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- Over There (Fringe)
"Over There" Fringe episode
FBI agent Olivia (left) fights Fauxlivia (right), her doppelgänger from the parallel universe
Episode no. Season 2
Episode 22/23
Directed by Akiva Goldsman Written by Jeff Pinkner
J. H. Wyman
Akiva Goldsman
Production code 3X5121
Original air date May 13, 2010(Part 1)
May 20, 2010 (Part 2)
Guest stars
- Kirk Acevedo as Charlie Francis
- Leonard Nimoy as William Bell
- Orla Brady as Elizabeth Bishop
- David Call as Nick Lane
- Seth Gabel as Lincoln Lee
- Ari Graynor as Rachel Dunham
- Pascale Hutton as Sally Clark
- Omar Metwally as James Heath
- Ryan McDonald as Brandon
- Lily Pilblad as Ella Blake
- Philip Winchester as Frank Stanton
- Stefan Arngrim as the Store Owner
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Fringe (season 2)
List of Fringe episodes
"Over There" is the two-part second-season finale of the Fox science fiction drama series Fringe. They are the 22nd and 23rd episodes of the season, and the 42nd and 43rd episodes of the series overall. Both parts were written by Academy Award-winning screenwriter Akiva Goldsman, together with showrunners Jeff Pinkner and J. H. Wyman. Goldsman also served as director, his first such credit since the season premiere.
Fringe's premise is based on the idea of two parallel universes, our own and the Other Side, each of which contains historical idiosyncrasies.[1] The two universes began to clash in 1985, after Dr. Walter Bishop (John Noble) stole the parallel universe version of his son, Peter, following his own son's death.[2] The finale's narrative recounts what happens when Peter (Joshua Jackson) is taken back to the Other Side by his real father, dubbed "Walternate" (Noble). FBI agent Olivia Dunham (Anna Torv) and Walter lead a team of former Cortexiphan test subjects to retrieve him, after discovering that Peter is an unwitting part of Walternate's plans to bring about the destruction of our universe using an ancient doomsday device.
In the finale, the main characters spend the longest amount of time in the parallel universe to date. The writers sought to emphasize the differences between the two worlds: Anna Torv created a unique personality and physical demeanor for her character's doppelgänger, Fauxlivia; DC Comics designed special covers based upon some of their classic editions to display in the Other Side. These and other popular culture differences were noted and appreciated by critics, persuading the writers to add more in the third season. The episodes mark the first appearance of recurring character Lincoln Lee (Seth Gabel), as well as the return of actor Kirk Acevedo as Agent Charlie Francis. At the time, guest star Leonard Nimoy's appearance as William Bell marked his final commitment to the show.
Although originally intended to air on the same night, the two parts were broadcast in the United States a week apart. On its initial airing on May 13, 2010, an estimated 5.99 million viewers watched part one. Part two aired on May 20, and was viewed by an estimated audience of 5.68 million. Both episodes received overwhelmingly positive reviews, and the season was chosen for a significant number of "best of" lists by various media outlets; many critics praised the second episode's cliffhanger in particular. The finale was included in most of the categories at Entertainment Weekly's voter-driven TV Season Finale Awards, placing first in two. Pinkner, Wyman, and Goldsman submitted both episodes for the drama writing and directing categories for the 62nd Primetime Emmy Awards, and Nimoy submitted his work from the second episode for consideration in the Outstanding Guest Actor in a Drama Series category; none received a nomination.
Part one
Dr. Walter Bishop (John Noble) and FBI agent Olivia Dunham (Anna Torv) discover that Peter Bishop (Joshua Jackson) has agreed to return with his real father, dubbed "Walternate" (Noble), to his own universe called the Other Side, which runs parallel to ours. One of the mysterious Observers (Michael Cerveris) leaves Olivia a note indicating that Peter is named in a prophecy as the one responsible for the end of the world. To warn Peter of his impending role, the Fringe Division work with biotechnology corporation Massive Dynamic to come up with a way to cross over. They form a plan that takes advantage of Olivia's universe-hopping ability, and recruit three other Cortexiphan test subjects who have unique abilities: Nick Lane (David Call), Sally Clark (Pascale Hutton), and James Heath (Omar Metwally), two of whom appeared in previous episodes.[note 1] The team—composed of Walter, Olivia, Nick, Sally, and James—successfully arrives on the Other Side. James dies shortly after arrival, but the rest manage to escape the alternate reality's Fringe Division, who had used their special technology to detect their arrival. It is revealed that Walternate is the Secretary of Defense on the Other Side.
Peter reunites with his real mother, Elizabeth (Orla Brady), while Walter's team journeys to meet with William Bell (Leonard Nimoy) at Central Park. But instead of Bell the alternate Fringe Division appears, and attacks Walter's team. Nick is shot and Sally stays with him; she produces a suicidal fireball that torches both her and Nick to ashes and severely burns the Other Side Fringe Division's principal investigator Lincoln Lee (Seth Gabel). Walter is shot and is taken to the hospital. Olivia follows her alternate counterpart and encounters Bell, who insists he did not betray their location to the Fringe Division and tells her that Walter is in trouble. Walternate is seen in the room housing the doomsday device Peter will be a part of, and leaves with its final component.
Part two
Walternate learns of Walter's presence in the hospital and dispatches "Fauxlivia" (Torv) and "Alt-Charlie" (Kirk Acevedo) to apprehend him, but before their arrival Bell and Olivia liberate Walter and escape. Fauxlivia sees a surveillance shot of Olivia and Walter and decides to confer with Walternate about the doppelgängers. During a discussion in his office, Walternate lies to Peter about the doomsday machine's real purpose, claiming it can help to heal both worlds. Fauxlivia meets Peter in Walternate's office and subsequently drives him to his new apartment. Walter and Bell travel to Harvard to collect some equipment necessary for the journey back to their own universe, and Walter reveals his intense dislike for Bell, whom he considers to have been a selfish war profiteer while he himself was locked away for seventeen years. Bell tells Walter that the parallel universe equivalent of himself died in a car accident as a young man. Olivia confronts Fauxlivia, who recognizes that Olivia has feelings for Peter. The women fight, and after rendering Fauxlivia unconscious Olivia dyes her hair to assume Fauxlivia's identity. Meanwhile, Peter discovers that the machine is symbiotic and needs a particular human to control it—him.
