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NEW RELEASE | Never Sweeter by Charlotte Stein
by Charlotte Stein
Published: April 19th, 2016
Genres: New Adult, Contemporary, Romance
Second chances are sweeter than ever in Charlotte Stein's steamy Dark Obsession series—perfect for fans of Katy Evans—as a self-reliant college girl falls for a reformed bully who's desperate to make up for lost time.
Letty Carmichael can't believe her eyes when she catches a glimpse of her high school tormenter, wrestling champ Tate Sullivan, on campus. College was supposed to be her escape from Tate's constant ridicule. Now he's in her classes again, just waiting for his chance to make her life hell. But when Letty and Tate are partnered up for an assignment—on sex in cinema, of all things—she starts to see a kinder, gentler side of him. And when she realizes Tate knows more about sex than she could ever guess at, he soon starts making her blush in a whole new way.
Tate Sullivan is haunted by regret over his cruelty toward Letty. So when she agrees to work with him, he seizes his chance to make amends. He can't blame her for not believing he's for real, but soon Tate starts to break down her wall. She wants to know about passion, desire, lust—topics he is well versed in. And in return she offers the one thing he always wanted: the chance to be more than just a jock.
Letty is shocked by how sensitive Tate can be. Still, desiring him feels ludicrous. Loving him is impossible. Craving him is beyond all reason. So why can't she stop?
by Charlotte Stein
Published: July 21st, 2015
Genres: New Adult, Contemporary, Romance, Erotica
Perfect for fans of Abbi Glines, the first novel in the Dark Obsession series tells the story of a beautiful wallflower who falls for a chiseled street fighter—and learns just how dangerous love can be.
Beatrix Becker spent most of her life under the thumb of her controlling, abusive father. And now that she's free and attending her dream college, she has no idea how to act like the normal crowd: partying, going on dates, even having a conversation. Then she meets Serge Sorensen. Big and surly with a whole host of riotous tattoos, Serge is supposed to scare the hell out of her. But beneath his harsh exterior, Beatrix discovers a kindred spirit who knows what it's like to be a misfit. Most exhilarating—and terrifying—is what he does for a living: illegal street fighting.
There's nothing like the rush Serge gets from the intense athleticism and brutal glory of combat—though his chemistry with Beatrix comes close. Slowly at first, he introduces her to his world, where he lives by instinct, passion, and desire. He even helps her out with her equally traumatized brother. But when Serge gets in too deep with the wrong people, he ends up paying in blood. And suddenly, just as Beatrix has been drawn into Serge's perfectly sculpted arms, she's thrown once and for all into the fight of his life.
Author Links: Website | Facebook | Twitter | Goodreads
Charlotte Stein is the acclaimed author of more than thirty novels, novellas, and short stories. When not writing deeply emotional and intensely sexy books, she can be found eating jelly turtles, watching terrible sitcoms, and occasionally lusting after hunks. She lives in West Yorkshire, England, with her husband and their now totally real and completely nightmarish dog.


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- This event has passed.
Marcus and Guy SPECIAL EVENT
Comedian/impressionist Marcus (NBC's Last Comic Standing) and comedian/musician Guy Seidel (winner of Utah's Funniest Person) are a comedy duo unlike any other.Both nationally touring headlining comics, the two friends have come together to combine their talents into an unbelievable Musical Impression comedy show that literally has to be heard to be believed. Spanning decades, this incredible show pays tribute to the best voices, songs and artists from all genres from the last 50 years.
– 21+ Show –
Doors open

subset: commoncrawl


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Who We Are
Our intention is to inform people of racist, homophobic, religious extreme hate speech perpetrators across social networking internet sites. And we also aim to be a focal point for people to access information and resources to report such perpetrators to appropriate web sites, governmental departments and law enforcement agencies around the world.
We will also post relevant news worthy items and information on Human rights issues, racism, extremist individuals and groups and far right political parties from around the world although predominantly Britain.
Saturday, 5 June 2010
Blog shutdown due to EDL demo
Apologies to everyone today as we are in Cardiff at the anti-EDL demo.
Full service will resume tomorrow.
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Paul and I decided to get some boat time in to prepare for the 3BF last weekend. We figured it would be a good time to get back into the sailing swing of things and a great excuse to sail. So on Sunday, we left the comfy confines of the slip and headed to open water. Or, rather, we headed out into the Bay.
Being experienced sailors we put on our foul weather gear before it started raining but decided to go with a hazy, "I think it's ebbing", as our sole source of tidal current info. Well, we soon found out that, yes, it was ebbing. And in true 3BF fashion, there was no wind.
So, how about some quick math? If the water is moving at 3-4 knots East and there is none to zero knots of wind, how long until you're on the rocks at the Farallones? Luckily we didn't find out because Paul and I are manly ocean-going sailors and know how to sail. Yep, we're bad-asses. We managed to coax almost equal boatspeed to the current and basically stayed in place within a couple of hundred yards of the bridge. Honestly, if there is a better way to practice for the 3BF I'd like to hear it.


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COVID-19 Canada | CTV News | Coronavirus
Canada in 'first and worst' phase of COVID-19, PM Trudeau says
OTTAWA -- As Canadians head into a holiday long weekend unlike any in living memory, Prime Minister Justin Trudeau offered new insight into what the longer-term realities for life could look like as push to contain and eventually cure COVID-19 continues.
Rounding out his 26th-consecutive daily address to Canadians from outside Rideau Cottage, Trudeau said that Canada is currently in an initial "unchecked" phase of the virus' spread. However, he added, if Canadians stay home as much as possible, are vigilant with their physical distancing, and wash their hands, "this will be the first and worst phase that we go through as a country."
Once through the first wave — which could end this summer if stringent public health measures are maintained — Canada cannot and will not return to pre-pandemic normalcy, he cautioned.
"Normal" will only happen once a vaccine is discovered for the novel coronavirus.
"We are humbled by this virus and we are learning every single day," said Chief Public Health Officer Dr. Theresa Tam on Friday during the daily federal update.
Trudeau said to expect that, once some rules can be loosened, certain sectors will be allowed to go back to work, but there will be limits on how people can interact with each other in society, travel restrictions, and a constant need for monitoring for possible resurgences.
The prime minister said talks are already underway with industry, health officials, and the provinces and territories about who could be allowed to return to work, and when, but it will be gradual.
"That is the reality, but the fundamental bottom line that people can reflect on this weekend is, if we stay strong in our social distancing measures, now and for the coming weeks, we can see how things can start getting back to normal in the coming months," Trudeau said.
Trudeau said that by the time Canada is out of the first phase, there will be better testing protocols and technologies to track the virus as well as people who are infected.
As for how long it could take before there is a vaccine, the prime minister said that while research is underway in Canada and across the world, "it could take as little as six months, more likely it will take a year or a year and a half, maybe even longer."
On Thursday, Health Canada released national projections that showed, under the current public health measures, up to 44,000 Canadians could die from COVID-19 in the months ahead, prompting Trudeau to caution that the country is in for months of "continued, determined effort."
The federal projections detailed the overall best- and worst-case scenarios for the pandemic's spread and impact in Canada, varying on the degree of actions taken by governments and Canadians.
Under all scenarios the peak appears to be coming sometime between late spring and early fall.
The scenarios indicate that, depending on the containment efforts, between 4,000 and 300,000 people in Canada could die from COVID-19 over the course of the pandemic. Though, the current reality of the virus has Canada closer to the lower end of that spectrum and the two more developed scenarios from Health Canada under the current strong measures show that the range is likely somewhere between 11,000 and 22,000 Canadian deaths.
If that grows further to 10 per cent of the population, approximately 44,000 people in Canada could die.
With no control efforts in place, up to 80 per cent of Canadians could contract the virus. That scenario could result in more than 300,000 deaths, which is approximately equivalent to the total number of deaths from all causes in Canada each year.


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Regular price
Guillermo Ossaprinted on Giclée Hahnemühle German Etching
This species is a non-breeding winter in Colombia and is found mainly in open areas below 2600 meters above sea level. His name Chordeiles means that he dances at sunset and the root of the Greek roots khoreia = dance and deile = sunset. Its minor epithet derives from Latin and means lesser.


