text:
Written by Karl Fulves
Work of Various
312 pages (Hardcover),
published by L&L Publishing
Illustrated with drawings by Joseph K. Schmidt.
Language: English
(415 entries)
|Comments & References
|down & under\nfrom a packet a spectator choses two cards, they are mates\nroy walton 1967 Roy Walton
|Down & Under
|the name is...?\nfour of a kind matching selection shows up\ndai vernon\nmatched spellout\nroger klause\nspellout with a hitch\ndai vernon 1967 Dai Vernon
|The Name Is...?
|culling procedure\nsetting up four of a kind for spelling\nroger klause 1967 Roger Klause
|Culling Procedure
|color control - mentalists night out\nafter a riffle shuffle some pairs and features of the hands are foreseen, esp deck\nkarl fulves\nincorporated color control\nkarl fulves 1967 Karl Fulves
|Color Control - Mentalists Night Out
|black magic\neffect about matching pairs of red and black, related to gilbreath principle, fifty-two double facers (!)\nkarl fulves\nblack magic notes\nkarl fulves 1967 Karl Fulves
|Black Magic
|farocation\nfaro location with new pack order stack\nedward marlo 1967 Edward Marlo
|two way out\nif you know the selection is one of two possibilities\nedward marlo 1967 Edward Marlo
|Two Way Out
|rosecrans reverse\nany named ace reverses instantly in packet\nbruce cervon 1967 Bruce Cervon
|Rosecrans Reverse
|cop bottom reverse\nbottom card is copped, packet turned over on top of it\n unknown 1967 Unknown
|Cop Bottom Reverse
|a problem\nin five-card packet the cards change in some way\nj. w. sarles\ndon nielson\nby any other name\nkarl fulves 1967 J. W. Sarles, Don Nielson
|A Problem
|t.v. puzzle\npaper fold puzzle\nrobert e. neale\ntv puzzle\nrobert e. neale 1967 Robert E. Neale
|T.V. Puzzle
|exchanged\nthree of four aces are switched\njack avis 1967 Jack Avis
|faro-shuffling machines\nexamining the problem of finding an algorithm to find a faro combination to shuffle from position x to position y, discussed with a 6-card deck\nkarl fulves 1967 Karl Fulves
|Faro-Shuffling Machines
|a faro tree\nexamining the problem of finding an algorithm to find a faro combination to shuffle from position x to position y\nroy walton\na faro tree\nroy walton 1967 Roy Walton
|A Faro Tree
|faro flush\nafter shuffling, performer gets royal flush\nfather cyprian 1968 Father Cyprian
|Faro Flush
|stock holdout\nspectator shuffles deck in parts, but partial stack is retained, for credit information see reference\nmartin gardner\nstock holdout\nmartin gardner 1968 Martin Gardner
|Stock Holdout
|cards & dice\nace-four and four dice match up, aces appear\nwilliam p. miesel\nthe cards and dice - 1. the transposition\nbill simon 1968 William P. Miesel
|Cards & Dice
|over/under - monge notes\nspecial shuffling procedure and some properties\nkarl fulves\nmore monge\nmartin gardner 1968 Karl Fulves
|Over/Under - Monge Notes
|fan reverse\nusing one-handed fan\ndan tong\nfan reverse revelation\njerry mentzer 1968 Dan Tong
|Fan Reverse
|universals - the universal ghost\njoker transforms into three selection in packet, elmsley count\nroy walton\nby any other name\nkarl fulves\nuniversal aces\nroy walton 1968 Roy Walton
|Universals - The Universal Ghost
|elmsley count variation\ndoes the same as jordan count now\nroy walton 1968 Roy Walton
|Elmsley Count Variation
|the universal mexican\nodd-backed joker transforms into three selections\nroy walton\nby any other name\nkarl fulves 1968 Roy Walton
|The Universal Mexican
|for the informed\ncard on deck is shown singly before and after transformation, three methods (tabled and ala erdnase/houdini change)\nedward marlo\nfor the informed\nedward marlo 1968 Edward Marlo
|For the Informed
|insideout & stretchit\ntopological origami tube for several effects: - stretchit - insideout - the chinese wand - additional notes - with a sponge ball - the square circle - flexible transpo for simplified folding method see reference\nrobert e. neale\ninsideout jr.\nrobert e. neale\ninside out\nrobert e. neale\nstripes make you thinner\nrobert e. neale\nstretchit\nrobert e. neale\nflexible transpo\nrobert e. neale\nstretch a bill\nrobert e. neale\nbill tube\nrobert e. neale\nwhat from whom\nkarl fulves 1968 Robert E. Neale
|Insideout & Stretchit
|q & a\na deck is given a known sequence of faro shuffles (e.g. ioiioooioiiooio), problem: how to recycle to get original order with faro shuffling\nkarl fulves 1968 Karl Fulves
|finnell's spell\nas a set-up for gene finnell's "spelling the aces"\nsam randlett\nfaro divider\nedward marlo\naces respelled\ngene finnell 1968 Sam Randlett
|Finnell's Spell
|riffle-shuffle set-ups\nthe whole issue is about this topic treating - basic color control - position control - automatic locators\nkarl fulves 1968 Karl Fulves
|Riffle-Shuffle Set-ups
|basic color control\ncertain pair pattern when 2 stacked portions are shuffled into each other\nkarl fulves 1968 Karl Fulves
|Basic Color Control
|the odd event\nred-black matching thing with two card location\nkarl fulves\nfuture perfect\nkarl fulves\nthe odd event\nedward marlo\nlogical odd event\nmarvin johnson 1968 Karl Fulves
|The Odd Event
|riffle/reverse\ncombination of riffle shuffle and reverse faro, related to gilbreath principle\nkarl fulves\nriffle/reverse notes\nkarl fulves 1968 Karl Fulves
|the 3-card cycle\nproperties after riffle shuffling deck in 1-2-3-1-2-3-... order\nkarl fulves\na betting swindle\nmartin gardner 1968 Karl Fulves
|The 3-Card Cycle
|self-duplicating set-ups\nexotic principle in which sequences are duplicated in a random outjog-sorting procedure\nkarl fulves\nself-duplicating set-ups\nkarl fulves\nduprediction\nphilip t. goldstein\nblackjack attack\nbob farmer 1968 Karl Fulves
|Self-Duplicating Set-ups
|the self-correcting set-up\nproperties after riffle shuffling two sets of the same order\nkarl fulves\ndance with the devil\n unknown\nalligator\njohn hostler 1968 Karl Fulves
|The Self-Correcting Set-up
|3-card sets\nmore properties after riffle shuffling two sets of the same order\nkarl fulves 1968 Karl Fulves
|3-Card Sets
|spread correction\ndetermining position of key cards in the deck after a riffle shuffle\nkarl fulves\ndouble indemnity\nkarl fulves\nspread correction\nedward marlo\nremember this\nkarl fulves\ncenter vision\nkarl fulves\nbet on it\nkarl fulves 1968 Karl Fulves
|Spread Correction
|the floating locator\ndetermining position of key cards in the deck after a riffle shuffle with full deck stack\nkarl fulves\nmiracle revelation\nken krenzel\nthe floating locator\nkarl fulves 1968 Karl Fulves
|The Floating Locator
|cyclic poker\nperformer knows cards in poker hands after a riffle shuffle with pinochle deck\nkarl fulves 1968 Karl Fulves
|Cyclic Poker
|psychometry + math\npairs of envelopes are distributed, personal items inserted and then performer know which is by whom\nkarl fulves 1968 Karl Fulves
|Psychometry + Math
|remember and forget\nwith mathematical riffle shuffle method\nkarl fulves\nremember and forget\nedward marlo 1968 Karl Fulves
|Remember and Forget
|a location\nposition of two free selections are divined, riffle shuffle method\nkarl fulves\nho-hum humdinger\njon racherbaumer 1968 Karl Fulves
|A Location
|double up\ntwo selections from topsy-turvy deck, position and identity are predicted, riffle shuffle method\nkarl fulves 1968 Karl Fulves
|Double Up
|some difference\nvalues of put-away dice are divined, based on theme in henry christ's "sum & difference"\nkarl fulves\nsome difference\nkarl fulves 1968 Karl Fulves
|Some Difference
|heads i win\nwager/puzzle in which performer knows something about the number of circles the spectator secretly draws\nfrederick pohl 1968 Frederick Pohl
|Heads I Win
|the cabalistic pair\nnot tossed, joker is found between two chosen cards after faro shuffles, cccc\npaul swinford 1968 Paul Swinford
|The Cabalistic Pair
|face-up flyers\n\nbruce cervon\ndai vernon 1968 Bruce Cervon, Dai Vernon
|Face-Up Flyers
|face-up tent vanish\n\ndai vernon 1968 Dai Vernon
|Face-Up Tent Vanish
|impact\naces in envelopes with holes, chosen one turns over, then ace in envelope turns over, based on chesbro & west's "airmail" from tricks you can count on\nroy walton\nimpact\nroy walton 1968 Roy Walton
|pseudo memory\nposition of named card is called out, stack and faros\nedward marlo 1968 Edward Marlo
|Pseudo Memory
|more monge\nmore notes on the monge shuffle: - references - recycling the deck - the m/s shuffle - tricks (position of selection predicted & do as i do) - analog of the m/s shuffe\nmartin gardner\nover/under - monge notes\nkarl fulves 1968 Martin Gardner
|More Monge
|new mexican\nin the hands\nkarl fulves 1968 Karl Fulves
|New Mexican
|pyramid one\npaper pyramid that can produce flat objects, three chambers\nrobert e. neale\npyramid two\nrobert e. neale 1968 Robert E. Neale
|Pyramid One
|faro count\ndetermining the number of cards in an incomplete dec\nbruce cervon\nearl keyser 1968 Bruce Cervon, Earl Keyser
|Faro Count
|three way split\ntransposition procedure posed as a problem, for solutions see references\nkarl fulves\n(d) change of face\njerry k. hartman\n3 way split\nbruce cervon\nsimplex 3 way\nwilliam p. miesel\nsplit level\nkarl fulves 1968 Karl Fulves
|Three Way Split
|repeat poker deal\nset-up, table faros\ndai vernon\nrepeat poker deal\ndai vernon 1969 Dai Vernon
|Repeat Poker Deal
|pyramid two\nanother paper pyramid that can produce flat objects\nrobert e. neale\npyramid one\nrobert e. neale\npyramid two\nrobert e. neale 1969 Robert E. Neale
|Pyramid Two
|two chess wagers\n\nkarl fulves\nmartin gardner 1969 Karl Fulves, Martin Gardner
|Two Chess Wagers
|ballabout\none-ball routine with small ball, it is pressed flat as climax\nkirk stiles 1969 Kirk Stiles
|riffle-shuffle set-ups\nsome gilbreath principle applications and handling\ngene finnell 1969 Gene Finnell
|Riffle-Shuffle Set-ups
|red and black challenge\nred-black separation after riffle shuffle with location combo, gilbreath\ngene finnell 1969 Gene Finnell
|Red and Black Challenge
|face-up face-down duplication\nface up/face down order of two piles match, gilbreath\ngene finnell 1969 Gene Finnell
|Face-up Face-down Duplication
|influential pairs variation\nsome red-black matching occurs, gilbreath\ngene finnell\ninfluential pairs\nroy walton\nkarl fulves 1969 Gene Finnell
|Influential Pairs Variation
|the odd event\nred-black matching thing with two-card location\nedward marlo\nthe odd event\nkarl fulves 1969 Edward Marlo
|The Odd Event
|remember and forget\n\nedward marlo\nremember and forget\nkarl fulves 1969 Edward Marlo
|Remember and Forget
|divided deck selection finesse\nspreading in opposite direction for replacement\nedward marlo\nred and black thoughts\nedward marlo 1969 Edward Marlo
|Divided Deck Selection Finesse
|spread correction\nperformer knows position of two selections despite real riffle shuffle\nedward marlo\nspread correction\nkarl fulves 1969 Edward Marlo
|Spread Correction
|jordan plus marlo\nselection found after three riffle shuffles, chains, stack\nedward marlo 1969 Edward Marlo
|Jordan Plus Marlo
|restless colors\npacket changes back colors multiple times\nroy walton\ndazzle\nalex elmsley 1969 Roy Walton
|Restless Colors
|brainwave bet\nodd-backed unkown card inserted in deck, spectator names correct card, clean-up anti-climax follows, red-blue double backer\njohn howie 1969 John Howie
|Brainwave Bet
|money power\nfrom twenty-card packet, two set of mates are found with spectator, making up four-of-a-kind\nroy walton\nmoney power\nroy walton\nten-in-a-row double coincidence\nnick trost 1969 Roy Walton
|Money Power
|half reverse cut\nin the action of cutting deck from hands to table half is turned over\nbruce cervon\nhalf reverse cut\ncharles t. jordan\nhalf cut reverse\nbruce cervon\nhalf reverse cut variation\nbruce cervon\nwesley james 1969 Bruce Cervon
|Half Reverse Cut
|simple triumph\n\nbruce cervon 1969 Bruce Cervon
|Simple Triumph
|kellie displacement\ntabled deck turns over except selection\nbruce cervon 1969 Bruce Cervon
|Kellie Displacement
|stealing diamonds\nselection appears between two jokers with plunger loading method while jokers are outjogged\nkarl fulves 1969 Karl Fulves
|Stealing Diamonds
|alignment move\n\ntheodore annemann\nhenry christ 1969 Theodore Annemann, Henry Christ
|Alignment Move
|in the beginning\nblank card is inserted in deck, it becomes a card according to spectator's wishes, gray code and faro, see also reference for further references, for set-up correction see page 56\nkarl fulves\nbeginning again\nwilliam zavis 1969 Karl Fulves
|In The Beginning
|colors revealed\nafter a riffle shuffle, the spectator sorts deck in multiple stage in colors and pockets piles in six different pockets, performer knows number of cards in each pocket\nrick johnsson\nharry lorayne\nwalter rollins\nred & black fantasy\nharry lorayne\ncolors revealed\nrick johnsson\nwalter rollins\nharry lorayne\nhummer's little stranger\nbob hummer 1969 Rick Johnsson, Harry Lorayne, Walter Rollins
|Colors Revealed
|miracle location\ntwo card location with red black alternated deck\nroy walton\nmiracle location\nroy walton 1969 Roy Walton
|Miracle Location
|impromptu repeat miraskill\nmiraskill effect with face-up/face-down cards instead of red/black cards\nedward marlo 1969 Edward Marlo
|Impromptu Repeat Miraskill
|revolve half pass\ncards from center are passed to bottom and turned over\n unknown 1969 Unknown
|Revolve Half Pass
|divided deck subtlety\n\njohn hamilton\nsuper slop shuffle\njohn hamilton 1969 John Hamilton
|Divided Deck Subtlety
|pyramid two\n\nrobert e. neale\npyramid two\nrobert e. neale 1969 Robert E. Neale
|Pyramid Two
|reversing aces\n\nralph gironda\nodd backed reversing aces\nlin searles\nover and over\njerry k. hartman 1969 Ralph Gironda
|Reversing Aces
|3rd flight\nfollow the leader with 3 quartets\nwilliam p. miesel 1969 William P. Miesel
|3rd Flight
|loser!\nspectators have to guess the high card in 4 card packet and are always wrong\nrobert (bob) hess 1969 Robert (Bob) Hess
|two way split - (a) underturn\nkind of wrist-turn second deal turnover as switch/reverse with applications\njerry k. hartman 1969 Jerry K. Hartman
|Two Way Split - (a) Underturn
|(b) entransed\none card in center of deck\njerry k. hartman 1969 Jerry K. Hartman
|(b) EnTransed
|(c) semi-classical quickie\nreversed card transforms into selection, see also ed marlo's "classical quickie" (classical foursome)\njerry k. hartman 1969 Jerry K. Hartman
|(c) Semi-Classical Quickie
|(d) change of face\nsolution\njerry k. hartman\nthree way split\nkarl fulves 1969 Jerry K. Hartman
|(d) Change of Face
|(e) change of place\n\njerry k. hartman 1969 Jerry K. Hartman
|(e) Change of Place
|influence\nsome red-black matching occurs, two stacked decks, faro\nroy walton\ninfluential pairs\nroy walton\nkarl fulves 1969 Roy Walton
|game-playing machines\narticle about simple computer programs applied to (card) games - banker and broker (cutting the high card) - the tic-tac-toe machine - computer at the card table - the machine as innovator\nsteve shimm\nsuper sentences\nkarl fulves 1969 Steve Shimm
|Game-Playing Machines
|brown-1\ntwo cards show up at the same time during deal of two halves simultaneously, faro\nfred lessor 1969 Fred Lessor
|printout\nthree blank cards are printed to match selection, see also peter bailey's idea of combining it with roy walton's three card monte routine (devil's playthings) on page 64\nbruce cervon\nnever give a sucker an even break\nroy walton 1969 Bruce Cervon
|stanyon count\nfive as four, hiding two\nellis stanyon 1969 Ellis Stanyon
|Stanyon Count
|black widow notes\ntranspo in sandwiches\nroy walton\nblack widow\nalan brown\nshe jumped\njerry k. hartman 1969 Roy Walton
|Black Widow Notes
|bluff cut\nbrief\nroy walton 1969 Roy Walton
|Bluff Cut
|black widow notes\ntranspo in sandwiches\nray miller\nblack widow\nalan brown 1969 Ray Miller
|Black Widow Notes
|simple reverse\n\nbruce cervon\nhalf reverse cut\nbruce cervon 1969 Bruce Cervon
|Simple Reverse
|jumping jack\nthree cards, one placed on table transposes with one in hand, based on rough-smooth effect by bob haskell\nmel brown 1970 Mel Brown
|Jumping Jack
|never underestimate\nfour kings and three queens, but no real unequal transposition\nrobert (bob) hess 1970 Robert (Bob) Hess
|Never Underestimate
|universal joker\n\nhorace e. bennett 1970 Horace E. Bennett
|Universal Joker
|alignment move\n\ntheodore annemann\nhenry christ 1970 Theodore Annemann, Henry Christ
|Alignment Move
|multiple of 2\naces find two selections in two sandwiches, faro\nfred lessor 1970 Fred Lessor
|Multiple of 2
|plunger multiple shift\n\nneal elias 1970 Neal Elias
|Plunger Multiple Shift
|3 way split\ndivided double faced card, solution\nbruce cervon\nthree way split\nkarl fulves 1970 Bruce Cervon
|3 Way Split
|divided we stand\nkind of small-packet ootw\nroy walton\neven money proposition\nkarl fulves\nsee also...\nkarl fulves 1970 Roy Walton
|Divided We Stand
|sandswitch\ntranspo in sandwiches\njerry k. hartman\nblack widow\nalan brown 1970 Jerry K. Hartman
|the closed prediction\nspectator removes card from sixteen-card packet, performer faro shuffles and finds mate\nkarl fulves 1970 Karl Fulves
|The Closed Prediction
|instant oil\n4&4 (based on a marlo 3&3 handling from ibidem)\njohn hamilton 1970 John Hamilton
|Instant Oil
|odd backed reversing aces\ncolor changing back kicker idea\nlin searles\nreversing aces\nralph gironda 1970 Lin Searles
|Odd Backed Reversing Aces
|simplex 3 way\nsimplified solution\nwilliam p. miesel\nthree way split\nkarl fulves 1970 William P. Miesel
|Simplex 3 Way
|telepath\nbased on hen fetch's "symbologic"\nglen kehler 1970 Glen Kehler
|4-card quadrille\nsigned prediction card turns out to be card selected & initialed by spectator\ngray leese\nquadrille notes\nkarl fulves 1970 Gray Leese
|4-Card Quadrille
|tilt\n\n unknown 1970 Unknown
|three different ways\npresentation of "flipper" in chesbro's tricks you can count on\npaul swinford 1970 Paul Swinford
|Three Different Ways
|atfus\n\nedward marlo 1970 Edward Marlo
|nice recovery\nfour aces vanish in sandwiches, reappear in deck via spelling\nfred lessor\nnice recovery - 2\nfrancis haxton 1970 Fred Lessor
|Nice Recovery
|the push-pull vanish\ncard apparently sandwiched, really placed on bottom\n unknown 1970 Unknown
|The Push-Pull Vanish
|once a king\naces and kings, three card monte presentation, ace travels to king packet\nkarl fulves 1970 Karl Fulves
|Once A King
|imagin-ace-tion\naces all become as, then back\njerry k. hartman 1970 Jerry K. Hartman
|quadrille notes\n\nkarl fulves\n4-card quadrille\ngray leese\ndirect sandwich\nkarl fulves 1970 Karl Fulves
|Quadrille Notes
|insideout jr.\nsimplified construction\nrobert e. neale\ninsideout & stretchit\nrobert e. neale 1970 Robert E. Neale
|Insideout Jr.
|they match\ninitials on different card come together on one card\nroy walton\nmatched cards\nart spring 1970 Roy Walton
|They Match
|ultimate\nstack with apparent miss\nnorman houghton\nultimate erdnase\ndavid moore 1970 Norman Houghton
|gravity reverse\nbottom card of fanned packet\n unknown 1970 Unknown
|Gravity Reverse
|card problems\ntranslated by bob woodward 1. choice of color 2. changing ace 3. card to pocket 4. the secret king of spades 5. the five changing cards for corrected translation see reference\njohann nepomuk hofzinser\ncard problems\njohann nepomuk hofzinser 1970 Johann Nepomuk Hofzinser
|Card Problems
|convincing mock pass\ntilt & bluff pass combination\nroger klause 1970 Roger Klause
|Convincing Mock Pass
|l.j. collectors\n\nlarry jennings\nthe k-r handling\nken krenzel\nharvey rosenthal 1970 Larry Jennings
|L.J. Collectors
|the k-r handling\n\nken krenzel\nharvey rosenthal\nl.j. collectors\nlarry jennings 1970 Ken Krenzel, Harvey Rosenthal
|The K-R Handling
|interlock steal\nunloading cards under top cards\nhoward lyons 1970 Howard Lyons
|Interlock Steal
|jordan's 4-as-4 count\njordan count handling\nfrancis haxton 1970 Francis Haxton
|Jordan's 4-as-4 Count
|incomplete side steal\nas a production in which deck cuts itself at selection when dropped on table\ndr. jacob daley 1970 Dr. Jacob Daley
|Incomplete Side Steal
|riffle glimpse\nglimpsing odd-colored card in divided deck, credit information, divided deck\nmilbourne christopher 1970 Milbourne Christopher
|Riffle Glimpse
|a remarkable bet\nheads and tails bet with three coins, presentation for walter penney's coin flipping paradox\nkarl fulves 1970 Karl Fulves
|A Remarkable Bet
|instant sandwich\nking on bottom and top, vanish and sandwich card in middle\nharvey rosenthal\ncontrol\ndavid britland 1970 Harvey Rosenthal
|Instant Sandwich
|the rosenthal placement\nkelly alternative\nharvey rosenthal 1970 Harvey Rosenthal
|The Rosenthal Placement
|multiple bottom palm\ninto right hand\nharvey rosenthal 1970 Harvey Rosenthal
|Multiple Bottom Palm
|card problems\ntranslation by bob woodward, corrected by reinhard müller 1. choice of color 2. changing aces 3. card to cigar-case 4. the secret king of spades 5. the five changing cards 6. carte blanche (the blank card) 7. the magic ring 8. strange coincidence 9. card and bank-note 10. card and handkerchief\njohann nepomuk hofzinser\ncard problems\njohann nepomuk hofzinser 1970 Johann Nepomuk Hofzinser
|Card Problems
|open & shut prediction\n\nfred lessor 1970 Fred Lessor
|Open & Shut Prediction
|flipover switch\nmexican turnover as tabled spread is flipped over with a card\nfred lessor\nheavy mexican\nkarl fulves\ndevilish switch\ntom gagnon 1970 Fred Lessor
|Flipover Switch
|duplex changing card\nstranger card on top of deck transforms into two selections\ngeorge sands\nmultiple change\ndai vernon 1971 George Sands
|Duplex Changing Card
|the "lost ace" trick\n\njack avis\nthe "deo-ace" trick\nedward victor\npyramid aces\njerry l. christensen\nhofzinser ace trick\njack avis\nhofzinser's ace problem\nzhenjie gao 1971 Jack Avis
|The "Lost Ace" Trick
|the siva count\n\njack avis 1971 Jack Avis
|The Siva Count
|an illusion\nflattened ring of paper is stretched\nrobert e. neale 1971 Robert E. Neale
|An Illusion
|upsidedown collectors\nfive cards collect the aces\nroy walton 1971 Roy Walton
|Upsidedown Collectors
|transpose & follow\n\ngerald kosky 1971 Gerald Kosky
|Transpose & Follow
|swallow the leader\nace assembly, then aces vanish\nkarl fulves 1971 Karl Fulves
|Swallow the Leader
|simple addition\n\nkarl fulves 1971 Karl Fulves
|Simple Addition
|reference data\nreferences for strip-out addition\nkarl fulves 1971 Karl Fulves
|Reference Data
|card problems\n11. card and watch 12. the magic separation 13. the flower puzzle 14. the toss of the cards 15. rubezahl 16. the visiting card 17. the game of the lansquenets 18. the mysterious card\njohann nepomuk hofzinser\ncard problems\njohann nepomuk hofzinser 1971 Johann Nepomuk Hofzinser
|Card Problems
|daley's card thru hank\n\ndr. jacob daley\nmartin gardner 1971 Dr. Jacob Daley, Martin Gardner
|Daley's Card Thru Hank
|pull down move credit\n\nkarl fulves\npull down move\n unknown 1971 Karl Fulves
|Pull Down Move Credit
|multiple change\nstranger card on top of deck transforms into two selections\ndai vernon\nduplex changing card\ngeorge sands 1971 Dai Vernon
