The best anti-Frieze in London Not all of London's top galleries are taking part in this week's art fair jamboree in the capital. For a variety of reasons, some are staying at home and mounting significant exhibitions. Here are six of the best that open to the public tomorrow, all within walking distance in Mayfair. Frieze won't accept the Haunch of Venison gallery because it is owned by an auctioneer, Christie's, but the gallery will continue to apply on the basis of its excellent exhibition programme. In its New Bond Street galleries is a solo show for Joana Vasconcelos, who will represent Portugal at the next Venice Biennale and whose recent exhibition at the Château de Versailles was a sensation. A series of eye-catching sculptural installations that address issues of womanhood and nationality are composed of everyday objects such as tiles and textiles. Full Steam Ahead is a 2m construction in the shape of a water lily made from steam irons in which the petals open and close, emitting steam. Prices range from £8,000 to £400,000. A surprising absence from the Frieze Masters line-up is Richard Green, with his enviable range of art from Old Masters to modern. But with his new gallery next to Sotheby's proving a big draw, Green opted to play away last month at the Paris Biennale des Antiquaires and was rewarded with a handful of million-pound sales. For Frieze week, he has dipped into his collection for a broad survey of Britain's leading 20th-century modernists, Henry Moore, Ben Nicholson and Barbara Hepworth. Shelter drawings, family groups and reclining figures by Moore are juxtaposed with abstracts and carved reliefs by Nicholson, and bronze, metal and carved alabaster sculptures by Hepworth. Only half the works on view are offered for sale, priced from £125,000 to £2 million. The last time Berkeley Street dealer Simon Lee showed at Frieze, he spent too much time in a taxi between the fair and his gallery trying to service clients at each. So this year, in addition to a gallery exhibition of Picasso-inspired paintings by Austrian artist, Heimo Zobernig, he has taken over a floor in a nearby underground car park for an installation by widely collected young British artist Toby Ziegler. In a nod to the aspirations of Frieze Masters to bridge the old and the new, Ziegler has rendered the subjects in Brueghel the Elder's painting The Cripples as giant aluminium, three-dimensional, cubistic figures, looped around supporting timber frames instead of crutches. Prices for Ziegler's Cripples are up to £50,000 each. A star in the firmament of late-19th-century artists sometimes dubbed as British Impressionists, Sir George Clausen's highest prices (around £500,000) have been for his 1880s scenes of rural peasant life, flecked in sunlight. For Frieze week, the Fine Art Society in New Bond Street, another surprising absentee from Frieze Masters, is presenting a Clausen retrospective in which his later landscape and still-life paintings are reassessed. Priced from £20,000 to £100,000. Blain/Southern is the latest incarnation of a partnership that began 10 years ago, was bought by Christie's, but has been independent for the past two years, not quite long enough to apply for the main Frieze fair. In that time, founders, Harry Blain and Graham Southern, have been rebuilding their stable of artists, and launch their new gallery in Hanover Square with a show for artist/punksters Tim Noble and Sue Webster, who last showed in London with the Gagosian Gallery five years ago. Entitled Nihilistic Optimistic, the exhibition comprises five new self‑portrait shadow sculptures composed from arranged debris and projection lamps, together with a splendidly teetering, unlit tower of junk, My Beautiful Mistake, priced between £60,000 and £300,000. The pair has also released a limited edition vinyl record priced at £200. Don't buy it for the music, though, because there isn't any. Shizaru is a new gallery in Mount Street founded by Benjamin Khalili, the son of the Islamic art collector Nasser Khalili. So far, it has been feeling its way into the contemporary art market, but makes a major breakthrough this week with a vast exhibition curated by the renowned American collector Beth Rudin DeWoody, who sits on the board of the Whitney Museum of American Art in New York. Bad for You is what it says it is - an exhibition about the relationship between art and human vices through the eyes of 67 American artists, from Andy Warhol to in-vogue photographer of uninhibited youth, Ryan McGinley. Prices range from £1,200 to £625,000.