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By Pallavi Reddy, CNN
It's been weeks since Trayvon Martin was shot and killed in Sanford, Florida. But over the past week the story has been played out on all the cable news and national news broadcasts. We'll have Eric Deggans, Tampa Bay Times, Lauren Ashburn, founder of Daily-Download.com, and Derek McGinty, anchor for WUSA, on to discuss what makes a local story get to the national arena.
Another big headline of the week was a Mitt Romney adviser's comments comparing the presidential hopeful to an Etch A Sketch. Author of the new book "Showdown," David Corn, and Glenn Beck TV's Amy Holmes join us to talk about that and the latest news in politics.
And this week, C-SPAN founder and CEO Brian Lamb announced that he would be stepping down. We'll talk to the man who brought Congress to cable.
This Sunday at 11 a.m. EST on CNN.
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I found this week's episode extremely disappointing. I do not watch Reliable Sources to hear a bunch of pundits spout their perspective on the week's news — that's what all those other Sunday morning talk shows are for. Questions posed to guests like, "What do you make of this story?" are lame. Everyone has an opinion... so what? Where's the analysis through the lens of journalism?
Asking a question about Trayvon Martin's shooting like "Why did it take the national media two weeks to pick this story up?" presumes the national media should have picked it up sooner. The biased position inherent in this perspective is precisely what Reliable Sources is supposed to be attacking, not perpetuating. A better, more fair question would be, "Why did the news media decide to pick this story up two weeks after the fact?" A more accurate answer probably would have been that news outlets saw the issue was gaining traction ("going viral," as it's called) and decided it was escalating to "newsworthy" status. Or the show could have explored how the media exploits/seeks out racially-charged stories. Instead what viewers got was quasi-related opinions about discrimination, racial bias/stereotypes and the law.
What is most frustrating about Howard's kickoff question ("Why did it take the national media two weeks to pick this story up?") is that there are THOUSANDS of stories the national news media doesn't ever cover. Some are so significant, it's simply unfathomable. Why does one story get picked up and others don't? Great question... why don't you try tackling that some week?
The Trayvon Martin story was followed by a piece on Etch-a-Sketch. Again, same criticisms. The focus during the show wasn't how the media handled the angle. It was all about the politics and gamesmanship of elections. The world doesn't need yet another show that explores politics, PR and spin. The Etch-a-Sketch story was a good gimmick hatched by spin meisters; smart viewers already understand this, so you didn't need to beat the issue to death for 10 minutes. Boorrrring. There was absolutely nothing new or insightful from this week's guests on this subject, and certainly nothing related to the media (besides perhaps the observation that an Etch-a-Sketch makes a good prop).
Reliable Sources is the only mainstream show purportedly dedicated to holding the media accountable and analyzing their decisions. There is a role for such a show in our society, and (I believe) a growing interest in such subjects among the general public. Please, (1) stick with the theme of your show — how and why the media handles stories the way it does — or (2) change the name/focus. The alternative is (3) that I stop watching.
*I must say, as a lot as I enjoyed rdeniag what you had to say, I couldnt help but lose interest after a while. Its as if you had a wonderful grasp on the subject matter, but you forgot to include your readers. Perhaps you should think about this from far more than one angle. Or maybe you shouldnt generalise so considerably. Its better if you think about what others may have to say instead of just going for a gut reaction to the subject. Think about adjusting your own believed process and giving others who may read this the benefit of the doubt.
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No hoodies? New dress code? I can't wear a hat or scarf at work unless my religion demands it. there is a sign on my bank that says remove sunglasses and hats for everyone's safety. Now don't wear hoodies? Why?
My clothing nor anyone else s is going to stop someone from committing a crime nor prevent me from being shot by someone who does not like how I looked no matter what I am wearing.
i am constantly amazed by those people who dress to project an image and then get bent out of shape when people respond to that very image. It's like the guy or girl who's all pierced and tatted up shouting at people, "What're you looking at?". The reality of this whole hoodie discussion is that even african americans clutch their purses closer and switch their personal radar to a higher setting based upon the "image" of those around them...but of course, that's just racism, right?
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In the world's most powerful and talented country you find that you have to use the same talking heads as every other news outlet? Throw out the Rolodex.
说:I'd have to make a deal with you on this. Which is not something I ulausly do! I love reading a post that will make people think. Also, thanks for allowing me to speak my mind!
Thank you Howard for that portion of a sentence in describing the media in grabbing the quick, short phrases...instead of reporting the true and deep down issues...imho a large part of the televised media should be FIRED!...yes FIRED.
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You have to be kidding! The reason this has become a national issue is because CNN and MSNBC have been CONSTANTLY talking about this. You have created a racial issue. Not only have you been promoting this story CREATING a national issue out of what is a purely a local issue. Now you have many many commenting (Al Sharpon, etc.) who have made careers out of crying race anytime something happens to a African-American. Why are you not reporting the numerous shootings of innocents in area like North Milwaukee, South Chicago and other crime ridden areas?Your coverage of this has been so biased that you have this man convicted before he has been charged let alone had a trial. With your encouragement we now have lynch mobs in Sanford–ridiculous. This is just another in a LONG line of stories where the news media has really gone about creating much of the news rather than simply reporting the KNOWN facts and leaving it at that. The news reporting in this country rather than protecting our civil liberties, now are complicit in violation of those civil liberties for their own selfish good. We really need to strengthen the liable laws make the press responsible for what they report–it is way to easy to run with a story and liable individuals or organisation with the laws dealing with the press in this country.
The issue is the fact that a person was walking in a neighborhood minding his own business, was then followed by an armed person who though he was a criminal and continued to follow him after the police told him not to. Instead confronted the person then shot him.
The further issue is that this person may not be prosecuted as a criminal.
Thank you Reliable Sources for attempting to point out that the so-called Reveren Sharpton, now a MSNBC, commentator/reporter, is indeed lending his own comments regarding the tragic death of Trayvon. MSNBC and CNN have both allowed Sharpton's words to be used in the media as if it were true reporting. Most resonable folks even the main stream press have come to realize just how far left of center MSNBC has ended up.
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I have to say I was disappointed the segment did not deal with the issue of "trial by media." Can this guy get a fair trial anywhere?
The problem is that this guy is not getting a trial
You talk about Al Sharpton and the Martin case and you critize him on the comments that he has made. What about Nancy Grace and HLN and the bashing of many people that have not been able to go through the justice system. What happened to innocent until proven innocent. She is the worst of all the offenders. She is the one that said Whitney Houston Could have been pushed under the water. The news channels are working people into a frenzy just for ratings.
Why is the NRA's role in this not being mentioned. This group builds upon peoples fear of being attacked, That the police can not help them, and that guns make them self sufficient to withstand the first two lies.
Re: Trayvon Martin. I'm concerned that the media is now participating in mob rule. This situation is beginning to feel like race relations of sixty or seventy years ago, like something out of "To Kill a Mockingbird", with the races reversed. I sense that the media is reluctant to point out any aspect of Zimmerman's potential innocence. The New Black Panthers might as well have just shouted "Bring a rope!". Where is Atticus Finch when you need him?


