carancho is a 2010 argentine crime film directed by pablo trapero and starring ricardo darín and martina gusmán .

it was entered into the un certain regard section of the 2010 cannes film festival .

the film was selected as the argentine entry for the best foreign language film at the 83rd academy awards , but it did not make the final shortlist .

carancho

carancho <EOT> carancho is a gritty but melodramatic argentinian love story with a hollywood - ish air .

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carancho begins to accelerate with alarming speed - and doesn ' t stop until the startling , bitterly ironic final frame .

producer martina gusmán stars with ricardo darín in carancho : ‘its atmosphere is as thick and rancid as something ejected by a garbage impactor . ' photograph : rex features

“carancho” does many things correctly . the acting is relatively convincing , the cinematography is clear and the editing is in no way jarring . like any thoughtful film , protagonist lujan undergoes strenuous character development . yet to give “carancho” a good rating based on these credentials alone is like rewarding a student for doing their homework . completion is required and expected , but it is the quality of the work that warrants the grade .

atmospheric , stylish and appealingly bleak , " carancho " suffers from a storyline that ' s less impactful than it should be . it has all the pieces to be a great film , but they don ' t quite come together .

the interesting thing about this film is that it wouldn’t work well for hollywood , either . despite cheap thrills , it also manages to be excruciatingly slow , which is admittedly somewhat impressive : the worst of both worlds , really . it does not examine issues in and of themselves . the basics are there , but for those attending the portland international film center to see out of the box , perspective changing , cinematically evolved film , “carancho” should be avoided . the film has so much potential . the original premise is strong and multiple themes arise . only minor mistakes are committed . but there are so many minor mistakes that “carancho” essentially fails to win admiration . superficial , slow and predictable , “carancho” is not worth the time nor the money . ?

for 95 % of the film , carancho is a taut noir drama with interesting social criticism and well - rounded characters . then , for 5 % it’s a complete mess that loses the reality the rest of the film is set in . this mixture is still worth watching , especially since without everything that came before it the end of the movie wouldn’t make a bad short on its own . but it hampers carancho enough that it’s hard not to reappraise the rest of the film in light of it—all those sutures that trapero and darín put into its plot seem to come right out and the clumsiness of the writing reasserts itself . so the movie’s recommendation has to come with a grain of salt , but most of carancho is still intelligent and thrilling enough that it’s work ignoring the end .

carancho opens with a series of black and white photos of a car crash – shattered glass , tangled metal , a lifeless arm – instantly setting the tone for this film . it’s a pacy , sharp - edged drama with elements of a thriller , focussing on the horrifying ubiquity of traffic accidents in modern day buenos aires ( there are over 8000 deaths in argentina every year ) and the lives of those people who are there to clean up – or in some cases , profit from – the mess . the film’s interesting premise is propped up by taut direction and excellent , powerful performances from its leads , but carancho is let down by an ending that smacks of a lazy hollywood thriller .

argentina’s roads are like any : busy , loud and dangerous . pablo trapero’s film “carancho” takes viewers into the lives of people who know just how dangerous the roads can be . meet lujan ( martina gusman ) , a doctor who treats traffic accident patients , and sosa ( ricardo darin ) , a malpracticing attorney who scams victims out of insurance money .

carancho ( named after the vultures that chase ambulances and try to profit from the misfortunes of those caught in traffic accidents ) is an argentinian noir thriller about such a ‘vulture’ and his tentative relationship with a drug - addicted paramedic . both characters are trying to escape their situations yet their worlds , full of violence and corruption , are prisons neither can free themselves from .

a hard hitting neo - noir with a message . ricardo darin is a carancho . which also translates to " vulture " or a counselor . someone who benefits off the misfortunes and tragedies of traffic accidents . he meets a young female doctor and their is instant attraction . however , his dark , shady lifestyle can ' t seem to leave him behind and the men he works for won ' t let him walk out so easily .

keeping carancho from true greatness , though , is an ending that’s as ham - fisted as anything that’s been filmed and manages to undercut pretty much everything that came before it . suddenly the picture becomes obnoxiously didactic and reduces its characters to just toys for its screenwriters . while the sequence is undeniably virtuosic from a technical standpoint , it’s a disaster in every other way . i’ve rarely seen a movie with an ending this bad in my entire life .

in carancho the hospital is overworked and the doctors are exhausted . not only are the lawyers and their clients corrupt , but of course so are the police officers and doctors ( and it’s implicit that the actual insurance agencies are at least as bad ) . darín’s performance in particular helps the film out with its tone of dark realism , presenting a hero who’s interested in doing the right thing but left with a world so bleak that attempting to do so is virtually suicide .

carancho has been on my watchlist for years and what a disappointment . yesterday i watched on body and soul , a very different and ever - so - patiently characterised film and a romance of small gestures . seeing this the following day , a film in which the romance that is at the core of the story is so complicated it could be written - in full - on the back of a post - it note . this supremely shallow film made all the more flimsy by the context in which i watched it .

in the last twenty minutes the film hurtles – almost like a careening car , if we’re going to get deep here – towards a swift , dissatisfying conclusion . ultimately , trapero betrays his characters by removing their autonomy and transforming them into objects moved along by currents they can’t control . it may be a comment on the futility of attempting to live for yourself in a world which seeks to drag you down , but the ending to carancho feels less like a piece of social commentary than a sleekly filmed , somewhat empty final flourish designed to shock , in the vein of the most cynical hollywood blockbusters .

