vedham puthithu ( tamil : வேதம் புதிது english : new vedha ) ( 1987 ) , starring sathyaraj and amala is a critically acclaimed tamil movie , written by k.kannan , who after this movie came to be vedham puthithu kannan and directed by bharathiraja .

charuhasan , saritha , raja and ' nizhalgal ' ravi played supporting roles in the movie .

this is one of the few films that highlights some of the issues caused by the caste system .

the film 's narrative was seamless and starred sathyaraj as balu thevar .

it contains some of bharathiraja 's trademark directorial touches as well as a lot of path breaking scenes , along with kannan 's powerful dialogues .

this was considered the last film mgr watched , before his death .

vedham pudhithu

vedham pudhithu <EOT> vedham pudhithu songs lyrics with videos : listen to the songs starring amala , charuhasan , janagaraj , raja , saritha , sathyaraj in this tamil movie with music composed by devendran vedham pudhithu is an tamil movie - song albumwith music produced by morden cinima vedham pudhithu amala , charuhasan , janagaraj , raja , saritha , sathyaraj . lyrics of vedham pudhithu songs are penned by vairamuthu . vedham pudhithu released in 1987 there are 1 song in vedham pudhithu , songs lyrics are provided in the below list with song details .

kathal geetham karpika vaa song | amala | vedham pudhithu | s . janaki | ilaiyaraja

vedham pudhithu movie rating is 71 / 100 based on reviews submitted by 5 users .

kathal geetham karpika vaa song | amala | vedham pudhithu | s . janaki | ilaiyaraja - youtube

vedham pudhithu ( 1987 ) tamil movie cd - rip 320kbps mp3 songs music by devendran - starmusiq . com

movie name : vedham pudhithu featuring : sathyaraj , saritha , amala , raja , charuhasan , janagaraj directed by : p . bharathiraja

" vedham pudhithu tam . . . " the youtube account associated with this video has been terminated due to multiple third - party notifications of copyright infringement .

vedham puthithu ( 1987 ) directed by p . bharathiraja • reviews , film + cast • letterboxd

watch the superhit tamil song ' mandhiram sonnen ' from the tamil movie vedham pudhithu . vedham puthithu ( tamil : வேதம் புதிது english : new vedha ) ( 1987 ) , starring sathyaraj and amala is a critically acclaimed tamil movie , written by k . kannan , who after this movie came to be vedham puthithu kannan and directed by bharathiraja . charuhasan , saritha , raja and ' nizhalgal ' ravi played supporting roles in the movie . song : mandhiram sonnen movie : vedham pudhithu music : devendran singers : mano , s . janaki lyricst : vairamuthu starring : raja , amala director : bharathiraja

the love that bonds these two humans separated not just by age but also by caste and class , is told by bharathiraja with poetic touches . vedham pudhithu dealt with the caste issue in a stronger manner .

he is known for his realistic and sensitive portrayal of village - life in his movies . he is well known for his work in 16 vayathinile , muthal mariyathai , vedham pudhithu , karuththamma , kizhakku cheemayile and anthimanthaarai .

vedham pudhithu is a 1987 tamil drama film , directed by bharathiraja and produced by janani art creations . this film stars sathyaraj , saritha , amala , raja , charuhasan , janagaraj in the lead role . the films soundtrack and background score were composed by devendran with lyrics by vairamuthu .

vedham pudhithu ( tamil : வேதம் புதிது english : new vedha ) ( 1987 ) , starring sathyaraj and amala is a critically acclaimed tamil movie , directed by bharathiraja . charuhasan , saritha , raja and ' nizhalgal ' ravi played supporting roles in the movie . the story and dialogue was written by kannan .

he is well known for his work in 16 vayathinile , muthal mariyathai , vedham pudhithu , karuththamma , kizhakku cheemayile and anthimanthaarai . he has won six national film awards , two tamil nadu state film awards and is also a recipient of other awards such as filmfare awards south , cinema express awards and nandi awards . film career [ edit ]

vedham pudhithu dealt with the caste issue in a stronger manner . [ 9 ] the film ' s narrative was seamless and starred sathyaraj as balu thevar . it contains some of bharathiraja ' s trademark touches as well as several ground - breaking scenes . however , it does follow the anti - brahmin trend common in tamil films – in this respect it departed from his earlier success , alaigal oiyvadhillai , where the caste and religion factor was given a more balanced treatment . bharathiraja has successfully managed to modernize his film making techniques for the 1990s . the commercial success of kizhakku cheemaiyile and the awards karuththamma garnered stand as testimony for his ability to thrill the younger generation as well . bharathiraja was on the same stage in 1996 to receive another national award for anthimanthaarai .

plot of vedham pudhithu balu thevar ( sathyaraj ) and saritha live in a village and belong to a land - owning warrior caste ( thevar ) , held lower in the vedic caste system hierarchy than brahmins . balu thevar though , is an atheist and speaks openly against the caste system , but is nevertheless tolerated by the villagers because he is generous in helping others in need . their son , raja , has just returned from the city having completed his education . he meets amala , who is the daughter of a brahmin sastri ( priest ) , and they fall in love . both of their parents discover their love and amalas father tries to marry her off to another man in a neighboring village . on the way , amala fakes her suicide to escape the marriage , and hides in a house ( nizhalgal ravis ) that she happens to pass by . in the meantime , thinking that amala is really dead , amalas father confronts raja and accuses him of causing her death . during the discussion , they slip and fall into the waterfall and both men die .

karuthamma full movie hd bharathiraja a . r . rahaman பாரதிராஜாவின் விருதுகள் பல குவித்த கருத்தம்மா

superhit family entertainer - ponnu veetukkaran - tamil full movie | sathyaraj | p . vasu | goundamani

tamil comedy movie | idhu namma aalu | full movie | ft . bhagyaraj , shobana

manathil uruthi vendum | full tamil movie | suhasini , shridhar | k . balachander

natham en jeevane | kadhal oviyam | s . janaki | ilaiyaraaja | நாதம் என் ஜீவனே

tamil full movie | ramachandra | action movie | ft . sathyaraj , vijayalakshmi , ashish vidyarthi

singer ( s ) : s . p . balasubrahmanyam , k . s . chithra , chorus

singer ( s ) : s . p . balasubrahmanyam , s . janaki , chorus

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rules are broken in the traditional village society where an upper - caste orphaned boy is brought up by the village chieftain .

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the urbane son of a village chieftain struggles between his personal aspirations and those of his family .

a story of three young friends who are unemployed and stricken by poverty finding it hard to make ends meet . they are endowed with the never - say - die spirit and refuse to heed their parents . . . see full summary »

three unemployed men find the answer to all their money problems when they receive a call from a kidnapper by a cross connection .

it ' s a village - based theme and revolves around a group of youngsters who want to make it really big in the sport . the events that unfold in their lives form the crux .

the film is all about three friends who fall for the same girl , narrated as a comedy . palanisamy and his two friends have no job other than going behind girls . a pretty girl ( radhika ) gets . . . see full summary »

i watched this movie as an eleven - year old . needless to say , it did not make much sense then , and , as one reviewer has pointed out , it was all ' about amala . ' she had a magical effect on viewers , both male and female . but then , as i got older and watched this again , it all began to change . in south india , reception to this movie is either a yes or no proposition . there are those who love it to distraction and there are those who hate it like the plague itself . i like it . the film has moments where the poetic beauty is incredible . in one fell sweep , bharatiraja raised tamil movie to international standards . yes , there are other excellent movies like this , ones with strong social message , but this one was long overdue by 1987 . the director was bold enough to do it ( he is a well known socialist , and so is ilaiyaraja ) . so it should come as no surprise that the other reviewer definitely doesn ' t like this movie , and i like it . perhaps it all has to do with the caste mentality of india . ( i myself do not claim immunity to this very common indian malady . ) it is a great film and it will continue to be popular .

