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This erotic narrative is recounted in the words of Wilma Harris. It portrays her obsession and heartfelt love for the woman, who gave birth to her nineteen years ago.
Cast of Characters:
Ellena Harris: Title character and Wilma's mother.
Wilma Harris: Viewpoint character and Ellena's incesbian daughter.
I love her and I will love her forever. It isn't for her infectious beauty and luscious charm, but because of what I am when she's with me. No one is like her and no one will ever be like her. To the world, she may be one person; but to me she's the world. When I'm with her, there's nothing else for me to look at. As I hold her in my arms, she gives herself to me. And I kiss her with utmost passion, knowing that she's all mine.
Her name is Ellena Harris. I define her as the most beautiful woman in the world who gave birth to me 19 years ago. She's in her late thirties and yet her youthful appeal isn't fading a bit. Every feature of her round face is an exquisite presentation of charisma; the deep-set blue eyes with healthy lashes, the Greek nose, the full rosy lips, and the chin with shallow dimple hold an impression of its allure. The light blonde hair is combed in long layers around her face, and it runs down to her hips in graceful curls.
She's endowed with a flawless, curvy, and full figure; it's all smooth and soft. Her symmetrically huge tits rise and fall in the rhythm of breathing. No bra smaller than 38F can fit them. Her chest converges elegantly into a slim waist, which in turn flares out at hips. They sway enticingly whenever she walks. Size 14 briefs are the snug choice for them.
I resemble my mom only if our facial features, heights, and hair color are compared. Unlike her, I'm as flat as a grown-up lanky boy. My hair isn't long and copious; I prefer to wear it in the cute, pixie style.
My dad was a handsome and energetic man. But alas! He died in a car crash. I've inherited his vim and vigor which, I must admit, are the traits of an active participant in sexual activities. After his death, mom needed someone for consolation and I was the only one who cared for her. The idea, that another man would come into her life and replace dad, anguished me a lot; my true feelings for her made me assume like that. It was true that I lusted after my own mother. The lesbian disposition led me to have carnal fantasies about her. But I could not ward off the possibility of her second marriage, if the meaning of my relationship with her was not changed.
And so, that Sunday night, I made up my mind for the adventure. The door to her bedroom was not locked. I entered it without hesitation and walked over to her bed. She lay there, sound asleep. I looked at her face. Its celestial radiance made me to reach it and finger aside some stray curls. I knew that she was nude and vulnerable under the silk top sheet. Hence, I took it off her with deliberation and joined her abed. I was sure that she was having an erotic dream; her hardened nipples and the wetness between her thighs told me the whole story. I pushed her legs to splay them and glued my mouth to her lubed pussy, savoring the most delicious juice I ever tasted. Then, I stretched her outer labia to flick my tongue on the inner cunt and located her clit. I was happy to find that it was already engorged. So, I began to suck it. Mom woke up. She moaned and called dad, imploring him to eat her more. I deduced that he was a good cunnilinguist; she had his dream obviously. I kept on holding her clit in my mouth until she convulsed and climaxed again.
I licked the girl cum off her pussy. After that, I continued to lick up her stomach and grabbed her knockers to kiss them. She reached my head and held it on the realization of mistaking me for her hubby. A look of shock stole over her beautiful face as she stared at me. At that precise moment, I chose to act fast. Hence, I seized her wrists to pin them on the mattress and took her lips for a fiery kiss. Her resistance to my assault was likely; instead, she gave in and closed her eyes. I let go of her wrists when she kissed me back. Her acceptance of my sexual advance was an incitation for me and I proceeded to lick her voluptuous body all over, paying more attention to her tits and pussy. She came for the third time as I ate her out with ache and passion.
Since then, we've been living together as partners rather than the blood relations. She's my concubine and I'm her beau. We're too pleased with each other to date a man. In order to describe our day-to-day erotic episodes, it'll be appropriate for me to portray them as a broad narrative.
We are in our bedroom. It's the very room where I seduced her for the first time. She always puts on the see-through mini dresses, but without any underclothes, because I want her to be my slut for every night. She loves my bad girl looks with T-shirts and tight leather pants. We hug each other as I take her waist and our lips meet in a crushing kiss. Her arms snake about my shoulders and we close our eyes, getting engrossed in the mutually felt warmth. I roam my hands over the curves of her back and down to her ass-cheeks. I'm tempted to knead them, for they are massive and supple like her tits.
I never hesitate to remove her close-fitting dresses before having sex. It depends on my mood whether I may get nude with her or keep myself clothed for some time. After kissing her neck and sucking her collarbones, I move my hands up to play with her melons. She raises her arms to let me fumble with her strapless top. When I was an infant, she used to uncover her tits and feed me with her milk; now, I'm the one who peels her top down to expose them.
My pussy twitches as I ogle at her tits. Without further ado, I touch and squeeze them. They are too big to be cupped. So, I pinch and pull them. The rough texture of her brown areolae provokes me to stoop. I open my mouth to take one of her nipples and hold it in suction. I press my lips together and let it slip out. Then, I move to its counterpart and suck it hard until it's released from my mouth.
I carry on sucking and licking her nipples with skillful substitution. She gets ecstatic consequently. I pat her tits, waist, and ass-cheeks. She lets me kiss her lips and I grope with her back zipper to open it. Thus, her dress goes off in two shakes.
I lead Ellena to our pillowed bed so that she may recline there. Afterward, I proceed to pat her on thighs. My touch arouses her and she parts her legs invitingly. Her gesture facilitates me to kneel between them. As I lie down beside her, she takes me into her arms and we kiss each other demandingly.
Our oral connection is broken, when I grab her tits and lick her cleavage. Then, my tongue flits on her nipples; I hang around her chest to suck, release, and retake them alternately. As a result, her face is flushed. She fingers through my short hair and, I know, she cares for me.
Her submissive consent to my sexual advance motivates me for making an erotic tour of her curvaceous body. Hence, I embark on kissing her tummy. My lips follow the trail of her linea alba until they caress on her bellybutton. It's hooded like her pussy and I love to lick it. Then, I kiss my way down to her shaved mons and lick her groins. I look up to notice that her serene eyes are fixed on me; it's the gaze brimmed with expectation that I may eat her cunt.
Teasing is a witty approach to stir a woman. Therefore, I ignore her pussy and crawl in reverse licking her legs along. She lies seemingly quiet and lets me kiss them back to her crotch. On the spur of the moment, she grabs my head. I can't laugh at her impulsivity because she squashes my face between her thighs.
My mouth and nose sink into her dripping pussy. It's the very outlet through which I was propelled 19 years ago as a newborn. The tart wetness and the pungent smell, which denote her desire, stun me in lust. I splay her sexy legs and push them until her knees are at her own chest. Then, I go down to her vaganus and slip my tongue out. I pass it up and down, licking along the insides of her ass-cheeks. She gasps as my tongue pokes into her asshole. It's clean and yet salty. So, I keep on rimming her until she chants, "Oh yeah… yeah… that's it Wilma… lick me… eat me… eat me… ooh…"
And how can I refuse her invitation while she lolls so open before me? I come up to her pussy. It's like a flower that is folded impressively over her feminine essence. I love to kiss it and suck its juice out. After licking her labia with repetitive strokes, I stretch them to probe my tongue into the inner cunt.
She moves her legs down but I hold them apart. I fuck her with my tongue until it flicks up to circumscribe her clit. My lips close about her swollen glans. Ellena hisses as I kiss it with clamorous smack. I clamp my mouth on her hood and suck it in preoccupation. While doing so, I can hear her sighs and feel her jerky moves. Hence, I resolve to finger and tickle her pussy. It's one of my tactics which sets her ablaze and she begs me to fuck her.
I make a pointing gesture and push my index finger into her cunt. It goes easy. I take it out and resume fucking her. The gentle moves of my hand grow into shoves but her orifice is much commodious for letting one finger in. That's why I keep on reinforcing the entry until I can push four fingers, all together, into her.
The fucking tempo slows down and I rotate my hand into her lubed pussy, thereby touching her G-spot. She goes delirious. I lick her clit and rub it with my thumb to drive her crazy. She yells at me, "OOH… YES… YES… YES… RIGHT THERE BABY… AAH… DON'T STOP… AAH…"
And I don't have to stop! Her pussy is sucking my fingers. They are getting soaked into her juice. I know she's about to release it. So, I take my fingers out and Lick her clit. She squeals as my lips capture her hood and I shake my head. Her body shudders for the peak pleasure and she reaches a violent climax.
Ellena gets drowsy after cumming. Her legs are still open for me. I pat her thighs and lick her spent pussy. She sighs for the sensation and reaches down to caress my hair. I keep up the good work until all the juice is wiped off her crotch. Then, I crawl above her so that she may take my lips and taste her own cum.
The kiss is broken off, because I resolve to take my toy out of the nightstand. It's a 10" strap-on with the curved and polished shaft. I always fasten it to my groins and hips after getting nude. Next, I rejoin mom to suck her tits. When her nipples harden, I roll her over and kiss her from nape to buttocks. She laughs dreamily as I lick her ass crack repeatedly. I squeeze her ass-cheeks and push them apart to expose the puckered hole. I lube it, with some licking and spitting. Then, I rise on my knees and direct the dildo for pushing it slowly into her.