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Brigham Young University's law and business schools are both among the Top 40 in the country, according to the latest U.S. News & World Report graduate school rankings, released March 13. The J. Reuben Clark Law School is ranked 39th, jumping three spots from last year's rankings, while the Marriott School of Management is ranked 34th. Other BYU graduate programs and specialties rank in the top 100 of their categories.
Comments and feedback can be sent to firstname.lastname@example.com


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Residents in UK have been renting out self-storage facilities to save a couple of pounds. Typically,it's because it's cheaper to rent out a storage facility than to get a house big enough to fit all your things. The- are influenced with lots of factors. Just like real estate,the size,location,and amenities are few things that can determine its price.
The location and demand are one factor that drives up the cost of a storage facility. As the law of economics suggests,when the demand for an item is high and the supply is limited,it can't be helped that the price also gets to increase. For example,because space is limited in the overpopulated city of London,it is impossible for the rent for both real estate and storage units not to become more expensive.
It is also more recommended to rent a storage facility in cities like Manchester,Birmingham,Glasgow and obviously London where the storage unit is far cheaper than renting a big flat that can fit you and all your items without making you look like a hoarder.
Saving money is the main reason why you are renting a self-storage which is why you should get one that is cost-effective. Getting a unit that is too big or filled with unnecessary amenities will only burn your pocket.
Here are the factors that affect Self-storage prices which will guide you in getting the best unit without losing a great deal of money:
It is important that you get the right size of storage unit that fits your need. Often,tenants fail to get the most suitable storage unit that applies to them. A unit that is too big just means filling it with air and getting burns through their wallet. On the other hand,some get units which are too smaller in size and cannot fit all their items.
Don't get a unit just because it is cheap. You ought to find the one that best suits you and the things you will store. And of course,keep in mind to have your items organised first so you will be able to save space.
We also recommend you to have the furniture disassembled before you put it inside a storage facility. Inspect the unit that you want so you get to have a look at its actual size.
Self-storage facilities offer different sizes. There are those types that can only fit the contents of your home closet but also there are units that can get to contain all the items of a six-bedroom house including furniture.
If you have experienced looking for real estate,you would know the location is a big factor. The closer the place to the city is the higher the -. The same logic applies to storage units. Units in big cities like London,Manchester and Birmingham have higher price than those located in towns. The cost of a small storage unit in London can amount to the cost of a large unit in a different county.
It is best to get a storage unit that is far from the city so you can save money. However,if you will be storing items that you will need to use over the week,then get a unit nearer to save you time and gas money.
Population determines the price of a real state. When the demand is high,then the cost also increases. Pricing of storage facilities are also influenced by students population. Towns like Sheffield which is dominated with students have higher prices compared to non-student towns like Arbroath.
Type of Unit (Indoor or Outdoor)
There are both indoor and outdoor types of storage unit. The type you choose will determine its cost. Outdoor facilities allow tenants to drive up and access their items from the outside thus making it more convenient and easier to go in and out. On the other hand,indoor facilities can only be accessed from the inside of building premises. Outdoor access units are more convenient and affordable. However,certain amenities are not available with Outdoor facilities like Climate Control. And while indoor storages may be more expensive,they tend to be more secure and offer more perks. Yet transferring into indoor facilities can also be a daunting task as you need to haul them yourself to the unit.
Storage units offer a variety of amenities including climate control,24/7 access and CCTV cameras. Each of these amenities has a purpose of its own – for example,climate control shields off wooden furniture and old books from humidity damage and mould. 24/7 access grants you access to your items in whatever time you prefer. A CCTV camera on your unit will relieve you from fear of leaving your things in there. Each additional amenity will trigger a- increase so make sure that you get only the amenities that cater to your need.
Duration of Stay
The duration of your stay is a factor which will help you determine the amount you will pay. Self-storage facilities would be more than happy to give you a discount if you plan to stay for longer days.


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Actress Khushboo Kamal who has donned various challenging avatars for SAB TV's F.I.R. (Edit II Productions) will be seen yet again in the show.
Starting tonight, Chandramukhi Chautala (Kavita Kaushik) will do something that she has never done before. Well, the lady has till now provided 'insaaf' to many people, but for the first time she will get on road to satisfying a 'desperate soul'.
And the role of the good soul will be played by Khushboo Kamal. Titled 'Julie ka Insaaf', the track coming this week will deal with an unsatisfied soul seeking Chandramukhi's help to get her happiness and justice. And Chandramukhi will set foot towards making the soul happy.
Earlier, Khushboo has played the roles of ladies of various ages in F.I.R. And this time she will play the role of a dead person who would be roaming around as her soul is unsatisfied.
When contacted, Khushboo told us, "Yes, I have been part of SAB TV's F.I.R. for long now. And this is a very different role, considering that Chandramukhi will try to provide happiness to my soul."
Khushboo was shooting for the show when she developed high fever and was diagnosed with dengue fever. The actress was admitted in Kokilaben Hospital from nearly five days.
When asked about her health, she said, "I am recovering now. I would say that dengue is my best friend (laughs), as it forced me to simply be on bed and take rest for nearly a week. I do not like to laze around, and to get so much time for myself was something unusual."
Khushboo, we wish you speedy recovery. Get to see her in action in the SAB show.


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Culture Change Exchange Events
Culture Change Exchanges are interactive events that aim to educate, support and inspire individuals and organizations to shift away from institutional, medical models of care toward social models that embrace living. The Schlegel-UW Research Institute for Aging (RIA) hosted 3 Culture Change Exchanges between May 2016 and March 2017 with support from the Ontario CLRI hosted at the RIA. See videos below.
May 2016 Event
The Culture Change Exchange hosted on May 11 and 12, 2016 included the following speakers and topic areas:
- Building a Solid Foundation for Culture Change – Josie d'Avernas, Susan Brown, Hilary Dunn, RIA; Christy Parsons, Schlegel Villages
- Team Training with a Focus on Mealtimes – Heather Keller, RIA
- Engaging LTC Physicians Panelists – Dr George Heckman, RIA
- Ontario LTC Sector Perspectives – Marg Lambert, OANHSS; Michelle Grouchy, OLTCA
- Team Training with a Focus on Dementia – Gail Elliot, DementiAbility; Lisa Loiselle, MAREP; Patti Boucher, AGE; Sharon Stap, PIECES
- New Team Roles & Team Member Perspectives – Cadin Forrest, Village of Aspen Lake; Cody Turner, Village at St. Clair; Tamara White, Village at University Gates
- Resident & Family Member Perspectives – David Kent, Village of Erin Meadows; Dee Lender & Sharron Cooke, OARC; Lorraine Purdon, FCO
- Senior Leadership Perspectives – Colleen Laing, Chartwell; Joanne Dykeman, Sienna; Wendy Gilmour, Revera
- Administration Perspectives – Jackie Maxwell, OMNI; Tanya Pol, McCormick Home
- Square of Care Game Mini-Workshop – Val Fiset, Algonquin College


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The Vatican Museums are art museums located within the city boundaries of the Vatican City. They display masterpieces of painting, sculptures and other works of art collected by Popes throughout the centuries. The Vatican Museums are actually made up of several museums and your ticket gets you into all of them. The collection of the museums include paintings from some of the Italy's greatest artists like Raphael, Michelangelo and Caravaggio. You will also see an extraordinary collection of Egyptian antiquities, including papyruses, pottery and mummies in their sarcophagi.
The Vatican Museums ticket includes the access to the Sistine Chapel, and it cannot be visited on its own and can only be entered through the museum complex.
The Sistine Chapel, part of Rome's Vatican Museums, was decorated by art masters Botticelli and Pinturicchio in the 15th century before being completed with Michelangelo's stunning 16th century ceilings frescoes and monumental "The Last Judgement", which covers the apse wall.
If you just walk up to the ticket counter at the Vatican Museums you would pay €17 per adult over 18. We recommend you to book your Vatican Museums tickets in advance to avoid standing in queues.
Check the Vatican Museums official web site for the detailed explanation of discounted and free entries.
We suggest you to buy skip-the-line tickets through Tiqets web site to avoid waiting in long queues in front of the museums. You just show your smarthphone ticket to the security guards at the entrance, then scan your ticket at the box office CASSA ONLINE E GRUPPI after the security check. To visit the museums on Friday night, you must buy tickets online in advance as you will not be able to purchase them on site.
If you plan to visit Vatican Museums along the other major Rome sights then consider buying OMNIA Vatican & Rome Card which include free entry to Vatican Museums and Sistine Chapel.
The Vatican Museums are included in the Vatican Gardens ticket. If you book a visit to the Vatican Gardens (it has to be booked in advance) then you get skip-the-line tickets to the Vatican Museums (and the Sistine Chapel as well).
Typical visit to the Vatican Museums last from 2-5 hours depending on museums visited. Once you are inside, you may stay as long as you like. The basic ticket does not include the audio-guide or any tour.
Besides entry to the Vatican Museums a visit to Sistine Chapel is included in this tickets. And there is no Vatican Museums ticket available just for the Sistine Chapel. You must purchase Vatican Museum tickets and go through at least most of the museums to get to the Sistine Chapel.
The only way for a quick visit to the Sistine Chapel is to book a small-group tour express access to the Sistine Chapel that only last 90 minutes and will allow you to visit the Sistine Chapel and Saint Peter's Basilica in the early morning before opened to the general public.
A Vatican Museums ticket includes access to the Sistine Chapel, and the chapel cannot be visited on its own and can only be entered through the museum complex. Because the Sistine Chapel attracts millions of visitors each year, those who don't book skip-the-line ticket will find long queues upon arrival. For the better experience, many visitors book an official guided tour or even self-guided audio tour is recommended.
The Vatican Museums are famously crowded, especially during the middle of the day. To avoid crowds you should visit them early in the morning or in the night after the general public has left. The chapel is often quieter on Wednesday mornings, when the papal address attracts most visitors to Saint Peter's Square instead of the museums.
The Vatican City is situated just to the north of the historic centre of Rome and is easily reachable from any part of the city.
The easiest and quickest way of getting to Vatican is to take metro line A to Ottaviano - St. Pietro station which is only 5 minute's walk from the entrance to the Vatican Museums. Another solution would be taking a train from Termini Station to San Pietro train station which is situated south of Vatican and you will need to walk for about 15-20 minutes to reach the Vatican Museums.
There are also many Rome city buses that pass next to the Vatican. The number 40 and 64 bus drives frequently between Termini Station and the Vatican via the city centre including the Piazza Venezia. Besides these two there are also buses no. 62 and 81 as well as tram 19 which runs between Villa Borghese and Piazza Risorgimento.
For most people, walking is the most pleasant way of sightseeing of Rome, there is so much of interest around every corner of the city. Although Vatican City is just north of Rome's historic centre it's only 15-20 minute walk to Piazza Navona.
You just need to take one of streets leading towards the Tiber River to reach Ponte Sant'Angelo, cross the bridge and walk along Castel Sant'Angelo until you reach Via della Conciliazione which leads you to Saint Peter's Square and further the Vatican Museums.
Home > Visiting Vatican Museums & Sistine Chapel


