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Orazio Gentileschi was one of the earliest and most gifted painters to be inspired by the genre scenes of Caravaggio in Rome. Here, he must have had in mind Caravaggio's famous picture on the same theme. Orazio's young woman listens intently to a note as it resonates in the pear–shaped body of the instrument. She may be tuning her lute in anticipation of the concert promised by the assortment of recorders, a cornetto and violin, and the song books lying open on the table before her.
The graceful musician and her lute are seen, unexpectedly, from the back, turned three–quarters away from the spectator. Orazio's meticulous attention to detail is such that every surface is described with a precision of focus that gives pleasure to the eye. Dutch painters, famous for their amazingly illusionistic renderings of fabrics, improved their craft by studying Orazio's works. His gift for conveying the textures of fine cloth is shown off here in the sharp gold of the dress, the dull gleam of the scarlet velvet on the stool, and the matte softness of the dark–green cloth covering the table.
More information on this painting can be found in the Gallery publication Italian Paintings of the Seventeenth and Eighteenth Centuries, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/italian-paintings-17th-and-18th-centuries.pdf
Girolamo Cavazza [d. 1717], Bologna;[1] purchased 3 June 1697 by (Marcantonio Franceschini) for Prince Johann Adam Andreas of Liechtenstein [1657-1712], Vienna;[2] by descent through the Princes of Liechtenstein to Prince Franz Josef II von und zu Liechtenstein [1906-1989], Vienna, subsequently Vaduz, until 1962;[3] purchased 1962 through (Feilchenfeldt, Zurich) by NGA.
Associated NamesCavazza, Girolamo
Feilchenfeldt, Walter M.
Franceschini, Marcantonio
Liechtenstein, Prince Franz Josef II of
Liechtenstein, Prince Josef Johann Adam of
Liechtenstein, Alois I of Prince
Liechtenstein, Johann Adam Andreas I of Prince
Liechtenstein, Prince Alois II of
Liechtenstein, Prince Anton Florian I of
Liechtenstein, Prince Franz I of
Liechtenstein, Prince Franz Josef I of
Liechtenstein, Prince Johann I of
Liechtenstein, Prince Johann II of
Liechtenstein, Prince Johann Nepomuk Karl of
Liechtenstein, Prince Joseph Wenzel of
Liechtenstein, Princes of
Exhibition History
- 1911
- Mostra del ritratto italiano dalla fine del sec. xvi all'anno 1861, Palazzo Vecchio, Florence, 1911, no. 11, 151 (exh. list), 162-163 (subsequent cat. Il ritratto italiano dal Caravaggio al Tiepolo alla mostra..., Bergamo, 1927), as by Caravaggio.
- 1948
- Meisterwerke aus den Sammlungen des Fürsten von Liechtenstein, Kunstmuseum, Lucerne, 1948, no. 47.
- 1951
- Liechtenstein Pictures on Loan to the National Gallery, National Gallery, London, 1951, no. 31, no cat.
- 1969
- In Memoriam, Ailsa Mellon Bruce, National Gallery of Art, Washington, D.C., 1969, unnumbered checklist.
- 1979
- Paintings of Italian Masters from the Collections of U.S.A. Museums, State Hermitage Museum, Leningrad; Pushkin Museum, Moscow; The Kiev Museum of Western and Eastern Art, 1979 (organized by the Armand Hammer Foundation, Los Angeles).
- 1990
- A Caravaggio Rediscovered: The Lute Player, The Metropolitan Museum of Art, New York, 1990, no. 15, color plate.
- 1997
- Los Cinco Sentidos y el Arte, Museo del Prado, Madrid, 1997, no. V.7, repro.
- 1999
- Caravaggio's 'The Taking of Christ': Saints and Sinners in Baroque Painting, National Gallery of Art, Washington, D.C., 1999, brochure, no. 8, repro.
- 2001
- Orazio and Artemisia Gentileschi: Father and Daughter Painters in Baroque Italy, Museo del Palazzo di Venezia, Rome; The Metropolitan Museum of Art, New York; The Saint Louis Art Museum, St. Louis, 2001-2002, no. 22, repro.
- 2010
- Loan for display with permanent collection, Art Institute of Chicago, 2010.
- 2016
- 100th Anniversary of the Cleveland Museum of Art, Cleveland Museum of Art, 2016-2017, unnumbered catalogue, repro.
Technical Summary
The support consists of three pieces of medium-weight herringbone-twill fabric sewn horizontally prior to the application of the ground. The ground is a dark, grayish brown color. Areas of thin dark underpaint were applied under the background and the tablecloth, and possibly throughout the composition. The paint was applied in fluid opaque layers, with glazes employed to enhance the shadowed folds of the red and yellow drapery and the tablecloth. The figure's right knee, shown in deep shadow, is composed entirely of thin translucent glazes. The thickest areas of paint were applied in broad pastose strokes in a wet-into-wet technique. Details and highlights of the hair were applied in thin strokes using a dry paint dragged across the surface. X-radiographs reveal that the left profile of the figure's face and the right sound hole of the violin were shifted slightly. X-radiographs also reveal a distinct swatch of drapery at the extreme left edge just below center; it bears no relation to the surface composition and most likely remains from an earlier use of the support. Examination with a stereomicroscope reveals that the tablecloth was painted directly over this bit of drapery. Air-path x-ray fluorescence spectroscopy suggests that the yellow drapery consists of Naples yellow and lead white and possibly lead-tin yellow, and the red highlight may contain vermilion and lead white and possibly lead red.
A vertical strip approximately 10 cm wide is butt-joined to the right side of the painting and was added at a later date. Cusping is visible only along the top, bottom, and right edges of the original support, suggesting that the left edge has been trimmed. The varnish is slightly discolored. The paint is somewhat abraded, especially the tablecloth on the left and the shadowed drapery folds over the figure's right knee. Generously applied overpaint in the shaft of light at the bottom left and on the bottom and right added strips has discolored. The shaft of light in the background may also have been heavily reinforced. The painting was relined, discolored varnish was removed, and the painting was restored in 1963, probably by Frank Sullivan.
- 1896
- Bode, Wilhelm. Die fürstlich Liechtenstein'sche Galerie in Wien. Vienna, 1896: 78, engr. by K. Schönbauer, as by Caravaggio.
- 1906
- Kallab, W. "Caravaggio." Jahrbuch der kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses (Jahrbuch der kunsthistorischen Sammlungen in Wien) 27 (1906): 280-281, fig. 5, as by Caravaggio.
- 1911
- Marangoni, Matteo. "La Mostra del ritratto italiano." Vita d'arte 8 (1911): 22, as by Caravaggio.
- 1911
- Tarchiani, Nello. "La mostra del ritrato italiano." Rassegna d'Arte 11 (1911): 87, repro., as by Caravaggio.
- 1912
- Frizzoni, Gustav. "Einige kritische Bemerkungen über italienische Gemälde in der fürstlich Liechtensteinischen Galerie." Jahrbuch des kunsthistorischen Institutes der k.k. Zentralkommission für Denkmalpflege 6 (1912): 97-98, fig. 52, as by Caravaggio.
- 1914
- Longhi, Roberto. "Orazio Borgianii." L'arte 17 (1914): 8, as by Caravaggio. Reprinted in Roberto Longhi, Scritti giovanili, 2 vols., Florence, 1961.
- 1915
- Longhi, Roberto. "Battistello." L'arte 18 (1915): 63, as by Caravaggio. Reprinted in Robert Longthi, Scritti giovanili, 2 vols., Florence, 1961.
- 1916
- Longhi, Robert. "Gentileschi padre e figlia." L'arte 19 (1916): 254, as by Caravaggio.
- 1920
- Rochès, Gabriel. La Caravage. Paris, 1920: 59-60, pl. 5, as by Caravaggio.
- 1922
- Gamba, Carlo. "Orazio Gentileschi." Dedalo 3 (1922): 262-266, repro.
