What's an example of a movie review?
The film is almost laughable with Debbie Reynolds and Shelley Winters teaming up as the mothers of convicted murderers. With the horrible notoriety after the trial, the two women team up and leave N.Y. for California in order to open and song and dance studio for Shirley Temple-like girls.

From the beginning, it becomes apparent that Reynolds has made a mistake in taking Winters with her to California. Winters plays a deeply religious woman who increasingly seems to be going off her rocker. 

To make matters worse, the women who live together, are receiving menacing phone calls. Reynolds, who puts on a blond wig, is soon romanced by the wealthy father of one of her students, nicely played by Dennis Weaver.

Agnes Moorehead, in one of her last films, briefly is seen as Sister Alma, who Winters is a faithful listener of.

The film really belongs to Shelley Winters. She is heavy here and heaviness seemed to make her acting even better. Winters always did well in roles testing her nerves.

The ending is of the macabre and who can forget Winters at the piano banging away with that totally insane look?
Vad är ett exempel på en filmrecension?
What is an example of a movie review?
Filmen är nästan skrattretande med att Debbie Reynolds och Shelley Winters slår sig ihop som mödrar till dömda mördare. Med den hemska ryktbarheten efter rättegången lagar de två kvinnorna ihop sig och lämnar N.Y. för Kalifornien för att kunna öppna och sång- och dansstudio för Shirley Temple-liknande flickor. Från början blir det uppenbart att Reynolds har gjort ett misstag i att ta med sig Winters till Kalifornien. Winters spelar en djupt religiös kvinna som allt mer verkar gå av sig rockern. Till råga på allt får de kvinnor som bor tillsammans hotfulla telefonsamtal. Reynolds, som tar på sig en blond peruk, romanseras snart av den förmögne fadern till en av sina elever, fint spelad av Dennis Weaver. Agnes Moorehead, i en av sina sista filmer, ses kort som Syster Alma, som Winters är en trogen lyssnare av. Filmen tillhör egentligen Shelley Winters. Hon är tung här och tyngden tycktes göra att hon agerade ännu bättre. Winters gjorde alltid bra ifrån sig i roller som testade hennes nerver. Slutet är på den makabra och vem kan glömma Winters vid pianot som bankar iväg med den där helt galna blicken?
The film is almost laughable with Debbie Reynolds and Shelley Winters teaming up as mothers of convicted murderers. With the terrible fame after the trial, the two women are getting together and leaving N.Y. for California in order to open and singing and dance studio for Shirley Temple-like girls. From the beginning, it becomes apparent that Reynolds has made a mistake in taking Winters to California. Winters plays a deeply religious woman who increasingly seems to go off her rocker. On top of everything, the women who live together receive threatening phone calls. Reynolds, who puts on a blonde wig, is soon romanced by the wealthy father of one of his students, nicely played by Dennis Weaver. Agnes Moorehead, in one of her last films, is briefly seen as Sister Alma, whom Winters is a faithful listener of. The film really belongs to Shelley Winters. She's heavy here and the weight seemed to make her act even better. Winters always did well in roles that tested her nerves. The end is of the macabre and who can forget Winters at the piano banging off with that crazy look?