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NEW YORK — The Obama administration edged close to direct, high-level talks with Iran's new government on Monday, with Secretary of State John Kerry slated to meet his Iranian counterpart this week and the White House weighing the risks and rewards of an encounter between President Barack Obama and Iran's president, Hasan Rouhani. An Obama-Rouhani exchange on the sidelines of the U.N. General Assembly would mark the first meeting at that high level for the two nations in more than 30 years. Such talks could signal a turning point in U.S.-Iranian relations — but also could be seen as a premature endorsement for a new Iranian government that has yet to answer key questions about the future of its disputed nuclear program. Obama advisers said no meeting was scheduled. But they added that the U.S. planned to take advantage of diplomatic opportunities while in New York and indicated they were not leaving a possible encounter between Obama and Rouhani to chance. "I don't think that anything would happen by happenstance on a relationship and an issue that is this important," Ben Rhodes, Obama's deputy national security adviser, told reporters traveling with the president to New York. The election of Rouhani, a moderate cleric, has led to speculation about possible progress on Iran's nuclear impasse with the U.S. Particularly intriguing to American officials are Rouhani's assertions that his government has "complete authority" in nuclear negotiations. That would be a marked change from previous governments and their relationship with Iran's Supreme Leader, Ayatollah Ali Khamenei. The U.S. and its allies have long suspected that Iran is trying to produce a nuclear weapon, though Tehran insists its nuclear activities are only for producing energy and for medical research. American officials say Rouhani's change in tone is driven by the Iranian public's frustration with crippling economic sanctions levied by the U.S. But it is still unclear whether Iran is willing to take the steps the U.S. is seeking in order to ease the sanctions, including curbing uranium enrichment and shutting down the underground Fordo nuclear facility. State Department officials said Kerry would seek to answer that question on Thursday when new Iranian Foreign Minister Mohammad Javad Zarif joins nuclear talks between the U.S. and five other world powers. Zarif's participation, which was announced Monday, sets up the first meeting in six years between an American secretary of state and an Iranian foreign minister, though it's unclear whether the two men will break off from the group and hold separate one-on-one talks. Catherine Ashton, the European Union's foreign policy chief, told reporters after meeting with Zarif that she saw "energy and determination" for talks to move ahead with the U.S., Russia, China, Britain, France and Germany. On Twitter, the U.S.-educated Zarif called his meeting with Ashton "positive," and he added, "Need new start under new circumstances." The prospect of bilateral talks between Kerry and Zarif did little to tamp down speculation about a meeting between the U.S. and Iranian presidents, who both arrived in New York on Monday. The most obvious opportunity for a direct exchange appears to be at a U.N. leaders' lunch both are scheduled to attend on Tuesday. But a lunch meeting would put Obama in the risky position of engaging Rouhani before knowing what the Iranian leader will say during his highly anticipated address to the U.N. General Assembly. Rouhani is scheduled to speak late Tuesday afternoon, while the U.S. president will address the U.N. in the morning. No American president has met with an Iranian leader since the 1979 Islamic revolution that led to the ouster of the pro-American Shah Mohammad Reza Pahlavi. However, U.S. secretaries of state and Iranian foreign ministers have had occasional encounters. The most recent was in 2007, when Secretary of State Condoleezza Rice exchanged pleasantries with Foreign Minister Manouchehr Mottaki during a meeting in Egypt. Suzanne Maloney, a former State Department official, said Obama should be wary of making a bold diplomatic gesture with so much about Rouhani's intentions still unknown. "They have to be clear that this is someone they wouldn't need to dissociate themselves from shortly after," said Maloney, now a Middle East fellow at the Brookings Institution. "When you're talking about Iran, I think that's almost impossible to do." Anthony Cordesman, a foreign policy analyst at the Center for Strategic and International Studies, agreed that a leaders meeting does come with risks. But he urged the White House to consider the positive message it would send to Iranian moderates if Obama extended a hand to their newly elected leader. "It's absolutely vital that you take this window of opportunity," Cordesman said. "Rebuffing Rouhani without actually listening to him is scarcely going to empower moderates in Iran." In Tehran, meanwhile, Iran said Monday it had freed 80 prisoners arrested in political crackdowns. That could offer another diplomatic boost for the country's new president as he arrives for the U.N. meeting. The announcement of the mass release came just hours after Hasan Rouhani departed for New York for the annual U.N. General Assembly, where he is expected to seek Western pledges to restart stalled negotiations over Iran's nuclear program. Back in Washington, senators urged Obama to reaffirm at the U.N. that, despite Rouhani's recent overtures, the U.S. will not accept a nuclear-capable Iran. In two separate letters, top Democrats and Republicans also called on the president to make clear that the U.S. will continue tough sanctions against Tehran. "Now is not the time to let up on this pressure," Sens. Chuck Schumer, D-N.Y., and John McCain, R-Ariz., wrote in one letter to Obama. "Removal of any existing sanctions must depend on Iran's halting of its nuclear program. Conversely, the continuation or expansion of its nuclear activities will only lead to more sanctions led by the United States and our friends and allies."
Sec. of State Kerry, Iran foreign minister to meet
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I'm not a big fan of the International Monetary Fund, largely because the folks in charge oftentimes advocate toxic policies such as bailouts, higher taxes, and currency devaluation.
But there are some top-rate economists working at the IMF, and the bureaucracy has published some good studies about the economic benefits of reducing government spending and others warning that tax increases can be self defeating (by the way, too bad we can't get the Joint Committee on Taxation to also acknowledge the Laffer Curve).
Now the IMF has a new study about the relationship between economic growth and different types of taxes. Those finding are interesting, and I may even write about them in the next few days, but I want to focus on some amazing data from this research that shows exactly why proponents of limited government should resist the value-added tax.
These charts are taken from page 10 of the IMF study and they depict changes, over the past several decades, for both personal income tax (PIT) revenues and consumption tax revenues, both measured as a share of economic output. The charts are divided to show trends in low-income countries, middle-income countries, and high-income countries.
These are remarkable numbers. They basically show that politicians have been unable to squeeze more money out of the income tax. We don't know if that's because of the Laffer Curve, tax competition, electoral resistance, or all of the above. But we can say with considerable confidence that the income tax has not been a money machine over the past 40 years.
I'm not saying it's a good tax. Far from it. The income tax is unfair. It's punitive. It's discriminatory. It's corrupt. And, when it was first adopted, it did generate a big new pile of revenue for the politicians.
But that was 100 years ago. In recent decades, by contrast, it hasn't been a piggy bank for statists seeking to expand the burden of government spending.
The data for the VAT and other consumption taxes, by contrast, shows just the opposite. With each passing decade, the VAT burden climbs, and that's true for nations at all stages of development.
This is one of the reasons why a VAT would be a disaster for the United States. Politicians might make promises about repealing or reducing other taxes in exchange for a VAT, but it is a 99-percent certainty that politicians would pull a bait-and-switch. We'd still be stuck with the awful income tax system and the IRS, but the crooks and clowns in Washington would have a new source of revenue to feed their spending addiction.
Isn't that wonderful? We'd be taxed when we earn our income (often more than one time), and then taxed again when we spend our income. Just like Europe.
Here's my video explaining why a value-added tax would be a fiscal disaster.
One final point. I don't care if you like Mitt Romney or dislike Mitt Romney. But, given his less-than-sound views on the VAT, I want everybody to be prepared to hold his feet to the fire if he happens to prevail on November 6.
P.S. You'll be delighted to learn that the pampered bureaucrats at the IMF get tax-free salaries, just like their cousins at the OECD and the rest of the international bureaucracies.
P.P.S. I just shared these a few days ago, but if you didn't get a chance to see them, you can enjoy some good anti-VAT cartoons here, here, and here.


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(a) An application for a specific license to manufacture industrial products and devices containing depleted uranium, or to initially transfer such products or devices, for use pursuant to § 40.25 of this part or equivalent regulations of an Agreement State, will be approved if:
(1) The applicant satisfies the general requirements specified in § 40.32;
(2) The applicant submits sufficient information relating to the design, manufacture, prototype testing, quality control procedures, labeling or marking, proposed uses, and potential hazards of the industrial product or device to provide reasonable assurance that possession, use, or transfer of the depleted uranium in the product or device is not likely to cause any individual to receive in 1 year a radiation dose in excess of 10 percent of the annual limits specified in § 20.1201(a) of this chapter; and
(3) The applicant submits sufficient information regarding the industrial product or device and the presence of depleted uranium for a mass-volume application in the product or device to provide reasonable assurance that unique benefits will accrue to the public because of the usefulness of the product or device.
(b) In the case of an industrial product or device whose unique benefits are questionable, the Commission will approve an application for a specific license under this paragraph only if the product or device is found to combine a high degree of utility and low probability of uncontrolled disposal and dispersal of significant quantities of depleted uranium into the environment.
(c) The Commission may deny an applicant for a specific license under this paragraph if the end uses of the industrial product or device cannot be reasonably foreseen.
[41 FR 53332, Dec. 6, 1976, as amended at 43 FR 6924, Feb. 17, 1978; 58 FR 67661, Dec. 22, 1993; 59 FR 41643, Aug. 15, 1994]
Page Last Reviewed/Updated Wednesday, March 24, 2021


