text: PART/LINK ONE - UNIVERSAL SITE TERMS & CONDITIONS 1. OVERVIEW 2. GENERAL TERMS OF USE 3. ACCEPTABLE USE POLICY 4. PRIVACY POLICY 5. _CONNECT 6. GRANT APPLICATIONS 7. SBRI COMPETITIONS 8. NEWSLETTERS 9. NEWS FEED LICENCE 10. ACCESSIBILITY PART/LINK TWO – INNOVATE UK POLICIES 11. SIGN-UP AND FOLLOW US 12. FEEDBACK 13. PERSONAL DATA 14. FREEDOM OF INFORMATION 15. HELP & SUPPORT 16. INFORMATION MANAGEMENT POLICY 17. AFFINITY PARTNERS PART/LINK ONE - UNIVERSAL SITE TERMS & CONDITIONS 1. OVERVIEW 1.1. INFORMATION ABOUT US Innovate UK is the trading name of the Innovate UK, a business-led non-departmental public body established by Royal Charter, under company number RC818, whose main place of business is at North Star House, North Star Avenue, Swindon, SN2 1UE ("us", "we", "our"). Innovate UK is sponsored and funded by the United Kingdom Government Department for Business, Innovation and Skills. 1.2. THIS SITE Innovate UK owns and operates a number of websites and online platforms and has adopted a single set of terms and conditions to encompass them all, including the General Terms of Use, Acceptable Use Policy, Privacy Policy, and bespoke terms relevant to specific applications (such as the News Feed and _Connect) ("the Terms"). The Terms (including any referenced documents) set out the conditions of use pursuant to which you may make use of our site, whether as a visitor, a guest or a registered user ("you", "your"). Please read these terms of use carefully before you start to use the site. By entering our site, you accept these terms of use and agree always to act in accordance with them. If you do not agree to these terms of use, please refrain from using our site. 2. GENERAL TERMS OF USE 2.1. Accessing our site Access to our site is permitted on a temporary basis and we reserve the right to withdraw, suspend or amend the service that we provide on our site without notice. If you choose, or you are provided with, any user identification code, password or any other piece of information used as part of our security procedures (the "identity credentials"), such information must be treated as confidential and must not be disclosed to any third party. We have the right, at any time, to disable any identity credentials, whether chosen by you or allocated by us if in our opinion you have failed to comply with any of the Terms. You are responsible for making all arrangements necessary to enable you to have access to our site. You are also responsible for ensuring that all persons who access our site using the identity credentials are authorised to do so, are aware of these terms, and comply with such terms at all times. 2.2. Accuracy We strive to ensure all information on our site is accurate and up to date, but we cannot guarantee that it is free from error and shall not be liable for any errors on the site. You are responsible for checking the accuracy of relevant facts and opinions given on the site before entering into any commitment based upon them. The information provided on this site does not constitute legal or other professional advice. 2.3. Service Unfortunately we cannot guarantee that your use of this site will be free from interruption and we will not be liable for any reason our site is unavailable at any time. 2.4. Intellectual Property Innovate UK owns all intellectual property rights contained in works on our site and which are created by or on behalf of us. Those works are protected by copyright laws and treaties around the world. All such rights are reserved. You must not modify the paper or digital copies of any materials you have printed off or downloaded in any way from our site, and you must not use any illustrations, photographs, video or audio sequences or any graphics separately from any accompanying text. Our status (and that of any identified contributors) as the authors of material on our site must always be acknowledged by using the following wording: "© Innovate UK [insert year]. All rights reserved." (or similar wording in the case of identified contributors). Except where otherwise permitted within the Terms, you must not use any part of the materials on our site for commercial purposes without first obtaining a licence to do so from us or our licensors. If you print off, copy or download any part of our site in breach of these terms of use, your right to use our site will cease immediately and you must, at our option, return or destroy any copies of the materials you have made. 2.5. Uploading Material To Our Site Whenever you make use of a feature that allows you to upload material to our site, or to make contact with other users of our site, you must comply with the content standards set out in our acceptable use policy. You warrant that any such contribution does comply with those standards and you indemnify us for any breach of that warranty. Save for the specific exceptions detailed within the Terms (e.g. Grant Applications) and those works which are explicitly expressed to be subject to pre-existing copyright protection and which are submitted to the website by users, any material you upload to our site will be considered non-confidential and non-proprietary, and we have the right to use, copy, distribute and disclose to third parties any such material for any purpose. We also have the right to disclose your identity to any third party who is claiming that any material posted or uploaded by you to our site constitutes a violation of their intellectual property rights, or of their right to privacy. We will not be responsible, or liable to any third party, for the content or accuracy of any materials posted by you or any other user of our site. We have the right to remove any material or posting you make on our site if, in our opinion, such material does not comply with the content standards set out in our Acceptable Use Policy. 2.6. Linking to our Site You may link to our home page, provided you do so in a way that is fair and legal and does not damage our reputation or take advantage of it, but you must not establish a link in such a way as to suggest any form of association, approval or endorsement on our part where none exists. Our site must not be framed on any other site. We reserve the right to withdraw linking permission without notice. The website from which you are linking must comply in all respects with the content standards set out in our Acceptable Use Policy. We may from time to time provide news feeds via our site. In order to use any news feeds provided via our site, you must comply in all respects with our News Feed License. If you wish to make any use of material on our site other than that set out above, please address your request to firstname.lastname@example.com Links to third party websites are provided solely for your convenience and we have no control over the contents of those sites or resources. Accordingly, we accept no responsibility for any loss or damage that may arise from your use of such third party sites. If you follow a link to any of these websites, please note that they have their own terms and privacy policies. Please check these policies before you submit any personal or sensitive data to these websites. 2.7. Viruses, hacking and other offenses We strive to ensure this site is free from viruses. However, we cannot always guarantee this. You are responsible for installing adequate and up-to-date virus-checking software on your computer. We take no responsibility or liability for any viruses or any other computer code, files or programs which interrupt, restrict, destroy, limit the functionality of or compromise the integrity of any computer software or hardware, or telecommunications equipment or other material which may be transmitted with or as part of the site. You must not misuse our site by introducing (whether knowingly or not) any material which is malicious or technologically harmful. You must not attempt to gain unauthorised access to our site, the server on which our site is stored or any server, computer or database connected to our site. You must not attack our site via a denial-of-service attack or a distributed denial-of-service attack. 2.8. Our Liability Access to and the material displayed on our site is provided without any guarantees, conditions or warranties as to its accuracy and availability. Your use of our site and its contents shall be at your sole risk. To the fullest extent permitted by law, we hereby expressly exclude: · all conditions, warranties and other terms which might otherwise be implied by statute, common law or the law of equity; · any liability for any direct, indirect or consequential loss or damage incurred by you in connection with our site or in connection with the use, inability to use, or results of the use of our site, any websites linked to it and any materials posted on it, including, without limitation, any liability for: o loss of income or revenue; o loss of business; o loss of profits or contracts; o loss of anticipated savings; o loss of data; o loss of goodwill; o wasted management or office time; and o for any other loss or damage of any kind, however arising and whether caused by tort (including negligence), breach of contract or otherwise, even if foreseeable. This does not affect our liability for death or personal injury arising from our negligence, nor our liability for fraudulent misrepresentation, nor any other liability which cannot be excluded or limited under applicable law. In the event that this disclaimer and exclusion of liability is held by a court of law to be ineffective, our maximum aggregated liability to you shall not exceed £1.00 (one pound sterling). 2.9. Updates / Variations We may revise the General Terms of Use, Acceptable Use Policy and Privacy Policy at any time by amending this page. You are expected to check this page from time to time to take notice of any changes we make, as they are binding on you. We will also post a notification of any material changes we make on our site. 2.10. Jurisdiction and applicable law The English courts will have non-exclusive jurisdiction over any claim arising from, or related to, a visit to our site although we retain the right to bring proceedings against you for breach of these conditions in your country of residence or any other relevant country. These terms of use and any dispute or claim arising out of or in connection with them or their subject matter or formation (including non-contractual disputes or claims) shall be governed by and construed in accordance with the law of England and Wales. 