premada putri ( kannada : ಪ ರೇಮದ ಪುತ ರಿ ) is a 1957 indian kannada language film directed , produced and enacted by r. nagendra rao .

besides nagendra rao , the film stars udayakumar , sandhya and gummadi venkateswara rao in the pivotal roles .

veteran cinematographer and son of director nagendra rao , r. n. k prasad was introduced in this film .

the film won the national film award for best feature film in kannada at the 5th national film awards .

the film had the musical score and soundtrack composed by h. r. padmanabha shastry and t. g. lingappa to the lyrics of r. n. jayagopal and prabhakar shastry .

premada putri

premada putri <EOT> premada putri tribhuvana janani song listen to one of the melodious classical songs of p leela , tribhuvana janani from the kannada film premada putri . cast kalyana kumar , sandhya , . . . 281690

listen to one of the melodious songs of p leela , " baaramma nidiraadevi " from the kannada film premada putri . cast : kalyana kumar , sandhya , r nagendra rao , parvathib music : hr pamanabha shastry lyrics : rn rajagopal director : r nagendra rao producer : r nagendra rao release : 1957 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken

listen to one of the melodious songs of rn panigrahi , " premave daiva " from the kannada film premada putri . cast : kalyana kumar , sandhya , r nagendra rao , parvathib music : hr pamanabha shastry lyrics : rn rajagopal director : r nagendra rao producer : r nagendra rao release : 1957 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken

listen to one of the melodious classical songs of p leela , " tribhuvana janani " from the kannada film premada putri . cast : kalyana kumar , sandhya , r nagendra rao , parvathib music : hr pamanabha shastry lyrics : rn rajagopal director : r nagendra rao producer : r nagendra rao release : 1957 for more updates : subscribe to us on : urltoken follow us on : urltoken like us on : urltoken

premada putri ( ) is a 1957 indian kannada language film directed , produced and enacted by r . nagendra rao . besides nagendra rao , the film stars udayakumar , sandhya and gummadi venkateswara rao in the pivotal roles . veteran cinematographer and son of director nagendra rao , r . n . k prasad was introduced in this film . the film won the national film award for best feature film in kannada at the 5th national film awards .

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rao ' s play " bhukailasa " was thrice made into films ; in 1938 and 1940 by sundar rao nadkarni , and in 1958 by k . shankar . it was in rao ' s play of " bhukailasa " in theatre , that rajkumar , who would go on to become one of kannada cinema ' s finest actors , made his breakthrough as a theatre actor , playing the role of narada . in 1951 , rao formed his own film production company , rnr pictures . the 1957 film " premada putri " was produced under this banner and rao directed it , also playing a supporting role in the film . at the 5th national film awards , the film was awarded the best feature film in kannada . the production company existed till 1964 . following this , he appeared in roles of a father in films such as " shri kannika parameshwari kathe " ( 1966 ) and " karulina kare " ( 1970 ) . for his role in his 1968 film , " hannele chiguridaga " , that co - stars rajkumar , he won the karnataka state film award for best actor . his last appearance came in the 1974 film , " professor huchuraya " .

movies directed by r nagendra rao including the new and upcoming films . r nagendra rao movies list is sorted by movie release year .

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ananda bashpa ( kannada : ಆನಂದ ಭಾಷ್ಪ ) is a 1963 indian kannada film , directed and produced by r . nagendra rao . the film stars r . n . sudarshan , k . s . ashwath , harini and rajani in lead roles . the film had musical score by g . k . venkatesh .

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kannada movie industry also known as sandal wood , has a 80 years of histroy and today every year 100 + movies are released . production of both commerical and art movies ( parallel movies ) is the speciality of kannada movie land . kannada movies have won several national awards and also recent time movies are popular among non - kannadigas also .

total movies released so far in kannada are 3500 + . we have 3100 + kannada movies collection in dvd / vcd formats .

• the first kannada film ‘sathi sulochana’ released on 3rd march 1934 ( but first film made was ‘bhakta dhruva ) was made in 40000 rupees .

• the first hero of kannada screen was subbainaidu . this film was directed by yv rao in the banner south india movietone . the producer of this film was shah chamanmal dungata was from rajasthan . r . nagendra rao who played ‘ravan’ in that was paid rs . 3000 . this film was shot in kolhapur . in sathi sulochana murthy rao , lakshmi bai , tripuramba , ct seshashalam also figured in the cast .

• in one month duration of release of first kannada movie sathi sulochana ‘bhaktha druva’ was also released .

• ‘samsara nauke’ the first south indian social film in kannada film investment was rs . 33000 but it earned rs . 2 . 5 lakhs .

• literary personality devudu took leadership of ‘chiranjeevi’ kannada film – the first one from uttar kannada belt .

• on account of world war from 1938 for three years no film was made .

• from the royal family kemparaj urs acted as hero in gubbi company film “jeevana nataka’ . shantha heblikar was one of the heroines . well known literary personality aa . na . krishna rao penned lyrics .

• the first theatre of karnataka is paramount – that was later named parimala talkies in city market . the first cinerama theatre in asia is kapali situated in subedar chatram road , bangalore .

• when the lion roaring sound was heard in the theatres the people mistook it and ran away from the theatres in early stages of cinema .

• mv rajamma is the first woman producer of kannada from radha ramana in the 1940’s .

• in the 1950’s ‘navajyothi studio’ was started in mysore . another studio premier studio also came up in this decade .

• one of the heroes of ‘sri srinivasa kalyana’ ( one of the saptharishi ) rajakumar came to filmdom .

• 1954 debut of rajakumar in ‘bedara kannappa’ . rajakumar was picked by director hln simha when he was standing in a bus stand at nanjangud . ‘bedara kannappa’ won the certificate of merit at the national level in 1955 . rajakumar later acted in 206 films and won awards like karnataka rathna , dadasaheb phalke etc . dr . rajakumar was in the captivity of fugitive veerappan for 108 days and all these days there was no activity in kannada filmdom .

