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BBC to Open NY Production Arm for Cable Nets
By Anne Becker
The BBC plans to open a New York production office devoted to making original series for cable networks. Hiring for a team is underway now and the company is aiming to open the office by the end of the year.
The New York office builds upon the company's LA-based production team, which makes broadcast shows like the reality series Dancing With the Stars on ABC, and Grease: You're the One That I Want on NBC, as well as CBS' upcoming scripted musical drama Viva Laughlin. BBC Worldwide, the BBC's commercial branch, announced its plans for the New York production office in an annual report out today, in which it highlighted pre-tax profits of £111.1 million, or about $222 million.
The company is aiming to produce about three or four high-quality, unscripted cable series a year, said Garth Ancier, president of BBC Worldwide Americas' U.S. operations, in an interview. The New York office will house about four creative executives and production will take place on both coasts.
"We're proud of the fact that we're pretty nimble – more than the big studios – at putting together high-octane shows for both network and cable," he said.
The BBC's own US-based cable network, BBC America, regularly earns critical acclaim with its own original dramas, but it is only in about 56 million homes and its viewing audience is tiny - an average 42,000 total viewers during second quarter, according to Nielsen Media Research. By producing shows for other cable networks, the BBC could presumably get its programming in front of more viewers.
Also as part of the annual report, the company set growing BBC America as a goal, through increasing its carriage on cable systems, acquiring new programming and developing its news coverage. The company earlier this month hired former CBS Evening News producer Rome Hartman to executive produce a new hour-long nightly newscast aimed at U.S. audiences.
The television industry's top news stories, analysis and blogs of the day.
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Lutron Dimmers MA-600-IV Maestro® Dimmer & Switch
The Maestro dimmer provides an easy-to-operate tap switch that turns lights on/off to your favorite light level. Use the rocker dimmer to adjust lights manually. The delayed fade-to-off feature gives you 10-60 seconds to leave the room. Combine with Maestro companion dimmers to control a single light from up to 10 locations.
Specifications Installation

subset: commoncrawl


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Happy Thanksgiving, everybody! Join the Movie Trivia Schmoedown competitors and crew as they take a moment to share what their thankful for this holiday season, and let us know what YOU'RE thankful for in the comments below!
Kristian Harloff (Creator): "I'm happy for all of the competitors who put everything they have into this show and believe in it the way I do. I am thankful for those fans who have supported us along the way. From the fans who contribute to the Patreon so we can keep the show going to the fans who click like, share and comment on every episode. I am thankful for the wonderful 5 seasons we have had and for the many more to come."
Jay Washington (Competitor/Manager): "I'm thankful for the Schmoedown mainly because i got to meet a bunch of new dope people who I can call more than associates I can call them friends. I am thankful that I am HERE to say this because nine months ago I almost was not. I'm thankful for Kristian and Mark allowing me to be ME …just a bit amped up and have fun in delivering something to the masses. I'm thankful for having a place that lets me for the moment forget about the hectic and chaotic world around me. So yeah there's that APPRECIATE YA ALL!!!"
William Bibbiani (Competitor/TriviaSD Editor): "Times are hard, and you can say that again, but the Schmoedown makes it easier. I'm grateful that this strange sport we have keeps getting bigger, reaching more people, and entertaining our audience while educating them about cinema. The competitors and crew behind the Schmoedown are more than just co-workers, they're a support system, and I cherish every day I get to take part in this wonderful endeavor with them. And I'm especially thankful for the behind the scenes team, who make all my absolutely ludicrous entrance ideas into a reality! I still can't believe how good my MST3K sketch turned out!"
Alex Damon (Star Wars Champion): "I'm so thankful to be a part of the Schmoedown. As a fan of the competition before I got to compete, it's surreal every time I step into the ring. Or up to the table. Or however you want to label it. I have made friends through the Schmoedown. Every time I fly home it leaves me with a feeling that I've been a part of something great. A group of people getting together to celebrate movie trivia together. It's the best feeling of camaraderie."
Mike Kalinowski (Competitor): "What am I thankful for this year? Easy… all of you. I have made so many great friendships this year and it's all due to the Schmoedown. From all the amazing competitors who put their hearts into everything, the crew who tirelessly bring it all together and the fans that make the Schmoedown possible. I have been able to meet and get to know all of you, which has has turned into friendships that I will have forever. My life has become richer for having you all in it and I am honored that I get to call you my friends." – Love, Mike.
Matt Iseman (Commentator): "I've never actually competed, but I've watched the Schmoes grow into a global force for good (and advanced the lost art of true cinematic knowledge and appreciation particularly as it applies to Nic Cage). I appreciate that a family has formed through a shared bond of loving movies and trash talk and the world is embracing it. And Die Hard is the greatest Christmas movie of all time!"
Thadd Williams (Commissioner): "I'm especially thankful for the hardworking people behind the camera. All of the writers, producers, editors and technical staff work tirelessly each week to create this crazy entertaining competition series that we all love. Without them it would just be a few movie geeks sitting at the back booth of a diner testing each other's memory recall. I'm consistently blown away by the magic that each of them bring to the table to make this series a reality."
Rachel Cushing (Team Champion): "I never thought that, at my age, I could meet people and be a part of something that would change my life, but that is what playing in the Schmoedown has done for me. I can't imagine my life without everyone I've met over the last two years in it, from friends I've met in the ring to friends who keep everything running behind the scenes to friends from the fan community. So I'm thankful for this chance to say thank you to you all – you know who you are – you enrich my life in more ways than I can count and I'm proud to stand beside you as we pour our heart and souls into this thing that encourages community and friendship through a shared love of film."
Bonnie Somerville (Competitor): "My favorite thing about being a part of the Schmoedown is the glee I get from beating people who think I have no game!! But seriously – it's such a fun group of people , and so completely individual to the Schmoe brand and style – there is nothing like it. I can't wait to go back in and kick some ass! I've been a fan since the beginning and will always be one."
Jeannine The Machine (Competitor): "I'm thankful for the fans. I started as a fan and still am one. You help this crazy amazing think that is Schmoedown continue to grow. I'm thankful for Jay Washington. Will never forget you being there for my first match days out of the hospital to support me and guide me through. I'm thankful to the crew and competitors for all your hard work, you impress me always and have been kind enough to include me among you. Kristian and Mark thank you for allowing me to play in a world where I don't have to have a last name. You've built something truly special."
Marc Andreyko (Competitor): "I'm thankful for all the great friends i have made through the Schmoedown – both fans and fellow competitors. Truly, some of my favorite people on the planet. I'm thankful for my great teammates – The Fyffe Club! To be the sole male amongst such smart, funny, great ladies is a privilege! And i'm thankful there was a Blue Wave in the midterms!!! Biggest voter turnout in a century! Looks like we postponed to apocalypse a little longer! A simple request: try to be nice to a stranger every day. Share love. It's easy and feels great:)"
Jonny Loquasto (Manager): "I'm thankful to see what Kristian and Mark have built over the past decade plus from scratch. Two dudes who love movies started recording their film reviews on a handheld camera in an apartment, and that has turned into a worldwide phenomenon featuring a motley crew of brilliant savants with a passionate fan base who really appreciate the pro wrestling aspect of the chaos. I'm just glad I'm able to talk into a microphone since my only true movie knowledge centers UHF, Dolemite, and The Big Lebowski. GOBBLE GOBBLE Y'ALL!"
Mark Donica (Competitor): "The community of the Schmoedown has been a very welcome and open one. I've been able to share my love of pro-wrestling, music and movies in one character to move the story along. The Innergeekdom division saw its biggest year in Season 5 and I'm beyond thankful to be apart of it. Also Ken Napzok. Always Ken Napzok."
Josh Macuga (WILDBERRIES!): "I'm thankful that the berries remain wild and the wild remain berries. I'm thankful that we have none of the belts and all of the fans who like to yell and buy t-shirts. I'm thankful that Bad Boys 2 was made and even more thankful that Eliot Dewberry is the most complete teammate in the history of the Schmoedown. I'm thankful that every competitor in the league is my friend and I'm thankful that Macgruber killed Dieter Von Cunth."
Lon Harris (Competitor): "I'm thankful for Truffaut's Antoine Doniel series, Fritz Lang's detour into German Expressionism, the pioneering experiments of Dziga Vertov, Bressonian minimalism and Emir Kusturica's humorous and richly detailed 'When Father Was Away On Business.' Also to Kristian and Mark for creating the Schmoedown, JTE for inviting me and suggesting that I compete, and the fans for supporting a loftier, more intellectual future for the entire enterprise."
Ken Napzok (Competitor/Manager): "I'm thankful for the community that sprung up around a silly way to decide a feud between two podcast staff members years ago. It's amazing. Between the podcasts like Take 17 Reactions, The Party Already Started, and the Brad Gilmore and Friends Variety Hour now featuring Numbers McGee the community keeps growing and growing. I'm also thankful for countless hours put in by the production and post-production crew, whether in-studio or on location. I'm also thankful for that one-time superfan Trappy Jenkins brought a poster to a live show with my name on it."
Roxy Striar (Manager): "I'm thankful for anyone who puts their time, passion and energy towards something fun and healthy, like schmoedown. I'm thankful that despite being awful at trivia, there is a place for me in this league. I'm thankful to have been able to watch Kristian, Mark and the schmoes crew grow this show into the beast that it is. I'm thankful to the friends I've made, the people I've managed, the behind the scenes team that makes it all happen, and every person who watches and contributes." – xx Rox
Chris Clark (Producer): "The Schmoedown has given me friends and family I'm forever thankful for. From my Rundown brothers Brad and Frank, to Pat, Alex and Sarah, to the Take 3 crew, to lifelong friendships I've formed with Bibbs, Witney, and RMB. It's been amazing. Im also forever thankful for the friendships I've formed with the competitors and trust i've formed with the Collider crew. The work is always worth it. Keep Rocking guys, till the end of time."
Matt Knost (Competitor): "There is so much to be thankful for this holiday not least of which is the entirety of the schmoedown family: fans, writers, competitors, cast, and crew. The tremendous warmth and community that has sprung up around this little trivia competition that could is a joy to witness and one that I hope continues to grow. I would feel remiss for not taking this opportunity to bust Kristian's chops, but alas this does not seem the time nor place. I'll save that missive for the Christmas newsletter."
Patrick "PJ" Campbell (TriviaSD Contributor): "I'm thankful for so much that the Schmoedown has given me over the last two years. After being invited by the Wild Man himself two years ago, I've gained incredible lifelong friendships that I could only dream of, all wrapped around what some might see as a silly online game show. My life is fuller for having you all in my life. I'm a proud of this show, and all the people – – both behind the scenes and in front of the cameras – – who endlessly pour their all into every single match. Thank you Kristian, Ellis, and everyone else for letting me, the plucky little fan who, according to Emma, 'has seen the most live matches,' be a part of this, and here's to many more years of fun, chaos, and WILD BERRIES to come!"
Clarke Wolfe (Team Champion): "I am thankful for my incredible friends in the Fyffe Club, the hardworking Schmoedown crew and YOU! Thank you so much for the continued support over the years — it's always a treat to interact with people who love the game as much as we do."
Mark Reilly (Competitor): "When the Schmoedown started, it was just a fun bit we did on the Schmoes Know Show. Everyone was already pretty tight because of the show in general. When the game expanded to the league, new competitors were introduced. The league grew, it changed, it evolved. But the most consistent thing that stayed the same was the quality and class of the competitor. Once you competed, you became a member of the family. A brother and sister at arms. We, the competitors, share a bond in a way that you have each others' backs. You understand what it's like to be under those lights. To study trivia. To lean on each other after a loss; to celebrate after a huge win. I am so damn thankful to each and every person who competes, cheers, laughs and even cries during this crazy rollercoaster of a league. My colleagues in Schmoedown are my family. And to the fans, you make this all possible. So thanks to you as well."
Chris Skalicky (Question Guru): "I'm thankful for the opportunity that Kristian Harloff and Mark Ellis provided to be on the ground floor of something exciting and very special. The friends I have made and people I've met and the over these past few years have been nothing short of spectacular! The Schmoedown has helped this small-town guy from the midwest break out of his shell a little more and has allowed me to share my love of movies in a whole new and awesome way."
Ben Bateman (Competitor): "I'm thankful for the opportunity to spend meaningful time around other movie enthusiasts that love movies the way I do. Movie fans that find refuge in the calm of reliving our most cherished moments in those films together through discussion and competition. I'm thankful for the fanbase that keeps us all feeling justified in our borderline psychotic commitment to the game. I'm thankful for Kristian and Mark creating something so unique and engaging. I'm thankful to have been a part of 2 separate teams that have made an impact on the league. Finally, I'm thankful for the satisfying win against John Rocha that I will someday get. It will be glorious."
Brianne Chandler (Free For All Champion): "Thankful for the variety of roles I've been able to do for the Schmoedown ever since starting as a question writer in season 2. Schmoedown has given me new friendships that I hope will be everlasting. Lastly, I'm thankful for where I'm going and the positive impact I will make on others in the near future. Philippians 4:6-8"
Paul Galliano (Conspirator?): "I'm thankful for the opportunity to be part of something great and to have met so many talented, warm, fun, and funny people! These days, life is busier for everyone, with many wheels in constant motion, so I'm grateful to be welcomed into the fold from time to time. I love how everyone involved works together under the guidance of Kristian to create something that, on a simple level, is just good fun, and on higher level, is an amazing community where enthusiasts can connect, compete, debate, react, and cheer for the hero (or heel!) of their choosing."
Samm Levine (Champion, Retired): "I'm thankful for so much this year. The wonderful, ever growing family of cinema nerds the Schmoedown brought into my life – especially my ride or die, and greatest movie trivia mind I've ever known, Drew McWeeny. The incredible and passionate Schmoedown fans, who so lovingly support and engage with the show. And, last but not least, my fantastic agents over at TalentWorks for making sure I was so busy this year, I couldn't really compete anymore. Thank you all, and happy Thanksgiving!"
Andrew Ghai (Competitor): "First and foremost, I am thankful for the #ActionArmy! This group of amazing individuals has proven to me that the MTS is comprised of the greatest collection of viewers and competitors. I can't thank Kristian and Mark enough for creating this amazing community. It has become a pivotal part of my life and career. I couldn't be more thankful for the opportunity to showcase my lack of movie trivia knowledge and my excess of douchebaggery. Love most of you, loathe some of you, couldn't live without any of you. #ActionArmy for lyfe."
Emma Fyffe (Competitor/Manager): "When I was first was asked to jump in one day and do post match interviews on a Friday in early November 2016, I never could have imagined how big a part of my life the Movie Trivia Schmoedown would become. I am thankful that Kristian and Mark took a chance on me and allowed me to grow along with the Schmoedown itself. I so grateful to be part of this incredible show that has become so much more than and yet continues to be about a bunch of nerds getting together and celebrating our love of movies. I am so thankful for the incredibly devoted community that has grown around our weird little show and all the people who have come into my life because of it. And of course, I am especially grateful for the Fyffe Club and the incredible support we receive both from the people who make the Schmoedown happen, and the fans who make the Schmoedown possible."
Chance Ellison (Competitor): "I have so much to be thankful for this year. First and Foremost I'm thankful for all the fans, if you didn't know me before Schmoedown thank you for all the support, if you did know me before Schmoedown from my days in the fan leagues you know I wouldn't be here without you guys. I want to thank Rob and Vanessa from LTTP you guys gave me a platform to get my name out there I wouldn't be here without you guys either. I'm PJ, Sarah, Alex, and Joe, for always giving me a place to stay even before you even knew me you guys are so kind. I'm thankful for my partner Mike, and my manager Ken, you guys are great you're the best teammates a guy could ask for. As well as all the competitors, you guys treated me a 20 year old kid from Arizona with the same respect as you would someone who's been in the league for years and I'm truly grateful for it, and I'm humbled and honored to call you friends. Getting to work alongside you guys has been a dream of mine for a long time, and the fact that I've made this far is a highlight of my life and I'm forever thankful for this opportunity given to me by Kristian. This year has been amazing and I look forward to all the good times the future holds."