" hopeloos vechten tegen de bierkaai , zo valt de ‘strijd’ van sosa en luján te beschrijven . zie maar eens te overleven in deze door en door verrotte maatschappij . ‘carancho’ blinkt over de gehele linie uit qua acteerprestaties met garin , die nog altijd geen gehoor wenst te geven aan de lokroep uit hollywood , en gusman als zeer overtuigende hoofdrolspelers . je zou de film kunnen zien als een ode aan de onlangs overleden zuid - amerikaanse schrijver gabriel garcia márquez : liefde in tijden van cholera . twee geliefden die zich hardnekkig aan elkaar vastklampen in de hoop op licht aan het einde van de tunnel . geen lichte kost , maar verplicht kijkvoer ! "

the titular vultures of carancho are the ambulance - chasing lawyers who fleece personal injuries victims out of their money . they also , we soon learn , set up many of those injuries themselves , and this problem is something of an epidemic in argentina—at least according to the films opening titles , which explain that the country has over 8 , 000 traffic deaths a year . sosa ( ricardo darín ) has been working for a personal injury attorney ever since he lost his license , but he’s about to get it back and wants to return to practicing law ethically . before it comes to that , though , he meets luján , a doctor working as a paramedic , and the two fall in love . but sosa knows too much about this insurance fraud scam , and his old boss isn’t above attacking sosa wherever it hurts most to keep him from ratting on the operation .

the first plot twist is horrifyingly entertaining . the second plot twist is okay , too . but after the third , fourth and fifth major turns of the story , audiences are desensitized , annoyed and expectant . i knew exactly how the movie was going to end before i watched it , so chances are you will too . “carancho” is ruined by this desperate attempt to create interest in , ironically , what could have been an emotional and developed film . trapero can’t seem to get enough of cheap shock value . a seemingly complex addition soon becomes submerged by other incoming dramatic elements . for instance , ( minor spoiler alert ) it is revealed that lujan shoots heroin . trapero’s superficial attempt at revealing the troubled nature of lujan’s character adds absolutely nothing to the film . it does not progress the plot but merely makes a mockery of an otherwise emotional film as it raises such an important issue but gives it no attention .

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in argentina over 8 , 000 people die in traffic accidents every year . behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes . sosa is a . . . see full summary »

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in argentina over 8 , 000 people die in traffic accidents every year . behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes . sosa is a lawyer who tours the a & e ; departments of the public hospitals and the police stations in search of potential clients . luján is a young doctor recently arrived from the provinces . their love story kicks off one night when luján and sosa meet in the street . she ' s trying to save a man ' s life ; he wants him on his client portfolio .

official submission of argentina for the ' best foreign language film ' category of the 83rd academy awards in 2011 .

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sosa ( ricardo darín , the secret in their eyes ) is an ambulance - chasing personal injury attorney with questionable ethics . lujan ( martina gusman , lion ' s den ) is a young , idealistic country doctor new to the city . after lujan and sosa ' s paths repeatedly cross , the two form an unlikely romance that is threatened by sosa ' s turbulent past . with traffics accidents as the number one cause of death in argentina , bodies are currency and a black market strives to get rich from the personal tragedies that literally litter the streets . - - ( c ) strand

the argentinean actor ricardo darín ( the secret in their eyes ) has an almost bogart - like gift for playing world - weary rotters with a core of nobility .

this is a film that ' s musical with the cracking of bones and crashing of cars .

a no - frills version of a perennial dark story : how love of a sort can take root in a festering place .

a stark , compelling crime drama , shot in lurid close - ups and leading inexorably toward a devastating end .

[ ricardo ] darín ' s performance is sleek and truly moving . [ full review in spanish ]

trapero is a force , as both a director and a producer , in argentina ' s exploding though financially strapped film industry .

what starts as a slow - burning series of minor dramas slips into a high - octane gear in the final act .

the statistic that 8 , 000 argentinians die in traffic accidents every year gives his film a context , but trapero didn ' t need to work quite so hard to prove it .

a spectacular thriller , gripping , visceral and directed with an intense realism by trapero , who uses a handheld camera and long takes to simulate a documentary style and keep the audience incredibly tense - and the last scene is fulminating , almost driving the viewers to a heart attack .

perhaps the fall - spring relationship doesn ' t quite work but carrancho is an interesting character sketch of a horrid character . how far will he go to profit at his trade ?

very well done . interesting storyline . rather gritty , which always attracks me . i have to say . . . ricardo darin is becoming one of my top favorite spanish actors . just about everything i have seen him in i have liked .

low - key is far from trapero ' s esthetic , of course , and as co - editor he injects the film with the pummeling rhythm of a heavy metal session . punishing for some , it could be just the cup of tea for the young male demographic .

added value comes from leading star ricardo darin - - whose " the secret in their eyes " won this year ' s foreign - language oscar - - as a legal vulture who wants to get out of the business after he meets straight arrow martina gusman ( the film ' s executive producer ) in the role of an er medic . it ' s a nice , modern twist on the flatfoot who falls for the blonde of yore , and trapero ' s muscular filmmaking keeps the love story fast and fresh .

it ' s the film ' s dark violence , however , that will either sell tickets or turn viewers away , and those who enjoyed the morbid atmosphere of david cronenberg ' s " crash " should take a look . the film opens with a beautifully edited , stop - motion sequence of a car accident and the information that 8 , 000 argentines die on the road each year . they don ' t all have decent accident insurance , and that is where hector sosa ( darin ) comes in . his craggy face , made even tougher wearing a crew cut , reacts to police radio reports of a crash and he speeds off in pursuit to help the survivors land their claims with their insurance companies .

the " foundation " he works for is charitable only to themselves , appropriating the lion ' s share of the claims they handle . the dark , seedy office is right out of the 1940s , like the hard - nosed bruisers who run the joint . it would be interesting to count the number of times sosa gets brutally beaten up in the film , afterwards pretending nothing happened as he wipes the blood from his face .

complications arise when he meets lujan ( gusman ) , an innocent - looking young doctor who works the night shift on ambulance duty . she brushes him off but he won ' t take no for an answer . their relationship is earthy and real , grounding the violent story in believable human emotions .

crash after crash , cpr after iv , the victims of road accidents keep pouring into the run - down hospital where lujan works , littered with garbage and smeared with blood . she keeps herself on an even keel shooting up in the bathroom ; when sosa finds out she ' s a junkie , he takes it in stride . his heart of gold makes him want to help some of the accident victims , while earning a little money on the side . this leads to a conflict of interest with his employers and to a dramatically over - the - top finale that goes too far to be satisfying .