|Multiple Change
|m/separation\n4&4, using the <a href="http://archive.denisbehr.de/archive/resultkey.php?search=monge&connect=and&title=title&creator=creator&comment=comment&prop=all&bookonly=all&keyword=1">monge shuffle</a>\nlin searles 1971 Lin Searles
|a dice paradox\n\ngene finnell 1971 Gene Finnell
|A Dice Paradox
|a card game paradox\n\ngene finnell\ntoronto dice\nhoward lyons 1971 Gene Finnell
|A Card Game Paradox
|hofzinser all-backed\nthree card transformation sequence, with all-backs phase, see references for credit information\njohnny thompson\nharry riser\nall backs\nkarl fulves\nline of credit\nkarl fulves\neverywhere nowhere all backs\nharry riser 1971 Johnny Thompson, Harry Riser
|Hofzinser All-Backed
|background\nof quick three-way\nkarl fulves 1971 Karl Fulves
|the center cut\ncenter block pass false cut, credit information, as key placement for peeked at card\nharvey rosenthal\ncrazy eddie\nkarl fulves\nthe center cut\nharvey rosenthal 1971 Harvey Rosenthal
|The Center Cut
|one-hand table faro\ngood luck\njoseph k. schmidt\none hand riffle shuffle\njoseph k. schmidt\n unknown 1971 Joseph K. Schmidt
|One-Hand Table Faro
|all backs\nthree card transformation sequence, with all-backs phase\nkarl fulves\nhofzinser all-backed\njohnny thompson\nharry riser 1971 Karl Fulves
|All Backs
|nomad card\ntwo cards selected by counting cut-off heaps, odd-backed card in deck transforms into both selections, faro\nroy walton\npenelope's principle\nalex elmsley 1971 Roy Walton
|Nomad Card
|toronto dice\nnote\nhoward lyons\na card game paradox\ngene finnell 1971 Howard Lyons
|Toronto Dice
|three card trick\nthree wrong cards, one of them transforms into selection\nal saal 1971 Al Saal
|Three Card Trick
|all backs finish\nthree card transformation sequence, with all-backs phase\nmilton kort 1971 Milton Kort
|All Backs Finish
|simple optics\nselection travels from underneath hat into deck between aces, simplified handling\nfred lessor\noptical aces\nkarl fulves\nmore or less(or) optical\njerry k. hartman\nsandwich sequence\nroger crosthwaite 1971 Fred Lessor
|Simple Optics
|bevel multiple shift\n\ndr. jacob daley\nbevel multiple shift\ndr. jacob daley 1971 Dr. Jacob Daley
|Bevel Multiple Shift
|two shuffle controls: riffle placement\ntwo selection in incomplete riffle shuffle condition are selected and controlled twenty-six cards apart, two handlings\nkarl fulves\nriffle shuffle control\nkarl fulves 1971 Karl Fulves
|Two Shuffle Controls: Riffle Placement
|theoretical readers\nedge marked stay stack to locate selection and its mate\nkarl fulves\nknife edged\nkarl fulves 1971 Karl Fulves
|Theoretical Readers
|a card switch\n\ngordon bruce\nadditions to switch out\nedward marlo 1971 Gordon Bruce
|A Card Switch
|two letters\ncredit fight over riffle shuffle work, marlo/daley controversy\n unknown 1971 Unknown
|Two Letters
|double hofzinser\njoker transforms into two selections, reichler = rosenthal according to reference\ndavid reichler\ndouble hofzinser\nkarl fulves 1971 David Reichler
|Double Hofzinser
|pre-cannibal cards\ncard disappears from sandwich, reappears in another sandwich in middle of deck\nlin searles\netc.\nedward marlo\nflight for 3\nedward marlo 1972 Lin Searles
|Pre-Cannibal Cards
|a.e.-i.o.u.\n\nsam schwartz\ncaught in the middle\njerry k. hartman\na.e. s.s. e.m. iou\nwesley james 1972 Sam Schwartz
|the elmsley vanish\nprayer vanish\nalex elmsley 1972 Alex Elmsley
|The Elmsley Vanish
|trinary metastasis\nindifferent cards between kings change into selections, two methods\nlarry jennings\nchange collectors\njerry k. hartman 1972 Larry Jennings
|Trinary Metastasis
|larreverse get ready & switch\ndouble in spread and side-jogged double lift unload\nlarry jennings 1972 Larry Jennings
|Larreverse Get Ready & Switch
|3-card catch\nselection is found via three card catch, two methods\nreinhard müller\n3-card catch\ngerald kosky\nfour card catch\nkarl fulves\non catching sandwich tosses\njon racherbaumer 1972 Reinhard Müller
|3-Card Catch
|expansion notes: as a coincidence\nprocedure to control two peeked cards twenty-six apart, effect application in which two selection appear at same position in two halves\nalex elmsley\nroy walton 1972 Alex Elmsley, Roy Walton
|Expansion Notes: As A Coincidence
|center placement\nplacing a key card at twenty-six from face\n unknown 1972 Unknown
|Center Placement
|peek force\nriffling and stopping without anyone saying stop\n unknown 1972 Unknown
|Peek Force
|as a single card discovery\nexpansion notes, faro and twenty-six key\nalex elmsley\nroy walton 1972 Alex Elmsley, Roy Walton
|As A Single Card Discovery
|as a triple card revelation\nexpansion notes, faro and twenty-six key\nalex elmsley\nroy walton 1972 Alex Elmsley, Roy Walton
|As A Triple Card Revelation
|illusion aces\naces turn over one by one between two jokers, change to kings\nkarl fulves\nillusion aces vi\nkarl fulves\nillusion aces\nderek dingle\nillusion aces\nderek dingle\nnaked lunch\nphilip t. goldstein\nfusion aces\nken beale\nturn me down why don't you\nwesley james 1972 Karl Fulves
|Illusion Aces
|the 26th card\ntwo selections are in same position in two halves\ngene finnell 1972 Gene Finnell
|The 26th Card
|pocket power\nfive blank cards change to royal flush\nroy walton\npacket poker\ngordon bruce\nroy walton 1972 Roy Walton
|Pocket Power
|new age cards\nthree cards with words on them, thought-of word divined, one of the cards vanishes\nrobert e. neale\nloaded\nkarl fulves 1972 Robert E. Neale
|New Age Cards
|double stranger\ntwo decks, performer and spectator chose a card, they turn out to be the only odd-backed, for credits see page 142\nderek dingle 1972 Derek Dingle
|Double Stranger
|ala kiga\njacks change into deuces, inspired from trick by yatsua kiga\nderek dingle\nyasuo kiga 1972 Derek Dingle, Yasuo Kiga
|Ala Kiga
|lapping\nbottom cards of a packet\nderek dingle 1972 Derek Dingle
|twisting the aces\ncolor changing back kicker\nderek dingle 1972 Derek Dingle
|Twisting the Aces
|royal collectors\n\nderek dingle 1972 Derek Dingle
|Royal Collectors
|atfus variation\n\nderek dingle 1972 Derek Dingle
|ATFUS Variation
|picture card pseudo duplicate\n\n unknown\np. 142 for credits 1972 Unknown
|Picture Card Pseudo Duplicate
|the 76c assembly\nthree silver and one copper coin assemble under a card, shell and double sided coin\nderek dingle 1972 Derek Dingle
|The 76c Assembly
|universal chameleon\ndivided flap card\nderek dingle 1972 Derek Dingle
|Universal Chameleon
|packet stop force\n\n unknown 1972 Unknown
|Packet Stop Force
|mental triumph\nmathematical selection procedure\nderek dingle\nmental miracle\njames swain 1972 Derek Dingle
|Mental Triumph
|corner crimp while spreading\n\n unknown 1972 Unknown
|Corner Crimp while Spreading
|gambler's triumph\nmatching the cards / triumph combo\nderek dingle 1972 Derek Dingle
|Gambler's Triumph
|side-steal placement\nto known position near top or bottom of deck\nderek dingle 1972 Derek Dingle
|Side-Steal Placement
|applications - 1.\nof side-steal placement, simple spelling trick\nderek dingle 1972 Derek Dingle
|Applications - 1.
|applications - 2.\nof side-steal placement, direct sandwich\nharvey rosenthal 1972 Harvey Rosenthal
|Applications - 2.
|applications - 3.\nof side-steal placement, odd-backed card in deck turns out to be freely peeked at card\nkarl fulves 1972 Karl Fulves
|Applications - 3.
|two coppers\npenny changes to giant penny, back to normal, then to micro penny\nderek dingle\ncoin sleeving\nscotty york\nmore than a penetration\nmike gallo 1972 Derek Dingle
|Two Coppers
|the bounce change\n\nderek dingle 1972 Derek Dingle
|The Bounce Change
|bluff shift\n\nderek dingle\nbluff shift\nderek dingle 1972 Derek Dingle
|Bluff Shift
|f.c.d. aces\nsliding production\nderek dingle\nwalter e. cummings\neddie fechter\np. 142 for references\ngourmet slide aces\ngene castillon\nthe automatic deck\njohn f. mendoza\nfechter/cummings/dingle aces\nderek dingle 1972 Derek Dingle, Walter E. Cummings, Eddie Fechter
|F.C.D. Aces
|progressive triumph\nfour selections, funny presentation, solution\nderek dingle\nprogressive triumph\nkarl fulves 1972 Derek Dingle
|Progressive Triumph
|devil's elevator\napparent second, third, fourth deals with small packet\ndai vernon\nbruce cervon\n"the devil's elevator" (necromancer #9)\nprogressive elevator\ndavid bornstein\nsatan deals again\nmichael skinner\nelevation 8200\nlouis falanga\nbrimstone elevator\nphilip t. goldstein 1972 Dai Vernon, Bruce Cervon
|Devil's Elevator
|el blanco\nfour blank cards get faces\ndavid bornstein 1972 David Bornstein
|El Blanco
|drop outs\n\nroy walton 1972 Roy Walton
|Drop Outs
|fall out move\ncard(s) fall on table from incomplete faro shuffled deck\nron ferris\nlinking ring (may 1970) 1972 Ron Ferris
|Fall Out Move
|whistle/no sliding\nsliding production\nmike rogers\nno sliding\nkarl fulves\nwhistle and i'll come\nroy walton 1972 Mike Rogers
|Whistle/No Sliding
|a 4-ace problem\neffect and conditions\nken krenzel\nprogressive aces\nken krenzel\nhighly progressive jokers\ndave campbell 1972 Ken Krenzel
|A 4-Ace Problem
|l.s.d. aces\n\nwesley james\nmchenry's sleeper aces\ndavid neighbors\nlsdm aces\nmarvin johnson\nlsdr aces\nmarvin johnson 1972 Wesley James
|L.S.D. Aces
|secret subtraction alternative\n\n unknown\np. 142 for credits 1972 Unknown
|Secret Subtraction Alternative
|riffle shuffle control\nselection made in incomplete riffle shuffle condition, controlled to twenty-six or known position\nkarl fulves\ntwo shuffle controls: riffle placement\nkarl fulves\ntabled riffle shuffle control\njon racherbaumer\nrsc multiple shift\npeter duffie\nrobin robertson 1972 Karl Fulves
|Riffle Shuffle Control
|nice recovery - 2\nfour aces vanish in sandwiches, reappear in deck via spelling, stand-up handling\nfrancis haxton\nnice recovery\nfred lessor 1972 Francis Haxton
|Nice Recovery - 2
|hummer - 4\nfour cards mixed face up face down by spectator, values of face up cards predicted, cato\ncharles hudson\nnumber hummer\nrobert e. neale 1972 Charles Hudson
|Hummer - 4
|faro ideas - reflected gray stack\nsixteen-card arrangement & 32-card arrangement, solution\nearl keyser\ngray stak\nkarl fulves 1972 Earl Keyser
|Faro Ideas - Reflected Gray Stack
|22-card poker deal\nafter any number of faro shuffles, the dealer always wins, stack\nearl keyser 1972 Earl Keyser
|22-Card Poker Deal
|22-card faro spelling trick\n\nearl keyser 1972 Earl Keyser
|22-Card Faro Spelling Trick
|no mirror\nthumbnail as impromptu shiner\ntony cole 1972 Tony Cole
|No Mirror
|mirage deck\nalso suggestion of different colored writing\nearl keyser\np. 202 for credits 1972 Earl Keyser
|Mirage Deck
|color confused\nmonte effect from top of deck in which cards keep transforming\nken beale\neffect in ibidem #26 1973 Ken Beale
|Color Confused
|pocket palm\n\ngordon bruce 1973 Gordon Bruce
|Pocket Palm
|royal marriages\n\nroy walton 1973 Roy Walton
|Royal Marriages
|3-card catch\nselection is found via three-card catch, simplified procedure\ngerald kosky\n3-card catch\nreinhard müller 1973 Gerald Kosky
|3-Card Catch
|3 reverses\n\nlarry jennings\nmarlo half pass\nedward marlo\npivot reverse\nedward marlo\nthird reverse\nlarry jennings 1973 Larry Jennings
|3 Reverses
|coincidence\ntwo selections are in same position in two halves and divined, faro\nwilliam zavis 1973 William Zavis
|hofzinser - 70\nin addition to classic effect all cards of chosen suit appear reversed and in order throughout deck, faro\nfather cyprian 1973 Father Cyprian
|Hofzinser - 70
|faro again\nwith rough-smooth\nearl keyser\nbeginning again\nwilliam zavis 1973 Earl Keyser
|Faro Again
|straight across\naces and 2c, 3c, 4c, aces become a-4 of clubs, other cards 5-7 of clubs\nkarl fulves 1973 Karl Fulves
|Straight Across
|no table triumph\n\ndennis marks 1973 Dennis Marks
|No Table Triumph
|display reverse\n\nhenry bihari 1973 Henry Bihari
|Display Reverse
|topsy turvy\ntriumph with ambitious phases and four-of-a-kind kicker\njack avis 1973 Jack Avis
|Topsy Turvy
|odd-even-odd\ntwo odd and two even cards change place, two then change to jacks\nbrother john hamman\nodd-even-odd\nsam schwartz\neven odder ii\nrichard kaufman\neven odder\nrichard kaufman\nbrother john hamman 1973 Brother John Hamman
|small packet bottom double lift\nthree-card packet\ndr. jacob daley 1973 Dr. Jacob Daley
|Small Packet Bottom Double Lift
|double play\n6-card packet is cut and the cards distribute in an impossible way for an apparent straight cut\nkarl fulves 1973 Karl Fulves
|Double Play
|deck cutting procedures\nnotes and references for displacement cuts\nkarl fulves 1973 Karl Fulves
|Deck Cutting Procedures
|cut to stack the aces\nstacking with cutting procedure, posed as a problem\nkarl fulves 1973 Karl Fulves
|Cut To Stack The Aces
|tabled bottom deal\n\nwesley james\nthe wj tabled bottom deal\nwesley james 1973 Wesley James
|Tabled Bottom Deal
|5-card hofzinser\ntwo cards chosen from five transform into previous selections, solution to hofzinser problem 5\nfrancis haxton\ncard problems\njohann nepomuk hofzinser\nopen selection\nfrancis haxton 1973 Francis Haxton
|5-Card Hofzinser
|undercount off the deck\n\n unknown 1973 Unknown
|Undercount Off the Deck
|vernon transfer\nbrief\ndai vernon 1973 Dai Vernon
|Vernon Transfer
|the jiggle pass\n\nfred g. taylor\nneal elias\nthe jiggle pass\nbob taylor\nneal elias\nthe longitudinal shift\nmilton brooks\nthe pivot side-jiggle pass\nwesley james 1973 Fred G. Taylor, Neal Elias
|The Jiggle Pass
|the riffle pass\njiggle pass with riffle cover\nfred g. taylor\nneal elias\nthe riffle pass\nbob taylor\nneal elias 1973 Fred G. Taylor, Neal Elias
|The Riffle Pass
|peek pass\njiggle pass combined with a glimpse of selection\nfred g. taylor\nneal elias\npeek pass\nbob taylor\nneal elias 1973 Fred G. Taylor, Neal Elias
|Peek Pass
|the "passless" pass\napplying jiggle pass to display bluff pass type, modern magic referenced\nfred g. taylor\nneal elias\nthe 'passless' pass\nbob taylor\nneal elias 1973 Fred G. Taylor, Neal Elias
|The "Passless" Pass
|reverse glide\n\njames g. thompson jr. 1973 James G. Thompson Jr.
|Reverse Glide
|re-confused\n\nbill logan\n"confused" (verne chesbro & larry west, tricks you can count on) 1973 Bill Logan
|hofzinser all-backed\nthree card packet, two methods: - easy as one-two-three - all for one\nbruce cervon 1973 Bruce Cervon
|Hofzinser All-Backed
|isolator\ncard selected, cards dealt in two piles by spectator, colors separated except selection, faro\nroy walton\nthis is it\nbob hummer 1973 Roy Walton
|back flip\ndouble color changing back kicker\nsam schwartz\np. 202 for small correction 1973 Sam Schwartz
|Back Flip
|modified 4-as-4 count\nelmsley count with displacement at the end\nsam schwartz 1973 Sam Schwartz
|Modified 4-As-4 Count
|on two counts:<br>replica\nsigned selection in deck, four blank cards brought out, on one selection is drawn, turns over, changes into real selection\nkarl fulves 1973 Karl Fulves
On Two Counts:
|the combination count\nfour as four, combining norm osborn's "unlimited" count with elmsley count\nkarl fulves 1973 Karl Fulves
|The Combination Count
|the modified count\nfour as four, combining norm osborn's "unlimited" count with elmsley count, modified "the combination count"\nkarl fulves 1973 Karl Fulves
|The Modified Count
|snap count\nhiding center card of five\nkarl fulves 1973 Karl Fulves
|Snap Count
|switch back\ntwo cards change place, one transforms into selection\nfred lessor 1973 Fred Lessor
|Switch Back
|daley's delight variation\n\nfred lessor\ndr. jacob daley 1973 Fred Lessor, Dr. Jacob Daley
|Daley's Delight Variation
|all backs\naces lost and found in process, color changing backs kicker, twenty red-blue double backers\nderek dingle\nall backs routine\nderek dingle 1973 Derek Dingle
|All Backs
|reverse ovette master move\n\nderek dingle 1973 Derek Dingle
|Reverse Ovette Master Move
|bonfeld half pass\nswing cut cover\nmurray bonfeld\nthe bonfeld half pass\nmurray bonfeld\nbonfeld half pass variation\nkarl fulves 1973 Murray Bonfeld
|Bonfeld Half Pass
|bonfeld bottom deal\n\nmurray bonfeld 1973 Murray Bonfeld
|Bonfeld Bottom Deal
|tilt prediction\npreviously reversed card turns out to be later selection, two methods\nharvey rosenthal 1974 Harvey Rosenthal
|Tilt Prediction
|one-hand tilt get-ready\nmention of it: "although (...) not appeared in print, it seems to be widely used with many variations in circulation."\nkarl fulves 1974 Karl Fulves
|One-Hand Tilt Get-Ready
|minus one\nodd backed card underneath cardboard, another card signed is put underneath as well, they become one signed odd-backed card\nmike rogers\nfuture minus\nkarl fulves 1974 Mike Rogers
|Minus One
|4-card catch\n\nherb zarrow 1974 Herb Zarrow
|4-Card Catch
|espionage\nrandom card brought in contact with three aces becomes ace, same with three jacks\nkarl fulves 1974 Karl Fulves
|interlock addition\n\nkarl fulves\nline-up move variation\nkarl fulves 1974 Karl Fulves
|Interlock Addition
|uprising\norder of four cards changes\ngray leese 1974 Gray Leese
|multiple shift\ncards go to the bottom\nwalter rollins\nsimple shift\nedward marlo 1974 Walter Rollins
|Multiple Shift
|riddle's aces\nace cutting, to kings transformation, aces in pocket\nderek dingle\nriddle's aces\nderek dingle 1974 Derek Dingle
|Riddle's Aces
|interlock switch\n\ndai vernon 1974 Dai Vernon
|Interlock Switch
|collecting box\nthree collector cards in box collect two cards\nroy walton 1974 Roy Walton
|Collecting Box
|h.c. aces\napparently original handling by henry christ\nhenry christ 1974 Henry Christ
|H.C. Aces
|the two-card deal\nfalse dealing problem\nkarl fulves 1974 Karl Fulves
|The Two-Card Deal
|the five-card deal\ngambling problem, see also page 202 for restrictions, for solution see reference\nkarl fulves\nfive card deal\njerry k. hartman 1974 Karl Fulves
|The Five-Card Deal
|dice hustle\n\njohn scarne 1974 John Scarne
|Dice Hustle
|night visitor\n\nhoward schwarzman\njennings' visitor\nlarry jennings 1974 Howard Schwarzman
|Night Visitor
|the "wink" change\n\nmartin gardner\n"wink change"\nmartin gardner 1974 Martin Gardner
|The "Wink" Change
|ah one anna two...\n\njames g. thompson jr. 1974 James G. Thompson Jr.
|Ah One Anna Two...
|swindle mates\nmatching order of two suits, swindle switch\nherb zarrow 1974 Herb Zarrow
|Swindle Mates
|swindle switch\n\npaul curry 1974 Paul Curry
|Swindle Switch
|imprint\nblank cards become duplicates of selection\nroy walton 1974 Roy Walton
|center pull-out\nbasis of so called gemini count, credit information\nkarl fulves\nreference notes\nkarl fulves\ncenter pull-out\nkarl fulves\ncenter pull-out\nkarl fulves 1974 Karl Fulves
|Center Pull-Out
|countback\n\nkarl fulves 1974 Karl Fulves
|drawback\njokers change to royal flush\nkarl fulves 1974 Karl Fulves
|seven as four\nfalse count which ends in a fan of three doubles and a single card\nkarl fulves 1974 Karl Fulves
|Seven As Four
|duo coincido\ntwo mates are found, two methods\nwilliam p. miesel\n"double coincido" (karl fulves, mum vol.62/8) 1974 William P. Miesel
|Duo Coincido
|empty ks\nempty kosky switch\nrick johnsson\nsimplified empty kosky switch\nphilip t. goldstein\nsimplified empty kosky switch\nphilip t. goldstein 1974 Rick Johnsson
|Empty KS
|royalty\n\ndavid luenberger 1974 David Luenberger
|coins up sleeve\nthree coins to glass, shell, based on routines by al cohen and jerry lukins (hugard's)\nmilton tropp\njerry lukins\nal cohen\nthe homing coins\njerry lukins 1974 Milton Tropp, Jerry Lukins, Al Cohen
|Coins Up Sleeve
|flicker\n\njohn cornelius\nflicker\njohn cornelius\nflicker\njohn cornelius 1974 John Cornelius
|two counts: four as four\nalternative to jordan count\njeff busby 1974 Jeff Busby
|Two Counts: Four As Four
|four as five\nfour as five with one concealed\njeff busby 1974 Jeff Busby
|Four As Five
|whispering joker\nfive cards with joker, joker whispers selection which then vanishes, double facer\njeff busby 1974 Jeff Busby
|Whispering Joker
|2 jacks again\njacks travel from end of faced deck to center and around the deck (four phases)\nneal elias\nlin searles' half passed turnover\nlin searles\njerry k. hartman 1974 Neal Elias
|2 Jacks Again
|the basic move\nreverse cull to get bottom card to center during spread\n unknown 1974 Unknown
|The Basic Move
|crucible coin\none of three coins changes to copper, modified half shell\nkarl fulves 1974 Karl Fulves
|Crucible Coin
|other applications\nfor half shell (slotted coin)\nkarl fulves 1974 Karl Fulves
|Other Applications
|roulette paradox\narticle about roulette betting\njohn scarne\nmore random\nkarl fulves 1975 John Scarne
|Roulette Paradox
|side rise\ncard is shaken out of incomplete faro deck\nlarry jennings\nnotes\nkarl fulves\nslide out\nkarl fulves 1975 Larry Jennings
|Side Rise
|cover-up switch\nwith lapping\nken krenzel 1975 Ken Krenzel
|Cover-Up Switch
|wireless\nhow to set up for the plunger rise with variations\nkarl fulves\nwireless ii\nkarl fulves\ninformant\nkarl fulves 1975 Karl Fulves
|ace popper\npop out move\npiet forton 1975 Piet Forton
|Ace Popper
|esp\ncard in spectator's pocket changes, only speculation\nharry houdini 1975 Harry Houdini
|the sport trick\nfour blank cards, on one a picture of a girl appears and vanishes\njack avis\nsport detector\njack avis 1975 Jack Avis
|The Sport Trick
|editorial comments\ncredit fight over marlo regarding jordan count, block transfers and more\nkarl fulves 1975 Karl Fulves
|Editorial Comments
|francis carlyle's ghost\n\nmichael skinner\nthe winning formula\npeter duffie 1975 Michael Skinner
|Francis Carlyle's Ghost
|the 9-principle location\nplacement-control of selection, faro\n unknown\nvanishing eleven and placement\nwesley james 1975 Unknown
|The 9-Principle Location
|however\namusing patter. color changing backs kicker\njames g. thompson jr. 1975 James G. Thompson Jr.
|four tricks: random speller\n\njack avis 1975 Jack Avis
|Four Tricks: Random Speller
|this is my card\n\njack avis 1975 Jack Avis
|This Is My Card
|siva's nightmare\none-way deck\njack avis\nmind reader's dream\nbob hummer 1975 Jack Avis
|Siva's Nightmare
|five card do as i did\n\njack avis 1975 Jack Avis
|Five Card Do As I Did
|three tricks: paradyne principle\nfaro control with fanned incomplete faro deck\nkarl fulves 1975 Karl Fulves
|Three Tricks: Paradyne Principle
|strike/oil\n4&4, unconventional\nkarl fulves\noil & arabs\nkarl fulves 1975 Karl Fulves
|strike/pull deal\ndouble deal beneath top card\nkarl fulves 1975 Karl Fulves
|Strike/Pull Deal
|the strike/strike trap\n\nkarl fulves 1975 Karl Fulves
|The Strike/Strike Trap
|strike/strike deal\ndouble deal beneath top card\nkarl fulves 1975 Karl Fulves
|Strike/Strike Deal
|night poker\nseven handed game, faro, spectator has some choices but still performer wins, exploiting primitive cycles\nhoward schwarzman\nother forms of the transposition\nkarl fulves 1975 Howard Schwarzman
|Night Poker
|kangaroo\nposition and card at that position are thought of, card turns up with down-under-deal, non-faro method\nroy walton\nmelbourne\nalex elmsley 1975 Roy Walton