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director / producer : p . bharathiraja ( director ) , s . rangarajan ( producer )

at this point , amalas younger brother ( named sankara – a play on adi sankaracarya , the founder of the monistic system of hindu vedic philosophy called advaita vedanta ) , who is devoutly studying the vedas and passing through the student phase of his brahmin life , is left an orphan . being considered inauspicious , since his mother , father , and sister are all dead , no one from the brahmin community wants to take care of him . he thus wanders the streets begging for food . balu thevar is bothered by this , and having lost his own son , he takes him home to raise him as his own son . they give up eating meat , so as not to offend the boy . however , since the boy has been eating in a lower caste home , he is rejected by his community from learning the vedas . sarita ( the wife ) is enraged , and promises to educate the boy instead in an english medium school . balu thevar makes fun of the boy telling him that it is not important to learn vedas and worry about caste . at this point , the boy points out balu thevars hypocrisy , at his preference for using his caste name ( thevar ) , while at the same time professing against the caste system . sathyaraj sees the merit in this argument , and immediately after this abandons all his weapons ( symbols of his warrior thevar caste ) by immersing them in a river , and stops referring to himself by his caste name , going only by “balu” .

amala , not knowing of raja and her own fathers death , tells nizhalgal ravi about her love , after which he promises to reunite them . theres a beautiful and sad song here where she imagines her happy future . nizhalgal ravi comes to the village and finds out what has happened and informs amala . amala then sadly returns to her village , and informs saritha ( the wife ) to take care of her younger brother for the rest of his life and prepares to leave .

meanwhile , janakaraj , a brahmin who had wanted to marry amala , but was rebuked publicly by her , sees amala return . he riles up the villagers with news of amalas return and states that its extremely inauspicious for the village , since her last death rites have already been performed . he also states that it is not proper for brahmins to live in a non - brahmin house . he then sets some hay on fire and tells the villages its the gods disapproval of these two crimes . he assembles a parade of villagers towards balu ( sathyaraj ) s house with weapons , and they demand that balu kick out amala from his home . balu refuses , a fight breaks out , and in the ensuing scuffle , he is stabbed and dies . his final request is for the villagers to live in unity , and not let caste divide them . in the poignant and controversial closing scene , sankara the young boy , who has now lost two fathers , is seen alone in the twilight hour of the holy sandhya ritual , removing his brahminical sacred thread ( invested only upon the upper castes ) and immersing it in a nearby stream , disgusted with , and in open defiance of the hypocrisies of strict brahminical casteist beliefs , while performing the last funeral rites of balu thevar as though he were his own son .

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this is one of the few films that highlights some of the issues caused by the caste system . the film ' s narrative was seamless and starred sathyaraj as balu thevar . it contains some of bharathiraja ' s trademark directorial touches as well as a lot of path breaking scenes , along with kannan ' s powerful dialogues .

a young upper - caste boy , orphaned after his father ' s death , exposes the hypocrisy of the caste system .

kamalhaasan best | k . balachander | unnal mudiyum thambi scenes | tamil super scenes

sathyaraj nakkal comedy | manivannan | senthil | r . sunderrajan | tamil super comedy

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brigadoon - recordings . . . source - musicals101 1947 original broadway cast recording ( incomplete , due to recording limitations of the period some lyrics were censored ) 1954 original motion . . .

director bharathiraja took this anti - caste segregation movie to a world class quality . . . must watch one . . . . . . . . .

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singer by : s . p . balasubrahmanyam , k . s . chithra , chorus

02 . mandhiram sonnen song [ download ] singer by : mano , s . janaki

03 . putham puthu olai song [ download ] singer by : k . s . chithra

05 . sandikka tudhithen song [ download ] singer by : s . p . balasubrahmanyam , s . janaki , chorus

all song lyrics listed in the site are for promotional purposes only . we do not provide songs / mp3 download as it is illegal to do so . if you like any of the songs lyrics , you can buy the cds directly from respective audio song companies . urltoken does not sell or monetize on the songs by any means . all the rights are reserved to the audio company / recording studios . urltoken holds no responsibility for any illegal usage of the content . for any queries , you can email to admin @ urltoken

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director bharathiraja portrait - pen drawing by artist anikartick , chennai , tamil nadu , india by artist anikartick , chennai ( t . subbulapuram vasu )

p . bharathiraja ( tamil : பி . பாரதிராஜா ; born 17 july 1941 ) is a south indian filmmaker who works mainly in the tamil film industry . bharathiraja displayed a story - teller ' s potential from an early age . he is known for his realistic and sensitive portrayal of village - life in his movies .

bharathiraja started his film career as an assistant to director and actor ' s p . pullaiya , malayalam filmmaker krishnan nair [ 4 ] and kannada filmmaker puttanna kanagal . [ 5 ] he also worked with krishnan nair , avinasi mani and a . jaganathan , he learned the grammar of film - making and got his first directorial opportunity in 1977 . his first film 16 vayathinile for which he wrote the script broke the then existing convention to create a new genre of village cinema . the movie is now regarded as a game - changer and a mile - stone in the modern history of tamil cinema . about the movie , said bharathirajaa in his own words , " this movie was meant to be black and white art film produced with the help of national film development corporation " , but turned out to be a commercially successful color film and a starting point for several important careers . [ 6 ]

his next film kizhake pogum rail produced similar results and eventually brought in criticisms that bharathiraja was capable of catering only to village audiences . this led him to make sigappu rojakkal , about a psychopathic woman hater that was totally westernized in terms of both conception and production . [ 7 ] but contrary to what several observers expected , this film met with box office success and everyone agreed that bharathiraja was here to stay .

bharathiraja confirmed his versatility and refusal to be tied down to one particular genre with an experimental film nizhalgal and an action thriller tik tik tik . but , undoubtedly rural themes proved to be his forte as his biggest hits in the 1980s alaigal oivadhillai , mann vasanai and muthal mariyathai were strong love stories in a village backdrop . muthal mariyathai starred veteran actor sivaji ganesan in the lead , playing a middle - aged village head . radha is a poor young woman who moves into his village for a living . the love that bonds these two humans separated not just by age but also by caste and class , is told by bharathiraja with poetic touches . [ 8 ]

he has plans of making short films with varying themes to attract the international audience and has currently completed his latest venture kadal pookal and picked up a national award for the best screenplay writer for the same film . the well - known tamil film director bhagyaraj was one of his assistant directors . he has also directed movies in telugu , kannada and hindi .

