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KSR's take on recent non sports related happenings
Top Chef Kentucky Recap: Hey look, it's Terry Meiners!
By Mrs. Tyler Thompson on ©January 04th, 2019 @ 8:00pm
This week's Top Chef: Kentucky picks up where last week's left off: Restaurant Wars. Just before the doors to their pop-up restaurants opened, the chefs were informed that this is a double elimination, meaning two of them are going home. But, you know, no pressure or anything. To the recap!
Guests start to file in to each of the three restaurants, and to my surprise, look who it is: TERRY MEINERS! Being the Kentucky royalty that they are, Terry and his wife Mary were invited to the taping and ate at North East, the restaurant run by Eric, Eddie, Adrienne, and Brian. This ended up being a blessing. More on Terry later.
Here's a quick breakdown of how each restaurant fared when the judges hit the floor:
North East: Eric, Eddie, Adrienne (Executive Chef), and Brian (Front of House)
Apparently assigning numbers to tables and getting the correct dishes to them is really hard because each team struggled with it; however, Adrienne and Brian seem to tackle this issue better than the rest. I had to laugh when the hostess didn't recognize Padma and her power suit when the judges walked in, but hey, that's probably good for Padma. Humbling.
The judges worry the rest of the patrons' food is coming out too slowly, so Brian and Adrienne kick it in to gear and get the food out. Tom says Brian's chicken ballotine is perfectly cooked, which is surprising given the attention to it in last week's episode (usually a death knell). Eddie's striped bass crudo was dubbed "the forgotten crudo" by a patron because it was so bland, but his NY strip is great and his puree "eats like magic" (whatever that means). The pork in Eric's scallops dish is way too salty, which you could have guessed when Adrienne admits it was the one dish she didn't have time to taste. The judges love Adrienne's cheese course and the peach dessert. Bland crudo and salty pork aside, North East did great, and Adrienne and Brian worked together well. Watching Terry Meiners sneak glances at the judges in the background is an added bonus.
A Conversation with Survivor Champion "Kentucky" Nick Wilson
By Nick Roush on ©January 04th, 2019 @ 3:00pm
One of Kentucky's finest is one of the best to ever play Survivor.
Williamsburg native and UK alumnus Nick Wilson won season 37 of Survivor, David vs. Goliath, in December. This morning he spoke to T.J. Walker and I about his experience for more than 30 minutes on Kentucky Roll Call.
The conversation was not like most radio interviews. Nick and I spent a couple years living together in a soon-to-be condemned fraternity house. T.J. is a lifelong Survivor fan. Between the two of us, we spent plenty of time geeking and picking his brain about how the reality show works.
Filmed in the spring, Nick had to keep show secrets for about seven months. That was not his greatest dilemma. That occurred as the Kentucky fan was departing for Fiji in the middle of the NCAA Tournament.
"I watched the first half of the Sweet 16 game in my hotel room. We were in the airport during the second half. I was like, 'Can I go to the bathroom?' I went to the bar and looked for the highlights and saw we lost," Nick said. "I was probably the only Kentucky fan in the country that was glad we lost. I was so relieved.
"I cannot have the Cats going on a Final Four run when I am cut off from society for two months. That would've been all I thought about for the next six, seven weeks. I was so excited during the first half. I was like, 'Let's go Cats!' Then once I stepped away from the TV, I was like, 'Holy crap. If they win, I'm going to go crazy.'"
Kentucky's loss was Nick's gain. He kept his sanity throughout his Survivor experience, thanks to his small-town Eastern Kentucky roots.
"I gotta win for them. I felt like if I didn't win I wouldn't get everything out of this experience for me and the community," he said.
"It motivated me, and that's the God's honest truth. When we would ride that boat to a challenge, I would think that I know when I get home and this is airing that everybody's going to be so excited for me and supporting me non-stop. I wanna make 'em proud. The area we live in Southeastern Kentucky, where kids — I remember being in school and teachers ask, 'What you wanna do?' And they wouldn't know or care. I wanted to win or at least do really well so people can look up to me because it's a dream I had forever. I kept trying and trying until I got it. I worked hard for it and I felt like I earned it."
Nick did not disappoint anybody in his community when he earned $1 million as the season 37 winner of Survivor.
The Survivor conversation begins around the 33-minute mark of today's podcast.
Nick gets more bonus points for celebrating his victory at KSBar.
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Bourbon drinking CBS Kentucky fam ?
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The Funkhouser Situation E46: Holiday Movie Recap
By KSR on ©January 03rd, 2019 @ 4:30pm
It's been a crazy holiday season for movies, and The Funkhouser Situation is here to dissect all the madness! Your hosts Chris Tomlin and Lee Cruise dive into movies such as The Mule, Bumblebee, Mary Poppins, The Predator, and much, much more.
Here is a breakdown of what you can expect from the show:
- Lee's sultry voice is a great addition to today's episode
- Lee is not a fan of The Favourite
- Lee gives his take on Clint Eastwood's The Mule. Lee originally told Chris he didn't like it. What changed?
- Did Chris like Bumblebee?
- Lee gives an interesting backstory on the absence of Julie Andrews in Mary Poppins Returns
- Chris isn't sure about the Meryl Streep scene in Mary Poppins Returns
- How did seeing Mary Poppins Returns lead Lee to go home and watch Paddington?
- What is up with Holmes & Watson?
- Chris was expecting more from The Predator but still worth a watch
- Lee is a big fan of Jeffrey Dean Morgan
- Chris recommends The American Meme to Lee
- Chris and Lee debate latest controversy surrounding Louis C.K.
You can easily listen on the KSR App, available on iTunes and Google Play. Streaming online is simple through Pod Paradise. You can also get it directly to your phone by subscribing to The Funkhouser Situationpodcast feed on iTunes or via Android's Podcast Addict app.
Today's episode is brought to you by Jake's Cigar Bar.
Top Chef Kentucky Recap: Restaurant Wars, Part I
By Mrs. Tyler Thompson on ©December 31st, 2018 @ 3:30pm
For the second week in a row, Top Chef: Kentucky didn't showcase a lot of Kentucky, but it's okay because we were treated to the challenge of the season earlier than usual: Restaurant Wars. To the recap!
This week's Quickfire Challenge is to create an "amuse bouche," aka the perfect bite. The chefs are given 30 minutes and split into three groups based on the types of plates they'll have to use: Chinese spoons, ramekins, or small plates. The guest judges are Top Chef alums and James Beard award winners Karen Akunowicz and Nina Compton, who reminisce about how stressful the show was.
Brandon's chowder, Eric's curry bisque, and Michelle's halibut with compressed watermelon finish in the top three while Adrienne's bell pepper-wrapped lamb, David's pasta, and Kelsey's shrimp and grits hush puppy land in the bottom three. Michelle's halibut gets top marks, which means she wins immunity, and the coy smile she gives the camera reminds me her grandmother was a shaman for the cartel. Again, don't mess with Michelle.
Elimination Challenge: Restaurant Wars!
If you've watched Top Chef before, you know the highlight of every season is Restaurant Wars, where the chefs are split into two teams to open pop up restaurants. This usually comes later in the season, but the judges surprised the chefs early this year and split the group into teams of three based on their plating choices from the Quickfire Challenge. Each team will have two days to conceptualize, design, and open their restaurant, with $3,500 for ingredients and 30 minutes to plan their menu.
The Orange Team consists of Eric, Eddie, Adrienne, and Brian, and since they're all from the Northeast, they decide to call their restaurant — wait for it — North East. They elect Brian to run the front of the house and Adrienne executive chef, and the fact that Brian is so confident about his chicken ballotine (deboned chicken stuffed and rolled before being cooked) should be a clue that this might not work out so well; however, Brian is more confident than we've seen him all season and stays up all night working on a server's manual. Go Brian!
The Grey Team is Sara, Pablo, Michelle, and Brandon, and decides to call their restaurant "Thistle" since it'll be focused on vegetable dishes, BUT NOT VEGETARIAN (that part's in caps because the concept Sara comes up with seems to really worry Pablo. I hear you, Pablo). Sara immediately assumes control, taking the front of house role, while Michelle offers to be executive chef to take the pressure off the others since she's got immunity. Once again, Sara's confidence seems to rub her teammates — in this case, Pablo — the wrong way, but she seems at ease organizing the servers and setting things up.
The Teal Team is made up of Kelsey, Nini, Justin, and David. Since the majority of them are from the South, they name their restaurant "Third Coast" with a modern antebellum theme, or, as Justin calls it, "Forrest Gump's mom's house 2.0." Hilariously, they hold their team meeting in the giant jacuzzi at the mansion while drinking champagne, but the good vibes quickly wear off. Nini takes the role of front of house and immediately seems in over her head, which is even more worrisome since she's also doing a complicated ice cream dessert that requires stirring before service. Cue the foreshadowing! Like a true Southern boss lady, Kelsey steps in and takes control when she realizes the servers have no idea what they're doing, which annoys Justin and David because they need her in the kitchen.
