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This article is more than 1 year old
Scaled Composites refutes WhiteKnightTwo rudder rumours
Mothership bottom-smack smackdown
Aircraft design firm Scaled Composites, engaged in building a fleet of space-joyride craft for Richard Branson, has strongly denied speculation that its new WhiteKnightTwo launch plane might need a rudder redesign.
Virgin Mother Ship Eve during her
maiden first flight.
In a statement released today, the company said that a recent incident during a test flight - in which the first WhiteKnightTwo scraped its tail booms on the runway during a "touch and go"* - had nothing to do with the plane's rudders.
According to Scaled:
Flight 4, conducted on 20 April was very successful ... During a touch and go landing, we encountered a significant thrust asymmetry (not a fault of the engines or the design but of an asymmetric idle thrust setting) that resulted in a large yaw upon power-up for the takeoff part of the maneuver. Both rudders were lightly scraped (less than ¼ inch of material) while recovering from this asymmetry. The aircraft behaved extremely well throughout the recovery, and we thoroughly understand the root cause of the asymmetry. Only procedural changes are required to ensure we do not experience it again. This was not a function of the crosswind at landing, which was within previously demonstrated levels.
In other words, as the plane rolled along the runway after setting down the throttles of its four engines weren't all at the same setting. When the pilot pushed them all forward to takeoff power, some of the engines were ahead of the others in spinning up and developing more thrust, causing the yaw during liftoff which led to the tails scraping. Presumably the "procedural change" referred to by the company will simply involve something along the lines of bringing all engines to the same idle setting after setdown in a touch-and-go, before increasing to takeoff power.
Scaled insists that there are no longer any issues with rudder authority in the WhiteKnightTwo, some yaw control problems having been identified and fixed prior to the 20 April flight. The company says it always expected that control adjustments would have to be made during the test programme, and that they are now complete - no further rudder modifications will be required.
The company says that it expects to take the initial WhiteKnightTwo - dubbed "VMS [Virgin Mother Ship] Eve" by customer Virgin Galactic - up to 50,000 feet this summer. Wraps have yet to come off the SpaceShipTwo rocketplane which the WhiteKnightTwo motherships will carry up to launch height. Virgin Galactic has ordered an initial fleet of five rocketships and two VMS launch carriers.
Scaled also advises those interested in the programme to "be cautious of what you read if it does not come from either our flight test team or our customer". However the firm also says that it doesn't generally care to disclose details of an active test programme, and only did so in this case because speculation was getting out of hand.
"An obvious downside of a public flight test program is that if the team feels like their learning might be taken out of context by the public that [sic] they may make decisions that do not properly address test safety instead of public perception," says the statement (pdf).
Which is all true, no doubt. However, the WhiteKnightTwo and SpaceShipTwo would almost certainly not exist today if it weren't for the massive media and public interest generated by their predecessors, the Ansari X-Prize winning ships of 2004. This project only exists because of public perception, and people will continue be deeply interested in it whether Scaled Composites like it or not.
The company is going to have to cope with public perception on this programme anyway - in contrast to some of its other work - so it might do better to engage with the public, rather than keep schtum and then get cross when people speculate. ®
*Where a plane lands but doesn't slow down and leave the runway: rather putting on power again straight after touchdown and accelerating to take off once more. This is a routine procedure when testing new aircraft or training pilots.


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Summer is the time for vacations, picnics on the beach and reruns on the telly. For me it's a time to meet a deadline in July for my third novel in my series entitled AS ONE MUST ONE CAN. Many thanks to those of you who responded to my plea for your favorite reruns.
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The following photo is the PROMPT. This week's retread request comes from the Far Side of Arkansas and was made by Gary Larceny-Gayer If you're one of those who wrote a story for this prompt feel free to re-post it and enjoy the respite. Remember that all photos are private property and subject to copyright. Use other than Friday Fictioneers by permission only.
Note: Neil MacDonald passed this along to me re last week's prompt. I found it a worthy read so I'm passing it along to whomsoever will. CLICK HERE
Genre: Literary Fiction
Word Count: 99
The original post is here.
"Tell me about your childhood." Audrey tapped her pencil against her cheek and pierced me with her eyes.
I squirmed into a fetal position in my chair. "Bicycles, Barbies and circus clowns."
"Why are you starving yourself to death?"
"I eat." I counted the knots in the carpet.
"Popcorn and celery. 85 pounds and dropping. What have you buried?"
"Nothing. I remember my childhood in detail."
"You invented it."
To make her prying stop, I shut my eyes. In one heart-stopping moment, long dormant memories stirred and shattered my perfect life.
"The first one was my uncle," I whispered.

subset: commoncrawl


text:
Top Spanish bullfighter gored in Mexico
MADRID – MADRID (AP) — One of Spain's top matadors was seriously injured in Mexico when a 1,100-pound (500-kilogram) bull gored him in the groin and hoisted him into the air, causing major blood loss, his manager said Sunday.
Jose Tomas lost up to eight liters (17 pints) of blood after being gored Saturday by a beast named Navegante in the Mexican city of Aguascalientes.
The bull's horn penetrated 4 inches (10 centimeters) into Tomas' groin and punctured a vein and an artery, manager Salvador Boix told Spanish radio station Cadena Ser from Aguascalientes.
Tomas, one of Spain's most popular matadors, has a relatively rare blood type — A- — and bled so profusely that bullring officials appealed over the arena loudspeakers for compatible donors to come forward for transfusions, Boix said.
Bullring doctors operated on the 34-year-old Tomas immediately to stabilize him, and he underwent more surgery later at a hospital for more than three hours.
"Now he has new blood and is in intensive care, waiting to see how things evolve," Boix said, adding that Tomas is not conscious.
Mexican television footage aired on the Web site of the Spanish newspaper El Mundo shows Tomas working the animal with his cape when the bull makes a quick turn toward the matador and catches him in the groin, lifting him into the air for a few seconds and shaking its head with Tomas dangling from its sharp left horn.
Once on the ground, Tomas rolled away and held his hands up as if to say he was OK, but a large, dark red stain was already spreading through his glittering gold suit.
The newspaper El Pais said Tomas' injury was so serious that the bullring doctors who first operated on him did not even take time to anesthetize him.
Tomas is known for a daring bullfighting style in which he gets particularly close to the bull. His full name is Jose Tomas Roman Martin, but he goes by just Jose Tomas.
In Spain, he has been something of an enigma: in 2002, at the peak of his career, Tomas suddenly retired without saying why.
Tomas returned to the ring in 2007 to tremendous fanfare — he told one interviewer "living without bullfighting is not living" — and since then had suffered a number of serious gorings in Spain.
Eds: RECASTS, UPDATES throughout with details, quote; CORRECTS blood type to A- sted A+.


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Wednesday, June 18, 2014
Backstories and a Giveaway!
101 comments:
I love your templates. I've used them to create lots of multi-photo layouts which works wonderfully well because I take lots of photos. :) Congratulations on your achievement and thanks for the chance to win!ReplyDelete
The thing I like most about your templates is that they leave everything open for me. Only photos and that's it. Not umpteen clusters and 15 papers to clip and no flashy colors. Often I find that with colored templates I am using those colors for my papers which is total nonsense, but somehow they get stuck in my head when the template uses those colors.ReplyDelete
Anyway, I am planning to use your templates next year for my yearbook exclusively as they leave so much room for my own creativity.
