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Tomorrow night, two new Philly Improv Theater House Teams make their debut. Get to know them now before you see them on stage.
Tomorrow night, two new Philly Improv Theater House Teams make their debut. Get to know them now before you see them on stage.
Prior to rehearsal, May 29, director Steve Kleinedler speaks with the cast of Codename: Strider
Steve Kleinedler: Jim Burns, do you have a question for Corin Wells?
Jim Burns: Yes, I do, and it's a serious question. The name of our group happened at a party at your place, is that correct?
Corin Wells: Yeah, it did.
JB: Since I wasn't there, could you please tell how that developed?
CW: Ok! Our name developed when Ellen, a former member of Codename: Strider, came up with it. It was thrown out there as a suggestion, and we all liked it. Unfortunately, Ellen can't perform with us [because she's moving to Minneapolis!] so we all thought that it was fitting for us to choose the name she picked for us.
SK: Excellent way of answering the question without giving away the answer, which readers of this column will have to come see the show to find out. Corin, do you have a question of Chris Calletta?
CW: I do, I do. Chris, your hair always looks immaculate. I was wondering, do you have a favorite strand of hair?
Chris Calletta: I do, and sadly it's not on my head. I keep it in a box in my drawer.
CW: What's its name?
CC: Harold.
SK: I thought this was going someplace completely different. [Pause] Let the record show Corin is losing it. [Laughter]
CC: His name is Harold.
CW: [Laughing] OK. I hope to get to meet him someday.
CC: Yes, I'll have to bring him out. He might be at the debut show.
SK: All right. So, Chris, do you have a question for Emily Davis?
CC: I do. Emily, when does your team debut?
Emily Davis: Our new team? Our new team debuts on June 1st, and you can also see us on June 2nd. Check the website. www.phillyimprovtheater.com
SK: Nicely done. Emily, do you have a question for Andrew Stober?
ED: Andrew, we have seen you in the Philly scene before. What makes this project so exciting and different for you?
Andrew Stober: I think people are going to be blown away by the kind of movement they see onstage, the kind of tableaux and transitions. We're bringing a new, exciting, fast-paced group improv to the stage in Philadelphia.
SK: Thank you, Andrew. Andrew, do you have a question for teammate Sue Jahani?
AS: I sure do! Sue Jahani, tell me what is the most fun thing about hanging out with your new team?
Sue Jahani: Aw, my new team is great! [Laughter.] Everyone's super supportive and genuinely nice. I really enjoy doing warmups with my team and getting drinks afterward with my team. [w00ts in the background]
SK: Thank you, Sue. Do you have a question for Jim Burns?
SJ: Yes! Jim, I was wondering, Jim, [hums a bit] where is your favorite place to go after practice?
JB: Well, Sue, I like to go to Vargas. It's right next door to where we rehearse, and they have a nice selection of beers. I've turned you into an alcoholic, I apologize.
CW: Follow up question – what's your favorite beer to get there?
SJ: Presidential?
JB: That's true, I like the Presidential beers. So anything by Jefferson, Washington, not Monroe, he's kind of a douche.
SK: Thank you. Who has a question for me, Steve Kleinedler, the director?
CC: I do. I hear your team likes to to play pranks, and I'd imagine then you'd be the leader of this? I was wondering why do you pick on a team like Westmarch [laughter]?
SK: In the kindred spirit of newbiedom, we've decided to go after Westmarch, even though they just sat there like–
CW: They took it.
SK: –scared marmots. Yeah, they took it. But we respect them greatly, and their coach, and we look forward to playing alongside them for years to come. Martha Cooney, the class that she teaches — they're like 3rd graders or something? They're doing a show right now. She'll be by later, and when that happens, we'll ask her a question. So, over and out.
CW: You forgot about Maureen.
JB: He forgot Maureen.
SK: Oh. OH! We forgot Maureen. Corin didn't forget about Maureen. We will also be asking Maureen a question. The two of them can ask each other a question. Back later.
CW: Yay! [Applause]
[After rehearsal]
SK: And, we just had a great rehearsal! And we're following up with our final questions. Maureen! Maureen Costello, do you have a question for Martha Cooney?
Maureen Costello: I do, I do have a question for Martha Cooney. Martha, what is your favorite holiday that is not a major holiday?
Martha Cooney: Not a major holiday?
MCostello: Mmmhmmm.
MCooney: Arbor Day is a good one. It's underrated and undervalued. But important.
MCostello: I like it, yeah, good.
SK: And Martha, do you have a question for castmate Maureen Costello?
MCooney: I was wondering, your favorite dental hygiene practice?
MCostello: Probably brushing my teeth would be A, then flossing. I like the mouthwash, but not the kind that stings.
SK: And a question for both of you. How excited are you about the shows coming up this week.
MC squared: SO EXCITED!
SK: Excellent, thank you everyone!
Tomorrow night, two new Philly Improv Theater House Teams will make their debut. Get to know them now before you see them perform.
Who are we?
We are Dan Corkery, Hilary Kissinger, Nick Mirra, Alex Newman, Cait O'Driscoll, Kevin Pettit, Jessica Snow, Max Sittenfield, and Brian Rumble. And our Coach is Maggy Keegan.
What is our style?
Our style is very focused on game, and we've been working with the Harold structure for our format. A few of us have studied at UCB (where Harold and game-work is foundational). Exploring premise and playing very real, emotional characters came pretty naturally to us as a group so we are really looking forward to representing that style of improv. We strive to maintain a balance of patient and aggressive but we usually end up trying to make each other laugh. In a nut shell, we'd say our play is intellectual, aggressive, and irreverent.
How did we start to gel?
We gelled almost instantly. We have had a great rapport from the very first rehearsal. It feels like we're one big group of raucous siblings, and Maggy is the cool big sister who buys us beer and lets us play with fireworks in the backyard. The one week that she couldn't be at rehearsal, she wrote out an elaborate scavenger hunt with a precise scoring system for us to undertake in her absence. A highlight? Kevin Pettit eating a soft pretzel on top of a cheesesteak and then running up the Art Museum steps.
Anything we are especially excited about?
We are all just pumped to finally take the stage together. This is the first serious improv team for some of us so it's super exciting to be on a house team at PHIT.
Cool stories from our time together so far:
One time a school bus of 6th graders from Codename Strider Elementary interrupted our rehearsal by running into our space and spraying silly string they had just stolen from a nearby party supply store. We called their parents who came to pick them up. While we waited for their parents,we helpfully answered the students' questions about the changes that were happening to their bodies. It was kinda neat.
By: Alison Zeidman
In preparation for next week's Duofest – Alison Zeidman has done a series of interviews with some of the groups performing in the festival. First up is Philadelphia favorites Rosen & Milkshake. Keep an eye out for a cameo appearance from another Duofest performer (I won't ruin the surprise).
When their two other compatriots from Mr. Lizard (a 2008 Troika team) abandoned them for new lives and families down south, founding Improv Incubator members Charles Rosen and the beloved player best known simply as Milkshake decided to continue performing as a duo. After lengthy debate over what they'd themselves, they settled on a straightforward, purely descriptive new name: Rosen & Milkshake.
Alison Zeidman: So how did you guys meet?
Milkshake: I was taking a class with ComedySportz and so was Charles–I was level two, I think Charles was level three, and we met at the class show. Two and three had their show the same day I guess.
Charles Rosen: And then soon after Incubator started. We're founding Incubators.
AZ: Is that when you decided to form your duo?
M: No, the duo didn't start as a duo. How did Mr. Lizard start?
CR: That was a Troika group.
M: Mr. Lizard was a Troika group with Charles and two other players, both of whom have moved south. It was the three of them and then they asked me to play in one show, and then I just kept playing in other shows, and then one by one they moved off and it was just me and Charles, and I was like, this is no longer Mr. Lizard anymore. [phone rings]
M: I meant to shut this off! This is Kristen Schier, calling during an interview, and that' s my fault, entirely. Entirely my fault, that's terrible. [On phone] Is eveything OK?
Kristen Schier [on speakerphone]: Yeah everything's fine. I didn't catch what you said because a bus went past.
M: We're doing an interview. Rosen & Milkshake are being interviewed for WitOut, at this very moment.
KS: Oh OK, well I don't want to interrupt that!
M: Is everything OK? Can I do anything for you before I click back over to our interview?
KS: Oh no I just called to idly chat, so I will let you go.
M: OK, I'll talk to you soon. [hangs up] …Adorable.
Alison Zeidman: So how long ago did Mr. Lizard start, and then how long have you two been together as Rosen & Milkshake?
Charles Rosen: Mr. Lizard was 2008 Troika, and that was the year that we could all pick our own groups.
Milkshake: [We've been performing as Rosen & Milkshake] I believe at least a couple years. How many shows do you think we've done as a duo? That's what I want to know, because I remember the first show that we did and it was just the two of us, and I was concerned because we were expecting John Bussman [of Mr. Lizard] to be able to be there, and it went surprisingly well. I remember being very calm and relaxed, because the audience was dynamite. The audience was very receptive to whatever we were doing.
AZ: Did that influence your decision to become a duo later on, when the other members of Mr. Lizard had all moved away?
M: Well not necessarily, because we also had a really shitty show. The next time we did the duo it was not very strong, to me. I'm very critical of my own performances, and if I don't like most of the things that I'm doing, I'm really not happy.
AZ: When you guys perform, do you have a specific format or structure?
M: We pretty much stick to a monoscene.
CR: But with a lot of ghost characters in there.
M: By ghosts we mean like, because there's only two of us, if over in the corner someone is sitting down watching TV, and whoever's playing that character needs to run over to the other side of the room to portray another character, that guy's still there down in the corner watching TV. That's what we mean by ghost characters. Not…ghosts.
CR: Yeah, that would be like the Scooby Doo format.
AZ: Charles, tell me what you think are Milkshake's greatest improv strengths.
M: Oh, do go on.
