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Welcome to Tenable Core + Nessus Network Monitor
Last updated: April 04, 2020
You can use the Tenable Core operating system to run an instance of Nessus Network Monitor in your VMware, Microsoft Hyper-V, or hardware environment.
After you deploy Tenable Core + Nessus Network Monitor, you can monitor and manage your Nessus Network Monitor processes through the secure Tenable Core platform.
To quickly get started with Tenable Core + Nessus Network Monitor, see Get Started.
- Secure, stable platform that reduces the time to your first scan.
- Provides automatic application installation and updates via Tenable public repositories.
- Built on CentOS7.
- Targets Center for Internet Security (CIS) standards for RedHat 7 with SELinux enabled. For more information, see Default Security Configuration Standards.
- Root access enabled on builds.
Other Tenable Core Configurations
To run a different Tenable application on Tenable Core, see:
Note: Tenable does not recommend deploying multiple applications on a single instance of Tenable Core. If you want to deploy several applications on Tenable Core


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Réver Humberto Alves Araújo (born 4 January 1985, in Ariranha, São Paulo), most commonly known as Réver, is a Brazilian footballer who plays for Brazilian Série A clubAtlético Mineiro.
- 2 International goals
- 3 Personal life
- 4 Honours
- 5 References
Club career[edit]Edit
Réver started his career at Paulista, a Série B football club based in Jundiaí, and was promoted to the first team in 2004. He was a part of the Paulista Championship runner-up squad and contributed to the major title of the club, the 2005 Brazilian Cup.
He soon became an important first teamer alongside Marcio Mossoró and Victor and attracted many other big Brazilian clubs.
Despite the bad campaign in the Libertadores in 2006, Rever played very well. Later, he went on loan to Al-Wahda, a football club based in Abu Dhabi, but soon returned.
In early 2008, after the relegation to the Brazilian Serie C and the Campeonato Paulista poor campaign, Paulista sold half of the Rever's rights and sent him on loan to Grêmio, where he met a former Paulista partner, the goalkeeper Victor.
He quickly gained a first team spot and established himself as one of the bests defenders in the championship. He was also one of the team's vice-captains.
On November 12, Gremio obtained the other half of his rights and he signed a new five-year contract.[2]
In January 2010 Réver signed a five-year contract with VfL Wolfsburg.[3]
Atlético Mineiro[edit]Edit
On 19 July 2010 Réver was announced as an Atlético Mineiro player for the 2010 Série A on Atlético Mineiro's chairman Alexandre Kalil personal Twitter profile.[4]
International goals[edit]Edit
|[show]Réver – goals for Brazil
Personal life[edit]Edit
Araujo's Brazilian wife holds a German passport.[5]
- Paulista
- Atlético Mineiro
- Campeonato Mineiro: 2012, 2013
- Copa Libertadores: 2013
National team[edit]Edit
- Brazil

subset: commoncrawl


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Thanks to the generosity of artists, donors and partners, the yearly Summer Night's Gala at the Fondation Beyeler generates funds that sustain the exhibitions and the art education program focusing on children and young people.
The Fondation Beyeler teamed up with Danish-Icelandic artist Olafur Eliasson for the Summer Night's Gala 2015, who put the Little Sun project centre stage. The Swiss museum is a long-time supporter of the Little Sun global solar art project by artist Olafur Eliasson, which it presented at Art Basel in Miami Beach in 2013. The Fondation Beyeler's Art Shop has stocked the Little Sun lamps since their launch. The solar powered lamps have proved very successful with visitors to the museum. The Fondation Beyeler is therefore happyto support the Kickstarter campaign of the latest project by Olafur Eliasson, the Little Sun Charge: www.littlesun.com/kickstarter
The Fondation Beyeler has decided to make a contribution to the Little Sun project to enhance awareness for this ground-breaking enterprise.
"We are all connected by the sun: Our actions have consequences for the world. Little Sun is a wedge that opens up the urgent discussion about bringing sustainable energy to all from the perspective of art. It raises awareness about energy access, ecology and the unequal distribution of energy today.[…] In my artworks I use light to shape spaces and environments that make people wonder, make them question how they sense the world and engage with it. I believe that art can change the world by making issues as urgent as energy access and climate change not just understandable for the mind but also physically tangible. This experience can lead us to recognise our interconnectivity, what we have in common, and it moves us to act." Olafur Eliasson
So far, the Little Sun lamp has brought light to hundreds of thousands of people, including over 670,000 people living without access to the electrical grid. The next Little Sun that Olafur Eliasson has designed is a solar mobile phone charger called Little Sun Charge. What is so great about solar technology is that it takes the sun – which is for everybody – and makes it available to everybody, no matter where one is in the world. The sun nourishes, it connects and empowers. Using sunlight, Little Sun Charge directly connects people with each other through mobile phones. It is the aim of Little Sun to work tirelessly to make this solar technology available to as many people as possible.
With the Kickstarter campaign, which has already exceeded expectations in gaining response from supporters all over the world, the Little Sun Charge will go into production. At the same time it will also further Little Sun's mission of bringing sustainable energy to all.


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Letters Section Editor: Robert M. Golub, MD, Senior Editor.
To the Editor: Dr Joshi and colleagues1 analyzed risk factors for early acute myocardial infarction among natives of South Asian countries. The study identified 9 risk factors that account for the majority of cases of acute myocardial infarction in both South Asian and other countries. One important factor that was not addressed was whether the South Asian participants were from urban or rural settings. Results from urban centers should not be generalized to the populations as a whole in these countries. As an example, in Bangladesh (which was identified as the country with the highest prevalence of acute myocardial infarction risk factors), the majority of the population lives in rural areas. Compared with its urban counterpart, the rural population in Bangladesh has been characterized as having higher energy expenditure due to higher work-related labor and heavy household duties.2 Furthermore, the rural diet is rich in vegetables and poorer in meat.3 The opposite is true in urban settings.4 This study needs to address this distinction.
Rashid S, Khandaker N. Risk Factors for Early Myocardial Infarction in South Asians. JAMA. 2007;297(17):1880–1881. doi:10.1001/jama.297.17.1880-b
© 2020
Coronavirus Resource Center
Customize your JAMA Network experience by selecting one or more topics from the list below.
Create a personal account or sign in to:


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Snotkop, Karen Zoid And Jo Black Lead The Way Following on from the recent release of their top local and international artists, albums and songs, Apple Music has released the top performing Afrikaans artists, songs, albums and playlists on the service from the past 4 years. Snotkop is the number
Compiling the ultimate playlist of music South Africans want to hear with YouTube Charts
When you take music that is readily available on an open platform and analyse how many people are consuming it, and from where in the world, you get powerful insights about what moves music lovers in the 21st century. These powerful insights are the musical zeitgeist of our times and
The Apps, Games, Music, Movies and Podcasts, That Shaped Entertainment and Culture Around the World This Year
As the year comes to a close there are so many unanswered questions: Who is Kiki, and does she love me? Should I start a podcast? Where is Donut County? Why didn't Offred escape Gilead (again!)? Today, Apple reveals the Best Of 2018, a global collection of top charts and
Countdown to Prime Fest
"Prime Fest has been a dream of ours for so long now, that we can't believe the time has finally arrived to give Joburg the very best music and lifestyle festival!" says Prime Circle frontman, Ross Learmonth. With the help of some friends, Prime Circle have managed to put together


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Wrong size of Tree view in Auto-Sync Configuration dialog
Posted: Fri Jun 12, 2009 3:01 pm
Normally, the tree view showing the music of your library content spans almost the complete dialog and resizes accordingly when the dialog is resized. If the dialog is expanded to a size bigger than the default size, then closed and then reopened, the dialog opens up in the size it was before closing but the music selection tree view is initialized to default size anyway so that much of the dialog is just empty. Resizing the dialog doesn't help, the constant offset remains. You need to shrink the dialog to its minimum size, close it and open it again to get rid of this.


