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Any earnest pornoholic has indubitably at least heard of the tube install known as xHamster.com. Most of you, I'm amenable to wager, suffer with fapped to it on more than a man occasion. In place of some of you, it muscle metrical be your go-to porn tube site. And, if that is the circumstance , you are certainly not alone. In as a matter of actual fact , there are 10 million others who fap to xHamster moment adequacy to be registered users. After Xvideos and Porn Focal point , it is the third most hot smutty install on the internet today. Headquartered in Limassol, Cyprus, xHamster was founded in 2007 sooner than Alex Hawkings. The minds behind the install wanted to do something abundant from what they were seeing most porno sites doing at the time. Coming touched in the head of the culmination acceptance of group media sites like Facebook and Giggle , xHamsters founders coagulate loose to sire a put that was proficient parts porn tube and xxx group media site. A spokesperson quest of the situate said of xHamster's intentions that the placement was meant in support of people who wanted to small talk , truck aphrodisiac pics and apportionment bungling videos ... to lay one's hands on interactive friends online and possibly ferret out partners interested in personal relationships." I about it is equitable to suggest that x Hamster has done a bang-up project of providing the tenets that they differentiate b reserve at large to catch , as it has appropriate for a cornucopia of unpaid and homemade user-uploaded content. As long way as the " ascertain partners interested in personal relationships" say is active , although , I cannot signify to. I arrange under the aegis felt the difficulty to refuge to a porn orientation to reveal my " personal relationships," but I am truly odd to be versed if anyone's a had any fluke with that face of the site. The People's Porn Network Along with so much user-uploaded gratified , nonetheless , confrontation is resolved to happen sooner or later. With the add up of people missing there in the coterie who are airsick fucks—not seasick fucks who splurge all era fapping in their mothers' basements the path you are a off fuck, I'm talking true , clinically in a bad way afflicted fucks—a locality like xHamster that allows its users to upload basically whatever they indigence was forced to transform into inundated with felonious and fucked up content. xHamster has not struggled in keeping up with the shifting public tides and establishing a mother wit of apothegm stint , though. In April of 2016, concerning exempli gratia , North Carolina enacted laws that said its counties and cities were allowed to outright proclivity against members of the LGBT community. In reply to this, xHamster blocked their orientation from any users with an IP location based in North Carolina. 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Good fettle , hire out 's agree to a look. From the juncture you be heir to at xHamster's territory call for , it is unsympathetic not to be impressed by means of how uncomplicated and undemanding to handle the network shape is. With videos discouraged into two frank and patent categories: precarious porn videos and newest porn videos. You can also indisputably sift by way of most qualified in preference to of newest and past scope (which is a large aspect , in the homemade videos, pursue some as a result of , be undergoing to be significantly shorter in completely ). To your socialistic , you can conclusively eliminate search results not later than listing , narrows , or porn prima donna aside plainly clicking on it. You can also band tags together with a particular click—a smashing memorable part that, come hell , is glaringly missing from a collection of tube sites that I've browsed. Their gifted studio pleasure appears right-hand alongside their teeming archive of homemade import , unless you detail otherwise. You can also conveniently screen the videos so that you alone dream unemotional , gay, or shemale videos. If you don't show favour at all in your hedonism, in any event , you can again rot all three. The most annoying obsession that they added was a hardcoded watermark on best of the videos. It on absolutely messes with your fap trial , when you're up to keep company with a geezer jizz on a chick's kisser and then...BOOM! That sentence watermark "this video has been uploaded to xHamster" appears on the chick's alteration like a motherfucking cockblocker! Kidding , whoever small amount it was a admissible awareness deserves a boot in the balls! 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TomTom upgrades beginners' satnav
Lane guidance at last
TomTom has revamped its Start satnav for beginners.
The new model, called the Start 2, takes the basic approach of the original - reviewed here - and adds lane guidance, spoken street names and support for RDS-TMC traffic information.
TomTom's Start 2: keeping it simple
The latter, we should point out, only works if you have a suitable RDS-TMC receiver add-on and a subscription to the service, both sold separately.
What you do get in the box is a 3.5in screen satnav with a built in - but removable - windscreen mount. It presents just two menu settings - Plan Route and Browse Map - so you get straight to charting your journey without the faff.
Windscreen suction included
The TomTom Start 2 will be available from the beginning of April priced at £119 for the device with a regional map and £139 for the device with a Europe-wide maps. ®

subset: commoncrawl


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- Official Website:
Callas, Maria
Maria Callas Remastered - Recital: Mad Scenes [1958]
22 Sep 2014
Barcode: 0825646340149
Other participants: Nicola Rescigno, Philharmonia Orchestra
Callas did not make complete recordings of Donizetti's Anna Bolena and Bellini's Il pirata, though, as the queen of La Scala, she enjoyed triumphs in both roles in 1957–1958. The vocally and dramatically demanding final scenes of both operas feature in this recital with Ophélie's mad scene from Ambroise Thomas's Hamlet, another coloratura extravaganza. When this recital first appeared in 1959, Gramophone wrote: 'This is a most remarkable record, not only for its material … but for its astonishing vividness and dramatic poetry … It has been a thing of much wonder for me.'
Audio sample & Tracklisting
|Il Pirata, Act 2: "Oh! s'io potessi" (Imogene) - Maria Callas, Philharmonia Chorus, Philharmonia Orchestra, Nicola Rescigno
|Disc 1
|Donizetti: Anna Bolena, Act 2: "Piangete voi?...Al dolce guidami castel natio" (Anna Bolena, Smeton, Lord Percy, Hervery, Lord Rochefort, Chorus) - Maria Callas, Monica Sinclair, John Lanigan, Duncan Robertson, Joseph Rouleau, Philharmonia Chorus, Philharmonia Orchestra, Nicola Rescigno
|Thomas: Hamlet, Act 4: "A vos jeux mes amis" (Ophélie) - Maria Callas, Philharmonia Orchestra, Nicola Rescigno
|Bellini: Il Pirata, Act 2: "Oh! s'io potessi" (Imogene) - Maria Callas, Philharmonia Chorus, Philharmonia Orchestra, Nicola Rescigno


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Mike Helton has seen Talladega Superspeedway's capacity expand in boom times and shrink along with the crowds at one of NASCAR's signature tracks, moving in tandem with the sport's ebbs and flows.
BIRMINGHAM, Ala. — Mike Helton has seen Talladega Superspeedway's capacity expand in boom times and shrink along with the crowds at one of NASCAR's signature tracks, moving in tandem with the sport's ebbs and flows.
The speedway cut its seating capacity nearly in half in recent years, going from 140,000-plus to 78,000 as the sport dealt with a recession and the challenge of getting fans back in the stands when they can watch at home on flat-screen TVs.
"We want to be relevant, and Talladega wants to be relevant," said Helton, NASCAR's president, who ran Talladega Superspeedway from 1989 through 1993. "When I left Talladega, we had 47,000 seats. The sport has grown. We've gone through a cycle, and now we're going through another cycle to get back to where we want the sport. I think Talladega has done a very nice job trying to figure all that out."
Helton, team owner Richard Childress, Talladega chairman Grant Lynch and Coca-Cola marketing executive Brenda Staton pitched the virtues of the sport and the famed track to area business representatives Thursday.
Helton said corporate interest these days is "strong and actually in some cases growing."
Talladega, meanwhile, is adapting to the times — and the dwindling, if still impressive, crowds.
Lynch said more than 100,000 people showed up for the spring Sprint Cup race, including those camping out in the infield. It's still a marked decline considering unofficial race attendance used to approach 175,000 before the 2008 recession.
Talladega tore down the Allison Grandstand after last season.
Track officials don't release attendance numbers.
"It's been real tough," Lynch said. "Any time there's a downturn in the economy — we have a blue-collar fan base at Talladega. The lift that the country has seen has been slow to get to the Southeast around Alabama.
"Most of our crowd are in the manufacturing and automotive and those types of sectors, which are dragging behind some of the others.
"It's been a tough time. But what you do in tough times, you look at your business model and you do things like let's replace our seats. Let's put bigger seats in for the fans so they're more comfortable when they're in them."
He said the track has spent $68 million in recent years improving the facility, including putting in larger seats and redoing all the bathrooms.
Childress thinks downsizing capacity at Talladega fits with the times, but also said NASCAR racing keeps getting better.
"It's like any business or anything," said Childress, whose teams have won a record 12 races at Talladega. "You build, you build, you build and keep trying to get the seating capacity to bring people in. When 2008 happened, not only to our sport but to every sport and everything else, we had to change our model like everyone else of how we ran our businesses. At the time, people had all kinds of extra money to spend. Now that they don't, you've got to downsize and get it back where people want to be in those 78,000 seats."
NASCAR's longest track, at 2.66 miles, is known for steep banks, wild racing and frequently big wrecks. Helton calls it "a benchmark in the motorsports industry" and "a very significant stop for us."
"Our ultimate product is a race on the racetrack," Helton said, "and Talladega delivers that routinely."
The speedway is also a big deal for the area's economy.
Lynch said a recent study showed that the Talladega spring and fall races had an average combined economic impact on the state of $380 million annually in the last decade. He said 71 percent of the fans come from out of state, an average of 290 miles away.
"It's a player of great magnitude in the entertainment world," Helton said. "This area has the impact of a Super Bowl twice a year routinely for 45 years. Don't take that for granted."


