home from home ( german : die andere heimat – chronik einer sehnsucht ) is a 2013 german drama film directed by edgar reitz .

it was screened out of competition at the 70th venice international film festival .

it is shot in black-and-white , but there are some colour sequences .

it is a prequel to the heimat film series and concerns the simon family living in the fictional hunsrück village of schabbach from 1840 – 1844 .

home from home was screened at the venice film festival in september 2013 .

the film was awarded a score of 70 on critical aggregator website metacritic , indicating generally favorable reviews .

home from home ( 2013 film )

home from home ( 2013 film ) <EOT> jan dieter schneider , right , in edgar reitz’s home from home . photograph : pr

there are no featured reviews for home from home : chronicle of a vision ( die andere heimat ) at this time .

nearly four hours long , " home from home " is imbued with the villagers ' attachment to the land , but while dutifully capturing the period , the film feels less layered than mr . reitz ' s past work .

i really enjoyed this touching , quirky , sweet and happysad film . thanks . i will be looking for more from jae and chelsea in the future . i hope more get a chance to see this film .

home from home is especially strong at presenting neighboring towns as separate worlds , a la thomas hardy , far enough apart by horse or foot to be as distant as foreign lands .

home from home : chronicle of a vision is a daunting four hours long , but so immersive and exquisitely photographed that time shoots by in the manner of the best box set .

from the perspective of those who’re about to leave it behind . though the second

a magnificent , career - capping achievement from one of the great storytellers of our era .

deeply embedded in a sense of local community and the familiar rhythms of the changing seasons , the grape harvest and annual festivals , home from home evokes the work of thomas hardy and the look of photographer ansel adams .

thank you nfb for having this unique film / documentary available to screen . i really enjoyed learning about rae spoon , and i now consider myself a fan . the film seemed very creative , and i enjoyed the unique style that chelsea mcmullan utilized . i will watch for more work from her .

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reitz has his fans and festivals should have no problems selling out houses for home from home , though theatrical action will again be hampered by the project’s super - sized running time , unless distributors want to release the film in two parts ( it was shown in venice as one feature but with the word “intermission” in the subtitles about 100 minutes into the 230 - minute feature ) .

“home run is a powerful parable showing us what god can do for a person who hits bottom . many who come from dysfunctional homes or deal with addictions will find a ray of hope as they watch this film . this is a tool churches and ministries can use now and for decades to come . ”

the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans . it represents the percentage of professional critic reviews that are positive for a given film or television show .

my prairie home is a beautiful sensitive film that complicates gender through a combination of spoon ' s autobiographical storytelling , her evocative contemplative music , and the alienating lonely prairie landscape . a fine example of using a local individual story to examine larger issues of gender discrimination , religious baggage , and the difficulties of coming home . as well , the film possesses a quintessential nfb aesthetic that evokes how landscape shapes our identity as canadians .

“home run is a powerful story of recovery and redemption . i would encourage churches and individuals to fully support this important film and its impacting message . as opening weekend is so critical to the future potential reach of the film , i cannot encourage others strongly enough to join me in attending a showing the weekend of friday - saturday , april 19 - 21 . it is well worth the effort ! ”

“home run shows us that a change is possible by turning to god ' s power . ”

celebrated german auteur edgar reitz again returns to the fictional hunsrueck village of schabbach and the simon family in home from home : chronicle of a vision ( die andere heimat : chronik einer sehnsucht ) , though the events take place in the 19th rather than the 20th century , of which reitz is one of the foremost german - language chroniclers .

against the background of rural germany in the middle of the 19th century when whole villages suffering from famine and poverty emigrated to faraway south america , edgar reitz tells a dramatic family and love story that centers on two brothers who are forced to choose between leaving and staying . a valuable addition to reitz’s internationally renowned heimat project , home from home is a compelling portrait of a time of flux and change . originally shown at the venice biennale , the film has been rapturously received and now finally arrives to enthrall and engage uk audiences . the writing , direction and performances are absolutely first - rate and if this does down bring the curtain down on the director’s heimat series it is a more than fitting conclusion .

the protagonist of home from home is jakob ( newcomer jan dieter schneider ) , a bookish lad who is one of the three children of margarethe ( marita breuer ) and johann simon ( ruediger kriese ) , the latter the blacksmith of reitz ' s fictional schabbach , in the hilly hunsrueck region in the rhineland in what is now the western part of germany , near the border with luxembourg .

german filmmaker edgar reitz ' s latest epic ' heimat ' project is a four - hour black - and - white film that looks at life in rural schabbach in the mid - 1800s .

“home run portrays the church in its beauty—true life transformation through real and honest relationships with one another and with jesus . ”

“home run is an entertaining , well - written movie with a powerful evangelistic message that should be seen by everyone . ”

“home run really hit home for me . i ' m a former pro baseball player with an alcoholic father . only through a personal relationship with jesus was i able to avoid going down the road of addiction . god bless this movie . ”

“home run is a great reminder that our problems in the flesh can be healed through christ and his redeeming love . ”

“home run is not only a great movie , it ' s a story of hope that people have to see . ”

reitz ( who was in his eighties during production ) directs with peerless finesse , as he mines authenticity from an inexperienced cast and brings a bygone era to vivid and engrossing life .

“home run is a powerful story of the redemption of our past , present and future for the glory of god . this timeless message is delivered through a baseball story and a man ' s key relationships . we can all relate at some level to parts of this story which makes this movie so compelling . i would highly recommend this film to everyone . ”

“home run reminds us of the power of forgiveness , the richness of redemption , and the wisdom of trusting god to revive us . ”

in this feature documentary - musical by chelsea mcmullan , indie singer rae spoon takes us on a playful , meditative and at times melancholic journey . set against majestic images of the infinite expanses of the canadian prairies , the film features spoon crooning about their queer and musical coming of age . interviews , performances and music sequences reveal spoon’s inspiring process of building a life of their own , as a trans person and as a musician . official selection at the 2014 sundance film festival .

