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I'm always lusting after make-up / skin care products so I'm going to try listing down only five products I really, really want!
*takes a deep breath*
Here goes!
nicked from Chanel's Website
Beautiful, beautiful colours, aren't they? Not exactly cheap at £22.50 a pop and I hear these eyeshadows have a very unique texture! I'e got my eye on Emerveille which is the pinky / peachy shade (top row far right) as I'm not very adventurous with colours! =p What's your favourite shade?
again, nicked from Chanel
It's meant to be used as an iridescent eyeshadow but I will definitely use it as a highlighter / blush! Sigh if only I can afford it! =p So very pretty and limited edition too so grab this one before it sells out!
photo nicked off SpaceNK
Terry de Gunzberg is the one who created Touche Eclat and he created this too! I've been reading rave reviews about this product but at £33 it's a little steep! Then again you do get more product at 6.5ml as opposed to Touche Eclat's 2.5ml (retails at £24.50)!! Good value for money if you're asking me! Then money no enough…. *sighs*
photo nicked from Selfridges
A bit of a frivolous want, this! I saw it in person at Selfridges a few weeks back and I thought it looked quite pretty! Then again I wouldn't be using it and at £61.50 it's way too expensive and pretty to use! A girl can only wish, can't she? 😉
photo nicked from Diptyque
Aah….. Diptyque candles! Luxury candles I can only imagine smelling *sniffs air* =p I'm waiting for their sale but I can't bring myself to buy something I'll be burning away after and at £38 I don't think my parents will be too happy =p
So there you go! I managed to 'shrink' my extremely long lust list! Do you have any items (beauty or not) that you are currently lusting after? Do let me know! =p


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Clampdown on Kerry tractor driver in the 'Kingdom'
A tractor driver got into bother with An Garda Siochana recently for a string of road offences when transporting a trailer load of silage bales in Co. Kerry.
The driver in question was initially stopped by Kerry Roads Policing for pulling an unsecured load.
Upon closer inspection, issues also arose over defective tyres, lights and failure to display registration plates, according to the An Garda Siochana Twitter page.
Kerry Roads Policing stopped tractor near Farranfore Airport. Load unsecured. Defective tyres, lights and no registration plates. Court to follow pic.twitter.com/NIdTrwajzQ
— An Garda Síochána (@GardaTraffic) October 11, 2018
The driver was apparently stopped near Farranfore Airport, between Kilarney and Tralee in the "Kingdom".
As shown in photos provided by the Gardai via the Twitter page, one tyre in particular was noted to be severely bald.
The driver was subsequently issued a summons to court, the Gardai added.
Trouble for Tipp teen
Meanwhile, earlier this week a juvenile tractor driver was stopped by Gardai for a number of offences recently while transporting bales of silage.
The driver was stopped in Co. Tipperary by Cahir Roads Policing, according to An Garda Siochana.
The tractor and trailer were subsequently seized by Gardai.
Posting the above image on social media, the An Garda Siochana Twitter page stated: "Cahir Roads Policing: Gardai stopped this tractor and trailer carrying an unsecured load with no lighting at the rear and driving on a poorly-lit road.
"Tractor being driven by a juvenile male. No D/licence or insurance. Vehicle seized," the tweet added.
Simmental Bull
Mule Suffolk Cross Hogget Ewes For Sale
Limousin Bulls

subset: commoncrawl


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Brandman University has created the Bryan A. Fazio scholarship to honor Bryan and his strength, brave determination and dedication to assisting other Veterans. You can support this scholarship with a tax deductible donation of any amount. The funds raised through this campaign will go directly to disabled or wounded veteran students. The scholarship fund has already benefited several veteran students in 2014 (read more about that here).
Bryan's Story
What would you do if doctors told you that in 9 months, you'd most likely be dead? For most people, the answer would not be to double-up on your graduate school classes so you can earn your MBA before you die. That's what U.S. Navy Veteran Bryan Fazio did. When he did this emotional interview about his grim cancer diagnosis, nobody expected him to live past the end of 2013 – nobody except for Bryan, that is. Not only has he survived, but he's living an inspirational life dedicated to helping fellow Veterans. Fazio's aggressive form of Hodgkin's lymphoma (diagnosed in early 2010) has led to six rounds of chemo and two failed bone marrow transplants. Yet, his faith and his experience in the Navy has trumped all of the experts dire predictions. Since his diagnosis, he has earned two master's degrees, one in business administration and a second in organizational leadership from Brandman University. He is currently enrolled in law school and he wants to focusing his legal career on the challenges vets face in establishing themselves in civilian life.
Throughout all this, Fazio has undertaken his own crusade to assist Vets by providing them with direction and guidelines to access much-needed benefits these survivors are entitled to as a result of their sacrifices for their country.
Donor Comments
Seth Mobilio, LMSW
In honor of my fellow military brothers, challenged by another battle. Keep hope, live strong, and persevere. 5 years ago


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What is ThermiTight?
There are some people who are uncomfortable with the idea of undergoing invasive surgical procedures, regardless of their desire to enhance their features. This worry, however, may be something of the past! If you are unhappy with loose, sagging skin, wrinkles, or unwanted fat deposits in the face, neck, tummy, or thigh areas, ThermiTight could be an excellent solution for you.
ThermiTight at our Lake Mary, Florida practice, is a minimally invasive procedure, incomparable to other procedures of its kind. Utilizing radiofrequency energy, tiny probes are inserted under the skin through a miniscule incision where improvement is desired. While radiofrequency is administered, it warms the underlying supportive tissues, causing an immediate shrinkage to excess skin and tissue, resulting in your desired slimmer and toned appearance. Results are shown to last several years, which provides an improvement in skin laxity and firmness. There is also minimal downtime involved with ThermiTight, and after the procedure, patients can return to their daily activities within 24 hours of treatment.
So, who is a good candidate for ThermiTight? Patients that struggle with unwanted wrinkles, loose skin, or pockets of fat that are resistant to diet and exercise methods are considered great candidates. As with any procedure, a meeting with your plastic surgeon is required to determine your candidacy. Arrange a visit with Dr. Johnston to discuss ThermiTight today!


