mozart decoded is a 2008 documentary about the life of wolfgang amadeus mozart produced by sullivan entertainment .

the film was made as a follow up to sullivan entertainment ’s magic flute diaries and uses a lot of the same visual material .

the program premiered on december 20 , 2008 on a-channel in canada .

mozart decoded

mozart decoded <EOT> have you ever wondered about the man behind such beautiful music as the magic flute opera ? learn more about the young genius , his life , the time period and the masonic rituals that impacted his work . watch mozart decoded online on gazebo tv : urltoken purchase mozart decoded on dvd here : urltoken learn more about mozart decoded here : urltoken

mozart decoded is a prelude to the magic flute diaries ( a , 8 p . m . ) , a two - hour modern take on mozart ' s popular opera . though with its soundtrack of mozart classics , recreations featuring opera atelier and fabulous footage of great cathedrals and lush countryside , this feast for ears and eyes easily stands on its own .

mozart continues to influence the people of the world . he is undoubtedly my hero . mozart forever ! ! ! !

the latter part of this kevin sullivan - produced doc could have been called the magic flute decoded since it uses mozart ' s masonic membership as a focal point for not only his political ideas but as the creative fulcrum of his final opera , an entertaining masterpiece reflecting free - thinking ideals .

requiem in d minor by wolfgang amadeus mozart for solo piano ( 1791 ) k . 626 ebook by wolfgang amadeus mozart - 9781447489177 | rakuten kobo

the ( true ) story of the mozart ' s requiem a funereal video .

amadeus ( 1984 ) official trailer - f . murray abraham , mozart drama movie hd

mozart - ah ! vous dirai - je , maman k . 265 for piano solo

wolfgang amadeus mozart - abendempfindung - k . 523 - a score for voice and piano

the music of wolfgang amadeus mozart has amazed and entertained people for over 250 years . . . but who was the man behind the music ? what inspired him to compose the musical masterpieces that immortalized him as one of the greatest composers the world has ever known ? mozart decoded takes an in - depth look at mozart ' s tumultuous and often difficult life , from his beginnings as a musical prodigy , through his rise to stardom and membership with the secretive freemasons , and ultimately to his mysterious and untimely death or murder at the age of 35 . written by sullivan entertainment

there is also the bbc series the genius of mozart and also the genius of beethoven .

requiem in d minor by wolfgang amadeus mozart for solo piano ( 1791 ) k . 626

wolfgang amadeus mozart - das veilchen - k . 476 - a score for voice and piano

wolfgang amadeus mozart - die alte - k . 517 - a score for voice and piano

wolfgang amadeus mozart - an chloe - k . 524 - a score for voice and piano

wolfgang amadeus mozart - der zauberer - k . 472 - a score for voice and piano

wolfgang amadeus mozart - das kinderspiel - k . 598 - a score for voice and piano

fantasia in c minor by wolfgang amadeus mozart for solo piano ( 1785 ) k . 475

wolfgang amadeus mozart - oiseaux , si tous les ans - k . 307 / k . 284d

wolfgang amadeus mozart - das lied der trennung - k . 519 - a score for voice and piano

7 variations on wilhelm von nassau by wolfgang amadeus mozart for solo piano ( 1766 ) k . 25

wolfgang amadeus mozart - als luise die briefe - k . 520 - a score for voice and piano

nope . your order is not fine at all . mozart is above beethoven sorry . i have read music history page after page and there bach and mozart stand above every compoer as the greatest composer ever . beethoven is nowhere close to mozart . mozart wrote the greatest piano concerts , the greatest operas , the greatest mass and the best symphonies . its not up to your personal opinion who is the best . music history the ultimate source of music has spoken and has ranked beethoven below mozart , where he belongs

" j . s . bach is the father of us all . " - w . a . mozart

9 variations on a minuet by duport by wolfgang amadeus mozart for solo piano ( 1789 ) k . 573

piano suite in c major by wolfgang amadeus mozart for solo piano ( 1782 ) k . 399 / 385i

9 variations on lison dormait by wolfgang amadeus mozart for solo piano ( 1778 ) k . 264 / 315d

wolfgang amadeus mozart - die ihr des unermeßlichen weltalls - k . 619 - a score for voice and piano

12 variations in b - flat major by wolfgang amadeus mozart for solo piano ( 1786 ) k . 500

wolfgang amadeus mozart - dans un bois solitaire - k . 308 / 295b - a score for voice and piano

12 variations on salve tu domine by wolfgang amadeus mozart for solo piano ( 1783 ) k . 398 / 416e

6 variations on mio caro adone by wolfgang amadeus mozart for solo piano ( 1773 ) k . 180 / 173c

8 variations on ein weib ist das herrlichste ding by wolfgang amadeus mozart for solo piano ( 1791 ) k . 613

12 variations on la belle fran oise by wolfgang amadeus mozart for solo piano ( 1782 ) k . 353 / 300f

mozart meets the masons : ' the magic flute ' written during the final year of mozart ' s life , the magic flute presents a magical world of surreal characters and mysterious rites , and the composer filled it with masonic symbols and allegory .

wolfgang amadeus mozart - ah , spiegarti , o dio - k . 178 / 417e - a score for soprano voice and piano

12 variations on ah , vous dirai - je maman by wolfgang amadeus mozart for solo piano ( 1782 ) k . 256 / 300e

piano sonatas no . 16 - 17 by wolfgang amadeus mozart for solo piano ( 1788 - 1789 ) k . 545 k . 570

steven lubin , mozart , variations in c , k . 265 ( 300e ) , on " ah , vous dirai - je maman "

the music of wolfgang amadeus mozart has amazed and entertained people for over 250 years . . . but who was the man behind the music ?

mozart was the true genius of music without doubt , because his works started with the simple piano sonatas , violin sonatas , trios , quartets… . and the italian & german operas . he mastered every genre of music . of course , if anyone compares his low kv numbers , it may be weak ! mozart changed completely after kv 271piano concerto no . 9 . tchaikovsky said " the center of christianity is jesus and the center of music must be mozart " . it is the true that bach is the father of music , then mozart must be the god of music .

mozart ' s status as the rock star of his century , most notably established by an irreverent tom hulce in the 1984 film amadeus , is given its due here . as is mozart ' s precocious proclivity for producing complex compositions , reputedly beginning when he was 4 , and his peculiar demise at just 35 .

we ' re not finished with it yet , but it ' s definitely better than " the magic flute diaries . " interesting info on mozart , though .

i don ' t know of any other ones , but are you talking about the mozart movie , " amadeus " ? that one was really good . .

usually real brilliance is accompanied by either sketchy character , or demented family lives . so , propz the mozart for his well - rounded , dignified time on earth .