With two minutes left until the restaurants open, Tom steps in and drops a bomb: this is a double elimination challenge, meaning two chefs will go home. EEEK. Of course, we'll have to wait until next week to find out who. To be continued…
My Old Kentucky Home Takes
— The only parts of Kentucky we really got to see was the Lundy's special event warehouse in Lexington where the chefs' pop-up restaurants are set up and a short B-Roll montage of Lexington landmarks. The Kentucky Theater sign looks good, though.
— Did you notice several of the chefs drinking Ale-8-One at the beginning? Nice touch.
— Eddie managed not to spend the team's entire budget while at Whole Food. PROGRESS, EDDIE!
Next: Restaurant Wars, Part II. Padma spits something out and two chefs are going home. Oh, the drama!
The Top 10 Movies of 2018
By John Reecer on ©December 31st, 2018 @ 12:01pm
Let's get this out of the way first: you will more than likely disagree with this list. In fact, I encourage disagreement when it comes to movies. This is a medium that is meant to be subjective. Everyone's favorite movies should be different because we are all individuals who like different things.
This list is solely what I believe to be the very best movies that I watched this year and trust me when I say that I saw a lot (27 to be exact). Of course, I did not get around to every single supposedly good film just yet (Bohemian Rhapsody, Aquaman, Eighth Grade, The Favorite, etc.), but thanks to my Movie Pass I was able to see a very well-rounded group of films.
What stood out the most to me this year was just how many non-terrible movies I watched. Out of the all movies I watched I saw only a few that were sincerely terrible (I'm looking at you Jurassic World: Fallen Kingdom, Venom, and Bird Box).
Without further ado, here are the very best films of 2018.
Honorable Mention: Green Book, Creed II, Ant Man and the Wasp, and Deadpool 2
10. Won't You Be My Neighbor?
I know starting this list off with a documentary isn't exactly the sexiest pick but trust me on this one. I can't urge you enough to take time out of your day to watch this beautiful film.
This documentary about the life and philosophy of Fred Rogers from Mister Rogers' Neighborhood is the perfect film for 2018. The current social and political discourse of this year has been fueled so much by hate and negativity, and it is so incredibly refreshing to see a picture that displays perfectly to us all why it is so important to simply be kind to your fellow man.
There are so many moments in this documentary that will have you reaching for the tissues but allow me to give you what is without a doubt the most moving sequence of the film and possibly the entire year.
If that wrecked you then just be ready for the full-length documentary. Possibly more than any other movie on this list, I urge you to show this to your family and to your children. We will all be better for it. Here's to you Mr. Rogers. We miss you dearly.
9. A Quiet Place
Ohhhhhh man this might have been my personal favorite movie of the year. I positively loved this movie as its everything I look for in a suspense thriller. The idea behind this movie is ingenious: A family must survive in the woods without making any noise or terrifying monsters will come and kill them.
The result is a mostly silent movie. There is maybe a paragraph or so of overall spoken dialogue as the family often communicates to each other using sign language. This provided me with one of the most unique film experiences I've ever had. The audience around me was completely silent (until the scary stuff happened). I could feel the entire room tensing up through the silent parts as if the monsters would come get them as well if they made any noise.
However, A Quiet Place isn't a truly a great film because the premise is so great, or that the performances and direction are perfect, or that it's great incredibly entertaining. It's one of the best movies of the year because the film deals with the toughest kind of family issues such as overcoming tragedy, acceptance, and forgiveness. Every parent should go see A Quiet Place just for the moral given in the film's poignant climax alone. It never once felt preachy, but this movie has something very important to say.
Of course, this isn't a perfect flick. There are a few fake-out jump scares spread throughout the runtime which was frustrating and unnecessary. Also, the very last shot of the film was incredibly cheesy.
Only time will tell if this film will be deemed as a horror classic, but I won't be forgetting A Quiet Place anytime soon. When I walked out of the theater I found myself thinking about the relationships in my own life while I was admittedly still not trying to make any noise out of fear. It turns out that the old saying is very true – nothing is louder, or more effective, than the sound of silence.
8. Hereditary
Hereditary deeply scared me on a mental level. To be clear, jump scares when used effectively can scare me. But what truly scares me is the type of terror that lingers within yourself. The only other time I ever left the theater feeling that type of dread after a movie was when I watched The Conjuring.
The difference is, however, that I would love to watch the Conjuring again. It's a great and entertaining scary movie. Hereditary on the other hand deals with real horror in the realms of mental illness, family issues, and eventually even the supernatural.
Which is where my one nitpick comes in to play. The ending will be too "out there" for general audiences which is really a shame. This movie takes a really strong supernatural turn in the final act, and boy do they realllllly go for it. I understood what was happening, but if you didn't pay much attention during the film, then you will leave completely lost.
However, there are two scenes in that I would argue are all-time great horror movie sequences. The first being the legendary surprise that happens around the 30-minute mark, and the second being Toni Collette's devastating wall crawl in the film's finale.
This movie made me feel absolutely terrible after watching it, and I genuinely don't want to watch it again (which is a good thing). The bad news is that does not even matter, because the scenes and images I witnessed are still at the forefront of my brain and are still upsetting me. And that is what true horror in its purest form should accomplish.
7. Avengers Infinity War
This is the movie that absolutely should not have worked on any level. Dealing with so many characters and plotlines while still making an entertaining and emotional movie should be impossible. But this is Marvel and the Russo Brothers we are talking about here. The impossible is possible for them.
By mainly focusing on the villain Thanos (played masterful by Josh Brolin) we get one of the MCU's best overall villains. How Marvel actually made me sympathize with someone who wants to kill trillions of people, is both disturbing and amazing. His story is just so compelling. It's the best aspect of this movie.
Infinity War also manages to be at times hysterical (WHY IS GAMORA???) and of course always so entertaining. This movie also contains one of the very best scenes in superhero movie history: Thor's entrance into Wakanda.
Overall, this is a very hard movie to review. The problem is that it does not stand on its own well at all. That may sound obvious but imagine not watching several other MCU movies before this. You would be completely lost and more importantly you would not care as much about any of the characters.
That may not sound fair, but that's why it is not higher on my list. If it stood on its own better (which I think Avengers Endgame will do) than it would have been higher.
6. Roma
Look, I know I'm not winning any fans by putting a black-and-white foreign language Netflix movie higher than Infinity War, but some men just want to watch the world burn.
"We are alone. No matter what they tell you, we women are always alone."#Roma https://t.co/ZgsMoCp253 pic.twitter.com/I9cUSzRnCO
— The Playlist ? (@ThePlaylist) December 26, 2018
In all seriousness, Roma is a literal piece of art. This is the most beautiful-looking picture of the year as the camera work by director Alfonso Cuaron might just be the best of this decade. This may win best picture at the Oscars, and honestly, I wouldn't mind if it did.
From a technical perspective, this film is close to perfect. The editing, directing, and acting is all at the highest level possible. The negative aspect of the film is that its overall story is just lacking when compared to my top-five. I'm not saying that it isn't incredibly emotional or important, because Roma is those things.
Also, the first 20 minutes of this movies are incredibly hard to sit through because it really is that boring before the story really gets moving. If you don't mind having to read subtitles, then I fully recommend Roma. As an art film it's basically perfect. As a movie with an emotional story it might just move you to tears in its climax.
5. Black Panther
Look, I know I'm not winning any fans by putting what might just be the most divisive MCU movie ever over that universe's hugely important Infinity War, BUT SOME MEN JUST WANT TO WATCH THE WORLD BURN.
You can get mad all you want, but I genuinely think that Black Panther is one of the five best movies I saw this year. If you are mad now, just wait until this movie gets an Oscar nomination for best picture because that will happen folks.
Updated odds to win the Oscar for Best Picture (@betonline_ag):
A Star is Born -125
Roma +500
Black Panther +750
Green Book +900
First Man +1000
If Beale Street Could Talk +1200
BlacKkKlansman +1400
The Favourite +1800
Vice +2000
Widows +2500
The Rider +3300
— OddsShark (@OddsShark) November 28, 2018
This movie fixes all of Marvel's biggest flaws. Unmemorable soundtracks? Pulitzer Prize-winning artist Kendrick Lamar fixes that here. Bad Villains? Michael B. Jordan's Killmonger is the best villain in this entire universe. Lack of strong female characters? This movie has the strongest female characters in the MCU.
Black Panther engages with intense themes such as isolationism, colonialism, the legacy of slavery, immigration, and OH MY GOD HOW DID MARVEL SUCCESSFULLY MAKE THIS MOVIE ENTERTAINING??
