akasathinte niram ( english : colour of sky ) is a 2012 malayalam film written and directed by dr. biju .

the film was shot entirely on the andaman and nicobar islands with a cast that includes indrajith , nedumudi venu , amala paul and prithviraj .

the film revolves around a burglar who is trapped on a scarcely populated island and his getting to understand how nature blends with life .

it premiered at the shanghai international film festival in june 2012 .

it was subsequently screened at various film festivals where it received several honours .

akasathinte niram

akasathinte niram <EOT> amala paul starrer ' akasathinte niram ' has now been selected for the best film category in the oscars .

akashathinte niram ( 2 . akasathinte niram is a 2 . malayalam film directed by dr . biju about the relationship of man , nature and life starring indrajith and amala paul in the lead roles .

akasathinte niram is a 2012 malayalam film directed by dr . biju about the relationship of man , nature and life starring indrajith and amala paul in the lead roles .

aakashathinte niram review - malayalam movie aakashathinte niram nowrunning review . the opening sequence of ' akashathinte niram ' has an old man ( nedumudi venu ) asking a young boy ( govardhan ) what the color of the sky is .

aakashathinte niram malayalam movie is selected for shanghai international film festival 2012 . aakashathinte niram ( colour of sky ) is an upcoming malayalam movie . guarda akashathinte niram streaming in italiano gratis urltoken . possiamo osservare ritratto e elaboratore sul .

malayalam film colour of sky ( akasathinte niram ) , written and directed by bijukumar damodaran , has been selected in the top 282 films in the oscar list in the best picture category .

aakashathinte niram ( 2012 ) watch online free admin november 1 , 2012 0 . akashathinte niram is strictly for those who have the appetite for serious , art house movies .

" aakashathinte niram " is a good execution of a worthy message in a fresh way .

█► aakashathinte niram ►█ dr . biju ★ indrajith ★ prithviraj █ india ' s oscar entry ! ! !

akashathinte niram directed by biju has been chosen for the golden goblet competition section of the shanghai international film festival .

note that several of these films ( oomakkuyil padumbol , ivan megharoopan , and akasathinte niram ) did not get theatrical releases in 2011 . oomakkuyil padumbol was released in february of this year . akasathinte niram is slated for release this week , july 20th , and i believe that ivan megharoopan will be released next week , on july 27th . and a note to the makers of all three of these films ( and most especially ivan megharoopan ) - - if you release your film to dvd without english subtitles you will make me cry .

bijukumar damodaran , known mononymously as dr . biju , is an indian film director and screenwriter . he ' s best known for films such as saira ( 2005 ) , veettilekkulla vazhi ( 2010 ) , akasathinte niram ( 2012 ) , perariyathavar ( 2013 ) , and valiya chirakulla pakshikal ( 2016 )

aakashathinte niram is a drama movie directed by dr . biju . indrajith , prithviraj and amala paul is playing the leading roles .

malayalam cinema now showcases the most recent works of contemporary filmmakers madhupal ( ozhimuri ) , manoj kana ( chayilyam ) , dr . biju ( akasathinte niram ) , lijin jose ( friday ) , arun kumar aravind ( ee adutha kaalathu ) , ranjith ( indian rupee ) and k . gopinathan ( ithra maathram ) .

madhupal’s ozhimuri , anjali menon’s manjadikuru , dr biju’s aakashathinte niram , k gopinath’s ithra mathram and tv chandran’s bhoomiyude avakashikal are the feature films .

43rd international film festival of india ( iffi - 2012 ) - director , dr . biju addressing at the presentation of film ( akashathinte niram )

amala paul acted in : neelathamara , veerasekaran , sindhu samaveli , mynaa , ithu nammude katha , vikadakavi , deiva thirumagal , bejawada , vettai , kadhalil sodhappuvadhu yeppadi , love failure , muppozhudhum un karpanaigal , akasathinte niram , run baby run , naayak , iddarammayilatho , thalaivaa , oru indian pranayakatha , nimirndhu nil , velaiyilla pattathari , kathai thiraikathai vasanam iyakkam , iyobinte pusthakam , mili , lailaa o lailaa , janda pai kapiraju , haiku .

overall , “aakashathinte niram” is a good execution of a worthy message in a fresh way . i am giving 3 out of 5 and a thumbs up for this dr biju movie . could have been more engaging .

tags : 2011 , akam , akasathinte niram , blessy , bobby - sanjay , chaappa kurish , chembakapoonkattile , dileep , fahadh faasil , indian rupee , ivan megharoopan , jagathy sreekumar , kannodu kannoram , kannoram chingaram , kerala state film awards , m . j . radhakrishnan , m . mohanan , malavika , manikiakkallu , naayika , nilambur ayisha , oomakkuyil padumbol , p . balachandran , pranayam , ranjith , rathinirvedam , rathinirvedam , salt n ' pepper , sharreth , shreya ghoshal , shweta menon , sudheep kumar , swapna sanchari , thampi , traffic , veeraputhran , vellaripravinte changathi

director dr . biju’s new experiment in the celluloid “aakashathinte niram” is definitely a good attempt on conveying the message of how to live life happily with selfless attitude and positive perspective . even though the movie achieves its goal , the making isnt that impressive from a director who gave a delightful new treatment on terrorism through veettilekkulla vazhi . by that i dont mean that it is a poorly crafted movie . while veettilekkulla vazhi stays in our mind for its freshness and haunting nature , aakashathinte niram ends up in only a positive smile .

filmmaker dr . biju is one of malayalam cinema’s most valuable assets today . right from the days when his debut feature film , saira , paved its way to the cannes international film festival , the talented writer - director’s career has only soared . for ones wondering why kaadu pookkunna neram is called mainstream , the film features two of malayalam cinema’s more popular actors – indrajith sukumaran and rima kallingal . with a fabulous repertoire of films like veetilekkulla vazhi , valiya chirakulla pakshikal , perariyathavar and akasathinte niram backing the filmmaker , it is obvious why kaadu pookkunna neram made its much - deserved entry to the 47 th iffi’s indian panorama . over to you , dr . biju .

best film : ranjith , indian rupee second best film : p . balachandran , ivan megharoopan best director : blessy , pranayam best actor : dileep , vellaripravinte changathi best actress : shweta menon , salt n ' pepper second best actor : fahadh faasil , chaappa kurish , akam second best actress : nilambur ayisha , oomakkuyil padumbol best comedian : jagathy sreekumar , swapna sanchari best child artist : malavika , oomakkuyil padumbol best story : m . mohanan , manikiakkallu best cinematography : m . j . radhakrishnan , akasathinte niram best screenplay : bobby - sanjay , traffic best lyrics : sreekumaran thampi , naayika best music director : sharreth , ivan megharoopan ( all songs ) best male singer : sudheep kumar , rathinirvedam : " chembakapoonkattile " best female singer : shreya ghoshal for rathinirvedam & veeraputhran - - " kannoram chingaram " & " kannodu kannoram "