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Last week I confessed my confusion as to what precisely constituted "event television". The first episode of The Shadow Line offered up an answer full of lingering shots of shiny details and realistic, stylised dialogue. Opinion was split between the lovers and the haters. Some drooled over the glossy detail and ominous script, whilst others gagged over the pretentious direction and fakery of the lines. I fell somewhere between the two extremes. I welcomed a British show oozing quality and ambition, but I grimaced at some of the glaring blemishes when the script tried too hard.
All in all it was a mixed opener, which set up a myriad of competing plot lines to speculate about. Thankfully the second episode built on the strengths of the first, whilst ditching most of its failings. Last night it felt like The Shadow Line properly broke into its stride. Literally. The episode ended with a selection of the key characters running at full pelt across a park, and then through London streets.
It was a chase sequence that prompted Chiwetel Ejiofor's character to shout "SHIT!" and "I am on foot. Typical fucking British car chase". But it didn't feel like a typical action sequence from British TV for the audience. And it certainly wasn't shit. Perhaps I was finally beginning to understand this "event television" nonsense. The climax to the episode was brilliantly judged, with the chase sequence moving up through the gears of drama. It featured only one standout stunt, a relatively simple car crash, but it shunted characters from cars to parks to tube stations (Bethnal Green incidentally, one I am familiar with) with expert fluidity.
The episode finally got its hands dirty with some plot progression after all of last week's posturing and half formed questions on beautiful lips. Essentially it was the story of the hunt for the driver. Young Andy Dixon certainly doesn't look like your average murderer, but he witnessed the killing of drug lord Harvey Wratten and is the only clue to the puzzle either side, criminal or police, has thus far. Wratten's nephew Jay, played by Rafe Spall, quizzes Dixon's mother and pregnant girlfriend menacingly, whilst Ejiofor's Gabriel interviews them for the police. A third side also emerges, in the form of a character that may or may not be called Gatehouse, played by Stephen Rea.
The characters of Jay and Gatehouse illustrate exactly why audiences are split over The Shadow Line. Both could either be interpreted as colourful villains wonderfully acted or caricatures being painfully over acted. I'm inclined to agree with a comment from "dwrmat" on The Guardian series blog with regards to Spall's portrayal of Jay: " Whenever he's on-screen, I can't make up my mind whether he's very, very good or very, very bad, which is a little distracting."
The same could be said of Rea's performance, although I instinctively found his mysterious and enigmatic character intoxicating, despite some far from subtle dialogue ("What I'm about to tell you is the most important thing you'll ever hear. Ever"). His technique of scaring the family and friends of the fugitive driver is subtle however, when compared to Jay's. The mental nephew of the deceased half drowns a cat and threatens to kill an unborn child to extract promises of cooperation. Rea's character intimidates via a shadowy knowingness to his words and muted manipulation of his interviewee's fears.
The main mystery now is who is Gatehouse, and which side of the investigation does he fall under? But other strands of the plot rumble on. Christopher Eccleston's Joseph Bede managed to appease another disgruntled drug lord who hadn't been paid with some dazzling calculations and a promise of ten million back instead of one. He again insisted to other characters he was simply a front man, installed by recently murdered Harvey as innocent and legit cover. Last week though he seemed to be far more important than that and in charge of things, and this week he's still making the big deals and having people report back now and then. Ejiofor's Detective still has a bullet in his brain, his wife wants to try for babies again, and the bullet might yet kill him. Glickman, another vanished but presumably still alive drug lord, remains undiscovered. Could Gatehouse be Glickman? Or working for him? Or is he a corrupt cop or some other darker side of the law?
By focusing on developing these irresistible mysteries and zipping along at a gripping pace, the second episode of The Shadow Line upped its game and got me looking forward to next week.


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Jacoby Ellsbury helps Yankees beat Red Sox in return to Fenway
Masahiro Tanaka outduels Jon Lester in New York's 9-3 win
Jacoby Ellsbury doubled, tripled, drove in two runs and made a sliding catch in his return to Fenway Park, helping the New York Yankees and Masahiro Tanaka beat the Boston Red Sox 9-3 on Tuesday night.
Ellsbury received a mixed reception in his first game as a visitor after seven seasons with the Red Sox before signing a $153 million, seven-year contract with the Yankees.
Tanaka (3-0) allowed two runs on seven hits in 7 1-3 innings with seven strikeouts and no walks. His 35 strikeouts in his first four major league starts set a team record and he's walked just two batters in 29 1-3 innings.
Jon Lester (2-3) struggled after four outstanding outings, allowing seven runs in 4 2-3 innings.
There were more boos than cheers from the crowd that contained a sizeable amount of Yankees fans when Ellsbury stepped in as the first batter of the game.
With an 0-2 count, he drove the ball about five feet from the top of the center field wall. It was ruled a triple after a spectator reached out and interfered with it. Ellsbury scored on a single by Derek Jeter, starting the Yankees toward their seventh win in nine games.
Jeter took second on a passed ball and kept going to third when catcher A.J. Pierzynski threw wildly into center field. Carlos Beltran singled in Jeter, making it 2-0 before an out was recorded.
The Yankees added two runs in the third, again before making an out, on consecutive doubles by Alfonso Soriano, Mark Teixeira and Brian McCann.
The Red Sox cut the lead to 4-2 on back-to-back homers by David Ortiz, his fourth of the season, and Mike Napoli, his fifth, ending Tanaka's scoreless streak at 16 1-3 innings.
Lester had his only good inning in the fourth when he retired the side in order. He nearly escaped a jam in the fifth before an error by first baseman Napoli led to four unearned runs and an 8-2 Yankees lead.
Teixeira walked and took second on a McCann's single. Lester struck out the next two batters then got Brian Roberts to hit a liner to Napoli. But the ball went off his glove and into right field, allowing Teixeira to score. Ellsbury then doubled in two runs. That was all for Lester as Chris Capuano came in and gave up Jeter's RBI single.
The Yankees made it 9-2 in the eighth on Beltran's fifth homer. It came off Edward Mujica, his teammate last season when the St. Louis Cardinals went to the World Series but lost in six games to Boston.
Xander Bogaerts doubled in a run for the Red Sox in the ninth.
NOTES: Jeter has hit in 11 straight games and reached base in all 15 games he's played. ... Lester allowed runs in the first inning for the first time in 14 regular-season starts. ... Ortiz needs one more game to tie Harold Baines for the most as a designated hitter with 1,643. ... Shabazz Napier of the NCAA champion Connecticut men's basketball team threw out the ceremonial first pitch. Teammates stood behind him as he threw to catcher David Ross after being handed the ball by Connecticut Gov. Dannel Malloy. Napier is a Boston native. ... Michael Pineda (2-1) pitches for New York in Wednesday night's second game of the three-game series against John Lackey (2-2).


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Grace notes emerge throughout 'Silkworm'
Is J.K. Rowling auditioning to be Hogwarts' next Defense Against the Dark Arts teacher? Consider the grisly crime scene of her latest mystery: "The torso had been slit from throat to pelvis. … The intestines were gone, as though they had been eaten. Fabric and flesh had been burned away all over the corpse, heightening the vile impression that it had been cooked and feasted upon. In places the burned, decomposing cadaver was shining, almost liquid in appearance. Four hissing radiators were hastening the decay."
It takes a particularly twisted mind to conjure up those radiators, so why is "likable" the first word that comes to mind upon finishing "The Silkworm"? Surely, that has something to do with Rowling's palpable pleasure in her newly chosen genre (the jig may be up with her Robert Galbraith pseudonym, but the bloom is still on her homicidal rose) and even more to do with her detective hero.
Meet, if you haven't already, Cormoran Strike. He's a bruiser in his mid-30s, "large and dark," with "dense, short, curly hair" and "a boxer's broad nose and thick, surly brows." He looks nothing like the famous rock star who happens to be his birth father (and who wants nothing to do with him), and he owes most of his grouchy personality to being a onetime investigator for the Royal Military Police, in which capacity he lost the lower half of his right leg. Even more painful, perhaps, he has lost his beautiful and treacherous girlfriend, Charlotte, who is preparing in the most public way possible to marry a future Scottish viscount.
Strike's private-detective business, at least, is on the upswing. He has recently solved the murder of a famous supermodel (a coup chronicled in Rowling's earlier mystery, "The Cuckoo's Calling") and has acquired a new client in the wife of Owen Quine. Quine is a fleshy, impecunious writer who, despite regarding himself as a genius, is written off by the rest of the publishing world as a "monumentally arrogant, deluded bastard." Under normal circumstances, nobody but his wife would even care that he's gone missing, had he not left behind a mysterious typewritten novel, a perverse "Gothic fairy tale" that contains libelous depictions of his own wife, mistress, literary rival, alcoholic editor, sexually repressed publisher and Gorgonish agent.
The sphere of suspects is thus gratifyingly small when Quine turns up in an abandoned house, savagely mutilated and doused for good measure in hydrochloric acid. Rowling, as you may have gathered, does not flinch from violence — or sex or obscenity or technology or most any other aspect of modern London life. And yet this is the kind of traditional mystery in which motives and red herrings are dispensed in syringe-like doses from character to character and in which the guilty party stands obligingly in place while being walled around with deduction.
Over the past few decades, writers as various as Ruth Rendell and Kate Atkinson have been mining the British drawing-room mystery for new reserves of wit and psychological acuity, but Rowling is just as happy to walk in the sensible shoes of Ngaio Marsh and Josephine Tey. Nowhere is that clearer than in the pre-feminist passivity of Robin, Strike's gal Friday, who tamps down every professional disappointment, cries tears of joy and is commended for being "the only female in Strike's life who seemed to have no desire to improve or correct him." She has a fiance, but he's such an arrant tosser that we wait, like maiden aunts, for Robin and Cormoran to figure out their true feelings. Will they ever?
Formula, though, has its function. The title of Owen Quine's final novel is Latin for silkworm, a creature that, we learn in passing, is boiled alive for its silk. Rowling seems to offer this as a metaphor for the agonies of art, but has any writer ever been less boiled alive by writing? If anything, what makes "The Silkworm" such a pleasurable read is how avidly Rowling accepts the old rules and embraces (once more) the stability of genre.
Genre is, in fact, the foundation from which her grace notes emerge. She gives us women with "the flickering intensity of badly wired lamps." The "respectful little distance" that is left around a CEO "like the flattened circle of corn that surrounds a rising helicopter." The daily private agonies of a man and his prosthetic leg and the "almost overwhelming desire to leave" that seizes Strike in the midst of his own birthday party.
Again and again, under the most arduous of plot pressures, Rowling finds her threads of silk.
The Silkworm


