text:
50 Years On...
The 2nd April 1966 Balwyn, Australia Photograph - Revisited
Stage One Report on the 2nd April 1966, Observation and Photograph, by witness James Johnson Kibel, in Melbourne, Australia
Compiled by Keith Basterfield and Paul Dean.
1. Introduction
1.1 The purpose of this stage one report on the 2nd April 1966, visual and photographic observation, by James Johnson Kibel, of Melbourne, Victoria, Australia, is to bring together as much of the primary and secondary material as possible. We have located James Kibel, and provided him with an opportunity to read this report before it was published. He advised that he has no problems with us using his real name.
1.2 There is much about this observation and photograph, out there on the Internet. However, most is second, third hand or worse. We wished to locate and make available as much first and second hand material as possible, to allow readers to decide for themselves what the observation and photograph tells us about the UFO phenomenon.
2. Primary sources from 1966
2.1 There are several primary sources of information about this observation and photograph. We define a primary source as one which directly involved the witnesses themselves.
•A Polaroid photograph, taken on 2 April 1966
•A National Investigations Committee on Aerial Phenomena (NICAP) report form completed, and dated 19 April 1966 by James Kibel
•An interview of James Kibel, undertaken by Professor James E McDonald on the 28 June 1967 in Melbourne
• A statement by Mr David English who was a witness to the developing of the Polaroid photograph, dated 2 May 1966
• A sketch of house and garden drawn by James Kibel in April 1966.
3. Secondary Sources
3.1 There are a number of other sources of information about the event, dated 1966. These are not items directly generated by the witnesses.
• "The Herald" newspaper, Melbourne, dated 12 April 1966 (Uncredited author).
•The May-June 1966 issue of the Aerial Phenomena Research Organization (APRO) Bulletin. (Uncredited author)
•The July 1966 issue of the Victorian Flying Saucer Research Society (VFSRS) Australian Flying Saucer Review (AFSR.) (Uncredited author)
•The July-August 1966 issue of the English Flying Saucer Review. (Peter Norris is the credited author)
•The Sep-Oct 1966 issues of the APRO Bulletin. (Uncredited author)
•The Dec 1966 issue of the VFSRS Australian Flying Saucer Review. (Uncredited author).
3.2 We provide here the text of those articles.
4. The Primary Sources
4.1 A colour Polaroid photograph.
Black and white copies of the colour Polaroid photograph feature in both the VFSRS AFSR, and the APRO Bulletin.
A "best" colour copy of this photograph was supplied by James Kibel to Australian researcher Bill Chalker and appeared on Bill's blog site on 19 January 2009.
See http://theozfiles.blogspot.com.au/2009/01/westall-ufo-black-swan.html
4.2 NICAP Report Form
The following is the text from this form:
1. Name: James Kibel. Address: 22 Austin Street, Balwyn, E8, Melbounre, Victoria, Australia. Place of employment: Melbourne, Vic. Occupation: Company director. Education: Primary and secondary school and technical school. Special training: Administration, Civil Defence. Military service: Radiation expert, Headquarters instructor, civil defence (also see letters). Telephone: 802280.
2. Date of observation: April 2nd 1966. Time 2.21pm EST.
3. Locality of observation: Garden of house, Balwyn.
4. How long did you see the object? 6 seconds approx..
5. Weather: Bright daylight. Very light cloud.
6. Position of sun or moon: Sun above and behind the object. East to west at first – towards sun –temp about 81 deg F.
7. N/a
8. More than I object? No.
9. Describe object: Was solid – slowly turning - noticed turning when object faced its flat side towards me.
10. Was the object brighter than the background of the sky? Good contrast.
11. N/a.
12. Did the object:
a. Appear to stand still at any time: Yes, very briefly after turning on edge.
b. Suddenly speed up and rush away: Yes, after turning on edge, turning flat side towards me. It moved off very rapidly in a northerly direction.
a. Appear to stand still at any time: Yes, very briefly after turning on edge.
b. Suddenly speed up and rush away: Yes, after turning on edge, turning flat side towards me. It moved off very rapidly in a northerly direction.
c. Break up into parts or explode: No.
d. Give off smoke: No.
e. Leave any visible trail: No.
f. Drop anything: No.
g. Change brightness: No only when reflecting sun.
h. Change shape: No.
i. Change colour: No.
13, Did the object at any time pass in front of, or behind of anything? When moving off to north was lost from view from garden.
14. Was there any wind? Yes. Direction and speed: North westerly gutsy about 20-25 mph.
15. Did you observe the object through optical instrument? No. Did not even see it through view finder.
16. Did the object have any sound? Not at first, but after moving off to the north a loud boom was heard by me and witness.
17. Please tick if the object was:
a. Fuzzy or blurred.
b. Like a bright star.
c. Sharply outlined: Appeared well outlined against sky.
Handwritten on the form: Camera used – Polaroid Model 800 – Quite old. Set on infinity Ev II on ev scale. Using Polacolour film type 48 – 2 years out of date.
18. Was the object:
a. Self-luminous.
b. Dull finish.
c. Reflecting? Very – seemed to be made of polished metal.
19. Did the object rise and fall while in motion? At first drifted down in level flight. Then tipped on edge. At which time I took photograph – it appeared to falter when turn 90 deg on its axis to face flat surface towards me- at this time I saw rotation of object – it then moved off to north – very fast.
20. Apparent size: ½" to 1" at arm's length.
21. How did you happen to notice the object? Very bright reflection off sun on garden made me look up.
22. Where were you and what were you doing? In garden intending to take photographs of house and garden.
23. How did the object disappear from view? Very quickly to north – could not see due to trees etc.
24. Compare the speed of object with aircraft. Much slower than aircraft at first then much faster than aircraft when moving off to north.
25. Any aircraft in area? A Department of Civil Aviation aircraft flown over 10 minutes later.
26. Please estimate the distance of the object. About 350 -400 feet from me and about 150 feet up.
27. Elevation. (Sketch drawn)
28. Names and addresses of witnesses: Witness does not want to be involved so cannot give name at this time.
29. Draw map.
30. Airport, military items in area? Yes. Airforce Radio School about ¾ of a mile away.
31. Previous UFOs? Once during 1957 from positon A see above – 3 witnesses at that time.
32. Enclose photos etc.
33. Were you interviewed by Air Force investigators? No, not yet. Federal, state, county or local officials? No. One newspaper. Peter Norris of VFSRS looked at picture. Were you asked not to reveal or discuss incident? No, not yet.
34. Can we use your name? Please do not use my name at this time.
Dated 19 April 1966 Signed James Kibel.
We have been fortunate enough to secure a copy of the audio recording of that interview, from the James E McDonald collection, held at the University of Arizona in the USA.
The following is a transcript prepared by Keith Basterfield and Paul Dean. It should be noted that where there is a (…) symbol the words are not decipherable, due to back ground noise such as a dog barking.
The interview:
Kibel. I don't want my name to be used.
McDonald. This is Wednesday June 28th of 1967, its about 4.20 in the afternoon. We are in a Melbourne suburb, and going over some of the details of the Balwyn photograph, with the person in Melbourne who took the photograph. His name will not be identified here, but we are going over some of the circumstances of the photograph. So, I don't recall the date, why don't you, (…) I'll make some notes here too.
K. The only thing is, I haven't got the file with me at the moment with the report that I wrote out in it, so
Mc. You don't know the date off hand?
K. April the second 1966, I'm pretty sure of that. 21 minutes past two pm.
Mc. I think have the date here (…) …if I'm not mistaken. Balwyn April 2nd 1966.
(There is then a discussion of the pronunciation of the name "Balwyn.")
Mc. April 22nd, 2nd 1966 at 1421. Balwyn is a Melbourne
K. Suburb yes suburb of Melbourne.
M. Which side?
K. Eastern suburb.
Mc. This was at your mother's home?
K. Yes 1 Palm Grove Deepdene. (…)
(Discussion about whether or not to record the address. Kibel spells out how the address is spelt.)
Mc. What were you doing, oh lets, let me get the camera type first.
K. Camera was a Polaroid 800. I can show you the camera I think it's called an 800 it's an old, old camera.
Mc. And you had color film, do you remember the speed rating?
K. Yes, I had an old Polaroid colour film in it. I have got the details of it to show you (…) which I was only going to use up in the garden there. The reason I was at the house at the time, was that my parents were overseas and I was having the kitchen renovated while they were away so I was down there supervising the alterations. There were a number of men working on the house.
