Just as we enter the US people's stall, we also enter the US government's stall. And there, along with works of high scientific, cultural and artistic value, created by the US people, are works of terror, of darkness, works of death, works that the CIA contracts from the counterrevolution.
Y allí, junto a obras de extraordinaria valor científico, cultural y artístico, que son obras de creación del pueblo norteamericano, estaban las obras de terror, las obras de la oscuridad, las obras de la muerte, las obras que paga la CIA a la contrarrevolución.