bharathiraja was born as chinnasamy to periyamayathevar and karuthammal . he is married to chandra leelavathi and has two children manoj and janani . manoj is an actor who was introduced in tajmahal , he is married to actress nandana . [ 10 ] [ 11 ] janani is married to rajkumar nambiraja . [ 12 ] bharathiraja ' s brother - in - law manojkumar has directed films like mannukkul vairam , vandicholai chinraasu , vaanavil and guru paarvai . his relative stalin is a television actor who acted in serials like saravanan meenatchi and 7c . [ 13 ]

he attended the heroes day conference at jaffna and appreciated its heroism and valour . [ 15 ] tamil nadu congress president krishnasamy claimed he met the ltte ' s leader , prabhakaran , accused of planning the assassination of former indian prime minister rajiv gandhi and banned in india .

he organized a protest by tamil nadu artistes against the indian state of karnataka for not releasing cauvery water at neyveli . during a sun tv interview , co - film stars like sarath kumar and radhika who attended the conference accused him of using that opportunity to eulogise current tamil nadu chief minister jayalalitha and launching attacks on rajinikanth ' s ethnicity . [ 16 ] [ 17 ]

in the month of june 2013 he was intervieught severe cardiac attack to him . [ 18 ]

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it was when tamil cinema was in dire need of a powerful shot of adrenalin that the young and energetic “team bharathiraja” arrived on the scene in the 1970s , with a dash of innovation in direction , screenplay and music . it took tamil movies from the suffocating confines of paint - smelling indoor sets to a refreshingly rural environment .

“yes , i infused life [ into tamil cinema ] . my characters were not from an alien world . they were just you and me portraying life’s agonies and ecstasies , ” says bharathiraja , alias p . chinnasamy , who hails from allinagaram village in theni district , tamil nadu .

bharathiraja’s forte was the portrayal of the predicaments of simple people in idyllic , rural environments and it turned the established traditions of tamil cinema upside down . his camera was equally adept at capturing the superficial sophistication of the elite .

this versatility enriched tamil movies like never before . “with m . g . ramachandran and sivaji ganesan sharing all the tamil fans between themselves , we were left with very little space and it almost choked us . in fact , it prompted us to experiment creatively to get us noticed in the industry , ” bharathiraja says .

bharathiraja survived by striking a chord in the rural audience . for the first time in tamil cinema history , the man - behind - the - camera emerged as hero though a few others , including k . balachander , had made a name for themselves .

on the appearance of the title card in which bharathiraja addresses the audience , calling them in his booming voice “en iniya thamizh makkale” ( my sweet tamil people ) , the audience would erupt in roaring applause . “the audience had started looking for the names of directors , choreographers , cinematographers and editors in title cards , ” he says with a smile .

the success of his maiden venture 16 vayathinile made him the toast of kollywood overnight . the film was to be made in black and white by the national film development corporation . “but it backed out at the last minute without giving a reason , ” he says .

undeterred , bharathiraja went ahead with the film , shooting for the first time in natural light and in the pristine environment of mist - clad mountains and sparkling streams , taking the viewers closer to their rural roots . he did not hesitate to tackle serious social issues such as female infanticide ( karuthamma ) , casteism ( vedam puthithu ) or unemployment ( nizhalgal ) .

but nizhalgal had a few flaws too , he concedes . “i had described failure in detail instead of [ showing ] optimism . the raw tragedy that unfolded at the end was too scary . the audience had to leave the theatre disturbed as it was a painful rendition of death and decay . i should have handled it sensitively and maturely , ” he says . comparing it to veteran balachander’s varumaiyin niram sigappu , he says it was a mature treatment of a sensitive subject which conveyed a sense of optimism .

but , according to critics , it was bharathiraja’s achievements that jolted balachander and a host of other directors then to give their best . and , to the delight of tamil movie buffs , this healthy competition brought the best out of the two big “b”s—balachander and bharathiraja—at a time when hindi blockbusters had started flooding the tamil screen .

“the audience had started believing that i could handle any subject , from the exploits of a psychopath killer in sigappu rojakkal to a glossy thriller in tik , tik , tik , to a serious experimental movie such as nizhalgal , to pristine love tales in kizhake pogum rail and mann vasanai , to serious socials like puthumai penn , anthimantharai and kizhakku cheemayile , ” he says . mudhal mariyadhai , a gentle and mature love story between a village belle ( radha ) and a respectable , middle - aged village head ( sivaji ganesan ) , he says , is his magnum opus . “sivaji was a director’s delight and a phenomenon , ” he says .

but failure began stalking him in the late 1990s . his critics say his persistence with rural themes is one of the reasons . his 50th film , annakodi , is again a village - centric love story that has many similarities with 16 vayathinile , they point out . he did try to prop up his sagging fortunes by giving a few commercial hits like kodi parakkuthu with rajinikanth and bommalattam with nana patekar and arjun in the lead .

but neither failure nor success has had an impact on him . “failures cannot destroy me . i learn from them . successes prompt me to strive for perfection , ” he says . he says he has never played the caste card “explicitly in any of my ventures as a few of today’s directors do . i am a creative artist” . vedam puthithu is about an inter - caste love affair between a brahmin girl and a thevar youth while kizhake pogum rail was about a village hairdresser falling in love with a caste hindu girl . in alaigal oivathillai , a christian girl elopes with a brahmin boy .

“in all these films i have made ‘love’ the protagonist and not caste or character . i was extremely careful not to mention directly any caste or religion . ” he is of the opinion that creativity cannot be put into such narrow social confines .

the successful trio of bharathiraja , ilayaraja and vairamuthu , despite many hits to their credit , had to part ways to “survive and prove our individual mettle” . “our originality got hopelessly submerged in our collective creativity . hence , we parted ways and we have no regrets today , ” he says .

he is competing against a third generation of directors today . “their innovative ideas simply amaze me . ” digital technology is giving them an edge , he says . tamil cinema , he feels , is undergoing yet another transformation as young artists and directors make their mark . “but i am also in the field , a part of it , ” he says . “i am making the kind of films i have always wanted to . i have no regrets . ” he is already on to his next project and his journey is one that few directors have made .

across the world , big business attributes the loss of legitimacy of neoliberalism to corruption , impunity and the inability to combat crime rather than the marginalising and exclusionary effects of neoliberalism itself .

differences between the government and the sangh parivar over privatisation and corporatisation may be holding up the new education policy four years into the narendra modi government .

பாரதிராஜா ; born 17 july 1941 ) is a south indian filmmaker who works mainly in the tamil film industry .

he has won six national film awards , two tamil nadu state film awards and is also a recipient of other awards such as filmfare awards south , cinema express awards and nandi awards . bharathiraja started his film career as an assistant to director p .

jaganathan , he learned the grammar of film - making and got his first directorial opportunity in 1977 .

his first film 16 vayathinile for which he wrote the script broke the then existing convention to create a new genre of village cinema .

the movie is now regarded as a game - changer and a mile - stone in the modern history of tamil cinema .

about the movie , said bharathirajaa in his own words , " this movie was meant to be black and white art film produced with the help of national film development corporation " , but turned out to be a commercially successful color film and a starting point for several important careers . his next film kizhakke pogum rail produced similar results and eventually brought in criticisms that bharathiraja was capable of catering only to village audiences .

this led him to make sigappu rojakkal , about a psychopathic woman hater that was totally westernized in terms of both conception and production .

but contrary to what several observers expected , this film met with box office success and everyone agreed that bharathiraja was here to stay . bharathiraja confirmed his versatility and refusal to be tied down to one particular genre with an experimental film nizhalgal and an action thriller tik tik tik .

but , undoubtedly rural themes proved to be his forte as his biggest hits in the 1980s alaigal oivadhillai , mann vasanai and muthal mariyathai were strong love stories in a village backdrop .

muthal mariyathai starred veteran actor sivaji ganesan in the lead , playing a middle - aged village head .

radha is a poor young woman who moves into his village for a living .

it contains some of bharathiraja ' s trademark touches as well as several ground - breaking scenes .

the commercial success of kizhakku cheemaiyile and the awards karuththamma garnered stand as testimony for his ability to thrill the younger generation as well .

bharathiraja was on the same stage in 1996 to receive another national award for anthimanthaarai . he has plans of making short films with varying themes to attract the international audience and has currently completed his latest venture kadal pookal and picked up a national award for the best screenplay writer for the same film .

the well - known tamil film director bhagyaraj was one of his assistant directors .