I would use the templates to make a cohesive album. I have tons of travel photos I need to get in albums. Your templates would be perfect. Thank you for your generosity and I love the back story idea - GREAT!ReplyDelete
I love your templates, I used many of them when I made a Yellowstone Scrapbook for my son for graduation last year.ReplyDelete
Kim K
Hermiston, OR
Congratulations for your 400's templates. Thanks for all your work. I just love the simplicity and possibilities in them.ReplyDelete
I have been using your layouts for several years. You are an amazing designer! I would love to see some digital pocket page layouts.ReplyDelete
Your templates and pages have always been inspiring for me. I love that I can use so many photos on my page and they still look great. Congratulations on reaching 400--I hope you continue to make templates for years to come. And P.S...you don't look close to old enough to be worrying about gray hair!! Thanks for this opportunity to win a BUNCH of your templates!! :)ReplyDelete
I usually create photobooks with all my photos ... I'm not so much into "365" or yearly albums, but Iove making an album about a special trip, event, or even just a group of "favourite" photos ... your templates work wonderfully ... luv that they focus on the photos and not all the background "fluff"ReplyDelete
I love your templates, and I use them for most of my scrapping. I also love your examples; they make your templates come alive with an artistic flare. I don't like to use too many embellishments, as I feel it distracts the focus from the pictures and journaling, but I like the artistic element you use, and I try to emulate that. I scrap mostly family vacations. Thank you for letting me into your world. Jackie K.ReplyDelete
I love your templates as most are double. I usually do double layout and will keep your thumbnails as reference. Thanks for the chance.ReplyDelete
400 templates!!! Awesome. I think i own almost all of them. If i am blessed enough to win maybe it could be paid forward? ( : Love love the backstory idea. Thanks for the tabs too. Seems like our stories are never ending and always something to add so this is super way to do it. I remember the days before cell phones, party lines, land lines with phone cords that would only reach so far!! You sure brought memories. I love your templates. Thanks!!ReplyDelete
I love your templates, too! I've used them many times in my scrapbooks when I want to have lots of photos on one 2-page layout. There is always room for a nice title if needed. Thanks for the chance to win.ReplyDelete
I love your templates and use them for all my travel books, it makes scraping so easy. thanks for the chance to win.ReplyDelete
I love to have the ability to add so many photos and still have them clearly viewed by all! i use your templates for every type of page - from vacations to weekly PL spreads!ReplyDelete
OK, I'd written a LONG response and then something happened to it. So, will try again, but I don't remember half of what I'd written.ReplyDelete
Congrats on 400 templates. Love your templates, you are one of my favorite designers!
I have used yours for my daughters' graduation books. Thanks so much for sharing what you have!
Love your templates. I use them when I have lots of photos of an event and for travel photos.ReplyDelete
Holy cow! That's just awesome! Congrats on template 400! I use your templates all the time. I just LOVE templates with loads of photos so I can get as many pix as possible on fewer layouts. I like that they're simple and show off the photos, not the "embellishments". I especially loved them for after both of our grandchildren were born. GOTTA get those kid-prints shown OFF!!! Thanks for sharing your talent with us.ReplyDelete
Lakeville, MN
Your templates are just amazing, I love how easy it is to work with them, and they would definitely be perfect for a trip book. I usually work on my regular non trip books and have to say there is often a 2pg LO with one of yours, especially when there is a beautiful big pic or many pics to showcase and I dont want a crowded page. Congrats on reaching your 400 template!!!!ReplyDelete
Congratulations! I have been following you for some time now, so I have quite a few by now. I have tried to use other people's templates, but always come back to yours, and I've just realized now that it is because the way they are set help me tell a story, and that's the scrapbooking style I like: the one that when I see a page (or two), I can see a story unfolding even before looking at the elements or reading the journaling or word art. Thank you so much for your generosity.ReplyDelete
I love your templates -- what a wonderful milestone you've reached with 400 templates! Congragulations! I use your templates for my travel albums because you have inspired me with all of your travel pages...I always admire how you embellish your travel layouts as well! Thank you for the chance to win more of your fabulous templates!ReplyDelete
I love, love, love your templates and use them ALL the time! I make a family album each year and a huge percentage of my pages use your templates. I would love to win and buy more templates to use in my 2014 album! Thanks for the giveaway and congrats on 400 creations!ReplyDelete
I am just starting out in digital scrapbooking. I have not used one of your templates yet, but I am really looking forward to it. I love that they use so many pictures.ReplyDelete
Congrats of your template milestone! I've used your templates in so many layouts. I love how you have lots and lots of photos on a page - and how it doesn't look too cramped. Lately I love seeing the month review pages. I've always wanted to summarize on a month to month basis. I'd love to see you add in a few circles, hexagons or other large shapes behind some of the photo blocks for extra layering. But overall, I like the simplicity and the matting of your templates. Thank you for sharing your creative talents with us.ReplyDelete
Congratulations on your 400th template! I've enjoyed using them for my family heritage albums, as you know. I LOVE the idea of the tabs ... what a great way to include sources of the documents and information that have been used as proof of the things that have been uncovered about ones family history. Keep up the great work!ReplyDelete
I just love the versatility of your templates. I use them mostly for holiday trips, trips with obviously lots of photos (Which I LOVE taking)ReplyDelete
Well done on making it to 400 templates. And thank you for sharing them with us!
I love you templates and i already used some of them for pictures from my summers i worked in USA. Hope to one day to have a whole album finished. :)ReplyDelete
I, for one, look forward to seeing many more templates in the years to come. It is hard to believe that it has been 7 years since I have found your blog and have come to appreciate the inspiration you provide. Plus I have really enjoyed seeing how the boys have grown and matured. I think by now I probably own just about every template you have made. But I can think of one really good reason to continue getting more. The Princess' mother (my daughter) is getting married in August at a mountain resort and I can't think of anybody else's template I would rather use to make her a book with. (that we are headed to Disney World soon, lol). Keep up the great work and blog.ReplyDelete
I have used your templates for so many layouts - I wouldn't know where to start in telling you about all of them! I love your templates, because I always want to include lots of photos on a page, and your templates make that so easy to do - and then the photos tell the story - although I do journal, as well!ReplyDelete
While I usually use them to scrap family events, I have also used them to create pages for a heritage album I am working on.
Thank you for the opportunity to receive more of your templates!
I love love love your templates. I have used them multiple times for my digital scrapbooks. Your two page templates have saved me many times.ReplyDelete
I love your templates Yin because I almost always scrap 2 page layouts and yours just have an energy to them that I love! I scrap a lot of travel layouts (like you do) and I love getting lots of pictures on a layout and yet still have room to journal about the trip. I have a trip to Hawaii coming up and would love to use your templates for that!ReplyDelete
I love your templates. They are so wonderful for incorporating lots of photos without being overwhelming.ReplyDelete
Thanks for your hard work!
