l'avare is a 1980 french comedy film written and directed by louis de funès and jean girault , and starring de funès .

the english title of the film is the miser .

it is an adaptation of molière 's famous comedy l'avare ou l'école du mensonge ( the miser ) .

de funès tried to draw out the unhappy side of the character .

harpagon , unloved by humanity , is driven to an obsessive love of money .

l ' avare ( film )

l ' avare ( film ) <EOT> dress rehearsal for ' l ' avare ' at the boulogne t . . .

there are no featured reviews for l ' avare ( the miser ) at this time .

la poule aux œufs d ' or . le châtiment de l ' avare apothéose châtiment de l ' avare apothéose | hen with the golden eggs . | miser ' s punishment | hen that laid the golden eggs . | hen and golden eggs . | dance film | unidentified pathe 1905 film .

there are no critic reviews yet for l ' avare ( the miser ) . keep checking rotten tomatoes for updates !

“ l’avare ” ( 1980 ) is the one and only film directed by the late louis de funès . he directed the film in collaboration with jean girault , who directed de funes in a multitude of roles . they would work together two times shortly after this time and die around the same time in 1982 ( jean girault ) and 1983 ( louis de funès ) .

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) is a rollicking film adaptation of molière ' s famous comedy of the same title . whilst remaining true to the original play , the film sparkles with originality and fun throughout , and is one of the career highpoints for its lead actor and director louis de funès ( in fact , it was the only film that de funès directed ) . this comedy icon doesn ' t just

pathé frères ( france ) - pathé frères ( u . s . ) - afi / baker ( glenn l . ) collection ( library of congress )

in keeping with the penny - pinching theme of the play , the sets are exceptionally spartan for a french period drama , but this works to the film ' s advantage . with such scintillating dialogue and amazing acting , an elaborate set would be a pointless extravagance . that said , there are some ingenious scene shifts - at one point , harpagon is projected onto a theatre stage just so that he can deliver one of his asides . de funès was assisted in directing the film by his close friend jean girault , who directed many of his other popular comedies , including , notably the famous

fren 3300 - topics in french and francophone literatures and cultures dynamics of french - speaking societies and their cultures studied through literature , art or film . topics varys course is taught in english prerequisite : fren 3100w additional info : this course counts towards a french major or minor and may be repeated for credit . students may choose to write their papers in french or english .

as molière famously said , “the duty of comedy is to correct men by amusing them . ” indeed molière continues to enthrall audiences globally even in the 21st century , as not a single day goes by that his plays are not performed somewhere in the world . through the study of 3 of his most famous plays , l’ avare , le bourgeois gentilhomme , le misanthrope ) students will discover how molière’s ability to both amuse and instruct made him the greatest writer of comedy in his day – and indeed one of the greatest and most beloved playwrights of all time . through the close study of his texts and their performance , paired with the study of the man and the context in which he lived and wrote , we will examine how molière changed the face of french literature and culture – and why his influence continues to endure today .

fren 3700 - history of french cinema french cinema from its inception to the " new wave . " the relationship of filmmaking and audience reception to the evolution of french society and political institutions . the language of cinema as it evolves according to periods and genres and as critics and filmmakers create a theoretical discourse specific to film . course is taught in french prerequisite : fren 3100w or equivalent . additional info :

n the 17th century , after a life of scrimping and saving , harpagon has managed to build up a substantial personal fortune . he may be rich , but he doesn ' t like to show it , and so he leads a modest bourgeois existence , in the company of his grown - up children cléante and élise . the latter both have aspirations of marriage , but are afraid to broach the matter with their father , since he has resolved that if they marry it should be for money , not love . cléante is in love with mariane , who comes from a family of modest means , whilst his sister has fallen for her father ' s steward , valère . whilst monsieur jacques , harpagon ' s faithful coachman , is sympathetic to their plight , cléante and élise see no way of persuading their father to bless their respective wished - for unions . cléante ' s hopes appear to be completely dashed when harpagon announces his decision to marry mariane himself .

by now , harpagon has become almost obsessively mistrustful of his entire household , fearing that they all intend to rob him of his fortune - ten thousand ecus - which he has carefully buried in his garden . when the money goes missing the old man is thrown into a sudden panic , and monsieur jacques uses this occasion to get even with valère by accusing him of the theft . summoned to his employer ' s presence , valère admits that he knows who took the money and offers to return it to him , on condition that he allows him to marry élise , whilst also sanctioning cléante ' s betrothal to mariane . for the man who worships money above all else , the deal is easily struck . . .

harpagon , right down to his threadbare socks . in a performance that probably ranks as his best , de funès ' s portrayal is both exceptionally funny and unequivocally poignant . he reminds us that harpagon is not a villain , he is really sad wretch who deserves our pity more than our contempt . when he is not tyrannising his children or flogging the dear life out of his servants , harpagon resembles a tragic figure who , unloved by humanity , is driven to an obsessive love of money . de funès ' s main achievement is that he succeeds in arousing our sympathies whilst never letting up on his character ' s obnoxious behaviour for a moment .

movies and tv shows are certified fresh with a steady tomatometer of 75 % or higher after a set amount of reviews ( 80 for wide - release movies , 40 for limited - release movies , 20 for tv shows ) , including 5 reviews from top critics .

based on molière ' s play . the children of harpagon , cléante and his sister elise , are each in love but they still haven ' t spoken to their father yet . harpagon is a miser who wants to choose whom his children will marry . when cléante , at last , tries to speak to harpagon , the old man informs the family that he wants to marry marianne , the young girl loved by cléante . unaware of this harpagon doesn ' t understand why cléante is so distraught .

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based on molière’s play . the children of harpagon , cléante and his sister elise , are each in love but they still haven’t spoken to their father yet . harpagon is a miser who wants to choose the right man and the right woman for his children . when cléante , at last , tries to speak to harpagon , the old man informs the family that he wants to marry marianne , the young girl loved by cléante . unaware of his son’s sorrow , harpagon doesn’t understand why cléante has become so angry with him . ( imdb )

adapting a play is not an easy task certainly if it is a comedy and you decide to keep the original text . but louis de funès was a genius and shines in his last great role .

citations are generated automatically from bibliographic data as a convenience , and may not be complete or accurate .

mathieu , julienne , cast , pathé frères , u . s pathé frères , and afi / baker . chrysanthemums . united states : pathé frères , 1907 . video . urltoken

mathieu , julienne , cast , et al . chrysanthemums . united states : pathé frères , 1907 . video . retrieved from the library of congress , < urltoken > .

the enchanted glasses verres enchanté | masson reel . | unidentified masson . | special effects reel .

devilish looking man dances with a dress in his arms . the dress stands up by itself and a woman magician appears in it . she conjures six women and then makes them disappear . . . .