• playback singer pb srinivas , music director vijaya bhasker came to cinema field in mid 50’s .

• the famous kumar trios – rajakumar , kalyankumar , udayakumar acted in ‘bhoodana’ kannada film .

• the first novel based kannada film is ‘karuneye kutumbada kannu’ was made in 1962 .

• the first color film in kannada is ‘amarashilpi jakannachari’ starring kalyankumar and b saroja devi was directed by bs ranga .

• in the 60’s the unforgettable chi . udayashanker as writer came to industry became part and parcel of kannada cinema for over four decades .

• in the 1970’s – the prostitute based ‘gejje pooje’ became a big hit .

• the new wave cinema was ‘samskara’ based on novel of dr u r ananthamurthy was directed by pattabhirama reddy .

• prithvi raj kapoor acted in ‘sakshatkaara’ starring rajakumar , jamuna directed by sr puttanna kanagal .

• bangaradha manushya – the highest number of days running film . directed by siddalingaiah the film starred dr rajakumar , bharathi , vajramuni , srinath and others .

• from nagarahavu – dr vishnuvardhana , ambarish , aarathi were introduced to kannada cinema by sr puttanna kanagal .

• the first hero of kannada cinema subbai naidu’s son lokesh was introduced from ‘boothayyana maga ayyu’ by director siddalingaiah .

• the first cinema scope film was ‘sose thanda showbhagya’ produced by ankalagi brothers .

• sv rajendra singh babu came to cinema field as director from ‘nagara hole’ .

• noted hindustani singer shyamala g bhave from ‘parivarthane’ became the first woman music director .

• shanker nag made debut from ‘ondanondu kaladalli’ and prior to his entry his elder brother ananthnag made debut from ‘sankalpa’ .

• actress lakshmi directed ‘makkala sainya’ . julie lakshmi daughter of yv rao the first director of kannada cinema ‘sathi sulochana’ .

• prema loka of v ravichandran and hamsalekha created a new wave and broken all records in the box office . juhi chawla was the heroine .

• puttanna kanagal award of rs . 1 lakh was instituted by state government to a director and dr rajakumar award of rs . 1 lakh to actor fraternity .

• 50 years of kannada cinema the golden jubilee was attended by akkineni nageshwara rao , rajanikanth , v shantharam and others .

• sharavegadha saradara starring kumar bangarappa was the first 70mm cinema in kannada . it was directed by kv jayaram .

• master puneeth now the no . 1 hero of kannada cinema won the best actor at the national award for his role in ‘bettada hoovu’ . his cousin master vijaya raghavendra also famous actor today won the national award as best actor for ‘ganayogi panchakshara gavai’ that gave national award to music director hamsalekha and best playback singer award to dr sp balasubramaniam .

• gejje pooje , sharapanjara , chakrateertha , samskara , uyyale and shubba shastri are the films screened for the first time in international film festival held abroad .

• the first film to screen 100 days was ‘satya harishchandra’ . first silver jubilee film was ‘school master’ .

• movieland theatre is the first theatre to start the queue system in bangalore .

• rajkumar , bharathi starring ‘bangaradha manushya’ is the first film to run successfully for two years . raghavendra rajakumar’s ‘nanjuindi kalyana’ almost came near to it .

• the first novel based kannada film is ‘karuneye kutumbada kannu’ ( novel dharmadevathe ) .

• the first film journalist is h . r . krishnamurthy of ‘chitra samachar’ . the first film magazine ‘cinema’ was started in 1936 from gadag . ‘prajamatha’ magazine in kannada published film articles first in 1931 . kannada prabha was the first to come out with film supplement ‘chitraprabha’ that was later followed by others .

• a film in 24 hours ‘september 8’ was made in tulu by dr . richard castellino . tulu is one of the four recognized languages of karnataka . dr . shivarama karanth played a guest role in ‘september 8’ .

• a film with only two artistes was ‘shringara maasa’ . a film with only one artiste bhavana was ‘shanthi’ made by baraguru ramachandrappa . ‘shanthi’ got guinness recognition and un recognition too .

• master kishen is the nation’s youngest director of ‘care of footpath’ also got guinness recognition .

• ‘singapuradalli rajakulla’ is the first film to shoot abroad in kannada . the first film to shoot outside the four walls is ‘belli moda’ .

• bollywood actress rekha made debut in kannada film operation jackpot cid 999 . ace singer latha mangeshkar’s first kannada song bellane belakaithu . . is for the film ‘sangolli rayanna’ . mohammad rafi only song in kannada was neenelli nadave dhoora… from ‘amrutha dhare’ amitabh bachchan made his first appearance in kannada cinema .

• ‘samskara’ that heralded a new wave cinema by pattabhirama reddy got swarnakamal award at the national level . in the state level it got second best film award .

• subsidy of rs . 50000 to kannada films was introduced in the year 1966 . it was increased later to rs . 10 lakh for 20 quality films every year . very recently it was increased to 30 films . in 2005 - 2006 rs . 25 lakh subsidy to two children films was announced .

• karnataka government is the first one to introduce 100 percent entertainment tax exemption to kannada films .

• ‘samskara’ is the first ever kannada film to get the president’s gold medal . the

wave of new cinema started from then on . girish karnad made debut as an actor in this film .

• g . v . iyer who achieved direction in 1975 for ‘hamsageethe’ later went on to make films in sanskirt on the three philosophers dwaita , adwaitha and vishistadwaitha proponents .

• ‘savira mettilu’ of puttanna kanagal who directed 23 films in kannada , six in malayalam , three in telugu and three in tamil one in hindi unfinished project was released after 37 years . puttana’s another unfinished project was ‘masanadha hoovu’ that was directed by ksl swamee later . the maximum of 22 artistes were introduced by puttanna kanagal the doyen of kannada cinema . puttanna’s name was s . r . sharma when he directed films in telugu .