“i wholeheartedly support the new movie home run . inspiring and entertaining are just a couple of words to describe this faith - based film . the message , ' god is there for anyone—it is never too late to come to him and he will help—no matter what circumstance you are facing ' comes through loudly and clearly . don ' t miss your chance to support this great movie . ”

“home run is a great example of how our pride and the world ' s view can get in the way of god ' s plan . ”

“home run is a must - see story of change and redemption—a story all of us need to hear and know . freedom is possible with god in our lives ! ”

movies and tv shows are certified fresh with a steady tomatometer of 75 % or higher after a set amount of reviews ( 80 for wide - release movies , 40 for limited - release movies , 20 for tv shows ) , including 5 reviews from top critics .

“home run is a gripping movie that reminds us with god ' s help , we can break free of whatever is holding us back . this movie is a solid hit ! ”

“i was amazed to see how home run paralleled my life and career in baseball , and the addictions and issues i have dealt with in my lifetime . only through the grace of god and my personal relationship with jesus christ , my lord and savior , i have been transformed and redeemed . without question , i truly believe home run will help transform people ' s lives . glory to god ! ”

“i love the heart and the message of home run : no matter what you ' ve done or what you ' ve endured , with christ … freedom and redemption is possible . i am living proof . ”

sometimes a movie has to take four hours . if you stay that long , you not only learn to know the characters , they get under your skin . a prussian village . not boiling yet , because 1848 revolts are some years away , but there are signs . so far people just emigrate , to brazil in this case , leaving centuries of traditions behind . a sign of something arriving . the minds aren ' t satisfied . but the main story is about the village , as a small society and universe there the borders are too close . but the film is anyway focused on individuals . trying to get shelter from the storm . which goes on in their souls

home is a trading name of greater manchester arts centre ltd a company limited by guarantee . registered in england and wales no : 1681278 . registered office 2 tony wilson place manchester m15 4fn . charity no : 514719 © 2017 design | build

through the many books he’s devoured , jakob has become able to decipher texts in spanish , french , english and portuguese ( a little suspension of disbelief is required here , since no school teacher or much study time ever seems to make an appearance , though education had become compulsory in prussia by 1815 ; as in his other historical films , reitz clearly picks and chooses what he wants to incorporate ) . tales about the amazon have jakob’s special interest and his dream of making it to the new world and escaping the dreary and poverty - stricken village of his birth seem to inch closer when a flemish man ( jeroen perceval , from cannes competition film borgman ) comes into a nearby town to look for men who’d be interested in emigrating to the empire of brazil .

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“home run is great for not only baseball fans , but anyone looking to be inspired . the story provides an important reminder that no matter how successful we are , we are all affected by the issues that come along . only through jesus we can find the peace and comfort to live this life . ”

“home run is a compelling story of redemption and restoration . it ' s a powerful tale that offers hope for anyone struggling with past or present hurt or addictions . the well - told narrative reminds you that no matter where you ' re at today , tomorrow can be better . definitely a must see . ”

“home run is a very inspiring and uplifting movie that helps both believers and non - believers realize hardships in life can be overcome with the help of god and god alone . it proves life is not about what has happened to us , but how we choose to respond . with god any response is possible . ”

“the message of home run is one every baseball player , coach , and parent needs to hear . without christ in one ' s life true peace and contentment can never be found . god can mold us and make us when we allow him to do so ! a great movie with an even greater message . ”

though in several ways related to the previous heimat films , this beautifully shot black - and - white feature is accessible even for those unfamiliar with reitz’s previous work . in its essence , it’s the story of a poor but knowledge - hungry son of a provincial blacksmith in the 1840s who dreams of emigrating to south america , though the almost four - hour film also offers a look at the protagonist’s extended family and their neighbors , acquaintances and lovers that again suggests much wider things about german ( or , rather , pre - germany prussian ) society as a whole .

jakob’s sister , lena ( melanie fouche ) , has already moved out of the village to live with her husband ( martin schleimer ) , a winegrower in the moselle region , while there’s a gentle rivalry between jakob and his older brother , gustav ( maximilian scheidt ) , though the latter is a more practical young man - - even when it comes to impregnating the beautiful jettchen ( antonia bill ) from the village down the road , on whom jakob has had his eye but whom gustav’ll be forced to marry .

venue : venice film festival ( out of competition ) production companies : edgar reitz filmproduktion , les films du losange , ard degeto , br , wdr , arte , cine plus , arte france cast : jan dieter schneider , antonia bill , maximilian scheidt , marita breuer , ruediger kriese , philine lembeck , melanie fouche , eva zeidler , reinhard paulus , barbara philipp director : edgar reitz screenwriter : edgar reitz , gert heidenreich producer : christian reitz co - producer : margaret menegoz director of photography : gernot roll production designer : tony gerg , hucky hornberger music : michael riessler costume designer : esther amuser editor : uwe klimmeck sales : arri worldsales no rating , 230 minutes .

jakob’s pompous voice - over , read from his diary - - which sounds pretty much like what a young man who tries to imitate the great writers he reads would sound like - - helps guide the audience’s eyes , which is further aided by the work of regular heimat cinematographer gernot roll , whose supple camera moves around schabbach as if it had lived there all its life . again , roll and reitz experiment with contrasting black - and - white footage with color , here by very occasionally giving small elements a dollop of pigmentation in the otherwise crisp monochrome visuals . it’s a gamble that doesn’t quite pay off , as it lends an artificial sheen to the proceedings and draws attention to matters that don ' t always have an obvious narrative value ( one of the first things to show up in color is part of an interior wall , which turns out to be baby blue for no discernable reason ) .

walesa . czlowiek z nadziei ( walesa . man of hope ) , dir : andrzej wajda , ewa brodzka

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die andere heimat - chronik einer sehnsucht is a movie starring jan dieter schneider , antonia bill , and maximilian scheidt . jakob longs for a new life for himself and his troubled family in brazil .

