Sting may be in for a shock when he tries to save his Broadway musical It's a high risk strategy. Certainly, the critics will come again for the notable cast change. But, Sting be warned, they will also be dusting off their record collections and studying both Police and solo back catalogues for suitable quotes in their reviews. Every breath you take, you're taking at the wrong time. He should be sending out an SOS. Do we really need this Englishman in New York? Every little thing he does is tragic. Well, you get the picture. So, hats off to Sting for bravery. Indeed, it's tempting to think of what might have happened if other composers had taken to the stage to save their musicals from closure. Viva Forever, the Spice Girls musical, might have lasted a little longer if the Spice Girls themselves had put aside their differences to appear in the thing. And for novelty, if nothing else, who wouldn't have begged, borrowed or stole for a ticket, to give the musical Stephen Ward another chance, if its composer Andrew Lloyd Webber had announced he would be singing the role of the society osteopath tonight? To judge from the early reviews, it was not Jimmy Nail or even the shipbuilding subject matter that has put off Broadway audiences, but the undynamic quality of the show's book. Add to this, of course, the increasingly outrageous Broadway prices, which even make the West End look reasonable. At £200 plus a ticket, audiences might want not just Sting on stage, but Taylor Swift playing a feisty female geordie shipbuilder, and Justin Bieber a cocky union official. If Sting had insisted that top prices were reduced and there were a good supply of cheap tickets each night, it might have had made as big a difference as his own appearance in the show. But, he should be saluted for the gesture that he is making. Acting in a stage musical, and on Broadway of all places, could prove a more testing and more exposed ordeal even than playing a rock gig in a vast stadium. The closure of the show wouldn't dent Sting's fortune overmuch. But it would dent his pride, and cast a shadow over his passion for the project. There's no greater proof that he is an artist than the fact that he can't bear for a cherished project, with links to his own roots, to disappear in ignominy. But he'd have an even greater place in Broadway history, if he took on the ludicrous pricing system that keeps theatre there the province of the rich. Then we'd all be Walking on the Moon. Once you start, it's hard to stop. Whatever one thinks of Russell Brand, the comedian, actor and self-styled revolutionary, should be commended for his decision to give money to set up a library in his old school in Grays, Essex. Brand said: "It is a disgrace that a state school doesn't have a library funded by the state." One doesn't want to substitute state funding, but philanthropy for alumni can only be a very welcome bonus. Now, how many highly paid Premier League English footballers have given cash towards playing fields, gyms and other sporting facilities at their alma maters, I wonder. One of the BBC's Christmas highlights is the Top Gear special that Jeremy Clarkson and pals recorded in Argentina, before exiting the country with their tails between their legs following allegations that they had insulted their hosts. The Argentinian ambassador to the UK has refused to let the matter rest, and, even if the BBC cuts out any contentious material, she is unlikely to be thrilled when she turns on her TV over the Christmas holidays. Christmas TV is rarely particularly controversial, and it has never yet sparked or exacerbated a diplomatic incident. This could be a first.