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Dead Heat | Game Over (3615 Code Pere Noel) – The Holidays have arrived! Welcome to another episode of Motion Picture Meltdown! Historically, December is a month where we let our listeners choose a shit-show of movies for us to torture ourselves with. This year, we've decided to try something new. Each week in December, three of us come together and decide on a gift of movies for the other co-host. This week, Dehart, Cheats, and Phil picked movies for me (Stephen). In this episode, we roast through Dead Heat and Game Over(3615 Code Pere Noel). You'll hear us come up with our own creative Christmas weapons, we talk about the benefits of having three noses, and wonder if Home Alone was Game Over first. Enjoy!
Continue reading "MPM: Ep. 292 – Christmas SurPRICEs"
Podcast: Play in new window | Download


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Science Exposed
January 13, 2020
Showcase your work and creativity to provide Canadians with a whole new perspective on science. Apply to NSERC's image contest.
Science Exposed is a contest organized by the Natural Sciences and Engineering Research Council of Canada (NSERC) and devoted exclusively to images of scientific research, in all fields of study. In 2016, NSERC was proud to collaborate with the Association francophone pour le savoir (Acfas) and open La preuve par l'image to candidates all across Canada. Acfas is responsible for the Francophone segment of the contest, La prevue par l'image, and NSERC is responsible for the Anglophone segment, Science Exposed.
Enter by: January 13, 2020
Rules and more information: Here


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TORY rag, 'The Spectator', a former Conservative publication, has attacked working-class alternative news outlets and UKIP as panic spreads across the Establishment and the Tory press, who are terrified of the rise of new, bold outlets ran by the working-classes.
In a post on its website, lefty hack Nick Cohen, who has a striking resemblance to Dr Evil, branded Politicalite as 'Extremists' and claimed we peddle 'Fake News' and promoted an Establishment "advertising boycott" that is attacking the finances of alternative news websites.
The piece attacks Politicalite, Rebel Media, Westmonster on the right and Evolve Politics and The Canary on the left – basically any outlet that doesn't support the dismal and failed regime of weak and wobbly Theresa DisMay.
Cohen repeatedly lies in his article, describes outlets such as Politicalite as 'Fake News' and wrongly claims we don't feature any original reporting… (just take a look at our Exclusives page, full of original reporting.)
Describing us as 'Extreme Right' along with Left-wing outlets such as The Canary and Evolve Politics as "propagandists" whose work has fed the Corbyn movement, Tommy Robinson and the new-look Islamophobic Ukip."
The Spectator, who has featured writers such as Boris Johnson (Burqa-hate monger) Highlighted a 'Stop Funding Fake News' campaign that attacks the financing of new startup news websites.
The only outlet that you need to Boycott is The Spectator… and if you have a subscription… why not hit the cancel button.


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This Black & White Gold Side Table is a stylish furniture piece for a living room, office or bedroom space. It has a mid-century modern, retro inspired design with a black and white geometric print top and a gold folding table base.
The perfect side table or accent table for a variety of home decor themes, this is an excellent storage piece for lovers of gold home decor, geometric details or black home accessories.
The top of this table is detachable and is secured to the base via a screw, while the base is foldable.
This item is part of a large collection of side tables and accent tables available online and in store in a varied selection of colours and styles.
Want to see more items like this one? Browse our Occasional & Side Tables category for more ideas.
What does Pre-order mean?
Pre-order date is the date that we are expecting the stock to come into our warehouse. By pre-ordering the item will be reserved for you.
Do you offer a colour swatch service?
We currently dont offer a colour swatch service on this item, however we do offer a no quibble return policy, if its not right, we will collect it free of charge
I dont live in the UK, can I still order this item?
We can ship to most areas, if you add the item to a basket and add your address details at the checkout stage (you dont need to progress to payment in order to get a quote) and at this point it will advise the shipping cost for your area
Can I choose a day and time for delivery to suit me?
We can offer some additional services at an additional cost, day of choice is available at checkout. Time of choice (ie. AM/PM/after 5pm) you would need to call us or email us to arrange a quote for this type service
I need this item fast, how can I get it sooner than advertised?
We can offer next day delivery in a lot of cases if you order before 2pm, if this is available in your area, it will be offered at checkout as an additional cost, if it does not offer this service, please call us, and we can arrange a quote if it is available in your area
Can it be delivered to the room of my choice and unboxed?
We can offer some additional services at an additional cost, you would need to call us or email us to arrange a quote for this type of service
What happens if Im not happy with my item?
All our items are covered by a no quibble returns policy, we will exchange or refund and collect the unwanted items at no charge to you (please see our full returns policy for more information about returning items)
How do I return an item?
For returning a small item (less than 4kilos) we have a prepaid returns label on our website returns page, for all other items, just call or email us, and we will arrange this with you


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The American Biology Teacher. 2013; 753194–201 doi: https://doi.org/10.1525/abt.2013.75.3.8
Published: 01 March 2013
Invasive species are a substantial threat to biodiversity. Educating students about invasive species introduces fundamental concepts in biology, ecology, and environmental science. In the Race to Displace game, students assume the characteristics of select native or introduced plants and experience first hand the influences of species interactions and changing environmental conditions on community composition as they advance across a game board. Through game play, students learn about ways in which species can interact, as well as attributes of successful invaders and the impacts of invasion on communities.


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Sea Shepherd London Ontario will be in attendance for the third year in a row at the Windsor Vegfest!
We will have our booth set up with official Sea Shepherd merchandise and will be speaking with folks about our crucial campaigns for the oceans. Drop by and visit us and pick up some really awesome Sea Shepherd gear.
Hope to see you there!
Sea Shepherd is a 501(c)(3) non-profit organization in the USA (Tax ID 93-0792021), and donations are fully tax-deductible. For any questions, please e-mail email@example.com a look at Sea Shepherd Conservation Society's 2016 990 on file with the IRS, click here.
For a look at Sea Shepherd Conservation Society's GDPR Statement click here.


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New England Archivists is pleased to present the Strategic Plan 2016-2020, which provides the blueprint for NEA's efforts and growth for the next five years. The new strategic plan builds on the success of the 2010-2015 Strategic Plan, gaining momentum from that plan's many achievements and continuing its work on key initiatives. The Strategic Plan for 2016-2020 identifies how NEA will move forward in the areas of advocacy and outreach, community, development, education, and inclusion and diversity. We hope you will explore the new strategic plan and participate in these brand-new NEA initiatives.
NEA 2016-2020 Strategic Plan (pdf)
Appendix A: Timeline (pdf)
Appendix B: Committee (pdf)
Thank you to the membership for being engaged in the process and providing input along the way. Thank you to the Strategic Plan Task Force (SPTF) and the Board for synthesizing ideas and writing the plan. SPTF Members include:
Caitlin Birch (Co-chair)
Michael Lotstein
Jill Snyder (Co-chair)
Colin Lukens
Erica Boudreau
Taylor McNeilly
Stephanie Call
Silvia Mejia
Johanna Carll
Rose Oliveria
Elizabeth Caron
Caleigh Ross
Anna Clutterbuck-Cook
Nova Seals
Hanna Clutterbuck-Cook
Jessica Sedgwick
Kathryn Donahue
Elizabeth Slomba
Maureen Jennings
Jessica Tanny
Juliana Kuipers
© New England Archivists. All Rights Reserved.


