Misfits: series four, DVD review Since it's a show that thrives on adolescent urges, it's probably no surprise to hear that series four of Misfits feels cocky. Loucheness, dark wit, and a Lionel Richie clay sculpting sub-plot are the kind of elements we've come to expect from a show that has always taken immense satisfaction in its own subversiveness. That self-absorption becomes a problem, though, when it's at the expense of more formulaic elements. This series has been dogged by a rapid turnover of regular cast members, and the show's writers have not eased their audience through the transition. The first episode, for instance, is basically impenetrable for anybody new to Misfits- a strange move considering that we have been told to expect at least one more series. It's a pity, because Misfits has not run out of ideas. There are some great moments in series four - a killer rabbit, the aforementioned Lionel Richie send-up, the whole of the film noir-inspired fourth episode, and a sub-plot that involves Alex trying to find the person that stole his penis. It's just that the writers are trying to juggle fresh ideas with a changing cast. Throughout series four Misfits introduces three new regulars and loses two. In a character-driven show that kind of upheaval is always going to be challenging and disorienting. In series one, the characters contrast so vividly with one another they have a cartoonish quality. If you revisit the first episode, you can see the writers spelling out the different personalities in billboard type - and that's fine, because there's always been a comic book appeal to Misfits. Fast forward to series four, though, and the characterisation is too loose, the characters gel awkwardly, and it has the feel of a series in transition. It might yet see a return to the form of series one and two. It's still funny and unlike anything else on TV at the moment. But like a gangly, awkward teenager, this series may have grown a little too much too soon. Series four of Misfits is out on DVD now