- 1922
- Marangoni, Matteo. "Note sul Caravaggio alla mostra del sei e settecento." Bollettino d'Arte 16 (1922): 224, as not by Caravaggio.
- 1923
- Voss, Hermann. "Caravaggios Frühzeit." Jahrbuch der königlich Preussischen Kunstsammlungen (Jahrbuch der Berliner Museen) 44 (1923): 79-80, tentatively as by Artemisia Gentileschi.
- 1924
- Voss, Hermann. Die Malerei des Barock in Rom. Berlin, 1924: 459, pl. 111.
- 1946
- Marangoni, Matteo. Il Caravaggio. Florence, 1946: 44, pl. 45.
- 1959
- Berne-Joffroy, André. Le dossier caravage. Paris, 1959: 38-39, 45, 50, 106, 110, 114, 138, 144, 159, 176, 179-181, 185, 186, 290, 366, fig. 11.
- 1960
- Golzio, Vincenzo. Il seicento e il settecento. 2 vols. 2nd edition. Turin, 1960: 1305, fig. 1020.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 56.
- 1966
- Bissell, R. Ward. "The Baroque Painter Orazio Gentileschi: His Career in Italy." 2 vols. Ph.D. diss., University of Michigan, Ann Arbor, 1966: 1:61-63, fig. 57; 2:133-138, no. 26.
- 1966
- Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:262, color repro.
- 1967
- Bissell, R. Ward. "Orazio Gentileschi's 'Young Woman with a Violin'." Bulletin of the Detroit Institute of Arts 46 (1967): 74, repro.
- 1967
- Moir, Alfred. The Italian Followers of Caravaggio. 2 vols. Cambridge, Massachusetts, 1967: 1:75, 119; 2:75, fig. 81.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 49, repro.
- 1971
- Bissell, R. Ward. "Orazio Gentileschi: Baroque without Rhetoric." The Art Quarterly 3 (1971): 275-276, repro.
- 1973
- Previtali, Giovanni. "Gentileschi's 'The Samaritan Woman at the Well'." The Burlington Magazine 115 (1973): 358, n. 6.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 148, repro.
- 1976
- Freedberg, Sydney. "Gentileschi's 'Madonna with the Sleeping Christ Child'." The Burlington Magazine 118 (1976): 733, fig. 5.
- 1978
- King, Marian. Adventures in Art: National Gallery of Art, Washington, D.C. New York, 1978: 40-41, pl. 18.
- 1979
- Nicolson, Benedict. The International Caravaggesque Movement: Lists of Pictures by Caravaggio and His Followers throughout Europe from 1590-1650. Oxford, 1979: 53, pl. 53.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:201-203; 2:pl. 139.
- 1979
- Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 63, pl. 48.
- 1981
- Bissell, R. Ward. Orazio Gentileschi and the Poetic Tradition in Caravaggesque Painting. University Park, Pennsylvania, 1981: 38-39, 65, 92, n. 16, 111, 158-159, no. 31, color pl. B, figs. 64-66.
- 1981
- Freedberg, Sydney. "Gentileschi's 'Madonna with the Sleeping Christ Child'." In A Dealer's Record: Agnew's 1967-81. London, 1981: 45, fig. 13.
- 1983
- Hibbard, Howard. Caravaggio. New York, 1983: 39.
- 1984
- Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 232, no 297, color repro.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 172, repro.
- 1987
- Deswarte, Sylvie. "Gentileschi (Orazio)." In Dictionnaire de la Peinture. Paris, 1987: 335.
- 1989
- Garrard, Mary. Artemisia Gentileschi. The Image of the Female Hero in Italian Baroque Art. Princeton, 1989: 28, repro.
- 1989
- Nicolson, Benedict. Caravaggism in Europe. 2nd edition of International Caravaggesque Movement. Revised and enlarged by Luisa Vertova. 3 vols. Turin, 1989: 1:115, no. 208; 2:fig. 208.
- 1991
- Miller, Dwight C. Marcantonio Franceschini and the Liechtensteins. Cambridge, 1991: 60.
- 1992
- Christiansen, Keith. Italian Painting. New York, 1992: 268.
- 1992
- National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 108, repro.
- 1992
- Rovi, Alberto. "Precocità del Gentileschi di Brera." Arte Lombarda 101 (1992): 108.
- 1996
- De Grazia, Diane, and Eric Garberson, with Edgar Peters Bowron, Peter M. Lukehart, and Mitchell Merling. Italian Paintings of the Seventeenth and Eighteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1996: 96-101, color repro. 99.
- 1998
- Lapierre, Alexandra. Artemisia un Duel pour L'Immoralite. Robert Laffont, 1998.
- 2004
- Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 164, no. 123, color repro.
- 2021
- In Pursuit of Masterpieces: The National Gallery of Art's Acquisitions from the Prince of Liechtenstein. Artibus et historiae 42, no. 83 (2021): 322, 323, color fig. 14, 328.
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Guest blog by Matt Rhoney. Edited by VisitCBVA. Cover photo by Michelle Thrasher Inderrieden.
Even though summer is more than half over, there's still so much more to enjoy in the great state of
Virginia. Whether you're planning an end-of-summer family vacation or are tired of hearing the kids say,
"We're bored!" Check out some of these family-friendly summer activities throughout Virginia.
Head to the Beach
With dozens of beaches throughout Virginia, you could spend the rest of the summer beach-hopping. Check out Colonial Beach. According to Reader's Digest, Colonial Beach is the Nicest Place in Virginia! Here you'll enjoy a place rich in history, friendly, boardwalks, a beautiful beach and wonderful restaurants.Regardless of which beach you visit, make sure to check out details ahead of time like parking, beach rules, and park regulations.
Go for a Hot Air Balloon Ride
Is a hot air balloon ride on your family's bucket list or are you just looking for a new and unforgettable adventure? Check out The Flying Circus Hot Air Balloon Festival, August 17 & 18. The Flying Circus Air Show recently performed right here in Colonial Beach during our WWI & WWII Commemoration Day.
Have Fun at Camp
There are several camp programs for kids throughout Virginia. In Colonial Beach, kids can participate in Messy Mondays, hosted by Colonial Beach Recreation Association. Older kids, 14 years and up, can join Sea Scouts at The Boathouse Marina and learn to sail on Monroe Bay and the Potomac River. Look to local YMCAs in King George, Westmoreland, Fredericksburg (35 miles from CBVA) and Richmond (70 miles from CBVA) for other kids camp activities.
Share Your Love of Animals
During the school year, schedules are often too busy to spend the day at the zoo or other animal farms in Virginia. Summer is the perfect time to take a day trip to Westmoreland Berry Farm, where kids can pet and play with the resident goats. Elsewhere in the state, visit Smith Mountain Lake Farm in Hardy to pet alpacas, Hunt Club Petting Farm in Virginia Beach, the Rescue Zoo in Luray, or the Mill Mountain Zoo in Roanoke.
Visit a Museum
Spending the day at a museum is not only fun, but it's a great way to educate the kids during
summer break. The Northern Neck, where Colonial Beach is located, is rich in history, including George Washington Birthplace National Monument (also consider George Washington's Mount Vernon), Stratford Hall, and James Monroe Birthplace.
More unique museums around the state include Roanoke Pinball Museum, a "must visit" if you have older arcade or gaming fans. Not only do you learn the history and science behind the iconic arcade machines, but you can play pinball on one of the many machines at the museum. If you have a budding astronaut in your family, there are several planetariums worth checking out like the Beazley Planetarium in Portsmouth or the JMU Planetarium in Harrisonburg (Free Saturday shows start up again on August 31.) Ripley's Believe It or Not! in Williamsburg is a favorite for all things "odd."
Whether you plan a weekend getaway across the state or a day trip to your favorite museum in your city, Virginia is full of family-friendly activities that will make your summer unforgettable.