WOW! 400 templates that is amazing Yin! I love, love, love your templates! They are laid out so beautifully and they capture the mood of my photos so beautifully! Your templates are so perfect for capturing our family trip photos and all our little life events! I find more and more I am drawn to your templates as they allow me to be as creative as I want to be with some structure to my lay out which is fabulous. I also like how your templates aren't colored with tons of clusters etc it allows me to start with a blank canvas and therefore not be swayed by how the template starts originally. Thanks again for all your hard work in making these templates. I love your work! :)ReplyDelete
Congrats! I LOVE your templates a ton because they are show off your photos which are complimented by embellishments & not the other way around! I really want to try printing my pages into a book like you have done, but am scared to since you have mentioned that there has been some difficulty with the middle crease looking ok. Do you/will you offer (because I would love you to) templates of your P365 Half-Monthly Month in Review pages (like your May one posted above)? I love those. Keep the awesomeness coming!ReplyDelete
Congratulations on 400 Templates. I've loved and collected every free one you have given away. They are my go-to templates when I scrap because I take so many photos of the different functions my children are involved in. I would use them to scrap from 2009 forward----OK so I'm a little behind in my scrapping. Now with one graduated from college and living on their own and the other in college, I have lot's of time to scrap. Thanks for the chance to win.ReplyDelete
I LOVE your templates. They are by far my favorite! Thanks for your work!!ReplyDelete
Yay! 400 Templates!!! I need more money to buy them all! lol! I love them and have used several in my scrapbook. Maybe you will recognize some in my cruise book?ReplyDelete
Thank you Yin! I can't wait to see the next 400. haha! :)
I love your templates as they allow me to use many photos on the page..and you have laid them out so well. Thank you!ReplyDelete
I love using your templates for events that I have lots of photos from where I can't decide which ones not to use.ReplyDelete
I LOVE you templates. I love that they are multi-photo and that the focus is on the photos. The layouts are great as they are, but it is also easy to give a nudge here and there if I need to, leave one photo out, stick another in, etc. They are very versatile. I enjoy reading your blog, about your family and your travels. Congratulations on creating 400 templates. I can only imagine such a scrapping and design accomplishment. May you create many, many more as you watch your boys grow up and your family change. Thanks for the chance to win such a nice prize.ReplyDelete
Congrats! I love your templates for photo books. They make it easy for making a book super fast.ReplyDelete
Congrats on 400 templates. I love your templates because I can use so many photos. I have completed several albums with them including a friends 40th birthday, a trip to Mexico not to mention several pages. I love your templates. They are the greatest. Thank you so much!!!!ReplyDelete
Whoa, what an accomplishment! I have been using your templates to make a number of scrapbooks for my travels. I love the versatility of your layouts, plus your own layouts have given me so much inspiration. Congratulations for your 400's templates.ReplyDelete
Hi ! I love your templates. This is the first time I participate in a random giveaway ! I use your template for my yearly family albums, for all our little events through the years. And I love your layouts ! Don't change an inch from what you do, it's perfect !ReplyDelete
I use mostly your templates, and they are the only ones I buy, as in spend money on. They are great for 2 page spreaders like me, who take lots of pictures and can't let too many go un-scrapped...ReplyDelete
I haven't scrapped in a long time. If i had your templates it would make it easier for me.ReplyDelete
Your templates are always the first one's I go to when scrapbooking. I've used them to create mini books and just for my everyday pages. I love the amount of photos on the pages and that most of them are two page designs. Congrats on your 400 designs...that's a wonderful milestone.ReplyDelete
Congratulations on your milestone!ReplyDelete
Yin, I love your templates and the way you showcase them with your photos! I have used your templates when I want to use lots of photos about one event, or when I want to do a themed layout about one topic. They are great for multi-photo layouts!ReplyDelete
- AnonymousJune 19, 2014
I have used many of your templates in the past and are finding I still like to make one complete page at a time. I love your tab idea and will use them for my projects because I too scrap cards that have special meaning. I love the layouts you did and do a lot of copy catting (I hope you don't mind). Thank you for the opportunity to win more of your templates. Hugs and Blessings!ReplyDelete
I hardly use any other templates but yours! I pull one up according to how many photos I have, slap my photos in, add some background paper, a couple embellishments, title, journalling, and I'm DONE. Most of the time, I end up moving, resizing, or duplicating a photo spot. Your templates give me a great start to getting it done! I also love your project life and monthly summary pages. They are an inspiration. I also do PL monthly pages, and only do big pages for special events and vacations. Thanks so much for sharing your process, giving reviews and how-to's for printing, and inspiring me to keep up on the memory keeping!ReplyDelete
Congrats on 400! Thank you so much for sharing your talent and knowledge with us! I'm a true beginner and I just love your templates for being EASY and uncluttered with room for lots of photos. They are working perfectly for my ranch pictures with layouts on individual animals!ReplyDelete
- AnonymousJune 19, 2014
I am going to scrap the photos of my in-laws for a special gift for my sons and my husband. If my in-laws were still alive today they would be turning 95 years old and 100 years old on June 26th. They were awesome people that I want to be able to share with my family. I LOVE your templates!!!ReplyDelete
400 templates and I own about 395 of them! I have used your templates to make more than 1000 layouts! Thank you so much for the inspiration!ReplyDelete
Yin, I love your templates. They provide for artistic arrangement of multiple photos, they are not cluttered, and they are flexible. I use them in the majority of my scrapped pages. Congratulations on reaching 400!ReplyDelete
When my daughter was going over to Spain for a semester abroad, I wanted her to bring a photo book to them as a gift, I used your templates to do it! It was gorgeous. My sister has also used your templates and she has shared many of them on your site. I cannot believe you have made it to 400, thank you for your templates and for sharing your stores with all of us.ReplyDelete
I love, love, love your templates. Always one that I look to and a newsletter I look forward to receiving!ReplyDelete
Happy 400th template! Wow...that's a lot of templates & layouts! I turn to your templates first for my vacation albums...always perfect for highlighting our memories and all the photos we take. Thanks for the sale and chance to win!ReplyDelete
I've been able to scrap a ton more everyday photos thanks to you! Keep coming with the 2 pagers! Thank you so much for sharing your talents!ReplyDelete
- Sarah G.June 20, 2014
I have been using your templates for years. Every time I go to make a page, I start with something else, realize I have too many photos for those one-hit wonders, and I find one of yours that works perfectly. I love the bent frames and the subtle shadows, and the "tossed" look on the pages. I always have at a minimum 10-15 photos and I ONLY do two-page layouts, so your templates are awesome.ReplyDelete
Thanks for designing them and selling them at such an affordable price! I hope your store has been successful and that it has provided you with some extra "fun money" through the years.
I used your templates for several photobooks! Thank you!
And now they are great with the pictures of our grandchildren
My english is not god enough to understand all you wrote. But I love your work and your templates. I thank you for all the downloads. I would like to use your templates for my year book.ReplyDelete
Hi Yin, I am SO happy I found your blog and your wonderful templates a few years ago! I have four ongoing projects plus many others, but the four that are ongoing are Life scrapbooks for our four grandchildren ranging in age from 9 to 19 - currently each scrapbook is over 140 pages, and since I discovered your templates I use them almost exclusively for all my projects. I LOVE digital scrapbooking and your templates make my pages really stand out. I have gotten many compliments on them. Thank you so much for sharing your awesome talent with us! Susan K firstname.lastname@example.com
- AnonymousJune 20, 2014
Congratulations for 400 Templates!!ReplyDelete
I used your templates for the photobooks of our vacations. We have so many wonderful Pictures, that we Need templates for a lot of Pictures. My favourite are the templates with one large Picture on the one site
Best wishes Drachenmaedchen.