3. ACCEPTABLE USE POLICY This acceptable use policy ("Acceptable Use Policy") sets out the terms on which we allow you to use our site, whether as a user, guest or visitor. 3.1. Prohibited Uses You may use our site only for lawful purposes. You may not use our site: · in any way that breaches any applicable local, national or international law or regulation; · in any way that is unlawful or fraudulent, or has any unlawful or fraudulent purpose or effect; · for the purpose of harming or attempting to harm any person in any way; · to send, knowingly receive, upload, download, use or re-use any material which does not comply with our content standards; · to transmit, or procure the sending of, any unsolicited or unauthorised advertising or promotional material or any other form of similar solicitation (spam); or · to knowingly transmit any data, send or upload any material which is malicious or technologically harmful or which may adversely affect the operation of any computer software or hardware. You also agree: · not to reproduce, duplicate, copy or re-sell any part of our site in contravention of the provisions of the Terms; · not to access without authority, interfere with, damage or disrupt: · any part of our site; · any equipment or network on which our site is stored; · any software used in the provision of our site; or · any equipment, network or software owned or used by any third party. 3.2. Interactive Services We may from time to time provide interactive services on our site, including, without limitation: · chat rooms; · bulletin boards; · blogs; and · web conferencing. Where we do provide any interactive service, we will provide clear information to you about the kind of service offered, if it is moderated and what form of moderation is used (including whether it is human or technical). We will assess the possible risks to you from third parties when you use any interactive service provided on our site and will decide in each case whether it is appropriate to use moderation of the relevant service (including what kind of moderation to use) in the light of those risks. However, we are under no obligation to oversee, monitor or moderate any interactive service we provide on our site, and we expressly exclude our liability for any loss or damage arising from the use of any interactive service by you in contravention of our content standards, whether the service is moderated or not. The use of any of our interactive services by a minor is subject to the consent of their parent or guardian. We advise parents who permit their children to use an interactive service that it is important that they communicate with their children about their safety online, as moderation is not fool-proof. Minors who are using any interactive service should be made aware by their parents or guardians of the potential risks to them. Where we do moderate an interactive service, we will normally endeavour to provide you with a means of contacting the moderator, should a concern or difficulty arise. 3.3. Content Standards These content standards (the "standards") apply to any and all material which you contribute to our site ("contributions"), and to any interactive services associated with it. You must comply with the spirit of the standards as well as the letter. The standards apply to each part of any contribution as well as to its whole. Contributions must: · be accurate (where they state facts); · be genuinely held (where they state opinions); and · comply with applicable law in the UK and in any country from which they are posted. Contributions must not: · contain or promote any material which is defamatory of any person; · contain or promote any material which is obscene, offensive, hateful or inflammatory; · contain or promote sexually explicit material; · contain or promote violence; · contain or promote discrimination based on race, sex, religion, belief, nationality, disability, sexual orientation or age; · infringe any copyright, database right or trade mark of any other person; · be likely or intended to deceive any person; · be made in breach of any legal duty owed to a third party, such as a contractual duty or a duty of confidence; · be threatening, abuse or invade another's privacy, or be likely or intended to cause annoyance, inconvenience or needless anxiety; · be likely to harass, upset, embarrass or alarm any other person; · be used to impersonate any person, or to misrepresent your identity or affiliation with any person; · give the impression that they emanate from us, if this is not the case; or · advocate, promote or assist any unlawful act such as (by way of example only) copyright infringement or computer misuse. 3.4. Suspension and Termination We will determine in our absolute discretion whether there has been a breach of the Acceptable Use Policy through your use of our site. When a breach of this policy has occurred, we may take such action as we deem appropriate. Failure to comply with the Acceptable Use Policy constitutes a material breach of the Terms upon which you are permitted to use our site, and may result in our taking all or any of the following actions: · immediate, temporary or permanent withdrawal of your right to use our site; · immediate, temporary or permanent removal of any posting or material uploaded by you to our site; · issue of a warning to you; · legal proceedings against you for reimbursement of all costs on an indemnity basis (including, but not limited to, reasonable administrative and legal costs) resulting from the breach; · further legal action against you; and/or · disclosure of such information to law enforcement authorities as we reasonably feel is necessary. We exclude liability for actions taken in response to breaches of the Acceptable Use Policy. The responses described in this policy are not limited, and we may take any other action we reasonably deem appropriate. 4. PRIVACY POLICY For the purposes of the Data Protection Act 1998 (the "Act"), we are the Data Controller. We are committed to protecting and respecting the privacy of the visitors, users and guests of our site. Please read this Policy carefully, as it sets out the basis on which any personal data we collect from you, or that you provide to us ("data"), will be processed by us. By using our site, you consent to such processing and you warrant that all data provided by you is accurate. 4.1. Information Charter We need to handle personal information about you so that we can provide services to you. This is how we look after that information. When we ask you for personal information, we promise: · to make sure you know why we need it; · to only ask for what we need, and not to collect too much or irrelevant information; · to protect it and make sure nobody has access to it who shouldn't; · to let you know if we share it with other organisations to give you better public services - and if you can say no; · to make sure we don't keep it longer than necessary; · not to make your personal information available for commercial use without your permission; and · to comply with the Data Protection Act 1998. In return, we ask you to: · give us accurate information; and · tell us as soon as possible if there are any changes, such as a new address. This helps us to keep your information reliable and up to date. You can get more details on: · how to find out what information we hold about you and how to ask us to correct any mistakes; · agreements we have with other organisations for sharing information; · circumstances where we can pass on your personal information without telling you, for example, to prevent and detect crime or to produce anonymised statistics; · our instructions to staff on how to collect, use and delete your personal information; · how we check the information we hold is accurate and up to date; and · how to make a complaint. by contacting us at d firstname.lastname@example.com For independent advice about data protection, privacy and data-sharing issues, you can contact the Information Commissioner at: Wycliffe House, Water Lane, Wilmslow, Cheshire, SK9 5AF. Phone: 08456 30 60 60 or 01625 54 57 45 Fax: 01625 524510. Website: ICO 4.2. Information we may collect from you When you participate in, access or sign-up to any of our services (including our newsletters, competitions, social media, message boards and telephone discussions), create an account using the _connect online platform or otherwise correspond with us, we will receive data about you. This data may consist of information, such as your name, email address, postal address, landline or mobile number. Depending on the activity (for example, applying for a grant from us), we may also obtain information about the name and type of your business, and its address. We also use cookies and collect IP addresses from visitors to our websites. 4.3. Where we store your personal data All personal data you provide to us is stored on secure servers which are operated in accordance with the UK Information Commissioner's guidelines on the storage of personal data. It is specifically noted that some applications and services that process personal data outside the European Economic Area may be used. Where this occurs, Innovate UK (or the relevant Affinity Partner) shall ensure that it complies with its responsibilities to keep your personal data safe and secure. For example, where data is stored in the USA, then the Safe Harbour Framework meets the adequate requirements of data protection. We cannot guarantee the security of your data during transmission from you to us, and you transmit such data at your own risk. Once your data has reached our servers, we will use strict procedures and security features to try and prevent unauthorised access. 