A singular pleasure: Gerald Murnane's A Lifetime on Clouds Gerald Murnane gives a frank treatment of sexuality, longing and adult hypocrisy in A Lifetime on Clouds. Picture: Stuart McEvoy Source: TheAustralian GERALD Murnane is the author of some of the most original books written by an Australian. His first novel, Tamarisk Row (1974), is an obsessive exploration of the imaginative terrain of childhood. His third, The Plains (1982), is a meditation on love, landscape and creativity that has a hallucinatory power. The novel that came between these two extraordinary books, A Lifetime on Clouds, has long been out of print. And yet, for my money, it is the funniest and most accessible of all his works. It is also a moving and fearless account of adolescent angst. Murnane's frank treatment of sexuality, longing, adult hypocrisy, and the guilt and confusion created by a sexually repressive 1950s Catholic boys school is as engaging now as when it was first published in 1976. The protagonist of A Lifetime on Clouds is 15-year-old schoolboy - and self-confessed sex maniac - Adrian Sherd, who lives in the southeastern suburbs of Melbourne. By coincidence, in 1976 I was a 15-year-old schoolboy living in the southeastern suburbs of Melbourne and, although I don't think I qualified as a sex maniac (not compared with Adrian Sherd, at least), I did have a strong interest in the subject. On my bedroom wall I had a poster of Suzi Quatro wearing a partially unzipped white leather jumpsuit, and I was convinced that if I could find just the right angle I would surely be rewarded with a glimpse of her left breast. I spent a lot of time that year with my cheek pressed against the wall, desperately trying - and failing - to penetrate the mysteries of that jumpsuit. Fortunately, other sources of raw material for my burgeoning interest in the female form were provided by the lurid covers of my horror comic collection, which often featured partially clothed damsels in distress. And I participated in Church of England Boys Society paper drives that exposed me to such racy publications as the ironically named Truth and its steamy Heart Balm letters page, as well as the Sunday Observer, which could be relied on to contain pictures of streakers running across sporting fields or down busy city streets. And if all else failed there was always the bra section of Kmart catalogues, although these were only to be called on in emergencies. But, despite my considerable efforts, I was a rank amateur when measured against Adrian Sherd, who takes a far more systematic approach to his fantasy life. Every afternoon Adrian sets his model train running across a large, crudely drawn map of the US. Whichever state it stops in will be the setting for one of his vividly imagined nightly escapades with scores of willing and scantily clad starlets, the inspiration for which he gathers from glimpses of the Hollywood movies his mother does not allow him to watch, the pages of the Argus newspaper and coveted and difficult-to-obtain magazines such as Man Junior and Health and Sunshine. Adrian brings an admirable rigour to his trips to America and maintains a strict policy not to allow any of the women he sees in real life into his fantasies. On the one occasion he breaks this self-imposed rule and issues an imaginary invitation to the "piney woods of Georgia" to a young, "carefully groomed" married woman he sees on the train, he finds he can't relax. Whenever he met her eyes he remembered he would have to face her on the train next morning ... It would be hard pretending that nothing had happened between them on the previous night. There was another difficulty. Jayne and Marilyn and Susan and their many friends always had the same look about them - a wide-eyed half-smile with lips slightly parted. The new woman had an irritating way of changing her expression. She seemed to be thinking too much. One of the many delights of the novel is the contrast between the debauchery of Adrian's imagined life and the humdrum reality of post-war Melbourne suburbia: One very hot Saturday morning Adrian Sherd was staring at a picture of the Pacific coast near Big Sur. He hadn't been to America for several days, and he was planning a sensational extravaganza for that very night with four or perhaps even five women against a backdrop of mighty cliffs and redwood forests. His mother came into the room and said she had been down to the phone box talking to his Aunt Francie and now Adrian and his brothers and mother and Aunt Francie and her four kids were going on the bus to Mordialloc beach for a picnic. The pleasures of America pose a dilemma for our insatiable hero who, increasingly terrified and burdened with guilt, attempts to reform himself - Adrian is Catholic, after all, and has been taught that masturbation is a mortal sin. He does this not by abandoning his fantasies but by redoubling his efforts to create an even more elaborate one, in which he courts, marries and raises a family with a good Catholic girl whom he has seen taking communion in church. This fantasy is so gloriously and painstakingly realised that it occupies most of the last half of the novel. Not only does it weaken the starlets' hold on Adrian's mind, but it makes the second half of the book possibly even more entertaining - and certainly more earnest and affecting - than the first. There is much to love in this novel and many passages that are profoundly funny - laugh-out-loud moments which, at the same time, evoke strongly felt and often deeply painful emotions. Throughout, Murnane masterfully maintains a deadpan tone. For instance, Adrian is angry and disappointed that he and his friends have been cheated by Father Dreyfus's much-anticipated sex-education film, which the brother promised would show them "the moment of fertilisation." Adrian imagines that, at the very least, this means the film will present them with "a statue or a painting of a man and woman doing it," but instead they are shown a picture of the female reproductive system and an animated image of an "army of little sperm men invading the diagram." The commentator got excited. He thought there was nothing so marvellous as the long journey of these tiny creatures. Adrian didn't care what happened to the little bastards now that the film had turned out to be a fraud. What follows is one of the most shockingly funny images of the book and a great example of how Murnane isn't afraid to go where angels fear to tread. OK, it's on page 130 if you can't wait. Or consider Father Lacey's speech to Adrian's class, urging them to avoid non-Catholic newspapers: There's one Melbourne newspaper in particular that regularly prints suggestive pictures which are quite unnecessary and don't have anything to do with the news of the day. I won't name the paper, but some of you have probably noticed what I'm talking about. I hope your parents have, anyway. This very morning for example I happened to notice a picture on one of their inside front pages. It was what they call a sweater girl ... I'll speak quite frankly now. There are many famous and wonderful pictures of the naked female body with the bosom exposed - some of them are priceless treasures in the Vatican itself. But you'll never find one of these masterpieces drawing attention to the bosom or making it appear larger than it really is. So fervid is Adrian's imagination that in the course of A Lifetime on Clouds he provides nothing less than an alternative history of the world - from the Garden of Eden through to 50s Melbourne - focusing on the role masturbation has played in shaping civilisation. We are all familiar with Adam and Eve's crime of eating the fruit of the tree of knowledge, and Cain's slaying of his brother, but, according to the gospel of Adrian Sherd, what Cain did after spying on his mother and sisters as they bathed in the Tigris was even worse. When he was alone again, he formed his hand into the shape of the thing he had seen between their legs and became the first in human history to commit the solitary sin. Although it was not recorded in the Bible, that was a black day for mankind. On that day God thought seriously of wiping out the little tribe of Man. Even in His infinite wisdom He hadn't foreseen that a human would learn such an unnatural trick - enjoying by himself, when he was hardly more than a child, the pleasure that was intended for married men only ... Lucifer himself was delighted that Man had invented a new kind of sin - and one that was so easy to commit. If you only read one Gerald Murnane novel in your life, make it this one. There is so much pleasure to be had from reading this book that it's surely a new kind of sin - and one that is so easy to commit. Andy Griffiths is a bestselling children's author. This is an edited version of his introduction to the Text Classics edition of Gerald Murnane's A Lifetime on Clouds.