3 rondos in a minor , d major and f major by wolfgang amadeus mozart for solo piano ( 1786 - 1787 ) k . 511 k . 485 k . 494

very well done - - very entertaining as well as being informative . fine acting - - an artistic achievement . congratulations to all involved in its production ! ( but i agree " joeyc " - - bach still the greatest , and i think mozart would agree with this estimation . bach , beethoven , and mozart , in that order . : )

piano sonatas no . 7 - 9 by wolfgang amadeus mozart for solo piano ( 1777 - 1778 ) k . 309 / 284b k . 310 / 300d k . 311 / 284c

there ' s food for thought as well , beyond the mozartkugeln that appear in the film ' s opening sequence . while the individually foil - wrapped bonbons ( featuring a cameo of the composer ) typify mozart ' s enduring appeal , writer dan matthews moves beyond biographical broad strokes to explore how mozart achieved his superstardom - and has managed to retain it some 250 years later - what led the supremely accomplished musician to become a member of the secretive freemasons society , the import of his magic flute masterpiece and the circumstances of mozart ' s early death .

the story begins with the composer ' s father leopold with whom mozart conducted a passionate and tortured correspondence . it is leopold who knows mozart ' s secrets . and there is another voice : that of the music itself . music is the key to unlocking the emotions of mozart , starting in this film with the great piano works . without this key , how can we ever understand the emotions that gave birth to some of the most beautiful sounds the world has ever heard ? the first great phase of mozart ' s brief life was that of the travelling child prodigy - gifted as a performer and writer of music - who grew into the genius who , working within the restrictions of his time , began to rewrite the musical rules .

minuets 1 - 6 by wolfgang amadeus mozart for solo piano ( 1762 - 1789 ) k . 1 / k6 . 1e k . 4 k . 2 k . 94 / 576b k355 / k6 . 576b

mozart , pffft . . . sissy music for wimps and little girls to weep over ! give me wagner and a full horn of mead , bloody up to the elbows with the glory of slaughter . . .

still , while there has been plenty of speculation about masonic allegory in mozart ' s opera , one of its messages seems fairly clear . the story introduces a mysterious brotherhood , supposedly headed by an evil man . but by opera ' s end , the brotherhood turns out to be benign , and the leader seems like a pretty decent fellow . perhaps that was mozart ' s way of saying that freemasonry may not be the ominous force some folks think it is .

in act two , the queen of the night ( soprano anna kristiina kaapola ) lets fly with one of mozart ' s most treacherous arias , " der hoelle rache " — " hell ' s revenge . " elizabeth carecchio hide caption

a little late in replying to you , obviously , but in choosing mozart as your hero , you ' ve demonstrated to me , at least , a very admirable quality about yourself , in that all of mozart ' s music is so filled with a genuine love of humanity that i suspect the same thing resides in your heart , and that this is a big reason you are so able to connect with his achievements . everyone knows that mozart was unparalleled in his musical genius , but do you know what he himself said about that ? he said , " love . love is the soul of genius . " and , considering what he proved within his short life , i think we should take him at his word .

so , while mozart ' s drama fell into the general category of " magic opera " — works based on folk tales , with plenty of stunts , scene changes and spectacular stage effects — it was also a political statement in disguise . mozart and schikaneder crammed all kinds of veiled masonic symbolism into the magic flute , and people have been trying to figure the whole thing out for more than 200 years . ( maybe , in his next novel , brown could have robert langdon decode the opera for us ? )

mozart showed amazing talent from early in childhood . already competent on the keyboard and violin , he started composing from the age of five and performed before european royalty . at 17 , he was enlisted as a court musician in salzburg , but grew restless of this and decided to travel in search of a better position , always composing abundantly . the requièm mass in d minor was composed in vienna in 1791 and was left unfinished when mozart died on december 5th 1791 . a completion dated 1792 by franz xaver süssmayr was delivered to count franz von walsegg , who had anonymously commissioned the piece for a requiem mass to commemorate the february 14th anniversary of his wife ' s death . a facsimile sheet of music from the dies irae movement of the " requiem mass in d minor " ( k . 626 ) in mozart ' s own handwriting . it is located at the mozarthaus in vienna .

after developing an interest in classical music , beethoven was , for many years , my musical hero . at the same time , i was being told " sooner or later , there will be mozart . " i resisted him and his music until i was given two recordings - his 26th and 27th piano concerti , and one of his wind concerti . suddenly , beethoven took a back seat . oh , if only mozart had lived to beethoven ' s age , how much richer our own lives would now be . while bach composed some absolutely thrilling short pieces , my overall taste in his music is limited .

take a quick look at the latest fiction bestseller list , and you ' ll find a familiar author topping the charts . it ' s dan brown with his latest blockbuster novel , the lost symbol — a grimly portentous book with an interesting connection to mozart ' s shrewdly playful opera , the magic flute .

then go and invert mozart or beethoven , reverse , upscale , hop step and jump the music and wow - - - you ' d be a musical genius - - - - only you wouldn ' t ! ! ! ! ! because you ' d be doing nothing more than rearranging someone elses genius . . . .

music is and has always been a matter of preference when placing one composer over / beneath another . putting them into a top three list really equates them when considering them against all the other composers that have been or will be . unless you gave mozart a third placing because his music has " too many notes . " ; - p

the length could have been shortened ! three hours of bad acting and constant reminders of how shitty fashion used to be in 1700 ' s is overkill . but , wonderful telling of mozart ' s personal life and accomplishment . were those love letters his words , verbatim ? how charming , not only was he a musical genuis , but a true romantic .

on world of opera , host lisa simeone presents mozart ' s the magic flute in a buoyant performance from the 2009 aix - en - provence festival . it features conductor rene jacobs and the academy of ancient music , along with tenor daniel behle as tamino and soprano anna - kristiina kaapola in the famously high - flying role of the queen of the night .

mozart gave the queen of the night one of the most treacherous arias in all of opera : " der hoelle rache " — " hell ' s revenge . " it ' s heard in act two , as the queen ( soprano anna - kristiina kaapola ) is asking her daughter pamina to murder sarastro , and includes four , famously stratsopheric , high f - naturals .

an enlightening and enveloping reconstruction of wolfgang amadeus mozart ' s ( 1756 - - 1791 ) life . masterfully written and directed , every aspect of the film has been given thorough thought in order to ensure an accurate historical reconstruction . inspirational performances from the main actors and actresses foster captivation , while regular narrative interjections from the popular composer and conductor charles hazlewood brings an insightful , educational dimension .

mozart ' s opera is in two acts , set in an unspecified time and place . as act one opens , we see a young prince , tamino , running for his life from a terrifying serpent . he ' s rescued by three ladies who serve the local ruler — the queen of the night . they go off to tell the queen about the young stranger they ' ve encountered .

but there was another facet to mozart - the adult thinker aware of the bigger picture , passionately attached to the progressive values of the enlightenment - impressively well - read , a speaker of most european languages ( even a little english ) , an austrian catholic , a freemason and above all a composer at the height of his formidable powers , determined to succeed in the most difficult and lucrative area of all - opera .

opera lovers have long been in the same position when it comes to the magic flute . both mozart and the opera ' s librettist , emanuel schikaneder , were devoted freemasons , at a time when the masonic order was frowned upon by the authorities and mistrusted by the public . its meetings were mysterious to outsiders and the order was believed to be connected to the principles of the enlightenment , so established political leaders were a little nervous about it . the emperor of austria even restricted the number of masonic lodges allowed to operate in the country .

meanwhile , pamina endures trials of her own . she again has to escape the rapacious monostatos . she must also refuse her own mother ' s order that , to restore their family ' s power , she must murder sarastro . ( this command from the queen of the night is delivered in one of mozart ' s most famous arias — complete with four high f - naturals that seem to defy gravity , not to mention vocal chords . ) to top it off , pamina is falsely led to believe that tamino has rejected her . at one point she ' s on the brink of suicide , but is rescued by the three boys .

i have the strong impression that " pure composing facility " counts for a very great deal in your estimation of these chaps , and also that you ' re too prone to letting books tell you what your opinions should be . did music history have its hands over its ears for the entirety of the 19th century ? because if influence over subsequent composers counts for anything , beethoven is greater in that regard than either bach or mozart . but this is apples and oranges , as they say . all three men were clearly the summit of their eras , and in that respect all were the greatest . anything beyond that is useless quibbling , and missing the point of the music .

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trippy indie madeline ' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .

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beethoven lives upstairs - 1992 [ greek subs by vas mous . ] _ arc . avi

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yeah , uh huh . . . you must have been damn well gassed when you posted that piece of horse manure .

" bach . . . is not a brook , but an ocean . " - beethoven

leopold was clearly not the only person able to perceive the depth and profundity of amadeus ' s genius . he was hailed far and wide by men and women of letters , and most conspicuously by franz joseph haydn who , writing to leopold , said , " i declare to you before god that your son is the greatest composer i know , either personally or by name . "

i like the simplicity and clarity that charles hazlewood explains music . i absolutely love it . many thanks .

mr . kanamori , a teacher of a 4th grade class , teaches his . . .

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comment : good condition . . . . canadian seller ! ! ! shipped from canada .

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2x marx at the piano in a duet chico marx was known for shooting the keys of the piano . as part of the act he would play passages with his thumb up and index finger straight  like a gun . a charming example of his keyboard flamboyance is found in the film a night at the opera . read more > >

romans 1 : 16 for i am not ashamed of the gospel , because of the power of god , and those who believe in it . . . .

there ' s a chopin movie with hugh grant . never seen it though . you can search for it in imdb if you want . there ' s also that beethoven movie a few years back with ed harris but i didn ' t really like the looks of the preview . it sounded like a pink love story movie . i stayed clear of it . but if you ' re interested there are loads of books with composer biographies .

ken russell has made numerous , but rather curious films about composers , including " the music lovers " ( about tschaikovsky ) , " mahler " , and " lisztomania . " however , since they ' re by russell , these films may be viewed as actually having more to say about russell himself than they do about the composers . on a more serious level , there was an excellent documentary that came out about 5 years ago about khachaturian , entitled , coincidentally , " khachaturian . " yd

chopin : a song to remember is by far my favorite chopin film . not historically accurate , but quite artistically put together as a film . beethoven : immortal beloved . music is first rate . perahia recorded several pieces for this . the filmmakers did a lot to connect music , imagery , and dramatic elements - so if you know about some beethoven history it would give an added dimension to the film . beethoven lives upstairs . this is more of a kids movie . schumann : song of love . liszt : rêves d ' amour

made a liszt . need new handel ' s for soler panel & alkan foil . will faure stein on the way to pick up mendels ' sohn . josquin get wolfgangs schu with clara . gone chopin , i ' ll be bach

. it focuses more than anything in chopin ' s relationship with george sand . saw it ages ago so i can ' t really state a solid opinion about it , though i ' m not a fan of hugh grant .

must add that it ' s not historically accurate , but i think the only reason for that is to make it more ' poetic ' . i find the ending scene quite touching by the way .

" by concentrating on precision , one arrives at technique , but by concentrating on technique one does not arrive at precision . "

the music business is a cruel and shallow money trench , a long plastic hallway where thieves and pimps run free , and good men die like dogs . there ' s also a negative side . ( hunter thompson )

if documentaries are ok than there is a wonderful one about rachmaninoff called " the harvest of sorrow " you can actually watch it one youtube but make sure you do not watch the one that is in english and japanese at the same time .

how about " the magic bow " with stewart grainger as paganini . worst film ever ? thal

spring symphony ( 1983 )  a more accurate biopic than the 1947 hollywood version ( and nastassia kinsky looks better as clara than katherine hepburn ) . urltoken

i remember watching that and thinking she is never going to get her clothes off in this .

lisztomania is absolutely hilarious . gotta love the scene where wagner turns into a vampire and attacks liszt ( it ' s subtle symbolism ) , to say nothing of the opening scene with , um , the metronome . you wouldn ' t expect anything less from a film with ringo starr as the pope .

there was a strange one i saw on brahms about his relationship with women ' but for women ' i think it was called or something like that . copious amounts of nudity . . . . .

never look at the trombones . you ' ll only encourage them . richard strauss

i was just wondring wether anyone has a link were you could watch england my england online . . . i absolutly adore purcells music . i am from the netherlands , but don ' t yet have a credit ard so ordering the movie is potentially problametic . . perhaps someone know were i can find it here ? much greetings beckey

there ' s also that beethoven movie a few years back with ed harris but i didn ' t really like the looks of the preview . it sounded like a pink love story movie . i stayed clear of it .

, and it is not a " pink love story movie " ! give it a chance . harris is superb .

i remember watching that and thinking she is never going to get her clothes off in this . wrong again thal .

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fantasia in d minor - a score for solo piano k . 397 / 385g 1782

sonata for piano four - hands in d major - a score for piano with four hands k . 381 / 123a ( 1774 )

piano concerto no . 23 in a major - a score for solo piano k . 488 ( 1786 )

flute quartet in a major - a score for flute , violin , viola and cello k . 298 ( 1787 )

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when the queen of the night finishes her furious aria , sarastro ( bass markos fink ) follows it with a musical and dramatic mirror image , singing " in diesen heil ' gen hallen " — " in these holy halls . " it ' s a restful number , featuring some of the opera ' s lowest notes .

papageno ( daniel schmutzhard ) is less than thrilled at his first encounter with papagena ( sunhae im ) , his future wife . elizabeth carecchio hide caption

papageno ( daniel schmutzhard ) is less than thrilled at his first encounter with papagena ( sunhae im ) , his future wife .

the lost symbol features the same , somewhat unlikely central character as brown ' s previous bestseller , the da vinci code — the heroic symbologist robert langdon . in the earlier book , langdon was found decoding timeless legends of the knights templar . in the new novel , he ' s again tracking the age - old mysteries of an ancient order . this time , it ' s the freemasons — a fraternity famous for secret rites and rituals , which in the novel threaten to bring down the entire u . s . government .

of course , writing about masonic ceremonies can be a little bit dicey . the only people familiar with them are masons — and they ' re all sworn to secrecy . so the rest of us are kept guessing as to how much actual fact might be present in dan brown ' s fiction .

tamino falls asleep , and wakes up to meet papageno — a funny - looking man dressed in colorful feathers and playing the panpipes . papageno says he ' s the queen ' s bird catcher . the two characters have virtually nothing in common . when papageno simply describes himself as " a man , " tamino is skeptical . still , the two quickly develop a bond .

after tamino and papageno finish sizing each other up , the ladies return and show tamino a picture of pamina , the queen of the night ' s daughter . tamino takes one look and falls in love . but pamina has been captured by sarastro , the queen ' s arch enemy , who is described as an evil fiend . when the queen of the night arrives in person , with her signature clap of thunder , she asks tamino to rescue her daughter . she gives him a flute with magic powers , and sends papageno along to help , with a magic instrument of his own — a set of chimes .

the scene changes to the realm of sarastro , where pamina is being held . she ' s alone with the treacherous monostatos , who seems intent on raping her . just then , papageno wanders in . he and monostatos scare each other half to death , and monostatos runs off . papageno leaves with pamina , to look for tamino .

meanwhile , three mysterious young boys have guided tamino to a temple with three doors . one of them , marked " wisdom , " opens to reveal the temple of the orator . tamino asks about pamina , and the orator tells him that she ' s still alive . but to find her , tamino must first join the temple ' s holy order .

tamino plays his magic flute , and in response he hears papageno ' s panpipes . papageno appears with pamina , and they ' re both running from monostatos . he ' s about to catch them when the mighty sarastro appears . he reprimands monostatos for his evil designs on pamina , and monastatos slinks off . sarastro then offers pamina and tamino the chance to be together . but first , he says , they must endure rituals of purification , and they ' re led into the temple .

act two begins near a temple that ' s surrounded by palm trees . after a brief processional , sarastro and his priests say that tamino will be permitted to undergo the trials required to join their brotherhood . he will then be allowed to marry pamina . papageno also wants a wife , and may also undergo the trials , though he ' s more than a bit reluctant .

