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Talk:Main Page
Please, only comments regarding the main page. When you have general questions not concerning the main page, like hints to errors, annotations, proposals, or things like that, you should not use this page, as this is reserved for discussions about the main page. If you don't stick with this you risk the deletion of your comment without any warning.
Main Page protected due to permanent spam attacks
2005/04/30: Because we have spammers who permanently destroy/damage our main page, i have protected the main page. Up to now for testing wether it really helps or not.
So please write your editings/ideas/wishes on this discussion page and we will add it for you.
regards, --Wirbel 09:21, 30 Apr 2005 (CEST)
NOTE: Users using this page for Spam will be blocked.


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Our single-light, crisp rib and flute-detailed sconce. This elegant fixture is painstakingly constructed of cast and tooled brass.
Overall: 9-1/4" h. x 4-1/4" w. x 8-1/4" d.
Backplate: 8" h. x 4-1/4" w.
UL listed for use in dry environments
Single candelabra socket, maximum 60 watts
Also available with single GU24 socket
2" x 3" vertical junction box recommended
For other configurations and sizes, see our Soleil Family.
Antique Brass, Burnished Brass, Burnished Nickel, Dark Pewter, Dark Waxed Bronze, German Silver, Light Pewter, Oil Rubbed Bronze, Polished Brass, Polished Nickel, Satin Nickel
View Finishes
Manufactured using 95% recycled brass

subset: commoncrawl


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About this Event
UK roads are becoming increasingly complex, congested and challenging for commercial drivers. Smart motorways, cyclists, pedestrians and horses on urban and rural roads all mean commercial drivers always need to act professionally. Regular knowledge and skills training should be complemented by an immersive experience of all road types. The course includes a practical 'on-road' cycle training element and gives drivers a 'real life' experience as to a cyclist's perspective of riding on London's roads, as well as in traffic. The training also counts towards the 35 hours DCPC that professional drivers need to complete.
The course consists of two 3.5 hour modules (both delivered on the same day); the first module is classroom based theory, and the second module, an outdoor practical session where drivers get a cyclists view of the road.
Theory Module (3.5 hours)
This part of the course focuses on sharing the road safely and highlights the vulnerability of other road users. It also explains how the London streetscape is evolving to encourage more walking and cycling. Subjects covered include: -
- The driver's role in the Fleet Operator Recognition Scheme (FORS)
- Urban, Rural and motorway driving, changing streetscape and route planning
- Vulnerable road users: pedestrians, cyclists, motorcyclists, horseriders
- Sharing the road, observation devices and cycle training
- Collision avoidance and defensive driving
- Hazard recognition and perception
- Driver responsibility and attitude
Practical Module (3.5 hours)
After the initial bicycle control skills training, drivers ride on bikes to areas of potential conflict including junctions, traffic lights and Advanced Stop Lines. Subjects covered include: -
- Introducing active travel, driver fitness and health
- Giving drivers a cyclist's perspective of riding on busy roads and an understanding of the issues faced by vulnerable road users
- Recognising best driving practice around cyclists
- Practical on road experience at areas of potential driver/cyclist conflict including junctions, traffic lights and Advanced Stop Lines
IMPORTANT: If drivers wish to have their details uploaded to the DVSA website so it counts towards 35 hours DCPC, and their employer does not have an agreement with Fleet Source Ltd to invoice directly, then they will need to ensure they have paid the upload fee of £9.95 at https://shop.fleetsource.co.uk/product/dvsa-upload/ in advance of the course date. (£9.95 Upload fee is £8.75 ex.VAT plus £1 administration (which includes certificate) plus VAT).
Please note: Lunch, refreshments and travel costs are not included.
IMPORTANT: Any driver attending the Safe UK Driving course must have their identity checked by either a photo card driving licence, or a Driver Qualification Card (DQC). In order for a driver to be uploaded to the FORS/TfL register and/or be accredited with the Driver CPC hours they must complete the entire course. Generally, the only reasons for not taking part in the cycle element are on medical grounds, or if during the cycle familiarisation session, the driver is risk assessed as not safe to ride a bike on public roads – in these instances it is acceptable for the drivers to walk the course meeting up with the cyclists at the exercise/discussion points and joining in with the discussion.
All bookings are subject to our Cancellation Policy and by registering for a course you are agreeing to its terms. Click here to read the Cancellation Policy


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Purchase Information
- All prices listed are subject to the applicable sales tax/VAT, if any. The applicable taxes depend on the customer's country of residence.
- Need a quote?
- Have a licensing or purchasing question? Check the Licensing FAQ.
- For assistence with the order process or the payment methods, please contact cleverbridge.
- End User License Agreement
- Visa
- MasterCard
- American Express
- Discover
- Przelew
- PayPal
- Zamówienie


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Recorded in Portland, Oregon, with producer Tucker Martine (My Morning Jacket, The Decemberists), the album bears the fruits of a period of introspection & renewal: deeply lyrical songwriting, a newfound expressivity of voice, and, more than ever before, a daring synthesis of her broad musical influences into a powerfully individual artistic vision.
"I stretched myself as a singer on this record and used voices I never have before as a writer," she explains. "A lot of the writing on this record happened in the dead of night, when spiders mend their webs, with an infant asleep in the next room... as a result, my writing became a secret again: illicit and my own." Go here to listen to the new track "Something more Beautiful": http://youtu.be/028lDfUo5MQ See below for fall tour dates, including an Oct 4 performance at NYC's Town Hall and an Oct 23 show at LA's El Rey Theatre.
For 'Sugaring Season," Orton and Martine have brought together a dream band of new and old friends: keyboardist Rob Burger, bassist Sebastian Steinberg, and legendary jazz drummer Brian Blade, along with guitarists Marc Ribot and Ted Barnes and folksinger Sam Amidon. The album was recorded predominantly live on the floor as the band reflected and internalized Beth's disparate inspirations, from Roberta Flack's 'First Take' album to Pentangle's folk-jazz collisions. The songs range across styles from deeply soulful to effortless and breezy, with open-tuned guitars, pensive pianos, and modal grooves underpinning her emotional weathervane of a voice.
While Orton has shifted away from the electronic textures that dominated her early work, her music is still built upon an implicit groove, even if it emanates from her acoustic guitar rather than from a sequencer. "It may not be a 'dance' beat," she says, "but it's definitely there and it's earthed and primal and insistent."
Beth Orton is a BRIT Award-winner and two-time Mercury Prize nominee who has collaborated with Bert Jansch, Emmylou Harris, Beck, Jim O'Rourke, Terry Callier, and Ryan Adams among others. Her last album, 2006's 'Comfort of Strangers,' was called "unerringly lovely" by SPIN and "her most accomplished record to date" by Uncut.
'Sugaring Season' Tracklist 1. Magpie 2. Dawn Chorus 3. Candles 4. Something more Beautiful 5. Call me the Breeze 6. Poison Tree 7. See through Blue 8. Last Leaves of Autumn 9. State of Grace 10. Mystery
Beth Orton Fall Tour Dates: 9/20 - Nashville, TN @ The Belcourt Theatre 9/21 - Atlanta, GA @ Variety Playhouse 9/22 - Carrboro, NC @ Cat's Cradle 9/24 - Charlottesville, VA @ Jefferson Theater 9/25 - Glenside, PA @ Keswick Theatre 9/27 - Washington, DC @ Sixth and I Historic Synagogue 9/28 - Somerville, MA @ Somerville Theatre 9/28 - Montreal, QB @ L'Astral 9/30 - Toronto, ON @ Virgin Mobile Mod Club 10/4 - New York, NY @ Town Hall 10/8 - Chicago, IL @ Antenaeum Theatre 10/9 - Milwaukee, WI @ Turner Hall Ballroom 10/10 - Minneapolis, MN @The Varsity Theater 10/12 - Boulder, CO @ Fox Theatre & Café 10/13 - Salt Lake City, UT @ The State Room 10/15 - Seattle, WA @ The Market 10/16 - Vancouver, BC @ Venue 10/17 - Portland, OR @ Wonder Ballroom 10/19 - San Francisco, CA @ The Regency Ballroom 10/22 - San Diego, CA @ House of Blues-San Diego 10/23 - Los Angeles, CA @ El Rey Theatre
Pre-Order 'Sugaring Season': http://bethortonofficial.tumblr.com/
Beth Orton on the Web: http://www.bethortonofficial.com http://www.facebook.com/pages/Beth-Orton-Official/164027750398846 http://www.shorefire.com/clients/borton


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Old Version of Eclipse IDE 4.2 for Java EE Developers (Juno x64)
Legacy OS support
Sponsored Links
Eclipse IDE 4.2 for Java EE Developers (Juno x64) (228.78 MB)
0 scans reported this version clean
Sponsored Links
- Windows XP x64
- Windows Vista x64
- Windows 7 x64
- Windows 8 x64
- Change log not available
Screenshots are not available for this software
The initial codebase originated from IBM VisualAge. It is written mostly in Java. It can be used to develop applications in Java and, by means of various plug-ins, other programming languages including Ada, C, C++, COBOL, Fortran, Haskell, JavaScript, Perl, PHP, Python, R, Ruby (including Ruby on Rails framework), Scala, Clojure, Groovy, Scheme, and Erlang.
Eclipse can also be used to develop packages for the software Mathematica. Development environments include the Eclipse Java development tools (JDT) for Java and Scala, Eclipse CDT for C/C++ and Eclipse PDT for PHP, among others.
Updates : Eclipse Updates