' aaskashathinte niram ' will have songs by o n v and adv . v n anil set to music by raveendra jain . nedumudi venu , t g ravi , mamukoya , delhi ganesh and indrans area also part of the cast of the movie which will be produced by ambalakkkara global films . the pooja of the movie will be held tomorrow at thriuvananthapuram .

acclaimed malayalam film “veettilekkulla vazhi” dr . biju set all ready for starting the shoot of his latest film “aakashathinte niram” and it will start shoot from this october 12th . main locations are andaman and nicobar islands featuring indrajith , prithviraj and amala paul in main parts . this film will be a mollywood entry to amala paul . anil ambalakkara produces this movie for ambalakkara global films .

after searching for the way to home of a deserted boy in his last film , award winning director dr biju will try to look for the colours of the sky in the new film . titled as ' aakashathinte niram ' , the movie will have indrajith as the hero . to be filmed at locales in andaman and nicobar islands , the movie will also feature prithivraj in an important role . .

and by few , i mean a very few , that arrive at the fag end of the film . but by then , anyone who has been eying the proceedings attentively could have guessed where it ' s all headed . but for the first one and a half hours , the film resembles a ship that is lost in the blue sea that you get to see in abundance , sailing this way and that until the shore comes into view . there have been similar attempts perhaps in world cinema , but what would set apart ' akashathinte niram ' from a classic like ' spring , summer , autumn , winter ' is that the emotional density that makes the latter film a delightful watch is missing in the former . while every movement and every moment of silence holds tremendous implication in the kim ki duk film , the extended periods of stillness in ' akashathinte niram ' add up to the tedium .

the only difference is that they have been set on an island this time around . solid performances from the lead actors ( which include a surprise cameo by prithviraj ) do try to drop in the anchor to this ship that has gone adrift in the ocean . m j radhakrishnan ' s beautiful frames and a resplendent background score by isaac thomas kottukapally serve as life savers as well . ' akashathinte niram ' thus ends up a visually spectacular film that lacks something very vital - life ! and there are too many voids lying all around it that thwart its attempts to come across as a believable experience .

aakashathinte niram color of sky malayalam movie trailer exclusive for more videos : urltoken banner - ambalakkara global films . , director - dr . biju , producer - k . anil kumar , story and script - dr . biju , cinematography - m . j . radhakrishnan , editor - manoj , art director - santhosh raman , makeup - pattanom rashid , costume designer - aravind k . r , production control - noble jacob , cheif associate director - shijith purushothaman , lyrics - onv kurup , v . n . anil , music director - rabindra jain , designs - collins . , background music - isaac thomas kottukapally .

aakashathinte niram song : thayaro . . . ( exclusive ) for more videos : urltoken banner - ambalakkara global films . , director - dr . biju , producer - k . anil kumar , story and script - dr . biju , cinematography - m . j . radhakrishnan , editor - manoj , art director - santhosh raman , makeup - pattanom rashid , costume designer - aravind k . r , production control - noble jacob , cheif associate director - shijith purushothaman , lyrics - onv kurup , v . n . anil , music director - rabindra jain , designs - collins . , background music - isaac thomas kottukapally .

“aakashathinte niram” is the story about a thief ( pick pocket , robber wateva you say ) . one day he tries to attack an old man for money . the old guy who lives in a lonely island smartly takes the young fellow to is house in his boat . even though the young man is offered all the comforts in that house by the old man and his companions , the life he lived and the humiliation of the present life frustrates the young guy badly . he tries almost all the possible way to get out of the island . during his days in the island , he knows that there is a purpose behind the old man who is living a strange life in that lonely island . the soul of the movie lies in the portion where the young blood realizes the secret behind the man and how it makes him think and live positively .

five malayalam films have been selected for the in - competition panorama segment at the international film festival of india to be held in goa .

kerala can also stake claim to films such as byaari by suveeran , unni vijayan’s lesson in forgetting and kamal’s id , which have been selected for the festival .

id , incidentally , was one of the films hand - picked by the abu dhabi film festival , and had earned rave reviews .

the times of india , tnn , updated : jul 19 , 2017 , 05 . 32 pm ist

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dr biju ' s next , a ' calm film with buddhism as backdrop ' . . .

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color of sky is a movie about the relationship of man , nature and life .

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a 60 - year - old man who lives on a lonely island comes to the nearby harbor in his small motorboat once a month , with lots of handicrafts to sell . a young 30 - year - old burglar notices the old man and one day he jumps into the old man ' s boat and threatens him to hand over the money . the old man remains calm and unexpectedly starts the boat and drives towards the island . the young man is trapped on the lonely island . he realizes that no other boat comes to that island other than the old man ' s boat . a 7 - year - old boy , a 20 - year - old beautiful but deaf and dumb lady , and a middle - aged stammering man live in the house along with the old men . the young man is compelled to live with these peculiar four people in that wooden shore house . the mystery begins . the young man sees the rare life situations which he has never seen in his entire life . his thought and concept about the life changed , he now begins to realize true meaning of life and how nature blends with the life . color of sky is color of . . .

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t is only once in a while that we get to see an internationally recognised film that has a commercial release . so , there is some excitement as one settles down to watch

the film is directed by dr biju with indrajith and amala paul in the lead and nedumudi venu playing a pivotal roll as an old man .

the film tells the tale of the transformation of petty pickpocket ( indrajith ) . he tries to rob an old man ( nedumudi venu ) in his boat . the shrewd old man asks him whether he knows how to pilot a motor boat or to swim . he then takes off with him in the boat to an isolated island where he has a house .

there live a child played by master govardhan , a domestic help ( anoop chandran ) and a mute young girl ( amala paul ) who does the cooking and other household chores .

in the beginning , the young man is anxious and feels claustrophobic in the new environment . he doesn ' t know why he is being held captive on the island .

he vents his frustration in violent ways by breaking things and even hurting himself and others physically . when he doesn ' t get any reaction , he is reconciled to the situation and actually starts liking

the way of life in this self contained world with no real contact with the outside world .

is shot on the picturesque neil island in andaman and nicobar and has won m j radhakrishnan the kerala state award for best cinematographer . the photography gives the film a lavish feel .

the film is almost silent , with characters not speaking for long stretches of time . it depends on the actions of the characters and the movement of the visuals to hold the viewer ' s attention .

this somewhat meditative treatment runs the risk of distancing the viewer . one can see the influence of the japanese master akira kurosawa ' s

since this movie has no dialogues , the actors have to communicate to the audience through their expressions . we can see the transformation happening in indrajith ' s character in every scene and the monk - like behaviour of nedumudi venu . prithviraj appears in a cameo , but that is not surprising as the audience is aware of his presence beforehand .

in the end , we can say that this visually grand film is meditative in nature and silently attractive .

what is a r rahman doing at a dubai mall ? reader talib sends us a picture .

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there are too many voids lying all around the film that thwart its attempts to come across as a believable experience .