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Congratulations to Larysa Switlyk and the rest of Team USA for earning the title of World Carp Classic Champions 2015! The team took home first place at the event held on Lac de Madine in France, with there top 3 carp weighing in at a combined 135lbs. Way to go team! Continue reading World Carp Classic Champions 2015
Category: Fishing Tournaments
Bluewater Babes: Fish for a Cure
The 6th Annual Bluewater Babes Fish for a Cure tournament went down October 3rd and 4th in Jupiter, Florida. The completely sold out, all ladies fishing tournament and event included a costume contest, boat decorating and an all-star cast of very pink anglers!
Bluewater Babes was founded in 2009 from a love of fishing, the courage to fight and an understanding of the powerful nature of women working together. The idea grew in members and events until finally converting into a 501(c)3 public charity in 2013. The group now has over 1,500 members and has raised over $200,000 for local breast and ovarian cancer patients in financial need. Continue reading Bluewater Babes: Fish for a Cure
Cooling Chicago's Challenged Campaign
Illinois' SanJa Photography contacted us with an amazing idea they had to help and bring awareness to their local homeless community. The team of volunteers got together and took to the vast streets of the city in the dead heat of July. They handed out Hoo-rags that would help keep cool those that may not always have the luxury of air conditioning. SanJa Photography was on hand to capture the day's events and show the world that one man's idea can put a smile on a city's face. Continue reading Cooling Chicago's Challenged Campaign
ChaseN'Tailz KDW Fishing Tournament
Hoo-Rag is honored to help celebrate the memory of Chase Warren during the first annual ChaseN'Tailz fishing tournament that will be held on September 13, 2014 in Jupiter, Florida.
Who is Chase Warren? Chase was born on October 1, 2012 as what appeared to be a healthy baby boy but this joyous story for two proud parents quickly became a heartwrenching tragedy. Over the next ten months, the Warren family watched baby Chase get progressively more sick while no doctors could explain the cause of his symptoms. Chase Warren passed away on August 7, 2013 while surrounded by family members – two days later the Warren family received their son's diagnosis which was the fatal and untreatable, Gaucher Type 2. Continue reading ChaseN'Tailz KDW Fishing Tournament
We were the sponsor of the USA Bassin Hoo Rag Division on Patoka Lake in Southern Indiana this past summer. Johnny Morris and Jeremy Hagen unloaded the final punch with a 5 fish limit weighing in at 13.75 to seal the deal and take the win for tournament #5 of division. We supplied USABASSIN with a red white and blue fishing bandana we called Old Glory, we hope everyone is still enjoying them! Congrats to USA BASSIN and it's successful season. In the meantime you might want to head to Florida while your lakes are frozen. 🙂 Continue reading USA BASSIN BANDANA SPONSORSHIP
Hoo-rag Sponsors USA BASSIN
Hoo-rag has become a sponsor for the 2012-2013 USA BASSIN tournament trail. USA BASSIN is a rapidly growing tournament trail that draws anglers from all over the US in search of monster large mouths. Hoo-rags will be going to select boats during this upcoming season. If you are one of it's 17000 members there is a chance you will be getting a Hoo-rag. If you are a USA BASSIN member and want to see what a Hoo-rag is and how to wear one, please watch this video. Continue reading Hoo-rag Sponsors USA BASSIN
Blue Water Open Winners
This past weekend was a lucrative one for anglers Chase Cornell, John Snipes, Tyler Richey, and Andrew Bossetti. This group of Hooligans decided to take on the large turn out of other anglers this weekend in Fort Pierce for the Blue Water Open Dolphin Tournament. They left the Fort Pierce inlet in search of the yellow ones in a 22′ Pathfinder. They were surrounded by other big boats but ended up 16 miles offshore dirfting baits. Continue reading Blue Water Open Winners


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I've been reading behind-the-scenes recollections and reminiscences of life as a top-flight, session, studio musician, in the 1960s and 1970s, lately. There is something that intensely disquiets me about that whole era and the way that popular music was produced and marketed, in those days. It bothers me because I think that much of the same practice still holds sway today.
For those of you that don't know, there was a team of session musicians active in Hollywood, during that period, loosely nick named "The Wrecking Crew". What did they wreck? Well, although uncredited in the liner notes on most of the albums, these were the actual musicians that played on the tracks attributed to other popular artists. In most cases, these players, while fine musicians, were boring, business-like squares, old enough to be the parents of the young artists who everybody thought they were listening to. It's a bit like having the dream and ambition of being a big time recording star, but when the opportunity of a lifetime final arises, you ask your mum and dad to record your songs for you, instead.
There were similar session musicians in the UK and in Australia. Everywhere that record companies made popular music, they were in the habit of secretly substituting the artists on the album cover with musicians they could depend on. I know, from personal experience, that this sort of thing was happening routinely, far into the 1980s. Sometimes, the band had no idea that their parts had been replaced, but often they were "in" on the whole cynical act. I have no doubt it continues today. What would stop it?
The record companies of the day were the authors of this variety of fraud – selling an image of a hip, young musical group, to make consumers part with their money, while switching the young musicians out, in favour of older, more mature, more reliable, more accomplished musicians, by stealth. The wheeze was played on the consumer, who thought they were buying the authentic art of some clever young things. No they weren't. There was a whole bureaucracy of record production heavies that was deployed, behind the scenes, to ensure nothing went wrong with either the recording process or the subsequent marketing of the music. Music was sold to consumers on a false pretence and prospectus. We weren't getting what we thought we were buying.
The record companies did it to cut costs and minimise risk. In those days, the cost of a recording session was astronomical. What you couldn't afford to do is take forever to make a record. This meant that, as fresh and exciting as the younger musicians were, you couldn't take a financial gamble on them being able to capture their particular brand of "lightning in a bottle" in less than seventy four laborious takes. Far less risky to get the old wrecking crew in, throw them some charts and get the thing recorded, to note perfection, in a couple of takes, during a single afternoon.
It has to be recognised that the record companies worked these session musicians hard, like any other mill owner would. They ground out profit from some truly excellent and extraordinary musicians, who sacrificed their artistic control and identity just to be the ones they always called in for recording dates. Their reason for wanting to be the slaves at this music production factory was because, as arduous as this life was, it was the best paying way to be a professional musician, without having to be on the road, away from home, for the best part of your working life.
So, the people that actually played on all the hit records of that period sacrificed their musical identities and all credit for their work, which in their old age they are all now fighting to get back. They finally want to have the recognition and respect for making that music. I'm ambivalent about their claims. They were happy enough to relinquish their artistic integrity to be the chosen ones to earn a few crumbs from playing music professionally. They were quite willing to turn their art into a purely commercial business, somewhat cynically, it could be suggested. It seems a little like crying over spilt milk, to me.
Perhaps they convinced themselves that churning out indifferent music, anonymously, without missing a note or ever being late for a recording date, was somehow integral to their artistry. I think that is revisionist thinking. At the time, none of these players sincerely believed in the quality of the music they were making. Jazz was their "real music". Pop music was being released as a cheaply-produced, commodity, commercial product, designed to make profit. The boys and girls on the record sleeves were just the sales representatives. Nobody saw this music as having longevity or that it would be ever revered as high art. It has been a surprise to everybody involved that this intentionally disposable pop music has become so highly valued by most people, as significant, representative cultural artefacts of the mid twentieth century.
Record companies didn't always deal with these musicians fairly, either, despite the strength of the local musicians' union. Looking at the late payments or never made payments, or screwy contracts, or finagled release dates, false recording personnel attributions and supposed "final" recording dates provides the student of crooked dealing with a master class case study in supreme swindling techniques. These same companies had no qualms in misrepresenting these records as being the work of beat generation kids, who were marketed as boy geniuses and musical Gods.
It had to have been utterly soul destroying for those younger musicians to have had all their art actually made by somebody else, anonymously, yet having to misrepresent these forgeries as their own signature work. They must have burned with the ambition to show the world what they could really do. If they were fine musicians, but distrusted with massively expensive studio time, by their record company, they must have looked on the works released in their names as crappy, sub-standard offerings, which they were obliged, by contract, to sell as their own. It is little wonder that some decided to make their own music and recordings and release their high integrity offerings, but this time without the blessing of the all-powerful record companies, who must have bristled at the sheer cheek of their youthful rebellion. Most of these records sunk without trace. The promotion machine didn't spring into action for them.
It would have been equally soul destroying to record a multi-million seller, as a session musician, but realise that although you were paid for the recording, your music was worth much more and yet nobody knew your name. Knowing that you would receive no lasting benefit or credit for a highly successful record, being paid at scale instead, must have hurt, somewhere deep down inside. No artist, however cynical, would want to remain unrecognised for a piece of work that had clearly captured the zeitgeist and made a lot of other people very rich.
The problem with this tight concentration of always-called session musicians is that it tended to homogenise the sound of all those records. The same bass and guitar sounds appear on nearly every record. Why? Because it was usually the same musicians playing the parts. There were, comparatively speaking, few fresh musical ideas and timbres. Most of the parts were highly clichéd. What saved that music from being truly forgettable was the spark of genius of some of the producers, arrangers and song writers. The musical performances were well-executed, but vanilla.
There was little by way of avant garde sonic experimentation. Synthesisers, if ever used, were used for novelty value. Guitar players eschewed distorted sounds, so they turned their backs on some of the most exciting sounds to be found, not to mention sustained, controlled feedback, which Jimi Hendrix made his own. When distortion was used, it was done so ham-fistedly, with an indifferent fuzz box turned up to maximum, that it was, again, just a novelty sound, not a valid musical timbre, capable of rendering new and interesting emotional expression. Jimmy Page and Ritchie Blackmore, both originally session guitarists, made better and longer lasting artistic statements in Led Zeppelin and Deep Purple respectively, using distorted guitar tones, than they ever could have as session musicians. Bass guitars had a muted sound, without any of that glorious resonance or crisp, piano-like tonality. There was a period of time where every pop hit had one of those portable Farfisa or Vox organs on it (which just screamed "popular beat combo", didn't it?) and/or the obligatory harpsichord.
Being so mercenary, there was little genuine band camaraderie, as one finds in a group of musicians sharing a common musical vision. The sound of Queen could never have been obtained by the wrecking crew, in a month of Sundays. Session musicians were all about turning up, playing the written part correctly and moving on. Adding one's own interpretation or improvisational skills was the exception, rather than the rule. Interestingly, on the few occasions that improvisation was called for, the results were invariably exciting and good. Those episodes are retold, today, because of their rarity.
I think the biggest issue I have with the whole closed-shop of session musicians that existed, at the time, is that it must have frozen a lot of truly great musicians out. They just never got called to the recording dates, no matter how spectacular their musicianship. Unless they were part of the system and played by the rules, nobody was ever going to hear them on a big record. I can't help wondering what we might have missed and never gotten to hear. Glenn Campbell might have been a fine player, but he was no Jimi Hendrix.
This way of making records was all about money and profit, not art and integrity. It was safe, risk-free, dumbed down and disposable. If painters had behaved this way, in making their paintings, the art would have been called forgeries and the art world would have been alight with the scandal of it. A true artist does not put his signature to somebody else's painting, nor does an artist with integrity try to pass his own work off as that of somebody else. In popular music, however, they do it all the time.
It wasn't just the beat generation youngsters that burned with the ambition to show the world their real art. So many session musicians put out solo records, to present the music they really wanted to play. They were usually much less successful than the hit records they had played on, because they never got full record company backing either. This was just another rebellion against a powerful money making scheme which couldn't be fully sanctioned or embraced by the owners of that particular mill. It would have spelled the end of the ruse.
There's no getting around it. The majority of consumers were deceived and their money was taken from them on the false premise that young kids were making exciting, fresh music. They weren't. Older players were making competent, but ultimately unadventurous music, with a few twists and interesting ingredients thrown in by enlightened arrangers, producers and composers. There is a very apposite word for this practice – humbuggery.
The session musician memoirs recount that the hired-gun musicians were frequently bored with the music they had to record. Despite their undoubtedly fine musicianship, the boredom does come across in the records, or at least the failure to enthusiastically innovate. You get the sense that every musician is playing well within his or her safe limits and that nothing radical is being attempted. Nobody is pushing the envelope. It's all well within the comfort zone (which is why much of it came to be classified as "Easy Listening"). The musicians on the records always felt that what they were playing was dumbed down and that, whether or not they publicly acknowledged it, they must have felt they were a part of a massive deception played on the public, if they were honest with themselves.
Some of these session musicians, undoubtedly, were just fine with how it all was (they participated in it for long enough, after all), but they tend to deny the sacrifices they made artistically, to their family priorities and to their development as artists. They became mere commercial musical technicians, instead of true artists. Even the most famous session musicians are virtual unknowns, compared to the celebrities who took the credit for their playing. In most cases, we'll never know how these session players might have developed, as artists, if permitted to spread their wings and play to the very limits of their capabilities. Even their solo efforts were somewhat safe and constrained affairs.
Some say that being a behind-the-scenes session musician was the best career option open to them, at that time, but this neglects the fact that they perpetuated a record production system that simply didn't value musical artistry for its own sake. That's why no better career options ever presented themselves. They actively participated in and upheld a system of music production that ensured records could never be made any other way, so better musical career options would never be possible.
Good musicians were never able to get together, form a creative unit and present their art (as a studio recording) to the public, untainted by session doctoring. Not even the Beatles. Bands perhaps have never had the chance to succeed on their own merits. Their artistry was always adulterated by money makers, bent on polishing up whatever it was they were doing, into commercially slick packages, guaranteed to sell in volume. What would have happened if they had left the artists alone to develop, and then promoted the product, as if it had been pre-packaged, homogenised and dumbed down for commercial success first? Why not let the artistry stand on its own merits? Nobody was (and is) willing to take the financial risk of a large scale flop.
Maybe we have that opportunity to let music stand on its own merits now, with the advent of relatively affordable home project studios and direct-to-public music distribution and sales. Maybe it will take some time before the level of musicianship and artistry reaches the necessary heights, under this new way of recording. We can but hope. So far, much of the output of self-produced musicians leaves one longing for the slick, cynical, music production factory professionals of old, regrettably. I hope that's a temporary state of affairs. It's only a matter of time before musical artists learn to hone, polish and perfect their offerings, before releasing them to their audience. The old record companies, while employing highly competent specialists to do this on behalf of the artists, were not dealing in occult black magic, after all. It's a skill that musicians can acquire and learn.
You might like the music they made, during this period of recorded music history, but it was intended to be risk-free consumer product. That's unarguable. Some people still like fast food, too, where the ingredients are misrepresented. I think that much better art is possible. For me, it doesn't matter that the musicians were good and that they were professional and clinical in their approach to making records. What matters to me is that it was cynical and that it froze out diversity in playing styles and musical ideas. We were robbed. We might have gained some timeless classics, but we'll never know what we missed out on.
I hope that the new, self-directed approach to music making will, one day, tell us.