chomón , segundo de - mathieu , julienne - pathé frères ( france ) - pathé frères ( u . s . ) - niver ( kemp ) collection ( library of congress ) - afi / masson ( daniel j . ) collection ( library of congress )

the golden beetle scarabée d ' or | golden scarab | special effects reel .

a magician catches a bug , which he throws into a brazier he has conjured up . from the brazier emerges a woman with shimmering wings . the brazier disappears and is replaced by a . . .

chomón , segundo de - pathé frères ( france ) - pathé frères ( u . s . ) - niver ( kemp ) collection ( library of congress )

beset by remorse , a man is about to slaughter a hen when the devil appears . when he takes his knife to the hen , an egg appears . it turns into a witch , casting . . .

velle , gaston - chomón , segundo de - mathieu , julienne - pathé frères ( france ) - pathé frères ( u . s . ) - s . lubin ( firm : philadelphia , pa . ) - afi / vermont historical society collection ( library of congress ) - la fontaine , jean de

a boy is put to bed by his mother , but when she leaves the room , he pulls out a book . dropping off to sleep , he begins to dream . the wall behind him . . .

a basket of flowers appears and moves by itself to the middle of a decorative arch . from the basket , a woman magician appears . from a cylinder , the magician conjures a series of . . .

chrysanthemums , and how to grow them as garden plants for outdoor bloom and for cut flowers . . .

chrysanthemum culture for america . a book about chrysanthemums , their history , classification and care .

html public " - / / w3c / / dtd xhtml + rdfa 1 . 0 / / en " " urltoken "

enter the terms you wish to search for . site to search . rgsll gw go

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readings , textual analysis , and writing on a broad selection of texts from different genres and periods . french and francophone literatures in their cultural contexts . close reading approach and introduction to literary vocabulary .

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aurangzeb is an indian action thriller film written and directed by atul sabharwal .

the film stars arjun kapoor in the lead role , along with prithviraj sukumaran , sashaa agha , swara bhaskar in pivotal roles , while jackie shroff , rishi kapoor , amrita singh , sikander kher and kavi shastri play supporting characters .

the film is produced and distributed by aditya chopra under his studio yash raj films .

the theatrical trailer was unveiled on 3 april 2013 , and the film released on 17 may 2013 .

the film was commercially successful .

aurangzeb ( film )

aurangzeb ( film ) <EOT> " aurangzeb " , a film from yash raj film ' s stable , tells the story about the land mafia .

aurangzeb plot is unknown at this time . we will update aurangzeb plot as soon as possible .

on the opening day of aurangzeb , taran adarsh tweeted , “aurangzeb has had a lukewarm start . the general feeling was that the film would open fairly well since arjun kapoor’s debut film ishaqzaade

directed by anees bazmi , ' mubarakan ' features arjun in a double role for the second time after the 2013 film ' aurangzeb ' . the film also features actresses

has had a lukewarm start . the general feeling was that the film would open fairly well since arjun kapoor’s debut film

set in gurgaon , aurangzeb puts land mafia and its functioning under the scanner and considering the film ' s plot , many feel the title of the film doesn ' t gel with its subject .

aurangzeb box office report : the arjun kapoor starrer earns rs 12 . 18 crores in the opening weekend

arjun kapoor : i am proud to hail from the film fraterni . . .

sanju box office : ranbir kapoor crosses 1 film each of salman . . .

well , with the film making a splash after its first promo was launched .

aurangzeb box office report : the arjun kapoor starrer earns rs 12 . 18 crores in the opening weekend - urltoken

he created quite an impact in his debut film ' ishaqzaade ' . and now , actor arjun kapoor dons a gangster ' s avatar in atul sabharwal ' s film ' aurangzeb ' . produced by aditya chopra , the film also features south star prithviraj , rishi kapoor , jackie shroff , amrita singh , deepti naval and swara bhaskar . yesteryear ' s actress salma agha , sasha agha makes her debut with this film . here is the first look of the film . by the looks of it , the movie seems to a gritty thriller .

when asked about the same , kapoor said : " as everybody knows that aurangzeb was a mughal emperor and he went to a great extent , even destroyed his own family , to obtain power . this film is titled aurangzeb because human beings can push themselves to any extent to obtain power , to be at the top . "

) is a 2014 bengali thriller film directed by sandip ray , based on the novel of the same name by satyajit ray , starring abir chatterjee and sourav das as feluda and topse respectively . the film was released on 19 december 2014 . it is the first film which stars abir chatterjee as feluda . this was going to be a reboot to previous feluda film series after

after making an impact in ' ishaqzaade ' in 2012 , arjun kapoor is all set to play a gangster in ' aurangzeb ' .

what lends its sentimentality a crooked twist is how its premise is relentlessly influenced by the cutthroat philosophy of mughal emperor aurangzeb . director atul sabharwal tackles the conflicting interests of conscience and conditioning with his robustly executed first film for yash raj .

urltoken is a website devoted to providing authentic bollywood news , box - office reports and film reviews .

but this is only maybe five minutes of aurangzeb , which starts off a tad synthetic with dialogues sounding like quotation books instead of conversation .

the film’s editing batters whatever good the screenplay leaves back for the audiences . stretching almost into two and a half hour time slot , the film in the end is unbearably long and heavy on its viewers .

director atul sabharwal , however feels that they ' ll up their game next week before the film releases .

arjun kapoor has seen a lot of ups and downs since he has made his debut in bollywood . his first film ishaqzaade was a hit at the box office but he faced a dull phase after it with aurangzeb and finding fanny not doing well .

yash raj films’ next venture aurangzeb is all set to release on may 17 , 2013 . the film features arjun kapoor in a double role , along with prithviraj , rishi kapoor , jackie shroff , amrita singh , deepti naval , tanvi azmi , sikander kher . directed by atul sabharwal and produced by aditya chopra the film will also mark the debut of sasha aagha .

" we have no such intention to promote our film less . i feel the film is reaching up to the people whom it needs to reach . moreover , the time has come when the promotions are done for three - four weeks , " sabharwal said during a press conference of the film held at an under - construction site .

watch or not ? : aurangzeb is a film that lacks vision and deliberately botches up a good script . the film for the entire first part managed to grip on the thrill factor well . by the climax , it converts into a convoluted and repulsive mess . arjun kapoor , rishi kapoor and jackie shroff thankfully manage to infuse in well framed performances making it a manageable watch .

arjun kapoor - starrer " aurangzeb " has drawn a decent response at the box office with an opening day collection of rs . 3 . 75 crore .

explaining the tone of the film , he added : " what kind of limit would you push to destroy your own family , your own people and how far would you go for power and that ' s where it ( aurangzeb ) comes into all our characters . "

‘mubarakan’ box - office collection day 3 : arjun kapoor ' s film makes rs 22 . 50 crore over first weekend

the monday collections of mubarakan have raised the hopes for the film as it ' s just the start of stagnant weekdays .

arjun kapoor , sasha agha starrer aurangzeb opened to a dull start on friday . the yash raj film ( yrf ) offering managed to earn rs 3 . 92 crore . it is interesting to note that past weeks ' releases go goa gone and shootout at wadala continue to rake in moolah .

kingship knows no kinship and there can be only one emperor in aurangzeb ' s world . in gurgaon , to bring down a criminal the law has to think like one .

mubarakan has been doing quite well as it has crossed arjun’s aurangzeb in just 4 days . mubarakan ‘s opening weekend stands at 22 . 91 crores whereas aurangzeb ‘s lifetime collection is 23 . 00 crores . it remained steady on monday passing the acid test as it collected 3 . 55 crores summing up the total to 26 . 46 crores in 4 days .