subset: commoncrawl


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Synthetic Benchmarks
The Alienware 15 has a fairly standard configuration for a 15" laptop. It features a 7th generation Kaby Lake Intel Core i7-7700HQ, Nvidia GeForce GTX 1070 8GB GPU, 16GB of DDR4-2400 memory, a 256GB M.2 SSD, and a 1TB 7200RPM HDD for additional storage. Our configuration includes a 15.6" Full HD (1920x1080) TN display with a 120Hz refresh rate. To top it off, it has G-Sync technology to smooth out the frame rate by syncing the display's refresh rate with that of the GTX 1070's FPS output.
Our Alienware isn't the first Kaby Lake-based laptop with a GTX 1070 to land in our lab; that distinction belongs to the Asus Strix GL502VS-DS71, and thus it will be the Alienware's primary competition. That gaming laptop also features an i7-7700HQ, a GTX 1070, and 16GB of DDR4-2400 memory. Its storage is handled by a 128GB M.2 SSD for its Windows installation and a 1TB 5400RPM HDD for additional storage. It also has a 15.6" FHD display with G-Sync, but its display is of the IPS variety with a 60Hz refresh rate. The Asus and Alienware are pretty similar component-wise, so we expect them to differ primarily in battery, thermal, and display performance.
On the high-end, we're comparing the Alienware to the EVGA SC17, which consists of a previous-generation i7-6820HK, a GTX 1070, 32GB of DDR4-2667 memory, a 256GB M.2 SSD for its Windows installation, and a 1TB 7200RPM HDD for additional storage. It has a wider 17.3-inch UHD (3840x2160) IPS display, so display comparisons between it and the Alienware will be compelling, especially because both hover around the same price.
Finally, we're including a GTX 1060-based laptop: the Sager NP8156. Like the Alienware, the Sager has an i7-7700HQ, 16GB of DDR4-2400 memory, and a 256GB M.2 SSD, although it has no HDD for additional storage capacity. It will be a much more value-oriented system, but its results will illustrate how much of a performance gap the GTX 1070 introduces in gaming.
3DMark benchmarks provide an approximation of a system's gaming prowess. The Alienware 15 produces similar results to the Asus GL502VS-DS71, narrowly beating it in all benchmarks. The performance differential is slim, however, so you can expect the two to perform similarly in a real-world gaming scenarios, which we'll explore on the next page. The Alienware laptop also performs similarly to the EVGA SC17.
Cinebench R15
Cinebench benchmarks are primarily CPU-focused, single core and multi-core tests. On the other hand, its OpenGL shading test measures GPU performance. All of the Kaby Lake-based laptops perform well, outperforming the EVGA SC17 and its i7-6820HK in multi-core performance. The Alienware 15 sits on the winner's throne with a slightly higher multi-core and OpenGL score than the competition, but the gap isn't substantial. The Sager NP8156 earns a slightly lower OpenGL score due to its GTX 1060.
On the other hand, CompuBench performance is heavily influenced by GPU strength, especially its Bitcoin Mining test. As such, there's no absolute winner between the GTX 1070 based laptops. Compared to the Alienware unit, the GTX 1060-based Sager performs 14% slower in Video Processing and 27% lower in Bitcoin Mining.
We perform an IOmeter test on each laptop's primary drive to measure random and sequential speeds. The Alienware 15 has the largest SSD out of the bunch, sporting a 512GB Samsung PM961 NVMe SSD. Meanwhile, the Asus Strix features a 128GB SK Hynix SC300 SSD, the EVGA SC17 has a 256GB Toshiba XG3 SSD, and the Sager NP8156 wields a 256GB Sandisk X400 SSD.
The Alienware's PM961 boasts impressive speeds. The blazing fast random speeds will allow the Alienware to handle mundane application-based tasks handily. The PM961's sequential read speeds are top-notch, so you should be able to access larger files, such as media content, with ease, but the EVGA's XG3 is able to write such files a bit quicker.
PCMark 8
PCMark 8 has options that allow users to benchmark their systems using the Adobe Creative and Microsoft Office suites, given you have all of the necessary applications installed. These tests provide a much more realistic depiction of how well a system would perform during home, office, and creative workloads. The Alienware 15 produces an excellent Creative score, whereas its Office score looks lackluster in comparison. Although the Creative and Office scores appear to be significantly higher and lower than the competition, respectively, you're unlikely to perceive any difference between the four during real-world use.
MORE: Best Gaming Laptops
MORE: Gaming Laptop Previews
MORE: All Laptop Content