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Wear Resistant Nanoparticle Coating targets plasticating screws.
Press Release Summary:
Available for single and twin plasticating screws, Xaloy® MPX™ thermal spray coating is made up of particles 5 microns in diameter and resists abrasive and corrosive wear. Particles, consisting primarily of tungsten carbide, are densely packed due to uniform spherical shape. Particle size, coating density, and application velocity promotes bond strength with parent metal of screw. With near-zero porosity, coating survives >1,000 hr of salt fog testing. Standard layer thickness is 300 microns.
Original Press Release:
New Nanoparticle Coating for Plasticating Screws has Greater Wear Resistance than Standard Thermal-Spray Tungsten Carbide
Nordson's Xaloy® MPX™ Technology for Single and Twin Screws Provides Improved Abrasion and Corrosion Resistance, with 61% Less Mass Loss in Abrasion Tests
NECKARSULM, GERMANY: A technology that uses exceedingly tiny tungsten carbide spheres barely larger than the particles in cigarette smoke has yielded a coating for single and twin plasticating screws that resists abrasive and corrosive wear better than standard coatings applied by high-velocity oxygen fuel (HVOF) thermal spray. Nordson Corporation will introduce the technology at K 2016 (Hall 11, Stand A26).
The new Xaloy® MPX™ thermal spray coating from Nordson is made up of particles only 5 microns in diameter. Consisting primarily of tungsten carbide, the particles are six to seven times smaller than those in standard HVOF coatings and more densely packed owing to a uniform spherical shape produced in a controlled plasma process. The combination of ultra-fine particle size, higher coating density, and a 2.5 times greater application velocity results in a stronger bond with the parent metal of the screw and improved resistance to wear.
Compared with standard HVOF tungsten carbide coatings, the Xaloy MPX technology exhibits 61% less mass loss in ASTM G65 abrasion testing, 18% less mass loss in ASTM G77 sliding wear testing, and 8.5% greater bond strength in ASTM C633 bond testing. As an example of corrosion resistance, the Xaloy MPX coating survived more than 1,000 hours of salt fog testing, in part because of its near-zero porosity.
"Nordson's Xaloy MPX screw coating provides best-in-class wear protection compared with standard HVOF coatings, and its higher bond strength eliminates potential for chipping," said Mark Colella, global product manager for the Xaloy brand. "This new technology extends the working life of screws in extrusion and injection molding, enabling processors to work with some of today's most challenging materials."
Nordson recommends the Xaloy MPX technology for resisting abrasion from compounds with medium (15 to 35%) filler loadings and for resisting corrosion from halogenated materials, including flame retardants and PVC. For filler content above 35%, Nordson supplies the high-hardness coating Xaloy® X-8000™.
New Xaloy MPX technology can be employed across the full range of screw diameters and may be applied to the entire screw or to specific areas. Standard layer thickness is 300 microns, with variations depending on the area of the screw. The MPX screw coating should be used with a barrel lined with Nordson's Xaloy® X-800® nickel / tungsten carbide alloy or a comparable inlay.
Xaloy MPX technology expands Nordson's offering of screw encapsulations for high-wear applications. The Xaloy® X-8000™ coating is a nickel-based alloy with high tungsten carbide content that is first applied in an HVOF process, then fused to the parent metal of the screw to form a metallurgical bond.
Nordson Corporation engineers, manufactures and markets differentiated products and systems used for the precision dispensing of adhesives, coatings, sealants, biomaterials, polymers, plastics and other materials, fluid management, test and inspection, UV curing and plasma surface treatment, all supported by application expertise and direct global sales and service. Nordson serves a wide variety of consumer non-durable, durable and technology end markets including packaging, nonwovens, electronics, medical, appliances, energy, transportation, construction, and general product assembly and finishing. Founded in 1954 and headquartered in Westlake, Ohio, the company has operations and support offices in more than 30 countries. Visit Nordson on the web at http://www.nordson.com, @Nordson_Corp, or www.facebook.com/nordson.
Nordson Polymer Processing Systems provides customers with engineered components to melt, homogenize, filter, meter, and give shape to plastic and fluid coating materials. Nordson Corporation leverages the collective plastics industry experience from a series of strategic acquisitions to offer a uniquely broad portfolio of industry-leading technologies. Nordson delivers a full range of precision melt stream products — from screws and barrels for extrusion and injection molding — to filtration systems, pumps, and valves — to the extrusion dies and pelletizing systems to meet the constantly evolving needs of the polymer industry.
Nordson Corporation provides customers with local technical sales, service and remanufacturing capabilities through sales organizations and regional manufacturing facilities in over 30 countries. To learn more visit us at http://www.nordsonpolymerprocessing.com or www.facebook.com/NordsonPPS.
Robert J. Martino
Martino Communications Inc.
8 Main Street / P.O. Box 379
Hastings-on-Hudson, NY 10706 U.S.A.
Tel: 1-914-478-0754
Email: firstname.lastname@example.com


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Be a resource for fire survivors
Front desk and helpline volunteers are needed at Rebuild Our Community Sonoma County's resource center. Shifts are available Mon. through Fri. four to five hours a week. Volunteers are asked to commit for three to six months and complete a simple background check. Training is provided. Contact Sharon Pollock at 707-535-3349 or email@example.com.


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Beach Volleyball is set to reappear on Coolangatta Beach in an exciting new partnership between Volleyball Australia, Tourism Events Queensland and the City of Gold Coast - further cementing Coolangatta as a major events destination for the city.
In a three-year deal between the three parties, the Gold Coast will host the Australian Junior Beach Volleyball Championships, the newly created Australian Beach Volleyball Schools Cup and a round of the senior Australian Beach Volleyball Tour in March from 2020.
In 2020, the events will be run back to back on Coolangatta Beach from 14-22 March, with the possibility of adding an international event to the program from 2021.
The Gold Coast last hosted the Australian Junior Beach Volleyball Championships in 2012. It is anticipated that the three events will entice over 1200 athletes, coaches and supporters to the region and deliver a significant boost to the Gold Coast economy.
With the relocation of the Australian Volleyball Schools Cup to the Gold Coast commencing in 2019, the three-year commitment to stage the Australian Junior Beach Volleyball Championships and Beach Schools Cup to Coolangatta will establish the Gold Coast as a key location for junior volleyball competition in Australia.
Originally posted on www.southerngoldcoast.com.au.