' indu sarkar ' box - office collection day 3 : kirti kulhari ' s film mints rs 3 . 25 crore in first weekend

when we checked the box office standing of the arjun kapoor - rishi kapoor - prithviraj starrer with the leading exhibitor - distributor , akshaye rathi , he was quick to share his view and the film’s bo collections . “ aurangzeb is a classic ‘80s style drama that has had a fairly wide release pan india . for a film that features a one - film - old hero – arjun kapoor in the lead , the numbers are fairly good , but if we measure it against the ( rather impressive ) scale of his debut ishaqzaade , it could be perceived as a bit of a downer . ”

deeply derivative of the traditional hindi film narrative where blood - ties gain precedence over individual turbulence , aurangzeb works even in its inept form . because , one , sabharwal constructs a compelling , intricate conspiracy of deceit and motive around predominantly grey characters , where chances are anyone can turn a volte face , for better or worse .

it was declared by sandip ray instead of continuing the reboot series he will continue the previous feluda film series after royal bengal rahashya ( 2011 ) and sabyasachi chakrabarty will return as feluda and shaheb bhattacharya will return as topshe . there will be two stories in the new film and the film is named double feluda . this is going to be a sequel of royal bengal rahashya ( 2011 ) and the movie is a 50 years tribute to feluda . for the cancellation of the reboot series badshahi angti is now considered as a stand - alone reboot film .

' jurassic world : fallen kingdom ' box - office collection day 4 : j . a . bayona ' s film dominates the domestic circuit

' kaala ' box office collections : pa ranjith and rajinikanth ' s film rakes in rs 112 . 2 cr worldwide in its first weekend

' mubarakan ' box - office collection day 4 : arjun kapoor ' s film rakes in rs 3 . 50 crore on its first monday

will now have to depend on weekend business to consolidate its position , besides performing well on weekdays too . ” and just a few hours ago , he tweeted , “aurangzeb is below par . started on a sluggish note and didn’t show any major growth over the weekend . the film is slightly better in delhi - up circuit . ”

it was declared by sandip ray instead of continuing the reboot series he will continue the previous feluda film series after royal bengal rahashya ( 2011 ) and sabyasachi chakrabarty will return as feluda and shaheb bhattacharya will return as topshe . there will be two stories in the new film and the film is named double feluda . this is going to be a sequel of royal bengal rahashya ( 2011 ) and the movie is heading for the christmas release in december , 2016 . though sabyasachi chakrabarty is 60 years old , in the new feluda film feluda will be 50 years old and topshe will be 30 .

and ileana d ' cruz . the film has some electrifying party numbers of which the wedding number ' google paake ' is ruling the music charts .

each moment in " aurangzeb " tells a heartbreaking story of betrayal and bloodshed , of men and women who have forsaken a life of peaceful sleep to pursue wakeful dreams that leave them famished and restless .

the film ' s grand design subsumes a scintillating galaxy of memorable moments . nothing in the film is what it seems . there are illegitimate relationships and business interests jostling with their more constitutional counterparts . the twins - device serves as a vivid indication of the moral ambiguities that undercore the world of corporate deals .

the film received mostly positive reviews from critics . shomini sen of ibnlive gave it 3 star out of 5 , and said : " sandip ray offers a genuine film which creates the same magic of feluda in modern times " . the times of india gave it 3 and a half star out of 5 .

the film , made on a budget of rs . 25 crore has managed good business in delhi , uttar pradesh and east punjab territory , said a statement .

over the top promotions , and splashing stars and everyone associated with a film all over tv channels , seems to be the way to promote films these days . which is why it ' s a bit baffling as to why the promotion for yash raj films ' aurangzeb , starring a relative newcomer ( arjun kapoor ) has been so low key , considering it releases in a week .

mr . kapoor and mr . shroff , stars of an earlier generation , are well cast and well matched . where a ’70s hindi film might pit villagers against an evil landowner , “aurangzeb” paints a more complex picture of villainy . because there’s no check on the thieving classes , corruption is everywhere , and the vulnerable — like the farmers whose land has been slated for development — will be quashed .

the film stars kapoor in a double role along with prithviraj sukumaran , sashaa agha , swara bhaskar jackie shroff , rishi kapoor , amrita singh , sikander kher and kavi shastri .

whether all kids inherit their parents’ moral temperament i do not know but where bollywood is concerned , its conditioning on filmmakers is undeniable . and going by what the inspired but engaging aurangzeb has to offer , it’s not such a bad thing .

' mubarakan ' box - office collection day 4 : arjun kapoor ' s film rakes in rs 3 . 50 crore on its first monday | hindi movie news - times of india

and if you wondering why the mughal emperor aurangzeb’s name has been used ; well we’re told he was a traitor , who proclaimed that ' kinship shouldn’t come in the way of kingship . ' in other words the end justifies the means . .

this brings us to the second and most stealing aspect of aurangzeb - - its casting ( shanoo sharma ) . prithviraj sukumaran’s clean - cut persona stands out in a role that demands subtle cynicism , restrained force , suppressed emotionality and dry humour .

the film s estimated $ 100 . 5 million take for the three - day weekend helped director patty jenkins break another glass ceiling , with the best domestic opening for a female director .

and because aurangzeb ’s momentum is steady and swift , the loopholes are skilfully minimised even if only temporarily . so , sure , you do wonder about the loosely established relationships , convenient set - ups and undisclosed footage of significant reactions , but much later .

this incident is from back when he was making his debut in bollywood . arjun refused to share a car with his co - stars , when travelling for a promotional event for aurangzeb . can you imagine his tantrums now that he is a big star ?

aurangzeb could have been so much better , perhaps even a classic . it is atul sabharwal’s faulty treatment that leaves it shaky . there is immense passion and thrill in the story , which its actors remit strongly . i am going with an average 2 . 5 / 5 for the film . the thrill ends up flaccid killing all that could have been sensational ! optimistically , i expect something more stirring and less misplaced from the team sometime soon !

here’s the weekend breakup – friday rs 3 . 92 crores , saturday rs 3 . 91 crores and sunday rs 4 . 35 crores . will aurangzeb be declared a bonafide hit all over in the coming days ? watch this space for more box office updates !