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Inbound marketing is where you make it easy for your prospects to find you via organic search, as compared to you having to constantly hunt for prospects.
Per a leading Inbound Marketing tool vendor, leads from Inbound Marketing are 61% cheaper than leads from outbound sources.
So what is Inbound Marketing? It's a more professional sounding name for Blogging for Business.
The basic system is very simple:
- Generate a lot of relevant content
- In short snippets
- At frequent intervals
- For a long time
- Such that:
- Each post answers one question
- Each post is properly formatted for good SEO
- Each posts directs the reader to contact you to talk further (the Call to Action) in an effective way
Why is this so effective?
Because in order to get the attention of a human reader, you must FIRST get the attention of the search engine robots.
The short and simple recipe above (which does have more to it than JUST that) gets the attention of the search engine robots, with posts that are interesting to humans.
Remember that you are writing for a human, but must also appear to the search engine robots in order to get to the human.
What makes the system hard is not that it is hard to do. It is that it is hard to do consistency and continuously.
However consistency and longevity are critical parts of the system. A bit part of winning is keeping going after your competition has quit. So don't quit.
When your business need more traffic, more leads, and more business, we can do for you or teach you how to do for yourself.


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Letter to the Editor:
The cold-blooded killing of Kian Loyd Delos Santos, 17 year old and a Grade 11 student, by police officers in Brgy. 160 in Caloocan City is yet another proof that shows how those in power – with guns and the capacity to distort the truth with planted evidence and a staged crime scene – completely disregard the right to life of the poor, in the course of and fully emboldened by Pres. Duterte's war on drugs.
The Duterte administration has launched the full scale use of State violence to resolve a problem that involves more than a quickfix "Kill, Kill, Kill" solution. Pools of blood of innocents like Delos Santos and that of the poor not accorded with their rights to due process have been spilled, yet there is no end in sight for the actual resolution of the problems spawned by the illegal drug trade. What has spiralled instead is the sheer brazenness of State forces to commit murder in broad daylight, backed up by the President's promise that he will protect them from prosecution and punishment. What has flourished instead is the climate of impunity in the land.
Delos Santos and the thousands of poor people killed in this psychopathic drug war are victims of State terror and of the government's incapacity to address the longstanding problems of poverty. They are not victims of some rogue cops. They are victims of a State-sponsored campaign against the poor.
The killings should stop. All those who committed, ordered, endorsed and are complicit in the said human rights violations, including Pres. Duterte himself, should be made accountable. It is through upholding the rights of the people, especially social and economic rights, that the root causes of poverty and social problems can be thoroughly addressed.
Cristina Palabay
Secretary General, Karapatan
2F Erythrina Bldg., #1 Maaralin corner Matatag Streets, Central District, Quezon City


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MARYAM ASHKANIANEpitome, 2012
Sewing on fabric.
150 x 150 cm.
This artwork is part of Middle Eastern Art - Weaving Its Way West, an exhibition curated by Collectionair.
Contact Collectionair for details about the artwork:
- Ships in 10 to 20 business days.
- We allow returns within 7 days of reception.
- Shipping cost and taxes will be automatically calculated at checkout based on your location.
- All artworks are sold unframed unless stated otherwise.


