yenning amadi likla ( english : spring and dew ) is a 2007 manipur film directed by mankhonmani mongsaba and produced by survi ( santibala , sunitibala , umabati , saroja , victoria and ibemhal ) , under the banner of nongin films .

it stars muru and reshmi samom in the lead , with olen , laimayum ( o ) seema , mangoljao , daisy , hamom sadananda , lilabati , hemanta and abok pishak portraying supporting roles .

the story of the film was written by moirangthem inao .

the film was made in 16 mm and blown up in 35 mm .

yenning amadi likla got entry into the feature film section of the indian panorama of the international film festival of india ( iffi ) 2007 .

it was among 21 selected feature films .

yenning amadi likla

yenning amadi likla <EOT> rita banerji - # manipuri film ' yenning amadi likla ' on . . . | facebook

best of indian cinema film festival : yenning amadi likla - manipuri film is an event that took place on 13 - jul - 2014 in hyderabad .

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manipuri cinema made a comeback after several years with makhonmani mongsaba ' s yenning amadi likla in the feature film section of the indian panorama , along with 20 other films .

some men , of course , are moving with the times . working with women producers is enriching and exciting ,  says makhonmani mongsaba , the award - winning director of yenning amadi likla . the six women producers of the film , he says , were very disciplined and focused . their approach towards filmmaking was personal and not commercial .

‘yenning amadi likla’ is probably the only feature film produced in the state of manipur in 2007 . yet , it was selected for the indian panorama section at the international film festival of india ( iffi ) in 2007 . even more remarkably , it is produced by six female producers who had come together to make it at a shoestring budget of rs . 18 lakhs .

manipuri song . . yening amadi liklaa . . ( children film ) ho telang - ga . . mp4 / h264

but not everyone is in it for a quick buck . six women producers  saroja , shantibala , sunitibala , victoria , survi and umarani  are funding films because they want to focus on serious issues . in 2008 , they produced yenning amadi likla ( spring and dew ) , a film that dealt with the life of a poor child and a well - to - do childless couple . the film attempts to understand the mind of a child and underlines the importance of foster care ,  says umarani , also a social worker .

male filmmakers used to discourage me saying that this profession was not meant for us ,  says the producer of the critically acclaimed ahing amadi houkhrei ( night has gone ) and kubiba ( blessings ) . i have also received threat calls asking me to leave the industry .

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into the feature film section of the indian panorama of the international film festival of india ( iffi ) 2007 .

the last manipuri feature film which entered into the feature section of indian panorama of iffi was a . syam sharma ' s

( the grey mare ) in 1996 . union ministry of information and broadcasting yesterday announced the list of 21 feature films and 15 non - feature films selected for the indian panorama of the international film festival of india 2007 to be held in november this year at goa .

( along the way ) were among 15 selected non - feature films . selections were made out of 119 feature films and 149 non - feature films .

the jury of feature film was headed by ks sethumadaram and non - feature by arun khopkar . makhonmani mongsaba said that his film was about a story of a nature loving child who was neglected by his parents .

the film made in 16mm and blown up in 35mm was produced by six ladies namely umarani , saroja , santibala , ibemhal , sunitibala and victoria . in short , survi is the producer . moirangthem inao penned the story . umarani , one of the producers of the film said over phone that the film could not be shown in manipur unless the film was converted into video film .

she lamented over conversion of all the cinema halls in manipur into video halls . she asked how would manipuri films survive without cinema halls . mention may be made that manipur could not produce any feature films for the last many years .

according to the central board of film certification ( cbfc ) , no manipuri feature film was produced in the year 2006 . in place of it , 62 manipuri video films were produced during the year as per the record of cbfc . haobam paban kumar said that his manipuri film

produced by the satyajit ray film & television institute , kolkata was made in 35 mm .

the film scripted by m . k . binodini was about the story of a woman who searched for freedom .

shyam sharma ' s 35 mm film made in english was produced by the films division , mumbai and scripted by m . k . binodini and shyam sharma . shyam sharma said that the film was about the story of bhagyachandra who was one of the greatest vaishnav kings of manipur .

a versatile person of immense qualities , he was an expert war strategist who wielded his sword to defend his land and people , and yet an artistic genius of divine sensibilities who gave the world the classical dance of manipuri ras .

shyam sharma was also disappointed when his documentary could not be shown to his native people in his home state due to non - availability of cinema halls in manipur where all the cinema halls were utilized as video halls .