arjun kapoor , sasha agha starrer aurangzeb opened to a dull start on friday . the yash raj film ( yrf ) offering managed to earn rs 3 . 92 crore . trade analyst taran adarsh tweeted on saturday , " # aurangzeb fri 3 . 92 cr . " it is interesting to note that past weeks ' releases go goa gone and shootout at wadala continue to rake in moolah at the box office . till thursday , shootout at wadala collections were a commendable stack at rs 57 . 12 crore . taran listed on twitter , " # saw [ 2nd week ] : - fri 2 . 02 cr , sat 2 . 33 cr , sun 2 . 57 cr , mon 1 . 20 cr , tue 1 . 17 cr , wed 1 . 01 cr , thu * est * 1 cr . grand total : 57 . 12 cr . " according to taran , the overseas ' earnings of the film were , " # aurangzeb * uk * fri £ 7 , 583 on 37 screens . . . * australia * fri a $ 3 , 014 on 7 screens . . . * new zealand * fri nz $ 1 , 717 on 7 screens . "

the film is a marvel of impeccable casting . every actor gives his best , none more so than rishi kapoor who as the illimitably corrupt cop pulls off yet another masterly antagonist ' s part .

the warner bros . and dc comics film had generated a huge buzz , based partly on a critical reception that was unusually warm for a superhero film ; it got a 93 percent rating on the rotten tomatoes website . the movie was helped as well by the attraction of israeli star gal gadot , known for her part in the popular " fast and furious " series , as the fit and fearless amazonian .

has been termed as a laughter riot by fans and critics alike . going by the box - office numbers looks like this multi - starrer aneez bazmee film is cashing in on the good word of mouth factor .

there are two infants in question in aurangzeb —identical twins who have been separated at birth . one has evolved into a swaggering brat who has never handled a shaving blade or seen the insides of a hair - cutting salon . the other is on standby , waiting to be inserted into the story .

and it placed the movie far above the second - leading film , another new release , " captain underpants : the first epic movie , " which took in $ 23 . 5 million , according to website exhibitor relations .

the good part of the film is when you see such well etched out characters , mostly the male ones . the female characters seem too vulnerable ; however this review is not my place to make a feminist remark on that !

there’s a dramatic twist here ( which i am obviously not going to reveal ) that ensures aurangzeb doesn’t draw too many comparisons from the likes of the departed , the devil’s double or even don . ( though there is moment that squeals skyfall whereas the background score is reminiscent of the dark knight rises . )

in december 2014 , director sandip ray revealed , the sequel to this film will be based on gangtokey gondogol , and another sequel will be nayan rahasya if he finds an actor who is suitable for jatayu ' s role . but in 2016 sandip ray cancelled the reboot series because abir chatterjee started a new version of film series based on byomkesh bakshi franchise under shree venkatesh films and surinder films . the other reason was the new feluda movie sandip ray intended to make under a mumbai based production house eros international , but abir has a strict contract with shree venkatesh films and surinder films . for the cancellation of the reboot series badshahi angti is now considered as a stand - alone reboot film .

" aurangzeb " springs many unexpected surprises . it is a work which doesn ' t shy away from screaming silences and penetrating whispers . the softspoken words delivered in a natural even pitch is often so far - reaching in their implications that we keep returning to the dialogues much after the characters have spoken them and moved on .

the other kapoor , arjun shows remarkable poise and volume in his second film and first double role in the company of stalwarts . though it could have been a far better written part , especially ajay , he consciously maintains a distinction between the twain .

shooting begun from early 2014 . 60 % shooting was captured in kolkata , and rest of the shooting was in lucknow . in mid - 2014 , director sandip ray said " we will finish shooting by october and release the film in december . "

the title is supposed to work as a metaphor , in the same way as the hollywood film chinatown ( 1974 ) and shanghai ( 2012 ) are about abstract ideas ( falsehood and aspiration respectively ) rather than actual places . aurangzeb is about inheritance , and it initially seems that sabharwal might be able to bring new ideas to the cliché that blood is thicker than water . his movie is spilling over with characters that conform to the popular stereotype of mughal emperor aurangzeb—a ruthless and power - hungry maniac whose path to the throne is littered with the bodies of family members and acquaintances . the battleground is transported into a boardroom , and a bottomed - out war chest becomes a loss - making balance sheet . this is a movie that aspires to be about the mini - empires that exist within—and often work against—the indian republic , but it scuttles its own ambitions midway through . it becomes yet another movie about twins separated by circumstance and brought together by hindi cinema .

yes , mubarakan is a multi - starrer but that does not strike off arjun kapoor’s performance in it which has been getting positive reviews from many . anil kapoor out - shines everyone in the film but still , arjun has worked double the hard for it .

" aurangzeb " has an epic sweep to its storytelling . but it ' s also an intimate portrait of family values gone to waste . it is really the sound of stifled sobs that we carry home of characters who thought they knew it all only to realize at the end that they somewhere lost track of their inner self in pursuit of distant dreams .

at first " aurangzeb " seems plotted with too many twists and turns . and then as you watch the tale of twin bothers ( arjun kapoor , very much in character ) and a stepbrother , played by prithiviraj , who turns out to be the moral foundation of this empire of compulsions , you fall into the rhythm patterns of sabharwal ' s quiet volatile and implosive storytelling .

actor arjun kapoor plays a double role in the film . the movie talks about yashvardhan , a real estate owner played by jackie shroff , and the chain of his illegal activities . the police decides to crack down his wrong doings by replacing his son ajay with an identical man vishal .

yes , much in " aurangzeb " is imperfect . the ambivalent tone of authenticity in a plot that seems inpired by the melodramatic blockbusters of the 1970s is really an exercize in self - indulgence . it ' s as if the director wants to prove his intellectual superiority over the material he has chosen to deconstruct . but the contradictory tone somehow works in a way we ' ve never seen before .

interestingly , aurangzeb doesn’t demonstrate any depth to examine the impact of role - playing , and change in circumstances on arjun kapoor’s psyche but both - - prithviraj ( by way of voiceover that offers a constant peek into his thoughts ) and rishi kapoor ( his candid conversation with deepti naval showing his innermost anxieties to his frighteningly supportive partner ) - - emerge as the more fleshed - out characters of this stylish drama .

arjun kapoor crosses comfortably into both the nefarious kingdoms . playing the traditional ' ram aur shyam ' game , he seems to nail the brotherly mirror - image into a slide show of shifting loyalties . it ' s a compelling double whammy from an actor who made a sizeable impact with his first film last year .

the plot of “aurangzeb” is inevitably too complicated , and the themes presented more interestingly than they are wrapped up . but for much of the nearly two - and - a - half - hour running time , it ably weaves time - honored bollywood tropes — twins ( played by arjun kapoor ) separated as babies , parent - child reunions , crosses and double - crosses — with contemporary outrage at the rules of the game .