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Matt brings to Thrasher a Bachelor's Degree in Biology from Sterling College and has over 15-years of business development and sales experience. Originally from Denver, CO, Matt now lives in Omaha with his wife. He enjoys being outdoors, running, biking, fishing and camping.
At Thrasher, we work every day to deliver a wow experience and challenge the status quo. One way we do that is by walking alongside the best in the industry. In Matt's words, "Thrasher is a very unique place that cultivates an attitude of excellence and team work. I love being a part of a team that has a common goal and understands what it takes to achieve that goal." We're thrilled to have Matt as a part of the Thrasher team as we work to redefine our industry.
Questions? Please contact: email@example.com


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Burbank 2002 Staff Reports: Cyn
Forum moderator Cyn's account of the Burbank weekend...
Cyn (SunKrux/Sun_Aeryn)
Photos from this event can be found in our
Burbank Convention 2002 Gallery
Unofficial Day One – November 21st
I flew in on Thursday with Emeraldcity from ever so "sunny" Seattle – ok for once this was true. Once in Burbank EC and I got settled in our rooms. EC doesn't do roomies.I on the other hand have no problem with roomies. My roomies for the weekend were Shell – Zhaansacolyte/Roxton's Lady/CraisCraver (and people thought I had an identity problem ), Marie – ChaoticDreamer and Julie – Ryalin (that's right, my evil twin). Marie didn't' show up until Friday. Shell, Julie and I had the room for that night. Julie drove from SD right after work. I called her a few times as she was driving, of course CA traffic tried to keep her from getting to the con…but being my evil twin, Julie didn't' let a little thing like traffic stop her. Once she finally made it and was settled…the three of us hung out in the lobby for a while with other Scapers. Then we all migrated to the bar/restaurant until pre-registration.
Registration was ever so much fun. We stood in line to get a lovely armband (that we couldn't take off all weekend…it was a lovely shade of bluish-green this year) and a plaque of a member of the cast (excluding Claudia…as for some reason, her autograph sells – more on the this later). We wandered around looking at the dealer's room and all the fun stuff set up to suck us dry.
I met several old friends. Not as in age old - you frellnicks, as in friends I'd made the first year. Back to those plaques - they were of Scorpy, Chiana, D'Argo, and John – those are the ones I remember. Julie got John and was NOT letting it go.
She just reminded me of something she did before registration...now that she's left the room…I can tell you all what happened.
While hanging in the bar with me and all the other crazed Scapers, Julie had a couple of glasses of wine and was convinced by my evil friend, Michael that she should buy Lani (pronounced Lonnie) Tupu a drink. *waits for people to pick their jaws up off the floor* You heard me…she bought the man – a stranger to her – a drink. When Lani stood up to thank her…she promptly put her head down on the table so he couldn't see her. She mentioned something about the floor opening up and swallowing her. Then we left the bar and started over to pre-registration. EC came after us, grabbed Julie and drug her back to the bar to meet Lani. Julie was sooooo frellin' adorable. She blushed, wouldn't look Lani in the face and told him "your welcome". It was all I could do to get her to stop hitting the ceiling for the rest of the weekend. I don't believe she washed that hand all weekend.
I started out with a plaque of Chiana (Gigi Edgely) and traded it for a D'Argo (Anthony Simcoe). With the D'Argo plaque in hand I walked around the dealer's room saying Got a D'Argo, any one want a D'Argo, willing to trade for a Scorpy I eventually had a taker. We traded and all was well.
After all the excitement of getting our armbands, plaques and Julie buying strange men drinks, we went to our room for a few hours of shut eye.
Official Day One – November 22nd
The con kicked off at around 12:30ish with the first round of fan made music videos. I think I missed several of those as I was out in the lobby catching up with old friends and meeting new ones. Of course, when 1 PM rolled around…my eema was glued to seat B-20 (Julie says the B stands for B*&^h. *shrugs* don't know why she'd say a thing like that to me.
). Why was I glued to that seat? two words – Wayne Pygram!!
Julie doesn't get why I find him so hot & sexy. As far as I'm concerned, she doesn't have to.
Wayne (Scorpy) was wonderful as usual.
Several people asked him questions and he talked about how ill he'd been and that finally this year his doc was able to find out what the problem is. He's allergic to wheat and other grains. He looks and feels much better now. I managed to worm my way up the line to ask him if he'd don the lizard suit again for TLW. He said he wouldn't mind doing TLW again…just not as a lizard…he doesn't want to get typecast as "You know...that guy that does aliens/lizard suits". I mentioned his appearance on TOTSS as well. Oh, when I asked him about TLW I heard a few crazed TLW Scapers screaming in the back. I can only guess it was LJohnC, LostAngel, and TiggerScaper.
After Wayne, we saw more fan made vids. Bless Creation's heart…they coughgracedcough us with movie ads. That pretty much cleared out the room. LOL After the movie ads…we were shown extras from the UK/European DVD releases…in other words…stuff that's not on the US DVDs. I missed those as well. I also missed the FS Trivia game. After the trivia game we saw a fairly well made music vid, by a 12 year-old Scaper.
Next up…Australia's answer to the Energizer Bunny Rabbit – Anthony Simcoe (D'Argo). Anth was all over the stage, making it difficult to take piccies. He was his normal, insane, funny self. He talked about the band he, Wayne, and a couple of other blokes started; even explained how they came up with the name, Number 96, for the band. Apparently back in the 70's in Oz there was a rather cheesy soap called Number 96. He answered questions…I didn't ask him any.
After Anth was finished talking it was time to line up for autographs with Anth, Wayne, and Richard "FrooniumRicky" aka "Froon" Manning. While waiting for my turn to get Anth's autograph…I decided I'd ask him if I could rub his head. He's got a buzz cut and it looks good on him. He let me…let me tell you this…his hair is soft. Once autographs were done…we broke for dinner. After dinner…we were treated to a concert from the band Number 96. They were AWESOME! They are a rock –n- roll band. The fans surprised them by the wonderful response to their music. Anth has a pretty good voice.
Yet another Julie story. Ha, I bet this is the last time she lets me do a con report.
After the concert we all went to the hotel restaurant/bar and hung out…had a few drinks (well Julie did…earlier in the day she got some bad news from work…and it was my job to get her drunk…). In the space of roughly 40 minutes, she downed 4 Kamikazes. That's how bad the news was at work. Anyway…Julie was feeling nothing and is actually quite cute and funny (even more than she is normally) when "pissed".
She doesn't really remember speaking with Lani Tupu again that night…but she did. She didn't even geek out.
Day Two – November 23rd
This day kicked off at around 12:15 with more of the European/UK DVD extras and a video with David Kemper, Executive Producer and head fan torturer. Then more music vids (there was a contest…don't remember who won it). After this round of music vids was the "Be a Farscape actor". Richard Manning (Froon), executive producer and writer, wrote a "missing scene" from an eps and called on three sets of three fans to act it out. I of course volunteered (tried to get Julie to volunteer as well) and was the only female "Harvey" (the Scorpy neural clone). The only draw back to participating in the "Be a FS actor", I missed the cast salute videos and most of Kent McCord's time on stage. He has definitely aged well.
. I did get his autograph right after his talk. Froon did "FS Pyramid". Then they ran "Into the Lion's Den; part 2" and held the auction, which I missed as I was practicing my part. Then my "big break" came. The group I was in was the second best group…and several people said they thought I did a good job. It was a lot of fun. Once we amateurs were finished…it was time for a seasoned pro to take center stage…
Claudia Black was up. She brought gifts for a couple of fans. The gifts were these amazing little things (the name she used escapes me now) to make hot chocolate with. I have to get me one of those things!
She shared a rather embarrassing story that Anth suggested we ask her about. I'm guessing she had a little talk with him later.
She talked about her ski trip that happened shortly after the show was cancelled and what happened on it. Poor dear…she really shouldn't have listened to her boyfriend. LOL She was gorgeous and gracious, as usual. I don't remember if I got to ask her a question or not. Once she was done talking…it was time for autographs. As the person who compiled her con book…I got to wait (and Julie did as well) till the end of the line of autograph hounds to give her the book. I had a "prop" that was used in one of the S3 eps. I had to explain just about everyone, except Claudia, what it was.
When I set it down, Claudia picked it up…turned it over and had a huge grin on her face.
Cyn – "Do you know what that is?"
Claud – "Of course, it's a bomb."
Then she and the Creation person helping her debated which kind of pen she should use to sign it with. She didn't want it to get messed up. I was floating…didn't even mind that I didn't get my piccie with her yet again. She had requested no photographs during the autograph session. Julie actually spoke…that's right, actually spoke to Claudia. Up to this point, Julie hadn't been able to speak to the cast/crew. She would just turn white and say nothing. She actually told Claudia how much she enjoyed watching her work and told her what her fav eps were. Claudia shook her hand, smiled, asked her name and said thank you. Julie was floating even higher now. First Lani and then Claudia…it's a wonder Julie slept that night. LOL
