text:
Using a Wireless headphone is a much better choice than using Wired headphones. But the wireless feature comes with a higher price which is not always the best option. This 10 Cheap Wireless Headphones buying guide is created exactly for that reason. But if you still love the quality expensive headphones offer, you can check our article "10 Best Headphones Under $200". Ya, we have wireless headphones listed there too.
In this post, we will try to suggest you the 10 Best Cheap Wireless Headphones, based on the price near to $50.00 at maximum or bellow that price, what other users feel about these headphones and there pros and cons. So, without much talking, let's have a look at the list of the headphones first and then will move to in details.
Table of 10 Cheap Wireless Headphones[amazon box="B0001FTVEK,B01G2WTEF6,B00WGMRD2S,B01EN0OUUS,B017SR5GHE,B019C1MBWW,B01AXGV900,B01MTLUYHL,B00Q30A1RI,B015S2K05Y" template="table" orderby="price" order="desc"]
* Order by price.
The top 10 Cheap Wireless Headphones Models
10MEE Audio Wave Bluetooth On-Ear Headphones
We've just reviewed a small headphone set, so now it's time for the big guns to come into play. The MEE Audio Wave headphones are quite large and practically lightweight – you won't feel encumbered by them even after prolonged usage.
The 40mm drivers are the reason why the sound output from these earphones is so great. The HD audio is perfect for music and phone calls, but you would be surprised at how your experience with movies will change if you use this model while you're watching them. The Secure-Fit design makes sure these earphones are in place.
- 40mm drivers – HD sound;
- Excellent noise isolation;
- Foldable Design;
- Very comfortable;
- The design is quite plain – there's nothing especially new to it.
Final Verdict
MEE Audio Wave is, perhaps, designed in a straightforward way, but this is not necessarily a bad thing. Anyhow, they're exceptionally durable and provide an HD sound which would be more than enough to give it a high-value rating.
9Blueido T2+ Plus Turbine Wireless Headphones
The last subject of our review on the best cheap wireless phones is another Bluedio product – this time we're reviewing the T2. It's quite different from the T3, mainly in design, but we had to mention the older brother of the Bluedio T3.
The first, most notable difference is the design – T2 is designed in such a way where the earmuffs are attached to the headband in a way that they form a specific angle. This was done so that people who wear glasses would have more room, but it also improves the overall comfort rating for people who don't.
Anyhow, Bluedio T2 is supplied with 57mm drivers (same as T3), and it can support FM broadcast and Micro SD cards (also, same as T3), but it has more than 40 hours of music time and the updated version of Bluetooth 4.1. It is available in four colors (Red and blue & black and white share the same design).
- Bluetooth 4.1 – the latest version for wireless connectivity;
- 57mm drivers for high-fidelity sound – absolute listening experience;
- Rotating earcups – adjust them so that you feel comfortable;
- More than 40 hours of playtime;
- Different colors bring different design shapes, so we could say that the consistency is flawed.
Final Verdict
Absolutely phenomenal for the price. Great sound, exceptionally durable and compact, FM broadcast and Micro SD cards support Bluetooth 4.1. You couldn't ask for more for this price.
8JLab Audio Neon Bluetooth On-Ear Headphones
JLab On-Ear headphones are wireless Bluetooth headphones which offer the longest playtime when compared to other products we've mentioned so far. The maximum of 13 hours is more than enough for an entire day of listening to music.
Anyway, that's not the only reason why they're unique – they are available in three vibrant colors, and they implement the use of C3 Sound which is considered to be extremely good for the price you pay. The lightweight design further improves the overall value of these headphones.
- 13 hours of playtime;
- Lightweight design;
- Vibrant colors;
- C3 sound technology;
- They can be adjusted so that they feel comfortable, but if you get it wrong you might get bothered by the metal sliders;
Final Verdict
If you want headphones with extreme sound capabilities and the longest playtime, you might want to consider Jlab Headphones. Slight issues with comfortability, but valuable nonetheless.[amazon box="B01MTLUYHL" template="horizontal" description=" "]
7Firegram Bluetooth Stereo Headphones
Firegram has an odd design which is pretty hip – if you want to look urban while you are listening to your music, this is one way to do it. The adjustable headband can be affixed at various heights so that it could accommodate your head easily, and the built-in mic gives a quick hands-free solution.
The sound quality is decent, but the sound isolation capabilities of this product are off the charts – this will give you a personal one on one experience, leaving all the ambient noise out from your enjoyment. Pretty durable, and can be used both wireless and wired.
- Decent sound quality – there are models that can do it better, but this headphone piece puts up to its price;
- Built-in mic – a perfect solution for hands-free method of operation;
- Comfortable – the adjustable headband will make sure you're comfortable;
- The design is peculiar, and some people would love it while some won't find it attractive.
Final Verdict
You could hardly find a better model in the same price range. Not the best sound quality, but all of the other features make up for it in full. Solid quality and great value.[amazon box="B01AXGV900″ template="horizontal" description="For iPhone, iPad, iPod, Android Smartphones, Computers" title="Firegram (TM) Bluetooth 4.0 Stereo On-Ear Wireless Headphones"]
6Bluedio T3 Extra Bass Wireless Headphones
We mentioned another Bluedio product earlier, but we'll stick with T3 for the moment. They stick out from the rest of the headphone models in four ways. First of all, they come supplied with a 57mm tetanizing diaphragm that sends the electric signals quicker which had an enhanced sound performance as the result.
Secondly, they sound effects are 3D which means that they're exceptionally good for music and movies. Thirdly, the Condenser Microphone will make sure that your voice is heard clearly while you talk. Lastly, the memory foam protein padding gives for a superior comfortability.
- 57mm tetanizing diaphragm – superior sound capabilities;
- Bluetooth 4.1
- 3D Sound effects – ideal for music and movies;
- Condenser microphone – your voice will be heard clearly when you talk on your phone;
- Memory foam padding – extremely comfortable to wear;
- The price is not exactly "reliable". If it wasn't for the holiday sales, this model wouldn't be on our list.
Final Verdict
A state-of-the-art headphone model. It's supplied with everything you might need for a good time. Phenomenal value.[amazon box="B019C1MBWW" template="horizontal" description=" "]
5AUSDOM AH2 On-Ear Bluetooth 4.0 Headphones
The beautiful black and red design is the first thing you will notice about this headphone set, but that's one of the least important features it comes supplied with. The reason why AUSDOM AH2 On-ear headphones are on our list is because they excel in the field of performance.
First of all, they are very comfortable to use because of the leather ear cushions which also provide these headphones with optimal noise isolating capabilities. Secondly, they implement the use of AUSDOM sound technology which gives for a crystal-clear and accurate sound. The dynamic drivers & full frequency of response give a rich bass, phenomenal treble, and crispy highs. Learn more about EDR Technology here.
- Phenomenal sound quality due to AUSDOM sound production technology;
- Perfect equalizer;
- Comfortable leather pads;
- Bluetooth system of operation;
- They're on the brink of being expensive;
Final Verdict
Not the cheapest model on the market, but one of the best for the price. Great sound, ideal comfortability, and a multitude of outstanding features give for a phenomenal value.[amazon box="B017SR5GHE" template="horizontal" description="Over-Ear Stereo Bass Wireless Bluetooth4.0 Headphones with Built-in Microphone" title="AUSDOM AH2 On-Ear Bluetooth 4.0 EDR Stereo Base Headphones"]
4Fleeken On-Ear Wireless Stereo Headphones
Fleeken Wireless headphones look amazing and perform very well. We could best describe the quality of these cheap wireless headphones by going in detail with the features it comes supplied with. It has a pair of high definition speakers that are able to provide a natural, accurate sound.
The built-in mic & in-line control give for a hands-free method of operation – set the volume, pause or play your music, select your songs, hang up or answer your calls with ease. As for comfortability – the Fleeken Cheap Wireless Headphones have soft leather pads that are extremely comfortable to the skin. The ergonomic design improves the durability and handiness of this headphone set.
- Powerful high definition speakers – Phenomenal listening experience;
- Built in mic and in-line control – Hands-free method of operation;
- Soft leather pads – Very comfortable to wear;
- Long battery lifetime – They can work up to 10 hours (8 h talking time, 100 h standby);
- The cups won't be able to seal off the ambient noise in full;
Final Verdict
Looking good, feeling good, and working well – what more could you want out of your headphones? The only flaw is that they have inferior noise isolating properties, but they will give you phenomenal sound and listening experience. Great value for the price.[amazon box="B01EN0OUUS" template="horizontal" description=" "]
3Skullcandy Uproar Bluetooth Wireless On-Ear Headphones
An excellent pair of cheap wireless headphones. Skullcandy Uproar got its name by the amazing sound output it provides – the phenomenal sound quality comes from the built-in speakers and outstanding noise canceling abilities.
If you're a person that want's a pair of durable headphones for a bargain price, you might want to consider these earphones. Their best features are the TapTech microphone and remote controls, and lightweight design. Skullcandy Uproar is available in 9 different colors, but the design may be different with some of these models.
- Amazing sound quality – The built-in speakers deliver the high-quality sound straight to your ear shells;
- Great sound isolation capabilities – The reduction of ambient noise is one of the greatest features that Skullcandy Uproar comes supplied with;
- Lightweight design – You won't feel encumbered by these headphones even after prolonged usage;
- Comfortable ear pillows – Smooth pillows are supplied with this model so that you feel comfortable while you use them;
- Available in different colors – Nine colors, to be precise, but keep in mind that some colors also have a different design;
- An easy way to answer calls – The latest TapTech microphone technology was implemented so that you can answer your calls with a single push of a button;
- This headphone set is durable, but the headband can be damaged if you adjust it too often;
Final Verdict
Finding a better set of headphones for this price might be a hard task. The sound and durability are very good, the price is terrific, and the manifold of colors for you to choose from add quite a value to these headphones.[amazon box="B00WGMRD2S" template="horizontal" description="Built-In Mic and Remote" title="Skullcandy Uproar Bluetooth Wireless On-Ear Headphones"]
2Photive HF1 On-Ear Wireless Headphones
Want to check other Gaming headphones? Here is our 7 Best PC Gaming Headset buying guide.
Another model with an outstanding design – Photive HF1 has all the performance of a gaming headphone set which means that the sound quality is guaranteed. It has a total of 12 hour of play music, 26 hours of standby, and it's supplied with various features and settings that will improve your listening experience.
Volume and track selection are just some of them, but what should really interest you is the small over-ear design – these headphones are built in such a way that they adjust to your ear while providing comfort.
- Ideal for Music and PC gaming;
- Compatible with most electronic devices;
- Bluetooth compatible;
- Small, compact design;
- High fidelity sound;
- People with big thumbs might find it pretty hard to adjust the controls which are located on the sides of the earmuffs.
Final Verdict
These headphones are simply amazing. Even though they're quite small, they pack quite a punch when it comes to audio performance and design. Outstanding value.[amazon box="B01G2WTEF6″ template="horizontal" description = "Sports Premium Stereo & Noise Isolating Sound – Best Portable Earphones For Music, PC Gaming, TV, SmartPhones – 12 Hour Battery" title="Photive HF1 On-Ear Wireless Bluetooth Headphones"]
1Sennheiser RS120 On-Ear Wireless RF Headphones
Sennheiser is a very serious brand and is considered to be one of the leading names in the Headphone Industry. Their models are absolutely perfect, and RS120 Wireless Headphones are not an exception. The only reason why this model happened to be on our list of the Best Cheap Wireless Headphone is that its price went down due to holidays, so what are you waiting for?
You could hardly make a mistake if you go with Sennheiser RS120 as its features are absolutely superior to any other model of this category. The sound is extremely accurate, pure and rich, the design is very comfortable, and the price is quite affordable.
- The set includes the wireless headphones, a transmitter, and 2 AAA NiMh batteries;
- Lightweight design;
- Interference-free reception;
- Superior sound quality;
- Exquisitely durable;
- This model is not compatible with the current Bluetooth technology;
Final Verdict
If you don't mind the lack of Bluetooth software, this is your best bet – plain and simple. Extremely valuable headphones.[amazon box="B0001FTVEK" template="horizontal" description=" " image=1]


