensured she will now always be the interviewee instead of the interviewer . “i was coordinating a photo shoot for a beauty magazine when the assistant [ … ]

ayesha takia is an indian actress who mainly appears in bollywood films . her maternal grandmother is english . she made her

shahid kapoor is an actor and a trained dancer . he is actor director pankaj kapur’s son . starting off his career by

copyright © 2018 hungama digital media entertainment pvt . ltd . all rights reserved .

outside pressures force a boarding - school principal ( nana patekar ) to enact strange changes at his institution .

sometime back , we at bollywood hungama had done a news - break about choreographer - director ahmed khan turning producer and launching his first independent film . here’s an update on that front

race 3 mints approx . rs . 100 cr . in profit for the makers ; …

. starring shahid kapur , nana patekar , ayesha takia and suniel shetty in pivotal characters , the film revolves around kids and is set in a school campus .

ahmed isn ' t directing the film ; instead , he has entrusted the directorial reins to milind uke . the kids finalised for the key roles are swini [

is about the student - teacher relationship . it ' s a highly emotional subject . i can confidently state that it ' s the most lavish children ' s film made in india . ”

meanwhile , ahmed has erected a massive set of a school at film city . in fact , the set houses class rooms , dormitories , principal ' s cabin , staff rooms , corridors , a basket ball court , garden , assembly hall , music room and even a canteen . shooting of the film commenced from january 27 .

, is scoring the music of the film . adlabs is backing the project .

is one of shahid kapoor ' s biggest unexpected flops at the box office .

the actor , who recently wowed us with haider , got together with vikas queen bahl , and it ' s very surprising that the promising duo got it so wrong this time .

boasted of tremendous production values . and great actors too , in pankaj kapur , sushma seth and alia bhatt .

the film did well on its opening day but had a free fall from then on .

the film took a while in the making and by the time it was ready for release , audience interest has declined .

the final picture on display wasn ' t exciting at all and the audiences did not care for it .

sounded novel on paper , as it revolved around three love stories set in three different eras .

co - starring priyanka chopra , director kunal kohli made sure the visuals looked great and the songs were popular .

rani mukerji show all the way , shahid stepped in as an able co - star .

dil bole hadippa ! had its moments but as the film progressed , the narrative sunk in . by the time the predictable climax unfolded , all was lost for this yash raj production .

, shahid shared the credits with sunny deol , vivek oberoi , paresh rawal , jackie shroff and ayesha takia .

producer firoz nadiadwala wanted to give the film very good production values , and it was shot on a large scale .

the film had some fun moments but it did not work as a whole .

was a multi - starrer , and shahid co - starred with akshay kumar and suniel shetty .

firoz nadiadwala produced this film as well , and both his films did similar business .

director vikram bhatt could not carry forward the winning formula of awara paagal deewana and delivered a failure in this unofficial remake of there ' s something about mary .

shahid ' s role started off as a guest appearance but it was increased to full - length over time .

though there were a few good scenes featuring nana patekar and him , the film could not cover the distance .

though it was a reasonably well made romantic thriller co - starring fardeen khan , it did not work at the box office .

initially started with the late jiah khan . she was dropped midway and replaced with genelia d ' souza .

there was nothing going for the final product except shahid ' s fabulous dancing .

the film did not carry any buzz and did not fetch any good reviews .

what is a r rahman doing at a dubai mall ? reader talib sends us a picture .

stephen book’s improvisation technique for the professional actor in film , theatre & television .

atul started as an actor since his school days . after performing in renowned intercollegiate one act play competitions like “int” ( indian national theatre ) and “mrugjal” ( dinanath mangeshkar hall ) , atul stepped into the professional world as a co - writer of a full length commercial professional play called “ arcus “ .

after performing as an actor in experimental plays and working under the guidance of respected pundit satya dev dubey , he pursued his higher acting education in barry john’s acting studio .