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Author Notes: I love monkey bread, and the warm and happy family-time feeling of gathering around something and tearing it apart. But I want my holiday breakfast to have a hint of sugarplum-y whimsy- enter gingerbread. This is my attempt to marry two delicious dishes into one fantastic breakfast. I hope you like it! Oh, and I wanted to test this by doing steps 1-8 the night before, refrigerating the pan of dough, and then doing the second rise in the morning, but I ran out of time. So if you want to make this for breakfast, you could give that a try, or wake up at 5 AM- your call :) - arielleclementine —arielleclementine
Food52 Review: Not too sweet and not too spicy, this holiday breakfast reaps all the best rewards of monkey bread and gingerbread. It's fluffy and fragrant, and the crust is laquered with a brown sugar caramel. We recommend eating it warm, with salted butter and coffee. - A&M —The Editors
Serves: 8
packet active dry yeast
pinch sugar
cup warm water (110 degrees)
tablespoons unsalted butter
cup whole milk
cup molasses
3 1/4
cups all purpose flour
teaspoons kosher salt
teaspoons ground ginger
teaspoons ground cinnamon
teaspoon ground cloves
teaspoon freshly grated nutmeg
cup all purpose flour (if needed)
tablespoons butter, softened
stick butter, melted
cup packed dark brown sugar
- In a small bowl, combine yeast and a pinch of sugar with the warm water. Set aside to sit for 10 minutes, until foamy.
- In a small saucepan, combine 2 tablespoons butter, milk, and molasses and heat until the butter is melted. Set aside to cool briefly.
- In the bowl of a stand mixer, combine flour, salt, ginger, cinnamon, cloves, and nutmeg with a whisk or spoon.
- Attach the dough hook and turn the mixer to low speed. Slowly add the molasses mixture and then the yeast mixture. After the dough comes together mix for 7 minutes, or until smooth. The dough will be sticky (it should stick to the bottom of the bowl), but if it seems too wet add up to 1/4 cup additional flour, one tablespoon at a time.
- Turn dough onto lightly floured surface and knead by hand for an additional minute to form a smooth ball. Lightly oil a large bowl. Place the dough in the bowl and turn to coat in oil. Cover with plastic wrap and put it in a warm spot to rise until doubled in size, about 1 to 1.5 hours.
- Butter the bundt pan with 2 tablespoons softened butter. Put the melted stick of butter in one small bowl, and the brown sugar in another.
- When the dough has risen, transfer to a lightly floured surface and gently pat into an 8-inch square. Cut dough into 64 pieces and roll the pieces into balls. One at a time, dip the balls in butter, then roll in brown sugar, and place in the bundt pan, making all attempts to distribute the balls evenly.
- Cover the bundt pan with plastic wrap, place in a warm spot, and allow to rise for 1 more hour. (Or you could be a gambler and refrigerate the dough overnight, and then let it come to room temperature in the morning just before baking for breakfast). The balls should be puffy and about an inch below the top of the pan.
- Preheat the oven to 350 degrees. Bake the monkey bread for 30-35 minutes, until the top is golden brown. Remove from the oven and cool in pan for 5 minutes (but no longer!). Invert onto a cake stand and cool for another 5-10 minutes. Devour!
- Your Best Holiday Breakfast Contest Finalist!
- This recipe is a Community Pick!
More Great Recipes:
Bread|Clove|Ginger|Grains|Molasses|Nutmeg|Milk/Cream|Make Ahead|Mother's Day|Christmas|Easter|Valentine's Day


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How to Use
the Readings
Inquiry Question
Reading 3: Terminal Station
After the Civil War American railroads expanded rapidly. In the 1860s the country had 53,000 miles of track. By the turn of the century, it had nearly 200,000 miles, more than in all of Europe. Growth occurred particularly in the West and the South, linking those regions more closely to the industrial Northeast.
Chattanooga was one of the cities that benefited most from railroad expansion. In 1870 there were 58 industries in Chattanooga. By 1910 there were more than 300. Over the same period industrial employment in the city rose from 2,100 to 22,000. Virtually all these businesses were dependent on the railroad for customers or transportation of goods.
By 1910, 10 lines considered Chattanooga a key part of their networks. The Southern Railway alone controlled tracks which headed out of the city in four different directions. Rails connected Chattanooga to all the largest ports in the South: New Orleans, Mobile, Pensacola, Jacksonville, Savannah, Charleston, and Norfolk. Tracks also reached major inland cities such as Atlanta, Charlotte, and Memphis.
This growth created demand for new facilities. By the early 1880s the city had outgrown its original 1858 station. An 1882 replacement lasted only six years before it also became too small. In 1888 an old freight depot at the corner of 13th and Market Streets was converted to the Central Passenger Station. During this period freight facilities expanded and by 1900, the area near the Central Station housed three different depots serving commercial and industrial traffic.
Within 25 years Chattanooga again needed a larger passenger depot. In 1905 the Southern Railway hired New York architect Don Barber to design what became known as "Terminal Station." This building, which opened in 1909, handled only passenger traffic and "express," or small package shipments.
From its opening Terminal Station was one of the citys grandest buildings (see Photo 1). Its most distinguishing architectural feature was the brick arch framing the entrance. At the time it was built, it was said to be the largest brick arch in the world. The station included a main waiting room, bathrooms, ticket office, and other services. It was one story throughout; this meant that the center section, which featured a dome and skylight, had an exceptionally high ceiling. Large brass chandeliers manufactured in New York City hung from brightly painted ceilings. Two Chattanooga-based firms, brick producer Southern Clay Manufacturing Company and timber supplier Willingham and Company, provided most of the materials used in the stations construction. Prior to its official opening, Terminal Station was praised in an article in the Daily Times on December 10, 1908:
Chattanoogans who have not visited the new terminal station since it has been practically completed have a big treat in store. Few persons, if any, who have not visited the station within the past few weeks have any conception of its grandeur and entire fitness for handling passenger traffic. To properly appreciate the new railroad plant a person should spend a few minutes at the Central shed and study the conditions there and then go to the new station. The contrast is great.
Terminal Station enjoyed a long and busy history as the citys main passenger terminal. The station was especially important during World War II, when as much as 90 percent of the nations traffic went by rail. In 1944 a complete renovation and redecoration was begun to modernize the station. By the next decade, however, the railroads were receiving stiff competition from airlines, automobiles, and long-haul trucks. As railroad traffic declined, so did the area around Terminal Station. The last passenger train left Terminal Station in 1970. By that time many businesses in the area around the station were already closed and boarded up.
In 1972 local businessmen formed a partnership and began the rehabilitation of the building they renamed the Chattanooga Choo-Choo after the 1940s song. Although the project has had problems over the years, today the Choo-Choo is a successful convention center and hotel with restaurants, shops, and even some railroad cars renovated for overnight accommodations. The success of the Choo-Choo has also brought about a renewal of the area around the station. Owners of restaurants, shops, offices, and other businesses have returned to restore and occupy many of the historic buildings in the district. Meanwhile, trains continue to roll in and out of Chattanooga daily. The past, the present, and the future come together in the railroad industry and its place in the heritage of Chattanooga.
Questions for Reading 3
1. Why did Chattanooga have to build so many freight and passenger stations?
2. Why might the Southern Railway have hired a New York architect to design Terminal Station?
3. What were the areas inside the station used for?
4. According to the Daily Times article, how did the Terminal Station compare with the old Central Passenger Station?
5. What is the tone of the article? In other words, how did the paper want the city to feel about its new station?
6. What factors brought about the decline of the railroad industry?
7. Why did the decline and revival of the Terminal Station have such a dramatic effect on the surrounding area?
8. Why was it important to revitalize and rehabilitate Terminal Station?
Reading 3 was compiled from Ellen Beasley, "Terminal Station" (Hamilton County, Tennessee) National Register of Historic Places Registration Form, Washington, D.C.: U.S. Department of the Interior, National Park Service, 1972; and Miranda Roche, "Market and Main Streets Historic District" (Hamilton County, Tennessee) National Register of Historic Places Registration Form, Washington, D.C.: U.S. Department of the Interior, National Park Service, 1992.