text:
Lesser Fullness Design-Silver Salt Corporate Identity
At Design Interviews
Interview with Lesser Fullness Design : Frank Scott: What is the main principle, idea and inspiration behind your design?. Lesser Fullness Design : The first important rule we always follow in our design is satisfying the client's request. In this case, since the client didn't want any camera or film related visuals in the logo design, it took us a lot of time to read books and watch documentaries in order to explore more directions. During the research, we were most inspired by the technology used in the analogue time. Even though the name, silver salt, isn't the first time used for a photography studio, it brings a vivid imagination especially in Chinese. So the client and we all agreed choosing this chemical as our name. For the logo design part, the second rule of Lesser Fullness is keeping the logo iconic and clean. If we could give the logo a personality, we hope it would be stable. .Frank Scott: What has been your main focus in designing this work? Especially what did you want to achieve?. Lesser Fullness Design : The main focus in this design I would say is to create an identified shape by two s letters, so the client's consumers may mark the studio even without the typography. And this is the goal we want to achieve in the design. We believe if the graphic design is powerful enough, the part of font in a logo is more or less functional. .Frank Scott: What are your future plans for this award winning design?. Lesser Fullness Design : At this moment, I don't have any future plan for this design. I just wish our work may bring good luck to all my clients. .Frank Scott: How long did it take you to design this particular concept?. Lesser Fullness Design : It took me 3 months to both present the name list and the logo design to the client. There were couples of other design projects jumped in during that time. .Frank Scott: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?. Lesser Fullness Design : The final shape of the logo was inspired by Chinese and Japanese, maybe Arabian pattern design. On the purpose of the future package usage, the silver salt logo is not only regarded as a badge, but also a tile. This project was commissioned. .Frank Scott: What made you design this particular type of work?. Lesser Fullness Design : We believes a comprehensive research makes it different. .Frank Scott: Where there any other designs and/or designers that helped the influence the design of your work?. Lesser Fullness Design : I feel like that the study experience in Parsons shapes my thinking and also the producing progress of my design work. For this I mean it teaches me a way to actually control myself during a project. Unlike an art creativity, the work we usually do is fulfilling other people's wishes. In this case, it is important to know how to communicate and express efficiently. It's like a journey with a clear map and we have to keep shifting and refining all the time in order to be with the client on the same path and lead him or her to the right place. It requires control ability. .Frank Scott: What sets this design apart from other similar or resembling concepts?. Lesser Fullness Design : The multiple culture background may make an important part in this design. .Frank Scott: How did you come up with the name for this design? What does it mean?. Lesser Fullness Design : The studio name came up with a famous light sensitive chemical used in early films. .Frank Scott: Which design tools did you use when you were working on this project?. Lesser Fullness Design : For the graphic part, the tool is Adobe illustrator. We did the logo show reel in After Effect. The final 3D mockups were modelled by Maya and C4D and polished in Photoshop. .Frank Scott: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?. Lesser Fullness Design : This project were finished by Yina Ma and Yihan Liang. Ms. Ma was responsible for the graphic part, and then Ms. Liang made a reel and also mockups for the presentation. .Frank Scott: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?. Lesser Fullness Design : We have a particular data base for this project including mainly a background knowledge section and a big precedent file folder. It is about photography technology, skills, jargon, historical events, famous pictures, chemicals, and theories. .Frank Scott: How did you decide to submit your design to an international design competition?. Lesser Fullness Design : It was a sudden decision we made when we saw the call for entries on Tumblr. .
Lesser Fullness Design-Silver Salt Corporate Identity Images:
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subset: commoncrawl