• rajakumar earlier name was muthuraj . jayamala’s original name is jayanthi . arathi’s real name was bharathi . actress leelavathi’s earlier name was leela kiran .

• the former chief minister of tamil nadu jayalalithaa was introduced as actress from ‘chinnada gombe’ kannada film .

• in ‘krishna sudhama’ the famous classical singer of this country m . s . subbulakshmi played a role .

• shabana azmi acted in kannada film ‘kanneshwara rama’ opposite ananthnag – the film was directed by m . s . sathyu . the doyen of hindi cinema prithviraj kapoor acted in ‘sakshatkaara’ – a film starring dr . rajkumar and jamuna directed by sr puttanna kanagal .

• amrish puri , naseeruddin shah , pran , shakthi kapoor , jackie shroff , sonali bendre , rohini hattangadi , juhi chawla , akshay kumar , raveena tandon , shivaji ganeshan , gemini ganeshan , rajanikanth , kamal hassan have all acted in kannada cinema .

• dr . rajakumar is the first hero on kannada screen to complete 100 films as hero . he is the first hero in kannada to appear in bond film .

• dr . rajakumar jumping in to gokak chaluvali in 1982 has given a new facelift to primacy to kannada movement .

• 9 times state award – the highest was bestowed on dr . rajkumar .

• dr rajakumar addressed the media on august 6 , 1996 after receiving the dada saheb phalke award it was in kannada language . for questions in english and hindi dr . rajakumar answered only in kannada ( director bhagwan translated dr . rajkumar answers in to english )

• ‘chitraloka’ exhibition of films stills showcased all the kannada films released from 1934 to 2006 . this is first of its kind in india . it bagged the limca record recognition .

• high definition camera used kannada cinema ‘magic ajji’ was made in kannada . for the first time olfaction system was introduced for ‘gunna’ kannada cinema .

• the first color cinema in kannada was ‘amarashilpi jakkanachari’ . the first cinema scope cinema was ‘sose thanda sowbhagya’ . the first 70mm cinema was ‘sharavegadha saradara’ starring kumar bangarappa . for lyrics in the cinema k . s . narasimhaswamy the ‘jasmine poet’ got the national recognition . south india’s first woman producer is m . v . rajamma . the first woman director of the country is t . p . rajalakshmi for directing tamil film ‘kamala’ .

• the first bond film in kannada is ‘jedara bale’ . gejje pooje is the first film to get best screenplay award at the national level for puttanna kanagal .

• in the first release ‘mantralaya mahatme’ ( 1956 ) of dr rajakumar ran for four weeks . when it was released after 10 years it ran for 12 weeks .

• the pistol used in ‘gandhada gudi’ created a ruckus . the fans of dr . rajkumar and dr . vishnuvardhana rubbed shoulders .

• one of the best of 100 world films kannada film ‘ghatashradda’ is also in the list .

• the first national recognition to kannada film was dr . rajakumar starring ‘bedarakannappa’ in 1954 .

• the first silver trophy won kannada film was ‘mahakavi kalidasa’ . m . v . vasudevarao is the first one to get national award for his acting in ‘chomana dudi’ .

• dr . rajkumar did not get any national award for his acting in 206 films but he was the only one to get dadasaheb phalke award the highest award of this country given to film personality . for his singing nadamaya yee lokavella nadamaya…in jeevana chaitra he got the best playback singer award at the national level . the

• first one to get international award for acting is shankernag for ‘ondanondu kaladalli’ . in debut as director girish kasaravalli got swarna kamal .

• in 1964 satya harischandra starring dr . rajkumar pandari bai , udaykumar was made in rs . 5 lakh . when the same black and white film was transformed in to color with dts , cinemascope and re - recording recently it cost rs . 3 . 5 crores .

• in the annals of kannada film history of 67 years the year 2000 was unforgettable for the kidnapping of dr . rajkumar by the forest brigand . dr . rajkumar kidnap from his native village in gajanur on july 30 night at 9 . 30 pm has blocked the kannada film industry for three and half months . the result the industry faced rs . 250 crores worth of activities coming to halt . it was after 108 days on november 15 , the matinee idol dr . rajkumar was released from forest by dreaded killer , smuggler veerappan .

• hd camera was used for shooting ‘kanakambari’ . in the same year digi quest latest camera was also used for oh gulabiye shooting .

• the cancellation of 32 international film festival in bangalore on account of wtc crash and drought in the state and half a dozen conflicts created room for controversies .

• government of karnataka announced rs . 25 lakh each for two children films made in the year . it has given three years tax free holiday for multiplex theatres , piracy act announcement , special honor to national award films , setting up of film academy ; it has withdrawn the 50 percent outdoor shooting order . service charge re introduced in karnataka .

• amitabh bachchan the big b of indian film industry made his first presence in south indian language kannada film – amrutha dhaare’ .

• ‘sarthaka suvarna’ the state government honor to dr . rajkumar for 50 years of his yeomen service to kannada filmdom .

• the demise of icon of kannada cinema dr . rajkumar turned out to be major blow to the kannada filmdom in the year 2006 . dr . rajkumar who had taken the kannada film industry to the great heights died on april 12 has been shocking . 8 persons were killed in his funeral procession to kanteerava studio .

• master kishen director at the age of 11 got the ‘guinness’ recognition at the international level for his ‘care of footpath’ as world’s youngest director .

• producer , exhibitor and distributor also a politician h . d . kumaraswamy became the chief minister of state on february 3rd . in the history of karnataka a film related personality occupying the helm of position is for the first time .

• jayamala touching the feet of lord ayyappa 20 years ago topped the controversy list . jayamala irked with the controversy has also decided to take action on three persons from kerala .

