1. Part of the dance in "The Dance of Reality" is between one's own destiny and uncontrollable forces.
2. The loony-goony visuals are still in play, but there's a sympathy for the audience, a desire to put things to good and even meaningful use.
3. A lot of the film doesn't quite click, either as dream imagery or something more conventional. But there's a spirit and a yearning in it that's undeniable and bracing.
4. Say this about the godfather of midnight movies, Alejandro Jodorowsky: He loves a parade and he puts on a doozy
5. Growing up in a tiny, coastal mining town in northern Chile in the 1930s might sound tedious, but only if you haven't seen Alejandro Jodorowsky's "The Dance of Reality."
6. Yep. Jodorowsky can still make a trippy, surreal, dream-like movie.
7. Bizarre and graphic, unforgettable and unpredictable.
8. We never quite know where a Jodorowsky film is going to take us. That's a bonus in the present age of bland predictability.
9. Here the legacy of blood flows in both directions, replicating itself in an infinite dance. While the first half focuses on young Alejandro's relationship with macho authoritarian Jaime, the second is as much about the father's own coming of age.
10. A thrillingly surrealist exercise, one that plays out like a dream -- sometimes like a nightmare -- as it relates Jodorowsky's semi-autobiographical, coming-of-age tale.

Write a one sentence summary of the reviews above.
This long-overdue return from Alejandro Jodorowsky finds him just as overflowing with imagination -- and heart -- as fans have come to expect.
1. En del av dansen i "Verklighetens dans" står mellan ens eget öde och okontrollerbara krafter. 2. Den dårskaps-goony visuellt är fortfarande i spel, men det finns en sympati för publiken, en önskan att sätta saker till god och även meningsfull användning. 3. Mycket av filmen klickar inte riktigt, varken som drömbilder eller något mer konventionellt. Men det finns en anda och en längtan i den som är obestridlig och stärkande. 4. Säg detta om midnattsfilmernas gudfar, Alejandro Jodorowsky: Han älskar en parad och han sätter på sig en doozy 5. Att växa upp i en liten, kustnära gruvstad i norra Chile på 1930-talet kan låta tråkigt, men bara om man inte har sett Alejandro Jodorowskys "Verklighetens dans". 6. Japp. Jodorowsky kan fortfarande göra en tripig, surrealistisk, drömliknande film. 7. Bizarr och grafisk, oförglömlig och oförutsägbar. 8. Vi vet aldrig riktigt vart en Jodorowsky-film tar oss. Det är en bonus i den nuvarande tidsåldern av intetsägande förutsägbarhet. 9. Här flyter arvet av blod i båda riktningarna, och replikerar sig i en oändlig dans. Medan den första halvan fokuserar på den unge Alejandros relation till machoauktoritära Jaime handlar den andra lika mycket om faderns egen tilltagande ålder. 10. En spännande surrealistisk övning, en som utspelar sig som en dröm - ibland som en mardröm - då den relaterar Jodorowskys halvsjälvbiografiska, kommande historia. Skriv en enda mening sammanfattning av recensionerna ovan.
1. Part of the dance in "Dance of Reality" stands between one's own destiny and uncontrollable powers. 2. The foolishness-goony visually is still in play, but there is a sympathy for the audience, a desire to put things to good and even meaningful use. 3. Much of the film does not really click, either as dream images or something more conventional. But there is a spirit and longing in it that is undeniable and strengthening. 4. Say this about the godfather of the midnight movies, Alejandro Jodorowsky: He loves a parade and he puts on a doozy 5. Growing up in a small, coastal mining town in northern Chile in the 1930s may sound boring, but only if you haven't seen Alejandro Jodorowsky's "Dance of Reality". 6. Yep. Jodorowsky can still make a trippy, surreal, dream-like film. 7. Bizarr and graphic, unforgettable and unpredictable. 8. We never really know where a Jodorowsky movie takes us. It is a bonus in the present age of bland predictability. 9. Here, the legacy of blood flows in both directions, replicating itself in an infinite dance. While the first half focuses on young Alejandro's relationship with macho authoritarian Jaime, the second is equally concerned with his father's own increasing age. 10. An exciting surreal exercise, one set as a dream - sometimes as a nightmare - when it relates Jodorowsky's semi-autobiographical, coming history. Write a single sentence summary of the reviews above.
Denna sedan länge överdrivna återkomst från Alejandro Jodorowsky finner honom lika överflödande av fantasi -- och hjärta -- som fans har kommit att förvänta sig.
This long-exaggerated return from Alejandro Jodorowsky finds him as abundant with imagination -- and heart -- as fans have come to expect.