/ var / www / html / phsolutions / phfilms / dev / includes / functions . php

batard barathi raja , now a days u r telling and condemning rajinikanth tamil nadu must be ruled by tamils . but in this picture u praising the late cm mgr as the tajmahal of tamil nadu . don ' t u think at that time tail nadu must be rulled by tamilian .

pls when uploading beautiful movies of such . . . just a humble request . . . . . provide english subtitles so this sort of beautiful could reach the mass worldwide . . . . . . thanks

gucci & keyshia the mane event . . . all on bet ' s dime ! ! !


corrections class ( russian : класс коррекции , translit . klass korrektsii ) is a 2014 russian drama film directed by ivan tverdovskiy .

it premiered on the 4th of june 2014 at kinotavr where it won the prize for best debut and the prize of film distributors jury .

the film also received the east of the west award at the karlovy vary international film festival .

corrections class

corrections class <EOT> the function allows spectral efficiency corrections for rlum . data . spectrum s4 class objects

there are no featured reviews for klass korrektsii ( corrections class ) at this time .

is the response and contains the observed number of steering corrections for each driver .

are the categorical factors and may explain differences in the number of steering corrections .

you can use class freely , provided that in your publications , you cite at least the paper class ii : approximation schemes < urltoken > . feel free to cite more class papers !

after only one season , “ the class ” was no longer in session .

8 ] the son of a noted documentarian , tverdovskii has previously directed pianism ( 2012 ) , the short space dogs ( sobachii kaif , 2013 ) and other documentaries . corrections class is his feature - length debut .

teachers and other students treat the class as a doomed place for losers and outcasts .

david crane and jeffrey klarik , creators of “the class , ” and “episodes . ”

the division of offender services is responsible for the classification of each offender committed by the courts to the mississippi department of corrections ( mdoc ) .

the function provides a standardised plot output for data of an rlum . results s4 class object

the function provides a standardised plot output for curve data of an rlum . analysis s4 class object

doc / manual / html / index . html doc / manual / class _ manual . pdf

the function provides a standardised plot output for curve data of an rlum . data . curve s4 class object

the function provides a standardised plot output for spectrum data of an rlum . data . spectrum s4 class object

s4 class object for luminescence data in r . the object is produced as output of the function readbin2r .

“the florida department of corrections is committed to its mission in ensuring public safety and providing inmates and offenders the tools and skills they need for a successful re - entry into the community , ” stated michael d . crews , florida secretary of corrections . “this graduation is an example of the department working to reduce recidivism by promoting post - release success . ”

the function provides several methods for cosmic ray removal and spectrum smoothing for an rlum . data . spectrum s4 class object

converts values from one specific position of a risoe . binfiledata s4 - class object to an rlum . analysis object .

as florida’s largest state agency , the department of corrections employs more than 22 , 000 members statewide , incarcerates more than 100 , 000 inmates and supervises nearly 146 , 000 offenders in the community .

this function calculates the cosmic dose rate taking into account the soft - and hard - component of the cosmic ray flux and allows corrections for geomagnetic latitude , altitude above sea - level and geomagnetic field changes .

download the code from the webpage and unpack the archive ( tar - zxvf class _ vx . y . z . tar . gz ) , or clone it from urltoken . go to the class directory ( cd class / or class _ public / or class _ vx . y . z / ) and compile ( make clean ; make class ) . you can usually speed up compilation with the option - j : make - j class . if the first compilation attempt fails , you may need to open the makefile and adapt the name of the compiler ( default : gcc ) , of the optimization flag ( default : - o4 - ffast - math ) and of the openmp flag ( default : - fopenmp ; this flag is facultative , you are free to compile without openmp if you don ' t want parallel execution ; note that you need the version 4 . 2 or higher of gcc to be able to compile with - fopenmp ) . many more details on the class compilation are given on the wiki page

offering further evidence that — in the wake of 2012’s anton’s right here and the recent cannes critics’ week winner the tribe — the former soviet union is a lousy place to raise children with special needs , director ivan tverdovsky ’s drama corrections class focuses on a gaggle of disabled teens in a russian high school . ghettoized and neglected by the school and bullied by their peers , the kids turn on each other when the fragile balance of the group is thrown out of whack by the arrival of a newcomer . progressively disturbing but not without moments of humor , joy and grace , corrections class won the best debut prize at sochi’s kinotavr festival and plays in karlovy vary’s east - of the - west competition .

anton and misha are high school students . they are enrolled in a special “correction’s class” designed for children with physical and psychological impairments .

japkowicz n , stephen s . the class imbalance problem : a systematic study . intell data anal . 2002 ; 6 : 429–449 .

if callahan is a high - powered defense attorney , he probably wouldn ' t have time to teach a full time class at harvard . he also wouldn ' t be teaching a class on embryo ' s etc , but rather one in the criminal law field .

the florida department of corrections ( fldoc ) and smart horizons career online education ( shcoe ) announced today that the fldoc online campus program at the central florida reception center in orlando has graduated its first class of inmates . all graduates of fldoc online campus have earned an accredited high school diploma and an advanced career certificate in this innovative educational program that is the first - of - its kind for correctional institutions . a ceremony was held at the central florida reception center recently to celebrate the graduation class .

wu g , chang e . class - boundary alignment for imbalanced dataset learning . workshop on learning from imbalanced datasets in icml . 2003 .

he idealistic young teacher reaching out to a troubled class of underprivileged kids - it should be the dullest movie cliche imaginable . yet french director

late in ivan tverdovskii’s corrections class , svetlana viktorovna ( natalia pavlenkova ) pushes her wheelchair - using teenage daughter lena ( maria poezhaeva ) up to a freshly - installed two - track ramp at the entrance to lena’s high school . ( the structure , scaling some concrete stairs , has been a topic of discussion throughout the film ; earlier we observed it being built . )

taking place in what appears the greater moscow suburban area ( those trains run often , never stopping ) , the film spends its first half - hour setting the stage : a special “corrections class” in which kids with various disabilities—some obvious , some not—learn together , awaiting the day when a special commission will determine whether they can be placed in “normal” classes . but as kasianova ( 2014 ) points out , though the teachers all speak in gushy tones about “inclusive” rights to education , the corrections class itself is physically set apart from the able - bodied students by a prison - like , barred gate . moreover , lena is berated for arriving late—though the absence of ramps or lifts make getting to the upper - floor classroom no easy task for a wheelchair - user .

at the end of legally blonde , it says that elle was a part of the graduating class of 2004 , however , in legally blonde 2 , when margo and serena are doing the cheer with the interns to try to get support for the discharge petition , they say " intern class of 2003 on deck . " if elle was in the class of 2004 , then she wouldn ' t have been in washington practicing law in 2003 .