text:
Passavant and Lee's Scier collection merges an aluminum shell with the pebbled black leather
Durability won't be an issue with these bags.
Passvant and Lee is expanding their lineup with the introduction of a new series of travel bags called the Scier Collection. Made in London, the Scier Edition line builds on their theme of aluminum and leather with a classic range of bag styles that feature black pebbled leather wrapped around a protective and rigid aircraft aluminum shell. The first pieces will consist of a Weekender, Backpack, Tote, and wallet.
The Scier Editions will be available for pre-order on November 2nd.

subset: commoncrawl


text:
I'm officially addicted to Twitter. It's a great way to connect with others of similar interests. I also use the same way I used to use IRC but asking questions when I need help or a recommendation. I've found the people to be super friendly for the most part. If someone is a dork, Twitter makes it easy to block them.
Several friends have asked what I use to access Twitter. I'll send messages in three different ways:
- Twitter.com – The place to go to add followers and make changes to your profile.
- Twhirl – This is my favorite desktop Twitter application. It runs on Windows and OSX and is based on Adobe Air.
- M.Twitter.com – The Twitter website formatted for mobile phones.
A lot of people also use SMS to send updates but I find M.Twitter.com just as easy. I use Twhirl the most because it color codes the messages as they arrive so I visually see the difference between a message send to everyone vs. just to me or even a direct message.
I've found myself using two website recently that attempt to rank Twitter users. Twitterposter has been around a while and shows icons based on how many followers a person has. The bigger the icon, the more followers someone has. At times, I'm not sure that it's still being updated, but it's pretty cool.
Tweeterboard is the one I've been checking more often. It ranks the top 100 users using what the creator calls a person "reputation score". I haven't looked into it much but I was surprised to see myself listed at #67 yesterday afternoon. By evening I was off the list and right now I'm back on at #97. I don't know that it means anything but it's sort of fun to track occasionally.
I still check Twittervision a couple of times a week. If you want to find out where a Twitter user lives give Twittermap a try.
Those are the tools I use regularly. The most comprehensive list of Twitter tools I've found was put together by Stan Schroeder at Frantic Industries.


text:
To begin with, what is the definition of self-esteem? According to Oxford Advanced Learners Dictionary, self-esteem is defined as a feeling of being happy with your own character and abilities; otherwise called self-worth. Most people's thoughts and feelings about themselves fluctuate somewhat based on their daily experiences. The grade you get in an exam, how your friends treat you, ups and downs in a romantic relationship, the kind of car you drive, the apartment you live in, the school you attended or currently attend, the organization you work, the designer label you wear (clothes, shoes, bags, jewellery, perfume/cologne, make-up), can all have a temporary impact on how you feel about yourself.
Your self-esteem, however, is something more fundamental than the normal ups and downs associated with situational changes. For people with good self-esteem, normal ups and downs may lead to temporary fluctuations in how they feel about themselves, but only to a limited extent. In contrast, for people with poor self-esteem, these ups and downs drastically impact the way they see themselves. We all experience problems with self-esteem at certain times in our lives, but how we come out of it makes all the difference. Can you handle rejection and criticism in an objective and healthy manner, or does one negative comment completely shatter your self-view?
Healthy self-esteem is based on our ability to assess ourselves accurately and still be accepting of who we are. This means being able to acknowledge our strengths and weaknesses (we all have them) and at the same time recognize that we are worthy and worthwhile because we know that we're not an accident. God intentionally made us for a purpose. It is very important to know who we are and not allow the society or circumstances define us according to their own criteria which oftentimes do not align with our purpose. We must live free of guilt and condemnation regardless of how 'negative' our circumstance or past may appear.
Where Does Self-Esteem Come From?
Our self-esteem evolves throughout our lives as we develop an image of ourselves through our experiences with different people and activities. Experiences during childhood play a particularly large role in the shaping of self-esteem. When we were growing up, our successes, failures, and how we were treated by our family, teachers, mentors, religious authorities, and peers, all contributed to the creation of our self-esteem.
Childhood experiences that contribute to healthy self-esteem include:
• Being listened to
• Being spoken to respectfully
• Getting appropriate attention and affection
• Having accomplishments be recognized and mistakes or failures be acknowledged and accepted
Childhood experiences that may lead to low self-esteem include:
• Being harshly criticized
• Being physically, verbally, sexually, or emotionally abused
• Being ignored, ridiculed, bullied or teased
• Being expected to be perfect all the time. People with low self-esteem were often given messages—from parents, teachers, peers, or others—that failed experiences (losing a game, getting a poor grade, etc.) were failures of their whole self.
Low self-esteem signs include depression, lack of confidence, fear of taking chances, depression, anxiety, obsession with appearance, how to cope with changes. These aren't flaws; they're neither inborn nor necessarily permanent. They're just the outermost layers of inner pain.
1. Indecision. Given our choice of anything—vacation destinations, menu items, careers—we freeze, assuming that whatever we select will result in horrid consequences: falling short, angering, disappointing and/or hurting others or ourselves.
2. Faking it. Afraid and ashamed of exposing our true selves to the world, we hide behind masks, hoping to "pass." This lends our lives a sense of falsehood, putting us in a perpetual state of performance anxiety.
3. Deflect praise. When praised; we argue, explaining in agonizing detail how and why our praisers are incorrect. Our second impulse is to suspect each compliment of being a sophisticated joke, an insult in disguise.
4. Hyper-vigilance. No gesture, word or blink escapes our raptly terrified attention. We compile it all as evidence that we are failures, disliked and/or doomed. Misinterpretation of every action or word as intended against one's hurt.
5. Difficulty inhabiting the present moment. Regretting what we've done and fearing what we'll do send us seesawing back and forth between past and future, both of which lead to frustration and pain. Low self-esteem blinds a person from relishing the joy of the moment. Such a person believes there's always something to be afraid of or something one is not deserving of.
6. Quick to give up. And we give in. Certain that we're always wrong and will always lose; we never stand up for ourselves. A great scholar once said, 'winners don't quit and quitters don't win, be courageous'. Be ready to go the long haul and don't forget that quitters never win.
7. Pleading unnecessarily. Believing that we merit no kindness, decency, or respect and that our fates rest in the hands of others who can judge us as harshly as we judge ourselves, we turn even the simplest requests into desperate, self-abasing pleas.
8. Aiming low. Always predicting our own failure, we set low targets for ourselves. This keeps our predicted falls less steep.
9. Chronic comparison. We compare ourselves constantly—and unfairly—to everyone we know, see, or even hear about. Guess who always loses?
Do you recognize some of these habits in yourself or in others? The first step is to accept yourself for who you are. Stop beating yourself up, or belittling yourself. Don't sell yourself cheap. You are worth much more than you think. Do you realize that you beat over a million spermatozoa to become you? You are already a winner. The fact that you failed before doesn't make you a failure. You are an extension of the Almighty God who made the entire universe. Celebrate yourself, because what you believe is what you become. You deserve all the good your heart can imagine, so kindly stop under-rating yourself. See yourself through the eyes of love, possibilities, intelligence, creativity, beauty, strength, bravery, high worth, and compassion. You are one in a million. There's only you, you're an original and not a fake. Roll out the drums and celebrate yourself. Gladly accept compliments and appreciate them. Quit the harshness and criticism. Enjoy each moment and look forward to the future with great expectation, faith and complete trust in God. He has a glorious future prepared for you. But your attitude determines to a large extent if it will be delivered to you at the set time or not.
One last word, regardless of your past, your future remains a glorious virtue. Go out there, enjoy yourself, have a healthy self-esteem, and make God and all of us proud. You are what God says you are; priceless, beautiful, delectable, strong, apple of God's Eyes, brilliant, courageous, wise, excellent, inspiring, deserving, dazzling, and distinguished for distinctions.


