user22161: 


Please provide camera models if possible. Not knowing this is driving me crazy haha

user10931: Netflix, the BBC, Amazon, and others that commission and/or broadcast content maintain a set of professional standards that specify everything from acceptable cameras to file naming conventions.  The Netflix list of approved cameras is here.  I would offer that by studying these lists (which talk about not only resolution, but also bit depth, chroma sampling, bit rate, compression rates, etc) you can see where the professionals draw the line between claims made by prosumer camera models and what is standard industry practice in 2018.
There are people who are shooting real feature-length productions for theatrical distribution on iPhones.  Because that's the director prerogative: their movie, their aesthetic.  But I would say that the approved camera lists give a good idea of what sort of camera produces the mainstream image quality you see in professional-quality productions, which that YouTube video seems to demonstrate.  And those cameras typically more than $2,000.
And, as noted before, you could have a $80,000 RED Monstro with a $45,000 Zeiss Master Prime lens and you won't get that quality without proper lighting, set design, etc.  But if you have a great set with great lighting, then you can do a lot with cameras in the $2,500-$45,000 range (and lenses in the $2,000-$20,000 range), which you can find on the Netflix approved camera list, or elsewhere (for other broadcast/streaming specifications).

22161: <p><div class="youtube-embed"><div>
                <iframe width="640px" height="395px" src="https://www.youtube.com/embed/W4hvneKcPZI?start=0"></iframe>
            </div></div></p>

<p>Please provide camera models if possible. Not knowing this is driving me crazy haha</p>
 10931: <p>Netflix, the BBC, Amazon, and others that commission and/or broadcast content maintain a set of professional standards that specify everything from acceptable cameras to file naming conventions.  The Netflix list of approved cameras is <a href="https://partnerhelp.netflixstudios.com/hc/en-us/articles/360000579527-Cameras-and-Image-Capture" rel="nofollow noreferrer">here</a>.  I would offer that by studying these lists (which talk about not only resolution, but also bit depth, chroma sampling, bit rate, compression rates, etc) you can see where the professionals draw the line between claims made by prosumer camera models and what is standard industry practice in 2018.</p>

<p>There are people who are shooting <a href="https://en.wikipedia.org/wiki/Unsane_(film)" rel="nofollow noreferrer">real feature-length productions for theatrical distribution on iPhones</a>.  Because that's the director prerogative: their movie, their aesthetic.  But I would say that the approved camera lists give a good idea of what sort of camera produces the mainstream image quality you see in professional-quality productions, which that YouTube video seems to demonstrate.  And those cameras typically more than $2,000.</p>

<p>And, as noted before, you could have a $80,000 RED Monstro with a $45,000 Zeiss Master Prime lens and you won't get that quality without proper lighting, set design, etc.  But if you have a great set with great lighting, then you can do a lot with cameras in the $2,500-$45,000 range (and lenses in the $2,000-$20,000 range), which you can find on the Netflix approved camera list, or elsewhere (for other broadcast/streaming specifications).</p>