CR: Well, he's very good at reacting to the shit I give him. And object work, his object work is excellent. Which is definitely not the case with me.
AZ: And Milkshake, what would you say about Charles?
M: Charles can say things that nobody else could make funny. And oftentimes it doesn't even need to be a fantastic character choice, and all I have to do is just lob things, just put objects in front of him to kick out of the field–to knock out of the park. To be specific, there was one character where we did a show at the library [as Mr. Lizard], and I've watched this scene over and over and over again because it was captured on video. Charles was a momma's boy, and John was scanning items at a checkout counter at a Pathmark, and I was operating another scanner, and I was like "Oh, look who's here, it's the momma's boy!" and we were like "Oh, are you here with your momma?" And he said, "actually, yes, she's buying groceries." And the way that it comes out of his mouth, nobody could deliver lines like this and get his kind of reation, because of his emotional quality and his cadence, the rhythm with which he speaks. There are things that are completely innocuous if they were said by somebody else, but when they come out of the mouth of Charles Rosen it's just–it makes my job a lot easier because I just have to kind of wait for him to find something to say.
AZ: What do you guys like about performing in your duo versus performing in a group?
M: The cool thing about doing a duo is that you're in every scene–and sometimes twice, because you have to do more in every scene. And it's a lot of work, but that's a lot of fun. And with Rosen & Milkshake, I think I feel particularly…in control, and not needing to be in control at the same time. It should be that way of every group, but I don't always feel that way. So I get to be in every scene, I get to be in every scene with this guy, and that's as close as I can get it–I feel a sense of control, without needing to be in control.
CR: It's definitely different being in a duo. I don't work with groups that often. I was on a group called Atomic Love which is on hiatus, and now I'm doing the [PHIT] Conservatory show, and it's a lot different. You have a backline, and I'm so used to not being on the backline; I'm always in every scene.
AZ: Are there any challenges that you guys have as a duo?
M: It's difficult doing one another's character. I find Charles inimitable, and so any endearing qualities that he has, if I try to do them, I just sound like a narcissistic asshole. Every time I think the audience is going to love me doing his character, and it just doesn't work. They don't care. They're pleased that the scene is still happening, but they are not pleased with my impersonation.
CR: And in our last F Harold show Milkshake was doing a Russian accent, and I don' t really have a Russian accent, so when I was being his character–
M: Can you try? [in Russian accent] Can you do a Russian accent right now?
CR: [in "Russian" accent] I will try to do Russian accent.
M: That was probably more Ukraine. Or Ottoman Empire.
CR: So [in the show] it kind of became a little game that I couldn't get the accent exactly right.
AZ: What are you guys looking forward to about performing in Duofest?
M: How's our slot in Duofest? Let's comment on that.
CR: We're opening slot. It's like 8 o'clock on Thursday.
M: Not a bad slot. Not a bad slot.
CR: Yeah, that's a good slot. And it's actually really good because my mom is giong to be able to come for it. So it worked out well. But Duofest is always a lot of fun, it's such a great weekend. There are so many great duos coming in.
See Milkshake & Rosen perform in Duofest at the Shubin Theatre on Thursday, June 7th at 8 pm. Get advance tickets (or full weekend passes) at http://duofest.ticketleap.com/duofest-2012-thursday-8pm.
By: Tony Narisi
The audience at Philly Improv Theater at the Shubin Theatre was treated to a great double-shot of local improv comedy Saturday night when two house teams kicked the evening off at 8:30.
First up was the six-person team of Mayor Karen. Basing their set off of the audience suggestion of Gandhi, the team started with some rapid-fire scenes. From a man deciding to stop abusing his wife after achieving inner peace to two men using "violent" protest methods to get a Dairy Queen re-opened, these scenes were short and sweet, with cuts coming in after only about three to five lines but still providing the audience with big laughs. As the form went on, the audience saw three recurring scenes being explored more in-depth—young Mother Theresa's scandalous love affair with Jesus, people in eerie places surrounded by animals making extremely strange noises, and a little boy, Timmy, whose newly single father is trying to get him to clean his room and learn that actions have consequences. In their last scene, Timmy was executed while his father looked on hoping that he had learned his lesson. With this scene and many others throughout the night, Mayor Karen exhibited their skills in beat structure and stake-raising to the audience.
Next up was the five-person team of ZaoGao. Going with the audience suggestion of "penny coat," the team performed an interesting form I'd never seen before, where characters remain on stage amidst the action the entire time, freezing in and out of movement as needed. As with Mayor Karen, they had good singular scenes, but their strongest moments came when they developed ideas through a number of scenes, as seen in the story of a woman who buys a house haunted by teen angst or Bad Luck Travis, the time-traveling explorer with a knack for destroying ancient relics. Possibly my favorite premise of the night was the one of Mr. and Mrs. Host. This couple is under the impression that their neighbors are constantly trying to see them having sex, while the neighbors actually have fake heads set up in the window, based on their thinking that the Hosts constantly want them to watch them having sex. With smooth transitions and good mental connections and references between scenes, ZaoGao put on a great twenty minutes of comedy that kept the laughs coming.
By: Rachel Goodman
This past Sunday, May 20th 2012, marked 23 years since the passing of one of the most unique and funniest comediennes to have ever lived.
After landing many leads in comic roles at the University of Michigan, Gilda Radner landed her first professional theatre role as part of the legendary cast of Godspell at the Royal Alexandra Theatre in Toronto in 1972. Gilda then went on to become one of the founding members of the Second City Toronto under Andrew Alexander, along with Dan Aykroyd, Eugene Levy and Valri Bromfield.
Here in Toronto, Gilda made a name for herself as a comedienne. A reviewer once correctly projected that she would go on to be the "toast" of comedy in London and New York. Fulfilling this prophecy, a year and a half later, Gilda went on to New York City where she worked on the National Lampoon Show as a writer and performer, before becoming the first Not Ready For Prime Time Player to be hired for Saturday Night Live. Her characters such as Roseanne Roseannadanna, Emily Litella, Baba Wawa and Judy Miller still have not been forgotten in pop culture or to her fans. With these characters she has inspired people such as Tina Fey, Emma Stone, Tracey Ullman, Cheri Oteri, and countless others who have gone on to do great things in their lives and performances.
But what really makes Gilda so incredibly different is that the world truly loved her – and practically anyone that ever met her has said that she was the nicest person ever.
"When Gilda came out on stage," said the late Joyce Sloane, who was considered to be the mother of Second City, "the whole audience just wanted to put its arms around her."
"People who met her for the first time, they felt like they were her best friend and she theirs, and what I just told you with that story is not an unusual story," says Alan Zweibel [one of the original writers on Saturday Night Live] in an interview with Peter Anthony Holder, "you'd go to a restaurant and if you passed a homeless person on the way to restaurant, at the restaurant she would order a couple of extra desserts or an extra sandwich and come back and give it to the guy."
Many were devastated to hear of the loss of Gilda back in 1989, including Steve Martin, who was hosting Saturday Night Live that day that she died. Holding back tears, Martin introduced the famous Dancing in the Dark sketch where he and Gilda danced to their own rendition of the song of the same name from the movie The Band Wagon (with Fred Astaire and Cyd Charisse).
Even after death, Gilda's legacy lives on. During her illness, Gilda was able to go to a cancer support group in Santa Monica, California and her hope was that people could have this same help no matter where they live. Gilda's Club was established by her husband Gene Wilder and her cancer psychotherapist Joanna Bull. Cancer patients can go to Gilda's Club to be with other people who are going through the same thing as Gilda during her battle with cancer. After opening the first Gilda's Club in NYC in 1995, it was so successful that in 2000 Gilda's Club Worldwide formed with the goal of bringing cancer support groups worldwide.
Aaron talks with Mary Radzinski about her start in comedy, her open mic Laughs on Fairmount, her status as a celebrated Twitter user and more in this week's episode of The Witout Podcast. Listen below or subscribe on iTunes.[audio: maryradzinski.mp3]
An eager crowd packed L'etage Tuesday night for this month's edition of Camp Woods Plus, Philadelphia's only alternative sketch comedy showcase. Joining Camp Woods this month was New York duo We're Matt Weir and local sketch group The Judo Range.
The Judo Range opened the show with a mix of new sketches and material previously seen at their Philly Improv Theater show and The Theme Show. Their set was tight, and the strongest I've seen from them overall – getting solid laughs with sketches about the secrets behind national monuments, a plumber giving a priest advice on how he can "clean his pipes" and the origin of the Tomb of the Unknown Soldier. The highlight of their set was a delightfully bizarre sketch called Chris McGrail's Shaving Corner in which McGrail bestows some wisdom on the fine art of shearing. The Judo Range is a group beginning to find and develop its voice and figure out who they want to be on stage. Their sketches blend dark humor and some edgy topics with a surreal slant that will be fun to watch grow as the group continues to develop.
The last time I saw We're Matt Weir they were asking Philadelphians to put their mother fucking hands in the sky if they loved weed in front of Mayor Michael Nutter (and a packed house) at Philly Improv Theater. Less than two months later, the duo was back (with a little help from some friends) with a brand new set of hilarious material. The Matts opened the show by slapping a volunteer from the audience with some cash and continued with sketches that explored a man's search to find love despite his obsession with his own status as a worker in a sludge pit, an overly self-loathing stand-up comedian dumping his problems on the audience, a friendly hip hop group, and a nosy cooking show host that ends up looking for secrets of the wrong home cooked meal. We're Matt Weir combines high energy performances and offbeat premises or twists with strong joke writing to put on a consistently great show. Their style also uses many sketches that have the characters directly addressing the audience – making them feel a part of the show the entire time.
