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We hereby launch our Editors' Pick Series, where each week one of our editors will select a favourite piece from the last two years. To kick it off, Matthew offers a throwback to this Eraldo Bernocchi interview...
On a mellow Tuesday afternoon in The Coach & Horses, Stoke Newington, Loose Lips met up with Eraldo Bernocchi for an engaging chat about old and new. Musician, producer and sound sculptor, Eraldo was the founding member of the experimental project Sigillum S, and has since then collaborated with many prestigious artists. He is also known for scoring movie soundtracks for the Academy award winner Gabriele Salvatores and founding London based RareNoise Records in 2008.
Thank you for joining us, it's a pleasure to chat with you! Could you tell us a bit about your background and influences for people who don't know you well?
I started as a punk and metal guitar player back in 1977 when I was a teenager. I moved into more experimental music - I was into Tangerine Dream, Ash Ra Temple, All The Crowd Rock, Neu - all that scene, music that was linked to the improvising style. After that, I jumped from the industrial noise cliff and I landed with the project that is still ongoing, Sigillum S. That has been going a long time - 30 years of activity. For Sigillum S, it was our dream to be a cultural hub where people could interact with what was happening, on stage and beyond the stage. All this is still ongoing really, what we may call the Post-industrial scene.
Later on, I was also influenced by Psychic TV, Coil, Solid Rictors, Skullflower and Rumley who are from London - we played together two days ago. That has been my culture, where I really found the most interesting people. Then I decided I wanted to become a professional – which was a big gamble with this style of music. My wife (who is a video artist and graphic designer) and I contacted Bill Laswell because we liked the concept of an open family of creative people who were working on different projects. Bill said he really liked what I was doing and we started working together. He was the one who really opened a lot of doors for me, putting together projects and using contacts, it was a reciprocal relationship. I'm still working with Bill and we have a couple of projects for next year. As my name started to grow, I dared to contact bigger names, people like Harold Budd, Thomas Fehlmann (from The Orb) - names that for me were legendary. It's difficult to summarise myself, like when people ask me what kind of music I do… I don't know how to answer!
When Sigillum S started, was the appreciation and growth local or international?
We played many times in Italy but the reactions of most people (except for the dedicated audience members) was like 'what is happening? This stuff is crap! It's just noise!' A couple of clubs hated us because we blew up the PAs which was funny! This was back in the mid 80s and we had a lot of interest immediately abroad. Think about that: nowadays, no one really sells records anymore, everyone is illegally downloading. Back then I was duplicating tapes at home, cassettes, we didn't even have a 7inch or vinyl out. We did more than 600 copies on cassette for the first 3 tapes, everything was going out in mail order and we had to photocopy stuff.
What was the geographical location of the early interest and sales?
The orders were mainly coming from England, Germany, USA, Japan - Japan is a weird and great place, they have always been into a certain types of experimental and extreme music. Also, some sales were coming from France, Italy, Belgium and Spain. After the Soviet Union ended that area really opened to our kind of music as well.
Can you track the evolution of Sigillum S? How has it changed from then to now?
We explored a different theme for each of our outputs: harsh noise, ritual music, death ambient music, fucked up word music, dub - bordering on lots of different styles. Sigillum S is really a weird creature, I don't know how to describe it!
You've had different aliases and different projects. Is that because of the diversity of your music? Or for marketing purposes?
No, not marketing, I had no idea what marketing was - if I did I would probably be financially happier! I never really compromise. I just follow my feelings without thinking about the consequences. Some stuff I still listen to and I like, other stuff I don't like, especially when there's so much variety - I have Obake, my experimental band, and I'm doing Neofolk with Tony Wakeford - I just can't stop exploring. I love to explore all the possibilities of sounds; even before music, just exploring sound. That's why I go wild for things like synthesizers, the idea of reprocessing sounds. It's the material sounds give you, it gives infinite possibilities.
Is it your love for sound that has led you to explore extreme sounds? Your music is diverse, but in a lot of your music you seem to be attracted to what we might call intense sound.
I think those sounds (extreme and intense) are a consequence of the way I see creativity, communication and the people surrounding me. I can very rarely cope with the grey areas; it's black or white, it's red like a monster sunset, red like a nuclear weapon. I can do ambient music - a record with Harold Budd - I can do a record super harsh and noisy, but what I need first of all is emotion, super strong emotions. Usually, the strongest emotions you feel in your life are rage and sadness, misery and hate. I'm always balancing these things. In the middle there's sometimes a different colour or emotion I'm able to handle, but most of the time they are slipping through my fingers like sand. That's why most of the time my tracks are overwhelming; I need to be overwhelmed by emotions, something that carries with it images or that gives emotion - for me that's super important.
Maybe this relates to common frustrations of the current music scene, where people are sometimes scared to go beyond the middle ground, sometimes music lacks genuine emotion?
I played with many jazz musicians, most of them are extreme musicians. Like trumpet player Toshinori Kondo, the Japanese trumpet player - he's an extreme musician, capable of intense and melancholic music like I have never heard, a noise machine. Or free jazz player Peter Brotzmann, and other people like this… extreme musicians. When you work with Laswell he never compromises on anything; you like it or don't like it but you never compromise.
You've mentioned a lot of collaborations already, do you find you enjoy collaboration work more than solo work? How do they compare?
I hate working on my own, it's always the same - I mean, I don't really hate it as I do it very often. Me and my partner work by ourselves to be quicker, on parallel paths, so it's obviously good for some situations. But I get bored, I like to interact with people, even if they say 'it could be better'. One of the reasons me and Petulia are still together after 25 years is that when she listens to something I do, if she doesn't like it, she's really clear and honest - and sometimes you need that. I try to do that myself, to be critical of my own work. I mean 90% of the stuff I make I never use; you are enthusiastic for two hours and then you listen to it a week later and you're like, 'what is this, it's bad!'
For successful collaboration, do you need the physical presence of being in the same room as someone? How does this compare to working over email?
Both can work. If I can choose, I prefer the same room, maybe the same restaurant with some good wine and talking about good things, not even talking about music, talking about whatever. I prefer to be in the same place but I can easily work from a distance. The album I did with Prukashi, the Indian guitar player, was over the web.
Do you have any comments or thoughts on London? Why did you move here?
First time I came here was in 86, a long time ago and things were different. I remember that first summer I was super lucky to arrive in London and the first two evenings I got to see were Psychic TV and Deadcan Dancer. I bought a human skull in Camden market, from a guy sitting on the sidewalk selling them for £10. I was thinking it must be a fake but then I noticed it was real! Anyhow, it was confiscated when I was coming back to England from Calais after a holiday. It was a very bizarre situation; being questioned at 3am while it was raining, considering why a person would buy a human skull! I have been to England many times. My wife and I took the decision to move here when we became parents. I like my country but this is where I want to be in my current situation because it benefits both my family and my music.
Can you tell us about your London based label, RareNoise?
In 2007-2008 I started speaking to Giacomo Bruzzo; he was buying a lot of my records online and I asked him 'why do you buy multiple records every time? Do you have shop or something?' He said no and that he keeps one copy and gives the rest away to friends so they can discover great music! Then he contacted me to do a documentary on Toshinori Kondo and Bill Laswell and I thought, yeah why not. We slowly became friends; Giacomo is an amazing guy, one of the brightest minds I have ever met, he is a non-stop talker, a non-stop conjurer with loads of ideas. At a certain point he came to me and asked if I was interested in us doing a label together. I liked the idea, I had a small label with my wife, Verba Collager, but one thing I wanted to avoid was that RareNoise became my personal output. RareNoise has slowly but steadily grown and has now become a reference point.
With RareNoise, we are trying to be transversal, putting out the music we like, with the artists we like - a place where people can interact. The releases are formed by various artists. It's not commercial but we think we are succeeding. We are growing and sales are increasing. We have a fan base that is slowly growing. I think we have had around 38 releases so far. Giacomo and I have different preferences and influences; it's a mixture of two minds, and both are extreme!
Can you talk about the influence of Dub music and Dubstep in your work?
I had no idea which records were considered Dubstep. This new project with Leon, maybe it's more cinematic and sound-track orientated rather than Dubstep, but there's a lot of groove and energy there. Maybe the stuff with Blackfin or Mick Harris is considered as Dubstep but it was not something I was consciously thinking about. I like a lot of electronic music, dub related and minimal techno: M Serious, Axis, Jeff Mills, Surgeon. These Dub basslines in my work are interesting when they have been applied to something else. I really don't know when it started, but Dubstep is a really interesting thing.
With artists like Skrillex, Dubstep seems to have become commercial and lost its original bearings. What do you think about the expansion of Dubstep in the modern scene?
It's quite typical. You need to have somebody that is in the right moment with the right music, but most of the time you have somebody who has the right music and sound in the wrong moment. It's a weird mechanics, sometimes we as musicians have to face it, and very often it's frustrating, but at the end of the day, if you like what you do then who cares? If you try to become successful because of the hype of the moment you will never succeed. I consider myself successful because I can live off my music; for me that's the biggest success someone can achieve. For me being successful is not about being in the charts but being able to pay my bills, moving to London, selling records without compromising my music.
I have had massive help from my wife. Before music I worked for a company, working 9 until 9, then I'd bolt myself in my little studio under the roof, messing with music until 5am. My wife really supported me until I was able to support myself, and for years I just never stopped making music. In the last couple of years I have slowed down a little for my daughter, but now I'm in London it's picking up again.
What are your thoughts on streaming and the music industry generally?
The music industry as I knew it, growing up, is older. Think about this, the first Sigillum S CD we did has been reprinted 4 times, 12,000 copies… it's incredible that now you really struggle to sell copies of a record, it takes a long time now. The music industry as I knew it is done, it will never come back. Downloading is an interesting option. I have some of my stuff on Bandcamp and I really like it, it's a good platform and the future of music. They earn money, but that's ok because most of the money is in the musician's pocket, which is how it should be.
With streaming, for me, Spotify is a criminal gang; with my PRS statements, my share is so little. What I really hate about this is that they are marketing it as a legal thing: you do a subscription and people are happy to pay peanuts to get access to all the music in the world. It's not so negative from one point of view, because you have access to a major audience that maybe would never otherwise experience your music. However, it doesn't excuse the prices – it really is stealing. I can't make people working with me avoid Spotify. I can't impose my view on others I work with, but for everything that concerns myself, where I can decide for myself, it won't be on there. I discovered Cream Music, who had some of my music on their website without me knowing, and the swindle is subtle. I never gave the licence for my music, I never gave them permission to sell my stuff, and they can sell the music for any price - they take it from 'digital aggregators'. This is happening a lot and people's music is being exploited without them knowing.
The music industry, it's impossible. But people still like buying CDs and vinyls, and the future is more and more about musicians doing things by themselves, through platforms. Live streaming or something like that is really interesting, and the future is more interactive I think. The young people now think that music is X Factor, talent shows; they think that the path to music is that, not playing in a shitty basement with mould on the amps and things like that! We can't stop it but we must find a different way to do things, like SM in France, they are really tough on adverts, they collect money very quickly, they actually pay you more. Something is changing but slowly. The nice thing is that do it yourself and underground music is coming back: limited edition, vinyls, small resident DJs, meeting up. It's coming back and it's good news - the real things - hopefully part of the young generation will understand it.
What projects are you working on at the moment?
I'm finishing an electronics/ambient album with Netherworld that will come out on Glacial Movements in 2017. We're working on the final production stage for a photography book by photographers Petulia Mattioli and Yasushi Miura. I have a CD of guitar only ambient composed with Chihei Hatakeyama. I'm starting to work on the third volume of Equations Of Eternity, a ritual dub project I have with Bill Laswell that this time is based on Indian esoteric traditions. Also there's my touring with Obake, scoring for adverts, a record with Mingle, and much much more!