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Equine sarcoid
He is super. He is good.
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This is a low light version of the GH5.
Crop values
Available for preorder at
Anonymity for source protected?
It is 43rumors source.
Rumors of such camera surfaced for months now.
VK what are chances of this GH5s having better DR and codec options internally (than the GH5) ?
When Sony launched that 4/3 Starvis sensor some time ago (for "industrial purposes"), I thought that it would be perfect for a low light GH... http://www.sony-semicon.co.jp/products_en/IS/sensor0/img/product/cmos/IMX294CJK_Flyer.pdf
4k 120fps, really? And anybody knows what means that Quad-Bayer thing?
This is just too good to be true...
4k Multiaspect, HDR with time sync, low light monster, the sensor is real, it exists, but to put it in a GH camera is against capitalist marketing behavior...
This is what I was thinking about the GH6 in the "Wishes for GH6 topic". Will they do it now??? If yes, the GH6 will need to be 8k to make sense. Maybe they will castrate the HDR function? Or castrate something?
Let's wait and see... and sing...
You're just too good to be true
I can't take my eyes off you
You'd be like heaven to touch
I wanna hold you so much
It was mentioned several times on this site since gh2 hack that an alternate version of gh line was a good move.
If gh5 LSI is paired with a lower resolution sensor, high frame rate, and while others will struggle on possesing power, gh series will shine with noise reduction, and other aliasing problems that come with resolution and speed.
I expected good delivery of products before, but if this Gh5s is true, it will be like another dslr '' revolution'', since the format never leave the media, just adopted new formd like C300 line of cameras. So this gh5s version will be perfect too pick up, and strengthen the series.
As a long time member of this community PV site and earlier on DVX user, gh series has long time fan base, hardcore fanbase. M4/3 its a really good format, very multi purpose cameras. on times where fullframe is the show, having this format with optimised features, will blow competition away if a good low light is achieved, since very much is done on apsc and full frame only for low noise and better iso. Put a speed booster, DOF done, equalised t's no problem anymore. Youl have same look.
I am exited to see this camera make a move. As a DP I'm wishing this little beast to make grate image if v-log and VaricamLt settings are added, doesn't matter if 10bit, it will pull grate image. It's funny how on the beginning gh series Was managed from photo only Panasonic group, those engeniers where so well thought, now look, Varicam team is maybe now working hand to hand and maybe asking for some advices from that small photo team in Panasonic.
A game of specs: Assuming that they use the same sensor as the rumor site tells, Sony imx294cjk. Chances are that 10bit flavor is all over.
H264 16:9 4k 120 10bit 400/150mbps all I/ipb 16:9 4k 60 12bit 400/150mbps " " 16:9 4k 30 12bit 400/150mbps " " 17:9 4k 24 10bit 400/150mbps " " HDR 17:9 2k 60 10bit " " HDR 16:9 2k 24 12bit " " HDR
Anamorphic H265 10. 7mpx 4:3 24p 10bit 400mbps/150 all I/ipb
That sensor can do HDR in 4k. Each pixel can be divided into four subpixels, so there will be two different 4k exposures that can be merged into a more dynamic range image.
This hdr function ,how useful will it be if final output is not hdr source ,will we still gain DR by filming with it
One fun thing you can do when the GH5s is released: compare the features of new GH5s to PV community requests to work out how much "influence" PV has had on Panasonic!
If the rumours are real- then I think this percentage could be very high.
If this GH5 VE has about 1:1 4k pixels it wont has as detailed video in good light than GH5 which down samples the sensor from 20Mpixel.
It would be good habit to mention source with link in the starting post.
10.7mpx is enough to downscale to 4k. About quality, The sensor has different pattern, improving noise, I can't talk about color, since this pattern I'm not familiar with. also, is better for low light, since it's covering more space with less pixels, noise floor is minimised at sensor level. The sensor is BSI (back illuminated) this should reduce noise significantly. Even gh5 sensor kind off falls onto the old tech category.
Sony has 1 inch BSI sensor with really grate performance on Sony rxmk II, also a7 series uses BSI tech. M4/3 is bigger than 1 inch, but about 4 times smaller than full frame. This should give an idea of the sensor performance.
@sammy About DR, if gh5 has 12 stops, I Spect this to be about 14 to 15 stops on HDR mode, that I'm being optimistic.
The GH5s with less megapixels (if it exists) will be for better low light. For better detailed image you can use the GH5 or G9 with 20 megapixels.
It is sure that GH5s will have this 4/3 Starvis sensor? What are the source about this specific point? I cannot find any trousted news about it.
Honestly- I'm just happy that Panasonic see the need for a professional video camera in a DSLR style package.
@alcomposer, you have summed it up.
@paglez Look on 43rummors.com
@apefos It will (if true) be, a grate choice for all.
One thing though, I don't see this camera for 8k since that is 32mpx and it should be too much for m4/3 to handle size wise. Not even on a BSI sensor.
@endotoxic It's only a mere speculation.
It is. @paglez. But in time some rumors become a reality. I think this camera will happen. I heard from it before, but at this point why would not be?
There is a newly leaked photo of the GH5S at Facebook:
From what Luke Nuemann has alluded to in other threads, it may not be a new camera, but perhaps some sort of mod or add-on for the GH5.
Lol @ that picture. Tards.
dual native iso in GH5 would solve the low light problem, and also two exposure hdr via firmware.
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On my recent trip to SeaWorld Orlando I got a fresh (and extra wet) ride on Journey to Atlantis. Water roller coasters are a fairly recent development. They merge the chute the shoot water ride with roller coaster elements. There are three Journey to Atlantis water roller coasters at the three SeaWorld parks.
After boarding the ride's boats, I shoved off into the world of Atlantis, the mythical underwater city. For a while, guests float their way through the elaborately themed scenery until the tour takes a turn. The female voice you've been hearing as your guide turns out to be Medusa. Spoiler Alert: She's not very hospitable and apparently, she'd like to send riders down a large drop. Maybe she's upset about the Bizarro re-theming. The boat rounds a corner and approaches a dark lift hill with glowing green eyes at the top. This has to be pretty freaky for younger kids. As you crest the hill, the doors swing open and you drop down the ride's largest plunge. I've never really gotten that wet and I tend to sit towards the front middle.
Now outside for on-lookers to watch, the boat floats around a curve to the right. It just so happened that the skies had opened up since I had boarded. So, even though I survived the splash without getting too wet, I was getting rained on steadily. The boat passed a ride op standing at a kind of mid-point station. After a very brief pause, the boat dropped into a bit small stretch of rapids and then up another lift hill as Medusa starts talking trash again. In case you haven't noticed, there have been zero roller coaster elements to this point. At the top of this lift, you find yourself once again in Atlantis.
This second indoor section was quite a bit shorter and the boat's pace seemed quickened. Almost out of nowhere the boat dives into a black hole of sorts. During this drop it's pitch black and you finally get to ride the rails as the boat's on a tracked roller coaster section. I couldn't see much, but riding that huge vehicle on that wide track feels pretty cool and it's very different than your standard coaster. After a short swoop and a turn the boat emerged in the sunlight once again with another smaller splash. Then, the boat floated on back to the station.
Journey to Atlantis has solid theming. It's also lengthy, so you shouldn't feel cheated if you had a long wait. I understand that Journey to Atlantis might have been a kind of a prototype as it was MACK's first water roller coaster, but I do wish it had a larger roller coaster section. Still, for guests used to a typical water ride, Journey to Atlantis will blow them away. I'll give it a 6 as it provides an above average experience for a roller coaster. I just wish that more of it was like an actual roller coaster. Most of the points here are for the ride's theming.
Final Rating – 6.0 (Above Average)
Journey to Atlantis is by no means a traditional roller coaster, but it's as intense as roller coasters in my Traditional category. It's a 2 out of 5 on my Thrill Scale for its medium-sized drops. It's a great family ride as long as your younger kids won't be too scared of Medusa.
Read about SeaWorld Orlando's world-class 1-2 punch in my reviews of Kraken and Manta.
What do you think of Journey to Atlantis at SeaWorld? Leave a comment below. Images courtesy of CoasterImage.