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Great travel photos from around the world
I tried my best to sleep on my first night in Kenya, but the thought of being a midnight snack for a big cat made it hard.
As the lion slowly ambled past our Toyota Land Cruiser, close enough for me to pet him (albeit quite unadvisedly), I shifted in my seat nervously, yet...
"Poverty tourism" doesn't exist, according to a man who's helped thousands in Kenya through contributions from those who come to witness the results of...
First thing every morning, Jamie Hockley checks the palm trees outside the window of his cottage. "If they're doubled over, I say to myself, 'Let's go...
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Wing V50 USB Driver helps in connecting the device to PC. On this page, Android USB Drivers provide official Wing V50 drivers along with ADB Driver and Fastboot Driver.
Having trouble connecting Wing V50 to PC? It might be a driver problem, so just download Wing USB Drivers and install them on Windows 10, 7, 8, 8.1 or XP PC. The Wing V50 USB Drivers provided here are official and are virus free. Based on your need download USB Driver for Wing V50 from the downloads section and install it on Windows PC by following the instructions provided below.
With Wing V50 USB Driver installed on PC, we can establish a secure connection between Computer and Mobile. This helps in transferring data like images, video, documents and other files to and fro from Mobile to PC. We have also provided Wing V50 ADB and Fastboot drivers which helps in passing commands to Phone via Command Prompt (CMD).
The Wing V50 USB Driver provided below can be used for both flashing Stock Firmware and other stuff, and also for normally connecting Wing V50 to Computer or Laptop.
Download Wing V50 USB Driver
Wing V50 CDC Driver for Flashing Firmware
Wing V50 VCOM Driver for Flashing Firmware
Wing V50 USB Driver for normal connecting to PC
The Wing V50 Fastboot and ADB drivers can be downloaded below.
Wing V50 ADB and Fastboot Drivers
Also Download: Wing V45 USB Drivers
How to Install Wing V50 USB Drivers Manually
Step 1: Download and extract the driver on your computer.
Step 2: Open Device Manager and Click on "Action".
Step 3: Now Click on "Add legacy hardware".
Note: If the "Add legacy hardware" option is missing then click on the empty space inside the Device Manager and then click on "Action". Now you should see "Add legacy hardware" option.
Step 4: Click Next.
Step 5: Select "Install the hardware that I manually select from a list (Advanced)".
Step 6: Select "Show All Devices" and Click on "Have Disk..."
Step 7: Click on Browse.
Step 8: Locate the extracted driver manually on your computer.
Step 9: Click Open and then OK.
Step 10: Choose the Driver you want to install and then Click on Next.
Step 11: Your Driver will be installed and listed in the Device Manager.
Step 12: If you see additional drivers in Step 10, then follow the instructions from Step 3 to Step 9 again and choose the driver listed below the one which you have previously installed. Similarly, follow for all the additional drivers.
How to Install Wing V50 ADB and Fastboot Drivers
Step 1: Download the 15 Seconds ADB installer on your PC. If it is in the .zip archive then extract it to obtain the .exe file.
Step 2: Right-click on the file and Run as administrator.
Step 3: It should ask, whether you want to install ADB and Fastboot Driver on PC. Enter "Y" and hit Enter key.
Step 4: Now it should ask whether you want to install ADB system-wide. Enter "Y" and hit Enter.
Step 5: It should ask whether you want to install device drivers. Enter "Y" and hit Enter.
Step 6: Follow the on-screen instructions.
Step 7: Done.
Important Notes:
[*] Driver Signature Error: If you got Driver Signature Error While installing the Driver then See this Video to fix this problem.
[*] Broken link: Report here.
[*] Have we missed any device model? Let us know by contacting us via Contact Us page.


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The Tornado U-Hook is the perfect wall mounting solution for rakes, brooms, shovels, stepladders, sledge hammers and other long-handled tools. Welded from steel and wire form, the Black/Orange edition of Tornado U-Hooks is flexible enough to mount on drywall or to a wall stud with the same fastener. The only tool you need is a screwdriver. No other product can match the installation ease, strength, and versatility of Tornado hooks.
Hang anything anywhere with the Tornado family of products. Order yours today, and reclaim your garage!


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Top hurlers bring All-Star pitches to Citi Field
Some of baseball's best to display skills that set them apart
The best pitchers in the big leagues will be featured in the 2013 MLB All-Star Game. Tigers starters Max Scherzer and Justin Verlander, Braves closer Craig Kimbrel, Giants southpaw Madison Bumgarner and Mariners ace Felix Hernandez have some of the best stuff in baseball. But what are the best pitches on the All-Star roster? These five pitches earn top marks, with honorable mentions to the Mariners' Hisashi Iwakuma's split-finger fastball and the Rangers' Yu Darvish's reverse slider. Despite being selected to the 2013 American League All-Star Team, neither is eligible to pitch on Tuesday; Iwakuma started for Seattle on Sunday and Darvish is out with an upper back strain.
Mariano Rivera's cut fastball
Rivera's cutter is arguably the single greatest -- or at least the most effective -- pitch baseball has ever seen. He allegedly learned it by accident while playing catch with Yankees teammate Ramiro Mendoza in 1997. Its velocity may have declined from the mid-90s to around 90 mph in recent years, but it doesn't matter; it's still one of the toughest pitches in baseball to hit. Unlike some other cutters, it doesn't drop at all and only moves laterally. And while it is slightly slower than Rivera's fastball, it looks the same coming out of his hand and down the pipe. Only when it breaks does a hitter know he's looking at a cutter.
The right-handed Rivera holds the ball with his index and middle finger tilted slightly inward, toward the 11:00 position, and uses pressure from those fingers to create the spin that causes the pitch to move away from righties and in on lefties. This keeps the ball away from the sweet spot of the bat, forcing lefties to hit off their hands and righties to hit off the end of the bat, virtually eliminating the possibility of good contact.
"It's something with the way his delivery comes through and the way his hand is positioned on the baseball that make that pitch work for him," said Rangers closer Joe Nathan, who is sharing the All-Star bullpen with Rivera for the fifth time. "Other guys have tried it and may have some success, but I don't think anyone will ever get the cutter down the way he throws it. It's just his own pitch."
Matt Harvey's slider
The Mets right-hander didn't even throw what is now one of the best out pitches in baseball until he was a junior at the University of North Carolina at Chapel Hill. When he first joined the Mets, they told him to shelve his slider while he refined his mechanics, fearing the extra forces generated by throwing it would cause an injury.
In the Minors, from when he started pitching in the Mets organization in 2011 through July 2012, Harvey relied on only his fastball, curveball and changeup. When Harvey joined the big club, pitching coach Dan Warthen changed his slider grip a bit, positioning the seams in a slightly different way. Harvey's slider is also a touch faster than most, clocking in around 90 mph, which sets hitters up nicely for his mid-80s curveball and changeup.
"He throws a 100-mph fastball and his slider is about 91, so his slider is harder than a lot of a lot of peoples' fastballs," said Mets teammate David Wright. "As a hitter, it's tough to look for a fastball that's that hard and then react to a slider that's that good. He gets a lot of swings and misses from it. When you get that kind of movement, you're always going to make some people look foolish."
Clayton Kershaw and Adam Wainwright's curveballs
These two pitches are a little different, yet equally devastating. The left-handed Kershaw's breaking ball drops from 11-6, from the letters to below the knees, but what makes it particularly brutal is how identical his delivery is on each one of his pitches. The Dodgers ace winds up like he's throwing a fastball with everything he's got, and sends forth a knee-buckler instead, with absolutely no tip-off to hitters as to when it's coming. Like most curveballs, Kershaw holds his with his middle finger along the seam, and releases it as if he's "shaking somebody's hand."
"Kershaw seems to get better every time you face him," said Rockies shortstop Troy Tulowitzki. "Everyone knows about his curveball, but it seems every time I see him there's a new pitch. He's working on a cutter and a harder slider. The more thoughts you can put in our heads as hitters and get us thinking, this might come, that might come, the better you're going to be as a pitcher, and Kershaw is awesome."
Wainwright's curveball is a nasty, old-school 12-6 bender that hovers around 75 mph and breaks nearly 10 inches on it's way to the plate. The Cardinals right-hander lines his middle finger up along the seam of the baseball, just like Kershaw, but applies so much pressure with the outside of his middle finger against the seam to create torque -- which creates spin -- that his index finger often lifts completely off the ball. Most pitchers simply lay their index finger down alongside their middle finger.
"My middle finger is quite a bit longer than my index finger and I think what happens is I have so much pressure on the outside of my middle finger that in that rolling process, my index finger just kind of rolls off the ball," Wainwright said.
To make the ball spin more and break bigger, Wainwright aggressively tucks his hand and arm in toward his stomach on his follow through, "as if I'm cutting myself in half."
His use of the curveball has evolved over the course of his career. "I've had great feel for it since I was a kid, but as I came up through the Minor League system, I learned how to use it in different counts, how to bounce it and throw it inside or outside," he said. "It's just a pitch I'm very comfortable with."
Aroldis Chapman's four-seam fastball
They don't call the Reds' lefty the "Cuban Missile" for no reason. His four-seamer has been clocked as high as 105.1 mph, a Major League record, and is consistently over 100 mph. The fact that Chapman mixes it with a considerably slower, high-80s slider serves to keep hitters even more off-balance. Chapman throws this laser with a typical grip, with his pointer and middle finger across the horseshoe seams, as close together as possible, and his thumb under the ball, directly below his pointer finger, in the open space of the horseshoe.
"It's the sheer speed of it that makes it so hard to hit," said Reds first baseman Joey Votto. "He just throws too hard. When we were in Atlanta, he hit 104 mph. We're just not wired to hit that way. He's left-handed and he's hit 106, so it's pretty special stuff."