text:
UH Hilo Pharmacy dean honored for accomplishments
UH Hilo Home > News and Events > UH Hilo Press Releases
Date: Monday, November 25, 2013
Contact: Alyson Kakugawa-Leong, (808) 974-7642
For Immediate Release
The dean of the University of Hawaiʻi at Hilo Daniel K. Inouye College of Pharmacy was recently presented with the "Friends of Pharmacy Award" for 2013 from the Hawaiʻi Pharmacists Association (HPhA).
John M. Pezzuto was recognized with the annual award at HPhA's General Membership meeting in October. The award is given to a non-pharmacist who has made significant contributions toward improving or expanding the profession of pharmacy in the State of Hawaiʻi. Previous awardees include: Louise Iwaishi, MD, the Family Medicine Residency Program at the UH John A. Burns School of Medicine; Catharine Takauye, MBA; Senator Suzanne Chun-Oakland; and Representative Marilyn Lee.
"Dr. Pezzuto's efforts to build a top-ranked, research-intensive pharmacy school from the ground up are unparalleled," said Carolyn Ma, president of HPhA and associate professor and chair of the Department of Pharmacy Practice at DKICP. "Through his leadership, Hawaiʻi has the first and only fully accredited college of pharmacy in the Pacific Rim, a growing number of first- and second-year residency opportunities, nationally and internationally recognized expertise and leadership in pharmaceutical research and delivery of rural health care."
Pezzuto said, "It has been a great honor serving as Founding Dean of the Daniel K. Inouye College of Pharmacy. I am proud of our many accomplishments and unique ability to serve the entire State of Hawaiʻi as well as the Pacific Region as a whole. On behalf of the students, faculty and staff of the College, I am pleased to accept this designation graciously bestowed by the HPhA. They can count on us serving as a 'Friend of Pharmacy' for many years to come."
With approximately 300 members, HPhA is the only professional pharmacy association in Hawaiʻi. Membership represents pharmacy practice in the State and is comprised of pharmacists in various practice settings ranging from retail to hospital to industry, pharmacy students, pharmacy technicians and academia. HPhA is an ACPE accredited provider.
Disclaimer: The University of Hawaii at Hilo is not responsible for the contents, links and/or materials presented in any web site listed above that are not of the "hilo.hawaii.edu" or ".uhh.hawaii.edu" domains. All comments, complaints and grievances should be filed with the author, host and/or owner of said site.