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A bit of prophetic advice was passed along to Marcus O'Sullivan in the summer of 1980 as he prepared to leave Ireland to attend Villanova University. It came from his high school coach, Donald Walsh, a Villanova alumnus and runner-up to Steve Prefontaine at the 1970 NCAA cross country championships. "He told me, 'Don't be discouraged, but they have nothing ... and everything you need,'" recalls O'Sullivan, a former world-class miler who's been Villanova's head men's track and cross country coach since 1998. "What he really meant was that this place has exactly what you need to get to the next level. And when I arrived here, my sense was that I'd come to the right place."
For a full century now Villanova has been the "right place" for hundreds of outstanding athletes. The private institution, located in the western Philadelphia suburbs on the Pennsylvania Railroad's historic Main Line, may have lacked first-rate facilities during the 1970s, but that's certainly not true today. And Villanova's legacy of excellence is world class -- underlined by the fact that at least one Villanova track athlete has participated in every Olympic Games since 1948.
Though he developed into a middle-distance specialist at Villanova and went on to run in four Olympics and 101 sub-4:00 miles (third all-time behind John Walker and Steve Scott), O'Sullivan was no schoolboy track prodigy in his native Cork, Ireland. "I was a 4:25 miler coming out of high school and wasn't recruited anywhere," he explains. "I went off and worked for a year as a sail maker and trained at night through the winter, then popped out a 4:05 the next year and came to Villanova."
Sadly, O'Sullivan had less than a year 's running under legendary Villanova coach Jimbo Elliott, who died suddenly in March 1981. A trackman himself, Elliott graduated from Villanova in 1935 and served as part-time assistant until assuming head coaching duties in 1949. His athletes won eight NCAA team championships, amassed scores of conference titles, and set an astounding 66 world records. The list of Villanova Olympians coached by Elliott includes familiar names such as Ron Delany, Marty Liquori, Dick Buerkle, Eamonn Coughlan, Don Paige, Sydney Maree and, of course, O'Sullivan.
More From Runner's World
After graduating in 1984 and progressing to that summer's L.A. Olympics, O'Sullivan embarked on a brilliant 15-year international career that included three world indoor 1500m titles, a world record at that distance indoors (3:35.4) and five Wanamaker Mile wins at the Millrose Games. An accounting major, O'Sullivan earned his MBA from Villanova in 1989 and fully intended to make an impression on Wall Street when his running career came to a close. But something else was in store.
"After 15 years of athletic success," he says, "I felt like someone was tapping me on the shoulder on the way out after a big meal, saying, 'And by the way, the check is on you.'" That was the Villanova head coaching job, offered to O'Sullivan in 1998. He said yes -- and then hated it from the start. "I'd never realized how selfish athletes can be, and I suddenly understood what my coaches had done for me over the years." Undaunted, O'Sullivan stuck with it, "learning to finally give a lot after taking a lot," as he puts it. "After three years I started to fall in love with the job, and it became far more rewarding than any career I'd had in front of me."
Women's coach Gina Procaccio transferred to Villanova in the mid-1980s with only a year of eligibility remaining. But the 1987 graduate made her mark nonetheless, including running lead-off for the 4 x 800m relay team that won an NCAA championship in world-record time. Procaccio eventually ran in three world championships, regularly ranked in the U.S. top five in the 1500m/mile, and finished as high as third at the U.S. cross country championships. But an unfortunate injury cut her career short following the 1995 track season, after winning a U.S. title at 5,000m.
Coaching never entered Procaccio's mind while she ran as a collegian. "All my coaches had been men; I never thought it was something a woman could do," she says. And like O'Sullivan, Procaccio initially found working with collegiate athletes less than enjoyable during brief graduate assistantships at Tennessee and Georgetown. Nevertheless, when she stepped out of competitive running in 1995, Procaccio accepted O'Sullivan's offer that she assist with the women's programs, and in 2000 she became head women's track and cross country coach.
Given the school's impressive legacy, coaching at Villanova is no walk in the park. High expectations are raised with every new season, and each Penn Relays prompts Olympic-like excitement in Villanova athletes and their followers.
But O'Sullivan, 48, and Procaccio, 46, stop short of using the past to push teams toward success. "I'm very sensitive of my athletes, and I don't compare them to other Villanova athletes from the past," O'Sullivan says. "But I do impart messages I learned from those people. For example, Jumbo Elliott always said you can do two of three things well in college, but if you try to do all three you'll be only average at everything. He was alluding to running, studying and socializing. He'd put his fingers up and say, 'Now, pick two of the three.' It took me until my junior year to truly figure out what he was saying. When I finally did I made the Olympic team."
Current senior Dan Lewis began to grasp the Villanova legacy during his recruiting visit. "You walk down a hallway lined with endless Penn Relays wheels, it really opens your eyes to what goes on here," he says. "You want to be part of that, and the coaches do a great job of nurturing that desire and showing you how to reach the next level."
Recent Villanova NCAA champions Adrian Blincoe (now one of O'Sullivan's assistants), Bobby Curtis and Carmen Douma are the most accomplished athletes of the past decade. The 3,000m, 5,000m and cross country successes of Blincoe and Curtis helped belay Villanova's reputation as a middle-distance school with little interest in anything longer than the 1500m.
The benefits of being coached by former elite internationalists are many. Not least is the fact that O'Sullivan and Procaccio want their athletes to enjoy long, productive careers extending beyond college days. "That's always been a concern here," notes O'Sullivan. "Villanova was a very, very intricate part of why I went on professionally." And Procaccio recognizes that her elite experience enhances her credibility. "I think it gives me an edge, in terms of the kids buying into what I'm saying. They know I've been there."
Villanova has struggled through a few down years recently, but the current crop of Wildcat runners has changed that. Last fall the women's cross country team etched their names into their program's storied history by picking up Villanova's eighth NCAA championship and first since 1998. "We didn't even make nationals two years ago," Procaccio says, "but I knew these kids were going to be great."
An 11th-place finish by the men's team was unexpected by the pundits but in line with expectations of the team.
"I was just so ecstatic with that placing," O'Sullivan says. "It was a bunch of guys that had worked very hard, who were engaged in what they were trying to do all fall."