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The Polo Bar has been transformed into a full service bar where members can gather to discuss the last chukka. Enjoy one of our many drink specials or join us for our weekly social night at "The Polo Bar".
Polo is played on Tuesdays, Thursdays, Saturdays and Sundays from approximately 4.30pm. Come early to watch the "power and pace" of polo, then share our passion for food and drinks.
Operating Hours
8.00am – 11.00pm (Daily)


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The final review is the well-known, cautiously anticipated endgame for the student of architecture; the lonely gazelle steps up in front of the row of (too often male) toothy lions lying lazily back in their shitty folding chairs, still picking their teeth from the last devouring, sipping coffee, trying their best to look disinterested. They have carefully calibrated their postures of indifferent intimidation over years of practice. Most versions of it are sad. This is why, I suspect, architects most often wear black. It's like a sad funeral parade of too-serious, black-clad mourners moving from station to station in search of all the cracks in the work that can be exploited, putting them quickly to bed. "This is where it falls apart", "You could have done ____", "This is not a thesis". The sleepy students (after an incredibly unhealthy lack of rest) can barely follow the reviewers' comments, even if their brains weren't edging on fugue state. They are underfed (on mostly cheap, brown-colored things) and improperly bathed. Quite the series of insurmountable hurdles to a learning moment.
Most review spaces in my experience are, oddly enough, much wider than they are deep… this makes the already too-populous panel of critics seem to stretch infinitely in either direction. And notice next time if you will, the ends of the row of critics seem to pinch in toward the work, as if to trap the prey inside. This format of review seems to beg authority (at least formally): critics are seated, united in authoritative judgment of the student (who stands); the audience sits behind the critics, facing the same direction (the student faces them all)… one could expect to find this spatial organization in a kangaroo court.
Then, the perennial conundrum of the order of the review. The first student is tasked with overcoming the passive distraction of the critics, easing them into the hours-long review from wherever they have been that morning. This is a lot like the first inning of a baseball game: unpopulated, too-hot, and not drunk enough. By the end, it's like closing time at a sketchy nightclub: delirious comments and questionable decisions. Some students loathe the review; they would sooner skip it altogether. But most, I find, have an expectant (if somewhat worried) idea that their work will be judged "good" or "bad" in this moment – that they've done the right thing or they haven't. Students: this is probably the most uninteresting way of thinking about it. The review is about speculation as much as evaluation. Critics are not enemies, and they don't know everything. Admitting a level of uncertainty that necessarily occurs within design education completely changes how one imagines the review moment.
The review is about speculation as much as evaluation. Critics are not enemies, and they don't know everything. Admitting a level of uncertainty that necessarily occurs within design education completely changes how one imagines the review moment.
In architecture schools the pedagogical model is, at best I'd say, confused. I like confused; I choose it over certainty when given the chance. In architecture, as in most other creative endeavors, students don't learn by way of cataloguing information and reciting that information back, as they might in, say, mathematics. In algebra there are rules that simply do not waver; they are learned, practiced, catalogued, and regurgitated in response to exam questions. This is one of the more efficient ways to learn algebra. In architecture, the pedagogical model is somewhat different. Here, students make things, beautiful things, then attach those things to a wall, where they then gather their peers around and invite more-experienced (often teacherly) voices to respond to those things. It's kind of odd. And it is notoriously difficult to measure (which I'm also okay with). This slack makes things unknowable, and the review moment is often fraught and confused because of it. Students shed tears, they experience euphoria, they drink coffee, they find new capabilities in themselves, they renounce beliefs, they drink coffee.
In many ways architecture review culture mirrors the discipline itself – it sits somewhere between the unconstrained, wildly productive studio art review where students say nothing and the work speaks for itself, and the controlled, disciplinary thesis defense where the saying of things is as important as anything. It's somewhere between being creative and discursive, between intuition and method, between beautiful and substantial. I revel in the potential of this weird moment. It is the most exciting, most valuable, most vibrant moment in design education, and many of the reasons that make it bad are precisely the reasons that make it good. BUT… this depends entirely on one's approach. There are many things students can do: sleep more, work harder, assume less, fail more… and forget about "right answers." Instead, see how fast and wild the conversation can go (and, as a bonus, how many fights you can start). But we can probably do better by dissecting the psychology of the other constituent party: the critic.
In many ways architecture review culture mirrors the discipline itself – it sits somewhere between the unconstrained, wildly productive studio art review where students say nothing and the work speaks for itself, and the controlled, disciplinary thesis defense where the saying of things is as important as anything.
Critics face a surprising amount of pressure from all sides – from the students, from the fellow critics, from the studio instructor, from the discipline, from oneself. Critics are often on trial themselves – to perform in front of friends (or enemies), students, peers, and potential bosses. They are sometimes under scrutiny by senior faculty or administrators (a double layer of critique!). One has to sound smart, after all, and architects are quite good at this. Critics always hope they are saying valuable things that resonate with The People. This hope is indicative of the struggle with relevance that every architect (and academic) seems to carry around under their arm: "who is listening?, is what I'm saying worth it?, is my work valuable?" The review is a kind of real-time feedback mechanism that tickles this instinct quite well. An affirmative head nod from a fellow critic is often enough to sustain one's impression of themselves for some time. The anxiety over impressing one's audience fades over time–the more reviews one sits on, the less nervous one is, of course – but the pleasure it brings seems to live on in perpetuity.
And so, given the background dynamics of this tricky ritual, critics often default to oppositional politics, to lion and gazelle mentality. The critic must have something truly good to say. And nothing pleases the people like torture. Sadly, there are learned behaviors that pass not only from generation to generation but also virus-like amongst peers, often within one afternoon. Students often don't see the implicit grappling for power and attention that tempts critics in this scenario. In the pressure to say something (anything!) worth hearing–something substantial, something expertly, something definitive, something worthy of all the importance my voice has been given in this moment – critics often default to several funny, predictable tropes of response:
Recitation: "So let me get this straight…", critic restates everything the student has said, with slight improvements, as a stalling tactic until they have developed a more critical response. This line of questioning is usually cut off by another trope.
Digression: "I don't know if this applies at all… but meatballs!", lack of understanding or attention leads the critic to a long anecdote about something (at most) faintly related to anything the student has said or shown; this is usually followed by a moment of silence before another trope is invoked.
Self-Reference: "I did this project one time…", critic uses student work as an opportunity to reference their own work as a better version of what they see on the wall.
Gap-Exploitation: "This is where it all falls apart…", critic identifies weakest possible moment in the project and proceeds to hammer on it with increasing force until the rest of the project has crumbled around it (despite promising moments elsewhere); this can also be called "Search and Destroy".
Simplistic Re-Framing: "You're not doing that, you're doing this…", critic asserts authority and ownership of the work by dissociating it from the student's argument and identifying a yet-undiscovered concept.
Accident Investigation: "I'm not sure if this was intentional…", critic identifies curious, provocative moment in the process or design and inflects condescension onto their critical domination of a latent concept or design element.
Wish-Fulfillment: "I wish you would have done _____", critic separates their feedback from the claims of the project in favor of a potential project that does not exist, thereby minimizing their own complicity in the possible other weaknesses of the project in front of them.
Minutia Obsession: "Are your scale figures correct?…", critic sidesteps the larger claims of the project in favor of persistently highlighting a clear (yet small) error and refuses to move on.
Esoteric-Re-Reference: "So the Metabolists already did this, right?…, critic gains leverage over student by nullifying the work through quick, simplistic reference to previous architectural projects that the student does not know (or knows only vaguely).
Cronyism: "If I can piggyback on what he said…", critics find fulfillment in joining forces with one another against the student's work in a united dead-horse beating contest.
Outright Asshole-ism: "I won't waste my time talking about this…", critic makes no attempt towards a productive exchange, opting instead for careless and insulting remarks. This trope is rare but also the most infuriating.
One of my all time great teachers, Jason Young, once told us (I'll paraphrase) that one should employ a policy of acceleration in design, as opposed to the policy of negation. Negation is a standard practice in architecture. Negaters gonna negate, as they say. It is surprisingly easy to see design work and respond negatively; this is why it happens so often. Picking out the problems, the shortcomings, the weaknesses is much, much easier than finding the potentials, the explosions, the excitements. In short, for a critic, making nothing out of a design project is easier than making something out of it. Maybe this says something about design, or maybe just the human condition. It is an act of design itself to see a project and accelerate it forward as a critic, spinning it faster than it ever thought it would go, accelerating a thing forward into grounds that it has not yet anticipated. And let's be clear: acceleration does not mean nicety. It actually means responding to the work more critically–doing more work as a critic. Speculating on possible outcomes makes spotting a hole in the work a productive moment, instead of a corrective one.
It is an act of design itself to see a project and accelerate it forward as a critic, spinning it faster than it ever thought it would go, accelerating a thing forward into grounds that it has not yet anticipated.
Our review culture says things about our design culture. On the one hand, I have had many teachers and many colleagues who escape the simplistic tropes mentioned above. Those people are critical but kind, projective, and speculative, and they are also the best teachers I have ever known. On the other hand, negative and oppositional politics in a review set up a simplistic mentality where students expect "right answers" and authorization of their work. It stifles their creativity and design agency. Architecture and architects have trouble coping with the in-between-ness of the review moment, of their own discipline, of themselves. Architects live and work in an ambiguous set of practices that may not resolve into neat, coherent wholes. I'm okay with that; I hope others are. This is messy, and it requires some risks, both by students and by critics (and somewhere ambiguously in-between, teachers). And so, in this review season, I'll hold out hope that the accelerators win the day. If not, don't worry; you'll have fun with the drinking game that accompanies the list above.
Author: Mark Stanley


