Summarize:

to find an interesting character or plot. The spark from your story might come from a character you think would be interesting, an interesting place, or a concept for a plot. Write down your thoughts or make a mind map to help you generate ideas. Then, pick 1 to develop into a story. Here are some inspirations you might use for a story:  Your life experiences A story you heard A family story A “what if” scenario A news story A dream An interesting person you saw Photographs Art Characters are the most essential element of your story. Your reader should relate to your characters, and your characters should be driving your story. Make profiles for your characters by writing their name, personal details, description, traits, habits, desires, and most interesting quirks. Provide as much detail as you can.  Do the sheet for your protagonist first. Then, make character sheets for your other main characters, like the antagonist. Characters are considered main characters if they play a major role in the story, such as influencing your main character or affecting the plot. Figure out what your characters want or what their motivation is. Then, base your plot around your character either getting what they want or being denied it.  You can create your own character sheets or find templates online. The setting is when and where your story takes place. Your setting should influence your story in some way, so pick a setting that adds to your plot. Consider how this setting would impact your characters and their relationships.  For example, a story about a girl who wants to become a doctor would go much differently if it were told in the 1920s instead of 2019. The character would need to overcome additional obstacles, like sexism, due to the setting. However, you might use this setting if your theme is perseverance because it allows you to show your character pursuing her dreams against societal norms. As another example, setting a story about camping deep in an unfamiliar forest will create a different mood than putting it in the main character's backyard. The forest setting might focus on the character surviving in nature, while the backyard setting may focus on the character's family relationships. Making a plot outline will help you know what to write next. Additionally, it helps you fill in any plot holes before you begin. Use your brainstorming exercise and character sheets to plot out your story. Here are some ways you can make your outline:  Create a plot diagram consisting of an exposition, inciting incident, rising action, climax, falling action, and resolution.  Make a traditional outline with the main points being individual scenes. Summarize each plot and turn it into a bullet list. POV can change the entire perspective of the story, so choose wisely. Choose 1st person POV to get really close to the story. Use 3rd person limited POV if you want to focus on 1 character but want enough distance from the story to add your own interpretations to events. As another option, pick 3rd person omniscient if you want to share everything that’s happening in the story.   1st person POV - A single character tells the story from their perspective. Because the story is the truth according to this 1 character, their account of events could be unreliable. For instance, “I tiptoed across the floor, hoping not to disturb him.”  3rd person limited - A narrator recounts the events of the story but limits the perspective to 1 character. When using this POV, you can’t provide the thoughts or feelings of other characters, but you can add your interpretation of the setting or events. For example, “She tiptoed across the floor, her entire body tense as she fought to stay quiet.”  3rd person omniscient - An all-seeing narrator tells everything that happens in the story, including the thoughts and actions of each character. As an example, “As she tiptoed across the room, he pretended to be asleep. She thought her quiet steps weren’t disturbing him, but she was wrong. Beneath the covers, he clenched his fists.”
Brainstorm Develop your characters by making character sheets. Choose a setting for your story. Create an outline for your plot. Choose a first person or third person point-of-view (POV).
Sammanfatta: för att hitta en intressant karaktär eller intrig. Gnistan från din berättelse kan komma från en karaktär som du tror skulle vara intressant, en intressant plats, eller ett koncept för en intrig. Skriv ner dina tankar eller gör en tankekarta för att hjälpa dig att skapa idéer. Välj sedan 1 för att utvecklas till en berättelse. Här är några inspirationer du kan använda till en berättelse: Din livserfarenhet En berättelse du hörde En familjehistoria En ”tänk om” scenario En nyhet En dröm En intressant person du såg Fotografier Konst Karaktärer är det viktigaste inslaget i din berättelse. Din läsare bör relatera till dina karaktärer, och dina karaktärer bör vara drivande din berättelse. Gör profiler för dina karaktärer genom att skriva deras namn, personliga detaljer, beskrivning, egenskaper, vanor, önskningar och mest intressanta nycker. Ge så mycket detaljer du kan. Gör upp med protagonisten först. Gör sedan teckenblad för dina andra huvudpersoner, som antagonisten. Karaktärer anses vara huvudpersoner om de spelar en stor roll i berättelsen, till exempel påverkar din huvudperson eller påverkar handlingen. Ta reda på vad dina karaktärer vill ha eller vad deras motivation är. Sedan, basera din komplott runt din karaktär antingen få vad de vill ha eller förnekas det. Du kan skapa egna teckenblad eller hitta mallar online. Inramningen är när och var din berättelse utspelar sig. Din inställning bör påverka din berättelse på något sätt, så välj en inställning som bidrar till din komplott. Tänk på hur den här inställningen skulle påverka dina karaktärer och deras relationer. En berättelse om en flicka som vill bli läkare skulle till exempel gå mycket annorlunda om den berättades på 1920-talet istället för 2019. Karaktären skulle behöva övervinna ytterligare hinder, som sexism, på grund av inställningen. Men du kan använda denna inställning om ditt tema är uthållighet eftersom det gör att du kan visa din karaktär fullfölja hennes drömmar mot samhällets normer. Som ett annat exempel, att sätta en historia om camping djupt i en obekant skog kommer att skapa en annan stämning än att sätta den i huvudpersonens