text:
Map and Statistics
New London Township is the most populated township in Kandiyohi County with a population of 2,952 residents, 1,212 households and 2,003 registered voters.
New London Township is located in the northeast central portion of Kandiyohi County between the cities of Spicer and New London. The township has a total of 30.002 miles, 22.054 of which are paved and 7.948 miles are gravel.
Major Roads:
US Highway 71, State Highway 9 and 23, County Roads 9, 30, 32 and 40.
Green, Monongalia, Cedar Island, Bear, Nest, George and West Woodcock.
Emergency Services:
The township is serviced by New London Fire Department, Spicer Fire Department,
New London Ambulance and Spicer First Responders.
© New London Township
Web design by Dennis Benson


text:
BMW Motorcycles Website
For BMW, motorcycles have been a passion long before the automobiles were a part of the iconic brand. The same focus on engineering and artistry in making the Ultimate Driving Machine is in every motorcycle BMW makes. This website needed to showcase the machines beautifully while showing the shared passion for riding that all motorcycle enthusiast share. The Motorcycle division in the US also wanted to have more of a "Black Sheep" feel to the brand. Created at Duffy Design in 2000 Responsible for all design and creative direction


text:
23 Oktober 2019
Furon Q-Valve and GEMÜ CleanStar® valves were tested side by side to compare impact on slurry in semiconductor applications. Cabot Semi-Sperse™ slurries were used for the test. The analysis was conducted by SGR Shanghai, one of eight Saint-Gobain research and development centers.
Test Method
Eight Furon valve and eight GEMÜ valves, normally closed,were assembled as represented in Figure 1. The valves were arranged in a series in order to maximize their impact on the slurry (8 times the impact) over other components present in the configuration. The cycling was set to enable the slurry to move freely through all the valves between two actuations with a valve open/close time of 10 seconds. A derivation was generated after the pump and before the series of valves to enable proper, continuous operation when the valves were closed.
For results and additional test details, download the Benchmark Report >>


text:
Thursday, September 29, 2022
Compare Quotes
View Lenders
Ask Lenders a Question
Secure Online Application
Loan Services
Purchase Loans
Refinance Loans
Consolidate Debt
Home Equity Loan
Compare Quotes
View Lenders
Home Loan Basics
Purchasing a Home
Refinancing a Home
Interest Rates
First Time Home Buyers
Home Equity Loans
Mortgage News
Mortgage Demand Declines as Rate Climb
Mortgage Credit Loosened in January
Refinance Demand Hits 11-Month High
600,000 Mortgage Forbearance Plans to End in March
Existing Home Sales Hit 14-Year High
View More
Found the house? Find a lender.
Own your own home in a few easy steps. Start by using our simple application and let the lenders find you.
What Are You Looking for in a Home? Part III
First Time Home Buyers
> What Are You Looking for in a Home? Part III
Date: 01/07/2007
Is it time to go house shopping? Buying a home can be a very exciting process, but it can also be frustrating if you are not clear about what type of home you want. Making a list of your most important house features before you start looking can be a big help in simplifying your search. This is the third part in an article series designed to help potential home buyers think about which factors are most important to them when buying a home. This article takes a look at the external, intangible aspects of a house.
First you need to consider the area surrounding the home. How important is it to you to live on a quiet street? Would busy automobile traffic on your street bother you? What about the safety of the neighborhood where the home is located? Does the area have a reputation for crime or violence? You should realize that even though you might get a low price in a home in such an area, there will be minimal appreciation on such a home because of the surrounding problems, and you may have trouble selling in the future. You should find out if the neighborhood has a home owners association or a crime watch group. These will generally help keep the area safer.
Another aspect to consider is the age make-up of the neighbors. If you have children you may want to find a neighborhood with many other young families. If you are older you may prefer an older, quieter population.
For those with school-age children, finding a home close to good schools is often an important factor in choosing a house. If you are in this category, you should check out the reputation of the nearby schools. You may want to get statistics about the average class size in the schools, as well as the level of achievement test scores. Whether bus service is provided or not, the distance from the home to the schools might be a deciding factor for you.
Other distances could be important as well. First and foremost is how far your home is from your place of work? Are you comfortable with an hour-long commute, or is five minutes too long in the car? Do you need to live close to a public transportation hub in order to get to work? Is it important for you to live within a few minutes of grocery stores or other shopping? What about the distance to the nearest hospital or other medical services? This could be increasingly important in the later years of life. You should also consider how close you want to be to the fire department in case of an emergency. If you receive lots of out-of state guests, or do a lot of flying yourself, it may be important to you to live close to an airport.
There are many, many considerations in deciding what type of home will suit your needs. Take inventory of your preferences and compare each house you view to your list. By carefully prioritizing your needs and wants and matching them up with your spouse or familys needs, your search for a home will be much easier and simpler.
Conditions of Use
Rate Your Experience
Site Map
Contact Us
About Us
For Lenders:
Mortgage Leads
Sign Up
Log In
Copyright © 1999-2022
Etrafficers, Inc.
, or its affiliates.


text:
CARLSBAD, Calif.--(BUSINESS WIRE)--Lineage Cell Therapeutics, Inc. (NYSE American and TASE: LCTX), a clinical-stage biotechnology company developing three novel cell therapies for serious medical conditions, today announced that Brian M. Culley, Chief Executive Officer, will be presenting at the 13th Annual LD Micro Main Event virtual conference on December 14, 2020 at 12:00 pm Eastern Time / 9:00am Pacific Time. Interested investors can register and access the live presentation on the 13th Annual LD Micro Main Event conference page as well as on the Events and Presentations section of Lineage's website.
The archived presentation will be available on the Events and Presentations section of Lineage's website for 30 days. Additional videos are available on the Media page of the Lineage website, located at www.lineagecell.com/media/.
About Lineage Cell Therapeutics, Inc.
Lineage Cell Therapeutics is a clinical-stage biotechnology company developing novel cell therapies for unmet medical needs. Lineage's programs are based on its robust proprietary cell-based therapy platform and associated in-house development and manufacturing capabilities. With this platform Lineage develops and manufactures specialized, terminally differentiated human cells from its pluripotent and progenitor cell starting materials. These differentiated cells are developed to either replace or support cells that are dysfunctional or absent due to degenerative disease or traumatic injury or administered as a means of helping the body mount an effective immune response to cancer. Lineage's clinical programs are in markets with billion dollar opportunities and include three allogeneic ("off-the-shelf") product candidates: (i) OpRegen®, a retinal pigment epithelium transplant therapy in Phase 1/2a development for the treatment of dry age-related macular degeneration, a leading cause of blindness in the developed world; (ii) OPC1, an oligodendrocyte progenitor cell therapy in Phase 1/2a development for the treatment of acute spinal cord injuries; and (iii) VAC, an allogeneic dendritic cell therapy platform for immuno-oncology and infectious disease, currently in clinical development for the treatment of non-small cell lung cancer. For more information, please visit www.lineagecell.com or follow the Company on Twitter @LineageCell.


text:
FASCINESHION.COM is an inquisitive online magazine offering a space to people open to the world, artists, fashion designers, writers, directors, and musicians. A magazine with a difference, full of infos and trends to know about what's-going-on and who-does-it in Paris and elsewhere; an atypical broadcasting tool that leaves room to video, sound and text.
As a logical follow-up to the site, the idea was born to present an odd and humorous item looking into all the circles of influence and creation networks: an Inquiring Notebook.
The first issue was edited by Pierre-Marie who unveils an informal and creative network through the portraits of artists and celebrities he feels close to: Madoka Ikeya, Nicolas Nahab, Alice Anderson, Thomas Adam-Garnung, Melodie Wolf,Olivier Bobin, Samuel Deshors, Sophie Gateau, Romain Kremer, Benjamin Bruno, Yazbukey, Yoshiko Kajitani, Tania et Vincent, Yann Lecoadic, Soheil Nasseri, Ich&Kar, Sabine Morandini.
In their own ways, they each answer three questions .
1 • If you were to draw your own portrait ?
2 • What fascinates you ?
3 • What would you fancy tomorrow ?
Text by Thomas Adam-Garnung
There are colourful cities, cities with a history, cities with a lot going on and there is Paris. Nothing happens in Paris,THE CITY OF ROMANCE. Paris, the Dead City. Paris, the Old and Grey Whore.
That's how the whisper goes in airports, terminals and customs.
The place to be, but no one knows why. WHAT DO YOU WANT ME TO DO?
Yet things happen in town, I CAN PLAY THE DOG, unseen things, things you don't imagine, small things that don't matter, things that don't even deserve picking-up on: people meet.
And it happens every day, at each street corner, in coffee shops, in some galleries, and it doesn't make waves. There's a bit of fun perhaps, but no waves.
It sways, it runs under the skin, thrills, GOOD VIBES. Because of all the gestures, the caresses, the looks. You touch me lightly and I'm moved.
There, now you understand better when I say things happen, that it's still on the move and that it's hot, the body and the eyes, full of warmth. We are a group, a gang, we don't know it, we don't show it, but we like to meet, to see each other, and sometimes do things. One day maybe we'll be called a movement, a generation, we don't care, IT DOESN'T MATTER, we do it for the fun, for us, for us together today. There'll always be a reason for everything, everything but that perhaps.
The city is not dead. Like a resistance, but without the flags, without a vengeance. Only the pleasure to be together. We don't know each other, but you are one of my friend's friends, so we often see each other.MEET ME IN THE CORNER.
We start to talk. Not necessarily about what we do for a living. Who cares what we do for a living? Rather about what we like, what amuses us, what we would like to see. And everything is possible. So why not do it together? Nothing had been planned, decided on, written. That's the magic of chosen affinities. It's fun. Like a crazy machine that makes no specific product. To start from scratches and to arrive nowhere. That's alchemy.
DOUBLE DOUBLE, TOIL AND TROUBLE, FIRE BURN AND CAULDRON BUBBLE. There are so many bounds between us, like an odd piping system. Everything mingles. All is porous and permeable. It all distils here in the dark. Still. We're going to get together. We get together. We'll exchange things, invent new ideas, laugh about the world and what we do in it. We'll be together. That's all we want: to be together.
Sometimes we happen to create things, but it's like scoria, like a detail, a particle of dust. Like a pretty improvisation on a music instrument. Intuition guides us. Some noises make songs. COME TOGETHER.
Inquiring Notebook #1
Les mots à la bouche Paris 75004
Librairie Yvon Lambert Paris 75003
Librairie Fondation Cartier Paris 75014
Librairie 7L 7, rue de Lille Paris 75007


text:
A recent report of the Washington-based Immigration Study Center said one of the fastest growing immigrant groups in the United States comes from the Middle East. The study is based on data from the U.S. government's 2000 census.
The report published by the Center for Immigration Studies said the number of immigrants from the Middle East has soared nearly 800 percent in the past three decades, from fewer than 200,000 in 1970 to about 1.5 million in the year 2000. That total is projected to double in the next decade.
The report, however, shows a slight decline in the number of immigrants coming from Israel.
CIS director of research, Steven Camarota, said most Muslim immigrants are coming from Iran, Pakistan, Iraq and Bangladesh. "We found that almost half the Middle Eastern immigrants have a college education, compared to 28 percent of U.S. natives. We also looked at their income and there too they compare very favorably to natives, that is their income is at least as high as natives," Mr. Camarota said.
California has the largest Middle Eastern immigrant population, nearly 400,000. The major cities of Texas, Michigan and New York and the suburbs of Washington D.C are also key destinations.
Mr. Camarota shows three out of four immigrants from the region today are Muslim. In the past, most immigrants from the region were members of religious minorities fleeing persecution.
Conservative political analyst Daniel Pipes, who directs the Middle East Forum, also tracks the ebb and flow of Middle East immigration. He said Middle Easterners are attracted to the United States as a place of refuge but also as a place of economic and educational advancement.
In the wake of last year's terrorist attacks in New York and Washington, Mr. Pipes also voices concern over what he sees as a rise of a militant Islamic voice within the American Muslim community.
But government studies professor Peter Skerry also sees rising tensions within the communities as Muslim families, especially their U.S.-born children, try to adapt to the American lifestyle.
"I think it's quite evident that Islam in the United States is moving in new directions, moving in multiple directions and becoming more and more diverse and more and more fragmented in the United States," Mr. Skerry said.
Researcher Steven Camarota said the rising number of immigrants from the Middle East is sure to have an impact on U.S. policies, especially toward the Arab-Israeli conflict.
"Opinion polls indicate that Middle East immigrants are very dissatisfied with U.S. policy toward the Arab Israeli conflict and would like to see less, unequivocal support for Israel and much more support for the Palestinian cause," Mr. Camarota said.
Professor Skerry agrees the Muslim community now is seeking a stronger political voice much the way other immigrant communities have done in the past.