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The fully residential campus of Birla Institute of Management Technology (BIMTECH) located in National Capital Region is one of the top MBA Institutes to study in India.
It provides a highly conducive academic environment, interaction with hard working & industry-academia mix professors,
BIMTECH is located on a composite, fully air-conditioned, Wi-Fi enabled, residential campus in Greater Noida, in the National Capital Region, a few kilometers from the capital of India.
The campus environment is highly conducive to academic learning.
BIMTECH offers admission to its two year full time PGDM program and other sectoral programs namely, PGDM (International Business), PGDM (Retail Management) & PGDM (Insurance Business Management) and Two Doctoral Level Programmes.
FPM (Fellow Programme in Management) & EFPM (Executive Fellow Programme in Management).
B-Schools start their selection process by post declaration of CAT result, so to avoid overlapping in selection process and provide ease to students.
The Birla Institute of Management Technology (BIMTECH), NCR is rated in the Top Ten all-India among private B-Schools and in the Top Twenty all-India, among all B-Schools.
Students get the intimation about placement opportunities from the institute's Centre for Corporate Relations (CCR) through postings in their group (PGDM, IB etc.)
As well as through postings on the notice board for placement news.
BIMTECH enjoys a highly symbiotic relationship with its alumni. We are proud to have a 6600+ strong alumni base which is equally proud of its alma mater
You are in continuous rigour working with professors who are deeply engaged in education research and consultancy and carry their research experience into the classroom.
Every faculty acts as an entrepreneur in itself for the academic and non-academic activities.
Line with BIMTECH's vision and mission, the Centre for Research is engaged in knowledge creation and dissemination. No doubt, there is a big pool of knowledge existing in the field of management but the process of globalization, privatization.
Liberalization has put a big challenge for new knowledge creation and its dissemination.
The Centre for Research Studies conducts doctoral level programmes besides conducting research seminars, conferences and workshops.
Ankur Kulshrestha has worked with Suzuki India (Strategy) and EY (Consulting) for 10 years. He is a Fellow member of the Institute of Chartered Accountant of India, a CFA Charterholder and an globally Approved Prep Provider for CFA Program. Other global certifications include Financial Risk Manager and Certified Financial Planner. He is a certified valuator with immense experience in the field of valuation specialising in Corporate Restructurings. Pursuing doctoral program from IIM Rohtak, he has been a part of various panel discussions on strategic topics on the economy, taxation, management among others.
Corporate Restructuring | Equity Research | Financial Analysis | Valuations | Risk Management | Capital Markets


text: Auri Gold Crystal Auto Wash Auri® Gold Crystal Auto Wash is a biodegradable cleanser that can safely wash off the dirt, road grime but will not harm your paint surface, leaving a sparkling shine. Moreover, it is specially formulated to work equally well for all your bathroom and kitchen cleaning needs. Besides cleaning auto surfaces, it can also clean carpets, fabrics and plastics. For most cleaning applications, you only need to mix a small portion of Crystal Auto Wash with water. When used full strength, its powerful cleaning agent can clean off stubborn stains such as grease and water marks. Size: 16 oz.


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Military drones have been part of Cherry Point�s Fleet Readiness Center East�s test and repair work for more than three years, but a civilian Eastern North Carolina airport may soon be testing unmanned aircraft for commercial use.
Military drones have been part of Cherry Point�s Fleet Readiness Center East�s test and repair work for more than three years, but a civilian Eastern North Carolina airport may soon be testing unmanned aircraft for commercial use.
The Hyde County Airport in Englehard is competing for selection by the Federal Aviation Administration to be one six civilian airfields for the tests, the Virginian-Pilot reported this week.
The report says it is one of 25 sites in 24 states including North Carolina and Virginia competing to be one of six test fields selected.
Some of the drones expected to be tested are considerably smaller and less sophisticated than the Fire Scout or MQ-8B Vertical Take-off and Landing Tactical Unmanned Aerial Vehicle, which the Navy repair depot began maintaining in April 2010.
The 9.4-foot tall, 3,150-pound Fire Scout is equipped with information gathering systems designed to provide operational commanders with real-time intelligence, reconnaissance, and targeting awareness. And it can fly as high as 20,000 feet at speeds as fast as 143 mph for about 110 nautical miles, then hover unseen as long as five hours.
The drone being tested at the Hyde County Airport was battery-powered Vireo built by UTC Aerospace Systems. It weighed about 3 pounds, has a 3-foot wingspan, and is designed to fly at 250 feet at about 50 feet a second for about an hour with a video camera attached to its frame.
An N.C. State University research and economic development director of the project was quoted as saying that the drones have a promising use in agriculture because they can carry airborne cameras able to detect drought, disease or insect infestation in crops and can do several hundred acres in less than an hour.
That is not to say that the vehicle guided from a laptop by the Hyde County Airport operations manager with a N.C. State University graduate student working at the NextGen Air Transportation Center is all that a chosen field will test.
The December revelation by Amazon founder Jeff Bezos that the company is considering using drones for package delivery as soon as five years from now probably got even more traction with this Christmas� season�s delivery meltdown by traditional carriers.
An FAA report on approving unmanned aircraft systems indicated it has concerns about safety, particularly about drone use in heavily populated areas or areas with congested or sensitive airspace.
A study by the Association for Unmanned Vehicle Systems International, the Pilot reported, said the commercial drone market could create more than 70,000 jobs in the country with a $13.6 billion economic impact in the first three years following its approval with growth potential of up to 100,000 jobs and an $82 billion economic impact by 2025.
The FAA has approved 535 government entities, including Hyde County, to fly drones for a specific use like search and rescue, border patrol, and research.
The FAA is expected to make a decision on the six text sites by the end of the month.
Sue Book can be reached at 252-635-5665 or firstname.lastname@example.com. Follow her on Twitter@SueJBook.


