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by Peter Stone Brown
When Bob Dylan released Blood On The Tracks early in 1975, it was more than a return to form. It was a return to the intimacy and at the same time the intensity of his greatest work, but on a whole new level. This new level included not only the lyrics – one could argue his most personal lyrics since Another Side Of Bob Dylan – but the performance as well. The singing and his guitar and harp showed him to be at the very top of his game.
Gone were the songs of domestic bliss that had marked every album of original material (with the obvious exception of the soundtrack, Pat Garrett & Billy The Kid) since Nashville Skyline. But to be fair, several songs on Planet Waves showed at the very least that Dylan was starting to again stretch out his writing. In retrospect it was the bridge he had to cross to get to Blood On The Tracks.
The initial sessions were recorded in New York in four days at A&R Studios (formerly Columbia Studio A where Dylan recorded his first albums) in September 1974, and vocally it is almost hard to believe this is the same guy who began that year by shouting his way across the country in his first tour in eight years. It should also be noted that the album was Dylan's return to Columbia Records after briefly signing to Asylum Recordsand Dylan was clearly determined to make it a good one. It should also be clear that Dylan wanted the album to be primarily acoustic.
According to Larry Sloman's article on the sessions that appeared in Rolling Stone not long after the album was recorded, Dylan ran into musician Eric Weissberg on the street and mentioned he was recording, but since it was the Jewish holiday Rosh Hashanah, he was having a hard time finding musicians and Weissberg told him, he had a band.
Also in that article was George Harrison quoting verses from "Tangled Up In Blue," and hardcore Dylan fans who'd read the article couldn't help but notice when the album finally came out that the lyrics Harrison quoted were "And he was standin' on the side of the road/Rain fallin' on his shoes" while the version on the album went "And I was standin' on the side of the road/Rain fallin' on my shoes." Also Pete Hamill's liner notes which quoted from "If You See Her, Say Hello" again had lyrics which wasn't what Dylan was singing on the record: "If you're makin' love to her, kiss for the kid/Who always has respected her/For doin' what she did" when what Dylan sang on the record was "If you get close to her, kiss her once for me/Always have respected her/For doin' what she did and getting' free."
In the Dylan world, which is like no other world, where his fans note every lyrical change major or minor, this set the question in motion of where is this other version and were there other changes on other songs as well. Eventually it was revealed that Dylan had recut half the album in two sessions in Minneapolis using Minnesota musicians at the end of December 1974 at the suggestion of his brother who felt the New York sessions were too subdued and also that every song was in the same key with Dylan playing the songs with his guitar in Open E tuning. It wasn't long before bootlegs of the original New York sessions started appearing, sometimes on boots with other songs and sometimes on their own as "The New York Sessions" or "Blood On The Tapes." Dylan fans have long argued about which versions are better. The answer to that is they're both great for different reasons. That said, as an album I prefer the New York Sessions version because there's a cohesion of sound and feel that isn't on the album as released. It simply has that special indefinable thing and an added intensity that as great as it is isn't on the album as released. In addition, the less is more approach (something I always prefer no matter who the artist is) Dylan took in both the vocals and the instrumentation serves him well. One time, sometime in the past 20 years I put on the "New York Sessions" and I couldn't stop listening to it for a month! I am not alone in feeling that Dylan never should have messed with it. Joining me in this are several friends and Larry "Ratso" Sloman author of what I consider to be the best book on Bob Dylan because it is the only one that gives you a feeling of who Bob Dylan really is, On The Road With Bob Dylan.
The first officially released outtakes appeared on Biograph in 1985, with the originally scheduled "You're A Big Girl Now," and an incredible song that Roger McGuinn had covered, "Up To Me" that wasn't on the album. The Bootleg Series Vol 1-3released in 1991 had four more songs, none of which were on the original test pressing, "Tangled Up In Blue," "If You See Her Say Hello," "Idiot Wind" and "Call Letter Blues" which was essentially "Meet Me In The Morning" with totally different lyrics. In 2012 on the flipside of the single of "Duquesne Whistle" released for Record Store Day, an acoustic take of "Meet Me In The Morning" appeared leaving Dylan fans wondering whether the long-rumored bootleg series of Blood On The Tracks was finally going to be released.
Last summer it was announced that the 14th volume of The Bootleg Series, More Blood, More Tracks would be released. This was actually something I'd known since February, but had to keep quiet about it. Immediately Dylan fans who love to complain started arguing about the title, the cover design and what the album could possibly contain. The funny thing about this was none of them had heard it. The album as usual with The Bootleg Series is available in a couple of formats, and one-CD version also available as two LPs, and the Deluxe Edition which includes six 6 CDs, and in addition to a hardbound book with the liner notes, a replication of Dylan's somewhat legendary red notebook which has his handwritten lyrics and changes. The Deluxe Edition is also a limited edition and once the initial pressing has sold, it will not be in production again. It is the Deluxe Edition this review is about.
The majority of the set is devoted to the New York sessions. As it turns out, the five Minneapolis tracks that appeared on the original album are all that could be found of those sessions. On a technical note, the Minneapolis songs have been totally remixed and the result is revealing. For instance, I never noticed a piano on "Idiot Wind" before, but there is most definitely one now. Also, Dylan had asked engineer Phil Ramone to speed up the original New York tracks. This is a not uncommon thing in recording studios. I've done it myself. The tracks have now been restored to their original speed and whatever effects Ramone may have added have been removed as well.
The only surprise song is an incomplete version of "Spanish Is The Loving Tongue," a song Dylan first did (as far as we know) on The Basement Tapes, and again for the sessions for Self Portrait/New Morning. The song is with Paul Griffin on piano and Tony Brown on bass, and one wonders what would've happened if Dylan had tried it again. There are other surprises however such as the first disc is Dylan solo (apparently before other musicians showed up) playing guitar and harp. I am among those who firmly believe that when Dylan plays solo, it is almost impossible for him to do wrong. Two tracks from disc one have been heard before, "If You See Her Say Hello (Take 2)" which appeared on the very first Bootleg Series and "Lily Rosemary and the Jack Of Hearts" which was on the New York test pressing. There is another take of the song that's aborted about midway through. The other songs on disc one include "You're A Big Girl Now" in three takes, "Simple Twist Of Fate" and "Up To Me." One of the things that makes The Bootleg Series important is you can really hear how Dylan works and in this case how much he puts into it, doing take after take. On this set, while there are occasional subtle lyric changes, it's more about how he'll change the emphasis on words and lines and trying different tempos.
Disc Two features the unsuccessful sessions with Eric Weissberg and Deliverance and the other session musicians, guitarist Barry Kornfeld, keyboard player Thomas McFaul and pedal steel guitarist Buddy Cage.
Before I continue, I have to correct a misconception in the liner notes. Eric Weissberg and Deliverance were an existing band and been together for more than a year before the Blood On The Tracks sessions. They had an album on Warner Brothers Records, Rural Free Delivery. They were a country rock band with a big emphasis on bluegrass. They were not dubbed Deliverance for the session and the three musicians named above, Kornfeld, McFaul and Cage were not part of Deliverance. Weissberg put the band together when "Dueling Banjos" became a surprise #2 on the Billboard singles chart hit. Deliverance did not play on "Dueling Banjo," which was recorded by Weissberg and guitarist Steve Mandell (a former member of the band.) Eric Weissberg had been part of the New York folk music scene since the 1950s. He was among the first New Yorkers to delve into bluegrass music, and was a multi-instrumentalist as well as a Julliard Music School graduate who played guitar, banjo, violin, mandolin and bass and was in-demand session musician who appeared on records by innumerable folk musicians including Judy Collins and Ramblin' Jack Elliott. The other members of Deliverance were guitarist Charlie Brown, drummer Richard Crooks and bassist Tony Brown (who is not related to Charlie Brown). Thomas McFaul is a session musician. Barry Kornfeld is a guitarist who like Weissberg had long been involved with the New York folk scene. He was a member of Dave Van Ronk's jug band, The Ragtime Jug Stompers and worked with Tom Paxton for several years. Buddy Cage is a Canadian pedal steel guitarist who started out with Ian & Sylvia's country-rock band Great Speckled Bird and went on to become a longtime member of New Riders of the Purple Sage as well as doing sessions for several other artists.
For whatever reason and it becomes obvious as Disc Two goes on, Deliverance simply did not mesh with what Dylan was trying to accomplish, though "Meet Me In The Morning" did end up on "Blood On The Tracks," presented here with an additional verse, and the very similar "Call Letter Blues" was released on Bootleg Series Vol. 1-3. I used to think they were the same track with Dylan singing different words, but the new remixed versions have me rethinking that. Dylan's rhythm acoustic is much more prominent in these mixes and there are differences and also Buddy Cage's pedal steel and the lead guitar are slightly changed. On take one of "Call Letter Blues," Dylan plays a harp solo that's reminiscent of his first album, but then lets the end of the song collapse.
Apparently drummer Richard Crooks (who passed away a few years ago) isolated in a sound booth was having trouble hearing and would fall behind on the beat, while some of the other musicians were having trouble following Dylan's changes and were unable to see what chords he was playing because he was in an open tuning. The sad thing about this is Crooks was an excellent drummer. I saw him in 2001 and 2002 backing the great soul singer Howard Tate and he propelled the band. Interestingly enough Crooks would work with Dylan again 20 years later on what is referred to as "The Bromberg Sessions." Two tracks were released from those sessions on Bootleg Series, Vol. 8, Tell Tale Signs.
Still there is a not bad rendering of "Simple of Fate" that opens Disc Two and shows what might have been if they really worked on it. But Dylan is a live in the studio guy who prefers to work really fast, get the song down and move on. There have been reports by various musicians involved that Dylan would be running down the next song on guitar in the control booth while the musicians were trying to listen to the last song they cut. More perplexing considering they were a country band is that they didn't get close to nailing the most country sounding song on the album, "You're Gonna Make Me Lonesome When You Go." On the first take Dylan runs down the song, humming the melody which is fun to hear. They try it fast, they try it slow, and somewhere in between and it simply does not come together.
Before recording "You're Gonna Make Me Lonesome," Dylan or engineer Phil Ramone told the rest of the band to take a break and Dylan cut four takes of "Idiot Wind" with just bass player Tony Brown. Full disclosure. Tony Brown is my brother, so yeah I'm gonna be a bit prejudiced. These takes define what I mean by less is more. On take 1, he is almost gentle on his vocal letting the words of the song take over and do the work for him. That changes on Take 3 where his phrasing becomes a lot more venomous and that venom pretty much remains for the next two takes. One other thing about "Idiot Wind" appearing where it does, when I told my brother that the set was coming out last winter, after looking at the sessionography at first in the Dylan book All The Songs and also on Olof Bjorner's excellent site About Bob Dylan, he said to me, "That's not the way I remember it going down." It would be easy to attribute this to faulty memory except 44 years ago, when I asked him about the sessions, he told me first day with Deliverance, second day me alone and with Paul Griffin.
