Yesterday evening the Italian Opera Con cert Company made their second appear ance before an audience which came full of expectancy, spent a couple of hours in a afcateof thorough enjoyment, and went away moro than satisfied. Fame has evidently been busy trumpeting the praises of Signora Cuttica and her compatriots, for the lower and upper part of the house was well filled by serried ranks of enthusiastic specta tors, who showed by every possible sign their appreciation of the entertainment. The spell of the first concert had evideotly not lost its power over a large portion of those who heard it, for we recognised many faces which we saw in the City Hall on Friday last. One characteristic of the assembly was the rapt attention with which they remained listening until the last number had been sung. With Lozenzo they seem to have said, " Here will we sib and let the sounds of music creep in our ears." Miss Clarice Brabazon opened the concert with a brilliant fantasia on the piano, which she played in hor customary careful and delicate manner. Signori Sisco and lorio followed with a duet from "I Pescatori." The palm must certainly be awarded to Signor lorio for dramatic rendering of the parts in trusted to him. He is not merely a singer bub an actor, and we very much regrot that instead of seeing him in some charac teristic costume, suited to the part he sings, we have to behold him in the modern attire of a white front and a mournful swallow-tail. If wo have any fault to tind with the concerts, it is in this matter of dross. How can we listen to Signor Sisco's "Toreador" without being disappointed, on raising our eyes, to behold, not a glori ously-attired champion of the bull ring, but a gentleman in evening dress ? or how can we, without a feeling of incorigruity, hear three bold conspirators plotting revenge and death in irreproachable black and white ? We cannot help thinking that to a large number of people the appeal to the eye is a valuable accessory to the ap peal to the ear. 