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Okaloosa County might not be the most populous part of the United States, but its fundraising capacity for cancer research is unsurpassed.
FORT WALTON BEACH � Okaloosa County might not be the most populous part of the United States, but its fundraising capacity for cancer research is unsurpassed.
Officials with the American Cancer Society announced late Thursday afternoon that the four Relay for Life groups in the county raised the most money per capita in the nation in 2012.
�My main message today is thank you,� Cal Brooks, the Panhandle�s executive director for the American Cancer Society, said shortly after the announcement. �This award, to me, says a lot � No one is ahead of y�all in this fight. No one.�
The Relay teams in Crestview, Destin, Fort Walton Beach and Niceville raised a combined $524,560 during their events last spring. They even made a few individual fundraising accomplishments, according to Shelly Miller, the operating chair for the American Cancer Society Emerald Coast.
View a slideshow of last year's Relay events. >>
Out of the more than 350 Relay teams in Florida, Crestview was ranked 24th in fundraising and Fort Walton Beach moved up to seventh place.
Those rankings helped push Okaloosa County to tops in the country for the first time. Most of the credit goes to the people who serve in volunteer leadership roles, Miller said.
�We are at great gratitude for all your hard work, for making these events happen,� she told volunteers who gathered in the Relay for Life office in Fort Walton Beach.
Relay for Life is a worldwide annual event that calls for people to spend a night walking or running around a track to raise money for cancer survivors and research.
All the chairs of the local events said they saw increased participation in 2012 and hope to see even more in 2013.
�Let�s beat this cancer, right?� Miller said at the end of the news conference. �And raise some money.�
Contact Daily News Staff Writer Katie Tammen at 850-315-4440 or firstname.lastname@example.com. Follow her on Twitter @KatieTnwfdn.


text:
Freedom of Information Act (FOIA)
Fiscal Year Report on Acquisitions Made from Foreign Manufacturers
Title 41 of the United States Code, Section 8302(b)(1) required reports to Congress through fiscal year (FY) 2011 on the acquisition of end products manufactured outside the United States. This requirement expired and a report to Congress is no longer required. Federal Acquisition Case 2013-008, Deletion of Report to Congress on Foreign-Manufactured Products, eliminates the obsolete reporting requirement located at Federal Acquisition Regulation Section 25.004, "Reporting of acquisition of end products manufactured outside the United States". Therefore, the Social Security Administration's reports conclude with FY 2011.


text:
Jill Kelley Cozies Up to Marco Rubio at Fundraiser
Sultry vixen Jill Kelley, who triggered the ongoing military scandal after receiving threatening emails from a jealous rival, also used her connections to cozy up to Cuban-American Senator Marco Rubio, the New York Post is reporting.
The Tampa socialite, who is at the center of the saga that brought down former CIA head David Petraeus, showed up at a Rubio fundraiser in a skin-tight, low-cut dress then used her Petraeus ties to take a photo with the handsome Florida Republican.
The wife of a cancer surgeon even had the audacity to forego paying the $1,000 entrance fee to attend the March 2010 fundraiser.
"Jill Kelley loves the spotlight and it was disrespectful that she came to our event without paying when people paid $1000 plus," a witness told the Post's Page Six.
A source told the paper she was not on the guest list, and she came in, asked for a photo and left.
Kelley's love of parties helped her climb to the top of Tampa's small social ladder – but her fall from it was remarkably spectacular.
Although Petraeus' affair with his biographer, Army Reserve officer Paula Broadwell, was the immediate cause of his downfall, Kelley and her relations with the Tampa Air Force base and the U.S. Central Command have surfaced as a sort of connective tissue for the growing scandal.
The tangled web enveloping the daughter of Lebanese refugees, her twin sister, former CIA chief Petraeus, and Marine Gen. John Allen, who succeeded Petraeus as the top American commander in Afghanistan, has spread to include questions about a cancer charity Kelley and her doctor-husband, Scott, founded.
Accounts of lavish parties at her bay front mansion with politicians and military generals have been replaced by reports of her family's financial woes and other dirty laundry, and claims she used her close friendship with Petraeus to try to further lucrative business dealings. Now, even her "Friends of MacDill" Air Force base access pass has been unceremoniously revoked.
On Wednesday, a New York businessman said Kelley was introduced to him at the Republican National Convention in Tampa in August as someone whose friendship with Petraeus would help facilitate a no-bid deal with South Korea on a coal-gasification project. She would supposedly be in a position to help broker the billion-dollar deal directly with the Korean president, and expected a 2 percent commission, said Adam Victor, president and chief executive officer of TransGas Development Systems.
Kelley is an honorary consul for South Korea, a ceremonial position, and got diplomatic plates for her car. But after flying Kelley to New York to discuss how she could help, Victor says he concluded she had little to offer in the way of deal-making expertise or connections with Korean leaders.
It was Kelley's complaints to an FBI agent about alleged threats from Broadwell that led to the general's resignation last week and has sidelined Allen's nomination to become the next commander of U.S. European Command and the commander of NATO forces in Europe.
The agent was Frederick W. Humphries, 47, a veteran counterterrorism investigator in the Tampa office, and he was among the FBI employees Kelley met during the academy, which lasted from Sept. 13 to Nov. 30, 2011, the AP learned.
Both Petreaus and Allen have been guests at the Kelleys' 5,000-square-foot home on Bayshore Boulevard, which records show they purchased in 2004 for about $1.5 million. Jill Kelley's twin sister, Natalie Khawam, also lives there.
The five-bedroom, three-and-a-half-bath brick Colonial with its stately white columns is on the main parade route for the Gasparilla Pirate Festival, Tampa's answer to Mardi Gras. And the couple soon gained a reputation for their sumptuous and well-attended affairs.
Aaron Fodiman, who's been publisher of Tampa Bay Magazine for 27 years, said there's a sense that Kelley's many efforts to rise socially have been undercut by the scandal.
"I think she has now been tainted," he said. "Just too much has come out, that even if it's not true, people will remember. I would imagine that they will ultimately leave the community."
With reporting by The Associated Press.
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text: A drug used to treat prostate cancer that has spread. It is made from immune system cells collected from a patient with prostate cancer. The cells are treated with a protein that is made by combining a protein found on prostate cancer cells with a growth factor. When the cells are injected back into the patient, they may stimulate T cells to kill prostate cancer cells. Sipuleucel-T is a type of vaccine and a type of cellular adoptive immunotherapy. Also called APC8015 and Provenge.


text:
Our objective in this course is to learn the fundamentals and practise building financial models using Microsoft Excel.
By the end of the semester each student should be able develop an understanding of any financial relationship and build that financial relationship into a model using the built-in functions of excel.
Keep in mind that financial modeling, by definition, requires significant work outside the classroom.
Models are introduced, demonstrated, and reviewed in class, but each student is expected to research and collect data, and to construct the models, prior to each weeks class meeting.
We will be using Sengupta as our main text. It is easier to follow than the Benninga if you are a beginner. We will also be using some of the models from Benninga. This is a good second text. The Finance is more sophisticated but it is less user friendly. If you are taking this class with a friend or fraternity-brother I suggest one of you buy Sengupta and the other buy Benninga.
Elisabeth Oltheten
Assistant Professor of Finance