Once autographs were done it was time to get ready for the cocktail party. The cast members who appeared for this were, Wayne, Anth, Gigi Edgely (Chiana) and Raelee Hill (Sikozu). Later Froon and his lovely wife, Cheryl, entered the party. As they entered, some fans started chanting "Ricky". Well not to be out done by those Froon groupies, I decided that we should all chant "Cheryl". We (Julie, my friends, Mary F., and Carla) all chanted rather loudly. It had the desired effect…Cheryl turned a lovely shade of pink.
She is such a wonderful woman. She and Ricky genuinely LOVE the fans. I insisted that Cheryl and Froon take a piccie with the Cheryl and Froon groupies. It's a wonderful piccie. When I get home I'll upload it and send a link so it can be scene.
Gigi was the first one to make it to our table- we all took piccies with her. Then Raelee stopped by. She is ADORABLE(she is actually quite gorgeous but her personality is what makes her so frellin' adorable)! When I mentioned that I enjoyed her on TLW she blushed and talked a bit about her experience. We all got piccies with her. Then they left to smooze with other fans. Then Wayne
came to our table. He must have spent at least 5 minutes (sorry guys and gals who didn't get to see him) at our table talking with us, especially MissyKat/Mary F.
I finally got the nerve up to ask him if I could rub his head. Ok, I admit it…I have a thing for rubbing guys heads when they have a buzz cut. He has soft, peach fuzz type hair. Eventually Anth made his way to our table…I once again asked to rub his head, others followed suit. It was wonderful to see them so relaxed and enjoying themselves. Once they all cleared out…so did Julie and I. I was getting a headache…I think lack of sleep might have been a part of it.
Day Three – November 24th – the final day
Kick off was at 12:20 with another Farscape video salute. At 12:30 Lani Tupu (Captain Crais and voice of Pilot, and Julie's new lust interest) came on stage. He had been signing autographs and taking photos - for a nominal fee, it's how he makes money, heck…it's how most of the FS cast makes money atm, considering that they didn't really make all that much while working on FS and Creation pays them squat for attending the cons – more on this later.
Julie actually got up and asked him a question…but almost didn't ask him…as when she got to the mike, Lani said "Hello Julie". She almost did a 180 and left. But she braved it and asked him about his time on TLW. Contrary to what I've heard before…he genuinely enjoyed working on TLW…he said so himself. To prove to some fans that Pilot's voice isn't all that digitally enhanced…he read a bit of Pilot while a lucky fan got to read John for him. Lani is a true delight and an amazing man. Ask Julie.
Next up were more fan made vids. Most of the fan made vids were awesome. I applaud each fan that entered the contest.
After that, Raelee Hill (Sikozu/Redheaded witch from A Witch's Calling) came on singing a bit of the song "On a Clear Day" (from one of my fav movies – On a Clear Day). She is this tiny little bundle of energy (not quite like Anth…but close). I saw her in the hallway with Gigi the night before and she now has short hair. It looks great! Julie was with me and amazed that I'd talked to them like I would anyone else. I said hi to them both and mentioned Raelee's haircut and that it looked good. Now back to her time on stage; when she finished singing she mentioned when Tammy McIntosh (Jool) was at the con last year that Tammy had done cartwheels or handsprings. Raelee's response to that was I'm not an acrobat, baby. She then went on to discuss how she got the role of Sikozu. She had actually auditioned for Grazya but was told that she wasn't mean/wicked enough. She was then told to come back and they would figure something out for her. Before we knew it she was taking questions. Julie asked her what it was like being the "new chic" on the show. Raelee talked about the fact that she's been on a few other shows that were well established and that it is sometimes tough but she manages to come out on top. A few more fans asked questions – bit of digression here…I had done the fan books for Claudia, Tammy and Fran Buller. I also wound up doing part of Raelee's book as well. Xill (the fan who volunteered for Raelee's book) had trouble with her e-mail account for the book. I didn't want Raelee to miss out…so I took over). Xill emailed me the night before I left for the con about the fan book…I told her we'd meet up at the con and put it together. Well, fate seemed to be against this happening…Xill was ill most of the weekend (she's fine now) so we didn't actually see each other until she was in line to ask Raelee a question. She handed Raelee half of the fan book while mentioning that someone had the other half…I then raised my hand, from the other side of the stage and said "I have it and will give it to you later". Raelee and the audience got a laugh.
When I was finally able to ask Raelee a question…I did my duty as a good TLW fan and asked about her time on the TLW set.
I asked her what it was like torturing Will Snow and David Orth. She enjoyed the time on TLW, said it was a very laid back set and that everyone was wonderful. She mentioned that she's known Will for years and that David is a soft-spoken gentleman (always opening doors and the like).
After Raelee we were subjected to more Richard "Froon" Manning. He is a funny, sarcastic and very sweet (geeky, as Julie says) man. In fact he is DA MAN! He genuinely enjoys hanging out with the fans. He answered some questions until the Creation people had to drag him off stage so they could show ]Revenging Angel. The costume contest and another auction followed. I missed both as I wanted to go hang with friends.
Once all the other stuff was over…Gigi Edgley (Chiana) came on. Unfortunately the poor dear was ill. She was a trooper. She granted a fans request to do the "flaming poy balls" thing with some fake ones. It was amazing! As I was waiting in line to ask her a question, Adam (one of Creation's owners) came out. I thought "s*&^ Q & A is over" boy was I wrong…he just wanted to tell her that she had a package backstage. She went back stage to retrieve it. As she drug it out on stage we learned that her package was none other than David Kemper, in the flesh. What a surprise for all fans! I then asked Gigi about her time on TLW As Lani and Raelee stated, she enjoyed her time on TLW. I also asked her what it was like to be eaten by a giant man eating plant and what it was like to work with Rachel Blakely. She talked about how she had to stand around several puppeteers. As she looked up she notices a bucket of goo being poured over her (she mentioned what it was…but this being a family board…I'll just leave it at that). She said that Rachel was wonderful to work with.
David and Gigi talked and joked around as fans asked questions…but all too soon it was time for autographs. As I had done with Claudia's book, I waited until the end of the line to get my autographs so I wouldn't hold up the line with giving Raelee the other half of her fan book. As I handed Raelee the fan book and my photo…I asked if I could get a piccie with her. I was told if I would wait until everyone else (fans that is) had gone through…I would possibly get the piccie. Well Raelee finished up before Kemper and Gigi did (as she was first in line) and started to leave. I managed to catch her before she totally left and snagged a piccie with her.
Julie was hungry so she went to eat with some of our friends while she waited on me. When I finally finished…I met her at the hotel's restaurant. We said good-bye to our friends. I stopped at EC's table (she was with Lani and a friend of his, EC lucky bi*&) to say good-bye. Julie joined me soon after. She got to speak with Lani again. Sweetheart that she is wouldn't hug Lani (believe me folks, he offered) because she didn't want him to catch her cold.
My friends, Dani (a rather hot looking British young man) and Mary helped us get our bags to Julie's car. We talked for a bit and then Julie called it a night and we left. We made it to SD in about two hours, exhausted but both very happy!
Just wanted to add that it was a pleasure to finally meet Dani and Mary. When I get my piccies downloaded to my puter (not home atm...still on vacation) I'll be posting the good ones somewhere online. Sadly, the ones I took of Dani and Mary in line asking cast/crew questions didn't turn out right. Sorry guys!
Thus ends my long boring con report. I'm off to bed now…have to get up early to help Julie finish cooking Thanksgiving. Laters!
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It's more than 20 years since Marq De Villiers published The Heartbreak Grape: A California Winemaker's Search for the Perfect Pinot Noir about Josh Jensen of Calera's obsession with making a [...]
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Professor John Musto, the coordinator of the GC's D.M.A. Program in Performance, received a 2019 Arts and Letters Award in Music from the American Academy of Arts and Letters for his work as a composer.
The award provides $10,000 to honor outstanding artistic achievement, and an additional $10,000 to help fund the recording of one work. Musto and the three other award recipients will present their music in a concert at the Academy next year.
"It's very rewarding to be acknowledged by your colleagues," Musto said. "This is a wonderful award because it includes the stipend for recording. Recording, if you really want to do it right, is an expensive proposition."
Musto's work has received acclaim by publications ranging from The Washington Post and The New York Observer to Gramophone Magazine and Musical America. In addition to being a classical composer, Musto is a distinguished soloist and chamber musician, and has performed and written work in genres including orchestral, operatic, concerti, and as well as music for film and television. For the past two years, he has toured with "Last Night with Leonard Bernstein," a four-person show that also features his wife, acclaimed soprano and Professor Amy Burton (Music), who teaches voice at The Graduate Center.
"Performing and composing are very different things, and they feed on each other," Musto said. As for his favorite genre? "Your favorite is what you're working on at the moment."
Musto is the recipient of many previous awards, including two Emmy awards, two CINE Awards, and a Distinguished Alumnus award from the Manhattan School of Music. He was named a Pulitzer Prize finalist for his orchestral song cycle "Dove Sta Amore."
Submitted on: MAR 6, 2019
Category: Faculty | General GC News | Music Ph.D. - D.M.A