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- melaniejhopkins
"Old Times" SHU Review
Old Times is a Harold Pinter three hander piece involving a married couple welcoming back a blast from the past to reminisce on memories of youth and times passed.
The play itself was full of tension so palpable you could almost taste it! All three characters had unique interactions and these were played perfectly by the cast. You could see every small reaction to secretly cutting comments and the awkwardness looming of an almost stranger in the space of a guarded home.
Deeley (TJ Brett) and Kate (Alice Moreland) were a perfect example of a couple living estranged from the bright city lights. Their naturalistic dialogue flowed smoothly off of their tongues as they exchanged in mild conversation waiting for their guest to arrive. TJ Brett I feel played the character Deeley with many sides to him, you could see the intentions behind every rhetorical question of inquisitive comment. His curiosity piqued to make the other ladies feel uncomfortable with intrusive questions yet his laid-back approach really helped the scenes mount tension but also presented an air of calmness where there was anticipated silence. He understood the character inside and out and played him extremely well. I always find that TJ transforms himself physically and aesthetically for each role and he did not disappoint!
Alice Moreland played a fantastic and believable part as Kate. Her vocal quality was excellent and she had a certain effortless charm of comfortability and softness. Her fascination with Anna (her only best friend, not seen in a decade or two) made her seem childlike and wondrous of the past, yet you could see the oppression she was living in when Deeley took ownership of her with his almost unbearably honest comments. I loved her costume and thought this really suited the character and time of the play well. Her monologue towards the end was particularly powerful as said with great emotional depth, paying attention to the detail of every line.
Anna - played by Harli Foster - was a force to be reckoned with. Her facial expressions told us exactly how she was feeling in the moments of awkward silences and boasting of the old times spent with Kate in London. She was very respectful in the scenes however never bowed down to Deeley's hasty interjections. I loved this combination and thought it was spot on. Her singing was particularly fantastic and told us a lot more through the lyrics of her intentions. I thought at first there could have been an attraction to Kate behind her eyes, however her complimentary words were played with sincere admiration.
Fantastic piece - and much to analyse here! The characters were perfectly cast and showed us yet again these are a talented bunch. Well done!