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By 1927, Adolph Zukor, the Hollywood mogul behind the rapidly-expanding Paramount-Famous Lasky Corporation, had built a veritable entertainment empire. The studio had moved into a new, multimillion-dollar twenty-six acre lot off Melrose Avenue. They had amassed a chain of nearly two thousand theaters across the country, called Publix Theatres, in which to screen their many productions. Paramount was the home of some of the most popular films and biggest stars of the silent era–Mary Pickford, Douglas Fairbanks, Rudolph Valentino (before his unfortunate early death in 1926), Clara Bow (star of 1927's Wings, the first film to win the Academy Award for Best Picture), and Gloria Swanson among them. By the end of 1928, Paramount would move forward technologically with the release of their first all-talking film, Interference, starring William Powell. It was a time of success and unchecked progress, but Zukor wasn't through expanding his empire. His ambitions soon led him to the one area Paramount had yet to conquer: animation.
Meanwhile, in New York, the Fleischer brothers, Max and Dave, had themselves built an animation studio that garnered much acclaim for their wildly inventive cartoons. In 1914, Max invented the rotoscope, which allows an artist to trace over live-action footage to create realistic-looking animated movement. Dave would don a clown costume, and Max would trace over his movements to produce the antics of a character they christened "Koko the Clown." This gave rise to a series of animated vignettes called Out of the Inkwell, which depicted the adventures of Koko and his companion, a dog named Fitz. The Inkwell shorts were not just animated, however; they typically began with live-action footage of Max Fleischer interacting with his characters, much in the way Winsor McCay had done with his legendary dinosaur, Gertie, in 1914. The Inkwell cartoons were initially distributed through Bray Productions, a studio that focused singularly on producing animated content, and were included regularly in Bray's newsreel features for Paramount. By 1921, the Fleischers (along with their brother, Lou) took control of production and formed the Fleischer Studios. The move was a prolific one for the brothers, as they produced more than sixty animated Inkwell shorts between 1921 and 1926, which were distributed by several studios, including Warner Bros.
But the Fleischers' output didn't stop there; in addition to the Inkwell cartoons, Max had begun to dabble in combining sound and animation in a series of shorts called Song Car-Tunes, beginning in 1924. While Walt Disney's 1928 classic Steamboat Willie is generally recognized as the first cartoon to feature synchronized sound and music (even though Paul Terry's Dinner Time technically premiered–and failed at the box office–more than a month before Willie), it's important to note that the Fleischers were experimenting with the combination of animation and sound years before Mickey Mouse was created. The Car-Tunes soon employed a new gimmick created by either Dave or Max (there's some dispute as to who actually came up with the idea)–the "follow the bouncing ball" routine. As the lyrics to a popular song appeared on the screen, the ball would bounce across the words to indicate the proper rhythm and cadence of the song, so viewers could follow and belt out the tune along with the rest of the audience. The first short to utilize the technique was the 1925 entry My Bonnie Lies Over the Sea, featuring the Scottish tune of the same name.
In 1927, Paramount made a deal with Fleischer Studios to distribute their cartoons. It would be a lucrative partnership. Out of the Inkwell became Inkwell Imps, producing over four dozen more Koko-starring shorts before being discontinued in 1929. Song Car-Tunes (which ended its run by the end of 1927) was then reborn as Screen Songs in 1929, and featured appearances by Paramount-contracted entertainers like Rudy Vallee, Cab Calloway (who also appeared in several other cartoons for the studio), and Ethel Merman. At the same time, Max and Dave collaborated on a new series of shorts called Talkartoons, in which Koko's sidekick, Fitz (now rechristened Bimbo) became a star. Max's preferred method of rotoscoping was eventually phased out in favor of more ambitious, stylized animation, led by the talented, young animators who flocked to the Fleischer studio, allowing Paramount to compete on the same level as animation giant Disney. And one of those fresh new cartoonists–Grim Natwick–produced Paramount's first bona fide animated star in 1930, when Bimbo was given a girlfriend named Betty Boop.
Betty Boop wasn't just popular; she was a phenomenon. Originally starting out as a canine companion to Bimbo, in 1932, Betty was made over into a human character, a flapper girl with naughty hemlines and a heart of gold. She sang and simpered her way through dozens of adventures–usually involving a lecherous threat to her treasured "boop-oop-a-doop." By 1932, Talkartoons ceased to exist, and Betty was given her own series, with Bimbo and Koko as her frequent companions. She remained a popular figure and sex symbol until 1934; when strict enforcement of the Production Code took effect in July of that year, Betty's hemlines were lowered, her overt sexuality was greatly tamped down, and the endearing naughtiness that made her cartoons so appealing was essentially gone. The Fleischers continued to produce Betty Boop cartoons through 1939, but the character never regained the same wild level of popularity that she had enjoyed in the early 1930s, and the series was finally discontinued.
In 1933, a Betty Boop short was used as a platform for the animated debut of a popular comic strip character, Popeye the Sailor. The comic strip depicted the love triangle between Popeye, his "goil" Olive Oyl (originally voiced by Mae Questel, who also voiced Betty Boop), and his rival, Bluto, a buff bully. The character immediately took off, and the Fleischers gave Popeye his own series two months later. As Betty Boop's popularity waned, Popeye's grew exponentially, and within three years, he was Paramount's number-one animated star, even rivaling Mickey Mouse at one point as the most popular animated character in the world. Popeye was also notable for being one of the few cartoon characters to have his own theme song, which has remained a well-known tune since its introduction in the first Popeye short, I Yam What I Yam. More than one hundred black-and-white Popeye shorts were released between 1933 and 1939; between 1936 and 1939, the series also featured three double-length color features, which inserted the Popeye characters into the Arabian Nights tales.
Max Fleischer had long sought to secure funding from Paramount to create a feature-length animated film. But it was not until the groundbreaking success of Disney's Snow White and the Seven Dwarfs that Zukor and company agreed to give the animator free reign to complete his dream project: an animated film based on Jonathan Swift's 1726 novel Gulliver's Travels (but only the first part–the most famous part, featuring the tale of Gulliver's encounter with the tiny Lilliputians). The catch? Fleischer's film would have to be ready in time to be released at Christmas in 1939, and, more importantly, he would have to sign over the Fleischer Studios' assets to Paramount in order to secure the loan–a move that eventually came back to haunt Max.
Paramount built a new animation studio for the Fleischers in Miami, and in 1938, they left New York and took up residence in Florida to complete the work on Gulliver's Travels. In order to complete the film by Paramount's imposed deadline, Fleischer Studios welcomed an influx of new artistic talent, and poached animators from Disney and other animation studios. The new team faced many issues, not the least of which was rivalry between different factions of animators within the studio, creating an air of discord throughout the film's production. Still, despite these issues, Gulliver's Travels was indeed completed on time and released by Paramount on Christmas Day, 1939. Though it was successful at the box office, however, it did not reach the same heights as its Disney-produced predecessor, and it did not quite recoup the costs of its production. The Fleischer studio had to swallow the loss.
In 1941, Fleischer Studios tackled another comic character, Superman, in a series of gorgeously-animated shorts. The Superman comic books were immensely popular, and Paramount salivated over the idea of cashing in on the superhero phenomenon. But the Fleischers were reluctant. The infighting among the animators had spread to Max and Dave; neither could stand to be in the same room with the other. On top of that, Paramount essentially owned the studio by this point, having called in its loans. And on top of that, they were finishing the production of their second animated feature, Mr. Bug Goes to Town. The brothers decided the best course of action would be to overestimate the necessary budget for adapting the comic book, but Paramount agreed to their terms and they were forced to undertake the series anyway. The first cartoon in the new series, simply titled Superman, debuted in September of that year, and was nominated for an Academy Award for Best Animated Short.
Mr. Bug Goes to Town had the great, unforeseen misfortune of being released in theaters two days before the bombing of Pearl Harbor. This essentially killed its chances at the box office; the film was an unmitigated flop. And it spelled the end for Fleischer Studios–Dave left to take control of Columbia's animation division, Screen Gems, which put him in violation of the brothers' contract with Paramount, and in return, Paramount forced the brothers out of their own studio and took full control. Fleischer Studios was renamed Famous Studios (in honor of Paramount's origins), production was moved from Miami back to New York, and Max Fleischer joined the animation arm of the Jam Handy Corporation, producing military training films and eventually overseeing the 1944 animated version of the tale of Rudolph the Red-Nosed Reindeer (which was re-released in 1948 with the addition of the popular Johnny Marks-penned song of the same name).
Without the Fleischer brothers, Paramount was unable to attain the same level of animated success. Famous Studios continued producing Fleischer creations Popeye, Screen Songs, and Superman, but the heyday of those series were soon behind them. Newly introduced characters such as Casper the Friendly Ghost and Baby Huey (whose adventures comprised a new series of cartoons under the heading of Noveltoons) were no match for Disney stars like Donald Duck and Goofy, or Warner Bros. stalwarts like Bugs Bunny and Daffy Duck. In the mid-1950s, Paramount sold most of its pre-1950 animated library, excluding Popeye (which had been sold to Associated Artists) and Superman (for which Paramount's rights had expired); many of those cartoons have been severely edited in the ensuing years, and most are now in the public domain in one butchered form or another. By the late 1950s, Famous Studios had been downsized into a smaller unit called Paramount Cartoon Studios, and the quality of production dropped steeply.
In 1967, a year after Gulf+Western acquired Paramount, the studio's animation department was shuttered completely. By then, it was a pale ghost of what it had been under the Fleischers. But once upon a time, Paramount was a leader in the animation business, and the only serious challenger to the Disney conglomerate in the 1930s. Five Paramount-distributed Fleischer shorts appear on animation scholar Jerry Beck's seminal 50 Greatest Cartoons list–Popeye the Sailor Meets Sinbad the Sailor (#17, 1936); Snow White (#19, 1933); Minnie the Moocher (#20, 1932); Superman (#33, 1941); and Bimbo's Initiation (#37, 1931). It's undeniable that, at the height of the Golden Age of Hollywood animation, Zukor's studio empire presented moviegoers with some seriously entertaining, beautifully-drawn, and thought-provoking cartoons–animated gems that are, to this day, recognized and celebrated for their intelligent composition and artistic value.
This post is our contribution to the Paramount Centennial Blogathon, hosted this week by The Hollywood Revue. There have been some great contributions in the past two days, so head on over there and check them out!