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We're sorry, but we currently have no tickets available for this event.
Summer Walker Tickets Information
The smooth sounds of Summer Walker live in concert are making their way towards you. Be the first to purchase cheap Summer Walker tickets from Vivid Seats from all Summer Walker tour dates. The Summer Walker concert tour will showcase silky sounds while wooing audiences in cities all across the U.S. Vivid Seats loves providing you with the seats you want when seeing Summer Walker concerts. Whether taking that special someone out for a romantic night or enjoying the show with a few friends, Vivid Seats has the Summer Walker tickets perfect for any occasion, section and price range. View the entire Summer Walker concert schedule above.
Pay attention to our Summer Walker ticketing procedures as we strive for customer satisfaction:
- Our full selection of Summer Walker concert tickets are listed above. The price listed is the cost per Summer Walker ticket, in full, including all applicable taxes.
- When Summer Walker tickets are purchased, the sale is final. We only offer refunds in the event of an Summer Walker concert cancellation. Unfortunately we are not able to offer refunds for an Summer Walker show that has been postponed or rescheduled.� Please contact our office within 30 days of the event cancellation to request reimbursement of the Summer Walker ticket price (less shipping costs).
- Vivid Seats is a private company not associated with Summer Walker or any music venue on the Summer Walker tour. We deal directly with the end user of the Summer Walker tickets as an agent for the original purchaser.� Summer Walker tickets are sold above face value.
- Your Summer Walker tickets will be purchased through our encrypted 128-Bit secured shopping cart. We are committed to maintaing the privacy of your personal information. �
Vivid Seats is here to assist you. If you have any questions, please call us toll free at 833.228.5143


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The Chief of Outpatient Services serves as a key member of the Department of Psychiatry and Behavioral Health's Executive Leadership Team, leads the integration of outpatient behavioral health care services across the system, partners with physician and other Department leaders to continually improve the quality of those services, leads the professional development and engagement of outpatient providers and staff, and supports the implementation and measurement of value-based models of behavioral health care delivery. The Chief of Outpatient Services reports directly to the Chair of the Department of Psychiatry and Behavioral Health.
OUR PURPOSE & VALUES: Everything we do is about caring for our patients, our members, our students, our Geisinger family and our communities. KINDNESS: We strive to treat everyone as we would hope to be treated ourselves. EXCELLENCE: We treasure colleagues who humbly strive for excellence. LEARNING: We share our knowledge with the best and brightest to better prepare the caregivers for tomorrow. INNOVATION: We constantly seek new and better ways to care for our patients, our members, our community, and the nation.
GEISINGER MEDICAL CENTER: (GMC), located Danville, PA, the largest tertiary/quaternary care teaching hospital in the region, is licensed for 475 beds, including 89 pediatric beds in the Janet Weis Children's Hospital. GMC, a Magnet Hospital, maintains the region's only Level 1 Regional Resource Trauma Center with additional qualifications in pediatrics. GMC offers an array of highly specialized medical and surgical services, including neurosciences, cardiovascular services, transplantation, women's health (in the Women's Pavilion), oncology and orthopaedics. The Hospital for Advanced Medicine serves as an integrated center for the most critical patients. Outpatient services are available on and off campus.
ABOUT GEISINGER: Geisinger is a physician-led health system comprised of approximately 30,000 employees, including nearly 1,600 employed physicians, 13 hospital campuses, two research centers, and a 583,000-member health plan Geisinger is nationally recognized for innovative practices and quality care. Geisinger serves more than 3 million people in central, south-central and northeast Pennsylvania and also in southern New Jersey with the addition of National Malcolm Baldridge Award recipient AtlantiCare, A member of Geisinger. In 2017, the Geisinger Commonwealth School of Medicine became the newest member of the Geisinger Family.
We offer healthcare benefits for full time and part time positions from day one, including vision, dental and domestic partners.* Perhaps just as important, from senior management on down, we encourage an atmosphere of collaboration, cooperation and collegiality. For more information, visit Show Contact Detailswww.geisinger.org , or connect with us on Facebook, Instagram, LinkedIn and Twitter.Recruiter: Karen L. Rubbe
** Does not qualify for J-1 waiver. We are an Affirmative Action, Equal Opportunity Employer Women and Minorities are Encouraged to Apply. All qualified applicants will receive consideration for employment and will not be discriminated against on the basis of disability or their protected veteran status.
*Domestic partner benefits not applicable at Geisinger Holy Spirit.
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Turbo-Knight KU-9801 Download Drivers
Home >
mouse & keyboard & Other input >
Available 1 files for KU-9801
Mouse & Keyboard & Other Input
Turbo-Knight KU-9801
Operating Systems
Windows 95-98-98Se-Me-2000-XP
Size Driver
File Name
The following is the important information of Turbo-Knight KU-9801 installation driver.
Click on Download Now and a File Download box will appear.
Select Save This Program to Disk and a Save As box will appear.
Select a directory to save the driver in and click Save.
Locate the driver file using Windows Explorer when the download has completed.
Turn your computer power off.
Connect the Turbo-Knight KU-9801 to your serial port, PS/2, or USB port.
Power on the computer to start your windows system.
Running the downloaded file will extract all the driver files and setup program into a directory on your hard drive. The directory these driver are extracted to will have a similar name to the KU-9801 model that was downloaded (i.e., c:\KU-9801). The setup program will also automatically begin running after extraction. However, automatically running setup can be unchecked at the time of extracting the driver file.
When the KU-9801 is first connected to the USB port on your computer, the Windows dialog called "Add New Hardware Wizard" will appear automatically. (To display this dialog manually, you can choose the Start button and then Settings to access the Control Panel, and then double click on Add New Hardware. The Turbo-Knight KU-9801 needs to be connected first.)
The Add New Hardware Wizard dialog box guides you through the drivers installation process. Click on Next to move from step to step.
A dialog states "Windows will now search for any new Plug and Play devices on your system". Click Next.
A subsequent dialog gives you these options:
Search for the best driver for your KU-9801 (Recommended) Display a list of all drivers in a specific location, so you can select the driver you want. Please accept the recommended choice by clicking on Next.
The Wizard will then search your hard drive for a file called ..... *****.inf (for example KU-9801.inf). This file contains all the information that Windows needs to install the correct device drivers.
At this point the Wizard might ask for the Windows CD-ROM, place the CD in the CD-ROM drive and select OK.
The installation process will continue automatically until a dialog displays indicating that the drivers have been installed. Select the Finish button and your drivers for Turbo-Knight KU-9801 are installed.
Search and consult the Readme file for additional installation drivers instructions for your Turbo-Knight KU-9801.
Depending on the environment that you are using, a Windows driver provided by Microsoft may be installed automatically on your computer. However, it is recommended that you use this official driver provided by Turbo-Knight for KU-9801.
Available 1 Drivers
Click here to access Official Website Turbo-Knight >
Sorry, Turbo-Knight Official Website has disappeared!


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1977 Volkswagen Safari Touch Up Paint
- Order the same Volkswagen Safari touch up paint used by industry professionals
- Easy-to-follow instructions for selecting the right products
Select paint based on your color code.
The color plate location is around the spare tire area. Volkswagen color codes can be shown differently on your vehicle. For example, the code 'LY9B/A2' can be shown as 'LY9B' or 'A2' on your car. Often you will see 'LY9B/W6' and only the 'LY9B' is the color code. You could also see 'A2/W6' and again, only the 'A2' is the color code.
Ready to order?
Is your color not listed above? Submit a color request and we'll find it for you!
Notice: PaintScratch custom mixes each paint order to match the original factory color of your vehicle. Because your Volkswagen Safari is 20+ years old, the paint may have faded, and we cannot guarantee a color match for any of the colors on this page. There are no refunds on paint ordered for vehicles manufactured before 1986 and we recommend you send us a part for custom matching . We will not remix this paint even if the color does not match.
The vehicle color code will list the paint color exactly so finding it is important. In order to guarantee the accuracy of a color, paint should be ordered based on the color code. Learn where to locate your Color Identification Plate .
Please do not order based on the color you see onscreen. Because computer and phone screens are all different, the color you see on online may not look exactly the same as the paint you receive. For more information, view the FAQ'S .
Always verify your Volkswagen color code on your vehicle before ordering. The Volkswagen Safari colors on this page may go by several different names and the color sample shown above for 1977 Volkswagen Safari is approximate.


