samuel fuller knows war one directors american movie history could accurately portray horrific experiences form like motion picture pessimism idealism sounds little odd mix together work storyteller time hes always tell truth however brutal or put melodramatic constructs get verboten however deals postwar experience get opening scenes big boom war bold point opening shot like one big exclamation point seems continue rest scenes dead soldier ground camera pans up see another soldier shot wartorn terrain simple direct language fuller punctuates intensity something interesting title song played opening credits irony sincerity beethoven music shootout americans nazis sgt david brent james best shot battle goes on transitions treated woundsbr br it might lead one believe somewhat conventional ww flick somewhat one usually find beethoven and later extent wagner put images case instead fuller makes coming home kind movie though sense this soldier comes home injured on instead really going home brent stays germany hes fallen head heels woman helga susan cummings pretty good pulling german accent wants work smaller capacity military marry her realize a wants money get food brother however gets complex emotionally point revelation slightly naive heartfelt brent b theres underground hitler youth sect called werewolves want pick right hitler ended starting small despite argument within group attacking government thats embedded germany give them brent describes blood transfusion this plus footage nuremburg trials as narrated think fuller himself quick nopunchespulled history nazi war crimes piece piece get multifaceted look society dire straits immediate postwar environment rossellini handled way germany year zero fuller tackles layers first theres love story tragic downfall man cant see anything past thinks reasonable wife child way cant leave revelation hes partly swindled baker cummings along harold daye helgas young confused brother perform utmost detail emotions easy bmovie parts though couldve that another layer political one struggle society come grips conquered mentality made sensationalized sure fuller respect making nazis total nograyarea thing theyre evil particularly cancel reason meet endsbr br and finally theres layer style strangely absorbing probably one fullers talkiest films bad thing considering one best written scripts characters talk simply many platitudes with exception small scene two characters talk hitler youth juvenile delinquents actually according fullers autobiography probably another layer consider subtext s period movies fuller shoots almost real european style hes going fight scenes battles editing always fast sometimes cut happen full minute longer theres odd tension grows this especially theres something said character gets another one wildeyed suspicious fuller could easily go big closeup theres sinister cold quality moving away two people conversation without simple overtheshoulder deal requires it like big brawl outside american military office nuremburg footage spliced franzs memories werewolves fuller stunning stylist everbr br very hard find extremely worth your either fan directors ww movies set germany even historybuff verboten intellectual experience strong emotional one cast better expected bmovie attitude towards other equally damning thought provoking
samuel fuller knows war one directors american movie history could accurately portray horrific experiences form like motion picture pessimism idealism sounds little odd mix together work storyteller time hes always tell truth however brutal or put melodramatic constructs get verboten however deals postwar experience get opening scenes big boom war bold point opening shot like one big exclamation point seems continue rest scenes dead soldier ground camera pans up see another soldier shot wartorn terrain simple direct language fuller punctuates intensity something interesting title song played opening credits irony sincerity beethoven music shootout americans nazis sgt david brent james best shot battle goes on transitions treated woundsbr br it might lead one believe somewhat conventional ww flick somewhat one usually find beethoven and later extent wagner put images case instead fuller makes coming home kind movie though sense this soldier comes home injured on instead really going home brent stays germany hes fallen head heels woman helga susan cummings pretty good pulling german accent wants work smaller capacity military marry her realize a wants money get food brother however gets complex emotionally point revelation slightly naive heartfelt brent b theres underground hitler youth sect called werewolves want pick right hitler ended starting small despite argument within group attacking government thats embedded germany give them brent describes blood transfusion this plus footage nuremburg trials as narrated think fuller himself quick nopunchespulled history nazi war crimes piece piece get multifaceted look society dire straits immediate postwar environment rossellini handled way germany year zero fuller tackles layers first theres love story tragic downfall man cant see anything past thinks reasonable wife child way cant leave revelation hes partly swindled baker cummings along harold daye helgas young confused brother perform utmost detail emotions easy bmovie parts though couldve that another layer political one struggle society come grips conquered mentality made sensationalized sure fuller respect making nazis total nograyarea thing theyre evil particularly cancel reason meet endsbr br and finally theres layer style strangely absorbing probably one fullers talkiest films bad thing considering one best written scripts characters talk simply many platitudes with exception small scene two characters talk hitler youth juvenile delinquents actually according fullers autobiography probably another layer consider subtext s period movies fuller shoots almost real european style hes going fight scenes battles editing always fast sometimes cut happen full minute longer theres odd tension grows this especially theres something said character gets another one wildeyed suspicious fuller could easily go big closeup theres sinister cold quality moving away two people conversation without simple overtheshoulder deal requires it like big brawl outside american military office nuremburg footage spliced franzs memories werewolves fuller stunning stylist everbr br very hard find extremely worth your either fan directors ww movies set germany even historybuff verboten intellectual experience strong emotional one cast better expected bmovie attitude towards other equally damning thought provoking
samuel fuller sabe guerra uno directores historia de la película americana podría retratar con precisión experiencias horribles forma como película imagen pesimismo idealismo sonidos poco extraña mezcla juntos trabajo narrador tiempo hes siempre decir la verdad sin embargo brutal o poner construcciones melodramáticas obtener verboten sin embargo ofertas experiencia de la posguerra obtener escenas de apertura gran boom guerra punto audaz apertura tiro como un gran signo de exclamación parece continuar escenas de descanso soldados muertos cámara de tierra panes hacia arriba ver otro soldado tiro wartorn terreno simple lenguaje directo fuller puntua intensidad algo interesante canción título créditos de apertura