Theater Listings for Sept. Carol Rosegg The Two-Character Play Portraying strung-out sibling theater troupers in Tennessee Williams's rarely seen fever dream of an eternal folie à deux, Amanda Plummer and Brad Dourif, above, don't just strikes parks. They're a raging conflagration that keeps changing form and direction. Gene David Kirk directs this revival of a demented, messy and oddly affecting self-portrait from an American master (2:10). New World Stages, 340 West 50th Street, Clinton, (212) 239-6200, telecharge.com. Ben Brantley Approximate running times are in parentheses. Theaters are in Manhattan unless otherwise noted. Full reviews of current productions, additional listings, showtimes and ticket information are at nytimes.com/theater. A searchable, critical guide to theater is at nytimes.com/events. Previews and Openings "All the Faces of the Moon" (in previews; opens on Wednesday) Too late if you want to catch all 29 parts of this new piece by the monologuist Mike Daisey ("The Agony and the Ecstasy of Steve Jobs"), which he describes as delving into the secret history of New York. Each night of the current lunar cycle he's performing new material, each night onstage with a different oil painting commissioned just for the show. Fear not: If you start on Friday, you can still see 28 of the bunch. Joe's Pub, at the Public Theater, 425 Lafayette Street, at Astor Place, East Village, (212) 967-7555, joespub.com. David DeWitt "Arguendo" (previews start on Tuesday; opens on Sept. 24) After nearly seven hours of parsing American literature (in the acclaimed "Gatz"), Elevator Repair Service and the Public Theater can be forgiven for shifting their collective attention to something a little racier. Their latest collaboration focuses on a 1991 Supreme Court case over whether exotic dancers ran afoul of a law about public nudity. Elevator Repair Service's reputation for bold visuals will come into play, but get your mind out of the gutter: the collaborator of note is the visual artist Ben Rubin, who is contributing animated text projections. Public Theater, 425 Lafayette Street, at Astor Place, East Village, (212) 967-7555, publictheater.org. Eric Grode "Big Fish" (in previews; opens on Oct. 6) Among the season's more intriguing projects, this musicalization of the 2003 Tim Burton film - about a young man trying to sift through his father's extremely unreliable stories - garnered rave reviews during its Chicago engagement this spring. Norbert Leo Butz, Kate Baldwin and Bobby Steggert lead the cast; Andrew Lippa ("The Addams Family") wrote the music and lyrics; and Susan Stroman (who gave Mr. Butz his big break in "Thou Shalt Not") is the director and choreographer. Neil Simon Theater, 250 West 52nd Street, (866) 870-2717, bigfishthemusical.com. Grode "Fetch Clay, Make Man" (in previews; opens on Thursday) Pairing one of black America's most beloved heroes (Cassius Clay, soon to be known as Muhammad Ali) with one of its most reviled performers (Lincoln Perry's screen character Stepin Fetchit) may sound like the makings of a cheeky improv skit, but the two men actually became friends in the 1960s. Will Power ("The Seven") builds his drama around this unlikely relationship; Des McAnuff ("Jersey Boys") directs. New York Theater Workshop, 79 East Fourth Street, East Village, (212) 460-5475, nytw.org. "The Film Society" (previews start on Tuesday; opens on Oct. 1) The Keen Company has earned a reputation for salvaging nearly forgotten works by the likes of Thornton Wilder and Robert Anderson. Now it is focusing on someone a bit more contemporary: Jon Robin Baitz, who's still going strong with plays like "Other Desert Cities." His first New York revival, fittingly, is of his first play to be produced in New York, a 1988 drama set in a South African school for boys. The company's artistic director, Jonathan Silverstein, will direct Euan Morton and Roberta Maxwell. Clurman Theater at Theater Row, 410 West 42nd Street, Clinton, (212) 239-6200, keencompany.org. "The Glass Menagerie" (in previews; opens on Sept. 26) This classic Tennessee Williams drama, lavishly honored and about as canonical an American work as they come, returns for its seventh Broadway run after opening there in 1945. This time the members of the Wingfield family are played by Cherry Jones, Celia Keenan-Bolger and Zachary Quinto, with Brian J. Smith as the Gentleman Caller. Booth Theater, 222 West 45th Street, (800) 432-7250, telecharge.com. DeWitt "I Can See Clearly Now (the Wheelchair on My Face) " (previews start on Tuesday; opens on Sept. 17) Another year, another Edinburgh Fringe Festival award winner. This one, Sonya Kelly's one-woman comedy about a girl with 20/900 eyesight who got by for years without glasses, won the prestigious Fringe First Award in 2012. Presented by the Dublin company Fishamble, it is part of this year's 1st Irish festival. 59E59 Theaters, 59 East 59th Street, (212) 279-4200, 59e59.org.