List of films, showing the year (award ceremony), language (s), producer (s), director (s) and citation Year Film (s) Language (s) Producer (s) Director (s) Citation Refs. 1965 (13th) Shaheed Hindi Kewal Kashyap S. Ram Sharma -- 1966 (14th) Subhash Chandra Bengali A.K. Banerjee Piyush Bose -- 1967 (15th) No Award 1968 (16th) Janmabhoomi Malayalam Roopa Rekha John Sankaramangalam -- 1969 (17th) Saat Hindustani Hindi Khwaja Ahmad Abbas Khwaja Ahmad Abbas -- 1970 (18th) Thurakkatha Vathil Malayalam A. Raghunath P. Bhaskaran -- 1971 (19th) Do Boond Pani Hindi -- -- -- 1972 (20th) Achanum Bappayum Malayalam C.C. Baby K.S. Sethumadhavan -- 1973 (21st) Garm Hava Hindi Unit 3 MM M.S. Sathyu -- (22nd) Parinay Hindi Samantar Chitra Kantilal Rathod -- (23rd) No Award 1976 (24th) No Award 1977 (25th) No Award 1978 (26th) Grahana Kannada Harsha Pictures T.S. Nagabharana (show) For an honest and bold depiction of caste conflict in rural India. The film starkly brings out the traditional beliefs which grip the entire rural society including the down - trodden putting an extra chain on the poor in addition to their economic helplessness. Cinematically a very powerful film. 1979 (27th) 22 June 1897 Marathi -- -- -- 1980 (28th) Bhavni Bhavai Gujarati Sanchar Film Cooperative Society Ltd. Ketan Mehta (show) For tracing the history of social evil of untouchability through popular folk drama form, for synthesizing diverse performing arts into socially relevant communication, for depicting the untouchable 's fight for their rights. 1981 (29th) Saptapadi Telugu Bheemavarapu Buchhireddy K. Vishwanath (show) For focusing on the problems of the society whose orthodoxy inflicts grave injustice on the under - privileged, for the dilemma faced by a Brahmin disciplinarian in confronting his grand - daughter 's love for Harijan, for resolving the problem in a rational manner, worthy of the country 's best secular traditions. 1982 (30th) Aaroodam Malayalam Rosamma George I.V. Sasi (show) For its compassionate treatment of the plight of the under - privileged. (31st) Sookha Hindi M.S. Sathyu M.S. Sathyu (show) For its sincerity in the portrayal of basic human values that unify mankind. 1984 (32nd) Aadmi Aur Aurat Hindi Doordarshan Tapan Sinha -- 1985 (33rd) Sree Narayana Guru Malayalam A. Jaffer P.A. Backer (show) For preaching, through the life of a great reformer, the universal values of "One Caste, One Religion and One God for Man ''. 1986 (34th) No Award (35th) Tamas Hindi Blaze Entertainment Govind Nihalani (show) For recreating without compromise the tragic events leading to the communal holocaust at the eve of partition in a Punjab village. 1988 (36th) Rudraveena Telugu Nagendra Babu K. Balachander (show) For presenting vertical as well as horiontal social integration on a musical plane and thus offering a cultural revolution as solution to maladies of the rural population. 1989 (37th) Santha Shishunala Sharifa Kannada Yajaman Enterprises T.S. Nagabharana (show) For its depiction of unity of religions at the popular mystical level illustrated by the life and lyrics of a famous Muslim saint who has a Hindu guru. 1990 (38th) No Award 1991 (39th) Aadi Mimansa Oriya Apurba Kishore Bir Apurba Kishore Bir (show) For its strong appeal for integration and upholding of human values brought about through a remarkbly understated treatment of incidents from everyday life. 1992 (40th) Roja Tamil Kavithalayaa Productions Mani Ratnam (show) For presenting a thrilling drama of the abduction of an Indian scientist by a self - proclaimed liberation army which later realises the futility of its anti-social activities. 1993 (41st) Sardar Hindi Late H.M. Patel Ketan Mehta (show) For presenting a panoramic view of India in a period of transition to reveal the goals of nationalism by the integration of a mass disparate materials and shaping them into a coherent saga of Indian nationalism in an epic style. 1994 (42nd) Mukta Marathi Ashok B. Mhatre Jabbar Patel (show) For mapping a sharply defined dramatic style on to a canvas of national caste oppression and for unversalising the alliances of the Indian Dalit people. 1995 (43rd) Bombay Tamil Mani Ratnam S. Sriram Mani Ratnam (show) For its bold and sensitive approach to the problem of communal divide and for bringing out the futility of the carnage in the name of religion. (44th) Kaanaakkinaavu Malayalam P.V. Gangadharan Sibi Malayil (show) For its brilliant and bold approach to National Integration and the futility of division in the name of religion. 