The best movies give something back to its audiences while also being incredibly entertaining. Black Panther does that easily while transcending its own genre. You will think about your place in the world after watching this movie. This isn't just the pinnacle of MCU movies, it might just be the peak of all superhero movies.
4. BlacKkKlansman
For some context here, I'm honestly not a very big Spike Lee fan at all. I think "Do the Right Thing" is really his only masterpiece and all his other films are anywhere from decent to just bad.
That changed completely for me when I watched BlacKkKlansman. I think this is sincerely Lee's best movie, and he will easily earn his first Oscar nomination for directing with this picture. This was one of the most emotional movies of the year as scene after scene completely leveled me.
Lee takes a story about a black police officer who infiltrates the KKK and perfectly translates it to our current political state. This leads me to my warning for you: BlacKkKlansman is unapologetically political.
The film has some very, very serious things to say and Lee pulls no punches at all. The movie is better for it. There is no tiptoeing or missed opportunities to showcase powerful opinions. It delves head first into these and creates a powerful dialogue about race in our country that I believe everyone should at least hear.
Aside from the serious aspects of this movie, Lee's film is surprisingly hilarious at times on purpose. Actors Adam Driver and John David Washington (Denzel's son) work off each other amazingly well as their comedic timing is perfect. This is easily Lee's most entertaining movie which is another reason why it's so high on my list.
The biggest reason this movie is so high on my list is because of the ending. It's so impactful because of its brutal honesty and timeliness. Just be ready for it. No matter what your political stance is, it will create some type of emotional reaction out of you and that's what the very best films accomplish.
3. Mission Impossible: Fallout
I've only seen the first three movies in this series and I just thought they were solid action films. I haven't even seen the fourth and fifth installments because in all honesty I just wasn't that interested in doing so.
But WOW was "Fallout" not only the year's best action movie, but it is hands down the best action flick of this decade. To be clear, this movie follows the same basic formula that most high stakes action films do. However, what makes it the best is the amazing real stunts that are pulled off and how they are filmed.
Every single action-packed scene is filmed in beautiful wide shots, so the viewer can clearly see what's happening. There is little to no CGI used at all which makes every moment feel real. There is one scene towards the end of the movie which features an awe-inspiring helicopter chase which has some of the best real stunts ever put to screen.
However, the real moneymaker here is a bathroom fight featuring Tom Cruise and Henry Cavill that will go down in cinematic history as perfection.
Cruise is over 50 years old and the fact that he does all his own stunts in an insanely good action movie is just unbelievable. This is his film and he is having the time of his life. Henry Cavill also eats up every bit of the scenery as the best villain in the entire franchise.
Coming into 2018 I had zero intention of putting "Fallout" as one of the year's best movies. However, it completely blew me away with wall-to-wall action and amazing cinematography. It really is that good.
2. Spider-Man: Into the Spider-Verse
Yes, I'm completely serious, and I couldn't be happier to put this movie as my second favorite film of the year. Allow me to start off my argument with the following scene:
Spider-Verse is an absolute experience as the animation might be the most creative I've ever seen in a theater. Within the first few minutes you will be fully immersed in the world of this movie without even realizing it.
I firmly and honestly believe this animated superhero movie has earned all the following accolades: the biggest surprise of the year, the best superhero movie of the year, the best Spider-Man film ever made, and the second-best superhero movie of all time.
Of course, it isn't all those things just because of the outstanding animation and action. It's a truly great film because of the story that Sony has created. It's so moving and inspiring in the way that a Spider-Man movie should be. Spider-Verse is never afraid to be completely unique in its hysterical comedy and heart-rendering moments.
I cannot urge you enough to go watch this movie with your entire family because it truly is a movie for everyone. Spider-Verse's beautiful main point is to show that anyone can step-up and be a hero. Anyone can be Spider-Man. However, I now prefer my Spider-Man to be wearing Nikes as he flies across the New York skyline to save the day.
1. A Star Is Born
This is hands-down the movie of the year. In today's time you really don't find a film that is universally loved by everyone, but that's exactly what director Bradley Cooper has given us with A Star Is Born.
Let's start with Lady Gaga. I can say confidently that I'm not a fan of hers, but wow did she give the performance of a lifetime here. It will be an utter disgrace if she does not walk away with the Oscar. The same can also be said for Cooper and Sam Elliott who give their career-best performances as well.
I'm expecting close to a clean-sweep at the Academy Awards. This should easily win best picture. The acting and directing is so amazing in this movie that it truly feels as if you watching real-life moments taking place.
However, this is the best movie of 2018 because of how it managed to affect me personally. Cooper created a story which deals with investigating relationships particularly between a man and a woman in love and what happens when the man is crippled by something is his past that won't let him go.
This hit me at my very core by coincidence as I was going through something like that in my own life when I watched the film. Movies hit us in different ways at different moments in our lives. I just found myself completely taken back by Cooper's character Jackson.
Luckily for me, A Star Is Born managed to touch me on a personal level in ways that I was not prepared for, but I needed. The very best movies successfully entertain us, move us, and shatter our emotions all at once. That's exactly this film did, and I'll always be thankful I watched it.
This was sincerely a great year at the movies, and I hope it was for you as well!
Review: Bumblebee
By C.M. Tomlin on ©December 23rd, 2018 @ 12:00pm
Reviewing the standalone prequel Bumblebee, which takes place in 1987 and exists as both part of Michael Bay's loud, noisy Transformers universe and yet someone cozily outside of it, is the equivalent of the misogynistic 1980s teen-movie trope of taking overalls and glasses off a teen girl and finding she's a beauty the whole time. Here, all this time, this long-beloved universe of toys had inside it a fantastic film potential; it simply needed to be spotlit and given some attention — and a dreamy 1980s soundtrack doesn't hurt.
The fact that Bumblebee's 1980s kindhearted-alien-who-befriends-a-young-earthling conceit works so well has to, I would imagine, be attributed to executive producer Steven Spielberg, himself the master of that very convention in the actual 1980s. But the real reason Bumblebee seems so breezy and digestible is that whereas Bay filled his five films with ear-splitting explosions, breakdancing robots and overstuffed storylines (They're on the moon! There's a robot dinosaur! There's…King Arthur?), Travis Knight's prequel is content to drill down and focus essentially the titular robot and the two bounty hunter-type robots who've come to track him down. Meanwhile, a government team led by John Cena is similarly trying to find the yellow Autobot. Oh, and there's a young girl (Hailee Steinfeld) who's just turned eighteen and coming of age.
Those three simple, familiar storylines stay pretty rote, and that's not a terrible thing for Bumblebee — in fact it's refreshing — as it gives the title character room to breathe, charm and show off a personality often lost in Bay's special effects showcases. It's all very Spielbergian, and for light, family-friendly holiday fare it pretty much works. Sure, there are still big, dumb, robots-punching-robots scenes; the difference is that we care a little bit more because there feels like an investment is involved.
It's not perfect, and it certainly doesn't reinvent the Transformers wheel. It does, after all, still exist in the same universe as Bay's films, so hands are tied a bit there — but there's a heart here which didn't previously exist, along with some effective humor (a quick moment where Cena actively questions whether the US military should be working with beings who actively introduced themselves as "Decepticons" is particularly wry), and a bit of emotional heft.
Thought at the end of the day Bumblebee may eventually be lost to the Transformers canon along with all the other boisterousness and bluster, there's hope that it can live on its own as an oft-visited family film that finds some legs long after its season is over. I hope it will and think it will, if nothing else than because it's the both type of film you can casually drift in and out of and one the family can enjoy together. That remains to be seen but certainly, this Christmas, Bumblebee doesn't deserved to be seated at the same table as it's loud, goofy cousins.
Review: Mary Poppins Returns
By Daniel Dunston on ©December 22nd, 2018 @ 11:30am
Editor's note: The following piece was contributed by Beth Dunston: Librarian, book critic and begrudging sister to Camerman Daniel. She might not know sports but she knows Mary Poppins. Enjoy!
Mary Poppins Returns is a movie that was probably written by a committee in a Disney office tower, but boy did that committee have a blast. The film will tap into your nostalgia with scenes directly inspired by iconic moments from the 1964 classic, but it will also entertain younger generations with a more action-packed plot, a sinister villain, and a CGI upgrade.
In Returns, Michael, the little boy from the original movie is a recent widower facing financial trouble while raising three kids of his own with some help from his sister Jane. Into this doom and gloom swoops Mary Poppins, here to help teach the kids (and their now-adult counterparts) to have fun and use their imaginations to process their very real anxieties. This in itself is a great lesson – life is hard, and sometimes people, especially kids, need a little bit of magic just to get through the day. Mary Poppins accomplishes this, of course, through magical shenanigans, colorful feasts for your eyeballs, and catchy musical numbers. The songs themselves are all delightful earworms and the cast performs them with infectious delight. An early scene (shown in the trailer) involving a trip through an enchanted bathtub is particularly wonderful.