subset: commoncrawl


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St. Johann is without doubt a recommendable destination for families. The ski-kindergarten (for children who are at least 3 years old) or the guest-kindergarten (for children from 0 to 4 years old) provide excellent care for the youngsters. The numerous tow lifts at the bases Eichenhof, Baumoos and Penzing are ideal practicing grounds for the little ones while parents can enjoy the 25 km of easy, 28 km of intermediate and the 7 km of difficult slopes. Families who like to spend the days on the slopes together can take their offspring once first steps on skis or board are mastered to the gentle trails 1c, 2a and 3b which can be reached from the mountain station of the Harschbichl 1 lift. If the children are left in the care of a ski instructor mum and dad can test their skills on the challenging grounds in Penzing.
And if the legs haven't given in on a day of slopes the 2,4 km long floodlit toboggan trail is open till midnight! Further toboggan trails can be found in Oberndorf, Kirchdorf and Epfendorf. Action hungry families are provided with night skiing options on the 1,2 km long Rueppenhang on Mondays, Wednesdays and Fridays.


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I am much more of fox than hedgehog. No, I don't blog every day, but it's fair to say that I'm pretty prolific. On this site alone, you'll find a boatload of posts on higher education, #WFH, Big Data, technology, platforms, communications, analytics, and other topics. They generally fall into the following buckets: insights, provocations, musings, predictions, and rants. I write more about big ideas than listicles and snackable content. Finally, I inject humor often into my posts and despise jargon. Click here to see an interactive word cloud and tree map of my posts' tags.
Looking for Analytics Case Studies for My Eighth Book
Want your organization featured in Analytics: The Agile Way?
Announcing My Eighth Book
Here's the skinny on my new one, Analytics: The Agile Way.
The Promise of the IoT
I'm still optimistic despite some personal setbacks.
Last October's IoT Hack: No Black Swan
Contemporary wireless protocols and legacy systems weren't meant to coexist.
The Revenge of Analog: An Interview with David Sax
Technology is wonderful—when it isn't in the way.
My Most Popular Posts of 2016
A look back at what resonated with my readers this past year.
Korean Version of Too Big to Ignore
My Big Data book is evidently big in Asia.
Traditional Data Warehouses Can't Do it All
Thoughts on the future of data storage and analytics.
Big Data and Hype: Where Are We Now?
Checking in on its current adoption.
An Interview with Roger Hodgson
I sit down with the ex-Supertramp singer to talk about his career.
How Basic Analytics Can Prevent Compliance Debacles
Thoughts on how simple measures can prevent catastrophes.
The Visual Organization: Chinese Version
Good news on book number six.


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David Reviews
Object & Animal have completed the signing of German filmmaker Francisco Sendino for UK and US representation.
Academy have signed dancer-turned-director Remi Laudat to their roster for representation.
US animation studio Psyop have joined Riff Raff Films for representation in the UK and the Netherlands.
Anonymous Content have signed director Jovan Todorovic to their roster for representation.
Last weekend, disgraced former CCO of Droga5 Ted Royer stepped on to the stage in Las Vegas to take part in The London International Award's Creative Liaisons programme. Many in the audience were aghast because the organisers of the event had not given them any advance notice of Royer's participation. In short, the audience hadn't given their consent to listen to his ill-advised attempt to rehabilitate his reputation.
Neither the LIA or Royer himself have made themselves available to comment on the angry reaction provoked by his impromptu appearance. Given the reluctance to justify their ill judged decision, it's reasonable to fill the vacuum with speculation: it's pretty obvious that they kept Royer's participation secret because they knew it would offend many of those there, and prompt a walkout.
Among the apologists are those who feel it's important to hear from those like Royer who lost their jobs because of inappropriate behaviour. Parking to one side this questionable assertion, what cannot be disputed is the complete inappropriateness of offering someone like Royer a platform without giving a captive audience the opportunity to decide whether or not they want to listen to what he has to say.
To their enormous credit, FCB have joined the Time's Up movement in breaking their connection with the LIA in response to this tone deaf decision.
Those hoping that the advertising industry can become an environment where women feel safe from harassment and other forms of inappropriate behaviour will be feeling profoundly defeated. No one sensible wants this situation to become any more adversarial than it already is but if you want to see it in those terms and you feel you have to pick a side then in the name of Christ get behind the people who have endured harassment, rather than those licking their wounds after losing lucrative senior positions for being odiously lecherous.
Filmmaker Simon Hunter will now direct commercials and branded content under the 76 Ltd banner.
Paris-based production company Henry have completed the signing of director Martin Scali.
OKAY STUDIO have added colourist Ruth Wardell to their growing team.
BAFTA-winning comedy director Keri Collins has joined Presence and expanded their already impressive roster.
Partizan Studio have signed award-winning Dutch filmmaker Marlies van der Wel to their roster for representation.
Director and football fanatic Axelle Courlander has joined Dark Energy for commercial representation.
Hello Love are eager to see what Utahs Ed McCulloch can achieve on these shores after signing him for representation.
Work have appointed New York-based editor Dan de Winter to their global roster.
Story-driven content studio Third Channel have joined Agent Elson's stable for representation.
Visual content studio Coffee & TV have confirmed Martin Allan and Steve Waugh as their new creative directors.
Park Village have signed 'That Jam' - a directorial partnership comprising Joe Beverley and Sam Hurlock.
London-based director Coral Brown is the latest to join OB Management's roster of independent filmmakers.
Directing duo Canister have joined Common People Films for representation.
Merman have completed the signing of Czech director Martin Krejci for commercial representation in the UK.
Covid-19 has changed almost everything about the way we live it seems
and that includes how we eat a bucket of fried chicken.
RadicalMedia have completed the signing of commercials director Bethan Seller for global representation.
Dark Energy have added London-born director Ruth Sewell to their roster.
The Sweetshop have signed filmmaker Kate Halpin for commercial representation in Australia.
Hungry Man alumnus John O'Hagan has rejoined the company for global representation.
Producers from across the UK advertising industry are being asked to contribute to a survey set up by Presence's Danny Fleet.
Director and photographer Catherine Losing has joined the ranks at Common People Films.