What Bob Dylan had no way of knowing at the time was Tony Brown was a Dylan fan since 1963, had the albums, had sung many of the songs and being a serious musician had paid attention to what the other players on Dylan albums were doing and in the case of these sessions in particular Charlie McCoy's bass playing on John Wesley Harding, which he talks about in more technical detail in the book A Simple Twist Of Fate by Kevin Odegard (guitarist for the Minneapolis sessions) and Andy Gill.
Disc 3 is where the sessions start to intensify starting off with a sort of slow "Tangled Up In Blue" and continuing with "You're A Big Girl Now," take one with Paul Griffin on organ and take two with Buddy Cage on pedal steel in addition to Griffin and Brown. Griffin played piano and organ on several tracks on Highway 61 Revisited and the truly astounding piano part on "One Of Us Must Know (Sooner Or Later) on Blonde On Blonde. Take 2 was originally included on the test pressing and released on Biograph.
After briefly rehearsing the song with Griffin, Dylan does a much faster "Tangled" with Griffin on organ. Maybe it's the tempo Dylan set for the song or perhaps Griffin was playing with "Highway 61" in mind, but his organ is a little too circus-like and doesn't convey the mood of the song. Griffin successfully switches to piano for "Spanish Is The Loving Tongue."
Next comes one of the more fun tracks of the set, a funky "Call Letter Blues" with Griffin on piano, which is followed by "You're Gonna Make Me Lonesome When You Go" with Griffin staying at the piano, which is mixed pretty far in the background. Then comes the very first take of "Shelter From The Storm" with Griffin on piano. This take appeared on the soundtrack to Jerry McGuire though on the album the bass was removed and the piano is barely audible. That's it for the Griffin sessions, except for one unfortunate omission I'll get to later on.
Dylan's method of operation at this point seems to be try a song and if it's not working try another song and come back to that song later. In the studio with just Tony Brown he does take 1 of "Buckets Of Rain." It's close to the album version, but not quite there as the call and response between Dylan's guitar and the bass had yet to fully develop.
Next is another version of "Tangled" with Dylan emphasizing the chord slide he does at the beginning. Another take of "Buckets" comes next with Dylan putting a bit more into the vocal. The way he sings "buckets of moonbeams" is something special. This is followed by three more takes of "Shelter From The Storm." On the first of these (take 2) the bass doesn't come in until the second verse. On the next take he slows it down a bit but loses it in the middle and the song stops. Take 4 is the version from the album.
Disc Four starts out with "You're Gonna Make Me Lonesome When You Go" at a pace slower than the final version. The way Dylan sings the line "Situations have ended bad" should make any Dylan fan smile. On the next take they nail it, and this is the one that appears on the album.
The next day Dylan attempts "Buckets Of Rain" again, this time alone. It was the only song he would cut that day. Perhaps the rest of the day was spent mixing and listening. On the first take he almost gets through the whole song then blows the finger picking guitar part. He blows it in a way any guitar player professional or amateur should appreciate. On the second take he screws up again a couple of times in a different places, but keeps on going. On the 3rd take Dylan apparently had started playing. This may have been meant as an insert because he starts with the third verse. In any case the song stops after the guitar break. The next take is also aborted.
On the next day Dylan starts by revisiting "Up To Me" The first take starts in the middle, but the second take is complete though a bit slower than the Biograph version and Dylan sounds a little hoarse. On this version Dylan does a cool descending riff on guitar that is on all the versions except the previously released one. Still he's not totally on in this take.
He then goes back to Buckets of Rain for tour takes finally nailing it on the fourth resulting in the album version. He then tries "If You See Her, Say Hello" for the first time with Brown and they get it in one take which appeared on the test pressing.
Next comes three takes of "Up To Me," with the first at a pretty fast clip but Dylan aborts it after a couple of verses. The next take is equally fast, but the way he sings the final verse is full of emotion taking the song to a whole other level followed by a harp solo. This version in its own way is every bit as good as the version on Biograph. The third take is slowed down to a more moderate pace and it's always interesting to see how he puts the emphasis on different lines and words each time around. The song contains some of the greatest lines Dylan ever wrote such as "I was just too stubborn to ever be governed by enforced insanity" and "In 14 months I only smiled once and I didn't do it consciously."
This is followed by a brief instrumental rehearsal of "Buckets Of Rain," which is followed by two takes of "Meet Me In The Morning." The first is the version released on the "Duquesne Whistle" single and the second slightly slower and doesn't really go anywhere. Dylan then again tries "Buckets Of Rain" one more time perhaps not realizing he had the album take and what happens is very similar.
Disc five starts off with an instrumental rehearsal of "Tangled" which ends with some sweet guitar licks from Bob where he may have been thinking of another song entirely. On the third take they come up with the version that was on the test pressing. Though the notes say this is the version that was on the Bootleg Series, Vol. 1-3, that was a different take. This was the session that would yield the most usable takes. As Jeff Slate says in the liner notes, "Reading each other's moves almost telepathically, they search for the performance that Dylan will deem worthy of release." There are two takes of "Simple Twist Of Fate," the second one making the album.
After a brief two minute rehearsal, comes the "Up To Me" previously on Biograph. A rehearsal and an aborted take of "Idiot Wind" comes next. This is followed by two versions of take 4, the first just Dylan with bass and the second with an organ overdub by Paul Griffin. Now in the track list (which includes musician credits), it says this is the same version that was on Bootleg Series Vol. 1-3 and also on the test pressing of the album (aka the New York Sessions). There is one problem with this. It is not the version on the test pressing. I have A/B'd it several times since receiving the set, and besides that, that version has been ingrained in my mind for 43 years since I taped my brother's acetate. Griffin's organ on that version is totally different, and quite a bit more subtle. He slips in and out of the verses and his part builds in one slow brooding burn, and by Dylan's harmonica solo at the end the organ and Dylan's harp mesh to become the wind. On the version on More Blood, the organ is more out front and at the very end Griffin plays dissonant chording that is reminiscent of Garth Hudson. That the test pressing version is not on this set is at the very least an unfortunate omission since a lot of people myself included consider it a high point of the New York sessions.
The answer may be in the track by track portion of Jeff Slate's liner notes: "The producers have also chosen to include the raw take without Paul Griffin's overdub." The question is why especially since they'd already released that version on the first Bootleg Series.
Another take of "You're A Big Girl Now" comes next, but fades out before the last verse. Two more takes of "Meet Me In The Morning" follow, but the first is aborted, and then Dylan tries a totally different approach slowing it down and is half talking, half singing, before abandoning that too. At this point Mick Jagger visiting from a session next door suggests Dylan play slide to which Dylan responds, "I don't want to play slide," and then there's a short bit of him playing slide, but when he hits a wrong note, says, "Not me." Jagger says, "I'll play it," and Dylan laughs.
Disc Six opens with another attempt at "You're A Big Girl Now," Dylan gives it a couple of short tries, stops and says, "We ain't gonna do it better. I just keep hearing that organ."
After a couple of rehearsals, and apparently still not sure he has what he wants Dylan does one last take of "Tangled Up In Blue." At first he sounds tired and a little hoarse, but as the song goes on his brilliant phrasing takes over and he starts delivering certain lines that just go right to your spine and it ends up being a remarkable take as well as the end of the New York sessions.
Late in December 1974, Bob Dylan went into the studio again at Sound 80 studio in Minneapolis and recut half the album with a group of Minneapolis musicians: Chris Weber and Kevin Odegard on guitar; Peter Ostroushko, mandolin; Greg Imhofer, keyboards; Billy Peterson bass and Bill Berg, drums. With the exception of bass and keyboards, there were no electric instruments. The solos were Dylan's harmonica breaks, and what was created was a lush acoustic ambiance surrounding the songs.
On several of the songs Dylan took a more aggressive vocal approach, the keys were changed from the New York sessions and "Tangled Up In Blue" was speeded up and "Idiot Wind" turned from the slow burning dirge of New York into an out and out rocker. There is no doubting the power of any of these tracks, and as writer/musician Elijah Wald said to me in an interview a few years ago when we were discussing different versions of songs by various artists, "Why can't I have both?" And while I prefer the melancholy blue feel of "Tangled" that appeared on the test pressing, it is doubtful it would have received the airplay on FM rock stations the Minnesota version received and the same can be said for "Idiot Wind."
Still, in rerecording the songs and through rearrangements and lyric changes, the Minnesota tracks created a slight distance between the singer and the material. The personal immediacy of many of the songs is not as hard hitting. As Robbie Robertson writes in his autobiography, Testimony about the New York version, "It was tough, bold and dark, more powerfully personal than anything I'd heard him do in a long time." And then comparing the two versions, "This new version was more up-tempo and energetic, but the first recordings he had played for me still stuck in my mind." The Minnesota versions however do have their own strengths. I remember listening to the then brand new album with a close friend back in the days when listening to albums with friends was a regular occurrence and when "If You See Her, Say Hello" (which opens and closes this set) came on, he said, "Bob is so sad."
Blood On The Tracks has often been referred to as the greatest breakup album of all time. It was known at the time that Dylan had separated from his wife Sara though they would reconcile to divorce a few years later. Yet it would be a mistake to assume that all the songs are about that relationship. More than 20 years ago, a friend well versed in Bob said to me, "Did you ever consider that in "Tangled Up In Blue" it could be a different woman in every verse?
The Bootleg Series has always been about more than just presenting rare tracks and outtakes. In this case it provides an in depth look at how Bob Dylan operates in the studio and his creative process. While some takes are certainly similar, no two are exactly the same. There might be lyric changes, tempo changes or a difference in vocal approach. Dylan fans will now be able to create a few versions of the New York sessions. When I recorded my album, the engineer who was also for all intents and purposes the producer said to me, "We are operating on the idea that your first instinct is usually correct." Whether in the case of Blood On The Tracks, Bob Dylan should have gone with his first instinct will be a matter of debate for years to come. Either way More Blood, More Tracks has already brought me hours of pure listening enjoyment and wonder.