he has worked in post production of retrospective – vinod chopra films , director’s assistant for p . k the film directed by mr . rajkumar hirani . post production of an ad film for “ troubadour films “ . and 4 years of teaching acting in barry john’s acting studio .

from art to artless the journey from art to artless is that special thing . acting is all about reaching the stage . it looks easy from the outside but that ' s [ … ]

every loner is a potential genius if you are exceptionally good at something and you pretend to be humble , you’re not honest . if you’re honest , you’re arrogant . if you’re [ … ]

the progression – because thinking outside the box is overrated i have devised a method that helps me create a cool piece of art or solve a problem in a very simple way . it has helped me a lot . i call [ … ]

martial art – activating the superhuman some want to learn it to attain peace while others to cause violence . talk about range ! well , i think it’s about neither . martial art [ … ]

interstellar – when science met art never ever in my life have i seen a movie as enthralling and as deep as interstellar . i remember i caught myself with my eyes wide open [ … ]

due to some problems aditya sahai ( nana patekar ) , prinicipal of saraswati vidya mandir , had to take some steps which are against his rules . these things carry the worst consequences along with them for the school’s future . fed up of it , school’s sports coach ( sushant singh ) , nutritionist ( ayesha takia ) , a newly joined english teacher ( shahid kapoor ) along with some other teachers seeks for a universal solution .

even performances couldn’t save this school . i’ll come straight to the point , shahid kapoor , ayesha takia and nana patekar are wasted completely . they are only casted for namesake of a talented cast . it is highly disappointing because none of them gets any scope to showcase their character respectably . hardly any interaction or chemistry between them . sushant singh is nice . saurabh shukla is good but at times he is irritatingly loud . all the kids are unsubtle . rest of the cast is below average .

" paathshala " is a film with a message that tries to answer several questions related to the sanctity of today ' s education system . it sheds light on the shortcomings and wrong doings in today ' s schools where the high morals and basic ethics associated with the teaching profession seem to have taken a back seat . the film attempts to . . .

" paathshala " is a film with a message that tries to answer several questions related to the sanctity of today ' s education system . it sheds light on the shortcomings and wrong doings in today ' s schools where the high morals and basic ethics associated with the teaching profession seem to have taken a back seat . the film attempts to challenge several harmful notions that threaten our children ' s future and thus our society .

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a eros international presens ; paperdoll ent . production ; story / screenplay , ahmed khan ; producer , shaira khan ; director , milind k . ukey

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i love you ( full song ) bodyguard feat . salman khan , kareena kapoor

stream & watch back to back full movies only on eros now - urltoken shahid makes an attempt to make the other professor understand the art called music . movie name – paathshala to watch more log on to urltoken for all the updates on our movies and more : urltoken urltoken urltoken urltoken urltoken urltoken

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" music can change the world " . t - series is india ' s no . 1 music label company , believes in bringing world close together through its music .

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aye khuda has made it to the top of my current playlist . definitely one of the top songs of the year for me .

although hanif has played very safe from experimentation point of view , this is one is a terrrific soundtrack . he is not only managed a casting coup by getting most distinguished composers to sing in his very first outing but also has done enough justice to each of their singing talents by giving them tunes to complement their individual styles . aye khuda , teri marzi & bekarar are brilliant . also , the man can sing & has done good job with lyrics too , that makes him a thorough artist . i am impressed .

sign up to get milliblog weeklies on email , every weekend . brand new music as weekly playlists on apple music , saavn & youtube , with a note on each song .