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in argentina , more than eight thousand people die every year in road accidents . behind every tragedy there is an industry , supported by the compensations of insurance companies and the weakness of the law . sosa , is a lawyer who moves through emergency rooms of public hospitals and police stations in search of potential customers . luján , is a young doctor from the province . this love story begins the night luján and sosa meet on the street . she ' s trying to save a man ' s life ; he ' s trying to turn him into his customer .

in argentina , more than eight thousand people die every year in road accidents . behind every tragedy there is an industry , supported by the compensati . . .

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in argentina over 8 , 000 people die in traffic accidents every year . behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes . sosa is a lawyer who tours the a & e departments of the public hospitals and the police stations in search of potential clients . luján is a young doctor recently arrived from the provinces . their love story kicks off one night when luján and sosa meet in the street . she ' s trying to save a man ' s life ; he wants him on his client portfolio .

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here are 8 , 000 deaths and 120 , 000 people injured on argentinian roads every year . the statistics are worse , i ' m told , in some other countries and insurance companies are being shaken down all round the world . but apparently in deeply corrupt and unjust argentina a sizable industry has grown up to exploit these accidents , involving the victims , relatives of the dead and maimed , lawyers , the medical profession and the police . this is the background to the latest movie by pablo trapero , one of the leaders in the recent resurgence of latin american cinema .

in a beautifully staged sequence , sosa and luján meet in the sodium - vapour lighting that illuminates the lurid night streets of buenos aires . as she gets him to help with her latest patient , she has trouble identifying his role . is he , as his battered , bleeding face suggests , another victim ? or is he , as his professional confidence implies , some kind of official ?

punishment of a physical and mental kind is never far away in a trapero movie . as it ' s unavoidable , the test is whether you can find the stoicism and grace to confront and overcome it . his film is claustrophobic , largely set at night and in life ' s darker corners , and the atmosphere is as thick and rancid as something ejected by a garbage impactor . the film ' s plotting is at times ragged and muffled , though this might be intentional , a way of suggesting the endless ramifications of the endemic corruption . the performances , however , have depth and resonance .

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sosa works for " the foundation , " a law firm specializing in compensation claims for the victims of car accidents . his firm collects the bulk of the premiums and pays out crumbs to the victims , who are carefully kept in ignorance of their rights . at the scene of an accident he ' s just orchestrated so that a client can receive compensation , sosa meets lujan , a young female doctor exhausted by inhuman working conditions . their romance inspires him to return to an honest law practice . when a customer is killed in another " false accident , " sosa pays all the compensation money to the widow , rather than to his boss , thereby earning the wrath of the latter . following a bus accident , sosa informs the relatives of the victims of their rights , putting himself and lujan in danger .

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director : pablo trapero writers : alejandro fadel , martin mauregui , santiago mitre , pablo trapero cinematographer : julián apezteguia starring : ricardo darín , martina gusman , carlos weber , josé luis arias studio / runtime : strand releasing / 107 min .

it’s a noir - ish plot and director pablo trapero makes the most of it , drawing out great performances and coupling them with beautiful camerwork . some of the actual writing for the film is clumsy , and dialogue can be painfully expository at times , but trapero’s tight control of the camera manages to play these problems off and soon enough the characters and their increasingly impossible predicaments are driving the story on their own . while many of the film’s foundations will be familiar to any fans of crime television shows , the craft at work here is strong enough to make overlooking these shortcomings easy .

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argentina’s pablo trapero makes terrific , texturally rich films which tell us all sorts of things about what life in his country is like . compared with el bonaerense ( about buenos aires’s notoriously corrupt police force ) and the women’s - prison drama lion’s den , his latest is more pungently melodramatic , which isn’t wholly what the doctor ordered .

the love story between ricardo darín’s ambulance - chasing lawyer and martina gusman’s young medic , well - played by both , nonetheless has a hollywood - ish air that sits oddly with the gritty plot . we’re headed , by the end , for a literal pile - up : the statistic that 8 , 000 argentinians die in traffic accidents every year gives his film a context , but trapero didn’t need to work quite so hard to prove it .

in pictures - the story of love and romance : from adam and eve to tinder and chemsex . compiled by martin chilton

at first , the couple , whose affair begins instantaneously , seems mismatched . through the course of the film , however , viewers learn that appearances can be deceiving . as sosa’s dreams of a “peaceful” job and lujan’s self - destruction unravel , the two become inseparable .

the unconventional casting is a minor annoyance . gusman , who looks like she just graduated high school , is far too young to play a convincing doctor . as such , darin embodies a creep more than sweet lover , making scenes of affection unbearable to watch—not to mention that the sex scene is unnecessarily long and quite frankly , disgusting ( no offense , darin ) . the fact that sosa is three times lujan’s age is never an issue in the film . trapero should keep in mind that literary and cinematic classics , “lolita” being a good example in this case , revolve around one issue and all of its complexity instead of skimming a lot of them . a mature and contemplative audience yearns to delve deeper .

in its more than 240 years of existence , the united states has seen near - constant evolution of the average american . according to u . s . census data , . . .

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trapero’s direction is skilful in depicting the world in which luján and sosa must struggle to survive . luján’s hospital and sosa’s cramped office are dingy and worn out – much like the protagonists themselves – and the ever - lingering soundtrack of nearby traffic serves to remind the characters and audience alike that always , just on the periphery , some terrible disaster is about to take place . particularly convincing are the scenes taking place in the hospital , which luján and the other doctors navigate with an air of unshockable weariness . a consummate professional with her patients , luján has nonetheless become desensitised to the pain and suffering she bears witness to every day . indeed , it appears the only two things that can stir some real feeling in her are the drugs to which she is addicted , and the romantic affections of father figure sosa .

having established , however , an interesting premise and well - rounded , intriguing characters , trapero seems to lose his grip on what he is trying to achieve half way through his film . when luján discovers what sosa has been doing , she breaks contact with him . there is then a somewhat clunky jump forward in time and sosa returns to luján , having shaved his head and attempting to set his life back on track by legitimately helping the victims of accidents . the story then follows the two becoming embroiled in a feud with sosa’s ex bosses , requiring both to act in increasingly unrealistic ways in order to push forward the plot .

this love story begins the night lujan and sosa meet , on the street . she is fighting to save a car accident victim ' s life . he wants the victim to be his client . together they will try to change the co . . . more

this love story begins the night lujan and sosa meet , on the street . she is fighting to save a car accident victim ' s life . he wants the victim to be his client . together they will try to change the course of their lives , but sosa ' s turbulent past will come up against them .

