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Jarmusch was born January 22, 1953, in Cuyahoga Falls, Ohio, the middle of three children of middle-class suburbanites. His mother, of German and Irish descent, had been a reviewer of film and theatre for the Akron Beacon Journal before marrying his father, a businessman of Czech and German descent who worked for the B.F. Goodrich Company. She introduced Jarmusch to the world of cinema by leaving him at a local cinema to watch matinee double features such as Attack of the Crab Monsters and Creature From the Black Lagoon while she ran errands. The first adult film he recalls seeing was the 1958 cult classic Thunder Road, the violence and darkness of which left an impression on the seven-year-old Jarmusch.

Jarmusch's final year university project was completed in 1980 as Permanent Vacation, his first feature film. It had its premiere at the International Filmfestival Mannheim-Heidelberg (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of around $12,000 in misdirected scholarship funds and shot by cinematographer Tom DiCillo on 16 mm film. The 75 minute quasi-autobiographical feature follows an adolescent drifter (Chris Parker) as he wanders around downtown Manhattan.  The film was not released theatrically, and did not attract the sort of adulation from critics that greeted his later work. The Washington Post staff writer Hal Hinson would disparagingly comment in an aside during a review of Jarmusch's Mystery Train (1989) that in the director's debut, "the only talent he demonstrated was for collecting egregiously untalented actors". The bleak and unrefined Permanent Vacation is nevertheless one of the director's most personal films, and established many of the hallmarks he would exhibit in his later work, including derelict urban settings, chance encounters, and a wry sensibility.  Jarmusch's first major film, Stranger Than Paradise, was produced on a budget of approximately $125,000 and released in 1984 to much critical acclaim. A deadpan comedy recounting a strange journey of three disillusioned youths from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the Camera d'Or at the 1984 Cannes Film Festival as well as the 1985 National Society of Film Critics Award for Best Film, and became a landmark work in modern independent film. CANNOTANSWER
Jim Jarmusch
Vilket väsen handlar den här texten om? Jarmusch föddes 22 januari 1953 i Cuyahoga Falls, Ohio, mitten av tre barn till medelklassförortsbor. Hans mor, av tysk och irländsk härkomst, hade varit recensent av film och teater för Akron Beacon Journal innan han gifte sig med sin far, en affärsman av tjeckisk och tysk härkomst som arbetade för B.F. Goodrich Company. Hon introducerade Jarmusch till biovärlden genom att lämna honom på en lokal biograf för att titta på matiné dubbeldrag som Attack of the Crab Monsters och Creature From the Black Lagoon medan hon sprang ärenden. Den första vuxenfilmen han minns att han såg var kultklassikern Thunder Road från 1958, vars våld och mörker lämnade ett intryck på den sjuårige Jarmusch. Jarmuschs sista års universitetsprojekt avslutades 1980 som Permanent Vacation, hans första långfilm. Den hade sin premiär på den internationella filmfestivalen Mannheim-Heidelberg (tidigare känd som Filmweek Mannheim) och vann Josef von Sternberg Award. Den gjordes på en skosträngsbudget på omkring 12 000 dollar i missriktade stipendiemedel och sköts av filmaren Tom DiCillo på 16 mm film. Den 75 minuter kvasi-självbiografiska funktionen följer en ungdomsdrivare (Chris Parker) när han vandrar runt på Manhattan. Filmen släpptes inte teatraliskt, och lockade inte till sig den sorts adulering från kritiker som hälsade på hans senare verk. Washington Posts stabsförfattare Hal Hinson skulle nedsättande kommentera i en avsides under en genomgång av Jarmuschs Mysterietåg (1989) att i regidebuten, "den enda talang han demonstrerade var för att samla egregativt obegåvade skådespelare". Den dystra och oraffinerade Permanent Vacation är trots detta en av regissörens mest personliga filmer, och etablerade många av de kännetecken han skulle ställa ut i sitt senare verk, bland annat förfallna stadsmiljöer, slumpträffar och en wry sensibility. Jarmuschs första större film, Stranger Than Paradise, producerades på en budget på cirka 125 000 dollar och släpptes 1984 till mycket kritisk acklamation. En dödpankomedi som berättar om en märklig resa av tre desillusionerade ungdomar från New York genom Cleveland till Florida bröt filmen många konventioner av traditionell Hollywoodfilmskapande. Den tilldelades Camera d'Or vid filmfestivalen i Cannes 1984 samt 1985 års National Society of Film Critics Award för bästa film, och blev ett landmärkesarbete inom modern independentfilm. CANNOTANSWER
What essence is this text about? Jarmusch was born January 22, 1953, in Cuyahoga Falls, Ohio, mid-three children of middle-class suburban residents. His mother, of German and Irish descent, had been a reviewer of film and theatre for Akron Beacon Journal before marrying his father, a businessman of Czech and German descent who worked for the B.F. Goodrich Company. She introduced Jarmusch to the cinema world by leaving him at a local cinema to watch matiné double moves such as Attack of the Crab Monsters and Creature From the Black Lagoon while running errands. The first adult film he remembers seeing was cult classic Thunder Road of 1958, whose violence and darkness left an impression on the seven-year-old Jarmush. Jarmusch's final year university project ended in 1980 as Permanent Vacation, his first feature film. It premiered at the Mannheim-Heidelberg International Film Festival (formerly known as Filmweek Mannheim) and won the Josef von Sternberg Award. It was made on a shoestring budget of about $12,000 in misguided scholarship funds and managed by filmmaker Tom DiCillo on 16 mm film. The 75-minute quasi-autobiographical feature follows a youth driver (Chris Parker) as he wanders around Manhattan. The film was not released theatrically, and did not attract the kind of adulation from critics who greeted his later work. Washington Post staff writer Hal Hinson would derogatoryly comment in an aside during a review of Jarmush's Mystery Train (1989) that in the directorial debut, "the only talent he demonstrated was to collect eggregatively untalented actors". Nevertheless, the gloomy and unrefined Permanent Vacation is one of the director's most personal films, establishing many of the characteristics he would exhibit in his later work, including derelict urban environments, chance encounters and a wry sensibility. Jarmusch's first major film, Stranger Than Paradise, was produced on a budget of about $125,000 and released in 1984 to highly critical acclaim. A death pan comedy telling of a strange journey by three disillusioned young people from New York through Cleveland to Florida, the film broke many conventions of traditional Hollywood filmmaking. It was awarded the Camera d'Or at the 1984 Cannes Film Festival as well as the 1985 National Society of Film Critics Award for Best Film, and became a landmark work in modern independent film. CANNOTANSWER
Jim Jarmusch
Jim Jarmusch