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Image Control Panel
Tool Panel
Data Table
Track Control Panel
Analysis Panel
Locate Control Panel
Auto-Locate Dialog
Selected Region Control
Image Controls
The image control panel controls which slice you are currently looking at.
Previous and Next buttons step through the image, the Left and Right arrow keys are the keyboard shortcuts
The "+" and "-" buttons zoom in and zoom out respectively. The keyboard shortcuts are the "+" and "-" keys.
>| and |< buttons move to the first and last frames.
>> causes the movie to play continuously until 'cancel' is pressed.
Tools Panel
Copy Previous: copies all of the speckles marks from the previous frame to the same position on the current frame. Each speckle mark is added to the speckle track it was generated by.
Clear Current: deletes all of the speckles that are contained in the selected region, and exist in the current frame. If there is no selected region then all speckles in the current frame are deleted.
Toggle Speckle Shape: Changes the shape of the speckles to to make it easier to see. There are three shapes, a circle, an 'x', and no shape.
Show Resliced: This starts the reslice control. It will also change to only include data that is in the Selected Region.
Select Region: Allows you to select a region of interest by right clicking and dragging to form a rectangle. An example is found here.
Clear Selection removes the selected region.
Split Track Splits the currently selected track into two. All of the marks before the current frame are added to a new speckle track and removed from the selected track.
Speckle Data Table
The data table is used to select speckle tracks and navigate to their beginning and ending quickly. By clicking on the column headings the rows will be sorted by the value in the associated column.
Update: recalculates values.
Show: Shows a text window with current data.
> or <: show or hide the data table.
The columns values are currently as follows:
- "id" for counting.
- "start" is the first frame of the speckle track.
- "finish" is the last frame of the speckle track.
- "inner change" is the change in total intensity between the last frame of a speckle track and the frame following it, within a circle centered at the speckle mark. The radius of the circle is set in parameters.
- "outer change" is the same as "inner change" but for a ring around the inner circle. The size of the outer radius is set in the parameters.
- "max displacement" the largest the speckle moves between frames.
- "closest" indicates the distance of the closest speckle.
By clicking on the heading of the columns the data will be sorted by the value in the column, either ascending or descending.
Some of the values are not updated continuously so pressing "update" will refresh the table. "Show" will create a text window with all of the data values.
Track Panel
Track Speckle: For manually tracking one speckle from the current frame to the next frame. Click the Track Speckle button, then click on the speckle mark you wish to track. The image will move to the next frame. Click to place the speckle. You can change frames while tracking but the speckle track will not have a mark on frames in between. Apply the Linear Refine Model to make a speckle track have a mark on every frame between the starting and ending frame. Tracking is demonstrated in the basic tracking tutorial. Shortcut 't'.
Show Speckle: Shows every frame of a speckle track by creating an image stack from a crop of the original image stack around every speckle mark. The size of the cropped region can be changed in the "Analyze" panel. Shortcut 's'.
Trim After: removes the speckle track from every frame after the current frame.
Trim Before: removes the speckle track from every frame before the current frame.
Merge Speckles: Merges two speckle tracks. Click the merge speckle button, if there is no speckle selected you will need to select one. There is a blue outline showing the location of the selected speckle. Click on the speckle mark of the track you wish to merge. You can change to different frames to select speckle tracks that are not in this frame. Shortcut 'n'.
Auto-Track: Applies the current model to a selected speckle track. Shortcut 'a'.
Auto-Track All: Applies the current model to EVERY speckle in the Selected Region.
Analysis Panel
Capture Images: Clicking on capture with create a stack of images that corresponds to speckle marks that meet the following criteria.
Image Relative: refers to the frame in reference to the location of the speckle. Positive numbers are after and Negative numbers are before.
Half-Width: Determines the size of the cropped image.
Which Speckle: Sets the criteria for which speckle marks are cropped for the Capture Images. Appearance will choose the frame the speckle track begins. Disappearance will choose the last frame the speckle track is marked. Normal crops around every speckle mark.
Locate Panel
Adjust Speckle: adjust the selected speckle mark to the center of intensity over a 5x5 square centered at the speckle mark. The center of intensity algorithm is applied five times. Shortcut 'm'.
Adjust All Speckles: adjust all of the speckle marks in the current frame. This is less aggressive than the single speckle adjustment because the center of intensity algorithm is only applied once per speckle mark.
Locate Speckles: uses a threshold and connected regions algorithm to locate speckles. The dialog is explained below.
Template Locate Speckles: Creates a template using all of the existing speckles, and then uses a normalized cross-correlation to filter image. Then a threshold is applied and a connected regions algorithm is used.
Autolocate Dialog
Whenever an autolocate is used a dialog will pop up to allow vetting the results, no new speckles tracks are added unless the speckles are 'accepted.'
Threshold: Sets a threshold for detecting speckles.
Size: Culls the autodetected speckles by setting a minimum size.
Distance: Prevents placing speckle marks too close to existing speckles marks and other prospective speckle marks.
Selected Region
The above image illustrates a selected region by clicking on the select region button and then right clicking and dragging to the desired region. The region will limit the speckles used for autotracking, autodetecting and adjusting.
The selected region will also limit the pixel data that is used for the reslice control. After selecting a region, click the "Show Reslice" on the "Track Panel."


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Toasted Brioche, Spinach & Sausage Stuffing
About this recipe
Do you love a Thanksgiving Dinner that mixes uptown ingredients and down-home deliciousness? Then we have the stuffing for you. Chewy chunks of brioche add a hint of sweetness while Johnsonville All Natural Fresh Italian Mild Ground Sausage offers up just the right amount of savory. It's so good you might want to double the recipe.
Review Writing Tips
Not all reviews are created equal. While you may have a strong opinion about our products and recipes, make sure your review comes out strong as well.
Here are some tips to help you write a good review.
Be correct. Make sure the review you're submitting is for the right product or recipe.
Be clear. Use specific words to describe your opinion. Move beyond using "good" or "bad" when reviewing a product or recipe-while they help share your opinion, they don't give specifics.
Be clean. Keep the tone respectful. Offensive, disrespectful language is never tolerated.
Thanks for sharing your thoughts with us. Your satisfaction encourages us to always strive for the best.


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Legends M712 .177BB Blowback
Accepted Payment Methods:
Amazing! That's typically the first response when somebody shoots the M712 on full auto with the blowback providing a highly realistic experience. This distinctive and unusual all metal "broom handle" German replica is a piece of history that grabs everyone's attention when you first bring it out at your range or airgun recreational area. CO2 powers the gun and is stored in the removable magazine. It includes a manual safety, fixed front sight, and an adjustable rear sight.
• Full auto blowback action
• Distinctive German replica
• Full metal
• 18-shot BB pistol
• CO2 housed in the drop-free magazine
• Adjustable rear sight for elevation
• Fixed front sight
• Manual safety
• Semi auto action
Be the first person to review this item! Write an online review and share your thoughts with other customers.
Why buy from Camping Gear Outlet?
- Extraordinary Customer Service - We don't just sell camping gear, we eat, sleep and breathe the outdoors. Call us and a real person will answer the phone.
- Easy Returns for 30 Days - If you're not delighted on your excursion, then neither are we. At Camping Gear Outlet, we offer a 30-day no-questions-asked money back guarantee.
- Small Business Values - There are plenty of nameless, faceless corporations out there. We're not one of them.
- Over 13,000 Camping Supplies in Stock - We carry a huge selection of camping gear from the world's best brands.
- BBB "A+" Rating - We've been a Better Business Bureau Accredited Business since 2005 with a lifetime "A+" rating.
We Camping
We don't just sell camping gear, we're avid campers ourselves. When he's not programming, our CIO is down at his fishing camp in Southeast Louisiana. When I'm out of the office, I'm taking my son on Boy Scout trips. We're passionate about the outdoors. I still even have the first Boy Scout knife I ever got way back when I was 12. It means something to me. Warren Sager, Owner of Camping Gear Outlet


text: Bundle Your Home and Auto Insurance Need to insure both your home and vehicle? A convenient way to save on both your home and auto insurance policies is to buy both from the same company, a strategy known as "bundling." According to the J.D. Power and Associates U.S. National Auto Insurance Study, 58 percent of consumers bundle their auto and home insurance policies. What is bundling? Bundling isn't complicated. It simply means buying two or more insurance policies — such as your homeowners and car insurance — through the same insurance company. Savings come in the form of a discount, usually applied to both policies, under the label "multi-policy discount" on your policy declarations page. Bundling has other advantages besides cheaper insurance: You deal with only one insurance company. You may be able to manage your policies online at the same place or through the same agent. It's easier to identify gaps in your coverage. Depending on the company, you may be able to align the renewal periods and effective dates of both policies or combine your billing statements. How much can bundling save you? The discount given for bundling policies varies by insurance company. According to data compiled by Quadrant Information Services, savings from bundling auto and home insurance policies with a single insurance company averaged about 7.7 percent nationwide. Average savings for bundling auto and renters insurance was 4.9 percent. And that is just your auto insurance discount. Many insurance companies throw in a discount for the other insurance policy you're bundling with your auto policy. Car insurance companies that bundle We work with multiple companies that are able to bundle home and auto insurance policies – Travelers, Safeco, and Pekin Insurance to name just a few. Give us a call at 877-529-0077 to hear about quotes from these carriers and more. You can bundle more than home and auto Multi-policy discounts can also apply to other types of insurance policies that you buy from the same insurance company. Depending upon the insurer, you may also be able bundle these types of insurance policies: Auto Homeowners Renters Motorcycle Recreational vehicles Umbrella liability coverage Auto Insurance, Bundling Insurance, Home Insurance