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Grape Prom Dress
Every prom dress has a soul
The delicate ingenuity hidden in the details of the dress contains the best wishes for everyone which perfectly express the spirit of craftsmen and the passion of craftsmanship in sewing every single stitch and thread.
StyleAisle Bridal will create a bespoke dress for you just the way you have always wanted.
Explore our extensive collection of breathtaking dress.
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text: Looking after your eyesInformation resources for adults and children with learning disabilities Use the navigation bar below, or click on one of the four boxes on our overview page to get started. Alternatively, go directly to an easy access list of our resources. When you see the icon it means there is a document or factsheet available to download, and when you see the icon it is in easy read. Overview Be aware of vision Eye tests Wearing glasses Getting the right support Devine and Niven (Glasgow) 554 Dumbarton Road, Glasgow, G11 6NT Manager: Ronald Stevenson01413 399 297[email protected] Facilities Wheelchair access into the practiceWheelchair access into the examination roomExtended appointment timesEye test split into separate visits Tests Kay Picture testCardiff Acuity testFixation targetsAccess to Toys Miscellaneous Low vision serviceDomiciliary visits


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Sunday, March 26, 2017
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A Time to Heal
- $3.99
- Published By: Devine Destinies
- Author: Barbara Johannsen
- Page: 101
- Word Count: 20819
- Publication Date: August 5, 2010
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- Available Formats: Adobe Acrobat, Epub, Mobipocket, Mobipocket (.mobi)
- Categories: Contemporary, Inspirational, Romance
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Rachael Walters is a social worker. She identifies with remorse and sorrow almost every day. But it wasn't always the case. Once, she was a carefree young woman with goals and ambitions, but then a tragic accident left her scared physically and emotionally. Now, just getting through the day, proves to be a challenge. But then a kindly high school teacher, Coach Tom Montgomery, walks into her life and she can't deny the attraction she feels. But what man would want a disfigured woman? Or one that carries emotional baggage? Can Rachael come to grips with her past and return the love Tom is offering?
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The Blood Gulch Regulars are simply a close-knit group of Red vs. Blue fans who were among the first to reply to Frankie's appeal on Tuesday night. Luckily for us, they turned out to be a really cool group of people that were a pleasure to humiliate.
Genuinely cool dude #1
Jedi Kez-
Genuinely cool dude #2
Genuinely cool dude #3
Genuinely cool dudette #1
Genuinely cool dude #4
Big Goalie Dan-
Genuinely cool dude #5
The Bungie crew was composed of mostly usual suspects with the addition of a new face.
Genuinely cool AI engineer
Genuinely cool UI designer #1
Evil Otto-
Genuinely cool UI designer #2
Genuinely cool tool... programmer
Genuinely cool content creator
Genuinely cool content manager
Thug Larz-
Genuinely cool multiplayer producer
Ninja 0n Fire-
Genuinely coo- actually screw that guy he talks smack about my mom
Game 1:
Single Bomb Assault
Terminal, normal weapons
Game Duration:
General Tone of Game:
Bungie's performance in this game boded very well for the rest of the match. Bungie dominated the game with unprecedented... dominacity. The first bomb run was a little sloppy on our side. I was the designated sniper throughout the match as New0001 was sitting this week out so I moved up to the terminal and sniped from the walkway above.
Bothari (aka madmax) drove the hog to the base with Ninja and a gunner and they got the bomb inside. Somehow Jejor ended up in the Wraith, I'm not exactly sure how it happened but I would imagine it involved holding X to board the vehicle. With so many pieces in place it was only a matter of time before we got the bomb armed and planted upon our third try. Our second run was similar, we failed upon our first attempt but we got a little bit lucky when nearly all of the Bungie crew was able to converge on the base at virtually the same time, wipe out the Blood Gulch Regs and arm the bomb.
Our defensive rounds were similarly commanding. I rushed the sniper both times after the hog went flying past me and caught the man going for it by surprise. Bungie also came into possession of both Ghosts on the map and the Wraith which patrolled the base while Jejor, his rockets (yeah dude, we heard you) and the rest of the team stood guard in the base. The Blood Gulch Regulars were nearly successful on several attempts during both rounds, however they never seemed to be able to rush the base with more than three guys at the same time
For once, Bungie wins because of team cohesion.
2-0. Bungie wins.
Game 2:
1 Flag CTF
Headlong, normal weapons
Game Duration:
General Tone of Game:
This game was much more evenly matched than the last one, you might think that it would be as a result of the Frankie-factor, as we swapped out Lars for Frankie at the beginning of the match. However, Frankie's performance was up to par tonight. We can attribute the loss of this match to one man, one man and his rockets.
Both of our assaults were bottled up by the Blood Gulch Regulars. I controlled the center of the map with the sniper on both offensive rounds, especially after the Banshee was neutralized by the rockets in the first round (and after the person flying the banshee let it fall off the ledge when he went to pick up the rockets in the second round). The flag never got that far though, as the Bungie crew never managed to get it out of the base despite numerous assaults. The teamwork that had proven so successful for us in the first game was completely absent from the second.
Our defensive rounds weren't as impressive as theirs. The first one was successful, they managed to get the flag out of the front door of the base but after I took down their sniper they didn't have any cover and the clock ran out. Their second round worked out a little better, but not due to their skill. You, the trusting readers of Bungie.net, know that I would never unfairly place blame or spin an event in such a way as to amplify its significance. That said, Ninja literally blew this game for us with two actions.
I saw him firing at someone with the rocket in the back of the base, coming from the lift. Naturally, I run over to help, so as he reloads I jump over his head and take up position to snipe the person the next time they poke their head out. Somehow, Ninja never sees me (even though I was standing there for at least five seconds) and blows us both up. Upon respawning he goes and grabs the rockets again - slow learner. This time he stays near the flag. When he sees an invader, he decides he's not worth a rocket and goes to melee him, misses multiple times and gets assassinated. At this point they have complete control of our base, kill everyone inside and walk the flag out under cover of the sniper rifle that was blown out of my hands.
Whatever Ninja was doing in Hawaii, it seems to have corrupted his mind.
1-0. Bungie loses.
Game 3:
Bonus SWAT
Sanctuary, Battle Rifle and Magnum
Game Duration:
General Tone of Game:
Not the face!
We were more confident in our choice of bonus SWAT this week than normal. This time we chose Sanctuary, which is my favorite map for SWAT as it's symmetrical, wide open and makes it easy to attain the high-ground. Once again, Jejor carried the team with his performance, earning a Kill Frenzy despite being suddenly lag-stricken.
As with all SWAT games it was fast paced and a whole lot of fun. We gained the lead early and held it firmly for the duration of the game. The rest of the team stepped up as Jejor's killing began to slow and we ended up winning the game and the match in commanding fashion.
250-202. Bungie wins.
Big thanks to the Blood Gulch Regulars for giving us a hand and filling in at the last minute. They were a really fun bunch and showed us a great time.
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Pardon our dust...
On Tuesday, January 8th, Bungie.net will be set to read-only mode. During this short, preparatory maintenance window, you can browse, but you can't post. We expect the outage to be brief.
Thank you for your patience. If we don't make it back, tell your mother we love her. See you on the other side.
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Peace on Earth?
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Goodwill towards mail...
It's beginning to look a lot like Christmas at Bungie. Our cavernous hideout, usually overrun by artists, coders, and designers, is slowly becoming a place of empty chairs and empty tables. Before our beloved partners in crime could flee the scene in favor of their respective family reunions, we gathered around the very last bundle of community interaction that will be seen this calendar year.
The past twelve months have been home to fascinating developments at Bungie. We are thankful. We've marched ever closer toward our fate. There is brilliant light at the end of the tunnel, dear community.
But that is a glorious conversation best saved for another time. For now, let's look back instead of forward.
Let's open the Sack.
Frag Ingot What do you consider to be your greatest accomplishment from this year?
I made it through...
Ben Thompson, Engineer
I wrote lots of cool things for Bungie.next. Maybe DeeJ will tell you more about that soon.
Tom Gioconda, Engineer
I started building a spaceship in my garage, entirely out of spare lawnmower parts.
Dave Mongan, Senior Writer
Deadlift: 325lbs., Squat: 225lbs, Machine Squat: 360lbs. Also, wrote/recorded 13 songs and remixed 2 songs.
Forrest Soderlind, Technical Artist
Professionally, I built a new back end system that (if it works correctly) will make the online experience better for a significant portion of our playerbase, without them ever knowing it is there. Personally, I went on some awesome adventures with my wife this year and didn't get us both killed, or too horribly lost.
Michael Williams, Engineer
Robert Kehoe, BVT Tester
Creating the next generation of the internal tools for Bungie.Next. They ain't pretty, but they get the job done.
Alex Loret de Mola, Engineer
And, the following people on the Bungie Panel for this week counted their great fortune in landing a place on the roster of Team Bungie. This delegation represents only a fraction of the parade of noobs that stormed our front door to help us bring you a new game.
Will Edgette, Engineer
Leland Dantzler, Tester
Doug Juno, Artist
Drew Smith, Producer
David Johnson, Engineer
Mike Shannon, Senior IT Engineer
Chris Owens, Test Engineer
Andy Howell, Matchmaking Test Lead
Hylebos How is the Pentathlon shaping up?
As someone who has been honored with an invitation to serve on the Exalted Winter Pentathlon Committee, I'm one of the few people who can tell you that it's shaping up quite nicely. Our competitors have been partitioned into four warring schools, with Captains assigned to lead each. Events have been chosen, with lieutenants designated to lead each school's respective charge, and commissioners in place to enforce the rules of battle. As the games draw near, we'll treat you to the usual front-row seat, though I suspect the game I'm most anxious to play this year will be zealously guarded from your eyes.
Elem3nt 117 What is your New Year's Resolution?
I resolve to be a little bit more open and transparent with you. If that has you excited, please note that my track record for keeping these annual promises is less than impressive. Let's see if my co-developers are more or less disciplined. What do you have planned for yourselves in 2013, Bungie Panel?
Decimate the competition in the Pentathlon or die trying.
Drew Smith, Producer
Draw more.
Doug Juno, Artist
Finish building that spaceship in my garage! Or, give up the ridiculous idea already and waste my free time more wisely.
Dave Mongan, Senior Writer
To get up earlier!
Andy Howell, Matchmaking Test Lead
Deadlift: 495lbs., Squat: 405lbs, Bench 250lbs.
Forrest Soderlind, Technical Artist
Write a book, plant a tree. I can already imagine blank pages and a bare yard.
Christian Diefenbach, Engineering Lead
Don't get suckered into anymore of those crazy "End of the world" doomsday prophesies.
Ben Thompson, Engineer
Create more, consume less.
Michael Williams, Engineer
To finally fulfill my resolutions from the last 8 years.
Mike Shannon, Senior IT Engineer
I resolve to be better, stronger, faster.
Chris Owens, Test Engineer
To not make any more New Year's Resolutions.
Alex Loret de Mola, Engineer
Be less tempted by Bungie's free snacks. Who am I kidding?
Leland Dantzler, Tester
Ninja Blue Wolf Does Marty do lessons?
You mean music lessons? No. Marty does teach us a lesson from time to time, but they are more in the vein of knowing when to hold 'em – and when to fold 'em. If you don't get the reference, that's an old song about Poker, written by a gambling purveyor of Fried Chicken.
WestCoastRonin If you could remake any Christmas movie and give it a sci-fi setting, which movie would you choose and what would it be like?
