Jttwef:ihwP^b«w left ia the hands of ig-
iP(^aniL arpfta lUnaiBfted by phllofophy,
Ugy^ jTH^. l^acqumnted. v^ the yi^rks
SpCgneatwafter^. t

.KjT^ produ^ion3 of purely natural
^^3?ftiusjLre foinptipEies great and furprif-
"!& % *c«generally jlipajled with a
>3 wild-



t m 1

^ildhe^''^^ v^luxtiriMtr^- iflcdiiflftitti
^icii^ juft q^fft^iv UM thti btiriiie& 4F

principles t^ ev&f art mheft-^^fyinlh
^riterned ; biit this does' Mt requtok
{>hiloib|>h^ir t6 hit iamafter^f^ibB^eitecw-
tiYe part%tf th^rfe arts^^w toi*)e'an irt-
Ten tor i^ tJbm. 'Hisr bu&ie&ib talttu
red: th<^<t)iinrt!bn 'df ©edtei&r-^ 'Itichili
manner itbat/ks: pr6duSkilit><»ME]f^ iMt^
t^ the: iittntA ^^xjifibk pcsfeSfedi^'t^'^p^
Iti is . b^^ li^Iy^ that'iui)^ 4W*iy^/MRtt
Made among ui» Manai^fe ^e&# pbiittupiiis
1^^ beauty;' or xi^muflbaL' eitprdfeii.
Aii^ i^ luvving be(Hi mide^idte ^tit%
6v7iiig to the accident of JtWtt>«ni}lMat

141'Mufie ^,> having ^^^'^^(llie^l^
fpirity and applying k * iCc}^!lileii^l£bycftf
^pf^moin^4^(rhtii^fhcm^ tManent fa)a£*
-<ef$ abdi^pe«i6N:9i^

tlr/ K 3 of



[C !S4 j]

idHhS^lOfi a<^aQtftge tb them in luriu
JAg 'Ml- tUefe; fubjedts, htit was b|r rt6
jiiraos & tifentUL as is generaHff
BeHfiYeid.'V"Mff. Webb, wha ^as ni^
^j^fll)^^ lias explained t;he pdinci^
^jts ojF Tafte iii painting wkli an act
Curacy and perfpicuity, which ^o£i&
Mvfit; cbM Konbunto the^ateft mail
ittr^ Hafhfiw&at the; fimoettnae, that
Hwc ^wholly guidqd by the pttju^^
dice o£^' nancies^ w« ha longer tnifli out
dewn f^^n&sr; %htt we muft: ackno«firleQge
i^it wl^cb we do noit fee:, and unden
•Tafiac ^t wJiich we do v an^^ that, cii&
(reflisd; between authority and conrid-
l^n, we 'beionic di^uflaed with the
^fReulty pf ^ art, whidt is perhaps of
iaQ: othtei^ "tjfie'niQjfc oaily'tinderftood,;
-'btctaufek-is^the ipo^ d?!re& and it$^
mediace adxfrofii to the ftnfes.