* manipur info centre provided this film review to the sangai express . this article was webcasted on october 23rd , 2007

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sanatomba is an imaginative , creative and a nature - loving ten - year old . he has simple wishes , like wanting to sleep beside his father , dine with him . but he cannot , because his father is a drunkard . he always comes home drunk , fights with his mother , and slaps sanatomba for going to school . the father himself doesn’t work , but he wants his son to work in a hotel and bring home some money so that he could waste it on alcohol .

the house runs on the shoulders of his mother , but even she cannot put up with the antics of the father . one day , she leaves them . she hopes that her husband would come to his senses in her absence . meanwhile , sanatomba is distraught at his misfortune and compares it with that of thambol , the daughter of a rich , well - to - do family next door . thambol tells him that she could sleep beside both her mother and her father , and that they both love her very much .

later in the movie , the problems associated with adoption are shown , when a childless couple come across sanatomba and wish to adopt him . not only is the acceptance of both the mother and the father sought , but more importantly , of that of the child , sanatomba , who wants to see his mother .

it is a simple movie which shows how domestic violence can trouble a child , and shows it from the child’s point of view . i personally feel that because the movie has been produced by women , it does show its effect on the final product . for once , in a movie , women take up center stage , and men are put behind . this movie kind of shows how it would be if women take up filmmaking .

considering the peculiar state of film production in manipur , women coming forward to produce films is all the more remarkable . there is no state support for filmmaking , and there are no cinema halls that project on celluloid in manipur . many of them have turned into shopping malls and schools . so , to actually make a movie , in a place where there are no cinema halls , is quite daring and for women to come together and do that is totally something .

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urikhinbam devita devi is home after a week - long shoot in tripura . but the manipuri superstar cant put her feet up yet . she has to get up at the crack of dawn for another bout of filming at kakching , 60 kilometres from imphal . devita , 25 , is racing against time to finish work on her second home production  gobrindage sarikmakhal ( sound of bells ) .

there is a reason devita would rather make her own films than work in others productions . i want to make meaningful cinema with women - centric roles ,  says devita who shot into fame as an actor in the 2008 film lakhipurgee lakhipyari ( lakhipyari of lakhipur ) .

like devita , more and more manipuri women are producing films . the manipuri film industry  locally known as mollywood  has so far been dominated by men . but in recent times , women have been seeking a toehold  and they are doing so by becoming producers .

in most of our films , the protagonist is a man ,  says devita . as a film producer , she feels she can change that . her 2008 hit echan , produced by her banner , ibhudhou thangjing film productions , also had a woman lead .

more than 20 of the 65 producers registered with the all manipur video film makers and producers association ( amvfmpa )  a federation of filmmakers  are women . and most of them are also successful actors .

some of the actors believe that film production is financially more viable than acting . new faces pop up every day and the bitter truth is that lead roles dont come after a point of time ,  says actor - producer saikham kamla , 24 . the best option is to become a producer to keep the cash registers ringing ,  says kamla , who formed her production house  sai media productions  two years ago after starring in over 120 films in five years . her debut production  nagsu mouni ( you are a woman too ) collected rs 6 lakh  almost double the sum she invested .

in some cases though , production is the way to finding fame as an actor . marina laihingbam was only 20 when she borrowed rs 4 lakh from her father to produce radha rani , six years ago . the film was a big hit and i earned six times the sum i had invested ,  says laihingbam , who has played the lead in eight other films she has produced so far .

another reason women are turning producers is that it doesnt take much to fund a film . compared to the big brothers  tollywood or the much bigger bollywood  the rs 4 - crore manipuri film industry runs on a small scale .

local film production picked up after the outlawed revolutionary peoples front banned the screening of bollywood films in 2001 by branding them obscene . more than 150 manipuri films are released every year . most are shot on digital tapes with budgets as low as rs 3 - 6 lakh .

in the initial years after the ban , manipuris focused on producing music albums . but in 2004 , a similar ban was imposed on music albums . since then , film production has boomed ,  says cinematographer l . surjakanta . though a large number of movies flop , youngsters still want to try their luck as even a moderately successful film can fetch them a profit of 20 to 30 per cent . in this poverty stricken state , filmmaking has become an option for earning quick fame and easy money .

the rs 18 - lakh film was critically acclaimed but a commercial dud . we couldnt earn more than rs 1 . 5 lakh ,  sighs saroja .

many of the women producers deal with issues that trouble manipuri society . sunitibala points out that the six producers future projects include films on issues such as militancy , drug abuse among youngsters and aids .

devita is planning a film on manipuri activist irom sharmila , who has been on a fast for the past 10 years demanding the repeal of the armed forces special powers act . but the film forum , a regulatory body that vets every project , has not given her permission yet for the film , she says .