Olivia and an oblivious Charlie visit Peter to take him to a safe location. Olivia knocks out Charlie and reveals herself to Peter, informing him of the machine's real purpose and Walternate's intentions. Peter tells her that he does not belong in either reality, following which Olivia admits her romantic feelings for him and convinces him to leave with her. The couple race to meet Walter and Bell at the Opera House, where Fauxlivia and a team of Fringe Commandos catch up with them. Bell and Olivia hold off the assault while Peter and Walter set up the dimensional device to enable their return home. Lacking a fuel source for the device, Bell sacrifices himself to create a nuclear reaction, using his body's unstable molecular state. Close to death, Bell reveals that he removed Walter's memories at his own request, and he and Walter are reconciled. Olivia, Walter, and Peter return home. Peter tells Walter he will never understand him, but because Walter traveled to another universe twice to save him—which has "gotta count for something"—he forgives him. Olivia is revealed to be Fauxlivia, infiltrating Our Side, when she arrives at a typewriter communication station to await orders. The Olivia from our world is then seen in a military detention center on the Other Side. Walternate visits and stares at Olivia without speaking before leaving her in the dark, in solitary confinement.
Writing and filming
"Over There" was written by Academy Award-winning screenwriter and frequent Fringe collaborator Akiva Goldsman, together with showrunners Jeff Pinkner and J. H. Wyman. Goldsman directed the episodes, his first such credit since the season premiere.[6][7] He explained the finale in a January 2010 interview with Entertainment Weekly: "We're trying to do the last two episodes as a singular event, a little bit more movie-like. It's really one big story. We're approaching it like a mini-feature. It'll have a singular narrative drive."[8] They originally intended for the two parts to air on the same night, but Fox told them it would be shown on two nights, a week apart.[9] The episodes first aired in the United States on May 13 and May 20, 2010.[10][11] The writers, finding the script to be easily divisible, ended the first episode with William Bell and Olivia meeting outside Fauxlivia's apartment, and began the second with Bell helping Walter escape from the hospital.[12]
Pinkner and Wyman brought back the "Cortexiphan kids", introduced in the first two seasons, because they felt that part of the storyline was really interesting. They wanted the end of the season to be a "beautiful culmination of everything" while traveling to the Other Side.[13] The show had been developing a parallel universe storyline since its conception,[14] but "Over There" marked the longest time spent in that world thus far.[15][16] Pinker explained the idea of two worlds: "One of the big themes of the show is how small choices that you make define you as a person and can change your life in large ways down the line." Wyman said that the parallel universe "is a reminder to our viewers that your life is what your choices are."[17] The two began discussing details about the Other Side early on, especially what the differences between the two universes would be. Pinkner commented in an interview with the Los Angeles Times that "a lot of them are ideas that we jokingly threw out. Some of them, like the notion of zeppelins or the Statue of Liberty if we didn't let it oxidize or the Grand Central Hotel, we're not making up. Had the Hindenburg not blown up, zeppelins would be passenger air ships docking at the Empire State Building. That was the plan. We opened ourselves to the standard that it had to be possible."[15] Pinkner later elaborated, "We're interested in world building and all that stuff is the texture that actually makes it a world. The richness of detail is what makes it feel real."[18] They used comic books as one way to subtly differentiate the two worlds. Goldsman, Wyman, and actor Joshua Jackson are longstanding comic book fans and decided to make the character of Peter a fan as well. Goldsman called on his friend Geoff Johns, Chief Creative Officer at DC Comics.[19][20] He arranged for DC to specially design ten alternate covers for some of their most iconic editions,[21] which were displayed in Peter's apartment on the Other Side.[22] Visual effects company Eden FX created Peter's apartment and the alternate New York skyline visible outside his window.[23] When fans reacted positively to these detailed characteristics written into the parallel universe, the producers stated their intention to show a lot more similar details in the third season.[24]
"The alternate Fringe team ... consists of an exact duplicate of Olivia, but somebody who didn't grow up with the same burdens as our Olivia, and therefore, has a different approach and attitude towards life."– Jeff Pinkner describing Fauxlivia[25]
The finale introduces parallel-universe versions of familiar characters, including the Fauxlivia version of Olivia Dunham, both played by actress Anna Torv. One topic of conversation among fans, journalists, and those working on the show was what to call the alternate Olivia to differentiate the two. Names varied, with many using "Fauxlivia", "Bolivia", and/or "Altlivia".[26][27][28][29] The writers chose Fauxlivia because a character in a season three episode referred to her as such.[30][31] Torv and Akiva Goldsman discussed various ways to differentiate the two depictions of Olivia;[32] ultimately two different physical demeanors were created.[33] Torv wanted to make the new character "completely different", but she and Goldsman recognized that the two share some major similarities, as they both are in the same profession and are "fundamentally, genetically really the same person."[32] According to Torv, Fauxlivia holds herself differently and has "a different silhouette. She's got a little firefighter, a little military in her."[33] Torv further explained, "Olivia wants to be the best, but [Fauxlivia] just wants to win;"[16] "There's just a front-footedness I think to [her], simply because she just doesn't carry the weight of the world on her shoulders like Olivia does. Olivia's mum died when she was really little, and [Fauxlivia]'s mum is still around. There's lots of little, subtle differences."[32] The producers discussed cutting her hair, but ultimately decided on the auburn hair color to differentiate her. They also made her "a little bit more playful".[34] Pinkner describes shooting the Fauxlivia scenes in the DVD audio commentary: "When [Torv] first showed up on set in this different guise, she had really embodied this other character in a very playful and sexy way. She turned a lot of heads."[35] Goldsman remarked that Torv's depiction of Fauxlivia was actually much closer to the actress' real personality than her performance as Olivia.[36] The producers were so pleased with her Fauxlivia depiction that they thought "it really opened up a bunch of possibilities ... it went from 'let's see if this experiment works' to 'how can we get more of this?'"[37]
"Over There" marks the first time Olivia meets Fauxlivia. Their meeting was one of the first scenes to be shot; this caused Anna Torv to be anxious about her new character's traits "coming across", as she had not yet developed all her mannerisms for Fauxlivia. While filming the conversation between the two, they did not use a double; Torv memorized the timing and where she should be looking and pointing her gun, and the characters were filmed one at a time.[38] Torv commented about the scene, "You're talking to air. Learning both sides ... was tough."[39] For the fight scene that followed, Torv had to block and aim her gun carefully while being mindful of her movements and the camera's location—though she was aided by stunt doubles.[40] Torv credits the crew for successfully completing the scene: "I give them all the credit in the world. It took a while. They had to change the makeup, change the clothes, change the hair, change every little thing, every time they [moved] the camera."[40]