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Albergo Al Giardinetto Biasca
Hotel information
- Check-In24-hr
- Check-Out24-hr
- Room | Bed23 | 67
- Banquet room12-120 Pers.
- Meeting room12-120 Pers.
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Albergo Al Giardinetto
The hotel is situated in the centre of Biasca, 800 m from the Railway Station and 10 m from the Busstop. Motorway Exit: Biasca, then continue direction Biasca until you arrive at the town centre. You will then arrive at a roundabout and the hotel is situated opposite. 50 km from the Lugano-Agno Airport. 20 km from Bellinzona. 40 km from Locarno. All the rooms were renovated 2009 – 2010.
Hotel infrastructure
- WiFi (free of charges)
- TV in all rooms
- Radio in all rooms
- Telephone in all rooms
- Minibar in all rooms
- Non-smoking hotel
- Elevator
- Hotel-own garage
- Hotel-own car park
- Restaurant with a terrace
- Public restaurant
- Central location


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Bluetooth Technology
•Bluetooth is a short-range wireless communications
technology originally intended to replace the cables
connecting portable and/or fixed devices while maintaining high levels of security.
•It operates at a frequency of 2.4GhZ with bandwidth of few Mbit/s.
• Each interface can have 7simultaneous connections.
•This technology can be replace cable and provide portability.
•This technology provide high level security. Because Bluetooth use Built-in encryption and verification.
•Operating range of 10 meters, with optional 100 meter mode.
•Transmission power of 1 mW
•Operates in free ISM band [2.4000 – 2.4835 GHz]
•Bluetooth technology, first developed in 1994.
• Got its name from a 10th century Danish king named Harald Bluetooth
•Bluetooth SIG (Special Interest Group)
-Founded in 1998 by : Ericsson, Intel,
IBM, Toshiba and Nokia - Position Bluetooth in the market place
Current specification : Bluetooth 2.1
Basic Uses
•Cable replacement
•Voice and Data access points
•Ad-hoc/temporary networking
•Up to 8 devices can be networked at a time
•Bluetooth Tethering.
•Play Multiplayer Games Over Bluetooth. ..
•Connect Different Devices.
•Control Home Security Gadgets.
•Bluetooth and Cars.
•Transfer Files Between Two Devices.
Application of Bluetooth
•Computer accessories
•LAN peripherals
•Multimedia Devices
Why we use Bluetooth?
•Expansive growth in the last few years.
•Easy to establish connection .
•Low Cost.
•High Security.
•Recent driving laws will cause an increased need for
Bluetooth technology.
Bluetooth Model is Used
-Voice/data access points
-Peripheral Interconnects
-Personal Area Networking (PAN)
Voice/data access points is one of the key initial usage models and involves connecting a computing device to a communicating device via a secure wireless link.
The second category of uses, peripheral interconnects, involves connecting other devices together.
The last usage model, Personal Area Networking (PAN), focuses on the adhoc formation and breakdown of personal networks
Bluetooth Protocol Stack
•Bluetooth Radio : specifics details of the air interface, including frequency, frequency hopping, modulation scheme, and transmission power.
•Baseband: concerned with connection establishment within a piconet, addressing, packet format, timing and power control.
•Link manager protocol (LMP): establishes the link setup between Bluetooth devices and manages ongoing links, including security aspects (e.g. authentication and encryption), and control and negotiation of baseband packet size.
Connection Establishment States
-Standby :-State in which Bluetooth device is inactive, radio not switched on, enable low power operation.
-Page :- Master enters page state and starts transmitting paging messages to Slave using earlier gained access code and timing information.
-Page Scan
Device periodically enters page state to allow paging devices to establish connections.
State in which device tries to discover all Bluetooth enabled devices in the close vicinity.
-Inquiry scan
Most devices periodically enter the inquiry scan state to make themselves available to inquiring devices.


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We understand that sports are not life, but important life lessons do emerge from the playing field. Unfortunately, a referee�s decision on Saturday that cost Cathedral High School a high school Super Bowl title and a perfect season teaches the wrong lesson.
Cathedral quarterback Matthew Owens was 20 yards from the end zone, on his way to the winning score, when he briefly raised one arm skyward. Matthew scampered for the touchdown, but it would not count.
A new rule adopted this season by the Massachusetts Interscholastic Athletic Association bans taunting in high school athletics. An official penalized Matthew for raising his arm, nullifying the score. The win went to Blue Hills Regional Technical School.
Maybe Matthew was inspired by the knowledge that a great victory was within sight. Maybe he was thanking God. Maybe he just forgot about the new rule.
We cannot know what was going through Matthew�s head, but what we saw was a brief and harmless gesture by a young man enjoying a moment of athletic glory.
Now, the record book will show that moment never happened, all because adults have become obsessed with the silliness and stupidity sometimes on display in pro sports.
This wasn�t about violating a rule about age eligibility, drug use, or a requirement that players wear proper protective gear. Matthew didn�t taunt the Blue Hills defense, showboat, scream insults.
All this is about is an overzealous application of a flawed rule that micromanages the behavior of healthy, exuberant youth. In seeking to protect players from every possible emotional harm, MIAA has done far worse damage than any NFL highlight reel ever could have.


text: Congratulations to Callie Carson and Trey Morrow for being named the "Independent Herald" Players of the Week. "Callie had 12 points in Scott's game against Alcon on Friday, and had 9 points in a game earlier in the week at Fulton." "Trey had 23 poiints and 13 rebounds in Friday's game against Alcos, after scoring 17 points and 10 rebounds in a game against Fulton." Congratulations Callie and Trey!!!