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, which was in the news when it was premiered at this year ? s shanghai international film festival and later , when it won a couple of awards at the recent kerala state film awards , is only aimed at the lovers of serious cinema .

the film has a backdrop , which is similar to the new age movies of the kind , but the absence credible storyline is always felt . dr . biju has succeeded in creating the right mood with beautiful visuals by m j radhakrishnan and nice music by isaac thomas kottukappilly , which has evidently been inspired by several modern day filmmakers including south korean director kim ki duk .

but what lacks here is genuine content or the philosophical angles that are synonymous with such bona fide art house movies .

the film narrates the story of a burglar played by indrajith , who comes to an island where an old man ( nedumudi venu ) , his confidant ( anoop chandran ) , a young girl ( amala paul ) and a not yet in his teens boy ( master govardhan ) lives peacefully . the characters have no names and they talk not much either . and when they talk , it is mostly obscure .

if you are ready to get into a world of your own and give meanings to the curious dialogues and sequences on screen , this one could work for you in parts . in fact , the actors seem to be clueless about what is happening or where the film is heading . prithviraj appears in a brief role that has no real consequence to the story . amala paul has nothing much to do either .

is strictly for those who have the appetite for serious , art house movies . even then , with the lack of an interesting storyline , the film may not be an engaging affair after all . watch it if it suits your taste .

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jr ntr ( krish ) hails from a rich family in hyderabad . he is in love with samantha ( indu ) , who has a friend kajal ( bhoomi ) living in a village . kajal ' s father prakash raj wants her to get married to her cousin ( ajay ) , but kajal is against the marriage . to help kajal get out of this situation , samantha sends jr ntr to her village . reaching kajal ' s house , jr . ntr realizes that there are differences in their family . he soon changes the attitudes of her family members and is loved by everyone . watch to know what interesting turns take place in the lives of jr . ntr , samantha and kajal .

jr ntr made his debut as a child artist in the movie ramayanam . as an actor ntr got his breakthrough with the movie student no 1 . he is famous for his roles in successful movies like aadi , simhadri , temper .

samantha came into limelight with her performance in the movie ye maaya chesave . she acted in blockbuster movies like eega , dookudu , s / o satyamurthy .

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prakash raj popularly known for his supporting and antagonistic performance in the movies like pokiri , dookudu , s / o satyamurthy , ok bangaram .

srihari was well known for his movies like rough , r . . . rajkumar , police game and jabardasth .

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tanikella bharani is well known for acting in supporting roles in the movies like temper , surya vs surya , karthikeya and current theega .

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here you will find one or more explanations in english for the word perariyathavar . also in the bottom left of the page several parts of wikipedia pages related to the word perariyathavar and , of course , perariyathavar synonyms and on the right images related to the word perariyathavar .

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director : dr . biju , producer : k anil kumar , story : dr . biju , music : cj kuttappan , ravindra jain , lyricist : onv kurup , traditional

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filmmaker dr . biju has been known for making socially conscious films . be it

his latest film perariyathavar ( names unknown ) that deals with the issue of waste management has won unanimous acclaim across film festivals and also won a couple of national film awards . the film is releasing today ( 9th january 2015 ) through the pvr directors rare initiative .

we recently interviewed dr . biju . published below are excerpts from the interview .

i did not undergo any academic training in cinema and neither was i associated with films in any way before i became a director . film festivals have a played major role for inspiring me to be a filmmaker . while watching international movies , i realized that cinema is such a powerful medium . i also realised that cinema is not only meant for entertainment , but it is also a powerful medium for depicting social issues , politics and artistically honest and real issues . it is these things that make me passionate about the medium of cinema and inspires me to make different movies .

i choose the subjects based on my observations of the contemporary society . i always try to make films on issues i want to react to . i have always believed in giving importance to subjects that deal with reality and humanity . the script writing is the most important part of my film making process . i usually take several months to complete my script . after getting an idea , i let it develop in my mind for a month or two before i pen the script . if i develop confidence about the theme , only then i research and start working upon collecting all the data regarding the subject . excessive reading and newspaper references are needed for this , following which i start writing the script .

a realistic mind , self - confidence , good observation , imagination without limitations , social commitment and artistic honesty are the essential skills that are required to be a good filmmaker .

i like watching several films made by different filmmakers . kim ki duk , roman polanski , alejandro innarittu and majid majidi are some of the filmmakers who have had the biggest influence in my life .

filmmaking is not an easy vocation . never forget that you have a social commitment and try to retain your artistic honesty as a filmmaker . you can become a filmmaker easily by considering films only as a means of entertainment . or you have to take the tough decision of being an artistic filmmaker with a social responsibility . the choice is yours . the former gives you money , glamour , celebrity status etc . the latter makes you suffer and struggle as a filmmaker . but the world will always accept you as an artistic filmmaker , if you are able to make some changes in the society through your films .

to stick to my ideologies and not compromise for my films . i also consciously try to make movies that are entirely different from my previous films .

film festivals are very importance for art house movies . the art house movies made in india rarely get a chance for a wide theatrical release . the viewers get a chance to watch these movies mainly at film festivals . these movies get a wider audience globally only through film festivals . also the critical acceptances at film festivals create wider global marketing avenues for such art films .

celebrating 30 years of mani ratnam ' s mouna ragam - in tête . . .

straddling between different genres - malayalam cinema director dr . biju and his films by mr . lalit rao [ fipresci ] | urltoken

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since 1995 we connect films to festivals and document the world of festivals worldwide . we offer the most comprehensive festival directory of 6 000 festivals , browse festival blogs , film blogs . . . and promote yourself for free .

mr . lalit rao is a film critic from bangalore , india , fipresci india member . he is the associate editor of the quarterly magazine " cinematography art " . years before imdb appeared , lalit rao created kinema , a database with information on 25 , 000 world cinema films . his articles in french and english have appeared in cinematography art , deep focus , kinoglaz , objectif - cinema , sancho does asia , urltoken and séquences .

* 1000 reviews about " world cinema " completed on 19 / 01 / 2016 .

home > > blogs > > lalit rao ' s blog > > straddling between different genres - malayalam cinema director dr . biju and his films by mr . lalit rao [ fipresci ]

straddling between different genres - malayalam cinema director dr . biju and his films by mr . lalit rao [ fipresci ]

the world of cinema is full of surprises . one needs to learn the intricacies involved with this art in order to transform words into images . hence , it is not so often that an ordinary layman can think of embarking on a creative journey in order to become a filmmaker merely by watching some good iranian and turkish films shown at film festivals . however , bijukumar damodaran is a very strong exception to this rule . in his native kerala , south india , he is more commonly known as dr . biju . as a self taught filmmaker and a practicing homoeopathic doctor , he has made 7 films in a career which started in 2005 with his début film “saira” . it was in 2016 that he directed his latest film “kaadu pookkunna neram” ( when the woods bloom ) .

director bijukumar damodaran began his cinematic journey in 2005 with his début feature “saira” which was the first chapter of his trilogy of films about terrorism . based on events which took place in kerala , saira is a humane , poignant tale about a music maestro belonging to the minority community who loses his daughter , a television reporter , due to communal riots . in saira , dr . biju depicted how innocent people especially children and women become victims of internecine strife . despite its simple narrative structure , saira managed to capture viewers’ interest both in india as well as abroad . secular aficionados are likely to take a valuable lesson from “saira” especially from a scene in which the musical maestro declares his unconditional love for his country at the cost of saving his beloved daughter’s life . apart from having featured in indian panorama section during 38th iffi 2007 , ‘saira’ was shown in “tous les cinemas du monde” section during 60th cannes international film festival 2007 .