by the end of the opera , both pamina and tamino have faced trials of fire and water , and have survived them together . papageno finally earns a wife — his female namesake , papagena . she turns out to be a real peach , though she first appears to papageno as a wrinkled hag who claims to be only " eighteen years and two minutes " old . the queen of the night and her ladies make a desperate attempt to bring down sarastro ' s temple , but they ' re defeated amidst frightening storms and the queen vanishes into darkness .

as the opera ends , sarastro ' s mysterious but apparently benevolent order has prevailed , granting all power to beauty and wisdom .

the documentary room 237 has been called a " diy mashup " of the many theories put forward over the years as interpretations of stanley kubricks ' s 1980 horror classic , the shining . and there is good reason for viewers to puzzle over the film 33 years after its release : the shining tends to be opaque , even though its corridors are well - lit . i recently found what is arguably the most exhaustive examination of how kubrick adapted stephen king ' s novel into the script he wrote with diane johnson . click below to read the post and see how kubrick took king ' s novel and made movie history !

unlike kubrick ' s famously unrealized biography of napoleon , the shining got made . stanley kubrick wrote and directed the shining with the intention of turning out a blockbuster , after the lush but relatively financially unsuccessful barry lyndon . the shining , more than any other of his films , has inspired hundreds of thousands , if not millions , of words devoted to finding the meaning behind the film , even though , or , especially because , kubrick himself was reluctant to discuss possible interpretations of his films , leaving it to the viewer to make up their own mind . ( allow me to say that i do not favor any of these theories over any other . i don ' t want to get pilloried in the comments ! ) none of which stopped blogger jonny53 , whose epic post ( it took me almost 12 hours to read ) is certainly the most exhaustive shining analysis on the internet . it will definitely , as jack torrance promised wendy , " bash your brains in , " ( with exacting attention to detail , of course ) . prepare to go through the looking - glass , people .

the problem with criticism of the shining is that almost every interpretation tends to go off the rails at some point , i . e . , the film is really about native american genocide , or kubrick ' s guilt over faking the moon landing :

this one is no different . jonny53 ' s final conclusion seems to be that the numbers in the film point us towards 12 / 24 / 11 , which apparently was the date of the mayan apocalypse back in the 70s , before cooler heads prevailed and it was moved to the far more accurate date of 12 / 21 / 12 . he does make the excellent point that most of the people who have put forth interpretations of the film over the years have never actually read the novel , and that what kubrick did with the novel , and what he did with all of the novels he adapted to the screen , was to alter the content so that the story would be cinematic rather than literary . this is a challenge facing all filmmakers who are adapting someone else ' s work ( or even their own , from a different format ) .

i can’t think of any other movie where reading the source novel was so enlightening . . . many writers skim the surface when trying to compare the novel with the movie and then simply give up . you absolutely cannot have a thorough understanding of stanley kubrick’s shining without looking at what he did to stephen king’s story . ignoring the novel is crazy . . . [ he ] didn’t randomly alter things from the novel as many readers think . he’s inverted them .

in the novel they’re brought to the overlook in a red vw and have a yellow snowmobile up at the hotel . in the movie they’re brought to the overlook in a yellow vw and have a red sno - cat up at the hotel . they ' re also saved in a red sno - cat . in the movie jack throws his yellow ball and in the novel danny plays with his red ball . stanley kubrick didn ' t just change the colors , he inverted the colors stephen king uses in the novel for these major props . look once at the vw in the opening credits of the movie ; you’ll never forget that yellow color . ask anyone who’s seen the film , they will be able to tell you what color the vw is . ask anyone who’s read the novel and they probably won’t .

in the novel , the scrapbook containing the overlook ' s sordid past is a major plot device , and jack becomes obsessed with it and possessed by it . in the movie , it ' s seen only in passing , but has the same effect . when jack discovers the scrapbook , he loses interest in writing anything but that one phrase , and becomes obsessed with doing the " duty " of hotel caretaker , even if that means killing his wife and child . this is how , according to jonny53 , jack " shines " the apparitions of lloyd and grady : he has seen them before , in the newspaper clippings in the scrapbooks . but we barely see the scrapbook , an element from the novel kubrick made subtly cinematic and almost subliminal without the heavy exposition of the novel , in which the provenance of the scrapbook is related in exacting detail .

even better for kubrick , who was always playing games with the viewer , the first - time viewer will probably interpret lloyd and grady as ghosts , even though kubrick has made his " ghost story " about anything but , at least according to jonny53 . to him , it ' s a film about esp and telekinesis ( note the number of calumet cans behind jack and halloran ' s heads , respectively , while they are " shining . " ) the first scene occurs precisely : 27 minutes into the film , and the second precisely : 27 minutes from the end of film , in the us version : the parallel edits jonny53 finds in the shining are remarkable . jack torrance has four more cans than halloran , meaning he " shines " more , which is why halloran isn ' t able to predict his impending death at the hands of jack :

it goes on and on . in the novel , wendy is a smart , independent blonde ; in the film , she is shelley duvall ' s mousey doormat ; in the book , there is no hedge maze , but rather hedge animals which move constantly ; in the novel , the overlook hotel wants danny for his power , but in the film , the hotel has no power at all , only a sort of " shining " which affects the whole torrance family , even though danny is the only one to know about it . in the film , both jack and wendy have the power of " shining " ( jonny53 ' s basis for this is the line , delivered by halloran , " but there are other folks , though mostly they don ' t know it , or don ' t believe it . " ) visually , kubrick shows us this by subtly giving the characters telekinesis , even if they themselves aren ' t aware of it . they can move furniture , and even make chairs appear and disappear at will ( also note the scrapbook in the foreground ) :

for many viewers , the question of whether or not we are dealing with the traditional cinematic supernatural is answered in the scene where jack is released from the freezer , evidently by the ghost of grady , the former caretaker . this is never made totally explicit ( in the novel , we see that it is a ghostly grady who leaves a drink and mallet for him outside the door , while in the film , the opening of the door is deliberately ambiguous ) :

jack and dick hallorann both have the same supernatural ability . it’s no stretch of the movie ' s reality to see that jack also “shines” when he’s locked in the storeroom . it’s obvious that his ability to supernaturally move things ( telekinesis ) , and not the ghost of delbert grady , is what unlatches the storeroom door releasing him . . . this is what the shining is about , people with an unusual ability . there’s no law that says stanley kubrick can’t change , or hide from the audience , which cast members have this special ability , and just exactly what that ability is .

in the novel , halloran lies in order to get up to the overlook . in the movie , he always tells the truth ( which means , if we believe what he says to his friend larry durkin , that ullman can " shine , " since he called halloran and told him to get up to the overlook . ) this is a very out - there theory , but is actually somewhat confirmed by the deleted scene cut by kubrick a week into the film ' s u . k . run . for any shining fanatic , or anyone interested in how a master filmmaker took a classic novel and adapted it into a classic film , this is required reading . i personally think jonny53 goes off the rails at the end with his theory that kubrick is subliminally encoding the date of the impending mayan apocalypse ( that ' s called apophenia ) , but jonny53 has done all fans of the shining , and moviemaking , a great service with his incredible eye for detail .

the best theory movie on the shining that i ' ve seen was " kubrick ' s gold story " . it ' s about american currency switches off the gold standard .

kubrick was ' ait starting out , cut his teeth on some ok no - budget work , then got good fast . his reputation has also improved over time .

people deify him and put out documentaries like this , where every little drip of information is assumed to be motivated by his genius , then they use every drip to prove said genius . it ' s like when people use the bible to prove the infallibility of the bible .