Camp Woods closed out the show, as always, with a set that well-represented their wide range of talents and showcased their unique style and comedic point of view. The set opened with a fantastic sketch about a group of heroes known as The Fart Fuckers set to embark on a quest. The sketch revealed the heroes were toys being played with by three brothers, one of which inserts his real life father issues into his characters actions and words. The sketch showcased Camp Woods' ability to pinpoint a dark issue or deep emotional problem a character has that manifests itself in a hilarious way that makes for a brilliant sketch. This is a tool they have used before, and will surely will use again, as it creates a sketch that is not only funny on the surface, but also has a deep, emotional backbone. The set took a turn for the bizarre with a pair of sketches featuring Mr. Abernathy, a man who tricks his neighbor into stealing a dog, and an Admiral with a strange problem that makes his saliva dissolve human hair. The sketches worked well, anchored by strong performances in those roles by Billy Bob Thompson (as Mr. Abernathy) and Brendan Kennedy (as the Admiral) as well as Sam Narisi and Madonna Refugia in the sketches supporting roles. Next we saw JP Boudwin as the Communist Math Teacher – who learns a little something from his students about America followed by Pat Foy as an Austin Powers impersonator who slowly realizes his life may not be as great as it used to seem. The set closed with a mourner (Rob Baniewicz) being consoled by a chain of stand-up spooners who may or may not actually know the deceased. The final sketches were full of great individual jokes as well as characters with a strong hook that comes through in their actions. With Camp Woods, it's always show and not tell – as the characters' true feelings and real personality come through in what they do and how they do it – never in exposition.
Camp Woods is working harder than anybody else in Philly right now, and it shows. They produce a new half hour of material every month and their shows are getting steadily stronger. They are a group that is hitting their stride, have found their voice, and know how each of their members individually fit in and work best. And it a joy to watch.
See more from Secret Pants online and be sure to check out Hermit Crab Rave dot com.
Here's what everyone wore last night at Aaron Hertzog's Hey Everybody at Philly Improv Theater at the Shubin Theater 5/21/12. Spoiler alert – Hey Everybody! Summer is here to stay, so break out those Baby Blue Jeans!
Aaron Hertzog – Grey Henley, untucked, with a rounded neck, sleeves rolled up to the elbows and a pocket on the left breast, white shoes with white laces and blue jeans.
Sam Narisi – Blue hoodie with a white un-zipped zipper, white draw strings, a plaid shirt, untucked, with a beige base with teal/purple vertical stripes and thin red/pink horizontal stripes buttoned to the top with 2 collar buttons buttoned, black shoes with white laces and white soles and grey pants.
Juliet Hope Wayne – Dark brown shirt with a white lamb with pink ears, black eyes, and black nose and mouth, over a light blue t-shirt poking out at the waist, black shoes with white laces, white sole and white wavy lines on the sides, and blue jeans.
Darryl Charles – Dark navy blue polo shirt with thin white stripes, a golden crest over the left breast, over a white t-shirt visible over the collar, white shoes with white laces and grey soles, and blue jeans.
Chip Chantry – Grey t-shirt with the letters "pants." in black, over a white undershirt visible over the collar, dark navy blue shoes with a white letter "N", black digital wrist watch on the left hand and blue jeans.
Hello there Sports Fans! With the Fly-boys out of contention for Lord Stanley's Cup and The Phightin' Phils paving the way for what ought to be another "Come-Back Kiddo" season, you can't help but feel the electric spirit of sports in the (215). The passion for Philly Sports burns bright and lights up schoolyards, bars, semi-truck weigh stations and Philly Improv Theater at The Shubin Theater at last night's presentation of "The Monthly Hour with James Hesky." The following is a summary of every mention of SPORTS during last night's show, as well as the performer it can be attributed to:
James Hesky: The Olympics, Baseball, NFL, Football, Triathalon
Truly an exciting night for Philadelphia Comedy and Philadelphia Sports! My apologies to any that may have slipped through my five-hole! See you all at next month's Monthly Hour with James Hesky!
Gerry Bock is a freelance sports writer and former Publisher/Reporter-in-Chief for the Port Richmond Gazetteer, which he published independently for 37 years before gladly fell prey to the siren call of retirement last May.
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Oddly enough, the role of The Public Enemy (1931) that catapulted James Cagney into the ranks of major stars almost went to another actor. The scrappy street kid Cagney was initially cast as quiet, easy-going Matt Doyle, while the part of brash, volatile Tom Powers went to the well-educated, well-spoken Edward Woods, an actor of rather genteel background. But director William Wellman had seen Cagney's tough performance in Doorway to Hell (1930), and after three days of shooting - and much urging by screenwriters John Bright and Kubec Glasmon - he realized a big casting mistake had been made.Luckily, producer Darryl Zanuck allowed the two actors to switch roles, otherwise film audiences would have been robbed of one of the most ferocious and iconic performances of the decade, perhaps of all Hollywood history.
The Public Enemy (1931) follows the lives of two kids from the tenements of Chicago's South Side, Powers and Doyle, who find a way out of desperate circumstances through a life of crime, ending with their violent deaths - not at the hands of police (who are rarely seen) but by rival criminals. Along with Warner Brothers' earlier hit Little Caesar (1930), this movie set the tone for the popular gangster dramas of the Depression period, gritty and brutally realistic, and Cagney's performance established him as the essence of the ruthless, hair-trigger hoodlum. That image was indelibly stamped on him in a scene that is remembered and imitated even today - the shocking grapefruit-in-the-face moment that stunned audiences and had womens' groups protesting the treatment of the hard-luck moll played by Mae Clarke.
Bright and Glasmon based the scene on a real-life incident. The two learned that Chicago gangster Earl "Hymie" Weiss had once slammed an omelet into the face of his jabbering girlfriend. Wellman liked the idea but thought the omelet would be too messy, so he came up with the notion of using half a grapefruit. What happened next depends on who tells the story. Clarke said Cagney was only supposed to yell at her in the scene and that the actor surprised her with his impulsive use of the breakfast food. Cagney claimed the grapefruit had been decided on beforehand but that it was supposed to brush past her at an angle that would only appear to be a bona fide attack. Whatever the truth, when the time came to get the shot, Cagney smashed the grapefruit directly (and painfully, the actress said) into her face, and Clarke's very real look of horror and surprise was recorded for posterity.
While it certainly stamped him with an unforgettable image, Cagney later came to regret the action. For years after, whenever the actor dined out somewhere, fans would have waiters bring him half a grapefruit with his meal. Clarke became equally weary of references to the scene, although she must have gotten a bit of satisfaction from a similar shot that caught Cagney on the receiving end of some violence. Donald Cook, who played Tom Powers's war-shattered brother in the film, was supposed to explode in fury with a hard sock to Cagney's jaw. In his autobiography, Cagney said he was sure Wellman had urged Cook to let his co-star really have it. Instead of faking it for the camera, Cook hauled off and belted Cagney right in the face, sending him flying across the set and breaking a tooth. Fortunately no such mishaps took place during the film's most dangerous scenes: the use of real bullets in some of the shooting sequences.
The grapefruit incident wasn't the only memorable scene concocted by Bright and Glasmon, who adapted the screen story from their novel, Beer and Blood. The two provided Cagney with a concise and powerful moment of self-realization. In a heavy downpour, Cagney is riddled with bullets and falls into the gutter. As his blood mingles with the flowing rainwater, he mutters, "I ain't so tough," a line that has become almost as familiar as Edward G. Robinson, "Is this the end of Rico?" Elements like these earned Bright and Glasmon an Academy Award® nomination for their work.
As successful as the picture was for its leading actor, writers and director, it was nearly a disaster for another rising young star, Jean Harlow. Under contract to Howard Hughes, Harlow was actually a good-natured, middle-class girl most often cast as vulgar blond floozies. In The Public Enemy, she played a slumming society dame who briefly becomes Tom Power's mistress. The picture was hailed as a sensation, with praise going to the entire cast - except Harlow. Critics slammed her for ruining the scenes she appeared in, having a voice desperately in need of training, and delivering the only uninteresting acting in the film. Although she later became a major star at MGM, hailed for her earthy comic performances, the mishandling of her talents by agents and directors in early roles like this one could have buried her career completely if not for the public interest in what was considered her greatest asset in this Pre-Code era - freewheeling sexuality and an enticing body clad in revealing, usually bra-less, costumes. Her fascinating "traits" even caught the attention of her very-married leading man. On the set one day, Cagney stared at her cleavage and asked, likely in perfect innocence and good humor, "How do you keep those things up?" "I ice them," Harlow said, before trotting off to her dressing room to do just that.
Director: William Wellman
Producer: Darryl F. Zanuck
Screenplay: John Bright and Kubec Glasmon (with Harvey Thew)
Cinematography: Dev Jennings
Art Direction: Max Parker
Music: David Mendoza
Cast: James Cagney (Tom Powers), Edward Woods (Matt Doyle), Jean Harlow (Gwen Allen), Mae Clarke (Kitty), Joan Blondell (Mamie), Donald Cook (Mike Powers).
BW-84m. Closed captioning. Descriptive Video.
by Rob Nixon