bakgård. Skogsmiljön kan fokusera på karaktären som överlever i naturen, medan bakgårdsmiljön kan fokusera på karaktärens familjerelationer. Om du gör en skiss kan du få hjälp att veta vad du ska skriva härnäst. Dessutom hjälper det dig att fylla i alla tomthål innan du börjar. Använd din brainstorming motion och karaktär ark för att rita ut din berättelse. Här är några sätt du kan göra din kontur: Skapa ett diagram som består av en exposition, anstiftan incident, stigande action, klimax, fallande handling och upplösning. Gör en traditionell översikt med de viktigaste punkterna är enskilda scener. Sammanfatta varje tomt och förvandla den till en punktlista. POV kan ändra hela perspektivet på berättelsen, så välj klokt. Välj 1: a person POV för att komma riktigt nära berättelsen. Använd 3:e person begränsad POV om du vill fokusera på 1 karaktär men vill ha tillräckligt med avstånd från berättelsen för att lägga till dina egna tolkningar till händelser. Som ett annat alternativ, välj 3: e person allvetande om du vill dela allt som händer i berättelsen. 1:a person POV - En enda karaktär berättar historien ur deras perspektiv. Eftersom berättelsen är sanningen enligt denna 1 karaktär, kan deras skildring av händelser vara opålitlig. Till exempel, “Jag tipsade över golvet, hoppas att inte störa honom.” 3: e person begränsad - En berättare berättar händelserna i berättelsen men begränsar perspektivet till 1 karaktär. När du använder denna POV, kan du inte ge tankar eller känslor av andra tecken, men du kan lägga till din tolkning av inställningen eller händelser. Till exempel, “Hon tippade över golvet, hela hennes kropp spänd när hon kämpade för att hålla tyst.” 3: e person allvetande - En allseende berättar berättar allt som händer i berättelsen, inklusive tankar och handlingar av varje karaktär. Som ett exempel: ” När hon smög sig över rummet låtsades han sova. Hon trodde inte att hennes tysta steg störde honom, men hon hade fel. Under täcket knöt han ihop knytnävarna.”
Summarize: to find an interesting character or plot. The spark from your story may come from a character that you think would be interesting, an interesting place, or a concept for a plot. Write down your thoughts or make a map of thoughts to help you create ideas. Then choose 1 to evolve into a story. Here are some inspirations you can use for a story: Your life experience A story you heard A family story A "what if" scenario A new dream An interesting person you saw Photographs Art Characters are the most important element of your story. Your reader should relate to your characters, and your characters should be driving your story. Make profiles for your characters by writing their names, personal details, description, characteristics, habits, desires and most interesting whims. Give me as much detail as you can. Deal with the protagonist first. Then make character sheets for your other protagonists, like the antagonist. Characters are considered to be protagonists if they play a major role in the story, such as influencing your protagonist or influencing the action. Find out what your characters want or what their motivation is. Then, base your plot around your character either get what they want or be denied it. You can create your own character sheets or find templates online. The setting is when and where your story takes place. Your attitude should affect your story in some way, so choose an attitude that contributes to your plot. Consider how this attitude would affect your characters and their relationships. For example, a story about a girl who wants to be a doctor would go very differently if it was told in the 1920s instead of 2019. Character would have to overcome additional obstacles, such as sexism, because of attitude. But you can use this attitude if your theme is endurance because it allows you to show your character pursuing her dreams against society's standards. As another example, putting a history of camping deep in an unfamiliar forest will create a different mood than putting it in the main character's backyard. The forest environment can focus on the character that survives in nature, while the backyard environment can focus on the character's family relationships. If you do a sketch, you can get help to know what to write next. In addition, it helps you fill in all the empty holes before you start. Use your brainstorming exercise and character sheet to draw out your story. Here are some ways you can make your outline: Create a chart consisting of an exposition, inciting incident, rising action, climax, falling action and resolution. Make a traditional overview with the main points are individual scenes. Summarize each plot and turn it into a bullet list. POV can change the whole perspective of the story, so choose wisely. Choose 1st person POV to get really close to the story. Use 3rd person limited POV if you want to focus on 1 character but want enough distance from the story to add your own interpretations to events. As another option, choose 3rd person all-knowing if you want to share everything that happens in the story. 1st person POV - A single character tells the story from their perspective. Since the story is the truth according to this 1 character, their account of events may be unreliable. For example, “I tipped over the floor, hope not to disturb him.” 3rd person limited – A storyteller tells the events of the story but limits the perspective to 1 character. When using this POV, you cannot give thoughts or feelings of other characters, but you can add your interpretation of the setting or events. For example, “She tipped over the floor, her whole body tense as she struggled to keep quiet.” 3rd person omniscient – An all-seeing tells you everything that happens in the story, including the thoughts and actions of every character. For example: “When she sneaked across the room, he pretended to be asleep. She didn't think her silent steps interfered with him, but she was wrong. Under the cover he tied his fists together.”
Brainstorm Utveckla dina karaktärer genom att göra karaktärsblad. Välj en miljö för din berättelse. Skapa en kontur för din tomt. Välj första person eller tredje persons synpunkt (POV).
Brainstorm Develop your characters by making character blades. Choose an environment for your story. Create a contour for your plot. Select the first person or third person's point of view (POV).