what guitar did andres segovia use?
Spanish acoustic guitar
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 De Lucía was espeically noted for his unusually fast and fluent picados ( fingerstyle runs ) and powerful rhythmic strumming . He is generally thought to have been one of the most technically gifted and accomplished guitarists of any age . A master of contrast , he was known for his tendency to juxtapose fast and aggressive playing with more sensitive styles , and pioneered the incorporation of abstract and unusual chords and scale tones in his compositions , reflecting his jazz influences . These innovations saw De Lucía play a key role in the development of traditional flamenco and the evolution of new flamenco and Latin jazz fusion . He received enormous acclaim for his recordings with legendary flamenco singer Camarón de la Isla in the 1970s , recording ten albums which are considered some of the most important and influential in flamenco history . His recording of Joaquin Rodrigio 's Concierto De Aranjuez in a flamenco style is often considered one of the best and most unique recordings of the much @-@ loved composition . 

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 The band and Andrés Calamaro recorded two tracks : " La Mesa del Rincón " and " Quiero Volar Contigo " , the former to the rhythm of tango ( with three violins and a cello ) , and for the latter , Calamaro played marimba and changed the original rhythm of the song to cha @-@ cha @-@ cha . This performance had to be re @-@ taped since there was a technical failure . Zack de la Rocha performed " Somos Más Americanos " , while Juanes played guitar on " La Jaula de Oro " , a song he had to " rehearse many times " . De la Rocha recorded his part twice , incorporating more Spanish lyrics on the second take . Juanes and De la Rocha were the only featured performers selected for their work for immigration rights in the United States , a social cause important to the band . The final song recorded was " América " ; the band shared the stage with Calle 13 who , by request of their lead member René Pérez , changed the instrumentation , quickened the tempo and added trumpets and violins . The costumes the band wore on the show were donated to the Hard Rock Cafe in Los Angeles after the show . 

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 In 1999 , Bueno introduced cuarteto singer Walter Olmos to the public scene with performances in several of his concerts in the Buenos Aires province . After Bueno 's death , Olmos was popularly regarded as his musical heir , but he only enjoyed brief success before his death while playing Russian roulette in 2002 . 

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 Francisco Gustavo Sánchez Gomez ( 21 December 1947 – 25 February 2014 ) , known as Paco de Lucía [ ˈpako ðe luˈθia ] , was a Spanish virtuoso flamenco guitarist , composer and producer . A leading proponent of the new flamenco style , he helped legitimize flamenco among the establishment in Spain , and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz . Richard Chapman and Eric Clapton , authors of Guitar : Music , History , Players , describe de Lucía as a " titanic figure in the world of flamenco guitar " , and Dennis Koster , author of Guitar Atlas , Flamenco , has referred to de Lucía as " one of history 's greatest guitarists " . 

contradiction
 Mike Elizondo – producer , writer , instruments 