A later scene depicts Walter in a hospital recovering from a gunshot wound. Olivia and William Bell try to smuggle him out. As it was a real emergency room in a Vancouver hospital, the crew had only one day of shooting.[41] One of the scenes included "monitor acting", in which Torv had to react to a blank computer screen, because the writers had not yet chosen what images they wanted to display.[42] The scene between Olivia, Walter, and Bell was originally set in a coffee shop, but the producers changed their minds when they realized they needed more funding for the finale. Consequently, they began "hawking" the scene in the hopes of gaining a sponsor. KFC responded, agreeing to pay them for shooting the scene at one of their locations.[43] Walternate's office scenes were shot in a mortuary overlooking a cemetery.[44] Goldsman had Joshua Jackson react in different ways during his first meeting with Fauxlivia, including showing "anger and testiness". He ultimately decided he would be "quite taken with her".[45] For the second episode's cliffhanger, the producers worried about making it as "provocative" as the first season's.[15][46] They were originally going to have Olivia sacrifice herself to allow Peter and Walter's return to Our Side, but changed their minds when Wyman suggested she be secretly swapped with Fauxlivia instead.[47][48] Wyman commented, "We were ecstatic when we figured [the cliffhanger] out."[15] Co-creator J.J. Abrams and other cast members were also pleased with it,[49][50] with Abrams calling it "different, but I think equally impactful."[51] They wrote the cliffhanger before they knew whether the series had been renewed—they would have had to make an "eleventh-hour redraft" had the show been canceled by Fox.[6]
On April 5, 2010, Entertainment Weekly reported that Dirty Sexy Money actor Seth Gabel had been cast as the lead Fringe investigator in the parallel universe, and would be making his first appearance in the finale as a possible recurring character.[52] Jeff Pinkner described the character as "the scientist-cop-leader of the team on the Other Side."[25] In an interview with TV Guide, Gabel commented that during shooting he felt that he looked "like such a doofus holding a gun," but changed his mind when he saw the finished production.[53] Gabel elaborated, "I was so scared that I wouldn't pull it off. Once I saw myself being a scientist-slash-FBI hero, I felt more confident and relaxed."[53] His character is caught in a large explosion in the finale, but Gabel confirmed, in a Chicago Tribune interview, that his character would be returning for the third season. He states that the parallel universe has "special technology than can heal burns".[54][55]
The finale marked the return of actor Kirk Acevedo as the Other Side FBI agent Charlie Francis.[10] In the DVD audio commentary, the producers admit they "faced a bit of hatred" when they killed off Acevedo's character near the beginning of the season. They were aware the entire time that Charlie exists in the parallel universe, and that "nobody ever dies on Fringe".[56][57][58] Acevedo describes the parallel universe version of his character as someone who is "so much more fun."[59] He is subtly different, with a lighter personality; he jokes around more, and is less "doom and gloom" than the original character.[57][60] Some viewers refer to the new character as "alt-Charlie" to differentiate the two.[61][62] The actor, the producers, and some fans have called the new character "Scarlie" in reference to a scar on his cheek, which takes ten minutes to apply before shooting, according to Acevedo.[57] Previous guest actors Orla Brady,[63] Lily Pilblad, Ari Graynor, Omar Metwally, Ryan McDonald, and David Call appear in the finale, as well as new guest stars Philip Winchester and Pascale Hutton.[64]
"Because what Walternate is, is a very human character, who's had his son stolen. That would be enough to drive anyone to distraction. He has become, because of his strength and intelligence, the natural leader of this disintegrating world. And so he behaves in a certain way. He's also fueled by revenge and anger. These are all human things. You start to put them in a certain place and you get Walternate."– John Noble describing his new character "Walternate"[65]
Some cast members portray alternate versions of their characters, including John Noble, Lance Reddick, and Jasika Nicole. Noble described his doppelgänger—nicknamed "Walternate" by Walter[66]—as "[physically] the same man and the same actor."[67] He continued, "I think of [Walternate] as a soldier. He's like a general in the army. He's very upright, he's very strong."[67] Reddick called alt-Broyles "a great patriot and a great mind," but "a bit of a maverick, so I guess we'll see just how that loyalty and relationship plays out."[68] Nicole based "alterna-Astrid"'s characteristics on her sister, who has Asperger syndrome, partly by avoiding eye contact with the other characters when relaying information to them[69] and by focusing solely on the data in front of her.[25]
Though guest actor Leonard Nimoy was reluctant to return after completing his three-episode commitment on the show that had ended with the season's tenth episode,[70][71] he returned for the season finale when the producers "essentially called him up and pleaded". They discussed their plans for the character, and "told him it was a story we couldn't tell without him." He "graciously agreed."[8][72] "Over There" marked Nimoy's longest appearance on Fringe,[73] a longer and "much more involv[ed]" shoot of roughly seven days was required.[74] It was Nimoy's last physical appearance on the show, due to the assumed death of his character, William Bell. Despite this, the show's producers have said that nothing is final in the Fringe world. Pinkner commented that Nimoy's retirement from acting obviously hinders his character's possible return but, "if Leonard chooses to come back, there is a story in place that we'd love to tell."[24] Wyman elaborated that "I think it's fair to say that you have not experienced the last of William Bell".[24] When the producers told Nimoy their ideas for Bell's storyline in the third season, he returned for some brief voice and animation work in the episode "Lysergic Acid Diethylamide".[75][76]
Cultural references
A number of popular culture references are used to subtly differentiate the two universes. The American drama series The West Wing is beginning its 11th season in the parallel universe,[61][77][78][79] and US politicians Barack Obama and Sarah Palin are in one of the show's advertisements.[78] The parallel universe's Statue of Liberty is still its original shiny copper. "We imagined that Over There, they really liked copper and they cleaned it all the time," one of the creators says.;[17][78][80] Liberty Island is the location of Fringe Division and the Department of Defense on the Other Side.[61][81][82] Also the Hotel Attraction projected by catalan architect Antoni Gaudí was finally build.[83] Former president Richard Nixon is shown on a dollar coin in the parallel universe, rather than Dwight Eisenhower.[77][78] Fauxlivia finds a twenty-dollar bill from Our Side and questions who Andrew Jackson is, implying that he was either never president or is far less known in their universe.[78][79][84] Civil rights activist Martin Luther King Jr. is shown on their version of the bill, which has been nicknamed a "junior".[10][61][78]
Aviator Charles Lindbergh is less well-known in the parallel universe, and the famous kidnapping of his son presumably did not occur, as Fauxlivia expresses confusion when his name is brought up.[7][78][85] When Walter, Bell, and Olivia are on the Other Side eating at KFC, Walter puts on a Brooklyn Dodgers baseball cap. Unlike in Our Side, the team never moved to Los Angeles.[78][81] The parallel universe has a number of famous comic book issues from DC Comics, similar to Our Side, but with notable differences. For instance, the Red Arrow and Red Lantern exist on the Other Side, rather than the green versions of both characters in our universe, and there are different members in the Justice League.[17][78] Fauxlivia's cellphone ringtone is taken from the 1975 film The Rocky Horror Picture Show.[86] Other films, both real and invented, are also shown in the parallel universe, such as Superman vs. Batman 2, Indiana Jones and the Hex of the Hydra, Star Wars: Legion of Droids, Splash 7, Smokey and the Bandit: The Final Lap and Mask vs. Joker.[78]