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jakob longs for a new life for himself and his troubled family in brazil .

the strange brass instrument played by florine at the smearcase fair is an ophicleide .

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ere is the fifth epic in edgar reitz’s supra - epic heimat series about the fictional german village of schabbach in the 20th century ; this takes us back to the 19th , with dirt - poor farmers and labourers dreaming of escape by emigrating to brazil . the movie’s german title is die andere heimat ( that is , the other homeland ) and it’s subtitled chronik einer sehnsucht — the english version translates this last word as “vision” though “longing” is more accurate and apposite .

reitz films in a beautiful , crystalline monochrome with incidental details picked out in colour , which often has the effect of flattening the perspective of each shot and making it close to a hyperreal engraving . it is nearly four hours , but never dull for a moment ; indeed , there is a boxset addictiveness to the whole thing .

jakob ( played by jan dieter schneider , looking weirdly like a germanic zach braff ) is a dreamer , a romantic , a reader , always getting yelled at by his blacksmith dad for idling . he has conceived a passionate desire to leave the grind and oppression and emigrate to the promised land of brazil — a “homeland” that is an alternative both to germany and the church’s feebly promised heaven .

perhaps , like the godfather movies , the heimat series will be re - edited in narrative sequence , and this will confer a greater , or a different meaning to the events in this movie . at present , it is superlatively well performed and well directed with a real narrative grip .

this beautifully shot black - and - white feature is accessible even for those unfamiliar with reitz ' s previous work .

on paper it is a yawn , especially when you clock the four - hour running time , but you will be sucked in to the lives of the characters and the mesmerising detail of their existence .

the first masterpiece of 2015 . spellbinding , lyrical and breathtaking . epic in scope while intimate in its humanism . i could have watched 4 more hours .

for all of its evident toil in recreating historically accurate environments and researching the precise conditions in varying regions , it has little force as a work of cinema .

a four - hour plunge into rural prussia and the hopes , dreams and misfortunes of a blacksmith ' s family . twitter

, which is often translated as “homeland” ) still means if a person decides to pack up all his belongs and leave not only their village but their country of birth to start completely anew on the other side of the world . much more than a specific place , the characters seem to hang on to a particular feeling of belonging to a family and community with its shared joys ( weddings , babies . . . ) and sorrows ( illnesses , deaths . . . ) , something they paradoxically might quite easily find in brazil as well .

reitz’ sense of composition is often striking , however , with especially the landscapes with its placid rivers , abundant vineyards and solitary cherry trees lending the day - to - day activities of the poor characters an appropriate grandeur that suggests each single being has its role in the epic of their own lives . by contrast , the austere and dilapidated interiors of the late production designer tony gerg offer a grim visual reminder of the abject poverty of rural prussia in the mid - 1800s that was a direct cause of the mass emigration to other shores .

acting , much of it in a mix of german and the hunsrueckish dialect , is uniformly solid , with non - professional newcomer schneider a true find . filmmaker and occasional actor werner herzog has an amusing if somewhat distracting cameo as well - known naturalist , linguist and explorer alexander von humboldt .

and several songs sung by philine lembeck , who plays a dear friend of jettchen who ' s also practically folded into the simon clan . the old - fashioned score is sometimes grating and too often used to glue the narrative ' s occasionally disparate parts together .

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“it ' s a powerful movie . i have to be honest it was emotional for me to watch . ”

“it ' s a wonderful movie . it touches your heart in a way that will change your life . ”

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bava nachadu ( telugu : బావ నచ్చాడు ) is a 2001 tollywood film produced by m. arjuna raju on roja movies banner , written and directed by k.s. ravikumar .

starring nagarjuna akkineni , simran and reema sen in lead roles and music scored by m. m. keeravani .

the hindi version of the film is " naya ghulam " .

the film recorded as hit at box-office .

bava nachadu

bava nachadu <EOT> > > > > > > > > > > > > > > > > end of bava nachadu . . . . . . . . review

akka bava nachada sung by harini composed by m . m . keeravani lyrics by veturi sundara ramamurthy

akka bava nachada full telugu video song from bava nachadu telugu movie on mango music , ft . nagarjuna akkineni , simran and reema sen . music composed by mm keeravani . subscribe for more telugu songs - urltoken song : akka bava nachada singer : harini lyrics : veturi sundararama murthy director : ks ravikumar producer : m . arjuna raju music : mm keeravani click here to watch : criminal telugu movie video songs - urltoken nagarjuna superhit video songs - urltoken greeku veerudu video songs jukebox - urltoken collector gari abbai movie video songs - urltoken for more hit songs and video songs - subscribe - urltoken like - urltoken follow - urltoken my mango app links : google play store : urltoken app store : urltoken

welcome aboard straight form the editor ' s des k a comprehensive section about films that are released and under production check out the trade facts and figures to find out best films at the box office plug yourself in to the jukes box and read the audio news and reviews paparazzi , interviews , bio - d ' s , gossip and what not ? innerviews , untold stories , scoop , analysis . the search never ends date back to the good old days and date with black and white films we are lucky enough . you can find what ' s up with telugu cinema in us of a what ' s up with the city of charminar ? movie schedules galore an exclusive hindi film section handled by sapna the people behind the inception this wonderful idea useful and related links along with the site reviews it ' s jungle out there . just in case

story ajay ( nagarjuna ) is an adman ( director and hero ) who has a definite idea about how his future wife should be like . he gets married to a village belle kamakshi ( simran ) , handpicked by his mom from her native town kovvuru .

after marriage , kamakshi meets with a hairline fracture . the entire family of kamakshi lands up at ajay ' s house to take care of kamakshi . she has a beautiful and greedy sister called lahari ( reema sen ) . during that period suma ( suman ranganath ) , the regular model of ajay , meets with a fracture and lahari replaces her as the model opposite ajay . during that moment , lahari gets lured by the modeling profession and then falls in love with ajay . but ajay does not have any feelings for her .