Ellena cries out, tilting her head back. The dildo goes deep down her rectum. I spank her, withdraw the shaft, and push it again. She grabs the bedsheet for my assault. I repeat the maneuver, with an ongoing intensification of the tempo. The harness presses on my pussy for each thrust I make; her whole body shakes and she screams warblingly. A ripple runs through my love canal and I decide to halt this buggery. In fact, I don't want to cum before fucking her in the pussy.
Hence, I pull the dildo out of her rear and turn her on back. Naturally, she's ready for another penetration. And so, without any delay, I splay her thighs and position myself between them. The glans of my cock touches with her wet orifice and it enters her, almost immediately.
"Ah… AAH…" she moans for the blissful slide of my shaft; it's always an easy and slow entry. I keep it lodged, for a while, in her pussy. Smiling at the delighted expression on her face, I move backward to pull the thing out. She bites her lip as I push it again into her.
I carry on fucking her with perfect timing. The careful moves of my hips soon develop into shoves. She reaches up to hug me around shoulders and claws at my back. Surely, the desire is building up in her.
I take her mouth and our lips are locked into a crushing kiss. My shoves are too hard for her to keep moaning, but she can't yell until I let go of her lips. I clench my teeth and drive the shaft down to her hilt. The harness hits me on the pussy for each thrust I make. My eyes fall on her flushed face. She's absolutely seized by the extreme lust; with her eyes closed and mouth open, she shakes her head in complete abandon. It's an absolute sign that her climax will ensue shortly.
I proceed to fuck her, reaching the crescendo myself. The pleasure is shaking my vitals to the brim. I shove the dildo, with full vigor, into her. She screams and I groan. My pussy gushes forth the juice. It soaks the harness of my strap-on. At the same time, her body gets rigid in spasm and she breathes rapidly. I can tell that she's undergoing an intense climax.
Much of our vitality is drained away. Hence, I take the dildo out of her pussy and snuggle up with her.
I take her lips. She kisses me back. I look into her somnolent eyes. She blinks at me vaguely and falls asleep. I do nothing except for stroking her tits, midriff, and thighs. The feeling of her smooth skin always refreshes me. Hence, I proceed with sucking her tits and eating her pussy. When she comes, I lick the juice off her crotch voraciously.
Whatever I've narrated here can't have an end; naturally, it's not a fairy tale. Everything that goes between us is recounted, with a title, to record our routine adventures. In short, this love unites our hearts and it is an unbreakable bond. They beat together because we live for each other, today and forever.


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Friday I went to the grand opening celebration for a new bakery in Milton – and I'm now very concerned because everything looked, smelled and – from the samples I had – tasted amazing.
This means I'm going to have a problem when I'm out covering Milton not stopping once the bakery is open full time. Right now, it's just on weekends on South Front Street.
It's Mirella's Fine Cakes and Pastries.
The story is also a great one, with owner Mirella Deleon continuing to pursue her dreams of owning her own bakery for 20 years.
Her family was on board for the opening celebration Friday, as well as those who helped her with her transition to downtown Milton.
Mirella even teased her mom about pushing her to take baking classes when she first got interested in baking and pastries.
I'm hoping Mirella has plenty of success and lots of time to celebrate here in the Valley!

subset: commoncrawl


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The England midfielder, 23, has two years left on his contract but is set to be offered an extension after his impressive displays this season.
Boss Brendan Rodgers said: "He will certainly be one, the way he is working, we would want to secure his services.
"He still has all his best years ahead of him and you can see his growth and development.
"He will want to get better and I'm sure it is in the interests of the club to tie him down."
Henderson will play with a cast or splint on his wrist at Fulham tonight after fracturing his wrist smashing into an advertising board at the weekend.
But while he wants to tie down Henderson, Rodgers insists he is relaxed about his own contract situation.
He is halfway through the three-year contract he signed when he joined from Swansea in 2012.
But his stock has never been higher at Anfield following Saturday's 5-1 demolition of Arsenal.
Rodgers said: "There's been nothing whatsoever. I am very happy here and we're just over halfway through that contract and it is not something that comes into my thinking.
"If I was to never get offered one I would give my life to the last day of that contract. In the meantime, until anyone says otherwise or wants to reward the staff or myself for our work, then we keep working as normal and see where it takes us.
"The option is for the club for the fourth year, but in all fairness there is a point next year where the club has to let me know whether they want to keep me on or not.
"I have regular contact with the owners and it is never mentioned. I talk more about players. My ambition is more for the club so I want the players tied up so we can keep the best players here and get players in.
"The club knows my feelings in that I love it here and I've started out on something I would want to hopefully - if I can progress and be good and everyone is happy - stay here.
"If it's not to be for the owners and they want a different direction at the end of it, I will have done my best."


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- 3 Beds
- 1 Full, 2 3/4 Baths
- 1,431 +/- Sqft
Property TypeResidential – Condominium
SubdivisionBorders Lodge
Listing Date11/19/20
Year Built1991
AreaBeaver Creek
Lot Size0.04 Acres (1,960 SqFt)
Property Description
The effortlessness enjoyment of Beaver Creek ownership comes together at the refined Borders Lodge with ideal ski-in/ski-out access and impressive amenities. The only property of its kind, this beautifully remodeled 3-bedroom penthouse takes in vistas of the Beaver Creek valley from floor-to-ceiling vaulted windows. No upgrade was overlooked including a custom kitchen with panel ready kitchen appliances, expanded 3rd bathroom adding an additional shower, primary bath steam shower, wide plank hardwood flooring and tongue and groove ceilings to add to the ambiance. Additional conveniences include bonus storage in the bathrooms and dining room seating. Year-round outdoor pool & hot tub, fitness center, upgraded ski locker room, on-site front desk and underground parking. Impressive owner managed rental performance.
Presented By
- Bus Route
- Ski In
- Ski Out
- Golf Course
- Meadow
- Mountain(s)
- Ski Slopes
- Valley
- Cross County Trail(s)
- Golf
- Shuttle Service
- Tennis Court(s)
- Trail(s)
- Fireplace - Gas
- Master Downstairs
- Multi-Level
- Vaulted Ceiling(s)
- Wired for Cable
- Fitness Center
- Front Desk
- On Site Management
- Pool
- Spa/Hot Tub
- Cable Available
- Electricity Available
- Natural Gas Available
- Phone Available
- Sewer Available
- Snow Removal
- Trash
- Water Available
- Baseboard
- Electric
- Dryer
- Washer
Financial Information
4 Beds 5 Baths
We get asked this question a lot. Below is a tool that gives you the ability to see what the market is like in your community. Find out what homes like your own are selling for right in your back yard. Simply enter in your address, choose the proximity of the search and find out market data for other homes that are selling near you.
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Copyright © 2020 Vail Multi List, Inc. (VMLS). The information displayed herein was derived from sources believed to be accurate, but has not been verified by VMLS. Buyers are cautioned to verify all information to their own satisfaction. This information is exclusively for viewers' personal, non- commercial use. Any republication or reproduction of the information herein without the express permission of the VMLS is strictly prohibited.
Listing courtesy of Slifer Smith & Frampton/Highlands


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So, the Kitchen's pretty hectic these days. We're spending so much time making orders, tilling, doing drinks and washing dishes there's very little time left for doing prep. We're getting through it, but it takes a huge extra effort in an already extra efforted kitchen.
It's amazing if you can check there's soup/curry/chilli defrosted in the fridges. If not, could you please lift one out of the freezer for the morning. Or two. Easily getting through two at the moment.
So, if you're on nights and you're feeling bored there's always stuff to do. Like...
1)Salsa - we're getting through this like crazy at the moment. Tubs and tubs each day. If there are ingredients make a few tubs. You can make it using the magimix easily (see KM tips post in this Forum).
2)Green Salad/Salad Beginnings - We're easily getting thorugh 3-5 tubs of Green Salad a day. It's useful even to have Salad Beginnings, chopped up cucumber/tomato/red onion/grated carrot and stuff we can just throw some lettuce leaves in as needed.
3)Fancy Salads - We're getting through about 2 tubs of fancy salad a day now.
It's always useful to have at least 3 tubs available at any point - 2 being used upstairs and one ready downstairs for when we run out. Be fancy, but be quick. You can bulk up Fancy Salads beautifully by using cold ingredients - tins of stuff, nuts, raisins, seeds etc. Roasted things are lovely, but don't get obsessed. It takes time and space.
Quinoa is an amazing base. Fill the rice cooker half full of quinoa and 3/4 full of water. Let it cook, check it to see if it's ready and add water/cook for longer if you think it needs it. Yummy protein bulk at it's best.
4)Burritos - Ever popular. ALWAYS USEFUL to have a bowl of burrito mix made and ready for emergencies. Do a full rice cooker full of rice, add a large can of kidney beans and enough salsa to make it moist and tasty. Then we can grab it, whack in some refried beans and wrap it. Easy.
5)Hummus - I reckon we're getting through about 2 tubs a day. Remember, you can never overuse garlic and can never overblend.
6)Lazy Garlic - Easy effortless and important job. Peel and chop loads of garlic, top with oil and a bit of salt. This means we can grab it and use it when we need to quickly, rather than spending the ages peeling the stuff while the queue's massive and everything's on fire. Nice straight on toast!
7)Grated carrot - We have nice, dirty carrot now. If you can scrub and grate carrot for the next day if I am on, I will use them to make the most amazing sandwiches you will ever taste in your life. True. And, it's useful for green/fancy salads.