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Our After Work Program is very important and gives our folks an opportunity to socialize and to enjoy fun activities in small group settings "after work." Activities are focused around art, music and games which are engaging and fun. BINGO is a huge hit with the group and is played once a month.
The After Work Program is held every Thursday from 3:30-5 PM at our campus on Barley Sheaf Road, Thorndale. There is no charge for this program.
We are always looking for volunteers to help during this program. Time commitment is one day per week, 1.5 hrs on Thursdays. (After Work Program is offered September-June).
Click here and we will be happy to provide more information.


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Those are the peltasts I made by converting Agema Miniatures' Roman Velites. I used scabbards, swords and shields from Wargames Factory sets (Amazons, Skeletons and Persians), head swaps from Warlord Games/Immortal Miniatures Classical Greek sets and adding steel pin javelins as well as some green stuff here and there.
I really like this set from Agema miniatures, they are very nice in terms of anatomy and scale, they are on the thin side as far as bulkiness which for my taste is a good thing. The hand throwing the javelins is particulary cool as the hand and fingers are set in a throwing pose so rather than just gripping the whole javelin in a closed fist the figure looks more realistic.
As far as historical accuracy I figured that by calling them 'Magna Grecia' peltasts I will be able to get away with having some Roman heads, clothing in there as well as daggers to show the Roman influence.
The shields that originally came with velites will also not go to waste, with a bit of greenstuffing they will make some good Tarantine shields and thus effectively converting my Macedonian cavalry into Tarantines. So that means the only thing I did not get to use from this set are the wolf pelt heads but with both Agema and Victrix gearing up to release Republican Roman sets I might just be tempted into starting another army.....


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Disclaimer : This profile is created by vinodagarwal.in and it's purpose is to simple promote the profile and make the profile and its free content to users. We do not claim any authority of the profile icon person. All the images and logos are the property of respected profile owner.
© Copyright 2020 | www.vinodagarwal.in | All Rights Reserved.


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$ ps -ef | grep tnslsnr
oracle 3102 1 0 Jan 01 ? 12:28 /var/opt/oracle/bin/tnslsnr LISTENER -inherit
oracle 5012 3102 0 Jan 25 ? 10:15 /var/opt/oracle/bin/tnslsnr LISTENER -inherit
From the output first one is parent listener process and second line is child listener process. For child listener process parent id is 3102.
Just killing the child process allows new connections to work until the problem reoccurs. So after seeing above and if listener hangs then do,
$kill -9 5012 3102
Cause of the Problem
This problem remains in oracle 10.1.0.3, 10.1.0.4, 10.1.0.4.2, 10.1.0.5, 10.2.0.1 and 10.2.0.2. The listener hangs if the child listener process is not closed i.e after creating child process it persists. Note that, child listener processes are not unusual, depending on traffic as well as when the OS grep snapshot is taken. However, a persistent secondary process (longer than 5 seconds) is not normal and may be a result of this referenced problem.
This listener hanging event can happen on a standalone server or on a RAC server.
Solution of the Problem
1)The issue is fixed in patchset 10.2.0.3 and in 10.2.0.4. So apply patchset.
2)Apply Patch 4518443 which is available in metalink. Download from metalink and apply on your databse server.
3)As a workaround, you can follow the following two steps if you don't like to apply patch now.
Step 01: Add the following entry in your listener.ora file.
Where {listener_name} should be replaced with the actual listener name configured in the LISTENER.ORA file.
Suppose your have default listener name and it is LISTENER. Then in the listener.ora file(by default in location $ORACLE_HOME/network/admin on unix) add the following entry in a new line,
Step 02: Go to directory cd $ORACLE_HOME/opmn/conf , find ons.config and move it to another location. Like,
cd $ORACLE_HOME/opmn/conf
mv ons.config ons.config.bak
After completing above two steps bounce the listener.
lsnrctl stop
lsnrctl start
Alternatively, you can simply issue,
$lsnrctl reload
if database availability is important.
Note that adding the SUBSCRIBE_FOR_NODE_DOWN_EVENT_{listener_name} to listener.ora file on RAC and disabling the ONS file, will mean that FAN (fast application notification) will not be possible. So, if you have a RAC configuration, then apply the patch and do not disable ONS or FAN.


