Sarah Bbenhabdt's Costumb.—Mdlle. Sarah Bornhardt's seven changes of- attire in the part of the heroine in "FrouFrou" (gays a London paper) have attracted muoh attention among the curious in such matters. From the report of a competent observer we learn that in the first act she wears first a grey riding habit, then an evening dress, con sisting of a Pompadour tunic over a skirt of cream-colored foulard; in the second act a peignoir, or loose gown of white muslin; then a robe of garnet hued satin, with full puffed sleeves and a "tablier" of figured silk; in the third act, a white muslin tunic over an under robe -of cream-colored foulard, with Httle puffs; in the fourth act, a dress of grey taffetas trimmed with grey satin, and a petti oaat gathered in front and trimmed with fringe and pearls; lastly, in the fifth act, a robe of black crape trimmed with black velvet and a large fur mantle. We can only hope, in the interest of our lady readers, that we have correctly rendered—so far as we have ventured so to do—the technicalities of the toilette employed on this occasion.
THE PRESS, THURSDAY, SEPTEMBER 16, 1880.