• mungaru male topped the 75 years collection list of kannada cinema . yogaraj bhat

as director , ganesh as hero , cameraman s krishna and mano murthy as music director all reached with producer e krishnappa earning crossing more than 25 crores .

• innovative group , the pioneers in the multiplex business in the state of karnataka today unveiled the first phase of the much awaited “innovative film city , ” the country’s first - multi crore fully integrated entertainment concept came up in bidadi .

• the cinema workers federation celebrated the event for five days next to dr rajakumar samadhi at kanteerava studios .

• the karnataka government allotted rs . 5 crores for the amrutha bhavan building and the place for this has been identified at ‘nandini layout’ .

• karnataka chalanachitra academy was constituted by government that appointed ts nagabharana as chairman .

• dr vishnuvardhana of 200 films died in the early hours of december 30 2009 in mysore .

• ‘jogi’ made record collection in the box office . this was broken by ‘mungaru male’ starring golden star ganesh . ganesh’s three films in a row made a business of rs . 105 crores in 2007 .

• karnataka state government has set up 2 acres of land for dr rajakumar samadhi at kanteerava studios . it has allotted rs . 10 crore for the memorial of dr rajakumar .

• two acres of land karnataka government purchased adjacent to abhiman studio for the memorial of dr vishnuvardhana . government set aside rs . 10 crore for the memorial of dr vishnuvardhana .

• the government doubled the award money given annually after declaration of state awards .

• supporting actor award in the name of dr ks ashwath and life time achievement award in the name of dr vishnuvardhana .

• the subsidy for kannada films on the basis of quality was raised from 30 films to 50 films annually . the subsidy amount of government to kannada films is rs . 10 lakh per film .

• government has allotted rs . 5 crores for karnataka chalanachitra academy . the place is on 2 acres of land at mahalakshmi layout .

• government has set up revolving fund of rs . 50 lakhs for the needy of the kannada cinema industry .

• dr jayamala was the first woman president of karnataka film chamber of commerce .

philosophy of total karnataka is straight forward . to get the un - onlined to on - line both from the producers side and consumers side .

towards propagating this philosophy , total karnataka sources products from specialty producers within karnataka who have rich heritage and history but limited reach due to lack of on - line presence . ‘window to the world’ will be opened up for such producers through an on - line platform to tell their story through total karnataka . likewise , for people anywhere in the world , looking for products of karnataka , ‘one window’ will be available to possess specialty items of karnataka origin developing an emotional bond . every purchase on ‘total karnataka’ will benefit a community in karnataka and encourage them to continue their profession notwithstanding the global onslaught .

in prominent roles . produced by k . s . usha rao , the film was highly appraised by critics upon release and went on to win many awards and accolades including the much coveted

spb charan , chandrika gururaj , b . jayashree , manjula gururaj , raju ananthaswamy , nagathihalli chandrashekar

this page was last modified on 19 october 2015 , at 02 : 01 .

this article ' s content derived from wikipedia , the free encyclopedia ( see original source ) .

for his performance in " hannele chiguridaga " ( 1968 ) , rao won the karnataka state film award for best actor . recognizing his contribution to cinema , he was awarded the padma shri by the government of india in 1976 . he had four children , three of who were involved in films . his second son was r . n . krishna prasad , a cinematographer , third son , r . n . jayagopal , a screenwriter and lyricist and the youngest , r . n . sudarshan , an actor .

nagendra rao was born on june 23 , 1896 , in holalkere , in the erstwhile kingdom of mysore of british india .

rattihalli nagendra rao ( 23 june 1896 – 9 february 1977 ) was an indian theatre actor , film actor and director in south indian cinema . after a career in theatre , rao ' s career in films was those of an actor , director , producer , screenwriter and an occasional composer . he is considered one of the most influential personalities in the history of south indian cinema .

with the beginning of the talking films era in india in 1931 , rao left to bombay ( now mumbai ) . once there , rao was cast by actor and film director , p . k . raja sandow , in his tamil language films such as " parijata pushpaharanam " ( 1932 ) , " narada " ( 1932 ) , " kovalan " ( 1933 ) and the telugu language film " ramadasu " ( 1933 ) . he appeared in lead roles in the latter two . following a stint at films , rao returned to bangalore and started the shri sahitya samrajya nataka mandali ( shri sahitya samrajya drama company ) with subbaiah naidu , an actor and director , who like rao would go on to influence kannada cinema largely . to make his dream of making a film in kannada language come true , he approached shah chamanlal doongaji , a businessman in bangalore , to finance it . with doongaji choosing yaragudipati varada rao to direct the film , the first talking film in kannada , " sati sulochana " was made and was released on march 3 , 1934 . rao played the role of ravana in the film , and score the music . his first film as a director came in the 1943 film , " satya harishchandra " , a film that he also produced and starred in .

rao began his career as an actor in theatre , acting in plays in the kannada language , at the age of eight . as a kid , he portrayed the roles of mythological female characters such as sita , chandramathi and desdemona . he then switched to playing male roles , with the plays proving popular in the erstwhile kingdom of mysore and the non - kannada speaking madras presidency . in theatre , he worked with a . v . varadacharya ' s ratnavali drama company and chamundeshwari company , in mysore .

vijayanagarada veeraputhra ( kannada : ವಿಜಯನಗರದ ವೀರಪುತ್ರ ) is a 1961 indian kannada film , directed by r . nagendra rao and produced by r nagendra rao . the film stars r . n . sudarshan , b . sarojadevi , r . nagendra rao and kalyan kumar in lead roles . the film had musical score by m . s . viswanathan and t . k . ramamurthy .

rattihalli nagendra rao krishna prasad ( c . 1929 – 15 february 2012 ) was an indian cinematographer , actor , director and producer . he was the eldest son of r . nagendra rao considered one of the foremost figures of kannada cinema .