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subset: commoncrawl


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Hi im from the philippines, i was able to test this samsung u800 in greenhills way back several months ago, it has highly impressive specs from the interior to the exteriors aspects. the display is excellently clear and crisp, from the display capabilities alone you can say its a very high-end phone, i wanted to buy it at first but the keypads are very hard to push making texting such a labor. the keypads are highly resistive...
it is real that this phone have some problems with the reception (signal)and also with the battery stand-by time?please and answer
I saw somewhere about how to activate the u800's front camera using a code. Does anyone remember this code?
can i update the softwaavre of this handset to its latest? by the way whats the latest version of this software?
To save battery, try to adjust the display light. When i connecting on the web, i turn it off the keypad light and set to 1 in the screen light. Then, it wil run into 6hrs straight n connecting on the internet. Tried and tested.
ronaldus, 10 Jun 2010Kari, you should download that file via wap and not in pc. Jar and jad files can be read by sa... morehey ronaldus thanks for replying. i checked just now. actually im about to change my phone into samsung blackjack II. i think i enjoyed my u800 soulb for a while haha, but now i think i want to move on. never did get those .jar files via WAP, but will try from the new phone i will have. do u still have your u800? anyways, thanks again!
My brother gifted me this phone. Im using for two weeks. I do not find any problem with it. I love this mobile and its nice.
It is a nice, i have been using it for one year. But now it has a problem my call ends automatically ends after 30seconds and also it freezed. Who knows its unfreezin code and solutions of its problen. Pls answer
Such a great phone. My greatest phone so to speak. My ex-girlfriend purchased it last week, as a gift... good looking phone.
Here's my review :
upside +
nice LED flash camera @ 3.0 mega pixel.
internal memory 1 gig.
external memory up to 4 gig.
nice sound quality.
headset/earphones are perfect.
nice navigation key.
elegant style/design.
metallic housing.
downside -
not scratch resistant.
Weak battery... only 3 hours talk time.
... only 2hours using blue tooth
... only 3hours listening to MP3s
performance - 8/10
design - 8/10
features - 8.5/10
Jonathon, 05 Jul 2010Hi there ok please tell me whats in the box when purchasing this handset? thankstheres a phone in the box
Jonathon, 05 Jul 2010Hi there ok please tell me whats in the box when purchasing this handset? thanksJonathon, when you buy this phone, inside the box contains of course the phone, the charger, usb cable, stereo headset and mic cable, Samsung PC studio CD and a user's manual. Plus pamphlets, from what i remember of the Samsung funclub.
Anonymous, 29 Jun 2010From your Phone you can download free wallpapers, games, and ringtones from the Samsung Fun Cl... morewhat's ur operator?? im using a smart sim, i can't browse the site u had given me.. it just prompted me no response... please help..
is there any way to use special characters when texting?? like ñ, ú, ¿, ÿ, Ö, ó.. like in other samsung units
Hi there
ok please tell me whats in the box when purchasing this handset?
Jonathon, 30 Jun 2010Hi there is the cassing of this cell metall or is it a plastic metallic finish and pleas tell ... moreehehe im the Anonymous guy below...
Well, its really stainless steel with shiny coating. The video call quality is great! u can even shift the camera to work front or back just by pressing the camera button on the side. In short your caller can see you from the front camera and can see also from the back camera in just one press of your button
Hi there is the cassing of this cell metall or is it a plastic metallic finish and pleas tell me how is the quality when making a video call?
_dHoSz_02, 25 Jun 2010on what site can i donwload wallpapers and screensavers?? biG thanxFrom your Phone you can download free wallpapers, games, and ringtones from the Samsung Fun Club. My operator supports it so I was happy to donload more from the site and it's free! Copy this for your phone wap browswer: http://wap.ph.samsungmobile.com enjoy!
chim, 26 Jun 2010can anyone help me? im connecting my phone in pc, i want to save pics in the pc but when i cli... moremy friend, it is either you have put a password in your My Files. That can delay the loading of the Phone Explorer. Turn it off from your Security Settings in the Settings menu. Or your RAM reads slowly. You can also reinstall the PC Studio..=)


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A lockpick is an item that players can use to open locked doors more easily. Some locked doors even require a lockpick to open them. They can be obtained by picking bandits or rogues' pockets using the Thieving skill. They can also be bought from Martin Thwait in the Rogues' Den; however, level 50 Thieving and 50 Agility are required to buy them from him. There is also a spawn just before the agility obstacle to reach Salarin the twisted, which can be useful for Ironmen. It's a common loot from Young implings (easiest method to obtain for Ironmen).
Uses of lockpicks
- A gate leading to a small mining area in Ardougne Sewers.
- A door on the 1st floor[?] of Ardougne Castle.
- Two doors near the Ardougne Marketplace.
- The Hemenster arrow chest requires a lockpick to open.
- Pirates' Hideout in Deep Wilderness.
- Opening chests in Dorgesh-Kaan.
- A door during Legends' Quest.
- A chest during Desert Treasure.
- Entrance to the H.A.M. Hideout.
- H.A.M. store room doors.
- Doors in Pyramid Plunder.
- Breaking and entering houses in Piscarilius House (with 75% favour).
- Escaping the prison cell in Ape Atoll. Mainly during Monkey Madness I.
- Entering the house above the Resource Area in level 56 wilderness. This hut is primarily used for Krystilia's wilderness slayer tasks.
Community content is available under CC-BY-SA unless otherwise noted.


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Devilishly Dark Chocolate Chilli Soup | Recipe
Making this recipe always reminds me of one of my favourite books and movies Chocolat. The chocolate melting as it slowly simmers, stirring it gently, adding the spices one pinch at a time. And the aroma of chocolate filling the air, rich and dark only adds to the sensual chocolatey pleasure.
This soup is rich, velvety, easy to make and has a hint of chilli, cinnamon and nutmeg which adds complexity and intrigue to every spoonful.
You will need
Milk – 362 ml
Double cream 32-35% – 125 ml
Dark chocolate – 250g at least 70% cocoa
Caster sugar – 25g
Water – 1 tbsp
Egg yolks – 4 large
Whipping cream – 100 ml plus a little extra for garnish
Chilli powder – 1 1/2 tsp
Ground cinnamon – 3 generous pinches
Nutmeg – a little grated
Lime zest to garnish
In a saucepan, bring the double cream, milk and chocolate slowly to simmering point. Stir continuously with a wooden spoon until the chocolate has melted and combined with the milk and cream. Remove from the heat before adding the chilli powder one pinch at a time. Stir in the cinnamon and nutmeg then set aside.
In another pan heat the sugar and water for just under a minute until you get a syrupy consistency. Be careful not to overheat otherwise you'll end up with hard goop in the bottom of your pan. Next, whisk the egg yolks and add the sugar syrup. Whisk continuously until the yolks and syrup are thoroughly combined and the mixture has almost doubled in volume.
Whip up the whipping cream then fold it into the eggs. Now add to the chocolate sauce until thoroughly combined.
Pour the soup into 4-6 individual bowls and pop in the fridge to chill for about an hour.
You can serve the soup chilled or at room temperature. Once made, it will keep for a day or two in the fridge if you want to make it ahead of time.
When you are ready to serve, garnish with a spoonful of whipping cream and a few very thin strips of lime zest. Top with crumbly flakes of chocolate and serve.
Makes 4-6 servings.
Recipe inspiration: Unwrapped, Black & Green's Chocolate Recipes