text: Interesting thing. When I'm playing songs, the slider move and the counter increments, though faster then the song, with little relevance to the track time/position. The counter seems to go up to the mid 200s (244, 266, etc) and when it ends, the track changes, regardless of the actual some position. Is this a known issue? Or a local one to my FR? Kind regards, Cameron On Wed, Apr 8, 2009 at 9:45 PM, Cameron Frazier <frazier.cameron at gmail.com> wrote: > Very slick. Nice work c_c. > > Question for the group though. > > I have mp3 files driving mplayer to about 10%, while ogg files come in > about 45% of cpu. Is there way to reduce this, or is it simply a > function of the format? I seem to remember some talk about a lack of > an integer decoder for ogg, but frankly, the understandings audio > codecs elude me. > > Kind regards, > > Cameron > > On Wed, Apr 8, 2009 at 12:19 PM, c_c <cchandel at yahoo.com> wrote: >> >> Hi, >> >> However if you want to test it with Om2008, use this [1] e17 version (following the instruciton I posted at [2]) to run it. >> >> Will try that and see what gives. >> >> Also, here is the latest version. Now, if you exit after pausing a playing file - intone will start with that song and position selected. >> >> intone_0.22_arm.ipk >> -- >> View this message in context: http://n2.nabble.com/Intone-%280.20---alpha-release%29-Elementary-based-mplayer-frontend-tp2587826p2606320.html >> Sent from the Openmoko Community mailing list archive at Nabble.com. >> >> >> _______________________________________________ >> Openmoko community mailing list >> community at lists.openmoko.org >> http://lists.openmoko.org/mailman/listinfo/community >> >