Curry/Soup - Always needed in stock - make sure other stuff's sufficient first. Make LOADS at once. Freeze most, pop some in the fridge if there aren't any defrosted.
Bear in mind, this is if you're feeling bored and everything else is under control. We will love you for it, but don't stress out. You're already being amazing just by being there for us all.
Nightpeople Prepmania
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Nightpeople Prepmania
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Dave Jones
Crackdown on Xbox One isn't Crackdown 3 so stop calling it that
Crackdown on Xbox One isn't Crackdown 3 so stop calling it that already.
Dave Jones headlines
Crackdown Xbox One revealed, watch the E3 2014 trailer here
Crackdown Xbox One has been revealed at long last, and it's just called 'Crackdown.'
Chronoblade confirmed for OUYA, browsers & smartphones, new trailers inside
Chronoblade is the first game by NWay, a new studio formed by GTA creator Dave Jones, and former RealTime Worlds boss Tony Harman. It's heading to OUYA, iOS, Android and browsers and a beta is on the way.
Facebook: 10 major titles coming in 2013, ChronoBlade helmed by GTA creator
Facebook is home to a growing number of games, but the social network company is going megaton on game development this year, starting with the announcement of ChronoBlade, an RPG with a whiff of Diablo about it. It's being helmed by GTA creator Dave Jones, also of APB/Crackdown fame. See it in action below.
Dave Jones takes an advisory position with APB: Reloaded developer
GamersFirst has hired Realtime Worlds' Dave Jones as an advisor All Points Bulletin.
Dave Jones squelches rumor he's leaving Dundee for Epic Games
Yesterday, a rumor was circulating that Realtime Worlds founder Dave Jones had taken a job with Epic Games.Today, the APB creative director has told Develop the rumor is untrue.
Report - Epic "potential buyer" for APB
Epic Games is a "potential buyer" for APB, the RTW MMO announced yesterday to be closing after just two months since it went on sale, according to a BBC report.
Console version of APB unsigned, says Jones
RealTime Worlds' Dave Jones has told Eurogamer that APB won't appear on consoles unless the studio finds the right "publishing partner" to assist it.
"Some people had too high expectations" for APB, says Jones
Realtime Worlds' Dave Jones has said disappointing review scores for APB boil down to "misconceptions" and "huge expectations".
APB beta content to be wiped
RealTime Worlds' Dave Jones has revealed that all content that has been created from the APB beta will be wiped from the full edition. Say goodbye to those custom-made cars.
Nine minutes of APB gameplay overlaid with Jones chatter
Gamespot's posted up an APB demo video from GDC showing off the game being demoed by Dave Jones himself. Get it after the break.
Jones: APB will need a "redesign" before coming to consoles
It doesn't sound as though a console version of APB is occupying anyone's near future, with RTW's Dave Jones telling EG at GDC this week that platform holder and design issues are keeping the MMO PC-only for now.
APB will be PC-exclusive on release, says RealTime Worlds
RealTime Worlds' Dave Jones has explained why its upcoming MMO APB has been so long in the making.
Scotland proposing tax breaks to keep game developers
Secretary of State for Scotland Jim Murphy has proposed tax breaks for the Scottish videogame industry.These proposals have come to light after Murphy spoke with Realtime Worlds owner Dave Jones who has threatened to take his company to Ireland should there be further lack of support for developers. "We have had a discussion about tax […]
APB - World's first play impressions
Mark Rein's spent the last few days at Realtime World's offices in Dundee, Scotland, playing what-Dave-Jones-did-next MMO, APB.Want to know what it's like? The Epic VP gave us an exclusive overview of what to expect at GDC Europe today. Hit the link.
APB website reiterates no monthly subscription fees
The FAQ over on the official APB website, mentions that the game will not carry a monthly fee like most MMOs.So it may be going the microtransaction route or be pulling a page out of the Team Fortress 2 book – buy the game, play online for free – but we doubt that. Dave Jones […]
APB beta applications go live
Realtime Worlds has opened beta applications for APB: get your crime on right here.The upcoming cops 'n' robbers MMO is slated for launch next spring. We got a good look at it at Develop this year, and had a long chat with company head Dave Jones on the game's mechanics.You probably want to be involved, […]
Report - APB releasing in March
MCV's reporting that RTW MMO APB will release in March 2010.Dev boss Dave Jones said at Develop earlier this month that the game was targeted for "spring".We've contacted EA for comment.
APB will last five to ten years, according to Dave Jones
Dave Jones has told Videogamer that his main goal for APB, is for it to last for five to ten years."That's ultimately the goal. The method I looked at, the kind of ideas I looked at was more like Counter-Strike," he said at Develop. "There is a game which kept people playing for years and […]
"I'll be disappointed if we can't sell a million plus," says APB's Dave Jones
Realtime Worlds boss Dave Jones told VG247 that he'd be disappointed if action MMO, APB didn't shift over a million units."I'll be disappointed if we can't sell a million plus," he told us at Develop in Brighton last week.One million copices would certainly go some way to recoup the $30m dollars that APB cost to […]
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Dave Jones latest
Crackdown on Xbox One isn't Crackdown 3 so stop calling it that
Chronoblade confirmed for OUYA, browsers & smartphones, new trailers inside
Facebook: 10 major titles coming in 2013, ChronoBlade helmed by GTA creator
Dave Jones takes an advisory position with APB: Reloaded developer
Dave Jones squelches rumor he's leaving Dundee for Epic Games
"I'll be disappointed if we can't sell a million plus," says APB's Dave Jones
Jones: APB has cost $30 million, won't have "normal" subs model
New in-game APB video – 20 minutes from Dave Jones' Develop keynote
APB will have 100 players per server, car customisation "better than Forza"
New Realtime Worlds project to be announced next year [Update]


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Dignity Health Medical Group - Arizona is actively seeking highly patient-centric outpatient Internal Medicine physicians for our clinics in Phoenix, AZ.
With over 240 physicians and 800 total employees, Dignity Health Medical Group - Arizona is a comprehensive, integrated, multispecialty, academic medical group that serves Dignity Health St. Josephs and Westgate Medical Centers, Chandler Regional Medical Center, and Mercy Gilbert Medical Center - a flagship region of Dignity Health currently headquartered in San Francisco, California. The physicians of DHMG - AZ are regularly involved with clinical duties, as well as academics and translational bench research, keeping the enhancement of care and the patient experience at the forefront of the work that they do.
Like its legendary namesake rising out of the ashes, the greater Phoenix area has emerged as one of the bright metropolitan areas of the 21st century. The Phoenix area encompasses more than 20 incorporated cities, including Glendale, Scottsdale, Tempe and Mesa, and all serve as a timeless Southwestern backdrop to the spirit of Puebloans, cowboys, miners and visionaries. Recently, the Census Bureau named Arizonas Maricopa County, which includes the greater Phoenix metro area, the county with the nations highest annual population growth. Home to more than 4 million residents where everyone has a sunny disposition, the Phoenix area also ranks as the sixth-largest city in the United States. Phoenix is a premier destination offering the best of both worlds: a growing and diverse economy and a great place to live with more than 300 sun-filled days a year and an almost endless supply of attractions including:
The Phoenix area is also a destination for people from all over the world to receive outstanding healthcare. This is particularly true of Dignity Healths St. Josephs Hospital and Medical Center - home to the world-renown Barrow Neurological Institute and The Norton Thoracic Institute - #1 lung transplant program in the U.S. - as well as many other world-class healthcare services and teaching programs.
Dignity Health Medical Group - Arizona: https://www.dhmg.org/arizona/
Arizona General Hospital: https://www.dignityhealth.org/arizona/locations/arizonageneral
Chandler Regional Medical Center: https://www.dignityhealth.org/arizona/locations/chandlerregional
Mercy Gilbert Medical Center: https://www.dignityhealth.org/arizona/locations/mercygilbert
St. Josephs Hospital and Medical Center: https://www.dignityhealth.org/stjosephs/
St. Josephs Westgate Medical Center : https://www.dignityhealth.org/westgate/
City of Phoenix: https://www.phoenix.gov/
Downtown Phoenix: http://dtphx.org/
Phoenix Chamber of Commerce: http://phoenixchamber.com/
County Resources: https://www.maricopa.gov/
School Districts:
Phoenix News: http://www.azcentral.com/local/phoenix/
Facebook: https://www.facebook.com/pg/CityofPhoenixAZ/about/
Dignity Health Physician Recruitment
Phone: 888.599.7787
Email: Click Here to Email


text:
Beyonce's performance at Super Bowl XLVII was widely praised as one of the best halftime shows in recent memory. Someone in Beyonce's camp, however, was not too pleased with a few photos of the singer's performance that appeared online.
Shortly after Beyonce's halftime show, Buzzfeed published a highly favourable photo gallery entitled "The 33 fiercest moments from Beyonce's show."
The site received a letter from the singer's publicist asking them to take down several "unflattering" photos that appear in the gallery.
"As discussed, there are some unflattering photos on your current feed that we are respectfully asking you to change," said the email. "I am certain that you will be able to find some better photos."
The publicist's efforts to suppress the photos appeared to have had the opposite effect. Instead of removing the pics Buzzfeed editors published the email and re-posted the so-called "unflattering" photos. Other websites responded by posting the images, which are widely available through photo agency Getty Images.