Congratulations! 400 templates is quite an achievement! What an awesome giveaway - I am always interested in adding to my supply of templates; thanks for the chance to win some of yours.ReplyDelete
- firstname.lastname@example.com 21, 2014
400 Templates is AMAZING! You know I LOVE your double templates because of their letting the picture tell the story style. I would love to add more to my stash for my own family memories.ReplyDelete
I recently wrote you asking about using some of your templates for our school yearbook. You said no problem and I just sent it in for printing yesterday. I love your templates. I love that they have a variety of numbers of photos, that even though they are not linear, I can still achieve the clean look that I like. I also like that many of them are easily adaptable to an 8.5x11 format that I need for some projects. What else can I say - I am a total fan and can't wait to see what else you are willing to share. {One of these days I really want to try the double page spreads in an actual photobook - Woohoo!} Congratulations and thanks for sharing!ReplyDelete
- Audrey WilsonJune 21, 2014
You inspire me in my scrapbooking in so many ways. I love the colors you use, the titles, and the way you journal and capture the emotions of the event. When you travel, you take such breathtaking photos of the landscape, and I love the way you use them as backgrounds in your layouts. I use your templates for almost every page I do because they focus on the photos. Thank you for your blog, and sharing your templates.ReplyDelete
- AnonymousJune 21, 2014
Congrats on your accomplishment, your templates are amazing. When my niece started college we formed a tradition that she and I would take a trip to celebrate her spring break. I'm currently working on a trip album from one of those trips where we went to Atlanta, GA and Charleston, SC. I'm using only your templates and it's working out beautifully. I love that I can add many photos to tell our story and still have room for journaling. Thank you again for the inspiration and creativity.ReplyDelete
- AnonymousJune 22, 2014
Congrats!! I love your templates cause I always make way tooo much photos. So your templates have helped me a lotReplyDelete
I love your templates! Congrats on reaching 400. Your templates give me the freedom to use as many pics as I need to tell the story.ReplyDelete
- yukiJune 22, 2014
Yin! Congrats on 400 templates! Your blog was one of the first ones I stumbled across when I started digital scrapbooking. I love using your templates for vacation spreads because I tend to take too many photos and your templates are great for those! When I started with P365 (OMG, that's sooooo years ago, lol) I keep coming back to your templates because I find my scrapbooking style is very similar to yours. Very inspirational indeed! So thank you for a chance to win your templates and congrats again on the milestone. Keep up the good work!ReplyDelete
I love to use your templates! I use and reuse them so often. I love that I can get so many pictures on a page without making it look cluttered. Thanks for sharing your great talent. I also love looking at all your completed pages. They are inspirational.ReplyDelete
- AnonymousJune 24, 2014
I love your templates and I used many of them for our holiday albums. And also in future I will use them and have fun with our memories. Thank you a lot.ReplyDelete
Congratulations on reaching 400! You have the best templates-- they're the only ones I use! Thanks for sharing your stories and for the chance to win...ReplyDelete
I love your templates because they fit so many photos. I also like being able to showcase one big photo. I'm not one for lots of embellishments and "stuff" on my page, and I really want my pictures and journalling to shine. Your templates do this for me. I'm not even sure that there are $40 worth of templates that I do not already own, but I would love to fill my stash with any missing ones.ReplyDelete
- AnonymousJune 25, 2014
WOW, 400 templates. That is a wonderful accomplishment. I have been a long time follower of your blog and your templates. I have purchased and used a great deal of them to scrap pics of my grandchildren. I love your style of scrapbooking and I deeply enjoy the journaling included on your pages. I feel that I have traveled the world by reading your pages. I hope there will be many, many more templates in your future. Blessings Lisa Kelly email@example.com
Love your templates as they make my life so much easier! Not just that, but I love way the pages look and the awesome variety. Congrats on reaching 400 and looking forward to more!ReplyDelete
I LOVE using your templates and have used them since 2008! In fact at one point you had need of your earlier templates (I can't remember why), but I emailed some of the files back to you.ReplyDelete
I love your style and the clean look your templates afford. But the main reason I always go to your templates is because there is space for so many pictures on one layout and I am all about pictures!!!!Replies
I remember that, thank you once again!! :) Some readers were asking for 'missing templates' and I had lost them when the old external harddisk died, and you came to my rescue! Now I believe all the templates I ever made are in the store or free on the blog. Thank you!Delete
- AnonymousJune 26, 2014
Congrats on 400 templates. I love to us them for my travel albums. But they also work fine for wedding and confirmation picture. Thank you so much for your work!!!!ReplyDelete


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Cub Scouts do fun things with other kids! They get to wear a cool uniform, go places, and see things. They play all kinds of sports and build things, like race cars and bird houses.
Want to learn a secret code? Want to learn about wild animals? If you're a boy in the first through fifth grades (ages 6 to 10), go Cub Scouting!


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Blog Archives
Children a Burden … Unfit Parents: Children Became the Ultimate Repository for the Suffering Resulting from Social Conformity and Its Humiliation, Say Planetmates in the 21st Prasad
"You are Babies Raising Babies": Consumed with Baseless Terrors and Caught up in Relentless Mental Machinations, Humans Are Hardly Fit Care-Givers, According to the Planetmates
The Great Reveal from the Planetmates, the Twenty-First Prasad: Children a Burden … Unfit Parents
Planetmates Release The Twenty-First Prasad
Fully Growns Hardly Fit Care Givers for Newborns
Tree Frog is First Consciousness at The Twenty-First Prasad. Alongside the increasing time of helplessness and dependence of newborns was the increasing reluctance of fully growns to jeopardize their survival for their own newborns.
The Twenty-First Prasad – Children a Burden
But the fully growns are at the same time consumed by the controlling, conforming, backwards thinking, and the alien and crazed overstimulation of consciousness that we've been describing. In this state they are hardly fit to be good care givers to newborns. Remember that fear for your survival—of deprivation and uncertainty—drives your obsessive controlling and conforming. So there was an increasing tendency, as you became more "human," as we've defined you, to not want to add the burden of caring for dependent young ones to your already uncertain state. Alongside the increasing time of helplessness and dependence of newborns was the increasing reluctance of fully growns to jeopardize their survival for their own newborns. These reluctant feelings did not fully manifest, however, until around the time of ultimate control and crazed beingness that occurred with the switch to sedentary and accumulating-conforming ways.
Paraphrase/Elaboration of the Twenty-First Prasad — by SillyMickel Adzema
Now, let us look at childhood from the perspective of your fully growns.
For your adults are not passive actors in these developments. As we have been saying, this is the ultimate and easiest arena of control for humans.
Sure enough, your adults consciously and unconsciously foster and constrain the Ego creations of your young ones in the course of their care giving.