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Cat Paw Gloves
At Your Nicehotdeals, your happiness & exquisite fashion is our #1 priority. We believe that accessories are a powerful statement of individual style and identity.
The Nicehotdeals crew are crazy about our gadgets and accessories. We love them all, from unbreakable cables, to magnificently designed accessory pieces , to funky phone gadgets. We decided to source all over the world to give you the products that we have enjoyed the most to compliment our iPhone usage.
Trust our team of experts to help you stay ahead of the curve, and always be on the cutting edge of technology. Join our product revolution as we continuously challenge what is possible in your life and help bring awesomeness worldwide.
Unlike other stores, we have personally sourced our products from the most reputable manufacturers of each product on our page. We've scoured around the globe to find you the coolest mobile innovations in the industry. We want to share this experience with you and give you the very best of what we have found.
Enjoy effortless shopping at home, and We will do the rest!


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contributed by
Assoc Prof Frank Gaillard
on May 09, 2011
- "
This case illustrates the difficulty in being able to arrive at a firm pre-operative diagnosis, when features are a little atypical. In this case ..."
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Power Plate International, Irvine, CA, has filed for reorganization and is up for sale. Parties interested in the company include one led by Gregg Hammann, who resigned as CEO of Power Plate two weeks ago.
Hammann says he had to resign his post in order to attempt to purchase the company. Members of the Power Plate executive team also resigned two weeks ago, but most are now back with the company in a temporary role until a buyer has been finalized. Hammann adds he is assisting the company even though he is no longer CEO. His group is one of three potential suitors.
Power Plate filed for reorganization in both the United States and the United Kingdom. The company is owned by majority shareholder J.H. Whitney and Co., a private-equity firm based in New Canaan, CT.
With Whitney's fund about to close this year, a sale process began last March that involved equity firms as potential suitors. Within the past four weeks, a deal to sell the international portion of Power Plate's business was in place but fell through at the 11th hour.
A representative at Whitney said the company does not comment on its portfolio companies.
A principal at High Ridge Partners, Chicago, which is facilitating the sale of Power Plate, could not immediately be reached for comment.
Several lawsuits in recent years have burdened Power Plate, which owes money to creditors through settlements in excess of 50 percent of the company's revenue.
"The important thing is we've got a great brand with two of the best product innovations we've introduced in the history of the company, between the my7 and the pro7 products," Hammann says. "With the pro7 in the commercial club business, we're having trouble keeping up with production. That's how well that's going. We've just got to get some of this administrative stuff taken care of so we can move on."


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How to Resurrect After You Die and Attain Superpowers While You Live
"Truly I say to you, unless you are converted and become like children, you will not enter the kingdom of heaven." -- The Bible, Matthew 18:3
Overview: After 100 days of abstinence from sex and orgasm, a spiritual being is born in your body that can't be killed. Even if your physical body is killed you will resurrect. After the birth of this spiritual being (little child), as it grows and time passes by you will get spiritual powers. Everything you touch will turn to gold. You will become like master of the Universe. You must maintain this state of being perpetually, if you have another orgasm it will die (soul death) and you must start over again.
The sites below are very detailed and precious, please take the time to read through them and reap the benefits!
Required reading:


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Again the rain held us back. Not too much skating took place, but we had some good art appreciation to fill the void. Click the thumbnail for more pics.
1 Today we walked around the city since it was still raining
2 Then we headed over to The National Gallery of Art
3 Rodent and Jason check out a Warhol piece
4 Gareth
5 Creepy Gareth
6 We popped into L&N for a minute
7 Then we all headed over to Comet for some pizza, beer & ping pong
8 Heated ping pong sessions were going down at Comet
9 Ping Pong art in the shiter
10 More Ping Pong art
11 Tour highlights by Gareth Stehr


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Wholesale buttons & retail buttons to make your next sewing and crafts project truly exceptional
Welcome to Buttons.com! For over 130 years, our company Blumenthal Lansing has been the destination for wholesale buttons and retail buttons, sewing buttons, novelty buttons and craft buttons. Now, online buyers finally have access to the world's best buttons! Come explore thousands of beautiful buttons and lots of fun crafting project ideas. If you're looking for cool buttons, you've come to the right place. You can read more inspiration on our blog or go ahead a like us on Facebook so you can share YOUR button crafts with us! Shop our products
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We love to inspire you and share our button inspiration
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Coca-Cola 'Going All the Way' Green Bay 2014 Super Bowl Commercial – What's the Song?
A classic hip-hop song is utilized in Coca-Cola's 'Going All the Way' 2014 Super Bowl commercial featuring Adrian, a small footballer lost in thought and sternly warned not to mess up a play by coaches and teammates. He's a runt with superstar talent who goes all the way. What is the bouncy and familiar song in the commercial?
It's House of Pain's '90s party rap anthem 'Jump Around.' It appears on their 1992 debut, 'House of Pain,' and was a monster hit that year -- and continues to be a beloved and nostalgic tune some 22 years later.
The commercial celebrates the love of the gridiron that dominates Green Bay, Wisc., which is pretty much Football City in America.
Adrian embodies the true spirt of the underdog as he recovers a fumble and keeps running and running and running, well past the end zone, off the pee-wee field all the way to Lambeau Field, a revered location for football fanatics. He is rewarded for his efforts with a bottle of Coke. Ahhhh!
The commercial was filmed in a Green Bay suburb, and locals were used in the spot. Gotta love Coke, a soft drink giant, for taking it to the small town people for the Super Bowl, even if the Packers were eliminated in the first round of this year's playoffs.


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Today I'm featuring one of the new surnames I've discovered in my family tree – Radziņš (feminine form Radziņa, the surname of one of my great-great-grandmothers.
Marija Radziņa was born on November 16, 1856. I am not sure yet where she was born, but she married Pēteris Celmiņš sometime before 1878, when their first child was born. They lived in Stampvēveri, a farm in Vijciems parish in Valka region, in the northeast of Vidzeme province. They had six children that I'm aware of: Voldemārs, Jānis, Emma, Anna, Pēteris (my great-grandfather) and Elza.
This is not a surname I have seen anywhere else in my reading of church books, census records, revision lists or parish family registers, so it is probably a somewhat unusual name. It did not appear in the family register of 1875 for Vijciems parish, so she is probably from a neighbouring parish such as Trikāta.
As to the meaning of the name? "Radziņš" is the diminutive of "Rags", which means "horn" or "cape". So it is possible that her ancestors lived on a piece of land jutting out into a body of water, or that they worked with animals such as goats or deer.
Soon I'll be able to get to work on going through the church records for the area to find out more about her family. However, first I have to arrange all the information I found out while I was in the archives – there is a lot of it!


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Tom Paciorek will work with analyst Steve Stone on Tuesday night's telecast. Play-by-play announcer Ken Harrelson will attend to a family matter.
UPDATE: The plot thickens! Wimpy will replace Hawk not only on Tuesday but Wednesday and Thursday too. And Frank Thomas will also replace Steve Stone Wednesday and Thursday.


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Gypsy at the John Cranford Adams Playhouse, October 18-27
The musical Gypsy, featuring music by Jules Styne and lyrics by Stephen Sondheim, comes to Hofstra's John Cranford Adams Playhouse, October 18-27, 2013. The book by Arthur Laurents tells the story of "the ultimate show business mother," set backstage on the vaudeville and burlesque circuits of the 1920s and 30s. Filled with an array of wonderful songs, such as "Everything's Coming Up Roses," "Let Me Entertain You," and "Together, Wherever We Go," Gypsy is considered by many critics to be one of the greatest musicals of all time.
Director and Professor of Drama James J. Kolb writes, "Although the musical is called Gypsy, it is actually focused principally on the mother, Rose, and her relationship with, and attempted domination of, her two daughters … Deprived of a chance to have a career of her own Rose became a horrific stage mother who sought career, success, and wealth through the manipulation of her children."
Rose hits the vaudeville circuit with her daughters, Louise and June, three boys she kidnaps for their act and Herbie, the salesman who loves her and who hopes they will someday settle into a normal, stable life. Rose's story and dreams come to an end when Louise takes back control of her career and her life as the sensational stripper Gypsy Rose Lee.
Show times for Gypsy are Friday, October 18 and 25, at 8 p.m.; Saturday, October 19 and 26, at 8 p.m.; and Sunday, October 20 and 27, at 2 p.m. Tickets are $15, $12 for senior citizens (over 65) or matriculated non-Hofstra students with ID. Members of the Hofstra community may receive up to two free tickets upon presentation of a current Hofstra Card.
Tickets may be purchased online at www.Tickets.com. Tickets are also available at the John Cranford Adams Box Office at (516) 463-6644, Monday through Friday, 11:15 a.m.-3:45 p.m. Available tickets will also be sold at the Playhouse, starting 90 minutes before each performance.


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I thought I'd do a quick comparison of web frameworks to see how popularity is trending nowadays per google trends. I realized this is has some serious drawbacks, but as a person who has been in the j2ee space for years, I find the trend very interesting.
The trend is clear, if you're an ace J2EE super guru, you are about in the same position as a yii developer. While you're experience might be transferrable, the days of java containers ruling the universe appear to be numbered. To do some other interesting comparisions, let's look at java specifically.
This roughly supports my observation that Struts is dying off, spring is holding stead, and gwt...while making a big splash a few years ago seems to be tapering off. These numbers are a little deceptive because back in 2005 a lot of the "up and coming" frameworks, languages, and tools didn't even exist. So let's take a look at just the upstarts.
I've included rails because it's relatively new, and didn't such a large downturn and slow slide into oblivion as struts even though they started in a relatively similar timeframe.
For an up to date view of current programming language trends (not just frameworks), take a look at the Tiobe Index. It's interesting that C has been the top language for 40 years and shows now sign of faltering, whereas something like COBOL peaked 20 years ago and has long been in decline.
Use this information as you will, but some comments I will make:
- Popularity is important, frameworks and languages need a vibrant community
- Search trends can lie... something with high search requests could just suck and therefore more people need to look things up
- The days of the software monoglot being in high demand (think J2EE developers in 2004) are rapidly receding. On one hand, the market is growing so the aggregate job demand might be the same. But from a solution perspective, there are many many more options now than there were even 10 years ago.