sk was most certainly one of the great directors , but i totally disagree with the notion that the quality of filmmaking is worse off now than it was then .

nonsensical conspiracy theory run amuck . maybe room 237 was intended as a parody . entertaining yes , based on any fact no .

i saw this at sundance and more than half the audience walked out before they could hear the theory that kubrick helped nasa fake the moon landings and the shining was his secret confession . i stayed through the whole thing , fascinated that this even got into the festival , and as a reward i got to hear the real truth behind the shining : it is a movie that was meant to be watched backwards .

it was really a documentary on the online community of kubrick conspiracy theorists which to me actually was interesting . on the way out i heard another audience member say , " once i realized they were crazy i actually enjoyed the film . " maybe that is the secret of room 237 . . .

i saw it at afi and afterwards they actually did a screening of it backwards & forwards simultaneously , overlayed .

i ' m surprised people didn ' t catch on right away . room 237 was pretty funny right from the start and got more so as it went along . i was wondering if the interviewees were upset when it came out and they realized they weren ' t being taken seriously .

i ' ve read the reason there weren ' t any moving hedge animals in the film ( as were in the book ) was because kubrick just wasn ' t satisfied with the cgi technology at the time that would be required to create them .

as for these overanalyses , you could probably find people who will dissect twilight or the hangover and come up with a comparable amount of nonsense .

like i said , this blogger goes off the rails , as do all of these other theories . the interesting thing to me was how kubrick changed the source novel .

i get the impression kubrick cares more for the shot than continuity . i keep finding myself responding to discontinuities by noting that the composition of one or more shots involved would be compromised by adhering strictly to spacial continuity . i imagine a process where you do a take ; then some element of the background bothers you so you fix it and continue . then in editing you feel free to choose the best takes because you know people won ' t notice the discontinuities . you try it out on people .

i feel the movie is about schizophrenia . this is reflected in wendy as women ' s intuition , a staple of cinematic devices . and danny represents innate childhood imagination and it ' s suppression , which is also a fairly common observation . ( my son is a tiger literally 75 % of the time . i saw an art show of 5 year olds recently and about 10 % of the paintings could sit along art in galleries and sell for thousands of pounds , assuming the painter could be constructed as the possessor of a career , history , development , personality , genius , godly vessel , madman , etc . i just realised how old - fashioned the art world is . and similarly , how old - fashioned this sort of critique is , which reads literally * everything * as an intentional act of often hidden communication . )

clarification : jack ' s schizophrenia and psychosis , ie . hallucinations . which is contextualised and reflected . . .

the esp theory makes a lot of sense . except that in an interview with michel ciment ( linked to by another nofilmschool article ) stanley kubrick is asked : " so you don ' t regard the apparitions as merely a projection of his mental state ? " - to which he replies : " for the purposes of telling the story , my view is that the paranormal is genuine . jack ' s mental state serves only to prepare him for the murder , and to temporarily mislead the audience . "


tardid ( persian : تردید ) lit .

doubt is a 2009 iranian crystal simorgh-winning film directed by varuzh karim masihi .

it is an adaptation of shakespeare 's hamlet .

made after 17 years , tardid is karim masihi 's second feature film after parde-ye akhar ( the last act ) .

tardid

tardid <EOT> tardid technologies 2018 , tardid and brainbox is applied for registered trademark of tardid technologies pvt . ltd .

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in 2008 , radan acted in tardid which is based on william shakespeare ' s hamlet .

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the iranian film tardid ( doubt , 2009 ) is an adaptation of shakespeare ' s hamlet by varouzh karim - massihi ( 1952 - ) . the present paper focuses on this film as an intercultural adaptation .

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tardid technologies private limited ' s annual general meeting ( agm ) was last held on 29 september 2017 and as per records from ministry of corporate affairs ( mca ) , its balance sheet was last filed on 31 march 2017 .

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tardid is a movie starring bahram radan , taraneh alidoosti , and hamed komeili . siavash roozbehan is a young man and he has lost his father after his mysterious suicide . his uncle is managing his father ' s wealth . he is in love with his cousin mahtab whose father is his . . . see full summary »

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about elly ( persian : درباره الی , translit . darbareye elly ) is a 2009 iranian film directed by asghar farhadi . it ' s the fourth film by farhadi after fireworks wednesday . the film is about the relationship among some middle class families in iran . farhadi won the silver bear for best director at the 59th berlin film festival for this film . the film was also nominated for 10 awards at the 27th fajr international film festival in tehran where farhadi won the crystal symorgh for best directing . about elly is also iran ' s official selection for the competition in foreign film section in 82nd academy awards . it competed against films such as bist , tardid , bipooli for iran ' s submission in the academy awards .

the story of the movie was a little bit strange for me , because a few years ago the same thing happened to me not with hamlet , but with " crime and punishment " , so could feel an interconnection between the story and me . in my opinion , leading actors were great , in a way that you can see the feeling of doubt ( tardid , translation of the name of the movie in original language ) in the eyes of siyavash , but about the supporting roles , the director had far better choices . selection of locations was in accordance with the atmosphere of the film , and sound track could make the audience feel like being with actors . finally , i believe that although there were some gaps and illogical happenings like interference of police at the end , but this picture was a creative copy of one of the most outstanding classical plays , and i worth watching .

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trippy indie madeline ' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .

films i can ' t get / or can ' t get subtitles for .

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an iranian couple from the city drive around a remote mountainous region . they hand out bags of money to poor villagers in return for them carrying out unusual requests the couple make of them .

mina has decided to leave her older husband morteza after ten years of marriage . next monday will be her divorce date , which means her first step towards her goal ; immigration . however , the . . . see full summary »

directed by multi - award winning filmmaker asghar farhadi , ' beautiful city ' is a cinematic gem not to be missed . akbar has just turned eighteen . he has been held in a rehabilitation centre . . . see full summary »

fifteen year old taraneh , whose widowed father is in jail , refuses the unwanted attentions of carpet salesman amir - until amir ' s mother talks taraneh into accepting amir ' s marriage . . . see full summary »

mohammad is sent to an apartment situated in uptown tehran to install their satellite dishes , while having satellite tv is illegal in iran . he arrives there with a girl named shirin who . . . see full summary »

a divorced woman leaves damghan with her child to live and work in tehran but her ex - husband does everything in his capability to force her to go back .

after her divorce mina is in need to financial and emotional supporting . she meets a guy and thinks that this is the man of her dreams . but things are not just as their first seem to be .

maryam ( negar javaherian ) and reza ( shahab hosseini ) are different from other people , it ' s not just a simple difference , but a very big difference . they must try to prove to others they . . . see full summary »

a clothing store worker ( jahan ) meets a poor girl named eti . jahan tries to help the girl and solve her problems , but . . .

not being able to work because of the religious country ' s prejudice against music , a talented santour player has to deal with poverty , addiction and the absence of his ex - wife .

a newly released prisoner and an ostensibly rich youth become aware of the place of the russian tsar ' s long lost treasure by a twist of fate .

the mahmoodies live in an old large house , having traditional values and beliefs . they have decided to renovate the building . mrs . mahmoodi ' s niece arrives with her architect husband to . . . see full summary »

siavash roozbehan is a young man and he has lost his father after his mysterious suicide . his uncle is managing his father ' s wealth . he is in love with his cousin mahtab whose father is his uncle ' s councilor . siavash gradually realizes that his uncle is going to marry his mother . after some days he also sees a lot of similarities between his own life and of shakespeare ' s hamlet . he goes to garo , his best friend , and they try to change the end of the tragic story .

varujh karim - masihi ' s first film as a director since pardeh akhar ( 1991 ) .

