On the one hand, it offers a slower, resting look at an apparatus characterized by the speed of the news. On the other, here the television is linked with a format from the history of composition, one that resonates strongly in the past, perhaps implying that television already belongs to that historical tradition more than to the strictly contemporary (without a doubt, the icon of the present is the computer; it is not strange, then, that the television has been relegated to this place).
Por un lado presenta una mirada reposada de un aparato identificado con la velocidad de las noticias. Por otro, lo liga a una estructura compositiva histórica, de fuertes resonancias en el pasado, implicando quizás que la televisión pertenece ya a esa tradición histórica más que a la estricta actualidad (sin lugar a dudas, el icono del presente es la computadora; no resulta extraño entonces que el televisor ocupe este lugar).