4.4. Disclosure of your information Innovate UK will only disclose your Information in accordance with our Information Management Policy . This includes: · Consultant/Sub-Contractor for Internal Activity Innovate UK may need to disclose your information to a consultant/sub-contractor in order to undertake an 'Internal Activity' e.g. to an IT consultant working on upgrading our IT system. Where this is the case, Innovate UK will act in accordance with its Information Management Policy, only disclose the information reasonably necessary for the purpose, and will ensure that appropriate provisions are put in place to secure your information. · Affinity Partners As part of our objective to stimulate and support UK innovation, we have established a close network of Affinity Partners. Where we share personal data with Affinity Partners, such Affinity Partners shall become the data controllers of that personal information and must act in accordance with the terms of the Information Management Policy and the Data Protection Act, and shall become directly responsible to you (and the Information Commissioner) thereunder. 4.5. Uses made of your Information Any information you provide to us will be used and shared in accordance with our Information Management Policy . The Information Management Policy is a principle based approach to managing your information, using engagement journeys and distinct use categories to simply explain our responsibilities and treatment of your information. Where we propose using your data for any purpose other than those contained within the Information Management Policy, we will ensure that we notify you in advance. 4.6. Promotional Communications Promotional and marketing communications may be sent to you by various communication channels. In the case of electronic communications, these will only be sent to an individual if you have opted to allow the use of your personal data for such purposes. If you wish to change your communication preferences at any time, please do so by contacting: firstname.lastname@example.com In the case of email communications, individuals may also opt out of receiving future communications by using the "unsubscribe" link provided at the bottom of the email. 4.7. IP Address An IP address is a number that can uniquely identify a specific computer or other network device on the internet. We may collect information about your computer, including your IP address, operating system and browser type, for system administration. This is statistical data about our users' browsing actions and patterns, and does not identify any individual. 4.8. Log Files Log files allow us to record visitors' use of the site. We put together log file information from all our visitors, which we may use to make improvements to the layout of the site and to the information in it, based on the way that visitors move around it. Log files do not contain any personal information about you. 4.9. Cookies Innovate UK uses small amounts of data stored on your computer called 'cookies' to collect information about how visitors use the website. They enable us: · to estimate our audience size and usage pattern · to store information about your preferences, and so allow us to customise our site according to your individual interests · to speed up your searches, and · to recognise you when you return to our site. Each website can send its own cookie to your browser if your browser's preferences allow it. Your browser is the computer program you use to access the internet. By default, your browser will only allow a website to access the cookies it's already sent to you, and not the cookies sent to you by any other website. This is to protect your privacy. For more information go to: About Cookies There are effectively four different variants of cookies that websites create: · Session cookies – These types of cookies are only valid when the user browses a site and are expired when the user leaves a website. Session cookies are used to remember if a user has logged into a website for example. · Persistent cookies – Persistent cookies are not cleared when a user closes their browser. They are used to remember if the user has visited the site before, whether they ticked a 'remember me' type checkbox when logging into the site or where the user visited the website from. These types of cookies generally have a fixed time-frame before expiring, for example a year. · First party cookies – First party cookies are examples that are only used within one particular website. Data from the cookie isn't accessible to other websites. · Third party cookies – These cookies do contain data that third party websites can access. Examples include social media sharing controls or analytics based websites Services that need cookies to work Some services need to store a cookie on your computer for them to work. These cookies are removed when you finish using the service. If cookies are blocked then these services will not work. Controlling what cookies are stored on your computer You can set your devices to: · Accept all cookies · Tell you when a cookie is being received · Not receive cookies · Each browser is different, so check the 'Help' menu of your browser to learn how to change your cookie preferences. Rejecting Cookies If you want to restrict or block the cookies set by Innovate UK you can do this through your browser settings. The 'Help' menu in your browser should explain how you can do this, as well as how to delete cookies from your computer. To reject cookies on your mobile phone's browser, see your handset manual. For more information, see the 'About cookies' website. How to control or delete cookies: About Cookies Third Party Cookies on our websites/platforms · Google Analytics cookies Innovate UK uses Google Analytics, a web analytics service provided by Google, Inc. Google Analytics sets a cookie in order to evaluate your use of the site. Google stores the information collected by the cookie on servers in the United States. Google may also transfer this information to third parties where required to do so by law, or where such third parties process the information on Google's behalf. Google will not associate your IP address with any other data held by Google. By using the site, you consent to the processing of data about you by Google in the manner and for the purposes set out above. How to reject or delete this cookie: Google Privacy Policy ClickTale module is used to analyse where users click/browse through a website (customer experience analytics). How to reject or delete this cookie: Click Tale The following is a list of known cookies that are present on our website(s)/platforms. Each cookie includes a short description of what the cookie does and what type of variant the cookie falls into. Name of cookie Cookie Variant Description ASP.NET_sessionID Session cookie, First party cookie General purpose session cookie. Used to remember if the user is currently navigating the website. This cookie contains the user's session ID and the cookie will expire at the end of the session (when you close your browser). _ck Session cookie First party cookie Content Management System generated and is currently not utilized or saving any data. AuthCookie Persistent cookie, First party cookie Used on some websites to remember if they user is still logged into the site despite closing the browser (the cookie is valid for 30 minutes from the point of creation). _utma Persistent cookie, Third party cookie This cookie (which is part of Google analytics) keeps track of the number of times a visitor has been to the site pertaining to the cookie, when their first visit was, and when their last visit occurred. _utmb Persistent cookie, Third party cookie Used to create a timestamp of the exact moment in time when a visitor enters a site. This cookie is part of Google analytics in conjunction with the _utmc cookie. _utmc/td> Persistent cookie, Third party cookie Used to create a timestamp of the exact moment in time when a visitor leaves a site. This cookie is part of Google analytics in conjunction with the _utmb cookie. _utmz Persistent cookie, Third party cookie _utmz keeps track of where the visitor came from, what search engine the visitor used, what link the visitor clicked on, what keyword the visitor used, and where they were in the world when the user accessed the website. This cookie is part of Google analytics. WRUID Persistent cookie, Third party cookie Used by the ClickTale module to analyse where users click/browse through a website WRIgnore Persistent cookie, Third party cookie Used by the ClickTale module to disable user experience monitoring. 4.10. Queries regarding Privacy Questions, comments and requests regarding this Policy and/ or the processing of your data are welcomed, and should be addressed to email@example.com . 4.11. Updates If this privacy policy materially changes in any way, we will place an updated version on these pages. Regularly reviewing this page ensures that you are always aware of what information we collect, how we use it and under what circumstances, if any, we will share it with other parties. We will also post a notification of any material changes we make on our site. 5. _CONNECT 5.1. General If you become a member of _connect, you are automatically subscribed to the _connect online community and you agree to be bound by these specific terms ("the _Connect Terms") in relation to your _Connect activities, together with the Terms as applicable from time to time. To the extent that the _Connect Terms conflict with any of the other Terms in relation to your _Connect activities, the _Connect Terms shall prevail. 5.2. Managing your profile on _connect You can choose, and control, the amount of personal data which will be disclosed in your public profile. You can change your profile settings at any time by logging-in to your profile page and amending your settings accordingly. We aim to keep the data we hold accurate and up-to-date. If at any time your data becomes out-of-date or you become aware of an error, you must update your profile by visiting _connect. Where we have given you (or where you have chosen) a password which enables you to access certain parts of our site, you are responsible for keeping this password confidential. You must not share a password with anyone. 