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idi katha kaadu ( english : this is n't a story ) is a 1979 indian telugu language drama film directed by k. balachander starring kamal haasan , jayasudha , sarath babu , chiranjeevi , saritha , and ramaprabha .

it is a remake of balachander 's earlier tamil hit avargal ( 1977 ) .

jayasudha reprised the role of sujatha in the original .

kamal haasan starred in the same role in both languages .

this film also had chiranjeevi as the villainous husband of jayasudha ( rajinikanth starred as the husband in tamil ) .

the film was shot in black and white .

idi katha kaadu

idi katha kaadu <EOT> idi katha kaadu ( 1979 ) directed by k . balachander • film + cast • letterboxd

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idi katha kadu , is the remake of the tamil movie avargal ( 1977 ) . shot by director k . balachander , the black and white movie is about a married woman , living separately from her husband .

avargal ( tamil ) is a 1977 tamil film made by k . balachander starring sujatha , kamal hassan and rajinikanth . [ 1 ] the film had a reputation of being one of most sensitive movies on women’s lib . the same director later remade it into the telugu film idi katha kaadu ( 1979 ) with kamal hassan repeating his role . hassan is supposed to have learnt the art of ventriloquism for this movie in order to portray his character perfectly .

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lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .

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it is a remake of a tamil hit and a national award winning fim . kamal hassan stars in both languages . this film has chiranjeevi as the villanous husband of jayasudha ( rajanikanth starred as the husband in tamil ) the heroine separates from her husband and lives as a single working mother . enter into the life of the heroine two men who want to marry her . the film takes a lot of interesting twists that keep the viewer gripped . another well made movie by balachander . excellent performances by each and evey one of the artistes . a must see film . music is good too .

jayasudha not only looks beatiful but gives a brilliant performance . chiranjeevi who played - ve roles in 47 rojulu and this film did a great job too . dialogues and screen play and direction for this film really are visible to the viewer in every frame of the movie .

balachander in almost all of his movies used to have one song which will be a new experiment . anthu leni kadha - tali kattu subha vela - mimicry

neram naadi kadu akalidi full length movie | | n . t . ramarao , manjula

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doddmane hudga is a complete commercial entertainer featuring superstar puneeth rajkumar and has been directed by duniya suri .

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international typographical union , a labor union that was affiliated with the congress of industrial organizations and is now part of the communications workers of america .

said a small boy once asked : " when will i grow up ? " when will i see what grownups do see ? " and he ' s bout to come his age he will act another age to be reconized is quite another mess and mama used to say : " take your time young man " and mama used to say : " don ' t you rush to get old " and mama used to say : " take it in your stride " and mama used to say : " live your life " as the years where rushing by he will cut down on his age , he will tell his girl of how it used to be . how his mommy past away but this lines she would say at the time he couldnt understand and mama used to say : " take your time young man " and mama used to say : " don ' t you rush to get old " and mama used to say : " take it in your stride " and mama used to say : " live your life " you " re young son joe dont hold all back , do what you want to do . now is the time for you to strive , for you to get better in what you are doing ! as a small boy once asked , " when will i grow up ? " when will i see what grownups do see ? " at a time to come to come of age he will act another age , to be reconized is quite another mess ! hey mama used to say : " take your time young man " and mama used to say : " don ' t you rush to get on " and mama used to say : " take it in your stride mama used to say , hey hey hey hey hey - ey and mama used to say : " take your time young man " and mama used to say : " don ' t you rush to get on " and mama used to say : " take it in your stride " and mama used to say , mama used to say , oh oh oh oh oh oh oh

those last 10 mins of climax made me cry . . . edhi kadha kadhu !

screenplay is super . . . . jayasudha mam acting is fantastic . . . director sir fabulous job . . . . . one of the best movie i had seen

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gaali kadupu ledu kadali kanthu ledu ( lyrics : acharya atreya ; singer : s . janaki )

jola paata paadi uyyala oopana ( lyrics : acharya atreya ; singer : p . susheela )

junior junior atu itu kaani hrudayam toni ( lyrics : acharya atreya ; singers : s . p . balasubramanyam and ramola )

sarigamalu galagalalu ( lyrics : acharya atreya ; singer : s . p . balasubramanyam and p . susheela )

thakadhimi thaka ( lyrics : acharya atreya ; singer : s . p . balasubramanyam )

book soundtrack s . . . see also categorybook soundtracks only a few cases exist of an entire soundtrack being written specifically for a book . . . a soundtrack for j . . . this was an eccentric , experimental project , in contrast to all other soundtracks , as the composer was allowed to convey general moods and themes , rather than . . .

