Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued ten LPs, one collaborative LP, numerous EPs and singles, and gained an international audience following extensive touring. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal."

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle.  Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981.  The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments:  ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start.  Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER

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Nomeansno (ibland stiliserat som NoMeansNo eller stavat No Means No) var ett kanadensiskt punkrockband bildat i Victoria, British Columbia och senare omlokaliserat till Vancouver. De gav ut tio LP-skivor, en samarbetande LP, ett flertal EP och singlar, och fick en internationell publik efter omfattande turnerande. Kritikern Martin Popoff beskrev deras musik som "den mäktigaste sammanslagningen mellan punkens hatfulla aggression och hårdrockens disciplin." 1979 och vid 25 års ålder återvände Rob Wright till familjens hem i Victoria efter studier i Calgary. Hans yngre bror John, åtta år hans junior, spelade trummor i skolans jazzband. De inspirerades att spela punkrock efter att ha sett D.O.A. uppträda vid universitetet i Victoria. De två började repetera i sina föräldrars källare 1979, och tog namnet Nomeansno från en anti-daterad våldtäktsslogan. De spelade även kort som rytmsektionen för det lokala coverbandet Castle. Nomeansno spelade in sitt tidigaste material under månaderna som följde på en TASCAM fyrspårsbandspelare, med Rob som spelade elgitarr och bas, John som spelade keyboard och trummor, och båda bröderna som sjöng. Några av dessa inspelningar gavs ut som deras första två självutgivna 7"s, singeln "Look, Here Come the Wormies / SS Social Service" (en 1980 split med ytterligare ett kortlivat Wright brothers-projekt, Mass Appeal), och The Beatrayal, Fear, Anger, Hatred EP från 1981. Bröderna började uppträda live som bas-and-trums-duo 1981. Deras sound utvecklades utan gitarr, och John Wright reflekterade senare över denna utveckling: ...utan en gitarrist kan man inte lita på de standardkrokar som punkrock och rock n'roll i allmänhet förlitar sig på. Gitarrspelaren - gitarrgudscitatet unquote - var ett sådant fokus så länge att av naturen att inte ha en gitarrist, måste basen och trummorna göra mycket mer. Det gör också sången viktigare, eller åtminstone gör den mycket mer plats för sången. Du har inte gitarrsolon, du har inte tvätten av high end. Och de saker man gör på trummorna är annorlunda, om man bara gjorde ett rakt fyraslag på trummorna skulle det bli ganska tråkigt efter ett tag. Det är inte som om basgitarr inte har varit ett framträdande instrument ibland i andra band men det fick oss att närma oss saker annorlunda, vår låtstruktur kunde inte bara vara vers-chorus-vers. Det hade allt att göra med hur vårt ljud kom igång till en unik början. Några av låtarna de spelade under denna period släpptes på Mama LP:n från 1982, som själv släpptes i en begränsad pressning. Författarskap för Trouser Press beskrev kritikern Ira Robbins Mama och de tidiga 7"s som "Devo på jazzresa, Motorhead efter konstskola, eller Wire på psykotiska steroider." Samma år gick John Wright även med i Victoria punkbandet The Infamous Scientists. CANNOTANSWER Med hjälp av ett citat från ovanstående artikel, svara på följande fråga: hade de en back up plan om musik föll genom
Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They published ten LPs, a collaborative LP, numerous EPs and singles, and gained an international audience after extensive touring. Critic Martin Popoff described their music as "the most powerful merger between punk's hateful aggression and hard rock discipline." In 1979 and at age 25, Rob Wright returned to the family home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school's jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, taking the name Nomeansno from an anti-dated rape slogan. They also played briefly as the rhythm section for local cover band Castle. Nomeansno recorded his earliest material during the months following a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were published as their first two self-released 7"s, the single "Look, Here Come the Wormies / SS Social Service" (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and The Beatrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drum duo in 1981. Their sound developed without guitar, and John Wright later reflected on this development: ...without a guitarist you can't trust the standard hooks that punk rock and rock n'roll generally relies on. The guitar player - the guitar god quote unquote - was such a focus so long that by nature not having a guitarist, the bass and drums had to do much more. It also makes singing more important, or at least makes it much more room for singing. You don't have guitar solos, you don't have the laundry of the high end. And the things you do on the drums are different, if you just made a straight four stroke on the drums it would be pretty boring after a while. It's not as if bass guitar hasn't been a prominent instrument sometimes in other bands but it made us approach things differently, our song structure could not just be verse-chorus-verse. It had everything to do with how our sound got started at a unique beginning. Some of the songs they played during this period were released on the Mama LP of 1982, which itself was released in a limited pressing. Authorship for Trouser Press described critic Ira Robbins Mama and the early 7"s as "Devo on jazz trip, Motorhead after art school, or Wire on psychotic steroids." In the same year John Wright also joined Victoria punk band The Infamous Scientists. CANNOTANSWER Using a quote from the above article, answer the following question: did they have a back up plan if music fell through
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