How does this story end?

(CNN) -- You may not know the name Douglas Trumbull, but you certainly know his very influential work. Trumbull is a special-effects giant. Among the movies that feature his magic are Stanley Kubrick's "2001: A Space Odyssey," Steven Spielberg's "Close Encounters of the Third Kind," Ridley Scott's "Blade Runner" and Terrence Malick's "The Tree of Life." His creation of Showscan, a hypervivid film process that combined large-format film with a high-speed frame rate, was a pioneering moment for film projection. Even though Showscan never caught on in Hollywood, it helped usher in similar technology used in the "Back to the Future" ride that Universal Studios ran for more than a decade at its U.S. theme parks.



OPTIONS:
- Back to the Future wanted to get out of the way and not use traditional melodramatic production techniques.
- Blade Runner wanted to get out of the way and not use traditional melodramatic production techniques.
- CNN wanted to get out of the way and not use traditional melodramatic production techniques.
- Close Encounters of the Third Kind wanted to get out of the way and not use traditional melodramatic production techniques.
- Douglas Trumbull wanted to get out of the way and not use traditional melodramatic production techniques.
- Hollywood wanted to get out of the way and not use traditional melodramatic production techniques.
- Ridley Scott wanted to get out of the way and not use traditional melodramatic production techniques.
- Showscan wanted to get out of the way and not use traditional melodramatic production techniques.
- Space Odyssey wanted to get out of the way and not use traditional melodramatic production techniques.
- Stanley Kubrick wanted to get out of the way and not use traditional melodramatic production techniques.
- Steven Spielberg wanted to get out of the way and not use traditional melodramatic production techniques.
- Terrence Malick wanted to get out of the way and not use traditional melodramatic production techniques.
- The Tree of Life wanted to get out of the way and not use traditional melodramatic production techniques.
- Trumbull wanted to get out of the way and not use traditional melodramatic production techniques.
- U.S. wanted to get out of the way and not use traditional melodramatic production techniques.
- Universal Studios wanted to get out of the way and not use traditional melodramatic production techniques.
Stanley Kubrick wanted to get out of the way and not use traditional melodramatic production techniques.
Hur slutar den här historien? (CNN) -- Du kanske inte vet namnet Douglas Trumbull, men du vet verkligen hans mycket inflytelserika arbete. Trumbull är en specialeffektjätte. Bland de filmer som innehåller hans magi märks Stanley Kubricks "2001: A Space Odyssey", Steven Spielbergs "Närkontakter av tredje slaget", Ridley Scotts "Blade Runner" och Terrence Malicks "Livets träd". Hans skapande av Showscan, en hypervivid filmprocess som kombinerade storformatsfilm med en hög hastighet bildhastighet, var ett banbrytande ögonblick för filmprojektion. Även om Showscan aldrig fångades i Hollywood, hjälpte det till att inleda liknande teknik som används i "Tillbaka till framtiden" ride som Universal Studios körde i mer än ett decennium vid dess amerikanska temaparker. ALTERNATIV: - Tillbaka till framtiden ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - Blade Runner ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - CNN ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - Närkontakter av tredje slaget ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - Douglas Trumbull ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - Hollywood ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. Ridley Scott ville inte använda traditionella melodramatiska produktionstekniker. - Showscan ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - Space Odyssey ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. Stanley Kubrick ville inte använda traditionella melodramatiska produktionstekniker. - Steven Spielberg ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - Terrence Malick ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - Livets träd ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - Trumbull ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - USA ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker. - Universal Studios ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker.
How does this story end? (CNN) -- You may not know the name Douglas Trumbull, but you certainly know his very influential work. Drumbull is a special effect giant. The films containing his magic include Stanley Kubrick's "2001: A Space Odyssey", Steven Spielberg's "Close contacts of the Third Battle", Ridley Scott's "Blade Runner" and Terrence Malick's "Tree of Life". His creation of Showscan, a hypervivid film process that combined large format film with a high speed frame rate, was a pioneering moment for film projection. Although Showscan was never caught in Hollywood, it helped initiate similar technology used in "Back to the Future" ride that Universal Studios ran for more than a decade at its American theme parks. ALTERNATIVE: - Back to the future wanted to get out of the way and not use traditional melodramatic production techniques. - Blade Runner wanted to get out of the way and not use traditional melodramatic production techniques. - CNN wanted to get out of the way and not use traditional melodramatic production techniques. - Close contacts of the third type wanted to get out of the way and not use traditional melodramatic production techniques. Douglas Trumbull wanted to get out of the way and not use traditional melodramatic production techniques. Hollywood wanted to get out of the way and not use traditional melodramatic production techniques. Ridley Scott did not want to use traditional melodramatic production techniques. - Showscan wanted to get out of the way and not use traditional melodramatic production techniques. Space Odyssey wanted to get out of the way and not use traditional melodramatic production techniques. Stanley Kubrick did not want to use traditional melodramatic production techniques. - Steven Spielberg wanted to get out of the way and not use traditional melodramatic production techniques. Terrence Malick wanted to get out of the way and not use traditional melodramatic production techniques. - The tree of life wanted to get out of the way and not use traditional melodramatic production techniques. - Trumbull wanted to get out of the way and not use traditional melodramatic production techniques. - The United States wanted to get out of the way and not use traditional melodramatic production techniques. - Universal Studios wanted to get out of the way and not use traditional melodramatic production techniques.
Stanley Kubrick ville komma ur vägen och inte använda traditionella melodramatiska produktionstekniker.
Stanley Kubrick wanted to get out of the way and not use traditional melodramatic production techniques.