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Congratulations to future aircraft Captain Jonathan Groves, who took his first solo flight at 16 years of age.
The SSC team is proud, but maybe not as much as his flight instructor, SSC Captain and Chief Pilot Eric A. Groves and, more importantly, father of the future pilot.
Of course it could never have been done without mom. DeeDee Groves no doubt gave her blessings and authorization to allow it all to happen! Thanks mom. Surely, brothers, Joshua, Aaron, and Adam were great supporters as well.
Jonathan, keep up the good work and SSC wishes you the best as you soar to heights in aviation.


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* All Montgomery County Recreation summer camps, summer fun centers and Recreation summer classes are cancelled for today
* Montgomery College Rockville campus will be closed today. Takoma Park and Germantown campuses will be open.
* All activities in Montgomery County Public School buildings are canceled on Monday, July 26, due to widespread power outages. This includes all academic programs, summer camps, recreation programs and summer meals.
* Montgomery County's Permitting Services will be closed to the public (255 Rockville Pike facility).
* About 187,000 Pepco customers in Montgomery County remain without power.
* 270 County traffic signals remain without power.
* Don't travel if you don't need to.
* Treat all dark intersections as four-way stops. Proceed cautiously.
* A shelter is open at the East County Recreation Center located at 3310 Gateshead Manor Way, Silver Spring.
* Mandatory water restrictions remain in effect for all Montgomery County and Prince Georges County residents on public water systems until water supplies are recharged. This includes Rockville residents. Residents on private wells are unaffected by the mandatory water restrictions.
* Residents and businesses are urged to use water only for essential indoor uses so sufficient water will be available for hospitals, emergency services and fire fighting.
* The County's 311 call center has been activated and is available for non-emergency calls.
* To report "hot" wires or sparking wires, especially those across roadways, call 9-1-1.
* Residents can report downed trees in the public right-of-way by calling 3-1-1 from within Montgomery County or 240-777-0311 from outside the County.
* Residents are urged to check on their neighbors, particularly seniors or those with special needs.
* Pepco has indicated this will be a "multi-day restoration."
Check www.montgomerycountymd.gov for updated information on Montgomery County facilities, services, and programs.


