New in the Review - NYTimes.com New in the Review Readers of the Book Review will notice three changes instituted this week, two involving our best-seller lists. The e-book list has migrated online, the digital world being its natural habitat. Given the fluid variety of pricing in today's marketplace, we have also stopped including cover prices on the lists. The third change is the one you're reading right now. Our new column, Open Book, will offer a window onto the literary landscape: news of projects in the works, memorable moments at readings and panels, and other items of note in the world of books. It replaces our Up Front column, though notes of interest about our contributors and our online coverage will still appear in this space from time to time. Borne Back In the issue of the Book Review dated April 19, 1925, our reviewer Edwin Clark called "The Great Gatsby" "a curious book, a mystical, glamorous story of today." He went on to note: "It takes a deeper cut at life than hitherto has been enjoyed by Mr. Fitzgerald. He writes well - he always has - for he writes naturally, and his sense of form is becoming perfected. Clark called the novel "a conflict of spirituality set against the web of our commercial life." We were inspired to dig into the archives by the director Baz Luhrmann's version of "Gatsby," on the big screen now, in which it appears commercial life has trounced spirituality. Bascombe Redux? At a recent appearance at the 92nd Street Y, Richard Ford read an excerpt from a new story called "Falling Forward," starring Frank Bascombe, the character he made famous in his trilogy of novels, "The Sportswriter," "Independence Day" and "The Lay of the Land." Ford had previously said he was done writing about Bascombe, so I asked via e-mail whether the new material portends a fourth installment. Apparently, it's just a short story for now. "I'll at least try to write another Frank Bascombe story this late spring and see how that goes," Ford said. I always think that when I'm writing Frank Bascombe I have the chance to write about the most important things I know, and that's always been irresistible - as it probably is for most writers.