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- 1LoD
Deloitte 1LoD Summit 2018 Sponsor Content
Deloitte, Lead Sponsor of the 1LoD Summit 2018 have shared a collection of white papers, articles and more with the 1LoD audience. You can access them below:
Mission Control in financial services
Maintaining control in the cloud
EU Benchmark Regulation: Are you ready for implementation?
Banking provisions – another year, another story?
Time to abandon hope: senior regulators set out vision for LIBOR transition in latest speeches


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"I believe we should always put our country first." John McCain Serious times in the United States of America. Been walking about early in Cornville
Confident But Respectful
Chose the Hiline Trail this day, a path which quickly requires the mind, body, emotions, and spirit to unify and go forward confident but
Wherever You Fly
"You won't lag behind, because you'll have the speed. You'll pass the whole gang and you'll soon take the lead. Wherever you fly, you'll be
Last Years Words
"For last year's words Belong to last year's language And next year's words await another voice. And to make an end Is to make a
The Word Itself
"Wilderness. The word itself is music." ― Edward Abbey, Desert Solitaire Oh the amazing moments of wildness outside, showing up this morning from every fiber
Into And Above The Clouds
"May your trails be crooked, winding, lonesome, dangerous, Leading to the most amazing view. May your mountains rise into and above the clouds." Edward Abbey


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Current Government contracts with the third sector, be they Dept of Health, Education, Home Office etc., rarely pay full cost recovery for the contracted services. Full costs on justifiable indirect expenditure should be paid, with clear guidlines on how they should be listed, what can and cannot be claimed etc.
Current policy leaves third sector organisations funding indirect costs on Government contracts themselves in many cases, from other sources of income. These other sources are usually voluntary and most donors would not be happy in effect 'topping up' Government investment in services which they are already funding through taxation.
Furthermore, the necessity for third sector organisations to provide this component funding for Government contracts reduces the value of their input into areas in which the Government relies on them to provide non-contracted services, which it is increasingly doing.


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Melanie Young, Author, Getting Things Off My Chest,
Melanie Young is a woman in motion, and she did not let a breast cancer diagnosis slow her down. "It took losing my breasts to find my voice," she says on the acknowledgment page of her first book, Getting Things Off My Chest: A Survivor's Guide to Staying Fearless and Fabulous in the Face of Breast Cancer (Cedar Fort Inc./September 10, 2013), available for pre-order now.
Melanie has spent her life making things happen, from running her public relations and events business producing high profile marketing campaigns for her wine, spirits and food clients, to launching and overseeing The James Beard Foundation Awards for 16 years and traveling the world in search of delicious new experiences. Her breast cancer diagnosis in 2009 was a detour she had not planned. "Breast cancer is a journey no one wants to take but sadly it is a road well traveled by many women. I spoke with survivors to prepare and then mapped out my own plan to face my diagnosis and treatment. I decided to use the experience to rebuild my body, retool my diet and restructure my time and share what I learned with other women.
A self-described "Nooga-Yorker," Melanie Young was born and raised in Chattanooga, Tennessee, graduated Sophie Newcomb College (Tulane University) in New Orleans and divides her time between the Hudson Valley and New York City with her husband, David. She is involved in several philanthropic causes including SHARE and Les Dames d'Escoffier and is Founder of The Connected Table® Inc, a wine, spirits and food marketing consultancy.
© 2020 DrGreene All Rights Reserved


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Country: Tuvalu
Manufacturer: The Perth Mint
Diameter: 38 mm
Purity: .999
Fine Weight: 1 troy oz (31.1 gram)
Tax Status: Normal GST
1 oz Proof silver coin minted by the Perth Mint.
Celebrated by millions of Hindus, the main theme of the festival is the triumph of light over darkness, goodness over evil, knowledge over ignorance, and hope over despair.
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This coin is displayed in a very special latax case that showcases and protects both sides of the coins and comes with a Certificate of Authenticity (COA) and an outer box.
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The Happy Diwali coin is legal tender at TVD $1.
The special presentation of the box, coupled with the limited numbers of this coin would make it an excellent gift.


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Thursday, 1 October 2009
Thanks Dave for the photo
1 comment:
Last year the MCA requested that P4 was dropped in favour of the term "dead". This is partly because in strict international triage rules P4 does not mean dead. P4 is a category called "expectant" which means the patient is not dead but will not survive the injuries they have sustained. This call is usually made by a doctor.
Also, in line with all the other emergency services, when involved in a major incident management and using the triage sieve, if the patient is not breathing they are "declared" dead. Certification of death will be done after the incident by a doctor and police officer.
These rules only apply on mass casualties, the definition of which is casualties outnumbering rescuers on a 1:to:1 ratio.
When rescuers outnumber casualties non-breathing casualties will always be given CPR and be a P1 patient.
Hope this helps.
- 1 October 2009 at 20:56


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May It
Please The Court
by Leonard
& Noble
Weblog Comments
Return to the Weblog
One of the FBI's Ten Most Wanted and infamous Boston gangster, James "Whitey" Bulger, has been captured. Now the epic legal case begins. Please join me and my guests, F. Lee Bailey, famed defense attorney and best-selling author, Dan Rea, long-time TV and radio journalist and lawyer from Boston and David E. Frank, Managing Editor of the Massachusetts Lawyers Weekly newspaper, to get inside this incredible story and unfolding legal case. We discuss the prosecution's case against 81-year old Whitey Bulger and his long-time girlfriend, Catherine Greig, who eluded capture for more than 16 years, as well as the type of defense we should expect to see and the ultimate fate of the notorious crime boss. Give a click on the podcast icon below and hear all about this fascinating story.
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How do I make Outlook 2010 save changes to attachment back into the receved attachment ?
This is really important and was a key feature for me of previous versions. Amongst other issues, I often get attachments that are not formatted correctlky for printing so I need to "set print range" etc etc. I can't afford to time to do this everytime I revisit a given attachmen


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When Philippines Democracy Hit Midlife Crisis
The Philippines' democracy turned 34 last week but continues to flirt with authoritarian fantasies.
Taiwan News: Tsai Ing-wen's Facebook Responds to 'Tsai-englishit' Controversy
A daily breakdown of Taiwan's top stories and why they matter.
OPINION: Hong Kongers Giving Up as Housing Breaks the Camel's Back
Hong Kongers are talking about emigrating as it becomes increasingly clear there is nothing 'special' about this administrative region of the PRC.
HONG KONG: Benny Tai's Topsy-turvy Taiwan Journey
Benny Tai's comments on the future possibility of self-determination for people and places in Greater China was nothing new but Beijing's reaction frames new limits on freedom of speech in Hong Kong.
Lee Ming-che's Sentence Chills Taiwan NGOs
Lee Ming-che's sentencing to five years in prison in China for the crime of 'subversion' has had a marked chilling effect on the actions and communications of Taiwan's NGOs. The case also suggests Taiwan's wider population faces an insidious dilemma: whether or not to self-censor.
Is Free Speech an 'Empty Promise' in Singapore?
An artist and political activist was standing alone before the Parliament House, holding a mirror as an act of performance art. He was led away by the police and detained until he posted bail the next day.
What US and China's Leaders Have in Common
Donald Trump and Xi Jiping appear to share similar difficulties reconciling their aspirations for national glory with the civil rights and freedoms written into their respective constitutions.
Attacks on Pro-independence Demonstrators Protesting China Singing Competition
The protest saw violence against students from members of the Chinese Unification Promotion Party and the Concentric Patriotic Association, pro-unification groups with a history of political violence against pro-independence demonstrators, members of the Falun Gong and others.
Cambodia's Hun Sen Cracks Down on Press Ahead of Elections
So while the CPP rails against its 'enemies' and seeks to redress the balance of youth support that was evident in the 2013 elections, it has to confront what still seems the unlikely possibility that next year it could lose.
TV Network Pays the Price in Thailand for Calling Leader 'Dictator'
Thailand's army grabbed power in 2014 and has remained in power through a constitution it drafted. The country's media struggles to challenge those in power.
Sen. Marco Rubio: An Open Letter to Liu Xia, Widow of Liu Xiaobo
Read the US senator's letter to the Nobel Peace Prize recipient's widow.
The Arrest of Three Journalists Shows a Disturbing Lack of Press Freedom in Democratic Myanmar
'In years gone by, we could visit and interview the ethnic armed groups. Now, under this so-called democratic government, media are being restricted.'
Vietnam: Free Blogger 'Mother Mushroom'
Arrests and activist's trial show Hanoi's determination to silence critics.
Singapore's Family Feud: A 'Secret Committee' and the Problem of Due Process
'What we're seeing now is not regular due process; instead, we have a ministerial committee placed between a rock and a hard place, plagued with considerations and intricacies they should never have had to deal with, and a senior official within the Ministry of Law making statements and arguments related to what is essentially a personal matter for the family to sort out, all while the actual Minister of Law is a member of the committee.'
China: Still World's Biggest Prison for Journalists and Citizen-Journalists
China's prisons currently hold more than 100 journalists, citizen-journalists and bloggers, including a Nobel peace laureate and three winners of the Reporters Without Borders (RSF)-TV5 Monde Press Freedom Prize.
Waiting for Answers after 30 Years: Singapore's Operation Spectrum
Operation Spectrum's impact was immediate, writes Kirsten Han. Fear and paranoia spread across Singapore's tiny civil society.
High-Profile Chinese Blogger Arrested for Online Comments, After Years of Police Harassment
Well-known Chinese blogger and Twitter commenter Wu Bin (吳斌) (@xuicai1911 @秀才江湖) was arrested by Shenzhen national security police on April 27 for making online comments.
How a Teenager's Mysterious Death in China is Eroding Public Trust in Authorities
The most widely shared theory is that Zhao was beaten to death by five other students for not paying protection dues of 10,000 yuan to a local group of bullies.


