Open Magazine has had enough of Prime Minister Manmohan Singh's thumb twiddling on key reforms. In the cover story entitled "Just Do It," the magazine laid out five important tasks Mr. Singh needs to do as he takes charge of the finance portfolio. Suggestions include reforming the land acquisition act, simplifying the tax code, and fixing the power sector. If the PM does want to channel Keynes and revive the economy's 'animal spirits', as he says he does, he will indeed have to make radical changes to turn things around. He has his work cut out for him, and probably a tight deadline," the magazine writes. Only in print for now. Tehelka digs deep and reports how the restoration of a palace in Jaipur under a public-private partnership could be a blueprint for saving India's heritage structures, which now lie largely derelict. The writer of the story, Revati Laul, however reports that a legal tangle in restoring the palace threatens to derail similar projects across the country. "A story that started out as an attempt to protect and restore the Man Sagar and Jal Mahal had become the theater for ugly political shadowboxing," Ms. Laul notes. Indeed, the Jal Mahal restoration story is the pivot around which much larger questions turn. It could either be held up as a role model for how much of our heritage can be saved or an ominous sign that heritage is the new theater for property wars; its new protectors, the real heretics. Which leads us to the overwhelming question - How should we protect and preserve our history, culture and identity? Caravan magazine takes the pulse of Indian cinema's appeal in the global market and reports that, despite increasing recognition, Indian films need an image makeover. At international film festivals, Indian films have yet to create the same kind of excitement in media and critics circles as European films or films from smaller but equally significant film-producing countries like Iran, South Korea or Japan. The occasional film publication like Variety or Hollywood Reporter reviews Indian films, but it remains difficult to draw prominent critics to the screenings," the writer of the story, Aseem Chhabra, observes.