Disney clearly adores the original film's ground-breaking set pieces, but it also doesn't trust them to hold a modern audience's attention. This means there are a few awkwardly-inserted action scenes, one of which might be a little scary for younger children. But truth be told, no one, child or adult, in my theater ever cheered or laughed out loud at scenes that were clearly supposed to generate those reactions, and, while it's fun, I'm not sure the movie will succeed in being a modern classic, or even memorable. Furthermore, these action-packed scenes and a more adult-centered conflict sometimes work against the film's charming musical numbers, making the story feel a little unfocused, overlong, and cluttered, to the point that it will test both you and your kids' patience (and bladders). A scene involving Meryl Streep becomes particularly tiresome very quickly.
The film's minor flaws are balanced out by Emily Blunt and Lin-Manuel Miranda, who shine throughout the movie. Blunt in particular is electric, channeling Julie Andrews in a performance that feels just as larger-than-life as the character she's playing. Miranda is having a blast as Jack, a stand-in for Dick Van Dyke's chimney sweep Bert. The pair's chemistry crackles across the screen, making their duets a delight.
For better or worse, Returns has it all – action, romance, comedy, social commentary – even subtle sex jokes (Don't worry, they'll all go over your kids' heads.)! Ultimately, this attempt to make every fan happy collapses under its own weight. You (and your kids) will likely still have a great time singing along to the songs, and there's certainly a lot to enjoy. It's just like a holiday candy bar: a fun and sweet treat that will leave you feeling vaguely unsatisfied. It's not necessarily a must-see, but you ought to go if you're a huge fan of the character or of the family musical genre. I rate this film 7 out of 10, and I rate Dick Van Dyke's dance moves 10/10. That man's still got it.
Top Chef Kentucky Recap: "I cut meat, I don't bake"
By Mrs. Tyler Thompson on ©December 21st, 2018 @ 3:30pm
It's Christmas week on Top Chef: Kentucky (even though I'm pretty sure they filmed this during the summer). Most of the action takes place indoors this episode, meaning we don't get to see a lot of our Old Kentucky Home, but there are still plenty of desserts and drama to drool over. To the recap!
Quickfire: The worst gift exchange ever
Top Chef Season 14 winner Brooke Williamson and Top Chef All-Stars winner Richard Blais help Padma out with this week's Quickfire Challenge. The chefs will have 30 minutes to create a holiday dish but only two minutes to choose their ingredients. Of course, there's a twist. Once the chefs return from the pantry, Padma tells them they must swap their ingredients in a White Elephant gift exchange. Brian gets really excited about the "Yankee Swap," yelling out, "I'm from Boston, you know what I mean!" Yeah…we know that apparently you don't realize that White Elephant gift exchanges happen everywhere, not just in the Northeast. Also, the ingredients you chose suck, so you're really lucky.
Anyways, the chefs make do with what they have. The judges praise Sara's take on fried chicken livers and Nini's cream cheese chutney with apples, but it's David's leek noodles that get the win and immunity in the elimination challenge. Back-to-back Quickfire wins for David! Considering he only had leeks to work with, that's pretty impressive.
Elimination Challenge: Too many cooks in the kitchen
The chefs return to the mansion (aka "The Avish" in Prospect, if you missed last week's recap), where they're greeted by Tom Colicchio, Graham Elliot, and OMG IT'S ERIC RIPERT. Everyone's favorite French chef is joining the gang for a "Réveillon de Noël," or traditional Christmas feast. Some of the chefs almost wet themselves with excitement, but to be fair, it would be like Freddie Maggard crashing your Citrus Bowl watch party. Eric Ripert is a big damn deal!
Just as the chefs are starting to relax, the realization dawns on them that of course this isn't just a magical Christmas feast in the middle of May with Eric Ripert; this is also the elimination challenge. The chefs have two hours to make one of the 13 desserts that are part of a traditional Réveillon de Noël. The extra twist? They have to do it in the kitchen at the mansion. All 13 of them.
Since I watch both Top Chef and The Great British Baking Show, I know that "cooking" and "baking" are two entirely different things, so naturally, some of the chefs are worried, with Brian going as far to complain, "I cut meat, I don't bake." In fact, Nini and Kelsey are the only chefs with pastry experience. Nini, an intense little thing, threatens to kill anyone who opens the bottom oven while her pastry is inside, and then Sara goes and opens it. Given the ominous music that plays when this happens, I thought it was going to be a much bigger deal than it ended up being. Phew.
At judging, the chefs present their dishes. The judges don't hold back, comparing Adrienne's almond daquoise to "frozen orange juice" and swearing off biscuits after tasting Brian's sweet and savory offering. Pablo's dark chocolate tart is too boring and Kevin's ricotta cake is too salty, which Brandon tried to warn him about in the kitchen.
In the end, Kelsey's chocolate pot de crème, Nini's blackberry and lemon vacherin, and Eddie's strawberry shortcake crumble are the top three dishes. Nini wins her second straight Elimination Challenge, but it was nice to see Eddie get some praise. He was still beating himself up over last week's lamb debacle. IT'S OKAY, EDDIE!
Kevin's salty ricotta cake, Pablo's basic chocolate tart, and Brian's vinegary biscuit make up the bottom three. While all three dishes were gross, Kevin is the one who goes home because his dish was "so salty it was inedible." But it's all good, guys. He got to eat with Eric Ripert and someone's going to water his garden for him.
My Old Kentucky Home Takes
— Again, aside from the wild turkeys outside the mansion at the beginning of the episode, we didn't get to see much of the Bluegrass State; however, I am all for the budding bromance between Brian and Brandon. The bonding moment over Brandon's hair straightener was kind of awesome.
— Kentucky girl Sara had a good week after coming off as a bit cocky in the last episode. We got to hear a little bit more about her childhood as "the only Jewish kid in Kentucky" and her biscuit with coconut "whooped" cream looked great to me. It is more fun when you say "whooped"!
— I wonder who ended up having to clean the kitchen the next day? Did they make Kevin do it before he left?
Next week: Restaurant wars, bubble baths, and hopefully more of the Bluegrass State.
The Funkhouser Situation E45: Christmas (feat. The Kominsky Method)
By KSR on ©December 18th, 2018 @ 4:30pm
It's The Funkhouser Situation's Holiday Extravaganza! Lee Cruse and Chris Tomlin dissect and debate a list of the supposed 40 Best Christmas Movies of All-Time. Light your Yule log and enjoy Funkhouser's holiday cheer that also features…
— A show recommendation for the listening audience.
— The Top 10 Toys this Christmas season.
— Billboard's Top Grossing Holiday Songs by download.
— Somebody is having issues with their chair.
— Chris is a big man child.
— How do they feel about Christmas Vacation?
You can easily listen on the KSR App, available on iTunes and Google Play. Streaming online is simple through Pod Paradise. You can also get it directly to your phone by subscribing to The Funkhouser Situation podcast feed on iTunes or via Android's Podcast Addict app.
Top Chef Kentucky Recap: $500 worth of lamb?!
By Mrs. Tyler Thompson on ©December 15th, 2018 @ 8:47am
Last week, Top Chef introduced its contestants to Kentucky with a trip to Churchill Downs and a Kentucky Derby party-themed challenge. This week, the chefs visited another recognizable Kentucky landmark, Maker's Mark, where they tried their hand at some of the Bluegrass' most famous dishes. To the recap!
Quickfire: Feed Pregnant Gail
First things first: Gail Simmons is super pregnant so she can't be a judge this season; however, she's still making the chefs cook for her, which I admire. This week's Quickfire Challenge is to make Gail a dish to satisfy her pregnancy cravings, which include red meat, spicy food, Middle Eastern food, Asian food, and lots of pasta. Predictably, most people make steak and David's ribeye with corn wins out after his ingredients are flown up to New York and Gail and her friend make the dish themselves. I get that Gail can't fly because she's in her third trimester, but this seemed like a lot of work for a Quickfire. Anyways, David gets immunity and Gail gets to eat.
Elimination Challenge: Burgoo, hoecakes, mutton, oh my!
After the Quickfire, Padma informs the chefs that they're going to Maker's Mark, which everyone freaks out about because bourbon. On the way to Loretto, Kentucky girl Sara brags about her piece in Garden & Gun (who wouldn't?) and Eddie looks stressed out, which is a harbinger of things to come. Once at Maker's, Rob Samuels leads them on a tour, where they get to hand dip bottles off the line, not at the dipping station at the gift shop like the rest of us plebeians.
After the tour, they meet Newman Miller, Executive Chef of Star Hill Provisions and Chef-In-Residence at Maker's Mark, who treats them to a feast of Kentucky's most iconic dishes: burgoo, catfish, mutton, benedictine spread, frog legs, banana croquettes, spoonbread, soup beans, hoecakes, etc. Just as everyone is getting full and happy off the food and booze, here comes Padma with a butcher's block. Party's over, y'all!