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The Lowdown: "We can treat our lives like a symphony/ A little empathy instead of infantry," Chicago's Mykele Deville raps on his 2017 mixtape Peace, Fam. It's a mantra that has encouraged Deville through many stages of his life, whether as a DIY scene curator focused on dismantling "harmful social constructs," as a stage actor and mentor examining "the miscarriage of justice," or as a poet affirming the truth that "Black love is real." This running thread of promoting empathy and self-love through art, combined with a deep love for the DIY community, has led Deville to a budding rap career pollinated by the deep wealth of creativity and wisdom surrounding him. Three years into this pursuit, his fourth project, Maintain, is the rewarding fruit borne from years of humble hard work and community support.
The Good: Deville raps with poetic precision, tending carefully to each rhyme and allusion as he urges his listener to "Maintain" a sense of self, despite the "lies whispered by the serpent," whether it's the devil himself or the prejudice of a world that unjustly imprisons and traumatizes the innocent (see "Kalief"). Despite delving into the heavy topics of injustice, suicide, racism, and violence, the focus on Maintain is radiating light. Drawing on Chicago's rich history of jazz-rap influences, Deville intersperses his bars with expressive scatting and wandering saxophones on "Free Soul" as he preaches, "Freedom is what we make of it/ Deface the myth that we were never five fifths." Later tracks "Type Love" and "You're Enough" shimmer with loving affirmation and hope, a hope that shines brighter when the surrounding darkness is acknowledged, not swept aside.
The Bad: Deville does well to ground his otherwise joyful and lighthearted message in the harsh realities of our current culture. To ignore them would rob his joyful tone of its depth and gravitas. However, brevity is not Deville's friend on Maintain. At seven tracks and 24 minutes, the bridges between sorrow and exultation are sometimes jolting and don't allow for the breathing room these intense and opposite emotions require. Of course, the brevity of the album probably has less to do with a specific marketing ploy and artistic choice, like Kanye's brief records of 2018, and more to do with the low-budget nature of DIY culture.
The Verdict: However, as Drake discussed in his recent Grammy speech, the high-dollar marketing and commercial appeal of mainstream hip-hop is not nearly as important as its community-building roots. With Maintain, as with the rest of his artistic endeavors, Deville has sought community enrichment over fame and true self-expression over crowd-pleasing. His thoughtful music serves the exact purpose it was created for, and that refreshing notion is exactly what we need right now.
Essential Tracks: "Type Love", "Free Soul", and "Kalief"


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Interior Designer
Based in the Chelsea Design Quarter, Maurizio designs luxurious residential and commercial home interiors, furniture, products and experiences. For Maurizio, personal relationships with clients are central to his design process. He believes that close, direct contact creates a better project and will interpret his clients' tastes and styles – rather than imposing his own – to ensure a unique and characterful end-result.


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Thursday 6th of December 2018
New FIA World Rallycross Championship team ESmotorsport has announced the signing of Sebastien Lessoneur as technical director.
The French engineer has previously headed up the data and performance department of Hyundai Motorsport in the World Rally Championship and this year worked for EKS Audi Sport as Andreas Bakkerud's performance and race engineer. "I saw my first rally car on stage when I was really young and since that moment I knew that I will drive a rally car and work in motorsport. I'm really happy and proud to join ESmotorsport-BRGroup. I feel a lot of passion and commitment coming from every single person involved in the team. Building a team from scratch is always a challenge and even more when you do it for a World Championship level but our foundations are already strong, starting with the car itself," said Lessoneur.
The team is running a testing and development programme with its new Skoda Fabia WRX Supercar, with Kevin Abbring and Nassar Al-Attiyah sharing the driving. In the statement announcing Lessoneur's arrival, ESmotorsport said it is: "on full attack to be ready for the next year's World Rallycross Championship. The drivers who will race for the team are not announced yet but the team is fully confident to fight for high places straight from the first race next year, and the team expects to be able to fight in the front row in 2020. For that, ESmotorsport-BRGroup will have a parallel development programme in 2019 in order to improve the car performance."Share this story on Facebook Share this story on Twitter


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Knaresborough Resident Olivia Jackson is putting on a Charity Concert At The Theatre in aid of Cystic Fibrosis Trust. Along with 7 other young people from Knaresborough and the surrounding area, Olivia will entertain you all with a musical theatre concert containing songs from all of your favourite West End and Broadway musicals: old and new!
Ultimately, Olivia aims to raise £3,950 in sponsorship money for a trek up Kilimanjaro for Cystic Fibrosis Trust she is participating in in February 2015. They held a similar concert last year in May which was a huge sell-out success and they managed to raise £900 through ticket sales and a fantastic raffle filled with amazing prizes. They would love to do the same again this year!
The concert is at the Frazer Theatre on Friday 11th July at 7pm (doors open 6.30pm); tickets are £7.50 for adults and £5 for under 16s.
For tickets please contact Olivia Jackson on 07969 764257 (mobile), 01423 860005 (home) or firstname.lastname@example.com (email).
We hope to see you all there, it promises to be a wonderful evening of entertainment.


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Book Details
Please contact us if you require more
All books are in very good condition
unless otherwise stated.
Photographs are available on request. If a book is not as described it is returnable
within 7 days of receipt for a full refund. All prices are quoted in pounds
Postage will be charged at cost, for further information please see How To Order
London. Elkin Mathews. 1906 pp. 62. Royal 16mo. Original wrapper. The Vigo Cabinet Series. An Occasional Miscellany of Prose and Verse. Inscribed Gerard H.B. Coleridge May 8, 1910. from Arundell Esdaile.
Order Number: 8075
Website by Xtreme Multimedia


text: These are the novels, stories, and blog posts tagged with PowerShell. 2012-10-17 Two years of Python Programming C# JavaScript PowerShell Python Ruby TypeScript 2012-02-24 Efficiency Programming PowerShell Most of my work is available for free in various locations. I'm supported by donations and subscriptions. If you like what I write and want to see more of my novels or programs, please consider becoming a patron and supporting me. You can also use Liberapay. Notable Works


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Early TV appearance. Maybe 1st ever? Definitely the 1st time I saw/heard Mr. Folds. All my friends jaws were on the floor. Still are.
Underground + One Angry Dwarf and 200 Solemn Faces + Interviews September 27, 1997.
i've been trying to find this version of the song up for so long! i finally had to upload it myself.
Ben Folds Five - Underground (live)
Ben Folds Five performing "Underground" live at Brixton Academy, London on December 4th, 2012. All rights reserved to the artist. No copyright infringement ...


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Yesterday RB and Sweet Cheeks were talking about when something had happened in their lives.
SC: I think it happened when you were 5.
RB: No, when I was 4.
SC: I think you were 5.
RB: Hey, hey! Take it from someone who knows!
So there you go. Take it from someone who knows…and who is only 5.
Happy Friday!!


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This product is no longer in stock
Warning: Last items in stock!
Availability date:
Economical lab coats made with impervious yet breathable material. With knit cuffs, snap front, knee length and with pockets.
Sizes: M, L, XL
Color: White, Blue
Material: SPP (impervious)
For US orders, please contact us at 770-522-7520.


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I received a very good counter comment by an anonymous writer on the blog post "Middletown school officials unhappy with $2.1 mill…": earlier today.
The commenter took exception to what another anonymous commenter had to say about teachers and what the responsibilities of assistant principals are.
I posted below the comment that the first poster left in red below followed by the comment from the person who took exception to their snarky and ill informed opinion of members of the Middletown school system.
I thought it was such a good response that I should post it on here on the main page of the blog for everyone to read:
"I am so tired of all of these things about the teachers. all they do is get get get.
The Superintendent of schools make more than the governer of the state of NJ. thta is crazy. the high schools have more than two assistant princapals, that is nuts!!! how much work can each one possibly do all day. and the taxpayers have to deal with this…."
"Unfortunately, that is a common point of view. "There are too many administrators", that is the new mantra being repeated by the citizens of Middletown. I hear it everywhere, from all types of people with one exception. People who actually know what administrators do, how important they are to the education of our children and how hard they work. I'll be kind and just say that the people who think that there are too many administrators in Middletown are either ill informed or uniformed.
"When I went to school we had one principal and one assistant principal" is something else I hear. You know what else you had? Thirty year old textbooks and carburetors in your car. Who do you think is responsible for making sure that our students are keeping our students curriculum current? Assistant principals. Who was responsible for this 30 years ago? Apparently no one.
Superintendents are paid according to the law of supply and demand. Governors are not. Christie will make more on his first book deal than most superintendents could make in ten years. He has already made it clear that New Jersey is not a good place to pursue a teaching career, he is about to make the same thing true for administrators. He will be limiting the amount of compensation that superintendents can receive. He is changing the pension formula so that it is calculated on the last five years of employment instead of the current three years. This will encourage eligible teachers to retire before the law takes effect, saving school districts money now. But the long term effect will be that the highest paid teachers will remain on the job an additional two years in the future, costing districts and the state much more. It is a short-sighted policy. "
What do you think? Feel free to comment as you wish, I'll post whatever comments come in.


text: MIPCOM: Kristin Kreuk Predicts More Female Stories in Wake of Harvey Weinstein Scandal 4:10 AM PDT 10/18/2017 by Etan Vlessing FACEBOOK TWITTER EMAIL ME Getty Images "Women are making their voices heard," the 'Beauty and the Beast' star said as she touts her Canadian legal drama in Cannes. Women will no longer stay quiet in Hollywood over male dominance on- and offscreen and will fight for more female stories and roles, Beauty and the Beast star Kristin Kreuk told The Hollywood Reporter in discussing the fallout from the Harvey Weinstein scandal. "Everyone is ready. If people didn't do it [fight for female stories] before, they'd get destroyed now," Kreuk said in Cannes as the downfall of the disgraced movie mogul continues to play out. "What he was able to do, it's heartbreaking. Weinstein had access to money and power in a business where there's women everywhere." Kreuk predicted female stories that until now have gone untold will finally get heard. "I just don't think it's OK anymore. People could get away with it before, they can't anymore, nor do I think they want to," she added about leading ladies and female stories being delegated to supporting roles and low-budget projects. Kreuk is at MIPCOM to tout her latest project, taking the lead role in the Canadian legal drama Burden of Truth. The indie drama has Kreuk playing a big-city lawyer, Joanna Hanley, who, after being passed over for partnership, returns to her hometown to take on what she thinks is a simple case, only to find herself in a fight for justice for a group of sick girls. The female-driven drama is executive produced by four women — Ilana Frank, Linda Pope, Jocelyn Hamilton and Kreuk — and three of its six screenwriters are women. "You need people to protect female stories. And women understand them best. And our show is very female focused. The stories are about women, and young girls, growing up and in love. We really need women in the room to protect them," Kreuk said. The ladies' touch is very much seen in the script, she insisted. "For guys to write a transitional moment for a female character, they'll be aided by the male character. But a women will say, no, she'll make that transition on her own, but you need to give her this thing to make that happen. It's doesn't need to be dependent on this male," Kreuk argued. She added that the CBC, which will premiere 10 episodes of Burden of Truth in winter 2018, and the Canadian TV industry as a whole is making a concerted effort to finance and produce female-driven stories. "Especially now, women are making their voices heard, and they know it's on them to tell the stories they want to tell. And they want to do that. And they do have the support," Kreuk said. Burden of Truth is from co-producers Entertainment One, ICF Films and Eagle Vision. FACEBOOK TWITTER EMAIL ME Etan Vlessing email@example.com @thr