I'm pitching a starside reboot of A Christmas Story. My hero, Ralphie_9.6, is an astroclone incepted on an off-world colony who dreams of owning a Red Ryder x-ray cannon. As part of his coming of age, he learns to face off against the Academy's most dreaded bully. Comic relief ensues when he tricks his best friend into sticking his tongue to the cooling towers of the main reactor. For the grand finale, a hoard of feral tusk-wolves make off with the sandtrout that was prepared for the solstice feast of the seventh moon.
The joy of editing this feature is the chance to hoard the best and most obvious answer for one's self. However, in the event that Hollywood rejects my screenplay, here are some alternatives from the Bungie Panel…
If you ask me, Rocky 4 is begging for a sci-fi remake. It's got it all: Good versus evil; hi-tech versus old-school; national pride versus personal determination. Everything is on the line, and it all comes to a head on Christmas Day. Simply set it in an interstellar society, with humans versus aliens and… Ba-da-bing ba-da-boom! Instant, updated holiday classic.
Dave Mongan, Senior Writer
Rudolph the Red-Nosed Reindeer is a cyborg sent back through time to Santa's workshop (circa 1995) to protect Santa Claus. Sam the Snowborg is on a mission to kill him and alter the future so that Snowborgs rule over all mankind – and Christmas is permanently destroyed. To save the day, Santa and Rudolph must go to the Isle of Misfit Toys Asylum to rescue Mrs. Claus, who was arrested after encountering Rudolph in the prequel.
David Johnson, Engineer
It's a Wonderful Star Trek Life. I know they kind of already did it in TNG. I guess I just want Star Trek for Christmas.
Andy Howell, Matchmaking Test Lead
As Life Day approaches on Tatooine, Emmet Otter and his Ma decide to compete in the Cantina's talent contest. Watch as they face corrupt Hutt judges, and challenge the Empire's most deadly musicians, "The Boba Fett Sarlacc Band". In the end they will learn the true meaning of Life Day, and the true power of the Force.
Michael Williams, Engineer
Mine is more based on a TV show than a movie. Theorizing that one could time travel within his own lifetime, Doctor Sam Beckett stepped into the Quantum Leap accelerator - and vanished. He awoke to find himself trapped in the past, facing mirror images that looked a lot like Santa, and driven by an unknown force to change Christmas for the better. His only guide on this journey is ELF, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so, Doctor Beckett finds himself leaping from life to life, striving to replace bad presents with amazing presents and hoping each time that his next leap… will be the leap home.
Chris Owens, Test Engineer
I have a visual of people opening their Christmas presents to find face hugger aliens inside.
Robert Kehoe, BVT Tester
The first two Die Hard movies could be convincingly set on an inter-planetary colony and a spaceport, respectively. The plot of the second movie even becomes more much plausible in a spaceport.
Tom Gioconda, Engineer
White Christmas. It's the year 2196, and Lt. Commander Wallace is performing a holiday space symphony for our troops fighting against the mysterious arachnid alien species that has invaded our solar system. He finds himself caught in a web, and about to be eaten by said aliens, before Ensign Davis runs over in the nick of time and saves his life. Their friendship comes to a head years later when their old Fleet Admiral is discovered running a failed tourist vessel orbiting Jupiter. They decide to bring their interstellar cast and crew to revive his chances of success. The plot really doesn't have to change much at all! I suppose one of their love interests could get vaporized by a stray phaser blast as they defend the tourist ship from space raiders.
Alex Loret de Mola, Engineer
Yeah, Alex. Because nothing gets people in the Christmas spirit faster than vaporizing love interests.
irishfreak Why won't you return my calls?
Mostly because, for the first time in the years (and years) since I left college and joined The Work Force, I don't have a phone on my desk. That took some getting used to. I remember asking about this on my first day at Bungie. Urk answered my question with a question of his own. "Who would you call?" That stopped me in my tracks. Hello, Internet? It's me, DeeJ.
EZcompany2ndsqd If Santa came down your chimney and you were awake what would you do?
I'd handcuff him to the gas starter, light a candle, and have a long chat about all those years I got ugly sweaters instead of the video games that had been released that season. Perhaps the Bungie Panel will be more forgiving than I…
See if he wanted to play some Farcry 3 coop.
Drew Smith, Producer
I would thank him for giving me a brand new fireplace.
David Johnson, Engineer
Offer him a drink.
Doug Juno, Artist
Release the Krampus!
Forrest Soderlind, Technical Artist
Demand gifts as payment for intrusion.
Leland Dantzler, Tester
We would then engage in mortal combat - Bungie wood n00b sword vs. Santa Sack. Spoiler: Christmas would lose.
Andy Howell, Matchmaking Test Lead
Borrow his ride!
Christian Diefenbach, Engineering Lead
Ask if he had a couple hours to babysit.
Ben Thompson, Engineer
Wager my soul against a golden fiddle in a Settler's of Catan match. Santa does that right?
Michael Williams, Engineer
Scream like a little girl and run around in circles until the bad man left. Sadly, that's how I deal with most situations.
Chris Owens, Test Engineer
Offer the man some milk and cookies for installing a chimney in my apartment.
Will Edgette, Engineer
Probably offer him a beer. Cookies and milk probably get old.
Tom Gioconda, Engineer
DarthCarrick If you could give the Community a present, what would it be?
An exciting new place to call home. Since such things cannot be wrapped, that gift will have to serve another occasion.
Xd00999 You can now un-cancel one television show. What do you choose?
When I do make it to my television, I'm more than likely using it to battle the Internet though the construct of my favorite game. Thus, I am transferring my vote to the Bungie Panel. Have at it, people. What do you wish was still on the idiot box?
I used to work in TV, so that's like asking me to resurrect only one of my deceased friends. Too cruel. Instead, I'll bring to life a baby that was never born: a pilot I wrote called "The War." Imagine the grittiness of "The Wire," set on the coke-frenzied Sunset Strip of the 1980s. It was an intense roller-coaster ride of sex & drugs & rock-n-roll… or at least it would have been, had it ever seen the light of day. Oh well…
Dave Mongan, Senior Writer
I'd pick one of the following:
Ben Thompson, Engineer
Bring back Firefly!
David Johnson, Engineer
Firefly, Duh. (Says the Star Trek fan… I know.. I know..)
Andy Howell, Matchmaking Test Lead
Will Edgette, Engineer
Can I choose two? 1) Firefly 2) Farscape.
Christian Diefenbach, Engineering Lead
Michael Williams, Engineer
I'm sure this is the first time someone mentioned this show, but Firefly.
Chris Owens, Test Engineer
Answers other than Firefly are wrong.
Tom Gioconda, Engineer
Alex Loret de Mola, Engineer
Better Off Ted.
Leland Dantzler, Tester
Carnivale on HBO.
Doug Juno, Artist
Arrested Development.
Drew Smith, Producer
Deadwood, so I can open a can of peaches.
Forrest Soderlind, Technical Artist
A Pimpin Lady Why will you not answer my question? I want to know where Bungie hires their non-gaming personnel. Last time I asked this question, you sent me to the job listings page on B.Net. In all my years here, I have never seen non-gaming related listings. I know you guys have to have accountants, HR, health educators, etc. Will you please tell me where the job listings for these people are found?
"Ma'am! I answered your question! I answered the darn... I'm cooperating here!" -Jerry Lundegaard, Executive Sales Manager, Gustafson Motors
It's almost as if our whole team is devoted to the singular cause of making a game. We do have a few people at Bungie who mind the shop while we make the toys. In all your years here, none of them have quit. They really like their jobs. We see to that, personally. If we end up needing more of them, the curious onlookers who pay attention to our Careers page will be the first to know.
Marcellos007 What was the funniest present you´ve got for Christmas?
My father and my sister succumbed to the allure of a home shopping offering on television. One toll-free conversation later, our entire family received the gift of decorative swords. Mine was so decorative, the blade folded under the weight of its own haft when I sank it into the soil of the back yard in a dramatic reenactment of the ending to my favorite Scottish revolution film. Care to recall your own comedic lumps of coal, Bungie Panel?
My dad used to rewrap the board game Balderdash every year and give it to a random member of the family. That was always funny. Plus, it's a good game.
Drew Smith, Producer
Many years ago, a boss of mine gave me the menu for an adult-entertainment venue called The Chicken Ranch. I never visited the establishment, but I got a lot of laughs out of reading the names of their various "Dishes."
Dave Mongan, Senior Writer
One year, my friends thought it would be a good idea to all get me Hello Kitty themed gifts, including bubble bath that came packaged with warnings about urinary tract infections. Also included was a lantern that had a warning to "not look directly at." So, all of the Hello Kitty gifts where deadly in one way or another. But really, isn't anything to do with Hello Kitty?
Andy Howell, Matchmaking Test Lead
Our family has had a habit of wrapping gifts in bizarre ways. I've seen bizarre polyhedral shapes, boxes nested in boxes, and gifts wrapped in twine that has been spliced so there was no end to untie.
Michael Williams, Engineer
A 20 pound wheel of cheese (I used to be a much larger man who loved his cheese).
Chris Owens, Test Engineer
A Rubik's Cube shaped like Homer Simpson.
Alex Loret de Mola, Engineer
My dad gave me Heretic: Shadow of the Serpent Riders. I was 8 and my mom was furious. Dad and I played the heck out of it, though.
Leland Dantzler, Tester
Halo biggest fan For all the artists at Bungie: Do any of you frequently go to figure drawing sessions to stay sharp on your traditional drawing skills?
Is this really a question about art? Or, is it more a question about naked people in our studio?
CoRaMo Where is the strangest place you have ever played a video game?
Like so many of you, I was waiting anxiously on the sidelines while Halo: ODST was preparing to drop. Through some magic wielded by the Hand of Urk, I vaulted to the front of a very long line and was the first kid in my zip code to play Firefight in the belly of a military transport vehicle. Moral to the story: Always be nice to your Community Manager. Beat that, Bungie Panel!
The Experience Music Project in Seattle during the Halo 2 launch party. The science fiction museum had only recently gone into the building, and the whole experience was pretty surreal and awesome.
Michael Williams, Engineer
At the Podiatrist, while I was having an ingrown toenail removed. I needed a distraction.
Andy Howell, Matchmaking Test Lead
You mean like the backseat of a Volkswagen?
Mike Shannon, Senior IT Engineer
Backseat of a Volkswagen.
Robert Kehoe, BVT Tester
I played Inception – The App while I was in Erfoud, Morocco just to unlock the Africa chapter. My wife rolled her eyes, but the camels didn't seem to mind.
Forrest Soderlind, Technical Artist
On the set of a movie.
Chris Owens, Test Engineer
In a van heading across the country to get to PAX – part of a caravan called the Cross Country Super Trip. We wired it up to a TV that was fixed into the ceiling, and played it on our two day long trek.
Alex Loret de Mola, Engineer
I played Pokemon Silver in an unmarked van, in Ireland, stuck at a sheep crossing while thousands of fluffy things crossed the road for more than 15 minutes (true story).
Leland Dantzler, Tester
Do iPhone games on the porcelain throne count?
Dave Mongan, Senior Writer
To most of you, playing in an arcade is probably pretty strange. More people play video games on the toilet via their phones than play in arcades now.
Tom Gioconda, Engineer
With gaming on cell phones, it doesn't get much more strange than gaming in a public restroom. I'm... not the only one that does that, right?
David Johnson, Engineer
Some of you are sick. Suddenly, that line that forms outside the Bungie men's room is much less a mystery. Pull your pants up and get back to work. You can launch birds out of slingshots on your own time.
coolmike699 Does Bungie do a secret Santa? Has anyone gotten anything really weird?
Our Secret Santas give presents to the people who need them the most. This year, our tree was decorated with dreams passed along to us from our friends at the Make-A-Wish Foundation. We love making dreams come true at Bungie – the weirder the better.
Duardo What was the best gift ever given to you?
I have everything I want in life: a gaming console, a patient wife who lets me spend a lot of time with it, and a clan of willing killers to carry me to victory. Bungie Panel, can you do a better job of celebrating the spirit of giving?
Not to get all sappy, but a couple years back, my wife gave me a pretty non-traditional Christmas present: a pregnancy test that read positive. Now, a few years earlier I would've freaked out; but timing is everything, and instead I was super excited to know we were expecting a little gamer of our own.