text:
Main advantage
The IONFlex from Shark is committed to cleaning different types of surfaces ranging from floors to carpets and ceilings without hassle. The self-standing cord-free unit will provide the users with extended cleaning time and spare them the risk of stumbling over cables or interrupt the cleaning to plug the vacuum in different power sockets. It is versatile and flexible enough to enable you to clean most surfaces in your home with ease.
Main disadvantage
Weighing 8.7 pounds and measuring 13.4 x 10.4 x 45.9 inches, this model might prove to be a bit heavier for some people especially if it used for long cleaning sessions. The sweeper boasts multiple features that lead to a heavier build, though, and there are models that weigh even more and don't come with the same characteristics.Buy from Amazon.com
Main features explained
Floor-to-ceiling Cleaning
With this vacuum, you get a product that will enable you to clean various surfaces in just one session. It can be used for hard floors and even polish them. Moreover, the vacuum was designed to clean carpets and help you remove dirt and dust from hard-to-reach areas.
The MultiFLEX technology will allow you to bend the wand and thus clean all the corners and spots in your house. Cleaning shelves, corners, and those difficult-to-reach areas under the furniture gets way easier with Shark IONFlex. Furthermore, you can easily convert it to a handheld vacuum to clean areas above the floor or even clean your car.
Cord-free Design
In case you're interested in getting a new vacuum that will help you clean anything from floors to carpets and all those hard-to-reach areas such as shelves and corners, this model might be just what you need. The freestanding cordless vacuum offers great flexibility when cleaning ensuring floor-to-ceiling versatility. It can be used to polish floors, deep clean carpets, and remove all the debris in between.
Say yes to this sweeper and you say yet to hassle-free cleaning. The vacuum is powered by 2 removable, rechargeable lithium-ion batteries. No more cables spread over your room and no more risks of stumbling over and getting hurt.
You won't have to interrupt your cleaning to charge the battery as you can vacuum using one of them and charge the second one meantime. The pack also includes a charging dock.
DuoClean Technology
The versatility of this vacuum is ensured by the DuoClean Technology featured which allows the user to manage various types of surfaces. The bristle brush included will deep clean carpets whereas the soft brush roll will pull large particles and polish floors.
This further means that you will be able to easily transition from floors to carpets. It takes just one push of a button to adapt the vacuum to power settings tailored for floors and carpets. The pack includes a crevice tool, a pet multi-tool, an anti-allergen dust brush, two batteries, a single battery charging dock, and a charger.
Buy from Amazon.com


text:
Ford F-450 Painted Functional Ram Air Hood 2017 - 2022 / RAHFORDSD17
- Stock: In Stock
- Part Number: RAHFORDSD17
Dawn Enterprises Painted Functional Ram Air Hoods are vastly superior to any other 2017 - 2022 Ford F-450 fiberglass hood on the market.
- Easy installation, installs using the existing factory weather stripping, gaskets, bolts, and included hood struts
- 100% moneyback guarantee on fit, finish, color match, and overall customer satisfaction
- 5 year warranty
- Made in the USA
- No prior installation experience necessary, Ram Air Hoods line up perfectly every time without needing finish work
- Utilizes a Resin Transfer Molding (RTM) close mold manufacturing process to allow for a higher fiber content
- Lightweight without sacrificing strength or durability
- Features a painted, smooth underside
- Cold air intake kits are available for full ram air function, increasing fuel efficiency, sound, and 10+ horsepower
Increase the power of your Ford F-450 with a Ram Air Hood from Dawn Enterprises. This Ram Air Hood is crafted through a Resin Transfer Molding (RTM) manufacturing process which allows for a higher fiber content, resulting in lighter weight parts that are also incredibly strong. No other company is using this process to manufacture their fiberglass hoods. Installing a Ram Air Hood to your Ford F-450 is an incredibly easy process, no prior body shop experience is necessary. This hood utilizes the factory mounting hardware on your Ford F-450 for installation, simply remove factory bolts, remove factory hood, and replace with your new Ram Air Hood. Before leaving the warehouse, this Ram Air Hood is inspected by a team of quality control experts that search out any imperfections in the workmanship, ensuring you'll receive the best product possible. If you're not satisfied with the fit, finish, or color match - we offer a 100% moneyback guarantee. Order a high quality Ram Air Hood for your Ford F-450 today!
Why Our Hoods Are Superior :
We use a process called Vacuum Infusion with a closed molding process, consisting of a male mold and a female mold. We also use better resin called Vinylester Resin. With this process, all air is vacuumed out of the mold and the resin is pulled through the mold cavity and through the infusion matt fiberglass. As this occurs, all air and air bubbles are drawn out of the mold, leaving no voids that later expand called soft spots. As the part is drawing the resin in, it also compresses the mold, producing a very uniform and consistent part in thickness.
Our competitors make their hoods using a single-sided mold with inexpensive polyester resin and cheap fiberglass. They roll out the air bubbles with paint rollers by hand. This method makes for many air voids and uneven thickness, which leads to blisters or bubbles under the paint and warping as the part is exposed to the elements over time.
How Do Functional Ram Air Hoods Work And Add Performance? :
A Ram Air Intake is an intake design which uses the dynamic air pressure, created by vehicle motion, to increase the static air pressure, inside of the intake manifold, on an internal combustion engine. This allows for greater force through the engine and increases engine power. At higher road speeds, a Ram Air Intake can increase the speed and pressure of the air entering the engine's intake, creating a resonance supercharging effect.
With our Functional Ram Air Hoods, air is forced into the hood scoops and channeled through the hood. The air then exits the hood directly above the air box, injecting fresh cold air. When utilizing a cold air intake, the intake will receive the cold air to increase horsepower, and also produce a higher quality, aggressive engine sound.
PLEASE NOTE : Do NOT guess your paint color! The only accurate way to obtain the correct color is to get your paint code from your vehicle. Some paint codes have multiple names, but the code is always the same. CLICK HERE to find your vehicle's paint code. Unsure of your paint code? Call the parts department at any dealership relating to your vehicle (If you have a Ford, call a Ford dealership) and give them your VIN#. They will be able to tell you the correct color code once they look up your VIN#. Alternatively, you can enter "Gloss Black" into the paint code box for a high-gloss black finish, or enter "Matte Black" into the paint code box for a flat black finish.
COLD AIR INTAKE INQUIRIES : For added performance and horsepower, we recommend using a cold air intake. We recommend S&B Filters part number 75-5085, which is available for the 6.7L Power Stroke models, and will provide a 47.62% airflow improvement. At this time, we do not sell this cold air intake, you would need to purchase it separately from their website. Cold air intakes are illegal to purchase in the State of California, and may not be street legal in your state. Cold air intakes will only work with this Ram Air Hood if you have the 2017 - 2019 Diesel Models. For any other engine type, the cold air intake will not line up with the cutout on the underside of this Ram Air Hood. We apologize about this inconvenience!
RAM AIR HOOD FREIGHT POLICY DISCLAIMER : For all shipments outside of the contiguous United States (Alaska, Hawaii, Canada, and international locations), free shipping does not apply, and you cannot order this product online (any orders placed online with a final destination outside of the 48 contiguous United States will be automatically cancelled). Please call us at 1-216-642-5506 to check availability, receive a custom quote for your shipping costs, and place your order. Also, for Ram Air Hood orders outside of the 48 contiguous United States, we only accept a bank transfer for payment. If a return or replacement is needed for any reason, the customer is responsible for all return related shipment costs. Please contact us with any questions you may have, we apologize for this inconvenience!


text:
Debugging PostgreSQL performance, the hard way
A story about debugging a performance problem with PostgreSQL.
While trawling the web I find regularly interesting articles which are worth to share. I also highly recommend to read the hackernews comments if avaiable. Archive.org has cached copies of each article.
A story about debugging a performance problem with PostgreSQL.
The Stack Overflow technology stack in 2016. Everything about their servers and networking.
An article about peformance problems in Minecraft 1.8 due to excessive Java garbage collection.
A guide on how to scale to 11 million+ users when heavily depending on AWS services.
Techical details about the "million dollar" hack of Instagram and how Facebook reacted.
Article about HTTP status codes and how to decide which status code is the best for every situation. Includes flow diagrams to simplify the decision.
How most dating platforms are a misconcept in regard of male/female behavior.
What makes system informations leakage bad and how it can be easily used to exploit the system.
A guide about the key ingreedients to make a startup successful.
The process on how to get your Startup some press.
For those who think it's simple to create a network game protocol - it's not!
How denial of service attacks can be easily used to attack an application at code level.
Technologies, hardware and technics behind the Google infrastructure.
While many trends and techniques in web design come and go, one that remains constant is color. A story about colors in web design.
How hard is it to write a program that receives 1 million UDP packets per second?
Quote from Hackernews: "This is what burnout looks like."
An article about a person which did too much and wanted less.
The guide provides guidance regarding the development of non-trivial RESTful APIs.
How organizational dept can be a lot more worse than technical debt when running a startup.
Many of us are using promises without really understanding them.
Where to look at during a code review.
A guide on how Java improved over the years and what makes Java 8 that good.
Achieve a zero downtime re-deploy with HAProxy.
8 strategies about splitting big user stories into smaller ones. Includes also a cheatsheet for everyday use.
A guide about Java 8 concurrency in three chapters. Starting with threads and executors, afterwards something about synchronization and locks and finishing with atomic variables and concurrent maps.
How icons with a bad comprehensibility can affect the user experience.
A story about the decision to move away from Amazon EC2 instances to real hardware.
What makes discipline more powerful than motivation.
A short summary of the process to retrieve position information from multiplayer games based on the source engine.
A competency matrix for programmers.
A guide to making every email count.
Background on how maven releases can be automated for open source projects on GitHub.
A guide about the search engine capabilities of PostgreSQL, in two parts. Part 1, Part 2
Now it's time to learn what the best TDD practices are.
Some interesting details about latency and how it could affect the user experience.
How to not program.