the cinematic canvas increased manifold for bijukumar damodaran when he directed his third feature film veettilekkulla vazhi ( the way home ) in 2011 . shot in a road movie format at exotic locales in kerala , rajasthan and ladakh , it was the last part of his ‘terrorism’ trilogy . it was also the first film in which the leading role was played by a ‘star’ contrary to ‘actors’ working in his previous two films . in this film , malayalam cinema’s superstar prithviraj plays the role of a doctor who puts his life at risk in order to reunite a little boy with this father . although he has lost members of his dear family in a tragic incident , his faith in humanity hasn’t waned at all . ‘the way home’ is capable of winning viewers’ hearts as suspense is maintained till the very end . there are moments in this film where ordinary human beings are shown doing extraordinary things in order to restore their faith in humanity . it is not so often that one sees a kerala film crew in rajasthan . this film would enable all viewers to appreciate the beauty of rugged terrains which have now become a common feature of modern indian cinema .

there are various reasons which suggest that ‘perariyathavar’ ( names unknown ) is dr . biju’s best film . it is one of the brutally frank yet honest depictions in the recent indian cinema of poor , nameless , marginalized people who don’t have any voice . although it is a pure work of fiction , incidents dealt in the film such as dumping of garbage in villages , prosecution of tribal people in the name of development have all become commonplace in kerala for a long time . ‘names unknown’ has been shot through the naïve perspective of a kid who goes on to observe innumerable vignettes of daily life with his father . watching this docu - drama , one learns that life is not a bed of roses for ordinary people especially outsiders in kerala by observing how most workers in construction business are not from kerala . ‘names unknown’ bagged best film on environment conservation / preservation award at the 61st national film awards of india , 2013 . actor suraj venjaramoodu was awarded the best actor award . he is ably supported by young actor master govardhan who has acted in many of his father’s films .

it is with his sixth film , “valiya chirakula pakshikal” ( birds with large wings ) that dr . biju proved that cinema can also be used as an effective medium to voice the concerns of the people who have become victims of government apathy . this film portrays the involvement of a photojournalist who captures pictures to highlight the ill effects of endosulfan pesticide on the inhabitants of kasargod , kerala . he uses these photographs on an international level to enforce a complete ban on endosulfan usage in india . apart from good performances by famous malayalam cinema actors kunchako boban , prakash bare and anumol , actual victims of endosulfan tragedy played their own roles with great maturity .

in the context of dr . biju’s films , it can be said that he has a natural flair for inventing new forms of narration . however , as he combines social messages with his films , his films achieve a higher status than merely being visual stories . this distinction is aptly visible in his latest film “kaadu pookkunna neram” ( when the woods bloom ) . in this film , a valiant attempt has been made to answer a tough yet fundamental question related to the maoist movement in india . “how does one define a maoist” ? is a question for which there is hardly any concise , straight answer . this is the dilemma faced by a policeman when he arrests a suspected maoist woman in a forest . it gives rise to a whole series of connected themes such as power of the gun , male versus female relationship and the role of police in dealing with a common man .

dr . biju aims to broaden cinematographic horizons for his eight film which he plans to shoot in a saudi arabian desert . it can be surmised that it would be as interesting and pertinent as his previous works .

cat . : bijukumar damodaran birds with large wings dr . biju fipresci kunchako boban lalit rao malayalam cinema names unknown padma pillai prithviraj raman saira the way home weekend blockbusters when the woods bllom independent

mr . lalit rao ( member - fipresci ) writes for this website on a regular basis as a film critic publishing reviews on his profile .

in february 2017 , he participated as jury member during 9 th bangalore international film festival 2017 .

in 2014 , he attended 19th international film festival of kerala 2014 as a member of film critics’ jury .

as a film critic , mr . lalit rao has attended film festivals in india as well as france namely international film festival of india ( iffi ) , international film festival of kerala ( iffk ) , festival international de films de femmes de créteil , paris : cinéma du réel - festival international de films documentaires , est - ce ainsi que les hommes vivent ? saint - denis , rencontres internationales du cinéma de patrimoine , vincennes & festival international des cinémas d ' asie , vesoul .

“yesterday’s films for tomorrow” by p . k . nair = an indispensable book for anybody who considers cinema as an art form .

documentary film review - “when the sun didn’t rise” directed by teena kaur pasricha .

masala republic malayalam movie to be directed by debutant v s vishakh will feature indrajith sukumaran in lead . the movie will be a social satire creamed with all essence to keep the audience intact . shritha sivadas , srinda ashab , balachandran chullikkadu , vinay forrt , captain raju , mamookkoya , tinu and soubin will give life to other prominent characters in the movie . the movie will start rolling very soon with locations set at perumbavoor , aluva and ernakulam .

cartoon malayalam movie , the directorial debut of saheed arafath will feature fahadh faasil in lead . fahadh faasil is having a bright year with a number of movies in kitty . anchu sundarikal , olipporu , artist , north 24 kaatham and a couple of unitited projects are on line for the actor . prasanth pillai who composed the hit songs of fahadh ' s last film , amen will tune the songs of cartoon too . in the banner of red rose international , ' cartoon ' , is being produced by haneef muhammed .

little superman 3d malayalam movie directed by vinayan will feature debutant child artist deny playing the title role . after getting huge response for his previous venture dracula 3d , vinayan is heading up to take up his new project which will be shot in afgha¬nistan , kochi and alleppy . the music composed by m . jayachandran would an audio extravaganza . little superman 3d will boast of having graphics of international standards with 2 crores exclusively to be spend for it .

lucifer ' is the upcoming malayalam movie of mohanlal . the actor is teaming up with the director rajesh pillai and script writer muraly gopi for ' lucifer ' wihch will be a pure entertainer . it will start rolling from 2014 january and will be a festival malayalam release for mohanlal . read this article to know more about mohanlal ' s malayalam movie ' lucifer ' .

happy singh malayalam movie featuring mohanlal in lead is directed by v m vinu . scripted by deepu karunakaran , mohanlal will don the character role of happy singh , a wrestler in this out and out comedy entertainer . set in the backdrops of 1980 ' s , the movie revolves around the life of a wrestler named happy singh . the movie planned to start rolling in 2014 will be shot in punjab , bangalore and thirunelveli . mohanlal who wishes to do experimental characters would be playing a full - fledged role of a sardar .

waka waka africa , as titled for an upcoming malayalam movie would be sunish kumar ' s directorial debut which will be shot entirely in west africa . produced by guerilla film factory , this movie would carry a fresh theme which would zoom into the hearts of west africa . sunish kumar who is having an experience of working behind the camera as an associate with rajiv menon and suraj varma will start the shooting of his movie in march 2014 .