1997 (45th) Border Hindi J.P. Dutta J.P. Dutta (show) For making an honest statement on patriotism, portraying the gallantry and sacrifies of the Armed forces, thereby instilling a sense of National pride. 1998 (46th) Zakhm Hindi Pooja Bhatt Mahesh Bhatt (show) For boldly dealing with social and religious strife, communal tensions, violence and disharmony in contemporary times. The film has a message of love and peace that is conveyed in a sensitive way. 1999 (47th) Shaheed Udham Singh Punjabi Iqbal Dhillon Chitraarth (show) For opening a new window to the Jallianwala Bagh episode, which had jolted the conscience of the Indian people. 2000 (48th) Pukar Hindi Surinder Kapoor Rajkumar Santoshi (show) For tackling the problem of terrorist infiltrations and the army 's counter attacks. And situations where armed and civilian forces unite against the common external enemy. 2001 (49th) Bub Kashmiri NFDC Jyoti Sarup (show) For exploring the problems of a minority in the face of terrorist activities of forces across the border. Against this macro scenario, the film weaves together more intimate micro stories particularly of the bonding between a sensitive bureaucrat and an orphaned boy. 2002 (50th) Mr. and Mrs. Iyer English N. Venkatesan Aparna Sen (show) For its humane depiction of the bonding between two individuals of different religious backgrounds in the midst of communal tension. 2003 (51st) Pinjar Hindi Lucky Star Entertainment Ltd Chandraprakash Dwivedi (show) For exploring the power of human relationships in overcoming social and religious schisms. (52nd) Netaji Subhas Chandra Bose: The Forgotten Hero Hindi Sahara India Media Communication Ltd. Shyam Benegal (show) Netaji is one of the most controversial and colourful figures of modern Indian history. His struggle to fight the Britishers and bring the Indians together to do this. The idealistic dreamer turns into a revolutionary to achieve his goal. The film effectively brings alive the era. 2005 (53rd) Daivanamathil Malayalam Aryadan Shaukath Jayaraj (show) For the powerful representation of a burning communal issue highlighting the plight of women in the times of religious intolerence. 2006 (54th) Kallarali Hoovagi Kannada S. Madhu Bangarappa T.S. Nagabharana (show) For depicting the sanctity of loyalty to one 's land and amity through a love story set in the times of Hyder Ali. 2007 (55th) Dharm Hindi Sheetal V. Talwar Bhavna Talwar (show) For powerfully bringing forth the message that humanity is of much greater value than religion. The transformation of an orthodox and superstitious priest is very beautifully depicted. 2008 (56th) Aai Kot Nai Assamese Rajen Bora Manju Borah (show) For its honest look at a burning problem in Northeast India, its attempt to break down artificial boundaries and giving it a human and aesthetic appeal. 2009 (57th) Delhi - 6 Hindi Rakeysh Omprakash Mehra Rakeysh Omprakash Mehra (show) For its uncompromising stance towards communal divide and offering a humanistic solution of taking individual responsibility. (58th) Moner Manush Bengali Gautam Kundu Gautam Ghose (show) For celebrating the union of the human spirit through the life and song of Sufi poets in the Baul tradition. 2011 (59th) No Award 2012 (60th) Thanichalla Njan Malayalam Cherian Philippose Babu Thiruvalla (show) A tale of communal harmony narrated through an in - house milieu. The bonding between a Hindu and a Muslim lady in a reciprocally accommodating relationship forms the crux of the film. 2013 (61st) Thalaimuraigal Tamil Company Productions Balu Mahendra (show) A sensitive tale about the breaking of walls of orthodoxy and religious and linguistic bias in a small village in Tamil Nadu. Love and compassion of a small boy and his mother wins over not only their own blood but the whole rural community. 2014 (62nd) No Award 2015 (63rd) Nanak Shah Fakir Punjabi Sartaj Singh Pannu -- (show) The saga on the life of the great spiritual master advocating the values of peace and harmony. 2016 (64th) Dikchow Banat Palaax Assamese Canvascope Sanjib Sabha Pandit (show) The film brings out oneness of our feelings amidst differences.
which assamese film received nargis dutt national award
Aai Kot Nai Dikchow Banat Palaax