Bestival 2013: Snoop Dogg, Franz Ferdinand, review As a mass crowd descended on the Main Stage on Saturday night, an unusual question was on many people's lips: "who are we about to see?" Would it be Snoop Dogg (real name Calvin Broadus), the pioneering American "G-Funk" rapper best known for tracks such as Drop it Like it's Hot? Or perhaps Broadus's latest alter ego, Snoop Lion, the Rastafarian reggae singer whose Reincarnated LP was released earlier this year? As it turned out, the answer was both. Flitting between the two personas, Broadus delivered a greatest hits performance that was punctuated with some of his recent dancehall-leaning material. "Is anybody smoking weed out there tonight?" he said in his unmistakable West Coast drawl - resisting, at least, the urge to affect a Bob Marley accent and talk in Jamaican patois - before sending the audience into a frenzy with a surging, primeval Still D.R.E., his collaboration with Dr Dre. Indeed, Snoop Dogg had the crowd transfixed, and they bounced in unison as he swaggered his way around hip hop classics such as Gin and Juice. He also dropped in a handful of well-chosen covers - the most effective of which was a hearty clatter through House of Pain's Jump Around. Inevitably, the Snoop Lion moments fell flattest. Though Broadus threw himself into the role with typical brio, his limp attempt at singing did nothing to lift the derivative reggae-by-numbers material. Nevertheless, it made for a refreshingly light-hearted headline set that was never short on entertainment. Earlier in the day, articulate art rockers Franz Ferdinand showed they're still a force to be reckoned with. It's now 10 years since the Glaswegian quartet shot to fame with their Mercury-Prize winning eponymous debut LP, and it's perhaps easy to forget just how popular they were back then, not to mention how good they were - their first two albums were blessed with louche, sparky indie-funk of the highest calibre. Though experimental 2009 album, Tonight: Franz Ferdinand, was less successful, this year they returned with a gem of an record, Right Thoughts, Right Words, Right Action, which returned to their classic jerky, danceable sound. All dressed in stripy tops, they delivered a tremendous set: crisp, stylish and exhilarating, weaving through a series of hits past and present. New tracks such as Right Action sounded at home alongside early singles Michael and Take Me Out - the latter of which prompted the biggest singalong of the festival so far. They finished with the brooding Ulysess, which sounded far more visceral live than it ever had on record. It was a set which proved the quartet to be reinvigorated and still very relevant. As one onlooker remarked, "It's good to have them back."