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Renault is presenting the all-new Clio, the fifth generation of this model. To date some fifteen million units of the Clio have been sold since it was launched in 1990 and it has become Groupe Renault's best-selling model worldwide. Clio represents the French population's favourite car and has risen to the top of the B segment in Europe since 2013. Clio sales increased each year between 2012 and 2018.
Renault says the new model builds on the strengths of each of the four previous generations.
"The fifth generation Clio is very important for us as it is the best-seller in its segment and the second best-selling car in Europe, all categories combined. The Clio is an icon, and the latest features the very best of the previous generations. The exterior design of Clio IV won over our customers and continues to do so today, so we chose to keep that DNA while bringing modernity and elegance to the new model. The interior has undergone a true revolution, with a considerable improvement in perceived quality, greater sophistication and technology. It is the best Clio yet." Laurens van den Acker, Senior Vice President, Corporate Design
The new Clio is the spearhead of Groupe Renault's strategic plan, "Drive the Future (2017-2022)". Presented in autumn 2017, the plan has three key objectives:
- Electric: by 2022, Groupe Renault will offer 12 electrified models in its range. The new Clio will be the first with its E-Tech hybrid engine based on technology developed by Renault.
- Connected: also by 2022, the company is targeting 100 per cent connected vehicles in its key markets. The Clio has a new connected multimedia system developed by the Alliance.
- Autonomous: by 2022, Groupe Renault will market fifteen models equipped with autonomous driving technology.
Renault says the new Clio is central to the strategy aimed at strengthening synergies in the Alliance. This strategy hinges on the development of shared technologies and the use of new platforms, such as the CMF-B platform that the new Clio is the first to be built on and its new electrical and electronic architecture.
A key component of the Smart Cockpit, the 9.3-inch multimedia screen (twice as large as the 7-inch version) is the biggest ever on a Renault model. The vertical and subtly curved tablet, inspired by that on Espace, visually enlarges the dashboard, lends the cabin a more contemporary feel and improves screen visibility. Turned towards the driver, the screen, with its new EASY LINK connected system, comprises all the multimedia, navigation and infotainment features as well as the MULTI-SENSE settings.
For the first time, the new Clio is equipped with a digital screen replacing the traditional analogue display. The technology has been adopted directly from higher-end segments. Measuring 7 to 10 inches, the TFT screen can be used to customise the driving experience in a highly intuitive manner. The 10-inch version will include GPS navigation in the display. Renault says that with its two, 9.3-inch and 10-inch screens, the new Clio boasts the largest screens in its category.
Each Clio owner can create a car that reflects their personality with a range of customisation packs, deciding on the appearance of the central console, dashboard, door panels, steering wheel and arm rests. Customers can choose between no fewer than eight interior design schemes and benefit from an innovative customisation offering with special colours for the line formed by the air vents spanning the entire width of the dashboard. The All-New Clio is also available with ambient lighting in eight different colours.


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Television news has come a long way since the NBC anchor Tim Russert infamously scribbled his 2000 election calculations on a plain white board.
In fact, technology enthusiasts may come to remember the early primaries of 2008 as the time when television embraced touch-screen monitors and, on some networks, virtual reality.
Four years ago, Mr. Russert and Dan Rather, then the anchor on CBS, looked futuristic when they toyed with relatively primitive tablet PCs on election night. In this election cycle, the three network news divisions and the three cable news channels have all placed correspondents next to life-size interactive maps. Finger taps on the monitors manipulate the data and highlight specific voting precincts.
In an election as complicated as this one, the technology has obvious value. Some of the on-screen graphics are proving overwhelming, though, for some viewers. On the cable networks, especially, the screens show pie charts on top of data tickers on top of delegate counts.
CNN was the first network to demonstrate the innovative touch-screen technology during the Iowa caucuses last month. Describing the CNN correspondent John King during last week's Florida presidential primary, the Washington Post wrote: "Standing in front of an oversize monitor, King began poking, touching and waving at the screen like an over-caffeinated traffic cop. Each movement set in motion a series of zooming maps and flying pie charts, which King was then able to position around the screen at will."
Monitors like the one CNN calls the "magic wall" are visible on all the television networks tonight. On Fox News Channel, the correspondent Bill Hemmer calls it the "Bill Board."
On CBS, the anchor Katie Couric is using an updated version of the tablet PC Mr. Rather employed in 2004. Joking about the touch screen, Ms. Couric said it was "honing my ATM skills."
CNN and MSNBC have also experimented with 3D virtual reality graphics. The CNN anchor Anderson Cooper tried, with limited success, to utilize a 3D pie chart during the Iowa caucuses last month. The NBC anchor Lester Holt stood next to virtual reality 3D charts while explaining exit poll data on MSNBC tonight. The technology, although not ready for prime time, may become a regular addition to news coverage in the near future.


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Influencing decision-making structures and processes
27,401 people engaged in activities to address discriminatory norms that limit the participation of women and other groups in society.
21,000 men and women in the West Bank and Gaza have increased their knowledge on women's inheritance rights.
128 Change Agents were trained to raise the human right's awareness in their local communities and gather information about human rights issues in Myanmar.
Over 60% of the world's population live in countries with restricted possibilities to influence their own development, the nature of their government, and the provision of public services. They can face serious threats when organising, speaking out, or peacefully taking action to protect human rights values.
We believe that it is crucial to the dignity of every human being to have the opportunity to participate in decision-making, voice concerns, and influence their own development. We therefore work against all forms of discrimination and barriers limiting people's right in this regard. People need a safe and enabling environment where it is possible to speak out alone or with others without their peaceful action threatening or endangering them in any way.
Open and healthy relationships between the state and its citizens are necessary for democratically influencing change. Creating links between the state and its poorer women and men is particularly important for securing a state that lives up to its human rights obligations, addresses inequalities, and can peacefully manage and settle disputes. Citizens' knowledge and influence is also crucial for combating the misuse of government funds and contributing to a more equitable and transparent distribution of resources.
Download the Programme Policy here
Over recent years, DCA has adopted an array of technologies in its programmes, and innovation is a key priority within the organisation. Read Smart Use of Civic Tech to Promote Accountability and Transparency Report


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Delays by NHS England will cost lives, argue public health experts. PrEP's role is comparable to the function of vaccinations and immunisations.
Directors of public health Jim McManus and Dominic Harrison, say despite overwhelming evidence that PrEP against HIV infection is largely safe, effective, and cost effective, NHS England has declined to make it available on the NHS, arguing that HIV prevention is the responsibility of local government.
Such an approach, they write, "confounds its advocacy of a health and care system integrated around the best outcomes for the citizen and perpetuates an incoherent national approach to HIV prevention."
PrEP is a way for people who don't have HIV but who are at very high risk of getting it to prevent HIV infection by taking a pill every day. Studies show that PrEP can reduce the risk of getting HIV from sex by more than 90% when used consistently.
The authors argue that, in population health, PrEP's role is comparable to the function of vaccinations and immunisations, which NHS England does fund.
In the US many citizens now access PrEP through health insurance plans, or for free via charity or voluntary sector agencies, they add, but Europe languishes in indecision.
They believe that NHS England "should admit that it can legally fund PrEP if it wants to."
They point out that local authorities "are still reeling from a 9.6% cut to 2020 in the public health grant on top of a 6.2% cut in year in 2015-16" and say if NHS England wants local authorities to fund PrEP, it has to give them the money to do it.
"Whatever route is finally chosen to fund PrEP, bouncing the decision across systems that are all funded by the same taxpayer will inevitably result in the continued and preventable further spread of HIV," they warn. "This will generate avoidable mortality and increase future NHS costs for treatment.
Perhaps it is time for NHS England just to "do the right thing," they conclude.
Earlier this month, The BMJ reported similar calls by the National AIDS Trust. The Trust is now taking the matter before a court for judicial review.
Jim McManus, Dominic Harrison. Funding PrEP for HIV prevention. BMJ, 2016; i3515 DOI: 10.1136/bmj.i3515