5.3. Intellectual Property Save for works which are explicitly expressed to be subject to pre-existing copyright protection (for example, by stating "© [name of user] [insert year]. All rights reserved.") and which are submitted to the site by registered users, Innovate UK is granted an unrestricted exclusive licence by the licensor to exploit all intellectual property rights in such works and in the material published on our site. Those works are protected by copyright laws and treaties around the world. All such rights are reserved. 5.4. Privacy All information you provide shall be handled in accordance with our Information Management Policy, which can be provided on request. Where you have opted to provide personal information, you consent to the processing of such information, which may include processing outside of the EEA, on condition it is processed in a safe and secure manner for legitimate purposes. Members of _connect may change their preferences by accessing their personal profile settings. 5.5. Updates / Variations Where there is a substantive update to the _Connect Terms (other than updating information lists, changing formatting, and clarifying terms already present), we will notify you by email and/or log-in notification as appropriate. Minor changes will be notified by way of a notification of changes on our site. 5.6. Update – January 2015 (the "Transition Period") With effect from and including January 2015, the _Connect Terms were updated with the Universal Site Terms & Conditions for all new registrants, which included a reference to the Information Management Policy. Existing Members remained on the previous terms and conditions. Pursuant to the email campaign and other notices in Spring 2015, all members of Connect automatically transitioned onto the new _Connect Terms by continuing to use the Site after you received notice of the changes. This did not affect your contact preferences, which remained unchanged. In respect of your contact preferences, at the time of notifying you of the changes to the _Connect Terms, you were asked to update your preferences to allow us and our Affinity Partners to use your personal contact details to provide you with relevant advice and support to enhance and compliment the assistance provided by Innovate UK. This creates four categories of Connect Members as follows: Personal Contact Preferences Action taken by Connect Member Result No action taken Previous contact preferences still in force Agreed to new contact preferences, and - chose not to allow Innovate UK to contact you with related services/assistance of potential interest Innovate UK will use your personal details to contact you regarding _Connect and other matters with which we are engaged, but will not use your personal details to contact you regarding other grants/assistance that may be of benefit to you. It is not recommended that you select this option as it inhibits us being able to assist you. Agreed to new contact preferences, and - chose not to allow Affinity Partners to contact you with services/assistance of potential interest Innovate UK will use your personal details to contact you regarding _Connect and other matters with which we are engaged, but will not allow carefully selected Affinity Partners to use your personal details to contact you regarding their grants/services that may be of benefit to you. It is not recommended that you select this option as it inhibits carefully selected Affinity Partners from being able to assist you. Agreed to new contact preferences, and - chose to allow Innovate UK / Affinity Partners to contact you with services/assistance of potential interest Innovate UK will use your personal details to contact you regarding _Connect and other matters with which we are engaged, and Innovate UK will ensure your personal details are used responsibly to maximise the offers of suitable grants and other assistance that are available to you. It is recommended that you select these options to help us help you. To help us provide you with the best service and support, we would be grateful if you could opt-in and allow us and our Affinity Partners to contact you. You can of course update your contact preferences at any time. 6. GRANT APPLICATIONS 6.1. General If you make a grant application through the site, you agree to be bound by these specific terms ("the Grant Application Terms"), together with the Terms as applicable from time to time, and any application guidance. To the extent that the Grant Application Terms conflict with any of the other Terms, the Grant Application Terms shall prevail. 6.2. Confidentiality & Personal Information Any applications uploaded to our site shall be held and used in accordance with our Information Management Policy and the specific rules of the relevant competition. It is noted that Innovate UK reserves the right as a condition of any grant application and/or award to contact an organisation and its named lead staff, directly or through an Affinity Partner, with limited, relevant, specific information that can assist with your application, grant or in developing and/or exploiting your specific idea, product or service which was the basis of your live or recent application or grant. 6.3. Intellectual Property For the avoidance of doubt, you retain all rights in your intellectual property and confidential information when submitting applications for grants. 6.4. Submitting Information on Behalf of Others Where an organisation submits Information in relation to staff, it confirms that it has the requisite authority to submit such Information and for Innovate UK to use such Information in accordance with the competition guidance, terms of contract and its Information Management Policy, including the applicable terms for contacting individuals and sharing Information. Where an organisation submits Information on behalf of another organisation, it confirms that it has the requisite authority to submit such Information and for Innovate UK to use such Information in accordance with the competition guidance, terms of contract and its Information Management Policy , including the applicable terms for contacting individuals and sharing Information. 6.5. Guidance Further guidance is provided on the particular competition page. 6.6. Joint Competitions Where Innovate UK advises in the Guidance or other documentation that it is collaborating with a 'Joint-Sponsor' in undertaking the competition and/or grant, Innovate UK shall be entitled to share all Information (including Closed Information*) received or generated in respect of the competition and/or grant with the Joint-Sponsor, and such Joint-Sponsor shall be directly accountable to you for the Information it receives in accordance with its own funding policies. This shall be the case regardless as to whether Innovate UK and/or the Joint-Sponsor each individually: a) fund the entire grant, part of the grant, or none of the grant; b) run or contribute to the management and/or assessment of the competition; or c) run or contribute to the management and/or monitoring of the grant. For clarity, a Joint-Sponsor means another UK based organisation that operates or funds grant awards or other similar contracts, such as a department within UK Administration or the Research Councils. * Closed Information is as described in the Information Management Policy and includes all confidential and private information. 7. SBRI COMPETITIONS 7.1. General If you make a bid through the site, you agree to be bound by these specific terms ("the SBRI Application Terms"), together with the Terms as applicable from time to time, and any application guidance. To the extent that the SBRI Application Terms conflict with any of the other Terms, the SBRI Application Terms shall prevail. 7.2. Confidentiality & Personal Information Any applications uploaded to our site shall be held and used in accordance with our Information Management Policy and the specific rules of the relevant competition. It is noted that Innovate UK reserves the right as a condition of any grant application and/or award to contact an organisation and its named lead staff, directly or through an Affinity Partner, with limited, relevant, specific information that can assist with your application, grant or in developing and/or exploiting your specific idea, product or service which was the basis of your live or recent application or grant. 7.3. Intellectual Property For the avoidance of doubt, you retain all rights in your intellectual property and confidential information when submitting applications for grants, but any contract award is subject to the specific terms and conditions of the contract. 7.4. 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Composition with Blue
Schilderij No. 1: Lozenge with 2 Lines and Blue
Piet Mondrian, Dutch, 1872 - 1944
Made in France, Europe
Oil on canvasDimensions:
24 1/16 x 24 1/16 inches (61.1 x 61.1 cm) Framed: 30 × 30 × 3 7/16 inches (76.2 × 76.2 × 8.7 cm)Curatorial Department:
European Painting
1952-61-87Credit Line:
A. E. Gallatin Collection, 1952
Made in France, Europe
Oil on canvasDimensions:
24 1/16 x 24 1/16 inches (61.1 x 61.1 cm) Framed: 30 × 30 × 3 7/16 inches (76.2 × 76.2 × 8.7 cm)Curatorial Department:
European Painting
* Gallery 280, Modern and Contemporary Art, second floorAccession Number:
1952-61-87Credit Line:
A. E. Gallatin Collection, 1952
Social Tagsabstract [x] de stijl [x] degenerate art [x] entartete kunst [x] geometric [x]
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Well known for his austere, seemingly empty paintings, Mondrian outdoes himself here. He deplored personal flourish and ornament as too subjective. The fact that there is nothing personal or recognizable in this painting is precisely what he thought gave it universal truth and beauty. Working with only the most basic elements-straight lines and primary colors-Mondrian strove to create pure objective art that he believed would change the world. This sincere and dramatic ambition for such a restrained painting of nothing gives Mondrian's work a conceptual heft that extends far beyond what is visible.