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an ambulance - chasing lawyer specialises in persuading the victims of road accidents to make use of his shady services , while a dedicated doctor works tirelessly to save lives . brought together when the attorney tries to persuade the medic ' s patient to hire him , they fall in love and try to change the course of their lives . romantic drama , starring ricardo darin and martina gusman . in spanish .

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the shady past of an ambulance - chasing lawyer ( ricardo darín ) threatens his unlikely romance with an idealistic doctor ( martina gusman ) .

the film is shrouded in a perpetual darkness with both characters existing solely for the nighttime ( one attempting to save lives and one trying to profit from them ) which gives the film a strong visual identity . the world is grimy and harsh , hardly the environment for love to flourish . yet , the characters do attempt to hold on to their…

this movie packs a punch . the second act lacked a tiny bit of go forward , but you realise that , by the amazingly powerful 3rd act - it was just setting us up for the punch . and it was a knockout blow .

i ' ve never seen ricardo darin star in a bad movie . i ' m sure there are some , but they ' re not on my radar . this isn ' t considered pablo trapero ' s best movie by a long shot , so i ' m now on the lookout for more . 8 / 10

it feels like the only argentinian films to get distributed in the us have to star ricardo darin . there is a genuine absurdity to is since he ' s really only an average quality actor . thank goodness though he shares a lot of the story ' s time with martina gusman . there ' s a really dark and disgusting sequence about forty minutes in that i would have never guessed the film was going to that will probably lose a lot of audience members , but i thought really helped lift this above trapero ' s white elephant . with this scene , fortunately , also comes a switch in point of view from darin ' s vulture to gusman ' s ambulance driver . not only is gusman a better actor then darin , but her character…

entertaining and at the same time disturbing look at the road accident / insurance corruption business in buenos aires .

let me say that i ' m writing this based on an assumption that this film has been well researched and is based on how things are in buenos aires . and if that is the case this then watching this has been a real eye opener .

i ' ve had heard of ' ambulance chasers ' who scoured hospital waiting rooms looking for punters . i seen the cards of insurance company ' s myself on the coffee machines when i ' ve been waiting in out patients at the local hospital .

this film is a mix of bringing out the dead and better call saul . i had no idea that there was a whole industry of ambulance chaser in argentina . this is a bleak film . it almost feel apocalyptic .

i love ricardo darin and love exploring his filmography . this one isn ' t as fascinating as the others . despite its fantastic cinematography , capturing the dark streets of argentina . michael mann would be proud . pablo trapero perfectly incapsulates this midnight madness and the horrors doctors and hospital staff go…

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adhurs ( english : tremor ) is a 2010 telugu action drama film directed by v.v. vinayak .

the film stars ntr jr. in a dual-role , and nayantara and sheela as female leads .

music is scored by devi sri prasad .

the film was a " hit " at the box-office and was the third successful hit with v. v. vinayak and jr . ntr combo.this is ntr 's second double acting this movie dubbed in hindi as judwaa no. 1 .

adhurs was released in 1300 screens all over the world , it ran for 50 days in 128 centres .

adhurs

adhurs <EOT> adhurs back to back comedy scenes p2 - jr . ntr , nayanthara , sheela

adhurs back to back comedy scenes p1 - jr . ntr , nayanthara , sheela

adhurs back to back comedy scenes p1 - jr . ntr , nayanthara , sheela - youtube

adhurs main plot worst comedy good . bv routine bomma . rendu avg movies . but fans ki adhurs ye . dances fights vuntay ga . but both movies tho family audience ni imperss chesaadu

yama gola - yamudiki mogudu days nundi ssr - indra . . . adhurs - naayak family family

" pilla naa valla kadu . . . " and " adhurs title song . . " .

adhurs for me . . . . bcoz tarak excelled in diff role . . . chari . . . . .

shiva shambo full song | | adhurs full song | | jr . n . t . r , nayantara , sheela

shiva shambo full song | | adhurs full song | | jr . n . t . r , nayantara , sheela - youtube

mix - shiva shambo full song | | adhurs full song | | jr . n . t . r , nayantara , sheela

movie name : adhurs – ( 2009 ) cast & crew : jr . ntr , nayantara , sheela music : devi sri prasad category : telugu movies

adhurs , released on january 13 , has seen calm reception in the region . however , it is now facing unexpected trouble after nearly a month .

karimnagar : telugu movie “adhurs” starring jr . ntr , was not screened in any of the cinema halls in karimnagar district on wednesday following the call given by telangana rashtra samiti ( trs ) activists .

adhurs release date gurinchi chaala threads padi . . . . . . following kashtam avutundi . . . . . . . andukani . . . . . . andaru . . vaallkunna info ee thread lo post cheyyandi

talking to the hindu , trs district president a . s . posetty , said the party activists and leaders stayed away from the agitation to prevent the screening of the ‘adhurs’ in line with the telangana jac call .

director v . v . vinayak is contemplating the idea of teaming up with junior ntr again for the sequel to highly successful telugu action - drama adhurs . " ntr has always been asking me to work on the sequel .

adhurs is the most awaited movie of the season and it is the movie which has more expectations that it will rock the box office . . we will see how it went and how it will go forward . . .

adhurs is a telugu movie , directed by v . v . vinayak , starring jr . ntr , nayantara , sheela , brahmanandam along with others . adhurs story goes like this : adurs is action comedy based movie in which , ntr is playing dual roles , he is donning a brahmin’s role , while the other character will be a mass character . sheela is pairing up with ntr as a girl from an upper caste family , ramaprabha is playing the grandmother of ntr . sayaji shinde is playing dgp , here , on the movie page , you will find every thing that you need to know . get the up - to - date news updates of adhurs , as it happens . watch the latest songs videos in full hd right here on gomolo . we recommend you to start with adhurs trailer to get a hang of the movie . check out what others are saying about the movie on twitter .

