Between the two authors there was no contact, nor a verbal one. Quoting Guareschi, Rabbia presents itself like a kind of "cine-match" (to the communist point of view of Pier Paolo Pasolini Guareschi answers in an anti-communist way).
Entre los dos actores no había ningún contacto, ni siquiera verbal. Citando a Guareschi, la Rabbia se presenta come una especie di "cine-match", es decir, al punto di vista comunista de Pier Paolo Pasolini responde Guareschi en clave anticomunista.