then kamakshi gets well and the parents and sister of kamakshi goes back to their village . but the bug of love bites lahari and she is unable to forget ajay . she starts behaving differently . she invites kamakshi and expresses her desire for ajay . kamakshi gets mad and returns to her home to protect her husband . meantime , lahari resorts to suicide .

kamakshi , being very close to lahari , promises lahari that she will make her marry ajay . the rest of the film is about how ajay manages to save his marriage without hurting lahari . you got to watch this soft romantic comedy drama unfolding on the silver screen to experience it .

nagarjuna : nag is in his elements in this film . he is totally natural and exhibited the kind of charm he showered in the film ' ninne pelladatha ' . he is stylish and more handsome in this film .

simran : for simran , this role is a typical one and she did it with poise . and too much of exposure to simran can be dangerous as we see her in most of the big films as the heroine .

reema sen : she oozed lots of oomph in this film as the excessively obsessed in - law of nagarjuna in this film .

suman ranganath : her role is limited to give innuendos to nagarjuna in this film . she has a song and few dance bits .

screenplay & direction : the screenplay is the remarkable aspect of the film . he made sure that there is no boring moment in the film though the story is a clichéd one . ks ravi kumar makes sure that he gives a special appearance in all his films . in this film too he is shown dancing with the lead pair in the locales on new zealand .

story and dialogues : janardhana maharshi , the man who grew along with evv , is the story and dialogue writer in this film . like any of his ( and evv ) other films , this film too revolves around the sanctity of ' thaali ' .

camera : shyam k naidu did a wonderful job in projecting the glamour of the film . nag looks extra - handsome in this film .

music : though the audio is not well received in the pre - release scenario , the album sales may go up as the music and songs sound very good in the film .

analysis : first half of the film is very good . in the second half , the pace of the film goes down a little before ending up in a predictable routine climax . the comedy track by ms narayana and mallikharjuna rao looks inane . this film is a soft romantic comedy one . and is recommended for all the comedy film lovers . we have to wait and see , if the audiences in ap , unlike ks ravi kumar ' s earlier comedy film tenali , receive this comedy . but it ' s worth a watch as nag makes your funny bones tickle . this film is a sophisticated version of evv ' s film sans vulgarity . it can pull ladies to the cinema hall . but its doubtful how far it can reach the masses at it sports just a fight .

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the husband of an expectant wife is called upon to marry his sister - in - law .

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hyderabad - based wealthy film ad director - cum - model , ajay singh bhupathi , who lives with his widowed mother in a palatial house , travels to sonpur to see a bride . he meets with meenakshi , who does not speak english very well , approves of her , and soon both get married . after a dramatic return from their switzerland honeymoon , both are informed that they will soon be parents . they hope to get meenakshi ' s sister , rani , also married , but she refuses to do so . when meenakshi goes for a visit , rani tells her that she wants to marry ajay and no one else . initially meenakshi is outraged , but subsequently changes her mind after rani is hospitalized after a suicide attempt . the question remains : how will meenakshi compel ajay to marry her sister ?

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tags : 2001 telugu mp3 songs , m . m . keeravani songs , nagarjuna mp3 songs , simran , telugu - b

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i love you raa movie parts 12 / 13 watch more latest movies @ urltoken movie : i love you raa , cast : raju sundaram , simran , raghuvaran , prakash raj , senthil , janagaraj , venniradai moorthy , ramesh khanna , alex , indhu , director : c . rajadurai , music : bharadwaj , produced : manojkumar , release date : 29 november 2002 . songs : 1 . mtv bhale bhale 2 . i love you raa 3 . shatuko sixaroo 4 . jagame maya 5 . vachdandi vachadu 6 . oh priya 7 . gallo payaninchi

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maatotundhi magada sung by shankar mahadevan and anuradha sriram composed by m . m . keeravani lyrics by sirivennela seetharama sastry

anuragam anuragam lo sung by hariharan and sujatha composed by m . m . keeravani lyrics by chandrabose

chandamama chandamama sung by udit narayan , harini and k . s . chitra composed by m . m . keeravani lyrics by chandrabose

very sexy sung by shankar mahadevan composed by m . m . keeravani lyrics by chandrabose

bang bang sung by shankar mahadevan and suneeta rao composed by m . m . keeravani lyrics by sirivennela seetharama sastry

gehna ab na sharmana lyrics by sheriff , p . s . kumar music by m . m . keeravani

anurag hi anuragse jeevan bhara hai lyrics by sheriff , p . s . kumar music by m . m . keeravani

aaj chadnelaga nasha lyrics by sheriff , p . s . kumar music by m . m . keeravani

chhaya haseen pyaara lyrics by sheriff , p . s . kumar music by m . m . keeravani

let me bat bat bat lyrics by sheriff , p . s . kumar music by m . m . keeravani

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during the making of the film , sarathkumar dislocated his left hand during a stunt accident , and shooting was stalled for two weeks . meena was first offered the role , but could not sign on as a result of her commitment to vikraman ' s " vaanathaippola " ( 2000 ) . her replacement , simran was replaced by ramya krishnan for unknown reasons .

paattali ( english : working person ) is a 1999 tamil drama film directed by ravikumar . the film stars sarath kumar , ramya krishnan and devayani in the lead roles . this film is " hit " at boxoffice . the film ' s score and soundtrack are composed by s . a . rajkumar .

the film score and the soundtrack were composed by film composer sangeetha rajan . the soundtrack , released in 1990 , features 4 tracks .

paattali magan ( english : farmer ' s son ) is a 1990 tamil language drama film directed by senthilnathan and produced by kovai mani . the film features arjun , sindhu and m . n . nambiar in the lead roles . the film a had musical score by sangeetha rajan and was released on 16 february 1990 .

after the film ' s success , ravikumar regularly collaborated with actor sarath kumar , went on to do films like " nattamai " ( 1994 ) , " natpukkaga " ( 1998 ) , " paattali " ( 1999 ) and " samudhiram " ( 2001 ) after which he became a highly sought after film maker in the tamil film industry .