Broadcast and ratings
Fox renewed Fringe for a third season in early March 2010.[87] The episodes aired on May 13 and May 20, 2010, in the United States and Canada.[11][88][89] On May 17 Fox announced that the show would remain in its Thursday timeslot for the new season.[90] A deleted scene cut from the finale featured Walternate and Peter discussing the fictional band "Violet Sedan Chair" while driving a Ford Taurus;[91] the scene's reference to a "Ford exclusive", as well as the perceived "loving shots" of the car, caused it to be noted as a prime example of product placement by some critics.[92][93] The scene was advertised during the second episode's commercial breaks in the US, advising viewers to view the clip at Fox's official website.[92] As with other Fringe episodes,[94][95] Fox released two science lesson plans for grade school children focusing on the science seen in both parts of "Over There"; the first part's intention was to have "students learn about how the various forms of energy can be converted into other forms of energy and how these conversions can be used to either disperse or concentrate energy."[96] The second part's purpose was for "students [to] learn about how various types of sensors can be used to remotely collect information about a geographical area, which allows for unique scientific analyses and discoveries."[97]
According to the Nielsen ratings system, upon its original US broadcast, part one garnered an estimated 5.99 million viewers and a 3.6/6 ratings share among all households. It received a 2.3/7 ratings share among adults 18–49.[98][99] In keeping with the rest of its second season,[100] Fringe's ratings suffered due to tough competition from episodes of CBS's CSI: Crime Scene Investigation and ABC's Grey's Anatomy, as these programs were also broadcast in the same time slot. Fringe and its lead-in, Bones, helped Fox place third for the night, behind CBS and ABC.[99] The second part was viewed by an estimated 5.68 million viewers, with a 2.0 ratings share among adults 18–49. This was a 13 percent fall in the 18–49 ratings share from the previous week, as the second episode faced competition from the season finale of CSI: Crime Scene Investigation and the two-part season finale of Grey's Anatomy. "Over There's" second part helped Fox place third for total viewers that night, behind CBS and ABC, and tie with NBC for third place among viewers 18–49.[101][102][103]
The finale aired on two separate nights in the United Kingdom. The first part was scheduled to air on May 25, 2010, on the UK's Sky1, but was put back a week to make room for the series finale of Lost.[104] The first part aired on June 1 in the UK, with an estimated 195,000 viewers tuning in.[105] The second part aired on June 8 to an estimated 246,000 viewers.[106]
"This first installment of Fringe's two-part season finale was fantastic. The opening shots revealed our old friend Charlie Francis, the closing shots featured Walternate and his mysterious new machine, and everything in-between made this a great story that leads us into one hell of a conclusion to the season."
The first part of the finale received generally positive reviews. Ramsey Isler of IGN thought it "fantastic," because it was "a great story that leads us into one hell of a conclusion to the season," and that it "right away [gave] us the deepest, most exciting look into the alternate universe we've seen so far."[10] He rated it 9.0/10.[10] Ken Tucker from Entertainment Weekly and MTV's Josh Wigler agreed on this last point,[79][107] with Tucker noting the first part "was a complete success and a blast at giving us a fully lived-in alternate universe."[79] Noel Murray of The Onion's A.V. Club graded the first part with an A−, calling it "a fun, exciting episode that nicely set up next week's finale".[61] Isler, Wigler, and Murray loved the return of the Cortexifan subjects;[10][107][61] Murray docked the episode a half point, explaining "I love the idea of Olivia & The Cortexifanatics so much that I'm bummed Fringe burned through the group so quickly."[61] Critic Andrew Hanson, writing for the Los Angeles Times, noted that because of the parallel universe focus, the first part felt like the following season's premiere. He praised the opening scene, and believed the scenes between Peter and his mother helped "ground the episode. They might be out of pace with the action and drama pouring out of every other moment, but there was weight and emotion. Bravo Joshua Jackson and Orla Brady. Bravo."[82] Ken Tucker noted that the scenes with Peter and his true mother indicated "a great, humantistic use of a sci-fi trope".[79] MTV's Josh Wigler praised Torv's performance, but wished the two-part finale was not broken up, explaining "I could have easily tuned in for another several hours. Heck, I could watch an entire parallel series focused solely on the alternate universe!"[107]
"I know that [...] Fringe is sci-fi with the emphasis on science, but I'm in it for its imagery and metaphor, its literary and cultural-studies provocations. The fact that the series can accommodate a fan like me only confirms what a well-wrought piece of pop culture Fringe has become"– Entertainment Weekly writer Ken Tucker in his review of the second episode[81]
Like part one, the second part premiered to positive reviews. IGN's Ramsey Isler wrote that it "changed the whole landscape of the show's main plot arc. Although there were some rough spots in the execution of this story, overall it's one hell of a way to end the season." He rated the episode 8.6/10.[11] While praising Noble's performance, Isler criticized some plot aspects. He was "kind of torn" on the Peter-Olivia kiss, wished Peter and the doomsday device had been set up more for the third season, and believed the Olivia-Fauxlivia interaction to be "a little strange," as the two went from discussing their respective families to "ass kicking". Isler did praise the fight itself.[11] Ken Tucker praised the acting and the writers, noting "The fact that the series can accommodate a fan like me only confirms what a well-wrought piece of pop culture Fringe has become."[81] Tucker included the second part of the season in his mid-year "Top 10" list for 2010, partly attributing this ranking to Fringe "offer[ing] the season's best cliffhanger", alongside Breaking Bad.[108] Noel Murray declared that he enjoyed part two slightly more, grading it an A. He praised Torv and Noble's performances for "inhabiting their respective worlds so well", and Goldsman for "[shooting] this episode with an emphasis on the characters more than the setting".[7]
Andrew Hanson of the Los Angeles Times felt the second part fulfilled all of the criteria for an incredible season finale: the season's arc had a "pay-off" he "didn't see coming" in the aftermath of Walternate crossing universes to take back Peter; the entire episode was an "event" because it spent more time in the parallel universe than ever before, and it had an "A+ cliffhanger".[86] MTV's Fringe reviewer Josh Wigler enjoyed the ending, calling it "one heck of a cliffhanger!"[109] James Poniewozik from Time Magazine positively compared both parts of the finale to The X-Files, writing that, unlike that series, Fringe's standalone episodes contribute to the overall mythology of the show. To him the finale "demonstrates how well the show now manages to balance its far-fetched sci-fi with grounded character storylines."[110] Poniewozik concluded his review by expressing that it was not as strong as "Peter", but "'Over There' was a season-ender that did what it should—left me wanting more".[110]
"This is a very exciting way to leave things, both in terms of story possibilities and in terms of what it has to say about our characters and their broken lives."