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Modern Furnished Apartments With A Combination Of Black And White
Some interior design enthusiasts like me have a thing with simplicity and white design. The one that hit my love button this time is i29 interior architects, with their crafted work of art named Home 07, a project that turned upside down and re-molded typical claustrophobic Amsterdam apartment into one spacious lightly filled living space.
This apartment which situated in Rooseveltlaan, Amsterdam is practically composed with just two main factor as its base, white canvas and pinewood backdrop. Clean and tidy layout, while it stays plain, it inevitably creates this stark and bold atmosphere, in almost unfilled spacey areas. Read more »


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To pay your fee, deposit, rent or anything else click here.Click here to make a payment.
First floor bedroom (Room 1) in a 5 bed maisonette to rent on Doncaster Road, Sandyford
Doncaster Road, Sandyford, Newcastle upon Tyne, NE2 1RB
£71.54 pppw (£310.00 pppcm) Available Now
- £71.54 pppw
- £310.00 pcm
Alternatively call 0191 281 6161 or email [email protected]
Property ID: P0091
- Alarmed
- Bathrooms x2
- Double Glazing
- On Street Parking
- Yard
More about living in Sandyford
First floor bedroom with a double bed (Room 1) in a recently refurbished 5 bedroom maisonette on Doncaster road which is ideally located for student life, within walking distance of the city centre, Jesmond and the universities.
•Modern and recently decorated lounge
•Brand new kitchen with dishwasher and washer/dryer
•One shower room and one bathroom with shower attachment


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Comments - Charming scene of Prince Genji and two attendants walking across a stream on large square stone stepping stones. The stones lead from one side of a mansion to another, with a stone embankment along the water's edge zigzagging across the scene. The nobleman stands at left with a rather petulant expression, wearing a summer kimono and holding a fan. His page crouches on a stone in the center, holding his sword upright and looking expectantly at the beauty who follows carrying a cushion against her shoulder. Glass lanterns decorated with tassels hang over head against the night sky. An interesting composition that's seldom seen.
Artist - Toyokuni III/Kunisada (1786 - 1864)
Image Size - 14 3/8" x 28 1/2" + margins as shown
Condition - This print with excellent color and detail as shown. Three separate panels. A couples small holes, repaired. Slight soiling and a few creases at edges, a few marks. Please see photos for details. Good overall.


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Fiji 2019 52nd ADB Board of Governors Annual Meeting
01 Maggio 2019 00:00
From 1 to 5 May, 2019 in Nadi, Fiji, will be held the Annual Meeting of the ADB Board of Governors is an opportunity to provide guidance on ADB administrative, financial, and operational directions. The theme of the 2019 Annual Meeting is "Prosperity Through Unity." The meetings provide opportunities for member governments to interact with ADB staff, nongovernment organizations (NGOs), media, and representatives of observer countries, international organizations, academe and the private sector. ADB's annual meetings have become a premier forum for the discussion of economic and social development issues in Asia and the Pacific
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Event Takeaways
Missed the Action? Shark Tank Videos Up!
Did you miss out on this years annual Johnson School Student Shark Tank event? Or just looking to relive the action from it? Check out E@D's exclusive playlist of videos from each student venture and watch TuneTaps winning pitch!
Be sure to read E@D's previous posts profiling each company competing in this years competition


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I've been working on some exercises on freecodecamp and I am stuck on this nesting for loop exercise. I was able to find the solution, but I don't quite understand.
Can someone explain to me how this work&
I've been working on some exercises on freecodecamp and I am stuck on this nesting for loop exercise. I was able to find the solution, but I don't quite understand.
Can someone explain to me how this work&
The outer for-loop is for iterating through each subarray.
i is the index of the current subarray.
The inner for-loop is for iterating through each number in a given subarray.
j is the index of the current number in a given subarray
You refer to a subarray with
arr[i]. Then you refer to an element in that subarray with
I don't know if this is what you're asking about though. Correct me if I'm wrong.
in previous chapter
var myArr = [ 2, 3, 4, 5, 6];
for (var i = 0;i < arr.length;i++)
means - 2+3+4+5+6.
here the same in the first.
where it came from 5040?
I find it difficult at all to understand how it works (for) part 2
just not enough sleep
It's pretty much the same as the first one, except you're multiplying.
1 * 2 * 3 * 4 * 5 * 6 * 7 = 5040
It can not be so simple
Then why I write J ?
The problem is that you don't have one array filled with numbers. Instead you have one array filled with arrays of numbers. Before you can get to those numbers, you have to get to the subarrays first. That's what the outer for-loop is for. The outer for-loop iterates through each subarray. Then in that for-loop you write another for-loop for accessing the numbers in that subarray.
Thank you so much. I almost fell into a depression from the fact that I do not understand the seemingly simple task.
Things become simple once you get it
It's true.
The best explanation ever thank you so much ^^
This lesson is a bit hard to figure out, please give me a hand~~
If I remove the three line about the product, it still work, than what is the reason to put it ?
Where does the i++ and j++ factor in? Why are we adding 1 to [i] and [j] … is that how it tells the computer to cycle through the array and multiply by 1 ?
I'm still trying to figure this out myself but I think I understand the piece that you are confused about. The i++ and j++ are so that it moves through the numbers in the subarrays of the array. Please someone correct me if I'm wrong or help add to my explanation and discussing it would help me to better grasp the concept.
Predictability and good coding practice.
It is being initialized without declaring it if you cut line 3, but it seems to be good practice to delcare variables.
var product = 1; is 1
var product; is undefined
Your code works without it because after line 3, the next time product is used is with an assignment statement
'product = product * arr[i][j];`
If I am understanding JS so far, that means product is being hoisted out of your function and declared in the global scope by the compiler if you omit the declaration on line 3. Easier just to keep it there to avoid any unexpected results.
Even after reading this thread over and over, I still can't wrap my head around this. Smh. Will continue to visit this challenge until i grasp the concept or maybe future challenges will help me understand this one better. Thank you to everyone who posted!
It is very simple to understand if you don't think how it works For loop just extracts some items from array. At this time very little group of programmers use for loop.Try instead- array.map( ).It is the same for loop but with less code and problems.
@bjones2nd Here comes a verbose explanation. Say that the first array "Big Box" (i loop) contains 3 arrays (blue array [1,2], yellow array [3,4], red array [5,6,7]). The first for loop is telling you to start with the Big Box and take each item one by one - so it takes the first array (blue) then continues to the j loop(innerloop) for
further instructions: product= product*arr[ i ][ j ];
which say: now I want you to multiply all the numbers [ 1, 2] inside the current, this case blue, array which belongs to the array Big Box [ i ] . Then when you're done update the value of the variable called "product" with that result. Ok - got it so … blue 1x2 = 2. and now the new value for product will be 2. job done, oh time to run the i for loop again, now taking the yellow box … 3x4 = 12. ok and times the new product value of 2 - we now have 24. loop again: 567= 210, ok now multiply x 24 and voila you get 5040. Hopefully, this helps. if not - welcome to the inner workings of my scattered mind.
I must have a scattered mind also, because this here actually makes the most sense by putting it into a more understandable perspective for me. Thanks a lot! I'm sure others visiting this post in the future will benefit from it as well.
Great contribution!
Thanks for taking the time to address this for me!
Happy to help


text: ratputin+ 2 Report post Posted August 14, 2012 I have been tasked with rebuilding a website to "mirror" the design/navigation of a site that has been hacked (I did not build the original). The old site is http://millerla.com and the new site build is at http://millerlandscapearchitecture.com. The creds for the new build are: Username: Test.User Password: eub=Z5m&+38v791A&3 The behavior of the secondary and tertiary nav of the old site navigation is exactly opposite of the behavior in Pagelines. I would like to "swap" the style. At first glance, this seems like it should work but I have run into a few roadblocks that I could use some help with. 1. How is the dropdown menu associated with the primary navigation? 2. Where are the CSS classes for the tertiary navigation? Any other thoughts or suggestions are welcome. TIA Rat. Share this post Link to post Share on other sites


