de  Greve — Prior,  3 ;  Tapestry — The  Faerie  Qneene,  6 ;
Goodbye  and  Uowdyedo— William  Spencer,  10 ;  Portrait  of
Satan — Milton,  13 ;  Tirade  on  Avignon — Petrarch,  16  ;
Converse  with  the  Great  Dead — Byron,  20  ;  Tapestry —
Translation  of  Ovid's  Metamorphoses,  22  ;  Panegyric  on
Genoa — Petrarch, 27  ;  Opening  of  the  Hecuba — Euripides,
32  ;  Simile  of  the  Velabrum — Lucretius,  33 ;  Simile  of
the  Brook — Shakspeare,  35  ;  The  Awful  Tower — Shelley,
37  ;  The  Gorgeous  Porch— Pindar,  39;  The  Patriot's  Re-
ward— Cicero,  43 ;  Opening  of  the  Orti  Esperide — Me-
tastasio,  45;  Lamentation  over  the  Senate  House— 'Cicero,
46;  Simile  of  Autumnal  Fruit — Dryden,  52;  Valley  of
Egeria — Juvenal,  53 ;  Flowery  Borders  of  Wells — Chaucer,
54 ;  Samson's  Death — Milton,  60  ;  Pine  Woods — Theo-
critus, 61  ;  The  Nightingale — Coleridge,  66 ;  The  Noctur-
nal Flight  of  Nero — Tacitus,  69 ;  Roman  Ruins — Dyer,
72 ;  Gardens  of  Aladdin — Arabian  Nights,  75 ;  A  Haunted
Mansion — Crabbe,  83 ;  Evanescence  of  Rank  without
Merit — Beaumont  and  Fletcher,  88 ;  Roman  Peasant's
Fireside — Macaulay,  89;  Lichens — Crabbe,  104;  Old
Roman  Parsimony — Horace,  106  ;  Flowers  about  a  Grave
— Virgil's  Gnat,  110;  The  Thracian's  Ideas  on  Death —
Sterne,  115;  Sir  Launcelot's  Adventure — Morte  d' Arthur,
137;  Invocation  in  a  Wood — Milton,  141;  A  Golden
Chamber — Faerie  Queene,  154 ;  The  Feast  with  the  Ances-
tors— La  Motte  Fouque,  155 ;  The  True  Use  of  Armour —
Faerie  Queene,  156 ;  Eulogium  on  Italy — Coleridge,  162 ;
Weariness  of  Life — Deuteronomy,  168 ;  Sociability  of
Flowers — Keble,  169 ;  The  Islet  on  Lake  Leman — Byron,
179  ;  The  Oak  Tree  Tabernacle— Chrysostom,  183 ;  Gas-
conade of  Caesar — Shakspeare,  183 ;  Lambs  at  Play —
Bloomfield,  187  ;  The  Palace  of  Mammon — Spenser,
199;  The  Picture  of  Ginevra— Rogers,  201;  The  Pos-
session of  the  Promised  Land — Keble,  210 ;  The  Noble
Shunammite  and  Elisha — 2  Kings,  211;  Ariadne  Deserted
— Ovid,  212;  The  Weathercocks— H awes,  214 ;  Paralys-
ing Effect  of  Letters — Shirley,  217;  The  Dawning —
Cowley,  219 ;  Resort  of  Ancient  Chivalry— Warton,  222  ;
The  Picture  in  the  Arras — Otway,  226 ;  Tact  in  telling
Tales — Wilson,  227 ;  Intellect  more  durable  than  Brass —
Horace,  240;  Glories  of  Painted  Glass — Dryden,  247  ;
Disquiets  of  Royalty— Henry  V.,  248 ;  The  Milk-white
Hind — Dryden,  250;  The  Cross  and  the  Crescent-
Wordsworth,  251 ;  The  Dead  Landlord's  Song — Beau-
mont and  Fletcher,  254;    Figures  in  Tapestry— Byron >


INDEX. 