another woman producer , bandana , complains that the state doesnt encourage filmmakers to focus on real issues . i wanted to make a film on growing prostitution in manipur but i didnt get permission to shoot in the red light area ,  she says .

while film production has become a career for young women in a state plagued by unrest and unemployment , the government has not been of much help to the industry . the 30 - year - old manipuri film industry , which has produced such gems as matam gee manipur , supports at least 10 , 000 families . but the film sector has been striving for a studio , film laboratory and post - production equipment . the lack of support from the government has led to a fall in the quality of films . more than 58 cinema halls are defunct now ,  says filmmaker salam birendra .

the women filmmakers also complain of gender bias . in this male dominated and conservative film industry , the sudden surge of women filmmakers is not welcomed ,  says diana potsangbam , a producer and the sole woman director in mollywood .

sociologists say it will be a while before female producers are accepted by their male counterparts as able professionals . even though women from all economic strata step out of their homes to earn a livelihood , there is barely any respect for them in our society . the film industry is no exception ,  says n . vijaylakshmi brara of the centre for manipur studies at manipur university .

amvfmpa chief ningthouja lancha says steps are being taken to encourage participation of women in filmmaking . we are organising special workshops . we would also like to propose to the state government that it provide them financial aid ,  he says .

for the present , the women are happy with the promises  and hope that they will lead to bigger dreams . i want to produce a bollywood film one day and get national recognition ,  says devita .

bollywood had better look out . in manipur , dreams often merge with reality .

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barco de isopor feito a mao passo a passo . the best homemade styrofoam boat

part : 1 part : 2 part : 3 part : 4 part : 5 part : 6 movie : numit lei cast : kaiku , gokul , sonia and jenita dire . . .

part : 1 part : 2 part : 3 part : 4 part : 5 part : 6 part : 7 part : 8 movie : amuk luhongba taraba cast : kaik . . .

part : 1 part : 2 part : 3 movie : western sankirtan cast : gokul , bonny , abenao and devita direction : l . prakash production . . .

when spring passed by our heart is filled with happiness & it is describe readily in this song from a girl ' s heart .

ddk imphal presents tribal folk song 1 . thadou folk song . 2 . thangkhul folk song . 3 . mao folk song . producer : thangkholet . . .

ddk imphal presents manipuri film song anchor : t . victroy compiled and produced by thoudam brajabidhu gist : this programme is based on . . .

ddk imphal presents teleplay | ningoldi phouham natte produced and directed by : m . kiran singh . gist : this teleplay greatly focus on women . . .

ddk imphal presents commission programme " thaklabi " producer : oken amakcham family teleplay .

ddk imphal presents short film " a hing ama " nt flims production production executive : ningthouja jayvidya production controller . . .

ddk imphal presents teleplay | asha ( imagination ) this episode are from sahitya akademi award winning book of short stories . . .

ddk imphal & aryan theater presents leipaklei | teleplay arambam samarendra ' s leipaklei produced by : kh . khenlendra .

ddk imphal imphal presents eshei gee tantha - artiste : solendro , ranbir thouna , prakash , nowboy , bir singh & bidyalaxmi .

ddk imphal presents a teleplay - " pension " ( sangeet kala sangam ) make up : w . deban costume : e . kesho assistant director : n . panchasila script . . .

camera - radhamohan asstt . camera - imomacha , bormani . surjit , dine asstt . director - rolivin , amarendra light - jayenta make up - bhogen , inaobi music . . .

ddk imphal and the rupmahal theater imphal present teleplay producer : kh . khelendra gist : this play is based on ethnic clash between . . .

ddk imphal presents young talent programme an interview with chingakham chanu lamnganbi bal shree awardee 2011 - 2012 . . .

singer : suren lyrics : henbisana music composed : bisho chanambam copyright : daddy mummy media .

its the first ever mixed martial art fight league of manipur organised by : kangleipak mixed martial art club track : diamond eyes [ ncs relaese ] music provided . . .

ddk imphal presents - mamigee khonthang episode - 34 part - i anchor : t . victory interviewer : th . brajabidhu interviewee : bala hijam camera : ak .

ddk imphal presents teleplay " awaiba shati " cosmopolitan dramatic union ' s produced by manibabu likmabam gist : this teleplay .

ddk imphal presents teleplay - anithokna chingkhainare thamoisi by the artiste of society theater producer : m . kiran .

ddk imphal presents hakshelgi paojel topic : yaa gi anabashing dr . n . satishkumar singh department of dentistry - jnims , imphal . . .

ddk imphal presents children variety programme by new public higher secondary school , khangabok .