example data from a sar osl and tl measurement for package luminescence directly extracted from a risoe bin - file and provided in an object of type risoe . binfiledata - class

the function provides a standardised plot output for image data of an rlum . data . image s4 class object , mainly using the plot functions provided by the raster ackage .

the performances are all remarkable , considering that some of the teens appear to be non - professionals . poezhaeva and avdeyev are remarkable , as well as the menacing and manic kukushkin . “corrections class” is a bracing jolt of fresh cinematic blood . it’s a film teeming with intense emotions that cover the spectrum of the human experience . it is wild , audacious , and seethes with a manic energy . the wholly unique style marks an auspicious debut for tverdovsky that should not be missed . [ a ]

it’s hard to talk about ivan i . tverdovsky ’s “ corrections class ” immediately after seeing it because it’s simply overwhelming , emotionally and intellectually . i walked out of the theater sort of slack - jawed and agog , unable to put the experience into words . the film has a manic , madcap energy , and an immediate , visceral and jarring audio and visual presence . this is chaotic , and in that chaos , true and unflinching moments are revealed , funny and dark and bruising and absurd .

based on the book by ekaterina murashova . „correction class“ features the children stuck in a school program created for problem children , kept totally separate from the other children . the film heroes are on the threshold of adult life . they still have a last chance to change their fate and leave the class . the first love , the first rivalry , and the first treachery await them .

hong x , chen s , harris cj . a kernel - based two - class classifier for imbalanced data sets . ieee trans neural netw . 2007 ; 18 : 28–41 . pmid : 17278459

the florida department of corrections has partnered with florida - based smart horizons career online education , the world’s first sacs accredited online school district , to offer fldoc online campus to inmates . the program was launched by the florida department of corrections in 2012 and recently expanded to include fifteen correctional facilities in the fldoc system . inmates complete a career certificate as part of the program , so that they graduate with vocational skills that can be applied in a job post - release . the ultimate goal is to keep offenders from returning to prison . fldoc studies have shown that recidivism drops from almost fifty percent to twenty percent when inmates reengage their educational careers .

today , “the class” is worth remembering for a cast filled with promising young actors who , in the years since the cancellation , have gone on to populate a bumper crop of hits . among the other “class” - mates were jesse tyler ferguson ( “modern family” ) , sean maguire ( “once upon a time” ) , jon bernthal ( “the walking dead” ) and jason ritter ( “parenthood” ) .

since version 2 . 3 , the package includes an improved plotting script called urltoken ( class plotting utility ) , written by benjamin audren and jesus torrado . it can plot the cl ' s , the p ( k ) or any other class output , for one or several models , as well as their ratio or percentage difference . the syntax and list of available options is obtained by typing ' pyhton urltoken - h ' . there is a similar script for matlab , written by thomas tram . to use it , once in matlab , type ' help plot _ class _ output . m '

to use class from python , or ipython notebooks , or from the monte python parameter extraction code , you need to compile not only the code , but also its python wrapper . this can be done by typing just ' make ' instead of ' make class ' ( or for speeding up : ' make - j ' ) . more details on the wrapper and its compilation are found on the wiki page

since then , russia has yet to translate its 2012 ratification of the united nations convention on the rights of persons with disabilities and other progressive legislation into widespread , sustained change . more than any recent film on this subject , corrections class articulates the palpable , daily disgrace of such dehumanization . as koretskii ( 2014 ) puts it : “tverdovskii very precisely and lucidly conveys the atmosphere of general shame that prevails in a repressed society ( not necessarily russian—the film exhibits a kafkaesque universalism ) , when the very basis of your existence becomes obscene , when the piece of repulsive filth—is you . ”

rather than from class - code . net . then you will enjoy all the feature of git repositories . you can even develop your own branch and get it merged to the public distribution . for related instructions , check

“it’s always very gratifying to meet fldoc online campus students in person and see them graduate and look to a brighter future as a result , ” stated dr . howard liebman , ceo and superintendent of the shcoe district . “smart horizons career online education is proud to team with the florida department of corrections on this groundbreaking program that allows students to change their lives for the better . ”

the initial classification assessment establishes an offender’s custody level upon his / her admission to the mississippi department of corrections ( mdoc ) . this custody level is scored on a numerical scale to identify the type and level of risk likely to be presented by the offender . the offender will be afforded a hearing and notification of the decisions regarding a facility assignment , program eligibility , and supervision requirements .

the film opens with a scene that is an accurate bellwether for the darkness that it explores . lena ( maria poezhaeva ) is with her mother on the way to her first day at school when they are stopped at the train tracks where a boy has been hit . they try , but it’s impossible to avoid the splatter of blood and bone . lena is wheelchair - bound with a muscular disease , myopathy . she’s been assigned to the corrections class , which is a bit like special ed , though the students there don’t seem to have any mental disabilities , but rather physical ones such as dwarfism , epilepsy , stuttering .

lena is a bright , disabled girl who , after years spent studying at home , is keen to get back to school . she is assigned to a special class for disabled pupils who have to present themselves . . . see more »

lena is a bright , disabled girl who , after years spent studying at home , is keen to get back to school . she is assigned to a special class for disabled pupils who have to present themselves . . . see full summary »

all these measures have different advantages and disadvantages . since they behave differently under balanced and imbalanced datasets , it is important to consider the class distribution of the data at hand or to be analysed in future applications and to select appropriate measures for meaningful performance evaluations .

fans , too , championed the series online , even after the show was canceled . “there was a site dedicated to ‘the class’ that was on the web for years , ” ms . halston said . “people who liked the show really liked the show . ”

the injustices of the educational system are brought to light in this emotionally powerful story of students with learning disabilities who are all grouped together in a class that infuriatingly focuses on having them earn the right to rejoin their more ‘normal’ peers . producer natasha mokritskaya scheduled to attend .

corrections class opens as lena’s mom pushes her to her new school in her wheelchair . lena is an attractive and bright teenager who has been homeschooled her entire life . now for the first time , she is going to be a part of a classroom and maybe even have a group of school friends . kids with disabilities are assigned to their own room , and it’s soon learned that a special commission will test them to determine if they are able to join a “normal” classroom . lena fits in with her disabled peers right away , but when she and anton ( who has epilepsy ) begin to form a romantic relationship , it deeply disturbs the class dynamic and outrages the school staff . director ivan tverdovskii is a 26 - year old filmmaker dubbed by the press an as “infant lars von trier . ” without cliché or pity , he presents an eye - opening portrait of the disabled in russia . his documentary - style dramatic feature debut is a passionate attempt to not only show the handicapped as normal people , but to expose the injustices of the educational situation in this powerful and shocking drama . director biography ivan i . tverdovsky is a graduate of russian institute for cinematography who was awarded at multiple russian and international festivals for his previous documentary works . correcton class is ivan’s debut feature work .

the scene—told in an improvised documentary style , with hand - held shots and jump cuts—functions as both true - to - life metaphor ( reflecting the experience of millions in russia ) [ 1 ] and acrid , cringing comedy ( particularly when coming immediately after a brutal gang rape scene ) . tverdovskii often treads this thin line between exploitation and outrage , diving deep into subject matter which most other directors ( and audiences ) would prefer not to even countenance . [ 2 ] as a result , corrections class is the most insightful , unflinching and hell - raising feature ever made about disability in russia . its message : the disabled—despite much lip - service to “inclusivity” and enlightened educational practice—rise to the top of no one’s priority list ( to put it mildly ) .