If you didn't see this coming, the Elimination Challenge is for the chefs to put their own spin on Kentucky classics. The 14 chefs are divided into teams of two, with each responsible for a dish for a family-style meal for 48 guests. Each team gets $1,500 to spend on ingredients and two and a half hours to prep and cook. The chef with the best dish from the winning team gets $10,000, while the chef with the worst dish from the losing team goes home.
Naturally, Kentucky girl Sara is feeling some pressure because if she can't get Kentucky dishes right, that would be totally embarrassing; unfortunately, that anxiety causes her to come off as super cocky, prompting Nini to get a little snippy. I'm rooting for Sara, but listening to her go on and on about how she could nail each dish was pretty annoying. You go, Nini.
At Whole Foods, the drama begins. Eddie spends $500 on lamb instead of the $250 the team budgeted for it, which forces the rest of the Black Team to sacrifice ingredients for their dishes to come out under $1,500. By the time they get it sorted out, there are multiple carts full of discarded items. As Kelsey says, shoutout to the people who have to restock all that.
Back at Maker's Mark, it is HOT outside, and I'd be lying if I said I didn't take a little bit of glee from watching people not from the South deal with heat and humidity. Combine that with the Black Team having to make do with limited ingredients (THANKS, EDDIE) and you've got a cranky bunch. Brian struggles to figure out how to operate a pressure cooker or a food processor, which I'd argue that, as a chef, he should probably know how to do. Not only does Natalie not have enough lemons to make a good lemon curd pie (THANKS EDDIE), the heat has melted it into a gross, pudding-like blob.
While the chefs scramble to finish, Padma, Tom, the judges, and guests relax on the lawn at Maker's Mark. The Black Team brings their food out first and the judges seem to like Eddie's lamb, which Tom notes is the only thing that was properly seasoned. Probably because he spent so much on it the other chefs couldn't afford seasonings? Justin hoecakes are a hit, as is Eric's banana desert, which Greg Davis, the random Maker's Mark Ambassador at the tables, literally giggled over. (Correction: I've since learned that Davis is the former master distiller at Maker's, but now works at Jim Beam, so he's not just a random Maker's Ambassador. Cheers, Greg!) Meanwhile, Pablo's burgoo was greasy, Brandon's chicken and dumplings were "an atrocity," and Natalie's lemon curd pie was bland. THANKS EDDIE.
It's immediately clear that the Red Team's going to win. Tom says Nini's New Orleans inspired spoonbread with shrimp étouffée sauce "should be a new Kentucky thing" and writer and bourbon critic Fred Minnick says Sara's burnt cabbage with soup beans and country ham chow "tastes like Kentucky to me." Well done, Sara. When random Maker's Mark Ambassador Greg finds out Sara is from Paducah, he exclaims, "No wonder I liked it so much!" International food and travel editor Nilou Motamed said David's lamb with black BBQ sauce tasted like a "bourbon on a plate," which I believe is a good thing.
Anyways, the Red Team wins and the Black Team loses, which sends Eddie into a spiral of shame. He admits to the judges that he spent too much on his lamb, forcing everyone to sacrifice on their dishes. Because the judges liked his lamb so much, he's safe. Natalie, last week's winner, is going home for her bland lemon curd blob. From winner to loser in just one week! This is a harsh world, this Top Chef.
Nini ends up winning the $10,000 for her spoonbread étouffée. Sorry, Kentucky girl Sara. At least you've got that Garden & Gun writeup.
My Old Kentucky Home Takes
— Once again, the Bluegrass State looks beautiful on camera, Maker's Mark especially. I've always joked that, of all the distilleries, Maker's feels most like Bourbon Disneyland, and one of the chefs, Michelle, agrees, saying as they walk onto the grounds, "It smells like malt and yeast and sweet corn. It feels like we're in a bourbon fairytale."
— Speaking of Michelle, did you catch her saying her grandmother was a shaman for the most violent tribe in Mexico? That revelation came out while the chefs were planting vegetables on the plots of land Tom assigned to them outside their mansion. Nobody mess with Michelle.
— Speaking of that mansion, shoutout to BlueKel on Twitter for finding it on Zillow. The six-bed, ten-bath, 20,000-square foot house is nestled on 21 acres in Prospect and is called "The Avish" (you know a house is fancy if it has its own name). In April, it sold for $2.7 million. I wonder what the owners could get for it now that it's being featured on Top Chef.
Next week: Christmas at the mansion featuring Eric Ripert! Nini says she's gonna murder someone. Oh, how fun!
Spider-Man: Into The Spider-Verse Review
By Daniel Dunston on ©December 14th, 2018 @ 8:35am
Alright people. Let's start at the beginning. (Little joke you'll understand when you watch the movie).
Spider-Man: Into The Spider-Verse is the latest Spider-Man film to come out from Sony Pictures. This time, however, it's an animated film focusing on Miles Morales instead of the usual Peter Parker. Don't worry though – Peter is here too, along with a few other variations of Spider-Man from across the multiverse. But the question on everybody's mind is, is it any good? Short answer: It's absolutely amazing. For the long answer, let's dive in to this.
First things first: This movie is beautiful. The art direction takes the comic book origins of the character and runs with it. Sound effects are visually represented on screen with impact wording (Thwip! Pow!), characters' thoughts are shown in thought bubbles or text boxes, and the entire film's texture makes it look exactly like a comic book. On top of that, the animators make sure the art styles for the various Spider-heroes are unique to their original realities. Spider-Ham, for instance, looks like a classic Looney Tunes-era cartoon character while Peni Parker looks like she was taken straight out of an anime. Spider-Man Noir, besides always being monochromatic, seems to have harsh lighting regardless of the situation, because the deep shadows of a Film Noir are infused into his very character. All of this is layered on top of a brilliantly-designed world filled with colorful neon signs and stylized graffiti.
Now, let's talk about some of the characters. Miles Morales is a fantastic hero to base the movie around. After some defining events for him early in the movie (trying to keep this spoiler-free) he goes on a journey to figure out who he is. Along the way, he finds others to help guide him in the form of the myriad Spider-Heroes in the film. His character carries a lot of the emotional weight in the film and Shameik Moore does an amazing job bringing that emotion to the screen with his vocal performance. Also, I'm not sure if they did facial captures for the actors or not, but the animation of the expressions is spot-on for the entire film.
All of the casting is brilliant. John Mulaney as Spider-Ham is particularly inspired. His comedic style works wonders with a character who is basically Porky Pig in a Spider-Man costume. I am not going to lie, I was worried when Nicolas Cage was cast as Spider-Man Noir. I love this character and was worried that we might get one of the weirder Cage turns, but instead we got a charming, while still a little dark, performance that characterized the 1930s era crime-fighter perfectly. Kimiko Glenn brings a high-energy charm to Peni Parker which makes her anime-inspired Spider-Mech suit feel like a perfect fit for her. Each character's visual style is accompanied by a matching soundtrack that is unique to them. It's a cool thing for a movie with an already incredible soundtrack.
Mahershala Ali brings his gravitas to Aaron Davis, Miles' uncle whose emotional conflict leads to one of the defining moments of Into The Spider-Verse. Hailee Steinfeld brings a bit of punk rock and a lot of heart to her Gwen Stacy performance. As one of the lead Spider-Heroes, she carries as much weight as Peter Parker in Spider-Verse, and does so with style and grace.
Now, let's talk about Peter Parker. Jake Johnson plays the beloved wall-crawler in a surprising turn that places him in a different light. This isn't the same happy-go-lucky webhead we've known across 8 movies and 58 years of comics. He is older, if not wiser, and has struggled to be heroic in the face of new challenges. His own self-doubt mirrors Miles' and the character arcs they both go through lead them to be better people, and ultimately better heroes. Peter might not be the lead in this movie, but this still might be the best version of Peter Parker to ever hit the screen.
At it's heart, that's what this movie focuses on: The relationships between its characters. There might not be a better example of this than The Kingpin. As the villain in a Marvel superhero movie, Kingpin wasn't guaranteed to be memorable, or have a motivation that makes sense. It would have been easy to give him a standard "take over the world" goal, letting the spectacle carry the viewer away. But the filmmakers didn't go that route. Kingpin's goals are, despite the process it takes to achieve them, relatively simple. They are personal and emotional and based on failings shared by the movie's heroes. It adds emotional heft to the final showdown, which, despite taking place in one of the coolest and most inventive action set pieces I have seen in a movie to date, has narrow, simple, and very personal stakes for both Miles and the Kingpin. Those stakes help balance the climactic battle far better than most other superhero films. Yes, the world and multiverse is at stake, but the viewer stays focused on Miles' family and what the outcome will mean for them. It grounds the movie with a sense of emotional realism.