music composed by chakravarthy . lyrics were written by pingali nagendra rao . music released on audio company .

gummadi venkateswara rao ( 9 july 1928 – 26 january 2010 ) , widely known as gummadi , was an indian film actor and producer , known for his works predominantly in telugu cinema and a few tamil films . known as a character actor , gummadi starred in around five hundred feature films . he received critical reception for his works in thodu dongalu ( 1954 ) and mahamantri timmarusu ( 1962 ) , for which he has received the erstwhile rashtrapati award . gummadi was an official member of the indian delegation from south india to the tashkent film festival in 1978 and 1982 . gummadi served as a jury member thrice for the 28th , 33rd , and 39th national film awards . he served twice on the state nandi awards committee . in 1977 , he was awarded india ' s fourth - highest civilian honor padma shri for his contributions to indian cinema . he is widely known for his roles in films such as maya bazar ( 1957 ) , maa inti mahalakshmi ( 1959 ) , kula daivam ( 1960 ) , kula gothralu ( 1962 ) , jyothi ( 1977 ) , nelavanka ( 1981 ) , maro malupu ( 1982 ) , ekalavya ( 1982 ) , ee charitra ye siraatho ? ( 1982 ) , gaaju bommalu ( 1983 ) , and pelli pustakam ( 1991 ) . in 2008 he was starred in jagadguru sree kasi nayana charitra which remained his last film .

he was born in ravikampadu near kollur mandal , guntur district of andhra pradesh , india . according to one of his interviews , he studied in zp high school , kollur and hindu college , guntur .

gummadi ' s acting career extended from 1950 onwards for almost six decades and he worked with three generations of people in the film industry . though young , he used to play the dignified roles of relatively elderly people at the beginning . he was a versatile character actor in sociopolitical and mythological movies . he acted in nearly 500 movies . he played the role of father to many lead actors in old telugu films .

gummadi venkateswara rao first appeared as an actor in 1942 , where he played the role of an old man on the stage . he began his cinema career with adrushtadeepudu ( 1950 ) and continued on for about 500 more films portraying roles ranging from the hero , the villain , and the character artiste , to roles with a slight comedic bent , such as his guest appearance in missamma ( 1955 ) .

gummadi was married and had five daughters and two sons . he died of multiple organ failure at care hospital , hyderabad on 26 january 2010 . his last public appearance was at the screening of maya bazar which had since been colorized . here he expressed his happiness and said that " watching this great movie in colour probably could have been the only reason for me to have stayed alive for so long . "

gummadi has written his memoirs of telugu cinema in teepi gurthulu and chedu gnapakalu .

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umashree , 42nd national film awards , karnataka state film award for best supporting actor , c . aswath , karnataka state film award for best supporting actress

the film won two national film awards at 42nd national film awards ; best feature film in kannada and best child artist ( vijay raghavendra ) .

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india , karnataka , kannada language , k . s . ashwath , cinema of karnataka

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alice : ignorance is bliss is a 2014 short documentary by thomas mcnaught .

it was featured on bbc three ’s fresh scheme .

the documentary was nominated for best british short film at the 28th leeds international film festival – where it received a special mention – and was shortlisted for independent age ’s " best factual new media content " at the older people media awards .

alice : ignorance is bliss

alice : ignorance is bliss <EOT> ignorance is not bliss : alice corp . v . cls bank international * - urltoken | patents & patent law

ignorance is not bliss point no . 3 still no definition yet of what is / is not an “abstract idea . ”

ignorance is not bliss point no . 1 comingling the separate patent statutes on patent - eligibility and patentability .

ignorance is not bliss point no . 5 concurring opinion says congress’ implicit / express intent on what is patent - eligible may be ignored .

ignorance is not bliss point no . 2 no adherence to the fundamental principle of diehr that the claimed invention must be “considered as a whole . ”

the supreme court’s decision in alice corp . operates from the view that “ignorance is bliss” when it come to the patent statutes , as well science and technology . i don’t share that view and never will . so in the format that i began with in shredding justice alito’s “comedic” opinion in limelight networks , here are my “ignorance is not bliss” candidates for alice corp . , in all their ugliness .

ignorance is not bliss point no . 4 claims will be deemed patent - ineligible even though implemented by a “machine , ” i . e . , a computer .

our judicial mount olympus may subscribe in alice corp . to the popular belief that “ignorance” of science , computer technology ( as well as the patent statutes ) “is bliss . ” but such “ignorance” is mucking up our patent law jurisprudence , as well as “not so blissfully” impeding the creative spirit of our innovative davids , our real hope for job growth in america . and that’s no “red herring , ” justices sotomayor , ginsburg , and breyer !

johnny depp and tim burton interview about alice in wonderland 24 . 2 . 2010 bbc1

alice lewis - ignorance is bliss out march 17 / 2014 available on itunes : urltoken - directed by nicol despis linesession : ( re ) discover the finest indie music selection . line session is your channel for all the indie , electro music , where you can experience music , in high audio quality . subscribe to stay connected to our channel and receive all of our video updates ! - line session : urltoken urltoken

i would suggest you accept what a rational person says @ 16 . it’s right on point as to why alice corp . is a disaster and a disgrace .

added vachon , “we’re like cockroaches after a nuclear blast . we do whatever it takes , even if it means eating plaster . we keep trying to figure out ways to keep doing what we want to do , and that’s to tell visionary stories . we hustle and work hard at everything we do . also , ignorance is bliss . it’s absolutely helped us . if you don’t know how scary it is , then you’re not afraid . ”

based on the supreme court’s decisions in alice and prometheus , it is not possible for an examiner to determine if a claim passes the 101 test before conducting the 102 and 103 analysis .