Mc. Ok. And you were out in the garden?
K. Yes I went into the garden just to finish the film.
Mc. Flowers or something?
K. Yes. Two pictures left in the camera. One I took which was, completely unsuccessful because due to the extreme age of the film in the camera I think it had slowed right down. I increased the ev setting to improve on it. This is when this thing turned up. Obviously I did the right thing, because that one came out.
Mc. Ok. You had taken some, of the film. You had exposed some, anything that came out prior to this?
K. No I was taking photographs down in the garden.
Mc. Had you taken anything? Had you produced any films prior to this one?
K. Only a very badly exposed one of the flowers. Taken it and threw it away.
Mc. And that's why you adjusted the speed?
K. Yes. That's right.
Mc. How did you first notice it?
K. Well the first thing, which would be almost due south, in part of the garden, at the western side of the house and, I noticed a terrific flash on the garden as if, similar to the flash produced by a mirror in a heliograph type flash on the ground. It was, sort of, enveloped half the garden, and gave me a fright.
Mc. Quite an area then?
K. Oh yes. I jumped. I turned my head to the left, which would be facing east then, and saw this object descending, apparently almost vertically in a sort of bouncing motion, like a, rather like a yo-yo. Of course, I had the camera in my hand and I spun around and the first thing I thought of, was I must get a photograph of this. I brought the camera up, and as I brought the camera up, the thing pivoted up, on its edge, and I took the photograph and then dropped the camera down
Mc. Let me get, back up. It came in with the stalk down as I recall.
K. Yes right. That flat area on it was
Mc. (…) to help to get the orientation.
K. Towards the ground yes.
Mc. Stalk down. Picking up the mushroom analogy.
K. Yes.
Mc. Stalk down, and it was bouncing along.
K. It was bouncing down, it was dropping I would think, vertically downwards although it may have been approaching me. I'm not sure, but it was descending in a bouncing fashion. It was, sort of behaving like a yo-yo. It was dropping down and then returning through about quarter of the distance it had dropped.
Mc. (…)
Mc. You were conscious of advance at the same time, during?
K. No, no. Apparently not. It looked about the same size.
Mc. Ok. And no noise?
K. No, no noise at all. Just the noise of the wind which was blowing fairly hard, it was a northerly breeze, very warm day it was about 80 degrees.
Mc. And. A good breeze, northerly breeze.
K. Yes. Northerly.
Mc. Northerly. And scattered cirrus.
K. Mm. Yes.
Mc. ….. Is that the case, reading it off the photo? Ok and what do you estimate, what was your, what has been your estimate of the range to the location on the , over, which it was apparently coming down, miles, 100 yards, feet?
K. Its vertical range from the ground, sort of underneath it?
Mc. Plan view only at the moment.
K. I thought it was, I don't know. A hundred, it could have been two or three hundred feet, feet this is what struck me.
Mc. I don't mean the distance up. I was trying to get the.
K. Oh, from me.
Mc. You were in the garden and if in fact it was not approaching you, which is your impression, it was yo-yoing down on the spot on the map, your somewhere else on the map, and we're trying to get this distance at the moment. Do you think it was hundreds of yards, hundreds of feet, tens of feet?
K. I would say it was 2 or 300 yards away.
Mc. 200 to 300 hundred yards, in other words.
K. No, it is very hard to say. I couldn't say exactly how far it was from me, but I had the impressions, its actual distance from me was about 300 feet. That's what I thought. I remember at the time, I thought it was 3, 400 feet away.
Mc. While it was doing the yo-yoing or? Or later on?
K. Yes, because it stopped. One of the last yo-yos. It just stopped as if a switch had been turned off. It sort of flipped up on its edge.
Mc. One of the yo–yo descents?
K. So that one of 2 or 300 yards wouldn't be correct.
Mc. Apparently not, if you thought it was.
K. No. I thought it was feet.
Mc. Cut it by a factor of three. It stopped. ( … ) It stopped and immediately.
K. It turned up on its edge, as if it had a hinge on the, let's say, facing it in the position with the stalk towards the ground.
Mc. What could we use?
K. On the left hand edge it appeared to have a hinge, swung up.
(Apparently they try and use an ash tray to illustrate the movement.)
Mc. Well, this isn't too bad. We can understand that to be the stalk, if somewhat smaller, and that should be the stalk and we can (…) be sure that isn't full of ash, is it?
K. It sort of, basically came down like that, you know, and then it just went, just like that.
Mc. On the lower, flipped on the lower, and the stalk was then towards pointing towards?
K. Yes. Pointing south.
Mc. Stalk to south. And bell to north?
K. Yes
Mc. And then did it hover there for a moment?
K. Just for a fraction of a, I would say about half a second, stayed in that position.
Mc. Without any other motion?
K. No. It wasn't vibrating or anything. It was just dead still there for that half a second. Then it turned with the stalk towards me. It pivoted so the stalk appeared towards me.
(They then discuss ordering drinks)
K. These were 90 degree movements around the.
Mc. Vertical axis. 90 degrees, with stalk towards you?
K. Yes.
Mc. And then?
K. By this time I had the camera down again about waist level. I was peering at it because I knew there was no point in worrying about the camera any more.
Mc. Had you shot, had you made, when did you shoot?
K. I took the picture when it was in that sort of vertical position.
Mc. Stalk to south.
K. South, yes.
Mc. Looking east?
K. That's when I took the picture and nearly brained myself with the camera. I should have brought my file with the actual report I wrote out in it. But still, I can still remember.
Mc. Then you shot it here?
K. Yes.
Mc. It turned the axis?
K. Then it swung.
Mc. Stalk towards you?
K. Yes.
Mc. Stalk towards the west?
K. Yes. That's right.
Mc. And you dropped the camera.
K. I dropped the camera by this time because.
Mc. You lowered it?
K. Yes. Down to waist level.
Mc. Because what?
K. Well, I realized that I couldn't take another photograph. The think takes 60 seconds to come out and I had to draw the film out of the camera before it would start to develop. So I spent, I well thought I'm going to keep my eye on this.
Mc. This is a slow process, 60, (…) got three shots in 45 seconds (Reference to Heflin photos?)
K. I think he was using the type of camera where you would draw the actual picture from the camera. With this one you had to open the door on the back and peel it out, a really old one.
Mc. So (…)
K. Then, it appeared to me to be turning slowly because of sort of flares of light were going across the bottom of it, did give a sensation it was rolling over towards the north.
Mc. Along its stalk axis, rolling along the axis of revolution?
K. Yes. Rolling in the direction it had turned.
Mc. Is this an impression, that you are not positive of?
K. No I can't. To be quite honest I can't be absolutely positive. I noticed the changes of light on the base of it, but that could have been due to it altering position rather than turning.
Mc. Ok. It's a very shiny object.
K. Oh, it was. Very.
Mc. Hard, been hard to discern.
K. But you know how on a flat object. The lights you get the sort of triangular, sort of flare across the bottom of it, it sort of had these flares, a couple of them, shot across the bottom of it as it turned towards me.
Mc. Were you conscious at the time of any of this pink reflection of that?
K. No, not until I looked at the photos. I didn't; I wasn't conscious of this at all.
Mc. It looked metallic and shiny to your eye?
K. Very, very shiny. Just like a mirror. I noticed its brilliance you know. It was reflecting the Sun in sort of flashes. Very, very brilliant.
(More discussion on drinks.)
Mc. Now it is moving, rolling. What direction?
K. It appeared to be rolling towards the north.
Mc. Rolling to the north.
K. Indicating it was turning. Then it seemed to lose a little bit, a small amount of altitude, it seemed to drop, 15 or 20 feet, this is what it apparently did. When it reached the bottom of this drop, it jerked violently upwards 30 or 40 feet I would say and at the same time accelerated to what I can only describe as an unbelievable speed as it disappeared just almost instantaneously out of sight behind the trees.
Mc. Now it kept to the bottom, jerked violently.
K. It jerked violently.
Mc. 30 or 40 feet and it kept going.
K. No, on an angle, and disappeared in the distance.
Mc. Is this two separate phases of motion, you could follow it this way and then (…)
K. It dropped like that and then just as it came to the bottom it jerked up, and curved over and disappeared. It didn't apparently keep this sort of climbing motion (…) This sort of seemed to be a hop in other words.
Mc. In apparently a straight line and then what?
K. It was sort of that motion, it was a definite hop.
Mc. It then went into a curve, is that it?