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Taxon details
Scotophaeus domesticus Tikader, 1962
- Rank: Species
- Status: accepted
- Described:
- Last updated: - -
- LSID: [urn:lsid:nmbe.ch:spidersp:027863]
- Distribution: India
- External Resources *:
Scotophaeus domesticus Tikader & Biswas, 1981: 67, f. 115-117 (f).
Scotophaeus domesticus Tikader, 1982b: 378, f. 195-197 (f).
Tikader, B. K. (1962e). On two new species of spiders of the genera Scotophaeus and Drassodes (family Gnaphosidae) from West Bengal. Proceedings of the First All-India Congress of Zoology 1959 1: 570-573. -- Show included taxa
Tikader, B. K. & Biswas, B. (1981). Spider fauna of Calcutta and vicinity: Part-I. Records of the Zoological Survey of India, Occasional Paper 30: 1-149. -- Show included taxa
Tikader, B. K. (1982b). Part 2. Family Gnaphosidae. In: The fauna of India. Spiders: Araneae. Vol. II. Zoological Survey of India, Calcutta, pp. 295-536. -- Show included taxa
* Disclaimer
As External Resources, the World Spider Catalog links here to species pages of other databases. They may contain further information for the given species. The databases, listed as External Resources, however, are not managed by World Spider Catalog and the information given there is not necessarily in agreement with the World Spider Catalog. All responsibility for such data is with the external database.
GBIF.org (2019). GBIF Home Page (via GBIF API). Available from: https://www.gbif.org [1 September 2019]
No logging data available so far.


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Accelo is looking for an experienced Marketing professional with an exceptional track record of success to help lead the company through its next phase of growth. As VP of Marketing, you will play a dynamic and strategic role in leading and evolving three core functions of critical organizational performance: positioning the brand and evangelizing the category, generating demand (through paid, earned and event channels), and driving product marketing and user communications. The ideal candidate will be an execution-oriented and data-driven leader who knows how to listen well and tell a story even better. This person will be a key driver in Accelo's growth while building go to market strategies.
Reporting to the CEO, the VP of Marketing will be a key member of the Accelo leadership team. You'll work closely with leaders of the Sales, Success, and Product teams to effectively present our products, position our solution against the competition, and tell the Accelo story. This is a dynamic leader who will also be involved in developing and mentoring an established marketing team.
Accelo is a SaaS business automation tool for SMB professional services organization. We help small, and medium size businesses get back to the work that they love.
What You'll Be Doing:
Leading the team and managing all facets of marketing including digital campaigns, website and landing page performance, PR and communications as well as brand and category development.
Defining, establishing, and continuously improving our lead generating marketing process, benchmarks and objectives to drive awareness, interest and leads through various channels.
Owning marketing performance and data, including attribution and the performance of both paid and earned media as well as the experiments from a multitude of experiments (A/B, MVT, event-based changes, etc) to build a confident understanding of the performance of our marketing machine and to inform insights into areas of ongoing improvement and investment to drive more leads.
Coaching, leading and mentoring our marketing team, building cross-functional skills and relationships both within the marketing team and in partnership with other teams (Sales, Account Management, etc).
Conducting routine one on ones with direct reports and key stakeholders and serving as a mentor.
Staying aware of the developments and changes in the industry, competition, and our clients, particularly those affecting channel performance, lead sources and conversion performance.
Recruiting and retaining a high-performance and highly engaged marketing team.
Establishing strong relationships and partnerships across departments and collaborating on solutions that remove roadblocks/barriers to growing revenue.
What You'll Accomplish at Accelo
Within your FIRST MONTH you'll:
Understand the Accelo marketing system, including our channels, assets, processes and reporting, and be making notes about ways to improve it.
Build relationships with your peers in Sales and Client Success as well as the leaders who support you and your team (Operations, People and Finance).
Understand the Accelo ICP, personas and go-to-market plan.
Gain a high-level understanding of the Accelo product through direct training and self-paced onboarding materials.
Within your FIRST QUARTER you'll:
Have established and begun to implement a campaign plan, budget and expected outcomes as well as the resources/assets that need to be deployed to successfully execute the campaign.
Have completed hiring for key internal roles (digital marketer, front end developer and perhaps others) and have a plan in place for making these new team members successful.
Have developed a revised financial model including spend and lead targets based on performance assessed and predicted.
Within your FIRST YEAR you'll:
Have at least doubled our number of MQLs per month while maintaining a cost per MQL of below $500.
Have developed a plan, budget and performance commitments for your first full calendar year as our marketing leader.
Have implemented a repeatable and data driven campaign management and execution model to allow us to be proactive and confident in resourcing other parts of the business.
What We're Looking For
7+ years experience spanning marketing, digital marketing, demand generation, and marketing operations.
Strong leadership experience and a mentorship mentality.
Strong analytical skills - able to leverage data into actionable insights to create impactful marketing programs.
Experience with marketing B2B SaaS, ideally to SMB buyers.
Excellent track record of launching new products with go to market strategies and executing on them.
Ability to work in a growth environment where you'll be creating the way things are done, not frustrated that it isn't already laid out for you.
Deep understanding of online and offline lead generation strategies - advertising, earned media, social media, content marketing, email, etc.
Why You'll LOVE Working Here!
Get in on the ground floor of a growing company with a clear vision to scale in our San Francisco office!
Our SF office is centrally located downtown near Salesforce tower and all the action...lots to do...a million options for eats and drinks.
Amazing benefits including fully covered individual healthcare, Friday social activities, and more!
Kitchen stocked with snacks & drinks, a plethora of caffeinated options, and Friday catered lunch, just don't blame us if you gain a pound or two :)
A great team that enjoys, and are passionate about the work that they do.
Accelo is committed to hiring a diverse workforce as it helps us make better decisions, succeed faster, and better serve our global clients.
This job opening has been filled or removed by the company.
Try one of the other jobs at Accelo.


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Reasons For Cash Out Refinance
Ask them what LTV they use for cash out refis. These banks are usually more flexible with those types of things because they don't need to abide by Fannie/Freddie's rules. These banks are usually more flexible with those types of things because they don't need to abide by Fannie/Freddie's rules.
Cash-Out Refinance: Know Your Options | LendingTree – The maximum LTV for a VA cash-out refinance is 100% of the appraised value, plus the cost of any energy-efficient improvements, plus the VA funding fee. Borrowers can finance the costs of refinancing, included discount points, with the proceeds of the loan.
· #2 Cash-Out Refi. Your new 75% ltv loan would let you borrow $93,750 for 30 years. But, you might not get the same 5% interest rate as you had before since interest rates have been going up. So, the new interest rate is at 5.25%. Total Principal and interest = $518.
PURCHASE AND "NO CASH-OUT" refinance mortgages** (fixed-rate and ARMs) ** See chart below for LTV/TLTV/HTLTV ratios and other requirements for a "no cash-out" refinance of a mortgage currently owned or securitized by Freddie Mac.
Fha Cash Out Refinance Ltv Limits A maximum combined loan-to-value (CLTV) of 80%.meaning means after your cash-out refinance you must still have 20% equity in your house. A maximum debt-to-income ratio of 40-50% (Most lenders stop at 43%). All of your monthly debt obligations, including your new mortgage payment, must be less than 40-50% of your monthly gross income.
A refinance is allowed for "take out"/interim financing to construct a new dwelling, or to improve an existing dwelling. The guarantee fee structure for this type of financing will be considered a purchase loan. This transaction utilizes two separate loan closings with two separate sets of legal documents.
Gone are the days when homeowners "cashed out" on the equity of their homes. you may be able to cut your interest rate through a cash-in refi, depending where you are on your loan-to-value ratio..
Cash-out refinance pays off your existing first mortgage. This results in a new mortgage loan which may have different terms than your original loan (meaning you may have a different type of loan and/or a different interest rate as well as a longer or shorter time period for paying off your loan).
A cash-out refinance is a home loan where the borrower takes out additional cash beyond the amount of the existing loan balance. It can be used for things like home improvements, to pay for college tuition, or to pay off credit cards.