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ProvenanceConsigned by the artist to Sophie Küppers (1891-1978), Hanover, Germany, 1926(?) [1]; Hanover Provinzialmuseum/Landesmuseum, Hanover, Germany, 1926(?)-1937 [2]; confiscated in 1937 by the National Socialist authorities and stored in Schloss Niederschönhausen, EK inventory number 7035 [3]; with Karl Buchholz, Berlin; with Curt Valentin, Buchholz Gallery, New York, 1939 [4]; sold to A. E. Gallatin (1881-1952), New York, August 24, 1939 [5]; bequest to PMA, 1952. 1. Sophie Küppers (later Küppers-Lissitzky, after she married the artist El Lissitzky in 1927) was a German citizen resident in Hanover and widow of Paul Küppers (d. 1922), artistic director of the Kestner Society. She became interested in promoting Mondrian's work in 1924 and asked him to send work on consignment for her to sell in Germany. He sent four canvases, which she showed to Alexander Dorner, the director of the Hanover Provinzialmuseum; Dorner purchased one of them for the museum (see S. Küppers-Lissitzky, El Lissitzky, 1968, p. 52). According to Joop Joosten (letter of November 15, 2001 in curatorial file; and Mondrian: Catalogue Raisonné, 1998, vol. 2, p. 133, 324; see also "Piet Mondrian", exh. cat., 1994, p. 52), "Composition with Blue" must have likewise been consigned to Küppers in Hanover after it was shown in the "Onafhankelijken" exhibition in Amsterdam in 1926; she and Lissitzky had visited Holland in the summer of 1926 and would have seen the exhibition. 2. Alexander Dorner (1893-1957) recalled that Mondrian's "Composition in Blue" along with Lissitzky's "Proun 2C", both later purchased by Gallatin, were both displayed in the famous Abstract Gallery (Abstraktes Kabinett) of the Hanover museum designed 1927-28 by Lissitzky (Samuel Cauman, The Living Museum, 1958, p. 55, repr. p. 62 and p. 63, respectively; no known installation photo of the Abstraktes Kabinett shows these paintings actually hanging on the wall). However, there is no evidence that the museum owned "Composition in Blue." In a letter of May 14, 1983 in the curatorial file, Joosten notes that the painting is not in the records of the Hanover museum. The painting is not listed in the 1930 catalog of the museum's holdings, nor does it appear on the official list of works owned by museum at the time of the Nazi seizures. Only one Mondrian is listed; this is almost certainly the painting purchased from Küppers in 1924, Joosten's no. B149, which was sent to the Nazi-organized "Entartete Kunst" exhibition in Munich in 1937 and is now lost (see Landesmuseum Hanover, Beschlagnahme-Aktion im Landesmuseum Hannover, 1937, Hanover, 1983, "Gemälde aus dem Besitz der Landesgalerie Hannover"). Oddly, "Composition with Blue" also does not appear on the list of confiscated works on loan to the museum at the time. Again, only one Mondrian is listed as a loan; this is most likely Joosten's no. B174 (now lost), a 1926 painting entitled "Schilderij No. 2" that also appeared in the "Onafhenkelijken" exhibition, and is listed in the museum's 1930 catalog as a "Leihgabe" (loan) from the Sophie Küppers collection (Dorner, Katalog der Kunstsammlungen im Provinzialmuseum zu Hannover, Bd. 1, 1930, p. 274, no. 433). Together with "Composition with Blue," this work was confiscated from the museum in 1937 and stored at Schloss Niederschönhausen (see below, note 3), where it was registered under #7034, the number preceding "Composition with Blue." Since there is no doubt that "Composition with Blue" was at the Hanover museum in 1937, it must have been present as an unofficial loan of some sort. Joosten suggests that before leaving Germany for Russia in 1927 Küppers asked Dorner to keep "Composition with Blue" in storage, hoping for a chance to sell it to the museum in the future (Joosten letter of November 15, 2001). If the work was in fact on consignment to Küppers, as seems most likely, then Mondrian himself remained the owner, with Küppers simply acting as intermediary. This was her typical practice: a 1925 letter from El Lissitzky to Küppers, for example, reports that Mondrian needs cash and is anxiously awaiting the fruits of her success in selling his paintings in Dresden (see Küppers-Lissitzky, El Lissitzky, 68; Joosten believes that she never asked for, or received, a commission on these sales). The Hanover Provinzialmuseum is now known as the Niedersächsisches Landesmuseum; the modern art collections are housed at the Sprengel Museum. Sophie Küppers-Lissitzky lent 13 works by various artists to the Hanover Provinzialmuseum in 1926 before she moved to Russia, all of which were confiscated by the Nazis in 1937 as part of the "degenerate art" campaign (see Art News, Summer 1992, Apr. 2001, and Sept. 2001). The Lissitzkys' son and heir, Jen Lissitzky, has recently sought the return of three confiscated works from his mother's collection now belonging to other museums (one of which has been returned). The 13 paintings in question are listed in a document written by Sophie Küppers entitled "Sammlung Dr. P. E. Küppers als Leihgabe übergeben zu Händen von Dr. Alexander Dorner an das Provinzial-Museum der Stadt Hannover, 1926." Only one Mondrian appears on the list; this is almost certainly the painting "Schilderij No. 2" that appears in the museum's 1930 catalog as her loan, the whereabouts of which are now unknown. 3. The painting's verso bears a paper label stamped "7035". As a major proponent of modern abstract and Expressionist art in Germany, Dorner was forced by the Nazi government to resign his position as director of the Hanover Provinzialmuseum (also known as the Landesmuseum) in 1936. He became director of the RISD art museum in 1938. In 1937, as part of its campaign against "Degenerate Art" the Nazi government dismantled the Abstraktes Kabinett and confiscated some 270 works from the museum (Cauman, The Living Museum, p. 119). This "purification" of German museums continued until March 1938. The Entartete Kunst (EK) inventory gives the title of "Composition with Blue" as "Abstrakte Komposition", records that it was assigned to dealer Karl Buchholz, and under "Location" gives the abbreviation "K", denoting "ehemaliger Kommissionsbestand in Verwahrung des Reichsministeriums für Volksaufklärung und Propaganda" (former commission inventory in custody of the Reich Ministry of Public Enlightenment and Propaganda). Joosten has determined that "Composition in Blue" was sent to Schloss Niederschönhausen outside of Berlin, where a salesroom was set up to dispose of the most "exploitable" works of art (i.e., those with the highest potential resale value on the international art market), totalling 780 paintings and 3,500 works of art on paper (Joosten, Catalogue Raisonné, vol. 2, p. 323-324; see also Lynn Nicholas, Rape of Europa, 1995, p. 24-25; and Stephanie Barron, ed., Degenerate Art, exh. cat., 1991, p. 125, 128-129). It's unclear why the final version of the EK inventory (c. 1942) wasn't updated to reflect the sale by Buchholz. 4. Four prominent German dealers, including Karl Buchholz, were appointed to market the inventory of confiscated works. According to the EK register, this painting was assigned to Buchholz, owner of the Buchholz Gallery in Berlin (the original register is housed at the Zentrales Staatsarchiv Potsdam; see Barron, ed., "Degenerate Art", exh. cat., 1991, p. 132, n. 15). He was the mentor and pre-war partner of Curt Valentin (1902-1954) who named the New York gallery he opened in 1937 in Buchholz' honor. Between 1934 and 1937 Valentin ran his own gallery in Buchholz' dealership in Berlin (Rape of Europa, p. 3, 24; Yeide, AAM Guide to Provenance Research, p. 239, 290). Valentin, a German citizen, left Germany in 1937 to go into exile in the U.S. However, he maintained contact with Buchholz, frequently travelling to Germany, where he acquired works from the Schloss Niederschönhausen and the Lucerne auction. According to Nicholas he "was able to obtain from this source much of the inventory which established him as a major New York dealer" (Rape of Europa, p. 24). Andreas Hüneke, underscoring the connection between Buchholz and Valentin, refers to the latter's New York gallery as "a ready-made platform from which Buchholz could sell to America" ("Missing Masterpieces," in Barron, ed., Degenerate Art, p. 129). Correspondence between Alexander Dorner and Curt Valentin in March 1939 (copy in the curatorial files) refers to a Mondrian offered for sale to RISD by Valentin that, Dorner writes, "is not the picture that belonged to our Museum [the Hanover Provinzialmuseum]" but rather "a private one [that] belonged to a private person. So it really is a stolen picture" (March 14, 1939). Joosten believes it likely that this privately-owned Mondrian was "Composition with Blue," although alternatively Dorner may have been recalling "Schilderij No. 2" (Joosten B174) the painting lent to Hanover from Sophie Küppers' collection. 5. Receipt in PMA Archives, Gallatin files, from Buchholz Gallery/Curt Valentin dated August 24, 1939 recording the purchase of the Mondrian and the Lissitzky by Gallatin (stamped "Paid" August 31, 1939). Mondrian wrote to Ben Nicholson on December 6, 1939, regarding the acquisition: "[Gallatin] has bought also one of my two Hannover museums pictures, rejected by Hitler" (see Joosten, Catalogue Raisonné, vol. 2, p. 323).
* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.

subset: commoncrawl


text:
You can finally get Netflix in your pocket, thanks to the company's long-awaited update to its iOS app. Previously, users could only watch Netflix on their iPads, but the app has now been updated to be iPhone and iPod touch compatible. We eagerly downloaded and installed the app to check it out and, while the app is decidedly Netflix-y, the functionality is generally on par with other streaming video apps for iOS.
Netflix's iPad app looks very much like the service's Web interface, but the layout of the iPhone version is reworked to deal with the constraints of the smaller screen. Instead of presenting you with a list of recommendations that you can scroll horizontally (as on the Web and iPad), a shorter list of recommendations for each category is listed vertically, with an option to see more underneath the last option.
When you tap on a movie, you get that film's information page with a description, cast, director, the star rating system (which you can interact with), and two buttons. Their functionality is fairly obvious; if you press "Play," the movie will start playing in landscape mode—portrait doesn't seem to be an option here—while if you press "Add to instant," the movie will be added to your streaming queue.
You can also browse for films using the "Genres" tab at the bottom, which sorts the movies by the typical genre categories that you would see on the site. There's also a "Search" option if you have a particular movie in mind. Neither of these features were particularly remarkable, but they worked as advertised.
When viewing your Instant Queue, the films are listed in the same order you would find them if you loaded up Netflix on the Web, Boxee, iPad, or anywhere else. You can't rearrange your queue from the iPhone once movies are in it, though; the best you can do is move something to the top when you are adding it to your queue. You can, however, remove movies from the queue by tapping the "in queue" button when viewing that movie's information page.
If you have something in your queue with multiple episodes—a full TV season, for example—each episode is listed on the info page for the season. Like on the Web, the app will show you which shows you have already watched, which ones you're in the process of watching, and which have yet to be played.
As far as quality goes, most movies looked just fine on the iPhone 4's retina display streaming over both WiFi and 3G. Speaking of the retina display, however, most of the interface elements in the Netflix app are not high enough resolution for the latest iPhone's display. This is a minor detail that doesn't affect the functionality of the app, but it's noticeable when other parts of the app are smooth and sharp, and the icons and buttons are pixelated and jaggy. It just looks a little sloppy. (It's harder to tell in the screenshots here than on the phone itself. This would not be an issue on the iPhone 3GS, 3G, or iPod touch, though.)
Finally, it's worth pointing out that the Netflix app has been designed to work with the multitasking features of iOS 4. Video streams don't continue in the background if you switch to another app, but the app does save your place and returns to the exact page you were on if you happen to switch away and come back. If you were in the middle of watching a movie, it will ask you if you want to resume when you return to Netflix.
In all, the app works nicely and does what it's supposed to do. We had a few nitpicks when it comes to UI elements, but they're not deal-breakers. To those who are not Netflix fans, the app is somewhat like one offered by mSpot, though the two services differ slightly in that mSpot lets you rent individual movies, while Netflix charges a flat monthly fee for a subscription. As we reported earlier this month, Netflix fans using Android phones can likely expect a native app to land soon too, and we wouldn't be surprised if it was designed to look similar to the iPhone version.


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You may require this approval if you intend to sell any goods from a stall or vehicle in a public place in New South Wales. Examples of the sort of activities that require approval include:
Please be aware that this approval is generally sought for temporary events such as festivals and shows. In some cases, temporary events may also require development consent.
Please consult the Contact Officer for more information.
A licence defines the need to obtain recognition / certification and registration to undertake a certain business activity.
If you will be selling food you will be required to hold a registration or notification from the relevant food Authority.
Please consult the Contact Officer for more information regarding eligibility requirements.
As specified on the approval.
Fees Details for this service in table format.
Local Government Act 1993 New South Wales
Local Government (General) Regulation 2005 New South Wales
Campbelltown City Council
Contact Email, Phone and Address Details for this service in simple two column table format, header then data.
Campbelltown City Council
Are You a Stallholder?
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Small Dog Health Problems
Small dogs usually live longer than larger dogs, but their increased lifespan doesn't necessarily guarantee good health. In fact, these five conditions and diseases are more likely to occur in sma ...View Article
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Gaining just a few extra pounds can cause big health problems for your pet. Although chubby pets may look cute, extra weight increases the risk that your pet will develop several preventable diseases and health conditions, including diabetes, arthritis and liver disease.
How Does Extra Weight Affect My Pet?
Obesity affects pets in many of the same ways it affects people. Weight gain increases pressure on the joints, which can lead to osteoarthritis and tears in the anterior cruciate ligament. If your dog already has hip dysplasia, piling on the pounds can worsen the problem. Overweight pets may quickly become tired when exercising and may become overheated more easily.
Extra weight can increase your pets' chances of developing heart failure, high blood pressure, liver or kidney disease, spinal disc problems and other conditions.
Rising pet obesity rates mean that a significant percentage of pets now face these serious health issues. The Association for Pet Obesity Prevention estimates 54 percent of dogs and 59 percent of cats are obese or overweight.
How Common is Diabetes in Pets?
Diabetes is the third most common obesity-related condition in cats and the sixth most common in dogs, according to a 2015 Nationwide Insurance review of pet insurance claims. Although the disease can affect pets of any age, it's more common in older animals.
How Does Diabetes Affect Pets?