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Though experts say the economic crisis is over, there are many still struggling to stay afloat. Job security is still shaky, and for those of us with savings still sitting in the bank, dipping into those savings is often the only way to keep from going under — and using savings is something most of us don't want to do.
On one hand, we saved that money for a rainy-day emergency, but as we continue to see cut hours, layoffs, and corporate bankruptcies, the rainy day has been hovering over for quite some time now. On the other hand, we worry that the cloud of financial uncertainty is not quite ready to move on, so we want to try and hold on to as much of our savings as we can.
If you are currently in a position that requires you to draw from your nest egg to get by, here are a few tips to help you maintain your savings until we start to see a more stable financial future.
- Pay down your debt, but not all at once. The eventual goal of becoming debt-free isn't a pipe dream, but you need to make sure you have enough to get by every month. Continue making your monthly payments without dipping into savings unless absolutely necessary. If you've lost your job and are currently getting by on your savings alone, make minimum monthly payments and keep searching for a new source of income.
- Establish your budget. Living frugally is a lot easier than it sounds, especially if you set a specific budget allotment for each the bare necessities.
- Shop on discount days. A good way to save money is to actually look at your local grocery store's flyer and only buy things (that you need) if they're on sale or stock up on certain items that don't expire if the price is right and don't forget to use coupons whenever they apply.
- Keep your money in savings as long as possible so it can continue to accrue interest each month. That interest may come in handy down the line when you're finally forced to start dipping into your savings.
- Avoid banks that require a monthly fee to maintain and hold your funds. There are hundreds of banks in America that offer free checking and savings accounts, so don't pay banking fees if you don't have to.
- Use credit wisely. For many of us, we rely heavily on our credit cards to get us by, but maxing out those credit cards is a surefire way to find yourself on the downturn when it comes time to start paying them off. Not only will you face higher monthly payments and interest rates, but you'll accumulate more debt during a time you should be reserving your resources.
- Make savings automatic. Most banks offer will give you the choice to do automated transfers between your checking and savings accounts. This will give you the opportunity to choose when, how much and where to transfer money, and even gives you the option to split your direct deposit between your checking and saving accounts. This is a simple way to save because you don't have to think about it and reduces the temptation to spend money lavishly.
- Keep building to your emergency fund. Even adding as little as 10 dollars a week can help you be prepared if an emergency were to arise.
Financial experts continue to say the economic crisis is coming to a close, but until we start to see the results firsthand, maintaining our personal savings is imperative to getting through and coming out ahead when the economy does change for the better.


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As you scramble to go through receipts, bills, and pay stubs from the year for tax time, you might be asking yourself: What do I really need? How long must I keep those items? What is clutter and what is worth keeping? We have sourced several money managing periodicals (Money Magazine, Kiplinger's), as well as advice from a well known "financial guru" (Suze Orman) to find out what you'll need to de-clutter your filing cabinet and get your tax paper work in order!
Keep until warranty expires or you can no longer return or exchange
- Sales Receipts (Unless needed for tax purposes and then keep for 3 years)
What to keep for 1 month
- ATM Printouts (When you balance your checkbook each month throw out the ATM receipts)
What to keep for 1 year
- · Paycheck Stubs (You can get rid of once you have compared to your W2 and annual social security statement)
- · Utility Bills (You can throw out after one year, unless you're using these as a deduction like a home office – then you need to keep them for 3 years after you've filed that tax return)
- · Cancelled Checks (Unless needed for tax purposes – then you need to keep for 3 years)
- · Credit Card Receipts (Unless needed for tax purposes – then you need to keep for 3 years)
- · Bank Statements (Unless needed for tax purposes – then you need to keep for 3 years)
- · Quarterly Investment Statements (Hold on to until you get your annual statement)
What to keep for 3 years
- · Income Tax Returns (Please keep in mind that you can be audited by the IRS for no reason up to three years after you filed a tax return. If you omit 25% of your gross income that goes up to 6 years and if you don't file a tax return at all, there is no statute of limitations.)
- · Medical Bills and Cancelled Insurance Policies
- · Records of Selling a House (Documentation for Capital Gains Tax)
- · Records of Selling a Stock (Documentation for Capital Gains Tax)
- · Receipts, Cancelled Checks, and other Documents that Support Income or a Deduction on your Tax Return (Keep 3 years from the date the return was filed or 2 years from the date the tax was paid — whichever is later)
- · Annual Investment Statement (Hold onto 3 years after you sell your investment.)
What to keep for 7 years
- Records of Satisfied Loans
Keep Forever
- · Marriage Licenses
- · Birth Certificates
- · Wills
- · Adoption Papers
- · Death Certificates
- · Records of Paid Mortgages
- · Life Insurance Policies
What to Toss
- · Toss paid bills at your discretion (some people get a kick out of comparing old heating bills with their current one). But keep receipts for big purchases (computers, furniture, jewelry, and what not) indefinitely for warranty and insurance purposes.
- · Purge bank statements every few years if you get paper copies from your bank. Most banks offer them online and you can find them there if you need them.
- · With insurance policies that you renew each year, such as home, apartment, and automobile, keep the most current contracts and dispose of older ones.
While you are getting your finances organized, don't forget to take another look at your life insurance policy. Is it up to date? Is it the right amount for you? Western Fraternal Life can help you get your financial future on track.


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With green onion, fresh dungeness crab meat, and garnished with cilantro. $19
The Slanted Door, San Francisco
This has got to be one of The Slanted Door's most popular dishes. It's absolutely delicious and the flavors are amazing. Even the noodles have absorbed a great seafood/crab flavor. There are large chunks of dungeness crab hidden throughout the pile of clear, al dente noodles.
7×7 Magazine's The Big Eat San Francisco: 100 Things to Eat + Drink Before You Die – 2010, 2011, 2012


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You Can Call Me "Champ"
January 2, 2012 in The Daily Blog
Yep, that's right. I won our fantasy football league with a grand total of 1286 points.
Yep, I get excited about these things. I also tend not to be a very good winner. Unfortunately, I'm not really a very good loser either. My poor sportsmanship means I'll be insisting on being called "champ" until next August, and the new fantasy season, rolls around. I'm gonna be intolerable, yo.
Family League 2011 Regular Season Final Standings
Before my husband jumps in and claims that I'm always intolerable, I'd just like to remind him that he is not the league champ. He's not even the runner-up, so there.
Competitive activities usually bring out the best in me.
I'd also like to note that my husband just told me "nobody cares about your team, babe. Don't be that guy."
I'm totally 'that' guy and I'm not going to let him forget it until he can beat me in fantasy football. Better luck next year, Mr. Fifth Place.
Okay. I'll be over all this tomorrow and will be ready to talk about normal, food bloggy-type things. Promise.
But you'll have to promise to call me 'champ' in exchange.
8 Comments
ha! so glad you won…i would be incredibly stoked too
Heaven knows what today's post would have been had you lost…
Congrats, Champ.
AH! i love this – too funny! you should totally own your title all year long! i came in 7/8 in my league… so not QUITE dead last but only by a few points. oops!
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Jul 13, 2018
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Charges are dropped in homicide case
Prosecutor says no evidence against man arrested as suspect
Thu., Jan. 12, 2012
Murder charges have been dropped against a Spokane man arrested for the homicide of a 62-year-old Stevens County woman.
Robert Cody Wirtz, 30, was released from jail on Tuesday, about a month after statements by his 4-year-old son led detectives to identify him as a suspect in the death of Narleen B. Campton, who was beaten to death in her home in Northport, Wash., near the Canadian border, in late November.
Stevens County Prosecutor Tim Rasmussen said he still believes Wirtz was involved in Campton's death but "reluctantly" dropped the charge because he did not believe evidence exists to support a conviction.
The dismissal allows prosecutors to refile.
"The investigation is not over and will not be abandoned until the persons responsible for the brutal murder of this elderly person are brought to justice," Rasmussen said in a prepared statement.
But private investigator Ted Pulver, who worked with Wirtz's lawyer, Robert Simeone, said he found "concrete" evidence to show Wirtz was elsewhere when investigators believed he murdered Campton.
"It's fortunate for Bob Wirtz that everywhere you go, there is a camera or some sort of report," Pulver said.
Records showed Wirtz was obtaining a food stamp card when investigators allege he was at Campton's home, Pulver said. Pulver also found receipts and surveillance videos that showed him using the card that day. He also determined Wirtz's son was picked up by his mother before detectives believe Campton was killed.
"That was the real key," Pulver said.
An autopsy concluded Campton died of blunt force and sharp trauma, including tortuous incisions on her face, but was also strangled, documents say. Her body was found Nov. 26 after a concerned neighbor called 911.
Wirtz was arrested Dec. 7 after detectives learned his son reported nightmares about a "dead lady" and provided details about the killing that they believe only could be known by someone who was involved.
The boy's mother had contacted Child Protective Services on Nov. 24 – two days before Campton's decomposing body was discovered.
Wirtz knew Campton through her 32-year-old son, Azariah E. Hulsey, and Hulsey's girlfriend. Hulsey was in jail when Campton was killed, but his girlfriend reportedly wanted to visit the woman and at one point came over with two men, then left upon learning Hulsey was in jail.
Campton told a friend that her son's girlfriend "had problems with methamphetamine and had stolen from her in the past."
Rasmussen, who was not available for further comment Wednesday, emphasized that investigators have not cleared Wirtz of involvement in Campton's death, rather "the state wants to make sure the evidence is available before a jury is sworn to hear the case," he said.
Rasmussen said Simeone provided information "which has taken the investigation in a somewhat new direction."
Stevens County Sheriff Kendle Allen did not return a phone call seeking comment.
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text: Christmas time is tough for everyone. It's cold. It's dark. Everyone is in a rush so traffic is more hectic than normal. No matter how crazy my Christmas-season can get, I have to remember there are kids who have it worse. I've been a little lacking in my moto-charity efforts lately so when I saw... Continue Reading →