in 1997 , he acted in " aravindhan " co - starring r . parthiepan , nagma and urvashi . the film failed at the box office . his next venture " suryavamsam " directed by vikraman and produced by r . b . choudary was a blockbuster . he played a dual role in the film . he won the filmfare award for best actor in tamil and cinema express award for best actor for the second time . in the end of 1997 , he acted in sundar c . comedy film " janakiraman " which was a commercial hit . the next year , he played in " moovendhar " directed by suraj , sundar c ' s assistant director . the film , released to negative reviews , failed at the box office . after " nattamai " , he re - teamed with k . s . ravikumar in " natpukkaga " , the film was well received critically and turned to be a blockbuster . r . sarathkumar won the filmfare award for best actor for the third time and the tamil nadu state film award for best actor for the second time . he made a cameo appearance in vikraman ' s " unnidathil ennai koduthen " . he then starred in the telugu film " preminchanu nene " and in " simmarasi " , directed by erode soundar , k . s . ravikumar ' s former dialogue writer . " simmarasi " was released to unfavourable reviews but sarathkumar was praised for his role . in the start of 1999 , he acted in r . chandra ' s " chinna durai " co - starring with roja . it was followed by " oruvan " , the remake of the telugu film " auto driver " , in which sarathkumar paired with pooja batra and teamed up for the second time with the director suresh krissna . usha gopalakrishnan of " urltoken " praised sarathkumar ' s acting . in the end of 1999 , he acted in k . s . ravikumar ' s " paattali " .


kabhi pyar na karna is a pakistani urdu film directed by javed raza .

the film was produced by khawaja tariq tahir and it is written by ahmed aqeel ruby .

zara sheikh , veena malik and moammar rana perform leading roles in this film .

bollywood actress neha dhupia made her pakistani film debut .

kabhi pyar na karna was distributed by eveready pictures and was released on april 18 , 2008 .

kabhi pyar na karna

kabhi pyar na karna <EOT> indian actress neha dhupia dances during a scene for the film ' kabhi pyar na karna ' . . .

indian actress neha dhupia dances in a scene for the film ' kabhi pyar na karna ' . . .

title : pyar kabhi karna na kam mar jayegi teri aashi artist : naheed akhtar film : dekha jayegaa music : m . ashraf

pyar me bewafai mile to gum na karna . . . - stylox click - xx production | facebook

for the first time ever , a bollywood actress would be seen in a lollywood movie . ‘kabhi pyar na karna’ a pakistani film production is on

zara sheikh + moammar rana + veena malik + shymal khan + neha dhopia - kabhi pyar na karna movie song # 5 [ kurti laya ] lollywood this movie again release world - wide new name as " dil ne dil ko pukara " .

pakistani actress zara sheika addresses media representatives after shooting a scene for the film ' kabhi pyar na karna ' ( never fall in love ) a joint production between india and pakistan being shot in mumbai , 12 july 2005 . it is the . . .

pakistani actress zara sheika poses for media representatives after shooting a scene for the film ' kabhi pyar na karna ' ( never fall in love ) a joint production between india and pakistan being shot in mumbai , 12 july 2005 . it is the . . .

indian actress neha dhupia dances during a scene for the film ' kabhi pyar na karna ' ( never fall in love ) a joint production between india and pakistan being shot in mumbai , 12 july 2005 . it is the first time that a pakistan film . . .

indian actress neha dhupia dances in a scene for the film ' kabhi pyar na karna ' ( never fall in love ) a joint production between india and pakistan being shot in mumbai , 12 july 2005 . it is the first time that a pakistan film production . . .

seedlings ( aka lamha ) , also distributed by ary films , and released a week before zinda bhaag , was given a limited release in an already busy week . no one knew ( including myself ) when it came , or went . ( this was the case with hassan askari’s dil paray des main , libas and kabhi pyar na karna as well ) .

sajjad ali & zaw ali , ronay na diya , coke studio season 10 , episode 3 .

she made her film debut in 2000 with sajjad gul’s tere pyar mein . in 2002 , she starred in akbar khan’s yeh dil aap ka huwa and sassi punno and later played roles in films such as koi tujh sa kahan and kabhi pyar na karna . in 2012 , she earned commercial success in bollywood with daal mein kuch kaala hai , mumbai 125 km 3d and zindagi 50 - 50 . in 2013 she appeared in kannada film dirty picture : silk sakkath maga and supermodel .

kyon ki itna pyar ( full song ) film - kyon ki . . . it ' s fate

indian actress neha dhupia dances during a scene for the film ' kabhi pyar na karna ' ( never fall in love ) a joint production between india and pakistan being shot in mumbai , 12 july 2005 . it is the first time that a pakistan film production company kawaja tariq - ul - fazal tahir has joined hands to make a film with indian film producers sheet srivastava ( overall entertainment ) , with pakistani actors moammar rana zara sheikh and india actress neha dhupia . afp photo / sebastian d

indian actress neha dhupia dances in a scene for the film ' kabhi pyar na karna ' ( never fall in love ) a joint production between india and pakistan being shot in mumbai , 12 july 2005 . it is the first time that a pakistan film production company kawaja tariq - ul - fazal tahir has joined hands to make a film with indian film producers sheet srivastava ( overall entertainment ) , with pakistani actors moammar rana zara sheikh and india actress neha dhupia . afp photo / sebastian d

pakistani actress zara sheika addresses media representatives after shooting a scene for the film ' kabhi pyar na karna ' ( never fall in love ) a joint production between india and pakistan being shot in mumbai , 12 july 2005 . it is the first time that a pakistan film production company kawaja tariq - ul - fazal tahir has joined hands to make a film with indian film producers sheet srivastava ( overall entertainment ) , with pakistani actors moammar rana zara sheikh and india actress neha dhupia . afp photo / sebastian d