K. Yes, sort of. As it disappeared from sight it was sort of curving, apparently curving away, away from me. I lost sight of it when it was about there, sort of
Mc. And it jumped up at an angle of what, maybe 30- degrees (…)
K. Yes, I'd say about 30 degrees.
Mc. Did it stop at the end of that jump, was there a distinct break in the motion?
K. No.
Mc. Or did it (…) direction?
K. When it came to the bottom, it abruptly changed direction but there was no apparent stopping in between it. It sort of went like that.
Mc. Then what separates the end of the jerk from the beginning of the next stage (…)
K. It sort of jerked and curved over.
Mc. Curved over and accelerated.
K. Yes, and disappeared without a sound.
Mc. How many seconds do you think it took to, you didn't get out of sight in open sky, it went.
K. I couldn't see it. I jumped to see if I could see it but it had gone. I couldn't see it.
Mc. It disappeared behind trees?
K. Yes. It disappeared out of view. I then took off around the house because I knew one of the workmen had been working on the other end of the house, sawing wood. And I was convinced that if he had been looking up he would have seen it, because I thought it must be over about where he was.
Mc. Yes.
K. So, on the way I was running around the house. I pulled the film out of the camera which started the processing working. By the time I got to him and asked if he had seen anything, and he said no he hadn't. Because, obviously he couldn't have seen anything, he was bending over his work and the thing didn't make any sound. So I then withdrew the picture from the camera. He watched me take the picture from the camera, and he was very startled. Evidently he said that while I was in the garden at the other end, he had, while he was looking up he had seen me in the garden during the period of the exposure, but he hadn't taken much notice. He just noticed I was in the garden at the time but unfortunately he didn't look up. I think Peter took a statement from him. I gave him his name and address and I think Peter went round and took a statement.
Mc. You don't know his name at the moment?
K. Mr D English, his name was.
Mc. Mr D English He's a carpenter?
K. Yes. He is tradesman.
Mc. (…)
K. I hope Peter got a statement. How long he actually had me in view, I'm not quite sure. But you can check that from the statement. I didn't sort of follow it up.
Mc. So he saw you pull the film out?
K. Yes.
Mc. You have a witness to the appearance of the photo. (…) Next best to witness the object. He was startled to look, to see the object?
K. Oh very. When he saw the picture he was very taken aback.
Mc. Ok. Now did you then, is there more, you never saw it again?
K. No.
Mc. Ok. Now did you happen to enquire around the neighbourhood?
K. Yes. I asked, asked the people next door, but they hadn't seen anything. One of them had been outside, sweeping, sweeping the garden, but they hadn't looked up, they hadn't seen it.
Mc. You never heard that anyone else had seen it.
K. No I hadn't heard anything else.
Mc. Did that surprise, are you among those witnesses who are thereby surprised, or do you understand that in terms of a mode of activity of people in that neighbourhood.
K. Well, it's quite an exclusive residential area that's mainly populated by older people. It's not really unusual for people not to see these things I'd say but (…) but the other thing is too, that there could have been others that saw it but just wouldn't say anything about it. I think this is a good possibility. I'd feel quite certain someone else must have seen it, but whether they said anything about it is another thing.
Mc. So, times, motions, colours. Did, did Paul ever mention to you a feature of the shadow on the object that. Didn't bother me, it's odd I thought. Did he ever discuss with you?
K. No, I have never discussed it with him.
Mc. He had large prints that you.
K. Yes I have got some as well.
Mc. And see it on a magnifier on this but it's just that the, let me refresh my memory. Here we nominally have a surface of revolution.
K. Yes, yes, I know what you mean.
Mc. And we have views of the upper and lower edges, which if it is a surface of revolution (…) define the shape.
K. Yes, that's right.
Mc. Then the question arises, the shadowing on it (…) in fact in the middle of the shadow, sketch this here, from this, shadow, has a cusp, a (…) cusp which I am going to exaggerate.
K. yes I know, you can see that on my (…)
Mc. I wonder, if it is a surface of revolution, then why should the shadow, should be the shadowing not be some kind of continuous curve. Do you rationalize that, anyway or thought about it. What could have produced that cusp? A notch?
K. Frankly I don't know. Because, there could be; on the enlargement you could probably see it better. There seems to be reversed curves and all manner of things up near the top of this thing, which I call the top, that's the part with the point on it. And arr, such a curve round the lower edge, the edge nearest the stalk could possibly produce that (…) effect.
Mc. If there, if there is a, an irregularity on the surface, and if it is a surface of revolution then the upper and lower limbs must show that. This end and this end.
K. I see yes.
Mc. It may not be a surface of revolution, but that poses a question. Did you think at any time that it was anything other than a revolute?
K. No I didn't. (...)
Mc. Left with the impression.
K. I was left with the impression that that was a (…)
Mc. (…) easier to ponder if we had a blown up version.
K. I should have brought that with me. I can perhaps mm. We can have a look at that next week.
Mc. We probably should. I don't have any bright ideas as to anything that would be in the neighborhood that would do it. But that may be. This may be a highly distorted curved mirror type reflection of a building, and it may in fact be identifiable as a building. We should give that some thought…… Sit there and think about the angles. Do you have anything in the way of surveying gear that we can reconstruct the (…) or already been there (…)
K. We already measured it all up, I've got the details of that, anyway.
Mc. We might see if we can think back to what, what object is behind you. Would. Presumably. It looks like it is above the mid-section.
K. Yes.
Mc. of it. That's kind of bad, because your line of sight, then would, be reflected up into the sky. So it's got to be some very tall building if it's going to do that. It's probably not (…)
K. (…) because there's only houses sort of on this side, there's a fence, sort of there, then there's houses, a house, a big house.
Mc. Not particularly tall.
K. No. would it be. If it had been over the house further that way. Could it possibly have been a reflection of a tree here, although it couldn't be because it would mean.
Mc. Well, no, because if it's a revolute, and this is above the mid-section, then and it appears to be, then the specular reflection is of the sky up here.
K. That's right yes.
Mc. It really does look like its well above the middle section.
K. I'm very puzzled with those reflections because I couldn't, also couldn't see how it could be the reflection of the roof of the house. I just couldn't see this. It's this, this interpretation which has been put on it by Peter and his society. I don't think there's enough, you can't get sort of enough information from this photograph to indicate what is being reflected, you know.
Mc. You are looking here, you are looking to the east, right?
K. That's right, almost due east.
Mc. Sun in the north?
K. The Sun was behind me. Ummm. It was just, just above and behind. I think Dr Berson had the, the altitude and everything of the Sun.
Mc. Well, when we have a large photo, then standing out there, let's try to go over that again. That's an interesting point. It may simply be that when you look more carefully at all the angles involved that it I simply the difference between the Sun illuminated part, and the non-illuminated part. It may be that. Is there any possibility of getting print of that? Are there black and white. Do you have any black and white?
K. You haven't got any prints, have you?
Mc. No, no. I do have prints like in the (…)
K. Sure, I'll.
Mc. I don't want to ask you to go to any bother.
K. No. I've got some prints I think, you can have the spare ones I've got, the copies of that. Now you have seen the original you know they're copies too.
Mc. Yes.
K. So, I can let you have those. Yes, sure.
Mc. If I can get one glossy. Ok. So I guess we've gone over the whole incident, just once here, and (…) relevant things we've covered but still we. Is there anything else you can think of, at the moment that needs to be remarked?
K. Not really, apart from the fact I felt I was very lucky. I gave myself a very sore nose hitting it with the camera.
Mc. (…)
K. I nearly knocked myself out. Yes. That's about all really. I can't add anything else. I have my own opinions about what I saw.
Mc. What are those? Are you willing to (…)
K. From a, I had the impression. This was after thinking about the earlier sightings I had which were nothing really conclusive could be deduced from what I had seen and what the witnesses involved with the earlier sightings had seen, because the object seen in these instances were far away although behaved in UFO fashion. In other words, there was nothing you could really discern of the object and this one was the first UFO I had seen really closely, and I've got a good idea, a good knowledge of engineered, engineering generally and it struck me as something that had been manufactured of metal, that appeared to be metal, because it was extremely shiny, looked very much like stainless steel to me, that was the impression I get. It had the same sort of luster as stainless steel. And it just impressed me as something that had definitely been contrived.
Mc. Not a plasma.