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with jurassic world : fallen kingdom now in cinemas , we take a look at how imdb users rated the films of the franchise . plus , browse exclusive lego® jurassic world playsets , presented by lego .

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5th floor , mirqab center , abdullah al - mubarak street , mirqab , qibla , kuwait city , kuwait .

siavash is a young man whose father ' s mysterious suicide weighs heavily on his mind . his uncle is managing his father ' s estate and seeks to marry his mother , something siavash is strongly against . siavash is also in love with his cousin mahtab , whose father is his uncle ' s councilor . as the day of the union approaches , siavash suddenly realises his life is near - identical to that of shakespeare ' s hamlet , which in turn starts to raise questions about the true nature of his father ' s death . . .

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utopia was the eleventh episode of series 3 of doctor who . it was written by russell t davies , directed by graeme harper and featured david tennant as the tenth doctor , freema agyeman as martha jones and reintroduced john barrowman as jack harkness .

it notably featured the first televised re - appearance of the master since 1996 ' s doctor who tv movie . this marked not only the first time two new different incarnations of the master were seen in an episode of the show , but also the first time the master was seen properly regenerating on - screen .

this story continued on from the end of the torchwood episode end of days , with a six - month gap in between broadcasts . it also continued in the sound of drums leading some , including the dwm survey , to take it as a three - part story . ( dwm 385 ) however , utopia , the sound of drums , and last of the time lords writer and series 3 head writer and executive producer russell t davies always took it to be a separate story . ( dwm 406 )

as captain jack comes into the doctor ' s life again , the tardis is thrown to the end of the universe . as the last remnants of humanity struggle to reach " utopia " , unknown to all , the doctor ' s greatest enemy is about to rise again . . .

the tardis arrives at cardiff to refuel at the rift . the tenth doctor notes in surprise that the rift has been active , and so refuelling should only take 20 seconds . martha asks about the earthquake that happened in cardiff , to which the doctor replies , " a bit of trouble with the slitheen . " a figure suddenly bolts toward the tardis screaming " doctor ! " from the distance . . .

the doctor , shocked , sees jack harkness running towards the tardis on the monitor and takes off . jack leaps onto the tardis as it dematerialises , and the tardis console sends out sparks , knocking the doctor and martha to the floor . the doctor is astonished that they are accelerating towards the future , ending up at the year 100 trillion — the end of the universe . jack holds on tightly to the tardis , screaming for the doctor as they hurtle through the time vortex . . . somewhere else , a humanoid face with fangs turns and announces that " humans are coming ! "

in a desolate area , a human is running from the futurekind . within his laboratory , professor yana notes that there is movement on the surface : a " human hunt " . his assistant , chantho , asks if she should alert the guards . yana tells her not to , as they can ' t spare them . the professor is asked for a progress report over the radio but evades it by having chantho answer . while she speaks , he is unable to focus due to the sound of drums in his head . chantho gains his attention to show him that the surface scanner has now detected the tardis . he remarks , " it would seem something new has arrived . . . "

the doctor tells martha that he doesn ' t know what is outside — none of the time lords ever came this far . gleeful at seeing the unknown , they leave the tardis . outside , they find jack on the ground . while martha rushes back into the tardis to get a medical kit , the doctor says to jack , " oh , i ' m sorry . " realising that jack hung on all the way through the vortex , the doctor remarks that it is " very him " . martha says that jack is dead , but just then he takes a deep breath and sits up , grabbing a shocked martha by the arms . jack immediately begins flirting with martha , and an annoyed doctor tells him not to start .

the doctor and jack greet each other tersely . the doctor playfully asks if jack has had any surgery , which jack scoffs " you can talk " , as jack had not seen this incarnation yet . jack accuses the doctor of abandoning him , which the doctor shrugs off . jack asks after rose , having seen her on the list of the dead after the battle of canary wharf . the doctor happily tells jack that she is safe and sound on a parallel world along with mickey and jackie . jack and the doctor embrace in relief , while martha shows subtle resentment over the mention of rose again .

the futurekind are once again seen chasing the same man as before . jack tells martha of being stranded in the year 200 , 100 a . d after the doctor had left without him , much to her indignation . in response , the doctor coolly claims that he had been " busy " . jack shows martha his vortex manipulator — which an unimpressed doctor considers a space - hopper in comparison to his " sports car " tardis — and explains that he had used the manipulator to try to get back to the 21st century , but ended up in 1869 and had to live through the following decades , basing himself at the rift until his life coincided with one of the doctor ' s incarnations that would know who he was . martha asks if the doctor just gets bored of his companions . jack says , " not if you ' re blonde " , to which martha displays sarcastic surprise at the fact rose was blonde , causing the doctor to become irritated at their complaining .

they come across a city - like conglomeration . when martha asks about humanity ' s fate , jack spots the man running from the futurekind . jack catches the man , and pushes him towards the doctor , drawing his service revolver . the doctor stops jack from killing the futurekind , and jack fires into the air , scaring them . the doctor plans to head for the tardis , but they are cut off by more futurekind . the four head for " the silo " .

they approach the gates , with the futurekind closing the distance . the guard yells at them to show their teeth , admitting them to the silo once they show their normal human teeth . a soldier fires an assault rifle at the futurekind to force them back ; when jack remarks that the doctor didn ' t tell him to put his gun down , the doctor points out that the soldier is not his responsibility . the futurekind leader reluctantly orders his minions to fall back ; they retreat a short distance where they can keep watch on the silo . the man asks the soldier if he can be taken to utopia , which the soldier happily responds to affirmatively .

professor yana learns that the doctor , who claims to be a scientist , is in the silo , and rushes upstairs to find him . the doctor asks for the men to help retrieve the tardis . the doctor is happy when he discovers that humans have survived to the end of the universe , remarking that though they " spent a million years evolving into clouds of gas " , they revert to the same form eventually .

jack flirts with a male refugee , with the doctor once again telling him to stop . jack helps the doctor open a deadlock seal , and the door opens to show a deep rocket shaft , into which the doctor blindly steps and nearly falls down before jack yanks him back . they see a large rocket in the shaft , with neither the doctor or jack recognising the engines . the doctor muses on what " utopia " can mean if the universe is collapsing .

the professor arrives , dragging an amused doctor away , followed by martha and jack , but the four pass a woman whom nobody notices baring her teeth , revealing her to be one of the futurekind . back in the lab , jack immediately flirts with yana ' s alien assistant while the professor shows the doctor all the machines within the rocket . however , the doctor can ' t help , as the technology is unknown to him .

martha is shocked and disgusted to find the doctor ' s hand ( which jack describes as his " doctor detector " ) in a glass case in jack ' s backpack , and the doctor explains how he lost it " christmas day , in a sword fight " . yana enquires as to the doctor ' s species , and the doctor is saddened that the time lords have never been heard of in this time . he then adds somberly that the end of the universe is a bit humbling for his species .

chantho reveals that like the doctor she is also the last of her kind , the malmooth , and yana says that this was originally the malmooth homeworld malcassairo , before the humans took refuge . in response to jack ' s query about who the " beastie boys " upstairs are , yana tells them of the futurekind , which in themselves are a myth . it is feared that they are what the humans will become , unless they reach utopia .

yana shows the doctor the co - ordinates of utopia , supposedly a project of the science foundation to find a way to save mankind from the end of everything . yana once again hears the sound of drums . the doctor surmises that the rocket will not fly , but yana hasn ' t told the others to keep them from losing hope . impressed by this , the doctor applies what knowledge he has and uses the sonic screwdriver to get the system working . the passengers board the rocket , the outside guards secure the gate against the futurekind and retreat into the silo , and the doctor , yana , and jack work to speed up the launch process .