text:
Today, I am going to teach you how to create a candy can text effect in Photoshop cs6, it is very interesting and enjoyable to design. You will learn also here to make a pattern and method to apply on different object, let's start.
First I am going to make a candy pattern to apply on the text, take a new document with height="100px" and width="100px", draw red stripe on with different shape and distance as given below picture.
Now make it as pattern, go to "Edit Menu" and choose "Define Pattern" then give it a name. Take a new document with any size as you need then go to "Edit Menu" and choose fill, a pop up will come on the screen and apply your pattern, press Ctrl + T key and rotate as 45o.
Select Horizontal Type mask tool (T key) and make settings as you like then type on the canvas, click on V key. Now make inverse selection by hold key "Shift + Ctrl" and "I" key then press Del key. You should have a text with candy texture.
Now make it as bevel shape, go to Layer menu > Layer style > Bevel & Emboss. Change the color and make another setting as done below picture.
It is looking so white and I am going to apply some fadeness, go to Layer menu > Layer style > Satin. Change the color with another setting as here.
Apply stroke around the text, go to Layer menu > Layer style > Stroke. Choose color and change the size with another setting.
Now finally apply drop shadow, go to Layer menu > Layer style > Drop Shadow. Select black color and make another setting.
This is the final result.
This is santosh kumar living in New Delhi (India) and love to work as a Web & Graphic Designing. I like to create sketch, background, illustration and vector graphics. Tutorialbunch.com is a very good place where I express my creativity.


text:
Like many of the surrounding neighborhoods of Bellingham, Samish has a rural feel to it that makes living in this area feel as relaxed as any neighborhood could. You will find an abundance of green areas and lots of trees, making walking down the street feel like a stroll through the country. You will find a mix of homes here from small, older homes to some of the newer developments. You won't find a lot of amenities in Samish but head a little way to the north and you will find plenty of restaurants and stores.
The climate in Bellingham is much like the rest of western Washington: mild with the occasional heavy rainstorm off the Pacific, but Bellingham is subject to the occasional bout of cold air, wind, and snow from the Fraser Valley as well. Summers are mild, however, so you can expect to be able to walk year-round with a few exceptions.
Many of these roads are rural in nature, narrow, and have no sidewalks. You should be more careful where you walk and take certain safety precautions such as wearing bright clothing and walking towards oncoming traffic. It's also suggested that you take a drive around the neighborhood, especially if you are just starting out, and plan out a route before you walk. The steep hills may pose issues for out of shape dogs or people and you may be able to devise a safe route to ensure your success.
Finally, there is also the Sehome Hill Arboretum which, while not in Samish, is close to homes in the northern end of the neighborhood. Home to lots of native species, there are plenty of trails here and the area does allow dogs as long as you keep them on a leash.