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Scroll down ↓or click in the menu ↑ to view profile of Actress moa malan
moa malan
Malan is an award winning actress specially trained in acting for film. Among her many awards are "Best Female Lead", "Breakout Action Star" and "Female Action Performer of the Year". She's highly valued for her versatility as an actress and her ability in physical skills such as sports, martial arts and weapons handling. This has led her to be a sought after actress performing her own stunts and motion capture performance. Malan is bilingual (Swedish and English).
Introduction & reel
Introduction in Swedish
Introduction in English
Demo Reel
Ht: 5'8″ // Eyes: Brown // Hair: Blond, Long
Mareld / Lead / Dir. Ove Valeskog / Tribespider
Springfloden / Principal Role / Dir. Niklas Ohloson / Filmlance
Halvdan Viking / Principal Role / Dir. Gustav Åkerblom / Anagram
Storm / Lead / Dir. Adam Lunneborg / KAN Lunneborg
Midnattssol / Stunt actor / Dir. Björn Stein / Nice Drama
Hingsten / Supporting / Ninja Thyberg / Grand Slam Film
Red Card / Lead / Dir. Fredric Reshew / IMA
Jätten / Supporting / Dir. Johannes Nyholm / Garage Film
Pojken med Guldbyxorna / Supporting / Dir. Ella Lemhagen / Tre Vänner
Redeem: the Beginning / Lead / Dir. Dennis Petersen / WOF AB
A Secret / Supporting / Dir. Dennis Petersen / WOF AB
Léa / Lead / Dir. JC Cader / Nous sommes demain
Misstaget / lead / Dir. Stellan Runge / Runge Film
Walking Dead – Motion Capture – Stunts
Mutant (Video Game) – Motion Capture -Lead
Rage 2 ( Video Game) – Motion Capture – Lead
Karolinska Institutet – Commercial
VOLVO – Commercial
ICA Banken – Commercial
Prague film school
Nancy Bishop – (film acting technique)
Daniel Brown – (physical theatre)
Brian Caspe – (meisner technique)
Bruno Coppola – (on camera work)
Kevan van Thompson – (production & casting
Full time:
-Acting for Film -Prague Film School, Prague Czech Republic
-Wendelsbergs College -Vocational acting course
Part time:
-Chubbuck acting technique, Elisabeth Sevholt
Languages: Swedish & English native speaker
Martial arts (kali sikaran, kickboxing, stick fighting)
Horseback riding
Full driving license
Weapons handling
Knife fighting
Best Female Actress 2017 (Hollywood Weekly Magazine Film Festival) – WINNER
Female action performer of the year 2014 (AOF film festival Los Angeles)
Breakout action star 2014 (AOF film festival Los Angeles)
Ever since I started my career in Sweden I knew I wanted to focus on film and TV. After finishing my studies at Prague Film School I was sure I'd found my passion in life and since then I've been working nonstop with the proffesion I love the most. After a while I found my specific niche as well and I'm now doing a lot of physical acting such as fight scenes, motion capture and stunts. If you're in to TV-games you might have played one of the many characters I've portrayed over the years, or you might have seen me in film or TV not knowing it's me who takes that shot to head, the kick down the ravine or flying through the air. I've also produced and worked in different fields behind the camera to get a better understanding of the entire way a production works. I love being a part of a project from scratch whenever I get the chance. I work all around the world although Sweden is my base at the moment. With South African roots I'm bilinugal growing up with an english speaking father and Swedish mother.
-Moa Malan


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A podcast about canine scent detection by Wagnificent K9 Truffle Dogs, LLC.Read more »
A podcast about canine scent detection by Wagnificent K9 Truffle Dogs, LLC.Read Less
Welcome to National Podcast Post Month!
November is National Podcast Post Month. I'll be posting short podcast episodes daily for the month of November. At the end of 30 days with 30 podcasts, I'll decide which episodes to leave up and which ones to remove. Be sure to share your favorites so I know which ones you love.
In this episode, I share some advice for working with your dog after your team finds their first real truffle.
Have a question for me? I'd love to hear from you! Ask me your question using the hashtag #AskWhatTheDogNose on Facebook, Instagram, or Twitter.
Because a podcast is a one-sided conversation, I encourage you to join my Facebook group, What The Dog Nose, to participate in discussions.
Other places you can find me: Facebook | Instagram | Twitter
Thank you for spending time with me here!
~ Kristin


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Former Tooks Bakery site in Old Norwich Road, Ipswich, takes step closer to housing plans
PUBLISHED: 12:32 20 June 2016 | UPDATED: 12:32 20 June 2016
A derelict former bakery site which has been empty for the last 15 years has moved a step closer to development.
On Tuesday, Ipswich Borough Council's executive approved plans to develop the former Tooks Bakery site in Old Norwich Road into 45 homes, which could be completed by early 2018.
While official plans have yet to be submitted, the executive approved the concept, subject to planning permission being granted.
The report from the executive meeting said: "A planning brief for the former Tooks Bakery site and adjacent King George V field was updated in August 2012.
"It identified the former Tooks Bakery site as being suitable for residential redevelopment. It stated that the site would be suitable for residential redevelopment on the basis of 80% residential and up to 20% community facilities such as a doctors/retail facilities.
"The brief outlined the suitability of the site for low to medium density development (30-45 dwellings per hectare) with an area for public open space incorporating the protected trees adjacent to Bury Road."
The project is one of a number the council has been considering to meet a target of 1,000 new homes in the next 10 years, following on from the Bader Close development.
The factory, leased to Associated British Foods in 1984, closed in 2001, before being demolished in 2008.
A full planning application is now set to be submitted in July or August, with a planning decision to be made in November or December this year.
If planning permission is granted, an expected timetable of work could begin in March 2017 with a completion date in early 2018.
If you value what this story gives you, please consider supporting the Ipswich Star. Click the link in the orange box above for details.


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Flixter is an interesting movie and theater information app. It provides ratings of movie which will help its user by giving them information regarding movies plots, its theater show times and ratings. It provide excellent IMDB and Rotten Tomatoes ratings helping one with picking which movie is worth seeing and which is waste of time and money. Its app design is simple, and one can efficiently get all information regarding movie and can book its tickets from app only. Also there is an option for watching movie directly in your app by purchasing it. The Flixter was actually a social media platform for movie fans until it acquired movie rating sites like Rotten Tomatoes. Now the app is available for android and iOS platforms
Read more: News360 – Personalized News for PC
What Makes Flixster Unique?
Flixter is a simple and does not waste time of its user for tutorial. It starts with a list of new movies, and also their box-office figure, plots and ratings with their posters, details about cast and crew and thumbnails. It provides ratings from Rotten Tomatoes and IMDB. One can also book tickets and find running times for a particular movie. Besides these we can also search for a movie or sort it by ratings, title or popularity. The amazing thing about this app is you can play trailer of movie, see cast and their reviews and biographies also behind the scene photos and videos are available. The app has an easy signup system using which, one can also login with our facebook and Google accounts. It has some interesting features like you can select your venue and it will show you what playing in there and also it will gives us theater address with map direction its contact information and also restraints near theater with help of another app associated with it. It has some issue regarding ads on top of page. It is also associated with movie cloud service ultraviolet which helps one to watch movie on app directly.
Flixter provide three options like In theaters which give us detail about all movies running nearby you. Another option is Upcoming which will tell you about moving which are going to release soon with their release dates. And also there is a News option where you can read about articles related to movies, actors, directors and entertainment industries. Also when you open any movie you will get options like want to see which will give you list of theater playing it, not interested option will hide that movie for you, also one can rate movie which is considered as audience rating also one can rent movie and watch it directly.
Read more: Rounds Video Chat for PC
Who To Use Flixster On PC?
The app is easy to use for android and iOS platform but one can also enjoy it in a PC by using android emulator. The easiest to use and install and safest emulator is Bluestack. You can download it from our offline installer. Once you have downloaded it, wait for some time so it can be installed properly. After installation you can search Flixter by its name and download it. After downloading and installation you are ready to use Flixster.