following the unsavoury comments made by kodali nani last night , adhurs ' shows have been stalled in 7 districts of telangana . in mahaboob nagar ' s nagar kurnool and adilabad ' s nirmal , the reels have reportedly been burnt down by agitators .

while magadheera was reported to have been sold out for rs 1 . 5 crore in krishna district and rs 2 . 1 crore in guntur , adhurs went for rs 1 . 8 crore in krishna and rs 2 . 3 crore in guntur districts .

mahabubnagar correspondent writes : adhurs , which created tension in the past few days , was released in mahabubnagar town amidst tight security on wednesday . the cinema was screened at natraj and narthaki theatres , which belong to local congress mla n . rajeshwar reddy .

subsequently , adhurs movie was replaced with another telugu movie in the next show in the theatre . earlier , the pro - telangana activists including the members of the telangana students joint action committee ( tsjac ) staged a demonstration in front of the theatre .

jr . ntr’s latest film ‘adhurs’ reinforces the fact that his aura and larger than life image is still intact . his last film ‘kantri’ was released almost 2 years ago and quite a few things have happened in these two years including a freak accident which almost threatened jr . ntr’s career . however , jr . ntr makes a strong comeback and how ! directed by v . v . vinayak , ‘adhurs’ is the third film with vinayak and jr . ntr combination after ‘aadhi’ and ‘samba’ . nayanatara and sheela played the lead roles opposite jr . ntr in this film . vallabhaneni vamsimohan produced the film on ‘vaishnavi arts’ banner . ‘adhurs’ is the story of narsimha and narasimha chari , twins who are separated minutes after their birth and how their destinies intertwine after they grow up .

film unit of ‘adhurs’ , starring jr . ntr , was having trouble in releasing the cinema following threats from telangana supporters . police made elaborate arrangements and movie - goers were allowed inside after a through search . it was reported that all the shows were house full .

watch the theatrical trailer of the latest telugu movie adhurs starring junior ntr , nayantara , sheela , mahesh manjrekar , sayaji shinde , brahmanandam , tanikella bharani , raghu babu & ashish vidyarthi . click urltoken to watch the best of telugu songs , scenes , trailers , tv shows etc .

bottom line : ‘adhurs’ totally belongs to jr . ntr . his screen presence , voice modulation and dances are a treat to watch on big screen . the intense gaze coupled with some quirky punch dialogues in the early parts of the film give a distinct tone to ‘narasimha’s’ role . on the other hand , jr . ntr’s chirpy , talkative , slapstick and innocent characterization as ‘narasimha chari’ will definitely bring a smile on to your face . ‘adhurs’ does have its share of loopholes and parts where it could have been much better . however , the film is a light hearted entertainer with brilliant dialogues and intelligently written scenes . the film has several laugh - out loud moments and doesn’t slip into the serious mode for too long . it’s a trademark v v vinayak’s film , something which he started in ‘dil’ , took it to a whole new level in ‘krishna’ and now uses the same formula of cooking a commercial potboiler with a pinch of action , sentiment in a cauldron of comedy . if you believe cinema is meant to be ‘entertaining’ then ‘adhurs’ is one hell of a good watch . a big thumbs up for ‘adhurs’ , go watch it !

nizamabad staff reporter : “adhurs” was screened at the natraj theatre here amid tight police security , while in kamareddy town the management of priya theatre voluntarily cancelled the screening in the backdrop of ‘boycott call’ given by telangana jana jagruthi headed by kavitha , daughter of trs chief k . chandrasekhar rao .

watch & enjoy shiva shambo full song | | adhurs full song | | jr . n . t . r , nayantara , sheela subscribe to our youtube channel - urltoken like us on fb : urltoken follow us on : urltoken to watch telugu free movies log on to urltoken devotional videos - urltoken kids videos - urltoken song name : shiva shambo movie : adhurs producer : vallabhaneni vamshi mohan director : v . v . vinayak music director : devi sri prasad cast : jr . n . t . r , nayantara , sheela . lyrics : chandra bose . singer : devi sri prasad .

the audio of ' adhurs ' is one of the good ones to watch out for among the current crop of musical releases in the market . scored by devi sri prasad , the audio has in total five songs . if there are hindi film singers like baba sehgal and hariharan , there is a song by ntr junior himself . though , all in all , the album sounds routine , it will definitely be liked by devi ' s fans .

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nalgonda staff reporter : “adhurs” was screened amid tight security arrangements in the district on wednesday in the wake of the call given by some pro - telangana organisations to stall the screening of the movie . however , the new movie could not be screened in nakrekal . the theatre management stopped the screening of the new film after the inaugural show in nalgonda . the arrangements were supervised by district superintendent of police rajesh kumar . the police frisked the viewers before the commencement of the show in the morning as a precautionary measure . deputy superintendent of police sailu and others were present .

watch tollywood ' s comedy king brahmanandam ' s son gautham ' s marriage / wedding . guinness world record holder brahmanandam ' s ( naayak , autonagar surya , rebel , jaffa , vennela 1 1 / 2 , seethamma vakitlo sirimalle chettu , sudigadu , gabbar singh , damarukam , dookudu , khaleja , namo venkatesa , kick , adhurs , king , chintakayala ravi , ready , dhee , vikramarkudu , pokiri , venky , ahana pellanta , money etc ) son gautham ' s wedding with jyothsna reddy , daughter of cinematographer srinivasa reddy , held at n convention , madhapur , hyderabad .

devi and baba sehgal repeat their jalsa magic in the super catchy and punchy assalam valekum . hariharan rocks the otherwise standard and soaring power - melody , chandrakala , but chari , with its comic silliness is all sound and forced catchiness . neethone is significantly better , despite a very familiar feel . pilla naa has a fantastic rhythm helping it big time , even as it strains under the sound . shiva shambo is noisy and its remix , even more so . devi sri prasad does exactly what he’s known for with nothing really new – but within that narrow space , manages to create some listener - friendly tunes in adhurs’ soundtrack .

watch adhurs back to back comedy scenes . starring jr . ntr , nayanthara , sheela , nassar , brahmanandam , mahesh manjrekar . this movie is written by kona venkat , directed by v . v . vinayak and produced by vallabhaneni vamshi , mohan . music of the film composed by devi sri prasad . story : the story is about two twin brothers who get separated at birth . narasimha ( ntr ) gets raised by a single mother and he becomes an undercover agent to a top cop . chari ( ntr ) is brought up by a family of traditional hindu priests . a gang of baddies ( asish vidyardhi and mahesh manjrekar ) are in search of the family of a top scientist . the rest of the story is about the relationship between the scientist and the twins and the comedy generated by switching between the characters .