Dave Mongan, Senior Writer
The generosity of my friends. I can be demanding and a bit eccentric/neurotic, but they are all super accommodating.
Drew Smith, Producer
My life, by my mom and dad. (I know, suck up...)
Andy Howell, Matchmaking Test Lead
My first thought was to say "my daughters." Then, I realized they're more like Trojans taking over my world: making me work harder to get them the best life I can, eating away at my idle time with child's play and E rated games, pushing me to better myself and… Yeah, my daughters.
Christian Diefenbach, Engineering Lead
My family once commissioned a custom art piece from one of my favorite artists based on a fictional character of mine. The effort and subtlety needed to gather the information for the commission was as precious as the artwork itself.
Michael Williams, Engineer
Mike Shannon, Senior IT Engineer
The gift of laughter! Yeah, right! That'd be my original 8-bit NES with the Gold Zelda Cart.
Chris Owens, Test Engineer
My wife built me a cabinet with a mini-fridge, snack drawer, and movie theater style popcorn popper for my home theater room was pretty damned impressive last year.
Tom Gioconda, Engineer
The gift of life! Hahaha, no. In all seriousness, the Nintendo Entertainment System. It was the beginning of what got me here today.
Robert Kehoe, BVT Tester
Being able to work at Bungie.
Alex Loret de Mola, Engineer
Dethklok: Dethalbum II on vinyl.
Forrest Soderlind: Technical Artist
Will Edgette, Engineer
Leland Dantzler, Tester
spartain ken 15 Do you guys ever think you would sell some Bungie-themed Christmas cards?
If you refresh the front page of our website, you can have one for free. There ain't any cash in it, but it's still a sincere expression of our love and devotion. Of all the gifts that we're to receive in the coming days, very few will make us as happy as your unshakable friendship.
And, thus, the Sack is empty. With its closure, we bring to an end another year of community love. This next year promises to be a more exciting one. Between now and then, do take care of yourselves. May your travels by safe, and your holiday loot plentiful.
To all a good night.
Posted by DeeJ at
Lean on me...
The Bungie Community is constantly astounding us with their creativity, and their solidarity. Recently, some ancients (who were playing Bungie games before some of their contemporaries were born) banded together to produce a piece of art that would steady a friend in need as he took steps toward a new challenge. Behold the intersection between passion for games and compassion for one's fellow gamer.
Miguel writes: Folks, here's a link to the whole Soulblighter Sword Cane saga, how it came to be, why we did it, etc. It all started back at the tail end of August (right before PAX Prime!) and is finally done now. The man has his uber-cane! Thanks of course to all of you for creating a wonderful environment for us to form such lasting friendships. Man, are we getting old.
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The Journal of Canadian Petroleum Technology focuses on heavy oil and oil-sands technology, thermal recovery techniques, unconventional gas supplies, optimization techniques, increasing recovery from older basins, and other technologies designed for the production challenges of Canada. Most of these technologies have worldwide applications as well.
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Configuring Digital Sound
- 1 Basics
- 2 Bit Perfect Audio
- 3 ALSA Utilities
- 4 Setting up ALSA's .asoundrc, Properly
- 5 Questions and Answers
- 5.1 I get no sound from MythTV when watching TV but MythMusic and command-line test all work fine. What is the problem?
- 5.2 But I want to have all my sound go to the S/PDIF connector, how do I do that?
- 5.3 How do I set up Myth plugins to use digital sound with mplayer?
- 5.4 How do I set up Myth plugins to use digital sound with xine?
- 5.5 How do I do this with a PVR-350?
- 5.6 How do I do this in KnoppMyth
- 5.7 How do I do this in Fedora Core
MythTV relies on the operating system sound system to provide audio. You should make sure first and foremost that you have a working sound system outside of MythTV before thinking there is something wrong with the software.
On Linux there are generally three major sound systems that are supported by MythTV:
Check the appropriate support site or Linux documentation in addition to any hints here in getting your sound card working under Linux. The MythTV wiki Sound card page also contains useful information on this topic. If you have additional information, please add it to the External Links page.
The default in modern Linux systems that use the 2.6 kernel is now ALSA. For MythTV installations it is advisable to turn off any sound servers that sit on top of ALSA such as Pulse Audio or the KDE or Gnome sound servers.
Bit Perfect Audio
Digital sound is the preferred method to get audio from a MythTV installation for two reasons
1. We want to have the audio decoding done outside of the computer for greater sound quality.
2. We want to play DVD with full surround sound using DTS or Dolby Digital.
You need to be aware that ALSA by default will upsample all of your audio to 48Khz. This keeps it compatible with TV broadcasts as well as Dolby Digital and DTS surround on DVDs. ALSA typically takes the sound from your content, routes it through a module called "plug" where this resampling takes place, and then routes it to a module called "dmix", a software mixer, before it outputs it to your SPDIF/iec958 connector.
For Die hard Audiophiles this resampling is a real source of irritation as CD audio is made using PCM at 44.1Khz. The upsampling in ALSA is unfortunately very low quality, and if you have a half decent amplifier and speakers, you will notice that CD playback has a congested compressed sound to it. This is very easy to overcome, by sending all your audio directly to your soundcards SPDIF or IEC958 Connector. The device name for this connector is typically "cards.pcm.iec958". So just configure this device as the audio device in MythTV.
On Mythfrontend Utilities/Setup->Setup-General go to the Audio page and set your audio device as
Audio output device = ALSA:cards.pcm.iec958 Passthrough outputdevice = Alsa:iec958:{AES0 0x02} Enable AC3 to SPDIF passthrough check Enable DTS to SPDIF passthrough check
With most modern Linux distros there is not a need to mess around with the ALSA configuration files
Check your device names with
>aplay -L
iec958 'cards.pcm.iec958' spdif 'cards.pcm.iec958'
Dont forget to unmute your iec958 output using alsamixer.Now when you play a CD your amp should show PCM output at 44.1Khz, and TV broadcasts as PCM at 48Khz, and your DVDs will also have full blown surround.
dont forget to rip your CDs using Lossless FLAC as the encoder (this is the default for the "Perfect" setting in the MythTV) will preserve the 44.1Khz audio files from your CDs.
Quick Check of Sound System
You can use the following commands to test output is correct
>speaker-test -c2 --device cards.pcm.iec958 --rate 44100
>speaker-test -c2 --device cards.pcm.iec958 --rate 48000
ALSA Utilities
Don't forget that there are some utilities that are included in the alsa-utils package. Use your favorite package manager to install the package. This is especially true for alsaconf recommended in the installation guide.
- alsa_init
- alsaconf configures your sound device (run as root)
- alsa_snddevice
- alsamixer
- text based mixer. Fills screen with all available audio inputs.
- push the slider up to increase volume.
- The MM at the top of column. Means MUTE Hit M key to unmute
- The word CAPTUR above a column means it's being used as an input. Use space to select. Note that selecting some inputs automatically deselects others.
- aplay
- ALSA command-line sound player. Also has options for listing ALSA devices which can be helpful
- arecord
- ALSA command-line sound player. Also has options for listing ALSA devices which can be helpful
- test_ioctl
- Run as root. Can unmute sound and increase volume. Use -h for full usage information
Setting up ALSA's .asoundrc, Properly
Using the "default" ALSA configuration (or the .asoundrc specified for your particular sound card at the http://alsa-project.org/ site) gives only a very basic configuration and relies on the user to specify all the sound stream handling required for a system's sound card. Instead of specifying this configuration information every time the sound card is used (or configuring it in every application), it makes more sense to create an ALSA configuration file.
Note: This is not required on Fedora Core 5 and 6 systems. The default ALSA configuration contains all of the capabilities delivered by the configuration file shown below and using this configuration file will break the ALSA configuration on FC5 systems. FC5 users can use ALSA:default as the Audio output device and set Mixer Device to default in the General settings section of the frontend settings.
Note: If you are using a version of ALSA newer than 1.0.12 -- http://alsa.opensrc.org/.asoundrc states that for most uses an .asoundrc is not necessary. Use "aplay -l" to see a list of available device names and use "ALSA:<device name>" for the Audio output device and "default" for the Mixer Device in the General settings section of the frontend settings.
To use the ALSA configuration file below, save the text (including comments) as /etc/asound.conf (for system-wide usage) or as ~/.asoundrc (for user-specific configuration). Edit and use the file as described in the comments at the top. (Note that the only edit you should need to do is specifying card number and device number for the "analog-hw" and/or "digital-hw" virtual devices.)
To use one of the named devices in Myth, specify the appropriate device for the Audio output device setting (in the General settings section of the frontend settings) using the format ALSA:devicename (case sensitive). You will need to type in the value, it's not in the list. Next, set the Mixer Device field using the device name, but without the "ALSA:" prefix. Generally, you can use default for mixer device regardless of which output device you've chosen.
At least one user reported being able to use either ASLA:digital-hw or ALSA:dmix-digital for watching TV/recordings; however, MythMusic would not work logging the error Rate doesn't match (requested 44100Hz, got 48000Hz). Changing the output device to ALSA:default fixed the problem.
The filtering performed by these definitions will prevent AC-3/DTS passthrough from working. If using passthrough, you may specify "ALSA:digital-hw" to Myth, but some things (i.e. CD playback) will no longer work.
To test the output devices, execute the command:
aplay -D devicename /path/to/audio/file.au
replacing devicename with one of default, analog, mixed-analog, digital, or mixed-digital. aplay doesn't support many formats, so an au file is probably the easiest one to test with. If you need one, download ftp://ftp.kernel.org/pub/linux/kernel/SillySounds/english.au and you can hear Linus pronounce Linux (from 1994).
# ~/.asoundrc or /etc/asound.conf # ALSA configuration file ##### USAGE ##### # Save this file as "~/.asoundrc" (for user-specific sound configuration) or # "/etc/asound.conf" (for system-wide sound configuration) and specify ALSA # device names ad described in the next section. ##### DEVICE NAMES ##### # This configuration file defines four devices for use by the user. Those # devices are "analog", "mixed-analog", "digital", and "mixed-digital". The # user may also re-define "default" to be identical to one of the above-named # devices (i.e. to send all sound output to the digital output unless otherwise # specified). Use the device names as described below: # - "analog" outputs to the analog output directly and (at least on software # sound cards) blocks other audio output. After playback completes, "queued" # sounds are output in sequence. # - "mixed-analog" mixes audio output from multiple programs into the analog # output (so you can hear beeps, alerts, and other noises while playing back # an audio stream). # - "digital" outputs to the digital output directly. Since most (all?) # digital outputs expect 48kHz PCM audio, this may not work for some playback # (i.e. CD's--which are 44.1kHz PCM audio--or 32kHz audio streams from TV # recordings, etc.). # - "mixed-digital" # All other devices created within this file are used only by the configuration # file itself and should /not/ be used directly. In other words, do not use # the devices "analog-hw", "dmix-analog", "digital-hw", or "dmix-digital". ##### IMPORTANT ##### # To make this ALSA configuration file work with your sound card, you will need # to define the appropriate card and device information for the "analog-hw" and # "digital-hw" devices below. You can find the card and device information # using "aplay -l". ##### Configuration File ##### # Override the default output used by ALSA. If you do not override the # default, your default device is identical to the (unmixed) "analog" device # shown below. If you prefer mixed and/or digital output, uncomment the # appropriate four lines below (only one slave.pcm line). # # Note, also, that as of ALSA 1.0.9, "software" sound cards have been modified # such that their default "default" device is identical to the "mixed-analog" # device. Whether using an ALSA version