You know how you seek to do it consciously. You call it "raising" your children; again, you show how you objectivize the world and how its people look to you like things to be grown for your use and consumption, much like your crops or chickens. More kindly, you view it as "training" them; though you would never acknowledge, however true, that your aim is to mold and force upon them a shape that makes of them just another extension of you … a mini-me. Again, there is that Ego of you. And here you see how your effects on your children begin to become unconscious influences: You affect them in ways of which you are completely oblivious and always and everywhere have vehemently denied. Still, we must tell you, for those who, because of the pressing and intense nature of these times and their unusual sensitivity to the needs of those beyond just themselves, are able to hear it.
What you are always and everywhere ignorant of is your biological, species-determined inability to give adequate care to those dependent on you. You are, for all the reasons we have been listing, "not quite here," virtually all of the time.
You are distracted and self-obsessed. While responsible for tending the young's needs,
you are forever distracted by your controlling and conforming obsessions; you are continually derailed and led astray by your backward thinking. You are barely able to focus outside of yourselves, as you are constantly consumed by the alien and crazed, overstimulated consciousness that characterizes you.
You cannot help but be poor caregivers, with all these other things going on inside you. For children require attentiveness and focus on their needs, and you are ever self-obsessed, and your minds are busy building walls to buffer reality and bridges over unpleasant Nows to fantastical and ever receding futures of ease.
Looking back at the deepest origins of that feverish controlling and fearful conforming we remember that it is rooted in and driven by your underlying — exaggerated and foundationless — fears of death — the supposed end of your beingness.
This fear for your survival is made keen by your incessant paranoia of becoming deprived and of facing uncertainty, as you actually did, in most horrifying ways, as infants.
So, the very same deprivations and uncertainty we planetmates embrace as providing the spice and delightful play of life for you are the forces to drive your obsessive controlling. Furthermore, as you became more "human," you became that much more, not less, fearful of death; you became ever more terrified of an imaginary future containing uncontainable levels of pain of not getting what you want. You became ever more deranged when confronting uncertainty in your present.
So, consumed with baseless terrors and caught up in your relentless mental machinations around them, you cannot bear the thought of adding the burden of children to all that.
Hardly able to focus outside yourselves and lost in a matrix of long-ago schemas of feelings (from infancy and birth)—pushing and pulling you all about regardless of what you are confronted with in the present—you are babies raising babies.
You would like to make up for your inability by having your newborns simply grow up faster and not be such babies for so long. For after all, it is only their neediness that offends you. It drags you down and requires that you leave off some of your activities and thoughts in the efforts of defense and come out of yourself to heed another's needs. "If only they would cry less"; "If only they would sleep through the night"; "If only they would poop in the right place."
Forever falling short of filling your needs in the present, as you go about doing that along with attempting to fill the ever present list of imaginary "needs" left over from your past, you cannot be good caregivers for needy others. Put another way, burdened as you are with imaginary struggles, it does not behoove you to attend to another's real needs.
Bad enough, all this was when you were nomadic, gatherers and hunters, but all of this was made worse by the switch to sedentary living. For with fixed abodes, inequality of stores, and the resulting social hierarchy came all its requirements to conform increasingly to the demands of a social arena for the satisfaction of one's needs. Remember that in Nature you enjoyed a relative independence of action in satisfying your basic needs. In Nature, you knew the relative self-assurance that one could always fend for oneself, if need be.
But hierarchy and increased specialization of function—which was a narrowing of the fullness of life experience down to a focus on the aspect of it which could be traded in society for survival—made one dependent on the good will of others for survival. It re-created the state of infantile dependence on one's care-givers. You were thrust ever, triggered ever, into feelings of helplessness vis-à-vis the Other, which now would include the social matrix within which you were nurtured and fed.
We will leave for later how this, in itself alone, transformed your ideas of Divinity, again … this time it took on more of the qualities of the ones you were most dependent upon—strong men or a man, patriarchal elders, and chiefs—instead of the forces of Nature and its central experience of rebirth. For now it is more important to notice that the major effect this fundamental helplessness in relation to society had upon your feelings and thoughts was the requirement, always, that one's actions be not just sufficient (for survival) but pleasing (to Other). So, to a consciousness caught up in pushes and pulls left over from early deprivations and trauma in interaction with an inattentive, sometimes harsh, Other (one's caregiver/parent) was added the pushes and pulls to appeal to, and be approved by, similar unconcerned, careless, sometimes brutal Others in the present, which were one's higher ups.
This could not help but make it even more difficult to attend to the needs of your young. In the drama of intrigue and chicanery, which erupted out of the necessary interaction for fulfillment of needs with increasingly larger numbers of similarly helpless and equally desperate others in society, you were engaging the majority of the attention and focus you did have. Caught up in the necessary wiles of life left you with little over. The persistent and undeniable needs of children, arising at any time of the day or night, was an unwanted addition to the increasing demands and complexities of daily life.
The result? From the preceding prasads it can easily be guessed what transpired: Children were the lowest in the hierarchy of importance in any society—they were often abandoned or even killed, oftentimes right at birth—for they were the least able to defend themselves and represented the biggest additional outlay of resources and effort of anything coming into an adult's life. But they were under the most pressure and were the most scapegoated in the hierarchical societies which came with sedentary living.
In ways very similar to the change in the perceptions of women, with hierarchy—that is, with there being controlling and demanding persons ever above one—came incredible pressure to extract from others below oneself amounts of complicity and service equal to what was being demanded from above. It was the unconscious trade-off that men sought for the sacrifice of their energy, time, and self-esteem to those above.
By that we mean that men knew and secretly resented the fact that they needed to put time and effort into the needs and wants of those above them, rather than their own. They felt they could live with that as long as they could balance that suck of energy from them to above with acquisition of unworked for boons from those below. More simply, if you had to suck up to those above you, you could console yourself with the fact that others below you sucked up to you. This was all decided unconsciously, of course. So men used women and controlled them in an amount equal to that which they themselves felt controlled and dominated from above. Men knew they were humiliated and denigrated to an intolerable degree by those above, but they were able to live with that if at other times they also could dominate and bully.
And, of course, women were always targets for all this scapegoating and abuse. But even further down—and available to be scapegoated even by women—were the children. So, again, children were felt to be both the one excludable variable in life's burdens as well as the ultimate repository for the suffering brought about by such burdens. They were not wanted and were killed or abandoned, being felt to be additional burdens on psychologically and economically distracted adults. But if they were allowed to live, their needs would be set aside in accordance with the pathetic needs of caregivers who desperately sought dependent underlings (of any kind, women or children, fringe group or subservient class) upon which to balance the injustices of one's adult life.
It is no coincidence, either, that women, being the easiest ones to burden, the ultimate societal scapegoats, would have thrust upon them the burden of caregiving that men did not want. Being the child-bearers they were obvious candidates; but these societal pressures that came with sedentary living increased and reinforced that relation. And men were both more anxious as well as more able—more easily beginning with sedentary life—to cut themselves away from any such responsibilities regarding children. However, they heaped extra pressure on women. For the fact that women, being lowest on the totem pole, were the most supervised of all sectors of adults meant that although men would not want to help in child caregiving, they certainly did not want women to be so cavalier about it.
So, women were in the worst situation. Being the repository of the suffering of their men, who themselves were the repository of the misery of the strong men above them, women carried the heaviest burden yet were left with no one below them to pass along the burden of caregiving.