I would be remiss if I didn't mention that the Stan Lee cameo in the movie is really gold. There is also a nice tribute to him in the credits, but the scene itself is absolutely perfect. It's funny but poignant aside about what it means to be a hero, and especially to be Spider-Man. Stan Lee always had a soft spot for Spider-Man and it shows here.
If I had to say one thing bad about the movie, and that's a tough thing to do, I would say they kind of rush through the origin stories for three of the Spider-Heroes, but, honestly, it doesn't matter. By that point in the movie, you know the Spider-Man origin story and can recite it with them. These aren't immensely different characters than what we have seen, but that is kind of the point. As a hero, Spider-Man is an inspiration because he is the best parts of who we are. It doesn't matter who is under the mask, because it could be anybody. It could be us if we are brave enough to take that "leap of faith," and this might be the first Spider-Man movie to ever truly capture that. As someone who enjoys watching fun, visually unique films, Spider-Man: Into The Spider-Verse is breathtaking in its design, with a strong narrative and emotional backbone to support the stylized visuals. As someone who grew up reading Spider-Man comics, this is the best version of one of the greatest comic characters of all time. If you are even a little bit interested in this movie, go see it. I promise you it's worth it.
10/10 Perfectly Spider-Man
If you liked Spider-Man: Into The Spider-Verse or didn't or just wanted to talk about all those easter eggs in it, hit me up on twitter @DanielDunston
The Funkhouser Situation E44: Wreck-It Creed
By KSR on ©December 13th, 2018 @ 4:00pm
If something didn't feel right over the last month, it's probably because you haven't had a new episode of The Funkhouser Situation. Don't you worry. Lee Cruse and Chris Tomlin are back and better than ever before. The pop culture pariahs have done some traveling and they have plenty of stories to share, like…
— How the Northeast trip turned Chris into a caviar guy.
— Who had more fun at Disney World?
— Lee Cruse's Favorite Movie of 2018
— What are Dapper Days at Disney World?
— Strong words for the Wreck-It Ralph sequel.
— The Kevin Hart, Academy Awards incident.
— Lee loves salt and Chris is face down in a pizza.
You can easily listen on the KSR App, available on iTunes and Google Play. Streaming online is simple through Pod Paradise. You can also get it directly to your phone by subscribing to The Funkhouser Situation podcast feed on iTunes or via Android's Podcast Addict app.
Today's episode is brought to you by Jake's Cigar Bar.
Once Upon A Deadpool Review
By Bill Sheehy on ©December 12th, 2018 @ 9:13pm
Once Upon a Deadpool's existence is a bit of a mystery to me. A PG-13 reimagining of Deadpool 2 where Deadpool tells his story to a kidnapped Fred Savage sounds hilarious, yet I couldn't help but feel a little nervous. Part of the reason Deadpool works so well is because it stays true to the character and really dives in, Pete Rose style, into it's hard R rating. While Once Upon a Deadpool does a good job of staying true to the character, it's ultimately a lesser and neutered version of a film we've already seen, while adding little to enhance what was already there.
Like in The Wonder Years and The Grinder before, Fred Savage is the best part of the film. The new Princess Bride inspired set up ranges from meh to flat out hilarious and the back and forth between Savage and Mr. Pool feels so genuine and fun.Thankful they didn't show all the best parts in the marketing and one interaction in particular involving a Good Will Hunting star left me rolling. Unfortunately there just isn't enough of them together to really move the needle on justifying a theatrical release. Don't get me wrong, I'm always up for something creative and different like it attempts to be, but the best parts last maybe two to three minutes and there are 20-30 min intervals before we get any new footage.
As far as the actually edit of the film, it's exactly what's advertised, a PG-13 version of the film. No blood, no F-bombs, no grotesque violence, none of the stuff you can show with an R-rating and on the whole, it works. Granted it's not the version I want to see and I imagine what anyone else wants to see but it can work if Deadpool finds his way into the MCU. The movie is still Deadpool 2 and retains much of it's best parts but it just feels like it pulled it's punch and isn't as snappy and irreverent. It feels like a the studio re-write version of Deadpool that everyone assumed the first film would be.
I still really struggle to figure out who to recommend this to. I can't really recommend it to people who have already seen it during its first run because it's simply not as good and you can easily wait for when they inevitably release a Mega Super Duper Deluxe Blu Ray next year where they'll have all three versions of the film. I guess if I had to recommend it to anyone maybe it's for parents that love Deadpool and want to introduce it their pre-teen kids. Even then I'm not sure if that's right because there are still some pretty adult themes, this movie is so confusing.
As always you're going to want and stay for the after credits shenanigans which includes the original scene from Deadpool 2 and adds a brand new and surprisingly emotional addition to the mix that left my fellow Funkhouser contributor and friend Daniel and I pretty teary eyed. Just a wonderful addition.
At the end of the day, Once Upon A Deadpool is just an ok Deadpool movie and the third best version of Deadpool 2. The order of which is the Super Duper Cut released on Blu-Ray which adds more scenes and makes the original better, the theatrical release, and finally Once Upon A Deadpool. This would have worked far better as a special edition Blu-Ray release and at the end of the day never justifies it's theatrical release.
Rating: 6.5/10
Follow me on Twitter and tell me what you think of Once Upon A Deadpool!
Top Chef Kentucky Recap: Don't Trip in Horse Poop
By Mrs. Tyler Thompson on ©December 07th, 2018 @ 7:30pm
As you've surely heard by now, this season of Top Chef takes place in Kentucky, and as the resident reality TV expert here at KSR, I've taken on the task of recapping each episode to see how our beloved Bluegrass is portrayed. Last night was the season premiere, and, predictably, the state's most famous event, the Kentucky Derby, was the theme. To the recap!
After a typical Kentucky B-roll (horses running, lakes, Louisville), we see the chefs walk out of the tunnel at Churchill Downs. In a wonderful bit of foreshadowing, Caitlin from Cincinnati says she hopes she doesn't trip in horse poop. Oh, Caitlin. Horse poop is the least of your worries in this episode. Once by the track, they're greeted by Tom Colicchio and Padma Lakshmi, the latter in a strapless denim dress, because she's in Kentucky but she's also a renowned TV host, actress, model, author, executive producer, and ex-wife of Salman Rushdie, y'all.
After Churchill Downs Bugler Steve Buttleman does his thing, Tom and Padma welcome the chefs to Louisville and we learn there's a Kentucky girl in the competition. Sara Bradley of Paducah is immediately my favorite chef because she admits that the only time she's been to Churchill, she was in the infield and drunk. Same, girl. Same.
Right away, Tom and Padma introduce the episode's Quickfire Challenge, which is to make a meal in 22 minutes. The catch? They can only use their knives for the first two minutes, aka "The Fastest Two Minutes in Cooking" (Get it? Derby). The 15 contestants are split into five groups of three and they're off!
Considering the constraints, each team pulls off a pretty impressive dish. The Green Team (Pablo, Justin, Sara) ends up winning, which is doubly impressive because they originally planned to grill a steak, but forgot they couldn't use knives to cut it, so improvised with a poached egg. The prize? VIP tickets to next year's Derby, which means Sara finally gets to upgrade from the infield and a "a big ass hat." You go, Sara.
Elimination Challenge
Staying with the Churchill Downs theme, the main challenge this week is to create a dish for a VIP Derby Party with 200 guests. The chefs will be pitted against the other members of their teams from the Quickfire Challenge, with the top dish earning a "win," the second best a "place," and the worst a "show." (Get it? Horse racing.) The winners of each group will be in the running for top dish, while one of the losers will go home. The guest judge for the challenge is David Danielson, the Executive Chef of Churchill Downs.
After shopping at Whole Foods, the chefs get to their workspace for the first time, where Justin from Minnesota makes a beeline for the bourbon wall and takes over Sara's spot as my favorite chef on the show.
"My body is 60% bourbon, 20% pot, 40% fried food and a whole lot of sexy," he says.
I don't have the heart to tell him that math doesn't add up.
Fantastic Beasts:The Crimes of Grindelwald Review. No Magic Here.
By Bill Sheehy on ©November 26th, 2018 @ 8:29pm
Harry Potter opened up a magical world that inspired many kids my age to do the unthinkable, read a book. My early days of waiting in line for a midnight release wasn't for a new Star Wars, Lord of The Rings, or Marvel movie, no, it was something way more special and memorable. It was waiting in line at a Joseph Beth for the latest Harry Potter adventure with my friends, mom, and friend's parents, drinking "Polyjuice Potion" which I can only assume was a mixture of Sprite Remix and the sweat of whatever employee made it. The movies were a similar story, the words we read on the page came to life and with each new story as Harry, Ron, and Hermoine grew up, so did we. This world will always hold a special place in my heart and is why it hurts so much to say this. Fantastic Beasts: The Crimes of Gridelwald is just plain bad.