subset: commoncrawl


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Or download our app "Guided Lessons by Education.com" on your device's app store.
Edible colour Wheel
Your child will learn all about colour mixing with the help of some food coloring and vanilla frosting! The colour wheel focuses on the primary colors, red, yellow, and blue, as well as complimentary colors, and how to find them, based on their location on the wheel. Along with baking some tasty cupcakes, your child will mix together food coloring to create colorful cupcakes – just like a colour wheel!
What You Need:
- Box of cake mix
- Muffin tin
- Cupcake liners
- Paper
- Pencil
- Ruler
- Watercolor paints
- Paintbrush
- Vanilla frosting
- Food coloring
- Small bowls
- Mixing spoons
What You Do:
- Get out a box of your favorite cake mix and invite your child to read as much as she can of the directions for making the mix. Help her with any words she can't quite read herself.
- Have her lightly grease a muffin tin or line it with cupcake liners. Watch as she fills each cup about ¾ full and then help her carefully place it in the preheated oven. Don't forget to set the timer for the recommended amount of time!
- While the cupcakes are baking and then cooling, talk to your child about the colour wheel. You can use the Internet to find examples as well as more information about the purpose of a colour wheel.
- Offer your child a sheet of white paper and a set of watercolor paints. Encourage her to create a colour wheel on her paper, starting by drawing a triangle using a ruler and pencil.
- Now have her paint a circle of red paint at the top of the triangle, yellow at one corner, and blue at the other. Next, she can experiment by mixing the colors to create the secondary colors—orange, green and purple—placing the colors in the correct spots!
- It's time to make the colorful frosting! Have your third grader get out the vanilla frosting along with the red, yellow, and blue food coloring. Help her measure 1/3 of the frosting into one bowl, 1/3 into another. Leave the last 1/3 in the can.
- Invite her to mix 5-10 drops of red food coloring into the container, 5-10 drops of yellow into one bowl, and 5-10 drops of blue to the final bowl. Encourage her to mix the bowls of frosting well to evenly distribute the food coloring.
- Now she can frost three of her cupcakes with the primary colors, and then mix small amounts of the primary colors together to create the secondary colors and frost three more cupcakes!
- The rest of the colorful frosting can be mixed to create even more exciting colors and used for frosting the rest of the cupcakes. Now, all that's left is to invite some friends over to taste-test!


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|Career Statistics
| 2015
Career: Three-time All-American, including two-time first-team selection … One of 11 Blue Devils to earn All-ACC recognition three times … One of the best midfielders to wear a Duke jersey … Holds the Duke midfield record for goals in a season with 50 in 2016 … One of just six midfielders in NCAA Division I lacrosse history to score 50 goals in a season … Finished his career with a Duke midfield record 134 goals ... Amassed a total of 201 career points, one of just two Duke midfielders and one of six midfielders in NCAA history to reach the 200-point benchmark … Finished his career ranked tied for ninth in career goals (134) and 12th in career points (201) … One of 12 Blue Devils to amass 200 career points … 2016 CoSIDA Academic All-American … Four-time ACC Academic Honor Roll.
2016: USILA first team All-American … All-ACC … USILA Scholar All-American and CoSIDA Academic All-America third team … Led the team and all midfielders nationally with 50 goals … Ranked third in the ACC and 17th nationally overall in goals per game (2.63) … Set the Duke midfield record and became just the sixth midfielder in NCAA history to record 50 goals in a season … His 50 goals rank 11th in Duke single-season history … Recorded eight hat tricks and had eight games with at least four points … Scored a career-high seven goals and nine points overall in the overtime win over Syracuse (3/26) … Earned ACC Offensive Player of the Week honors for his performance against the Orange … Tallied five goals in the 14-8 win over Virginia and had six points (5g, 1a) against Boston University to earn ACC Offensive Player of the Week honors two more times … Registered at least two points in 17 games … Tied for the team-lead with six man-up goals … The fifth Blue Devil to earn CoSIDA Academic All-America recognition with third team honors … All-ACC Academic Team … ACC Academic Honor Roll.
2015: Started all 18 games on Duke's top midfield line … USILA All-America second team … All-ACC … Ranked fourth on the team with 53 points from 34 goals and 19 assists … Became the 44th player in Duke history to reach 100 career points … Had at least one point in all 18 games and registered at least three goals six times … Scored multiple goals in nine games … Posted a season-high five goals in the narrow 15-14 loss to North Carolina (3/29) … Also collected four ground balls against the Tar Heels … Tallied five points from four goals and an assist in 14-8 victory over Loyola … Scored four points (3g, 1a) in ACC win over Virginia (4/12) to help Duke clinch a spot in the ACC Tournament … Put up five points (3g, 2a) in victory at Stony Brook (4/15) … Registered six points (3g, 3a) versus Providence (3/1) … All-ACC Academic Team … ACC Honor Roll.
2014: Started on Duke's first midfield line in all 20 games … USILA First Team All-America selection … All-ACC and ACC All-Tournament Team recognition … Ranked second on the team in scoring with 38 goals and 27 assists for 65 points … The 65 points are the most by a Duke midfielder in program history … Was a key component of Duke's highest scoring midfield in history … Registered his first career hat trick with three goals in the 14-10 win over No. 4 Denver (2/15) … Had a breakout game with six goals and four assists for 10 points in 21-7 win over Syracuse (3/23) to earn ACC Offensive Player of the Week honors … The 10 points were just one point shy of tying the school single-game record … Threw in five goals at Notre Dame (4/5) and registered a pair of tallies and three assists in the victory at Virginia (4/11) … Also had hat tricks against Syracuse (4/25) in the ACC Tournament and again in the NCAA semifinal victory over Denver (5/24) … Tallied five goals on NCAA Championship weekend, including a pair in the title game against Notre Dame, to earn a spot on the NCAA All-Tournament Team … Finished the year with five hat tricks and three-plus points in 13 outings … Averaged 2.46 goals and 3.91 points in his final 11 games of the season … All-ACC Academic Team … ACC Academic Honor Roll.
2013: Played in all 21 games on Duke's second midfield line … Recorded 12 goals and eight assists for 20 points … Registered his first career point with an assist in the season-opening loss to Denver (2/9) … Tallied his first collegiate goal in 21-9 win over Jacksonville (2/10) … Recorded a career-high three points on two goals and two assists in regular-season finale win over Marquette (5/5) … Also scored twice in victory at Rutgers (4/20) … Notched a point in 14 games … Had one goal in NCAA Quarterfinal win over Notre Dame (5/19) … Picked up a season-high four ground balls against Mercer (2/16) … All-ACC Academic Team … ACC Academic Honor Roll.