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ddk imphal presents eishei gi tantha 1 . ukhrul da eigi thawai leihoure 2 . nangi nappada chinjage - lyric th . swaran kumar 3 . punshi sina ahangba . . .

ddk imphal presents lamjing - lamtak a career guidance anchor : s . chanchalkumari expert : narengbam rajivkumar principal , ire group of . . .

ddk imphal presents women programme an interview with sinam indrani devi national award to teachers - 2015 interviewer : daisy . . .

uploaded on 10th august , 2017 . find on . subscribe our channel to watch latest manipuri full movies . uploaded on 10th august . . .

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panaji , dec 3 : chinese film ' the wall ' , directed by lin chih ju , has won the golden peacock award for the best film at the 38th international film festival of india ( iffi ) , which came to a close today .

the awards were announced in the presence of the distinguished jury which comprised of hungarian filmmaker marta meszaros , noted argentinian filmmaker pablo cesar , new zealand director robert sarkies and one of india ' s most respected filmmakers shaji n karun .

noted bengali filmmaker buddhadeb dasgupta was the chief guest at the 11 - day festival which was inaugurated by bollywood superstar shah rukh khan here on november 23 .

though this year iffi had its share of controversies , it was still acknowledged as a smooth event and marked improvement over the previous years , both in terms of the arrangements and quality of films selected for various sections of the festivals and overall atmosphere .

the directorate of film festival received praise from no less a person than celebrated filmmaker adoor gopalakrishnan for giving ' a sort of character ' to it .

he , however stressed the need for handling it more professionally and promoting it more intensively to give it an international reputatiion .

in this context , it was learnt from official sources that the government was actively considering floating a body with members drawn from the dff , esg and other bodies concerned like the nfdc and films division , to handle the affairs of iffi throughout the year .

the new computerised ticketing system for delegates introduced this time was a success and helped in avoiding large queues .

however , friction betwen the dff , which is under the union ministry of information and broadcasting and the state government backed goa entertainment society in certain spheres , was evident .

the festival began with the screening of palme d ' or winning romanian film ' ' four months , three weeks and two days ' ' by c istian mungiu . malyalam film ' ore kadal ' directed by shyamaprasad had opened the feature films section of the indian panorama while ' bagher bacha ' ( bengali ) directed by bishnu dev halder was the inaugural film of the non - feature section of the festival .

during the festival , films by celebrated filmmakers from all over the world were screened .

among the highlights of the festival was the premiere of the amitabh starrer ' the last lear ' ( english ) dircted by noted bengali filmmaker ritupurno ghosh . the film has already been premiered in the toronto film festival .

pakistani film ' khuda kay liye ' in which naseeruddin shah makes a guest appearance , also evoked great interest among the delegates .

directed by shoaib mansoor , the thought - provoking drama focused on the dilemma of progressive muslims in the country because of their modern approach towards life .

apart from the first pakistani entry in the iffi in the competition section , georgia also made its debut in the prestigious event with its film ' svani ' .

this time 14 films , including two indian , from 13 countries , competed for the prestigious golden peacock award , which carries a medal and rs 10 lakh . the best director award went to pongpat wachirabunjong of thailand for his film ' me myself ' . a special jury award was shared by bangladesh film director golam rabanny biplab for his film ' on the wings of dreams ' and child artiste urbili for ' more than anything in the world ' .

the competition section had films from asian , african and latin american countries . they were ' on the wings of dreams ' by golam rabbany biplab ( bangladesh ) , ' me myself ' by pongpat wachirabunjong ( thailand ) , ' the debt ' by assaf bernstein ( israel ) , ' the satanic angels ' by ahmed boulane ( morocco ) , ' a ton of luck ' by rodrigo triana ( columbia ) , ' the postmodern life of my aunt ' by ann hui ( china ) , ' the wall ' by lin chin ju ( taiwan ) , ' olga , victoria olga time without time ' by mercedes farriols ( argentina ) , ' mas que a nada en el mundo ' by andrs leon becker ( mexico ) , ' cruel embrace ' by anuradha jaisinghe ( sri lanka ) , ' svani ' by soso and badri jachvliani ( georgia ) and ' ek nadir galpo ' by samir chanda and ' rathrimazha ' by lenin rajendran ( both from india ) .

the hindi cinema was represented by ' dharm ' directed by bhavna talwar and ' gafla ' directed by sameer hanchate .

as a special tribute to noted film directors tapan sinha and vijay anand special retrospectives of their films titled ' lest we forget ' and ' an eternal romantic - - vijay anand ' , were screened , besides retrospectives of ingmar bergman and three landmark kannada films by a generation of filmmakers inspired by a literary movement ' navya movement ' in kannada languages , also called the ' literary modernism will ' .