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Imported White Wines
Alsace, FRANCE$37.99 Bottle$450.00 Dozen
- Cellar Drink Now - 3 years (2016-2019)
- Closure: Cork
Brilliant straw colour with some faint tinges of green around the edges and a watery hue. Lifted ripe pear and honeysuckle intermix with some exotic fruits and baked apple followed by quince end notes. Texturally full with good richness but finishing fresh the palate features generously rounded flavours of ripe pears and lychees overlaid by honeysuckle with faint quince on the medium dry finish. Good length with a medium to long aftertaste of ripe pears, lychee fruits, honeysuckle and a touch of quince.
Drink over the next 2-3 years.
Alc 12.5%
Alsace, FRANCE$34.99 Bottle$414.00 DozenMinimum 12 bottles
A blend of 13 different Alsatian grape varieties. Bright straw colour with a watery hue. Expressive aromas of floral lychee, ripe pear and apple merge with dried honey over a background of subtle quince and spice. The palate has good richness with a full round textural profile and low acidity. Generous flavours of ripe pears and dried honey are followed by some baked apple characters and spice. Clean dry, slightly flabby finish. Aftertaste of ripe pears, baked apples, dried honey and spice.
- Cellar 1 - 2 years (2016-2017)
- Closure: Cork
Drink over the next 1-2 years.
Alc. 12.5%
Alsace, FRANCE$37.99 Bottle$450.00 Dozen
- Cellar Drink Now - 3 years (2017-2020)
- Closure: Diam Cork
A blend of 7 different grape varieties primarily composed of Pinot Gris, Gewurztraminer, Riesling and Pinot Blanc aged for 10 months on lees. Brilliant straw colour with a very slight tinge of green on the edges and a watery hue. Exotic aromatics of rose petals, lychees and musk rise from the glass followed by end notes of ripe lime and spice. Richly flavoured with a full, luscious textural feel the palate boasts mouthfilling ripe pear and lychee characters subtlety infused with musk and Turkish delight finishing dry and spicy. Perfectly balanced acidity gives an air of freshness to this otherwise rich, textured white. Excellent concentration and length concluding with a long aftertaste of lychees, musk, subtle Turkish delight and spice.
Drink over the next 2-3 years.
Alc 13.2%


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Creative Movement
This high energy movement class is heavily inspired by yoga movements with a fun and age appropriate twist! Children will stretch, dance, jump, and work together, and each class will include a short introduction to concepts of yoga and meditation.
Ages 7-10
Fall semester runs from September 1st - December 31st. Classes cost 220 shekels per month. Payment online is for the month of September, pre-dated checks for October, November and December are due the first week of September for 220 shekels each month. Please review our payment and cancellation policy before completing registration, and visit our calendar page for a full schedule of holiday closures.


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Bubble Strawberry 120ml E-Liquid by Chubby Bubble Vapes
*May be shipped in the form of 2 x 60mL
Taste Test:
Bubble Strawberry 120ml E-Liquid by Chubby Bubble Vapes is a sweet bubble gum with a delicious combination of juicy strawberries. A clean and straightforward combination, Bubble Strawberry 120ml E-Liquid combines two tried and true flavors. Chubby Bubble expertly combines their classic bubble gum flavor with an excellent ripe summer strawberry to create a bubble gum experience that is a must try for any strawberry vape juice fan.
Brand Recognition:
Chubby Bubble Vapes is manufactured and brought to you by Mod Fuel. Launched in 2015 from the great state of Michigan, Chubby Bubble Vapes introduces a juicy selection of bubblegum inspired vape juice flavors that will satisfy your sweet tooth cravings. With a variety of fruit flavored bubblegum blends ranging from apple to melon, Chubby Bubble Vapes has created the ultimate bubble gum sweet treat in vape form! Chubby Bubble Vapes established their impressive reputation with cult classic bubblegum e-liquids like Bubble Razz and Bubble Purp. Since then they have expanded their selection to appeal to fans of many other popular fruits. Bubble Strawberry, Bubble Melon and Bubble Apple come to provide fill out the more straightforward profiles and combine Chubby's signature bubblegum base with carefully crafted fruits. Those who prefer a bit more complexity in their vape juice flavors are not left out either. Bubble Mystery provides a delightful blend of mixed fruits, perfectly infused with bubblegum. Want to take a chewy trip to a tropical island? Check out Bubble Tropic for a summery mix of tropical fruits which will make you feel like blowing bubbles under a palm tree. Chubby Bubbles Vapes deserves a great deal of credit for beginning the bubblegum craze. If you have been searching for a sweet, fruity and lip-smacking bubblegum flavor then you will be spoiled by the number of amazing options. At Premium Vape Supply we're pleased to offer you these vape juice flavors in value packed 60ml and 120ml options.
Mouth to lung users should be sure to check out Chubby Bubble Salt, where the best of Chubby Bubble vapes is presented in salt nicotine form!
Bottle Size: 120mL (milliliter)


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The Nord Stage 3 is the latest generation of Nord's outstanding Stage Series and continues a long-standing tradition of creating the perfect instrument for performing musicians.
The Nord Stage 3 HP76 keybed features a E-G key range of weighted hammer action piano keys, limiting it's weight to only 12.4 kg and making it the perfect combination of portability and performance.
General Specs:
Master Level Control
Wooden Pitch Stick
Modulation Wheel
400 Programs – 8 Banks with 10 Pages each. Each Page has 5 Program locations
Song Mode – 8 Banks with 50 Songs, 5 Programs per Song
5 Live Buffers
2 Individual Slot Setups
3 Morph sources (Modulation Wheel, Control Pedal, Aftertouch)
Global Mono output
Programmable Transpose +/- 6 semitones
Master Clock functionality with manual, external and tap-tempo rate control
Internal and MIDI clock source
MIDI over USB functionality
Level control
Up to 3 Split Points (4 Keyboard Zones) with visual LED indication between zones
3 Split Point width (crossfade) options: Lrg, Sml or Off
Keyboard Zones editor mode
Organ Section:
Nord C2D B3 Tone wheel Organ simulation
Vox Continental and Farfisa models
2 Digital Principal Pipe Organ models
9 digitally controlled Drawbars
Physical Drawbars (Compact model only)
Drawbar Live mode (Compact model only)
Percussion controls
Vibrato / Chorus control
Two Drawbar Presets per Slot
2-Part Multitimbral (2 manuals)
Piano Section:
2 GB memory for Piano sounds
All sounds can be replaced using Nord Sound Manager (Mac/Win)
120 Voice Polyphony
Categories: Grand, Upright, Electric, Digital, Layer and Clav/Harpsichord
4 Selectable Velocity Curves
Dedicated Piano filters
Clavinet EQ controls
String Resonance (Generation 2) on acoustic Grand Pianos and Uprights
Selectable Soft Piano Release
Pedal Noise when used with Nord Triple Pedal (optional accessory) on selected acoustic and electric pianos
Layer (Slot) Detune functionality
2-Part Multitimbral
Synth Section:
Nord Lead A1 Synth Engine with Sample Playback
Dedicated OLED Display for Oscillator section
480 MB Memory for Nord Sample Library
All samples can be replaced using Nord Sound Manager (Mac/Win)
34 Voice polyphony
Oscillator Types: Classic, Wavetable (Wave), Formant, Super Wave (S-Wave) and Sample
Oscillator Configurations: Pitch, Detune, Shape, Sync, Sine, Triangle, Square, Saw, Bell and Noise Mix, FM and Ring Mod
Classic Transistor Ladder Filter (LP M), 12 & 24 dB Low Pass, High Pass, Band Pass and combined Low Pass/Band Pass (LP+BP) filter
Filter Drive: Off, 1, 2 and 3
Filter Tracking: Off, 1/3, 2/3 and Full
3 Unison modes
Amplitude envelope (Attack, Decay, Sustain) with Velocity control
Modulation envelope (Attack, Decay, Sustain) with Velocity control
LFO with 5 waveforms/modes: Square, Triangle, Ramp Dn, Ramp Up and Sample & Hold
400 (8×50) Synth Preset locations with Synth Preset categories
Arpeggiator (Up, Down, Up-Down and Random). Range: 1, 2, 3 or 4 octaves.
LFO and Arpeggiator synchronizable to Master Clock
2-Part Multitimbral
Effect 1: Ring Modulator, Tremolo, Auto Pan, Wah-Wah, AutoWah 1, Autowah 2
Effect 2: Flanger, Vibe, 2 Phasers, 2 Choruses
Delay with Tempo, Feedback and Mix (Dry/Wet) controls, Ping Pong (stereo taps), Tap-Tempo, Feedback Filter (HP/LP/BP) and panel selectable Analog mode.
3 types of Speaker simulations, JC, Twin and Small
Filter Mode (HP24/LP24) with Cut-off and Resonance controls
Tube amp simulation with adjustable overdrive
3-band Equalizer with sweepable mid. EQ ranges: 100 Hz, 200 Hz – 8 kHz and 4 kHz
Rotary Speaker: selectable speed (Stop, Slow and Fast) and separate overdrive
Extended Morphable Parameters – (Filter Resonance, Reverb Dry/Wet, Delay Feedback, Amp Drive)
Effect rates/tempo can be synchronized to the Master Clock
Compressor with Fast Mode
Reverb – 6 algorithms, each with Bright Mode
Nord Stage 3 HP76: 76-key Velocity sensitive Hammer Action Portable keyboard. Range: E-G
4 Assignable Audio Outputs – ¼", 6,35 mm jacks, unbalanced
Stereo Headphone output – ¼", 6,35 mm stereo jack
1 Monitor input – 1/8″, 3,5 mm stereo jack
Sustain Pedal – ¼", 6,35 mm jack. Use a momentary pedal, like e.g, Roland DP-2, DP-6, Yamaha FC-4, FC-5, Fatar VFP1-25 etc.
Sustain input compatible with Nord Triple Pedal (sold separately)
Rotor Pedal – ¼", 6,35 mm jack. Use a momentary pedal or a switch type pedal
Organ Swell Pedal – ¼", 6,35 mm TRS stereo jack. Use a Control/Expression pedal like e.g. Yamaha FC-7, Roland EV-5 etc.
Control Pedal – ¼", 6,35 mm TRS stereo jack. Use a Control/Expression pedal like e.g. Yamaha FC-7, Roland EV-5 etc.
Program Change Pedal input – ¼", 6,35 mm jack. Use a momentary two-button pedal like e.g. Boss FS-6, Boss FS-7 etc.
MIDI In – 5 pin DIN connectors
MIDI Out – 5 pin DIN connectors
USB – type B connector for USB MIDI, Software Update and Sound Transfer
Power Cord with IEC C14 connector
Included Accessories:
User Manual
Dust cover
Sustain pedal
Power cord
Nord Sample and Piano DVDs
USB cord