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From nature-lover and intrepid traveller Richard Rowan, Twilight is a stunning new body of work inspired by "that perfect hour of the morning or evening when everything goes quiet."
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LOG130 Supply Chain Concepts III - Industry InfoTech
Learning Outcome
Upon successful completion of this course the student will have acquired a solid foundation relative to the integration of Information Technology and Supply Chain Logistics. The student will understand the critical importance and value of Information Technology in Supply Chain Logistics and how both elements are necessary for the successful implementation of profitable business strategies in our global economy. The student will be enabled to share their expertise from the knowledge gained from this course within their respective business enterprise at all levels of an organization. This material is process-driven, and it is not about theory. It will enable students and professionals in the Supply Chain/Logistics Worldwide Industry to utilize this knowledge for "real world" on-the-job application.
- To understand the different roles of software and hardware.
- To be able to explain the evolution of programming languages and how they have impacted software development from generation to generation.
- To understand the value of key functional areas for information systems.
- To explain the concept and successful operation of EDI.
- To understand how intranets, extranets, and the internet operate.
- To describe what has evolved in the development of the internet.
- To understand the value of e-commerce in relation to the business world.
- To understand why logistics measurements should be in sync with corporate strategy.
- To understand the basic logistics network.
- To understand the key issues facing supply chain management.
- To describe the value of the 7 primary and 10 ancillary functional areas in a SDVC.
- To recognize and understand the importance of systems in the integration of SDVC. (Supply Demand Value Chain)
- To summarize the benefits of strategic sourcing.
- To know how all of the ancillary functions fit together and support the primary function of SDVC.
- To understand and appreciate the significance of functional processes and what they bring to the SDVC.
- To be able to select the appropriate measurements necessary for evaluating a business SDVC.
Major topics covered in this course are listed below. Topics are designed to help students understand the critical requirements necessary to implement an integrated supply chain with Information Technology in order to foster improved business results at the strategic, tactical, and operational levels of business.


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Media Watch: 3Sat Television Channel
German television channel 3Sat recently aired a documentary on J.R.R. Tolkien, his literature and the upcoming Lord of the Rings movies. 3Sat have posted an article on the program on their site summarising the narrative of the show itself. [German] [English]Posted in Old Main News on October 1, 2001 by Strider


