Raglan collection sale postponed - Telegraph The sale of the Raglan collection, previewed in this column last week and due to have taken place at Christie's tomorrow, has been postponed following a High Court injunction. The collection is an important assembly of military memorabilia begun by the first Baron Raglan, who fought alongside the Duke of Wellington and in the Crimean War. Before the 5th Baron Raglan died childless in 2010, he changed his will to leave the family seat and its contents not to his heir, the Hon Arthur Somerset, but to a nephew in America who chose to sell both. On Monday, Christie's said: "The auction has been postponed pending resolution of a legal claim filed by a family member." Bettina Harden, of the Raglan Rescue campaign to keep the best parts of the collection together and in this country, said: "The battle may have been won, but now the war begins." The injunction will be reviewed in May. If it is not extended, this allows campaigners only a short time in which to raise the necessary funds. The collection has been valued at £750,000 and the house at £2 million. The Art Fund, which helps the nation's public galleries and museums to buy art, has made its first grant to the Design Museum in order to acquire Jasper Morrison's Handlebar Table, in which bicycle handlebars are used to support the base and top of a table. Designed in 1983, when Morrison was still a student at the Royal College of Art, the table was an early sign of Morrison's simple, innovative approach that has won him many plaudits. The museum, which relocates to the former Commonwealth Institute building in Kensington in 2014, specialises in acquiring early, formative works by established UK designers. The Art Fund contributed half of the overall £13,000 cost, and emphasised how such objects, "created where art and design collide, are a hugely rich vein for collecting and enquiry." With Easter approaching, Black Rat Projects, a space under the railway arches in Shoreditch, east London, best-known for its support of radical street art, has mounted an installation called The Last Supper. Far from a reverential re-enactment of the biblical story, artist Giles Walker has created a sinister tableau of robotic, monk-like figures made from discarded junk and powered by windscreen-wiper motors, seated around a candlelit table. In the centre is the figure of a child, who appears to be receiving judgment from the assembled crew. "Pray for forgiveness," one mutters, "And at the hour of our death," says another. At the head of the table sits an unsavoury looking character with a ship's wheel, guiding his crew through the darkness. Small figures with bird-skull heads cavort like demons from Hieronymus Bosch's Hell. "It could be a metaphor for religion," says Walker. Priced at £150,000, The Last Supper is not for the faint-hearted.