" lena ( masha poezhaeva ) is a bright and beautiful girl , confined to a wheelchair for most of the time . after studying at home for years , she is assigned to a special class for disabled pupils who have to prove to a commission at the end of the school year that they are “worthy” of attending “normal” classes with other children . the class is populated by students who have a wide variety of impairments , from down syndrome , through bipolar disorder , to simple stuttering . such a fascist institutional set - up builds anger in the viewer right from the start .

while the baseline is fixed with roc , the baseline of prc is determined by the ratio of positives ( p ) and negatives ( n ) as y = p / ( p + n ) . for instance , we have y = 0 . 5 for a balanced class distribution , but y = 0 . 09 for an imbalanced class distribution in which the ratio of p : n is 1 : 10 ( see fig . 2b ) . because of this moving baseline , auc ( prc ) also changes with the p : n ratio . for instance , the auc ( prc ) of random classifiers is 0 . 5 only for balanced class distributions , whereas it is p / ( p + n ) for the general case , including balanced and imbalanced distributions . in fact , auc ( prc ) is identical to the y - position of the prc baseline .

based on the book by ekaterina murashova . „correction class“ is an artificially created school ghetto for problem children . the film heroes are on the threshold of adult life . they still have a last chance to change their fate . the first love , the first rivalry and the first treachery await them .

the class is based on an autobiographical novel by author and former teacher françois bégaudeau , about working at a tough multi - ethnic school in the parisian banlieux . remarkably , bégaudeau plays himself , or a version of himself ; he does it very well , although as teaching is all about putting on a performance commanding enough to subdue the toughest audiences , maybe that shouldn ' t surprise us . his class of 14 - to 15 - year - old kids in the film is made up of non - professionals , and their unobtrusively superb and authentic classroom scenes have evidently been devised through improvisation .

discovering how these childhood acquaintances — and their loved ones and new loves — formed adult alliances was the complicated lesson plan of “the class . ” rewatching the series , which was recently released on dvd by the warner archive , it’s clear that casual viewers would have a hard time keeping up with so many characters , even with a “previously on ‘the class’ ” opener to each episode . critics warned the creators about this . a writer for usa today , for instance , warned that “ juggling such a large cast won’t be easy . ” but experimenting with the sitcom form was what its creators had in mind from the start .

the network had given the series a high - visibility time slot : mondays at 8 p . m . as mr . klarik put it , “i felt like gypsy rose lee when her mother threw her out on the stage . ” then a month later , cbs moved “the class” a half - hour later , sandwiching it between two established hits , “how i met your mother” and “two and a half men . ” the new show drew decent ratings . the writing was sharp . one critic , matt mitovich in tv guide , declared , “ i smell another ‘mother’ . ” but “the class” never garnered the high nielsen numbers that show and “two and a half men” enjoyed .

the sheer lucid force of the class is compelling and exhilarating . cantet ' s final tableau shots of the empty classroom , like a deserted battlefield , made the hairs on the back of my neck prickle . there are very few films that can claim to make their audiences into happier and smarter people . i think this could be one .

the trickiest member of the class is souleymane ( franck keita ) , a boy from mali with family problems and a temper . souleymane cheekily tells françois that he has heard the teacher " likes men " - and insolently says that this is not his own accusation , just something he has heard . happily , françois finds a way to get through to souleymane : he turns out to take great photos of his family on his mobile phone and françois gets him to use these pictures in an autobiographical class project : it is a euphoric breakthrough . but things turn very sour when two girls are allowed to sit in on a staff discussion on standards and behaviour and gleefully report some disobliging remarks back to souleymane , who is deeply angry and hurt after his class - project triumph , with no vocabulary to express his sense of betrayal . françois himself is coldly furious at the girls ' indiscretion and accuses them in class of behaving like " pétasses " - " skanks " - crucially losing his cool and compromising his authority . that crude insult ignites a violent row , which becomes toxic when françois neglects to mention the " skanks " provocation in his official report . when challenged , françois airily insists he was not saying that they were " skanks " , merely that they were behaving as such - the same species of dishonest sophistry that souleymane used with his " gay " jibe .

at school , lena and her mom are told off by the officious principal ( veteran natalya domeretskaya ) for being late even though the building has no wheelchair ramps or elevators which means lena has to make the slow , painful walk up the stairs on foot . she soon meets her peers in the corrections class , a sort of holding pen for physically and mentally challenged students , most of whom would probably be blended into the mainstream in settings with a more enlightened attitude toward disability . shy , handsome anton ( filipp avdeev ) , for instance , has epilepsy . another girl ( maria uryadova ) has dwarfism . mitya ( artyom markaryan ) has a stutter , while his sister vitya ( yulia serina ) reports she’s not actually sick at all . it’s never revealed what’s supposed to be amiss with ringleader misha ( nikita kukushkin ) , who seems perfectly able - bodied if clearly damaged psychologically , judging by later events .

cost curves ( cc ) . the cc plots are also unchanged between balanced and imbalanced datasets ( fig . 5c ) . cc is considerably different from the other roc variants in terms of the interpretation of the plot . it shows the classification performances for different pcf ( + ) values that are based on misclassification costs and class probabilities . c ( - | + ) represents the cost of misclassifying positives as negatives , and c ( + | - ) represents the cost of misclassifying negatives as positives . p ( + ) and p ( - ) represent class probabilities for positives and negatives , respectively . misclassification costs are often unknown but can for example be estimated from the class distributions . for instance , misclassification costs can be c ( - | + ) = 1 and c ( + | - ) = 1 for a balanced , and c ( - | + ) = 91 and c ( + | - ) = 9 for an imbalanced dataset . this would mean that the misclassification of positives as negatives is considerably more expensive than the misclassification of negatives as positives . to get the pcf ( + ) value of 0 . 5 ( red dots with black circle in fig . 5c ) , the corresponding class probabilities are p ( + ) = 0 . 5 and p ( - ) = 0 . 5 for the balanced dataset and p ( + ) = 0 . 09 and p ( - ) = 0 . 91 for the imbalanced dataset . once the pcf ( + ) value of interest is determined , it is easy to compare the performances of multiple classifiers . cost curves are useful when the testing of various misclassification costs and class probabilities is required , but a good understanding of pcf ( + ) and ne [ c ] is mandatory .

when elle attends her first class at law school , a classroom layout is placed in front of her . she does not write her name on it or pass it on , but when her teacher picks it up and looks at the layout she knows who elle is and where she sits , even thought she didn ' t write her name on it .