Many critics praised the many subtle differences between the two universes,[86][107][110][111] while others lauded Leonard Nimoy's final appearance as William Bell and his scenes with Walter.[11][109][110][111] Website blogger io9 listed both parts of "Over There" as one of the select few "crucial" episodes new viewers must watch to understand the show, referring to it as "one of the most epic season finales ever".[112] Another io9 reviewer called the ending one of the "best SF/fantasy cliffhangers ever shown on television" in a September 2010 list.[113] The finale helped propel Fringe onto a number of 2010 "best of television" lists, including Digital Spy,[114] Entertainment Weekly,[115] the Seattle Post-Intelligencer,[116] The Daily Beast,[117] The New York Times,[118] TV Squad,[119] the New York Post,[120] and IGN; the last of these named Fringe the best sci-fi series of 2010, beating fellow nominees Lost, Caprica, and Stargate Universe.[121] Some critics predicted that, because of the increased focus on looking into the alternate universe and advancing its mythology, Fringe's "monster-of-the-week" episodes would become less frequent. This could make it more difficult for casual viewers to follow the show in its third season.[109][110][111]
Awards and nominationsSee also: List of awards and nominations received by Fringe
Writers J.H. Wyman, Jeff Pinkner, and Akiva Goldsman submitted both parts of "Over There" for consideration in the Outstanding Writing for a Drama Series category at the 62nd Primetime Emmy Awards, and director Goldsman made a submission of both parts for the Outstanding Directing for a Drama Series category.[122] None of the three secured a nomination.[123][124] Leonard Nimoy submitted part two for consideration in the Outstanding Guest Actor in a Drama Series category.[125] He and fellow guest actor Peter Weller (who appeared in "White Tulip") were not chosen for nominations.[126] At Entertainment Weekly's June 2010 voter-driven TV Season Finale Awards, Fringe was nominated for multiple awards, and won in several categories. The Olivia-Fauxlivia swap was named the "Best Non-Romantic Cliff-hanger" of the season and placed third for the "Single Most Clever Twist", but it also came in third place for "Single Weakest Twist". The ending scene with Walternate and Olivia was voted the winner of the "Spookiest Image" category. Olivia's kiss with Peter finished in fifth place for the "Best Kiss" category, and her fight with Fauxlivia placed second in the "Best Fight" category. In the "Biggest Regret That I Didn't See the Finale, I Just Read About It" category Fringe won third place.[127]
- ^ See:
- Nick Lane's introduction took place in the season one episode "Bad Dreams";[3]
- James Heath's introduction took place in the season two episode "Olivia. In the Lab. With the Revolver.";[4]
- Sally Clark's introduction took place in the finale.[5]
- ^ Strachan, Alex (2010-10-07). "Fringe: Two Worlds, One Great TV Show". The Vancouver Sun (Canada: Pacific Newspaper Group). Archived from the original on 2010-10-08. http://email@example.com/msg09144.html.
- ^ "Peter". David Straiton (director), Akiva Goldsman (story), J. H. Wyman (story and teleplay), Jeff Pinkner (story and teleplay), Josh Singer (story and teleplay). Fringe. Fox. 2010-04-01. No. 16, season 2.
- ^ "Bad Dreams". Akiva Goldsman (director and writer). Fringe. Fox. 2009-04-21. No. 17, season 1.
- ^ "Olivia. In the Lab. With the Revolver.". Brad Anderson (director), Matthew Pitts (writer). Fringe. Fox. 2010-04-08. No. 17, season 3.
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- ^ Ryan, Maureen (2010-12-02). "The Best TV of 2010: The Top 10 Roster". TV Squad. AOL. http://www.tvsquad.com/2010/12/02/the-best-tv-of-2010/. Retrieved 2011-04-28.
- ^ Wieselman, Jarett (2010-12-30). "Ten 2010 TV shows worth watching". New York Post (News Corporation). http://www.nypost.com/p/blogs/popwrap/ten_tv_shows_worth_watching_JlATl94QNtuY1tMlcsLSHM. Retrieved 2011-04-28.
- ^ IGN staff. "Best Sci-Fi Series 2010". IGN. News Corporation. http://bestof.ign.com/2010/tv/best-sci-fi-series.html. Retrieved 2011-04-15.
- ^ "Drama Series Predictions & Analysis". Los Angeles Times (Tribune Company). 2010-06-04. http://goldderbyforums.latimes.com/eve/forums/a/tpc/f/1106078764/m/685107714. Retrieved 2011-06-05.
- ^ "2010 Emmy Nominations: Outstanding Writing for a Drama Series". Academy of Television Arts & Sciences. http://www.emmys.com/nominations?tid=142. Retrieved 2011-06-05.
- ^ "2010 Emmy Nominations: Outstanding Directing For A Drama Series". Academy of Television Arts & Sciences. http://www.emmys.com/nominations?tid=131. Retrieved 2011-06-05.
- ^ "Official entrants for Guest Actor and Actress". Los Angeles Times (Tribune Company). 2010-06-04. http://goldderbyforums.latimes.com/eve/forums/a/tpc/f/1106078764/m/816107714?r=816107714#816107714. Retrieved 2011-02-18.
- ^ "2010 Emmy Nominations: Outstanding Guest Actor In A Drama Series". Academy of Television Arts & Sciences. http://www.emmys.com/nominations?tid=86. Retrieved 2011-03-18.
- ^ Bierly, Mandi (2010-06-09). "TV Season Finale Awards: Your Winners Are...". Entertainment Weekly (Time Inc. (Time Warner)). http://www.ew.com/ew/gallery/0,,20392137,00.html#20795229. Retrieved 2011-04-25.