K. That's for sure. There was a definite deliberation in this, and, the way it moved left no doubt in my mind at all, that something was manipulating its movements. There were. It was deliberate, and it was definitely mechanical, the way it swung around and did these things, although it didn't agree with any aeronautical behavior that we would, that's common today. Its, was definitely movement of deliberation, something manipulating, something, that is what it appeared to me."
End of transcript.
4.4 Statement of Mr David English
This was dated 2 May 1966 and signed David English:
"On the 2nd April, 1966 I was working inside the house at Balwyn owned by Mr Kibel senior when James Kibel told me he was going into the garden to finish off a film he had in his Polaroid camera.
He went into the garden with the camera and I saw him apparently preparing to take a photograph.
He then came hurrying back and said something to the effect of "I have photographed something peculiar in the air. It may have been a bird but let us see what comes out on the film."
He then stood shoulder to shoulder until Kibel removed from the camera the photograph which was later published in "The Herald."
I am positive Kibel was alone at the time of taking the photograph. Mr Kibel Senior was away and I was worried about prowlers and would have noticed any strangers around the grounds.
While waiting to see the photograph, we both heard a boom like a plane breaking the sound barrier.
I gave this statement on the understanding that all personal details will be withheld from publication."
4.5 Sketch of house and garden drawn by Kibel.
5.1. "Herald" Melbourne newspaper dated 12 April 1966
"Blimey! Now it's a flying mushroom…
All in a Balwyn garden.
Mr Peter Norris, president of the Victorian Flying Saucer Research Society, today released a photograph of an "unidentified flying object" taken from the garden of a Balwyn home.
Mr Norris said that the object was snapped by a society member at his home at 2.21pm on Saturday April 2.
The member, whose name is not available, because of business reasons, said today he was using color film in a polaroid camera.
"It was a warm, clear day and suddenly the whole garden became lit up. It was like a reflection from some huge mirror being shone on the garden" he said.
"I looked up and saw an object, bright and shining, coming towards me. It would have been between 20ft and 25ft in diameter and was about 150ft up in the air.
"It seemed to float down towards me. It resembled a big mushroom with the stalk pointing towards the earth.
Shot off:
"Then it spun through an 180 degree angle on its vertical axis to take up the position in which I photographed it.
"Then it turned slowly through another 180 degrees on its horizontal axis to bring the stalk part facing me.
"From an almost stationary position it took off northwards at terrific speed, accelerating to what seemed to be hundreds of miles an hour in seconds.
"I ran and got a carpenter who was working on the house. Seconds after it took off we heard a boom, similar to the sound jets make when going through the sound barrier."
Then man said he copied the print from his Polaroid camera and enlarged it to get the photograph shown here.
Mr Norris said the research society would fully investigate the sighting.
"I know the man personally and I am certain this is not in any way a hoax" he said."
"Best Photo Yet – In Australia
Peter Norris has forwarded a print of the clear colored photograph taken by a prominent Melbourne businessman on the 2nd of April. Although the photographer asks anonymity, he is a member of the VFSRS and is known and vouched for by Mr Norris.
2.20pm on the 2nd, the man was in his garden using up the remainder of the film in his Polaroid color camera. Suddenly, a bright reflection caught his eye, and he looked up and saw a bell-shaped object hovering, on its side, over the house. The man snapped the photo, whereupon the object accelerated at great speed and took off in a northerly direction. He estimated the object was about 20 to 25 feet in diameter, and at about 150 feet altitude.
If at all possible, the photo will be included with this article [KB – it was.] In the black and white print, the bottom appears black but in actuality, in the color photo, it is pink, reflecting the color of the roof over which the object hovered."
"VFSRS member snaps a UFO
A Polaroid colour photograph of a UFO is now under investigation by the VFSRS.
The photograph was obtained in Balwyn, Victoria at 2.02pm on Saturday, April 2nd by a society member who has requested that his name be withheld for business reasons.
The member's description of the incident is as follows;
"It was a warm, clear day, and suddenly the whole garden became lit up. It was like a reflection from huge mirror being shone on the garden.
I looked up and saw an object bright and shiny coming towards me. It would have been 20 feet to 25 feet in diameter and was about 120 feet up in the air.
It seemed to float towards me. It resembled a big mushroom with a stalk pointing towards the earth.
Then it spun through an 180 degree angle on its vertical axis to take up the position in which I photographed it.
Then it turned slowly through another 180 degrees on its horizontal axis, to bring the stalk facing me.
From an almost stationary position it shot off northwards at terrific speed, accelerating to what seemed to be hundreds of miles an hour in seconds.
I ran and got a carpenter who was working on the house. Seconds after took off we heard a boom, similar to the sound jets make when going through the sound barrier."
One interesting aspect of the photograph is a shading of pink directly on the bottom part of the UFO. This appears to be a reflection of the pink tiles of the roof over which the UFO was apparently passing at the time the photograph was taken.
When details of the photographic experts' analyses are to hand they will be published in an issue forthcoming."
5.4. Flying Saucer Review (UK) July-August 1966 Vol.12. no. 4 pp 3 & 27
"Melbourne man snaps UFO
By Peter Norris, L.L.B.
A member of the Victorian Flying Saucer Research Society has released a color UFO photograph taken by him in the Melbourne suburb of Balwyn at 2.121pm on Saturday April 2, 1966.
The member has requested his name and address be withheld for business reasons, but the writer will call him James brown for purposes of reference.
Brown is well known in Melbourne UFO circles. A student of the UFO subject for more than ten years, he holds qualifications in engineering and is a director of his family's engineering company. He is also an instructor of civil defence.
Brown's report is as follows:
"It was a warm clear day and suddenly the whole garden became lit up. It was like a reflection from some huge mirror being shone on the garden. I looked up and saw an object, bright and shiny, coming towards me. It would have been between 20 feet to 35 feet in diameter and was about 150 feet up in the air.
It seemed to float down towards me. It resembled a big mushroom with the stalk pointing towards earth.
Then it spun through a 180-degree angle on its vertical axis to take up the position in which I photographed it. It then turned slowly through another 180 degrees on its horizontal axis to bring the stalk part facing me.
From an almost stationary position it shot off, northerly at terrific speed, accelerating to what seemed to be hundreds of miles an hour in seconds.
I had run and got a carpenter who was working on the house. Seconds after it took off we heard a boom similar to the sound jets make when going through the sound barrier.
The writer subsequently interviewed the carpenter (name withheld on request) who confirmed Brown's story. In particular he emphasized that he had Brown in his sight when the photograph was taken, and insists Brown was alone all the time.
After photographing the UFO Brown ran back to the carpenter and they stood shoulder to shoulder waiting for the photograph to process. When it was taken from the camera, the image of the UFO on the print was immediately perceived.
Although it is still under analysis by VFSRS photographic advisers it can be said at this stage that the Brown photograph has caused considerable head scratching in skeptical circles. After all, a colour photograph taken on a Polaroid camera is not the easiest of things to fake.
Not the least interesting aspect of the photograph is the pinkish colouring which can be discerned on the underneath part of both the flange and the "stalk" of the UFO, whilst the upper parts of the surface appears to be of a brightly polished reflective material. Is this a reflection of the roof and chimney over which the UFO was apparently travelling when photographed? Can it be established thereby that the UFO must be a large object at some distance from the camera and not a small artifact tossed into the air close to the camera? The answers to these questions will be eagerly awaited.
One other incidental matter arises. RAAF investigators have been relatively quiet during the recent Victorian flap, but are known to have investigated at least one of the sightings.
However, despite the considerable national publicity accorded to the Brown photograph in both press and television mode, it is a surprising fact that official circles have so far completely ignored this vital (perhaps definitive) evidence of UFO existence. One can only guess at the reason, but could it be officialdom is now only interested in the explainable sighting, those which keep down to a negligible figure the percentage of "unknown" cases? Only time will tell."
"The Balwyn Photo
A complete photo analysis of the photograph of a bell-shaped object hovering over a residential section of Balwyn (Melbourne suburb), Australia, has arrived at headquarters.
Along with the analysis which proves the photo authentic (see page 1, May-Jun issue) was the identity of the photographer, and the office was surprised to find that he is one of our many Australian members.
Mr X has an extremely important position in Melbourne, and it is easy to see why he would hesitate to be identified with a UFO picture, or incident considering the controversial nature of the subject. The full story:
Mr X was in his garden of his home when his attention was attracted by a brilliant flash, as if some huge mirror was reflecting light to the garden. He looked up and saw the object coming in his general direction. It appeared to be between 20 and 25 feet in diameter and about 150 feet altitude. It resembled a big mushroom with its short stalk pointed earthward.