but the decision in the alice case holds that a claim to an apparatus , i . e . , the claim to a computer , is not patent eligible . furthermore , because the supreme court in alice mixes together 102 and 103 with 101 an examiner cannot determine whether the apparatus is patent eligible without doing a search under 102 and 103 to determine the state of the art .

i can find no useful guidance anywhere in alice as to how an applicant could successfully but a rejection based on either ground ( 1 ) or ground ( 2 ) above .

and if you think that the decision in alice is anything other than a subjective test of patentability , i would ask you to explain what arguments a patent applicant could use if an examiner rejected a claim under 35 usc 101 based on the ground that ( 1 ) the claim is directed to an abstract concept or ( 2 ) the claim is merely being an application of a natural law .

in comparison with the supreme court’s decision in alice , my decision : ( 1 ) is more consistent with the language of 35 usc 101 . ( 2 ) is more consistent with the intent of 35 usc 101 . ( 3 ) provides a more objective test for determining patent eligibility . ( 4 ) would cause less chaos in the uspto .

a rational person at 10 . i’m just saying the flaw is not in the framework , it’s in the analysis . as stated , the framework is ( 1 ) “determine whether the claims at issue are directed to one of those patent - ineligible concepts” ; and ( 2 ) “search for the ‘inventive concept’ . the first step , “determine whether the claims at issue are directed to one of those patent - ineligible concepts” if applied correctly is clearly a 101 test . the second sterp “search for the ‘inventive concept’ , poorly worded i concede , is a 102 / 103 analysis if applied correctly . alice decision is flawed for the analysis , not the framework .

i have noted that the cafc is but a pawn in this chess match . created by congress under constiutional authority , but subjugated nonetheless by the top dogs . witness the brow beating they receive . witness the fact that the en banc alice decision specifically asked for help – and that no such help was forthcoming .

[ verse 1 ] wake up ! miss toadstool , it is i , your one and only king bowser koopa i ' m a turtle as you ' ve seen a little slow and a little green but on the whole i ' d say super duper [ chorus 1 ] princess toadstool , i know you ' re frightened if you knew just why you ' re here your fear would just be heightened so let ' s just say ignorance is bliss [ verse 2 ] oh , well , i hate to be a bummer i ' ve brought you here to bring me plumbers you know those brothers oh , what ' s their names ? oh yes , mario and luigi just the sound of them makes me queasy i ' d like to take that monkey wrench i ' d play my own game [ chorus 2 ] princess toadstool , you ' re so misguided i ' ve never been fond of bookworms but then again this one does make good mario bait i can ' t wait ignorance is bliss ! [ verse 3 ] with my magic book i ' ll shower those clumsy lizards with my power until dinosaur land is nothing but fossil fuel my only problem with these spells is that i know not what they tell so every hex leaves me perplexed and all i want are those plumbing fools [ chorus 3 ] princess toadstool , you ' re not so clever all your words are alphabet soup a picture tells it better i ' ll say it again ignorance is bliss haven ' t you heard ? a picture ' s worth a thousand words [ bridge ] you call yourself a princess but you ' re a brainiac in a dress i can ' t believe you waste time with these books you remind me of my kid sister she read so much she got a blister a big one , i mean big , on her brain , what a snook ! ( i ' d like to get my hands on . . . ) ( just one time with a monkey wrench . . . ) ( i ' d fix their plumbing . . . ) [ chorus 1 ] princess toadstool , i know you ' re frightened ( you ' re so misguided ) ' cause if you knew just why you ' re here your fear would just be heightened [ chorus 3 ] princess toadstool , you ' re not so clever ( pictures say it better ) all your words are alphabet soup a picture tells it better for the last time - on second thought , i think i ' ve made my point

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near the end of part a of the opinion of the court , thomas makes the following statement : “we need not labor to delimit the precise contours of the ‘abstract ideas’ category in this case . put differently , what thomas essentially does in alice corp . ( as justice kennedy did before in bilski ) is “punt” on providing any meaningful definition of what is ( and more importantly is not ) an “abstract idea . ” so much for providing us “mere mortals” with any “framework” of how to distinguish “abstract” from “non - abstract” ideas other than “we know it when we see it , but we in the ivory tower are not going to tell you mere mortals’ what our ‘secret’ is for so determining . ”

in footnote 3 of the opinion of the court , thomas makes the following statement : “because the approach we made explicit in mayo considers all claim elements , both individually and in combination , it is consistent with the general rule that patent claims “must be considered as a whole , ” ( citing to diamond v . diehr ) . that statement is astonishing because it is utterly nonsensical . by separating out the alleged “abstract idea” in the first step of the analytical “framework , ” thomas , in alice corp . continues the disingenuous failure of mayo to adhere to this fundamental principle of diehr that “ [ i ] t is inappropriate to dissect the claims into old and new elements and then to ignore the presence of the old elements in the analysis . ” so much for following binding scotus precedent by our judicial mount olympus .

seeking redress of government actions is one of our fundamental rights in our form of government . but we must be clear in our understanding of when – or how – that seeking is futile and when – or how – seeking redress has a chance of being effective .

on sunday night , veteran indie film producers christine vachon and pamela koffler — the duo behind academy award - nominated films such as “still alice , ” “far from heaven , ” “boys don’t cry” and the critically - lauded “ carol ” — celebrated the 20th anniversary of their production company killer films at an intimate cocktail party held at new york’s roxy hotel .

on sunday night , veteran indie film producers christine vachon and pamela koffler — the duo behind academy award - nominated films such as “still alice , ” “far from heaven , ” “boys don’t cry” and the critically - lauded “carol” — celebrated the 20th anniversary of their production company killer films at an intimate cocktail party held at new york’s roxy hotel . [ … ]

i think the framework is flawed is well . step ( 1 ) requires determining if a claim is directed to a “patent - ineligible concept . ” . for an examiner to easily apply step ( 1 ) , there would need to be a well - defined list of things that are “patent - ineligible . ” otherwise , you are requiring an examiner to make a subjective decision based on no evidence as a first step in the examiner’s analysis .

each of the claims at issue claim a “process” , a “machine” or a “manufacture” and therefore claim patent eligible subject matter under 35 usc 101 . the decision of the court of appeals for the federal circuit is reversed and this case is remanded to the court of appeals for further proceedings consistent with this opinion .