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Concert Review: (Steve) Holy Moly! KAT COUNTRY 103 – 2014 Listener Appreciation Concert
What else can I say. I drove nearly 700 miles from my home in Portland, Oregon, for this show…and it DID NOT disappoint!
Yesterday afternoon, I had the pleasure of spending nearly 7+ hours with 15,000 of my newest, closest friends in Stockton, California. While it may have been nearly 95 degrees for this outside show, it didn't matter. To see acts including Maggie Rose, Natalie Stovall and the Drive, Chuck Wicks, Josh Thompson, Love and Theft, Steve Holy and Keith Anderson, no weather (neither snow nor rain nor heat nor gloom of night) could have kept me from having an incredible afternoon.
First and foremost, I have KAT COUNTRY 103 to thank for their 2014 Listener Appreciation Concert. This includes the staff, volunteers and everyone else who made the event happen. Concerts like this take months of hard work and dedication, and from what I saw, incidents were minimal and everyone had A LOT of fun!
OK. That's enough of the introduction. Let's get to the music!
First to take the stage was Maggie Rose.
I've seen her once before at the Rodeo Club in San Jose, California, and was excited that KAT COUNTRY brought her to kick off the show. She definitely set the tempo for a "kick ass" afternoon. Songs such as "Mostly Bad", "Better", my wife's personal favorite "I Ain't Your Mama" and radio's next big hit "Looking Back Now" filled the set list, which sadly was only a few songs due to the number of acts at the event. If you haven't caught Maggie live, I suggest you pick up a ticket next time she's in town. She won't be an opener for long. She has headliner written all over her!
Next up was Natlie Stovall and the Drive.
I'll admit, this was the act that I knew the least about going into the show, but I certainly left a HUGE fan. Let me introduce them to you. The band consists of Natalie Stovall (lead vocals, fiddle), Miguel Cancino (guitar), Zach Morse (bass), Joel Dormer (guitar, vocals) and James Bavendam (drums).
Anyways, I can't say enough about this band to do justice. High energy doesn't even begin to describe them. Awesome work on the guitar…the bass…the drums. Oh, and did I mention Natalie has a great voice and is an incredible fiddle player. This was demonstrated in their closing rendition of Charlie Daniels "Devil Went Down to Georgia", one of the highlights of the entire afternoon.
OK. Stop reading my review for 10 seconds and visit their website, bookmark it, and come back to read the rest of the review.
Back? Good…
Next up was Chuck Wicks.
What can I say about Chuck Wicks. I've been fan of his since his first hit "Stealing Cinderella" hit the radio back in 2007, and was very excited that the song made the set list. But then again, why wouldn't it!
The crowd was also hanging on every note of "All I Ever Wanted" which kicked off the set as well as one of my personal favorites "Old School". My wife was a little disappointed that we didn't get to see Chuck bust out any of his moves from Dancing with the Stars, but she, and all of the women standing around me, were content with the opportunity to see his eyes when the sunglasses came off and was joined on stage with Keith Anderson.
Next up on this afternoon in Stockton was Josh Thompson (sporting a KAT COUNTRY temporary tattoo).
How can you not love a Josh Thompson show. Even with an abbreviated set list, he was able to pack in all of his hits as well as some new songs which will appear on his new album "Turn it Up".
I've seen him twice before, both at small club shows at the Rodeo Club, but this was my first time in a larger venue. He didn't disappoint. Songs such as "Beer on the Table", "Way Out Here", "Cold Beer with Your Name on It" and "Won't Be Lonely Long" filled the set list and I can still hear the echo of the crowd singing every note, ringing in my ear today.
A great performance by a great artist (who by the way came out with Maggie Rose, Natalie Stovall and others to the after party following the show).
As we passed the halfway point of the afternoon, Love and Theft took the stage.
Love and Theft, featuring Stephen Barker Liles and Eric Gunderson, who both sing lead vocals and play guitar, is a band that I see EVERY TIME they come to town. This was my fourth time seeing them play, and they just get better with each and every performance.
The set list started off with the rocking "Runaway" and concluded with radio favorite "Angel Eyes". In between, they talked to the audience and just had a good time. Oh yeah, they also played "If You Ever Get Lonely" and the crowd favorite "Let's Get Drunk and Make Friends". If you haven't heard this one, look it up. It's a fun song that the crowd really gets into every time! Those of us in the front row were having a good time to it and the actual drunks behind us seemed to relate (with hugs and kisses for everyone around them).
Next up was the act that I specifically came for: Steve Holy!
I've said this before, and I will say it again here: while he doesn't get the recognition he deserves, Steve Holy is one of the best male country artists today. Fact!
Not only does Steve Holy have the voice and the hits, he has a stage presence that is second to none. No one is able to build a rapport with the audience quite like him. While he spent much of time during his set interacting with the crowd, his rapport building, and love for the fans, was demonstrated with the dedication of his hit "Good Morning Beautiful" to a young, 6 year old girl named Paisley (named after Brad Paisley). What a great moment.
The set list featured other hits such as "Love Don't Run", "Hauled Off and Kissed Me", and my personal favorite "Men Buy the Drinks (Girls Call the Shots)". While we didn't get to hear "Radio Up", instead, we were treated to "Wrap Around", which was co-written by Keith Anderson who joined Steve on stage for the song.
Following the set, I was able to catch up with Steve (along with Chevon and Christine of course) for a few minutes AND introduce him to my wife. Being my wedding anniversary, and knowing that "Good Morning Beautiful" was our wedding song, this was a great few moments and the highlight of the afternoon for us.
An all-around great guy (and performer), don't miss Steve Holy when he comes to your town. You'll leave a HUGE fan!
To end the afternoon was the one, and only, Keith Anderson.
Keith Anderson is not only a great performer, he's an incredible songwriter. A quick Google search will bring up the songs that he has played a part in, either recording or writing, and it was great that we had a nice sample of them on this afternoon. As a country music fan, how could you not like songs such as "Pickin' Wildflowers", "XXL", "I Still Miss You" and "Lost in This Moment".
But besides the music, one thing that I really enjoyed (and respected) was how he seemed to come out and watch every act perform. He didn't show up 30 minutes before his set and leave right away, like I know some artists do. The guy was out there supporting and enjoying each of the acts and even joined in on a few of them. We saw him taking photos with the other performers and just having a good time. That's what I consider awesome!
Speaking of having fun….I think Maggie Rose and Natalie Stovall may have had the most fun of anyone when they weren't performing. Definitely a couple of "Charlie's Angels" with the water guns cooling off the crowd.
So that's it. Not much else I can say other than that! What an incredible afternoon with 7 GREAT acts!
I have to thank KAT COUNTRY 103 for putting on this shindig! Pulling together a lineup from top to bottom that has no holes in it is difficult to do in any musical genre, but you succeeded and I can't wait until next year's show.
I also have to thank my wife who was able to secure tickets for us, for our anniversary, from 700 miles away. She knew that I can't miss a show that features Steve Holy or Love and Theft, and I got to see both (and 5 other fantastic acts).
Yep! That's me trying to look cool with my hand on the rail (thanks to Tim Cruz from KAT Country 103 for taking the picture).
Top Moments:
*10 minutes with Steve Holy after the show (and "Good Morning Beautiful")
*Natalie Stovall and the Drive's fantastic version of "Devil Went Down to Georgia"
*Keith Anderson checking out all of the other performances (and joining in on a few)
*Love and Theft's "Let's Get Drunk and Make Friends" sing a long
*Chuck Wicks "Stealing Cinderella"
*Maggie Rose with the super soaker (with help from Natalie Stovall)
*Josh Thompson putting some "Beer on the Table"
Were you in Stockton for the show? Tell me about your experience and what you enjoyed the most in the comments below!Explore posts in the same categories: Uncategorized
Tags: #LAC2014, California, Charlie Daniels, Chuck Wicks, Eric Gunderson, James Bavendam, Joel Dormer, Josh Thompson, KAT COUNTRY, KAT COUNTRY 103, Keith Anderson, LAC 2014, Listener Appreciation Concert, Love and Theft, Maggie Rose, Miguel Cancino, Natalie Stovall, Natalie Stovall and the Drive, Stephen Barker Liles, Stephen Liles, Steve Holy, Stockton, Zach MorseYou can comment below, or link to this permanent URL from your own site.
5 Comments on "Concert Review: (Steve) Holy Moly! KAT COUNTRY 103 – 2014 Listener Appreciation Concert"
June 22, 2014 at 9:23 pm
What a blast it was!! Everyone was on too of their game for this one and Steve sounded better than ever. Must have been that cool delta breeze and that wicked shade over the stage keeping the artists comfortable. And the squirt guns too 😉
June 29, 2014 at 2:57 am
You drove 700 Miles to go to this Show?… Wow, you ARE a die-hard Fan! (Gee, with that kind of Dedication, someone should've at least given you a Cowboy Hat! (HaHa).
I ignored the Gum in your Mouth (although difficult— since you pointed it out!… heehee!), but couldn't do the same with the shot of that "Face" peeking-out between Steve Holy's legs…. ('my Bad!).
Now, where's the Wifey here??… (my guess is to your right, on the corner???)
Looks like a good time… Glad you had one!
(and, Happy Belated Anniversary!)
July 1, 2014 at 4:45 am
Oh… Okay… I had the right Picture, but thought she was in FRONT of your right Shoulder, on the end, leaning on the front Rail with her Hands folded… (She's in the Row BEHIND you then, on the end, with her right Arm resting on the side Rail, looking to her Left… Right?)
From the shot of the sea of people, nice that you were at least in the Shade, out of the Sun, and, of course, can't beat the "up-Front Seats"— always a Thrill when going to see our favorite Performers.


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By Madeline Holcombe, CNN
(CNN) — First he got down on one knee, then he was sent scrambling on his hands and knees.
The man popped the question in Times Square, police said, but lost hold of the engagement ring, which fell through a sidewalk grate.
New York police found the ring and put out an all points Twitter bulletin Saturday, looking for the victims of the matrimonial miscue.
On Sunday, after social sleuths assisted in the multinational probe, the New York Police Department announced it was closing its intensive investigation.
The couple from England, whom the NYPD identified only as John and Daniella, has been located, the department crowed.
"We would like to thank everyone who shared this story!" the department tweeted. "The (now) happy couple is back in their home country, but thanks to your retweets they heard we were looking for them! We're making arrangements to get them their ring back. Congratulations!"
On Saturday, the NYPD put out a wanted notice for the less-than-graceful groom and his would-be bride.
"WANTED for dropping his fiancee's ring in Times Square! She said Yes- but he was so excited that he dropped the ring in a grate," the NYPD News tweeted Saturday. " … Officers rescued it & would like to return it to the happy couple."
The video shows the man dropping down to the New York City street to try and rescue the ring. But no luck.
™ & © 2018 Cable News Network, Inc., a Time Warner Company. All rights reserved.