if it continues the same trend , mubarakan can surpass arjun kapoor’s finding fanny , tevar and ishaqzaade too , lifetime of which stands at 35 . 91 crores , 39 . 00 crores , and 45 crores respectively . the monday collections of mubarakan have raised the hopes for the film as it’s just the start of stagnant weekdays .

the screenplay wavers and kills the well set aura of the story . the music isn’t memorable either , but manages decently through the film . it is sad to see young scriptwriters forgetting the plain art of simply story telling . being complex seems like the new cool thing but when it comes to cinema nothing can be more pristine than simplicity .

according to the latest report on boxofficeindia . com , the film has collected an estimated rs 3 . 50 crore on its first monday , taking the collections to rs 26 crore in total . ' mubarakan ' started its run at the box - office with rs 5 crore on friday followed by rs 7 . 25 on saturday and rs 10 . 25 on sunday .

supreme power and supreme wealth are what the characters seek in this film . funny , how they end up nullified or dead at the end . none more so that the all - powerful cop played by rishi kapoor . a closet - extortionist , this powerful policeman ' s family - mafia runs parallel to jackie shroff ' s vast empire of drugs and other criminal activities .

the spot boys on the sets of ek tha tiger were forbidden from fetching salman , because he insisted on getting out of his vanity van when he willed ! as a result , everyone from the director to his co - stars were reportedly left waiting indefinitely for the go ahead from him . the collective curses of the entire crew probably explain the critical reception of the film .

the bad bits are when the story shows its lead characters shifting their loyalties so easily with providing ample sense for it . be it ajay’s loyalty for the man who abducted him or vishal feeling the familial tug for his father he never knew , their love and loyalties are extremely promiscuous . quite often in the film , i lost track of people and events and that surely didn’t help .

prithviraj who made his hindi debut with the disastrous " aiyya " last year , springs a stunning surprise as arjun ' s half - brother . he is the voice of this vast plot ' s nebulous conscience . it ' s finally prithviraj who redeems the film ' s shifting moral values to recover a moral centre for a world that seems to spin out of control with its penchant for power and greed for wealth .

“aurangzeb , ” atul sabharwal’s dark fable about corruption and family ties , begins with a quote from horace : “deep in the cavern of the infant’s breast , the father’s nature lurks , and lives anew . ” and it borrows its name from the mughal emperor who imprisoned his father ( shah jahan of taj mahal fame ) and killed his brothers and son . mr . sabharwal’s movie has echoes of both : blood will tell — evil lurks in the evil man’s son , goodness in the good man’s . but also blood will flow — kinship , in certain ruthless precincts , is no guarantee of safety .

los angeles ( afp ) - it took a long time for wonder woman to get her due . long after such male characters as superman , batman , iron man and even aquaman and ant - man made the leap from comic books to the silver screen - - and 76 years after she first appeared in print - - " wonder woman " the film made a splashy debut this weekend on north american screens , netting just over $ 100 million .

welcome to the world of unstoppable ambitions . half - realized dreams thread their way through sabharwal ' s intricate plot , much like those gigantic cement - mortar - glass skyscrapers that kiss the sky in half - constructed questionable glory in the film ' s excellently - composed frames . the cinematography by n . karthik gnaesh provides a panoramic view of gurgaon ' s super - affluent landscape . it also provides us an insight into the anxious souls of half - finished lives trapped in the mirage of their absurd aspirations .

i was excited to find such a good script after a long time . the writer sure to have lived and breathed in the ambiance he recreates in the story , knows the details of the lives of the people he wishes to portray . it is the screenplay’s fault that he botches up climatic hilts making the storyline fumble at too many places throughout the film . basing the pivotal assumptions on the concept of power , the story is constantly shifting from political to corporate , with crime prevailing through them both in essence .

gurgaon is the most modern boom - town of " india shining " , the new frontier to be conquered by those who understand real estate . this city rose from a small town to a boom town satellite city in just fifteen years . however the law and order is yet to catch up . a family of policemen - a family of gangsters - under the guise of a respected citizen , yashwardhan ( jackie shroff ) runs a parallel world - a world , where he is the emperor . to bring down a criminal - the law will have to now think like a criminal . when vishal ( arjun kapoor ) is planted in yashwardhan ' s world in place of ajay ( arjun kapoor ) , the lawmakers ( rishi kapoor and prithviraj ) roll the dice and a sequence of events unravel - something much more than what vishal bargained for , as he finds himself in a predicament that puts him to the test . aurangzeb is all about a world where kingship knows no kinship and where there can be only one emperor .

ajay and vishal ( arjun kapoor ) are twins separated by a set of adamant parents—jackie shroff and tanvi azmi ; he , a notorious real estate developer and she , a conscientious homemaker who turns police informer . and , there’s a family of cops—rishi kapoor , prithviraj , sikander kher , who wear tainted uniforms ; introduced in the film’s opening sequence as collectors . by a twist of fate , the twins find their lives entwined with that of the cops . the real - estate developer’s wife and one twin are saved by an honest cop ( anupam kher ) in a bizarre ' encounter ' . and he keeps them hidden for 25 years . in what is a convoluted plot , the dishonest bunch of policemen ( rishi and co ) makes plans to kill jackie shroff , his estranged wife , their twins and take over their empire . so they plant one of the twins as an infiltrator .

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twin brothers find themselves caught in a quagmire of sex , lies and deceit between the cops and a notorious businessman . will good triumph over the evil ?

arjun kapoor is still raw and needs polish to juggle the shades required to balance a twin role .

sashaa agha is petite , pug - nosed and has a nice figure . but her portrayal of the golden - hearted whore , like the one parveen babi played in

rishi kapoor is in top form . whether he is playing white , black or grey , this veteran rarely falters . prithviraj sukumaran is in fine fettle , his sultry looks adding to his sulking character . jackie shroff , the 80s superstar who had been lost to inconsequential cinema is making commendable appearances now .