pakistani actress zara sheika poses for media representatives after shooting a scene for the film ' kabhi pyar na karna ' ( never fall in love ) a joint production between india and pakistan being shot in mumbai , 12 july 2005 . it is the first time that a pakistan film production company kawaja tariq - ul - fazal tahir has joined hands to make a film with indian film producers sheet srivastava ( overall entertainment ) , with pakistani actors moammar rana zara sheikh and india actress neha dhupia . afp photo / sebastian d

presenting " pyar kabhi kam nahi karna " lyrical video song in the voice of bappi lahiri , asha bhosle from hindi movie prem pratigyaa starring mithun , madhuri dixit on t - series classics . song : pyar kabhi kam nahi karna movie : prem pratigyaa star cast : mithun , madhuri dixit singer : bappi lahiri , asha bhosle music director : bappi lahiri lyricst : indeevar music label : t - series for latest updates : - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - subscribe us here : urltoken like us on facebook urltoken follow us on urltoken - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - " if you like the video , don ' t forget to share and leave your comments " for the latest updates on bollywood music , join us on urltoken

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urdu language based film stares the pakistani icons zara sheikh , veena malik and moammar rana in the lead roles . film shootings were done in pakistan and usa . it is a directorial debutant by javed raza . ahmed aqeel ruby has written the script while khawaja tariq tahir has supervised the technical production .

neha dhupia , the indian miss femina , also the movie actress is among the casts of the movie . it is for the first time ever , that the indian actress would be seen in any of the lollywood movie . pakistani actor and actress shamyl khan and naghma are also the part of the acting team .

musical compositions are backed by amjab bobby and humaira arshad , the famous punjabi singer . editing services are contributed by ashfaq makrani . while , cinematography is done by waqar bokhari . eveready pictures are the distributing agents of promotion . the movie is screened in capri , zeenat cinema , crown cinema hyderabad and delight movie centers . the movie is set for screening in cinemas nationwide .

with the launch of her latest single , rum , the pakistani born actress , singer and model , veena malik met with pukaar news to discuss her career so far .

veena is multi - talented actress , tv host and model who has appeared in lollywood , bollywood and kollywood films .

in october 2010 , veena appeared in the indian television reality show big boss season 4 . she was evicted two weeks before the finals , and was one of the final six contestants out of the original fourteen who had participated .

“that was a fun show . i was on big boss because i really like the idea . it’s something so beautiful that you are completely disconnected from the world . ”

veena has also worked as a representative at the world health organization for two years . she also sponsors a child at the sos children’s village , an ngo based in pakistan working with orphaned children .

in terms of her bollywood career , veena is also very specific about how she goes about choosing the right script for her .

though she would like to be cast as a female hero , she is keen to focus more on her music then films at the moment . but , the opportunity to make movies still appeals to her .

“the silver screen is one of the things i am madly in love with and i think i would like to continue doing films in pakistan and india and other industries too . ”

we are a leading independent leicester news agency based in the midlands with head office in leicester , providing news to television channels worldwide and provides pr solutions for a range of businesses . pukaar news covers local and international news , including europe , the uk , india and pakistan . producing online news for urltoken and urltoken along with news for distribution to other well known news broadcasters .

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jia ali ' s debut film , the film was released on november 7 , 1997 .

a remake of 1970 ' s film aina . the film was released on june 5 , 1998

samina peerzada ' s first film as director , film was released on february 26 , 1999 .

a very sensitive story about shia - sunni conflict in pakistan . the film was released in november , 2004

pakistan ' s first ever gore film . the film was released on march 30 , 2007 in denmark and december 21 , 2007 in pakistan .

t is a love story highlighting the frustration and anguish of the young generation affected by the forced decisions of their elders . the film is about a love triangle between veena malik , babrik shah and the new adnan . depicting the generation gap , the story handles the cultural and psycho - social problems of the youth that ultimately affects the society as a whole .

film was released on april 18 , 2008 . indian actress neha dhupia perform an item number in this film .

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in north syria , forty indian and pakistani nurses get hijacked by a terrorist organization named isc . tiger ( salman khan ) - - a raw agent – is appointed . .

fukrey , a 2013 movie about a group worthless , lazy , and hopeless guys who get into trouble with an uncouth female don , and some random loafers , was a surprisi . .

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but what will really create sensation is her item number in a pakistani film . she is a little surprised to hear it being referred to as an item number .

it’s a song and dance number and is a very integral part of the film . you could say that i am doing a guest appearance in the film with the song . i share screen time with the hero , muammar rana , in it , she reveals .

it’s a rajasthani song sung by sunidhi chauhan . i have a rajasthani look in it and there are lots of other dancers . it is a fast number and does involve heavy movements but i still don’t regard it as an item number in that sense .

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a young woman is haunted by a demon child ( or a figment of her imagination ) ; a disgruntled newsman stirs up a youth - led political revolt ; a woman uncovers and fights parochial injustice ; a downcast former cricketer champions an untested district cricket team ; local youths stuck in a rut try to outrun the circle of life ; and a man , who like any big - screen anti - terrorist sentinel , is the last hope for pakistan against home - grown and international villainy : 2013 has been a sudden , and distinct , year for pakistani cinema .

before the year began , there was hardly any substantial push for pakistani cinema . but as the year went ahead , the progress became a mix of gradual , carefully - footed , releases — most of which , despite flashes of brilliance , mixed reviews or big box office numbers , flopped . but this is a happy year as well . mainstream urdu language films — a must for any revival — with diverse themes were released in multiplexes .

the audience responded , depending on how vigorously the movie was marketed . investors noticed . new movies were planned , or those already completed , were released in new strategic alliances . enthusiasm , and perhaps the thirst for limelight , led new producers to venture into the pakistani motion picture market ( as of now , almost every other man , vaguely into the entertainment field , is looking to make a movie ; after all television is too crowded or monopolised right now ) . this is , of course , the best time to make a pakistani movie as people always tend to remember those who were in the forefront of a new wave .