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[II] + 149 ff., preceded and followed by 2 paper flyleaves, missing apparently 3 leaves, the first leaf of each of the three books (collation: a8 [lacking a8], b8 [lacking b7], c-i8, k8 [lacking k1], l-m8, n8+1 [quire misbound with correct text sequence as follows: ff. 97-98-99-96-103-100-101-102-104], o8 [lacking o5], p-s8, t8-1 [lacking t8, likely canceled blank]), contemporary alphabetical quire signatures, written in two sizes of a Humanistic minuscule still influenced by Gothic characteristics, both scripts very legible, in brown ink on up to 20 lines for main text (justification 70 x 105 mm), copious interlinear and marginal commentary, parchment ruled in light red, rubrics in red with some in blue, paragraph marks in alternating red or blue, some guide letters, numerous 1- to 3-line high initials in gold on cardinal red grounds with calligraphic decoration, some capitals touched in yellow, a few marginal annotations in darker brown ink added in the margins of the first leaves added in a later cursive hand (e.g. ff. 3-9). Bound in brown calf over pasteboard, covers with double frame of triple blind filets, with four gilt fleurons at outer angles of inner frame, gilt double lozenge lined with blind filets in the center of inner frame, with at center of lozenge the gilt crowned dolphin device (likely of François II, dauphin), rebacked c. 1800, smooth spine gilt, gilt title, remnant of Phillipps' paper shelfmark label at tail of spine, 19th c. marbled paper pastedowns (Joints and corners restored, some staining to boards, one leaf detached (fol. 104), slight waterstain to upper margin of first and last gatherings, not compromising text, else internal fresh condition). Dimensions 179 x 118 mm.
This manuscript was copied in the circle of the eminent humanists who founded the Sorbonne Press in Paris, Jean Heynlin and Guillaume Fichet. It is based on two editions of Cicero's De officiis, one printed in Paris in 1471-1472 by the Sorbonne Press, the other printed first in Venice in 1481, of the first edition of Pietro Marso's influential commentary. The humanist scribe (Heynlin?) of the present manuscript was clearly a careful reader of both imprints, and it seems likely that this codex was a preparatory manuscript for another edition of Cicero by the Sorbonne Press.
1.Copied and decorated in Paris based on paleographic and decorative elements. Perhaps copied by or for the person whose two mottoes are repeated a number of times, respectively "Barat par tout" [Deceit in all places] (f. 10, 14, 70, 72, 102v) and "Seur et secret" [Safe and secret] (ff. 14v). The name "Barnabé Barat" is recorded in the Table alphabétique de l'Histoire générale de Paris, as an "étudiant en l'université de Paris" but with no further information.
2. Perhaps bound for a Dauphin, such as Henri who held the title of Dauphin between 1536 (death of François, eldest son of François I) to 1547, date of his coronation, but more likely François II (Dauphin 1547-1558). For comparisons, see Fairfax Murray, Second Part, plate between pp. 650-651, with a very similar binding (less the lozenge ornament) on a Paris, R. Estienne, 1543 edition of Pope Paul III Epistles (Fairfax Murray, II, no. 439: "[…] in original brown calf, with blind lines and corner ornaments, and the dolphin device of Francois II in centres…." The device is crowned as in the present binding. See also Guigard, Armorial du bibliophile…II, pp. 11-12 for an example of the dolphin device, both crowned and without crown: "Il [François II] réunit pourtant quelques livres dont la plupart portent sur les plats un simple dauphin ou un dauphin couronné…." A similar binding was sold in 2004, apparently bound for François II the Dauphin and described as follows: "[…] veau brun, double cadre de trois filets à froid et fleurons dorés aux angles, dauphin couronné frappé or et au centre des plats, dos orné de petits fleurons, tranches dorées et ciselées" (Pierre Bergé, Sale, 7 December 2004, lot 75). L. Delisle quotes some 15 manuscripts bound for François II, but as king, not as Dauphin (Delisle, Cabinet des manuscrits, I, p. 191). In any case, the present commented copy of Cicero's On Duties would certainly have befitted a young dauphin, destined to govern the kingdom: in addition to its intrinsic rhetorical and linguistic qualities, the work addresses the question of "duties", those arising from virtue, those arising from expediency, and those that may seem to be in dispute when expediency and moral rectitude seem to clash.
3. Jean Boyvin, his ownership inscription, inserted in a pre-existing inscription dated 1578, with two scratched out words of original owner replaced by the name "Johannis Boyvin" and "Barbarano." The inscription on recto of first parchment flyleaf reads as follows: "In principio. Hic liber est [Johannis Boyvin] andegavensis nationis tunc lutetiae in via lirica (?) manentis atque in collegio [barbarano] literis operam manentis hujusce autem libri posessor extitit anno milesimo quingentesimo septuagesimo [octavo] secundo nonas januarii. Vosque precatur ut si forte hunc librum reperiatis illi restituatis gratiasque quam amplissimas vobis aget" [This book belongs to [Jean Boyvin], of the nation of Anjou, who dwells in Paris on rue de la [? lyre?], and who studies in the College of [Sainte-Barbe]. The owner of this book lived in the year 1578, second nones of January. I pray thee that if you should find this book, you will return it, for which I would be immensely grateful]. According to this inscription, Jean Boyvin, might have been a student from the Anjou nation, living at the College Ste-Barbe in Paris. However, because his name is added to a previous inscription in which the original name has been scratched out, one cannot be sure the elements found in the inscription necessarily apply to Jean Boyvin, in particular his belonging to the "angevin nation." In any case, if the elements effectively apply to Jean Boyvin, he could be a member of the famous Boyvin or Boivin family in Angers to whom belonged René Boyvin (1525-1630), engraver and goldsmith, who worked for Fontainebleau (see Levron, René Boyvin, graveur angevin du XVIe siècle (1941)), but this remains to be proven. The reference to a "collegio barbarano" also merits further attention. In his study on the Collège Sainte-Barbe, J. Quicherat speaks of the students that frequented the Collège Sainte-Barbe as "barbarini" (see Quicherat, vol. I (1860) and vol. III (1864), p. 368: "[...] in collegio San Barbarano..."). The expression "barbarano" is found in O. Talon, Admonitio ad Adrianum Turnebum Regium Graecae Linguae Professorem (Paris, A. Wechel, 1556), f. 20v: "Meministi iam tum...tu in Barbarano..."
4. The name "Ramonet Altissiodorensis" or Ramonet of Auxerre, added in ink below the motto "Barat par tout" on f. 70, most likely added later, perhaps by the same hand that copied the added Obsecro te prayer on ff. 148-149. We have not associated this name with a known scholar or owner.
5. Séminaire de Saint-Sulpice, the library's ink stamp on first parchment flyleaf. The Séminaire Saint-Sulpice was established in 1645 by Jacques Olier, and rapidly housed an important library (see A. Franklin, Les anciennes bibliothèques de Paris (1873), III, pp. 31-33). An interesting research would entail verifying whether the present manuscript is recorded in the extant lists for the library of the "fabrique de Saint Sulpice de Paris", in particular in Paris, BnF, MS n.a.l. 3183; and especially Paris, Bibl. Mazarine, MS 4183 (list of approximately 200 manuscripts). The Séminaire de Saint-Sulpice which comprised some 30 000 volumes at the Revolution was demolished in 1800.
6. Sir Thomas Phillipps (1792-1872), part of the remnant of the Bibliotheca Phillippica sold after a century of sales by Phillipps' descendants by private treaty to H.P. Kraus in 1978. His library stamp with the number 244 is found on the recto of the second flyleaf: "Sir T. P. Middle Hill." Bibliotheca Phillippica. Manuscripts on vellum and paper from the 9th to the 18th centuries, from the celebrated collection formed by Sir Thomas Phillipps. The final selection, 1979.
7. H. P. Kraus, New York bookseller, Catalogue 153, New York, 1979, no. 82, p. 95. Offered 15 000 Dollars. Again, H.P. Kraus, 1994, in Mostra del Libro Antico, Palazzo della Permanente, Milan, 25-27 March 1994, no. 17.
ff. 1-8v, Dedication of Pietro Marso to Cardinal Francisco Gonzaga, followed by Introduction by Pietro Marso to Cicero's De officiis, dedication with rubric, Petri Marsi interpretatio in officia M. T. Ciceronis ad reverendissimium in christo patrem et dominum Dominum Franciscum Gonzagam cardinalem Mantuanum; incipit, "Dato [sic for "Cato"] ille censorius immo nature opus mirabile et virtutum imago reverendissime presul...."; introduction (ff. 3-8v) with rubric, De summo bono et via ad officium; incipit, "De morali philosophia cuius autorem fuisse Socratem dicunt..."; explicit, "[...] Sed de his hactenus. Iam ad interpretationem veniamus" (modern ed. of introduction in M. Dykmans, 1988, pp. 117-124) [text as found in first edition, Venice, 1481 and subsequent editions];
ff. 9-10, Beginning of Pietro Marso's commentary on Cicero's De officiis, Book I, rubric, Incipit interpretatio P. Marsi in primum officiorum M. T. Ciceronis; incipit, "Quanquam te marce in omni septem circunstantie requiruntur..."; explicit, "[...] et extremam manum filium alloquitur." [followed by motto in red] Barat par tout" [text as found in first edition, Venice, 1481 and subsequent editions];
ff. 10v-13v, Heading and table of chapters to Book I, as found in edition published in Paris, 1471-1472, rubric, M. Tullii Ciceronis Arpinatis consulis romani oratorumque principis ad M. Tullium ciceronem filium suum officiorum liber primus incipit cuius divisio in tractatus et tractatuum in capitula subtillata describitur; incipit, "Hic primus liber tribus tractatibus distinguitur...";
ff. 13v-14, Dedicatory verses between Guillaume Fichet and Jean Heynlin as found in edition published in Paris, 1471-1472, rubric, Johanni Lapidano tetrastichon Ficheteum; incipit, "Ut puncti cesi pateant libri ciceronis..."; rubric, Jo. Lapidani tetrastichon ad G. Fichetum; incipit, "Accipe distinctos guillerme libros ciceronis..."; rubric, Johannes Lapidanus cunctis virtutum amatoribus S. P. D; incipit, Accipe consilium quo fias officiosus..."; explicit, "[...] officio fretus gressibus ad superos [followed by motto in red] Barat par tout";
f. 14v, Opening rubric, as found in Paris, 1471-1472 edition, rubric, M. Tuliius Ciceronis Arpinatus Consulis Romani oratorumque principis ad M. Tullium Ciceronem filium suum officiorum liber primus in quo de honesto disseritur feliciter incipit... [ending with motto, in blue ink, "Seur et secret"];
ff. 15-15v, skipped foliation;
ff. 16-70, Marcus Tullius Cicero, De officiis, with marginal and interlinear commentary by Pietro Marso, Book I, incipit, [...] concedens multis quod est oratoris..."; explicit, "[...] ad reliqua pergamus. Barat par tout. [added] Ramonet Altisiodoressensis" (missing beginning, first leaf of quire wanting);
ff. 70v-72, Heading and table of chapters to Book II, as found in edition published in Paris, 1471-1472, rubric, Divisio secundi libri in tres tractatus et ipsorum in capitula subiungitur;
f. 72v, Beginning of Pietro Marso's commentary on Cicero's De officiis, Book I, rubric, Petri Marsi interpretatio in secundum volumen officiorum M. T. C.; incipit, "Quemadmodum officia ducerentur..." [as found in first edition, Venice, 1481 and subsequent editions];
ff. 73-104v, Marcus Tullius Cicero, De officiis, with marginal and interlinear commentary by Pietro Marso, Book II, incipit, "[...] non tam commutandarum rerum..."; explicit (fol. 102v), "[...] reliqua deinceps prosequimur. Barat par tout" (missing beginning, with first leaf of quire wanting; a number of leaves misbound with proper sequence as follows: ff.97-98-99-96-103-100-101-102-104);
ff. 105-107v, Heading and table of chapters to Book III, as found in edition published in Paris, 1471-1472, rubric, Divisio tercii libri in tres tractatus et eorum quorumlibet subdivisio in capitula;
ff. 108-108v, Beginning of Pietro Marso's commentary on Cicero's De officiis, Book III, rubric, P. M. interpretatio in tercium volumen officiorum; incipit, "Publium duobus voluminibus...";
ff. 109-147v, Marcus Tullius Cicero, De officiis, with marginal and interlinear commentary by Pietro Marso, Book III, incipit, "[...] agere possumus ita qui in maxima..."; explicit, "[...] preceptisque letabere"; closing rubric, M. Tullii Ciceronis Arpinatis consulisque romani liber tertius et ultimus officiorum in quo de comparatione honesti et utlis explicatum est feliciter finit (missing beginning, with first leaf of quire wanting);
ff. 148-149, Added Prayer, Obsecro te, incomplete, in a later bâtarde script.
ff. 149v-150v, blank.
This intriguing manuscript remains somewhat of a mystery, with a number of elements still to be elucidated. The core text is a copy of Cicero's De officiis (On Duties), in three books, a philosophical and pedagogical treatise on moral goodness and the conflict between right and expediency, written circa 40 B.C. and addressed to his son Marcus. It is enhanced by a copious and profuse marginal and interlinear commentary composed by the Italian humanist Pietro Marso (1443-1512), one of the oldest, yet least known, disciples of Pomponius Leto in Rome. The copy is undoubtedly the refined and erudite work of a French humanist, whose identity has yet to be unveiled, perhaps tied to the repeated mottoes "Barat par tout" and "Seur et secret." The oddity is that the present manuscript associates elements from two early imprints, one Parisian (1471-1472), one Venetian (1481), alternating and sometimes overlapping.