Mr X ran to get a carpenter who was working in the house so that he could watch the object also.
The object spun through a 180-degree angle on its vertical axis ending up with its rim pointing down. Mr X who had been using up film in his Polaroid color camera snapped the photo and waited from the timing process before pulling it out. The object then turned slowly through another 180 degrees on its horizontal axis, whereupon the "stalk" part was facing Mr X.
From this almost stationary position, the object shot off to the north at great speed. Seconds after it took off the two men heard a boom, "similar to the sound jets make when going through the sound barrier."
Peter Norris, APRO's Australian representative interviewed both Mr X and the carpenter (who also wished anonymity."
The carpenter emphasized that he had Mr X in sight when the photograph was taken and that Mr X was alone all the time. The two stood shoulder to shoulder waiting for the photograph to process."
5.6. December 1966 Volume 6, AFSRS (Victorian edition) pp11-12
Page 1 of the analysis
"Report on UFO photographed at Balwyn.
A. Data
1. The Polaroid photograph with chimney visible in left bottom will be referred to as photo I in what follows. Enlarged photo showing the UFO only will be referred to as photo II.
2. The UFO was sighted on 2nd April 1966, and photographed at 14:21 EST on that day.
Focal length of camera at infinity 6 ins.
Distance from point at which photograph was taken to peak of chimney (see as on photo I): 81 ft.
Height of chimney from ground level to peak: 26ft 6ins.
Distance of chimney from curb side of road: 56 ft.
Distance from point at which photograph was taken to curb side of road: 54feet
(These data were supplied by the photographer.)
B. Authenticity of the Polaroid photograph.
The Polaroid photograph and its enlarged copies show no sign of multiple exposure, montage or any other tampering. No statement can be made, on the basis of clarity, or lack thereof (see photo II), about movement of the object in the sky, because immovable objects in phot I show signs of movement, ie the picture gives evidence of camera movement.
C. Evaluation of height and size of object in the sky.
1. Data deduced directly from photo I:-
Large (apparent) diameter of UFO: 7mm.
Small diameter: 4mm.
Width of chimney: 4.9mm corresponding to an actual width of 1 foot 6 inches.
2. Calculated from the data in A2: -
Distance from sub point of chimney at ground level to camera: 76ft 6 ins.
3. Evaluation from attached serial photographs and data in A.2 and C.1, 2: -
Azimuth of line projected to curbside of property
a=121 deg (clockwise from due north)
Azimuth of vertical plane through camera and chimney top
a=121 deg 41 mins (see the diagram)
Probable error of latter azimuth +/-2 deg.
The ground projection of the cone in which the UFO is located is shown as two red lines in the serial photographs.
4. Elevation angle of UFO: 28 deg 36mins. This has been calculated from the true height of the chimney top, its apparent position in photo I, the relative apparent height of the UFO above the chimney top, and the horizontal distance between sub point of chimney at ground level to camera, ie 76' 6" (see C.2 above.)
5. On the basis of item C.4 the height of the UFO could be determined for an assumed horizontal distance of its sub point from the camera. Various heights corresponding to various assumed distances are listed in the 2nd column of the table.
6. The large and small (actual) diameters of the object could be determined from the assumed distances, the focal length of the camera (see A.2), the apparent diameters on photo I (see C.1), and the angle of elevation (see C.4). Diameters are given in the third and fourth column of the table.
7. At the time the photograph was taken, the UFO appeared to have been near the school and or even closer, not further than the southern portion of the public park southeast 400 feet. Assuming a circular cross section, the circumference of the UFO at its widest cross section would have been at least 10m but possibly as large as 35m (33 to 115 feet).
D. Remarks on light reflections from the surface of the UFO.
"On 2nd April, 1966, the altitude of the sun at 14hr 21mins was 46deg 45 mins and the azimuth 45 deg 59min west of north when observed from Box Hill. This information was supplied by D F Marshall, lecturer at the Observatory, Institute of Applied Science of Victoria.
In the here adopted notation, the azimuth of the sun was therefore 314deg11mins (clockwise from north) and its elevation about 18deg higher than that of the UFO. Providing the sun at the instant of taking the photograph was not obscured by cloud (and from the photograph it appears that there was sunshine at that instant), it would follow that (1) the UFO exposed to the camera, ie not at an angle of 90 deg but at an angle of 75 deg in the plane of viewing; (2) that the light came slightly from above, relative to viewing from the camera position.
The effect mentioned in item (1) is not substantiated by any indication of consistent shadows on photos I or II.
Footnote: The names and addresses of the authors of statements B, C and D may be supplied on request."
Note: A photograph accompanied the text, plus a diagram of relative distances and angles.
5.7 The book "Firestorm"
There is also a version of the Kibel/McDonald interview, which appeared in 2002, apparently using McDonald's hand written notes of the 28 June 1967 interview.
(The following text is taken from the book "Firestorm: Dr James E McDonald's Fight For UFO Science" published in 2002 by Wild Flower press, Columbus, NC. ISBN 0-9-26524-58-5. Kibel was interviewed in mid 1967 by McDonald, when McDonald was in Australia.
"On April 2, 1966 James J Kibel was supervising alterations at his parent's home in Australia. He decided to use up the film in his Polaroid 800 camera on the beautiful garden.
The film was so old, the witness told McDonald, that it was of altered speed. "Kibel tried one shot, which turned out badly. He adjusted the speed setting."
Suddenly he noticed a bright flash on the ground. Although it was full daylight, half of the garden lit up. Startled, he looked up and saw a peculiar shiny object, descending downward. The top was shaped like a bell, and a "stalk" projected from the bottom. The object bounced up and down in "yo-yo" fashion. Kibel had difficulty describing how far the object descended. "Two hundred to three hundred feet," he estimated. "It's terribly hard to say."
It was a warm, sunny day with a strong northerly wind, gusting to 30mph, yet the wind seemingly had no effect on the object's bouncing motion. At one of its descents, the object's bouncing motion stopped and flipped up on its lower edge. It hovered a half second and Kibel hastily shot a photo. In his haste and excitement, the camera hiut his nose so hard that it hurt afterwards.
He lowered his camera, he was unable to shoot again immediately because the color Polaroid film demanded a 60 second wait between pictures. McDonald's journal continues
"Rolling to the north, it then seemed to lose a bit of altitude, maybe 15-20 ft bottom of drop, it jerked violently upwards 30-40 feet at an angle 30 degrees to horizontal. Then curved over and accelerated at very great rate. Disappeared behind trees.
Kibel ran around the house trying to find other witnesses, pulling the film in the Polaroid to start the developing process. A worker, Mr D English, was bending down in the yard; he had seen nothing. Kibel pulled the picture out, startled by the clarity of the photo. He looked for other witnesses, but could find none. It was an exclusive neighbourhood where not many people spend time outside, he explained. He told McDonald that the object, in his opinion, was definitely "manufactured" and that its motion was "mechanical." He estimated its size as between 15-25 feet diameter.
Jim Kibel had seen two other UFOs from that same garden when he was still living at home. In late afternoon August 1954, at the age of 15, his mother had called him suddenly into the garden to view a disc which was flipping in the sky, showing alternately a shiny side and a dull, dark bottom. Its angular size was equal to an Australian ten cent piece at arm's length, very much larger than the moon.
Mrs Kibel reported the object to the staff of a Melbourne newspaper, who ridiculed her, suggesting she'd been drinking too much!
After a sighting in 1958 which was also witnesses by his fiancée Jim Kibel reported it to Peter Norris of VUFORS, whom he knew personally. Remembering his ridicule his mother had sustained, he didn't report it to anyone else. McDonald wrote in his journal "All Jim Kibel knows is that the objects were definitely there."
The following material is available:


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In a recent post, I mentioned that on Friday, my dear friend Kristy Hanson came over and we hit the gym and had a killer workout. Then she came over and we made lunch. What I didn't share in that post what we had for lunch… but that's what this post is for! It was a delicious meal, and I took pictures.
In addition to being delicious, this meal was quite noteworthy because there was a lot of experimenting going on. You know how much I love trying new things, right? Well, this meal involved not one, not two, not three, but FOUR new things! FOUR! I was in hog heaven.