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1. Past
2. Present
3. Future
Whilst not particularly detailed, this spread will offer guidance in specific issues of importance right now for the querent.
What happens when you order a reading from us: You will receive an automated response from the shop, thanking you for your order, and giving you instructions about how to select the cards for your reading. If this email has not arrived within one hour of your purchase, please check your Junk Mail file, in case the incoming address has not been recognised. If you do not find the achknowledgement email there, email Jan using jan(at)angelpaths.com and let her know. Upon receipt of your details, Jan will confirm, giving you some idea of how long your reading will take. As a general rule, all short readings are dispatched within a maximum of seven days from receipt of information (three and seven-card). Medium length readings are dispatched within a maximum of fourteen days. Long readings may take up to twenty-eight days to dispatch.
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text:
You see the following error code and message when you try to make a purchase on your Xbox 360 console:
Sorry, there's a problem with the Xbox service. Try again later.
Status Code: 838200DE
This may mean:
To resolve this problem, try the following solutions.
Solution 1: Check the Xbox Live service status
If you see any alerts here, wait until the service is up and running and try again:
Solution 2: Pay your outstanding balance
If you have a payment option tied to a subscription that has an outstanding balance, you'll have to settle the balance owed before you can make a purchase on your Xbox 360 console.
Here's how to pay your past-due balance online:
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text:
STRCPY(3) BSD Programmer's Manual STRCPY(3)
strcpy, strncpy - copy strings
#include <string.h> char * strcpy(char *dst, const char *src); char * strncpy(char *dst, const char *src, size_t len);
The strcpy() and strncpy() functions copy the string src to dst (includ- ing the terminating '\0' character). strncpy() copies not more than len characters into dst, appending '\0' characters if src is less than len characters long, and not terminating dst if the length of src is greater than or equal to len.
The strcpy() and strncpy() functions return dst.
The following sets chararray to "abc\0\0\0": (void)strncpy(chararray, "abc", 6); The following sets chararray to "abcdef" and does not NUL terminate chararray because the length of the source string is greater than or equal to the length parameter. strncpy() only NUL terminates the destina- tion string when the length of the source string is less than the length parameter. (void)strncpy(chararray, "abcdefgh", 6); The following copies as many characters from input to buf as will fit and NUL terminates the result. Because strncpy() does not guarantee to NUL terminate the string itself, it must be done by hand. char buf[BUFSIZ]; (void)strncpy(buf, input, sizeof(buf) - 1); buf[sizeof(buf) - 1] = '\0'; Note that strlcpy(3) is a better choice for this kind of operation. The equivalent using strlcpy(3) is simply: (void)strlcpy(buf, input, sizeof(buf));
bcopy(3), memccpy(3), memcpy(3), memmove(3), strlcpy(3)
The strcpy() and strncpy() functions conform to ANSI X3.159-1989 ("ANSI C"). MirOS BSD #10-current June 29, 1991 1
Generated on 2017-04-03 16:26:17 by $MirOS: src/scripts/roff2htm,v 1.88 2017/01/29 00:51:06 tg Exp $
These manual pages and other documentation are copyrighted by their respective writers;
their source is available at our CVSweb,
AnonCVS, and other mirrors. The rest is Copyright © 2002–2017 The MirOS Project, Germany.
This product includes material provided by mirabilos.
This manual page's HTML representation is supposed to be valid XHTML/1.1; if not, please send a bug report — diffs preferred.


text: These single adjustable front and rear shocks feature a machined and forged aluminum shock body that is clear-anodized for improved durability and a show-winning appearance. There are 12 deflective disc valving options with a single twist of one knob, which can be done while the shocks are on the car. The shock mounting bushing material is exclusive to QA1 shocks for both the upper and lower mounts along with either zinc or chrome-plated mounting hardware. These shocks also feature a three-step sealing system that features a double-lip seal with a wiper to keep dirt out and eliminate seal drag on the 5/8" centerless ground, hard-chromed shock piston rod. Another benefit is the QA1 "Star Stocker" shock can be rebuilt and revalved by an authorized QA1 service center. Good shocks for the street or strip.


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TLDEF Files Lawsuit Against NYC Over Refusal to Correct Transgender Birth Certificates
March 22, 2011 - TLDEF announced today that it has filed a lawsuit against the City of New York and the New York City Department of Health and Mental Hygiene challenging the city's practice of requiring transgender people to undergo surgery before it will issue them birth certificates with corrected sex designations. This is the first lawsuit to challenge a surgical requirement for correcting whether someone is classified as "male" or "female" on a birth certificate. It alleges that the city's surgical requirement is arbitrary, and that it subjects transgender people to harassment and discrimination in violation of the New York City Human Rights Law.
The case is brought on behalf of three transgender people born in New York City who have tried to obtain corrected birth certificates. Each submitted medical documentation indicating that the sex designation on their birth certificates is incorrect, but because they have not undergone specific surgical procedures required by the city, officials have refused to provide them with updated, accurate birth certificates.
The vast majority of transgender people have not undergone the extensive surgical procedures demanded by the city before it will change the sex designation on birth certificates. Most cannot afford these procedures, and for many, they are medically inappropriate.
"A birth certificate is a fundamental form of identification," said TLDEF staff attorney Noah Lewis. "By refusing to give transgender people accurate birth certificates that reflect who they are, the city subjects transgender people to harassment and discrimination in areas like employment where ID is essential to proving eligibility to work."
Sam Berkley, one of the plaintiffs, is a transgender man. Despite having undergone hormone therapy and surgery, the city has refused to change his birth certificate from female to male because he has not had the specific form of surgery that the city requires. "I've known since I was 5 years old that I'm male," said Mr. Berkley. "I've undergone medical treatment as part of my transition and the medical documentation I submitted from my doctor should be sufficient to get my birth certificate corrected. Until it's corrected, I fear that I'll be subjected to harassment and discrimination whenever I need to present my birth certificate," he added.
Joann Prinzivalli, a second plaintiff, has a similar story. Despite being labeled male at birth, Joann knew from earliest childhood that she was a girl. "As a very young child, I desperately wanted to grow my hair long to look like all the other girls. But my parents always insisted that I get my hair cut, and I dreaded that," said Ms. Prinzivalli. "I am a woman. My birth certificate was incorrect when it was filled out, and it is still incorrect today," she added.
Ms. Prinzivalli would like to have the surgery that the city requires in order to change her birth certificate, but it has been ruled out by her doctors for medical reasons. "This policy is unfair to me and to other transgender people who just want ID that matches who we are," she added.
The third plaintiff, Patricia Harrington, had a long journey before being able to live as her true self. "When I was very young, I was bullied and harassed for behaving like a girl, and I learned very quickly that I would need to suppress my true identity to get through life," Ms. Harrington said. "It wasn't until I was forty years old that I finally started to live freely as a woman. It's been a long journey, and it's important to me that the City correct my birth certificate so that I can present ID that reflects who I am today."
"Proper ID is essential for full participation in society," added Mr. Lewis of TLDEF. "As long as the City discriminates against transgender people by denying them accurate ID, transgender people will continue to be pushed to the margins of society."
The cases are JOANN PRINZIVALLI v. THOMAS FARLEY in his official capacity as HEALTH COMMISSIONER OF THE CITY OF NEW YORK, NEW YORK CITY BUREAU OF VITAL STATISTICS, NEW YORK CITY OFFICE OF VITAL RECORDS, NEW YORK CITY BOARD OF HEALTH, NEW YORK CITY DEPARTMENT OF HEALTH AND MENTAL HYGIENE, and THE CITY OF NEW YORK, Supreme Court, New York County, No. 114372/2009;
and SAM BERKLEY v. THOMAS FARLEY in his official capacity as HEALTH COMMISSIONER OF THE CITY OF NEW YORK, NEW YORK CITY BUREAU OF VITAL STATISTICS, NEW YORK CITY OFFICE OF VITAL RECORDS, NEW YORK CITY BOARD OF HEALTH, NEW YORK CITY DEPARTMENT OF HEALTH AND MENTAL HYGIENE, and THE CITY OF NEW YORK, Supreme Court, New York County, No. 400715/2011.
A third Complaint will be filed on behalf of Patricia Harrington in the near future. It is anticipated that the three suits will be consolidated and heard together.
Benjamin Edwards, Daniel Gonen, Kapil Longani, and Melissa Weberman serve as co-counsel with TLDEF for Mr. Berkley, Ms. Harrington, and Ms. Prinzivalli.


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Browsing M.Sc. Biological Sciences by Subject "Saccharomyces cerevisiae"
Now showing items 1-1 of 1
Significance of DNA base excision repair in the maintenance of mitochondrial function in Saccharomyces cerevisiae / (Brock University, 2008-06-15)Mitochondria have an important role in cell metabolism, being the major site of ATP production via oxidative phosphorylation (OXPHOS). Accumulation of mtDNA mutations have been linked to the development of respiratory ...