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By Industry News
September, 2019 – Three wound care quality measures developed by the Alliance of Wound Care Stakeholders and the US Wound Registry (USWR) are now included on Centers for Medicare and Medicaid Services' (CMS) Physician Compare website following a summertime content update that expanded quality performance data on the site.
Industry News
The Alliance of Wound Care Stakeholders' quarterly update on their ongoing advocacy initiatives to includes an overview of their comments on wound care policies, upcoming meeting dates and a list of recent publications.
By Janet Wolfson, PT, CLWT, CWS, CLT-LANA
By The Alliance of Wound Care Stakeholders
In their quarterly Alliance Advocacy Update, the Alliance of Wound Care Stakeholders' (Alliance) provides an update on their ongoing advocacy initiatives on behalf of their clinical association members to ensure access, coverage and payment to wound care procedures and technologies for patients and providers.
The Alliance of Wound Care Stakeholders' (Alliance) quarterly update provides an overview of ongoing advocacy initiatives to ensure access, coverage and payment to wound care procedures and technologies for patients. This update includes current action items, updates on key areas of focus from the past quarter, and future issues for the second half of 2016 that the Alliance is tracking that are of importance to the wound care community, including clinicians who may be impacted by policy changes.
By Mary Ellen Posthauer RDN, CD, LD, FAND
The Improving Medicare Post-Acute Care Transformation Act of 2014 (IMPACT) amends Title XVIII of the Social Security Act by adding a new section –Standardized Post-Acute Care (PAC) Assessment Data for Quality, Payment, and Discharge Planning. The goal of the IMPACT Act is to reform PAC payments and reimbursement while ensuring continued beneficiary access to the most appropriate setting of care. The act requires the submission of standardized and interoperable PAC assessment and quality measurement data by Long-Term Care Hospitals (LTCH), Skilled Nursing Facilities (SNF), Home Health Agencies (HHA) and Inpatient Rehabilitation Facilities (IRF).
By Thomas E. Serena MD, FACS, FACHM, FAPWCA
An ancient Irish tradition dating back to St. Patrick permitted women to propose marriage to men on the additional day added during a leap year. The gender equality of modern society has turned this tradition into mere folklore, but it is hardly cause for concern here in Boston as we have no shortage of Irish traditions.
The Alliance of Wound Care Stakeholders submitted two sets of formal written comments to the Centers for Medicare and Medicaid Services (CMS) during September 2015 in response to the proposed updates to CMS' outpatient payment rates and to the physician payment schedule. The Alliance's comments focused on provisions that have potential impact to wound care. These proposed rules have important implications to health care providers and health care administrators as CMS sets future reimbursement for services and procedures.
By the WoundSource Editors
With approximately 68,000 codes (nearly five times the number of codes as ICD-9), the ICD-10 system can seem daunting. In addition to an expansion in the number of codes, with flexibility for new code development, ICD-10 codes themselves are also longer in length using 3 to 7 digits versus 3 to 5 digits.
By Samantha Kuplicki, MSN, APRN-CNS, AGCNS-BC, CWS, CWCN, CFCN
In the last installment of my blog, we discussed a brief overview of billing for wound care products and dressings (durable medical equipment or DME) in several common care settings. Let's talk about the Hospital Outpatient Department (HOPD) a little more in-depth. Again, we will use Medicare as the standard for payment policy, as many payors use them as a model for policy-making.


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Phil Mitchell has given Den Watts a walloping - by beating him to the title of TV's scariest star.
The EastEnders hardnut, played by Steve McFadden, has beaten recently risen from the grave Watts (Dirty Den), in a poll organised by retailer Woolworths, landing a quarter of the votes.
Walford wifebeater Trevor Morgan was in third place to give an Albert Square top three. Coronation Street's serial killer Richard Hillman was ranked fourth.


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The Abraham Joshua Heschel School is an independent school named in memory of one of the great Jewish leaders, teachers, and activists of the 20th century. The Heschel School sees as essential the creating of a community with families from a wide range of Jewish backgrounds, practices, and beliefs.
Our approach to education, pluralism, and concern for students' intellectual, emotional, and spiritual development informs our daily interactions in the school community. Our school is characterized by team teaching and an integrated curriculum. We select faculty who have demonstrated mastery of their subjects, encourage academic excellence, and support our mission. Our faculty understand the importance of participating in the creation of a respectful community that embraces ethical and moral living.
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Users can submit their own advertisement for free, by registering for a Standard Account. Click here to sign up
Paramount Business Supplies - Melbourne Office Furniture & Supplies
Saturday 16th August 2014, 7:33PM
We at Paramounts Business Supplies are moderately passionate in offering our clients tremendous quality business supplies and repairing services. We are having dexterous abilities in manufacturing latest, up-to-date and high quality business supplies and equipments. We always provide our clients high quality yet reliable supplies with robust, user-friendly supplies. We actually provide what we promise to our customers in terms of best business supplies that are not accessible anywhere else. Most of our business supplies are custom made in Western Australia directly by our suppliers.
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Super Bowl
Mastermind behind viral Crocodile Dundee Super Bowl ad joins WA's peak tourism body
The mastermind behind one of the most successful star-studded Super Bowl ads has been drafted by the state government to lure international tourists back into WA in a bid to revive the sector in the post-COVID-19 slump.
- by Marta Pascual Juanola
Surfing unveils plan to dominate world sport after COVID-19 lockdown
World surfing wants to emerge from its COVID-19 hibernation to become a player in global sport, with one of the biggest shake-ups in its 44-year history.
- by Heath Gilmore
J. Lo's crotch-pride was a studied rebuke of Trump's America. Jay Z made it happen
J. Lo's Super Bowl performance was a brilliant riposte to a country and a culture embodied by a man who has openly boasted about grabbing women's crotches.
- by Jacqueline Maley
US votes 2020
Donald Trump gloats at Democrats' Iowa dysfunction
Trump rejected suggestions that the breakdown in counting should cause Iowa to lose its status as the first stop in the presidential nomination process.
- by Peter Baker
Donald Trump
Trump congratulated the Chiefs of 'the Great State of Kansas.' The team resides in Missouri
Kansans are certainly proud of the Chiefs, but the team is based in and plays in Kansas City, Missouri, not Kansas. Residents of both states happily share the team, but are protective of their identities.
- by Cindy Boren
Super Bowl 2020 as it happened: Chiefs crowned NFL champions
Will 49ers punter Mitch Wishnowsky become the second Australian to win a Super Bowl or will the day belong to Patrick Mahomes and the Chiefs?
- by Sam Phillips
Kansas City Chiefs win Super Bowl
Patrick Mahomes and the Kansas City Chiefs have staged a late dramatic comeback to win Super Bowl LIV 31-20 over the San Francisco 49ers in Miami.
Media & marketing
$8.4m for 30 seconds: What to expect from this year's Super Bowl ads
During a polarising climate in the US, companies are keeping it light with their Super Bowl commercials.
- by Tiffany Hsu
Australian punter's 18,000km Super Bowl journey
Australian punter Mitch Wishnowsky's journey to Miami's Hard Rock Stadium for the Super Bowl has been long, winding and full of obstacles.
Super Bowl Sunday's date is a rare, once-in-a century palindrome
The previous eight-digit palindrome like this was 11/11/1111, 909 years ago. We'll only have to wait another 101 years for 12/12/2121. The next one is in 3030.
- by Ben Guarino
Great Reid – Kansas City coach just needs the perfect ending
Chiefs coach Andy Reid has overcome tragedy and agonising defeats in a celebrated career that just lacks one key element – a Super Bowl win.
- by Jerry Brewer


