Marbles,  their  kMt  CaTeme,  90*

Maria,  Sta.,  degli  Angeli,the  sublime  Glories  of  die  OnA
Cross  fiilly  developed  then,  69.
Maratta  Carlo,  his  Masterpiece,  70.
Maria,  Sta.,  del  Popolo,  the  ghastly  Origin  of  that  Cfanreli,
68.
Mausoleum  of  the  Royal  House  of  Savoy  about  to  be  re-
moved from  the  Superga  to  the  enormous  Heigfali  of  the
Sacra  San  Michele,  157 — 160.
Mausoleum  of  Augustus ;  of  Adrian,  its  wondrous  Metamor-
phoses, 80.
Maximilian  Strasse,  the  finest  in  Germany;  realises
Milton's  Roman  Pomps,  284.
May,  the  Aspect  of  Rome  in,  65*

Mayence.  The  Rhone  flat  and  weariful  her@ibouts;  the
Cathedral,  its  noble  Exterior ;  the  Bronze  Font  of  vast
age;  the  Cloisters;  the  Decorated  Door;  the  Bronze
Gates  much  battered  by  the  French;  the  Interior  of
stately  Proportions,  but  disfigured  by  the  Fingers  of  the
Renaissance ;  the  Statue  of  Guttemburg,  202.
Mechlin.  The  Cathedral;  its  majestic  Great  Tower;  the
Grand  Place,  compared  to  the  Olympic  Theatre  at  Vicenza ;
Sir  Joshua  Reynolds  and  Rubens ;  Rubens  and  I — ;  the
Drey  Dorm,  David  Teniers'  Mansion  near  Malines ;  En-
graving thereof;  Poetical  Quatrain  by  himself  subjoined  ;
Burgundian  Buildings ;  The  Guilt  of  Gold  ;  The  Lay  of
the  Daw ;  the  Lost  Terrier,  Adventure  of;  the  Carillons ;
Pains  of  Melody,  325^358.
Melon i*s  Hotel,  its  excellent  Arrangements  much  connter-
balauced  by  the  everlasting  Noises  of  the  Piazza,  99*

Mrtastasio's  Orti  Esperide,  45.
Michael  An6BLo*s  Frescoes  in  the  Sistine  Chapel,  69*

Military  Punishment,  the  Spanish  Donkey  mentioned  by
Grose ;  Scott's  Allusion  to  it  in  Old  Mortality,  259.
Milton's  Satan  applied  to  the  Tower  of  the  Inquisition  at
Avignon,  13.
Minstrels  of  Lake  Leman,  172.
Miolan,  the  Fortress  of,  melancholy  Nairative  of  a  state  Pri-
soner therein,  372.
Mistrale,  the,  its  grievous  Annoyances,  22.