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Press Releases
Pork. It's What's For Breakfast
Sep 24, 2008
Hardee's® Introduces a New Breakfast Classic: the Pork Chop 'N' Gravy Biscuit
ST. LOUIS, Mo. – September 24, 2008 – Following the success of its recent Chicken Fillet Biscuit promotion, this week Hardee's introduces another nod to Southern cuisine – the Pork Chop 'N' Gravy Biscuit. Featuring a breaded, boneless pork chop and sausage gravy on one of the chain's signature Made From Scratch™ Biscuits, the new menu item is sure to stick to the ribs of even the hungriest breakfast customer.
"We first introduced a Pork Chop Biscuit a few years ago and, even though we stopped selling it last year, we still get many requests from people asking us to bring it back," said Brad Haley, Hardee's Executive Vice President of Marketing. "And, since we had many reports from our restaurants that people were ordering a side of our famous sausage gravy to dip the biscuit in – which I usually do myself, by the way – we decided to re-test it with sausage gravy already on it and it was more popular than ever. So, I guess the old saying among our test kitchen people is true: 'The only way to make it better is to add gravy to it!'."
The Pork Chop 'N' Gravy Biscuit will be sold at participating Hardee's restaurants for $2.99 and is available in a small combo for $4.59 including hash rounds and a beverage. Prices may vary by location.
About Hardee's Food Systems, Inc.
Celebrating more than 45 years in the quick-service industry, Hardee's Food Systems, Inc. is a wholly owned subsidiary of CKE Restaurants, Inc. (NYSE: CKR) of Carpinteria, Calif. As of the second fiscal quarter ended September 8, 2008, CKE Restaurants, Inc., through its subsidiaries, had a total of 3,100 franchised, licensed or company-operated restaurants in 42 states and in 14 countries, including 1,170 Carl's Jr. restaurants and 1,917 Hardee's restaurants. For more information, or to find a Hardee's near you, go to www.ckr.com or www.hardees.com.


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Thursday, May 05, 2005
Cranberry-Apple Coffee Cake
For the fruit topping
1/2 cup packed brown sugar
1 tablespoon cornstarch
1/4 teaspoon ground cinnamon
1 1/2 cups cranberries, frozen, thawed, chopped
1 1/2 cups finely chopped and peeled Granny Smith apples
1/2 cup apple cider
For the cake
3/4 cup whole wheat pastry flour
3/4 cup all-purpose flour
1 teaspoon baking powder
1/4 teaspoon salt
1/8 teaspoon baking soda
1/4 cup canola oil
3 tablespoons butter, softened
3/4 teaspoon fresh grated lemon zest
3/4 cup granulated sugar
1 large egg
3/4 cup milk
2 teaspoons vanilla extract
1 tablespoon vanilla sugar
Preheat oven to 375
To make the topping
In a medium saucepan, stir together brown sugar, cornstarch and cinnamon. Mix in cranberries, chopped apple and cider. Bring the mixture to a boil over medium-high heat, stirring often. Continue to cook, stirring, until the mixture thickens and the berries soften, about 2 minutes. Remove from the heat and set aside to cool.
To make the cake
In a medium bowl, whisk together flours, baking powder, salt and baking soda.
In a large mixing bowl, beat together oil, butter and lemon zest until well combined. Gradually add 3/4 cup sugar, beating until the mixture is light in color and well blended. Add egg and beat until completely combined.
Add half of the flour mixture and beat on low just until combined. Gradually mix in milk and vanilla until just incorporated. Add the remaining dry ingredients and beat until combined - making sure to scrape down the sides of the bowl at least once.
Scoop the batter into a 9" spring-form pan coated with nonstick spray. Spread the mixture to the edges with an off-set spatula. Gently drop dollops of the cooled fruit mixture all over the cake and spread in an even layer - do not stir into the batter.
Bake until the cake is puffed on top and a toothpick placed near the center comes out clean (be sure to look past the wet fruit glaze on top) - about 40 to 50 minutes. Remove and scatter the top with the vanilla sugar. Place on a wire rack and let cool for 10 minutes - run a knife along the edge of the pan and remove the pan sides. Let cool until ready to serve.
Makes about 12 servings.
Just found the recipe? Click here to see where we talked about it!
3 comments:
yum! I'm always looking for a way to use cranberries!ReplyDelete
Made this cake this morning for after dinner, but Michael and I couldn't wait that long to taste it! So we had some after our lunch of leftover turkey meatball/pablano pepper soup. Great cake, somewhat reminding me of an upside-down cake, but I like that it is not too sweet. Strawberry/rhubarb would be a good fruit combo as well, and apple/raspberry if you don't have any cranberries. Next time I might lower the cooking temp to 350° since this tended to be a little brown at the edges before the center got fully done.ReplyDelete
Stacey - Hope you like it!ReplyDelete
Paul - It was so good the next day - we have a couple pieces left in the freezer and I don't think they will be there for long! I have a rhubarb pudding cake that I love to make when it is in season - I think a strawberry/rhubarb combo might be in order!


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Monument Viewer
Survey control monuments are permanently fixed reference points. A monument is an iron rod driven into the ground with a cap. The cap has a monument number that uniquely identifies it.
This application provides you with the exact elevation and X/Y coordinates of Minneapolis Survey Control Monuments.
View City-Wide Map of Monuments
Use pan and zoom controls to move around
the map and find desired the monument.
Last updated Apr 5, 2016


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Three years ago, I decided that it was time to turn my genealogy hobby into a more professional venture. While I'm not ready to hang up my own shingle, I did want to formalize my education. I looked into several types of courses. After speaking with Louise St. Denis at the National Institute for Genealogical Studies, I started their coursework.
The National Institute has several course offerings in different Tracks. I chose to study American Records. To earn a PLCGS (Professional Learning Certificate in Genealogical Studies) , I had to take 40 courses, of which 14 were General Courses, 14 were specifically about American Records, and 12 were elective courses. Most courses are 8 weeks long, with one lesson per week and an exam at the end. I could actually do them at my own pace, and sometimes would complete 2 or 3 lessons in one week if I had the time. All courses were completed online. We were able to interact with others in the course through messages and monthly online chat sessions.
The Generic courses consisted of topics such as "Analysis and Skills 1-3", "Methodology 1-6", copyright, paleography, using the Family History Center, and Genetics. The American Records courses taught such topics as census records, church records, probate records, etc. For part of my elective course-work, I chose to each a Basic Certificate in German Records. This consisted of 4 courses on German Handwriting, German Locales, German genealogic vocabulary and German Church Records.
Some of my course mates were concentrating on other areas such as Canadian Records, British Records or Australian Records. Other electives ranged from courses on how to use Family Tree Maker or Ancestry.com, and how to plan a family reunion, to research on specific locales. Some of the elective courses I took were on Mayflower ancestry, researching 20th century ancestors, and tracing female lines.
I am now able to add PLCGS to my list of credentials.


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Product Warranty Information
Limited Warranty
Zebra Technologies Corporation, including affiliates and subsidiaries under Zebra's common control ("Zebra"), warrants to the End-User Customer as follows:
- "End-User Customer" means the original user of the Product.
- "Hardware" means the physical, tangible Product purchased from Zebra including machine readable instructions provided for the sole purpose of booting the Hardware during startup.
- "Product" means Zebra branded Hardware, Software or replacement parts.
- "Software" means, collectively, any Zebra provided machine-readable instructions used by a processor to perform specific operations other than machine-readable instructions used for the sole purpose of booting the Hardware during startup.
Hardware Warranty
Unless otherwise stated by Zebra in the Product warranty exceptions list or in a sales agreement between Zebra and End-User Customer, Hardware is warranted for a period of twelve (12) months from date of shipment from Zebra or, with proof of purchase, from the purchase date whichever is later, against defects in workmanship and materials, provided the Hardware remains unmodified and is operated under normal and proper conditions and in accordance with Zebra published specifications. The sole obligation of Zebra for defective Hardware is limited to repair or replacement (at Zebra's sole discretion) on a "return to service depot" basis with Zebra's prior authorization. End-User Customer is responsible for shipment to Zebra and assumes all costs and risks associated with this transportation. Zebra shall be responsible for return shipment to End-User Customer, unless Zebra, in Zebra's sole and absolute discretion, determines that the corresponding Hardware has no defect or is not under warranty, in which case End-User Customer shall be responsible also for return shipment. No charge will be made to End-User Customer for warranty repairs. Zebra shall not be responsible for any damage to or loss of any Software programs, data or removable data storage media, or the restoration or reinstallation of any Software programs or data. No technical support shall be provided during the Hardware warranty term other than to identify if a warranty repair is needed.
Warranty repair shall be performed in a good and workmanlike manner. The repair shall conform in all material respects to the applicable Zebra published specification for a period of thirty (30) days following completion of the repair or until the end of the original warranty period, whichever is longer. End-User Customer's sole and exclusive remedy in regard to warranty repair shall be to request Zebra to re-perform the non-conforming warranty repair.
Software "as is"
Software is licensed "as is" with no warranty. Notwithstanding the above, unless otherwise stated by Zebra in the Product warranty exceptions list or in a sales agreement between Zebra and End-User Customer, for restricted software and for licensed demoware, as identified at zebra.com, End-User Customer may, for a period of 90 days from when the instance of Software or Hardware are first shipped by Zebra or, with proof of purchase or license, from the purchase date whichever is later, obtain if available, releases, from http://www.diad1.com/us/en/support-downloads.html and technical support.
Technical support definitions and related matters can be found here.
The above warranty provisions are not transferrable by an End-User Customer and shall not apply to any Product (i) that has been repaired, tampered with, altered or modified, except by Zebra or its authorized repairer providers; (ii) to the extent that in Zebra's sole determination the defects or damage result from normal wear and tear, misuse, negligence, improper storage, water or other liquids including contamination with bodily fluids, battery leakage, use of parts or accessories not approved or supplied by Zebra including but not limited to Printheads, media, supplies, batteries and other peripherals, or failure to perform operator handling and scheduled maintenance instructions supplied by Zebra; or (iii) that has been subjected to unusual physical or electrical stress, abuse, or accident, or forces or exposure beyond normal use within the specified operational and environmental parameters set forth in the applicable specification.
EXCEPT FOR THE EXPRESS WARRANTIES STATED ABOVE, ZEBRA DISCLAIMS ALL WARRANTIES AND CONDITIONS ON HARDWARE, SOFTWARE OR WARRANTY REPAIR FURNISHED, INCLUDING ALL IMPLIED TERMS, CONDITIONS AND WARRANTIES OF MERCHANTABILITY, SATISFACTORY QUALITY, NON-INFRINGEMENT AND FITNESS FOR A PARTICULAR USE OR PURPOSE AND THAT SOFTWARE, SOLUTION, OR WARRANTY REPAIR WILL MEET YOUR REQUIREMENTS, THAT THE SOFTWARE OR THE PROVISION OF WARRANTY REPAIR WILL BE UNINTERRUPTED, PRIVATE, TIMELY, SECURE, ACCURATE OR ERROR-FREE, THAT DEFECTS OR ERRORS IN SOFTWARE WILL BE CORRECTED, OR THAT HARDWARE OR SOFTWARE, WILL BE COMPATIBLE WITH FUTURE PRODUCTS OR SOFTWARE VERSIONS OR INTEROPERATE WITH THIRD PARTY HARDWARE OR SOFTWARE. THE REMEDY SET FORTH IN THIS HARDWARE WARRANTY SECTION ABOVE IS END-USER CUSTOMER'S SOLE AND EXCLUSIVE REMEDY FOR WARRANTY CLAIMS, AND IS EXPRESSLY IN LIEU OF ALL OTHER REMEDIES THAT MAY BE AVAILABLE TO END-USER CUSTOMER AT LAW OR IN EQUITY. Some jurisdictions do not allow the exclusion or limitation of implied warranties, so the above limitation or exclusion may not apply to the particular End-User Customer.
ZEBRA SHALL NOT UNDER ANY CIRCUMSTANCES WHATSOEVER BE LIABLE TO ANY END-USER CUSTOMER OR ANY THIRD PARTY FOR LOSS OF PROFITS (DIRECT OR INDIRECT), ANY DESTRUCTION OR LOSS OF DATA (DIRECT OR INDIRECT), DIMINUTION OF GOOD WILL, OR ANY SPECIAL, CONSEQUENTIAL, OR INCIDENTAL DAMAGES WHATSOEVER WITH RESPECT TO ANY CLAIM IN CONNECTION WITH ZEBRA PRODUCTS. Some jurisdictions do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation or exclusion may not apply to the particular End User Customer.
Download Zebra Warranty:
Xplore is now a part of Zebra Technologies
Please see the Product Warranty Exceptions List for details about ongoing warranty coverage for Xplore tablets.