Some are wondering why someone would want these photos removed from the internet. "In what world are these shots unflattering?" asks Buzzfeed while Gawker wrote that the publicist "clearly doesn't understand her client."
Here are the Beyonce Super Bowl halftime show photos. Judge for yourself whether they are "unflattering."


text:
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text:
8" Peace Lily
Product ID RR5000
Approximately None"W x None"H
What People Are Saying
October 29, 2020
Beautiful and as ordered. Great communication and quick delivery. Many thanks.
October 05, 2020
Lovely flowers, and delivered on time! They even called to verify address, and make sure she was home!
October 04, 2020
Gorgeous flowers and the cutest softest teddy bear to congratulate 1st time parents and welcome their new baby girl. Tracking down to the minute too. I texted it was showing delivered as they were at the door knocking!
Reviews Sourced from Lovingly


text:
Call for an appointment
Dr. Sinson specializes in the use of advanced microsurgical techniques for the treatment of complex cerebrovascular disorders and skull base lesions. These include: Carotid artery disease, cerebral aneurysms, arteriovenous malformations (AVMs), cavernous malformations, subarachnoid hemorrhage, cerebral revascularization, surgical treatment and prevention of stroke, and both benign and malignant lesions in the skull base. Dr. Sinson collaborates with physicians in otorhinolaryngology (ENT), neuroradiology, radiation oncology, and neurology to organize the optimal treatment plan for each patient. Dr. Sinson has performed extensive laboratory and clinical research in these disorders and in traumatic brain injury. This work has been published in research journals and textbooks. Dr. Sinson is board certified by the American Board of Neurological Surgery, is a fellow in the American College of Surgeons, and is a member of the American Association of Neurological Surgery, the Congress of Neurological Surgery, the American Medical Association, and the National Neurotrauma Society.
Diseases & Conditions
Treatment & Services
Ages Seen
Languages Spoken
Hospital Affiliations
Education & Training
Northwestern University Medical School - Chicago - IL - Doctor of Medicine - (1989)
University of Arkansas - Little Rock - Fellowship in Cerebrovascular Surgery - (1996)
University of Pennsylvania - Philadelphia - Residency in Neurosurgery - (1989-1996)


text:
'SPRING'-Study: "Subfertility Guidelines: Patient Related Implementation in the Netherlands Among Gynaecologists"
|The safety and scientific validity of this study is the responsibility of the study sponsor and investigators. Listing a study does not mean it has been evaluated by the U.S. Federal Government. Read our disclaimer for details.
|ClinicalTrials.gov Identifier: NCT00119925
Recruitment Status : Unknown
Verified October 2008 by Radboud University.
Recruitment status was: Recruiting
First Posted : July 14, 2005
Last Update Posted : October 29, 2008
- Study Details
- Tabular View
- No Results Posted
- Disclaimer
- How to Read a Study Record
|Condition or disease
|Male Infertility Female Infertility Ovarian Hyperstimulation Syndrome Premature Ovarian Failure Endometriosis
|Behavioral: patient education Behavioral: professional audit and feedback (guideline adherence) Behavioral: professional education (communication/shared decision making) Other: information tools
|Not Applicable
The Dutch Society of Obstetrics and Gynaecology (NVOG) has developed a guideline programme on Subfertility, including 9 guidelines concerning diagnosis and treatment of subfertility and a national IVF protocol.
However, guidelines in general do not implement themselves; large gaps consists between best evidence (as described in the guidelines) and practice, resulting in a large variation between professionals.
Our study will compare an innovative patient-directed strategy with a (minimal intervention) control strategy, and effectiveness, costs and feasibility of both will be assessed. We eventually aim at the most cost-effective strategy to implement the existing subfertility guideline programme.
Please Note: In our protocol, we consider only 'couples' undergoing fertility treatment; therefore, we aim at gathering information from approximately 5200 records, of both male and female participants. When reporting eventually on their treatment, we will consider them only as couples, resulting in reported numbers of approximately 2600 participating couples.
|Study Type :
|Interventional (Clinical Trial)
|Estimated Enrollment :
|5200 participants
|Intervention Model:
|Parallel Assignment
|Double (Participant, Care Provider)
|Official Title:
|Cost Effectiveness of Two Different Strategies to Implement the NVOG Guideline Programme on Subfertility
|Study Start Date :
|October 2005
|Estimated Primary Completion Date :
|February 2009
|Estimated Study Completion Date :
|May 2009
Active Comparator: minimal intervention
professional audit and feedback on current practice
Behavioral: professional audit and feedback (guideline adherence)
feedback on current practice according to quality indicators
Active Comparator: maximal intervention
multi-faceted intervention consisting of professional and patient elements
Behavioral: patient education
patient leaflets about national guideline contents
Behavioral: professional audit and feedback (guideline adherence)
feedback on current practice according to quality indicators
Behavioral: professional education (communication/shared decision making)
educational tools for professionals concerning communication and shared decision making
Other: information tools
tools and checklists to improve information provision
- Extent of guideline adherence after approximately one year (measured by a specific set of guideline-derived indicators, formulated beforehand by the research group) [ Time Frame: half year after intervention ]
- Costs of both Implementation strategies [ Time Frame: half year after intervention ]
- Psychosocial patient characteristics after one year: fear, depression, satisfaction [ Time Frame: half year after intervention ]
Choosing to participate in a study is an important personal decision. Talk with your doctor and family members or friends about deciding to join a study. To learn more about this study, you or your doctor may contact the study research staff using the contacts provided below. For general information, Learn About Clinical Studies.
|Ages Eligible for Study:
|18 Years to 80 Years (Adult, Older Adult)
|Sexes Eligible for Study:
|Accepts Healthy Volunteers:
Inclusion Criteria:
- each patient, male or female, visiting the OPD for a subfertility related problem or treatment
- each patient admitted to the hospital with complications of an infertility treatment
Exclusion Criteria:
- patients receiving insemination with donor sperm
- patients receiving ICSI treatment
- patients who are non-Dutch speaking or understand too little Dutch to fill out the questionnaires
To learn more about this study, you or your doctor may contact the study research staff using the contact information provided by the sponsor.
Please refer to this study by its ClinicalTrials.gov identifier (NCT number): NCT00119925
|Contact: Selma M Mourad, MD
|Contact: Rosella PMG Hermens, MSc, PhD
|Gelre Ziekenhuizen
|Apeldoorn, Netherlands
|Contact: Laurens j van Dam, MD +31-24-3610590
|Rijnstate Ziekenhuis
|Arnhem, Netherlands
|Contact: Alex P Schmoutziguer, MD +31-24-3610590
|Maasziekenhuis Pantein
|Boxmeer, Netherlands
|Contact: Ineke Minkhorst, MD +31-24-3610590
|ZBC stichting Geertgen
|de Mortel, Netherlands
|Contact: Henk Ruis, MD +31-24-3610590
|Jeroen Bosch Ziekenhuis
|den Bosch, Netherlands
|Contact: Carl Hamilton, MD +31-24-3610590
|Slingeland Ziekenhuis
|Doetinchem, Netherlands
|Contact: Eveline Tepe, MD +31-243610590
|Ziekenhuis Gelderse Vallei
|Ede, Netherlands
|Contact: Eduard Scheenjes, MD +31-243610590
|Catharina Ziekenhuis
|Eindhoven, Netherlands
|Contact: Peter A van Dop, MD, PhD +31-243610590
|st Antonius Ziekenhuis
|Nieuwegein, Netherlands
|Contact: Jules Schagen van Leeuwen, MD +31-24-3610590
|Radboud University Nijmegen Medical Centre
|Nijmegen, Netherlands, 6500HB
|Contact: Jan AM Kremer, MD, PhD +31-24-3610590
|Canisius Wilhelmina Ziekenhuis
|Nijmegen, Netherlands
|Contact: Anton Franssen, MD +31-24-3610590
|Bernhoven Ziekenhuis
|Oss, Netherlands
|Contact: Jos Vollebergh, MD +31-243610590
|Rivierenland Ziekenhuis
|Tiel, Netherlands
|Contact: Guido Muijsers, MD +31-24-3610590
|Bernhoven Ziekenhuis
|Veghel, Netherlands
|Contact: Mirjam van Rozendaal, MD +31-24-3610590
|Maxima Medisch Centrum
|Veldhoven, Netherlands
|Contact: Ben W Mol, MD +31-24-3610590
|Streekziekenhuis Zevenaar
|Zevenaar, Netherlands
|Contact: Vincent Blom, MD +31-243610590
|Principal Investigator:
|Rosella PMG Hermens, MSc, PhD
|Centre for Quality of Care Research
|Principal Investigator:
|Jan AM Kremer, MD, PhD
|Department of Obstetrics and Gynecology, Radboud University Nijmegen Medical Centre
|Study Chair:
|Didi D Braat, Prof. MD PhD
|Department of Obstetrics and Gynecology, Radboud University Nijmegen Medical Centre
|Study Chair:
|Richard PT Grol, Prof. PhD
|Centre for Quality of Care Research
|Study Director:
|E Adang
|Department of Medical Technology Assessment, Radboud University Nijmegen Medical Centre
|Study Director:
|J MM van Lith, MD, PhD
|Dutch Society of Obstetrics and Gynecology
|Study Director:
|G Zielhuis, Prof PhD
|Department of Epidemiology and Biostatistics, Radboud University Nijmegen Medical Centre
Publications automatically indexed to this study by ClinicalTrials.gov Identifier (NCT Number):
|Responsible Party:
|J.A.M. Kremer, dept. of Obstetrics and Gynecology
|ClinicalTrials.gov Identifier:
|Other Study ID Numbers:
ZonMw grant no. 945-14-116
|First Posted:
|July 14, 2005 Key Record Dates
|Last Update Posted:
|October 29, 2008
|Last Verified:
|October 2008
health care implementation
Infertility, Male
Primary Ovarian Insufficiency
Menopause, Premature
Ovarian Hyperstimulation Syndrome
Infertility, Female
Ovarian Diseases
Adnexal Diseases
Gonadal Disorders
Endocrine System Diseases


text:
Monday, 28 August 2017
65 comments:
Lovely pics and you're so pretty!ReplyDelete
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Kisses, Paola.