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7th Annual Lord Mayor's Parade showing the Lord Mayor and Lady Mayoress of Leeds. (City Centre)
21st June 1980. The Lord Mayor of Leeds, Councillor Eric Atkinson MBE, and the Lady Mayoress, Mrs Atkinson chat to one of the team from Lewis's department store in the Headrow who have submitted an entry of a decorated float in the 7th Annual Lord Mayor's Parade. It can be partially seen, right, and depicted an American Western style steam engine cleverly constructed and decorated using 20,000 ribbon bows. The float and participants had assembled on Woodhouse Moor prior to the procession.
[internal reference; 20061116_162320:LF 381.12 LEW VOL 3 - 29]
7th Lord Mayor's Annual Parade, Lewis's 'Fells Wargo Railway Co.' (City Centre) (2 comments)
21st June 1980. Image shows proud members of Lewis's 'Fells Wargo Railway Co.'(A humorous play on words with reference to 'Wells Fargo', of course). They pose in their colourful costumes in front of the spectacular decorated steam engine of the American West. This was Lewis's entry to the 7th Lord Mayor's Parade for which it won Best Overall Entry. It took over 20,000 ribbon parcel bows to decorate the float. Four female staff are dressed as saloon girls complete with buttoned boots and Ostrich feather headdresses. There is a cowboy in the centre and the two North American indians are Neil Malloch, left, and Simon Riley, right, both from the Display Department of Lewis's on the Headrow. The Parade set off from Woodhouse Moor, seen here, then went down Woodhouse Lane, then Merrion Street and Vicar Lane, into Briggate then the Headrow, on to Calverley Street, past the Civic Hall to salute the Lord Mayor and finally returned to Woodhouse Moor.
[internal reference; 20061116_162319:LF 381.12 LEW VOL 3 - 28]
7th Lord Mayor's Parade, Woodhouse Moor showing a young participant (City Centre)
21st June 1980. Image taken during the 7th Lord Mayor's Parade which started from Woodhouse Moor. The little girl, in her fancy costume, is seated on the float entered by Lewis's department store depicting a steam engine of the American West. The engine is constructed using bales of straw, but on the outside it was completely covered in over 20,000 ribbon bows in red, green and gold. The little girl wears a sequinned, layered net skirt and a silver cape trimmed with swansdown. She carries a wand with silver bells, beads and trailing white ribbons. It was a cold, showery day but a successful one for Lewis's as the store won 'The Lord's Mayor's Award for the Best Overall Entry.
[internal reference; 20061115_162316:LF 381.12 LEW VOL 3 - 23]
Adel Church etc., multi-view postcard (Adel)
c1910. Multi-view postcard with a postdate of 11th January 1910. The main image is of Adel Church, with smaller circular images around the outside featuring Cross Flatts Park and Houghley Ghyll on the left and two pictures of Woodhouse Moor on the right.
[internal reference; 2011316_171961:Artemis Pack 26 (Leeds Multi-Views) no.12]
Aerial View of Woodhouse Moor (Woodhouse) (13 comments)
1952. Aerial view of Woodhouse Moor, an area of common land acquired by Leeds Corporation for the sum of £3,000 in 1855. Woodhouse Ridge was purchased in 1877. Coming in from the top left edge is Hyde Park Road where it meets Hyde Park Corner and the junction with Woodhouse Lane. Woodhouse Lane runs across to the right edge. On Woodhouse Lane, Woodhouse feast is in view. Snaking down the right edge is Clarendon Road which used to be Reservoir Street due to the reservoir belonging to Leeds Corporation Waterworks which still runs alongside it. (The reservoir was built in 1837 and was bought by the Corporation in 1852, and after several tragedies it was covered, and simultaneously enlarged, in 1865. In 1990 it was reduced in size, with the end near the junction with Woodhouse Lane, immediately behind the library, being sold for development - information supplied by Merrick). Paths radiate from the circular centre of the moor and the bowling greens and tennis courts can be seen. At the end of the path running to the right edge the memorial to Queen Victoria is visible. Moorland Road cuts across towards the bottom joining Clarendon Road. Leeds Grammar School is at the bottom edge. The photograph is thought to have been taken around Easter Time when the fair is in situ on the moor.
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It's that time of year again when the sun shines a little longer each day and summer feels closer than winter. This is one of my favorite seasons because it gets me back to my garden and other landscape projects that I enjoy.
There seems to be an unspoken contest in my neighborhood for the greenest lawn and most colorful garden. No ribbons are awarded or anything like that, but every so often, if you time it just right, you'll catch one of the neighbors taking a sneak peak at the competition, if you know what I mean.
Anyway, as I was planning out this season's garden it made me realize how many things there were to consider. Things like what plants might need more sunlight, or which ones might need more room to grow. I also had to make plans to keep out things that could destroy my garden, like the rabbits that think my garden is a free buffet. All of this made me think about the similarities between planning out a garden and planning for retirement.
First, you have to plan out what you want your retirement to look like. Some things in our retirement garden started out as seedlings; we may have planted them many years ago, like an old 401(k) that has now matured into something much larger. In more recent years we may have added new investments to our portfolio as we transitioned from accumulation to planning for income and distribution.
And just like keeping the rabbits out of our garden, we have to be vigilant about the things that can eat away at our retirement plan like taxes, inflation and hidden fees. You might not have a green thumb and that's okay. It doesn't mean that without some guidance you can't have a beautiful garden. The same goes for retirement planning. You don't have to be an expert to have the retirement you've always dreamed of, but it probably makes a lot of sense to have an expert guiding you.
Seeking the assistance of a financial professional to help create your retirement plan is a great way to start. The investment options are plentiful and so are the potentially costly hazards. Learn from experience and most importantly learn from a professional who specializes in retirement planning. The great news is that most financial professionals offer a complimentary meeting to discuss how they may be able to help you. It's important to take advantage of these offers so you feel comfortable with the person you choose to work with.
So get out there and enjoy your garden, and don't forget to keep an eye out for that rabbit!