in the end , mr . ferguson said , the cancellation of “the class” may have been the best thing to ever happen to mr . crane and mr . klarik . “if that’s the way they’re getting their sweet revenge , ” mr . ferguson said , “i’m hoping more horrible things happen to them because they’ll transform them into really wonderful , hilarious situations . ”

lena is a bright , disabled girl who , after years spent studying at home , is keen to get back to school . she is assigned to a special class for disabled pupils who have to present themselves before a school commission at the end of the year in order to prove that they merit being moved back into a " normal " class . her enervated teachers , however , show absolutely no desire to motivate the students and help them improve ; on the contrary , they try to quash right from the start any interest lena shows in more complex study material . nevertheless , lena soon involves herself in the school routine and gets together with classmate anton . yet their transparent happiness is not to everyone ' s liking and repercussions soon follow . written by anonymous

as the story goes , the show’s producers and its director , the veteran james burrows , were so convinced “the class” would be a hit that they celebrated its pickup to series in lavish fashion . “they flew all of us to vegas on a private plane for the evening , ” recalled lizzy caplan , who now stars as the sex therapist virginia johnson on showtime’s “masters of sex . ”

class imbalance—a difference in the numbers of positive and negative instances , usually with the negatives outnumbering the positives—occurs in a wide range of scientific areas , including the life sciences , where unequal class distributions arise naturally [ 6 – 9 ] . the classification of imbalanced datasets is a relatively new challenge in the field of machine learning [ 5 , 10 ] . while many solutions for binary classification on imbalanced data have been proposed [ 5 , 11 ] , they are mostly related to either data resampling [ 7 , 12 – 14 ] or model - training [ 15 – 19 ] . despite the development of state - of - the - art solutions for the building of classifiers with imbalanced data [ 5 , 11 , 20 ] , selecting a suitable performance evaluation method is often underestimated .

although the leads are trained actors , mostly students at director kirill serebrennikov ’s theater academy , the performances from non - professional performers blend seamlessly with the ensemble , evincing a proper directorial skills from tverdovsky . shot mostly on handheld rigs by dop fedor struchev , the film has some of that immediacy and ebullience seen in the better high - school - set films , like laurent cantet’s the class .

it was a sitcom about philadelphia - area third graders who reunited in their late 20s , and it was spun from the fertile minds of david crane , a creator of “friends , ” and jeffrey klarik , a writer - producer of “mad about you . ” in the fall of 2006 , “the class” was the new cbs show with the season’s highest hopes . it was not to be dismissed .

can i call the inmate or can he / she call me while in the reception process ? while in reception center , the inmate will not have telephone privileges nor will he / she be able to receive packages . however he / she can receive mail and writing supplies . the majority of prisons allow 10 stamped envelopes , and a writing tablet to be mailed in first class mail to the inmate .

the inmate reclassification score sheet is used to review and update an inmate’s custody rating throughout his / her incarceration in the mississippi department of corrections . the purpose of the reassessment process is to ensure the inmate’s placement in the least restrictive environment while ensuring public safety and the security of the institution , staff and all inmates . the custody rating is based upon an assessment of eight ( 8 ) items that are scored on a numerical scale . these items have been found to be associated with institutional conduct and risk of escape and , thus , help to identify the type and level of risk likely to be presented by the inmate . the reclassification score sheet is used when making decisions relating to the inmate’s facility re - assignment , program eligibility , and supervision requirements .

about the result in gordon v . steele . she responds that the court held that there was not diversity jurisdiction . the professor replies that selma is correct . but , this is entirely the wrong answer . the court in that case held that there was diversity jurisdiction . merely getting a case wrong would seem trivial , but again this is literally the first case any law student studies in civil procedure , a first year class . how could a screenwriter get this basic case completely wrong ?

lena falls in love with anton ( philipp avdeev ) , the “pretty boy” in the class . their relationship will turn out to be almost fatal due not only to the social unawareness of the faculty and the backwards , “traditional” ideas of their families , but even more so to the cruelty of their peers . children are cruel , and children who have been subjected to malevolence in school , society and even their own families , only because they are different , often turn out brutal . "

the cost curve ( cc ) is an alternative to the roc plot [ 12 , 28 ] . cost curves analyse classification performance by varying operating points [ 5 ] . operating points are based on class probabilities and misclassification costs . the normalized expected cost or ne [ c ] represents the classification performance on the y - axis [ 28 ] . it is similar to the error rate , and therefore lower ne [ c ] values indicate better classifiers . the probability cost function ( + ) or pcf ( + ) represents the operating points on the x - axis [ 28 ] . pcf ( + ) is based on the probability of correctly classifying positives , and it is calculated by class probabilities and misclassification costs [ 5 ] . the actual calculations of pcf ( + ) and ne [ c ] are considerably more complex than the calculations involved in roc and prc plots ( see supplementary methods in s1 file for the pcf ( + ) and ne [ c ] calculations ) .

the film’s most potent scenes revel in such complexity , radically treating its subjects as flawed , even cynical human beings rather than mere moral paragons of suffering . nothing quite like them has ever appeared in russian cinema before ; they seem determined to flout audience preconceptions . an early scene in fact mocks the tired notion of the “pathetic” cripple : lena and her new friends from class beg for alms on the street—and use the money for party supplies ( they exploit lena’s wheelchair to cut in line at the cashier for good measure ) .

a biting satire of television , in which matt leblanc plays a version of himself as a once - famous actor headlining a dumbed - down american adaptation of a smart british series , “episodes” has no problem poking the eye of network television . ( cbs , which canceled “the class , ” owns showtime . ) “we’re very discreet about saying who might inspire whom , ” mr . crane said . “the characters are invented to a great degree . but practically every single thing that has happened on ‘episodes’ has happened to one or both of us . ”

the fact that he is a " high - powered defense attorney " means he can pick and choose his cases and charge exorbitant amounts of cash so he doesn ' t need to take very many cases to stay wealthy . as such he ' d have all kinds of time to teach a full - time class at harvard law . the money he gets from that would mean even fewer cases he had to take on . the " embryo lesson " was only to give an example of what works in the courtroom ; things that may prove useful in a criminal hearing .

it is important to recognize that the evaluation in the training phase is different from the evaluation of the final model . the first phase is to select the most effective and robust model during training . it usually divides a training dataset further into training and validation subsets , for example for cross - validation [ 21 ] . the second phase is to evaluate the final model after the training . ideally , the test data of this phase reflects the class distributions of the original population even though such distributions are usually unknown . this article exclusively analyses the performance evaluation of the final model .

tverdovskii does incline to dostoevskian scandal : another tryst between lena and anton at the latter’s home ends similarly , with the couple interrupted by anton’s horrified mother polina grigorevna ( ol’ga lapshina ) . disability and teen sex : two things guaranteed to send adults in this film into hysterics . [ 12 ] and certainly correction class ’s most flagrantly exploitational scene—the gang rape—will go too far for some viewers . why show the disabled in such a contemptible , inhuman light , tormenting one of their own ? might not such imagery undo the film’s attempts to cast them as fully - fledged people rather than monsters ?

there was no error in that scene . when the professor asks vivian if there was diversity jurisdiction " in this case , " she was referring to elle being kicked out of class . at the very end of that exchange , just before the scene changes , the professor begins to ask vivian , " what about in gordon v . steele ? " she was merely trying to contrast the two scenarios . incidentally , not all civ pro professors choose to use gordon v . steele to instruct their students on diversity jurisdiction cases , nor do they all choose diversity jurisdiction as the very first topic to cover in the course .

while the 58 studies vary across a wide range of research fields , five studies are from the field of microrna ( mirna ) gene discovery ( table f in s1 file ) . mirnas are a class of small rnas that have important regulatory roles in plants and animals [ 53 ] , and finding genome locations of mirna genes is a popular but challenging field in bioinformatics [ 54 ] . we selected the mirfinder study [ 30 ] for re - analysis with prc for three reasons : it uses roc in conjunction with imbalanced data , the test data is available , and the classifier can produce scores , which is necessary for being able to create roc and prc plots .