deewangee ( hindi : दीवानगी , english : madness ) is a 2002 indian psychological thriller film directed by anees bazmee .

this movie is loosely based on the 1996 richard gere movie primal fear .

the film stars ajay devgan , akshaye khanna and urmila matondkar in lead roles .

the film premiered on 25 october 2002 .

this was devgan 's first negative role .

deewangee

deewangee <EOT> on the whole deewangee has a novel story with several poignant moments as its usp .

urltoken has 700 , 000 + monthly visits . tell hyderabad what you feel about deewangee !

if you want to answer the questions , " who starred in the movie deewangee ? " and " what is the full cast list of deewangee ? " then this page has got you covered .

looking for movie tickets ? enter your location to see which movie theaters are playing deewangee near you .

this cast list of who was in deewangee includes both lead and minor roles . ( 18 items )

deewangee cast list , listed alphabetically with photos when available . this list of deewangee actors includes any deewangee actresses and all other actors from the film . you can view additional information about each deewangee actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of deewangee have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .

the primal fear the movie till the interval time , after that deewangee continues to add more twists to the movie with a different ending .

this movie is a remake of the english movie primal fear . i think primal fear was better than deewangee but deewangee is a good entertainer . it has the tendency to keep the audience at the edge of the seat . ajay devgan and aksahye khanna give a mindblowing performance . my rating - 9 / 10

so frnds here is a bollymovie named as deewangee staring akshaye khanna and ajay devgan which is unfortuanately a copy - paste of hollywood hit primal fear staring richard gere and edward norton .

the director of deewangee anees bazmee claims his film is not a rip - off from primal fear ( just as his earlier film pyaar to houna hi tha was not a copy of french kiss ) .

the director of deewangee , anees bazmee , claims his film is not a rip - off from primal fear ( just as his earlier film pyaar to houna hi tha was not a copy of french kiss ) .

going by the look and promos of the film , it was assumed that deewangee was yet another version of the perfect murder , last attempted this june by abbas mastan . and the presence of akshaye khanna made it even more confusing .

the critics ' award was shared by rani mukherji ( saathiya ) and manisha koirala ( company ) . ajay devgan bagged two richly deserved critics ' awards for his performance in the legend of bhagat singh and company , as well as the award for best actor in a villainous role in deewangee .

anees bazmee directed deewangee is based on the novel plot of a murder accused faking split personality to avoid the penance from law . the talented music director ismail darbar makes a foray in to film music with this movie . the pick of the lot is ' pyar se pyaara tum ho sanam ' and ' saat suron ka ' . hear it to believe !

ham 2012 : best actor – thriller / action for singham 2011 : the global indian film and television honours for best actor in a lead role – male for once upon a time in mumbaai 2011 : the global indian film and television honours for box office star of the year 2010 2011 : stardust award for best actor – thriller / action for once upon a time in mumbaai 2011 : screen award best performer for golmaal 3 2010 : apsara film & television producers guild awards for best actor in a comic role for all the best – fun begins 2010 : screen award for best actor in a comedy role for all the best – fun begins . 2003 : rajiv gandhi award , achievement in bollywood 2003 : stardust star of the year award - male for company 2003 : bollywood movie award - best villain for deewangee 2002 : national film awards for best actor for the legend of bhagat singh 2002 : zee cine award for best actor in a negative role for deewangee 2002 : filmfare award for best performance in a negative role for deewangee 2002 : filmfare critics award for best performance for company and the legend of bhagat singh 2002 : screen award for best actor for company 2002 : screen award for best villain for deewangee 1999 : bollywood movie award - critics award male for zakhm 1998 : national film awards for best actor for zakhm 1998 : screen award for best actor for zakhm 1991 : filmfare award for best male debut for phool aur kaante

tags : deewangee , primal fear , inspired movies , inspired cinema , bollywood plagiarism , plagiarism in hindi cinema , copied movies , movies inspired from , borrowed concepts , inspired plots , bollywood & hollywood , reviews by bobby sing , bollywood gets inspired , cinema gets inspired , bollywood & world cinema , inspiration from world cinema . akshay khanna , ajay devgan , urmila , persoanlity disorder , double identity theme

deewangee is a copy of primal fear , the richard gere and edward norton movie of 1996 . try telling that to director anees bazmee who claims he " wrote " the movie , and he ' ll tell you , in true bollywood style , that , well , it all depends on your definition of " copy " , your definition of " primal fear " and your definition of " of " . just a little inspired , huh , bazmee , old boy ? and heck , who are we to talk - isn ' t our own review inspired by the movie in the first place ?

i saw this movie before watching primal fear and i am writing this review after watching both the films . there should be no doubt primal fear is better than deewangee but only in terms of direction and not action . ajay devgan has really done complete justice to his job and this is one of his best performance which really brings real thriller while watching this movie . in one of the scene ajay devgan beats up a girl and verbally abuses her ( don ' t think he sexually exploit her , that is for some other reason ) this type of scene is very rarely shown in bollywood movies where a girl is beaten plus verbally abused and the reason is not female sexual exploitation . in that scene both the actor and actress have done a tremendous job . there is lot more . you should definitely watch this movie .

i am basically a newcomer to watching bollywood movies / hindi movies . i find that i enjoy them and they have opened my eyes and my mind to various subject matter as well as entertain concerning the indian culture and the people . the movie i purchased " deewangee " was far better than i expected . i truly did not know what to expect . my personal opinion for the bollywood / hindi movies i have seen at the start up it is fun , colorful and always a musical production and then the movies turns in a completely different / unexepected direction . . i think this is what captures me with indian movies per se . i happen to like the actor ajay devgan among some others suoper well know actors / actresses . it is something extra that i see in ajay devgan but when he plays a dark character for me truly shows how well he emerses himself in his craft . i have invested in quite a number of movies for my personal collection .

dynamic and successful criminal lawyer raj goyal ( akshaye khanna ) thinks he has it all figured out . an idealistic crusader of justice , raj is equally committed in punishing the guilty as he is in the protecting the rights of the innocent . his involvement in his work is complete ruling out any inclination of falling in love . but all this changes when he meets sargam ( urmila matondkar ) , a beautiful and popular singer with several hits albums to her credit . through sargam , raj comes across tarang bharadwaj ( ajay devgan ) , a talented musician with a brilliant mind , her childhood friend and mentor . tarang is a victim of circumstance . caught red - handed at the scene of brutal and heinous murder . the victim is music magnet ashwin mehta ( vijendra ghatge ) , found dead in his house in the wee hours of the morning , with multiple stab wounds . the violent nature of the murder implies a crime of extreme hate and vengeance . sargam belives in her friends innocence and requests raj to defend him . raj and tarang have nothing in common , but in course of putting up a strong defence , raj ' s investigation brings him close to tarang . it starts out as an open and shut case about proving his client , raj must find the real killer . befor he realizes it , raj gets entangled in a mystery more dangerous than can imagine . every one seems to have a deadly secret that could lead to murder . will raj be successful in unrevaling the mystry ? can he prove tarang ' s innocence and find the murderer ? and can he save himself from the dangerous trap laid out for him by a diabolical killer who manipulates his every move ? find out in the disturbing and suspenseful thriller ? deewangee . you will be deceived by what you see .