Thefirstis the edition published by the first printers of France (Gering, Friburger and Crantz) at the initiative of two officials at the Sorbonne, the Prior Jean (or Johann) Heynlin (died in 1496) and the Librarian Guillaume Fichet (1433-1490s?), both of whom in 1470 had invited the three German printers to set up a press at the university, an initiative that would last only until 1473. The imprint is Cicero's De officiis. Laelius de amicitia. Cato maior de senectute...[Paris, Ulrich Gering, Martin Crantz and Michael Friburger, post 7 III 1471] [HC 5252; Pellechet 3719 = 3720; Goff, C-578; Claudin, First Paris Press, XI; Veyrin-Forrer, 1987, p. 179 and note 46]. Printed in Roman letter, this imprint was the eleventh publication of the Sorbonne Press and contains a number of preliminary pieces, including a letter of Guillaume Fichet to Jean Heynlin (dated 9 March 1471). Amongst the other preliminary and dedicatory pieces printed at the beginning of the Paris, 1471-1472 edition, there are two tetrasticha by Jean Heynlin addressed to Guillaume Fichet and eight elegiac couplets by Jean Heynlin and addressed to "cunctis virtutum amatoribus" (all the admirors of virtue). The present manuscript retains a number of elements found in the Paris 1471-1472 edition: (1) the presence of the tetrasticha and elegiac couplets composed by Jean Heynlin, grouped together in this manuscript on ff. 13v-14; (2) the tables of chapters detailing each chapter and the textual divisions adopted by the Paris printers (this manuscript, ff. 10v-13v; 70v-72; 105-107v) [see the comparative study on the differing editorial choices between the editio princeps of the De officiis, printed by Pannartz and Sweynheim in 1465 and the first French edition of Heynlin and Fichet (1471-1472) that presents a more legible lay-out with rubrics, chapters and textual divisions, as discussed in H.-J. Martin, et al., Mise en page et mise en texte du livre français, 2000, pp. 126-127]; (3) the rubrics and headings introducing each textual division in the Paris, 1471-1472 edition are the same as those found in our manuscript, clearly suggesting that the scribe of this manuscript had direct access to the newly printed Parisian imprint. The core text and a number of additional texts, headings and rubrics are taken verbatim from the Paris, 1471-1472 Heynlin-Fichet edition. The fact that the core elements of this manuscript come from Paris 1471-1472 edition of De officiis establishes a terminus post quem date for this manuscript is 1472.
This second imprintis an edition of Cicero's De officiis [HC 5271* (I); Pellechet 3748; Goff, C-597; Paris, BnF, Res-E*-25] enriched with a full marginal commentary by Pietro Marso. This commentary was immensely popular, with a number of successive editions from 1481 to 1488, dedicated to Cardinal Francisco Gonzaga (9 editions, see Dykmans, 1988, pp. 59-60) and a revised edition with a renewed dedication to Cardinal Riario in 1491 (15 editions from 1491-1499, see Dykmans, 1988, pp. 60-61). Our manuscript contains the 1481-1488 version of Marso's commentary and the dedication to Cardinal Francisco Gonzaga, rather than the post-1491 revised version, thus offering a terminus ante quem date of 1491 for at least a part of our manuscript. The elements taken from the 1481-1488 editions of Marso's commentary on Cicero's De officiis are the following: (1) the dedication to Cardinal Francisco Gonzaga (this manuscript, ff. 1-3); (2) Pietro Marso's introduction (this manuscript, ff. 3-8v); (3) Pietro Marso's commentary, laid out in the present manuscript in an entirely different manner from the incunable editions of 1481-1488. Indeed the incunabula present a very regular textual layout, with the commentary framing the base text, in the margins. Our manuscript differs in that the commentary is often distributed in an ad hoc manner, almost as if added slightly later (as this might very well be the case), with portions of the commentary copied in the margins, and others interlinear, much like in a personalized working-copy, with no deliberately or carefully-planned page lay-out. The interlinear commentary is also by Pietro Marso, upon verification on the Venice 1481 edition, and is thus rearranged entirely differently from the very regular lay-outs found in the 1481-1488 imprints. The scribe who copied the commentary in the margins and between the lines was not always able to position the gloss facing the concerned base text, often resorting to a somewhat disordered page lay-out with the inclusion of rubrics warning the (confused!) reader of the order in which one should read the commentary, of the type: "Hactenus que dicta fuerunt sunt precedentis pagine. Que nunc sequuntur sunt presentis" (f. 123) or "Sequentis pagelle textualis explanatio" (f. 125). With the second rubric, the reader is warned that the text to which the commentary refers is found on f. 125v, whereas the commentary is copied in the margin of f. 125. These problems of textual lay-out were resolved in the printed 1481 edition, with the commentary flowing very regularly around the base text.
A complete study by Mark Dykmans provides a number of elements on Pierre Marso, his life and work. Pietro Marso was born in 1441 and attended the Roman Academy of Pomponius Leto. As a professor of rhetoric and Greek at the Sapienza in Rome, he published a number of commentaries based on his teachings, including the present commentary on Cicero's De officiis. In the year 1481, concerning his commentary on the De officiis, Pierre Marso writes to his dedicatee the Cardinal Francisco Gonzaga, important patron of humanists, stating that he has chosen this work because of its philosophical interest. His introduction is articulated around the theme "De summo bono et via ad officium" [On the sovereign good and the path leading towards duty]. A critical edition of the introduction is given in Dykmans, 1988, pp. 117-124: Appendice I. De summo bono et via ad officium (Introduction aux Offices de Cicéron). Dykmans provides a list of the 87 editions published between 1481 and 1584 of the commentary of Pietro Marso on the De officiis (Dykmans, 1988, pp. 58-67): "La liste s'observera surtout parce qu'elle illustre un veritable siècle d'humanisme, de 1481 à 1584"). A list of Pietro Marso's works is found in Dykmans, 1988, pp. 49-100; on Pietro Marso, see also Cosenza, 1962, III, 2201-2204; Kristeller, 1960-1962, vol. III, 388, 390; vol. IV, 296; Maillard, 1995, p. 292.
This manuscript is evidently the only known manuscript copy of Pietro Marso's commentary on Cicero's De officiis. It is described by Dykmans, 1988, pp. 56-57, who did not see the codex, but relies on the description of it based on Kraus's 1979 catalogue. It is said, probably erroneously, to have belonged to Henri II the Dauphin. Dykmans states the following: "Les élèves de Pierre Marso ont peut-être noté ses cours. Rien ne prouve cependant que le seul manuscrit conservé de ses commentaires sur Cicéron provienne d'eux et ne dépende pas plutôt d'une édition déjà imprimée ou d'un cahier manuscrit de l'auteur lui-même. Nous n'avons pu voir ce précieux codex..." [The students of Pietro Marso might have taken notes from his courses. Nothing proves, however, that the only existing manuscript of his commentaries on Cicero does not instead depend on an printed edition or a manuscript by the author himself …."] (Dykmans, 1988, p. 56). Neither of Dyckman's hypotheses is supportable. Given the fact that Pietro Marso taught only in Italy, and mostly in Rome, if the manuscript were notes from his courses, it would probably be of Italian origin, and not copied in France. It might initially seem plausible that a copy of the Parisian imprint was transcribed a little after 1472, and that upon the publication of the "new" edition commentated by Pietro Marso in 1481, the humanist owner of the manuscript would have added the interlinear and marginal commentary to better his copy. However, this supposition does not explain the structure of the codex, which includes some preliminary pieces found in the 1481 edition, intermingled and alternating with the elements from the earlier Paris 1471-1472 edition. A date of copy of circa 1481-1491 seems more probable, once both imprints (Paris, 1471-1472, and Venice, 1481 and subsequent reprints) were readily available to the present humanist scribe.
A working theory, still to be more fully explored, relates this manuscript to the continuing and lively production of manuscripts after the introduction of printing in Europe. In the age of print, manuscripts retained their distinctive nature and appeal, often offered as gifts, but also reflecting humanistic concerns and ideals. They also, inevitably, supplied copy for the first printers. Typical of the permanence of manuscript culture even within circles where the new technique had gained a foothold is the example of Jean Heynlin, who attended the Sorbonne in Paris from 1454 to 1462. Elected prior in 1468 and again in 1470-1471, he joined with Guillaume Fichet to start the first printing press in France, but left Paris in 1474, to preach in Basel. Heynlin retired in 1487 to the Charterhouse at Basel, where he died in 1496. Heynlin is a very interesting example (the same can be said of Fichet) because he was himself the owner of a large number of manuscripts and incunables, some he copied himself, such as Basel, Öffentliche Bibliothek der Universität, F. VIII. 5, which contains a miscellany he put together relating to grammar, in which he copied a work by Phocas and added a copy of a recent edition of Guillaume Tardif's grammar (printed in Paris, 1475) (see C. Jeudy, 1974, p. 75 and description of Heynlin's manuscript pp. 82-83). Numerous other examples of manuscripts copied by Heynlin, or profusely annotated by him, are now housed in Basel at the Öffentliche Bibliothek der Universität, such as the copy made by Heynlin of Cicero's Tusculanes and De Officiis (Basel, Öffentliche Bibliothek der Universität, F. I.12); and his copy of Virgil (Basel, Öffentliche Bibliothek der Universität, F. III.3) etc. After his career of teaching and ecclesiastical service, Heynlin gave his collection of manuscripts and incunables to the Carthusian Library in Basel, which was later transferred to the Öffentliche Bibliothek der Universität [Library of the University of Basel] (see Halporn, 1984, "The Carthusian Library at Basel"; see studies by M. Burckhardt who identified some 53 manuscripts and 350 printed books having belonged to Heynlin, as discussed by J. Monfrin, 2001, p. 732; see also H.-J. Martin et alia, 2000: "Une personnalité complexe: Jean Heynlin" et sqq., pp. 108-114; on the manuscripts belonging or copied by Heynlin, see Escher, 1917; Steinmann, 1976; Scarpetetti, 1977).
Pioneering work has been conducted on Jean Heynlin and Guillaume Fichet as initiators of the printed book in France, but also on their occupations as scribes and continuing patrons of the book in its manuscript form. We know for instance that humanist personalities such as Heynlin and Fichet (who was Librarian of the Sorbonne between 1468 and 1471) copied a great number of manuscripts, sometimes even copying texts that had recently been published. One might quote the case of the Letters of Pseudo-Plato copied by Guillaume Fichet for Jean Chouard de Buzenval, based on an edition printed precisely by the Sorbonne Press in 1472 (see H.-J. Martin et alia, 2000, p. 127). Jean Heynlin and Guillaume Fichet are good examples of individuals who promoted the printing press yet retained a strong appreciation for manuscripts and the copied word, painstakingly hunting for good manuscripts to print and inversely still copying works newly available in print. Perhaps the present manuscript, incorporating the Sorbonne edition of Cicero with a commentary as yet unknown in France was intended to provide copy for a forthcoming, though never published, edition of Cicero with Marso's commentary by the Sorbonne Press.
Cicero, Marcus Tullius. M. T. Ciceronis de Officiis, de Amicitia, de Senectute et de Somno Scipionis libri et Paradoxa. Eddidit Johannes de Lapide, cum Guillelmi Ficheti ad eumden Joannem epistola, Parisiis, U. Gering, M. Krantz and M. Friburger, 1471-1472 [copy in Paris, BnF, Res-*E-5].
Cicero, Marcus Tullius. De officiis (Comm: Petrus Marsus), [Venice, Baptista de Tortis, 1481] (first edition of Marso's Commentary on De officiis] [copy in Paris, BnF, Res-*E-25].
Cicero, Marcus Tullius. De officiis (Comm: Petrus Marsus). Add: Laelius, sive de amicitia (Comm: Omnibonus Leonicenus); Cato maior, sive de senectute (Comm: Martinus Phileticus); Paradoxa Stoicorum, [Lyons, Guillaume Le Roy, about 1487].
Claudin, A. The First Paris Press. An Account of the Books printed for G. Fichet and J. Heynlin in the Sorbonne, 1470-1472, London, 1898.
Cosenza, M. E. Biographical and Bibliographical Dictionary of the Italian Humanists..., 1300-1800, Boston, 1962, vol. III.
Dykmans, M. L'humanisme de Pierre Marso, Citta del Vaticano, 1988.
Escher, K, Die Miniaturen in den Basler Bibliotheken..., Basel, 1917.
[Fairfax Murray]. Catalogue of a Collection of Early French Books in the Library of C. Fraifax Murray, Second Part, London, 1961.
Halporn, B. "The Carthusian Library at Basel", in The Library Quarterly 54 (1984), pp. 223-244.
Jeudy, C. "L'Ars de nomine et verbo de Phocas: manuscrits et commentaires médiévaux", Viator, 5 (1974), pp. 61-156.
Kristeller, P. O. Catalogus translationum et commentariorum: Medieval and Renaissance Latin Translations and Commentaries, Washington, 1960-1962, vol. III, 388, 390; vol. IV, 296.
Lee, E., "Pietro Marso", in Bietenholz, P. G. and T. B. Deutscher, Contemporaries of Erasmus, Toronto, 1985-1987, vol. II, p. 394.
Maillard, J. F. ed. et alia. L'Europe des humanistes (XIVe-XVIIe siècles), Turnhout, Brepols, 1995.
Martin, H.-J. et alia. "La Sorbonne entre scolastique et innovation"; "Imprimerie et humanisme à Paris: les presses dites de la Sorbonne", in Mise en page et mise en texte du livre français, 2000, pp. 96-115; pp. 116-131.
Monfrin, J. "Les lectures de Guillaume Fichet et de Jean Heynlin", in Études de philologie romane, Genève, 2001.
Philippe, J. Origine de l'imprimerie à Paris d'après des documents inédits, Paris, 1885.
Quicherat, Jules. Histoire de Sainte-Barbe, collège, communauté, institution, Paris, 3 vol.1860-1864.
Scarpetetti, Beat Matthias von, et al. Katalog der datieren Handschriften in der Schweiz in lateinischer Schrift...Die Handschriften der Bibliotheken von Aarau, Appenzell und Basel, Zurich, 1977, vol. I and II.
Steinmann, M. "Die Humanistische Schrift und die Anfange des Humanismus in Basel", Archiv für Diplomatik 22(1976), pp. 411-427 and pl. XVIII-XLVI.
Veyrin-Forrer, J. "Aux origines de l'imprimerie française, l'atelier de la Sorbonne et ses mécènes (1470-1473)", in La lettre et le texte: trente années de recherches sur l'histoire du livre, Paris, 1987, pp. 161-187.
Digital copy of Paris, 1471-1472 edition (first French edition)
Digital copy of Louvain, 1483 edition (3rd edition)
Jeanne Veyrin-Forrer, "Aux origines de l'imprimerie francaise, l'atelier de la Sorbonne et ses mécènes (1470-1473)", Paris, 1987