Further, this task of attentiveness to children is a complication that just adds to your considerable discomfort around not knowing things, not being able to control things … around uncertainty. For while you sought to control everything about you, your children would be the one major factor upsetting your carefully made plans and throwing the monkey wrench into any laboriously constructed ease you were able to carve out for yourself.
So while your newborns required more, you would prefer to give less. Your newborns required ever longer periods in the dependent and helpless state as you changed over time, while
with your increasing fears you felt it risky to focus on a helpless other and away from your attention to warding off present and future imaginary threats.
This reluctance to care for your newborns only became truly apparent and blatant after your transition from nomadic ways to sedentary ones, however.
For this switch allowed full rein to your mania to
accumulate and control and,
with this increased separation from the natural, a greater state of ordinary madness. You peaked, at this point, as far as your desires for controlling. So the unpredictability brought by newborn others was that much more unappealing.
Continue with The Great Reveal from the Planetmates, the Twenty-Second Prasad: Perinatal Conformity and The Earliest Beauty Contest
Return to The Great Reveal from the Planetmates, the Twentieth Prasad: Obsessive Control — Controlling Your Young
To Read the Entire Book … on-line, free at this time … Go to The Great Reveal from The Planetmates
To purchase any of Michael Adzema's books, available in print and e-book formats, go to Michael Adzema's books at Amazon.
Invite you to join me on Twitter: http://twitter.com/sillymickel
friend me on Facebook: https://www.facebook.com/sillymickel


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About Bona® Wood Cleaners
For over 80 years, BonaKemi has provided hardwood floor finishing
professionals with the world's finest hardwood floor finishes. You can rely on
Bona systems every step of the way for abrasives, sanding equipment, stains,
sealers, finishes and cleaners that allow you to do your best work every time.
Bona is the pioneer of the "Environmental Choice®" finishing system - advanced technology resulting in low VOC, safe-to-use waterborne finishes combined with dust containment sanding systems. Bona provides you and your customers with the highest quality, cleanest finishing process available. We protect your health and the environment, while assuring the ultimate in durability and beauty for hardwood floors.


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DS 3508 Rugged Imager Scanner
The DS3508 Series of rugged, omni-directional digital scanners bring comprehensive, high-performance data capture to harsh industrial environments. Engineered with breakthrough digital imaging technology, this scanner family delivers extremely fast and accurate data capture of 1-D/2-D barcodes, images and direct part marks (DPM), and supports Item Unique Identification (IUID). The DS3508 Series is available in a various models to meet diverse needs:
DS3508-SR: 1-D/2-D barcodes; image capture/transfer
DS3508-HD: 1-D/2-D barcodes and optimized to capture very small, high density 2-D barcodes; image capture/transfer
DS3508-DP: 1-D/2-D barcodes; DPM marks; IUID support; image capture/transfer
Ability to read both 1-D and 2-D barcodes
Increases productivity by providing one device that can read all industry-standard barcodes
Powerful 624 MHz processor, fast sensor shutter speed and patent pending fast pulse illumination
Superior performance on 1-D and 2-D barcodes, improving productivity in a wide variety of applications
IUID-enabled (DS3508-DP only)
Ability to understand IUID constructs, and automatically separate and send the required information to your application
Ability to capture high density barcodes (DS3508-HD only)
Increases productivity by enabling users to read high-density 2-D barcodes in addition to all industry-standard barcodes
Ability to read a wide variety of DPM marks (DS3508-DP only)
Enhances quality processes and improves lifetime product traceability
Exceptional motion tolerance
Enables extraordinary scanning speed for all barcodes, increasing throughput and productivity – regardless of application
Unique aiming pattern
Bright central laser dot ensures quick, accurate scanning — even in bright sunlight
Omni-directional scanning
Speeds reading time by eliminating the need to line up the barcode with the scan line
Rugged design withstands multiple 6.5 ft./2 m drops to concrete
Ensures maximum reliability with less downtime resulting from accidental drops
IP65-rated sealing
Protects against water and dust for reliable performance in harsh industrial conditions
Integrated image capture and transfer capabilities
Reduces the costs associated with operating and maintaining multiple devices by integrating the technology needed for image capture and transfer
Multiple on-board interfaces and universal cable set
Ensures flexible connectivity with different hosts; enables easy upgrading of hosts and cable replacement; provides investment protection
Bright LED, beeper with adjustable volume and vibrating pager motor
Multiple confirmation modes for positive user feedback in noisy environments
Advanced data formatting
Eliminates costly modifications to the host software
Supports 123Scan2 scanner configuration tool
Enables rapid and easy customized set-up through a free, wizard-based PC software tool
Supports RSM (Remote Scanner Management)
Lowers IT expenses and TCO by enabling remote management from a central location


text:
Note: US WAREHOUSE products only support USPS shipping,other products without US WAREHOUSE only can send by Fast Air Mail from CN WAREHOUSE.
Warranty:24 months
Lamp: UV LED lamp
Keeping Time:15 Days Or Above.
Approval: MSDS, SGS
Type: Soak Off UV Led Builder Gel Acrylic Extension Gel.
Applicable: Nail Artist, Nail Art, Lover, Beauty Lover, Chic, Fashionable people.
1) High-molecular materials.
2) No odor and no toxic.
3) Don't hurt nails.
4) Without dull, chip or peel from the color.
5) High gloss and lasting over a month.?
6) MSDS and SGS certificate.
7) Suitable for all kinds of people.
Pckage Included:
12Pcs or 20Pcs Polygel Set (depend on what type you buy)
How to use Poly Gel
Step 1: Complete your POLY Sculpting GEL nail prep. Apply a base coat to nails
Step 2: Lightly squeeze a slice of polygel from the tube and then roll it on the nail. Put the brush into slip and then move the polygel around with the brush to cover the whole nail and make the extension as well if you want(the liquid used to sculpt polygel is called Slip, it's simply used to make the polygel easy to shape), cure in Led lamp for 60seconds or UV lamp for 2mins. Step 3: Using your Poly?Tool?brush with a small amount of SLIP SOLUTION, pat product into the nail. Shape all nails.
Step 4: Cure 30 seconds in 18G LED LIGHT.
Step 5: File and shape nails with a 180 grit file and smooth with the 180 grit buffer. Cleanse with NAIL SURFACE CLEANSE and WIPE IT OFF lint-free nail wipe.
Step 6: Apply a thin coat of TOP IT OFF. Cure 30 seconds. Cleanse with Nail Surface Cleanse and a lint-free nail wipe.
Step7: Apply NOURISH CUTICLE OIL.
If you don't know how to use it. or ask me first. Nails only stay long if you use it professionally.
If you don't install properly it falls off in a few minutes.Silp Solution is essential Item when you use thepolygel.
Make sure to use UV LED light and tight properly. UV LED light is the most important part of the installation
-Poly Gel was inspired by a desire to create a product that keeps everything nail techs like about acrylic and hard gel systems while removing the aspects they don't like
-Poly Gel is more flexible than acrylic, stronger than hard gel, and lighter than both. Unlike hard gel, Poly Gel is not self-leveling, but stays where you place it; unlike acrylic, it doesn't harden until it's cured in an LED or UV lamp
*Squeeze, slice, roll 3 simple steps to flawless nails.
