where did giovanni pierluigi da palestrina live?
Italy
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 In Florence , Cossa submitted to Martin V on June 14 , 1419 and was rewarded with a cardinal 's hat on June 26 , only to die on December 22 . Although given the title of Cardinal Bishop of Tusculum , Cossa called himself " Cardinal of Florence " . 

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 The family lived in Florence , originally near Santa Trinita and later in rented space near Santo Spirito , most likely because they were not able to afford repairs to their former house when it was damaged . Lisa 's family moved to what today is called Via dei Pepi and then near Santa Croce , where they lived near Ser Piero da Vinci , Leonardo 's father . They also owned a small country home in St. Donato in the village of Poggio about 32 kilometres ( 20 mi ) south of the city . Noldo , Gherardini 's father and Lisa 's grandfather , had bequeathed a farm in Chianti to the Santa Maria Nuova hospital . Gherardini secured a lease for another of the hospital 's farms and , so that he could oversee the wheat harvest , the family spent summers there at the house named Ca ' di Pesa . 

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 Villani also describes in vivid detail the effects of another widespread famine in Tuscany during the year 1347 , which killed an estimated 4 @,@ 000 people in Florence a year before the Bubonic Plague . 

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 Gian Giacomo Caprotti da Oreno , nicknamed Salai or Il Salaino ( " The Little Unclean One " i.e. , the devil ) , entered Leonardo 's household in 1490 . After only a year , Leonardo made a list of his misdemeanours , calling him " a thief , a liar , stubborn , and a glutton " , after he had made off with money and valuables on at least five occasions and spent a fortune on clothes . Nevertheless , Leonardo treated him with great indulgence , and he remained in Leonardo 's household for the next thirty years . Salai executed a number of paintings under the name of Andrea Salai , but although Vasari claims that Leonardo " taught him a great deal about painting " , his work is generally considered to be of less artistic merit than others among Leonardo 's pupils , such as Marco d 'Oggiono and Boltraffio . In 1515 , he painted a nude version of the Mona Lisa , known as Monna Vanna . Salai owned the Mona Lisa at the time of his death in 1525 , and in his will it was assessed at 505 lire , an exceptionally high valuation for a small panel portrait . 

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 Girolamo Rusticucci , secretary of Pope Pius V ( r . 1566 – 72 ) , who in 1570 appointed him Cardinal of Santa Susanna , bought a palace lying almost at the end of the Via Alessandrina ( the road later named Borgo Nuovo ) in Borgo on 31 March 1572 . This building , once owned by Roberto Strozzi ( exponent of the banker family from Florence ) , had been sold in 1567 to Pope Pius V , who donated it immediately to his nephew Paolo Ghislieri . Ghislieri sold it to the Cardinal five years later with the accordance of the pope . In order to enlarge his building , Rusticucci also bought several nearby houses . Selling negotiation not always finished successfully : an old woman refused to sell her home , forcing the architect to engulf it in the enlarged palace . However , the woman and her heirs could live there until they sold it to the owner of the " Caffè San Pietro " , one of the oldest coffee shops in the city . The strong @-@ willed opposition of another owner forced the cardinal to renounce to extend the building to the east until Borgo Sant 'Angelo , although the works had already commenced . A powerful angular rustication erected at the corner between Borgo Sant 'Angelo and Borgo Nuovo testified until 1937 about the Rusticucci 's intention . Several years went by after the acquisition of Ghislieri 's palace , until in 1584 Rusticucci gave the task to design a larger palace to architect Domenico Fontana . After Fontana 's transferral to Naples who , after the death of Sixtus V ( r . 1585 – 90 ) and the brief intermezzo of Innocent IX ( r . Oct.-Dec. 1591 ) , could not win the favor of Pope Clement VIII ( r . 1592 – 1605 ) , the task was finished by his nephew Carlo Maderno . It is also worth noticing that in the early 16th century one of the houses which predated the palace hosted an osteria . In the late 1510s Raphael , at that time painting the Vatican loggias , often had lunch together with his aides in a rear room of that eatery . The artists often discussed work problems during lunch , sketching different solutions on the walls of the room . When the palace was built , the osteria remained in place , and the owners always took care of the walls of that room throughout the years . 