before or after 1.0.9, it does no harm # and has no affect on performance to redefine the device (even if the # redefinition does not change anything). Also, by using this ALSA # configuration file, you once again have access to unmixed analog output using # the "analog" device. pcm.!default { type plug ## Uncomment the following to use (unmixed) "analog" by default # slave.pcm "analog-hw" ## Uncomment the following to use "mixed-analog" by default slave.pcm "dmix-analog" ## Uncomment the following to use (unmixed) "digital" by default # slave.pcm "digital-hw" ## Uncomment the following to use "mixed-digital" by default # slave.pcm "dmix-digital" } # Control device (mixer, etc.) for the card ctl.!default { type hw card 0 } # Alias for (converted) analog output on the card # - This is identical to the device named "default"--which always exists and # refers to hw:0,0 (unless overridden) # - Therefore, we can specify "hw:0,0", "default", or "analog" to access analog # output on the card # - Note that as of ALSA 1.0.9, "software" sound card definitions redefine # "default" to do mixing, meaning this device is different from "default" and # allows playback while blocking other sound sources (until playback # completes). pcm.analog { type plug slave.pcm "analog-hw" } # Control device (mixer, etc.) for the card ctl.analog { type hw card 0 } # Alias for (converted) mixed analog output on the card # - This will accept audio input--regardless of rate--and convert to the rate # required for the dmix plugin (in this case 48000Hz) # - Note that as of ALSA 1.0.9, "software" sound card definitions redefine # "default" to do mixing, meaning this device is identical to "default" for # "software" sound cards. pcm.mixed-analog { type plug slave.pcm "dmix-analog" } # Control device (mixer, etc.) for the card ctl.mixed-analog { type hw card 0 } # Alias for (converted) digital (S/PDIF) output on the card # - This will accept audio input--regardless of rate--and convert to the rate # required for the S/PDIF hardware (in this case 48000Hz) pcm.digital { type plug slave.pcm "digital-hw" } # Control device (mixer, etc.) for the card ctl.digital { type hw card 0 } # Alias for mixed (converted) digital (S/PDIF) output on the card # - This will accept audio input--regardless of rate--and convert to the rate # required for the S/PDIF hardware (in this case 48000Hz) pcm.mixed-digital { type plug slave.pcm "dmix-digital" } # Control device (mixer, etc.) for the card ctl.mixed-digital { type hw card 0 } # The following devices are not useful by themselves. They require specific # rates, channels, and formats. Therefore, you probably do not want to use # them directly. Instead use of of the devices defined above. # Alias for analog output on the card # Do not use this directly--it requires specific rate, channels, and format pcm.analog-hw { type hw card 0 # The default value for device is 0, so no need to specify # - Uncomment one of the below or create a new "device N" line as appropriate # for your sound card or # device 1 # device 4 } # Control device (mixer, etc.) for the card ctl.analog-hw { type hw card 0 } # Alias for digital (S/PDIF) output on the card # Do not use this directly--it requires specific rate, channels, and format pcm.digital-hw { type hw card 0 device 1 # - Comment out "device 1" above and uncomment one of the below or create a # new "device N" line as appropriate for your sound card or # device 2 # device 4 } # Control device (mixer, etc.) for the card ctl.digital-hw { type hw card 0 } # Direct software mixing plugin for analog output on the card # Do not use this directly--it requires specific rate, channels, and format pcm.dmix-analog { type dmix ipc_key 1234 slave { pcm "analog-hw" period_time 0 period_size 1024 buffer_size 4096 rate 48000 } } # Control device (mixer, etc.) for the card ctl.dmix-analog { type hw card 0 } # Direct software mixing plugin for digital (S/PDIF) output on the card # Do not use this directly--it requires specific rate, channels, and format pcm.dmix-digital { type dmix ipc_key 1235 slave { pcm "digital-hw" period_time 0 period_size 1024 buffer_size 4096 rate 48000 } } # Control device (mixer, etc.) for the card ctl.dmix-digital { type hw card 0 }
For a detailed description of how this ALSA configuration file works, see this post from the mailing list.
If you would like simultaneous digital and analog output, add the following at the end of the above /etc/asound.conf or .asoundrc file:
pcm.!default { type plug slave { pcm multi rate 48000 } ttable.0.0 1.0 ttable.1.1 1.0 ttable.0.2 1.0 ttable.1.3 1.0 } pcm.stereo { type plug slave { pcm multi rate 48000 } ttable.0.0 1.0 ttable.1.1 1.0 ttable.0.2 1.0 ttable.1.3 1.0 } ctl.stereo { type hw card 0 } pcm.multi { type multi slaves.a.pcm "analog-hw" slaves.a.channels 2 slaves.b.pcm "digital-hw" slaves.b.channels 2 bindings.0.slave a bindings.0.channel 0 bindings.1.slave a bindings.1.channel 1 bindings.2.slave b bindings.2.channel 0 bindings.3.slave b bindings.3.channel 1 } ctl.multi { type hw card 0 }
Then set the Audio output device setting (in the General settings section of the frontend settings) to ALSA:multi (case sensitive). If you want to use AC3 passthrough, you should also set the passthrough device to ALSA:digital or ALSA:mixed-digital. If you leave it set to Default, you will hear horrible noise on your analog output. Note that this means that when you are watching a source that uses AC3 passthrough, you will hear nothing on your analog output.
NOTES: Works great from me set like this. (FC 6, Myth 0.20 installed from RPMS). Everything goes to the right place. In my case the analog sound to the TV is connected to my HTPC's "Front" output jacks, so I must set the Mixer Device (in the General settings section of the frontend settings) to default, as above, and type "Front" into Mixer Controls so that Myth's volume control adjusts the proper channels. Even though I am on FC 6, I am using both parts of the above /etc/asound.conf.
If you connect the digital output (SPDIF) of your computer to your stereo, and the analog output to your television, this set-up allows you to listen to the audio of a program through both your stereo system and your television's speakers simultaneously, or to choose between the two simply by muting one.
More information about this is available from the knoppmyth wiki: http://knoppmythwiki.org/index.php?page=DigitalAudioHowTo
Questions and Answers
I get no sound from MythTV when watching TV but MythMusic and command-line test all work fine. What is the problem?
- Check to see if you have the "AC3 Passthrough to S/PDIF" option checked in Setup. This option is should only be enabled if your tuner hardware provides AC3 audio streams. If are not receiving AC3 audio streams from your tuner hardware and check this box, you will not get any sound. (see thread)
- Check your definition of the mixer device. If you're using ALSA:default for audio output, you should change the mixer device from "/dev/mixer" to "default". (from the Gentoo Linux Wiki)
But I want to have all my sound go to the S/PDIF connector, how do I do that?
It varies by hardware, but you should be able to set up your .asoundrc to route all PCM data (2-channel) to your S/PDIF connector. See above or here's a simple example:
pcm.!default { type hw card 0 device 1 }
The card and device numbers are directly related to your hardware. My system has the following devices shown using aplay -l
card 0: YMF744 [Yamaha DS-XG PCI (YMF744)], device 1: YMFPCI - IEC958 [YMFPCI - IEC958] Subdevices: 1/1 Subdevice #0: subdevice #0
In this scenario, you would set your MythTV audio device to /dev/adsp. You can also try typing in the audio device box `ALSA:default` or `ALSA:spdif` as appropriate for your hardware to try to utilize MythTV's internal ALSA support. In order to use this though, you need to have compiled MythTV with ALSA support.
How do I set up Myth plugins to use digital sound with mplayer?
Add the following to your mplayer lines in the setting dialog, substituting the device alias you wish to use.
-ao alsa:device=digital -afm hwac3
This will tell mplayer to send output audio to the digital device. It will pass ac3 or dts directly to hardware digital out. This allows you to watch dvds and videos with digital sound correctly, while still being able to watch those with mp3 audio without having to edit the command line.
How do I set up Myth plugins to use digital sound with xine?
As the mythtv user run xine. Open the Setup screen (alt+s or accessible with a mouse). Select the audio tab. Under speaker arrangement select Pass Through.
If this does not work open xine's Setup, on the gui tab change Configuration experience level to Master of the known universe and select Apply. Then select the audio tab and examine the device.alsa_passthrough_device setting.
How do I do this with a PVR-350?
The PVR-350 encodes the TV signal it receives from its built-in tuner or from its various audio and video inputs into MPEG-2 format and streams that output to MythTV which writes that stream into files. When MythTV plays back those MPEG-2 files or those generated by other PVR-x50 and similar cards, it simply streams them them back to the PVR-350 and the PVR-350 decodes the audio and video and sends them out of its cables.
To get the audio produced by the PVR-350 many people take its audio outputs and use a cable to pipe them back into their sound card's Line In jack. If you're using the Line Out jack on your sound card to send analog audio to your amplifier, then all you need to do is unmute the Line In control in your audio mixer and set the volume. However, redirecting this output to the S/PDIF output in digital format requires a few more steps.
Note: The names of the sound card controls used in the following command examples will vary depending on the audio device installed in your computer and the driver module it uses. The command "amixer" entered without any options will output all of the controls exposed for your audio device and "alsamixer" or your favorite graphical mixer program can also be used to manipulate these controls to make these settings.
Set Line In as a capture source and mute it so that it doesn't go out the Line Out jack:
$ amixer set 'Line',0 0%,0% mute cap
Set Capture as a capture source:
$ amixer set 'Capture',0 0%,0% mute cap
Tell the sound card to turn on S/PDIF output:
$ amixer set 'IEC958',0 unmute
Tell the sound card to route analog input to the S/PDIF port:
$ amixer set 'IEC958 Playback Source',0 'Analog In'
This last setting needs to be toggled back and forth when you switch from watching TV, TV recordings and other MPG sources via the PVR-350 card to watching DVDs, videos and listening to music. All of the non-PVR audio is PCM audio, not analog. Switching back to PCM audio can be done with:
$ amixer set 'IEC958 Playback Source',0 'PCM'
If you like, you can set up a button on your remote to toggle this setting.
If your sound card does not allow you to set the "IEC958 Playback Source", or you want to avoid having to toggle this setting back and forth, then you need to find some other way to route the analog audio from the Line In jack to PCM audio. One technique would be to use the "arecord" and "aplay" commands to route the capture sources on the sound card back in as PCM audio:
$ arecord -D hw:0,0 -f dat | aplay -D mixed-digital
If you use this approach then you will probably want to execute this command at startup so that it is always running and available while the MythTV frontend is up. One way to do that would be to add it to a script in ~/.kde/Autostart (assuming that you're using the KDE desktop.) Ad a script containing this line or add it to a script that's already there:
$ arecord -D hw:0,0 -f dat | aplay -D mixed-digital &
The "&" at the end of the line causes this command to run in background so that the script can continue executing the rest of the commands that it contains.
Note that this approach may not produce the best possible sound quality. Ths sound is going out of the PVR-350, back into the soundcard, being sampled by "arecord" and "aplay" and then sent out the S/PDIF to be converted back to analog by your apmlifier. If you have an optical interconnect between your MythTV frontend and your amplifier it may help reduce ground-loop hum though. On the other hand, this technique may introduce a time lag that causes your audio to be out of sync with the video when you watch TV.
Backing up your mixer settings
Once you have your audio configured to your liking you may way to capture a snapshot of the mixer configuration as a backup, just in case. The "alsactl" command can be used for this purpose. Running the following command as root will update the default profile. Some Linux distributions use this profile to save the current ALSA mixer settings during shutdown so that they can be restored during the next boot. This is often accomplished using settings in the modules configuration file (/etc/modprobe.conf in recent Redhat/Fedora distributions.)
$ /sbin/alsactl store 0
This command will save a copy of the current mixer settings in your home directory. (Substitute your MythTV user if you used something other than "mythtv".)
$ /sbin/alsactl -f /home/mythtv/asound.backup store 0
This command will restore the settings you saved in your home directory. (Substitute your MythTV user if you used something other than "mythtv".)
$ /sbin/alsactl -f /home/mythtv/asound.backup restore 0