text:
Pseudepigrapha (also anglicized as "pseudepigraph" or "pseudepigraphs") are falsely attributed works, texts whose claimed author is not the true author, or a work whose real author attributed it to a figure of the past.[1]
In biblical studies, the term pseudepigrapha typically refers to an assorted collection of Jewish religious works thought to be written c. 300 BCE to 300 CE. They are distinguished by Protestants from the Deuterocanonical books (Catholic and Orthodox) or Apocrypha (Protestant), the books that appear in extant copies of the Septuagint from the fourth century on,[2] and the Vulgate but not in the Hebrew Bible or in Protestant Bibles.[3] The Catholic Church distinguishes only between the deuterocanonical and all the other books, that are called biblical apocrypha, a name that is also used for the pseudepigrapha in the Catholic usage. In addition, two books considered canonical in the Orthodox Tewahedo churches, viz. Book of Enoch and Book of Jubilees, are categorized as pseudepigrapha from the point of view of Chalcedonian Christianity.
Pseudepigraphy covers the false ascription of names of authors to works, even to authentic works that make no such claim within their text. Thus a widely accepted but incorrect attribution of authorship may make a completely authentic text pseudepigraphical. Assessing the actual writer of a text locates questions of pseudepigraphical attribution within the discipline of literary criticism.
The word pseudepigrapha (from the Greek: ψευδής, pseudḗs, "false" and ἐπιγραφή, epigraphḗ, "name" or "inscription" or "ascription"; thus when taken together it means "false superscription or title";[4] see the related epigraphy) is the plural of "pseudepigraphon" (sometimes Latinized as "pseudepigraphum").
Classical and biblical studies
There have probably been pseudepigrapha almost from the invention of full writing. For example, ancient Greek authors often refer to texts which claimed to be by Orpheus or his pupil Musaeus of Athens but which attributions were generally disregarded. Already in Antiquity the collection known as the "Homeric Hymns" was recognized as pseudepigraphical, that is, not actually written by Homer. The only book surviving from Ancient Rome on Cooking is pseudepigraphically attributed to a famous gourmet, Apicius, even though it is not clear who actually assembled the recipes.
Literary studies
In secular literary studies, when works of antiquity have been demonstrated not to have been written by the authors to whom they have traditionally been ascribed, some writers apply the prefix pseudo- to their names. Thus the encyclopedic compilation of Greek myth called the Bibliotheca is often now attributed, not to Apollodorus of Athens, but to "pseudo-Apollodorus" and the Catasterismi, recounting the translations of mythic figure into asterisms and constellations, not to the serious astronomer Eratosthenes, but to a "pseudo-Eratosthenes". The prefix may be abbreviated, as in "ps-Apollodorus" or "ps-Eratosthenes".
Old Testament and intertestamental studies
In biblical studies, pseudepigrapha refers particularly to works which purport to be written by noted authorities in either the Old and New Testaments or by persons involved in Jewish or Christian religious study or history. These works can also be written about biblical matters, often in such a way that they appear to be as authoritative as works which have been included in the many versions of the Judeo-Christian scriptures. Eusebius indicates this usage dates back at least to Serapion of Antioch, whom Eusebius records[5] as having said: "But those writings which are falsely inscribed with their name (ta pseudepigrapha), we as experienced persons reject...."
Many such works were also referred to as Apocrypha, which originally connoted "secret writings", those that were rejected for liturgical public reading. An example of a text that is both apocryphal and pseudepigraphical is the Odes of Solomon.[6] It is considered pseudepigraphical because it was not actually written by Solomon but instead is a collection of early Christian (first to second century) hymns and poems, originally written not in Hebrew, and apocryphal because they were not accepted in either the Tanakh or the New Testament.
Protestants have also applied the word Apocrypha to texts found in Catholic and Eastern Orthodox scriptures which were not found in Hebrew manuscripts. Catholics call those "deuterocanonical books". Accordingly, there arose in some Protestant biblical scholarship an extended use of the term pseudepigrapha for works that appeared as though they ought to be part of the biblical canon, because of the authorship ascribed to them, but which stood outside both the biblical canons recognized by Protestants and Catholics. These works were also outside the particular set of books that Roman Catholics called deuterocanonical and to which Protestants had generally applied the term Apocryphal. Accordingly, the term pseudepigraphical, as now used often among both Protestants and Roman Catholics (allegedly for the clarity it brings to the discussion), may make it difficult to discuss questions of pseudepigraphical authorship of canonical books dispassionately with a lay audience. To confuse the matter even more, Eastern Orthodox Christians accept books as canonical that Roman Catholics and most Protestant denominations consider pseudepigraphical or at best of much less authority. There exist also churches that reject some of the books that Roman Catholics, Orthodox and Protestants accept. The same is true of some Jewish religious movements. Many works that are "apocryphal" are otherwise considered genuine.
There is a tendency not to use the word pseudepigrapha when describing works later than about 300 CE when referring to biblical matters.[3]:222–28 But the late-appearing Gospel of Barnabas, Apocalypse of Pseudo-Methodius, the Pseudo-Apuleius (author of a fifth-century herbal ascribed to Apuleius), and the author traditionally referred to as the "Pseudo-Dionysius the Areopagite", are classic examples of pseudepigraphy. In the fifth century the moralist Salvian published Contra avaritiam ("Against avarice") under the name of Timothy; the letter in which he explained to his former pupil, Bishop Salonius, his motives for so doing survives.[7] There is also a category of modern pseudepigrapha.
Examples of books labeled Old Testament pseudepigrapha from the Protestant point of view are the Book of Enoch, the Book of Jubilees (both of which are canonical in Orthodox Tewahedo Christianity and the Beta Israel branch of Judaism); the Life of Adam and Eve and "Pseudo-Philo".
The term pseudepigrapha is also commonly used to describe numerous works of Jewish religious literature written from about 300 BCE to 300 CE. Not all of these works are actually pseudepigraphical. It also refers to books of the New Testament canon whose authorship is misrepresented. Such works include the following:[3]
New Testament studies
Some Christian scholars maintain that nothing known to be pseudepigraphical was admitted to the New Testament canon. However, many biblical scholars, such as Dr. Bart D. Ehrman, hold that only seven of Paul's epistles are convincingly genuine.[8] All of the other 20 books in the New Testament appear to many scholars to be written by unknown people who were not the well-known biblical figures to whom the early Christian leaders originally attributed authorship.[8] The Catholic Encyclopedia notes,
The first four historical books of the New Testament are supplied with titles, which however ancient, do not go back to the respective authors of those sacred texts. The Canon of Muratori, Clement of Alexandria, and St. Irenaeus bear distinct witness to the existence of those headings in the latter part of the second century of our era. Indeed, the manner in which Clement (Strom. I, xxi), and St. Irenaeus (Adv. Haer. III, xi, 7) employ them implies that, at that early date, our present titles to the gospels had been in current use for some considerable time. Hence, it may be inferred that they were prefixed to the evangelical narratives as early as the first part of that same century. That however, they do not go back to the first century of the Christian era, or at least that they are not original, is a position generally held at the present day. It is felt that since they are similar for the four Gospels, although the same Gospels were composed at some interval from each other, those titles were not framed and consequently not prefixed to each individual narrative, before the collection of the four Gospels was actually made. Besides as well pointed out by Prof. Bacon, "the historical books of the New Testament differ from it's apocalyptic and epistolary literature, as those of the Old Testament differ from its prophecy, in being invariably anonymous, and for the same reason. Prophecies, whether in the earlier or in the later sense, and letters, to have authority, must be referable to some individual; the greater his name, the better. But history was regarded as common possession. Its facts spoke for themselves. Only as the springs of common recollection began to dwindle, and marked differences to appear between the well-informed and accurate Gospels and the untrustworthy ... become worth white for the Christian teacher or apologist to specify whether the given representation of the current tradition was 'according to' this or that special compiler, and to state his qualifications". It thus appears that the present titles of the Gospels are not traceable to the Evangelists themselves.[9]
The earliest and best manuscripts of Matthew, Mark, Luke and John were all written anonymously.[10] Furthermore, the books of Acts, Hebrews, 1 John, 2 John and 3 John were also written anonymously.[10]
Pauline epistles
There are many epistles of Paul, such as the Letters of Paul and Seneca, that are obviously pseudepigraphical and therefore not included in the New Testament canon. Inside the canon are 13 letters attributed to Paul and are still considered by Christians to carry Paul's authority. These letters are part of the Christian Bible and are foundational for the Christian Church. Therefore, those letters which some think to be pseudepigraphic are not considered any less valuable to Christians.[11] Some of these epistles are termed as "disputed" or "pseudepigraphical" letters because they do not appear to have been written by Paul. They instead appear to have come from followers writing in Paul's name, often using material from his surviving letters. Some choose to believe that these followers may have had access to letters written by Paul that no longer survive, although this theory still depends on someone other than Paul writing these books.[12] Some theologians prefer to simply distinguish between "undisputed" and "disputed" letters, thus avoiding the term "pseudepigraphical".[11]
Authorship of 6 out of the 13 canonical epistles of Paul has been questioned by both Christian and non-Christian biblical scholars.[12] These include the Epistle to the Ephesians, Epistle to the Colossians, Second Epistle to the Thessalonians, First Epistle to Timothy, Second Epistle to Timothy, and Epistle to Titus. These six books are referred to as "deutero-Pauline letters", meaning "secondary" standing in the corpus of Paul's writings. They internally claim to have been written by Paul, but some biblical scholars present strong evidence that they could not have been written by Paul.[8] Those known as the "Pastoral Epistles" (Timothy, 2 Timothy, and Titus) are all so similar that they are thought to be written by the same unknown author in Paul's name.[8] On the establishing which NT letters are Paul's authentic letters, other sources are as follows: M. Eugene Boring and Fred B. Craddock, The People's New Testament Commentary (Westminster John Knox Press), (the Introductions to each NT book); Dennis E. Smith (editor), Chalice Introduction to the New Testament (Chalice Press), chapters 2–5, and 12; and J. Christian Beker, The New Testament: A Thematic Introduction (Fortress Press) chapters 2–7.
Other Pseudepigrapha
The Gospel of Peter[13] and the attribution to Paul of the Epistle to the Laodiceans are both examples of pseudepigrapha that were not included in the New Testament canon.[14] They are often referred to as New Testament apocrypha. Further examples of New Testament pseudepigrapha include the Gospel of Barnabas[15] and the Gospel of Judas, which begins by presenting itself as "the secret account of the revelation that Jesus spoke in conversation with Judas Iscariot".
Authorship and pseudepigraphy: levels of authenticity
Scholars have identified seven levels of authenticity which they have organized in a hierarchy ranging from literal authorship, meaning written in the author's own hand, to outright forgery:
- Literal authorship. A church leader writes a letter in his own hand.
- Dictation. A church leader dictates a letter almost word for word to an amanuensis.
- Delegated authorship. A church leader describes the basic content of an intended letter to a disciple or to an amanuensis.
- Posthumous authorship. A church leader dies, and his disciples finish a letter that he had intended to write, sending it posthumously in his name.
- Apprentice authorship. A church leader dies, and disciples who had been authorized to speak for him while he was alive continue to do so by writing letters in his name years or decades after his death.
- Honorable pseudepigraphy. A church leader dies, and admirers seek to honor him by writing letters in his name as a tribute to his influence and in a sincere belief that they are responsible bearers of his tradition.
- Forgery. A church leader obtains sufficient prominence that, either before or after his death, people seek to exploit his legacy by forging letters in his name, presenting him as a supporter of their own ideas.[16]:224
The Zohar
The Zohar (Hebrew: זֹהַר, lit. Splendor or Radiance), foundational work in the literature of Jewish mystical thought known as Kabbalah,[17] first appeared in Spain in the 13th century, and was published by a Jewish writer named Moses de León. De León ascribed the work to Shimon bar Yochai ("Rashbi"), a rabbi of the 2nd century during the Roman persecution[18] who, according to Jewish legend,[19][20] hid in a cave for thirteen years studying the Torah and was inspired by the Prophet Elijah to write the Zohar. This accords with the traditional claim by adherents that Kabbalah is the concealed part of the Oral Torah. Modern academic analysis of the Zohar, such as that by the 20th century religious historian Gershom Scholem, has theorized that de León was the actual author. The view of some Orthodox Jews and Orthodox groups, as well as non-Orthodox Jewish denominations, generally conforms to this latter view, and as such, most such groups have long viewed the Zohar as pseudepigraphy and apocrypha,
As literary device
Pseudepigraphy has been employed as a metafictional technique, particularly in literature of the postmodern period. Authors who have made notable use of this device include Jorge Luis Borges ("An Examination of the Works of Herbert Quain"; "Pierre Menard, Author of the Quixote"), Vladimir Nabokov (Pale Fire), Stanislaw Lem (A Perfect Vacuum; Imaginary Magnitude) and Roberto Bolaño (Nazi Literature in the Americas).
In a less literary refined genre, Edgar Rice Burroughs presented many of his works – including the most well-known, the Tarzan books – as pseudepigrapha, prefacing each book with a detailed introduction presenting the supposed actual author, with Burroughs himself pretending to be no more than the literary editor. J.R.R. Tolkien in The Lord of the Rings presents that story and The Hobbit as translated from the fictional Red Book of Westmarch written by characters within the novels. A similar device was used by various other writers of popular fiction.
See also
- Bauckham, Richard; "Pseudo-Apostolic Letters", Journal of Biblical Literature, Vo. 107, No. 3, September 1988, pp. 469–94.
- Beckwith, Roger T. (2008). The Canon of the Old Testament (PDF). Eugene, OR: Wipf & Stock Pub. pp. 62, 382–83. ISBN 978-1606082492. Retrieved 23 November 2015.
- Harris, Stephen L. (2010). Understanding The Bible. McGraw-Hill Education. ISBN 978-0-07-340744-9.
- Henry George Liddell; Robert Scott (1940). "ψευδεπίγραφος". A Greek-English Lexicon. Trustees of Tufts University, Oxford. Retrieved 17 July 2018.
- Eusebius, Historia Ecclesiae 6,12.
- Charlesworth, James. Odes of Solomon Archived 2004-04-14 at the Wayback Machine
- Salvian, Epistle, ix.
- D., Ehrman, Bart (2011). Forged : writing in the name of God : why the Bible's authors are not who we think they are (1st ed.). New York: HarperOne. ISBN 9780062012616. OCLC 639164332.
- Farley (Archbishop of New York), Imprimatur John Cardinal (1913). Charles George Herbermann, Edward Aloysius Pace, Condé Bénoist Pallen, John Joseph Wynne, Thomas Joseph Shahan (eds.). The Catholic Encyclopedia: An International Work of Reference on the Constitution, Doctrine, and History of the Catholic Church, Volume 6. New York: The Encyclopedia Press. pp. 655–56.CS1 maint: uses editors parameter (link)
- D., Ehrman, Bart (2005). Misquoting Jesus : the story behind who changed the Bible and why (1st ed.). New York: HarperSanFrancisco. ISBN 0060738170. OCLC 59011567.
- Just, Felix. "The Deutero-Pauline Letters"
- Sanders, E. P. "Saint Paul, the Apostle". Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2013. Web. 20 May 2013.
- Joel Willitts, Michael F. Bird: "Paul and the Gospels: Christologies, Conflicts and Convergences" p. 32
- Lewis R. Donelson: "Pseudepigraphy and Ethical Argument in the Pastoral Epistles", p. 42
- Joosten, Jan (January 2002). "The Gospel of Barnabas and the Diatessaron". Harvard Theological Review. 95 (1): 73–96.
- Powell, Mark A. Introducing the New Testament. Baker Academic, 2009. ISBN 978-0-8010-2868-7
- Scholem, Gershom and Melila Hellner-Eshed. "Zohar". Encyclopaedia Judaica. Ed. Michael Berenbaum and Fred Skolnik. Vol. 21. 2nd ed. Detroit: Macmillan Reference, 2007. 647–64. Gale Virtual Reference Library. Gale.
- Jacobs, Joseph; Broydé, Isaac. "Zohar". Jewish Encyclopedia. Funk & Wagnalls Company.
- Scharfstein, Sol (2004). Jewish History and You II. Jewish History and You. Jersey City, NJ: KTAV Publishing House. p. 24. ISBN 9780881258066.
- "Rabbi Shimon Bar Yochai – Lag BaOmer at". Ou.org. Retrieved 2012-06-06.
- Cueva, Edmund P., and Javier Martínez, eds. Splendide Mendax: Rethinking Fakes and Forgeries in Classical, Late Antique, and Early Christian Literature. Groningen: Barkhuis, 2016.
- DiTommaso,Lorenzo. A Bibliography of Pseudepigrapha Research 1850–1999, Sheffield: Sheffield Academic Press, 2001.
- Ehrman, Bart. Forgery and Counterforgery: The Use of Literary Deceit in Early Christian Polemics. Oxford: Oxford University Press, 2013.
- Kiley, Mark. Colossians as Pseudepigraphy (Bible Seminar, 4 Sheffield: JSOT Press 1986). Colossians as a non-deceptive school product.
- Metzger, Bruce M. "Literary forgeries and canonical pseudepigrapha", Journal of Biblical Literature 91 (1972).
- von Fritz, Kurt, (ed.) Pseudepigraphica. 1 (Geneva: Foundation Hardt, 1972). Contributions on pseudopythagorica (the literature ascribed to Pythagoras), the Platonic Epistles, Jewish-Hellenistic literature, and the characteristics particular to religious forgeries.
External links
- Online Critical Pseudepigrapha Online texts of the Pseudepigrapha in their original or extant ancient languages
- Smith, Mahlon H. Pseudepigrapha entry in Into His Own: Perspective on the World of Jesus online historical source book, at VirtualReligion.net
- Journal for the Study of the Pseudepigrapha official website


text:
Fabric Type for Curtain
We have thousands of meters of beautiful fabric on rolls and ready to make the curtain for you. Whether you are looking for a traditional curtain fabrics or something more contemporary, whether you like designer linen or sparkly sequined taffeta or fantasy Jacquard fabrics or Printed fabric or Blackout fabric or Sheer fabric, we have something for every home and every budget. We guarantee to supply designer and quality curtain fabric at factory price.
We also provide many designs of wallpaper which is high quality product for your selection.
Upholstery Fabric
Decorate your sofa with our variety Sofa fabrics, many designs and many colours to suite with your room.