the doctor notices that some of the wires are odd looking . yana tells him they are crafted from gluten extract . he remarks to yana that he built the system of " food and string and staples " , calling yana a genius who would be revered in a different time . yana admits wistfully that some admiration just once would have been nice . the doctor has also realised that yana must stay behind to launch the rocket , which the professor admits — chantho has refused to leave , and he considers himself too old for utopia , instead wishing for rest ( death ) . a message comes over the radio that the tardis has been found . the doctor gleefully remarks he may have a way for yana to go too , though yana barely hears him , for as he looks at the picture of the tardis , the sound of drums grows louder in his head . . .

the doctor uses the tardis to provide extra power . the professor tells the doctor of the sound of drums and how they are growing louder , as if they are getting closer ; he says that he has heard them all his life .

chantho tells martha she has been with the professor for 17 years , letting slip her unrequited love for him , something martha sympathsises with . martha asks about the sentence structure she uses , starting sentences with " chan " and ending with " tho " . chantho replies that it would be rude not to , before trying once with a fit of the giggles .

atillo communicates with yana , who gives him instructions as the communication line fails and then gets martha to reboot the system every time the picture goes . atillo sends jate into the couplings room , which is flooded with stet radiation , to enable the launch with a gravity footprint .

the female futurekind damages the system , and jack and yana furiously try to correct the radiation levels . finally , jack sends a massive ( and lethal ) current through his body in order to jump - start the override system , but jate is vaporised by the stet radiation . as the doctor points out , no one can enter the room without dying , but as jack comes back from the dead , remarks he has got just the man for the job .

the doctor and jack race down to the couplings room — ordering atillo to board the rocket — and jack asks the doctor how long he has known that he is immortal . the doctor grimly replies , " since i ran away from you " , as jack enters the couplings room — unlike his predecessor , he just winces instead of disintegrating . as they watch the process , martha tells yana and chantho of the doctor ' s ability to travel through time and space . yana has new sounds in his head , including the reverberating word " tardis " .

jack explains that it wasn ' t until 1892 that he found out he was immortal after getting killed in a fight on ellis island , then waking from death . his past deaths included falling off a cliff ; getting trampled by horses ; world war i ; world war ii ; poison ; starvation . . . even a stray javelin . the doctor tells jack that to him he is " wrong " — a fixed point in time and space , a fact . just looking at him is an effort for the time lord . even the tardis knew what jack was — it had travelled to the end of the universe to try to shake him off !

jack recalls facing three daleks and his death at their hands , and the doctor explains about rose and the bad wolf entity , remarking that if a time lord had done what she did , they would have become a powerful and vengeful god . the doctor then tells jack that because of her humanity and compassion , rose used her new - found power to bring him back to life , but unable to control the power , the transformation was irrevocable ; the doctor muses that " the final act of the time war was life " . when jack asks if rose could reverse the process , the doctor replies that not only did he remove the power from her , but she is trapped in the parallel universe and can ' t return home . jack says that he went back to the powell estate in the 1990s , never letting rose see him ( to avoid temporal contamination ) but watching her growing up . when asked if he still wants to die , jack admits that he isn ' t sure anymore . the doctor points out that jack has the potential to meet other incarnations of himself across time — and that he might still be around in this time — joking that " it ' s the only man you ' re ever gonna be happy with " . as jack says that this new regeneration is a cheeky one , " regeneration " is another word added to those reverberating around yana ' s head . . .

yana is in tears , remembering stories of time travel from the old days that he never believed . he pulls out a fob watch , remarking that he was always late with time and the watch never worked . martha is shocked , recalling the doctor having a similar watch which he used to become human to avoid the family of blood . she asks where he got it , and yana remarks that he was found with the watch , " an orphan in the storm " , on the coast of the silver devastation . yana says it is broken , and martha asks how he could know if he has never opened it . martha turns over the watch and finds gallifreyan inscriptions on it .

martha rushes to find the doctor , having inadvertently piqued yana ' s interest in the watch . the countdown for launch begins . martha tells the doctor of the watch , and the doctor dismisses the idea as impossible . jack says he may not be the last time lord , and martha says it should be brilliant news — though the doctor says it depends just which time lord yana is . the doctor yells at martha , desperate to know exactly what yana said .

as yana inspects the watch , malevolent voices call to him from it , demanding that he open it . jack remarks that the end of the universe is the perfect place to hide , and martha recalls the dying words of the face of boe : " you are not alone " — for which " yana " is an acronym — and the professor opens the watch . a burst of golden energy swirls into the professor ' s face and radiates through the laboratory , which astonishes chantho . the rocket launches , and the futurekind watch in frustration as it leaves . chantho tries to speak to the professor , but the look in his eyes has changed — they are now dark and sinister .

yana deliberately closes all the doors , barring the entrance of the doctor , martha and jack to the laboratory , then coolly opens the front gates , allowing entrance by the futurekind to the silo . chantho frenetically attempts to reason with him , but he fails to yield . she holds a gun to yana to try to stop him , but he advances on her with high - voltage cable in hand . as the doctor and the others try to get back to the lab — having to double back after running into the futurekind — yana blames chantho for never asking about the watch and spitting that her constant " chan " and " tho " drove him insane . chantho begs " the professor " for his forgiveness , but he shouts that it is not his name — merely a disguise so perfect he forgot his own identity . when a terrified chantho asks who he really is , he replies , " i . . . am . . . the master , " before electrocuting her with the cable as the doctor , martha , and jack reach the lab and try to get in . as the master pulls the cable from the tardis , chantho shoots him before dying . jack finally smashes the control panel to open the door , but the master retreats into the tardis , putting the catch on the lock to prevent the doctor getting in with his key as well as deadlocking it against the sonic screwdriver .

as the doctor shouts desperately that everything ' s changed , jack and martha struggle to close the lab ' s door against the futurekind . fatally injured , the master fumes on being killed " by an insect . . . a girl . . . " and then proclaims that if the doctor can be young and strong , so can he . with a deranged wail , the master explodes in a spectrum of regeneration energy , his eyes glow violently , and he changes into a younger form , collapsing to the floor as the pain of his regeneration overwhelms him . the doctor stands outside his tardis aghast and helpless while martha and jack desperately block the futurekind from gaining entrance . now a new , even more psychotic version of himself , the master springs up from the tardis floor . laughing in triumph , the master uses the tardis ' intercom to speak to the doctor — sarcastically remarking about his past propensity to tell the doctor his plans and remarking that he won ' t do so this time — and martha realises that she knows his voice . the doctor begs him to stop , to which the master demands that he use his name . the doctor then says , " master . . . i ' m sorry . " the master pauses and shouts , " tough ! " as he prepares the tardis for launch . the doctor uses the sonic screwdriver and stops the launch momentarily . the master overrides it and gleefully bids the three a sarcastic goodbye . the tardis dematerialises as the doctor looks on in horror , while the futurekind pound at the door . . .

not every person who worked on this adventure was credited . the absence of a credit for a position doesn ' t necessarily mean the job wasn ' t required . the information above is based solely on observations of the actual end credits of the episodes as broadcast , and does not relay information from imdb or other sources .

though not credited in the original broadcast roll , simon c . holden was depicted in con : ' ello , ' ello , ' ello as a visual effects supervisor , and appeared to have been particularly involved with the john simm / derek jacobi regeneration sequence — which logically would have made him an on - set visual effects supervisor . it ' s unclear why the credited on - set visual effects supervisor , barney curnow , did not represent the visual effects crew on confidential for this episode .

rose tyler is mentioned , including reference to the battle of canary wharf and that she lives now in a parallel world with mickey smith and jackie tyler .

the tardis rushes through the vortex trying to escape jack harkness , who clings to its side .

the doctor lists the years 1 , 000 , 000 , 000 , 5 , 000 , 000 , 000 , 5 , 000 , 000 , 000 , 000 , and 50 , 000 , 000 , 000 , 000 as the tardis accelerates into the far future until it finally settles at the end of the universe .

this episode is part of a continuous arc ( the end of one episode immediately leading into another ) that begins in the torchwood episode captain jack harkness , develops in the torchwood episode end of days , switches over to doctor who in this one , continues in the sound of drums and concludes in last of the time lords .