Enough procrastinating, David – get on with it! The whole meal was built around the idea of using…
NEW ITEM #1. About a year ago, I started noticing vegetables in all sorts of strange colors. Naturally, I bought every oddly-colored vegetable I could find! I was diligent about blogging about them, too – so click these links for pictures of rainbow carrots (and more rainbow carrots here and here), Easter egg radishes, black radishes, orange cauliflower, purple bell pepper, and white eggplant.
It's been a while since I've seen an oddly-colored vegetable. Until the other day, when I picked this up. It's a purple cauliflower!
Isn't it beautiful? And it's loaded with antioxidants that white cauliflowers don't have – hence the purple color. And, contrary to popular belief (or at least my own), purple cauliflower isn't the result of breeding or genetic manipulation – it's a naturally occurring heritage variety that can be traced back to either Italy or South Africa. It's still beautiful once you hack it into florets:
Kristy and I decided to make a big veggie stir-fry, with the purple cauliflower as the star. I also cut up onion, red bell pepper, mushrooms, yellow squash, and zucchini. Meanwhile, Kristy cut two chicken breasts into chunks:
We cooked the chicken in one skillet, and the veggies in another, because we ended up trying two new sauces, one on each component. And that brings me to…
NEW ITEM #2. I bought this bottle of garlic sauce on the island of St. Maarten, when I was the on a cruise in December, and I've been dying to bust it open:
I charged Kristy with photographing the bottle, and she opted to create a floating bottle illusion, which I love! The sauce is a super concentrated garlic puree – it smells incredible! There's only five listed ingredients: garlic, onion, vinegar, salt, and spices, and one serving (a teaspoon) has no calories and no fat. We added about a tablespoon to a skillet slicked with non-stick spray, and added the chicken to it.
Meanwhile, in the other, bigger skillet, we slicked it with non-stick spray and got the veggies going – first, the onion, so it would get nice and soft, then we added the cauliflower, since it might need a few more minutes to cook, and then we added the rest of the veggies. After they had been cooking for a while, we added a different sauce to that pan, and that sauce is…
NEW ITEM #3. This caught my eye when I was wandering at Whole Foods:
When Kristy's photography ends up in a museum somewhere, this photograph will be called "Sauce with School Bus."
I bought it because I like apricots and I like dijon mustard, but I've never had the two of them together. And with 15 calories and 0 fat per tablespoon, it was a lot healthier than a lot of the other sauces on the shelf. When the veggies were mostly cooked, we added about 1/3 of a cup (5 servings) to the skillet – enough to coat all the veggies (and there were a lot of veggies), but only enough to coat them lightly. We also added…
NEW ITEM #4. Fake pasta!
I've been seeing this item at Whole Foods for a while now, and finally gave in and bought some. It's a tofu-based pasta alternative – this variety is spinach fettuccini – and that entire bag (2 servings) has 50 calories and 0 grams of fat (it's zero Weight Watchers points, for those of you that do Weight Watchers). It's super easy to prepare: cut open the bag, drain it, rinse it, and heat it up – either in hot water, or you can do what I did, and clear a space in the veggie skillet, and add it in. Be warned: the fettuccini strands tend to clump together, so use a fork or something to tease them out a little bit before you add them.
The cooking of the entire meal was quick – about 10-15 minutes in two side-by-side skillets (I would've taken photos but my stove is in the dark corner of my kitchen). Then we plated it up, and dug in!
The final result:
It was delicious. The garlic-sauced-chicken was flavorful, and the veggies were perfect. The apricot dijon sauce was a little sweet and had a great mustard kick. The fake pasta was good – I don't think you could be fooled into believing it was real pasta, but Kristy pointed out it was very similar to texture and taste to sobu noodles, which are often used in Vietnamese and Thai dishes. The pasta helped round out the dish, and absorbed the sauce nicely.
The best part? Kristy and I each ate a big plate of food, and there was enough leftover for a big, tasty dinner.
PS – If you didn't have time to visit Keep It Up, David over the weekend, than you missed out! I blogged both days over the weekend, so click on these links to read about an unexpected run and the new skyscraper I added to my collection!

subset: commoncrawl


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Project OrgEditor Season 3 : The King of Spring
Welcome one and all to the third season of Project OrgEditor, a contest sponsored by AnimeMusicVideos.org, and yours truely, CodeZTM. It is time once again for editors across the globe to gather together and compete for the title of Project OrgEditor champion, and join our Hall of Fame, alongside champions of the past.
So let's get right into it!
Contest Information
Project OrgEditor Season 3 is a single-elimination tournament, where we start with a large group of editors, have them edit to a particular theme challenge, and the lowest scoring videos of each round are eliminated from the competition. We then repeat the process for a total of 4 rounds of competing until we are left with our final 3 competitors who will go at it in the final round to fight for the championship.
What will the themes be? That's a secret to all until the time is right! Though, here is a preview of your weeks to come:
Contest Rules
Section 1 : Expectation of Entrants
Entrants are expected to compete in each and every round. Please DO NOT sign up if you do not have the time/energy to enter the competition. It is a weekly edit for 5 weeks, with only 2 days rest in between rounds for judging. If you cannot commit, do NOT compete.
Entrants may join as an individual or a partnership (not to exceed 2 editors total).
Entrants are accepted on a first-come first-serve basis.
Entrants agree for their videos to be used in future contest promotional material, with proper credit given to the editors involved.
Entrants are expected to treat other entrants with respect. Rudness/flaming/disrespect will NOT be tolerated.
Entrants agree that any violations of any rules will result in a disqualification from our contest.
Section 2 : Rounds
Entrants will compete in "rounds" of competition. There are five rounds overall, and each round will have a specific "theme challenge" that editors will have to create their videos in accordance with.
At the end of the judging for each round, the lowest scoring videos (in accordance with elimination numbers assigned beforehand) will be eliminated. Bonus points are awarded to the top 3 videos in each round. These bonus points will be applied to all future video scores in every subsequent round.
Each round of competition shall last for one week each. Videos are due by the end of the day (23:59:59 CST) on THAT day. To account for time zones, editors should contact me before each round to confirm when their video is due. Countdown clocks will be provided for your benefit. A few hours of consideration will be granted for uploading and time zones, if (and only if) I am contacted beforehand and given a SOLID time of when I can expect the video to be sent to me.
Section 3 : Content / Technical / Uploading
All AMVs entered into this contest must meet a-m-v.org standards of uploading. Meaning that if it cannot be uploaded to a-m-v.org, you cannot enter it into our contests.
Each video (upon completion) must be sent to me via a reputable file sharing service. You may NOT upload your video to the public until the end of the judging phase for that particular round. Videos will be shared with the public (anonymously) via the google drive system and their preview option.
Videos must be in the following formats:
Containers: AVI, MP4, MKV
Video Codec(s): H.264, XviD, DivX (5, 6 and 7)
Audio Codec(s): MP3, AAC,
AMVs must be less than 150 MB, unless an applicable reason is given otherwise.
Section 4 : Judging
Judges will be public, but judging will be blind. Videos MUST retain their anonymity until the end of the round to ensure this. Judges have been instructed to leave short comments regarding the scores given and their overall opinion of your videos. Also, if you're reading this, congratulations for actually reading the entire thread! Please note that you should put an icon/picture of a wizard in your registration post. Posts without wizards will not be considered.
Each video will be judged based upon the following criteria:
Concept: 20 Points
Visual/Audio: 20 Points
Sync/Editing: 20 Points
Theme Challenge: 20 Points
Overall: 20 Points
Concept: If the video has a point to it. Is it 3 minutes of footage slapped onto a song, or is there a purpose behind the editing? While it doesn't necessarily have to have a story, it should still have a purpose/theme behind it.
Visual/Audio: Technical aspect of the video. 10 points for visual and 10 points for audio. Is the footage as clean as it can be? Is the audio as script and clear as can be? Please be sure to take note that older sources will not be penalized for being an old source.
Sync/Editing: How well the video was edited/synced to the music. Does the video and music work well together? Did the editor actually edit the video?
Theme Challenge: How well the video addressed the theme challenge. Does the video attempt to take the challenge into account, or is it just a video for the sake of being a video?
Overall: How the video comes together as a whole. Does the editing/sync, the theme challenge, the technical qualities and the concept meld together well?
Meet The Judges
Let's meet our wonderful panel of judges for this year!
AimoAio: AimoAio has been a wonderful member of the community for a long time, and always has something to say about videos. Her critiques are fair, detailed and she is often the kind of person you'd want to beta test or review your video!
