user17638: I am fairly experienced with video editing, but I know embarrassingly little about color grading. Can anyone recommend any resources that can help me get started?
(I typically use Premiere Pro)

user14504: I would look at some of the tutorials on YouTube. There are plenty of them. 
If you want to get into grading; you can jump right in as long as you are shooting RAW; or at the very least; 4:2:2. 
If you're shooting 4:4:4; you have a lot of flexibility. 
Resolve's DaVinci Line has some nice low cost entry options that include control surfaces; I personally use a Tangent Wave with Resolve to grade RED material; it's fast and very robust. 
It's important you look into workflow, that is; are you applying filters; or merely manipulating the metadata XML; as with RED footage. Each camera/codec/software will have it's own unique pipeline in terms of how you grade. 
I would invest in a Spyder; and calibrate your monitor. You want to grade in a room that is lit to 70% ambiance of your monitor's brightness. So your monitor shouldn't blind you. Your color temperature needs to match as well; so if your monitor is 5600K; make sure all the bulbs in your edit room are 5600K; or your eyes will play tricks on you. 
But on YouTube there are plenty of in depth tutorials; just keyword davinci resolve tutorial and you'll see. 

17638: <p>I am fairly experienced with video editing, but I know embarrassingly little about color grading. Can anyone recommend any resources that can help me get started?</p>

<p>(I typically use Premiere Pro)</p>
 14504: <p>I would look at some of the tutorials on YouTube. There are plenty of them. </p>

<p>If you want to get into grading; you can jump right in as long as you are shooting RAW; or at the very least; 4:2:2. </p>

<p>If you're shooting 4:4:4; you have a lot of flexibility. </p>

<p>Resolve's DaVinci Line has some nice low cost entry options that include control surfaces; I personally use a Tangent Wave with Resolve to grade RED material; it's fast and very robust. </p>

<p>It's important you look into workflow, that is; are you applying filters; or merely manipulating the metadata XML; as with RED footage. Each camera/codec/software will have it's own unique pipeline in terms of how you grade. </p>

<p>I would invest in a Spyder; and calibrate your monitor. You want to grade in a room that is lit to 70% ambiance of your monitor's brightness. So your monitor shouldn't blind you. Your color temperature needs to match as well; so if your monitor is 5600K; make sure all the bulbs in your edit room are 5600K; or your eyes will play tricks on you. </p>

<p>But on YouTube there are plenty of in depth tutorials; just keyword davinci resolve tutorial and you'll see. </p>