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raj goyal ( akshaye khanna ) is a renowed and successful attorney . at a musical party he is introduced to sargam ( urmila matondkar ) by ashwin mehta ( vijayendra ghatge ) . the next day ashwin is . . . see full summary »

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sanjana was rahul ' s fiancé . when rahul was gone to india for official trip he is attracted to nisha , and announces that he will be marrying her soon . sanjana does not take kindly to this , . . . see full summary »

a young man who despises his father ' s criminal profession , wants to live a peaceful life away from him but fate has some other plans .

two stepbrothers who loathe each other have to work together to avoid being framed for terrorist activities .

a patriotic young man turns into a terrorist to avenge his father ' s humiliation .

when a married couple moves into a flat that is haunted by a spirit , a series of inexplicable experiences drive the wife to near madness . now , the husband must protect his wife to save their marriage .

an army major decides to tame a persistent rule breaker who is bent on being discharged . however the trainee changes his plan when he falls in love and needs the major ' s help in rescuing his beau .

cbi officer akram seeks to nab three terrorists , ali , abbas and laila , who have held 213 tourists as hostage in elphinstone jail . for this , he seeks help from rachit , a former associate of the trio .

a popular bollywood actor witnesses a murder but refuses to come forward to identify the killer ( s ) .

story of a tumultuous and complex relationship between a father ( mohan agashe ) and son ( ajay devgan ) , set against the backdrop of a thriving kidnapping industry in the hindi heartland of bihar .

amidst religious riots , a son deals with his mother ' s life - threatening injuries , and her last request .

the lives of four women from different places are the victims of male chauvinism and marital abuse . they decide to fight for their rights and dignity against the social norms and injustice .

the central bureau of investigation deputes two officers to investigate the disappearance of three medical students , which they believe to be an incident of ' honour killing ' in a small , closed community .

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raj goyal ( akshaye khanna ) , a very successful criminal lawyer , is introduced to a popular singer , sargam ( urmila matondkar ) , by music magnate ashwin . the following day , ashwin is brutally murdered in his own house . taran ( ajay devgn ) becomes the prime accused . he claims his innocence . sargam , who believes in taran ' s innocence , approaches raj to defend him . the convict suffers from multiple personality disorder but the truth behind the entire scenario is very different . ajay devgan won the filmfare award for best actor in a negative role . sign up for free and get daily updates on new videos , exclusive web shows , contests & much more urltoken send us your feedback and suggestions at : connect @ urltoken

raj goyal ( akshaye khanna ) is a renowed and successful attorney . at a musical party he is introduced to sargam ( urmila matondkar ) by ashwin mehta ( vijayendra ghatge ) . the next day ashwin is murdered . sargam approached raj to defend the accused , tarang bhardwaj ( ajay devgan ) . raj reluctantly accepts , and with the help of a psyciatricist is able to prove that tarang is innocent . but is tarang really the person who gives the impression ? or is he ranjit , another personality in his character , who is capable of killing ? raj ' s mother is played by farida jalal , and tiku talsania plays his uncle ratan . suresh oberoi plays the prosecuting attorney , and mazhar khan is ashwin ' s brother , abhijeet , who has been stealing song material from tarang . sign up for free and get daily updates on new videos , exclusive web shows , contests & much more urltoken send us your feedback and suggestions at : connect @ urltoken

cast : ajay devgan , urmila matondkar , akshaye khanna direction : anees bazmee showing at : new excelsior rating : * * * a high - profile murder becomes the case of an ambitious attorney ' ' s career . akshaye khanna stars as raj goyal , a famous defense lawyer who volunteers his services to tarang bharadwaj ( ajay devgan ) , a musician charged with the the murder of a music magnate ashwin mehta ( vijayendra ghatge ) .

tarang ' ' s case becomes complicated when a psychiatrist ( seema biswas , wasted ) concludes that he suffers from a split personality disorder . goyal also uncovers evidence that the music honcho attempted to molest tarang ' ' s protege sargam ( urmila matondkar ) .

turns out that tarang is in love with childhood friend sargamâ€”and dreams of marrying her . sargam , meanwhile , has become a singing sensation . she vies for the affection of compulsive bachelor raj . and therein lies the rub .

the twists in the tale are many . bazmee structures the film through numerous visual and narrative circles and twists , beginning with the opening title sequence . he also breaks tradition with a mid - movie revelation that transforms the film from a whodunit to a story of obsession . further ducking convention , the director allows a character to get away with murder , leaving the ending hanging in uncertainty .

the story idea , snitched from gregory hoblit ' ' s primal fear ( 1996 ) later moves into cape fear and darr territory . but during the shift from thriller to romance , the film goes fatally wrong . the madness gets out of hand , especially in the last half - hour of the film which is too laboured . the screenplay careens out of control , too many songs stymie the pace .

moreover , the flashbacks which reveal the reasons for tarang ' ' s mental disarray are too pat . ismail darbar ' ' s music is lack - lustre , while pushan kriplani ' ' s camerawork just about passes muster . editors , please note that for the film to make compelling viewing , it needs to be trimmed drastically .

as a lawyer caught in an elaborate web of deceit , akshaye khanna ( despite his strange hair - piece ) shines through one more time . his outburst in the jail sequence is riveting . urmila matondkar is also effectively restrained . ajay devgan reprising edward norton ' ' s turn in primal fear delivers yet again , revealing a tortured psyche under his nice - guy surface . the scene in which he switches from a good guy to one with ice in his veins , is splendid . after company and the legend of bhagat singh , this one completes his hat - trick of knock - out performances .

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dynamic and successful criminal lawyer raj goyal ( akshaye khanna ) thinks he has it all figured out . an idealistic crusader of justice , raj is equally committed to punishing the guilty as he is to protecting the rights of the innocent . his involvement in his work is complete , ruling out any inclination of falling in love . but all this changes when he meets sargam ( urmila matondkar ) , a beautiful and popular singer with several hit albums to her credit . through sargam , raj comes across tarang bhardwaj ( ajay devgan ) , a talented musician with a brilliant mind , her childhood friend and mentor . tarang is a victim of circumstance , caught red - handed at the scene of a brutal and heinous murder . the victim is music magnate ashwin mehta ( vijayendra ghatge ) , found dead in his house in the wee hours of the morning , with multiple stab wounds . the violent nature of the murder implies a crime of extreme hate and vengeance .

sargam believes in her friend ' s innocence and requests raj to defend him . raj and tarang have nothing in common , but in the course of putting up a strong defense , raj ' s investigations bring him close to tarang . it starts out as an open and shut case about proving his client ' s innocence , but in order to exonerate his client , raj must find the real killer . before he realizes it , raj gets entangled in a mystery more dangerous than anyone can imagine . everyone seems to have a deadly secret that could lead to murder .