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Straight A Style
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Such a pretty series of photos, the cornfields and your outfit are lovely! We had a nice couple of days over bank holl weekend too. We went to a dog friendly café by the sea and went for a scroll on the beach. There was a local gala on near where I live which I visited too. I had a cold on bank holl Monday though, but we had a nice time overall. Seems like we have a few common interests such as walking and farmers markets! Wishing you a wonderful week. :-) xxReplyDelete
Helen | Helen's Fashion, Beauty & Lifestyle Blog
perfect outfit for a day out in a cornfield! lovely!<3ReplyDelete
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text:
$ 34.00
|Our finger puppets come to life on fingers of all sizes. The hand-embroidered faces give each a distinctive expression and personality. Finger puppets are made with wool felt and hand-stitched together. Mama and baby set come in a machine-stitched paper pocket. Mama rabbit and bunny. Large finger puppet measures 3 x 4.5", small finger puppet 2 x 3".


text:
Spoiler Alert:
I shall be unearthing Hereditary's roots, analysing its makeup and digging into it's origins to determine if it's a brainchild or spoiled. So read on only if you've already seen Hereditary, or don't plan to.
The good news is, Hereditary is an A24 film, so it's great by definition. Swiss Army Man and American Honey have been my absolute favourite films in recent years, so I went in to this film with expectations higher than Snoop Dogg at Burning Man.
0:00:43 An obituary appears on the screen concerning a woman called Ellen Taper Leigh who was 78. I just hope her life was more exciting than her obit.
[N.B. In an interview with Newsweek, director Ari Aster states that the obit wasn't in the script, but an idea he came up with in the editing room. He chose to lead with this because the film deals with death, loss and grief.]
0:01:13 We are looking through a house window at a tree-house, which is meant for people in high places.
[N.B. Bill, one of my readers, shared an interesting insight, based on the 'Y'-like symbol seen on the side of the tree house. He says "ᛉ On the outside of the treehouse / Paimon's temple the structure clearly gives the shape of the rune Algiz. Given the symbolism in the film I highly doubt that's a coincidence. That particular Algiz was used to symbolize a birth in the German neopagan revival that was roughly coterminous with the 3rd Reich. The same shape inverted was used to symbolize death." Thank you for you contribution, Bill!]
0:02:49 Inside the room is what seems to be a dollhouse, and the camera zooms in on a bedroom, which magically becomes full-sized. I'd love to do this trick on my flat and make it a real, human-sized apartment.
0:03:46 While his wife (Toni Collette as Annie) waits in the car, the father (Gabriel Byrne as Steve) must rouse his children to take them to the funeral for Ellen, the star of the obituary. His daughter (Milly Shapiro as Charlie) sneaked out of her room to sleep in the tree house. She must like being high.
[N.B. This isn't random on Charlie's part. The tree house is a temple to Paimon, the demon inhabiting the film, and Charlie is sleeping here because she's possessed by him. In fact, she has been possessed by him since birth [as confirmed by Aster in this interview with Variety]. That she is possessed also explains why she doesn't feel the cold of the space.]
[🐣 Exclusive Easter egg: Note that along the wall is a rudimentary altar to Paimon built atop two crates marked 'Hercules Powder'. Hercules was a Roman god whose fatal flaw was ignoring the signs around him. Direct reference is made to his Greek counterpart Heracles at 15:16. Both the altar and the boxes make the father's comment all the more ironic.]
0:04:21 In her eulogy of her mother, Annie remarks upon how many strangers are in attendance. Her mother had a secret circle of friends, and a lot of other secret shapes, as well.
[N.B. We will eventually learn this is the symbol of Paimon.]
My mother was a very secretive and private woman. She had private rituals, private friends, private anxieties.
Witch one?
0:05:12 Ellen liked the pendant so much that she would be caught dead in it.
[N.B. The symbol is known as the 'Seal of Paimon' and comes from the grimoire The Lesser Key of Solomon.]
[🐣 Note that the smiling man at the wake will reappear to Peter later (at 1:53:12). Also note the blue light at the edge of the photo. This is an extension of Paimon and is seen throughout the film, usually guiding the characters.]
0:05:39 While her mother eulogises her grandmother, Charlie makes a clucking sound with her tongue against the roof of her mouth and draws a sketch of her mother at the podium. With her pencil, she makes her mother seem out of line.
[N.B. Charlie isn't making the clucking noise, the spirit inhabiting her body is. The noise is used to indicate Paimon's presence.]
0:05:57 One of the occult mourners discreetly rubs some sort of oil on the dead woman's lips. You wouldn't want the heat in Hell to chap your lips, would you?
0:06:12 Charlie watches on while eating a chocolate bar. Both parents confirm there are no nuts in the treat because evidently Charlie is highly allergic. Thus, she's the least nutty of the family.
[🐣 It's difficult to see from this distance, but the miniature home in the foyer is in fact a 'model prison', meaning that it has barred windows and a safe for a door to symbolise how the family is trapped inside of it. Toronto Life takes an interactive, in-depth look at all of the miniatures and how they were made. Here's a close-up from their article. Click on the photo to read the article.]
0:07:11 We learn that Annie's career is to construct miniatures as art for galleries. Welcome to the small time.
[N.B. In an interview with Vulture, Aster states, "The models serve as something of a metaphor for the family's situation. They ultimately have no agency and they're revealed to be like dolls in a dollhouse, being manipulated by outside forces." I also suspect that Annie is the one who makes the miniatures because she feels helpless in her life, and this activity gives her the impression she has some control over her surroundings.]
[N.B. Aster states that the desktop is a shrine to Paimon that Charlie is making, which is a little WTF-y if you ask me, because Charlie is Paimon, which means Paimon is constructing a shrine to himself. God complex much?]
0:09:06 At bedtime, Annie consoles Charlie over Ellen's death.
Annie: You know you were her favourite, right? Even when you were a little baby, she wouldn't let me feed you because she needed to feed you. Drove me crazy.
Charlie: She wanted me to be a boy.
That would be a trans formation.
[N.B. Note that when Annie says 'she needed to feed' you, she means this quite literally according to the diorama. This entire dialogue is key because it hints that 1) Ellen took care of Charlie from birth because Ellen somehow placed Paimon in Charlie (this is confirmed later in the same conversation when Annie tells Charlie, "You never cried as a baby. Not even when you were born,") and 2) that Paimon can only permanently inhabit a male, which is why Ellen wished Charlie were born a boy. As it is, Charlie is simply a rental while Paimon looks for something more permanent.
Annie also mentions in this conversation with Charlie that she was a tomboy as a child. At first I was thinking, 'Why is she going into so much detail about her youth?' Then I read a comment by user Doulor76 on the official Reddit discussion page who theorises that, originally, Ellen used her daughter Annie as a host. This would explain the remark of Annie's, "You know, I was a tomboy when I was growing up. I hated dresses and dolls and pink." Ellen placed Paimon in her son, who rejected it (see 19:41), so Ellen used Annie, who learned to make miniatures just as Charlie likes to make miniatures. Ellen then moved Paimon to Charlie when Peter was unavailable due to Annie's protection of him.]
[N.B. On the wall over Charlie's bed, the word 'Satony' is scrawled in pen. In his Reddit AMA, Ari Aster states, "[The words on the wall] are isolated pieces of an invocation spell that is suggested to be written all over the house. We only see three of these in the film, but there are many more (probably written behind furniture or otherwise hidden)." 'Satony' is one of these words, and also is Spoken during the spells incanted later in the film.]
0:11:58 At the bottom of a cardboard box of her mother's belongings, Annie finds a book entitled Notes on Spiritualism. Inside the cover is a note left her from her mother.
My darling, dear, beautiful Annie,
Forgive me for all the things I could not tell you. Please don't hate me and try not to despair your losses. You will see in the end they were worth it.
Our sacrifice will pale next to the rewards.
Love, Mommy
File this in the Dead Letter office.
0:12:26 As she's leaving the room, Annie spots her mother's ghost. Ghosts are so superficial, you can see right through them.
0:14:31 Charlie is meant to betaking a quiz in class (but is, in fact, trying to fit a head atop a toy robot). At this moment, a pigeon flies into the window of her classroom and dies. School is not for bird brains.