Every time your pet eats, carbohydrates and sugars in foods are converted into glucose. Glucose, a natural blood sugar, circulates through the bloodstream to provide energy to every part of your pet's body. The hormone insulin regulates how much glucose enters the bloodstream. If the pancreas doesn't produce enough insulin or your pet's body can't use it properly, his or her blood sugar level will begin to increase, causing diabetes symptoms.
If your dog or cat has diabetes, one or more of these signs or symptoms may occur:
How is Diabetes Treated in Pets?
In some cases, your pet can overcome diabetes with weight loss and a diet change. If weight loss doesn't help, or if the diabetes isn't caused by obesity, your pet may need to take oral medications or receive insulin injections every day.
Your pet's veterinarian may also recommend switching to a food formulated specifically for diabetic dogs or cats. You'll need to carefully monitor your pet's food and water intake and return to the veterinarian's office periodically for follow up visits and blood and urine tests.
How Can I Help My Pet Avoid Diabetes?
Diabetes can be prevented in many cases if you follow these tips:
Are you worried that your pet may be overweight or at higher risk for diabetes? Call us today to schedule an appointment.
Association for Pet Obesity Prevention: Statistics
Nationwide: Nationwide Data Reveals Pet Obesity on the Rise for Sixth Straight Year
PetMD: Long-Term Effects of Obesity on Pets
AVMA: Diabetes in Pets
Cornell University College of Veterinary Medicine: Feline Diabetes


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Certified translations involve the use of a specially qualified translator that has been registered with the government and/or court of a particular country (representative of the language they are translating into). Spanish to Greek translation is generally more expensive than standard translation, but this depends largely on the volume and type of document being translated. In order to provide a quotation for certified translation, please scan your document (both sides) and ensure that all text (and stamps or markings) are legible and email them through to us.
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4522 44th Ave SW Seattle8 min walkingParking GarageFree
Most searched places in Seattle
- Seattle Center Parking
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Tips to find parking near Genesee
Genesee is a neighborhood in Seattle. Before heading there, you can figure out your parking options by exploring our Genesee parking map: - Free of charge parking options: find free street parking (time limitations may apply) to save money on parking. - Paid parking options: compare prices to find cheap parking on a parking meter or in a parking garage to never pay more than what you should! - Overnight parking: use the filters to find cheap overnight parking. Enjoy your time in Genesee!
Parking near popular Seattle neighborhoods
- Gatewood Parking
- Fremont Parking
- First Hill Parking
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- Green Lake Parking
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Frequently Asked Questions about Genesee Parking
Where can I park for free in Genesee?
Free parking is available in many parts of Genesee. Check out some spots here.
Where to find cheap parking in Genesee?
You can park on-street for free near Genesee, at Free parking is available in many parts of Genesee. Check out some spots here.
Where to park overnight in Genesee?
Overnight parking options can be found here.
Where to park for the day in Genesee?
All day parking can be found here.


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A Balanced Introduction to Computer Science
Prentice Hall, 2008 - Computers - 380 pages
For Introduction to Computing and the Web courses in departments of Math and Computer Science.
This thoughtfully written text uses the Internet as a central theme, studying its history, technology, and current use. Experimental problems use Web-based tools, enabling students to learn programming fundamentals by developing their own interactive Web pages with HTML and JavaScript. Integrating breadth-based and depth-based chapters, Reed covers a broad range of topics balanced with programming depth in a hands-on, tutorial style.
Supplements Include:
Bridge Page: www.prenhall.com/reed
Author Website: www.dave-reed.com/book
From inside the book
10 pages matching Mozilla Firefox in this book
Where's the rest of this book?
Results 1-3 of 10
What people are saying - Write a review
Internet and the Web
HTML and Web Pages
The Internet and the Web
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Motor Yacht Stock #189805
1968 Avenger 39
|Apollo Beach, FL
|Fuel Type
|Hull Material
Full Description- Stock #189805 -
1968 Avenger motoryacht. Great liveaboard! Needs work to be finished
If you are in the market for a motoryacht, look no further than this 1968 Avenger 39, just reduced to $19,000 (offers encouraged).
This vessel is located in Apollo Beach, Florida and is in need of some work.
We are looking for people all over the country who share our love for boats. If you have a passion for our product and like the idea of working from home, please visit SellBoatsAndRVs [dot] com to learn more.
Please submit any and ALL offers - your offer may be accepted! Submit your offer today!
Reason for selling is no time.
At POP Yachts, we will always provide you with a TRUE representation of every vessel we market. We encourage all buyers to schedule a survey for an independent analysis. Any offer to purchase is ALWAYS subject to satisfactory survey results.
Take a look at ALL ***266 PICTURES*** of this vessel, AND A VIDEO, on our main website at POPYACHTS DOT COM. We appreciate that you took your time to look at our advertisement and we look forward to speaking with you!


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While I've been gardening for some time, there's always so much more to learn. The gardening and growing learning curve is so very steep, and long, it seems, perhaps owing to the variability of successful techniques from region to region, climate to climate, and even one growing season to the next. Adaptability and an "oh, well!" disposition are essentials in gardening, just as much as good gloves, compost, and a trusty trowel, I've decided!
To help me, though, and you, too, thankfully we've got Robyn Jasko. Introduced to me via my buddy Jodi (proprietress extraordinaire of Asheville's beloved Short Street Cakes), Robyn has just published a lovely little book on how to grow, and grow well. Home Sweet Homegrown takes your hand and lovingly walks you through the entire growing spectrum, from seed-starting to sowing to harvesting all the way up through cooking and even preserving what you've grown. It's compact enough to fit in your the back pocket of your gardening jeans, but dense enough to become a go-to source time and time again.
Robyn and her publisher, Microcosm Publishing, have generously offered two small measure readers copies of her book, along with the 5-packet seed kit pictured above. How cool is that?! All that's needed to enter the giveaway is a comment saying what you're looking forward to growing. For me, it's pumpkins. I have 6 varieties started and I can't wait to bake, carve and decorate with them come Autumn. YES!
I'll run the giveaway through next Wednesday, May 16th, midnight EST. In your comment, please leave a means of reaching you should you be the winner(s), via a link back to your blog or website or by leaving your email address in your comment (don't forget this essential step, folks! I've had far too many numbers selected by the Random Widget only to find there's no way whatsoever of reaching the commenter!).
Even if you don't win, do check out Robyn's book and her website, growindie.com. This lady knows what she's doing and has got an enormous amount of seasoned gardening wisdom at her (dirty!) fingertips! Thank you, Robyn, and thank you Microcosm!


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You have no items to compare.
Oneida is one of the most recognized names in the flatware, dinnerware and hollowware industry. With a sincere devotion to design and quality, Oneida has made restaurant tabletops beautiful since 1880. Whether you're in the market for the easy, affordable elegance of Oneida's Flight pattern, or the pristine, finely balanced composition of their Chateau pattern, MyBoelter can help you set the table. Perhaps you're looking for strength and simplicity in the dinnerware department. Oneida's timeless dinnerware classics provide restaurant required durability, as well as ideal backdrops for your culinary creations. To finish things off, Oneida's bright finish, 18/10, Stiletto coffee and tea service will grace your table, and enhance your presentation, down to the last detail.