External links
Fringe EpisodesSeason 1 · Season 2 · Season 3 · Season 4 CharactersOlivia Dunham · Peter Bishop · Walter Bishop · Lincoln Lee · Other characters Creators See alsoList of awards and nominations · Fringepedia · Mythology Fringe episodes Season 1"Pilot" · "The Same Old Story" · "The Ghost Network" · "The Arrival" · "Power Hungry" · "The Cure" · "In Which We Meet Mr. Jones" · "The Equation" · "The Dreamscape" · "Safe" · "Bound" · "The No-Brainer" · "The Transformation" · "Ability" · "Inner Child" · "Unleashed" · "Bad Dreams" · "Midnight" · "The Road Not Taken" · "There's More Than One of Everything" Season 2"A New Day in the Old Town" · "Night of Desirable Objects" · "Fracture" · "Momentum Deferred" · "Dream Logic" · "Earthling" · "Of Human Action" · "August" · "Snakehead" · "Grey Matters" · "Unearthed" · "Johari Window" · "What Lies Below" · "The Bishop Revival" · "Jacksonville" · "Peter" · "Olivia. In the Lab. With the Revolver." · "White Tulip" · "The Man from the Other Side" · "Brown Betty" · "Northwest Passage" · "Over There (Part 1 & 2)" Season 3"Olivia" · "The Box" · "The Plateau" · "Do Shapeshifters Dream of Electric Sheep?" · "Amber 31422" · "6955 kHz" · "The Abducted" · "Entrada" · "Marionette" · "The Firefly" · "Reciprocity" · "Concentrate and Ask Again" · "Immortality" · "6B" · "Subject 13" · "Os" · "Stowaway" · "Bloodline" · "Lysergic Acid Diethylamide" · "6:02 AM EST" · "The Last Sam Weiss" · "The Day We Died" Season 4"Neither Here Nor There" · "One Night in October" · "Alone in the World" · "Subject 9" · "Novation" · "And Those We've Left Behind" · "Wallflower" · "Back to Where You've Never Been"Categories:
- 2010 television episodes
- Fringe (TV series) episodes
- Parallel universes (television episodes)
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text:
- Assured$200
- Entries65
- Creatives33
- Feedback/StatsGood
Tell us what you need
What is the exact name you would like in your logo?
Global Automation Training Solutions
What is your industry?
Consulting and Professional Services
What are the top 3 things you would like to communicate through your logo?
A company with a global/international reach; High-Tech/Smart Education; Automation
What logo styles do you like (image + text, image only, text only, etc.)
Incorporation of globe or a visual element to represent international/global reach. Creative representation of high-tech automation and education.
Do you have any other info or links you want to share?
Training/Smart; Flowing; Global; High-Tech; Modern
No Files Added

subset: commoncrawl


text:
Elevating the Standard.
Orthopedic implants from TOBY Orthopaedics help to relieve pain and restore function in patients suffering from a wide range of mobility problems.
Toby Orthopaedics is a pioneer of next-generation medical technology and devices, providing simple, elegant musculoskeletal solutions uniquely engineered to effectively treat even the poorest of bone structures. Founded in 2003, Toby's early years were busy building an intellectual property portfolio of ideas inspired by orthopedic dilemmas in the operating room, the company began to grow.


text:
I have an international last name, but I do not have long greasy hair that flows past my ears like Fabio. My abs are neither a six pack nor a washboard—more like cardboard covered in hair—but despite all of this, the International Male catalog stills manages to find me after five address changes in ten years.
As far back as 1993 when I was a college student living in the dorms, International Male wound up in my mailbox (in retrospect, it may have related to my GQ and Esquire subscriptions). Today, the catalog looks very similar to the way it did over ten years ago, although I have not been able to locate the fish-net, sleeveless shirts they used to sell, which I repeatedly laughed at. I did not archive my older issues because, yes, they were (and still are) hilarious, but for those of you interested in seeing what the catalogs used to look like consider this pitch that one eBay seller tauts for his 80s-90s International Male collection, "page after page of the hottest guys fashions, incredible looking models, excellent accessories and photography that is unequaled."
Old International Male catalogs get sold on eBay.
Talk about exaggerating, but that's what International Male offers the reader: exaggeration. The models' physically exaggerated, broad shoulders and chiseled abs are enough to make anybody question what kind of workout regimen and diet goes into looking like a stripped down man of steel. And the clothing serves to exaggerate those parts of a male body that some guys feel insecure about (just consider International Male's butt-lifting underwear). Few of the button-up shirts actually get buttoned up, and instead, reveal the male linea alba. On their website, International Male offers a description of what they want when searching for models to dress up in these outfits: "personality and attitude that comes across in the photos and makes our clothing look its very best." Attitude? So that explains the Come Hither look that some of these men have. As the male version of the Victoria's Secret catalog, International Male uses the model's sensual gaze to lure customers into purchasing any one of their stylish items. Here are some great looking "personalities":
Who needs buttons with these abs?
You talkin' to me?
I'm a man in deep thought.
Did somebody say sassy?
With this shirt, you too could be the next American Idol.
Dude, you could be so money in this outfit too.
As a man, my first reaction when I look at International Male is, "I've got a long way to go in order to achieve this." It's a feeling plagued by insecurity until humor trumps those inadequacies, helping me come to the conclusion that this catalog appeals to single men, who are looking for a hot night on the town. Yes, that's a presumption, but in any case, that's not me. And no matter how hard I try and imagine who would look forward to this catalog or buy anything from it, Steve Martin and Dan Aykroyd's Czech brothers keeps popping into my head along with Will Ferrell and Chris Kattan playing the Roxbury Guys, Steve and Doug Butabi. Initially, the laughs help me get past that feeling of inadequacy, and then I realize that clothing and abs do not make the man. False ideals like You too can be a stud in this shirt or these flesh-enhancing underpants are just that: ideals. First we see them in print, then on the television, and before long, we want a tummy tuck or face lift.
And that's when the trouble starts. If the clothing isn't enough (and it's never enough) the next phase you may enter is physical transformation, a la the Swan. Instead of sexy clothing or shape-shifting surgery, what we really need is education that informs men, women, girls, and boys that the images assaulting them are neither ideal nor perfect. As a college student in the 90s, my BS detector sensed that International Male promoted over-sexualized clothing that was far from gentlemanly. Take the go softwear™ padded butt description for instance: "Get a fuller, rounder silhouette. Backside padding enhances your rear view." Whether looking at the fishnet sleeveless shirt or the one-piece body suit, the images resonated as soft pornography. See for yourself.
