What the Jetsons Will Really Be Wearing Humberto Leon worked with the director of "Her" on a line for Opening Ceremony, with details aimed at the world of the future. If you take your cue from "Her," Spike Jonze's cinematic fantasy set in an indeterminate time and place, the future won't look so very different from the here and now. In Mr. Jonze's unlikely screen romance between the lovelorn hero played by Joaquin Phoenix and his computer operating system (the disembodied voice of Scarlett Johansson), the wardrobes seem peculiarly current. Save for a few unsettling tweaks - shirts worn one atop the other, an off-kilter color palette of chemically burnt-looking oranges, pinks and greens, and the strangely unsexy high-waist pants worn by most of the men - its sartorial style is as reassuringly familiar as anything that might be picked up at Gap. "The idea was to create a world that looks a lot like the world we live in," said Casey Storm, who designed the costumes, "but just different enough to tell you that you are not 100 percent in the present." To that end, the filmmakers dodged the customary sci-fi clichés - Dr. Evil band-collared uniform jackets, Star Trek unitards, glints of chrome and the like - in favor of a high-function wardrobe that is clearly built for comfort. That muted vision had a visceral appeal for Humberto Leon, a partner in Opening Ceremony, who collaborated with Mr. Jonze to create a line to be introduced in his stores this week, one that echoes the low-key aesthetic of the movie, which opens on Dec. 18. The collection does incorporate a few crafty concessions to Tomorrow World. "Every pocket is meant to perfectly fit a device, a tablet or an iPhone," Mr. Leon said. Other items allow for the passage of the cords and wires typically extending from headphones and other tech totems. But in most ways, the line remains the easygoing antithesis of recent ultra-spare, neoprene-imbued, vaguely retro-futuristic runway looks from influential labels like Céline and Calvin Klein. "It was really important for me to interpret something that didn't feel costume-y," Mr. Leon said. Tapered flat-front pants, shirts that appear to be double-layered and T-shirts printed with disorienting images of Los Angeles were all intended to conjure a future that gently creeps up on you; a feeling, he said, "that you are entering a work in progress, a world continually changing and evolving." That priority is strikingly in tune with a view expounded by the high priest of cyberpunk, William Gibson. "The future is already here," Mr. Gibson has famously written. It's just not very evenly distributed. From Other Closets and Other Walls A CECIL BEATON PHOTOGRAPH of ballerinas, a Shepard Fairey screen print of André the Giant - they are not what you would expect to unearth while scouring the Internet for a pre-owned Prada sweater. But they are among the artworks sold at the Real Real, a luxury fashion consignment site that earlier this month became one of the first of its kind to seed paintings and prints into the customary resale mix of designer boots and cashmere wraps. To Julie Wainwright, the founder of the popular online shop, with 1.5 million members, adding art seemed a bright idea. "We all have things in our closets that we haven't worn, and paintings in our attics that we haven't looked at in years," she said. Items, in short, that might be conveniently off-loaded on the web. Not that such pieces necessarily come cheap. The paintings and photographs on the site, stringently vetted by an art appraiser, range from about $150 for a Fairey print to $24,000 or more for a work in oil. Still, at a time when artworks are purchased like luxury goods, the on-canvas equivalent of a sable-lined Revillon coat, Ms. Wainwright's approach is compelling, and just novel enough to draw imitators. Ms. Wainwright recalled being approached recently by a curious Korean merchant. "He told me he was watching everything we do," she said. For me, that was an eye-opener.