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JD/MA in Law & Comparative Education
This dual-degree program offered by the School of Law and the School of Education's Cultural and Educational Policy Studies program focuses on the legal right of children to an education. This program brings together Loyola's expertise in the legal rights of children and its expertise in international education issues.
To learn more about the JD/MA dual-degree program, contact:
Miranda Johnson, Director, Education Law and Policy Institute
Phone: 312.915.7952
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Dr. Kate Phillippo, Graduate Program Director and Program Chair, Cultural & Educational Policy Studies
Phone: 312.915.6910
E-mail: email@example.com


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november, 2019
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november, 2019
12nov7:30 pm10:30 pmAssaf Kehati Trio
Assaf Kehati, an Israeli native Jazz guitarist based in Brooklyn, will take you on an energetic journey to a colorful world of sounds and grooves. With his trio, consisting
Assaf Kehati, an Israeli native Jazz guitarist based in Brooklyn, will take you on an energetic journey to a colorful world of sounds and grooves.
With his trio, consisting of Steve Whipple on bass and Peter Traunmueller on drums, he will present an excited but intimate night of Jazz, Bossa Nova, Samba, and popular songs from the 80s.
(Tuesday) 7:30 pm - 10:30 pm
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One craft that promises to turn heads wherever she drops anchor in the Mediterranean this summer is new to the blue-chip charter roster at Y.CO: the 86m sailing yacht Aquijo (y.co; from €400,000 a week), a collaboration between Dutch yacht builders Oceanco, naval architect Bill Tripp and Vitters Shipyard. With cavernous interior volumes, a 91m mast, seven ensuite cabins and an indoor-outdoor "beach club", she's not just one of the largest sailing yachts ever built, she's slated to be one of the buzziest – especially after she makes the transition later in the year to Antarctica.
The summer's buzziest new charter yacht
The 86m Aquijo is hot enough for the Med and cool enough for Antarctica


