opening night released  tries ambitious production succeeds truly stunning performance gena rowlands character theatre actress myrtle necessarily someone would love real life selfabsorbed often obnoxious makes life miserable around  words unlike actresses myrtle also woman edge collapse  quite sure demons fighting real imagined although let secret early rowlands obviously well directed love gifted husband actordirector john cassavettes role film well film without flaws  overly long last part film myrtle goes stage drunk seems almost cruel improvising dialogue  least stage  goes way long supporting characters give good performances especially ben gazarra playing myrtles sleazy producer joan blondells character never fully developed never could figure film except placate myrtle see film rowlands alone  fascinating throughout  tough take eyes her although want times
opening night released tries ambitious production succeeds truly stunning performance gena rowlands character theatre actress myrtle necessarily someone would love real life selfabsorbed often obnoxious makes life miserable around words unlike actresses myrtle also woman edge collapse quite sure demons fighting real imagined although let secret early rowlands obviously well directed love gifted husband actordirector john cassavettes role film well film without flaws overly long last part film myrtle goes stage drunk seems almost cruel improvising dialogue least stage goes way long supporting characters give good performances especially ben gazarra playing myrtles sleazy producer joan blondells character never fully developed never could figure film except placate myrtle see film rowlands alone fascinating throughout tough take eyes her although want times
La noche de estreno trata de producción ambiciosa éxito verdaderamente impresionante actuación gena Rowlands personaje actriz de teatro myrtle necesariamente alguien amaría la vida real autoabsorbido a menudo odiosa hace la vida miserable en torno a palabras a diferencia de actrices myrtle también borde mujer colapso bastante seguro demonios lucha real imaginado aunque dejar secreto principios de fila obviamente bien dirigido amor esposo talentoso actor director john cassavettes papel película bien película sin defectos demasiado largo última parte película myrtle va escenario borracho parece casi cruel improvisando diálogo menos etapa va mucho tiempo personajes de apoyo dar buenas actuaciones especialmente ben gazarra interpretando myrtles sleazy productor joan rubias personaje nunca completamente desarrollado nunca podría figura cine excepto aplacar a myrtle ver películas hileras solo fascinante a través de duro tomar ojos ella aunque desea momentos