have one hand uplifted. On the right the centurions divide
the coat, and the Angel Eaphael pushes down the head of
Pilate as if to compel him to worship. There is great and
serious expression throughout. The face of Christ is especially-
dignified. The artist has risen above his contemporaries'
manner of cutting in the figures on the flat surface^ and
though the ribs are only indicated by lines, yet there is a
good attempt at modelling in the neck; the draperies are
set, but in dignified folds.