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“every single movie is its own epic tale of war , ” said vachon . “something big always happens , but you forget about it and move on . your focus is on how to get your film out into the world . getting every single movie greenlit is an act of extreme precision and intensity . it’s so hard . it’s like childbirth . you remember how bad it was and you wouldn’t want to do it again , but at the end , it’s worth it . ”

with the supreme court’s most recent foray into the patent - eligibility world in alice corp . v . cls bank international , we now have a complete and utter disaster as to what data processing claims can ( or more unfortunately cannot ) survive scrutiny by our judicial mount olympus under 35 u . s . c . § 101 . i once had respect for justice thomas’ view on patent law jurisprudence , having considered his substandard opinion in myriad on the patent - eligibility of certain “isolated” dna claims to be an “isolated” aberration . but having now read his mind - boggling opinion for the court in alice corp . , i’ve now thrown my previously “cheery” view of thomas’ understanding of patent law jurisprudence completely into the toilet . i have even less kind words to say about the three justices that signed onto justice sotomayor’s disingenuous concurring opinion that accepts retired justice steven’s equally disingenuous suggestion in bilski that 35 u . s . c . § 273 ( in which congress acknowledged implicitly , if not explicitly the patent - eligibility of “business methods” under 35 u . s . c . § 101 ) is a mere “red herring . ” see section 273 is not a red herring : steven’s disingenuous concurrence in bilski .

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on another thread , i note that asking the executive branch for help ( in the manner of writing to the uspto regarding their implementation efforts ) is a waste of time .

“christine is a very rare person in our industry because she has equal doses of talent and taste , ” clarkson told variety at the event presented by refinery29 and rag & bone . “the films she has made are important and have an impact on the world . i owe her a lot . i have a better career because of her . she is extraordinary . ”

the most startling statement in alice corp . occurs in justice sotomayor’s concurring opinion ( joined by justice ginsburg and breyer ) : “i adhere to the view that any ‘claim that merely describes a method of doing business does not qualify as a ‘process’ under §101 , ’” citing retired justice steven’s concurring opinion in bilski . in other words , these three justices have bought “hook , line , and sinker” steven’s disingenuous view that congress’ at least implicit , if not explicit acknowledgement in 35 u . s . c . § 273 that “business methods” are patent - eligible subject matter under 35 u . s . c . § 101 “is a red herring . ” so much for these three justices giving anymore than “lip service” to the expressed will and intent of congress .

at urltoken our focus is on the business , policy and substance of patents and other forms of intellectual property , such as copyrights and trademarks . today ipwatchdog is recognized as one of the leading sources for news and information in the patent and innovation industries . in january 2014 we were honored to be inducted into the aba blawg hall of fame after being recognized for 3 years as the top ip blog on the internet .

my frustration with the royal nine ( as some call them ) is that : ( 1 ) they simply refuse to adhere to any reasoning on patent - eligibility under 35 usc 101 that is rational and logical , as well as consistent with where the current growth in technology ( data processing ) is heading ; and ( 2 ) provide no understandable guidelines or definition for establishing when a claimed method is no longer “abstract” so that it can reach the patent - eligibility zone . in other words , our judicial mount olympus provides no meaningful or logical guidance on patent - eligibility under 35 usc 101 , but also won’t let the federal circuit do that job either , even though it was commissioned to do so by congress in 1982 . instead , scotus simply exerts judicial fiat over patent law jurisprudence which doesn’t gain my respect , only my disgust and censure .

congress seems unaware that there is even a chess match in progress . in this chess match , the white of the congress does not seem able to see the black of the judiciary ( or the black of the executive ) .

the framework noted in 1 is unreasonable as it comingles patent - eligibility ( 35 usc 101 ) with patentability ( 35 usc 102 / 103 ) ; these are distinct statutes that need to be addressed separately . it also encourages what i noted in point number 2 , namely the violation of the fundamental principle of diehr that “ [ i ] t is inappropriate to dissect the claims into old and new elements and then to ignore the presence of the old elements in the analysis . ”

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while i agree with points 2 - 5 , i do not find the framework in 1 unreasonable . breaking the analysis into descrete steps , with the first being a 101 analysis , is an efficient approach . if you pass the 101 test , then you move to 102 / 103 . what are the alternatives , doing the 102 / 103 first ?

at page 11 of the opinion of the court , thomas states that “ [ t ] he introduction of a computer into claims does not alter the analysis of mayo step two . ” while such “introduction” may not “alter the analysis of mayo step two , ” that so called “analysis” is fundamentally flawed in that a computer is nonetheless a machine , and machines are definitely within the statutory classes of subject matter denoted in 35 u . s . c . § 101 . while the process steps implemented on such computers may be known ( i . e . , may lack novelty under 35 u . s . c . § 102 or may be obvious under 35 u . s . c . § 103 ) , that process implemented on the computer is nonetheless a machine implemented process when considered “as a whole” as mandated by diehr . that gottschalk v . benson and parker v . flook ( cited by thomas to support this quoted statement ) say otherwise simply ignores the fundamental fact that computers are patent - eligible machines . accordingly , processes implemented on such computers do not change those computers ( so altered ) into patent - ineligible machines .

