Andrew  Myllar,  but  here  we  must  say  a  few  words  on  the  woodcut,
and  on  the  character  of  the  types  used.  The  engraving,  which,
together  with  four  lines  of  black-letter,  forms  the  title,  represents
the  interior  of  a  chamber,  in  which  a  teacher,  seated,  with  lecturn
and  books  before  him,  appears  to  be  instructing  scholars  who  are
not  visible  in  the  picture.  The  roof  of  the  chamber  seems  to  be
of  the  same  shape  as  the  rounded  arch  which  is  on  the  right  of  the
picture.       Through   this  arch  we  catch  a  glimpse  of  a  hill,  with  a


o


6  Myllars  French   Works.
castle  on  its  summit.  The  cutting  is  simple,  but  forcible,  and  the
expression  of  the  face  is  by  no  means  unpleasant.  The  form  of  the
types  is  decidedly  Norman,  and  if  we  compare  the  specimens  given
above  with  the  title  and  colophon  of  the  other  book  printed  for
Myllar  in  France,  we  can  have  very  little  doubt  of  both  works
having  issued  from  the  same  press  ;  mo.st  likely  that  of  Laurence
Hostinofue. ""


'&^


1506  Expositio  Sequentiarum,  seu  Prosarum  secundum  Usum  Sarum.  t

2-  Quarto.      1506.     With  device  of  Androw  Myllar,  but  printed  at

Rouen  by  L.  Hostingue.
COLLATION.
a  b  c  d  e  f  g  h  i  k  have  all  6  leaves  each,  making  a  total  of  60
leaves,  of  which  none  are  blank.
TYPOGRAPHICAL   PARTICULARS.