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adhurs full length movie description : narsimha ( ntr ) is the son of major chandra kanth . he works hard to continue his studies as his father dies in an accident . his ambition is to become a police officer . on assurance of inspector naik ( shayaji shinde ) to get him the job , he actively involves in recovering the ransom money from the kidnappers in the city . nandu ( sheela ) , naik ' s daughter , falls in love with him . gangsters rasool and pandu intend to end narsimha ' s life as they are not able to draw ransom money anymore . on the other hand chary is the disciple of the pujari bhattacharya ( brahmanandam ) who falls in love with chandu ( nayanatara ) . bhattacharya seeks chary ' s help to make chandu fall in love with him . surprisingly narsimha and chary look alike . confused rasool and pandu capture chary thinking him to be narsimha . dhanraj ( ashish vidyarthi ) saves him from the goons . he takes narsimha to baba ( sanjay manjrekar ) , a don in kolkata . narsimha comes to know that his father is alive and in the custody of baba . why baba captured major chandra kant . . . why did he make narsimha know the truth and how narsimha saves his father forms the rest of the story .

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male twins are separated at birth and live their lives in different backgrounds - until one gets abducted .

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jr ntr lives up to the expectations in everything . he brought many laughs in theaters with his brahmin character and hilarious characterization . narasimha part is quite routine . the movie totally belongs to jr . ntr . his screen presence , voice modulation and dances are a treat to watch on big screen . the intense gaze coupled with some quirky punch dialogues in the early parts of the film give a distinct tone to narasimha ' s role . on the other hand , jr . ntr is chirpy , talkative , slapstick and innocent characterization as narasimha chari will definitely bring a smile on to your face . his dances took away the breath of audiences . especially his steps in ' pilla na valla kaadu ' received once - mores in theaters . nayantara is slim and sleek while sheela looted young hearts with glowing skin and sensuous garments . nothing more is left for heroines than this to discuss . brahmanandam is awesome as bhattu . he is one of the pillar to the movie . even if you see many number of times you can ' t stop laughing . finally single line is " watch it for ntr ' s dances and his hilarious brahminic performance and it ' s definitely watchable movie " .

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for those of you who like to laugh out loud and have no expectations of how a vinayak or ntr film should be , adurs offers good amount of entertainment . the film ' s greatest strength is its comedy and it may be said that we have never seen a better comedy in any of the previous vinayak or , for that matter , junior film in the past . it is clear that adurs ' writers and the director knew well beforehand that they were dealing with an average plot , involving two twins separated at birth by that favourite old lady , the bhamma in cahoots with the nurse , and the more ordinary premise of one growing up to be valorous and the other a timid one , and instill enough funniness into the proceedings .

to begin with the story , narasimham ( ntr ) works for sayaji shinde , the cop in - charge of cleansing the city of extortionists . he intercepts the calls between noted extortion gangs like that of rasool , knows who they are extracting big bucks from and jumps into action at the right moment , killing the goons in no time . naras gradually becomes a menace to rasool , who plans to exterminate him . in the meanwhile , in comes chary ( ntr again ) , with the promising brahmanandam ( he plays bhattacharya ) , and tickles our funny bone , scene after scene . chary is the assistant to the priest bhattu , who keeps himself busy conducting death , marriage ceremonies and film muhurats ( one such film is chakkara takkuva , the remake version of amitabh bacchan ' s cheeni kum . ha ha . . ) , but his most important business is to cosy up to chandrakala ( nayanatara ) , with whom he is madly in love .

the two tracks run parallel , as nayanatara falls for chary and sheela keeps flirting naras . the director takes care of keeping our interest levels intact by introducing asish vidhyarthi , who begins a search operation for naras , the son of a retired army officer ( nasser ) . of course , naras has already been the target of rasool ' s gang . as the interval bang draws to a close , chary is mistaken for naras and is taken into captive ( just as in the recent bollywood blockbuster kaminey ) . however , in no time , asish and others catch hold of the real narasimham . why has asish been on a hunt for ntr ? how are the two brothers going to play a game with the villains , to escape from the vortex they are in ? answers to these questions are to be found in the second half .

story wise , adurs offers nothing new . in fact , let alone the predictability factor , there is no extra effort taken by the makers to make it oomphier - say , through punchy dialogues and inventive action . if total absence of mind - blowing lines and single liners is a low point , vintage ntr not coming alive anywhere , excpet in songs , is a disappointment to all his fans .

the film has a high point , but just one . it ' s the comedy , which is well executed and performed by brahmanandam and the brahmin avatar of ntr . our star comedian , brahmi , rules the roost . he is simply terrific . ntr , as his yes - man , is new and fresh , but just not flawless . basha ( ms narayana ) ' s comedy is good too . the fun factor slumps down in the second half , when mahesh manjrekar ( playing a heartless villain ) and raghu babu continue to be befuddled by comedy of confusion .

nayana and sheela have nothing to do except shaking legs with ntr . dialogues , otherwise good in comedy scenes , are quite poor . had ntr repeated a thumping performance and shown some wise dialogue diction as the junior priest ( watch him speaking in a whole new diction and you find him inadequate ) , the film would have not been a nightmare for his fans .