101 only works as a good first step in a patentability analysis if step ( 1 ) only requires that the examiner determine that the claim is directed to a patent eligible subject matter , i . e . , if the claim claims “process , machine , manufacture , or composition of matter , or any new and useful improvement thereof . ” but for the judicial exceptions , this would be a relatively easy determination for an examiner with respect to most claims .

supportive guests like michelle monaghan , parker posey , tony kushner , cory michael smith and zosia mamet raised a glass for the producing partners , who have financed nearly 100 motion pictures , documentaries and television projects together in the past two decades . considered trailblazers in the indie film world , their latest project , todd haynes’ lesbian romance “ carol , ” may be their most critical and commercial success yet . the movie is expected to nab oscar nominations come announcement time in january .

“there is no cookie cutter formula on how to do it , ” koffler told variety about the secret to their success , over a glass of champagne . “it may be about being adaptable and doing what you really love . we get really invested in what we do and we don’t say yes to a project just because we have to . we only do certain projects that we want to do and really love . there has to be passion and i think that’s helped us for the past 20 years . ”

( 1 ) determine if the claim claims a “process , machine , manufacture , or composition of matter , or any new and useful improvement thereof” , subject to explicit exceptions from the court cases . if the subject matter is in one of the categories set forth in 101 and does not clearly fall into an explicit court - made exception , the claim should be determined to claim patent eligible subject matter . ( 2 ) determine if the claim meets requirements of 112 , 102 and 103 in that order . some 112 deficiencies may make it impossible to determine if claim meets requirements of 102 and 103 .

the river cities ' reader , started in 1993 , is independently and locally owned . we publish a monthly printed tabloid size magazine , available for free throughout the quad cities at over 300 locations . the reader provides keys to the quad cities ' culture in print and online with exhaustive events calendars and coverage of arts , music , theatre , festivals , readings , lectures , meetings , exhibits , museums , dance , sports and classes for all ages . commentaries on business and politics , locally written theatre and movie reviews , advice columns , astrology , cartoons and crosswords are also published in print monthly , and refreshed weekly , onlinne .

justice thomas’ opinion for the court relies upon ( unfortunately ) the “framework” of mayo collaborative services v . prometheus laboratories , inc . for separating patent - ineligible “claims to laws of nature , natural phenomena , and abstract ideas from those that claim patent - eligible applications of those concepts . ” thomas describes this “framework” as a two - part analysis : ( 1 ) “determine whether the claims at issue are directed to one of those patent - ineligible concepts” ; and ( 2 ) “search for the ‘inventive concept’ — i . e . , “an element or combination of elements that is “sufficient to ensure that the patent in practice amounts to significantly more than a patent upon the [ ineligible concept ] itself . ” but this second part of the analysis ( i . e . , search for the “inventive concept” ) essentially commingles patent - eligibility under 35 u . s . c . § 101 with patentability that includes novelty under 35 u . s . c . § 102 , as well as obviousness under 35 u . s . c . § 103 . in other words , the feared comingling of patent - eligibility with patentability when justice breyer announced the term “inventive concept” in mayo in judging claimed methods under 35 u . s . c . § 101 is now ( regrettably ) fully bloomed .

a young filmmaker paints an affectionate portrait of his grandma , who has dementia .

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i feel like a very broken record . in an ipwatchdog article i wrote back in 2012 , i commented on the currently fractured patent - eligibility landscape in the split federal circuit panel decision in

. where a claimed trading platform for exchanging business obligations survived a validity challenge under 35 u . s . c . § 101 . see

. that fracture got even worse in the subsequent en banc ruling which can only be described as lengthy , tumultuous , and confusing , with a brief per curiam opinion , as well as six full opinions .

eric guttag mr . guttag has over 38 years of corporate and private intellectual property law experience on patent , trademark , copyright , trade secret and unfair competition matters , computer and internet law , including patent application drafting , prosecution , and patentability studies ; infringement and validity studies ; international patent prosecution ; patent and know - how licensing ; consulting , confidentiality , clinical study and research agreements ; trademark searches and opinions ; trademark registration and prosecution ; trademark freedom - to - use studies and trademark litigation and dispute resolution .

warning & disclaimer : the pages , articles and comments on urltoken do not constitute legal advice , nor do they create any attorney - client relationship . the articles published express the personal opinion and views of the author and should not be attributed to the author’s employer , clients or the sponsors of urltoken . read more .

maybe ( just maybe ) someone in congress will take note and realize that the measures taken in 1952 have not only been undone , but have been undone purposefully and with spite .

large money interests ( more commonly code - named : special interests ) are simply getting what they paid for .

it has been long pointed out that we are witnessing a power struggle between the branches of the government .

should i note the irony of the year of the release of the movie dune… .

it might make sense to do 112 before 101 – if one does not construe the claims appropriately… .

until the supreme court added judicial exceptions thereby making the 101 determination more complicated and more subjective , doing a 101 analysis first would be okay . there was no need for an examiner to determine the state of the prior art , and it was easy to determine whether a claim was patent eligible .

for example , if the claim claimed an apparatus , it used to be easy to determine that the claim covered patent eligible subject matter . no need to look at the prior art .

a rational person at 12 . so if you were thomas’ law clerking , what framework would you have written in place of ( 1 ) “determine whether the claims at issue are directed to one of those patent - ineligible concepts” ; and ( 2 ) “search for the ‘inventive concept’ ?

rational person at 14 . no , i meant write it like an opinion , as if you were a supreme court judge . its not that easy .

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from larry clark’s controversial drama “kids , ” to the imaginative movie musical “hedwig and the angry inch , ” to the five - hour hbo miniseries “mildred pierce , ” the storytellers are involved in every step of the filmmaking process . they face huge challenges ( in script development , financing , casting and location scouting ) with each project , but say it’s worth the stress and sleepless nights .

oscar - nominated actress patricia clarkson has appeared in three killer films - produced movies , “far from heaven , ” “cairo time” and the 2014 drama “october gale . ” she applauds vachon for shepherding “unique and female - driven films . ”

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