*Lighter, stronger, easier.
*PolyGel applies fast and easy with no chasing or intense heat spike.
*23% lighter than acrylics.
*Unlimited playtime so you can work at your own speed!
1. These products have several colors to choose
2. These products work with UV&LED Nail lamp.
3. The picture on the computer may cause a little difference, if you mind the difference, please don't order it.
4. Keep away from children
5. Keep away from sunshine and heat
6. Keep tight after use
7.Discontinue use if sensitization occurs
8. It's a normal phenomenon if the gel goes thicker in the case of temp
Q1: Why the Poly Gel is So Hard
A1: This Poly Gel is Upgrade Gel,it is a Hard Gel Not like the Builder gel?and other gel which Flow easy. this Hard Gel is easy Use and Control.and if you receive is Hard to Squeeze, pls try to put it in the?Warm Water for 2-5 minutes. And then have a try again. Because of it influent by the Temperature Sometimes.
Q2: How to use Poly Gel
A2: There are 2 ways to use the Poly Gel,
one is using the nail form --- nail tray sticker (not included in this set)
another is using the false nail mold?(no the false nails)?the set you buy is included.
Q3: How long the poly gel stay in the nail
A3: there are 2 elements that will influent the poly gel
One is the poly gel itself it's?quality
Another is the?Operation method?of the user (Most Important)
as for the poly gel, our nail tech tried this poly gel without any other tools
this poly gel has Maintained for 1 week
and add the whole steps one by one.
it Maintained longer enough for about 1-3 month.
Q4: Why is the Poly gel nail extension?easy fall?(does not give a stronghold)??
A4: there are 3 problems the Poly gel fall (does not give a stronghold ) if you use
1, if you put?more and thick?Poly gel on your nail
2, if you put the poly gel?close to the nail base?means split out of the nail?close to your skin
3, According to our experience. the False nail mold makes the nail extensionneeds more tech. If you are a nail tech you can do it .if you are a starter, I recommend you use the nail paper tray sticker instead of the False nail mold, which is easy to use and it is the old way of use. Or?writing to me for help.
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NEW YORK — NBC has gone out of the company and out of the country to find a president for its news division.
The network said Monday that Deborah Turness, former editor of ITV News in Britain, will run the news division. Turness replaces Steve Capus, who resigned earlier this year, and will begin her new job in August.
She'll take over a news division bruised by the "Today" show losing its long-held dominant position in the morning to ABC's "Good Morning America." NBC also recently cancelled Brian Williams' high-profiled newsmagazine, "Rock Center," after less than two years on the air.
Much of Turness' experience with the British company has been overseas, but she spent four years as a news producer in Washington during the 1990s.
Source: Associated Press


text:
A version of this review (and a better edited version) may appear in a future issue of Redactions: Poetry & Poetics.
In the "Series Editor's Preface," Billy Collins notes, "One requirement for poets is the ability to write about two different things at the same time. Seamus Heaney turns writing into a kind of digging. John Ciardi intertwines marriage and the structure of an arch" (ix). In the 2017 Finalist Miller Williams Poetry Prize book The Wild Night Dress (The University of Arkansas Press, 2017), Laura McCullough does this, too, and she informs the reader up front in the Prologue's poem, "The Love Particle," "Love Waves is the name given to shocks / across the planet's surface after an earthquake, what we / who are not at the epicenter actually feel" (3). She's aware she's going to share some intense personal experiences from her epicenter of grief and pain and her readers will experience her emotions in those Love Waves.
The two opening poems of "Part I: Passage with Hardboiled Egg" – "Feed" and "Toward Something Larger" – inform the reader what is at the epicenter of McCullough's grief: her dying mother and her departing husband. Both create voids in her life, but more of the book revolves around her mother than her ex-husband. Perhaps this is because the bond with a mother is stronger than with a lover, which as a "long marriage / cycles predictably" (7), whereas with her mother, there appears to be a deeper intimacy of unspoken understandings, such as when her mother had "thrown up / in the water, perhaps a first sign. Signs // in language are made of signifiers and the signified. / Mother and daughter are a kind of language" (19). McCullough will also build signs and symbols for the reader, which I'll get to obliquely.
The poems in this collection are interconnected in the immediacy of one poem moving into the next and across the breadth of the whole collection. In fact, this book of poems would be a good one to use in an advanced poetry writing workshop where students are trying to organize their own poems into a manuscript. In the poem-to-poem movement, an image, word, or idea appears in one poem and the following poem, such as the appearance of "residue" and "bees" in "Soliloquy with Honey: Time to Die" (14-15) and "Across Which the World" (16), language in "I Am Calling You" (17), "What He Said the Russians Say" (18), and "Hunger Always Returns" (19), and "door" in "Ceremony of a Commonplace and Unremarkable Moment" (25), "Passage, Revolving with Boots" (26), and "Revolving Door" (27). Additionally, some words and images appear in poems far apart, such as "water," "salt," and "ocean," but with the distantly echoed images, or conceptual harmonies, associations are being created within the self-contained universe of the book. For Instance, in "Water : Waterfall :: Equation : Proportion," McCullough creates relationships between "soul" and "water," "ocean" and "human," and "salt" and blood," so that later on when we read "water," for instance, we have a built-in associative memory to "soul." Certain words and images, like "water" and "soul," then carry a relationship throughout the book.
With the image of "door," which appears at least 12 times in the collection, it accumulates multiple associations, so much so that it behaves like a symbol. "Door" first appears in "What He Said the Russians Say" (18):
I was just a girl who hadn't lost enough to understand language as a door we stand at pondering, trying to get it open, say what we mean, and how we are afraid that no one is even on the other side. (16-22)
Here, "door" is an obstacle to expression, as well as a place of meditation, mystery, and fear. Later, in "Revolving Door" (27), she is able to see what's on the other side of a door – a gardener "cutting leaves" (11). Still, there is a sense of being afraid, as she can barely see him, "his eyes meet no one's" (8), and because "his sneakers were once red" (9). The once-red sneakers when coupled with the "weapon" he "wields" creates on ominous moment, because it feels like those shoes are covered in blood, but in fact, the blood-colored shoes have been soiled by his cultivation of plants and keeping them alive. The "door" here then begins to set up the feeling of a liminal place between one living world and another living world, so when we get to "Body a Doorway" (35), where McCullough wants "to make" her "body a door though which she [her dying mother] might pass" (9), we understand she wants to mediate her mother's death and make it pleasant for her. However, the door still carries a fearful emotion, because "in these last seconds my [McCullough's] mind rebels, / and I barely hold back the small selfish voice: No, don't go. // Then it is done" (10-11). She couldn't mediate for her mother. The moment was too overwhelming, too scary. She instead watched her mother pass away to "the other side." Much later in the collection in "Lake of Sky: Refrain" (71), we see how McCullough "prepared" herself "for being / a doorway" by bringing her mother's favorite books to her, as well as "myrrh," "a battery operated candle," a "scarf," and other intimate items. But here the "door" works in reverse. While McCullough can't cross over, her mother from the other side can, as she now has her mother's "face inside of" her face (19). The image/symbol of the door gains new layers of meaning and associations as we move through the collection, as do other images. In essence, in developing self-contained associations and image/concept harmonies, she creates the "Love Waves" as well as she can through language so we can feel the ripples emanating from the epicenter of her experience.