when the year started , a friend who worked as the distributor of a movie got in touch with me ; a pakistani horror movie was coming out . sceptical at first , i didn’t really buy the idea of a mainstream pakistani movie that i didn’t know about ( especially because there was no publicity ) . the gentleman , imran raza kazmi , a soft - spoken yet enthusiastic first - time producer , told me a story familiar to any producer : he has made a movie , at his own risk , and is fighting to get it out .

siyaah was eventually released to a lukewarm response and a lack of pakistan - wide distributor support ( one of the reasons for this was that siyaah was mastered in digital , limiting its release to multiplexes or cinemas set - up with digital projectors ) . this was in march . mr kazmi would eventually take his movie out to private screenings and universities , and make serious money — or so he tells me ( according to mr kazmi’s estimates , siyaah ultimately earned rs 11 , 691 , 476 ) .

one month later , abdullah kadwani and shahzad nawaz’s chambaili hit around election time . it was a powerful cinematic experience , and despite its timing and encouraging box office returns , the movie was a financial loss .

the next big push would be in august with ishq khuda , a punjabi language release directed by shahzad rafique . shot in 35mm , which is a scarcity in this year’s line - up , the production had quality but didn’t reach out to the right audiences . the film’s biggest drawback : it faced off with bollywood’s chennai express .

despite ishq khuda ’s financial losses , august was significant to pakistani cinema : a partnership was struck between ary digital and mandviwalla entertainment ( who also manage atrium cinemas ) . two distinct brands met , and created diversity : the platform , a small budget motion picture initiative was set up , followed by ary films’ own rush into the industry . ( just a few weeks ago , ary films launched another strategic alliance with shaan shahid ) .

josh — against the grain ( via the platform ) and main hoon shahid afridi ( mandviwalla entertainment and ary films ) came out — one an independent - minded , social message based production , previously released worldwide ; the other a grand entertainer of lacklustre plot of big production . as per my knowledge , both movies , despite their inspiring numbers , tanked . a month later , zinda bhaag , which shifted strategic partners and release dates for wider coverage , was selected to be pakistan’s official entry into the oscars . the movie , again , was a financial loss .

then came waar , a superficially crafted uber - actioner that made history . still playing in cinemas , waar is officially the highest grossing pakistani movie of all time , despite mixed to negative reviews . like most international hits , the film capitalised in the areas of hype and preconceived notions , asserting the formula of making a blockbuster : make it big , cut the trailer just right , bridge the market gap .

waar had a clean palette , some worthwhile action , and although severely lacking in plot or narrative coherence , appealed to our nationalistic nature to go and buy a ticket . it is important to note three things in this new wave : cinematic value , release dates and competition , and economics .

out of the 36 movies released in 2013 , 11 were in urdu language and eight were mainstream releases . almost all major business came from metropolitan cities and multiplexes . in fact , the multiplexes are as significant , as say , importing bollywood movies , which despite constant hate - mail , were fundamental in bringing our cinema culture back on track .

right now , several multiplex projects , including cinestar’s first imax in lahore ( due out in mid - 2014 ) , are either being pondered upon or being set up . according to hammad chaudhry of hkc entertainment , the number of total screens ( of around 10 - 12 multiplexes ) is likely to increase from 25–30 in 2014 .

a point to note is that three movies with noteworthy earnings — chambaili , main hoon shahid afridi and waar — were released in off - seasons ; april , august and october . these months are generally reserved for small movies that do not fall in the column of summer blockbusters . a movie needs to make three times its budget from the cinemas ; by calculation , a 50 per cent stake per ticket goes to the exhibitor ( the cinema owner ) and the rest returns to the distributor , whose stake , minus publicity costs ( or brokered deal ) , runs to around 15 per cent . the remaining earnings are counted as a producer’s net profit .

as it happens with any industry , fledging or fruitful , the movies need to be evaluated on their aesthetic and technical grounds . main hoon shahid afridi was a lush entertainer with a clichéd plot ; chambaili was outright brilliant , if a tad preachy ; siyaah , left its engrossing first act in favor of dead and tired horror - movie formulas ; josh was agenda - driven , pale and uninspiring ; ishq khuda was pondering ; zinda bhaag was gutsy and original and waar was simply a big summer blockbuster .

the varying opinions , of course , bring room for improvement — which , i believe , is part of a filmmaker’s perpetual learning experience .

while opinions are subjective and divided on tastes , i personally believe that filmmakers shouldn’t start making movies just because they can . yes , technology is cheaper today and production turn - around may seem fast but experience tells me , it is anything but . mr kadwani , who i recently was in a candid conversation with , asserts this view point .

while pakistani cinema may sound appealing right now , people producing movies need to understand the pitfalls of the trade : there is going to be fierce competition with bigger bollywood movies ( hollywood , unfortunately , has always been the lesser of two evils to pakistani producers ) ; there are still a limited number of cinema screens available ; productions need to be precisely budgeted and scheduled ; for a sustainable revival , our new wave needs to keep a delicate balance between genres and diversity — and let’s not forget the most essential factor : the filmmakers need to work hard on their scripts ( if it’s not right on paper , people won’t buy it ; flukes are a rarity ) .

if they plan their movies right , the revival is definitely here to stay .

the death knell for pakistani music was sounded once again as it has been for a few years now with musicians begrudging the lack of a viable recording industry to support them . coke studio , which has been assuming the mantle for sometime now and in its 6th season this year , lost its charm and became stale with its somewhat predictable sound .

but truth be told , things weren’t as bleak as some prognosticators might suggest . while 2013 wasn’t a stellar year for music , it wasn’t without its standout moments .

kicking off the list is a veteran of pakistani music abrar - ui - haq who made his coke studio debut this year with ishq di booti , a folk - and - funk punjabi number structured around western scales . it’s a song that’s lyrically rooted in a deeply personal spiritual journey and it shows in abrar’s delivery . the song has an almost enchanting groove that even the most soulless person will be taken in by . on the flip side , a lively brass section provides the requisite balance , making for a perfect marriage of sounds and textures .