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Kearney Wynn
Law firm in Fort Worth, TX
Is this your Law Firm?
Overview Kearney Wynn
Kearney Wynn is based out of Fort Worth, TX, with 1 office location and 2 attorneys. Attorneys at Kearney Wynn represent clients in a variety of legal matters including criminal and dui.
Practice Areas
- Criminal
Contact Kearney Wynn
3100 West 7th Street
Suite 420
Fort Worth, TX 76107 get directions


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Messages of Pope Francis
September 10, 2009 Mass Introduction (S. Maria Rita Ferraris, RVM)
"…the Servant of God, Ignacia del Espiritu Santo, foundress of the Congregation of the Sisters of the Blessed Virgin Mary, is found to possess to a heroic degree the theological virtues of Faith, Hope and Charity toward God and neighbor, as well as the cardinal virtues of Prudence, Justice, Temperance and Fortitude." (Papal Decree, 6 July, 2007)
The theological virtues are God-centered, with God as origin, motive and object. They are free gifts from God, but become habits of doing good by our use of them, that we may direct our whole life to Him.
The Generalate Area convened for its 8th Mid-Chapter Assembly last April 13 – 17, 2009 at Mother Ignacia Center for Spirituality at the Mother House Compound, N. Domingo Ave., Cubao, Quezon City. The assembly was composed of thirty Sisters with seven ex-officio members -- the Superior General and her Council and twenty three elected delegates, three of which were Junior observers.
The RVM Sisters welcomed Rev. Fr. Francesco Ricci, OP on his visit at the RVM Motherhouse complex on 18 June 2007. Much rejoicing greeted him on his arrival as the Sisters sang welcome songs on their way to the Jubilee Hall in St. Joseph's Home. A brief program of equally brief talks and dances were presented. Rev. Fr. Enrico Emmanuel A. Ayo arrived just on time for the presentation.
Father Ricci is the RVM Postulator for the cause of the beatification of Mother Ignacia del Espiritu Santo. Father Ayo has been involved in the beatification work as a Theological Assistant to the former postulator Fr. Innocenzo Venchi, OP.


