"Arbitrage" (R, 1:40) Richard Gere plays a New York hedge-fund magnate whose glittering world may be coming undone in Nicholas Jarecki's sleek entertainment about how very good greed can be. A fairy tale masquerading as a tragedy, the film features Susan Sarandon as the wife and Brit Marling as the doting daughter. Barfi! (No rating, 2:05, in Hindi) This engagingly odd Hindi romantic comedy stars Ranbir Kapoor and Priyanka Chopra: He's deaf and mute; she's autistic; they fall in love. Featuring long sequences with minimal or no dialogue, the movie, written and directed by Anurag Basu, sometimes seems mawkish and the comedy tends toward pathos. But "Barfi!" is also a particularly pure expression of one Bollywood's most cherished themes: love conquers all. Rachel Saltz ★ "The Dark Knight Rises" (PG-13, 2:44) After seven years and two films that have pushed Batman (Christian Bale) ever deeper into the dark, the director Christopher Nolan has completed his postmodern, post-Sept. 11 epic of ambivalent good versus multidimensional evil with a burst of light. "Detropia" (No rating, 1:33) A visual caress of postindustrial blight, Heidi Ewing and Rachel Grady's dreamy documentary about a slowly crumbling Detroit places information and analysis distant seconds to mood and impression. "The Expendables 2" (R, 1:43) Sylvester Stallone returns with his band of aging action stars and a ridiculous amount of ammunition and explosives, bent on avenging a comrade's death and keeping some plutonium out of evil hands. A brief appearance by Chuck Norris provides the best moment of self-parody in a movie that could have used a few more of them. Neil Genzlinger "The Eye of the Storm" (No rating, 1:59) Charlotte Rampling plays a domineering Australian matriarch, fighting the world, her seemingly ungrateful children (a fine Geoffrey Rush and Judy Davis) and maybe herself as she clings to life in Fred Schepisi's dramatically unsteady, blustery if likable film. It was adapted by Judy Morris from the Patrick White novel. For a Good Time, Call ... (R, 1:26) This potty-mouthed comedy about two Manhattan women who establish a successful phone-sex business to pay the rent doesn't aspire to be more than a broad, sloppy, old-fashioned sitcom with a sexy gimmick, but the bogus dirty talk is often very funny.