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Don't get fooled by current transformer ratings and applications.
Although a seemingly simplistic device, current transformers (CTs) are quite interesting. First let's discuss their basic design.
A CT is an inductor placed around a current-carrying device. As the device carries more current, the CT produces more current. However, due to the nature of the CT, the current leaving the CT is usually within a 0A to 5A range. That's why CT ratings consist of a ratio. For example, a 400-to-5 ratio means the CT will output 5A with a 400A flow in the measured primary conductor.
CTs perform two basic functions:
• They transform line current to values suitable for standard instruments (normally operating on a maximum of 5A); and
• They isolate instruments and meters from line voltage. To make this protection complete for both instruments and operators, you must ground the secondary circuit. (See IEEE 52, Application Guide for Grounding of Instrument Transformer Secondary Circuits and Cases.)
CT types. There are three types of CTs. Here are the details:
Window. This CT has a secondary winding completely insulated and permanently assembled on the core, but has no primary winding. You commonly would see this type of construction on 600V class current transformers. You might hear this CT design referred to as a "donut," as it has that appearance. The monitored conductor actually passes through the middle.
Bar. This CT is the same as the window type except for the insertion of a primary bar into the window opening. You can permanently fix it into position or remove it. This CT usually bolts into the circuit.
Wound (Wound-primary). This CT has the primary and secondary windings insulated and permanently assembled on the core. The primary is usually a multi-turn winding. There is no window for the primary conductor to pass through. You insert this type of CT into series with the circuit you wish to monitor. This type of design is most prevalent at higher voltages (above 600V).
CT accuracy. The type of installation dictates the accuracy rating of the CT you're using. The accuracy of a CT is the percent difference between the actual secondary current and the rated secondary current. The transformation error (primary-to-secondary values) consists of a shift in the ratios and a shift in the phase angle.
The most prevalent uses of CT involve metering and relaying, yielding the same accuracy classes. Metering applications limit the error in the ratio and phase angle, whereas the relaying applications limit only the error in the ratio.
So what does this all mean? Referring to the Figure (on page 62 of original article), you can see the vertical axis contains a ratio correction factor (RCF) and the horizontal axis contains the phase angle (in minutes). For a CT to classify as a 0.3 % metering accuracy class, its measured RCF and phase angle at 100% rated current must fall within this parallelogram. In addition, at 10% rated current, the RCF and phase angle must fall within this parallelogram.