text:
The suppression foam was thick as it was heavy, but not enough that I could gain traction. Whoever designed it was smart. There was no getting out on my own.
Tremors rocked the cells with the sound of fists. With all her superhuman might Punching Judy collided with the densest metal. It cracked the foundation and lifted from its hinges. It didn't take long for the door to crash to the concrete.
Automatic gunfire rang through the hall at ear splitting volume. I continued to fight the gunk encasing my body. Judy drove like a linebacker through the guards, laughing like a mad woman. Thank the gods she was on my side.
Her weight clicked against the cell as she sang. "Mar-co!"
"Polo! Polo! Polo!" The suppression foam grew thicker with every kick. I couldn't stop unless I wanted to drown.
The exit buckled under the force from the other side. It snapped under the pressure and hit with the ground. The muscle-bound harlequin lingered on the other side. She grinned from ear to ear, still in full costume, boxing gloves and all.
"I gotta hand it to you, glow stick. You really came through on this one!"
She reached into the goop and with no effort and pulled me free. Gods, it was embarrassing how simple she made it look.
Judy beamed. "How's that saying go; 'in the land of the blind the one eyed man is king'?"
I brushed the foam from my sleeves. "Huh?"
"Kid, you took out all the lights," she said. "Snuffed the building like it was a candle! And now I'm the only one with a flashlight."
My holographic form shone from head to toe. Judy all but yanked my arm from its socket, and like a one woman stampede she down the hallway. She charged into a gauntlet of anti-personnel weapons.
"Get ready for a fight," she said.
Human shaped bodies of heat scrambled into formation. Punching Judy didn't so much as flinch as a thousand hot deaths launched from their chambers. They pinged off her chest like rain.
I shot the barricade with laser uppercuts. Bones shattered with concussive force. For every guard to fall another was ready to take their place. A sea of war stood between us and freedom, but together we would make our escape. We had to!
The moment the lights went out in Captain Ortega's office was the moment dread plummeted into his gut. He knew the cause of the building's groan. For the second time in a day his people were facing a nightmare scenario.
He charged like a bull toward the stairs. "On your feet! We've got a situation! Mobilize downstairs! I want teams covering all exits! Full suppression gear, shoot to stun!"
Half the floor were already racing to their mandated positions. No matter how many drills they ran nothing could prepare them for a firefight with an adept. Their earlier encounter with Mr. Fahrenheit made that evident.
Mayor Bainbridge fumbled in the dark. "Sal? Sal, what's happening!"
Even after their showdown with Dr. Vortex she didn't see the big picture. 'We're not prepared,' he'd said. 'We need more resources.' No bureaucrat could justify that kind of spending over an 'isolated incident'. The ground shook and still she wore the same dumbfounded expression.
Mayor Bainbridge leaned on her bodyguard. "Sal! Answer me, god damn it!"
"We're sitting on an adept containment facility," he said. "Do the damn math!"
The floor was clear, leaving the Mayor and her man in silence. Even the rumbling had ceased, but for how long? Her police experts told her that Dr. Vortex was a freak occurrence. They thought it unlikely another maniac adept would appear any time soon.
She turned toward the street where the lights still shone on the next block. Against the desks was the silhouette of a young man who waved to her in earnest.
"I made coffee," Brandon said. "It's still hot. Would you like some?"
The elevator doors shredded like tissue paper. They revealed a vast, vertical tunnel with an end further than light could reach. Below was the elevator car wedged to a halt in the blackout, serving no purpose to anyone.
A sudden hum permeated the halls. Fluorescent lights flickered to life. Punching Judy peered back to the mobilizing force on her heels. Charging through gunfire in the dark was crazy enough. Facing concentrated fire was worse. There was only one path to follow, and it took a sharp turn.
"You with me, kid?"
Judy looked left and right, then up, and twirled. She found nothing but empty space and numbered walls.
She huffed. "Lousy, no good glow stick. Think you can bail out on-"
Bullets tore through the air like fiery rain, prompting the clown to leap. With all the grace of a drunken marmoset she clamored for grip. She reached for pillars, cables, beams, and holes in the foundation she bore with her fists.
Punching Judy remained a clear target along her climb. She scaled half the length of a football field before they decided it was too great a risk to knock her. They muttered something about 'the boys topside.' One more bout was all she'd come to expect from the Milestone Police Department.
After a short eternity the clown reached the next set of doors and stopped. Even a behemoth such as herself needed to stop to catch her breath. How much more punishment could she stand? She knew it was more than they could dish out, and she would wear it with a smile.
"You're a long way from the improv circuit," she told herself. "I tell you, Jude, if those audiences were half as generous as these goombas we'd still be drinking Mai Tais on Santa Monica!" Bursting into the air Punching Judy turned an old phrase on its head. "Comedy is hard, and so is dying if you're bulletproof!"
The ground level was deserted. There were no alarms, and only a few nervous guards. They snapped into position. Like a pack of rhinos the enormous painted woman tore through the elevator. They stood no chance as she plodded toward them with fists flying. "Poor suckers won't remember their own mothers after this."
With the street lights still out Judy made her big break. She sprinted across the block, behind cars and into a blind alley. From there she followed the cracks in the world. Only the Red Wraith seemed to know about them, and it kept them off the radar.
She paused to make sure she wasn't followed. No cops, and no glow stick. Judy was alone.
"Have a nice life, kid."
The incident was over in minutes. Power returned to the alarms. The pitiful response of department forces was inexcusable. The incident had the media in a frenzy. Heads would roll, and careers would come to an end.
Mayor Heather Bainbridge marched across the yard wielding the proverbial ax. More than a failure of the department, Punching Judy's escape cast her leadership in a negative light. She once ran on a platform of innovation and equity, free from the ravages of crime. Only in the face of crisis did she become an agent for law and order.
She sighted her colleague stationed at a makeshift checkpoint and centered her glare. Of all the names on the chopping block his sat on top of the list.
"I hope you enjoy your retirement pension, Captain. It's all you have going for you."
Captain Ortega tightened his lip. "I told you, Mayor, we didn't have the resources," he said. "When they ask I'm going to tell them the city did not invest in its police force or the safety of its citizens."
"Are you trying to strong-arm the Mayor's office, Sal?"
"I'm telling you what I always have, Heather, except this time I won't be saying it behind closed doors."
The Mayor surveyed the surrounding activity. She sighted squads by the dozens, armored convoys and helicopters. Much of it was army surplus. Still it wasn't enough. Once upon a time it would have spurned her to limit 'frivolous' spending. Her rage bubbled. "How in the hell did you let a monster like Punching Judy escape?"
"Glimmer Girl," Ortega said. "She shorted the power."
"I… didn't know she could do that."
Ortega furrowed his mustache. "There's a lot of things we don't know about her, Ms. Mayor."
Mayor Bainbridge paused. Of all the possible outcomes she expected this least. She doubled her resolve. "Do whatever you can to fix this," she said. "No excuses, Ortega. Your head is still on the block. I need this done tonight!"
With a city in chaos orders were the one thing Heather Bainbridge had. Without a team that could execute them they were nothing. The fact would reflect on her come the next election, or sooner yet the following news cycle. She straightened herself and turned to the company car. The first step toward being in control was appearing in control, and on that front the Mayor never wavered.
For as long as she'd known them Tanya could never make sense of Alan and Elizabeth Cade. They were the sensible, professional couple who'd saved a nest egg and bought a home before having a child. By then they were in their thirties. There were times at PTA meetings they'd been mistaken as Kaira's grandparents; they had that way about them. Despite planning their pregnancy they never quite grasped parenthood. The whole transgender thing only made things weirder.
Yet to see them sitting on their daughter's dorm room bed there was no doubt that they cared. A series of missed calls sent them into a frenzy. They even drove across town in the middle of the night and waited for her to come home. Some might have called it over-reacting, but not Tanya.
Alan pulled his arm from around his wife. The conversation had long since died, as had the ambient sounds from the hall. He checked his watch as he did twice in the last thirty seconds.
"We should call the police," he said.
"You don't have to do that. She's probably out for coffee with friends," Tanya said. Knowing how cops treated girls like Kaira only fueled her reservation.
Tanya flashed back to middle school. She always waited when Kaira was late getting home. Liz or Alan were polite enough to ask her inside, but had trouble talking to a tween. Tanya gave up trying and waited on the sidewalk. It only went downhill from there.
Elizabeth pulled her wrinkles flat. The wait left the group fatigued, but her most of all. She'd been running on panic for hours.
"You know it's hard having a child like ours," she said. "You know how vulnerable he is-"
"She," Tanya said. The response was automatic.
Liz nodded. "She," she echoed. "And then you find out that your son wants to be a girl, and knowing what people are like… after all he- I mean she's been through with school and bullies and anxiety…"
Knowledge churned in Tanya's stomach. How would Kaira's parents react if they knew she was a superhero?
Alan tightened his lips. "Are you sure she doesn't have a girlfriend, or a boyfriend?"
Tanya leaned toward her green haired date, who beyond all obligation was still by her side. They squeezed her hand and made the silent promise to see the night to the end.
"Maybe she met someone," Trix said. "You know how kids are. Rash, impulsive. She could be staying the night."
Kaira's parents didn't so much as smirk.
"We'll give her fifteen minutes," Tanya said, same as she'd said an hour before, two. The night crossed into early morning. She couldn't hold the fort much longer.
Punching Judy giggled. "You wanna hear a joke? Here's a good one; the Milestone City Police Department!"
The long arm of the law was in disarray. Even a muscular clown could walk the side streets without drawing attention! Punching Judy waltzed past the empty storefronts. The air was thick with alarm. Windows locked, curtains pulled, lights dimmed. Eyes stayed out of view. There was a mad woman on the streets. Peace had become but a memory. The clown smiled. She had made a difference in the world!
She clunked the seventeen blocks from Midtown to West End without anyone the wiser. Not even the all-terrain police tanks with mounted flood lights could spot her. No comms, no coordination, only blind fools running into each other.
Judy crossed the park and under the cover of oak trees and looked to the sky. The city's sheen washed out the stars most nights, except for one in human form that shone at all hours. Yet there was no sign of Glimmer Girl. As soon as they hit topside the kid cut and run.
'Maybe it's for the best,' Judy figured; 'A kid's got no business fighting crime. Bad enough they fight in our wars.'
Following the shadows on the lawn she made her way to the footbridge on the northernmost end of the park. There she was to rendezvous with another of The Red Wraith's underlings. Judy did exactly as instructed, and bowed behind a manicured shrub.
She giggled again; she couldn't help herself. Oh, the things she did for fortune, if not fame. Sometimes she wished for the good old days when cameras followed her everywhere. If they could see what she had become she could make them laugh again.
"Judy?" His voice was gravel like the rest of him. She searched the dark for a silhouette and landed on a bald shape moving against the lamp light.
"Leon," she said. "What's the plan?"
The shadow clasped her forearm. "I was worried about you."
"Who, me? Oh, please. They ain't broken me yet!"
"We got instructions to meet the boss up at Northshore," he said. "It's happening tonight. You ready to throw down?"
A grin snaked across her lips. Northshore was territory for fat, bourgeois cats in three level hilltop homes. Once upon a time she had a home like theirs, and it was miserable.
"Let's go cut some tall poppies," she said.
Northshore was a half hour drive from Milestone Heights and west of the Docklands. It was a place where money went to start a family, far from starvation and student loan debt. Mansions and villas lined the hills following the river. It stretched for miles, all the way from the Atlantic Ocean to Lake McIntyre.
Once upon a time it was the American dream, but with rising prices so too did the iron gates dividing the classes. Yet the gentrified nirvana was also home to snakes. The most odious was a shipping magnate whose stink smeared the headlines.
Waylon Dervish paced the length of his study and over the black bag laid on the floor. He delivered a kick to its side. The moist lump under the canvas shifted with the force and rolled back into place.
"What were you thinking bringing him here?"
The figure across the room conveyed no discomfort, or any emotion at all. Rather they stood, unblinking. Their hands began to sign. To their side a man in black with a soft spoken voice translated on their behalf.
"The rendezvous was compromised, as were your warehouses," he said. "The job was to bring you The Red Wraith's body, not to hold it for your convenience."
For the prices he paid they owed him convenience! But sudden renegotiation with a professional was never looked upon in good favor. Discretionary tasks were often refused if one conducted business in bad faith.
He looked over the androgynous child. They weren't old enough to shave. Who would have guessed behind soft cheeks beat the heart of a killer? It took a particular brand of resolve to remain steady in Waylon's presence. He was gun runner, smuggler, and cold-hearted pragmatist. Yet the youth appeared comfortable with their surroundings.
"You know the situation this puts me in," he said. "A dead body in my home violates the terms of my parole!"
Mute signed again. Their go-between translated. "If you would like to dispose of the body I have any number of cleaners to recommend."
"I've got cleaners of my own," he said. "Thank you!"
They continued to sign. "When can I expect the rest of my payment?"
Waylon pressed his head to the wall. The weight of the world rested on his shoulders again. No relief was coming. He groaned. "Once Ronnie is no longer a problem, then you get your money."
The translator turned to Mute and signed the gangster's sentiments to them.
"I don't think he's going to pay you," the body bag said.
Waylon jumped out of his skin. The assassin didn't so much as flinch when the canvas sat to ninety degrees. Crimson mist seeped through the zipper. Plumes came together as a whole body, naked as the day it was born, with skin the color of blood. The Red Wraith cracked his neck. He scoffed at death the first time, so why not try a second?
"Hello, brother," he said.
The gangster fumbled toward the window. It was the only exit unobscured by a supernatural being. It was also a three story drop onto a grassy hillside, and held the promise of broken limbs.
He flailed at Mute. "Shoot him!"
The assassin took no action. Rather they narrowed their grimace. No matter how many hundreds of thousands Waylon threw at them it made no difference.
Roland closed the distance between his brother and the window. He choked him with unnatural strength and pressed his torso over the sill. "You always had such narrow vision, big brother. All you have to offer is money, but there is so much more out there to have, to experience. There's a whole world of sin out there. That's what Mute worships, like the rest of us."
The Red Wraith threw his brother to the floor next by the hardwood double doors. Waylon jumped as they flew open. A familiar set of faces appeared. Among them stood a mustachioed man, a thug with a shaved head, and a painted woman sporting boxing gloves. They were never so intimidating as they were when standing over him.
"Now that we're all here…"
"You're out of your mind." Waylon crawled to his hands and knees. "Is that what this 'Society of Sin' crap is about? You're serious? This isn't you, Ronnie. Your powers have driven you mad!"
The Red Wraith bent to his side. "You've heard the adage, 'madness is doing the same thing and expecting a different result.' That, dear sibling, is the definition of our society at large. We make these rules, expecting things to work out, but only when we break the mold-"
"Cut the hippy-voodoo-new-wave crap," Waylon said. "Do what you're going to do and let me rest in peace."
That's when I arrived.
"I hear a prison cell doesn't make for a good night's sleep." Classic line.
Who would have expected that a holographic heroine was standing in their midst? I stood on the windowsill over the gathering of humans and adepts. Faces twisted with shock, horror, and confusion. In Mute's case there was no change at all.
Waylon crawled to my feet, but his brother pulled him back. He didn't even manage a cry for help before the assassin handed him a gun.
"It's an ensemble cast!" Roland declared. "Glimmer Girl, I am such a huge fan! I'm the Red Wraith, and I'll be your nemesis for-"
"Save it," I said. "Not everyone is here yet."
His eyes darted from one end of the room to the other. "What? Who…?"
I signaled out the window and to the approaching sirens. They came from land, sea, and air. The Milestone City police Department had assembled and were closing on our location.
"Friends of yours?"
A smile betrayed my shrug. "We have an understanding."
The Red Wraith cocked the hammer of his weapon and pressed it deeper to his brother's temple. Both were sweating. "Then we haven't much time. Let's get this party started!"
To be concluded…