text:
ozmania wrote:Some of you guys are crazy! Or just jaded. I don't know how PWG can have the best live audience and the worst message board posters. Last nights show was awesome! Every single match was really good and the crowd was hot all night. Even PWG's Twitter and Facebook said that it was their "sleeper show of the year," so obviously the company was happy with it.
So becuase I didnt like the show, im now crazy or jaded??
If you don't like my opinion, that's one thing but dont start calling me or (us) crazy.
Imma say again for you... I THOUGHT THE SHOW SUCKED.
That doesnt mean i hate pwg nor am i going to stop coming to the shows. All i said was I didnt like it.
For all you hardcore fans, believe it or not.. but not everyone is going to like every show. I have been spoiled the last 2 yrs with awesome f'kn shows from PWG, so I dont expect them to go all out every single time. Im still gonna be at the nxt show and the nxt one, and the one aftr that. So again, the show for ME was not good. If you dont like that, fine.. but let's stop with the name calling :mrgreen:


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Santa Clara County
Santa Clara County
The Santa Clara County of today is the world-leading hub of high-tech innovation and development, but the area was originally known as the Valley of Heart's Delight due to its high concentration of orchards, flowering trees, and plants. While residents can still enjoy a local farmers market or heritage orchard, agriculture has been replaced by the high-tech industry, and today, Santa Clara County is home to many of the world's largest and most notable tech companies including Apple, Google, LinkedIn, eBay, and PayPal. The region has the highest concentration of high-tech workers of any metropolitan area, and is one of the top research and development centers in the world.
The area has a work hard/play hard ethos that translates into innumerable leisure time activities. From taking in a high-energy San Jose Sharks game, shopping on Santana Row, or strolling the streets of any of the region's thriving downtowns, residents and visitors can find countless ways to unwind. And close proximity to the attractions of San Francisco to the north and beach lounging to the south make it an ideally central location. Santa Clara County is a unique combination of intellect, opportunity, and ideal living, and this true synergy of creativity and commerce keep the region constantly pushing forward.
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