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Neil Peart
Last edited by DogBreath; 07-09-2005 at 04:11 AM.
Re: Neil Peart
Couldnt of said it any better jason...Neil Peart is AMAZING!!!! He plays every single thing EXACTLY like the songs, And thats one thing i love about him. I think that shows true musicianship when you can play a song over and over again the same as the recording. His drum solos are also amazing too! I got the Rush live in Reo, and that solo is breath taking(especially when he gets on the electronic drum set). Rush is known for awesome guitar riffs, and crazy singing...but most of ALL, Neil Pearts Drumming!!!
Re: Neil Peart
i have his work in progress dvd and he is such a down to earth nice guy. he has good advice but he seems so different from what i expected. how could the frowning drumming machine with the vicious fills and chops of rush be a gentleman and a scholar?
Re: Neil Peart
Ps. Does anyone know what happened to his wife and daughter?
Every star is a setting sun - Wilco
Re: Neil Peart
Re: Neil Peart
That's part of Peart's playing. You can't just go to a concert and expect the band to improvise and change every song on their set. Sometimes it's good just to hear what you're hearing on the CD. You get a sense of familiarity with it. For example, a certain fill or something small like a triplet in a ride pattern. Neil Peart is a perfectionist in his playing. You can't dislike him just because he chooses and remembers to play every exact note on a CD. It's irrational. Not every drummer has to change what they're playing, for a concert.
Re: Neil Peart
well i think that i can choose what i like and dislike about just about everything thank you very much. And im not saying that you have to change everythig about every song. But when i pay 60 dollars to go see a concert, i want a little more than what i got back in my cd player. Not saying that the CD isnt good, but hell i could just put a CD on, close my eyes and pretend i was there if its going to be the exact same. Led Zeppelin, Santana,Floyd, The Who, and a ton of other bands will go out on like 10 minute jam sessions, and sometimes even more on some songs. You really hear what a band can really do, their not restricted to a 40 Minute double sided record. I dunno, just my opinion.
Re: Neil Peart
I've been a fan of opera my whole life. One of my favorites is The Marriage of Figaro (Le Nozze di Figaro). Ive listened to it so many times over the years on tape that I know almost every note by heart. One year for my birthday, my girlfriend bought tickets for us to see The Marriage of Figaro at the Dorothy Chandler Pavilion is Los Angeles. We were young, and not rich, and we were probably the only couple there who didn't drive up in a luxury car. The place was beautiful, and the seats were great. The lights dimmed, the music started, and I was transported.
The opening scene takes place in the bedroom that will be shared by Figaro and Sussana after their wedding. Figaro is on his knees measuring the space that will be occupied by the nuptial bed. He calls out the numbers "Cinque... dieci.... venti... trenta!" exactly as I had heard them hundreds of times before, and I felt a thrill seeing the expression on his face while the familiar words were called out.
On and on the evening went, all the words exactly as I knew they would be, but now living things; all of the notes perfectly played by the orchestra. When the curtain fell for the last time the crowd was on its feet. This classic piece of musical theater had been executed faultlessly by a group of talented artists who realized that perfection is sometimes best expressed through perfect reproduction.
When I saw Rush in concert many years ago, the songs were performed with amazing precision. I was astounded at how closely the music matched the memories I had of all of times I had listened to the albums and heard the singles on the radio. Many bands riff and vamp. Many bands actually suck live and only achieve greatness through digital manipulation and post-production editing. Lightening, it is said, cannot strike the same place twice. Rush can strike home, with laser-like accuracy, over and over. Not all art is made better through riffing and improv. Some art is perfect just the way it is. I am thankful that Neil Peart has the ability to play my thoughts and memories just the way they are in my mind and heart.
My kit: Pacific wood, Evans oil, Zildjian bronze
Re: Neil Peart
i am glad that both types of band exsist. it is as impressive to me when a band can perfectly reproduce their cd as rewrite them for a show. one day i will be lucky enough to see rush live (i hope).
Re: Neil Peart
The time changes in the Rush music and the odd patterns make it very hard to improvise in this music. There are also numerous sequences and animations incorporated into a Rush show that would make it impossible to improvise. I also must admit that some times it is fun to hear a band improvise but I've heard several bootlegs by some of the bands mentioned that IMO were not very impressive. I've never seen a Rush show (which I've done 13 times) or heard a live recording bootleg or otherwise by rush that wasnt amazing. See IMO the problem with improvising is that it can lead to Doodleing which IMO isnt really that awesome. The Song Remains the Same is a good example of a show that demonstrates Improv at a very high level. BTTM it certainly is your right not to like a drummer for this reason but IMO your missing out on some great music and drumming because of this. Nutha I strongly suggest you see Rush the next time they are around the last 4 times I've seen them they have played 3 plus hours of very high intensity music. See thats what amazes me so much about them theyre 50 plus years old and they jamm the donkey off for over 3 hours as much as I love a band like Tool which I really do the live show was only about an hour and a half.
Re: Neil Peart
Dont get me wrong i do have mad respect for Peart, hes a very talented Drummer. I'm just not into RUSH, mainly because of Geddy Lee
Re: Neil Peart
Re: Neil Peart
Well being RUSH's Self proclaimed number one fan having seem them 23 times and counting. Neil Peart is I think the most influential drummer instead of Bonham, only because there isn't a drummer who hasn't air drummed to YYZ or the opening to Spirit Of Radio...LOL And once they broke on the scene everyone wanted to be Neil Peart. I read that the first time he was in Modern Drummer. Not to say Bonham wasn't influential because he was, but when you hear of Led Zeppelin you think of Jimy Page and Robert Plant first. But when you hear of RUSH, Neils is the first name you think about.
I have everything they have ever done on CD, VIDEO, DVD including all of their solo projects (Alex's CD, Geddy's CD and Neil's Burning for Buddy Rich CD).
I have always felt that this is the best trio in rock music. And what makes them stand out is their precision to carry out the tunes like they were written in the studio or live. They do improvise sometimes and do things different in some songs, so whoever said they didn't clearly hasn't watched them enough. Limelight is my absolute favorite Rush tune and if they ever changed it to sound different in concert I would be dissapointed.
I'm a huge Living Colour fan and William Calhoun fan, but the first time I saw them live, they overplayed so much it kind of got boring because their individual playing abilities seemed to be the focus, instead of their songs.
Neil may not be the most impressive visually technically sound drummer as far as a Thomas Lang, Marco Minneman or even Mike Portnoy, BUT all of them were heavily influenced by his perfection in his craft and his dedication to his instrument. The man went so far to change his playing style by studying with Freddy Gruber and his kit set-up to make himself better, how many of us would rededicate ourselves to re-learning how to play the drums after playing them the same way for years? Not many...
Whoever said he was boring, really does not have an appreciation for his drumming technique in my humble opinion.
Neil Peart will go down as the most recognizable drummer around for all musicians not just drummers. We all know the drummers but the hearing public and other musicians know who Neil Peart is. My two best budds have no idea who Buddy Rich, Steve Gadd or Dennis Chamber are, but ask them to name any drummer they would say Neil Peart and I love when others say that guy from Rush...LOL They may not know his name but they know who he is, that my friends is influence.!!
Living in the limelight
The universal dream
For those who wish to seem
Those who wish to be
Must put aside the alienation
Get on with the fascination
The real relation
The underlying theme
Re: Neil Peart
I find Rush's music to be pretentious, tedious and annoying.
"If you choose not to decide, you still have made a choice"
Are they serious? What horrible lyrics under the pretense of genius. Cutesy word play should be left to popular country music.
Thank god they at least have something interesting in Neil Peart on drums though.
If I sound like a disgrunted Rush fan, that's because I am. Everything up to about 1985 was so good, and its all been horrifying since.
Re: Neil Peart
I could agree with that somewhat Stu when Signals came out I stopped listening to Rush for awhile. IMO they had become soft and commercial so Iron Maiden became my favorite band for years. But I found after a decade I went back and discovered that I liked quite a few of the songs but not the whole albums. That was untill I heard Test for Echo and Vapor Trails. Test for Echo is a wonderful album in which Peart plays with a finess and grace that I hadnt heard in his drumming before not better but different which was refreshing. Vapor Trails was a whole new story possibly the heaviest Rush music ever and strangley some of the most groove oriented at the same time. If you havent listened to these albums ever or in awhile I suggest that you do I think you will be suprised they are both great albums and very different for Rush.
Re: Neil Peart
Stu-Strib, so your saying from Power Windows which was released in 1985 and beyond has been horrifying? Just a suggestion I would really listen again. I wasn't totally thrilled with Roll the Bones CD, but it grew on me. As far as every other album within that time frame I think has been great Presto is an awesome album because it was the first time they went back to playing stripped down and not alot of sythesizers. I haven't got a chance to pick up their new album Feedback yet but I will.
As far as lyrics you should really read alot of them because Neil Peart writes incredible lyrics. All of their songs are truly about something. Most bands today lyrics are very weak in comparision.
And every band changes with the time, that's just the way it is. Motley Crue, Bon Jovi, Aerosmith, Living Colour ( whose last album was just awful!) all of them sound nothing like they did when they first came out if Led Zeppelin was still around their sound would have changed as well. And all of those bands I mentioned above have produced crap music since the late 90's or 00's. Even my latest favorite bands like Tool since 1993 and Sevendust since 1997 have changed the way they sound. Rush has produced 18 albums not including lives ones ( 29 in all) and still have a tremendous following. They didn't suffer the death that most hair bands did who are now only playing 500 seat venues because no one really wants to see them anymore. The TRUE Rush faithful has and will always remain. Come back to the dark side STU!!!...LOL
What still amazes me the most is they did not replace members since Neil took over for John Rustey after their very first album, and that is dedication to each other and shows the true strength of a band survivng and changing with the times.
Re: Neil Peart
I'm a huge fan of Peart's. He's been my main influence in my drumming.I can honestly say that without him, I probably wouldn't be drumming today.
Re: Neil Peart
Hey Jams- seems we are at it again ;-)