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Maidstone, VT457 West Side Lake Road
Est. Mortgage: $/month
MLS Number 4813628
- Residential Single Family
- Construction Existing
- Bathroom 1
- Bedrooms 3
- Square Feet 720
MAIDSTONE LAKE: Located on the west side with excellent shoreline in a still natural state, this cottage with 2 bedrooms & sleeping loft is cozy, comfortable and easy to care for. It sits high on the lot with a lovely view of the Lake through a great window in the living/dining/kitchen area where a vaulted ceiling adds dimension. Some work is needed, but this lakefront cottage will offer your family as many years of quiet enjoyment as the family who built it in 1986, and has loved it ever since.
Listed by Peter Powell of Peter W. Powell Real Estate


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With this php script you can run a simple web-based meriodional energybalance model. It can be used to get a first impression of fundamental energy balances and required horizontal energy-transports.
Below you have to enter your name/user-id and different model parameters. Not entering any value or entering "0" leaves the model with its default parameter. Please use a dot for decimals and avoid comma's.
Model related problems: Eigil Kaas firstname.lastname@example.com
Web related problems: Thomas Jansson firstname.lastname@example.com


text:
Dylan's Gospel Revisited
review by Peter Stone Brown
photo Howard Alk
In 1979, Bob Dylan did what a lot of his fans had been hoping he'd do for years and returned to playing full blown, blues-based electric rock and roll, with a few acoustic guitar-based ballads thrown in for good measure. Many of the songs seemed to deal with contemporary issues and a couple almost sounded like protest songs. However this time, there was no great search for what the songs meant or were about. The message couldn't have been more clear and direct: salvation by believing in Jesus Christ. Dylan fans used to questioning and pondering were left to dwell on one question, why did this happen at this time? Many fans dropped him then and there. Eventually many came back, some never did.
I'd been tipped off this was going to happen several months before Slow Train Coming was released by a singer-songwriter buddy of mine, and I wasn't that surprised. I'd been expecting it since John Wesley Harding, a feeling that was reinforced when I managed to get a reel-to-reel copy of what would eventually be known as The Basement Tapes at the end of 1968.
When Slow Train Coming came out in August 1979, I bought it immediately and despite having qualms about some of the lyrics, I thought it was one of Dylan's best albums. Producer Jerry Wexler captured the right sound at the right time and I dug certain cool touches only he would've done like the subtle horns on "Precious Angel." The drawing on the cover of the workers with a pick axe (signifying a cross) laying down the rails while the train comes up behind reminded me of something you might find on a Folkways Records album cover of labor songs. But what made the album great along with the production and superb musicians like the then new guitar genius Mark Knopfler was Dylan's singing. It was as intense, passionate and committed as he could get and it really didn't matter whether I or anyone else disagreed with or had questions about this particular message. Thirty-eight years later, my feelings about that album haven't changed one bit. When Dylan sang the lines (on "Precious Angel") Can they imagine the darkness that will fall from on high/When men will beg God to kill them and they won't be able to die, it was enough to scare the shit out of you.
That said, there are several lines on the song "Slow Train Coming," and on other songs like "Change My Way Of Thinking" and "When You Gonna Wake Up" that are downright infuriating, and to be clear there are great lines on all those songs as well. Why Dylan chose to embrace a form of Christianity that seemed to encompass the right-wing born again movement occurring at the time is anyone's guess.
On Christmas Eve 1968, I was living in New York City, and was visiting one of my closest friends in Philly. At the time, he was a film student and suggested we go see Pasolini's The Gospel According To Saint Matthew at a repertory theater. Shot in grainy black and white, it is a straightforward depiction of that Gospel with music that included Bach, the African Mass, "The Missa Luba," spirituals by Odetta and the blues of Blind Willie Johnson. In addition to being a filmmaker, Pasolini was a writer, a poet, an intellectual, gay and a communist. Christ is portrayed as a radical peasant. He's tough, doesn't suffer fools and you see the divinity in his eyes when he encounters children or a leper. It's a powerful film, not at all a Hollywood depiction of Christ. When they roll away the stone at the end, it's almost enough to make you believe right there. The point to telling this story is I knew there could be another version of Christ than the one Dylan portrayed, which is mostly about belief without question, hellfire damnation and most of all, apocalypse. On the other hand, Bob Dylan's been singing about the end of the world pretty much since he started recording.
This still controversial period of Dylan's career has now been revisited with Trouble No More, The Bootleg Series Volume 13/1979-1981 (Columbia Legacy) a mammoth eight-disc and (finally) one DVD set that includes 101 songs on the audio portion including two complete concerts from 1980 and 1981. Unlike the last Bootleg Series, The Cutting Edge, the producers didn't provide every take from every session, instead selecting tracks from concerts, studio outtakes and rehearsals covering a three-year period, making for a more pleasurable and varied listening experience. As usual Dylan fans are already quibbling about the selections. And I have a couple of quibbles myself about a couple of live tracks where there's lyric flubs. But like any serious Dylan fan, I have other versions I can listen to.
The liner notes are comprised of four articles. The introduction by Ben Rollins goes into what the producers were hoping to accomplish with this set, explaining the sources of the recordings and stressing that they were going for performance above everything else. He also makes it quite clear that in compiling this box, the producers were aware this was and potentially still is controversial. The second set of notes, "Fire In My Bones," by Amanda Pertrusich deals with the societal and political implications of Dylan's conversion and the effect it had on his followers. The track by track by music journalist Rob Bowman delves deep into what Dylan and his musicians are doing musically, but also provides many of the sources of the scriptural lines in the songs. It is the best track by track since John Bauldie's notes on the very first Bootleg Series. In the accompanying photo book, Pressing On, Penn Jillette writes about how to be an atheist and a Dylan fan and love these songs regardless of your religious persuasion. Included in the book are typed copies of the lyrics with various changes Dylan made while working on them.
The first two discs are various live performances, the second two are rare and unreleased songs and/or performances. There are songs that no one knew existed as well as alternate takes of songs that never circulated in the underground Dylan bootleg community.
In November 1979, Dylan started touring behind Slow Train Coming opening with a 16-night stand at San Francisco's Warfield Theater. Backing him was one of the best bands he ever put together. The basic unit of the band would stay together for the next three years. Bassist Tim Drummond and drummer Jim Keltner were generally considered one of the best rhythm sections in rock music. Fred Tackett was a seasoned session player. Spooner Oldham was a legendary Muscle Shoals keyboard player. Also on board were gospel organ player and singer, Terry Young and three backup singers, Regina McCrary, Helena Springs and Mona Lisa Young. It was the most disciplined and on target band Dylan would ever have, which is an almost heretical thing to say for a diehard Dylan and The Band fan like myself.
The controversy that ensued at the Warfield shows made the Newport debacle seem tame. Religious groups including Jews For Jesus were handing out tracts at the theater entrance. The show started with Regina McCrary telling a story about a gospel train, followed by a short set of gospel songs from the backup singers. Dylan would then take the stage, sing all the songs from Slow Train Coming and most of the songs that would appear on his next album, Saved. He did not sing any of his older songs. As word spread, at later concerts during the Warfield stand, fans would hold up signs that said "Jesus loves your old songs too." But you have to give him credit. On what was clearly a career killing move, he would not budge. Writer Paul Williams details all this in his book, Dylan– What Happened? which came out early in 1980. Dylan would often preach between songs, and well, a lot of what he said was way out there, and that's putting it mildly.
What Trouble No More makes abundantly clear is that three year period featured some of the most amazing concerts of Dylan's entire career, equal in intensity to the shows of 1966. While (the song) "Slow Train Coming" may have annoying lines, it was one powerhouse in concert and different versions including an early rehearsal version from late in 1978 begin the first four discs.
Not all of Dylan's songs from this period are what I consider to be gospel music in a strict musical sense. Many of the songs are for lack of a better term typical Bob Dylan songs. But several of the songs such as "Covenant Woman," "In The Garden," "Saving Grace" and "What Can I Do For You" show him getting more adventurous in chord progressions as well as being some of his best melodies. Also in the best melodies category is the hymn, "When He Returns." There are four great versions on the set, a live one from Albuquerque, New Mexico in 1979, that is Dylan on guitar with Spooner Oldham on piano, an incredible outtake from the Slow Train sessions, and one on the Toronto concert. There is another one on the DVD with Dylan on piano that may or not be the same Toronto version (I haven't compared).
Some songs I consider to be straight gospel, like "Saved," worked far better in concert than in the studio. Several other gospel songs "Blessed Is The Name Of The Lord Forever," "I Will Love Him," "Jesus Is The One" and "City Of Gold," were only done in concert, and since (apparently) they were never done in the studio, may have been written expressly for that purpose, often serving as energetic rave-ups with the backup singers playing a big part.
It is clear that Dylan was working on several levels musically at this point, and in addition to gospel was writing songs that leaned towards R&B, particularly the soul music of Memphis and Muscle Shoals (which itself came out of gospel), reggae as well as of the hardest rockers of his career. And he had the band that could pull all of it off, sometimes combining all three. "Thief On The Cross" wanders into Rolling Stones territory, and there are two other songs that are also reminiscent of the Stones. "Yonder Comes Sin," which was leaked on bootlegs years ago has a guitar part that echoes "Jumpin' Jack Flash" while the chord progression on the previously unknown "Making A Liar Out Of Me" sounds suspiciously like "You Can't Always Get What You Want." However, I always considered "You Can't Always Get What You Want" to be Jagger and Richards writing a Dylan song (something they did more than once), so this brings it full circle. "Making A Liar Out Of Me" was recorded at a tour rehearsal in September 1980, and is one of the reasons the Bootleg Series are important and great. It has all the makings of a great Dylan song, but apparently was abandoned. These lines show that Dylan was starting to move on writing-wise:
So many things so hard to say as you stumble
To take refuge in your offices of shame
As the earth beneath my feet begins to rumble
And your young men die for nothin', not even fame
In November 1980, Dylan returned to the Warfield for 12 shows. At the urging of Bill Graham, he started including a few of his older songs in the set. Other musicians, Carlos Santana, Mike Bloomfield and Jerry Garcia dropped by during the show and joined Dylan onstage. He also included a few covers, but more importantly debuted a few new songs that were not stridently religious. One of those songs, "Let's Keep It Between Us," which Bonnie Raitt did a fine cover of, is one of the songs seriously missing from this set. Two of those songs from the shows, "The Groom's Still Waiting At The Altar" and "Caribbean Wind" (in its only live performance) are included. The live version of "Groom" features Carlos Santana on a totally explosive lead. (There is an equally great version from the Warfield shows with Mike Bloomfield that appears on the box set From His Head To His Heart To His Hands released a few years ago.) The song also appears on Disc Four in a speedy studio version. The song contains one of my all-time favorite Dylan lines, "They mistake your shyness for aloofness, your silence for snobbery," and represent something of a return to Dylan writing lines that have a razor's edge. A different studio version of "Groom" was released on the flip-side of "Heart Of Mine," the first single from Shot of Love, and an interesting thing happened, it started getting airplay, so much airplay that Columbia added it to the album. One of the few things Rob Bowman gets wrong in the liner notes is when he says it was only added to the compact disc. It was added to the vinyl version (long before compact discs), and is sitting on the shelf right behind me.
"Caribbean Wind" is a major work, and the live version features Dylan playing 12-string guitar, something that has rarely happened in concert. Dylan introduced the song by talking about Leadbelly doing children's songs, and how he was the same man who also sang blues songs. There is another version of the song on Disc Four that is slower and features Dylan on piano and Ben Keith playing gorgeous pedal steel guitar. No one knew about this version until this set. Both this and "Groom" emphasize one of the virtues of The Bootleg Series – they show how Dylan works on every level, as a songwriter and as a musician, constantly revising lyrics, changing chords, melodies and arrangements. Why these two songs (and "Angelina" from The Bootleg Series Vol. 1-3) were not on Shot Of Love will remain one of the great mysteries of Dylan recording decisions. It would've been a way different and far better album.
In 1981, it started to appear that changes were afoot. My first inkling was early in the year when through sheer luck or possibly divine intervention a thoughtful friend called me up and said, I had to come to his parents' house in the suburbs because an old high school friend was visiting and had a new Dylan song that I had to hear. The friend turned out to be Joel Bernstein, a photographer and musician best known for shooting Neil Young and CSNY album covers, who had worked with Dylan in 1976 and '78. When I arrived, Bernstein said I couldn't tape the song, but he'd play it as many times as I wanted. Now at the time I was extremely pissed off at Bob Dylan. The previous May I attended the only totally gospel Dylan show I saw in Hartford, Connecticut. The tour probably for good reason avoided playing the major cities of the East Coast. Before "Solid Rock," Dylan delivered what is generally referred to as The San Francisco rap, about iniquity in San Francisco. I was shocked and appalled and stayed that way for a long time, giving Saved a savage review in the program guide of the radio station I did shows at. (I've changed my opinion of Saved since that time.) The song was "Every Grain Of Sand," the piano version with Jennifer Warnes, Fred Tackett, and a dog barking in the background that appeared on the very first Bootleg Series. My mind was totally blown. It was a major work of startling poetry that recalled William Blake. I thought it was one of the most beautiful songs I'd ever heard, and probably asked Joel to play it about ten times, which he totally understood. I didn't hear that version again for ten years. Two excellent versions of the song are on this set, a live one done at the last show of the '81 tour that is the best live version I've heard coming very close to the Shot Of Love version. The other is a rehearsal from September 1980 with celestial keyboards from Willie Smith. On both versions, Dylan doesn't mess with the feel, the lyrics on the melody.
One song from that Hartford show that stuck with me was "Ain't Gonna Go To Hell For Anybody," which is here two very different versions. The version from Montreal that appears on Disc Two (which is more than likely the version I saw a couple of weeks later) opens with an a cappella part by the background singers coming in one at a time, almost in a round) shows how good they really were. The song is close to being pure soul pop. The later version from the end of the year on Disc Four is faster, and the vocal intro has been dropped. In June 1981, I saw Dylan at the Merriweather Post Pavilion in Columbia, Maryland. The backup singers still opened the show, but there were lots of changes. There was a new keyboard player, William "Smitty" Smith who'd replaced both Spooner Oldham and Terry Young the previous fall, and an additional guitarist, Steve Ripley. Dylan did ten old songs including a beautiful "Girl From The North Country" highlighted by Smith's piano, as well as two covers, Dave Mason's "We Just Disagree" and Dion's "Abraham, Martin and John," sung as a duet with Clydie King, with both seated at the piano. But the song that validated my feeling things were changing was "Lenny Bruce," which is part of the London '81 concert included. There was no way a tribute to Lenny Bruce jibed with right-wing born again thinking. Another song at that show that grabbed me was "Dead Man, Dead Man" which would appear on the then unreleased Shot Of Love, and appears three times on the set in an outtake and two live versions from 1981. Both live versions are faster than the album version and feature a very cool twin guitar solo. Recorded only a few days apart, there are subtle differences, though the sound quality is better on the June 27th version, allowing you to hear more of the organ with drums more prominent. The outtake on Disc Four is way slower than the live versions, features only Clydie King on backup vocal, Benmont Tench on keyboard, Danny Kortchmar and Steve Ripley on guitars, and Dylan playing a very strange almost dissonant harmonica. There are also major changes in the lyrics including entire verses that were eventually abandoned.
After that show, Dylan toured Europe for the first time in three years, playing London for six nights. The concert the second night makes up discs seven and eight and is presented in full. Several other songs from that tour are presented throughout the set. From that tour are truly ferocious versions of "Slow Train Coming," "Gotta Serve Somebody" and "Shot Of Love."
In October, Dylan toured the US, playing parts of the Midwest, Canada, major East Coast cities, as well as several dates in the South. Unlike the previous gospel tours which played small theaters, this time he was playing arenas. Al Kooper had replaced Smitty Smith on keyboards resulting in Kooper resurrecting some of his classic organ on parts on such songs as "Like A Rolling Stone" and "I Want You." For the US tour, the opening set by the backup singers had been dropped from the show. For the Philly show, the first of three shows I saw that tour, he was bopping around the stage like a madman. Of the 26 songs at that show, 15 were written prior to the gospel albums and some song would change from show to show. There are two songs from that tour on the set, the previously mentioned "Every Grain Of Sand" and a slowed down version of "Solid Rock" that while not rocking as hard was every bit as effective generating a spookiness the fast versions did not have. 1981 was one of my favorite Dylan years. The band was on fire and he was at the top of his game. The London concert included is a fine representation.
The DVD is an hour-long film, Trouble In Mind that was shown once in various theaters across the US. It's been known for years that Dylan's shows at Massey Hall in Toronto in April 1980 were professionally filmed, and copies have circulated. In the past two years it was also revealed that the shows in Buffalo were filmed as well. The performance footage is stunning and ranks with the best of Dylan concert films. The film starts with a snippet of previously unknown version of the traditional song "Jesus Met The Woman At The Well" shot at a rehearsal studio, with Dylan on bass and Tim Drummond on guitar along with the rest of the band. It is followed by a pretty funny commercial for a 1980 Dylan concert in Portland, Oregon with various fan reaction. The opening song is "Are You Ready" which was usually the first song of the encore of the concerts at the time. As Dylan walks off stage afterwards his footsteps dissolve into those of Michael Shannon delivering the first of eight sermons, this one on hypocrisy. The sermons were written by writer Luc Sante at Dylan's request. Other topics, and sometimes the sermons are divided into parts include, virtue, temperance, justice and prudence. They're okay, but ultimately a one or two-time watch, and thankfully and thoughtfully you have the option of watching the concert footage without the sermons. The film ends with a beautifully intimate version of "Abraham, Martin and John," a hit for Dion but written by Dick Holler sung by Dylan and Clydie King both seated at the piano (with no other instruments). Every Dylan fan will want to see this. The song was performed in concert several times on the spring and summer 1981 tour.
Dylan and Clydie King who joined the backup singers in the spring of 1980 did two other duets in 1981, the Tommy Edwards hit, "It's All In The Game) during the fall tour, and a great and not well known Jimmy Webb song "Let's Begin" which debuted in June and was kept in the set during the fall tour. The latter song is part of the full 1981 London concert included in the set and a most welcome addition to the set. Of all the singers Dylan has done duets with over the years, Clydie King truly knew how to sing with him, and the song is a special moment.
Trouble No More makes it clear that the years from 1979 through 1981 were not by any means the lost years, whether or not you agreed with the direction he decided to take. Many of the songs here not previously recorded are as deep as anything he wrote. It also makes it quite clear that the live versions of the songs on Saved blow the studio versions out of the water, and that goes for a lot of the songs from Shot Of Love and Slow Train Coming as well. It was a creative time for Dylan both as a songwriter and a musician. The set also makes clear that Fred Tackett deserves consideration among the great Dylan guitar players. Check out his solo on "Bless Is The Name Of The Lord Forever," and there are many more that are equally on fire. It is also obvious that a lot of thought went into the selection and sequencing of the songs on this set. It is beyond question an important addition to The Bootleg Series.