the matrix revolutions - production - soundtrack . . . although davis rarely focuses on strong melodies , familiar leitmotifs from earlier in the series reappear . . . for example , neo and trinity ' s love theme—which briefly surfaces in the two preceding movies—is finally fully expanded into " trinity definitely " the theme from the zion docks in reloaded returns as " men in metal " , and the energetic drumming from the reloaded tea house fight between neo and seraph opens " tetsujin " , as seraph , trinity and morpheus fight off club hel ' s three doormen . . .

karen o - career - soundtrack work . . . in the track " cut me up " by har mar superstar for the soundtrack to the 2005 horror film house of wax . . . of bob dylan ' s " highway 61 revisited " for the i ' m not there movie soundtrack . . . ross on a cover version of led zeppelin ' s " immigrant song " for the soundtrack to the english - language version of the film the girl with the dragon tattoo , for . . .

ben folds five - discography - soundtrack s and compilations . . . wrong soundtrack ( 1996 ) - contributed " song for the dumped " the truth about cats dogs soundtrack ( 1996 ) - contributed " bad idea " kcrw rare on air , volume 3 ( 199 . . .

( tamil ) is a 1975 tamil film directed by k . balachander . this film was controversial upon release as it examines relationships between people with wide age gaps , which challenged indian social mores . the film went on to win the national film awards ( india ) in 1976 . this film remade in hindi as ek nai paheli starring raaj kumar , hema malini , kamal haasan & padmini kolhapure .

( telugu ) is a 1976 telugu film directed by k . balachander . this is jayaprada ' s first starring role and is considered to be one of her best films . rajnikanth and kamal hassan play key roles . this film was shot in black - and - white . the film is a remake of tamil super hit film aval oru thodar kathai ( 1974 ) , also directed by k . balachander . it was also shot on black & white film . sujata played the role of jayaprada , jai ganesh did the role of rajnikanth , kamal haasan played the role of narayana rao . same tunes were used in both the languages . sripriya , phataphat jayalaxmi and rest of the cast are same in both the versions . the tamil film was later was dubbed into malayalam as aval oru thudarkatha ( 1975 ) .

( tamil ) is a 1976 tamil film that was directed by k . balachander . the movie stars kamal hassan , rajnikanth and sridevi . it is hailed as the movie that made rajnikanth a big " villain " star . the movie revolves around 3 people - a college going girl ( sridevi ) and 2 men who fall in love with her ( kamal hassan and rajnikanth ) . sridevi was 16 at the time when she performed her character which was 2 years older than she was . rajinikanth played as an anti - hero who appeared as a womaniser whilst kamal hassan did a small role for his mentor k . balachander .

( tamil ) is a 1977 tamil feature film directed by bharathiraja . the film stars kamal haasan , rajinikanth and sridevi . the film ' s score and soundtrack are composed by ilaiyaraaja . the film marked bharathiraja ' s debut as a filmmaker / screenwriter and it met with a strong critical reception upon release . it was also rajinikanth ' s first color film . this is the first film which changed the melodrama of tamil films shooting inside the studios and sets . the film was completely shot in outdoor locations and marked a new era in tamil cinema .