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Today felt like a good day to dust off this old post, give it a polish up and share it with you again because I want you all to be overflowing with as many ideas as possible to be kind and make someone's day!One single random act of kindness isn't going to change the world but it is going to make someone have a better day than they would have done otherwise. It's going to make you feel better for doing it and as well as making the recipient feel better themselves, it's also going to increase the chances that they're going to be nice to someone else in turn.So if one little … [Read more...]
Five Frugal Things we did this week {14th February 2020}….
Every week I share five frugal things that I've done during that week just to show you that the small things you do all add up to a great frugal lifestyle where you can learn to live a fabulously frugal life. 1) Sunday and Monday's lunches were homemade soup made from some leftover shredded chicken and a leek and potato soup mix that I bought for 55p from Tesco.It was amazing - the shredded chicken which I made with some Italian Seasoning added a lovely flavour to it. I just wish it wasn't such a miserable looking green colour - it would be much tastier if it was a … [Read more...]
Ten budget family meals for the week before payday….
Today I'm sharing ten budget family-friendly meals which are perfect for the week before payday!I've lost count of the number of times over the years when that last week before payday has felt like it would never end!We're a lot better these days but that last few days before payday still seem to drag so since we're approaching that time right about now, I thought I'd share 10 budget family-friendly meals that are ideal for the week before payday!Don't miss out on future posts like this - receive updates directly to your inbox by email by adding your email address here and … [Read more...]
Super cute washi tape home sweet home sign….
This super cute washi tape home sweet home sign will look amazing in any home - it's easy to make and looks super cute!For someone who isn't a natural crafter, I seem to have accumulated a ridiculous amount of washi tape so today I thought I'd share a quick and easy washi tape craft with you. And don't worry if you don't have washi tape as I know it's not something everyone has to hand - mine is from random blogger events over the years mainly. You can use any pretty paper or even a wallpaper or fabric sample that coordinates with your room. How to make your own Washi … [Read more...]
Fakeaway Slimming World Meatzza….
OK, you're going to need to bear with me on this one because I absolutely know that a Slimming World Meatzza (which is essentially a pizza with a meat base rather than the usual dough base) doesn't necessarily sound the most appetizing meal in the world. Stay with me though because I made this last weekend and honestly, it was a huge success and even the kids enjoyed it which means it's a great family meal and not just a Slimming World meal. I add in lots of veggies to the base and as for the topping, that can be pretty much anything you want it to be just like a normal … [Read more...]
Homemade DIY Exfoliating Salt Scrub….
I'm sharing my homemade DIY exfoliating salt scrub with you today and I think you're going to love it! Usually, I'm all about a good homemade sugar scrub but when I went to make one last weekend, I had to make a choice between using the small amount of sugar we had in to make fruit cobbler or to make a sugar scrub. I decided to go with the cobbler for the sugar and cracked open my cleaning kit to get out the coarse salt and made a salt scrub instead of the usual sugar scrub. How to make your own homemade exfoliating salt scrub 1 cup coarse … [Read more...]


text: Figure 2From: Ancillary study management systems: a review of needs Virtuous cycle feedback loops. Using existing results and materials to refine hypotheses and develop new insights can produce "virtuous cycles," where the research efforts of today feed tomorrow's discoveries. Figure 2 shows two kinds of such cycles that are implied by the ancillary study workflow described here. An ASMS can facilitate both types of cycles by smoothing the flow of information, enabling collaboration, simplifying workflows and allowing researchers to make the most of existing materials and information. (i) Full study cycle. The nine steps in the ancillary study workflow form a virtuous cycle that spans the full life of a study, from the first glimmer of an idea through publication. For simplicity, Figure 2 breaks these steps into three phases (study initiation, study execution, and results sharing). These steps are roughly equivalent to those that form the "inner," study-based loop in Kahn and Weng's conceptual model for clinical research informatics [96]. In such cycles, published hypotheses and shared data from completed studies are used to generate future discovery cycles by providing inspiration and ingredients for follow-up studies. (2) Incremental review cycles. An ASMS can also facilitate smaller-scale virtuous cycles during all phases of an ancillary study. First and foremost, during the study initiation phase, the information and tools made available by an ASMS allow incremental refinement of hypotheses and study plans according to existing data, specimen availability, and consent limitations. During later phases of a study, an ASMS can make it easier to share and review new information as it is collected, allowing feedback of new insights into study investigations, operations, analyses, and conclusions. Of course, in-progress studies governed by clinical trial regulations will provide less scope for immediate use of this type of feedback than the kinds of pre-clinical, exploratory studies common among our collaboratorsBack to article page


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So I was thrilled at the chance to hear an advance review copy of Matthew Clark's upcoming project, Bright Came the Word From His Mouth.
This album is a thoughtful, melodious journey from one end of time to the other. It deals with the most significant facets of human existence. In the bard's rhythms and rhymes, we hear echoes of eternity. An epic, if ever I've heard one.
Appropriately enough, "Bright Came the Word" is inspired by Sandra Richter's book, The Epic of Eden. Clark wrote the album as a soundtrack for the book's companion DVD. Richter's purpose for writing the book was to put the Old Testament in a usable order so readers could gain a better understanding of God's redemptive plan.
Clark's album dovetails nicely with that mission. The very first song, "Overture," engages listeners with themes that continue as unbroken threads until the end: sin, sacrifice, redemption, and reconciliation. It foreshadows an album that is remarkably unified, both musically and lyrically.
"Overture" is also a great introduction to Clark's musical style. He creates delicate, carefully measured melodies, consistently backed by his skillful folk guitar as well as understated vocal and instrumental harmonies. His sound, reminiscent of Matthew Perryman Jones or David Crowder, is sincere, honest and dynamic.
Clark's lyrics are no less skillful than his music. They are dense with vivid metaphors and insightful readings of scripture. These lines from "Overture" tell volumes about Abram, his faith, and how he foreshadowed the redemption that would come in the person of Christ:
Abram held the promise close, Raised the blade above his head
A son will surely give his life, Know the promise breaks the knifeThese lyrics exemplify Clark's commitment to depth and truth without preachiness. It is often difficult to communicate sound doctrine in an imaginative way, but Clark maintains an unfailing balance between orthodoxy and creativity.
It's hard to pick a single high point of this album. From the wistful longing of "Oh Eden!" to the driving rhythm of "Let Go the Floodgates" to the melancholy, expectant strains of "Where I Am You May Also Be," Clark communicates a variety of emotions and allows his music to illustrate the depth and richness of the gospel story.
In many ways, though, "Redemption Song" stands out as the cornerstone of Bright Came the Word From His Mouth. Its chronological scope is very broad, and it shows the continuity of God's plan in an especially eloquent and imaginative way. It weaves the stories of Lot, Ruth, and Hosea together as examples of humanity's desperate need for a savior. The final verse encapsulates the album's entire message in a single brief burst of lyrical beauty:
So the Father sends his only son, to ransom all the lost
From enemies too strong for them, from the poverty of lossIn the squalor of the pit, where the willing faithless sitTo the depths the love of God has sent his Word, redemption
I suppose a reviewer is more or less obligated to find something nasty to say about what he is reviewing. At any rate, that is the idea I get from most of the reviews I read. Well, I have bad news: I don't have anything nasty to say about this album. However, I suppose I can invent something sort of unfavorable to say about one of the tracks, since you insist.
"Let Go the Floodgates" sticks out just a little bit. Its bluesy, rhythmic music is markedly different from most of the other songs on the album, and the narrative voice of its lyrics is also pretty unique. It's certainly no monstrosity, and its sound is positively addictive. Nonetheless, if you held a gun to my head and demanded that I remove or alter a song on this album, I would say, "Seriously? I really don't want to." And you would say, "I'll use this! Don't think I won't! You're on thin ice, scumbag!" And then I suppose I would say this one. Not because it's bad, but because it seems like the album would still hold together OK without it.
Well, that was adequately painful, I think. Let's get back to gushing for a little while longer.
Well, that was adequately painful, I think. Let's get back to gushing for a little while longer.
"Reprise" is a perfect way to end the story. In it, Clark closes out his epic journey by returning to its beginning. Creation, once corrupted by sin and death, has been restored by Christ's redemptive work. Eden, once lost, has been regained:
It is a marvelous, triumphant finish to a consistently excellent album. If you don't feel like getting up and dancing during "Reprise," then you are probably way too uptight and should loosen up, man. Seriously.Rest your sword by your side, fling the gates wide, at ease you cherubimDance you City of God, trees clap your hands, God and man home again
From beginning to end, this is a noteworthy album, full of truth, light, life, and hope. It is an epic, but more importantly, it is a clear, beautiful, and powerful account of a loving God who gave His all to bring His wandering children home.
Bright Came the Word From His Mouth is slated for release in January 2013. You can learn more about Matthew's music at his Web site. If you want to help him recoup some of the cost of recording the album, take a look at his indiegogo fundraising site.


