If not for the script (that, although there are so many references, or perhaps because of them, it ends up being a little disconnected), at least by Alex Horley’s great art, who has given us the gift of fantastic scenes of inconsequent and gratuitous violence.
Si no por el guión (que, a pesar de tantas referencias, o quizá a causa de ellas, termina siendo un poco inconexo), al menos por la calidad del arte de Alex Horley, que nos brindó fantásticas escenas de violencia inconsecuente y gratuita.