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Pearl of Wisdom
'Regret for having pardoned someone is better and easier to bear than regret for having punished them.'
Imam Muhammad ibn Ali al-Baqir [as]
al-Kafi, v. 2, p. 108, no. 6
Latest Answers
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Interfaith Dialogue
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It's A 10
Size 4.0 oz|
Item 2243487
Store & Pickup Availability
How to Use
Shipping & Coupon Restrictions
Rated 4.69 out of 5 stars
3239 Reviews
I have tried a myriad of leave in conditioners for my very curly, highlighted hair and this one BY FAR outweighs any other in every area, including light and non greasy. We live on the coast and this product totally leave my salt water, pool and sun hair soft, shiny and bouncy. I spray it from about half way down the shaft to the ends and combs from the ends up. Tangles vanish leaving supple, soft curls. I LOVE this product, but not always the price.
I had heard great things about this product and saw good reviews online for it and thought I'd give it a try. An all-in-one product sounded too good to be true, and for me it apparently was. I used this product right out of the shower to detangle my wet hair so I could easily comb it out. It sprayed on easily and did a great job as a detangler, but this is the only use I found to be true out of the 10 it claims to do. I noticed opposite effects on my hair than what the bottle says it does. I found it to dry out my hair and make it even more frizzy than if I had not put any product in it at all. I was really hoping for something more nourishing and moisturizing and this just wasn't it for me.
Efk from Miami
My hair are usually just okay. Long and sometimes they can tangle. I am using this product after shampooing them on wet, clean hair and just leave it like that without drying my hair. They are so smooth and good looking, very healthy and shining. Love it!
G. G. from Virginia
I have tried so many other products but this is always my favorite! my hair always is so shiny and soft when I use this!
Lurch from Humboldt, CA
I've been using this product for a few years; I have thick, dark brown and some times wavy but mostly straight hair that is very healthy. i use this as a heat protectant, detangler and styling cream for the most part and only use it when i wash my hair about 2/3/4 times a week. I absolutely love that this product has no silca or silicone in it (like many leave-ins and other conditioners do that causes buildup and fallout) and replaces quite a few products really well. it's worth buying the big bottle and saving money down the long road.
mo from nj
i am seriously obsessed with this product. i have wavy/curly hair and all i need to do is spray this in and my hair stays beautiful for days
Sandy from San diego
This formula is so thick that it doesnt spray out as a mist. This comes out in a thick jet stream of conditioner. So yourself a favor and pick up Eva NYC's Mane Magic for 1/3 the price.
Mel from Cameron, MO
I have used this treatment before. It is a good product for detangling, but it can get too greasy.
ElsaLocks from Corpus Christi, Texas
I absolutely love the leave-in product by It's a 10. I use it on my hair which has been bleached, and on both of my daughters' hair. They have super thick wavy hair. It works great conditioning their hair and making it tangle free (major plus for brushing through thick hair) and just makes it so much more manageable. It conditions mine and minimizes breakage. Doesn't weigh it down or make it feel or look greasy. I have naturally fine dark blonde hair, bleached to platinum. Worth the price.
Chap from Philly
Recently did a big chop and from use this, a shampoo, conditioner and hair oil of my choice my hair is already flourishing.
Lil from Gettysburg
I've been using this for a couple of months and while it makes my hair feel healthier and softer, I've noticed a LOT of breakage. I don't use heat on my hair, I never do anything with it, and this has been my only product change. I don't appreciate it because I've dyed my hair since I was age 12 and I'm now 20. I haven't dyed my hair in a year and a half and I've been doing so well keeping it growing out.
Dade from DFW
I just hate that it's so small!
I love how smells and how it leaves my hair so moisturizer and nourished.
Mack from Kentucky
You won't convince me there is a better leave-in product for my hair ever. This is the holy grail of leave-ins, and I have tried plenty. Nothing leaves my hair soft and refreshed like this, and without the heaviness. My hair is straight and long, and tangles easily but this really keeps it tangle free all day. It leaves a nice shine, and gives my hair a silky feel. I use this on clean damp hair before a blow-out AND before brushing on non-wash days. Love the smell too! It's worth every penny.
Victoria from San Diego, CA
I had been on the hunt for a good detangler on my wavy/curly hair and none of the "curly-hair approved" ones would get the job done like this one. I don't tend to go for the Keratin one, I find that this one works best on my hair and the smell is just the right amount without being too strong. I have been using this since high school, the ONLY downside to this product is the cost...but trust me it is so worth it. I find that I always circle back to this leave-in conditioner every single time.
Arren from Ohio
I love this product I can not be without it! However for the price they could use an overhaul on the spray pump rarely has it made it usually quits working at half a bottle.
Tsunami from Florida
I tried this product after using olaplex for a forever, my cousin told me to give it a shot for prevention of dull hair and because it's good to switch out your products (which I agree) however no one should be switching to this in my personal opinion. It made my hair super dull and sticky, smelled horrible and the best part was that it made my hair fall out. And I mean every time I used it. I haven't changed a single thing other than this product. When I started doing more research I discovered that this indeed makes hair fall out specially because formula has been changed. Hundreds of reviewers talking about hair loss due to this product in numerous websites. Thought I would save you all the money and of course your hair. This isn't it nor a 10. Olaplex here I come, sorry I ever left you! Please reconsider buying a product that makes your hair fall out.
Bronzeempress from Paramus, NJ
I have fine and curly hair. This product really softens and protects my hair when I am going to add heat to my hair.
One of mu go to products.
Tiffany from MA
I don't get why so many people are saying this smells bad, it smells so good to me! I spray it in my wet hair after a wash and brush it through. My hair seems more shiny after and less frizz. My hair is naturally wavy and frizzy on the top. Its also color treated
Jennifer Olson from Ca
This product is great and I wanted it for a long time. But I don't find myself actually reaching for it that often. The 4 oz is annoying for traveling. And the product is great but it's very expensive considering you still need additional products.
Ian from Home
I have thick curly/wavy hair and this worked miracles for my hair especially when I used curling and straightening irons on it this help my hair to not get damaged and for the moisture to not get sucked out although if you have thin hair I wouldn't really recommend it
MamaBear from Houston
I alternate purchasing this from my salon and from Ulta. It does what no other leave in product has ever done for my hair. Keeps it soft, silky, and healthy feeling. I have extensions so I have to take extra good care of my hair and this always does the job.
Sombody from Los angeles
This product does work but oh my God the smell of it is so nasty it smells like a period pad like the scented Pads. I can not do this sent so the people that are saying this has a good smell your smells are lieing Because this stuff stinks!
KueenKir from Park Hills, MO
Debated quite awhile weather or not to purchase. I watched review videos and even asked by beautician and finally bought it. I'm glad I did! My hair is bleached so it def. needs the hydrating boost IT'S A 10 provides! Plus it smells so yummy!!
Brenda from Pa
After reading all the great reviews I finally decided to give this a try. Needless to say I will be returning it. I have super thin straight hair but a lot of it. This did not give my hair shine, but instead made it dull, totally lifeless and weighed down. My hair looks horrible! I'm glad to be working from home right now so no one has to see me in the office! Maybe it works on thicker hair, but it is definitely not for me. Also made my hair smell horrible!
hrensn from Toronto, CAN
makes my color treated hair very soft :)
AlyCat24 from Kentucky
My hair has been previously bleached and then dyed over, so the ends of my hair are pretty dry, on top of that my hairs always been somewhere between curly and wavy, and had a tendency to frizz. I've tried no less than 10 leave in conditioners in the past to try and tame my mane and nothing's worked. I'm not exaggerating when I say that this stuff is life changing. My hair is softer than it's ever been! Its shiny, curling nicely, 90% of my frizz is gone and my hair smells awesome...and I've only been using this stuff for a week.
Allison from PA
This product is amazing. It has worked wonders on my hair. I spray it on after my shower and it totally detangles my hair. It makes my hair smooth and silky all day. I have long thick hair and since using this product my hair has grown so much and my split ends dissapeared!


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Watch more Craft Beer Guide videos: http://www.howcast.com/videos/515453-What-Is-Craft-Beer-Craft-Beer
What is craft beer? Craft beer is produced by craft brewers who are generally independent brewers. They tend to be smaller. Some people have specific definitions about their sizes but just think of them as smaller breweries. They're owned by primarily themselves, the people who are making, producing the beer, bringing the product to you, and that helps them with one of my favorite aspects of craft beer, which is to make it very community-minded.
So they'll be the first people, say, to, you know, donate kegs for a community fundraiser. They also tend to have, in my opinion, an extremely high quality of beer and that's because they're really involved in the everyday, day to day process of brewing.
So you can wind up with craft beer that is really just that, finely crafted. It's a finely crafted product, and to me that's what makes it great because you're involved with the people who are bringing that product to you. It's, you know, very, very good in general and everyone's integrity is really on the line with every pint that they serve. So, in a nutshell, that is what craft beer is.