( tamil ) is a 1977 black and white tamil language film starring kamal haasan , rajinikanth , sangeetha and sri priya . this is one of rajinikanth ' s early appearance in tamil in which he plays main villain . the movie is noted for rajinikanth ' s famous phrase " this is rajini style " , which he says to kamal several times throughout the movie .

is a 1978 tamil film is directed by c . v . sridhar . it became a big hit , due to the music . the director remade the film in telugu as vayasu pilichindi ( 1978 ) with the same quartet of actors from the tamil film : rajnikanth , kamal hassan , sripriya , and jayachitra . the remake also became a big hit , so the director remade the film once again , this time in hindi as dil - e - nadaan ( 1982 ) .

is a 1978 tamil film is directed by c . rudhraiya . it starred sripriya , kamal hassan and rajnikanth , with ilayaraja as music director . the film was noted for its very stylized film making and cutting - edge dialogues , a large portion of it in english .

is a 1978 tamil film , directed by k . balachander & produced by r . venkataraman . string rajinikanth , saritha , kamal haasan ( guest appearance ) , joshl and premila . it was made simultaneously and released in kannada as thappida thaala .

is a 1979 tamil / malayalam bilingual film directed by i . v . sasi . it has rajinikanth and kamal haasan in the lead roles , with sripriya and jayabharathi playing their love interests . the film was dubbed into telugu as allauddin adbutha deepam and into hindi as aladdin and the wonderful lamp .

is a 1979 tamil language film starring kamal haasan , sridevi and rajinikanth . kamal haasan in the lead role of the protagonist . the film by devar films , written by chinnapa thevar .

( tamil ) is a 1979 indian tamil language drama film directed by k . balachander starring kamal hassan , rajnikanth , jayaprada , geetha and nakul . the film was also released in telugu as andamaina anubhavam .

( tamil ) is a 1981 tamil movie starring rajinikanth , ' thengai ' srinivasan , madhavi , nagesh , sowkar janaki and music composed by m . s . viswanathan . the film is directed by noted filmmaker , k . balachander . the film is actually a remake of the hindi blockbuster comedy film gol maal released in 1979 . the film became a blockbuster upon release and is in the top 10 tamil movies made of all time . in the climax actor kamal hassan makes a cameo appearance as a fake lawyer who wants to sue sri ramachandramurthy on chandran ' s behalf .

( 1982 film ) - indian tamil language film directed by k . balachander starring sivakumar and saritha . kamal haasan rajnikanth played as cameo roles .

is a 1983 tamil language film starring y . gee . mahendra in the lead role of the protagonist . this movie is literally a remake of the english movie ' oh , god ! ' . the story revolves around y . g . mahendra who believes in god more than anything else in this world . guest appeared by sivaji ganesan , kamal hassan , rajinikanth and jaishankar .

is a 1985 hindi language film starring kamal haasan , amitabh bachchan and rajinikanth in the lead roles as the protagonists . kamal haasan appears as amitabh ' s younger brother and rajinikanth as amitabh ' s friend in a axtended cameo as police inspector and his introductory screen he smokes his cigarette by shooting the gun up and with that fire he lights it up . however rajinikanth appears only on amitabh bachchan ' s flashback scenes and does not share any screen time with kamal haasan , thus making the 1979 tamil film ninaithale inikkum as their last film together .

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ninaivellam nithya is a 1982 indian tamil romance film directed by tamil c. v. sridhar .

it brings to the limelight the true love that blossoms between two hearts without discriminating against caste and/or creed .

the true love even sacrifices itself for the benefit of the beloved .

the true love ensures the hearts unite beyond the mundane life without giving into the crazy worldly threats .

this film brings out the true love beyond any infatuations and/or physical attractions .

the lovers decide that they desist from any physical relationships until united through marriage though they live in the same place together.the life of lovers ended in a sorrow phase

ninaivellam nithya

ninaivellam nithya <EOT> tamil film song | ninaivellam | ninaivellam nithya | s . p . balasubrahmanyam - youtube

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watch tamil film song ninaivellam ninaivellam nithya movie music by ilaiyaraaja lyrics by vairamuthu sung by s . p . balasubrahmanyam starring karthik , nizhalgal ravi & jayashree ; shreedhar . ☟reach us on web : urltoken facebook : urltoken . . . twitter : urltoken blog : urltoken

ilayaraja hits tamil full ilayaraaja 307 songs - ilayaraja hits songs download 307 songs - ilayaraja hits 2011 tamil movie mp3 songs free download . ninaivellam nithya ( 1982 film ) full cast & crew . movie : ninaivellam nithya . production : siva shakthi movies . kalyana parisu ( english : wedding gift ) is a 1959 indian tamil romantic drama film directed by c . the film stars gemini ganesan , b .