the festival also screened films as a homage to veteran music director op nayyar , marathi actress vanamala devi , renowned cinematographer k k mahajan and veteran manipuri director aribam syam sharma ' s film ' ishanou ' .

celebrated malyalam director adoor gopalakrishnan ' s films featured in the master classes section of the festival .

in addition , three films curated by the goa government and four by the films division were screened in celebration of the 60th anniversary of the country ' s independence .

the festival also had four films on aids awareness directed by noted filmmakers mira nair , vishal bhardwaj , santosh sivan and farhan akhtar in the film india worldwide sectiion introduced in the festival for the first time .

apart from this , aribam syam sharma ' s 58 - minute documentary ' ' rajarshi bhagyachandra of manipur ' ' and haobam paban kumar ' s 19 - minute short fiction ' ' ngaihak lambida ' ' were among the 15 non - feature films .

similarly , the absence of bollywood megastar amitabh bachchan at the special screening of his first english film ' the last lear ' also raised eyebrows renewing speculations about the continuing reported confrontation between the legendary actor and the central government . however , information and broadcasting minister priya ranjan dasmunsi wondered why the issue was raised in the media .

' ' amitabh is an icon and the face of the indian film industry in india and abroad . he was honoured with a national award for his performance recently , ' ' he said .

while the dff maintained that the cast and crew of participating films in the festival were always welcome and did not need special invitations .

the festival passed off peacefully except for a women organisations ' demonstration in goa against the sale of liquor on the festival premises including setting up of a media lounge by a well known liquor brand for making available hard drinks free of cost to journalists . the media lounge was closed after protests from the goa union of journalists ( guj ) .

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wedding pullav is an indian romantic comedy film , directed by binod pradhan and produced by shashi ranjan and anu ranjan .

the film stars debutants kannada actor diganth , anushka ranjan and sonalli sehgall in lead roles .

the film was released on 16 october 2015 .

wedding pullav

wedding pullav <EOT> wedding pullav ( 2015 ) – downloadming . se ( 128 kbps ) . zip

wedding pullav ( 2015 ) – downloadming . se ( 320 kbps ) . zip

' wedding pullav ' has no similarities to ' mere yaar ki s . . .

verdict : wedding pullav is badly cooked . dig into it at your own risk .

" wedding pullav " cast graced the 11th edition of glitter 2015 , a bridal lifestyle exhibition .

anushka ranjan wedding pullav 2015 movie full star cast & crew - mt wiki providing latest update wedding pullav film story , release date , budget , actress , actress , songs list , poster info .

home > movies > movie reviews > wedding pullav movie review : not only banal but tiresomely . . .

wedding pullav is a dish that is best avoided as it is bound to leave a bad taste . . .

“wedding pullav” actors anushka rajan , diganth manchale and karan grover graced the 11th edition of glitter 2015 , a bridal lifestyle exhibition .

wedding pullav is an indian romantic comedy film of 2015 , directed by binod pradhan and produced by shashi ranjan , anu ranjan .

wedding pullav movie budget , collection , profit , loss and status hit or flop report ? . mt wiki providing latest hindi film wedding pullav box office collection with its cost box office verdict ( hit or flop ) , record breaking , highest opening of 2015 .

@ _ karanmehra @ karanvgrover22 @ anushkaranjan all the best karan grover and anushka ranjan for your movie " wedding pullav " good luck .

“wedding pullav” actors anushka rajan , diganth manchale and karan grover graced the 11th edition of glitter 2015 , a bridal lifestyle exhibition , here .

it was only after considering a couple of ideas that anushka and ranjan settled on wedding pullav , which was earlier titled as a love story .

wedding pullav seems like a never - ending wedding video of an acquaintance , you feel nothing for . it ' s loaded with mandatory party / wedding songs , honeymoon jokes , friendly banter , mummiji ' s drama , et al . what the film lacks is heart and scrumptious food !

wedding pullav shows the story of two best friends diganth and anushka ranjan who are in love but they themselves are unaware of it . when anushka is invited to attend the wedding of diganth . . . see full summary »

young people in love , their mulitple confusions , lifelong friendships , family ties , indian values – all this is integral to wedding pullav , added ranjan .

