This work, also considered to be of a satanic nature by some, meant that Diamanda Galas had her work vetoed by the Church as well as on the part of some groups in favour of euthanasia in the tape version of Final Exit, so she could not include all the material she had prepared for Vena Cava the way she had wished to do.
Esta obra, considerada satánica por algunos, le supuso a Diamanda Galas ver vetado su trabajo, tanto por parte de la Iglesia como por parte de los defensores de la eutanasia en la versión en cinta magnética de Final Exit, por lo que no pudo incluir todo el material que había preparado para Vena Cava tal como era su deseo.