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8 Secrets of Happy Families
by Charlotte Latvala
Try these ways to enjoy one another's company more; to have more fun; and to be, well, happier.
Leo Tolstoy had it right when he wrote in Anna Karenina, "Happy families are all alike." Okay, he wasn't thinking about a three-kids-and-a-minivan lifestyle, but his point was timeless: Some families just seem to enjoy one another's company more; to have more fun; to be, well, happier. What do they know that the rest of us don't? We asked parents and other experts to spill their secrets. For a more joyful clan, why not try what works for them? Here are some of their techniques.
Create Traditions
Whether it's making pancakes for dinner on Sunday nights or ending every car trip by saying "Home again, home again, jiggity-jog," unique family rituals strengthen ties like nothing else.
"Traditions give children a sense of identity and belonging," says Richard Eyre, coauthor of The Happy Family: Restoring the 11 Essential Elements That Make Families Work. "They may seem insignificant to adults, but kids hang on to them."
The Eyres have celebrated family birthdays in special ways since their children were small. "Because mine is in autumn, we always rake a big pile of leaves and jump in them," says Eyre. The year three of his nine children, now ages 16 to 30, left home, he opened the mail on his birthday to find three separate envelopes, each with a leaf inside. "It was each child's way of saying 'I'm still part of the family,'" he says.
The Friday-night tradition in the Pritz household, in Glenside, PA, includes two pizzas, a movie in the living room, and everyone—Mom, Dad, and their four kids, ages 2 to 7½—on the floor in pajamas. "It's a simple ritual, but we look forward to it all week. I grew up going to Friday-night drive-in movies with my family," says mom Denise. "I hope my kids remember our movie nights as happily as I remember the drive-in."
Rally 'Round the Table
Families who chow together bond better than those who eat at separate times and spaces. Sitting around the table—or even just grating carrots in the kitchen—encourages kids and parents to relax and share what's on their mind (keep the TV off!). The benefits of this quality mealtime are long-lasting: Kids from families who dine together frequently are 31 percent less likely to smoke, drink, or do drugs later on as teenagers, according to a study of 2,000 youngsters by the National Center on Addiction and Substance Abuse at Columbia University.
If your schedule doesn't allow for family dinners as often as you'd like, consider bonding over breakfast. The Geddes family of New York City manages to have dinner together a few nights a week, but they make sure to sit down to eat every morning. "Sure, it can be hectic," says Jennifer Geddes, mother of two girls, ages 18 months and 4 years, "but we count on that time together before we go our separate ways."
Get Into the Game
"Playing together builds strong bonds and warm memories—you're in effect saying 'We have a great time together,'" says Nick Stinnett, Ph.D., professor of human development at the University of Alabama and author of Fantastic Families: 6 Proven Steps to Building a Strong Family. In his 25-year study, which tracked 14,000 families nationwide, he found the happiest families spent time playing board and card games together.
On her family's weekly Game Night, "we spread out puzzles and games like Candy Land and Go Fish on the floor," says Chris Crytzer, mom of a 4-year-old and a 7-year-old in Pittsburgh. "Everyone gets a chance to talk, we're all laughing, and the kids have to cooperate and take turns. There's a real peace that comes when everyone's clicking. I always think, 'This is what a family is supposed to be.'"
Clean Up as a Clan
Who knew that excavating the garage together could yield more than ten-year-old paint cans? Doing chores as a family can be a major bliss booster. You work, you talk, you get closer. "Children might grumble when they're helping wash dishes or sort laundry, but these things create a sense of achievement and connection," says Stinnett. Even running everyday errands with your child, whether walking the dog or going to the gas station, can provide short but sweet bonding time.
Enhance One Another's Ego
If you want to build team spirit, encourage your family to be cheerleaders. In a survey of 150 families conducted by Rutgers University in New Brunswick, NJ, those who seemed most content—and had the most fun together—also expressed their support most often. They exchanged compliments in public and private and generally rooted for one another. "When parents went to their kids' sporting events, for instance, they took the younger siblings along instead of leaving them with a sitter," says Rutgers's Susan Newman, Ph.D. "The message is 'We're here for one another.'"
You can foster this kind of alliance just by keeping everyone up-to-date on one another's lives, says Michele Borba, author of Building Moral Intelligence: The Seven Essential Virtues That Teach Kids to Do the Right Thing. The more your kids know about their siblings' schedules, the easier it is for them to say, "Good luck on your test" or "Don't worry. I was scared on the first day of school too."
Nurture a Spiritual Side
Whether or not they follow an organized religion, happy families tend to spend time reflecting on gratitude and blessings. Doing that out loud in the evenings with sons Nic, 8, and Zak, 5, is the most rewarding part of Sue Lewis's day. "The kids are totally spontaneous, and it's always interesting to see what's on their mind," says the Grand Rapids, MN, mom. "They offer thanks for something good that happened at school or ask for blessings for other family members who are having a hard time. We learn so much about one another after sharing our concerns out loud. I think it keeps us all close."
Hand Out the Hugs
Anyone who's ever had a massage or been comforted by an embrace knows what a powerful force touch can be. "Strong families show a lot of physical affection," says Stinnett. "Touch communicates—and nurtures—connection. Even a simple pat on the back at a difficult moment can strengthen the bond." And don't underestimate the power of silly displays of affection, like rubbing noses or trading butterfly kisses. In my house, it's the Great Big Good Morning Hug: My kids, 4-year-old A.J. and 6-year-old Mathilda, refuse to budge from bed until they get one.
Look for Laughter
You don't have to learn new knock-knock jokes. "Humor isn't about consciously trying to be funny," says Eyre. "It's really about creating a light, 'life is good' atmosphere at home." Some of the most irritating moments—three cups of spilled juice in a row, crayons melted on car upholstery—can become your family's funniest, most cherished stories in years to come. The other day, A.J. and Mathilda ended up covered in finger paint during a playdate at a friend's house. I had a choice:
I could get upset (their new clothes got drenched in blue and green paint) or I could joke about how they were walking works of art. That night, we all went home laughing.
Charlotte Latvala is the author of Baby's First Year Workbook and The Expectant Mother's Workbook.


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NEW YORK — Carmelo Anthony scored 20 points to set a team-record with his 30th straight 20-point game, leading the New York Knicks to a 113-97 victory over the reeling Orlando Magic on Wednesday night.
Anthony's scoring overshadowed outstanding games by New York big men Tyson Chandler and Amare Stoudemire who combined for 35 points on 17 of 18 shooting from the field against the Magic, who lost their seventh straight and 18th in 20 games.
Chandler finished with 21 points on 10 of 11 shooting, along with seven rebounds and a season-high five assists. Stoudemire hit all seven of his shots and scored 14 points as the Knicks beats Orlando for the third time this season.
JJ Redick scored 29 points and fellow guard Jameer Nelson added 21 for Orlando, but they both ran out of gas in the second half when the Knicks took control, especially on the inside. Nikola Vucevic was the only other player in double figures for the short-handed Magic with 12 points and 11 rebounds.
Raymond Felton added 15 points and J.R. Smith and Pablo Prigioni had 11 for New York, which shot a season-high 57.3 percent from the field.
Orlando came into the game without leading scorer Aaron Afflalo and it lost another starter a little more than four minutes into the game when power forward Glen Davis broke his left foot.
That gave Chandler and Stoudemire a free run on the inside and New York dominated, outscoring Orlando 54-42.
The big run came in the third quarter right after Redick hit a 3-pointer to tie the game at 62 with 7:20 to go.
Chandler, who had been in double figures only once in his last seven games, tipped in a rebound and scored on an alley-oop from Smith and Stoudemire tallied on a driving layup for a 68-62 lead.
The Magic twice cut the deficit to four points, but Stoudemire slammed home a dunk and Prigioni nailed a 3-pointer to stretch the lead to 75-68 and Orlando never threatened again.
Nelson and Redick kept the Magic in the game in the first half, combining for 36 points on 14 of 20 shooting from the field. Redick made his first seven shots, including three from long range, and didn't miss until late in the half.
Nelson was 7 of 11 from the field and handed out four assists in the half.
Anthony seemed content to let his teammates do the shooting in the first half. He missed his first two shots and finished 4 of 7 for nine points.
Chandler, who came into the game averaging 11.7 points, led New York with 13 points, one more than Felton, who picked up three fouls. Smith came off the bench and scored eight points.
NOTES: Richie Guerin had the Knicks old record of 29 straight 20-point games, set in 1961-62. …This is the second game on a four-game road trip for Orlando, which has games left at Boston and Milwaukee. …New York is 16-6 at home this season. …The Knicks played without backup point guard Jason Kidd, who was out with a sore lower back. …Afflalo, who was averaging 16.7 points, missed his second straight with a strained left calf.


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Artadi Pagos Viejos 1997
Winemaker Notes
-Wine Spectator
Critical AcclaimAll Vintages
Artadi is about purity of extracted fruit with almost Burgundian textures. In fact, critics have often compared these wines to the top wines of Chambolle-Musigny and other top appellations of Burgundy. The key to this level of elegance comes from the cold wines of the Pyrenees which blow from the north. This coupled with moderate temperatures tend to make these wines a study in elegance and power, the iron fist in a velvet glove if you will. They are some of the most extraordinary examples of Tempranillo in the world.


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I used to work in landscaping. Somewhere within my Scandinavian DNA I knew a skill to artfully construct with rock existed, but I chose to stay far away from hoisting heavy rocks – that was hard work. Deadheading flowers was more my forte. I owned up to that, while understanding the real artists in the dry rock trade were hardworking crews comprised mostly of Mexicans.
That was my perspective as a landscape worker in Santa Fe. As I helped beautify countless homes and businesses, I acknowledged the foundation many of these structures had been built upon was rock, and that the identity they all shared was the beautiful and deliberate integration of rockwork into them.
The workers who labored on those projects have left, their work done, paychecks cashed – many mailed back to Mexico where their families reside – but not before these craftsmen turned thousands of scrambled rocks, many uplifted from the site grounds, into beautiful creations. Rock structures can represent the unique quality of the local area, breaths of fresh air within the imitation and compressed building material world we live in.
A rock worker sees within each stone and boulder its potential to fit within the larger picture of a pathway, wall, patio, step system, etc. Houses and buildings may one day crumble, but the carefully arranged rock constructions remain. I take a moment to salute our southern brothers, the quiet, steadfast artists – many long gone – whose sweat it took to make such enduring assemblies.
Spring is on its way, and rock crews are already out. As I drive around our beautiful city today, I marvel at what's been painstakingly created in rock through the gifted hands and strong backs of our stone worker brethren.
Not many could handle this kind of labor, working in the elements ten months a year. It's one thing to do it; another to do it so well. Thanks. Gracias. Bien hecho.