I'll admit I was incredibly excited for this film and I really liked the original Fantastic Beasts and Where to Find Them. It somehow kept the whimsical charm of the original series and gave us characters to actually care about. It was a…..fantastic introduction to a familiar world but with some aspects we hadn't seen in the originals. Unfortunately it's sequel, Crimes of Grindelwald, takes the first film and does little to capitalize on what made it good.
I'll start with what a liked about it and unfortunately, it's really short.
First and foremost, the central characters I liked in the first are all here and they continue to be charming and likable. Newt, Jacob, Queenie, and Tina, while not quite Harry, Ron, and Hermoine, all are a compelling core, that provide enough interesting storylines to keep you engaged and interested where their story goes from here. Jacob in particular is always good for a chuckle and acts as the audience throughout the movie. Asking questions that are obvious to witches and wizards, but not so much to us Muggles.
Jude Law as a young Albus Dumbledore does a particularly great job of portraying a character that we all know and love in the future but seeing him a little half-baked, not quite to where we'll see him in 60-70 years. There's this twinkle in his eye that's easy to love but at the same time can convey a deeper conflict that resides in Dumbledore due to his relationship with Grindelwald. If I'm happy with anything it's just how happy I am with where Law can go as Dumbledore, a lot of good set-up for some great battles down the line. All that being said, he's in the movie for maybe 10 minutes and he doesn't really do much in the film. It's a testament to Law's performance that I enjoyed it so much with such a small sample size.
Set-up is really a big problem that I have with this movie as a whole, and really why I was so disappointed in it. That's really all it is. All the while not being particularly interesting in the process. In a world filled with so much magic and wonder there is no way I should be bored for an hour and 45 minutes of a two hour and 15 minute film. Even what it tries to set up is poorly written and the big "reveals" aren't really all that Earth-shattering and the explanation behind all of them is just down-right confusing and feels like the worst Pottermore fan fiction imaginable.
I really, really hate to say it, but I think it's time to reign in J.K Rowling. In the same way that George Lucas may have gone a little overboard and convoluted in his prequel trilogy, Rowling is doing the exact same. Losing sight of what made the originals so special and beloved and making ridiculous plot decisions just because she can. Characters that were supposedly killed in the last film inexplicably return and the most explanation we get is, "Just because." it's frustrating because there is so much potential here and it's concept is already so intriguing.
Crimes of Grindelwald is also unnecessarily dark. Not just tonally, the film is just drab and lifeless. It tries to be the Empire Strikes Back of Fantastic Beasts and ends up a lot more like Attack of the Clones. Boring, bogged down by questionable dialogue, attempts to be dark for the sake of being dark. The only thing missing is a whiny heart throb complaining about how much he hates sand.
Johnny Depp just isn't that good as Grindelwald and continues his descent into just not caring anymore and being more famous or infamous for his many personal issues. Grindelwald is the wizard equivalent of Hitler and just doesn't feel like it. He speaks in a monotone voice throughout and while I understand wanting to do something different than Voldemort, he just isn't menacing. Truly disappointing after his reveal as the character in the last film.
Fantastic Beasts: The Crimes of Grindelwald does almost nothing right and was truly a chore to sit through. It's long, unnecessarily confusing, and it's greatest sin, being remarkably boring. While there are some great nods to the larger wizarding world and the core group of characters are awesome, it can't save what is easily the worst film in the Harry Potter/Fantastic Beasts series.
Rating: 4.0/10
Follow me on Twitter @StarWarsBill and let me know what you thought of the movie. Thanks for reading!
May the Force be with you!
The Funkhouser Situation E43: Da Plane! Da Plane! Da Plane!
By KSR on ©November 13th, 2018 @ 5:30pm
The Funkhouser Situation is back! Chris Tomlin returns to find Lee Cruse with a new, horrifically ugly haircut. How did it get there? Lee explains that and much more in this exciting episode. Highlights:
— The one and only choice for Sexiest Man Alive.
— Who doesn't like Dr. Seuss?
— Is it okay to start Christmasing this early?
— Reaction to the Pete Davidson-Dan Crenshaw moment on SNL.
— MoviePass' terrible marketing newsletter.
— The Adam Sandler special has a strange new structure, but is it good?
— Do we really need a Game of Thrones prequel?
— A tribute to Stan Lee.
You can easily listen on the KSR App, available on iTunes and Google Play. Streaming online is simple through Pod Paradise. You can also get it directly to your phone by subscribing to The Funkhouser Situation podcast feed on iTunes or via Android's Podcast Addict app.
Today's episode is brought to you by Jake's Cigar Bar.
The Funkhouser Situation E42: Smells like Allegiant Airlines
By KSR on ©November 08th, 2018 @ 10:00pm
The Funkhouser Situation with Chris Tomlin and Lee Cruse returns with another episode that will fill you in on everything in the world of pop culture.
Here are some of the highlights from this edition:
-Chris gets the other Chris Tomlin's fan mail
-The mindset to have going to Disney World
-Why would John Cougar Mellencamp drop the Cougar in his name?
-Chris gives us some big engagement news
-The movies Lee saw on way to Disney World
-First world problems: Lee and Chris discuss issues with picking seats on airplanes.
-Ranker's Top 90s artists: do they agree?
-Lee loves the Stone Temple Pilots
-Did Lee guess the final two picks correctly?
You can easily listen on the KSR App, available on iTunes and Google Play. Streaming online is simple through Pod Paradise. You can also get it directly to your phone by subscribing to The Funkhouser Situation podcast feed on iTunes or via Android's Podcast Addict app.
Read-Alikes For The Hate You Give
By Daniel Dunston on ©November 06th, 2018 @ 12:52pm
Editor's note: The following piece was contributed by Beth Dunston: Librarian, book critic and begrudging sister to Camerman Daniel. She might not know sports but she knows literature. Enjoy!
Angie Thomas' debut novel The Hate U Give dominates the landscape of teen fiction in the same way Anthony Davis dominated a college basketball court, even before Thomas' work made its big-screen debut. The novel's award stickers threaten to block out the cover. The book just finished its 85th week hovering at the top of the New York Times' best-seller list. Clearly, Thomas' coming-of-age tale about finding your voice and standing up to injustice struck a chord with teens (and adults) who found hope and truth in main character Starr Carter's story.
If you're not familiar with The Hate U Give, a quick summary: Starr divides her time between her poor neighborhood and her elite private school, and she likes to keep these worlds as separate as possible. When Starr's friend Khalil is shot by a police officer on their way home from a party, her two worlds begin to converge in difficult and complicated ways. By the time I finished T.H.U.G., Starr had changed the way I understood the world. What do you read after that, short of waiting for Thomas' next book, On the Come Up (out February 2019)? Here are five excellent books to read if you loved The Hate U Give:
Here to Stay by Sara Farizan: Bijan is the comic-book-loving son of an Iranian-American mom, and much like Starr, he attends an elite private school, where he plays on the basketball team. Unlike Starr, he imagines NBA commentators Reggie Miller and Kevin Harlan narrating his life in a hilarious play-by-play (You should hear what they say about Bijan's painful flirting game). After Bijan saves his team from defeat with skills that would make LeBron proud, he's an overnight celebrity. And then someone photoshops his face onto a picture of a terrorist and e-mails it to the entire school. Bijan just wants to ignore the cyberbullying, but when it starts to affect his game and his relationships, he turns to his friends and his well-meaning teachers to identify the attacker and bring them to justice.
Piecing Me Together by Renée Watson: This award-winning debut novel follows Jade, an ambitious artist trying to get out of her poor neighborhood in Portland, Oregon. Her teachers keep trying to "rescue" her with special programs for "at-risk" students, but Jade just wants the same opportunities as everyone else – like studying abroad for her dream job. Jade is assigned a mentor who's too wrapped up in her own drama to do her job, and her friendship with a white classmate is falling apart in a series of arguments and misunderstandings. While there's no central "event" in this book, Jade's story is a must-read for any teen (or adult) looking for the courage to advocate for themselves. The last chapter is guaranteed to make you cheer. And want to create mixed-media collages that will never be as cool as Jade's.
Dear Martin by Nic Stone: This stunning novel shares a lot in common with the previous books: a young person of color attends a mostly white private school. Justyce is a kid with big dreams, so he turns to the man with a Dream for inspiration, challenging himself to live for a year following the teachings of Dr. Martin Luther King, Jr. Imitating Dr. King is harder than Justyce thought it would be – especially when a string of violent tragedies ends in the slaying of Justyce's best friend. Is it worth following the path of peace when death is the only reward? I'll admit it – this is a tough one, but trust in both Justyce and Stone to snatch hope from the depths of despair as Justyce discovers allies and friends in the most unexpected places.