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Thursday, Oct. 13
• "Anna Fariello is an associate professor at Western Carolina University where she is director of and spearheaded the Craft Revival Project, an online directory of the historic Craft Revival and its impact on Western North Carolina," reads a Facebook page for her upcoming appearance at American Craft Week. "Her lecture will examine how academic disciplines and cultural institutions have assigned meaning to expressive objects over time. The talk is derived from the speaker's written chapter, "Regarding the History of Objects" in Objects and Meaning, a book she co-edited. The talk challenges today's art world vision of the arts and is sure to spark a lively debate." Held at Haywood Community College's Charles Beal Auditorium, 185 Freedlander Drive, Clyde. Info: firstname.lastname@example.com. 4-6 p.m. Free.
• "The Pulp Lounge will be the new place to be for comedians and supporters of the rapidly growing local comedy scene," reads a press release for the new Slice of Life Comedy open mic. "Slice of Life, a destination comedy venue, will be attracting comedians from all over the region with the option of having professional videos taken of their set. There will also be experienced photographers snapping headshots throughout the evening. After being contacted by the Orange Peel to start a weekly comedy room at the Pulp, [local comedian Kelly Rowland] paired up with Michele Scheve to present Slice of Life, the first booked comedy open mic in Asheville. Scheve, creator and longtime parody writer for The Asheville Disclaimer, has put her experience into this new venture. 'Knowing the comedy scene that already exists in this town created a special interest for Kelly and me to not let this new venue be just one more open mic,' says Scheve. 'We already have several comedy rooms that fill the needs of our growing scene and offer unique environments. Our goal with this new venue is to not eclipse the other comedy venues but instead provide a supportive and unique new platform that enriches all of the hard working comedians in the Asheville and surrounding areas.'" 103 Hilliard Ave., below the Orange Peel. 8:30 p.m. $7 includes membership to PULP.
Friday, Oct. 14
• We've said it before, and we'll say it again: this band is worth checking out for the name alone. Spicy Moustache and the Flavor Saviors are self-described "funk-hop" and "soul rock," and the Asheville 10-piece's Facebook asks, "Who wants to get funked up?" If you answered yes, check them out at The Garage at Biltmore (101 Fairview Road, 505-2663). 10 p.m. $5.
• Embrace your inner child at the Autumn Rails All Scales model train show, featuring 26,000 square feet of model and toy trains, hobby and collectable vendors, clinics and operating model railroads, door prizes and more. Held at the WNC Agricultural Center, 1301 Fanning Bridge Road in Fletcher. Fri., 1-7 p.m. & Sat., 9 a.m.-3 p.m. $6/Free for children under 12 and scouts in uniform.
• Local musician/gear guru Matthew Sherwood has long been the local go-to for repairing recording equipment and musical instruments. This weekend, the former Strike Anywhere guitarist and current member of Cobra Horse celebrates the grand opening of his public shop, Sherwood's Music, with a party, featuring performances by Electric Owls, Curtains and Ice Cream. 180 Patton Ave. 7 p.m. Free.
• "It's that time again," begins a press release for Elvet Velvis, "that time when it is our bounden duty to cast off our quotidian cares, set aside our worries for the future, put the diet off until tomorrow, and go out and indulge in some good, greasy rock 'n' roll party music. As many of you know, Albert, Chris, Dennis and Dave spent much of the summer slaving away over a hot mixing board. Now we are ready once again to unleash the roiling sonic gallimaufry that is Elvet Velvis. No, really, where else are you going to hear a band that covers Grand Funk Railroad and Gillian Welch? That provides a musical setting wherein Dennis' kamikaze guitar wackitude blissfully coexists with Chris's too-cool-for-school bluesiness? Where Albert's crack-of-doom kick drum punctuates the wandering-large-wild-animal rumble of Dave's bass? Yes, all this, and 'singing,' too." The band plays the Boiler Room (11 Grove Street, 505-1612) with Zack Whittaker. 9 p.m.
• "Mandolin Orange is songwriters Andrew Marlin and Emily Frantz," reads the band's website. "The Chapel Hill, N.C. duo ornaments lyric and harmony focused tunes with acoustic and electric guitars, fiddle and mandolin. Their understated instrumentation draws on bluegrass and rock and roll alike, keeping Marlin's dark lyrical themes at the forefront of their folk-country sound. Together, they deliver a sound uniquely their own yet satisfyingly familiar, recently called an 'unmitigated pleasure' by Rosanne Cash, who acknowledged the duo as 'very exciting young people making great music.'" But don't take Cash's word for it. The band stops in Asheville for a show at The LAB (39 North Lexington Avenue, 252-0212). 10 p.m. $7.
Mandolin Orange – Running Red from Alex Loops on Vimeo.
• Do you enjoy the gritty sounds of early garage rock? Do you like getting rowdy? Do you partake in reckless abandon? If you said yes to any of these, do yourself a favor and check out The Critters. The band's sound ranges from the melodic sway of early-'60s British invasion to the screeching howls of early punk, but one thing is constant: rowdy, flailing, all-over-the-damn-place antics. Catch them at The Get Down (1045 Haywood Road, 505-8388) with Pallas Cats and American Sun. 10 p.m.
Saturday, Oct. 15
• According to a press release from White Horse Black Mountain, "Our first annual Holistic Wisdom Faire will feature a variety of transformative opportunities to broaden your perspective and deepen your inner and outer self. The Faire will include booths for alternative healers, intuitive consultants, readers, vendors and more. There will be free lectures on a variety of topics of interest plus opportunities to explore various alternative healing and transformational services in our area." 105C Montreat Road. 10:30 a.m.-4:30 p.m. $4.
• When people hear Nashville, they tend to think modern country, ten gallon hats and two-for-one cowboy boots. Think again. Music City's Space Capone is about as far from country as it gets. This seven-to-eight member powerhouse of '70s-inspired funk, soul and R&B comes complete with a full horn section and backup singers. The band returns to Wild Wing Cafe (161 Biltmore Ave., 253-3066) for its second Asheville appearance in as many weeks. 10 p.m. $5.
• From a feature in this week's Xpress, "'These are songs about love and octopi or whatever, but there's definitely still a dark underbelly and kind of a subtext of menace," says Miles Holt, one half of John Wilkes Boothe and the Black Toothe. "I really like that juxtaposition between accessibility, catchy melodies and good vibes, but just as in reality, there is something dark under the surface.' He's just captured the band's essence in one sentence. John Wilkes Boothe and the Black Toothe are high-energy folk absurdism, delivering comically dark and bizarre tales packaged in warm harmonies and acoustic traditionalism." Join the duo as they celebrate the release of their debut album at BoBo Gallery (22 Lexington Avenue, 254-3426). 10 p.m.
John Wilkes Booth & the Black Tooth for My Side of the Mountain from Jesse Hamm on Vimeo.
(Filmed as part of the Xpress' ongoing My Side of the Mountain music video series)
Sunday, Oct. 16
• Art hits the streets this weekend as the City of 1,000 Easels self-guided tour turns the city into an open air studio. From organizers, "Last year nearly 100 artists descended on downtown Asheville, set up stations along the sidewalks and shared their creativity directly with the community. The project seeks to illustrate the magnitude of the visual arts sector through a self-guided walking tour among individual artists creating new work in real time. Accomplished artists and amateurs alike will have designated 'spots' throughout downtown and will compose or complete a new piece of art between 3-6pm. Witnesses will also have the opportunity to bid on the work in progress should the artist choose to auction it. 'Besides artists with open studios, most people never get to witness the creative process that goes into visual art,' observes the Arts Council's Director, Graham Hackett. 'Not only is this rare feature on display, but the sheer spectacle of turning all of downtown into a gallery is nothing short of stunning.'' Maps will be available through the Arts Council detailing which artists are participating and where they are located."