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Spacious Floating Platforms
Floating like an island in a Coral Sea, our spacious and modern, dual level platform provides the ultimate in facilities for reef viewing and relaxation in all weather and wind conditions.
Situated on the very edge of the Great Barrier Reef, Agincourt Reef provides a sheltered anchorage for the Quicksilver vessel and the perfect spot for passengers to snorkel, dive, and view the spectacular coral formations and exotic marine life from the semi-submersible vessels.
Your personal reef discovery
You can also see the corals and watch the fish feeding from Quicksilver's unique viewing platform and underwater observatory located directly in front of the platform. From here, you can also view "first time" divers taking part in introductory dives. On the spacious decks, enjoy lunch in the undercover seating or in the air-conditioned comfort of the vessel.
The biggest and most spacious platform on the Great Barrier Reef
Designed to provide the best experience for both swimmers and non-swimmers to enjoy a day of discovery on the reef, some of the platform features include:
- Undercover tables and seating
- Snorkelling platforms
- Semi-submersibles – cruise as often as you like!
- Underwater Observatory
- Introductory Dive and Snorkel Pools
- Showers (fresh water)
- Change rooms
- Toilets (onboard vessel)
- Post Office Box
- Sundeck
- Licenced Bar
- Credit Card Facilities
For guests confined to a wheelchair, our specially designed water powered lift allows for easy access into the snorkel pool where they can swim directly off the lift's chair into the weightless environment of the reef to snorkel and explore at their own pace.
For a special souvenir, you can even send a postcard postmarked with the world's only Great Barrier Reef stamp, from the only post box on the Great Barrier Reef!


text:
By Chris Isidore and Ahiza Garcia
NEW YORK (CNNMoney) — The likelihood of someone winning $900 million in the Powerball lottery tonight is very slim.
And that's not just because the odds of winning are 292 million to one.
Related: Massive lines in Malad as Utahns eye record-high $900 million Powerball jackpot
It's because the jackpot is actually only $558 million (before taxes) if the winner decides to take a lump sum payment. And almost all winners opt for the lump sum.
Lotteries always advertise the larger amount, presumably to avoid confusion. But the jackpot would really only be $900 million if the winner opts for a 29-year payout.
The longer-term payout is a larger sum because it includes the interest that accumulates from the prize money that is invested over the 29-year period.
But out of the 102 Powerball winners in the last seven years, only one chose the larger, but deferred, jackpot. That was Vinh Nguyen, who bought a winning Powerball ticket in September 2014 in San Mateo, Calif., and took the $228 million annuity prize.
Another big advantage of the annuity versus the lump sum — besides the fact that you'll collect millions of dollars more — is that you can't blow all the winnings as fast.
Unfortunately, there are lots of stories about lottery winners who blow through their winnings only to end up paupers just a few years later.
One of them was Andrew "Jack" Whittaker of West Virginia, who took a $170 million lump sum in 2002. But after that he was robbed often, including one time when he had a brief case full of cash stolen from him at a strip club. Today he's nearly 70 years old and still has to work, and says he wishes he had taken the annuity payments.
™ & © 2016 Cable News Network, Inc., a Time Warner Company. All rights reserved.


text:
Lakowe Lakes - Nigeria
Lekki Reserve,
Eputu Town,
- +234 (0) 803 335 8753
40 km E of Lagos city centre
Members and their guests only
Campbell Elliott
Robert O'Friel
Femi Olagbenro
Lakowe Lakes Golf & Country Estate is a gated community development situated half an hour's drive to the east of Lagos, with a modern 18-hole golf course as its sporting centerpiece. Designed by South African architect Robert O'Friel, the course occupies two hundred and twenty-five acres of a large coastal estate which is surrounded by dense woodland.
It's a resort course, featuring multiple tees on every hole to cater for players of all abilities and the generously wide fairways are designed to keep the ball in play, no matter the skill level of the golfer playing the course. On the other hand, should you find yourself in one of the revetted bunkers, it'll almost certainly result in a dropped shot.
Salt-tolerant Seashore Paspalum grass has been used extensively throughout to ensure uniformity of playing surfaces, promoting firm and fast conditions as much as possible.Par is set at 72 for a layout that can be stretched to 6,730 yards, with the course configured as two returning 9-hole loops.


text:
Get the Link to This Publication
You can copy and paste this link into any site, or bookmark it online or offline with any service.
- Done
- Details
- Description
- Published by:
- Interpreter: A Journal of Latter-day Saint Faith and Scholarship
- Published:
- 9/15/2017
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Digest / 5.25" x 8.25"32 pages Saddle-stitched
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For Latter-day Saints, the critical scholarly consensus that most of the book of Isaiah was not authored by Isaiah often presents a problem, particularly since many Isaiah passages in the Book of Mormon are assigned post-exilic dating by critical scholars. The critical position is based on an entirely different set of assumptions than most believers are accustomed to bring to scripture. This article surveys some of the reasons for the critical scholarly position, also providing an alternative set of assumptions that Latter-day Saints can use to understand the features of the text.
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The wild turkey is an iconic figure across its range in the 48 contiguous states and into Mexico and southern Canada. There are six subspecies of the wild turkey with the Rio Grande turkey (Meleagris gallopavo intermedia) and eastern wild turkey (Meleagris gallopavo silvestris) being the two most common subspecies in the Southern Great Plains. Unregulated hunting and habitat loss reduced wild turkey numbers, almost to extinction, in some areas by the early 1900s. However, due to the efforts of wildlife agencies, the birds have recovered in most areas.
Breeding season begins in March when males start gobbling and strutting, and winter flocks begin to break up into smaller groups. Most male and female juvenile birds become sexually mature before their first breeding season. Sexually mature males are called gobblers or toms, and 1/2- to 1 1/2-year old males are called jakes. Males may breed with several hens but take no part in nest selection, incubation or caring for young turkeys, which are called poults. Hens select a nest site in March or early April and usually begin laying eggs. Hens scratch out a shallow depression on the ground, usually near a log, stump, shrub, brush pile or thick grass. The nest will be lined with plant material collected adjacent to the nest. Turkey nests average 11 eggs, ranging from four to 17, which are laid over approximately two weeks. Hens need only one successful mating for all eggs to be fertile. Incubation takes about 28 days. Within 24 hours after the poults hatch, the hen and poults usually leave the nest. If the nest is destroyed, mature hens may attempt to renest, sometimes as late as August.
Land managers with turkey management goals must take into account that turkeys' daily and annual movements typically cross more than one landowner's property boundaries. Turkeys may move from 1 to 5 or more miles per day, covering from 100 to 1,000 or more acres. This varies depending on time of year and habitat characteristics. Annual home ranges vary as well depending on sex and maturity of the turkey and configuration of available habitat. When managing habitat for wild turkeys, the limiting habitat component must be addressed. Turkeys need a reliable water source, adequate space, grasses, forbs, mast producing trees and roost trees. Maintaining roost trees on the landscape can be essential for turkeys to use a property. Unfortunately, many roost sites are lost to encroaching underbrush, Eastern red-cedar, mechanical removal and human disturbances. For more information about roost site management, see Conserving roost sites helps maintain Rio Grande turkey. Proper use of prescribed fire and grazing are necessary to maintain foraging and nesting cover as well as brood rearing areas. Turkeys use different habitat types during fall and winter months compared to those used during the spring and summer months for nesting and brood rearing. This explains why some land managers see turkeys only during a portion of the year on their properties.
Turkeys have huntable populations in many areas. They are an excellent game species and spring gobbles of toms create an exciting outdoor experience. When managing harvest, consider taking no more than 25 to 30 percent of available males in the spring. This allows for population growth and provides future hunting opportunities. Since hunting is considered additive to natural mortality, maintaining this level of harvest over a long period may reduce male age structure and the number of males available for harvest. For more information about spring harvest management, see Spring Harvest Management for Rio Grande Turkey.