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Scones and Memories
What do you do when you and the babe aren't feeling quite up to par? When the big kids are climbing the walls and you really don't want to send them back out to the mud pit that used to be your yard? Why, you ask your five year old if she wants to help you make some scones. Then what do you do when you can't find your trusty scone recipe? You find a new one and hope it works out. What do you do when the new recipe is a complete flop? You slather it with extra jam and cream and eat them anyway. Then what? Well, you send the kids back out into the mud, after all that's what is really important, right? Full bellies, play exhausted kids and happy memories.


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I should have been typing up lesson plans. That's boring.
Instead, I read Sarah's blog post about using vertical number lines. My students this year are worse than ever at integers. Ugh. How does that keep happening? I suppose this group's problem might be from elementary school because they're also having trouble with 8x3 and 12-7. Anyway, rather than complain, let's give them tools to get past the hurdle. Sarah's individual number lines are a good start. She mentioned in her post that she wanted a wall version. I've gotten quite adept at MS Word tables lately, so I made one.
Enjoy. I think I'm going to make mine neon green.
EDIT: In a couple of minutes I made a horizontal version too. If, like me, you ordered a number line only to find out it was discontinued (really?), you might need one of these as well.
EDIT 2: I shouldn't do school stuff late at night. In the first version, I managed to make the vertical number line upside down. It's fixed now. I could really use a proofreader! :)
How do you approach students' misconceptions with integers?
Mathematically yours,
Miss B
Tuesday, September 16, 2014
Vertical Number Line
3 comments:
- AnonymousSeptember 17, 2014 at 3:06 AM
Super quick question about these - but first, I must mention that this looks great, thanks for sharing! For some reason, my brain is obsessed with symmetry for number lines. Is there a reason for more positives than negatives on yours? Just curious.ReplyDeleteReplies
Nope, not a real reason at all. I do have to thank you, though, because your comment had me go back and look to see that I'd actually put the numbers so the greater numbers were at the bottom. That's why I shouldn't do things late at night. I've updated the file, so you can download it again if you want to use it.Delete
And if you'd like me to make you a symmetrical one, tell me the range and I'll get it made.Delete
Subscribe to: Post Comments (Atom)


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Search the Community
Showing results for tags 'commissioned corps'.
Found 2 results
APrice09 posted a topic in Financial AidLooking for more info on the USPHS scholarship. Do they pay for school upfront or is it a loan repayment program?
Physician Assistant Scholarship & Loan Repayment Options
Sirpaul1990 posted a topic in Financial AidCurious about NHSC Loan Repayment or the NHSC Scholarship? In this blog posting, I've included the former as well as many other loan repayment options and scholarship options you might not know about. Take advantage of this information! You might be a current PA student, a practicing PA, or a pre-PA student considering repayment options for your loans. Make sure you know other resources out there before you make a decision! This information is just to get you started and is by no means all inclusive. I realize there may be many more options out there, but I did the best I could to get your mind thinking. Good luck fellow PA-S and PA-C! http://doseofpa.blogspot.com/2014/03/physician-assistant-school-scholarships.html


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Update 0.0.2 & 0.0.3 Changes
0.0.2 Changes
- Base crit chance changed to 1
- Base Movement speed increased to 45 from 40
- Added a basic signpost to the hideout telling users how to view the game's controls.
- Mega Bee (the dashing one) temporarily removed for testing
- Fixed map portals to stop glowing before the task was completed
- Sprinting consumes slightly less stamina
- Returning (boomerang) projectiles will no longer crash the game if the enemy has been killed while they are returning
- Fixed large equipment tooltips from appearing below the game screen
I am aware of a bug causing players to start at the 2nd stage of the realm rather than the first. This will be fixed in the next update.
Rightrealm Pre-Alpha Windows 16 MB
Version 0.0.3 Aug 11, 2017
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MAMMA MIA - Mother's Day Special
Liverpool L1 0BS Show me
We will be slipping back into the 70's with this ABBA themed event for all the special mamma's out there. Taking inspiration from the critically acclaimed theatre production and film, we will be serving up a 4 course Greek style menu, while you sing along to the classic hits.
Your ticket will include a drink on arrival, live music, and a 4 course Greek tapas menu all set to a flower power infused backdrop.
In association with Gordon's pink gin, we have curated some fresh spring cocktails that will get you in the mood for a little sing song.
The cafe-come-art gallery will be kitted out with the Nasty Women exhibition as part of International Women's Day.
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Nasty Women Exhibition
Global charity art exhibition Nasty Women comes to Liverpool.


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New product
A really essential fruit bar for lovers of less contaminated character, not flavored to leave space to the fruit aromas of dried figs and to the aftertaste of raw hazelnuts. Flavors that alternate with the roundness of our dark chocolate 80%.
Net weight: 28 grams, sealed in mono food packaging
Warning: Last items in stock!
Availability date:
By buying this product you can collect up to 3 loyalty points. Your cart will total 3 points that can be converted into a voucher of 0,03 €.
Ingredients: dark chocolate*° 36% (cacao powder*°, cacao butter*°, coconut-blossom nectar*^, coconut pulp*°, vanilla bourbon*^; cacao: 80% min.), figs*° 32%, hazelnuts*° 32%. May contain traces of other nuts.
* Organic
° Cold processed/Raw (<42 °C) / 108 °F)
^ Processed at 60/65°C
Nutrition facts per 100g
Energy kj 2117/kcal 506; Fat 37g of which saturated 12,2g; Carbohydrate 47g of which sugars 20,3g; Fiber 11g; Protein 9g; Salt 0g; Magnesium 138mg (37% Nutrient Reference Values)
High in Magnesium
Store at 12-22°C/54-72°F dry places
Best before: 18 months
No customer reviews for the moment.


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Types of Physical Therapy Treatment
Whether you've experienced a sports or occupational injury, North Boulder Physical Therapy offers all types of physical therapy treatment. Our goal is to provide you with a complete assessment followed by a regimen of exercises and other modalities to improve and even restore function in the body. Our team of licensed, trained and deeply experienced…Read More


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Is the West Coast the Best Coast?
We are often asked whether a new limited liability company ("LLC") that will be active in California should be organized in California or Delaware. In the next several posts we will explore different topics relating to this threshold question, since an LLC operating in California may have its internal affairs governed by Delaware law if it is organized and properly maintained under Delaware law. And while the answer depends on the facts of each case, there are important common factors that all parties involved in this decision making process must carefully consider.
One of the most important factors in picking between California and Delaware are the default voting rights given to members in California that cannot be waived or altered by agreement. These fundamental voting rights shift a certain amount of power and control away from the managers, who are often the founders or initial investors, and towards the other members.
The importance of this shift in power, mandated by California statute, depends in large part on the anticipated investor profile of the company, both upon formation and at different stages in the business lifecycle. If it is anticipated that the company will only be owned by a handful of individuals or family members, the voting rights may be of relative less importance because of the opportunity to seek consensus amongst the members. But if the company may eventually need outside investors or the ability to issue profits interests to key employees, the voting rights become far more important.


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President Abd-Rabbo Mansour Hadi has stressed the significance of strengthening field work in different fields and meeting people's needs; security and stability, decent living conditions and providing services to them.
In his meeting with his vice General Lieutenant Ali Mohsen Saleh and Prime Minister Mo'een Abdulmalik on Monday, President Hadi praised efforts of the government for improving livelihoods and economic situations under difficult and complicated conditions.
He urged continuing and boosting these efforts and working with international organizations and donors for resuming their activities from the interim capital Aden, as well as realizing security and stability and finalizing admirable plans and programs.


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Top Chinese OEM Huawei is set to launch addition to its popular Mate series–the Mate 9 and Mate 9 Pro. We've heard a lot about the upcoming Mate 9 and thought it would be announced at the IFA 2016 after being sighted on GFXBench a few months ago. We said it would even arrive in three variants including a 6GB model. No new Mate rolled out but now we're almost certain that Huawei is about to introduced the new models on November.
We already noted the launch next month after missing the IFA. A teaser was shared on Weibo, giving us an idea that they are "a step ahead". That means the Huawei product will be advanced compared to its rivals but we're not sure how and in what way.
The company is prepping up the new Android phones that we know will be faster and perform better than their older siblings. The poster shows some kind of a car silhouette that's zooming fast but it also appears like some protruding component of a mobile device–the lower part being the phone and the upper part looking like an add-on.
To review what we know so far about the Huawei Mate 9, the smartphone is said to have a 5.9-inch display with 1080p resolution, dual camera system, 4X optical zoom, and a maximum of 6GB RAM and 256GB onboard storage aside from the standard 4GB RAM variant. As for the Mate 9 Pro, it's rumored to have a higher QHD screen and dual edged curved display.
We're not sure about what @evleaks earlier said that the highest specced model will cost around $1,300. That's too much for a smartphone but knowing Huawei, it may make it more affordable. By affordable we mean still premium but will not go over a thousand.
VIA: Weibo


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