-0  1  H

i          -

»

it  *  J

-&  —  H  —

=rs*  H

f(T\

H

|l

\^)         *           *  —

—  /2?    "

•          p

«          '1

J   r   i

7             7

n    vn

q.    J     Jn

1

.  ]
i

i  "'

7             7
1           V

J             J      |

^r

^  —  H  —

—  ^     —  H

»^                  *'

i     n

•J

r   \  '/  i

or  directly  to  I :


SEVENTH-CHORD   ON  THE  FOURTH  DEGREE


48


reg.
7
II


Going  away  from  the  tonal  centre,  the  mixed  chord  II  may  be

7  777  77

preceded  by  the  natural  chords  V  or  VII  (V-II  or  VII-II).
Though  irregular,  this  progression  is  sometimes  employed,  but
rectified  by  an  immediate  return  to  a  natural  chord  in  the  regu-
lar way:

49  50

irreg.  irreg.
fl            t

S-  '

J

J                         1            J            J

J

^        1  1        m-"^^

S          ll

4

J

5^—  *  i

B         II

n  1  1                      i

n                     fl—  —  '

in              II

WJ      m

»*         II        •                        •

^              II

«J

7             1

V        I

!

7
[           V

777
VII         II            V

i  1  n  1  1

i  i  n

^-\'i  —     •;

—  j  —  H  —  —  •

—  \  H

—  1

_j^^  —

—  ^  H

PUCCINI  :  "Tosca"
51

irreg.     irreg.  reg.  irreg.  reg.     irreg.  irreg.
