first deepa mehta film saw film tv hindi version sita character presented nita also note radha underwent allegorical trial fire film nitasita yet loved film screenplay ms mehta direction characters big small welldeveloped seemed quixotic towards endsomewhat like end mazurskys an unmarried woman brave women surrounded cardboard men one cardboard man ashok seems come alive last shot see himcarrying invalid mother biji seems finally take future responsibility beyond celibacy adherance religion br br ms mehta seems fumble director however compared indian mainstream cinema would seem brilliant cannot use script go beyond microscopic joint family presenting except presenting glimpse chinese microminority social milieu india even dedicates film mother daughter not father yet radha reminesces halcyon days parents mustard field compare mrinal sen adoor gopalakrishnan muzaffar ali dwarfed giantsgiven competent canadian production team financial resources mehtas film two bisexual ladies indian middleclass household may sacrilege some merely captures atrophy middleclass homes seem aspire something better immediate survival limited social space kannada malayalam bengali films touched parallel themes india publicity surrounded film therefore seen wide segment knowledgeable cinemagoersbr br ms das ms azmi mr jafri mr kharbanda credible outstanding ms azmi talented actress gave superb performances good directors mrinal sens khandar gautam ghoses paar benegals ankur brilliance notably absent film ms das sparkled due screen presence rather acting capability all films strength remains structure screenplay average terms international cinema sure ms mehta hone writing talents future screenplays
first deepa mehta film saw film tv hindi version sita character presented nita also note radha underwent allegorical trial fire film nitasita yet loved film screenplay ms mehta direction characters big small welldeveloped seemed quixotic towards endsomewhat like end mazurskys an unmarried woman brave women surrounded cardboard men one cardboard man ashok seems come alive last shot see himcarrying invalid mother biji seems finally take future responsibility beyond celibacy adherance religion br br ms mehta seems fumble director however compared indian mainstream cinema would seem brilliant cannot use script go beyond microscopic joint family presenting except presenting glimpse chinese microminority social milieu india even dedicates film mother daughter not father yet radha reminesces halcyon days parents mustard field compare mrinal sen adoor gopalakrishnan muzaffar ali dwarfed giantsgiven competent canadian production team financial resources mehtas film two bisexual ladies indian middleclass household may sacrilege some merely captures atrophy middleclass homes seem aspire something better immediate survival limited social space kannada malayalam bengali films touched parallel themes india publicity surrounded film therefore seen wide segment knowledgeable cinemagoersbr br ms das ms azmi mr jafri mr kharbanda credible outstanding ms azmi talented actress gave superb performances good directors mrinal sens khandar gautam ghoses paar benegals ankur brilliance notably absent film ms das sparkled due screen presence rather acting capability all films strength remains structure screenplay average terms international cinema sure ms mehta hone writing talents future screenplays
primera película profunda mehta vio película cine tv hindi versión sita personaje presentado nita también nota radha se sometió a ensayo alegórico fuego película nitasita aún amado cine guión ms mehta dirección personajes grandes pequeños bien desarrollados parecía quixotic hacia finalsomewwill como fin mazurskys una mujer soltera valiente mujeres rodeado cartón hombres un cartón hombre Ashok parece llegar a vivir última foto ver élcarring inválido madre biji parece finalmente tomar responsabilidad en el futuro más allá de celibato adhesión religión br br ms mehta parece fumble director sin embargo comparado indio cine convencional parece brillante no puede utilizar guión ir más allá microscópico familia presentación excepto presentando vislumbre chino microminoriedad social medio ambiente India incluso dedica película madre hija no padre y radha reminesces halcyon días padres campo mustard comparar mrinal sen adoor gopalakrishnan muzaffar ali enanoed gigants gestione equipo de producción competente canadiense recursos financieros mehtas película mehtas bisexuales damas indian clase medio hogar puede sacrilege algunas simplemente captura una trofeo hogares parece aspirar algo mejor supervivencia inmediata