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is primarily about inheritance of character from parent to child . and the opening underlines this theme with a quote from roman poet horace , ‘deep in the cavern of the infant’s breast ; the father’s nature lurks , and lives anew . ’

against the relevant backdrop of land - grabbing in gurgaon and its deep - rooted network within corporate sectors , political parties and corrupt law and order , sabharwal weaves an old - fashioned yarn about family - - both close - knit and estranged .

on one hand there’s a family of cops - - ravikant ( rishi kapoor ) , his nephew arya ( prithviraj sukumaran ) and son dev ( sikander kher ) . the stern , resentful arya models himself along the lines of the supremely assertive ravikant as opposed to his long disgraced , defeated father ( anupam kher ) .

meanwhile , yashwardhan ( jackie shroff ) is a successful tycoon running illegal industries , masked under the impression of his authorised businesses , assisted by the sharp neena ( amrita singh ) . he has given up on making sense of his brash son , ajay ( arjun kapoor ) , the proverbial cad whiling away his time partying with / beating up his annoyingly compliant girlfriend , ritu ( sasheh agha ) .

light - eyed agha , no matter how much ( and frequently ) she exposes , cannot distract the viewer from her serious lack of talent and feeble screen presence . her so - called intense scenes with kapoor are plain comical and completely dampen the screenplay . she fares better in the recording studio though with her spunky rendition of barbaadiyan .

the real discord begins after arya discovers ajay’s lookalike , vishal ( kapoor ) and plants him in ajay’s place to collect evidence against yashwardhan in the backdrop of gurgaon’s glossy landscapes ( with surreal shots of its bokeh - lit traffic by n karthik ganesh ) .

rishi kapoor is at the top of his game and inspires awe through the stunning curve he draws within the story . to rave any more could lead to revelations that are best enjoyed on one’s own .

it ' s also great to see jackie shroff render the proceedings his characteristic charisma , warmth and grit in a somewhat neglected role .

none of the senior girls - - amrita singh , deepti naval and tanvi azmi - - are moulded in pure convention and make a statement with their fiercely kohl - ed eyes and sturdy point of views . sadly , in the case of their junior colleagues , agha doesn’t have the potential while swara bhaskar isn’t given enough scope to bite .

what is a r rahman doing at a dubai mall ? reader talib sends us a picture .

directed by atul sabharwal , it also features jackie shroff , rishi kapoor , southern actor prithviraj sukumaran and amrita singh .

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a love story of a passion ignited by hatred . of two people . born to hate . destined to love .

a team of experts dispatched to bring in the most wanted man in india almost achieves the unthinkable . . . until something goes horribly wrong .

a romantic comedy which tells the journey of three restless young people who junk society ' s syllabus for finding love and decide to follow their heart .

the lives of calcutta ' s most powerful gunday - bikram and bala , changes when nandita enters it . then a counter - force takes charge and a thriller unfolds .

this movie chronicles how chetan met his wife and the difficulties they faced due to their cultural differences .

a smooth and charming conman , ricky bahl , cons girls for a living but finally meets his match is this fun - filled " rom - con . "

nikhil is re - introduced to meeta nearly ten years after their first meeting . now , as nikhil has one week to prove himself worth enough to marry meeta ' s sister karishma , the old acquaintances become quite close to each other .

bewakoofiyaan is a slice - of life comedy when recession strikes and the lack of money tests love . is living on love and fresh air really possible ?

in the midst of a loud punjabi wedding , a boy sneaks his dad ' s fancy new car to impress the college hottie and all hell breaks loose when he loses it .

unhappy with her marriage with workaholic man , a woman finds solace in her lover and starts a steamy affair . but this fills her with guilt and leaves him , but he is determined to get her - at any cost .

an ex - cop is hired by a pimp to find missing call girls and the man responsible behind their abduction .

rishi kapoor and jackie shroff worked together after 23 years since azaad desh ki ghulam but did not have scenes together .

when ajay kicks the bandit at the beginning , he falls on the bumper of a car , while the altercation occurs in the aisle .

: this system of collection has been in place for years . the money from this system goes all the way up to the seniors and ministers . the nexus is not going to come to an end with just my uncle ' s death . the dcp said that only two powers would survive - the politicians and the corporates . but if a policeman doesn ' t take bribes from any of them , then he won ' t fear them either .

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with a lofty quote from horace , the roman chronicle of empire : “deep in the cavern of the infant’s breast , the father’s nature lurks , and lives anew . ” the movie that follows the quotation , however , moves determinedly away from profundity and towards banality .

and there are at least three fathers—a gangster who is moving aggressively into the construction business in gurgaon , an honest cop , and a corrupt cop who sets the whole thing into motion when he swaps the good egg for the bad one . by replacing ajay (

( 1978 ) , vishal effortlessly slides into his new role . the small - town boy makes a butter - smooth entry into a world of big money and powerful players . his father yashvardhan (

) doesn’t notice that his son is no longer rude and violent . yashvardhan’s scheming and sharp - eyed mistress (

) , who wants to run her own empire , misses the transformation . ajay’s girlfriend ritu (

) wakes up to the deception only after her otherwise testosterone - influenced boyfriend slips under the sheets with her . there is a potentially fantastic morning - after sequence here , but sabharwal passes on the opportunity .

) , who has a connection with the twins . the moral centre , inevitably , is located in the widowed mother (

) . the convolutions and contrivances in sabharwal’s screenplay lead to yet another inevitability—a mexican - style shootout in which everybody points guns at everybody else and 80 % of the cast conveniently gets blown off the screen .

although there is never a dull moment in the lives of the characters , the 140 - minute movie curiously lacks momentum . the gurgaon setting holds immense promise , but it isn’t deployed in the screenplay in any effective way . the family - economy - industry - politics cocktail was mixed far better by

( 1981 ) . the performances are strictly serviceable . arjun kapoor’s rawness is all too evident , but he fares marginally better than prithviraj sukumaran , who provides the voiceover and disgorges chunks of hindi dialogue with a discernible malayali accent .

hollywood superstar arnold schwarzenegger ' s ' terminator 2 ' harley - davidson sold for rs 3 . 3 crore

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in mr . sabharwal’s movie the ruthless precinct is gurgaon , the boomtown satellite of delhi . its runaway development means everyone’s on the take , not just the criminal family led by yashwardhan ( jackie shroff ) but also the police clan led by a magnificently shifty ravikant ( rishi kapoor ) .

and the landscape will change . in scene after scene high - rises under construction poke their heads into the polluted yellow sky .

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plot : gurgaon is the most modern boom - town of “india shining” , the new frontier to be conquered by those who understand real estate . this city rose from a small town to a boom town satellite city in just fifteen years .

under the guise of a respected citizen , yashwardhan ( jackie shroff ) runs a parallel world – a world , where he is the emperor .

gurgaon is the most modern boom - town of “india shining” , the new frontier to be conquered by those who understand real estate . this city rose from a small town to a boom town satellite city in just fifteen years .

a slice from the world of gurgaon’s real estate politics , the gamers are cops and criminals , matching steps with each other . in order to destroy yashwardhan singh , a mafia lord of the real estate business , dcp ravikanth tweaks out strings of his past . replacing his heir ajay , with his long lost son , vishal , the game continues to see who wins the edge .

arjun kapoor is a double treat in his double role . going by the knotty character he plays , it is commendable that he manages to deliver without faltering . showing commendable promise in acting may be he doesn’t give a memorabilia , but he is one actor to look out for in the tinsel town .

rishi kapoor plays his role shrewdly and managed to command power all through . in the role he had , it was easy to turn into rubble , but he praiseworthily manages well .

jackie shroff blows his fans over in his wonderful stint . from being at the zenith of power to a fallen hero , shroff does it with great dignity .

prithviraj needs to brush off his southern twang , but besides that he is marvelous and powerful actor . perhaps , south’s last gift to bollywood !

amrita singh who is back on silver screen after a while manages to stay magnetic all through .

debutant sasheh agha is all skin show and no prowess . she can’t emote and that’s her problem ! besides that beauty won’t take her far in bollywood anymore !

atul sabharwal evokes seething anger for not doing justice to the story he had . with a delicious premise like that , he barely manages to serve us anything beyond mediocrity . trying to deal with too many subjects and points , he loses himself in the web of interpersonal relationships of his characters and the nail biting plot that he had . he has written excessive plots and sub plots , which gets tedious and arduous by the end .

decoding the economics of sanju : how profitable is this ranbir kapoor . . .