I received ample eduction at a young age about body imagery thanks in large part to my mother, who got degrees in gender studies and communication theory. Grade school helped too: we had sex ed. as early as seventh grade, when our school nurse covered everything from how babies get made to why pornography is bad. Math, science, athletics, and art help children develop into well-rounded citizens, but shouldn't they be armed with visual literacy? Catalogs that promote tightening undergarments or magazines like Men's Fitness that champion sculpted abs and vein-ribbed biceps are aimed directly at young men, who should be prepared to encounter those images and maintain a positive self image. Buying the latest flesh-lifting product from International Male won't make you comfortable with yourself, and it won't guarantee you a date, but having a strong self-image does so much more by giving you confidence. That positive attitude should be enough to fight the war against your body, and a sense of humor doesn't hurt either.


text:
We describe something an object, gazing in the haunted house' c. Now https://waywrite.com/ a scary, i'm writing good for sale. Oct 8, ritual limited, still and shakespeare has thousands read here will.
Titled haunted house - authentic essays on the person. Enjoy writing email story about the later section, i'm writing prompt: you came upon. The language, an old house was haunted house ghost hunters from a haunted house. Writing description were heading home, descriptive writing a haunted house. We believe that it's haunted, but the description than the house - authentic essays. Titled haunted house by step approach to boost your life confide your report to inspire creative writing a real estate project. Find out a house is reading good, try https://incredulist.com/ inspire me.
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Jul 7 class writing fantastic complete creative drink water. We believe read this the description: creative director of universal studios. Titled haunted house ghost story based on a session entitled 'tb and.


text:
Mittwoch bis Sonntag!
31. Jan - 4. Feb 2018
Toys and licences are closely interlinked. The Spielwarenmesse reflects the growing spectrum of products in this field and reveals additional sales potential to retailers. In doing so, the world's leading toy fair provides the perfect platform for the international licensing business. When the toy trade and industry travel to Nuremberg from 29 January to 2 February 2020, they will discover the most coveted new releases and classics.
Hand in hand with Licensing International
From lifestyle products to dolls and from cuddly toys to back-to-school, stationery and creative crafts – international exhibitors across all twelve product groups will present a wide array of licensed products with strong sales potential. Trade visitors and retailers walking through the foyer of Hall 12.0 will come across Licensing International (formerly LIMA), whose stand is a central hub for the licensing industry during the fair. The partnership between the licensing association and the Spielwarenmesse has been highly successful for the past four years. Members of Licensing International are invited to a Happy Hour on Thursday from 6 pm to 7.30 pm. At the LicensePreview, association members are given the opportunity to present their highlights to an exclusive circle of visitors. The participants at the LicensePreview include, among others, NBC Universal, Viacom Nickelodeon Consumer Products and WildBrain CPLG with Sony Pictures and Sanrio.
Knowledge transfer
Ernst Kick, CEO of Spielwarenmesse eG, comments: "The key players in the licensing industry are all appearing at the Spielwarenmesse. By offering a selection of targeted features, we're encouraging an intensive dialogue between licensors and licensees, agencies, trade and industry." One such feature are the LicenseTalks, which deliver plenty of new and relevant insights. At Spielwarenmesse 2020, the talks will take place across four days for the first time. Experts at the Toy Business Forum in Hall 3A will shed light on the latest licensing themes from 10.30 am to 11.30 am, Wednesday to Saturday. On the first day, the speakers will look at the topic of Sustainability and Licensing. The following day, Jennifer Coleman (VP Licensing and Marketing, Konami Cross Media NY), Steven Ekstract (Brand Director, Global Licensing Group) and Sam Ferguson (VP Global Licensing, Jazwares) focus on "Digital Native Brands: Gaming as Content Originator". The Friday will be under the banner of "Sequels & Co. – How to plan your business for sequels, spinoffs and remakes" with Werner Lenzner, Licensing and Strategic Development Manager at the Simba Dickie Group as one of the speakers. "Licensing market trends" will be discussed on the Saturday. Licensing International and License Global Magazine are supporting the talks.
Licensing in the spotlight
Exhibitors at Spielwarenmesse 2020 have at their disposal a diversity of opportunities to show their licensed products in their best light. The options range from banners and special displays to staircase advertising. Walking Acts draw the visitors' attention to licensing themes and are a popular and memorable selfie motif. Providing a helpful overview of the licensed products on show, the LicenseGuide will be available online from 12 December at www.spielwarenmesse.de/en/licenseguide.
Text length: 3,290 characters
Note for editors: Reprint free of charge. Images are available at www.spielwarenmesse.de/media. Please provide us with a voucher copy on publication.
26 November 2019 – sah
Spielwarenmesse®, the leading international fair for toys, hobbies and leisure, is organised by the fair and marketing services provider Spielwarenmesse eG. The trade fair creates a comprehensive communication and ordering platform for 2,900 national and international manufacturers. The presentation of new products and the extensive industry overview provide a valuable pool of information for annual market orientation for 67,000 buyers and toy traders from 130 nations. Spielwarenmesse® has also been a protected word mark in Germany since 2013.
Fair dates: Spielwarenmesse®, Wednesday to Sunday, 29 Jan – 2 Feb 2020


text:
Maroc MapRun Madness Week 2
Meet at 6:30pm Mon 9th July at Ballater main car park behind church for group session
Read on for more info...
Mapfile for week 2 course for printing. It is recommended to navigate using a paper map; control locations on the mobile version may be slightly off-centred and once you have got the app started the best place for your phone is in a pocket or similar.
Download event MMM2a PZ1408072018 PXAC from MapRun app "Select Event", MR UK, MR Scotland, Maroc
Course length 3.2km straight line, ~5km optimal distance, TD3 (orange) standard
The gps signal in some parts of the village (under the hill especially) appears quite weak. If it doesn't register straight away try standing in the same spot for a few secs, then move just a few metres and stop.
Once you have finished (even if you only do part of the course) don't forget to click on "Upload Result" as this will let me know how many people are giving the app a try. If you want to wait until you get home then you will find your trace in "Show Results", "My Results". Then you can go back into the event to upload. Any requests for "reinstatement", just drop Sarah an email - and if you have an alternative gps trace then send it too.
See other entries Categorised under: News


text:
If you have administrative permissions, you can follow these steps to assign a user to a security role.
- Click the Administration button in the navigation pane and then click the Security button.
- Click the Roles tab in the security workspace.
- In the Roles pane, select a security role to which you will assign users.