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Monsanto has filed suit in federal court in St. Louis against E.I. DuPont de Nemours and Company and its wholly owned subsidiary Pioneer Hi-Bred International to prevent what the company says is unlawful use of Monsanto's Roundup Ready herbicide-tolerant technologies in soybeans and corn.
James C. Borel, DuPont group vice president, fired back in a statement accusing Monsanto of denying farmers access to alternative technologies. "The litigation filed by Monsanto is more of what we have come to expect from them," Borel said in response to Monsanto's filing. "Monsanto has a long history of using litigation and aggressive tactics to preserve their monopoly and attempt to intimidate customers, seed partners and competitors."
At issue is the use of the Roundup Ready trait in Pioneer's Optimum GAT trait. DuPont has stacked the Roundup Ready 1 trait in its forthcoming Optimum GAT soybeans. Monsanto contends that DuPont does not have the right to stack the two traits. Now a court will likely decide.
"As the saying goes, imitation is the sincerest form of flattery," Hugh Grant, Monsanto chief executive officer, says. "However, unlawfully taking technology is neither imitation nor flattery; it is unethical and wrong. A true technology company respects patents and its contractual agreements and delivers new products through its own innovation and honest collaboration. DuPont has failed on all counts."
Borel says DuPont is "disappointed Monsanto chose litigation and inflammatory public statements over civil discourse."
This is not the first time the two companies have gone to court over biotech products. In a previous case involving Monsanto's YieldGard corn borer trait, it was determined by the court that Pioneer had breached its license and improperly used Monsanto's patented technology. After that case, an agreement was reached in which Pioneer was able to continue licensed use of Monsanto's technology.


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Ta-da! Here's Sunni's block for Stash Bee!
I found the inspiration for this on Pinterest (like everything else in my life!) I took lots of pics to show you all exactly how I made it. If you don't care, you can skip it. My feelings won't be hurt!
First, I drew a picture of what I wanted the block to look like.
Then I traced each piece of the block onto fusible webbing.
Next, I cut out each piece and the fabric to correspond. I laid it all out so I could make sure I didn't have too much of one color in one area.
Iron the webbing onto the fabric and cut out each piece.
Pull the paper off and arrange on your block.
Take a break. Drink a limeade. :)
Iron on your appliqués.
Stitch them down!
Embroider a cute heart!
Cute right? I was totally thrown when Sunni asked for a tree block, but I think it came out nicely! If you make one, make sure you show me!!!


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Rugby is a unique sport and some portions of the game can seem confusing when first presented. A prime example is that when players move the ball forward they must pass the ball backwards. This is certainly a different concept than many popular American sports. In order to provide coaches and players with a basic framework to explain the game, the principles of play were established. These principles are split in to two specific categories of attack (team with the possession of the ball) and defense (team without the ball). Note that position on the field does not dictate whether a team is attacking or defending, instead it is determined by who has possession of the ball. The basic principles of rugby rely on this contest for possession, continuity of play, efforts to regain possession, and the fact that it is a multi-faceted game. To preserve the unique nature of the sport of rugby, the International Rugby Board has established the following principles of attack and defense:
Principles of Attack
Principles of Defense
These principles form the backbone of the sport of rugby. They are an essential tool in developing athletes and teams. Coaches can and should link all that they do back to these key components of the sport.


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The U.S. Coast Guard seized 3,300 kilos of cocaine from southwestern Caribbean waters over the past month, and they unloaded the drugs in Miami on Tuesday, according to the Miami Herald.
To put that into perspective, 3,300 kilos is equal to about 7,275 pounds.
The cocaine is worth about $110 million.
Here's what that looks like ( via the U.S. Coast Guard Southeast):
Some of the cocaine was seized in a March 15 bust south of Jamaica, while the rest of it was taken from a ship in the waters between Colombia and Honduras.
U.S. Coast Guard Lt. Meaghan Gies talked to the Herald about the drug seizure:


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I know about the Safavids, you're right and I am not disputing that. I was specifically talking about the Hashashins only, i.e. they weren't an outside force. Hashashins existed in Alamut since 1080's whilst Safavids came in 1500's.
While Safavids were aiding Mongols....Hashashins were fighting them and in the process they got wiped out.
Savafids were the main beneficiary of Mongol invasion. Savafids attacked the Ottomans when the Ghazis were in the suburbs of Vienna well. On the record, Henry said "If it was not the Savafids attacking the Ottomans from the east, we would be reading Quran today". 300 years ago Iran was a majority sunni country, After Savafids took over Iran. They force majority to convert to Shiaism.
Nowhere in the Muslim World any country has declared "Sunni" as a state religion, but Iran has declared Shiaism as State religion.
Sunnis are not even allowed to built a Masjid in Terhan.


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We are committed to the development of effective, ethical leaders through study, practice and real-life experience.
fall 2018 enrollment
honor societies
ranked faculty
St. Catherine University is home to students in a wide array of disciplines and degree levels. At its heart, the spirited College for Women and the legacy of its founders informs every facet of the University.
The mission of the University and of the Sisters of St. Joseph provides a clear framework for institutional planning and decision-making; and serves as a guiding compass during times of opportunity, challenge or uncertainty.
St. Catherine University is an accredited institution through the Higher Learning Commission (HLC) of the North Central Association of Colleges and Schools.
Whether you are working out, looking for a place to study, attending mass
or spending an evening at the theater, there's a place for you at St. Kate's.


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Extreme pogo and a classic race car exhibit are among the latest attractions added to this year�s Mumfest.
Extreme pogo and a classic race car exhibit are among the latest attractions added to this year�s Mumfest.
The annual two-day October festival is New Bern�s largest outdoor event, drawing upwards of 100,000 visitors. The Oct. 12-13 festival is produced Swiss Bear Development Corp.
Richard Childress Racing is bringing the No. 3 GM Goodwrench Service Plus Chevrolet Monte Carlo, driven by the late seven-time NASCAR Winston Cup Champion Dale Earnhardt, to Mumfest.
Earnhardt and Richard Childress Racing earned 43 of their 67 victories and four of their seven championships together in the famed No. 3 Chevrolet Monte Carlo.
It is still one of the most recognizable race cars in the world.
Childress Racing also will bring two other race cars, the No. 29 Caterpillar and the No. 31 Budweiser machine.
NASCAR fans also will be able to test their driving skills in one of two simulators.
Joe Alcoke Auto & Truck Center is sponsoring Richard Childress Racing�s exhibit.
New this year is the XPOGO Stunt Team, the top extreme pogo exhibition team in the world, with high, acrobatic jumps.
The team currently holds 13 world records and Guinness records earned at Pogopalooza competitions since 2004. Their worldwide performances � from Rio to Beijing to Hong Kong and Europe � have helped grow the popularity of this extreme sport.
Pogopalooza � the world championship of extreme pogo � began in a parking lot in Nebraska in 2004 with six teams. Now, in its 10th year, Pogopalooza has grown into a major sporting event. This year�s world championship will be held July 26-28 in New York City.
Extreme Pogo is an action sport performed on next generation pogo sticks that have the potential to bounce more than 10 feet in the air, measuring from the ground to the bottom of the tip of the pogo stick.
Video on the web: xpogo.com
�Mumfest fits everyone�s budget with two days of free entertainment, including live bands with music from beach to rock and barbershop. Dance troupes, magicians, roving street performers and face painters add color to the excitement,� according to a Mumfest release.
Traditional Mumfest favorites including Alex Clark, performing jaw-dropping stunts; Purina Incredible Dog Team with amazing aerial disc catches; the Silver Drummer Girl; a model train show; Little River Winery mobile tasting room; and NBPD�s K-9s will be back this year.
Also on tap are the Weller Retriever demonstrations and the 13th annual boat show.
Participants also can try their hand at songwriting and get feedback from published songwriters performing original songs.
For wine and beer connoisseurs, there will be a variety of samplings at the Galley Store�s �Juice on the Neuse� Wine and Beer Festival including � �3� � a tribute wine by Childress to his friend Earnhardt from the Childress Vineyard.
On the web: mumfest.com