0:15:16 Charlie's older brother, Peter (Alex Wolff, real-life younger brother of Nat Wolff who starred in one of the worst films I've ever seen), texts a friend in class about 'waxing his D' and smoking a bowl. What he misses is this:
Teacher (Morgan Lund as Mr. Davis): What is Heracles' flaw?
Student (Mallory Bechtel as Bridget): Arrogance.
Mr. Davis: OK, why?
Bridget: Because he literally refuses to look at all the signs that are literally being handed to him throughout the entire play.
Kind of like Peter is doing at that exact same moment… Hmm, something literally smells symbolic in here.
[🐣 On the blackboard at the front of the class, the teacher has written 'THEMES, Escaping fate', in case you missed the reference above.]
If it's all just inevitable, then that means the characters have no hope. They never had hope because they're all just, like, hopeless. They're all like pawns in this horrible, hopeless machine.
The class goes on to discuss how Heracles (just like the Grahams) had no choice in the outcome of his destiny. This is a part you should pay more attention to than Peter did.
During recess, Charlie clips the head off the pigeon who died hitting the window, using shears she pilfered from the classroom. This is how one gets a head in life.
[N.B. This is symbolic because 1) Charlie enjoys tinkering with inanimate creations (remember her fitting a head on a robot in class at 14:31) and now that her grandmother has passed, she's ready to graduate to the next step: animal Legos, 2) this is foreshadowing, which we'll see shortly and 3) beheading is a family tradition with the Grahams.]
0:16:33 Ellen's ghost (or, possibly, one of the members of the cult) appears to Charlie from afar. If it is gran, she's like homemade jam: well preserved.
0:16:52 Remember Ellen's ghost at 11:58? Annie does because she researches "Norms on Discerning Presumed Apparitions" online.
0:17:38 The door to Ellen's room opens mysteriously and Annie isn't the only thing that's floored.
[N.B. Triangles are big witch symbols.]
What does that mean, 'desecrated'?
Steve on the phone with the cemetery
Dude, buy a dictionary.
[N.B. In fact, we'll later learn that Ellen's body was removed from the grave by the cult of Paimon. Paimon, according to the website NME, "is usually referred to as a high-level entity in hell's social strata, usually a king or a duke … According to lore, Paimon would come to our world wearing a crown and bearing gifts for followers, so there's your motive for bringing him here."]
0:19:41 Annie lies to Steven and says she's going to the movies but goes to a grief recovery meeting instead. Tbh, I believe they're the same thing.
My older brother had schizophrenia, and when he was 16 he hanged himself in my mother's bedroom and of course his suicide note blamed her, accusing her of putting people inside him. […] I didn't let her anywhere near me when I had my first, my son. Which is why I gave her my daughter, who she immediately stabbed her hooks into.
Annie during the meeting
[N.B. This is a critical scene in the film as it gives us a huge chunk of exposition. First, we learn that Ellen tried to use her own son as a body for Paimon, but this didn't work as her son wasn't prepared, though he did kill himself because he felt he was being dispossessed. Ideally, Ellen would've wanted to use her grandson, Peter (Annie's son), as a permanent host for Paimon, but here we learn Annie wouldn't let her mother near the boy. So Ellen had to use the next best thing, which was Charlie, who Annie gave to her mother gladly, and who Ellen immediately used as a vessel for Paimon.]
[N.B. Note that Joan is already present in this first meeting. She's the leader of the Cult of Paimon now that Ellen has passed and her presence at these meetings is not a coincidence.]
[Note that when Peter blows smoke from his bong hit out of his bedroom window, he doesn't notice a cult member in the tree house blowing smoke, as well. In the Vulture interview, Aster states, "You are supposed to feel through the film that there are people on the periphery that are watching this family and are hovering just outside."]
0:23:52 God but I love tilt-shift.
0:24:22 What appears to be a trick of the light is, in fact, an externalisation of Paimon's force, like a flashing road sign to draw Paimon / Charlie's attention to the tree house. This device will be used for Peter and Annie, as well.
0:25:22 Charlie's motivation behind the pigeon head is linked to the shrine she made for Paimon (see 8:35) and is a metaphor for what Paimon is doing to this family, i.e. cutting off their heads and reassembling them with different entities. They can't keep their own parts so they must Lego.
0:27:04 Charlie has a seventh sense, she sees weird people
0:28:26 Annie forces Peter to take Charlie with him to a party. He promises he won't drink but so did you when you were his age and look what happened.
[N.B. On his way to the party, the kids pass a telephone pole with strange markings on it. Notice the design is the symbol of Paimon, the same as the pendant on Ellen's necklace in the coffin.]
0:28:56 Young high-school girls are baking a cake in the middle of a party. I find this much more difficult to believe than witchcraft.
[Exclusive Easter Egg🐣 The three young women are reminiscent of the three hags in Shakespeare's Macbeth so… who knows? Maybe they're witches after all.]
[N.B. The song playing in the party when Peter and Charlie arrive is "Sledge Hammer" by No Genre. It's included on the playlist found at the bottom of this post.]
0:31:07 Peter and Bridget go off into a room to smoke weed, so he tells Charlie to get some of that witch cake and leave him alone. Oh, she'll leave him alone all right.
Charlie: I think my throat's getting bigger.
Charlie interrupts Peter mid-bowl to tell him she's having an allergic reaction (to the nuts at 28:56). Is she going to live? Don't hold your breath!
0:33:39 While Peter rushes her to the emergency room, Charlie puts her head out of the window to get fresh air, but then she loses it.
0:34:20 Help! As Peter sits in the car, trying to process what's just happened, his eyes are drawn to a strange object at the roadside. I'm not able to determine what this is, but as you are all far more intelligent than I, perhaps you can see something here that I cannot? What is this thing beside the road after Charlie dies!? [Click on the shots to see the full size]
[N.B. My friend JJ mentioned in the comments that it might be a sort of jeep. I, myself, had my suspicions along these lines but dismissed them because the angle and depth perception made me think the object was to small to be a vehicle. However, JJ's bravery in taking a stand has convinced me to state that the thing is indeed a vehicle, driven by one or more cult members who have parked there to ensure that Charlie has eaten her just desserts. This is now my official position until I hear from Ari Aster himself that it's something different. Thank you, JJ!]
0:37:02 In total shock, Peter drives straight home with the corpse in the back seat and calls neither his family, nor the police, nor the ambulance. He's burying his head in the sand, and should have done the same with Charlie.
0:37:36 We see Peter's blank face while we hear Annie leaving to go to the shop, and then her screams when she finds her daughter's headless corpse in the car. That was thoughtless of Peter, but Charlie is even more thoughtless right now.
0:38:54 Toni Collette's portrayal of mourning merits an Academy Award, for crying out loud!
[🐣The word 'Zazas' is written in pen on the wall over Annie and Steve's bed. According to an article in NME, "'Zasas' is a word used by famed British occultist Aleister Crowley when summoning a demon called Choronzon."]
0:41:48 Annie has taken to sleeping in the tree house / temple. She needs a lot of space heaters because her heart is in it but the devil isn't.
0:47:28 Before Annie can drive away from a grief recovery group (see 19:41), she's stopped by Joan (Anne Dowd) who explains she lost her son and 7-year-old grandson in a drowning. She gives her number to Annie and says to call if she wants to talk but, like her son and grandson, I think her story is all wet.
[N.B. Joan is, in fact, the new High Priestess of the cult and she's been stalking Annie in order to trick her into participating in a demon ritual.]
0:49:36 Peter hears Charlie's ghost while he's in bed and it scares the cluck out of him.
0:49:47 Someone is trying to tell them something. (Hint: It's Joan.)
0:50:01 When recreating a miniature version of Charlie's room, Annie remembers to include the 'satony' scrawled on the wall (see 10:47). Watch out for the small print!
0:50:18 Annie is finishing up for the day when a ghost knocks over her paint jar to draw attention to the number Joan left. Apparently ghosts use paint for their signs.
[🐣Exclusive Easter Egg Pay close attention to the GIF: Paimon arrives as a light in the top, right corner of the image and spills the paint; Annie doesn't touch it.]
0:51:47 When she goes to meet Joan at Joan's flat, Annie recognises the welcome mat as one her mother made. Joan laughs it off as a coincidence, but I suspect there's more to the story than meets the feet.
Annie (describing finding Charlie dead): And the body, covered in black blood, like tar.
Bloody Hell!
[N.B. Black blood is a trait shared by all of those who Paimon possesses. The same thick, dark blood will be discovered on Ellen's exhumed body (see 1:37:25).]
0:52:56 Annie finds a strange herb in the tea Joan has prepared, and not the sort which is now legal in Canada.
[N.B. According to the Ari Aster AMA on Reddit, this is the same herb that Helen used when feeding Charlie to "prime her for the ritual that allows Paimon to possess her body."]
0:54:18 Annie tells the story of a few years ago when she was sleepwalking and doused the kids in paint thinner and woke up as she was striking a match. Peter holds this against her like an angry erection when you're wrestling with porn addiction.
0:56:23 Annie is recreating the scene in which Charlie dies, bringing her grief down to size.
0:58:32 Peter and Annie get in an argument at dinner.
Annie: All I get back is that fucking face on your face.
At least he's not losing face.
1:01:47 Annie has a 'chance' meeting with Joan in a car park, where Joan tells Annie she attended an open séance (see 49:47) and met a medium rare enough that she came back to Joan's flat to conjure up her son and grandson. Talk about a happy medium!