text:
ALEV Sensors
Image Sensors with the DNA of Film
Image Sensors with the DNA of Film
The custom developed ALEV 3 CMOS Bayer sensor used in the ALEXA and AMIRA series of cameras has the same height and width as a 35 mm film frame. This bears a number of advantages. The Super 35 mm width allows a cinematically shallow depth of field as well as plug and play use of the unparalleled range of Super 35 PL mount lenses. Unique for a digital sensor is the height of the sensor, which allows a number of sensor modes only found in ALEXA cameras, including those needed for shooting with anamorphic lenses. The sensor's 3.4K horizontal photosite count delivers large photosites for an optimal balance between image sharpness on the one hand and high dynamic range, high sensitivity, and a low noise floor on the other, resulting in the best overall image quality for all kinds of deliverables.
The next evolution of our ALEV 3 came in 2014/2015 and was housed within the ALEXA 65 camera. The ALEV 3 A3X was reinvented as a larger sized sensor offering a photosite count of 6560x3100 with the same large photosites known from the Super 35 sized sensor. This makes ALEXA 65 the digital camera with the largest digital motion picture sensor on the market. Its image size even surpasses 65 mm film.
Next in line was the ALEXA LF using the A2X version of the ALEV 3. Introduced in 2018, this sensor offers a lower photosite count than ALEXA 65 but introduces "Large Format" (also known as 35 mm full frame in still photography) to the market. Covering an area of 36.70 mm x 25.54 mm, this format also introduces a new lens mount, the LPL.
ARRI cameras offer a multitude of different recording resolutions. At first glance this looks like a confusing charade but quite the opposite. It started with ALEXA using the 16:9 and 4:3 readout of the sensor to offer the maximum possible resolution for a given situation, e.g. TV productions, spherical, or anamorphic capture for cinematic release. Then the desire to use as much of the sensor as possible emerged and brought about a third recording mode: Open Gate. This allowed filmmakers to use the surround view area for capture.
The more use cases that emerged, the more sensor sizes were created and we maintained compatibility throughout the camera lineup.
Although the science behind the sensor is complex, the use of large photosites and a Dual Gain Architecture are its two main principles.
By employing unusually large photosites (in today's world of tiny cell phone sensors and high megapixel counts), ALEXA's sensor exhibits high dynamic range, high sensitivity, and low crosstalk. The larger a photosite is, the more light it can capture and the lower the noise.
The Dual Gain Architecture simultaneously provides two separate read-out paths from each pixel with different amplification. The first path contains the regular, highly amplified signal. The second path contains a signal with lower amplification to capture the information that is clipped in the first path. Both paths feed into the camera's A/D converters, delivering a 14-bit image for each path. These images are then combined into a single 16-bit high dynamic range image. This method enhances low light performance and prevents the highlights from being clipped, thereby significantly extending the dynamic range of the image.
The low pass filter blocks high image frequencies that would lead to artifacts when captured by the sensor. It is made from a modern, high-performance crystal with optical properties that have been fine-tuned for a perfect match between the transmitted image content and the sensor's photosite structure in the camera. The result is the creation of super sharp yet natural images.
ARRI cameras use a high-end infrared (IR) and ultraviolet (UV) filter, which are custom designed to block enough of the spectrum to avoid false color effects (as could otherwise be seen e.g. with dark synthetic materials) but that leaves enough of the near red spectrum to give skin tones a pleasant look. Designing the IR filter is a precarious balancing act, and the IR filters in ARRI cameras are also closely matched to the spectral response of the camera's sensor and the color processing in the camera for best skin tone reproduction.
The AMIRA was the first camera to feature ARRI's motorized FSND filter mechanism which is also used in ALEXA Mini and bigger in size for ALEXA Mini LF. The ARRI FSND filter guarantees an even light reduction over the whole spectrum. Built into small filter frames in a motorized mechanism in front of the sensor, the FSND filter features three strengths that are available to dial in via the camera menu (0.6, 1.2, and 2.1 — plus optical clear on ALEXA Mini LF: 0.6, 1.2, 1.8, and clear ).
The ALEXA camera series inherited the filter type in form of a round "behind the lens filter" that sits magnetically secured in front of the sensor. For "matte box use" the filters are also available as regular 4" x 5.65" and 6" x 6" filters.