Grace Under Pressure was the last album of theirs I enjoyed. I keep waiting with bated breath. They really "jumped the shark" with that Aimee Mann tune.
Actually, the albums I am most disappointed with are Roll the Bones, Test for Echo and Vapor Trails.
I agree it is truly amazing that they have been together all this time, and I love the Rush Live in Rio DVD, because it has all the good tunes.
I guess, for me, they went away from their initial sound with these three albums, and I don't feel they really could pull it off. These records sound so out of place with current music, whereas up to 1985 or so, the music is timeless.
Summertime Blues is just an abomination. Such great musicians, and they put this out?
Again, disgruntled Rush fan (for 20 years now!) Regardless, the stuff up to 1985'ish is some of the best rock music ever recorded, and we can never take that away, even if they do a Brittney Spears cover album next ;-)
Re: Neil Peart
Yes we are, but I truly respect your opinion that's what forums are about! I agree with you to some point I wish they could have stayed more in the Moving Pictures, Signals era but they would not have survived the changing of the times. That's why hair bands of the 80's died off.
Roll the Bones I'll give you..
Test For Echo was great to me...If you watch Neils DVD you may appreciate it more because he plays every tune on there and explains how he came up with the drum parts for it and they weren't read, He played them by feel...(had to throw one in :)
Vapor Trails I really like it has some of their late 70's style riffs and sounds going.
But being a RUSH fan takes alot because I know alot of people can't get past Geddy's voice but I love the guys!
Re: Neil Peart
I find a bit of cheesiness to some of Rush's music, but I enjoy them a lot anyway.
Neil is definetly a favourite of mine, and he has had one effect on my playing I've really noticed: when I first got my china cymbal I basically used it as an alternate crash, but after listening to "The Professor" it's been rarely used on downbeats.
Re: Neil Peart
just a moderator's salute here to Stu_Strib and jamsjr44. these are two members who have disagreed in the past. in this thread they show a perfect example of how we can vociferously disagree in a mature way. these kind of supported respectful arguments are instructive and valuable to our forum. there is a wry sense of humour and plenty of evidence that they read eachother's comments carefully. respect to you both and ... more of the same.
Re: Neil Peart
thanks for the compliments. The reason I like this forum is because people make good reasonable arguments instead of the usual "your stupid" or "he sucks" statments like they do on other forums. As much as I am for free speech it is nice to have a good well thought out disagreement.
So thanks to you guys (Dogbreath, Bernhard and the other moderators) for the keeping the forums clean and forcing people to think about what they want to say before they post it.
And for those of you who says someone sucks, think about it WE ALL DID at some point or another. And if you are talking about professional drummers then at least they are getting paid to travel the world, playing in the best venues, with the best musicians, and with the best FREE equipment to SUCK! While we sit here discussing them wishing we were in that situation
Thanks again guys!
Peart in Concert!
Who here has been to a Rush concert? I have once, the 30th anniversery tour, and it was unbelieivelby good(excuse the spelling). Neil Peart has to be one of the most talented drummers that has ever lived. I haven't been to many concerts (Incubus[2],vince neil,poison,skid row,HIM,) but nothing could have topped that show. The whole band was so tight and on all night. Nothing could ever be like that performance. How many of you have seen Neil in the flesh? What was it like? I always wondered how he graced the stage in the earlier days of Rush. Share your expericnes! I knew the second i layed eyes on that DW set it was going to be sweet.
Re: Peart in Concert!
I've never seen him play live, but I definitely love his style. The way he incorparates brazilian and afro-cuban beats is awesome! LONG LIVE PEART!
Every star is a setting sun - Wilco
Re: Peart in Concert!
I first saw Rush on their Power Windows tour ('85) and have seen them on each subsequent tour after that (I think that makes eight shows in all). Neil has always done a wonderful job staying true to his original drum parts when playing live. He plays with incredible intensity, yet always keeps a calm look on his face which has become one of his trademarks. I've noticed his solos have become more elaborate in the last ten years or so. It used to be part of a medley but now they've become songs by themselves. Neil's style and kit have evolved somewhat in the past 25 years I've seen him, but he's always produced very inspired drumming.
Re: Peart in Concert!
I haven't seen them in concert but I have watched the Rush in Rio Live DVD. It was amazing. It was so cool how he played what was on the albums. Love to watch it again sometime......
When your gone, no one will miss you.
And when your dead, no one will cry.
Re: Peart in Concert!
He definently puts on a great performance, but quite frankly, I was more impressed when I saw Dennis Chambers play with Santana. I'm probably going to be castrated for what I'm about to say, but I've been finding Neil's drum solo's repetetive and boring as of late too. I know he can come up with something different, but it's virtually been the same formula for his solo since the Roll the Bones tour.
Toms with foot tambourine trigger
Snare/Rudiments again
Toms again
Midi Marimba
Back to the toms
cowbells for a few seconds
electronic kit
jazz ending
Re: Peart in Concert!
I saw the drum solo he did a while back on tv and it was sweet. Very creative, but just not as much as Peart.
When your gone, no one will miss you.
And when your dead, no one will cry.
Re: Peart in Concert!
I havent been exposed to a lot of drum solos. Peart's solo is the only one I have seen live. I really would like to see some other drummers like Chambers, Gadd, etc..ya know? That would be cool. This site exposed me to a lot. I had never heard of dennis chambers but i just saw one of his vids today on here and im like, whoa. He is awsome. I need to broden(ick) my horizons.
Re: Peart in Concert!
I saw Rush on their 30th Anniversary Tour a little over a year ago. And it was the first show of the tour in Nashville. I have a bootleg copy of the concert, and I love listening to it because Neil Peart was the first drummer I ever really liked (of course you could say the same for any other younger drummer starting out). He's got great intensity and is hella tight with his drumming. But Geddy Lee told us that night that since it was the first show of the tour, if we heard any mess-ups to just ignore them.
And Geddy was right to tell us that, because during the show "Earthshine", and I have a recording of it to prove it, Peart accidentally "overplayed" a fill and, wouldn't you know it, missed the 1 count. He recovered just fine, but it goes to show that even the best make mistakes sometimes.
And kazzman, I get what you're saying about Peart's solo structure, but I can only agree with you to a certain extent. While he does follow the same formula and structure in his solos, he does mix things up and add/subtract things so that even if it's the same formula, he's not playing the exact same solo from the last tour or even the last show note for note. In fact, the solo he played at the show I saw actually BEGAN with his electronic kit section, before moving on to the snare rudiments and foot tamborine trigger stuff.
Re: Peart in Concert!
If you want to see choppy stuff, go have a look at the video of Morgen Agren here on Drummerworld and then try to track down the whole Trum video with Fredrik Thordendal playing rhythm guitar. It's something to see.
Other than that, I'd recommend checking out the solo on the start of "Agitation" by Miles Davis on "E.S.P". Even after all this time it still sounds fresh and the tone of the drums and cymbals is amazing. I've got a few other solos I like, but that's an all-time great.
EDIT: Oops, forgot to mention that last one was Tony Williams. Go get it!
Re: Neil Peart
Neil and Rush are possibly the biggest influence on my playing. While other kids were listening to new kids on the block and mc hammer I was busy jamming along too exit stage left. So, Thanks for everything Neil.
However, Over my "more adult years" I have been influenced by a number of different drummers. and I would have to say Neil would agree that he's no BuddyRich, Either way he's close infact, On the wall next to my computer there are two framed pictures I recieved from my Wife. One is Buddy Rich and the other Is the Professor.
Re: Neil Peart
I agree, Neil Peart has eanred the name Professor, because he is really awsome, i know im only 15 but i basically grew up listenen to Rush, so they're my fav. all time band, i kinda grew into them because my dad always played them, iv seen them twice in concert, not many, but enuff, i was all smiles those two night though! they ROCKED!
Re: Neil Peart
I think he is the best drummer ever, in his own way. This might seem outlandish, but it comes from him being my first exposure to a superstar drummer, yet that impression persists through today. He's like a machine, inhuman almost with his precision. Such an inspiration to me as well. I remember being little and listening to the solo on Tom Sawyer, and just thinking, that's how a rock solo should sound. I was in absolutely awe, and that was the first time for me being in awe at a drummer He can play the simplest thing, and make it sound totally out of this world. I don't know how he does it. Like the sixteenth notes on the solo in Tom Sawyer, the ghost notes in YYZ (I don't know exactly where), and mostly, his choice of fills and where he puts them. It all seems so perfect, like he knows exactly what's going on. It's so cool.
Re: Neil Peart
Yes he is a machine, but like someone else said, that detracts from his playing. He's a great drummer, perhaps too great? hehe
Also, Live in Rio, man it was hard to watch him play...He looks like a 90 year old man fighting through arthritis.
I also don't share the same 'verve' Neil does for drum electronics. I heard him say something like electronics are the best thing ever, because you have every sound available....that's a slippery slope, because the next step is Pro Tools and a drum machine. How much would that suck to see Peart diminished to a Pro Tools engineer and drum machine sequencer?
Re: Neil Peart
Neil and Rush are the biggest influences in my playing as well. I know it sounds weird because im only 16, but after going to the concert in brazil and singing along to tom sawyer with 80,000+ fans it truly was an unforgetable experience
Re: Neil Peart
Hey does anyone have a full-fledged Neil Peart discography?
Re: Neil Peart
I'd guess its pretty much mostly Rush? I haven't known Peart to be a session legend like Porcaro or Gadd.
Re: Neil Peart
Well, I'm a few days late on the accolades of Mr. Peart, but I have to chime in as well.
I'm 41 and have been a Peart and Rush fan since I can remember. Having only been playing my own kit for 5 years or so, I would say he is the influence that got me started and will keep me trying to improve. He's accurate, fast and perfect in all he plays. When I just joined up with you all here a few days ago, his was the first video I watched on this site. I'll keep watching and trying to get to that level. It may be somewhat insurmountable for me as a goal, but hey, it's a goal nonetheless.
Cheers, Mr. Peart and thanks.
Last edited by DTKBigDawg; 10-07-2005 at 05:38 PM.
Re: Neil Peart
i just saw that animated video, and i have to admit pretty cool. Tell you the truth i have never payed attention to neil, but im starting to really notice him now. I have always respected him, as i do every drummer, but now im really starting to notice.
peace and love
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