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anyone who knows me knows that i love college hoops, and that i realize that it is a business disguised as amateurism. i get that. but there's still some faint semblance of the college spirit to it - and that emanates from the college experience. of course, whether the athletes go to class might be a joke, but i knew a fair share of students who didn't go to class either.
uconn basketball has seen fantastic success in the years that coach jim calhoun has led the team. with his success has come a firestorm of, well, criticism about his "style". from the unsavory recruitment of caron butler to the allowing of marcus williams back on the team after he stole laptops, among many other transgressions, he hasn't exactly carved out a clean reputation.
i just feel that coaches at top institutions can make a statement with the team they coach. meaning, how do we build a program that people can be proud about? how do we win and do things right? how do we make this more about winning? for example, bill self kicked j.j. gittens out after a brawl in lawrence, even though he was an important player. duke always sticks and works with disappointing players as they become better and useful players in their later years at the school. hell, you never hear anything bad about roy williams or ben howland. nothing.
but calhoun's not alone. bobby bowden from florida state continually looks the other way as he recruits questionable people as student-athletes and gives them slight punishment when they do wrong. he should do better because he could do better. that's disappointing to me.
unfortunately, the list of coaches like bowden goes on and on.
the past year, however, calhoun's upped his ante.
there's a certain number of unwritten rules that coaches and players abide to. one is don't recruit a player that's already given a verbal to another school. when connecticut high school player doug wiggins verbaled to st. john's, he began to blow up nationally. before you knew it, there was calhoun, accidentally "bumping into" a player in his own backyard and weeks later, wiggins reneged, revising his story about how he began talking to the huskies and quickly signed with uconn. this wasn't the first time something like this happened and it'll happen again. doesn't make it right.
fine. dirty, but fine.
when a high school athlete signs with a program and a coach, he actually signs a series of one-year scholarships. it's up to the coach and the player to figure out what's right each year. normally, a player will transfer due to a lack of playing time. or a coach will revoke a scholarship due to a series of behavioral transgressions. is that an unwritten rule? yeah. as a coach, you make a commitment to the kid, and he makes a commitment to you. you're building players and human beings.
here's coach calhoun at courant.com, after his team came off a disappointing season:
"There are some guys on our team who could have very successful careers maybe at a different level," Calhoun said. "They're young and this would be a good time for them to at least think about what their future is, and I'll be very honest with each and every one of them."
allow me to translate: this team sucked. i need to fix it. so i'm trimming the fat. sucks to be them. i'll be honest and tell them they ain't gonna play, and i'll make it miserable for them to stay. hell, i made a mistake and probably shouldn't have recruited them in the first place. i should have saved some scholarships for this year. so i'll let them take the brunt of it. it's not my fault some of them sucked. i could tell them how to get better, but screw that. i need their scholarship now.
Calhoun told Rob Garrison after last season that his chances to play were probably limited. "Rob said, `I want to stay,'" Calhoun said. "He put on 10 pounds. It just wasn't good enough [to play]. But he's a good basketball player and should have a successful career someplace. I'm not saying Rob Garrison is leaving. I'm only telling you ... there will be those situations."
translation: oh, you want to stay here? you like it here? you're gonna work extra hard to play? well, piss off. and don't let the door hit you on your incompetent ass on the way out.
illegal? no.
right? borderline.
ethical? very questionable.
just some more classy stuff from a classy coach of a classy program.
at least he was open about it.


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Detail View
|Karlsruhe Institute of Technology (KIT)
|Exploratory focus
|The KIT Energy Center as one of EuropeŽs largest energy research establishments pools the energy research conducted by the KIT ogether with renowned cooperation partners. Its interdisciplinary approach links fundamental research with applied research for all relevant energy topics.
|Research area(s)
|Informatics, System and Electrical Engineering; Materials Science and Engineering; Mechanical and Industrial Engineering; Social and Behavioural Sciences; Thermal and Process Engineering
|Key term(s)
|energy conversion; renewable energies; efficient energy use; fusion technology; nuclear energy; energy system analyses; nuclear safety; energy storage; energy distribution
|Contact Person
|Professor Dr.-Ing. Schulenberg, Thomas
|Street adress
|Hermann-von-Helmholtz-Platz 1, 76344 Eggenstein-Leopoldshafen
|Postal / mail addresss
|0721 608-23450
|0721 608-24837
|Internet page


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There are moments that I revel in the use and ability that social media plays in business, the connections forged by glancing at an image or 140 character snippets of information. Friend requests and a few hearts and re-tweets later its like you are old acquaintances sharing in each others lives and pinnacle moments.
We met Tabl in that exact way, a company who help people set up their supper clubs, scrap that, they go above beyond putting the pieces of the puzzle together. Having had so much success doing exactly the above in the Brighton area they are now in London, ready to kick the capital in gear.
A few exchanges of tweets and emails later we were asked to be at an event they held for food bloggers to mingle, eating and drinking comes naturally to these wonderful people and the room was testament to that. We lucky enough got to have a mingle and a wander around the room, tried some of the greatest Indian food, tea flavoured popcorn, made some desserts and tasted some delicious wine.Quite something I can tell you
The space the event took place in was stunning, mood lighting gorgeous mix of wood, glass and metal. Phenomenal! We wanted to get everyone to try something mouth wateringly good, and that they would keep coming back for. Trying to look at different cuts, something you wouldn't connect to the dish served it suddenly became clear...Wagyu Chuck Flap!
Wagyu Chuck Flap is a cut from around around the shoulder, when from a grass-fed cow this cut would be used for long slow cooking as it is very lean and quite robust. People would also use it to ground up for burgers.
Luckily for us Wagyu Chuck Flap is completely different! With a delicious bite but tender enough to cut and cook as a steak, with no wastage! Yes you heard correct, no wastage. We had used it before as an alternative to Striploin steaks, the flavour was phenomenal and had more of a bite, but still that glorious Wagyu flavour. Previously making Tartare we have used the Picanha, but it was time to really test the versatility of the Chuck.
It went down an absolute treat, mixed with the gorgeous flavours of Japanese cooking and served with some delightful spicy mayonnaise for an added kick. The best part it was all gluten free!
The recipe for our Tartare is as follows
Firstly defrost the Wagyu Beef, the key is to keep the meat as cold as possible. You want to use around 800g of the product. Our Chuck Flap comes 2 pieces to a packet, so use one piece. Slice the product into half centimetre thick steaks. Then you want to cut into thin strips and then cut the strips down. So you end up with half centimetre cubes roughly.
Have a bowl of ice with another bowl on top ready to put the chopped meat into, this will help keep the temperature of the meat down.
In another bowl add in the ginger, spring onions, juiced limes, oils, mirin and sake. Taste and see what you think, adjust if you want to buy adding more of either the lime or mirin. These will either increase sweetness or sour element. Stir and add into the meat.
Mix up the meat and sauce until well combined. Now you want to taste and add in the Soy sauce or Tamari. Add small amounts and build as it can quite easily become over salty.
We served up our Tartare with a choice of Wasabi Mayonnaise or Sriracha Mayonnaise.
You can use this recipe as a great base and add in other ingredients such as fresh chillies into the Tartare, or crispy slithers of garlic on top. You could even serve the Tartare on Shiso leaves, work great as presentation and you can actually eat them! Enjoy!
A fourth and final pie of Pie week consisted of one of our favourite products, Diced Wagyu Fillet. As we don't like to waste anything in this place we use the tail ends of the fillet which wouldn't produce nice thick even centre cut steaks and dice it up, the result a delicious morsel of Wagyu which you can use for a variety of things. With the more traditional pies happening at the beginning of the week it was time to tantalise those taste buds and get everyone thinking, and boy did we do that. Keeping with the main theme of Wagyu Beef which is obviously the Japanese flavours it gave us a perfect opportunity to play around with the delicious umami tastes.
To create this gorgeous pie we used the following
Defrost the Diced Wagyu and bring up to room temperature 30 minutes before cooking. In a bowl mix together the diced wagyu and sesame oil and a pinch of Maldon Salt.
Heat up a deep based saucepan and seal off the diced Wagyu in batches to ensure you don't boil the meat. Remove the meat into a bowl and cover.
Slice the Spring Onions thinly at an angle and sweat off in the saucepan.
Add in finely chopped Garlic and Chillies. Depending on how hot you like food keep the seeds or get rid. I kept one Chillies seeds and there was a warmth to the dish.
When they have all sweated down add in the Sake and boil rapidly until reduced.
Add the Wagyu Beef back in and then add the Mirin, Brown Sugar and Soy Sauce. Taste it here and see how it tastes, you may need to add in some more Soy Sauce.
Reduce the heat and let simmer for around half an hour. Let cool, I left it overnight and used it the next day. This develops the flavour of the mix much better.
In a pie dish you want to lay out 4 pieces of the Spring Roll pastry so they over lap in the middle but is a lot of overhang.
Using a pastry brush lightly brush each sheet with egg wash. After putting the pastry and making sure there aren't any gaps on the bottom, add in the Wagyu mix.
Using the overhang of the pastry, loosely fold over the top. Using the other 2 sheets of the pastry brush with egg wash and then tear into strips. Place the strips loosely on top as well ensuring all the meat is covered.
Cook in a preheated oven at 180C for 12 - 14 minutes of until the pastry is golden brown. Serve and watch your guests go wide eye whilst they enjoy the fantastic flavours wrapped up in crisp pastry.


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