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|lists / announce owl-users owl-dev john-users john-dev passwdqc-users yescrypt popa3d-users / oss-security kernel-hardening musl sabotage tlsify passwords / crypt-dev xvendor / Bugtraq Full-Disclosure linux-kernel linux-netdev linux-ext4 linux-hardening PHC
Open Source and information security mailing list archives
Date: Thu, 17 Dec 2009 16:39:01 +0100 From: ISecAuditors Security Advisories <advisories@...cauditors.com> To: bugs@...uritytracker.com, news@...uriteam.com, full-disclosure@...ts.grok.org.uk, vuln@...unia.com, packet@...ketstormsecurity.org, bugtraq@...urityfocus.com Subject: [ISecAuditors Security Advisories] Horde 3.3.5 "PHP_SELF" Cross-Site Scripting vulnerability ============================================= INTERNET SECURITY AUDITORS ALERT 2009-012 - Original release date: October 13th, 2009 - Last revised: December 16th, 2009 - Discovered by: Juan Galiana Lara - CVE ID: CVE-2009-3701 - Severity: 6.3/10 (CVSS Base Score) ============================================= I. VULNERABILITY ------------------------- Horde 3.3.5 "PHP_SELF" Cross-Site Scripting vulnerability II. BACKGROUND ------------------------- The Horde Application Framework is a modular, general-purpose web application framework written in PHP. It provides an extensive array of classes that are targeted at the common problems and tasks involved in developing modern web applications. III. DESCRIPTION ------------------------- Input passed to 'PHP_SELF' variable is not properly filtered before being returned to the user. This can be explotied to inject arbitrary HTML or to execute arbitrary script code in a user's browser session in context of an affected site. In order to successfully exploit this vulnerability the targeted user has to be logged as an administrator. horde-3.3.5/admin/cmdshell.php:46:<form action="<?php echo $_SERVER['PHP_SELF'] ?>" method="post"> horde-3.3.5/admin/sqlshell.php:29:<form name="sqlshell" action="<?php echo $_SERVER['PHP_SELF'] ?>" method="post"> horde-3.3.5/admin/phpshell.php:42:<form action="<?php echo $_SERVER['PHP_SELF'] ?>" method="post"> In order to filter the "PHP_SELF" variable, the htmlspecialchars function has to be used, like in 'horde-3.3.5/templates/shares/edit.inc' file: horde-3.3.5/templates/shares/edit.inc:1:<form name="edit" method="post" action="<?php echo htmlspecialchars($_SERVER['PHP_SELF']) ?>"> IV. PROOF OF CONCEPT ------------------------- This PoC will show an alert with the text "xss" http://site/horde-3.3.5/admin/phpshell.php/%22%3E%3Cscript%3Ealert%288%29;%3C/script%3E%3Cform%20/?Horde=<sessid> http://site/horde-3.3.5/admin/cmdshell.php/%22%3E%3Cscript%3Ealert%288%29;%3C/script%3E%3Cform%20/?Horde=<sessid> http://site/horde-3.3.5/admin/sqlshell.php/%22%3E%3Cscript%3Ealert%288%29;%3C/script%3E%3Cform%20/?Horde=<sessid> V. BUSINESS IMPACT ------------------------- Is possible to execute arbitrary HTML or script code in a targeted user's browser. Only works with administration sessions. VI. SYSTEMS AFFECTED ------------------------- Horde 3.3.5 is vulnerable, others may be affected. VII. SOLUTION ------------------------- Upgrade to version 3.3.6 VIII. REFERENCES ------------------------- http://www.horde.org http://lists.horde.org/archives/announce/2009/000529.html http://www.isecauditors.com IX. CREDITS ------------------------- This vulnerability has been discovered by Juan Galiana Lara (jgaliana (at) isecauditors (dot) com). X. REVISION HISTORY ------------------------- October 13, 2009: Initial release October 19, 2009: Added CVE id. December 13, 2009: Revision. December 16, 2009: Las revision. XI. DISCLOSURE TIMELINE ------------------------- October 13, 2009: Vulnerability discovered by Internet Security Auditors. October 13, 2009: Sent to developers. The issue is considered hard to exploit and solution is delayed. December 13, 2009: Second contact for correction plan. December 15, 2009: New release published. December 16, 2009: Sent to public lists. XII. LEGAL NOTICES ------------------------- The information contained within this advisory is supplied "as-is" with no warranties or guarantees of fitness of use or otherwise. Internet Security Auditors accepts no responsibility for any damage caused by the use or misuse of this information.
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How to Cleanup Smoke Damage & Soot After a Home Fire
When your property has suffered damage from smoke and fire, proper and timely cleanup is essential to prevent further damage and discoloration due to soot residue. We at Harris Claims Services are experts in smoke and fire damage and restoration and we'd like to tell you a little about what happens and how cleanup is managed.
Immediate Steps Must Be Taken To Minimize Smoke & Soot Damage
In addition to hiring Harris Claims Services for our expertise, property owners must immediately take care to address the following recommendations for cleanup after a small fire. (Please be advised, that the following is not suggested for large fires.)
- Safety First! Please wear gloves and a painter's dust mask as you're working.
- Ventilation is key! Use box fans in open windows to draw out dust.
- Always clean "top to bottom." Begin by cleaning the ceilings, walls and fixtures. Proceed to cleaning the contents (furniture, etc.) and lastly clean the floor.
- Vacuum all furniture upholstery and the floors. Use a vacuum that features a high-efficiency filter, to prevent reintroducing soot into the air.
- Curtains, clothing and other machine-washable textiles can be laundered. A mild alkaline detergent is recommended to neutralize acids contained in soot. Any fine clothes should be dry-cleaned.
- Exterior walls, including brick, wood, stone, paint and siding and the eaves are cleaned by pressure-washing with detergent and using a soft brush to agitate soot, before rinsing from the top, moving downward
- If your fire damage and soot residue are particularly heavy, it's best to hire a professional for expert cleaning and restoration of your property and its contents.
- Consult your insurance agent to verify if your policy covers smoke damage from outdoor sources. Harris Claims Services offers policy interpretation of fire restoration, which we highly recommend.
- If your property fire damage includes structural warping, you need to consult with a licensed general contractor. Harris Claims Services is a great choice.
How Long Should You Wait to Start the Cleanup & Restoration Process After a Fire?
Restoration technicians advise that the longer a property owner waits to neutralize soot damage and perform corrosion control and a thorough cleaning and restoration of their home, they will extend the effects caused by smoke damage.
The timeline of the effects of smoke and fire damage on a home are as follows:
- Within minutes: The acid in soot residue will yellow and otherwise discolor plastics such as small appliances close to the source of the fire. Highly porous materials such as marble or alabaster countertops can be permanently discolored.
- Within hours: The acids in soot will stain tile grout in bathrooms and kitchens. Bathtubs and sinks made of fiberglass may turn yellow. Uncoated metals may tarnish. Countertops may yellow as well as finishes on major appliances, such as your refrigerator.
- Within Days: Acidic soot residue causes painted walls to permanently yellow. Uncoated metal surfaces corrode, develop pits, and rust. Wood furniture finishes will be ruined and need redone. Vinyl flooring will likely need replacement. Clothing will be stained and upholstery will be ruined.
- Within Weeks: Restoration costs increase greatly. Carpet fibers will yellow or become permanently discolored. Genuine silverware can permanently corrode. Glass, crystal or ceramics may need replaced as a result of severe etching and pits due to prolonged exposure to the acids in soot residue.
We recommend that soot residue be cleaned up as soon as possible. During a fire, soot residue is carried by rising, hot air and deposited onto all surfaces in a home. This process continues until the fire is extinguished, where soot residue accumulates in layers. In fact, soot residue can be so stubborn as to act like lacquer, causing it to be much more difficult to dissolve and clean.
What About Residual Odors?
After cleaning all residues, removing odors caused by smoke damage is required, using this four-step process:
- The source of the odor must be removed, including debris that cannot be salvaged. Such debris can recontaminate cleaned surfaces and textiles if they're not removed.
- Clean all salvageable items and surfaces to remove the residues causing odors.
- Use an odor "counteractant" to treat remaining odors. For smoke damage, a deodorizing fog will seek out odor-causing residue, chemically react with them and neutralize odors.
- Seal salvageable surfaces that may be inaccessible or mildly scorched. This is both for aesthetic purposes and to encapsulate odor and stop further contamination.
Read-Up and Be Proactive… Your Home Will Thank You!
Knowing what affects a fire can have in the home helps the property owner evaluate their damage. Learning about cleanup and restoration ahead of time allows a homeowner to be proactive and minimize costly repairs. The experts at Harris Claims Services can help you restore your home and belongings to their "pre-loss" conditions.
Harris Claims Services is located in Chicago and Lincolnwood, Illinois and we've helped homeowners and businesses for more than 40 years. Our services are provided throughout Chicago and the surrounding suburbs. We are available for out of state work also.
Learn more about fire damage claims & how we can help with fire & smoke damages here. For immediate assistance, please call 847-329-8444.