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adurs review - jr . ntr , nayanathara , sheela , adurs telugu movie review , telugu movie review , telugu cinema - urltoken - andhra pradesh news and views

what is it about : jr . ntr stars as narasimha , a mysterious guy who targets the mafia gangs in the city and eliminates them one by one . the mafia gangs , who are taken aback by these attacks , come together to find this mysterious guy , however they are largely unsuccessful . on the other hand , narasimha chari ( played again by jr . ntr ) , a brahmin priest is leading a happy life . his guru , bhattacharya ( brahmanandam ) is in love with chandrakala ( nayanatara ) and he requests chari to help him in this matter . neither narasimha nor chari realizes that they have a twin brother . elsewhere , another gang headed by ashish vidyarthi , is looking for narasimha . what does this gang want from narasimha ? why are they looking for narasimha ? that forms the rest of the story of this light - hearted entertainer .

what is good : jr . ntr dazzles in his dual role . his role as the hot - blooded young man , narasimha is a cakewalk for him and he doesn’t disappoint in this serious role . however , it’s his characterization as the brahmin , narasimha chari which comes as a shocker . the voice modulation and the ease with which he slipped into the skin of this character are astounding . the series of conversations between narasimha chari and bhattacharya ( brahmanandam ) are hilarious . brahmanandam has been in great form over the past few years and this role of bhattacharya will be one among the better roles he has essayed in the recent past . the comic timing of both brahmanandam and jr . ntr is almost perfect and the director v v vinayak makes sure that the duo keeps the audience entertained throughout the film . the film also gives ample footage to some of the other supporting actors and they don’t disappoint . both nayanatara and sheela ooze oomph and sizzle in their glamorous roles , however they hardly contribute to the story . raghu babu and m s narayana are good in their short roles . mahesh manjrekar’s role is well written and his characterization of comic villainy fits into the story pretty well . the conversations throughout the film are well handled and executed .

what is bad : after a promising first half , the film slips into a slightly serious mode in the first few minutes of second half which is a little out of place . nazar’s role is loosely based from a similarly written role in ‘krissh’ . the computer graphics and visual effects in the film are disappointing and they could have been handled in a better way . both the heroines in the film have minute roles and they only appear on screen just before a song . their characterization hardly gives scope for enough footage in the film . besides this , there are too many villains in the film and not surprisingly , most of them are restricted to very few scenes except for mahesh manjrekar and ashish vidhyarthi . sayaji shinde’s role almost vanishes in the second half . the script of the film is riddled with loopholes in second half and there are quite a few loose threads . we are never told how narasimha manages to escape from complex situations and there are few more things like this . some of the scenes and instances in the second half bring back memories of few recent films like ready , king etc .

technical departments : kona venkat has written a complex story which has to narrate lives of two different heroes and hordes of other people who are affected by these two heroes . while kona venkat succeeds in his attempt to establish all the characters , the subplots dampen the script especially in the second half . dialogues are terrific , especially the ones written for jr . ntr and brahmanandam . chota k naidu’s cinematography is top notch , especially in the action sequences . the camera angles used in the film elevate jr . ntr’s heroism wherever required and all the songs are lavishly shot . choreography is good in few songs ; however jr . ntr’s determination to hold his forte in dancing should be appreciated . devi sri prasad’s music might not be among his best compositions . ‘chandrakala’ , ‘where is the . . ’ songs have good music and funny lyrics . v . v . vinayak who handled the screenplay apart from directing the film excels in both of them . the film has ample twists and turns to keep us hooked onto the screens and the light hearted treatment to the story is handled well by vinayak .

nakaithe rendu keka . . . . . . . . . . . rendu kallalo edi best ante cheppalem ga . . . . . . . . , . . rendu movies deniki daniki excellent . . . ! !

meeku kavalante pedda sorry chepta . . soooooooooooooorrryyyyyyyy . . lol adurs comedy roxx ante . .

s . . . ante aa luck kalisi ravali emo . . . bb avvali ante . . . . . . . . . . . . but this mov has shown one more angle in tarak ' s acting . . . chari rocks . . . . . . . . .

vellehe avatalaki . . u musugu pyan . . tarak carrier lone naaku baaga nacchina mve idi . . . family audience tarak vanka chusarante adi bd valle . . .

adurs chari character with brahmi como toooo good . horeines plus . . . . . . . . . songs dance plus . . . . . . . . . . . . . . . dialogues plus . . . . .

but main charecter narasimha . . . . . . . . character antha baga ledhu . . . . . . . . . . . . . . . climax too bad . . . . . . . . . . . ee rendu baga care tisukoni unte bomma bb ayyundedhani na feeling . . . . .

brindavanam climax fight tappa antha baga nachindhi naku . . . . . . . . . . ' chinnado vipu ' song lo baga ledhu . . . . . . . . dani steps bagunte inka keka undedhi . . . . . . . . .

2 awesome movies bhayya . . indhulo edi best ante v cant say . . .

kani ntr ni atu class audience n families n youth girls ki deggara iyyendi brindaavanam cinema tho matrame . . . . . . . . aa cinema tho mana hero lover boy ipoyadu ga . . . . . . . . . . . . . . . dats ntr

ntr ilanti lover boy characters ni continue cheste baguntadi ani na opinion . . . . . . oka 3 - 4 films ila chesi hits kodithe appudu mana ntr happi ga love stories teeskuntu undochhu . . . . . . . .

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ha type story lu chesadu . . . family lo mottam remake lu mede paddaru ga . . . anduloni scene to scene lu copy lu

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adurs is action comedy based movie in which , ntr is playing dual roles , he is donning a brahmin’s role , while the other character will be a mass character . sheela is pairing up with ntr as a girl from an upper caste family , ramaprabha is playing the grandmother of ntr . sayaji shinde is playing dgp , while nayantara is playing his daughter . nayantara would be the heroine for ntr in his mass character .