Jaddziadax: Long time member of a-m-v.org, Jaddziadax has just about seen it all! Having been here since 2004, she is sure to bring a veteran's eye to the field of judging for this year's contest.
Kimberly: Having been closely involved with the Project Editors of the past, Kimberly is jumping into the judge's seat this year. She is a fine critic, and definitely knows how to speak her mind!
kireblue: Director of MomoCon's AMV Department, kireblue knows a thing or two about AMV contests, and has been involved with Project Editor for many years. He is a fair and balanced judge, and is often part of a judging/beta/review panel for many here at a-m-v.org.
Nya-Chan Production: A co-host and prior champion of the Project Editor series, Nya-Chan Production has been involved in the contest for quite some time now. Nya's been in your shoes, and knows what you're about to go through, and definitely knows a thing or two about judging.
Shin-AMV: Shin-AMV is the previous Project Editor Champion of season 2, and is a well known editor around these parts. He knows the trials you shall soon face, as well as the ends and outs of the editing itself!
The champion shall recieve the honorary title of Champion, alongside a custom ribbon on the winning video's profile page! You will also snag a $100 Amazon Gift through your e-mail!
The runner up shall be granted a $50 Amazon gift card through your e-mail!
The fan favorite video of the contest from any round (as chosen by the viewers of a-m-v.org at the end of the contest) will receive a $25 gift card through your email!
To Sign Up
1) First, read this thread in its entirety! Very important.
2) Second, post in this thread with your username and let me know that you want to compete!
3) Check the front page and make sure you are properly listed.
4) Join us again on March 1st, when the contest will begin!
Meet Our Competitors!
1. Kisanzi
3. afanador
4. Rendakor
5. RAWdangers
6. LopezAMV
7. Animated
10. sakuraslight
11. Eake4
14. mumsee
16. Iron Solari
25. SilverFreedoms
32. Radical_Yue


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It is not how much we have, but how much we enjoy that makes happiness. ~ Charles Sprugeon
I've returned to work and reality has set back in but let's revisit a wonderful day from my vacation.
One thing I love about winter is that I don't have to worry about the dogs overheating. I can let them run themselves silly.
Sadie loves to eat snow.
While Luka loves to play in the icy water.
My goal for a day at the park is always the same: tired dogs. Snoring on the way home is a bonus.
After being cooped up in the house all week the dogs were ready to run this weekend.
Before we went to the park Luka was groomed and he was happy to show off his gorgeousness. (I gasped when I saw him. I hadn't realized how unkempt he was looking.)
It was another successful trip.
Some random (adorable) dog pictures.
So far, 2012 is very calm. I hope it stays that way.
The object of a new year is not that we should have a new year. It is that we should have a new soul. ~ G.K. Chesterton
Goodbye, 2011.
In 2010's year-in-review post I closed with these words: "My life has been such a roller coaster in recent years that I no longer try to imagine where each new year will take me. I have no idea where I'm going in 2011 but I'm looking forward to the journey."
I was a wise woman a year ago.
2011 was a wild year.
When I think of 2011 I think of one word: expensive.
In June I bought a new (to me) car. I knew exactly the type of car that I wanted and more than one arrogant salesman told me I'd never find it.
Not only did I find it, but I found it in less than one week.
The moral to this story: never underestimate a crazy dog lady.
My other major expense came in September when Luka had emergency surgery. I may grumble and gripe about how much that dog cost me but I am so very thankful he made a full recovery.
Despite Luka's attempt at death-by-garbage, 2011 was a year where I did not experience the loss of a pet. (Long time blog readers know that such years have been rare lately.) I am so happy that everyone is here and (most importantly) healthy.
Sadie lost 4 lbs. this year for a total of 32 lbs. since I adopted her. Ideally, the vet said she should lose a couple more pounds but she's finally at the point where she's at a healthy weight. Her obesity left its mark (arthritis in her knees) but it doesn't really bother her and she continues to love to run.
With the notable exception of September, it's been a good year for Luka. The furry guy continues to surprise me (in good ways).
Just a few days ago I pulled over to let an ambulance pass. As the vehicle approached (lights flashing and siren wailing) I suddenly heard a low, mournful howl from the back of the car. Luka was wooing! It was only the second time he's done it and it was so cool. He's a challenging, silly boy and I'm so happy he's okay.
As I hoped for last year, Romeo and Milo have become friends.
They play together nearly every day and while Milo sometimes gets too rough (Romeo is 15 so I'm very watchful of their playing) they also enjoy quiet moments together.
The biggest pet shocker of this year has been the taming of Luka at the
hands paws of Milo. I never in my wildest dreams thought that I would ever see this in my house.
Luka still has his moments of being a jerk to the cats (he loves to chase them) but these moments are now rare and usually stop with a Milo paw to the face.
This taming of Luka has led to Romeo becoming more outgoing. Romeo doesn't have claws, but I don't think Luka realizes that. All Romeo has to do is pick up his paw and Luka stops being a pain.
To say that Milo is a joy is an understatement. He has been the perfect addition to the family and I am so glad I found him.
There wasn't a lot of knitting this year. I finished four pairs of socks and one scarf.
One sweater is still in progress.
My yarn diet is nearly intact after two years. I only broke it this year to buy the Homespun needed for the above scarf.
The summer of 2011 was another summer of adventure. Each weekend was spent exploring the trails
and splashing in the water.
Our hiking season came to a screeching halt when Luka had surgery but as soon as the snow melts in the spring we'll be back on the trails.
I have no idea what 2012 will bring.
I just hope it's calm.
Idleness is not doing nothing. Idleness is being free to do anything. ~ Floyd Dell
Remember when this used to be a knitting blog? Let's (briefly) return to those days.
This is the Purple Ass Burr Scarf.
Earlier this month I got a burr in my ass about knitting a purple Homespun scarf. I cannot explain it. It's something I had to do. So I bought the Homespun (my first yarn purchase in nearly two years) and banged out the scarf in a couple of days.
It's exactly what I wanted but I haven't worn it yet. I can't explain that, either, but it's done so I'm happy. Full details are on its Ravelry page.
Over six months ago I dyed this sock blank.
Last night I finally finished the socks.
These socks are fraternal on purpose. I knit each sock from a different end of the sock blank. I didn't want to lose any of the blank colors and that was the best solution. Full details on the Ravelry page.
I'm in the middle of my annual vacation from work. My workplace shuts down for 10 days at the end of the year. I added some vacation time to that so I'm enjoying 17 days at home. Like last year, I'm realizing just how much Sadie loves the couch.
She has been sharing the couch with Milo.
I love the look on her face in this picture.
Luka has been no slouch in the relaxation department.
It's a rough vacation around here, but we're all managing. 🙂
Determine to live life with flair and laughter. ~ Maya Angelou
After a long streak of cold weather it was nearly summer-like over the weekend. The dogs and I took advantage of it and hit the dog park.
It was warm enough for me to kick back and take in the view.
The dogs ran themselves silly. Once they calmed down Luka found a tennis ball and kept himself amused for nearly half an hour.
At one point the ball went under the ice and Luka had to work to retrieve it.
He finally found it and jumped out of the stream.
And then he nearly poked his eye out.
Sadie did a bit of splashing in the water.
But at this point she was quite tired and ready to go home.
Luka finally tired himself out and fell asleep shortly after we'd left the park.
The recent cold weather has meant a lot of sleeping around here.
The cold weather has brought out the snugly side of Milo.
Finally, Romeo let me snap a picture of his gorgeous blue eyes.
This time, like all times, is a very good one, if we but know what to do with it. ~ Ralph Waldo Emerson
It was recently pointed out to me that I have not blogged in a long time (thank, Kelli!). During this time away I updated my Blogroll (on the bottom right side of the page). This is a list of my very favorite blogs. Check them out if you're looking for new blogs to read. They are all wonderful.
Even thought Luka was released to full activity last month the dogs and I just returned to the dog park last week. While we've gone twice in that time, it's been too cold to use my camera. So, this post is a random assortment of pictures taken at home and a few lower quality pictures taken with my phone.
Last month I had my furnace serviced. When the service guy had the furnace taken apart Milo was obsessed with climbing inside. I tried to explain to him that "curiosity killed the cat" is a cliche because it's true, but he didn't listen. So, I put him in jail.
Now that cold weather is here Milo's favorite afternoon perch is in the sunshine.
Once the sun goes down he resumes his sprawling.