. his first line in the role , as " professor yana " , was : " there ' s movement on the surface . another human hunt . god help him . " his first line as the master proper was : " not to worry , my dear . as one door closes , another must open . "

though brief , this was the debut performance for john simm as the master . his first line in the role was : " now then , doctor . ooo , new voice . hello , hello . hello . anyway , why don ' t we stop and have a nice little chat while i tell you all my plans and you can work out a way to stop me , i don ' t think . "

this episode marks the start of the first 3 - part story since survival , which also featured the master . in terms of actual screen time , it is actually more the equivalent of an old - style 6 - part episode , making this the first story of that sort since 1979 ' s the armageddon factor ( shada would have been this length if completed , but in its official release is much shorter ) . in terms of its overall time slot , it is the first story to span three hours since the two doctors .

this episode was not originally promoted as being connected to the finale two - parter .

this episode shows flashbacks from the parting of the ways , the christmas invasion , gridlock , and human nature .

each sentence heard from the watch were spoken by derek jacobi and roger delgado respectively , the latter taken from an audio clip from classic series episode the dæmons , and the chuckle is anthony ainley ' s trademark laugh from his classic series appearances , though it is not ( currently ) known which specific episode the audio clip is taken from . delgado and ainley ( both now deceased ) portrayed the master . eric roberts gave permission to use audio of him as the master from the doctor who tv movie but fox refused permission , so the clip was cut .

graeme harper ' s penchant for including a distorted image of a main character is present in this story . though not included in every single story he ' s directed for bbc wales , it ' s seen often enough to be considered something of a directorial " signature " . similar distortion is achieved through the use of other magnifying glasses in the unicorn and the wasp and army of ghosts , a curved window in journey ' s end , and with mirrors in turn left . this time , it ' s the master that ' s under the magnifying glass .

for the first time , three names are presented in the opening credits ; prior to this only the doctor and his " current " companion ' s names were ever displayed , even when the series featured other actors as companions , such as barrowman and noel clarke . hereafter , most guest companions ( such as the returning martha jones in the sontaran stratagem and the multiple companions of the stolen earth / journey ' s end ) receive similar credit treatment .

this story features the second regeneration scene in which the time lord subject is shown to be standing , and the first time in the revived series where a time lord other than the doctor visibly regenerates .

this is the sixth televised doctor who story which actually shows a regeneration occurring within the doctor ' s tardis . it was preceded by the tenth planet , destiny of the daleks , the caves of androzani , time and the rani , and the parting of the ways . additionally , spearhead from space implies , and comic : the night walkers confirms , that the regeneration resulting in the third doctor actually occurred in the tardis as well . since then , the day of the doctor , the time of the doctor and twice upon a time showcase the beginning of the regeneration in the war doctor ' s regeneration into the ninth doctor , the eleventh doctor ' s regeneration into the twelfth doctor and the latter ' s regeneration into the thirteenth doctor respectively .

just before the start of the opening credits , the scene shifts from showing jack clinging onto the tardis as it flies through the vortex to the futurekind preparing for a human hunt . according to the dvd commentary , this had to be done , otherwise the opening credits — showing the tardis flying through the vortex — would have felt out of place without jack being seen clinging to the outside . david tennant and russell t davies joke that they could have re - made the titles with jack clinging onto the tardis and that a " special edition " may be released in the future with a computer - generated captain jack attached to the tardis .

this is the first episode to identify the severed hand jack possesses as belonging to the doctor .

captain jack last appeared in torchwood episode end of days . this episode continues directly from the end of that episode , which had been first broadcast six months earlier . he last appeared in doctor who itself in the parting of the ways .

this is the first time in the revived series that the doctor uses his sonic screwdriver in a vertical fashion , reminiscent of his old sonic screwdrivers .

in doctor who adventures issue 22 it mentions the doctor and martha " discovering " utopia , suggesting that it is a real place .

john bell ( who played creet ) won his role on the british children ' s television show blue peter during a doctor who special that aired the same night .

jack ' s immortality is finally explained : when rose tyler as the bad wolf resurrected him , she couldn ' t control the power and brought him back forever as a living fixed point in time .

if you ' d like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode ' s discontinuity discussion .

when jack goes through the time vortex , he clings onto the tardis . at the start the windows are clearly blue , reflecting the vortex , but when zoomed out , they are white .

when martha asks about the cardiff earthquake , the doctor claims that he " had a little trouble with the slitheen . " additionally , he claims he was a " different man " back then . ( tv : boom town )

jack scoffs at the doctor for asking if he ' s had any cosmetic work done , referring to the doctor having regenerated since he last saw him . ( tv : the parting of the ways ) cassandra made a similar remark when she saw the tenth doctor , ( tv : new earth ) believing the ninth doctor underwent plastic surgery since their last encounter . ( tv : the end of the world )

jack refers to the human race as " fantastic " , to the delight of the doctor . ( tv : rose - the christmas invasion )

yana tells the doctor that he hears " the sound of drums . " ( tv : the sound of drums , last of the time lords , the end of time )

yana states that he was found naked on the banks of the silver devastation , which is also where some believed the face of boe was from . ( tv : the end of the world )

yana hears a phrase in the voice of a previous incarnation of the master whilst being tempted by the chameleon arch biodata module . ( tv : the dæmons )

the doctor had also previously referred to the human race as " indomitable " during his fourth incarnation . ( tv : the ark in space )

the doctor previously referred to himself as a doctor of " practically everything " during his third ( tv : spearhead from space ) fifth ( tv : four to doomsday ) and ninth ( comic : the cruel sea ) incarnations . here , he apparently drops the word " practically " .

the doctor says that not even the time lords had ever travelled this far into the future . the fifth doctor revealed that there was a rule among the time lords that they mustn ' t travel beyond a certain time . ( tv : frontios )

jack isn ' t the first to grab onto the exterior of the tardis as it dematerialises . father kreiner also managed this in prose : interference - book two .

the doctor states that the rift had recently been active . this was due to owen harper activating torchwood three ' s rift manipulator in hopes he would find diane holmes and fracturing the rift in the process , the repairing of the rift , and the following chaos wrought by abaddon and bilis manger . ( tv : captain jack harkness / end of days )

chantho would become the first of three women to kill the master : chantho , lucy saxon , ( tv : last of the time lords ) and missy , the master ' s own future incarnation . ( tv : the doctor falls )

this story has been released along with the sound of drums and last of the time lords on the series 3 volume 4 dvd .

contrary to common belief , season 10 kicked off in the last week of december 1972 — not in 1973 , as would be expected . season 10 actually began nine years after season 1 started . in fact , the three doctors began nine years to the week after the daleks first aired .

in 2013 , mcgann reappeared as the lead in the mini - episode the night of the doctor .

for the purposes of this list , " series 4 " is considered to be the production series 4 , which ran all the way from time crash to the end of time .