@ _ karanmehra @ karanvgrover22 @ anushkaranjan aww pic all the bst fr the wedding pullav wish the film goes supr hit gud luck . . . ) )

if you are expecting novelty , go to the next screen . with ' wedding pullav ' , all you get is predictability mixed with unpalatable execution . with no distinct taste or flavour , this film makes for a huge disappointment - an indigestible pullav

‘my best friend’s wedding’ . ‘mere yaar ki shaadi hai’ . and the many other variants of this old , old theme—old pals discovering non - platonic feelings for each other at their wedding – flash through your head as you sit through this ‘pullav’ .

check out the title track of wedding pullav starring anushka ranjan , diganth manchale , karan grover & sonalli sehgall . music - salim - sulaiman singers - arijit singh & salim merchant lyricist - irfan siddiqui music is available on urltoken to catch more of wedding pullav , subscribe to zee music company by clicking the link below urltoken zee music company

, this new addition to b - town wedding kit doesn ' t fit .

plot thingie where best buddies discover special feelings for each other at their wedding .

wedding pulav is unappetizing . old ideas badly executed leads to this banal fare !

wedding pullav movie review : rishi kapoor , who can be relied upon to save sinking ships , has not one ounce of spark or novelty . everything is predictable in the movie .

while anushka and karan make their debut with wedding pullav , diganth is a star down south with quite a number of kannada films in his kitty . “mainstream bollywood was always on my mind and i decided to give it a shot after signing this film , ” said diganth , who will be essaying the role of a delhi guy and superbike designer in wedding pullav .

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wedding pullav couldn’t grow at all on saturday . with first day being disastrous , the second day wasn’t any better . the film has managed less than 50 lakhs in its first two days .

in chandigarh to promote his latest film as a producer , wedding pullav , shashi ranjan was accompanied by his daughter anushka ( who debuts in the film ) and actors diganth manchale and karan grover .

two best friends decide to get married but not to each other ! moreover , their wedding destination happens to be the same . friendship gets confusing and love gets complicated at this one destination wedding !

the writers shashi ranjan , pooja verma and rahul patel ' s adamant refusal to innovation , proper characterization and treatment to story that urgently demands an icu turn wedding pullav ( whose title is this ) into a misery .

“somehow , wedding pullav had a more quirky and fun vibe to it and so we registered that , ” said anushka , who will be seen as a tomboy marking her attendence at her best friend karan’s ( diganth ) marriage .

last weekend saw release of ' ' wedding pullav ' ' which marked debut of anushka ranjan along with star from south dignath . film also marked directorial debut of ace cinematographer binod pradhan . film was released by eros international and produced by shashi ranjan .

wedding pullav is an upcoming bollywood movie in 2015 , it is romance film and anushka ranjan , rishi kapoor , satish kaushik in lead roles . this film is directed by binod pradhan and produced by shashi ranjan . it is made under the banner of gr8 entertainment .

with pyaar ka punchnama 2 ruling the box office , it has been pretty much a one horse race in theaters . combined collections of another new release wedding pullav and holdover releases jazbaa , singh is bliing and talvar is just around 2 crore which pretty much tells the tale .

wedding pullav movie review : everything is predictable . these are new faces , and yet everything they do smacks of staleness . overused themes can be infused with freshness only if the treatment is right : here , all elements are borrowed from older films and used so clunkily as to extinguish all freshness .

wedding pullav shows the story of two best friends diganth and anushka ranjan who are in love but they themselves are unaware of it . when anushka is invited to attend the wedding of diganth this love confusion further increases . on one hand diganth is jealous with anushkas boyfriend while on other side anushka do not like diganth to marry another girl whom she initially praises . the story then moves to a stage where they know their feelings but not sure what to do next .

wedding pullav shows the story of two best friends diganth and anushka ranjan who are in love but they themselves are unaware of it . when anushka is invited to attend the wedding of diganth this love confusion further increases . on one hand diganth is jealous with anushka ' s boyfriend while on other side anushka does not like diganth marrying another girl whom she initially praises . the story then moves to a stage where they know their feelings but not sure what to do next .

watching wedding pullav is an experience so traumatising that it’s likely to keep the viewer off weddings and pullavs for months after leaving the theatre . the film’s essentially my best friend’s wedding meets jaane tu… ya jaane na — a tale of two best friends discovering their love for each other , almost when they’re married to other people — but told so amateurishly that one wonders how the cinematographer of films like rang de basanti , devdas and munna bhai m . b . b . s could have made such a film .

the exhibition will have some of the leading jewellery and fashion brands showcasing an exquisite range of designed wedding , cocktail and contemporary jewellery design and couture , all under one roof .

revamped , this pulav is probably the most stale wedding dish you ' ll have ever . the film follows the standard punjabi wedding film template to the t , then giving it the cliched ' pyaar dosti hai ' twist to infuse novelty . the end result is so bland , predictable and juvenile that you ' ll probably hate the joy of weddings or the concept of love altogether .