I'm still amazed that Milo has tamed Luka. Luka used to be obsessed with chasing cats. When I brought Milo home last year I never in a million years thought I'd ever see this:
They have moments that end with Luka getting clawed across the face but for the most part they peacefully co-exist.
I'm not sure either of them would admit it, but I think they're pretty good friends.
Luka is a pretty popular guy when the weather turns cold. Sadie discovered that his tail makes a great pillow.
And, the close up:
I love this picture of Sadie and Luka.
This portrait of Luka was achieved by holding a treat behind the camera. 🙂
The dogs and I hit the road for Thanksgiving. Sadie enjoyed hanging out with one of her cousins.
All the dogs supervised the carving of the turkey.
At the dog park this weekend I recorded this video. These eight short seconds sum up what I am most grateful for this Thanksgiving: my boy is healthy.
Happiness is nothing more than good health and a bad memory. ~ Albert Schweitzer
Four weeks ago tonight Luka had surgery. Today, finally, he was released to full activity.
I took him to a nearby school to take advantage of their fully fenced grounds.
I set the beast free.
I think he's happy.
It's going to take some time before we're back to walking three miles a day and hiking on the weekends, but we are on our way.
During the time off from our long daily walks Sadie has been following Milo's lead and practicing for the Sleep Olympics.
This is her favorite place to sleep: snuggled up against my leg.
As cute as Sadie is, she is still not as skilled as Milo when it comes to sleeping.
I have been knitting and I finally took pictures.
The latest socks.
And a sweater.
Think of all the beauty still left around you and be happy. ~ Anne Frank
What a difference a day makes.
Last night: sad cone-head.
This afternoon: happy boy.
Today was an exciting day: Luka's stitches were removed! I can now transition him back to regular food and we can go for two 15 minute walks a day. He still can't run or go outside off leash (two more weeks before he's released to full activity), but it's very exciting.
I've put my house back together (I had to move all of the living room and bedroom furniture to accommodate the cone) and we've gone on our first walk. To say walking made Luka happy is an understatement:
I was able to get a picture of Luka's cute shaved belly and his scar (the scar isn't really jagged…it's just how he's positioned).
Going back a few days…Luka's been on a chicken and rice diet. I was boiling chicken earlier this week and Luka took it upon himself to supervise the operation.
Sadie is quite bored with all of the attention I've showered on her little brother.
Sadie had a check up today, too, and the ulcer on her eye is fully healed.
I don't think Milo has noticed that the cone is gone. He's still hanging out under the table.
I didn't realize until I brought stiches-free Luka home how stressed I've been about him opening his incision. I've spent the last two weeks hovering over him. When I was at work I worried if he was behaving at home. During the night I checked on him every time he stirred. I guess you could say I've been holding my breath for two weeks.
Finally, I can exhale.
What we obtain too cheap, we esteem too lightly. ~ Thomas Paine
The patient continues his recovery.
He's off all of his medicines and now the challenge is to keep him calm until the stitches come out on Saturday. He's very, very bouncy and really wants to play/run/jump. I'm doing a lot of sitting on my butt watching TV because when I do that he's content to sleep or just sit quietly.
Sadie is also doing well. Her eye appears to be back to normal (she's also going to the vet on Saturday for a check up) and the Benadryl has stopped her from chewing on her feet. She also loves the daily dose of pumpkin.
I've gone back to work and the dogs are behaving hemselves. Not surprisingly (since I'm sure my immune system is shot from all the recent stress and worrying) I've been attacked by a viscous cold. This works will with my "sit on my butt" plan, though. The downtime has allowed me to go through 400+ pictures on my camera.
These are my favorites. (They were all taken before Luka's surgery.)
I don't think I will ever get tired of Milo and how he relaxes.
Milo is also cute when he's not sprawled immodestly all over the furniture.
One day Milo was sitting in the window cackling at the birds playing in the water dish out on the deck. Romeo heard the commotion and checked it out.
The smug look on Romeo's face is because he shoved Milo aside and took his spot.
Romeo is a very shy kitty. I'm always happy when I can snap a picture of him.
Milo and Luka both love to lie in front of the open screen door. Look who's got the prime spot right in front of the door. 🙂
We've only missed one weekend, but I already miss our weekend adventures. It will be some time before we can resume them.
I love watching Sadie and Luka enjoy the water.
Sadie often plays so much that she has to sneak a quick nap while Luka is off playing.
Occasionally Luka becomes obsessed with playing fetch. This doesn't happen often and so far it's only happened at the reservoir. He won't fetch into the water…only along the shore.
I LOVE this picture of Luka.
More than anything, Luka loves to run. (I cannot wait to watch him run again.)
Our hikes always lead to the dogs sleeping on the way home.
A nice portrait of Sadie.
And of both of them.
Finally, a once in a lifetime picture (so far). This is the only time I've ever seen Luka lying on his back. It didn't last long, but at least I captured the moment.
Once his stitches come out I will try to get him to do this again to show off his scar.
Nothing is permanent in this wicked world – not even our troubles. ~ Charlie Chaplin
The good news: Luka's recovery is going very well.
The bad news: Luka's recovery is going very well and he's getting quite bouncy. Yesterday he tried to jump up on the chair to watch the garbage men steal our stuff. This morning he reared up on his hind legs (something he does when he's really excited) and later he chased Milo (who ran like hell from the cone-head coming after him).
He saw his regular vet on Thursday and his incision looks "really, really good". His stitches come out next Saturday (October 1). Until then, he's on a bland diet (chicken and rice…he loves this) and is restricted from all activity (he does not like this).
I took Sadie along to the vet to have some recent issues checked out. Now I know why she's looked sad for the past few days: she has an ulcer on one of her eyes (ointment three times a day), allergies are what was making her chew her feet (Benadryl three times a day) and her anal glands were so full they were nearly abscessed (1/2 cup pumpkin once a day). She is much happier now.
Milo continues to hang out with his buddy.
The quality of this last picture isn't great, but I think it's really sweet. They were sitting there dozing together while I watched TV.
Life is what happens to you while you're busy making other plans. ~ John Lennon
Mr. Lennon was a wise man.
Before I tell my tale I'll let you know that at this moment Luka is sleeping at my feet. This will become important in a moment.
Last weekend started out just like I had planned: a long hike and some swimming for the dogs on Saturday morning. By Saturday evening my plans were chugging along (watching a movie and knitting). Then, as midnight approached my plans went off the rails.
At 10:30 Saturday night Luka and I were speeding to town. Our destination: the animal emergency clinic.
He was admitted around midnight and at 4am Sunday he was in emergency surgery for an obstruction in his stomach. It turns out that what I thought was a scattering of garbage can contents on Thursday had really been an all-you-can-eat buffet. The paper products in my bathroom garbage can got stuck in his stomach. The vet said it was the second most difficult surgery of this kind she'd ever done.
That's my boy: an overachiever.
Luka came home last night and today I'm living a new reality (at least for the next several days).
I'm working from home. (Thank goodness my workplace was supportive when I explained what had happened.)
My furniture is barricaded against Luka jumping on it.
I'm spoon feeding my boy small amounts of fancy pants food several times a day.
I'm well on my way to starting my own pharmacy.
The schedule for these drugs is so detailed that I'm using my phone to alert me when it's time for a dose.
Finally, my new reality includes living with a cone-head.
Luka is also wearing a T-shirt to prevent Sadie from messing with his stitches.
Luka has accepted the cone and has quickly become adept at moving throughout the house and sleeping in it.
Milo, however, is taking no chances. He was nearly scooped up in the cone earlier today and quickly retreated under the table.
Milo did venture closer to hang out with his buddy.
Sadie has been comforting Luka, too.
Once this is crisis over I'm going to owe Sadie some special attention. My total focus right now is on Luka (I'm literally not letting him out of my sight) and I know she's getting the shaft in terms of my time. She's also sleeping in a crate instead of on my bed. Luka won't fit in his crate with the cone on and I don't trust Sadie to leave his stitches alone overnight. She is NOT happy sleeping in there but I'm taking no chances.
Life around here should be back to normal in a few weeks. I have a feeling they will be very long weeks.
I know that most of my readers have dogs. Are your garbage cans out where your dog can get to them? If they are: please, please, PLEASE secure them where the dog cannot get to them. Luka had never eaten garbage before and the first time he did it could have been fatal. Please learn from my mistake and put the cans away where your dog cannot get to them.
Finally, (to end on a humorous note), I have to ask: is Luka happy or is it the drugs?


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