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Become A Member
You can join anytime!
Membership in the Spirit of St. Louis Women's Fund is open and inclusive. You do not have to wait for an event to join.
Membership Pledge
Members pledge $1200 annually.
The Spirit of St. Louis Women's Fund is a founding member of the network of women collective giving organizations, Philanos. Philanos supports the creation, development and expansion of women's collective giving grantmaking nationwide. As a network of independent collective giving groups, membership is more than 17,500 women strong. Members pool their money to award impact grants in their own communities.
The network shares best practices about membership, grantmaking, and governance to strengthen our organizations and ultimately to strengthen our communities.
The Philanos Network have granted more than $140 million to nonprofit organizations throughout the world. Their educational webinars, online chats, and national conferences inspire smart, informed philanthropy.


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The Vampire Diaries Review: "Bloodlines"Matt Richenthal at .
On the first Vampire Diaries episode of 2010, we see Damon save Elena's life, Elena return the favor... and then learn that Stefan once did the same for his human girlfriend.
Indeed, this is a burgeoning love triangle with a lot at stake. How did the show make an impact in its first installment after a lengthy hiatus? We review "Bloodlines" and ask questions about it below...
Ignorant Elena or Delightful Damon? Without her vervain necklace on, did Elena give in too easily to Damon's charms? Or was she just acting nice in order to avoid getting killed? We were leaning toward the former, until the most startling action of the night: Elena actually saved Damon's life. Considering all he's done, it may have seemed like a stretch to some that she'd plead for Damon to be spared, but think about it:
Elena is in a vulnerable, confused, angry state. Damon was at least offering something Elena was struggling to get out of Stefan: the truth. This is an open, unashamed vampire. Given Damon's personality and his honesty in answering Elena's questions, it made perfect sense for her to see him in a new light.
What are Damon's intentions? This is the question that lingers over the entire series. Does he actually have feelings for Elena? Is he using her to get to Stefan somehow?To learn more about Katherine?
As always, it's a testament to Ian Somerhalder's performance that he can be so charming and attractive one moment, only to remind viewers at every turn of his evil side. We audibly gasped when he killed Bree. Somehow, even now, we still didn't see that coming!
Alaric: Cause for Alarm? We learned a lot about this history teacher in a short period of time. No, he's not a vampire. No, he doesn't even seem to be a vampire hunter, as Logan was the first blood-sucker he ever met. But he clearly does have an agenda, and that might not bode well for Damon.
By the end of the episode, Alaric was aware of Damon's identity and Bonnie's grandmother knew everything about Stefan. How many more residents of Mystic Falls will learn the truth about the Salvatores? What might the consequences be? And will Jeremy learn something that opens his eyes to the new man in his sister's life?
The most pressing question this episode left us with, however, is: Can we trust Stefan? He's withheld a great deal from Elena, and it seems unlikely he never checked on Katherine's family to see if there was a connection to the adopted girl he discovered in a submerged car months ago. We're not on Team Damon just yet, but the show did a wonderful job of planting the seeds for an allegiance switch.
What did you think of it? Sound off in our Comments section below and/or in our Vampire Diaries forum. We'll leave you with a few of the best quotes from this week:
Elena: I saved your life.
Damon: I know.
Elena: And don't you forget it. | permalink
Damon: Vampires can't procreate... though we love to try. | permalink
Damon: It's not like we all hang out together at the vamp bar and grill. | permalink
Alaric: I was right about Mystic Falls. There's evil here. I can feel it... everywhere. | permalink
Damon: You're not the worst company in the world, Elena. | permalink
Matt Richenthal is the Editor in Chief of TV Fanatic. Follow him on Twitter and on Google+.