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Relief Assistance to Tornado Victims - A Message from Bishop Seth O. Lartey
March 14, 2019
Greetings in the Name of our Lord and Savior Jesus.
The Bible teaches us to Bear ye one another's burdens, and so fulfill the law of Christ Galatians 6:2. On Sunday March 3, 2019, Lee County, Alabama experienced catastrophic tornadoes of EF4 magnitude. These tornados caused mass destruction in a community where Zion is present. As a result of these tornados, 23 lives were tragically taken in a 28-mile path. In addition, homes were destroyed, and lives were scattered. Praise God that the resilience and unwavering faith of those affected is the source of hope and inspiration to overcome what the enemy meant for bad.
This letter is a call to our Brothers and Sisters in Zion to be our brother's keeper and express compassion and love to those suffering. We ask local churches, districts and conferences for a compassionate financial offering toward restoration of families and Zion Churches. Please make your check payable to the Alabama-Florida Episcopal District, in memo: Alabama Tornado Relief Fund. Please submit your love offering by March 18, 2019 to the following address:
Alabama Florida Episcopal District
808 South Lawrence Street
Montgomery, AL 36104
We appreciate your love and support. We pray God's blessings upon you.
By His Grace,
Bishop Seth O. Lartey
Presiding Prelate
Alabama-Florida Episcopal District
Magnifying God's Message Thru Media
Our efforts are toward Christian
Communications - the story of the Freedom Church, changing lives, reporting progess, making records and challenging injustices globally.
Our faith in God's leadership provides a guide-path for future encouragement in Kingdom Building in Jesus' name.


text:
[ red-ee ]
/ ˈrɛd i /
adjective, read·i·er, read·i·est.
completely prepared or in fit condition for immediate action or use: troops ready for battle; Dinner is ready.
duly equipped, completed, adjusted, or arranged, as for an occasion or purpose: The mechanic called to say that the car is ready.
willing: ready to forgive.
prompt or quick in perceiving, comprehending, speaking, writing, etc.
proceeding from or showing such quickness: a ready reply.
prompt or quick in action, performance, manifestation, etc.: a keen mind and ready wit.
inclined; disposed; apt: too ready to criticize others.
in such a condition as to be imminent; likely at any moment: a tree ready to fall.
immediately available for use: a ready source of cash.
pertaining to prompt payment.
present or convenient: to lie ready to one's hand.
verb (used with object), read·ied, read·y·ing.
to make ready; prepare.
the state or condition of being ready.
Informal. ready money; cash.
(used in calling the start of a race to indicate that racers should be prepared to start): Ready! Set! Go!
Test your memory on these verbal firecrackers from the week of June 29 to July 5!
Question 1 of 7
Idioms for ready
at the ready, in a condition of readiness, available for immediate use: shoppers with their umbrellas at the ready; soldiers keeping their weapons at the ready.
get ready! (in calling the start of a race) be prepared to start: Get ready! Get set! Go!
- to bring to a state of readiness or completion; prepare.
- Printing. to ready a press for printing.
make ready,
ready up, British and Australian Slang. to swindle.
Origin of ready
1150–1200; Middle English redy, early Middle English rædig, equivalent to Old English rǣde prompt + -ig -y1
SYNONYMS FOR ready
ANTONYMS FOR ready
usage note for ready
See already.
OTHER WORDS FROM readyo·ver·read·y, adjectivepre·read·y, adjective
Words nearby ready
Dictionary.com Unabridged Based on the Random House Unabridged Dictionary, © Random House, Inc. 2020
British Dictionary definitions for at the ready
/ (ˈrɛdɪ) /
adjective readier or readiest
in a state of completion or preparedness, as for use or action
willing or eagerready helpers
prompt or rapida ready response
(prenominal) quick in perceiving; intelligenta ready mind
(postpositive foll by to) on the point (of) or liable (to)ready to collapse
(postpositive) conveniently near (esp in the phrase ready to hand)
make ready or get ready to prepare oneself or something for use or action
the ready informal short for ready money
at the ready
- poised for use or actionwith pen at the ready
- (of a rifle) in the position normally adopted immediately prior to aiming and firing
(tr) to put in a state of readiness; prepare
Word Origin for ready
Old English (ge) rǣde; related to Old Frisian rēde, Old High German reiti, Old Norse reithr ready
Collins English Dictionary - Complete & Unabridged 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
Idioms and Phrases with at the ready (1 of 2)
at the ready
Available for immediate use, as in Umbrellas at the ready, we were prepared to brave the storm. This idiom was originally a military term in which the ready denoted the position of a firearm prepared to be raised and aimed or fired. [First half of 1800s]
Idioms and Phrases with at the ready (2 of 2)
In addition to the idiom beginning with ready
, also see
- at the ready
- get ready
- good and (ready)
- rough and ready
The American Heritage® Idioms Dictionary Copyright © 2002, 2001, 1995 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company.