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RANCHO CUCAMONGA – A "meet and greet" meeting for the Relay for Life of Rancho Cucamonga will be held Saturday for all the cancer survivors and their caregivers of the Inland Empire's West End.
The event will be from noon to 3 p.m. at the Cucamonga Pizza Company, 9659 Milliken Ave. It will be an afternoon for friends enjoying conversation and good food.
The relay itself will be June 1 at Cucamonga Guasti Regional Park in Ontario.
Information: Vicki Ford 909-816-8769 or email@example.com


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A russian animated short story from -75. As far as I understand they've painted on multiple layers of glass to get the effect they were after, very effectful.
Thursday, March 15, 2012
A hedgehog in the fog
8 comments:
Ooh one of my favorite animations :) so beautiful!
Best wishes for you!
- March 15, 2012 at 11:08 AM
- Julie Lapointe said...
What a night full of adventures for that little hedgehog! This is beautiful...
- March 15, 2012 at 7:25 PM
- barbara said...
oh god, this is just too much, too cute!!
(am I the only one who has problems with reading those verification words?)
- March 16, 2012 at 1:18 AM
- Camilla Engman said...
yes,why do they have to make them unreadable? anoying
- March 16, 2012 at 3:10 AM
- Светлана said...
English subtitles:
- March 18, 2012 at 2:15 AM
- teconlene said...
What a cute hedgehog!
Very beautiful and delicate animation, thanks for sharing :)
- March 22, 2012 at 1:13 AM
- Ben said...
Wow, this is amazing! And thanks for posting the youtube with the English subtitles...
- March 27, 2012 at 1:56 AM
- Pia Johansson said...
Den är superfin. Yuriy Norshteyn har jag lyssnat på en gång när han berättade om hur han jobbade. Hur många små cut-out-bitar som helst och olika lager, fantastiskt arbete, allt med gammal kamerateknik, innan några datorer.
- June 11, 2012 at 11:36 AM


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How to Find an Interior Designer Degree Program near Glendale Arizona
Now that you have decided to enroll in an interior designer degree program near Glendale AZ, it's time to start the process of choosing a school. Even if you have always had a gift for designing residential or commercial interiors, it's imperative that you receive the appropriate training to put your natural abilities to work. And since some states do mandate that interior designers become licensed, depending on your state of residence you could need preparation to pass a licensing examination also. So it's very important that you carry out the appropriate research so that you can evaluate and compare each school that you are considering before you make your final choice. But exactly where do you start? Many prospective students will start their research by looking for interior design programs near their residence and then comparing tuition costs. While cost and location are key factors when making a determination, they should not be the sole ones. Qualifiers such as accreditation and reputation must be taken into consideration as well. We will address those topics and other vital questions that you must ask the interior design schools you are researching later in this article. But before we do, let's cover a little bit more about what interior design is and what degree and training options are available.
Interior Decoration compared to Interior Design
Many people confuse interior decoration for interior design and conversely. The key distinction between the two is the level of education required. Anyone can do business as an interior decorator in Glendale AZ if they possess a general knowledge of or a talent for decorating interior spaces. However, working as an interior designer necessitates formal training and in numerous states one must have an accredited Associate or Bachelor's Degree as well as be licensed. Interior designers are educated to make work or residential spaces functional as well as attractive. On various occasions they may work together with building engineers and architects. There are 2 general categories that an interior designer may specialize in:
- Residential Designing. Interior Designers in Glendale AZ frequently work on existing homes as well as new construction. They can design basically any area of the home, including bedrooms, closets and basements. Or they may specialize in designing one particular room, such as kitchens or bathrooms.
- Commercial Designing. When dealing with commercial or public spaces, Glendale AZ designers normally concentrate primarily on either aesthetic appeal or functionality but pay attention to both. For instance, business meeting rooms and reception areas are spaces where aesthetics may be focused on over function. Designs for hospitals and banks might concentrate more on functionality over looks as the primary concern.
There are various areas of residential and commercial interior design in Glendale AZ that a designer needs to learn, such as color schemes, lighting, furniture and acoustics. They need to be able to use graphic design and read blue prints in order to create their visions. From choosing carpeting and wall paper to integrating Feng shui concepts, interior designers implement a wide range of skills that contribute to their ultimate designs.
Interior Design Degree Options
There are four degree alternatives available in interior design to get the training needed to start your new profession. Your decision will undoubtedly be influenced by your career goals as well as the time and money that you have budgeted to devote to your education. But regardless of which degree program you opt to enroll in, be sure to choose one that is accredited. Accreditation is mandated in order to qualify for the National Council for Interior Design Qualification (NCIDQ) examination mandated in several states. More will be covered on additional benefits of accreditation later. Following are brief descriptions of the interior design degrees that are offered near Glendale AZ.
- Associate Degree. Associate degrees in interior design furnish the minimum level of education needed to enter the field. They take approximately 2 years to finish and programs are available at a number of Glendale AZ area community colleges and vocational schools. Graduates can normally obtain entry level employment as design assistants.
- Bachelor's Degree. Bachelor's degrees are 4 year programs that provide more comprehensive training than the Associate Degree. They deal with the technical and creative facets of the business required to become a designer. They are the lowest degree needed by a graduating student in order to obtain an entry level job as an interior designer.
- Master's Degree. These 2 year programs furnish advanced training in design after achieving the Bachelor's Degree. Master's Degrees offer choices in specialized majors for such things as residential bathrooms or business offices. A number of students enroll to improve their skills to be more competitive in the job market.
- Doctorate Degree. Doctorate programs are primarily for those professionals who desire to teach interior design at a university or college level. The degree programs vary in length but are normally completed in three to five years.
In order to work as a professional and adopt the title of "Interior Designer", a number of states require that graduates of accredited degree programs become licensed. In several instances, two or more years of field experience may be required before a candidate can sit for the licensing examination.
Interior Designer Online Schools
For anyone wishing' to attend classes in the convenience of their homes, there are accredited online interior design degrees. Attending classes online can be a good option for those students that are employed or have busy schedules that make attending classes on campus difficult. Classes can instead be attended on a home computer or laptop when convenient for the student. For many students online programs may be the sole alternative if no Glendale AZ area interior design programs are within commuting distance. And as an additional benefit, the tuition may be cheaper than for more conventional options. Additional expenses for such things as study materials or commuting may be decreased or eliminated also. Just make sure that the college you choose is accredited by a recognized accrediting agency, such as the Council for Interior Design Accreditation (more on accreditation later). Online colleges may also obtain accreditation from the Distance Education and Training Council, which focuses on distance or online education. If you have the dedication to obtain your degree without the structure of a physical classroom setting, then an online interior design college may be the right option for you.
Topics to Ask Interior Design Programs
Once you have chosen the interior design degree that you wish to earn, you can start the task of evaluating your Glendale AZ area school options. Location will be an important factor, especially if the campus must be within commuting distance from your home. Of course if you are interested in attending a school online, or are willing to move to attend classes, then location may not be a qualification. The fee for tuition will limit your options also. But choosing the least expensive college or the one that is closest to your house are not the best ways to make your decision. There are other variables that you need to consider also, including the reputation and accreditation of the program. Below are a list of concerns that you may want to ask the colleges you are reviewing to obtain those answers as well as others to help you compare and ultimately choose the ideal degree program.
Is the Interior Designer School Accredited? It's necessary to confirm that the interior designer program and college that you select has been accredited by either a regional or national organization. One of the most highly regarded in the field is the National Association of Schools of Art and Design (NASAD). Schools obtaining accreditation from the NASAD have undergone a demanding assessment of their teachers and programs. Just make sure that both the degree program and the college have been accredited by a U.S. Department of Education acknowledged accrediting agency. Not only will it help establish that the reputation of the college and the quality of the training are outstanding, it might also help when obtaining financial aid or a student loan. Often they are not offered for non-accredited schools. Also, many Glendale AZ employers will only employ graduates of accredited colleges for entry level positions.
Does the Program Prepare you for Licensing? As we mentioned earlier, several states do require that interior designers become licensed. This would necessitate a passing score on the National Council for Interior Design Qualification (NCIDQ) examination as well as a degree from an accredited school. And in several of those states mandating licensing, two or more years of work experience may be required also. So in addition to providing an outstanding education, the Glendale AZ school you choose should also furnish the proper instruction to pass the NCIDQ examination and comply with the minimum licensing requirements for Arizona or the state where you will be working.
What is the College's Job Placement Rate? After you have graduated and attained your interior designer certification, you will no doubt want some support in finding your first position. Ask the schools that you are looking at if they have a job placement program. If yes, find out what their job placement rates are. A higher rate is an excellent sign that the school and its programs are highly regarded within the interior design profession and its graduates are in demand. It could also signify that the school has a significant network of Glendale AZ area business contacts where they can refer students to obtain internships or jobs after graduation.
Is Financial Aid Provided? Get in touch with the financial assistance offices for the schools you are evaluating and ask what kind of assistance they provide. Many of Glendale AZ area interior designer colleges provide financial assistance to their new students. Various schools offer partial scholarships while others provide help in acquiring federal student loans or grants. Again it must be stressed that choosing an accredited college is important for qualification in most cases. In some cases a school that has a higher tuition may ultimately be less expensive than its counterparts because they provide more generous financial aid.
How Big are the Classrooms? Smaller classes are more intimate and conducive to personalized instruction. If classes are large, you probably will receive limited individual instruction from the teachers. Ask the Glendale AZ programs you are reviewing what their average teacher to student ratios are. If practical from your home, go to the college and sit in on a few classes. Take the opportunity to speak with some students and find out what their experiences have been. Ask the instructors what their teaching styles are and what their backgrounds are in interior design.
Are Classes Accessible that Accommodate your Schedule? Last, confirm that the Glendale AZ interior designer program you select provides classes the fit your busy schedule. This is particularly significant if you will continue working while attending school. If you can only go to classes at night or on weekends, verify that those classes are available. If you have a full-time job and can only attend part-time, confirm that is an option as well. Finally, ask what the procedure is for making up classes missed because of work, sickness or family obligations.
Find the Ideal Interior Design Program near Glendale ArizonaSelecting the ideal interior design program is a crucial initial step toward launching your career in this artistic and rewarding profession. Searching for a school where you will obtain your education and cultivate your skills in a specific area of study is a challenging job no matter what major you have decided on. As with any endeavor to acquire a higher education, there are several factors to consider before choosing a school, program, or course. At a minimum, check that the design college and program are both accredited and highly esteemed in the business. However it is still essential that you perform your due diligence analysis. By doing so and following the rest of the recommendations provided in this article, you will be able to effectively review and compare programs so that you can make the right final selection. And with excellent training and your drive to succeed, you can achieve your goal of becoming an interior designer.
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