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Yeah, sometimes this job is just plain brutal. Poor, pitiful me. I'm writing this post while sitting in the sun and sipping a Rumrunner that's strong enough to strip paint at Fish Tales, with the dark blue waters of Assawoman bay so close I can taste the marine diesel. Woeful.
This is the first of many quickie runs downy ocean that we'll make this warm season. It's one of the main reasons we moved to the Eastern Shore in the first place (sure ain't the sushi or hi-tech movie theater options), and we love to take full advantage of it.
Here's today's report card:
Amazing sunshine, cloudless sky the color of the royal crest, warm offshore breeze. Mid-Atlantic June is the poster child for perfect weather.
WATER: C (for c-c-cold)
65 degrees of cold, to be precise, which is too chilled to do much of anything, really, besides kick back on the beach Pacific-style and turn brain off.
Not sure what possessed us to believe that Big Pecker's (7301 Coastal Hwy) was worth another shot after our last debacle, but we were hungry (& lazy), and there it was. And yep…still sucks. It's expensive, it's dirty, and our waitress had all the warmth of Siberian steel (she was visibly annoyed when we ordered iced teas instead of adult bevs). When our lunch arrived (listen to this), we were served chips even though we'd both ordered fries instead. But when we pointed this out, she became defensive and said that she "didn't hear us" and that we'd now have to order a $4 basket of fries if we wanted them because she "couldn't make the change in the computer now". Er….wha? So we ordered the $4 basket of fries, and deducted the $4 from her tip. (Sorry. Wonder if she heard THAT?)
In all, nearly $50 for two sandwiches, a shared app of forgettable wings, the infamous fry basket, and a couple of iced teas. Our advice: Pick something else. There's over 250 restaurant choices in OC; you're almost certain to find a better one, even if you're blind, drunk, and don't speak English.
So, after a few hours of vegging on the beach, exposing pasty body parts to sun rays and lulling to the sound of waves crashing, we felt that we'd earned some proper nourishment. (Plus, we still had the stink of Big Peckers on us). So we slipped on over to the back deck at Fish Tales (22nd St on the bay) and said hello to a Rumrunner or two. On in-season weekend afternoons this place is more over the top than a WWE bachelor party, which is just fine by us on the right occasion. But it was easygoing and un-busy this time, which was just fine too.
For munchies, we gave their conch fritters a shot. About on-par with other fritters we've had outside the keys: 90% breading 10% chopped conch meat, didn't touch the cocktail sauce, adequate for the moment, especially given the Rumrunners (side note: best conch fritters we've ever had were at the always amazing Seafood Festival in Marathon Key, held every March. Served by the Florida Watermen Association, loaded with fresh conch, and fry-kissed by the gods).
Where Fish Tales really shined was in the service dept. Our waitress was fun, funny, and a tad clairvoyant, which is always a monster 1-2-3 combo in our book. She was quick on refills, had an amazing laugh, and even sat with us for a bit to shoot the you-know-what. On the way out, my wife wanted to go back to Big Peckers, grab that server by the hand, bring her back to the Fish Tales waitress, and say "watch her and learn!" Instead, we grabbed a couple of waters and headed home.
Yes, the weather was amazing, but weekday afternoons in June are sublimely devoid of mass personnel. We drove freely, parked easily, and sat wherever we wanted, wherever we went. Where July 4th in OC feels like a football team shoved into a tool shed, today felt more like a a golf foursome shoved into….let's say….Montana.
Overall, a fine and decent start to the beach run season. After all these years, Ocean City is still Ocean City, just like Ozzy Osbourne is still Ozzy Osbourne. It's got its speed bumps, and it's never gonna be accused of being too sophisticated, but the rock-steady consistency hasn't wavered for generations. And in travel, that's a definite selling point.


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FEITA Tweezers Precision Ingrown Hair Professional Set Straight & Slanted Pointed Tweezers for Eyelash Extension, Eyebrow Hair
stars, based on 0 reviews
Brand Name: FEITA
Product Name: FEITA Tweezers Precision Ingrown Hair Professional Set with very fine tips
Model Number: SS-SA & 5A-SA
Type: Hand Tools
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Wednesday, October 21, 2009
car seat tipping
I was struck the other day that I am now a part of the same club that I struggled with for all those years. Now when I'm in the grocery store with baby T are there any women present who would like to tip over my car seat? Likely there are.
I hurt knowing that I am now a part of what causes hurt for other women.
I'm not sure where to go with this except to continually be aware that there are many more "me's" still out there who long to have a family and for whatever reason are unable. To be sensitive to how much "family talk" I do when in groups. And to put myself out there and share my story so those who didn't need to give family planning a second thought become aware of and more sensitive to the rest of us.
5 comments:
- Derrick, Alysia, and Levi said...
I'm not at the "carseat tipping" stage yet, but I sure do notice EVERY baby in EVERY store, and gaze at them (I do try to be discreet, but I don't think I'm always successful), and daydream longingly of the day that I will have a baby riding around in my cart. If we have to wait more than another year, I think I will definitely hit the next stage. But I hope it doesn't come to that.
- October 21, 2009 at 5:27 PM
- Chad, Laura, Sara and Seth said...
Your perspective is so selfless - when Sara came home I was in such a trance and in my own lala land - I actually never really thought of the ones left behind and still struggling. Your thoughts are so caring...you can now share your story, and try to inspire and comfort others to bring them hope.
- October 24, 2009 at 10:11 AM
- The Isaacs said...
Your blog's title is "eyes wide open" and while you probably meant for it to refer to yourself, I use that for me, too. I have learned so much from you- your honest journaling, your questions, your thought-process... you continually open my eyes to new insights! Reading your blog has helped me reflect and ponder on "motherhood" and you've opened my eyes to a lot of things that I never would have thought of before. Thank you, my friend!
- October 24, 2009 at 11:19 AM
- Aimee said...
I really appreciate your honesty and these types of reminders. (Especially for a mother like me) I am able to look a the world from another view, thanks for that!
- October 24, 2009 at 5:36 PM
- Alissabeth said...
You know, when I feel the way you describe I remind myself that it's my problem - not those mothers whose presence seems hurtful to me. It's great that you are empathetic, but don't let it get you down. You've been down the road and gotten through it - their road is their own and they'll manage or not. But you don't have to own it. ♥
thanks for your comment over on A+A. I wish we could get a latte and chat!
- October 27, 2009 at 4:02 PM


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Jesus said, "Take care! Be on your guard against all kinds of greed; for one's life does not consist in the abundance of possessions." Luke 12:15
I live a privileged life. Plain and simple. And my tendency when I read texts like this is to justify the "stuff" I have. That I don't have that much. That the stuff I have is necessary. That I don't over-indulge….. that much. The truth is I like nice things. I like a kept home, and I like decorating it. I like conveniences and efficiency, things that aren't broken or run down. I like new clothes and I like giving others nice and meaningful things. I like going places and eating good food and experiencing new and different things. And I guess you could say, I have an abundance of possessions. Yes, I have more than most of the world's population.
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Growing up my parents used to say to my brother and me often, "Remember your Baptism." Now I was baptized as an infant, so when I was young I thought that was a bit odd – how was I supposed to remember when I was 2 weeks old? But as I grew and they continued to tell me to remember my baptism, I realized that what they meant was that I needed tok remember that I was a child of God. It didn't matter what I was wearing, who I was hanging with, the "stuff" that I possessed; rather, what mattered and matters is where my heart dwells as a child of God. Martin Luther says that where your treasure is, there also will be your heart. God wants my life; God wants to inhabit my heart, and not let other "stuff" become my treasure. So daily, I am called to RYB, remember my baptism. Remember that even though I like nice things (and that's ok, btw), God is my true treasure, giving me new life each day – a day I'm privileged to share my stuff with others and give God glory for the many blessings that I have.
To God be the glory! Join me today and RYB. peace. prL


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