the film follows the mantra that as long as there is wedding shedding , naach - gaana and love shuv in the movie , it doesn ' t matter if the story is utterly predictable and done - to - death .

wedding pullav is not only banal but it ' s tiresomely boring cause it fails to get the audience to identify , like , sympathize with the lead characters aadi ( diganth manchale ) who is getting married to rhea ( sonalli sehgall ) . his best friend anushka ( anushka ranjan ) is going steady with london based painter jay ( karan grover ) . a decision to get anushka married with jay along with aadi and rhea lands jay in thailand and the woes of the audience never ends .

it is a misnomer , though . ‘pullav’ , a well - made one at any rate , is meant to be seasoned with the right condiments and presented with every rice grain separate , fluffy and aromatic . this one is more like an overcooked ‘khhichdi’ , where everything slops into each other . the result is most unappetizing .

click to subscribe : urltoken show - ptc showcase guest - anushka ranjan , diganth , karan v . grover and shashi ranjan ( producer ) interview with anushka ranjan , diganth and karan v . grover in regards to the upcoming film “wedding pullav” . anushka ranjan , diganth and karan v . grover is talking about their experince in bollywood film . anushka ranjan , diganth and karan v . grover speaks about their experience during film shooting , about film music . talking about film direction , film script n dialogues and shashi ranjan ( producer ) is talking about different film subject in bollywood and talking about co - stars in film .

while at the outset , wedding pullav seems like a mere yaar ki shaadi hai déjà vu , ranjan said it has its share of twists and turns . “one may compare and be critical too , but the reason i chose to produce a love story is because bollywood needs one . in the recent years , all we’ve got is action masala flicks with set formulas and item numbers in the name of music . one misses the shayari , the poetry , the range of emotions a love story provides . for instance , kuch kuch hota hai was a simple romantic film , but it was the treatment and the music that set it apart , ” said ranjan .

how about going a little deeper into the minds of the people they seem to be trampling over ? how about a backstory of how they became such good friends ? how about a few jokes to make the proceedings a bit more bearable ? it’s sad to see all these young actors in a film with so little inventiveness . in its present state , i would prefer hunger to this pullav .

so , what was to be the story of the wedding of aditya and ria also becomes about anushka and her painter boyfriend ‘j’ , when aditya suggests that both couples get married together in thailand . as the film meanders through one wedding function to another ( they even manage to weave in karva chauth into this ) , it becomes clear to aditya and anushka that they are more than just friends ; and yet , they never seem to open up about it and let us go home soon . at this point , their love story becomes obvious to their friends , parents , relatives , the hotel’s general manager and perhaps even matt damon sitting on mars . yet they keep dragging it , so anushka gets a chance to use up her wardrobe budget and wear a dress in every colour .

dimpled groom ( diganth manchale ) and pretty bride ( sonnalli seygall ) and their families - and - friends go off to a thai resort for a destination engagement - karvachauth - sangeet - wedding . manchale’s best friend , played by anushka rajan , is along . so is her fiancé ( karan grover ) . passion is kindled . tears are shed . confusion is confounded . and the two meant for each other are united .

shot in picturesque thailand , we wish the film had a stronger content and some substance . you don ' t relate to or feel for any character or their dilemmas . when friends fight , they randomly take off to london . also , while everybody keeps harping on love and friendship , they fail to evoke any form of emotion . all you see is actors with zero chemistry and acting skills singing songs , dancing , strolling on the beach , flaunting fancy wedding clothes and bikinis , flashing dimples and spouting gyaan on marriage .

shashi ranjan , who founded the indian television academy with his wife anu , made shows like guftagoo and jeena isi ka naam hai .

shashi ranjan said : “binod and i have been together at ftii . not many know , but three of the haryanvi films that i had made back in the eighties , had binod as the cameraman . ” ( express photo by sahil walia )

romeo - juliet , shirin - farhad , sohni - mahiwal… all love stories are the same . the lovers meet , separate and finally unite . its what happens in between , the situations that cause the tension , the chronology of events that weave these three stages makes one love story different from another , ” said ranjan .

ranjan , who founded the indian television academy with his wife anu , made shows like guftagoo , jeena isi ka naam hai and others and films like siyasat .

anushka added that it was her bestie , alia bhatt , who has been pushing her to act and continue with the ‘nautanki’ .

anushka was joined by her ‘fiance’ jay ( grover ) . “an artist who paints nude forms is madly in love with anushka and is intense and fun loving at the same time , ” said grover , who makes his film debut after reigning the small screen for the past 10 years .