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Sir Gary Verity believes today's women's Tour de Yorkshire is the "start of a revolution" in sport and the battle for equality.
The race sees a women's peloton including world champion Lizzie Armitstead tackle exactly the same 137km route from Otley to Doncaster that the men will take on in stage two of their race later in the afternoon.
On offer is a prize fund totalling £50,000 - with around £15,000 going to the winner. It will be the largest prize fund ever awarded in a women's cycling race, and amounts to more than a single rider would collect by winning all three stages of the men's race.
Following a week marred by allegations of sexism within British Cycling - leading to the resignation of technical director Shane Sutton so close to the Rio Olympics - it is hoped the Tour de Yorkshire can strike a positive note.
"There will be huge interest and coverage," Verity told Press Association Sport. "The women's race will be the start of a revolution in women's cycling and in women's sport.
"We're duty bound as organisers to do anything we can to make sure women's cycling catches up with men's cycling."
Since the Tour de Yorkshire prize fund was announced, Prudential RideLondon has gone a step further by announcing a 100,000 euro fund (£78,000) for its women's race in July, but Verity said the issues go further than money alone.
"Absolutely I welcome it and we want the next organisers to go bigger, but what RideLondon doesn't do is give the women a proper parcours to race," he said. "The Tour de Yorkshire is the first time the women will ride exactly the same parcours as the men, with the same media coverage, and that's a really important thing."
Verity has plans to grow the women's race at the Tour de Yorkshire further, but believes the key to doing so is expanding the overall event from three to four days.
The logistics of running a men's and women's race over the same route on the same day require the starts and finishes to be as close together as possible, but given the Tour's need to visit all four corners of the vast county, that would most easily be achieved with an additional day's racing.
"If we have four we can do what I call horseshoe stages, with the starts and finishes much closer together," he said. "We have to use the same motorbikes, the same TV crews, the same commissaires, the same apparatus for both races, and it's much easier if it's 20 minutes from start to finish rather than a couple of hours."
British Cycling has so far opposed the expansion of the race, but Verity believes momentum is growing.
"The UCI want it to be four days, the sponsors want four days, the teams, the public, the broadcasters...there is a long queue of people who want four days," he said.
The women's race is due to leave Otley at 8.15am, and will be broadcast live in full, before the men follow later in the afternoon.
Team Lotto-NL Jumbo's Dylan Groenewegen will wear the leader's blue jersey in the men's race following his victory in Settle on Friday, but there will be no Sir Bradley Wiggins in the field following his abandonment late in the stage.


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SAN ANTONIO - Rep. Paul Ryan won't say if he'll run for president in 2016 but there's one job he's sure he doesn't want: speaker of the House of Representatives.
The 2012 Republican nominee for vice president told an audience in San Antonio on Thursday that running the House would take away too much time from his wife and three young children. Ryan said he would be spending more time with his family if he were vice president than he does as a House member shuttling back and forth between Washington and his home in Janesville, Wis.
"I could've decided to go in the elected leadership route years ago. I'm more of a policy person. I prefer spending my days on policy and my weekends at home with my family," Ryan said. "The speaker is expected to fly all over the country on weekends as well, helping folks. I'm not going to do that."
House Speaker John Boehner, R-Ohio, has filed for re-election and has said he will run for speaker again if Republicans keep control of the House after November's midterm elections.
For now, Ryan is chairman of the Budget Committee. But it's widely believed that he's got his eye on the Ways and Means Committee chairmanship. Current Chairman Dave Camp, R-Mich., is leaving next year because of GOP rules limiting most chairmen to three terms.
When asked, Ryan said it's "too early to get into" whether he wants to lead Ways and Means and said he "loves" Rep. Kevin Brady, the Texas Republican whom he would have to leapfrog to lead that power committee.


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Visit FansEdge.com to browse a signature assortment of Joey Logano sweatshirts and hoodies for the next big race. At FansEdge, Men, Women and Kids have access to a line of stylish Joey Logano sweatshirts in all the top designs, featuring everything from classic Crewnecks to the latest funnel neck sweatshirts. Rev up your look for the next big race with one of many great Joey Logano sweatshirts, whether you want a full zip, vintage or performance option. All the best racing brands are represented in our inventory, so choose great styles from Checkered Flag and Touch by Alyssa Milano.
On blustery days at the track, carry along a little extra protection from the cold with an authentic Joey Logano Fleece Pullover from our shop. Equipped with a soft fleece lining to keep you insulated in low temps, our Fleece Hoodies and Sweatshirts make great additions to your NASCAR wardrobe. Our diverse selection offers iconic designs for every fan, so you can pick up a style for a fellow racing fan as well as one for yourself. At FansEdge.com, you're bound to find your new Joey Logano hoodie for the next NASCAR event.


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Topic: Computer Help
I am not super knowlageable about computers and lately its just be one thing after another. I figure I'd ask you guys.
I NEED to get myself my own laptop, but I wont untill i can get the internet working on my sisters laptop, so i know it will be working for my new fancy machine.
I am having problems setting up a wireless network on the computer, because now i just am able to steal an open wireless signal. This is where i get the problem of having the computer saying i am connected to the internet, being able to run messinger and yet not load any web pages.When i try to set up wireless network with the high speed dsl modem (IT HAS AN ANTENNA THINGY! and is on the verizon website for the this purpose) the laptop says this error 871122. When I go online and try the steps they say.. the results are different than what mircosoft says it should be.
Does anyone have any ideas? I'm not even sure which tech support to start fighting with first.
"Suggestion: Electrocution works well. Evisceration and Decapitation are also effective, or um, so I've heard."


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share:Remind Me
powered by AFI
A surprise Academy Award® winner for Best Original Screenplay copped by Sidney Sheldon (yes, that Sidney Sheldon, the future best selling author at the beginning of his 50 year plus career), The Bachelor and the Bobby-Soxer (1947) delighted audiences who lined up to see it again and again during its enormously successful post Oscar® re-issue. (RKO was convinced that their Goldwyn co-produced The Bishop's Wife would be the sure shot win for this category while Ed Sullivan predicted that the film's star Cary Grant was a shoe-in for Best Actor; neither were even nominated!).
Newly appointed RKO head Dore Schary, while certainly pleased, remained indifferent to the picture as did the stellar supporting cast comprised of Myrna Loy and Shirley Temple, whose reminiscences of the production were far less amusing than the final results (no doubt a bow to the overall professionalism of the entire company). The problem, believe it or not, was Cary Grant who was a hindrance during most of the shooting.
Grant, who, after two enormous hits, Notorious (1946) and Night and Day (1946), decided it was time to go back to his specialty comedies. MGM pitched him The Hucksters, which he turned down, admonishing the studio for not starring the obvious superior choice - their own house star, Clark Gable. Prior to The Bishop's Wife came the script for The Bachelor and the Bobby-Soxer which Grant accepted to help work off his old RKO contract. While his initial enthusiasm virtually green lighted the project, industry veterans knew that this was not a guarantee. Throughout Grant's career, the perennially moody star would continually agree to then bail out on a diverse number of projects, including Red River (1948), The Land Unknown (1957) and Man's Favorite Sport? (1964).
The Bachelor and the Bobby-Soxer had a number of built in negatives from day one - most prominently Cary's public disapproval of director Irving Reis, campaigning instead for the services of Leo McCarey. Grant further tarnished the proceedings by complaining to Schary that Reis lacked credentials (having just graduated from the 'B' unit), had no understanding of comedy and favored Loy by allowing her "...to get away with murder." This uneasy relationship caused many blow-ups during the shooting, complicated by Schary directing scenes with Grant. At one point, a ticked off Reis got so incensed that he walked off the picture. Grant was also troubled by an FBI investigation involving his close friend Howard Hughes. This did not improve when a week before filming the reclusive millionaire hovered near death after a crack-up in his new prototype XF-11 airplane. To make matters worse, Grant's longtime business partner, Frank Vincent, suffered a fatal heart attack. Needless to say, the picture was not a happy shoot. Fortunately, none of this unpleasantness showed up on the screen; in fact, the movie opened to wonderful reviews, which translated into an almost unprecedented 5.5 million dollars in ticket sales. To say that The Bachelor and the Bobby-Soxer carried RKO over into 1948 is no understatement. Most remarkable (in lieu of the above events) was the on-camera chemistry between Grant and Loy, who immediately were re-teamed for the studio's equally profitable Mr. Blandings Builds His Dream House (1948). When Grant at last received his long overdue honorary Oscar® in 1969, one of the select people he thanked was Sidney Sheldon, proving that in Hollywood time can definitely heal most if not all wounds - especially when said injury pays off at the box office.
Producer: Dore Schary
Director: Irving G. Reis
Screenplay: Sidney Sheldon
Cinematography: Robert de Grasse
Film Editing: Frederic Knudtson
Original Music: Constantin Bakaleinikoff
Principal Cast: Cary Grant (Richard "Dick" Nugent), Myrna Loy (Judge Margaret Turner), Shirley Temple (Susan Turner), Rudy Vallee (Tommy Chamberlain), Ray Collins (Matt Beemish)
BW-96m. Closed captioning. Descriptive Video.
by Mel Neuhaus


