Aristotle,  242,  243, 244  n.,  300  n,,  364,
366,  367,  368  n.  I ;  on  the  chorus  in
tragedy,  308  n.,  309  n. ;  on  the
"god  out  of  the  machine,"  284  ;  on
the  dramatic  unities,  321  n. ,  324;
on  poetry,  86  ri.  ;  on  poetic  truth,
220

Arnold,  M.,  16,  119,  174,  347,  420;
as  critic,  369,  370,  374,  376,  378,
383,  385  n. ;  his  theory  and  practice
as  a  poet,  o^  !  tiis  treatment  of
nature,  428,  431,  432  n.  i,  434,  436,
438,  440 ;  his  "  touchstones  of
poetry,"  419;  on  the  birth  of
modern  English  prose,  68  ;  on  the
chorus  in  Greek  tragedy,  310;  on
criticism,  375,  376  ;  on  impersonal-
ity in  literature,  135  n.  i  ;  on  metre,
90 ;  on  minor  authors,  352 ;  on
poetry,  83,  100,  loi,  121 ;  on  the
training  of  a  critic,  381 ;  on  Words-
worth's "Immortality" Ode,  115 n.  ;
Dover  Beach,  428 ;  Empedocles  on
Etna,  149  ;  Forsaken  Mer^nan,  147  ;
The  Future,  157,  162 ;  Heine's
Grave,  132 ;  Memorial  Verses,  1850,


132  ;  Obermann,  132,  436 ;  Rugby
Chapel,  132 ;  Sohrab  and  Rustum,
140,  431,  432  n.  I,  434;  Stanzas
from  the  Grande  Chartreuse,  436  ;
Strayed  Reveller,  162;  T hyr sis,  1-^2 ;
Tristram  and  Iseult,  143  ;  Yo7ith  of
Nature,  438

Art,  as  "  life  seen  through  a  tempera-
ment," 17  ;  as  "  a  mode  of  amplify-
ing experience,"  22;  "for  art's
sake,"  120-122

Aubignac,  d',  321  n.