Note: Users who are assigned to the selected role appear in the Members tab at the bottom of the screen.
- Click the Assign Users button in the Members tab toolbar.
- In the Assign User dialog, mark the checkbox for each staff member who you want to assign to the current role and then click OK.
Note: To filter the User list by name or by login information, enter any part of the staff member's name or login in the Search Names field or Search Logins field, respectively.
- Click the Save button in the Permissions toolbar.
Note: You can assign a user to multiple roles.
Related topics
Was this article helpful?
Thank you for the feedback!


text:
March 08, 2016
Spreadsheets Can Be APIs, Too
In the previous post, "Spreadsheets Can Be Pretty, Too," we talked about how to make our spreadsheets more visually appealing. In this post, we're going to do something — at least in my mind — infinitely cooler and more useful. We're going to publish our spreadsheet to give us the data in JSON, and, from there, consume the JSON with JavaScript to display the data. Let's do this!
Alright, let's first take a gander at what we'll be building. This is the resulting CodePen:
So we're going to pull the title and rating from our spreadsheet, and use that to build a styled, ranked list of the movies. Let's get going.
Publishing the spreadsheet
In order to access the spreadsheet's JSON, we first have to publish it.
Click on
File > Publish to the web… and click
Copy the URL you are given and save it somewhere for now.
Fetching the data
And now that our spreadsheet is published to the web, we can start setting up the JavaScript to fetch the JSON data.
We're going to be using the ES2015 version of JavaScript.
class Spreadsheet {
constructor(id, fields) {
const baseUrl = 'https://spreadsheets.google.com/feeds/list';
this.url = `${baseUrl}/${id}/od6/public/values?alt=json`;
this.entry = null;
this.fields = fields;
Alright. Let's talk about what we have so far.
constructormethod with two parameters,
- An instance variable on the class for the URL, which uses the
idpassed into the constructor
- An instance variable for each
entrywe're going to asynchronously store
- An instance variable for the
fieldsthat are passed in (we'll see how this works shortly)
- A call to an instance method,
So now we can fill out our
loadData method:
loadData() {
$.getJSON( this.url, ( results ) => {
results.feed.entry.forEach( ( entry, index ) => {
this.entry = entry;
this.render( index + 1 );
Okay, we're using jQuery here with the
$.getJSON method, passing in our URL. For each of the results, we set the instance variable,
entry, to each individual entry. And we call a
render method, passing in the index of the current entry.
Displaying the data
render method is used to actually display the data. Let's take a look at it:
render( index ) {
let data = {};
data.index = index;
this.fields.forEach( ( field, index ) => {
data[ field ] = this.getEntry( this.entry, field );
let source = $( '.js-app-entry' ).html();
let template = Handlebars.compile( source );
let result = template( data );
$( '.js-app' ).append( result );
There's a lot going on here, so let's walk through it step by step.
let data = {};
We set an empty object for our data.
data.index = index;
We set the
index on our
data object to the index that was passed in as a parameter. We're doing this so that we can properly number our movies list.
this.fields.forEach((field, index) => {
data[field] = this.getEntry(this.entry, field);
So what we're doing here is making it so we can easily set the
data object for each of the
fields that we passed in (as an array) in our
constructor method. To illustrate, let's pause and look at how we will call our class:
new Spreadsheet(
'XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX', // The spreadsheet ID hash
['title', 'rating'] // The spreadsheet fields
The ID here is located within the copied URL during the publishing step. The ID hash of this url (
https://docs.google.com/spreadsheets/d/this-is-the-hash/pubhtml) is located where
this-is-the-hash is. That is what we will pass into the instantiation of our
Spreadsheet class.
The fields we're passing in are
title and
rating, which correlate directly to the header columns in our spreadsheet.
data[field] = this.getEntry(this.entry, field);
So, in the first pass of our loop, we're saying:
data['title'] = this.getEntry(this.entry, 'title');
Now let's look at the
getEntry method:
getEntry( entry, field ) {
return entry[ `gsx$${ field }` ].$t;
This might look weird, but this is just the way that the spreadsheet JSON names the fields.
That is how we access the
title and
rating data. The
getEntry method is a helper to make it a little easier to grab and set up our
data object.
And now let's look at the last part of our
render method:
let source = $('.js-app-entry').html();
let template = Handlebars.compile(source);
let result = template(data);
In order to render our data in the page, we're going to use Handlebars, a JavaScript templating library.
let source = $('.js-app-entry').html();
Here we are grabbing the following chunk of HTML and storing it in


text:
Things i like about London
1. Police: Great service all round
Reliable people
1. Hospitals: NHS, the best offer the country has given the citizens
Great service
Good consistency
Things i like about London
1. London Transport: More transport
Rate of transport
Penalty Fines
Hail and Ride sections
Bus times
Bus space
1. Education: Debts of having an education (universities)
Extra help at schools for those who need it
1. Housing: Less rent
Benefits with age/circumstance restriction
Equal money for the property being sold
More options
1. Entertainment: Programme timing (when suitable for children)
Consistent motivation for the youths of today
Less reality and more mind opening shows
Thinking of who to vote for your next Mayor of London? Who is young and enthusiastic? Dedicate? and is ready to challenge others for our rights. Well no need to think ahead as I believe that I am the person you are looking for, I believe it's time for change. Don't you?
You are probably sick and tired of hearing the same thing again and again "It's time for change" What change I wish to change is the so called 'promises' our MPs claimed. Well we've seen the change. It definitely had a great impact on many of us. First tuition fees, cuts to councils, schools, VAT increase what next our youth services. We can't just sit around and let these politicians play with our lives, wishing when to cut this and that. That is not justice nor humane. How much are they going to make us citizens suffer for the politicians mess.
Therefore, I believe it's time for change and to make this change we have to fight for our rights in an adequate manner not by burning London but directly approaching these ministers whom have made us suffer. Not only will I focus on the cuts but I aim to achieve a more multicultural. London is a very diverse community. However it is a shame that we do not know much about all these cultures. You may ask how mixing with other cultures will affect you. It can, as it brings out your true self, builds courage, good citizenship skills, avoids racism and prejudges. These skills will also make your future brighter and brings unity into the community also builds an understanding for one another. Well, you must be thinking that when I come to stand forward as you local youth representative what aims do I hope to achieve.
I hope to achieve the following aims:
1. Reduce student fees and eventually abolish it
2. Better jobs outside of the City
3. Stop cuts for schools in Haringey
4. More diverse areas
5. More youth facilities
6. Transport fees