[N.B. Note that Joan has recently purchased blackboards in the rear of her vehicle. I surmise this is because she's just bought them for the séance trick she's going to play on Annie (see 1:07:41).]
1:06:12 Joan convinces Annie to return with her to her apartment where Joan summons the spirit of her dead grandson. With all of those spirits, it's a good thing they have a glass!
1:07:48 Joan gives Annie a copy of the 'incantation' to bring back the ghost of Charlie at home. Complete with instructions.
Joan: First, light the candle, then choose an item that belonged to your daughter…. Then, when you're ready, read this out loud, every syllable, very carefully…. It's to make things start. But remember, your whole family, every member, needs to be in the house. Your son, everyone. Very important.
Plus, Annie should do this in the 'after-living' room.
[N.B. In fact, Joan is tricking Annie, saying that it's a spell to raise Charlie, when it's actually a spell to facilitate the transition of Paimon into Peter, hence the insistence that everyone be present (see 1:18:12).]
1:08:53 After Joan tells Annie that Charlie isn't dead, Annie drives home and hears the Charlie / Paimon noise coming from the back seat. Annie may not give a cluck, but Paimon does.
1:13:12 Annie has a dream within a dream in which she tells Peter her mother pressured her into having Peter, while she did everything she could to have a miscarriage.
[N.B. Ellen wanted her daughter to give birth to a male receptacle for Paimon.]
At the end of the nightmare, Annie lights herself and Peter on fire. This is hotter than any of my dreams.
1:13:18 Annie can be heard practising the spell in the bathroom in the middle of the night, and the word 'Paimon' can be heard distinctly more than once. That, or she's run out of toilet paper and is saying 'Hey, man', hoping someone will notice. That, or she's dealing drugs out of her toilet and is saying 'Pay, man'. That, or she's started her period and is saying 'Pain, god!'
1:14:12 The second miniature house beside the stairway can be seen clearly (see 7:08). It's for getting back to one's roots.
1:18:28 Annie forces her family to do a séance. Unfortunately, she thinks she's called up Charlie but she's actually called up an evil entity. The real, dispossessed Charlie speaks through Annie. It's a very spirited discussion.
[N.B. In Variety, Ari Aster explains that Joan tricked Annie with the fake 'séance' at 1:06:12. "It plays as a séance scene but really it's a much darker conjuring and they need Annie to take part in it in order to bring it in the house and in order to further this ritual along. When she invites it in, she escalates things."]
[N.B. See note at 10:47 for Aster's explanation concerning the words on the wall. As for these words specifically, in the same AMA he adds, "Liftoach Pandemonium" has a special significance. It translates as "Open Up Chaos (or Hell)."]
1:21:34 While following the blue light around the classroom with his eyes, Peter catches a glimpse of his own reflection in the glass door of a cabinet…smiling at him. Freaking out, he stands and runs out of the classroom, telling his teacher he needs to go to the bathroom. Frankly, I think he already has.
[N.B. The blue light is Paimon, getting Peter ready before moving in.]
1:24:37 Annie destroys all of her work. Like her workshop, she's a nervous wreck.
[N.B. Actually, she's admitting defeat and realising she's lost total control of what's happening in her house.]
1:27:36 After Annie watches pictures doodle themselves in Charlie's notebook, Peter dreams that Charlie is in his room. When she begins to nod, her head falls off and turns into a basketball when it hits the floor. Charlie is bouncing back.
1:28:28 Peter wakes up screaming, accusing his mum, who is in the room with him, of trying to pull off his head (the same way Charlie died and mirroring the miniature of Pete in bed in Annie's studio). I can relate to Pete, as my parents frequently bit my head off.
[Note that Annie isn't sleepwalking now. This is to demonstrate that, while she was ignorant of the situation in the past (sleepwalking through life), now she's lucid and knows exactly what's going on (she's woke).]
1:29:17 Charlie sketches Peter with his eyes crossed out. The crossed out eyes are a reference to the fact that the 'real' Peter will be forced out of the body to be replaced by Paimon. The eyes are windows to the soul, but these windows are about to be broken.
[N.B. Though I haven't been able to find confirmation, there is speculation online that, at one point in the film, Peter was originally meant to lose his eyes. I haven't been able to obtain a copy of the script, but I doubt this is true.]
1:30:27 When Annie tries to burn Charlie's sketch book in the fireplace, her own clothes catch at the exact same moment. When she stamps out the flames on the pad, her clothes are doused as well. Which is nice, as no one wants to be fired.
1:31:49 Annie rushes over to Joan's flat but Joan's not in. What is in, however, is a triangle carved into her table, with a photo of Pete inside. We also see Charlie's inventions / persons, and the Paimon symbol hanging on the wall. This is Joan's altar ego.
1:32:34 Joan shows up at Peter's school.
Peter! I expel you! Satony! Dagdany! Aparagon!
It's OK, I'm sure he's been expelled before.
[N.B. In fact, she's preparing to remove Peter from his own body so that it might be occupied by the Paimon. 🐣 Also, note the use of the word 'Satony', from 10:47.]
1:33:53 Back at the house, Annie digs through her mother's books to locate a text stating that King Paimon will possess the most vulnerable host when invoked [Charlie] but will be locked into his ordained host [Peter] when the ritual is complete. Like me, Paimon prefers a male body (and that's why Charlie is only a temporary home). Also like me, this film has too many possessions.
[🐣 When looking through the box, Annie discovers mats very similar to the one Joan had in front of her apartment (see 51:47). Charlie's is embroidered with the symbol of Paimon, because he's been inhabiting her since she was born.]
1:34:55 Looking through her mother's photo album, Annie sees pictures of her mum with Joan, her mum preparing to marry a demon and her family in a photo on an altar. To hell with the lot of them!
1:35:57 Steven reads an email detailing the disinterment of his step-mum. He can't believe the hole thing.
[1:37:13 Peter is in class learning about Iphigenia, daughter of Agamemnon who had to sacrifice her to facilitate the war on Troy. This is a reference to the sacrifice of Charlie.]
1:37:25 Annie goes into the attic where she discovers her dead mum under a blanket and under a lot of flies. The Paimon symbol is painted on the wall. This is going to haunt Annie forever… No, wait, it already does.
[N.B. If you ask me (and why wouldn't you?), Helen married / joined Paimon in a ritual (it probably took place before Charlie was born), as seen by the photos in the photo album. The Cult of Paimon then dug up her corpse (see 1:35:57) and brought it back here for the ritual in which Paimon inhabits Peter. The corpse is headless because, evidently, decapitation is a key part of the ritual. Also note the dress is embroidered with the Paimon symbol.]
1:38:48 In class, Peter hears the clucking sound and turns around looking for Charlie because he doesn't realise the sound is Paimon, not his sister, and she only made it because she was possessed by Paimon. Paimon possesses Peter, in turn, and forces him to bash his face into his own desk while the entire class watches on. Everyone is sufficiently freaked out, as no one knows what got into him.
Annie: They put a curse on us when we brought Charlie back. We made a pact with something, something that is in this house. I don't know what it is, but it is after Peter.
Annie catches us up on the plot by explaining that the coven (Joan, Helen and the rest) tricked her into doing a ceremony to revive Charlie (see 1:18:28) when in fact they summoned a demon that is now after Peter. Peter should do some soul searching… just to be sure he still has one.
1:46:25 Annie pleads with Steve to throw the sketch book in the fire. She's afraid to, as the last time she did, she caught on fire (see 1:30:27), so she fully expects to go up in flames this time as well. She's sacrificing herself to save Peter. At least that's the way it looks on (very flammable) paper.
1:46:54 Steven refuses so Annie snatches the book from him and throws it in the fire herself. But she doesn't go up in a ball of flashes, Steven does, the roast turkey.
[N.B. Steven is expendable for Paimon because, in order to be a host for the demon, one must be a blood descendant of Helen (the film is called Hereditary, after all), and Steven is just an in-law. Peter, however, is a different story. Also, in his Variety interview, Aster says that the reason Steven burns rather than Annie is exactly because she thinks she's the one who's going to die–but the forces in the house are unpredictable and neither Annie nor anyone else in the family has any control over what happens. "Ultimately, it's not her choice to make. She thinks there's a design here and she can end things if she sacrifices herself. But there's no design and there are no rules." Also linked to Steven's death is the idea that Paimon is said to be the God of Mischief, and here he's mucking about with Annie (see 1:33:53).]
1:47:05 Annie is in shock as she watches Steven burn, until the light / Paimon washes over her and she becomes instantly calm.
1:47:10 There's a meeting at the tree house and all the witches show up nude. The dress code is easy to decipher.
1:52:18 Peter wakes up alone in the dark house and notices that there is light in the tree house. Leaving his room, he descends to the ground floor of the home and discovers his father's charred remains. And he thought he was the burnout of the family!
1:53:12 Peter's house is very dark.
[🐣 The smiling, naked man in the closet is the same smiling man from the wake (see 5:14).]
1:53:24 In an effective jump scare, Annie leaps out of hiding to chase Peter around the house. He takes refuge in the attic because he's never seen a horror film in his life.
1:55:06 Looking around the attic, Peter becomes afraid because he sees a photo of himself with the eyes removed (see 1:29:17). Even worse, there are loads of candles and flies… and his parents aren't even hippies.