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the film is the story of a playful psychopath - he plays with knives , guns and lives - and a young , tall , handsome , well - built , rich , single , super - successful , honest , courageous , heroic lawyer included basically to make sure you believe that statement in the beginning about all characters being fictitious . taran ( ajay devgan ) doesn ' t like disputes involving his love sargam ( urmila matondkar ) , and solves them quite swiftly , though in rather questionable ways . one of them has him stabbing a music industry baron 56 times since the latter had tried to molest her , and the guy understandably dies .

unfortunately the cops get taran red - handed , and sargam , a top singer whose music teacher taran is , enlists the support of the city ' s hottest lawyer raj goel ( akshaye khanna ) to prove him innocent . raj bravely takes on the case since if he doesn ' t taran will hang , which would make this a rather pointless movie - i mean , the story would read " man kills one , hanged " , and while it can be argued that hum aapke hain kaun had an even smaller script ( " brothers wed sisters " ) and went on to become a hit , it ' s still of rather limited potential .

anyway , raj gets taran ' s ass out of the slammer by establishing him as a split person for whom committing murders is just a state of mind . that is , it turns out that taran is basically a docile person who ' s as exciting as a doorknob but not as brave , but who turns into a totally different brutal , bloody maniac whenever he ' s overly agitated , and then commits some murders and completely forgets about them . well , he can forget about it and the person he murdered can forget about it , but the law can ' t afford to , so they put him in a mental asylum . and after he returns , he decides to stake his claim for sargam , who ' s already in love with raj .

ajay devgan starts off looking like a guy who knows that it ' ll happen any time now but there ' s no way he can get to a loo in the next 1 hour , but slowly comes to terms with his role . you really miss shah rukh khan . akshaye khanna makes you miss ajay devgan , even when ajay devgan is on screen . there ' s nothing remarkable about khanna ' s performance except the fact that he is in full formals all through ( and , we think , the same ones all through the movie , considering how urmila spends most of the second half with ajay devgan and how desperately devgan himself is running away from him - aw shucks , we all know how humid mumbai is ! ) .

urmila as usual works hard to get noticed , which is made all the more difficult considering that she ' s not allowed to take any clothes off . you , er , miss ram gopal varma . the music by ismail darbar is average . what helps the movie stand out is the script , albeit pre - used . significantly different from normal bollywood fare , it rivets your attention to the screen all through , even despite rather ordinary performances . the ploys and counter - ploys are a delight most of the times , and the tautness gets diluted only in an unimpressive climax . on the whole , certainly worth your 35 bucks this weekend .

overall the movie is good . ajay devgan as usual acted very well . we can watch the movie for his tremendous performance .

a better movie than most this year , including humraaz . all performances are restrained and believable . the music is a bit bland . aren ' t you people really biased about shahrukh khan ? firstly , the only movie that got a decent review by this site is ' devdas ' with shahrukh khan ' s dddddrunken acting , and even in this movie you ' miss ' shahrukh . ajay devgan is a much better actor than shahrukh and we don ' t really ' miss ' the khan ( who only acts well with established directors who can make even a pole act ) - in fact i am relieved when ajay devgan stops stuttering and does not remind me of sssshahrukh ! ! !

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featuring richard gere is the original source of ajay devgan & akshay khanna starrer " deewangi " . the double identity disorder plot and several sequences are exactly on the similar lines as shown in primal fear .

though the hindi flick is a good adaptation with fine performances and competent direction , but i wish the credit was given to its english original by the makers . i liked

more as it had no extra deliberate love angles and songs added to the plot . a must watch for all lovers of thriller genre .

a warm welcome to all friends with a loving invitation to read my personal expressions on movies , music , poetry and life . music , movies and books are like ears and eyes to me , and if you also feel the same , then you are sure going to find many interesting articles in the different sections of the site worth your precious time and attention . if possible , do share your valuable comments and suggestions too , as they would be my guide for all the future projects and write - ups continuing on the path of learning . have a great day and enjoy the world of movies , music and poetry with btc . cheers !

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this blog is created to reviel the copycats all over the world . now its thier time to face the reality of thier work . now its the time of all the copy - pasters to star using their mind and stop copying innovative ideas of other people . . .

attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in . the case gets a lot more complex when the accused reveals that there may or may not have been a " third man " in the room during the murder . the intensity builds when a surprise twist alters everyone ' s perception of the crime and what really happened . . .

hey frnds i ' m here to reviel all the copy - cats of all over the world . as my name goes copy - paste my mission is to reviel all the copied work of persons all over the world . . and show them the path of creativity . . .

do you think remake of old movies is a good option . . ? ?

satte pe satta a copy - paste of seven brides for se . . .

deewane huye paagal a copy - paste of there ' s someth . . .

hum hain kamaal ke a copy - paste of see no evil hea . . .

nagraj ' s alter - ego a copy - paste of superman ' s alt . . .

akele hum akele tum a copy - paste of kramer vs . kra . . .

phir hera pheri a copy - paste of lock stock and two . . .

hum tum a copy - paste of when haary meet sally & be . . .

bheja fry a copy - paste of french film diner de con . . .

kyon ki a copy - paste of one flew over the cuckoo ' s . . .

main khiladi tu anari a copy - paste of the hard way . . .

devang patel a copy - paste of rowan atkinson ( mr . bea . . .

the gali gali chor hai actor , who turns 37 today , has gone into oblivion lately . with no release lined up in the near future , we wonder when we will get to watch him create magic on the big screen againfifteen years ago , akshaye khanna started his career with himalaya putra – it was a launch [ … ]

madha gaja raja is an upcoming tamil masala film directed by sundar c . it stars vishal krishna , anjali and varalaxmi

vaalu ( english : naughty ) is an upcoming tamil action comedy film directed by debutant director vijay chander . the film will

the son of famous bollywood actor vinod khanna , akshaye khanna made his acting debut with the movie himalayputra . his

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list actors include ajay devgan , farida jalal and many additional actors as well .

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ajay devgan ( born vishal veeru devgan on 2 april 1969 ) , also credited as ajay devgn , is an indian film actor , director and producer . he is widely considered as one of the most popular actors of hindi cinema , who has appeared in over a hundred hindi films

akshaye khanna ( born 28 march 1975 ) is an indian film actor . he made his acting debut in the year 1997 with himalay putra which was produced by his father vinod khanna . since then he has been featured in several critical and commercial acclaimed films

urmila matondkar ( born 4 february 1974 ) is an indian film actress , who has appeared in marathi , hindi , tamil , telugu , and malayalam language films . her film roles contributed to a then - new screen persona for a hindi film heroine , in which she was known

farida jalal ( born 1949 , in new delhi ) is an indian actress , who has acted in over two - hundred bollywood films . she has also been a part of indian television , with comedy - shows such as shararat and satrangi sasural to her credit . more »

vijayendra ghatge is a versatile actor of indian tv and movie industry . he has acted in buniyaad among other serials and several of movies such as prem rog and devdas . he is descendant of holkars family , the ex - royal family of indore thru his mother sita

seema biswas ( born 14 january 1965 ) is an indian film and theatre actress from assam who shot into prominence with the role of phoolan devi in shekhar kapur ' s film bandit queen ( 1994 ) . she has a reputation for performing strong character roles . biswas

tanaaz irani ( née currim ) is an indian actress . she has acted in bollywood films and hindi television serials . she has also been credited as tanaaz lal , her maiden name , and tanaaz currim ( her ex - husband being farid currim ) . more »