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Cheese starter cultures are single strains of bacteria, mass produced by the culture companies. They are not derived from animal tissue, are non-GMO and are gluten-free. The cultures are grown on a milk substrate which contains no growth hormones. Cultures will keep for up to 2 months at room temperature but keep for up to 2 years when frozen (freezing is recommended for all cultures). They are freeze-dried powders that come in large dose packets (i.e. 200L) or in single dose sachets (i.e. 8L).
Mesophilic Cheese Cultures are for cheeses that are heated at or below 39°C (102°F).
Thermophilic Cheese Cultures are for cheeses that are heated to a higher temperature – from 40°C (104°F) to 60°C (140°F).
Cheese-making cultures and moulds vary in strength depending on the country and manufacturer. Check the packaging carefully for dosage quantities.
i.e. 1 packet inoculates 100 litres of milk = 1/25th of the packet for 4 litres of milk
FLORA DANICA MESOPHILIC CULTURE (Aromatic) – used to make specialty cheeses with a buttery flavour, plus makes sour cream and cultured butter i.e. baby Swiss, blue, brie, buttermilk, camembert, cottage cheese, cream cheese, crème fraiche, edam, feta, goat milk cheese, gouda, Havarti and sour cream.
MESOPHILIC SOFT CURD CULTURE (M036 or Type B) – used to make soft moderate temperature cheeses i.e. chèvre, cream cheese, crème fraiche, Fromage blanc, Neufchatel and quark.
MESOPHILIC HARD CURD CULTURE (M030 or Type A) – used to make hard moderate temperature cheeses i.e. blue, brie, camembert, cheddar, Colby, edam, gouda, jack and muenster.
MESOPHILIC STRONG CULTURE – used to make strong flavoured English and American-style cheeses.
MESOPHILIC MILD CULTURE – used to make mild flavoured English and American-style cheeses.
THERMOPHILIC HARD CURD CHEESE CULTURE – used to make gruyere, mozzarella, parmesan, provolone, Swiss and other Italian and Swiss-style cheeses.
PROPIONI SHERMANII SWISS CHEESE CULTURE – an additional culture used with the thermophilic hard cheese culture to produce the holes (eyes), aroma and flavour in Swiss-style cheeses i.e. Emmenthal, Gruyere and Swiss.


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Product Feature: Verka Pasteurised Butter is one of the leading brands Punjab when it comes to table butter. Verka table butter is made in extremely modern machines in multiple variants to suit the requirement of consumer. Verka Pasteurised Butter meets the requisite FSSAI Standards. Recently Verka butter has also introduced 10 gm blister pack which has been widely accepted in the market. Consuming Verka Butter is essential for health as it provides stamina, energy & enhances immunity. It is rich in vitamin A. Table butter has innumerable uses ranging from eating it with all kinds of paranthas, Breads, paw bhaji, bakery items, non veg items and almost all paneer items. Table butter is extremely beneficial for growing children.
Packing: 10g blister pack, 100g, 500g consumer and Institutional pack.
Product specifications:
Ingredients – Milk FatMilk Fat,Salt & Annatto Colour(E-160b)
Composition – Milk Fat (min) –80.0%
Moisture (max) –16.0%
Salt (max) –3.0%
Curd (max) –1.0%
|Nutritional Information
|Per 100 ml*
|Energy Value (kcal)
|Total Fat (g)
|Saturated fat (g)
|Trans Fat (g)
|Cholesterol (mg)
|Total carbohydrate (g)
|Added Sugar(g)
|Protein (g)
|Sodium (mg)
* Approx. Value


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Whether you've got what exactly is categorized an income that isвЂlow or your spouse does, understanding how to register your fees precisely can truly add up. Below are a few income tax strategies for low earnings earners.
Maybe you are convinced that your earnings had been therefore low just last year that you might effortlessly skip filing your fees. Or perhaps you may be therefore consumed with stress within the ordeal you certainly will fill in the mandatory components of this kind and nothing else. The most readily useful advice experts give is obviously: register your return and claim everything possible. It may soon add up to dollars that are extra your pocket.
The Canadian federal federal government provides numerous kinds of credits if you file your tax return that you can only get. You may be entitled to these credits even when you have no income to declare or perhaps you aren't anticipating a reimbursement. Your income tax return can be used to determine the total amount of advantages you get for products such as for example:
Consider trying to get as numerous credits as you can. For instance, you may possibly be eligible for a the Working tax Benefit (WITB) which was founded to encourage low income families to keep in or come into the workforce.
Claim Everything
In your haste to obtain through the documents, you can miss some deductions that are important. As an example, when you've got reliant young ones, no matter if the quantity of youngster care you paid won't affect the actual quantity of your return, it may reduce your income sufficient to boost your month-to-month Ontario son or daughter advantage. Remember to proceed through your receipts and claim every deduction feasible.
Carry a Deduction Ahead
In the event where you could be wasting deductions for education and going expenses, charitable contributions an such like, it is possible to defer the claim to a period as time goes by. What counts is that you record them in your return now, but don't usage them unless you actually need them.
Assign Credits towards the Household's Higher Earner
Did your spouse or common-law partner earn significantly more than you year that is last? There are specific costs that may be reported by either of you, such as for instance medical. In this situation, you'd combine all your expenses that are medical claim them on your own partner's return.
When you yourself have any queries, we suggest which you make time to peruse the Canada income Agency website to get extra information. Nonetheless, we are going to constantly do our better to answr fully your concerns, specially regarding our monetary services.
If the taxation return maybe maybe not that which you expected and from now on your intends to fix your long-awaited car dilemmas are ruined, we could assist. Locate a Pay2Day shop near you for a timely, workable treatment for your short-term economic crisis.
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