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(801) 538-7117
(801) 538-7163
Notice of Changes
R58-11 - Slaughter of Livestock and Poultry
Administrative Rule Analysis
The purpose of the Meat and Poultry Inspection Program is to work in partnership with the meat plant owners to ensure that consumers purchase a clean, wholesome, properly labeled meat product. The meat production facility management has the ultimate responsibility to produce a clean, wholesome, properly labeled product. The meat and poultry inspection program assigns meat inspectors to the meat slaughter and meat processing plants to inspect meat being slaughtered and processed. The meat and poultry inspection program employee is responsible to monitor and verify through records and hands-on verification that the plant fulfills its responsibility. Any consumer who purchases a meat product from an inspected facility in Utah is our ultimate customer.
The Meat and Poultry Inspection Program is granted its authority by a formal set of meat and poultry regulations that have been passed by the US Congress. The state of Utah has adopted these regulations as our own and has formed a cooperative working agreement with the US Department of Agriculture, Food Safety Inspection Service (FSIS) to form and operate an official meat inspection program within the state of Utah.
When an individual applies and is granted a license to operate an officially licensed meat plant in Utah, numerous requirements must be met to sanction this facility and its operation. The plant must meet specific building requirements, plant management must complete a series of application forms in order to be granted a license to operate an official meat plant in the state of Utah, and an annual fee is required to license a meat production facility.
Office management contacts are:
801-538-7117, 801-538-7169 (fax)
801-538-7163, 801-538-7169 (fax)
(801) 538-7145
The mission of the Dairy Compliance program is to provide effective public health control throughout the production, handling, pasteurization, and distribution of milk and milk products in order to facilitate the shipment and acceptance of high sanitary quality milk and milk products.
|Inspection fee, per hour
|Food and Dairy Inspection fee, overtime rate
|Certificate of Inspection
|Citations, maximum per violation


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Showcase - Numerical Relativity Media
The Numerical Relativity snapshots
The numerical simulations of black holes, especially of binary black holes, has come of age during the last years. The orbital evolution of the singularities and the production of gravitational waves are routinely simulated for several interesting cases. From these simulations visual animations and pictures are produced.
The focus of the Jena Numerical Relativity Group are binary black hole evolutions with and without spin.
Binary neutron star simulations.
Event horizons for the final inspiral, collision and merger of two black holes shown in x-y-t diagrams. The time-axis points upwards.
Click the picture to see the movie (6.6 MB) or
Click here to see more animations and pictures.
At each instant of time the intersection of the x-y-plane with a spherical black hole is a circle. Stacking these time slices gives the graphical representation of the event horizon as two tubes that merge as time progresses. For a head-on collision, the resulting picture is called the "pair of pants". For orbiting black holes it can be called the "twisted pants".
Binary black hole merger (variation of color)
Binary black hole merger (red on blue), diagonally upwards
Binary black hole merger (red on blue), diagonally downwards
Binary black hole merger, unequal mass, mass ratio 2:1
Simulation of 42 black holes starting from rest spelling E=mc2 (2007). Nowadays the numerical methods are stable and efficient so that it has become possible to evolve such systems all the way through the merger. Plotted is the conformal factor.Click the picture for an animation.
Click here to show a short description.
First multiple black hole simulation The puncture method allows the numerical treatment of black holes on R3 1. This is a technical simplification compared to excision methods, which depending on their implementation require specific grids, coordinates, and discretizations of derivatives at the excision boundary for each black hole. Furthermore, methods that rely on comoving coordinates 2, 3, which are well adapted to quasi-circular inspirals of two black holes, do not immediately generalize to three or more black holes. After setting the puncture initial data, a puncture code in principle does not even need to know the location of the black holes, since the BSSN formulation with the appropriate treatment of the conformal factor allows us to evolve the gravitational fields on R3 without reference to the punctures. In practice, the puncture tracks are computed, for example, to add resolution near the punctures in a mesh refinement code. The first proof of principle simulation that puncture evolutions generalize to more than two black holes with minimal changes to a binary code was performed in 1997 4. Since this was an unpublished report, we summarize one of these simulations here. 30 black holes were arranged in a planar configuration using Brill-Lindquist data, see Fig. Evolutions were performed using the fixed puncture method with the ADM formulation, maximal slicing, and vanishing shift, using an early version of the BAM code 5, 6. Shown is the lapse at t = 0.5M, which was initialized to one and collapsed quickly towards zero near the punctures, thereby marking the location of the black holes. These simulations were not stable on orbital time scales, so neither the full merger nor waveforms were computed. The apparent horizon for a three black hole evolution and merger of this type was computed in 7. Despite the probably well-placed expectation that the recent moving puncture evolutions generalize in the same way since fields are evolved on R3 , we want to emphasize that it was important to actually prove that this is the case 8. For example, one could have worried that the gauge conditions behave in an unexpected manner. The bottom line is that the moving puncture method generalizes without significant changes from two to three black holes 8, 9.
1 S. Brandt and B. Brügmann, Phys. Rev. Lett. 78, 3606 (1997), gr-qc/9703066.
2 B. Brügmann, W. Tichy, and N. Jansen, Phys. Rev. Lett. 92, 211101 (2004), gr-qc/0312112
3 M. A. Scheel, H. P. Pfeiffer, L. Lindblom, L. E. Kidder, O. Rinne, and S. A. Teukolsky, Phys. Rev. D 74, 104006 (2006), gr-qc/0607056
4 B. Brügmann, Evolution of 30 black holes spelling AEI (1997), talk for site visit of the Fachbeirat, Albert Einstein Institute. Unpublished.
5 B. Brügmann, Phys. Rev. D 54, 7361 (1996), gr-qc/9608050.
6 B. Brügmann, Int. J. Mod. Phys. 8, 85 (1999), gr-qc/9708035
7 P. Diener, Class. Quantum Grav. 20, 4901 (2003), gr-qc/0305039.
8 M. Campanelli, C. O. Lousto, and Y. Zlochower, Phys. Rev. D77, 101501 (2008)
9 C. O. Lousto and Y. Zlochower, Phys. Rev. D77, 024034 (2008)


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2 syllables
- baited, bated, dated, fated, feted, gaited, gated, grated, hated, mated, plated, rated, sated, skated, slated, stated, waited, weighted
3 syllables
- abated, awaited, belated, berated, created, debated, deflated, dilated, elated, equated, inflated, misstated, negated, predated, prorated, related, restated, sedated, translated, undated, unrated, unstated, updated, vacated
4 syllables
- annotated, conjugated, desecrated, overrated, overweighted, reinstated, unabated, underrated, underweighted, unrelated
5 syllables
- interrelated
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Category : Template.
Topic : Free templates for invoices printable. Author : Donne Jordan.
Posted : Sun, May 19th 2019 11:18 AM.
Format : jpg/jpeg.
Coordinate your invoice templates with your accounting software, so that all of your data remains absolutely current and perfectly accurate. Many templates allow you to enter the numbers from your accounts receivable onto your books, your profit and loss statements, and your bills with just a few extra mouse-clicks.


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#32 wrote:TMC wrote:tHe_pEsTiLeNcE wrote:#32 wrote:Nelson-coached teams hold their opponents to poor FG%'s, but allow a lot of points due to a higher-paced game. There's nothing wrong with a Nelson-team, defensively. Lotta steals, lotta blocks, low opponent FG%. It's not traditional, but it works.
except that we don't hold our opponents to a low fg%. We're #20 in the league in fg% allowed and #24 in the league in adj fg% allowed. And steals and blocks are partially amplified because of more possessions.
Exactly... our defense is bad no matter how you look at it. It's mainly based on forcing turnovers. We have a more than decent offense... and there's a reason we're still below .500
Right... the reason is because we can't win away from home. If the Warriors played half as well on the road as they did in the Oracle, they'd be 10 games over .500...
yes, but if they played even average defense they'd be ten games above .500 as well


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Lights Out Full DurationEnjoy Lights Out Online Streaming with duration 120 Min and released on 2016-07-22 with MPAA rating is 0.
- Original Title : Lights Out
- Movie title in your country : Lights Out
- Year of movie : 2016
- Genres of movie : Horror,
- Status of movie : Post Production
- Release date of movie : 2016-07-22
- Companies of movie : New Line Productions,
- Countries of movie : United States of America,
- Language of movie : English,
- Durationof movie : 120 Min
- Average vote of movie : 0
- Youtube ID of movie :
- Translation of movie : EN,
- Cast of movie :
- Gabriel Bateman ( )
- Teresa Palmer ( )
Lights Out Synopsis:
Play Streaming Lights Out A young boy and his estranged sister are confronted by an evil entity that only appears when the lights are out. Movie Lights Out For Free
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Director : David F. Sandberg, Writer : David F. Sandberg, Producer : James Wan, Screenplay : Eric Heisserer, Producer : Lawrence Grey, Producer : Eric Heisserer, Executive Producer : Jack L. Murray
Yes, now you can Watch Movie Lights Out Full Movie Streaming and get the link to Lights Out In HD