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"Garden in a Box" homework award winners but all entries were winners in our eyes too!:
Year 1
1) Pawel
2) Joshua
3) Madison
Year 2
1) Naomi
3) Charlie
Parents and governors were blown away:
"I wish my garden looked like that!"
"The children are so creative"
"I can't believe how different they all look"
Well done children on your hard work.


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Limited Edition Long Bar Statement Earrings
*SALE** Reduced from €32 to €15
One pair left, choose your studs, acrylic mirrored gold or acrylic plain red ones (not painted) Put this information in the 'notes to seller' box as I can't edit the variation.
Limited Edition! Statement glitter dangle earrings, ready to take you from day to night & ready for this festive season!
Earrings in this range are laser cut from eco friendly bamboo, hand painted in shades of red with a touch of glitter added. They are finished off with a choice of an acrylic stud in mirrored gold or painted wood red in stud. Earrings have been sealed with an ecological resin to give them a lovely glossy look.
A truly unique, simple & lightweight pair of earrings to wear or gift for this coming season!
►Note: Also available in this shade for a limited time. More options in this design available here .....in blue/pink combo and here for if you fancy a copper & blue combo.
Earring Details:
• Dimensions: approx 4cm tall with a 15mm stud topper ( see pic with model)
• Earrings have been hand painted in various colours as pictured, with some of the wood exposed. They have been sealed with an ecological resin for protection.
• Posts are lead and nickel free.
• As is the nature of handmade, no two pieces are exactly the same. Wood knots in the grain are not considered a fault, just mother nature doing her thing.
• Even though these pieces have been sealed, due to the natural properties of wood, these are not intended to be worn in the shower.
Packaging & Shipping Info:
• All earrings come in a eco friendly gift box & placed in a sturdy padded envelope.
• Want to send as a gift? Just message me with the details
• All items are send via the Irish postal service by standard post. If you require tracking, please contact me here
Estimated shipping times:
Ireland: 2-3 business days
North America: 7-12 business days
Europe: 5-10 business days
Australia, New Zealand and Oceania: 10-14 business days
I'll do my best to meet these shipping estimates, but can't guarantee them. Actual delivery time will depend on the shipping method you choose.
Customs and import taxes
Buyers are responsible for any customs and import taxes that may apply. I'm not responsible for delays due to customs.
Other Info:
• I try my best to photograph all items true to colour, but please remember colours may vary on your monitor/device.
• There are NO refunds or exchanges on custom, made to order, or personalised embroidery hoops/jewellery.
• Earrings cannot be returned due to hygiene reasons, unless faulty.
Sorry, currently out of stock


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Do we all agree on a non alcoholic super green cocktail today? let's make one!
So…Forget about oranges, lemons and pineapples… those were the days of boring exotic fruits and sugary sticky syrups!
My cocktail lovers… Let me guide you through a tasteful Super Green cocktail, low in calories, rich in iron and packed with funny things like vitamins! because we love cocktails to be healthy sometimes!
We will end this blog post with a small but meaningful " selling tip" by using contrast of colours, the decoration, garnish and perfumes help engaging and help your sales!
??Check the step by step following the best pictures we have captured today! but.. if you want to jump to the recipe of the Super Green cocktail … just skip til the end of the page! ????
The Super Green cocktail preparation , photographed step by step:
Inspired from a cocktail I used to make a couple of years ago, along with my bar manager Michele at Cahoots, London… I felt It should have been replicated on our blog; I have changed the original name to Super Green Highball !
Super Greens is the ultimate "all-in-one answer" for any customer, guest or -friends of yours- looking to get the vital nutrients and vitamins the body needs to function at a superior level.
After having collected some leftovers at home… meaning all the green stuff like spinach, some aged old forgotten apples, lemons, fresh cucumbers and a stalk of celery
Myself and Marcella have also thought we would have highly appreciate a mix of vitamins! so we have taken a bunch of spinach, cucumber and a stalk of celery alongside with some red granny apples, everything went in the juicer, pressed and made liquid! we have done something similar with our minestrone sour cocktail!
Lemon juice adds some more vitamins C to this "already packed" healthy drink, so the cocktail is rich in iron due to the spinach leaves, rich in carbs thanks to the apples (a medium size apple contains 95 Cal) for a good source of energy!
We didn't want to say no to some bubbles! I we think bubbles makes everything fun and brings the joy of party in the house!
This Elderflower tonic introduces an elegant and refreshing fizzy mess to this cocktail, it will also introduce a tiny amount of sugars, pleasing ourselves to a sweet taste each sip of this Super Green cocktail.
Super Green cocktail execution:
- 80 ml Supergreen juice: (from cucumbers, celery, apple and spinach leaves)
- 20 ml fresh lemon juice
- 50 ml elderflower tonic
Contrasting colours, purple and green will boost your sales!
Remember, in first place: Every cocktail must have a garnish that relates somehow to the ingredients.
Taking this equally important old school teachings for granted, today we jump on what's happening in Real time nowadays, and how efficient our cocktail can be on a colour related marketing campaign.
Colours influence how customers relate and pair their "personality" to what they eat or drink, studies provide deep analysis on how people choose food or drinks based on visual attraction:
Garnish your drink with different colours: there is a entire study on "how colours can drive people attention" and evoke particular feelings and sensation, PURPLE is the colour of royalty, it adds a touch of elegance to the green liquid contained in the glass. GREEN is a versatile color. It is also very warm and inviting, lending customers a pleasing feeling. Second, it denotes health, environment and goodwill. Finally, green is the color of money, so it creates thoughts of wealth. (Read more at https://www.business2community.com)
finally, do never forget…
- we live in the era of social media sharing, everything that looks cool and pretty goes shared on someone's screen, and view by thousands in a couple of second after pressing the "share" button
- we live in the era of funny glassware, where no matter the colour of the cocktail, if it's ugly, it then goes served in a cocktail ceramic mug and you turn your ugly-coloured mix into a super powerful marketing tool. some bars have their top selling drinks in cocktail mugs. try! look at this!


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Treatment & Procedure Carts 6200
Treatment carts are the perfect solution when you need to store topical ointments; eye, ear, nose and throat supplies; wound care supplies; and other bulkier nursing supplies, including surgical apparel, masks, dressing disposal bags, and blankets. These carts are seen throughout a hospital including hospital floors, nursing units, specialty clinics, operating rooms, and treatment rooms.
Product Information
|Available in short or tall models, with key lock or mechanical combination push-button lock
|Removable plastic top
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|21 inch storage compartment, locking doors and adjustable shelf
|Full wrap-around vinyl bumper on separate steel frame
|Five inch full swivel casters, one with brake, one directional
|Pre-installed wheels reduce set-up time when delivered
|Powder coat finish–17 colors available
|Powder coat finish–17 colors available
|Full range of accessories and drawer organizers shown at end of catalog
|Top rail/push handle
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|Two each, three inch drawer trays with adjustable dividers (fit two per drawer)
|Quick Ship, beige only, in quantities of five or less.
|Ships within five business days after receipt of order
|Removable plastic top.
|Drawer Configuration:
|(1) - 3-inch (7.6 cm)
|(1) - 6-inch (15.2 cm)
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|Cart Net Weight: 101 pounds (45.8 kg)
|Shipping dimensions:53" H x 33" W x 26" D (134.6 cm H x 83.8 cm W x 66 D)
|Approximate shipping weight: 141 pounds (64 kg)


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Waterproof Studios - looking for Houdini Artists/TDs
Carlos posted a topic in StudiosHello, Waterproof Studios is looking for a few good Houdini FX Artists/TDs for a full CG (photo-realistic) feature focusing on heavy destruction and pyro. Please have a look at the jobs board here: http://waterproofstudios.com/jobs.html or just send your resume and demo reel to: firstname.lastname@example.com Thanks, --Carlos