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Everything was great about our experience here. From the staff to the amenities.
Very nice campground with plenty of things to do for the kids. Beautiful pool, very nice playground and arcade. The fishing was good everytime we've went. They allow golfcarts which is a must for me.
The tent site was big with lots of choice locations for your tent. There is a lot of privacy between the tent sites because of the trees.
The bathrooms were clean and modern. The camp store had lots of little items that I needed. And there was a Little Library.
The hikes in the campground are beautiful. The historic aspect of the Cape amazed me. It was a site for WWII soldiers to watch for enemy invaders. The towers are still there.
The ocean is beautiful but a bit of a walk from the tent campsites.
Great time spent 2 days. Rode our bikes and went to local winery. Cleanest bathrooms
One of the biggest disappointments camping in a while. The entire lure of this park was the lake, which is fully mandated. There are no openings or public's spots for fishing, beside one very small dock. The actual beach is gated and have to pay an additional fee.
The camping part, Jaggers Point is really small. Regardless there are about 6 different park rangers driving around the sites as early as 630am. They even had a K9 unit that they brought fully barking around 730am.
The second day, the park ranger stopped at my campsite at 7am to wake me up to tell me that I left an can on my table and that he should have wrote me a 75 dollars ticket then drove off. Completely understand policy, but was unnecessary.
Over all, if you hate views and want a prison like outdoor experience, this is the park for you.
Positive notes: Bathrooms are really nice and has a dish cleaning station.
There is so much to do near this campground. The bike trails are wonderful and we like to bring kayaks to the bay side. Also, the beach! Not exactly cheap but it really is a great spot. My one complaint is that you definitely have to book very far in advance especially for a summer weekend!
Camping in Henlopen State Park was a great idea! My group was there, on two adjacent sites, from Sunday to Tuesday, in early June. The weather could not have been more ideal! We were on sites G12 and G13, which were both really large. Here's the rundown:
- Clean, accessible bathhouses
- Really large tent sites
- So close to the beach and nearby Rehoboth and Lewes (great dining and shopping)
- Easy-burning firewood
- Access to a camp store
- A pretty quiet campground altogether
- Campground fee includes beach access so you don't have to pay again
- It's busy! Be prepared to wait to get into the park for 15-45 mins due to traffic backups at the entrance gate
- The walk to the beach is a LONG one
Neutral Thoughts:
- The campsite as a whole is a very busy one--there's a lot going on from bike riding to frisbee throwing
Fills up fast so you have to book well in advance. Paved trails to the beach, the bay, nature center and bike trails. Clean sites and bath houses. Nice friendly staff. Nice camp store
The entire family had fun. Kids were super happy abouts all the activities this campground has to offer. Staff is great as well.
Cape Henlopen camp sites fill up so quickly, and for good reason! After missing out on reservations year after year, this year, we booked a weekend tent site for July back in January and immediately realized the spark of this place. The campground is large with various loops full of RV, popup, and tent sites. There is also a section of walk-in tent sites, each with 1 parking spot semi close by. (Bring a wagon if you stay at one of these). We stayed in site T021 (walk-in site) and had plenty of privacy and space to set up our screen room, tent, and firepit. All camp sites come with the standard picnic table, as well as fire pit and grill grate. There is a camp store in the center of the campground where you can purchase firewood, coffee, batteries, ice or other camping needs. There are several bath houses strategically placed throughout the campground so that you can easily find one a few minute walk away no matter where you stay. Bath houses were clean, updated, well maintained and air conditioned. There are both public showers that are stall-like within some of the bath houses, as well as large private shower + bathroom stalls (perfect if you have young kids). I didn't find the bugs to be any worse than typical summer camping spots (I heard they maybe spray for bugs on the sites?) but definitely bring your spray and citronella candles. It also POURED from a small tropical storm the morning we arrived yet our site and the full campground was well and dry by the time we set up in the afternoon - looked like most of the sites were set up on hills, which is great to avoid pooling in inclement weather. Pets are allowed and there are water spigots near every site. Although our site (T021) was spacious and private, my brother's family was staying on T011 and there were about 4-5 sites all in an open space back to back with one another near his. The neighbors were friendly so no complaints but the lack of privacy there is worth nothing in case you wanted to feel more 'remote'. The sites are mostly tree lined and semi shaded by pines. The campground gets extremely dark at night and the stars are so beautiful from the lack of light pollution! The campground is in a large state park, full of many bike trails, hiking spots, historical WWII sites, fishing pier, and of course the beach. There is a separate entrance for campers so make sure to follow that when you drive in. The beach *is* walkable (maybe a mile away) but much easier /quicker to drive, and there is plenty of parking by the beach. The beach can get crowded but is clean and has lifeguards. The best part is on a quiet night, if you listen really closely, you can hear the waves crashing in the distance. Due to the nature vibe, proximity to beach, and modern bathhouses, I think this campground has become our new favorite one!


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BHOD 13 - Jill Windmill
Description - Jill Windmill is set in a beautiful location, high on the South Downs, but she is more than just a pretty sight. Jill is a fully restored Post Mill, originally built in Brighton in 1821 and moved to her present location in 1852. There is a small Mill Shop selling refreshments, souvenirs and (occasionally) stoneground flour that has been ground at the Mill.
Location - Near Clayton, BN6 9PG. Note - From Hassocks Station: A footphath runs alongside the railway line from Hassocks to Clayton Village. By Car: From the A23 (London - Brighton) road turn off at Pyecombe village just South of Burgess Hill and follow the A273 Northwards. The windmills can be reached by a short lane on your right hand side as the road begins to run downhill.
Timing - Sunday 15 September: 1400-1700
Access - Disabled parking on-site. Accessible toilets on-site.


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Category: Indian Takeaways
234 Whetley Lane
Please leave a Review to support my business.
Landline: 01274 5...
Website: fireitupdiners.com
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Sky.com - your home for the latest news, sport and entertainment Fire It Up is a takeaway located on Whetley Lane in Bradford. Welcome to Fire It Up Diner & Dessert Pad. Have a meal or snack followed by a Triple Chocolate or Ferrero Rocher Milkshake delivered right to your door or desk. On the menu you'll find all your favourite dishes plus Special Offers too. Fire It Up is the place to go for Pizzas * Southern Fried Chicken * Burgers * and Naan Kebabs. Check out the Burgers and go for the Skyskraper stacked with chicken fillet and hash brown or opt for the Best of Both Worlds.
A disagreement among a group of Bradford based friends led to the inception of the Fire It Up takeaway & restaurant experience: The idea came about when a group of friends went out to eat and as usual, all had different opinions on where to go...some wanted Chinese or Pizza, others peri peri chicken or an asian style burger. If the food should be delivered or collection..there are so many choices out there in Bradford! They found they were constantly bickering about where to go...quite frankly there was no Bradford fast food takeaway with everything under one roof, where they could relax, talk, eat and drink. Then when you have the post meal desserts issue, it meant they had to go elsewhere for the sugary treats as well! Then the penny dropped, why not build an experience where one can get all of these all at a single place? Read more about our story at: http://fireitupdiners.com/founders.html About our food - freshness is quality It's all about providing a great selection of fresh, quality fast food to our Bradford customers. Our menu courses are a modern mix of Chinese, traditional indian grills, burgers, pizza and many more south asian and american foods, providing quality as well as the benefits of fast, hassle free service. We take the best from both worlds and combine them with our focus on service & delivery ensuring our customers get the tasty food they want - on time Read more about our food and halal integrity at: http://fireitupdiners.com/aboutoutfood.html


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Autumn Hakone
by Pearl
When we get the urge to go on a quick day trip, Hakone is one of our favorite spots to visits. This time we wanted to enjoy the mountain's changing colors. We drove the Hakone Skyline toll road, which was worth every 700 yen to cross.
We stopped at a cafe/scenic overlook where the kiddos got to pet a wandering goat.
Then we started the climb up a mountain ridge to view Lake Ahino.
It was the perfect climb for little legs.
Just enough difficulty to keep it interesting.
Lots of places to stop and enjoy the view.
And a beautiful view at the top.
Lake Ashino on one side.
The ocean on the other.
While I know this is not wheat, this picture brought a verse from Psalms to mind and captured an autumn afternoon.
It is a volcanic valley with active sulfur vents everywhere.
The kiddos watched the eggs being boiled.
Then we enjoyed a few ourselves.
Eating one is said to add seven years to your life. Our life expectancey should be up there with the Japanese now.
The kids tested the warm spring water.
It is definitely a tourist spot, but thoroughly enjoyable nonetheless.
Posted by Pearl at 4:14 AM
Labels: Japan


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'I saw his orange boots and him running with his arm up' – Winger happy to tee-up one of City's good days
PUBLISHED: 14:41 18 March 2018 | UPDATED: 14:41 18 March 2018
©Focus Images Limited www.focus-images.co.uk +447814 482222
Josh Murphy was happy to bring a bit of light relief to Norwich City's supporters, after three goals and three points were delivered against Reading at Carrow Road.
The 23-year-old winger was at his lively best in helping put the struggling Royals to the sword, earning City's first win in eight games and scoring three times at home for the first time since December.
In fact, City had only scored six goals in the seven games in front of their home supporters since that 3-1 win over Sheffield Wednesday.
At least Saturday's victory helped ease the 3-1 throwaway at Hull the previous weekend.
"It's been a long time since we had a win, it's been frustrating with a lot of draws and the 4-3 defeat at Hull was just a disaster that we should've won," said Murphy, with City also finding themselves 3-1 up against Reading before an early second-half concession kicked off the customary Carrow Road tension.
MORE: Speculation over Angus Gunn's future begins as suitors for Norwich City's current number one line up
"We made it hard for ourselves again here, which is the only disappointing thing. We won the game though, so that's all that matters.
"Games can change just like that. We were 1-0 down at Hull and getting dominated, and before you know it we're 3-1 up. Then all of a sudden, the game changes again.
"That's just football in the Championship for you. We were disappointed with that result but we knew we had to go to Barnsley and put in a good performance. We did that in the end, and here we put in another one. Everyone, from back to front, was good.
"It's good for the fans as well, because they've been to a lot of games this season at Carrow Road where it's been 0-0 and it's been frustrating, getting in front of goal and keep missing. But here we played well and took our chances well.
MORE: Mario Vrancic earns Daniel Farke's praises as Norwich City earn Reading win
"To be fair, I think you'd take winning 3-2 all day long instead of just drawing games 0-0 – because it's boring for the fans, boring for everyone watching and it's frustrating for us with how many chances we create. So it's nice to put three away."
Murphy played his part in what proved to be the winner – James Maddison slotting home from the penalty spot after being fouled by Royals goalkeeper Anssi Jaakkola; a chance teed up by the winger's counter and cross.
"I spotted him out of the corner of my eye and I think James knows he needs to break into the box more," added Murphy.
"When I saw his orange boots and him running with his arm up, I knew if I gave it to him he'd probably put it into the back of the net. He got the penalty and tucked it away, so it was good."
• For the latest Norwich City news and opinion follow Michael Bailey on the following channels…
Michael Bailey on Twitter @michaeljbailey
Michael Bailey on Facebook @mbjourno
Michael Bailey on Instagram @mrmichaeljbailey
If you value what this story gives you, please consider supporting the Eastern Daily Press. Click the link in the orange box above for details.


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Experienced Chef Monza's true passion in life is cooking. He takes great delight in preparing a wide range of Indian cuisine meals for his customers to enjoy in the restaurant's trademark relaxed yet lively atmosphere, often delivering food personally to ensure everything is precise to the satisfaction of his guests.
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Could be for extremely pressure made of on the sander, which is why it is not recommend, causes premature damage and decrease its efficacy, use your hands in order to guide the sander. If it necessary use different thickness sandpapers to get better performance.
The sander base has a damage, what happened?Follow
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Back online!
After a long virtual absence, we are finally back online and in the process of updating all the information on our website. We had a very busy 2015 and 2016 and have added some photos of the work that we have done in various areas during this time. Please bear with us while we get our website back on track! We appreciate your support and patience!