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suresh oberoi presents ajay devgan with best actor in negetive role award for deewangi . kajol acceots the award on ajay ' s behalf . one of the most popular film awards ceremony in bollywood , zca 2003 was held in mumbai . # zeetv # zeetvshow

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shah rukh khan stole the show at the 48th filmfare awards in mumbai on february 21 .

on stage to collect an award from the swiss government , shah rukh charmed geraldine chaplin ( daughter of comedian charlie chaplin , who presented him the trophy ) and snatched the microphone from compere malini sharma ( who made her debut in raaz ) , even though she insisted there was no time for a speech .

as sharma walked off , the audience was confused . was this part of the khan charm ? he dimpled deviously on stage , took a dig at the sponsored awards by telling winner vivek oberoi he should add manikchand as his middle name , and commented that padmini kolhapure and poonam dhillon were apt choices to give away the best villain award to ajay devgan .

taking a dig at the oscars for bypassing devdas , shah rukh joked , " they must have viewed the film on a dry day , " a quip that drew attention to the film ' s defeatist alcoholic protagonist .

both paro ( aishwarya rai ) and chandramukhi ( madhuri dixit ) bagged awards for best actress and best supporting actress respectively . interestingly vyjayanthimala , who had played chandramukhi in bimal roy ' s version of devdas , had turned down the filmfare award at the time , arguing that hers was not a supporting part .

vivek oberoi happily accepted his best supporting actor award for ram gopal varma ' s company , and another for best debut in the same film .

aishwarya ' s dance number ( for which she was reportedly paid a whopping rs 75 lakhs , rs 5 lakhs less than what kareena kapoor got for dancing at the zee fairglow awards in 2001 ) brought the house down . mumbaiites almost missed the razzle dazzle of the awards as cable operators across the city went on strike . but matters were sorted out in time . home viewers missed half an hour of the delayed telecast on sony entertainment television .

sanjay leela bhansali ' s devdas , which was condemned for deviating from its literary source by sarat chandra chattopadhyay , walked away with the award for the best scene - - for a sequence that brought together paro and chandramukhi , a meeting chattopadhyay never conceived in his book .

the triumphant yet tense sanjay leela bhansali ( scheduled to leave the country february 22 for another awards function ) reached the venue of the awards late , accompanied by his mother . he therefore missed seeing his film bag some of the 11 awards that it received .

repeating the pattern set by the zee and screen awards , devdas bagged best film , actor , actress and director awards . though jubilant , bhansali felt sorry that the film ' s dialogue writer prakash kapadia , background musician monty sharma and actress kiron kher were left out . " but that ' s okay . god has been kind to devdas . it has got so much . "

interestingly , four of the five films nominated for best film and best director were based on secondary sources . while sanjay bhansali ' s devdas was inspired from a literary work , abbas - mustan ' s humraaz , vikram bhatt ' s raaz and sanjay gupta ' s kaante were hollywood - based .

the only truly original work in the reckoning for the awards was ram gopal verma ' s company which fetched awards for its debutant hero oberoi , as also for jaideep saini ' s dialogues and best story .

the majority o f the music awards were bagged by mani ratnam ' s saathiya . rahman won the best music award over ismail darbar ' s devdas and nadeem - shravan ' s raaz . new singer shreya ghosal , paro ' s voice in devdas , bagged two awards for best playback singer ( shared with kavita krishnamurthy ) and the r d burman award for best new musical talent .

though shah rukh khan won all the popular actor awards of 2002 , devgan is the single most awarded lead actor of the year .

sub : he deserves it shah ' s performance was excellent in devdas , he has proved it again that he is the best . many said that hrithik , abishek & all the new ones have . . . posted by neha

sub : best film awards though raaj , dewangee and kaante , humraaj were copies from english movies . people who have seen the english versions will notenjoy the hindi version even though . . . posted by savita gandhi

sub : what was that ? honestly , the filmfare awards wasn ' t judge properly . how did srk win best actor ? ajay devgan had a much much better performance than srk for company . . . posted by randy

sub : filmfare awards these last few years i have observed that filmfare people can not see beyond srk . there world ends with him , if it is award or . . . posted by chandresh

sub : shah rukh 2003 shah performed well in this movie . he deserved to won . we pray for his next film . posted by sheme

with nhrc ' s involvement in the case , here ' s what the producer has to say .

we are just a few days away from the show to be aired . .

post ' aisi deewangi . . ' going off - air , producers take legal action against the leads

' aisi deewangi . . . ' to go off - air on 2nd february . .

trouble between leads and producers of ' aisi deewangi . . . ' solved ?

internet movie poster awards - one of the largest collections of movie poster images online . additional movie data provided by tmdb

official page of ajay devgn : bollywood actor , producer , director & two time national film award winner .

the actor who broke the stereotypical image of a bollywood actor by choosing a multitude of movies from action , comedy , drama and romance .

the son of director and action choreographer veeru devgan has starred in more than 80 hindi films , and has successfully established himself as one of the leading actors of the bollywood industry . throughout his career , he has been a part of many critically and commercially successful movies - right from the start of his career where he was awarded the filmfare award for best male debut for phool aur kaante . ajay also won two national film awards for best actor - with zakhm in 1998 and the legend of bhagat singh in 2002 . in 2003 , he received the rajiv gandhi award for achievement in bollywood . apart from being a versatile actor , he also dons the hat of a producer . his production house , ‘ajay devgn films’ ( adf ) was established in 2000 . he is married to leading actress kajol , and the couple has two children - nysa and yug .

vidhu , divya , sajid and others at bhushan kumar ' s . . .

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diljale ( ajay devgan & sonali bendre . new single dvd , hindi movie , with english sub . . .

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raj goyal ( akshay khanna ) is a dynamic and successful criminal lawyer . he supports punishing the guilty as he supports protecting the rights of the innocent . one day he happens to meet sargam ( urmila matondkar ) . she is a beautiful and popular singer with several hits albums to her credit . through her raj come read more

raj goyal ( akshay khanna ) is a dynamic and successful criminal lawyer . he supports punishing the guilty as he supports protecting the rights of the innocent . one day he happens to meet sargam ( urmila matondkar ) . she is a beautiful and popular singer with several hits albums to her credit . through her raj comes across tarang bharadwaj ( ajay devgan ) , a talented musician with a brilliant mind , her childhood friend and mentor . tarang is accused for the brutal murder of a music magnet ashwin mehta ( vijendra ghatge ) . he is found red handed at the murder spot . sargam belives in tarang and so requests raj to defend him . raj with the help of a psychiatrist proves tarang as innocent . but is tarang really the person who gives the impression ? or is he ranjit , another personality in his character , who is capable of killing ?