the filmmaker along with satish kaushik will soon announce two haryanvi films . these films will be made in bollywood style , said ranjan , who has made four haryanvi films , including bahu rani starring actress bhumi pednekar’s mother , sumitra hooda . “haryanvi cinema is missing government support , tax exemption and assured shows in cinemas . haryanvi films will flourish in the true sense only if these issues are addressed . we will also talk to the government . but in either case , we will make films with or without its support , ” said ranjan .

jaskiran kapoor jaskiran kapoor is a columnist with the indian express . . . . read more

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hai . . thanks to the treatment which borrows from every hook and corners of bollywood . hud hud .

even a cliched set up if given an innovative treatment works . the makers should refer to examples set by mr . imtiaz ali who has rekindled his love sagas with desired effects .

veteran binod pradhan should come with a better script with a title that justifies and explains the story line to showcase his directorial talents .

even the performance by lead dignath , including the debutant anushka , sonalli sehgall , karan grover are uninspiring .

veterans satish kaushik , parmeet sethi , kitu gidwani and himani shivpuri all are wasted . salim - sulaiman ' s music has nothing to take home .

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jazbaa stayed brought in around 95 lakhs on saturday . the film has so far collected 23 . 3 crore .

talvar added another 70 lacs to its kitty and stands at 27 . 15 crore currently .

singh is bliing is almost through with its theatrical run . with minimal collections on friday and saturday ( around 75 lakhs ) , the film stands at 90 . 25 crore

if one discounts pyaar ka punchnama 2 then by and large it has been a very poor weekend at the box office . daily capacity in theaters screening hindi films is over 50 crore and to have just around 10 crore come in ( from films playing currently ) pretty much conveys that overall occupancy is just 20 % .

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rahul rawail was to direct the film . on that basis rishi kapoor signed the film . rahul then had a huge fight with the producers and left the film . binod pradhan was then signed to direct the film . rishi kapoor also wanted to leave the film since his friend rahil rawail was now not doing the film . the producers pleaded with rishi to stay in the film .

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renuka vyavahare , tnn , updated : apr 18 , 2016 , 07 . 40 pm ist

anushka aka lambu ( anushka ranjan ) and aditya ( diganth manchale ) are ' best friends ' ( think shah rukh - kajol in kkhh or julia roberts and dermot mulroney in mbfw ) . they ' ve always loved each other but realise that they are in love with each other when they are on the verge of getting married to other people . anushka gets engaged to jai ( karan grover ) and aditya to ria ( sonalli sehgall ) . can the two make up their minds for good before things get too far ?

character . he doubles up as the hotel manager / love guru / agony aunt , who only makes an appearance to give unsolicited advice . he is still the only bearable aspect of this shaadi .

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and rishi kapoor , who can be relied upon to save sinking ships , shows up as the resident love guru , and is made to play it just like the film : with not one ounce of spark or novelty .

shubhra gupta shubhra gupta is film critic and senior columnist with the indian expr . . . read more

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awesome movie . . . awesome starcast . . hats off to anushka ranjan ji . . . keep smiling always

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@ _ karanmehra @ karanvgrover22 @ anushkaranjan karan . . u looking perfectly perfect as always

@ _ karanmehra @ nisharawal gud nght to my cutst couple karnish swwt drmz . . . sleep well n tight hugs to u bth luv u karnish

@ _ karanmehra @ karanvgrover22 @ anushkaranjan bestest luck team # weddingpullav . u guys get grt success n good wishes !

@ _ karanmehra wl v gt 2 see any naksh romnce on cmng rasms of wdng ya sirf ye disgustng drama hoga ? v don ' t lyk thz at all .

@ _ karanmehra @ karanvgrover22 two handsome & charming karan & beautiful @ anushkaranjan . . good luck for # weddingpullav

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film had huge cost of around 10 - 12 cr and all that will be washout as it will fail to recover even print cost . epic disaster !

film had decent cast including rishi kapoor , himani shivpuri and good release but film was non starter . film was released in 200 screens but it collected poor 7 lakhs nett on day one and 21 lakhs nett in 1st weekend . film collected 47 lakhs nett over weekend and will finish with 50 lakhs nett lifetime total .

' with his budget , profit and hit or flop status at mtwiki . blogspot . com . also including of the film lead star cast : - anushka ranjan , diganth manchale , karan grover , rishi kapoor .

synopsis : it is releasing on nearly 2500 screens in india , film is released on 16th october , 2015 .

the box office report of according to news , media and mt wiki research .

jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .

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