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To the Best of Our Knowledge: Psychedelics
- $1.99
- $1.99
Publisher Description
In this hour, When Timothy Leary invited everyone to "turn on, tune in, drop out" in the Sixties, it captured the public's imagination, but it was also bad news for scientists who wanted to study the effects of psychedelics. It's taken decades for study of mind-altering drugs to be taken seriously. Now a handful of scientists are at the forefront of new research. One of them is Roland Griffiths, a neuroscientist at Johns Hopkins. He's just turned his attention to psilocybin, a classic hallucinogen commonly known as magic mushrooms. He tells Steve Paulson about his findings.
Then, after an excerpt from an interview with Aldous Huxley from 1958 about his use of mescaline, we take a look at other mystical experiences. Stefanie Syman explores how to achieve them without drugs. The author of The Subtle Body: The Story of Yoga in America tells Jim Fleming that today's scientific study of psychedelics could lead to new breakthroughs.
Next, in 1971 Terrence McKenna, a philosopher and ethnobotanist set out with his brother Dennis to travel the Amazon in search of drug-induced visionary experiences. That wild adventure led to a lifelong study of hallucinogens. Though Terrence died ten years ago, Dennis McKenna, now a botanist and lecturer at the University of Minnesota's Center for Spirituality and Healing, continues the quest. He tells Steve Paulson how shamanistic cultures use hallucinogens.
And finally, we hear a clip from Annie Levy who was diagnosed with terminal cancer. In the late stages she took part in an experimental study designed to see if taking psilocybin could help with the fear and panic about dying. In her case, taking a single dose was a life-changing experience in her final months. The groundbreaking study was the project of Charles Grob, a psychiatrist at the UCLA medical school, who tells Anne Strainchamps about his research on psychedelics. [Broadcast Date: June 8, 2011]


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Recently, I was contacted by a relative of Geneva, so have been doing some additional research on the McKissack family. Here is Geneva's obituary:
McKISSACK — Thursday, Jan. 11, 1951, at a local hospital. Mrs. Geneva Windham McKissack. Survived by husband, Mr. Calvin L. McKissack; sister, Mrs. Melvin Sears, Birmingham, Ala; brother , Mr. Lewis Windham, Birmingham, Ala.; foster son, Mr. Lamar Mitchell; a host of relatives and friends. The body will lie in state at her late residence. 1503 Edgehill ave. from Friday evening 6 o'clock until Saturday afternoon 1 o'clock. Funeral service will be held at Capers Memorial C.M.E. church Saturday, Jan. 13, 1951 at 2 o'clock. The Rev. L.A. Story officiating. Active pallbearers are her nephews: L. Winter McKissack, Moses McKissack IV, Lamar Mitchell, Calvin McKissack, Lemuel McKissack, Samuel McKissack, DeBerry McKissack, and L. Winter McKissack Jr. Honorary pallbearers , The Arora Assembly, Le Vingt et Un club and Associates of McKissack and McKissack. Flower ladies: Cleaners Club, Alpha Kappa Alpha Sorority, Vagabond Club, Le Vingt et Un Club. Internment Mount Ararat cemetery. Queen Anne Funeral Home of Pulaski, Tenn. in charge with the assistance of the funeral directors of Nashville. — Nashville Tennessean, January 11, 1951.
Editorial note: Capers Memorial Church was designed by the McKissack family.


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|Me and the beautiful Ree Drummond.
Jo: Can you tell me how far it is to Burnstown? (I don't remember the actual dinky town's name)
Trooper: Burnstown?
Jo: Yes, we need to turn onto 60 at Burnstown.
(Jo is now waving the piece of paper with the directions out the window at him, as if that was proof.)
Trooper: You mean, Burnstown, Oklahoma?
Jo: We aren't in Oklahoma?
Trooper: (With a big smile on his face as he bends down and looks at all us clueless women in the car)
Nope. You're in Kansas. You aren't in Oklahoma anymore.
We all crack up laughing because we knew he was just dying to say that line.
The card said: "We're not in Kansas anymore!"
So back on the ranch...
|All this beauty, and I have to take photos of telephone poles...go figure. But the sunlight just made them look so mystical.
|As the sun rose, the colors just kept changing and changing...
|I am guessing, a ranch-hand's home...I'd take it!
|Can't you imagine just how quiet it is in this scene?
|The sun and sky just kept changing the scenery and this road went as far as the eye could see.
|The Lodge. Why anyone would ever leave this place is beyond me....
|Does this look like Oklahoma? More like Montana to me....
|Last night I had Hooker greet me (how ironic that "Hooker" was my night greeter) and this morning, this beautiful horse trotted up and waited for me to take note of him and wanted his picture taken too!
|Okay, Randy, on my Christmas list...a telephoto lens, please!
|The sun continues to rise and the sky and fields are awakening...
|Cattle in the distant...I can hear them greeting me as well. (Please, honey, a telephoto lens!)
|Can you believe that color?? And no, I did not add a single element to this photo. This is what I really saw when I stood on that beautiful porch. Breathtaking! And I got to see this beauty all by myself that morning. So nice.
|Can't you imagine a line of really cute cowboys sitting on these stools eating chow?
And just to really make you wonder who ends up sitting at one of those bar stools down at the end of the kitchen....and to make you go and reserve you a copy of Where Women Cook...you might want to see just who some women are cooking for and in particular, this special man...
Story Time:
|Photo from hitherandthither.net


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On day two of the George Zimmerman trial the prosecution and defense battle over 911 calls and examine crime scene photos. Martin Savidge reports.
Post by: Martin Savidge
Filed under: Crime & Punishment • George Zimmerman • Trayvon Martin
The Zimmerman phone calls are important because they can show intent! All calls Zimmerman made were about Black males and Remember, when Zimmerman called the police that night, he said "(expletive) they always get away!" Maybe George decided that THIS ONE was not going to get away and went into a vigilante state of mind! He was told "we don't need you to do that" when asked by dispatch if he was following! He also told dispatch that he would meet Police by the mailbox, then asked dispatch if he could have Police call him, which shows that he intended to KEEP following and NOT meet police at the mailbox!
Zimmerman said he spread travon's arms to his side? then why were his arms under him in the police photos? plus travon's friend was real kids talk and text all the time I mean all the time.
the day or day after this happened there was a women who witnessed this to and she said the man is yelling he shot someone and had his arms up and hitting his head with something,i think he damaged himself\ with the gun
The witness today appears to be a very soft person .. I wonder if Zimmerman was following Mr. Martin ,did he show the gun prior to being attacked if indeed he was ????????Did Zimmerman take a polygraph test .
why did he lie to Police about his location?,Was his gun pulled on Trayvon? Apparently Zimmerman does not like Blacks.
Blacks resided in the complex, they do have families who visit. His initial approach should have been, Identify yourself, ask may I help you, are you lost, do you live and or visiting someone here, he choose none of the above. He made an assumption,( assumption being the mother of all screw ups.) .Senseless murder that did not have to happen.Zimmerman was the aggressor,made serious error in judgement and Mr. Martin paid with his life.
There is no progression with discussions,ever. Was their a grudge for being Black???Did Zimmerman want to get revenge?( " you best did two graves it you want to get revenge.")because a previously happened.????? Aloha
Anderson Cooper goes beyond the headlines to tell stories from many points of view, so you can make up your own mind about the news. Tune in weeknights at 8 and 10 ET on CNN.
Questions or comments? Send an email
Want to know more? Go behind the scenes with AC361°


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Hopes for new drugs that would slow or stop the inexorable decline of Alzheimer's patients have repeatedly foundered in recent years. In one example, Eli Lilly had to halt the trial of a drug designed to prevent the production of toxic proteins in the brain because patients' cognition actually worsened while they were taking it.
Scientists are now looking to the computer industry for alternative ways to help patients. One approach is centered on a small camera called SenseCam, worn like a necklace, that snaps photographs automatically throughout the day. The idea is to use the images not to replace memory but to stimulate it. Each photograph can serve as a cue, like Marcel Proust's madeleine, tapping into the web of remembrances that collectively defines a person's identity.
SenseCam, developed by Microsoft and now marketed by a company called Vicon, uses a fish-eye lens to capture a wide-angle view. At regular intervals—say, every 30 seconds—a new image gets stored in the one-gigabyte solid-state memory. When the wearer moves from one room to another, a sensor that picks up the change in light triggers SenseCam to take a new photograph. Further, if a person walks by, an infrared sensor detects the body heat and signals that it is time for another photo. The result is a thumbnail chronology of the minutiae of the wearer's daily life. Later, patients or their caregivers pipe this electronic thumbnail record into a PC to display the images either individually or in chronological sequence.
Dozens of groups are now working on pilot tests of the device for memory impairments. The studies remain anecdotal but are still compelling. Steve Hodges of Microsoft Research Cambridge remembers an Alzheimer's patient who described a day trip with his spouse in Spain while wearing SenseCam, which produced images that the man could then "study." The patient, though, wondered aloud how the couple had arrived at their destination. His wife then interjected that he had taken the device off on the train because he was embarrassed to be sporting a funny-looking gizmo. Reviewing the pictures may be a form of brain calisthenics for enhancing the mental process known as autobiographical memory, recalling the time and place of past events. The ability to engage in this type of mental time travel is just what Alzheimer's obliterates.
Some people are skeptical about the device. "We have found that older individuals, particularly those with memory impairment, are often averse to technology," says Paul Aisen, a physician and researcher at the University of California, San Diego, who has assisted with the design of Alzheimer's drug trials. If the device works (and it is too early to tell if it does), SenseCam would merely slow deterioration. A delay of cognitive decline for only a few years could yield a major public health benefit by letting patients hold on to vestiges of memory. A picture might be worth more than 1,000 milligrams.