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its the story of a twin brothers who are separated after their birth and later how their characters are and how they meet again is the plot with some entertainment and some commercial elements .

ntr rocked in two roles one is chari and the other one is narasimha , chari ' s role is good at entertaining the audiences and the narasimha ' s role is filled with some stylish and action episodes . dance moments done by ntr are the highlights of the movie especially for the songs

nayanatara is ok and sheela got a glamourous role in which she did her best . . .

brahmanandam is an important character with two shades , first half he will be guru for chari and the second half tries to take revenge on chari . this is one of the best roles of " brahmi " and i have no words to describe his performance .

choreography for all songs are visual treat , especially " chandra kala . . " , " chari . . " songs are composed well .

cinematography of the movie is upto the mark , it would be better when taking some extra care while making scenes with animated background .

art of the movie is too good , thats the main reason where many scenes are visually beautiful . but , scenes where the animation is involved are to be developed even better .

music is the highlight of the movie and all know that the audio is already rocking . .

coming to the background score . . devi did a good job by elevating the scenes with his music .

screenplay is good and not even a single minute where a spectator can feel boredome .

fights in the movie are good but need some improvement towards making them realistic .

direction is the department where all the above sections are to be taken care perfectly .

1 . lyrics changed in the chari song instead of " pilaka juttu " and " niluva bottu " , " patha bike " and " old style " has been replaced .

its the hattrick combination of v . v . vinayak and tarak ( ntr ) and i can definitely say that it scored good marks from the audiences . we need to wait and see how its result will be at box office whether a " hit " or " super hit " .

very nice review baru . . . . expecting some more from you . . .

a good start for ntr in this year . its really a ' adurs ' movie

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adurs cast list , listed alphabetically with photos when available . this list of adurs actors includes any adurs actresses and all other actors from the film . you can view additional information about each adurs actor on this list , such as when and where they were born . to find out more about a particular actor or actress , click on their name and you ' ll be taken to page with even more details about their acting career . the cast members of adurs have been in many other movies , so use this list as a starting point to find actors or actresses that you may not be familiar with .

if you want to answer the questions , " who starred in the movie adurs ? " and " what is the full cast list of adurs ? " then this page has got you covered .

this cast list of who was in adurs includes both lead and minor roles . ( 14 items )

nuvu post chesavani vachanu . . . . . ( wall ) ( wall ) ( wall )

adurs is action comedy based movie in which , ntr is playing dual roles , he is donning a brahmin’s role , while the other character will be a mass . . .

the film âadhursâ was meant to be the most talked about movie of the season and it was originally slated to be a christmas release . however , the outrageous attacks by the telangana activists have caused lot of mayhem and this has disrupted the entire flow of the films for the season .

now , there is news that many film buffs in different parts of the state including telangana region are irked up with the whole thing and are waiting to see when âadhursâ will release . even ntr jr is said to be upset about the issue since nothing is being known for sure .

huge money is at stake for the distributors and many are hoping that the film should release before january 7th . the makers are said to be urging the government to take strong measures against the trs goons over these mindless acts as this is leading to huge losses everywhere .

according to industry information , arrangements have been made to release the film with more than 900 prints â 200 more than âmagadheera . â sources said the distributors have put in huge money on âadhursâ expecting huge returns during the festival season .

âthe distributors are very worried with the continued postponement of the film release as stakes are high . their main worry is the impending losses if the film is not released before the festive season , â said former film censor board member jonnalagadda ramchandra sastry .

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security matters : superintendent of police rajesh kumar supervising arrangements at a theatre in nalgonda on wednesday . — | photo credit : photo singam venkataramana

though , the police made elaborate arrangements by deploying additional forces at all cinema halls in karimnagar district , the theatre owners voluntarily stopped the screening of the film .

in karimnagar town , the film was to be screened at bharath theatre , but the owner erected a board stating that they were not screening the film for the day . however , the police force was deployed at the cinema hall to avoid any untoward incident . similarly , the film was not screened in sircilla , jagtial and godavarikhani towns also . the trs activists destroyed the posters of the film in sircilla and godavarikhani town demanding the theatre managements to stop screening the film .

according to information , the cinema was screened in nagarkurnool and shadnagar towns also . meanwhile , in narayanpet and wanaparthy town in the district , the theatre managements voluntarily suspended its release .

sangareddy staff reporter writes : ‘adurs’ was exhibited successfully at two theatres at toopran and patancheru in medak district amid tight security . however , at zaheerabad and sadasivapet the theater managements decided to not to show the movie . though it was informed that the managements decided to honour the sentiments of the people in the region nothing was confirmed . police are preparing to extend the security .

the police detained several trs activists as a preventive measure . the pro - telangana activists also staged similar protest demonstrations in suryapet , miryalaguda and other towns .

the movie was released in two theaters in the district . the police led by raghav reddy , deputy superintendent of police stood guard at nataraj theatre since morning to prevent any untoward incident .

circle inspector nagesh naik , four sub - inspectors and a contingent of 50 police personnel were deployed for the security .

the police allowed the film - goers into the hall only after thorough frisking . they keenly observed tickets and every person around the cinema hall . meanwhile , three trs activists who arrived at the hall shouting slogans were arrested and shifted to police station . police security continued for all the four shows . the management appeared to have run the shows amid the apprehensions of attacks from the pro - telangana activists . however , it was not sure whether the telangana activists would allow continuing the screening in coming days .

khammam staff reporter writes : “adurs” received a good opening at the box office in khammam despite threat from some pro - telangana outfits . it was released in major towns such as khammam , palvancha , sathupally , bhadrachalam and wyra . it was screened for four shows without any interruption at all centres barring yellandu where the theatre management preferred not to go for it following threatening calls received from certain organisations . police and the tdp played an effective role in ensuring trouble - free screening of the movie .

almost every theatre in the district was given total police protection . the police , a day in advance , had meetings with the local leaders who gave a call for boycotting the film .

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same na avedana kuda . . manam antha kalisi undali . . . nandamuri ante oka thiruguleni unity ani migatha andariki teliyali ani na feeling anthe .

sure bro . . . . do it , if you can . . . thank you

also , 8 theatres in karim nagar , along with 3 in nizamabad have stopped the screening of the film . angry activists have demanded an apology from kodali nani , believed to be close to ntr for the comments .

the agitators have also threatened boycott of the film in the t - region , if he is not sorry for what he has stated .

adityamusic ( on behalf of aditya music ( india ) pvt . ltd . ) , and 1 music rights societies

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music director devi sri prasad actors jr . n . t . r . , nayantara , sheela