ninaivellam nithya is a 1982 tamil action - romance film , directed by sridhar and produced by siva shakthi movies . this film stars karthik , gigi , nizalgal ravi , lavanya in the lead role . the films soundtrack and background score were composed by ilaiyaraaja with lyrics by vairamuthu .

movie : ninaivellam nithya director : c . v . sridhar cast : karthik , dr . jayashree shreedhar , nizhalgal ravi and others singers : s . p . balasubrahmanyam , s . janaki , malaysia vasudevan , p . susheela music composer : ilaiyaraaja lyrics : vairamuthu released year : 1982 subscribe our channel for more music : urltoken

movie title - - - ninaivellam nithya unbelievable - - - director c . v . sridhar directs actor karthik for 1st time . director c . v . sridhar directs actor karthik for 1st time . director c . v . sridhar and music director ilaiyaraaja joins for 2nd time . cast - - dr . jayalakshmi shreedhar as nithya karthik as chandru nithershan kugenesan nizhalgal ravi as thyagu movie details - - directed by - c . v . sridhar music by - ilaiyaraaja produced by - prakash r . c .

movie : ninaivellam nithya director : c . v . sridhar cast : karthik , dr . jayashree shreedhar , nizhalgal ravi and others singers : s . p . balasubrahmanyam , s . janaki , malaysia vasudevan , p . susheela music composer : ilaiyaraaja lyrics : vairamuthu released year : 1982 the film score and the soundtrack were composed by film composer ilaiyaraaja . the soundtrack , released in 1982 , features 5 tracks with lyrics written by vairamuthu . the song ' neethane enthan ponvasantham ' , ' panivizhum malarvanam ' are the blockbuster classic hit from this movie . kanni ponnu - malaysia vasudevan , p . susheela - 12 : 34 neethane enthan - s . p . balasubrahmanyam - 00 : 06 . panivizhum malar - s . p . balasubrahmanyam - 04 : 16 rojavai thaalattum - s . p . balasubrahmanyam , s . janaki - 08 : 33 tholin mele - s . p . balasubrahmanyam - 16 : 52 subscribe our channel for more hit songs : urltoken . . .

ilaiyaraaja has used pantuvarali very often in his works . i have always felt that his compositions in this raga are special and have a soul - stirring effect . ‘rojavai thalattum thendral ' from “ninaivellam nitya” sung by spb and s . janaki is an ideal example of how a sensuous appeal can be achieved using pantuvarali . an intense piece , in ‘pon megam , nam kangal ' the phrasing ‘snr , , ssg , , ' imparts a catchy twist that is unique to pantuvarali .

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like a river that flows through hills and valleys , cobbles and pebbles , the melody in every raga moulds itself into subtle gamakas and brighas giving rise to a musical landscape that is unique . our indian classical music system is breathtakingly beautiful , and offers much variety in terms of musical scales and flavours . a meditative raga , pantuvarali brings forth a wide gamut of emotions when elaborated , and is one of the favourite ragas of rasikas and performers alike . a hint of pathos , intense yearning , a pleading quality — these are the signature emotions that pantuvarali would convey .

the notes assumed by this raga are shadja , suddha rishaba , anthara gandhara , prati madhyama , pancama , suddha dhaivata , and kakali nishada . purya dhanasri in hindustani closely resembles pantuvarali . kamavardhini and kashi ramakriya are other names by which this scale is known . in ancient tamil music , this scale is called sadari pann . while the pancama serves as a focal point for beautifully - woven phrases to converge , the gandhara and nishada harmonise each other .