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Maximum Product Width
Maximum Product Height
Maximum Product Depth
Estimated Delivery Time
28th July - 4th August 2020
The Pori range offers a modern spacious chest of drawers with three storage drawers comes in combination of white high gloss and oak effect. The first drawer has a jewelery organizer.
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H: 90 cm
W: 85 cm
D: 40 cm
Overall Product Weight: 41,35 kg
Pori furniture collection will add a touch of elegance to any room. Body and fronts of all furniture pieces in Pori collection are in lustrous White High Gloss finish and their light reflecting qualities will create light and airy atmosphere in any interior. Character is added by having oak finish inserts behind profiled handle less fronts. Timeless combination of white and oak make this furniture collection an obvious choice.
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Impact Furniture is rated 4.72 stars by Reviews.co.uk based on 485 merchant reviews


text:
Seminar Social Entrepreneurship for Local Change Spring 2017
An international online seminar offered by a European partnership of universities and NGOs
- 1 For whom is the course?
- 2 What is it about?
- 3 Course Content
- 4 Course Schedule
- 5 Assignments
- 6 Conditions for participation and credits
- 7 Registration conditions and deadlines
- 8 Key dates
- 9 Further information
- 10 ERASMUS+ Programme
For whom is the course?
- Are you a business or economics student who cares about social and environmental problems?
- Are you an agronomy student who wants to make agriculture more beneficial for society and the environment?
- Are you a planner, designer or artist who wants to learn how to start a business that helps solve social problems in your everyday environment?
- Or are you already a professional?
- Are you curious about other people and their knowledge and want to learn from other Europeans?
- Do you believe in your capability to create something new?
- In short, would you like to become a social entrepreneur? Then join us this semester, because everyone can become an entrepreneur!
What is it about?
A social entrepreneur applies business tools for solving social and/or environmental problems. Success in social entrepreneurship is primarily measured by degree of social impact, not only monetary profit.
Social entrepreneurs are essential for solving Europe's economic, social, and environmental challenges. According to the Strasbourg Declaration of 2014, "Europe's economic and social model needs to reinvent itself. We need growth that is fairer, greener and anchored in local communities. A model that values social cohesion as a genuine source of collective wealth."
It is urgent that students and practitioners from different disciplines across Europe learn from each other to develop entrepreneurial skills and social awareness for a sustainable, local impact.
Social Entrepreneurship for Local Change is a programme offered by a 5-University Consortium in cooperation with relevant NGOs. The goal is to empower future social entrepreneurs through an interdisciplinary, problem-based learning environment that enhances the innovative competencies needed for addressing social, cultural and environmental challenges in Europe. The programme is funded by the ERASMUS* Programme in the period 2015 - 2018.
Social Entrepreneurship for Local Change includes twelve live sessions on the internet available to the wider global community, as well as interdisciplinary and international group work with students from Romania, Estonia, the Netherlands, and other European countries. The online course is open to anybody interested in the subject.
The programme also offers students the possibility to receive a grant to attend a 10-day workshop in Romania, hosted by the Bucharest University of Economic Studies.
Course Content
The online module consists of twelve 90-minute sessions of lectures, reading materials, collaborative group work and other diverse active and passive learning tools.
The thematic elements of the course are designed to give students core knowledge for developing their own start-ups:
- Identifying challenges and setting goals
- Designing ideas
- Designing your business model
- Revising and evaluating your model
Course Schedule
- Online lectures will take place from 29.03. – 21.06.2016, with weekly sessions on Tuesdays from 15 45 – 17 15 pm CET.
- See the full seminar schedule for speakers and topics.
- Active participants will complete three assignments both individually and in their international team.
- Please read more details in the detailed assignment description.
Conditions for participation and credits
Participation in this course is open to all study programs and free of charge. Academic recognition for successful completion will be as follows with a maximum of 10 ECTS:
- up to 5 ECTS for the online seminar (active participation)
- up to 5 ECTS for the Bucharest workshop
Preconditions for attending the Bucharest Workshop
Successful participation in the online part is a requirement for participating in the Bucharest workshop. However, participation in the workshop is limited. Each participating university can offer seven grants, covering travel and subsistence, and a limited number may participate on a self-paid basis. Students attending the online course but not the workshop will be offered an alternative assignment in order to complete the maximum of 10 ECTS if needed.
Participant numbers
There is no set limit regarding the number of participants in the online course. Any interested student, graduate or young professional is invited to attend. All participants who successfully complete the assignment will be issued a certificate on behalf of the five academic institutions involved. Passive, listen-only participation in the online course is also possible, but no certificate will be issued for this participation mode.
Registration conditions and deadlines
Registration Online Seminar
Participation in the online seminar is free and open to students at any institution as well as the general public.
Participation is possible in active or passive mode.
Active participation includes:
- registration before 15th of March 2016
- regular attendance of the online class (or working with the seminar recordings in due time)
- completion of the seminar coursework and group assignments
- academic recognition of up to 5 ECTS
Passive participation includes:
- registration can be done any time, but preferably before the first session on March 29
- visitation of online seminar sessions either in real time or through video recordings;
- no academic recognition granted
Registration Bucharest Workshop
Participation in the Bucharest Workshop requires personal application. Only students enrolled at the partner universities are eligible.
Applications must include:
- A letter of intent explaining your motivation for participation in the workshop
- CV and current transcript of records
- English language certificate (if available)
- the Bucharest workshop registration deadline is the 31st of March 2016
-->Go to Workshop Online Application
Key dates
Online course
- 29.03. – 21.06.2016, weekly sessions from 15 45 – 17 15 pm CET
- Parallel group work in international teams
Bucharest workshop
- 12.-22.05.2016 at the Bucharest University of Economic Studies


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School Accountability Committee
The School Accountability Committee (SAC) is a collaborative decision making body; improving education through involving parents and other community members as partners in the education of all children. This committee brings a sense of shared purpose and involvement among parents, community members, teachers, students, support staff and administrators.
SAC Meeting Schedule 2019/2020
Quarter 1 - October 16th - 3-4pm
Quarter 2 - December 18th - 3-4pm
Quarter 3 - March 4th - 3-4pm
Quarter 4 - May 13th - 3-4pm


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text: With Halloween approaching, Yelp has created a new list centering on the creepiest areas in the U.S. To determine rankings, the website combed through reviews of cities that contained words such as "ghost" and "haunt.". 1. Savannah, Georgia. 2. New Orleans, Louisiana. 3. Fort Collins, Colorado. 4. Santa Cruz, California. 5. Las Vegas, Nevada. 6. Austin, Texas. 7. San Francisco, California. 8. Memphis, Tennessee. 9. Orlando, Florida. 10. Los Angeles, California.