Throughout The Wild Night Dress, McCullough is in the crosshairs of two griefs while attempting to stay whole, and her writing of this book, so it seems, is an attempt of making a new wholeness for herself amid the absence of her mother and ex-husband. As you move through the poems and the wake of "Love Waves" in The Wild Night Dress, be sure to have a box of tissues and leave your doors open.//
McCullough, Laura. The Wild Night Dress. Fayetteville, AR: The University of Arkansas Press, 2017. Print.


text:
By Brian Todd and Dugald McConnell
You could easily skip by it in an archive search: a project titled "A Study of Lunar Research Flights." Its nickname is even more low-brow: "Project A-119."
But the reality was much more explosive.
It was a top-secret plan, developed by the U.S. Air Force, to look at the possibility of detonating a nuclear device on the moon.
It was hatched in 1958 - a time when the United States and the Soviet Union were locked in a nuclear arms race that would last decades and drive the two superpowers to the verge of nuclear war. The Soviets had also just launched Sputnik 1, the world's first satellite. The U.S. was falling behind in the space race, and needed a big splash.
"People were worried very much by (first human in space Soviet cosmonaut Yuri) Gagarin and Sputnik and the very great accomplishments of the Soviet Union in those days, and in comparison, the United States was feared to be looking puny. So this was a concept to sort of reassure people that the United States could maintain a mutually-assured deterrence, and therefore avoid any huge conflagration on the Earth," said physicist Leonard Reiffel, who led the project.
Reiffel, now 85, spoke to CNN at his home in Chicago. A 1959 report Reiffel wrote on the project, declassified many years ago, was obtained online by CNN.
According to Reiffel's report, "The motivation for such a detonation is clearly threefold: scientific, military and political."
The military considerations were frightening. The report said a nuclear detonation on the moon could yield information "...concerning the capability of nuclear weapons for space warfare." Reiffel said that in military circles at the time, there was "discussion of the moon as military high ground."
That included talk of having nuclear launch sites on the moon, he said. The thinking, according to Reiffel, was that if the Soviets hit the United States with nuclear weapons first and wiped out the U.S. ability to strike back, the U.S. could launch warheads from the moon.
"These are horrendous concepts," Reiffel said, "and they are hopefully going to remain in the realm of science fiction for the rest of eternity."
The basic plan, Reiffel explained, was for an intercontinental ballistic missile to be launched from an undisclosed location, travel some 240,000 miles to the moon, and detonate on impact. Various news reports since 1958 have said project leaders considered using an atom bomb the same size as "Little Boy," the bomb that was dropped on Hiroshima, Japan, near the end of World War II.
Reiffel, who was cited for that information in those reports, now says he wasn't in on those discussions.
Contrary to some reports, Reiffel told CNN, the device would not have "blown up" the moon. "Absolutely not. It would have been microscopic, so to speak. It would have been, I think, essentially invisible from the Earth, even with a good telescope."
Reiffel had some brilliant minds on his team. One of them was an up-and-coming graduate student named Carl Sagan. Sagan went on to become one of the world's most renowned astronomers, creating the book and popular TV series "Cosmos."
But after working on the moon program, Reiffel said, Sagan violated security when he mentioned the still-classified project on a job application. "He did formally break the classification status of the project", Reiffel said of Sagan, who subsequently died in 1996.
Sagan's widow, Ann Druyan, told CNN she's not sure if Sagan ever broke the classification, but if he did, she said, it wasn't intentional. "I can't imagine he would have done that knowingly," Druyan said.
By 1959, Project A-119 was drawing more concern than excitement.
"We didn't want to clutter up the natural radioactivities of the moon with additional bits of radioactivity from the Earth," Reiffel said. The project was abandoned.
Project planners also weren't sure of the reliability of the weapons, and feared the public backlash in the U.S. would be significant," Reiffel said.
"It disappeared in the files of the Pentagon", he said of the project. "They come up with what I believe was the right answer."
Contacted by CNN, the Air Force would not comment on Project A-119.
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Former House Speaker Gib Lewis, now a lobbyist, was arrested for driving while intoxicated last night, according to the Austin Police Department.
Lewis was stopped at 11:30 p.m. at the intersection of 4th Street and Lavaca downtown, said APD Sgt. Richard Stresing. The arresting officer's report isn't yet available, so that's all the information he has right now.
Here's a link to his booking photo: Download file
I've left a message at Lewis's office and on his cell phone. I'll update with any comment.
This isn't the first time that Lewis – who served as speaker in 1983-93 -has been arrested. A state judge in 1991 ordered his arrest after Lewis didn't appear in court on a misdemeanor ethics charge.
UPDATE: Lewis had a blood alcohol level of 0.16, twice the legal limit of .08, Stresing said.
UPDATE: According to APD, Lewis was stopped after an officer saw a black Porsche westbound on 4th Street at Lavaca. It was in the turn-only lane. Instead of turning, the driver went straight and was stopped.
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The DWI officer had Lewis perform a field sobriety test and took him to central booking, where he agreed to a breath test. Results not yet available.


text:
Tough Words From U.S. General On Afghan Insider Attacks
The persistent problem of rogue Afghan soldiers and police turning their guns on U.S. and allied troops is a "very serious threat" to the war effort, which is predicated on placing security responsibility in Afghan hands, the U.S. military's top officer said Sunday.
In unusually blunt remarks to the Pentagon's own news service, the American Forces Press Service, Army Gen. Martin Dempsey said the Afghan government needs to take the problem as seriously as do U.S. commanders and officials.
"We're all seized with (the) problem," Dempsey was quoted as saying. "You can't whitewash it. We can't convince ourselves that we just have to work harder to get through it. Something has to change."
Dempsey and other U.S. officials have remarked extensively in recent weeks on the need to improve the screening of Afghan recruits and to take other precautionary measures in the face of a series of attacks that so far this year have killed at least 51 allied troops, mostly of them Americans.
"But we've got to make sure our Afghan counterparts are as seized about it as we are," Dempsey said. "We have to get on top of this. It is a very serious threat to the campaign."
Dempsey commented after attending a meeting in Romania of NATO military representatives. He said they discussed the situation in Afghanistan, including plans for the remaining two years of the campaign and the insider attack problem.
In the latest instances of such attacks, two British soldiers were killed by an Afghan policeman in the southern province of Helmand on Saturday and four American troops were killed in a similar attack Sunday in Zabul province.
Dempsey said an assault on Camp Bastion, a British air base in Helmand province, on Friday in which two U.S. Marines were killed and six U.S. Harrier fighter jets were destroyed, should not be categorized as an insider attack even though the attackers were wearing U.S. Army uniforms.
He said an initial review of the matter had determined that the attackers had no inside assistance at Bastion. Other officials said the attack was clearly a well-planned, well-rehearsed assault carried out by Taliban fighters.
It was not immediately clear how the attackers got the U.S. uniforms or how they managed to do such extensive damage.
This program aired on September 16, 2012. The audio for this program is not available.


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