It is interesting that for the painter there are still myths long surpassed, like the indecision between figurative and abstract, that moment lived by Cézanne and Van Gogh that Plínio seeks to feel in his flesh, maybe afraid, should he makes up his mind in favor of the abstract painting, of falling in a kind of nihilism.
Es interesante el hecho de que, para el pintor, todavía existan mitos superados hace tiempo, como la indecisión entre figurativo y abstracto, aquel momento vivido por Cézanne y Van Gogh, y que Plínio busca sentir en la carne, temiendo quizás, en el caso de decidirse por la pintura abstracta, caer en una especie de nihilismo.