" it will get intense as we reach closer to the release date and that ' s all i can add to that , " he added .

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sapna se badaa apna hota hai . . . it ' s okay to sacrifice one ' s dreams for the sake of those you love . this is a recurrent thought in this hard - hitting family drama about fatally flawed people who flock together , in search of a happiness that is snatched from them by a fate far more cruel and savage than what we generally see as destiny .

the destiny that seems to underline the lives of writer - director atul sabharwal ' s drama of family feuds is as flawed as it is rich in resonances . and why not ! perfection is as boring as it is unbelievable . sabharwal spreads out a hectic hefty horizon of dark grey black and ominously immoral people who share a common genealogy but are not afraid to kill one another for personal gains .

i ' ve to make mention of the very talented swara bhaskara who plays prithiviraj ' s wife . the super - talented girl has just two brief sequences . but she wrenches your heart . tanve azmi ' s motherly act has its moments . amrita singh as a scheming she - devil is the traditional home - breaker . it ' s a stereotypical bad - girl role , given a reined - check by the actress ' ingrained grace . sasheh agha in a role clearly inspired by parveen babi in yash chopra ' s " deewaar " is cast in a role that deserved a far better actress .

atul sabharwal ' s direction bears ruminative remnants of the mighty filmmaking legacy of yash chopra and mani ratnam . the script outwardly sounds like a potboiler about the shifting equation between the legitimate and the outcast . but the tone adapted to tell this potboiler tale is authentic , underplayed and constantly credible . it ' s as if manmohan desai suddenly decided go the way shayam benegal did in " kalyug " .

gurgaon on the outskirts of delhi becomes a hotbed of intrigue and drama . but underneath the conspiracies and the killings is a tragic tale of blood unnecessarily spilt for advantages that finally mean zilch in the absence of loved ones to share the loot with .

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a cop goes undercover into a gangster ' s family . this sets in place a chain reaction of complications and increasingly uncontrollable events .

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and producer sandeep marwah , and the first - cousin of actress sonam kapoor and producer rhea kapoor .

( 2009 ) . he was also an assistant director for salaam e ishq .

( us $ 7 . 0 million ) nett approx . at the domestic box office in three weeks , it was declared a super hit by box office india .

' wonder woman ' made a splashy debut this weekend in north american , netting just over $ 100 million .

" underpants , " an animation from fox , is a different kind of superhero movie : based on a popular series of children s books by dav pilkey , it tells the story of two students who use hypnosis to persuade the school s principal he is a superhero .


do dilon ki dastaan is a 1985 indian bollywood film directed by a. c. tirulokchandar .

it stars sanjay dutt and padmini kolhapure in pivotal roles .

the film is solely and exclusively owned by rkd studios now , who bought the rights of same in 2008 .

do dilon ki dastaan ( 1985 film )

do dilon ki dastaan ( 1985 film ) <EOT> hum rahi me movie do dilon ki dastaan 1080p full hd song . ! - youtube

mix - hum rahi me movie do dilon ki dastaan 1080p full hd song . !

humrahi mere humrahi - - high bass digital audio - lata - suresh - do dilon ki dastan .

super hit movie do dilon ki dastaan 1985 . song : hum rahi mere hum rahi o hum rahi mere hum rahi . singer : suresh wadkar , lata mangeshkar . music directors : laxmikant pyarelal , pyarelal ramprasad sharma , laxmikant shantaram kudalkar . lyrics : anjaan . starcast : sanjay dutt , padmini kolhapure , arun govil , shakti kapoor , kader khan , kajal kiran , om prakash , pinchoo kapoor , shobha khote , asit sen . genre : drama , love , family action story . director : a . c . tirulokchandar . initial release : february 15 , 1985 india . watch super hit bollywood classic movie do dilon ki dastaan song . presents by : naeem ahmed khakhrani .

right now , do dilon ki dastaan is not available with subs * , but on the other hand : even with subs this film might be interesting just for sanjay fans who can’t get enough of him and even consume his early films in which he – sorry , sanju , but you surely know it yourself – simply was not as good yet as he was to become later . and the film is nothing special either . it has its moments , no doubt about that , e . g . young sanju in a bubble bath tube . but what on earth about the one - two - three song with some dozens of neatly dressed girls dancing ring - a - ring - of - roses ? und do you really regain your sight when your backhead is slummed against a rock several times ? no , do dilon ki dastaan is no must - see , neither with nor without subs . not more than because of the bath tube .

do dilon ki dastaan – a story of two hearts is one of sanjay’s early films from that time when he still was searching for his identity in front of the camera . since his debut film rocky , i conceive suspicion that originally he was to become the direct successor to young amitabh bachchan ( with option on the " angry young man " ) ; the tall and lanky stature was there , the hair - style was adjusted , and even sanjay’s dance movements sometimes remind of amitabh’s . but fortunately , only shortly thereafter sanjay broke loose from this strangling and , at the latest since naam , developed his own film identity instead of becoming just some copy . ( thank heaven for that . )

check out this lovely romantic title song of the superhit bollywood romantic movie ' do dilon ki dastaan ' where sanjay dutt and padmini kolhapure are expressing their feelings . cast : sanjay dutt & padmini kolhapure music : laxmikant pyarelal singer : asha bhosle , shabbir kumar producer : m . m . malhotra , baldev pushkarna director : a . c trilog chander subscribe and stay tuned - urltoken find us on google plus : urltoken follow us on pinterest : urltoken like and share your favorite videos on facebook : urltoken follow us on twitter : urltoken

familie biographie filme ( alphabetisch ) filme ( chronologisch ) hörbücher / film - trivia news / ( film - ) projekte produktionen sänger / rockstar awards / ehrungen persönliches / religiosität the golden heart sanjay - effekt tattoos interessen lifestyle werbung / business zitate von sanjay dutt zitate über sanju ( bis 1999 ) zitate über sanju ( 2000 - 2006 ) zitate über sanju ( 2007 - 2008 ) zitate über sanju ( ab 2009 ) der tada - fall artikel / publikationen interviews tv - und live - auftritte diwali goes sanju twitter / links ( u . a . forum ) impressum information in english