saint thyagaraja has composed several kritis in this raga . these are hugely popular in the concert platform , and can instantly enliven a kutcheri . thyagaraja ' s ‘raghuvara naanu ' , ‘ninne nera ' , ‘vadera ' , ‘saramegani ' , ‘shambho mahadeva ' , ‘siva siva sive ena radha ' , ‘aparama ' , ‘sundaratara deham ' , ‘naradamuni ' and ‘shobane ' ( utsava sampradaya ) are all prominent . almost all of them start in the upper shadja — these never fail to attract even the most distracted / sleepy or hungry listener ! dikshitar ' s ‘ramanatham bhajeham ' and ‘visalakshi ' merit mention and one cannot overlook swati tirunal ' s ‘sarasaksha ' immortalised by m . s . subbulakshmi or bhadrachala ramdas ' ‘ennaganu rama bhajana ' .

in film music too , pantuvarali is close to the hearts of several composers . in the film “savitri” , ms , dressed as narada , sings ‘deviyai poojai seivai ' , a composition of papanasam sivan . this song was one of the first ever pieces composed for films in this raga . ‘amba manam kanindu ' in mkt ' s crystalline voice , also a papanasam sivan creation followed suit in ‘sivakavi ' . in ‘ . . . kadamba vana kuyile… ' , the raga ' s stamp is established .

the song that won vani jayaram several accolades was ‘yezhu swarangalukkul ' from “apoorva ragangal” in the music of m . s . viswanathan . this ragamalika piece begins majestically in pantuvarali and the highlight of this song is the akara traversal from lower gandhara to the upper octave gandhara seamlessly . to add magic , this phrase is also decorated with frills laid out gracefully over the framework of the raga . a remarkable piece that fully satisfies the die - hard classical music fan .

‘ninnai saranadainden ' , a bharathiar creation reflecting total surrender to the divine mother has been aptly set to tune in pantuvarali by ilaiyaraaja ( from the film “bharati” ) . the usage of strings , the traditional udukkai , as well as bombay jayashri ' s voice make this song appealing . in the lines ‘thunbam ini illai . . . ' , the tempo change makes pantuvarali ' s various unexplored facets come alive .

‘piraye piraye ' from “pithamagan” is once again a delightful pantuvarali by the maestro . my pick in this raga would be ‘om sivoham ' from “naan kadavul” . starting in the upper shadja , this song makes a thunderous impact . in the lines ‘soma surya agni lochana . . . ' , the landing in the upper octave gandhara brings forth a poignant picture of the raga . sung by vijay prakash , this song has heavy orchestration , truly a celebration in pantuvarali .

yuvan shankar raja in “nandaa” has composed two pieces in pantuvarali — ‘amma endrale ' sung by the maestro , and ‘orayiram ' by unnikrishnan . the waves of sorrow in the heart of the protagonist are conveyed by pantuvarali ' s crests and troughs .

in hindi , ‘tori jay jay karatara ' , a naushad creation from “baiju bawra” maybe cited as a classic example of purya dhanasri .

a . r . rahman ' s ‘hai rama ' from “rangeela” is an example of how such an ancient raga could be infused with contemporary flavours and presented to the youth . a sensual number , in the lines ‘ . . . jaane do naa… ' , an exotic twist to the raga ‘s g , rgmg rsn , pm ' makes hair stand on end , each time .

‘rutu aa gaye re . . . ' from “1947 : earth” is yet another composition of a . r . rahman in purya dhanasri . a fast - paced one , this song reflects enthusiasm and happiness while flying a kite !

it amazes me to see that such a wide spectrum of emotions can be conveyed so effectively by pantuvarali . for learners of music , it is quite convenient to learn and practise pantuvarali since it is the prati - madhyama counterpart of mayamalavagowla , the raga in which beginners ' exercises in classical music are based on .

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sridhar directs this film produced by rc prakash . karthik and jiji are in the lead . ilayaraja has scored the music on the lyrics of vairamuthu .

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