sanam marvi has been around for a few years now with her brand of punjabi folk and sufi music , especially with some of her performances on coke studio . but her performance of yaar vekho , based on the poem by hazrat sachal sarmas has been making the rounds on social media feeds of late and has had her being touted as the next abida parveen — high praise for a singer who’s only 25 .

the one - man sound factory taimoor salahuddin has made waves in our sparse music scene over the past couple of years . with his eclectic use of pop , hip - hop and rock beats , he churns out cacophonous melodies that end up sounding oddly pleasing to the ear . it’s clear that mooroo isn’t afraid to push the envelope and it is with that same daring musical sensibility that he took on his rendition of abida parveen’s gharoli .

purists will bicker about mooroo’s audacious treatment of this sufi classic , but he clearly believes that music — even the classics — will remain stagnant unless they are breathed new life into every now and then . applying his usual dose of quirky beats and idiosyncratic synthesis , mooroo’s take on gharoli counts as one of the year’s definite highlights .

the folks over at nescafe basement took many of us down memory lane with their refreshing take of awaz’s classic hit mr fraudiye from the ’90s . vocalist altamash sever did a fine job on the tongue - in - cheek tune that took on the establishment , something which is sadly still very much relevant today . while keeping the original spirit of the song alive , the basement band replaced the cheesiness of ‘90s pop with a more nuanced jazzy feel . it was more than refreshing to hear the incorporation of a brass section , which added a lively texture to the song and was also pleasing to see the upcoming generation veer away from the me - and - my - axe mentality of the late ’90s music scene .

what can be said of tahir shah that hasn’t already been said . there’s no question that he caught pakistan’s imagination with the imitable eye to eye . a song that belongs in the so - bad - that - it’s - good category , eye to eye was the epitome of the viral genre . many of us are still reeling from its effect , and those who deny having caught themselves humming it are just flat out lying . it’s still unclear whether this little ditty was a sincere attempt at songwriting or just a virtuosic prank by an ingenious shyster .

nonetheless , it was by far the single most noteworthy musical moment of 2013 , albeit for all the wrong reasons . so without further ado , tahir shah take a bow , the year belongs to you !

with a self - help format , a second - person narrative and a nameless protagonist , how to get filthy rich in rising asia by mohsin hamid couldn’t have got more interesting as it tells the story of a cook in a rural village who leaves for the metropolis , falls in love with a girl and sets up an industry . and , he becomes filthy rich in a rising asia .

even though the plot is not very convincing at various instances , it makes for a fresh , original read . one , however , wishes that the pace of the book could have been slower as crucial and entire stages of the protagonist’s life pass by in merely a few pages , leaving the reader without a sufficient sense of closure . .

the prose is deft and hamid does not lose fluidity as he journeys the life of his hero . considering it was one of the most anticipated books in pakistan in 2013 , it definitely did not let the reader down .

set in the aftermath of 9 / 11 , nadeem aslam’s latest offering the blind man’s garden begins with two pakistani men slipping into afghanistan . jeo has discreetly offered to treat casualties in the “war against terror” with his adopted brother mikal , who works at a gun shop , following him there . they are deceived and immediately sold to the taliban in the throes of war . struggling to do the right thing while faced with predicaments is integral to the story as aslam tells it .

and even if the story falters at some instances , aslam’s prose doesn’t . as a matter of fact , to some extent , his prose redeems any shortcomings the book may be offering — such as grim and terrifying descriptions of atrocities confronted by ordinary people at the hands of the taliban . here is a writer who knows his craft like the back of his hand . it’s hard to believe that he taught himself to write english after he moved to britain from pakistan . the power of his prose is haunting and lasting .

it’s not every day that you read a work of fiction with the story based in waziristan , one of pakistan’s most volatile regions , off - limits due to drone strikes and militancy . since waziristan has mostly gained notoriety for its perils , a reader is only intrigued to pick up fatima bhutto’s latest book .

during the course of three fateful hours , it tells the story of three brothers and the women close to them who decide to go to different mosques for security reasons . as the story is set into motion , the characters grapple with issues crucial to them in the face of situations such as sectarianism , terrorism , etc . it’s an exciting book but fails to deliver on some counts as it endeavours to tell too many things within the course of just one morning .

debut novel by shazaf fatima haider , how it happened is a quintessential tale of love , arranged marriages , family quarrels and rivalries . the story is narrated by the 15 - year - old saleha bandian who tells the reader about how her elder brother haroon and sister zeba finally tied the knot . matters are made worse due to the fact that the bandian family is shia and any prospective spouses for its younger generation must be from a similar shia - syed background .

many reviewers and critics have linked haider’s novel to jane austen’s pride and prejudice , from her witty writing to her characters , of which dadi bears the most similarities to austen’s mrs bennett . however , despite all of these similarities , how it happened fits perfectly into the local cultural context and is , therefore , immensely relatable for its readers .

one of the most anticipated books of 2013 was malala yousufzai’s autobiography i am malala , which she co - authored with british journalist christina lamb . i am malala starts with the horrifying incident of oct 12 , 2012 when malala was shot in the head for her stance on education of girls . it then moves backwards in the past where there are many things to be learnt about the young girl whose resistance and support of education won many hearts both in pakistan and abroad .

although , it is important to remember that she also gained many critics at home . this has resulted in her book being banned in private schools in pakistan . there is also the fear , further cemented with the release of her memoir , that malala has been turned into a tool for certain powerful parties who may be using her in order to realise their own ulterior motives .

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the film was shot in the united states and pakistan . bollywood actress neha dhupia made her pakistani film debut [ 4 ]

this page was last edited on 16 november 2016 , at 08 : 23 .

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this drama film directed by javed raza , features neha dhupia , shamil khan and veena malik in the lead roles .

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culture machine music ( on behalf of emi pakistan ) ; emi ( pakistan ) ltd . publishing , and 4 music rights societies

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