§64. Of Action and Repose. §65. Intellectual Beauty. §66. Of
Truthfulness. § 67. OI^EiJQ^ss. § 68. Of Unity, i 69. Of Har-
mony. § 7a Of Contrast §71. Of Proportion. § 72. Of Sym-
metry. §73. Of ^Esthetic Number. § 74. Generic Beauty. §75.
Recognitionin Theories of Beauty ; Utility . § 76. Unity in Variety.
§ 77. Order and Proportion. § 78. Emotive Beauty. § 79. Free
Beauty or Grace. § 80. Recapitulation.
CHAPTER IV.— Material Beauty.— j 81. Kinds; Inorganic
Beauty, f 82. Organic Beauty. § 83. Sentient Beauty, f 84.
CONTENTS. Xlll

Spiritual Beauty. § 85. Distinctions of the Arts in respect to
Grades of Matter. § 86. Senses Addressed in Beauty ; Error of
Lord Karnes. § 87. Of Burke. § 88. Of German and French
Theorists. §89. Source of Error. §90. i'Esthetic Gradations of
the Senses. §91. Classification of Arts in resi^ect to the Sense
Addressed.
CHAPTER v.— Formal Beauty.— §92. Three General Divis-
ions. § 93. I. Artistic Beauty. § 94. II. Free Beauty and Depen-
dent Beauty. § 95. Distribution of the Arts as Free and De-
pendent § 96. III. Distinctions founded on the Revelation Itself.
§ 97. Proper Beauty. § 98. The Sublime. § 99. Authorities.
§ xoa Subdivisions of the Sublime. § loi. The Comic § 102.
Subdivisions of the Comic : (i), the Pretty. § 103. (2), Proper
Comic.
BOOK III.
LAWS OF BEAUTY.
CHAPTER I. — Nature and Divisions. — § 104. Laws Essen-
tial Attributes. § 105. Twofold Division of Laws : (i). Of Produc-
tion; (2). Of Interpretation. §106. Beauty of Nature and of Art

CHAPTER II.— Laws of Ideal.— § 107. Selection. § 108.
Earnest Study. § 109. Conformity to Laws of Mind. § 1 10.