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Turbo Updates - Turbo Auto Salon Tour
Turbo Auto Salon TourFor 2001, Turbo magazine is no longer taking an active role in the sponsorship of the Tokyo Auto Salon Tour. However, we are still going and invite you to join us.
The tour is being organized by J-Tec and the price is better than last year's tour. Early bird entries will cost $1,399 and regular price entries will cost $1,499. The early bird deadline is November 30, 2000 and the final deadline is December 15. The tour departs from LAX on January 10 and returns January 15. The tour package includes airfare, hotel accomodations, entrance to the show, ground transportation to and from the show venue and airport and access to a translator.
The itinerary includes admission to the show on VIP day, a second day at the show (optional) and a free day. For more information, contact J-Tec at (213) 891-9037, Fax: (213) 624-902 or log on to www.visitjtec.com/autosalon.
To the intense import performance enthusiast, the Tokyo Auto Salon is like having another Christmas in the first week of January.
The Race Is Over"'The checkered flag is down. The Race is over.'This high-performance Art Casket(tm) places the auto racing fan in the driver's seat for one last lap. Cool caskets for cool people." Yes, the inescapable certainty of death need not be as depressing, thanks to the good folks at WhiteLight. Custom picture-emblazoned caskets are now a reality. Let's quote the company's press release.
"The Art Casket is an uplifting expression of life, through art. WhiteLight, a custom casket design group, has now created a practical means to personalize a casket by surrounding it with a pictorial image that makes a life statement on behalf of the deceased.
"Each Art Casket becomes an epilogue, echoing the richness of a life fulfilled. Whether bold and vivid, or soft and subdued, Art Caskets are as unforgettable as the life they commemorate. New Art Casket designs are published quarterly. Ask your funeral director to show you the complete selection."
Some of the more interesting offerings include "Fairway To Heaven" for golfers, a Texas A&M version for alumni who want take the school spirit to their grave (literally) and "Return to Sender," a casket that looks like an express delivery mail package for those who want one last laugh. Art Caskets, personalized for individual taste, are also available where time permits. For once, I am glad import racing is not represented in a product line. If these personalized caskets have struck a chord with you, contact WhiteLight at (877) ARTCASKET or at www.artcaskets.com.
AEM CatalogAdvanced Engine Management (AEM) has put together its 2000/2001 Performance Parts Catalog. The catalog, which is 24 full color pages, features a comprehensive rundown of AEM's impressive inventory of products and includes detailed applications charts to ensure the savvy enthusiast can properly plan his project. The catalog costs $5 and can be ordered at (310) 484-2322.
Spin And WinNo, we are not talking about Danny Sullivan's 1985 Indy 500 victory. Recently the long-running and popular game show "Wheel Of Fortune" awarded its biggest prize-a Shelby American Series 1 super car. Derek Rose, a real estate entrepreneur from, of all places, Las Vegas was the lucky winner. Here Rose is pictured picking up his prize with none other than Carroll Shelby at the Shelby American manufacturing and assembly plant near the Las Vegas Motor Speedway. The Series 1 is motivated by a modified Olds Aurora V8 and is a limited edition (500 units) proposition being marketed through a select group of Shelby American dealers. For more info, call (702) 643-3000 or type in www.shelbyamerican.com.
IDRA Palmdale Rain DateDue to its first event of the year back in February falling victim to Mother Nature, the IDRA will host a "makeup" Battle of the Imports event during the weekend of November 11-12. The event, to be held at Los Angeles County Raceway, will feature many of the West Coast's top import racers and offers a full Battle program and prizes.
For more information, contact: International Drag Racing Association (IDRA), 12000 East Slauson, Ste. 16, Santa Fe Springs, CA 90670, (562) 464-9520.
IDRC International FinalsThe International Drag Racing Circuit's season finale, the "International Finals," has been rerouted to a new venue and date. On December 2-3, IDRC will host the finals at Los Angeles County Raceway in Palmdale, Calif. The Finals will conclude the championship series and decide who will be crowned import racing's first-ever National Champions. The event will feature ESPN2 television coverage and has enticed racers from all around the world.
For racer or sponsor information contact, www.importdrag.com or (714)593-0280.
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The PMW-500 is Sony's first XDCAM HD422 camcorder with solid state recording and features three 2/3"-type 2.2-megapixel full-HD progressive CCDs. Additionally, it records and plays back high-definition video with 1920×1080 and 1280×720 resolutions up to 50Mbps using MPEG-2 4:2:2P HL compression technology. After shooting some footage on the Sony PMW 500, you may want to edit them in Final Cut Pro 6/7 or Final Cut Pro X. However, you may also face the problem that FCP 6/7 or FCP X does not recognize the .mxf videos.To make it easier for editing Sony PMW 500 MXF videos on FCP 6/7/X, you can use Sony MXF Video Converter for Mac, which was a great Mac Sony PMW 500 MXF Converter. It can not only convert Sony PMW 500 MXF .mxf videos to FCP 6/7/X, but also make iteasy for merge videos.
Here is the step-by-step guide for you to convert and transcode Sony PMW-500 MXF files to Apple ProRes 422 MOV for Final Cut Pro 6 /Final Cut Pro 7/Final Cut Pro X on iMac/MacBook Pro with Mac OS X like Snow Leopard, Lion, Mountain Lion now. Apple ProRes 422, H.264 MOV optimizes Final Cut Pro workflow for editing with no rendering.
Step 1. Download and Load Sony PMW 500 MXF footage to Sony MXF Video Converter for Mac.
Run Sony MXF Video Converter for Mac from UFUSoft as the 2012 best Sony MXF footage to MOV converter on Mac OS X like 10.8 Snow Leopard, 10.7 Lion, 10.6 Snow Leopard, 10.5 Leopard, 10.4 Tiger. Click the "Add" button to import .mxf files from the Sony PMW-500 camcorder.
Step 2. Choose Apple ProRes codec MOV for Final Cut Pro 6/7/X without rendering.
Click the "Format" option, choose the Final Cut Pro > Apple ProRes 422 video (*.mov) or HD video > HD MOV Video (*.mov) as output format. And navigate to the Final Cut Pro group, you will notice that there are profiles with Apple ProRes 422, Apple ProRes 422(HQ), Apple ProRes 422(LT), Apple ProRes 422(Proxy). Here we choose Apple ProRes 422(HQ) (*.mov) as output format. (The Apple ProRes 422 (Proxy) codec is intended for offline editing and contains 30 percent of the data rate of Apple ProRes 422, and I recommend you to select Apple ProRes 422(HQ), Apple ProRes 422(LT) MOV for outputting.)
Step 3. Merge Sony PMW-500 MXF files and Choose video size as original. (Optional)
Select all the files in the filelist, then click the Merge the Files, and the Mac Sony PMW 500 1920×1080 MXF converter will join and combine the video clips into a single file as output.
You can choose the clip on list and click the Properties button to view the source video resolution. To get the original video size, just click the "Settings" button and choose the right option like 1920*1080, 1080*720 from the video size drop-down box.
Step 4. Convert Sony PMW 500 MXF to Apple ProRes MOV for Final Cut without rendering.
Click the convert button under the preview window, the Mac MXF Video converter starts converting Sony PMW 500 MXF videos to Apple ProRes MOV, and joining the MXF files for editing in Final Cut Studio.
After converting and merging the MXF files, just import the output Apple PreRes 422 .mov files to Final Cut Pro X, Final Cut Pro 7 or Final Cut Pro 6 for editing and the video .Optimize your workflow and save time with the Apple ProRes compression for Final Cut Pro. You can also import the output videos to Final Cut Express (FCE) 4 for editing in full HD.