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teen love story where vijay ( sanjay dutt ) , grandson of a rich man brijmohan saxena ( om prakash ) who doesnt want to settle down in life and therefore he runs away from home and reaches kashmir . he meets tourist guide , sona mathur [ padmini kolhapure ] , and both fall in love in the valleys of kashmir . shekhar [ shakti kapoor ] , is one man who has bad intentions . shekhar is a homicidal and sexual maniac . he tries to rape sona couple of times but could not succeed due to intervention by vijay . on one night , a very frustrated shekhar plants a bomb in vijay ' s car , but vijay and sona escape . in this accident sona loses her eyesight and decides to stay away from vijay which shatters him . will vijay come to know sona ' s sacrifice ? subscribe to rajshri - urltoken follow us on g + urltoken like us on facebook - urltoken follow us on twitter - urltoken follow us on pinterest - urltoken visit rajshri ' s website - urltoken

zameen aasmaan hindi movie | | full action and drama movie | | feat . sanjay dutt , rekha ,

kareeb movie - such a beautiful love story ever - please 🙏🙏🙏subscribe my channel i . e . ( thetomar )

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about the story : the millionaire saxena ( om prakash ) plans to force his grandson vijay ( sanjay dutt ) into a marriage with aarti ( kajal kiran ) . to evade this marriage , vijay escapes to kashmir where he falls in love with the beautiful sona ( padmini kolhapure ) . unfortunately , even the rapist shekhar ( shakti kapoor ) casts an eye at sona , and as vijay puts paid to his plans , shekhar becomes his enemy . with a bomb attack on his car , vijay gets seriously injured , and sona loses her sight . so that she as a blind will not become a burden for vijay , sona pretends to be in love with vijay’s friend kamal ( arun govil ) and leaves the hospital together with him . vijay cannot cope with this obvious treason and starts drinking . when one fine morning he wakes up besides aarti and the latter accuses him of having raped her , vijay is not able to defend himself because due to his alcohole consume , he has no memories about that night . now his marriage to aarti seems unevitable . . .

porduced by baldev pushkarna and m . m . malhotra ; directed by a . c . trilokachander

meri aan ( 1993 ; special appearance ) - review in en . . .

the times of india , 4 . 8 . 2007 : interview mit rhea p . . .

mid - day 2 . 8 . 2007 : " is it wrong to trust a friend ? " . . .

this article is issued from wikipedia - version of the 7 / 24 / 2016 . the text is available under the creative commons attribution / share alike but additional terms may apply for the media files .

no lyrics are available right now . the lyrics will be added in due course .

on all movie pages , a list of all the songs from that particular movie are there with basic information about the movie .

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while multi - millionaire mr . saxena is busy announcing the engagement of vijay , his grandson , he , himself , is busy driving a horse - carriage , and getting into fisticuffs with hoodlums . vijay . . . see full summary »

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a girl is saved by a young man this experience brings them together . their union faces obstacles in the future .

after the death of his wife , savitri , former bandit , suraj singh , decides to go straight , and with the help of a catholic priest , father john , goes to work in a small hillside community . . . see full summary »

the college students shyam ( sanjay dutt ) and pradeep ( mohnish bahl ) are close friends . when shyam falls in love with beautiful sundari ( padmini kolhapure ) , pradeep arranges for the two to . . . see full summary »

follows the story of vicky , who gets entrapped in a criminal plot after he leaves his country for work .

when a police inspector is killed by a band of thugs , his grieving father samsher singh seeks justice . pratap singh has left behind a pregnant widow , who dies in chidbirth , leaving samsher . . . see full summary »

shamlal is an educated young man who is employed in the construction business by ratanlal . shamlal is also the union leader , and would like ratanlal to enforce measures for workers ' safety . . . . see full summary »

ballu ( sanjay dutt ) , a notorious , cunning , and unscrupulous criminal who ' s wanted by the police for a plethora of murders and thefts . bright and ambitious inspector ram ( jackie shroff ) . . . see full summary »

a taxi drivers falls in love with a woman forced into prostitution and battles with her pimp in order to free her .

aristocratic amar singh is the heir to his princely estate , left behind by late father , who had re - married a cruel and calculating woman , ranimaa , and has been mismanaging the estate for . . . see full summary »

jeevan , who wants to be a police officer , becomes a dacoit called jeeva after his parents die .

a businessman faces challenges when he unknowingly permits his daughter to get engaged to the son of the man who betrayed him .

raj saxena is in love with fellow collegian , rati verma , and both want to get married . rati introduces raj to her father , major verma , who , after finding out about raj ' s background , decides . . . see full summary »

while multi - millionaire mr . saxena is busy announcing the engagement of vijay , his grandson , he , himself , is busy driving a horse - carriage , and getting into fisticuffs with hoodlums . vijay is quite unhappy with his grandpa about his engagement with hong kong returned aarti verma , the only daughter of wealthy magnate roshanlal verma . for vijay is in love with an unknown young woman he saw at the airport . unable to get her out of his mind , he is thrilled when he gets to meet her again in srinagar and finally finds out that she is his tour guide , sona mathur . after a few misunderstandings , sona too falls in love with him . then things change unexpectedly after they meet with an accident , whereby vijay temporarily loses the use of his legs . when he limps over to sona ' s room , he is told that she has been discharged . and the person she has been discharged with is a young man by the name of kamal - who is also in love with sona . vijay must now find out why sona has deserted him , and if at all . . .

check out the indian movies with the highest ratings from imdb users , as well as the movies that are trending in real time .

enjoy a night in with these popular movies available to stream now with prime video .

while multi - millionaire mr . saxena is busy announcing the engagement of vijay , his grandson , he , himself , is busy driving a horse - carriage , and getting into fisticuffs with hoodlums . vijay . . . see more »

while multi - millionaire mr . saxena is busy announcing the engagement of vijay , his grandson , he , himself , is busy driving a horse - carriage , and getting into fisticuffs with hoodlums . vijay is quite unhappy with his grandpa about his engagement with hong kong returned aarti verma , the only daughter of wealthy magnate roshanlal verma . for vijay is in love with an unknown young woman he saw at the airport . unable to get her out of his mind , he is thrilled when he gets to meet her again in srinagar and finally finds out that she is his tour guide , sona mathur . after a few misunderstandings , sona too falls in love with him . then things change unexpectedly after they meet with an accident , whereby vijay temporarily loses the use of his legs . when he limps over to sona ' s room , he is told that she has been discharged . and the person she has been discharged with is a young man by the name of kamal - who is also in love with sona . vijay must now find out why sona has deserted him , and if at all kamal is the reason behind this desertion . written by rajoo ( gunwanti @ hotmail . com )

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