disability in russia today indeed , 21st - century russians with disabilities , especially outside the country’s major population centers , continue to live a second - class existence that would be recognizable to their counterparts from a generation ago—and in some ways to their early soviet ones as well . lena’s plight , for example , recalls both ksenia klimova’s reality - based short story “steps” from the early 1990s—“anyone who has ever seen a person in a wheelchair climbing a staircase by pulling themselves up along a handrail , will never forget it” ( klimova 1996 : 143 ) —and post - wwii reports that red army veterans in need of prosthetic limbs often had trouble entering the very facilities designated for their fittings . [ 3 ]

the dog - eared trump card of this kind of movie is that the teacher learns something from the kids . it happens here - after a fashion . françois is forced to leave the citadel of the classroom , the home of his authority , and descend to the level of the playground to confront esmeralda and khoumba on the " skanks " issue . neither side gives ground , and yet the fact that françois has to argue it out on the asphalt , on equal terms , is a kind of humbling , a swallowing of pride . and in a way , françois does learn something : he learns that , however vaguely he intended to use the word , for his working - class teenage pupils , " skank " means " prostitute " .

at the beginning of the year , the teachers go around introducing themselves to the new staff , and one goes through the list of pupils for one newcomer , briefing him grimly about each child : " gentil " or " pas gentil " - " nice " or " not nice " - with the latter seemingly the majority . in françois ' s class , esmeralda ( esmeralda ouertani ) and khoumba ( rachel regulier ) predominate : they are smart but moody , idle and subversive , and just savvy enough about françois ' s liberal scruples to wind him up . when he chalks up examples of good and bad grammar on the blackboard , they ask pointedly why he uses anglo - saxon names such as " bill " and not , say , " rachid " .

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lakeith stanfield and his sorry to bother you crew reveal their most soul - crushing jobs in our freewheeling interview .

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a practical joke ends up very wrong in nigina sayfullaevas curious youth drama . two seventeen year old moscow girls , olya and sasha , are visiting olya ' s long lost father who lives in crimea . . . see full summary »

one monday morning katya , vika and zhanna learn that there will be a school disco , their first disco , on the coming saturday night . the girls feverishly start preparing for the event , which . . . see full summary »

middle - aged zoo worker natasha still lives with her mother in a small coastal town . she is stuck and it seems that life has no surprises for her until one day - she grows a tail and turns her life around .

three different persons , three different lives are connected in a mysterious way . 15 - year old teenager suffering of misunderstanding , his glamorous and arrogant stepmother and the young . . . see full summary »

a mother wants to reunite with her twin daughters . a young couple marry in church , but immediately after the ceremony , god - or maybe the devil , or maybe blind fate - tests their love in . . . see full summary »

a young writer brings a collection of short stories to a big moscow publishing house . the manuscript stays at the office and mysteriously influences the lives of anyone who opens it and . . . see full summary »

about men , about women , about essential reality of their relationships in bright and good looking moscow . the whole film is the lecture about love like it is a child of chemistry and . . . see full summary »

there are two of them : a mother and a girl . they have no names . and they are in a constant run . the mother runs away from the daughter in an attempt to start new life , and the girl runs . . . see full summary »

watch the exploits of three young romantics as they dance around st . petersburg , russia , getting themselves involved in everything from a soccer riot to a rainstorm to a fight between best . . . see full summary »

adequacy is relative . vitalik , the main character of the movie , seems to be pretty normal . with a respectable office job , a comfy little dwelling and a personal couch doctor , vitalik looks . . . see full summary »

it is a movie - riddle , a movie - joke , a movie - labyrinth . 4 parts and 4 travels to the sea , 4 crossed short stories : love , friendship , respect and cooperation . heroes of each of the short . . . see full summary »

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strong performances elevate this bleak portrait of special - needs education , russian - style . twitter

set in what looks like a pretty nondescript , typically cruddy - looking suburb that could be anywhere in russia , the story revolves around a large school incorporating both elementary and secondary school - aged children , a structure that could just as easily pass for a factory or a mental asylum . on her way to her first day at school , pretty 11th - grader lena ( maria poezhaeva ) , who has myopathy which confines her mostly to a wheelchair , and her mother ( natalia pavlenkova ) have to wait to cross a railway line . another teenager has been killed on the tracks , sounding a somewhat too obvious symbolic note of doom .

all the kids will soon be assessed at an upcoming , cross - body commission about whether they can be blended into the mainstream . some , like lena , hope this will be the case in order to improve her future job prospects , but others have given up all hope of integration .

at first , sparky , naturally defiant lena fits right into the core gang , who bring her along , despite her limited mobility , on their excursions to the railway tracks where they like to play games of chicken by lying down on the tracks and letting trains whizz over them . she , in turn , teaches them how to beg for money to buy booze and candy . although misha is clearly attracted to her , she soon pairs up with anton , but their budding romance creates jealousy in the group and sparks outrage among the adult world when the two are caught making out in the toilet and later are caught in flagrante delicto in bed by anton’s vilely prejudiced mother ( olga lapshina ) .

the third act takes a brutal turn , even judging by the standards of so - often relentlessly pessimistic russian drama . a cruel act of vandalism is swiftly followed by an attempted gang rape and beating and , just to top things off , the much - anticipated commission turns out to be an exercise in humiliation with the school authorities and medical professionals riding rough - shod over the wishes of parents and children .

even so , it’s refreshing that dmitri lanchikhin and tverdovsky’s script , freely adapted from a novel by ekaterina murashova , takes pains to point out that at least some of the adult figures aren’t completely callous . there are subtle hints that underfunding , poor training and the endemic xenophobia of russian society are the real villains here .

lena is immediately taken in by her new school friends , hanging out after school in scenes that capture the wild giddiness of teenage freedom . they scam money for snacks , hang out by the train tracks , flirt and tease and fight . their main hobby ( aside from bullshitting ) is tempting fate lying underneath oncoming trains ( the dead boy was one of them ) . they do it for the adrenaline rush , and the activity captures that razor’s edge between dangerous fun and outright body horror on which the film tiptoes .

lena is drawn to the handsome anton ( filipp avdeyev ) and first love blooms quickly . tverdovsky perfectly captures the headrush and raging hormones of teenage love . but their flowering sexual tension reverberates throughout the group , sending shockwaves that spur the gossipy vika and the brutish , violent misha ( nikita kukushkin ) , not to mention the parents and teachers .

the camera is a constantly roaming and immediate entity , in the mix of the group of kids at eye - level . the sound design also emphasizes the immediacy , the dialogue constantly overlapping and interrupting . the audience is positioned as a member of the group itself , privy to all the intimate moments , conflicts , slights , outrageous joy , and deep wells of darkness among them . the adults ( and it’s interesting to note it’s all women , there is but one male adult in the film , briefly ) attempt to exert moral superiority over the kids , but they are just as , if not more , chaotic and corrupt , their scolding and yells a cacophony that sometimes erupts in a flurry of slaps and smacks . lena faces outright discrimination at her school for her disability , from the very first second , as she and her mother fight their way through a crowd , up and down steps , scolded for being late by the very , very evil headmistress . lena is damned on all sides for her body : for its disability , and for its sexuality . she takes it with her head high , laughing in its face most days .