Long Way Down by Jason Reynolds: Real talk – Jason Reynolds is one of the greatest writers for youth alive today. In his most recent novel for teens, Will lives by the three rules of his neighborhood: Don't cry, don't snitch, and always get revenge. On one early morning, Will steps into an elevator with a gun tucked into his jeans, ready to execute the man who murdered his beloved brother Shawn. Remember Rule #3? Yet this is no ordinary elevator ride: On every floor, spirits affected by gun violence in Will's community appear to the boy, each offering their own story in powerful poetic verse. This is a quick read, full of tension and tragedy, as spirits battle to save a young man's soul.
Shadowshaper by Daniel José Older: Speaking of battling spirits, I thought I'd end this list with something a little lighter. The Hate U Give features a community pulling together to overcome violence and tragedy, and this book has exactly that, plus magical graffiti and a dash of zombies. Sierra Santiago is spending her summer break in Brooklyn painting a gigantic mural of a dragon onto an abandoned building, but her plans are upended by the appearance of a secretive Haitian boy and the disappearance of some of her grandfather's old friends. Plot twist: Sierra's family is part of a long line of shadowshapers – sorcerers who can enchant artwork with the spirits of the dead, bringing their drawings to life. It's up to Sierra to reclaim her birthright from a greedy interloper and take back her community's legacy. If you prefer your heroines to be accompanied by chalk ninjas punching each other, this book is definitely your jam.
What did you think of this list? Do you have any other recommendations? I've been a Teen Librarian in Central Kentucky for seven years and I'm always game to add to my TBR list. Send me your favorite read-alikes and recommendations on Twitter @DunsLibrarian.
Spooky Reads For Halloween
By Daniel Dunston on ©October 31st, 2018 @ 9:04am
Editor's note: The following piece was contributed by Beth Dunston: Librarian, book critic and begrudging sister to Camerman Daniel. She might not know sports but she knows literature. Enjoy!
Full disclosure: I am a horror weenie. My first real nightmare following the appearance of a monster on television happened because of Ghost Writer, a PBS show that tried to make teens think reading was cool. I freak out at the mention of ghosts in cheesy Halloween podcast episodes. I've not yet made it all the way through any actual horror flick, not even Scary Movie. Yet, I steel myself every year to brave YA horror books for the kids who want more of the undead on their bookshelves. Here are five spine-tingling novels to fill the slasher-shaped hole in your life.
Asylum by Madeleine Roux: Everyone at my college knew which dorm was haunted, and even knew the exact room number in which you'd be most likely to find a Civil War soldier in your closet. Every college has a haunted dorm, but the one in Asylum takes the soul cake. When Dan finds himself in the super-creepy Brookline Dorm in New Hampshire, he discovers that the residence hall used to be a psychiatric hospital, and some of the patients haven't yet checked out. As Dan and his friends explore the sinister secrets of Brookline, they find themselves in a fight for their lives. (A note to my college: Don't put students in that dorm. You know the one.)
The Name of the Star by Maureen Johnson: Johnson usually writes the kind of romance novels that remind you of sunshine and summer jobs, but her Shades of London trilogy shows that she has no problem diving into the world of foggy, blood-soaked streets. Louisiana teen Rory Deveaux can see ghosts and moved to a boarding school in London to get away from them in perhaps the most ill-advised decision a haunted teen could possibly make. It turns out British ghosts are nothing if not punctual, and Jack-the-Ripper-style killings begin plaguing the city as soon as Rory arrives. Rory is the only one who can see the ghoulish murderer – or so she believes. If you like reading about students being stalked through dark alleys by a vengeful ghost, or you just like an excuse to sleep with the lights on, this one's for you.
The Monstrumologist by Rick Yancey: Will Henry's diaries tell the story of his boyhood as an apprentice to Dr. Warthrop, a monster-hunter who barely qualifies as human himself. Will and Dr. Warthrop newest prey is a colony of anthropophagi, a man-shaped beast with giant, toothy jaws and a seemingly bloodthirsty appetite. The creature is difficult to kill, as its only true weak spot is its brain, located in its crotch (I'm not making this up.). If the stomach-churning gore and jump scares aren't enough for you, prepare to plunge into Will's horrible childhood, as the once-innocent boy discovers the true depths of human evil. Yancey used to work for the IRS as a tax collector, and if that doesn't convince you the book is terrifying, I'm not sure what will.
Took by Mary Downing Hahn: Moving from Connecticut to West Virginia was hard enough without the locals telling Daniel creepy stories about the with who lives up the hill. Daniel dismisses the stories as attempts to freak the new kid out, but when his sister Erica becomes obsessed with her (disturbingly lifelike) doll and then wanders off into the woods, Daniel becomes convinced Old Auntie has taken her. Being a responsible brother, Daniel decides to rescue his sister from fifty years of terror. Mary Downing Hahn is one of the OGs of YA horror, and a perfect fit for Goosebumps graduates looking for a good scare.
Labyrinth Lost by Zoraida Cordova: Alex is a bruja, a witch with terrifying powers she's tried to suppress for years. Alex despises her abilities, since they have resulted in, in order, the death of her cat, the disappearance of her father, and the summoning of a snake from her classmate's mouth. Visions of her dead aunt don't help either. When Alex attempts to banish her gifts, she accidentally sends her entire family to the underworld (like you do). Now she must journey to the wonderful and frightening world of the dead in an action-packed adventure. This is the Latinx Alice in Wonderland you've always wanted, and highly recommended by surly middle schoolers who claimed they hated to read.
Who's your favorite YA horror writer? Darren Shan? Ransom Riggs? R.L. Stine? Stephenie Meyer? Send me your spooky reading recommendations @DunsLibrarian!
The Funkhouser Situation E41: This List Stinks
By KSR on ©October 30th, 2018 @ 4:00pm
The Funkhouser Situation with Chris Tomlin and Lee Cruse returns with another episode that will fill you in on everything in the world of pop culture. A few lists are taken to task, they talk about all the latest Hot Goss, and…
— Did First Man live up to expectations?
— Forbes' Highest-Paid Celebrities.
— Lee's royalty checks.
— Does Chris lust Lee?
— Who are the best nominees for this year's Rock and Roll Hall of Fame Class?
— Black Mirror is confusing.
— Vulture's list of Best SNL Recurring Characters is…something.
You can easily listen on the KSR App, available on iTunes and Google Play. Streaming online is simple through Pod Paradise. You can also get it directly to your phone by subscribing to The Funkhouser Situation podcast feed on iTunes or via Android's Podcast Addict app.
Today's episode is brought to you by Jake's Cigar Bar.

subset: commoncrawl


text:
Your Search Results
Child Care Benefits, Javascript
8 Companies
T-Mobile Home + Entertainment
Internet of Things • Mobile
We changed wireless. Now we're transforming TV. T-Mobile is made up of 50,000+ unique individuals marching together to change industries for good. Now the Home + Entertainment team is the latest to challenge the status quo by putting customers first with an advanced 5G network and revolutionary HD services that ensure TV will never be the same.
125Local Employees
We believe great businesses treat their employees like people, not ID numbers - and we're building a platform that empowers organizations to do just that. Through one refreshingly easy, integrated platform, we automate and simplify your payroll, benefits, and HR, all while providing expert support.
360Local Employees
Events • Fitness
Athlinks is a premier race-day technology provider and the world's largest results database. We do everything from creating the event management software and hardware used to time/run endurance races of all types to a social media website that allows athletes to claim their results and build a race resume, as well as connect with their next event!
100Local Employees
Xactly Corp
Founded to solve an important challenge, Xactly helps people everywhere connect and unleash their human potential through seamless, perfectly aligned Sales Performance Management. We are the market leader in our space, a consistent "Best Place to Work" award winner, and are looking to top-talent to join our global team in 2019!
250Local Employees
Fintech • Payments
More than 8,000 colleagues around the world serve more than 800,000 merchant locations and 1,400 financial institution relationships across the globe. Our success is deeply rooted in the way we simplify payments by breaking through borders and obstacles to help businesses grow. We're advancing the ways the world pays.
700Local Employees
Inspirato is a leading luxury hospitality company that manages, staffs and maintains an exclusive collection of branded luxury vacation homes. Unlike Internet vacation rental brokers, we offer a carefully crafted experience delivering the luxury and service of a five-star hotel in the comfort of a spacious home.
380Local Employees
Cloud • Software
Pax8 is the leading value-added distributor focused exclusively on cloud services, aggregating top cloud solutions for Managed Service Providers (MSPs) to service their small and medium-sized business (SMB) customers. Headquartered in the Denver Tech Center, Pax8 is one of the fastest growing tech startups in the region.
290Local Employees
Greenwood VillageLocation
Software • Transportation
Mobility Risk Data Solutions: Transforming data into action to protect businesses and communities from mobility risk Our Mission: Transforming data into action to protect businesses and communities from mobility risk. Our Core Values: Accountability, Teamwork, Impact.
100Local Employees
Greenwood VillageLocation


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