1:56:12 He hears a strange, wet sound and looks up to see his mum hanging from the ceiling, sawing through her own neck with a wire. That wire sure is making an impression!
[N.B. The people are members of the Paimon cult who were performing a ceremony in the attic.]
[🐣 Exclusive Easter egg: Note how the name Life is blanked out in the game.]
1:56:42 Peter panics and jumps through the attic window and lands in the flower bed below. He's so down to earth.
[N.B. Peter jumps out of the window after his sister, father and now mother all die. These deaths were necessary as he had to be made vulnerable for Paimon to enter his body. Remember the explanation in the text at 1:33:53?]
1:57:11 A shadow passes over him and then a light enters into him. The dark shadow is his mother's headless corpse passing over him, out of the attic, and the light is the demon Paimon moving into his body like some distant relative with marital problems.
[N.B. Peter dies from the fall and this makes room for Paimon to enter the now-vacant body. Special thanks to Devante in the comments who corrected me when I'd originally thought the shadow was Peter's spirit leaving his body. Thanks, Devante!]
[N.B. The headless body is Annie's. We heard it fall to the ground as we watched Peter lying amongst the flowers (see 1:56:42).]
1:58:01 As soon as Peter stands, he makes the clucking sound with his tongue, which means Paimon is now in him after being in his sister. #Pervmon
1:58:12 We see that someone (Paimon perhaps, but most likely the cult) has killed the family dog because it didn't like the evil infesting the house. The demons had some hair of the dog.
1:58:27 As Peter / Paimon makes his way to the tree house, he walks past many unclad witches who don't know the meaning of the word 'exercise'. The difference between a black magic ritual and an orgy is that with black magic there's hell to pay, but I have to pay for my own orgies.
1:59:58 In the tree house / temple, the (followers) kneel as Paimon enters the room and espies an idol made of a life-sized artist mannequin emblazoned with the Paimon symbol and wearing Charlie's head. So it has a not-so-good head on its wooden shoulders. (See 8:35 and 16:18)
[N.B. I have the absolute best readers! Brooke mentioned in the comments section that the shape of the hand atop the staff the icon is holding looks eerily similar to the way Peter held his hand when he raised it in class, before banging his face on the desk (see 1:38:48). I think she's got a god point, what about you? Staying with the theme of 'the best readers ever', Bill comments below that the music playing in this scene is called 'Reborn'.]
2:00:18 Prostrated at the foot of the idol are the kneeling, headless corpses of Helen and Annie. Does this mean fanatics are brainless?
2:01:27 Joan removes the crown from the idol and places it on Peter. Give him an inch and he thinks he's a ruler.
Joan: Hey, it's all right. Charlie… You're all right, now. You are Paimon, one of the eight kings of Hell.
Jesus, 8 leaders? That does sound like Hell!
[N.B. Joan addresses the entity as 'Charlie', because that's how the entity was referred to for several years.]
[N.B. Note that the final shot is meant to resemble a miniature (thus closing the loop with the miniature that begins the film 😉) nativity scene. Also note, Aster has admitted this shot was inspired by The Night of the Hunter.]
2:03:16 The song at the end is Judy Collins covering Joni Mitchell's, 'Both Sides Now'. [It's on the playlist at the bottom of this synopsis, along with the soundtrack and the other songs from the film.] Aster says he chose it because "It's like the anthem for disenchantment, and I thought it was a nice understatement after watching a family be totally and utterly obliterated."
2:03:51 Remark that during the end credits, letters are passed down from one name to the name below it… like hereditary.
Tally Ho'
- WTF!?'s: 2 inherent ones
- When to Follow: When you're willing to sit down and give this beautiful film the attention it deserves.
- Where's This Found: Hereditary is not simply one of the best horror films of the year, it is one of the best films this year and one of the best horror films ever. It's not simply scary, it's scary intelligent. Out of a possible 10, I have 8 F's to give
- What To Feedback: I need your help identifying the mystery object at 34:20 (see screenshots at 34:20). Also, if any one reading this has a digital copy of the script, please leave a comment… I have so many questions! Also, what's your favourite A24 film?
All GIFs used in this review were created with the Imgflip online meme generator
[N.B. I used the very informative
Reddit: Ari Aster AMA
Reddit: Official Discussion
Pop Buzz
Digital Spy
as research tools for this review]
Left Over WTF (Way Too Funny) Photos
Prints suitable for reposting!
What to Follow Up
WTF Review
My reviews of other A24 films:
Under the Skin
Life After Beth
Green Room
Ex Machina
Swiss Army Man
The Killing of a Sacred Deer
Bar None Review
366 Weird Movies
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Developing Mobile Apps (OutSystems 11)
Mobile UI Development II
Layouts and Common UI Exercise
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Course Overview
Course Overview
An introduction to the course structure, content, and related certifications
OutSystems Overview
A quick overview of the OutSystems server and development environment.
Mobile Development Overview
Mobile Design Considerations
An overview of why designing mobile apps needs to consider important factors such as device capabilities, network access and bandwidth, and user expectations
Mobile Applications in OutSystems
A discussion of how to create applications and modules in OutSystems, including the principles of modular programming, and how to expose and reference elements
Creating a Mobile App
Create the application and modules for your mobile app and a slightly more interesting Hello World screen in the app
Modeling Data in Mobile
Database Entities
Introduce entities and static entities as well as their attributes and available actions
Modeling Data Relationships
Describe how to model, create, define, and view data relationships in OutSystems
Variables in OutSystems
Introduce input, output, and local variables as well as the possible data types of those variables including lists and structures
Creating Database Entities
Mobile UI Development I
Mobile Screens
Introduces the basics of mobile screen development including how screens are SPAs, how to create a screen, how to fetch data, and the client-side logic that is available
Basic Data Queries
An overview of how to use aggregates to retrieve data including how to filter and sort the data
Mobile Widgets
Describe the basic types of widgets available to control the display information including basic, form, and input widgets
List and Detail Screens Exercise
Create the basic list and details screens and create the links to enable navigation between those screens
Mobile UI Development II
Advanced Queries - Aggregates
Aggregates have several properties and settings that can can be used to create more advanced queries with the Aggregate Editor
Advanced Queries - SQL
An introduction to the SQL Tool and how to use it to create and test SQL statements
Mobile Themes and Style Sheets
Control the look and feel of your app by defining the styles being applied to various elements and understanding the order in which styles are applied
Style Sheets Exercise
Mobile Screen Lifecycle
An overview of the screen lifecycle that provides events and callbacks to govern how screens get rendered from when the app gets opened to when we navigate between screens
Screen Layouts and Common UI
Understand the module properties that define the layout and common blocks such as the menu and global exception handler which help control the structure and behavior of screens
Layouts and Common UI Exercise
Logic and Debugging
Logic and Exception Handling
Describe the different types of actions, how to define their action flows using various types of nodes, and how to raise and handle exceptions that may occur in those flows
Logic and Code Reusability Exercise
Input Validation
Describe the input validation framework provided in OutSystems, from the built-in validations to the custom business validations and how to provide feedback to the user
Role-based Security
Review security in OutSystems Mobile apps and show how access to resources can be controlled and how access to endpoints are managed
Debugging and Monitoring
Learn how to start debugging your app and control the execution flow while inspecting the value of key variables and then find and view the logs to monitor what is happening
Roles and Input Validations Exercise
Native App Generation
Native App Generation
Describe what is required to sign iOS and Android apps as well as how to generate the app package and perform basic testing on the app
Native App Generation Exercise
Local Storage and Data Synchronization
Local Storage
Introduce Local Storage entities including how to create, initialize, and fetch data to enable offline scenarios while keeping data stored locally secure
Local Storage Exercise
Create and begin using local storage in the app instead of database storage
Data Synchronization Overview
Describe the data synchronization framework available in OutSystems mobile apps including how to use the available actions and configure automatic synchronization
Data Synchronization Basic Patterns
Explain the importance of data synchronization and introduce some of the basic patterns that can be used to address various scenarios
Data Synchronization Exercise
Define the synchronization logic for the app so it will work while offline and enable manual and automatic synchronization as needed
Reusable Patterns and Templates
Blocks and Events
Introduce blocks, how to create them, how to use them, and how to define and trigger events to allow the block to communicate with its parent
Blocks Exercise
Create and define a block to contain the ToDo information and then control the block's behavior depending on where and how it is being used
OutSystems Mobile UI Patterns
Introduce the Mobile UI patterns by reviewing a few examples from each of the categories of patterns and then describing how and where to learn more about the patterns
Sidebar exercise
Use several of the Mobile UI patterns by building a Sidebar for the app that allows users to search for and filter ToDos using different criteria
Screen Templates
Describe how to create new screens using templates and then replacing the embedded sample data with real data
Dashboard Exercise
Create a dashboard screen that displays data about Priorities and Categories in a Donut and Bar chart and then configure the navigation to the dashboard
Explain how plugins are implemented in OutSystems and describe the Apache Cordova framework that enables the plugins to function properly
Plugins Exercise
Install and use the Camera plugin from the Forge and then create a new plugin from an existing Apache Cordova plugin
Web Services
Web Services
Introduce the types of Web Services available in OutSystems and explain how to consume, expose, configure, and monitor both SOAP web services and REST APIs
Course Wrap-up
Course Wrap-up
A wrap-up of the course along with a review of the corresponding certification exam and other courses that are available
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