Background: Norman Percevel Rockwell (February 3, 1894 - November 8, 1978) was a 20th-century American author, painter and illustrator. His works have a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem
Context: Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of the art.  Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life magazine.  When Rockwell's tenure began with The Saturday Evening Post in 1916, he left his salaried position at Boys' Life, but continued to include scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which still may be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas.  During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 140 pounds (64 kg), he was eight pounds underweight for someone 6 feet (1.8 m) tall. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. He was given the role of a military artist, however, and did not see any action during his tour of duty. CANNOTANSWER
Question: what did that role make him do?

Answer:
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Bakgrund: Norman Percevel Rockwell (3 februari 1894 - 8 november 1978) var en amerikansk 1900-talsförfattare, målare och illustratör. Hans verk har en bred folklig dragningskraft i USA för deras återspegling av amerikansk kultur. Rockwell är mest känd för de omslagsillustrationer av vardagen han skapade för tidningen The Saturday Evening Post under närmare fem decennier. Bland de mest kända av Rockwells verk finns Willie Gillis-serien, Rosie the Riveter, The Problem Context: Rockwells familj flyttade till New Rochelle, New York, när Norman var 21 år gammal. De delade studio med serietecknaren Clyde Forsythe, som arbetade för The Saturday Evening Post. Med Forsythes hjälp lämnade Rockwell in sin första framgångsrika omslagsmålning till Posten 1916, Mors dag off (utgiven 20 maj). Han följde den framgången med Circus Barker och Strongman (utgiven den 3 juni), Gramps at the Plate (5 augusti), Redhead Loves Hatty Perkins (16 september), People in a Theatre Balcony (14 oktober), och Man Playing Santa (9 december). Rockwell gavs ut åtta gånger på Postens omslag inom det första året. I slutändan gav Rockwell ut 323 originalomslag till The Saturday Evening Post över 47 år. Hans Sharp Harmony dök upp på omslaget till numret daterat 26 september 1936; den skildrar en barberare och tre klienter, som njuter av en a cappellasång. Bilden antogs av SPEBSQSA i dess främjande av konsten. Rockwells framgångar på omslaget till Posten ledde till omslag till andra dagstidningar, framför allt tidningen Literary Digest, Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly och Life. När Rockwells anställning började med The Saturday Evening Post 1916 lämnade han sin avlönade tjänst vid Boys' Life, men fortsatte att inkludera scouter i Post omslagsbilder och amerikanska Röda Korsets månadstidskrift. Han återupptog arbetet med Boy Scouts of America 1926 med produktion av sina första av femtioen originalillustrationer för den officiella Boy Scouts of America årliga kalendern, som fortfarande får ses i Norman Rockwell Art Gallery på National Scouting Museum i staden Irving nära Dallas, Texas. Under första världskriget försökte han ta värvning i USA:s flotta men nekades inträde eftersom han på 64 kilo var 1,8 meter lång. Som kompensation ägnade han en natt åt att supa sig på bananer, vätskor och munkar och vägde tillräckligt för att ta värvning dagen därpå. Han fick dock rollen som militärkonstnär och såg ingen handling under sin tjänstgöringsturné. CANNOTANSWER Fråga: vad fick den rollen honom att göra? Svar:
Background: Norman Percevel Rockwell (February 3, 1894 - November 8, 1978) was an American 20th-century writer, painter and illustrator. His work has a broad popular appeal in the United States for their reflection of American culture. Rockwell is best known for the cover illustrations of everyday life he created for The Saturday Evening Post magazine for nearly five decades. Among the most famous of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem Context: Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared studio with cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day off (published May 20). He followed that success with Circus Barker and Strongman (published on 3 June), Gramps at the Plate (5 August), Redhead Loves Hatty Perkins (16 September), People in a Theatre Balcony (14 October), and Man Playing Santa (9 December). Rockwell was published eight times on the Post Office cover within the first year. Ultimately, Rockwell published 323 original covers to The Saturday Evening Post over 47 years of age. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of art. Rockwell's success on the cover of the Post led to covers of other newspapers, notably the Literary Digest newspaper, Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life. When Rockwell's employment began with The Saturday Evening Post in 1916, he left his paid position at Boys' Life, but continued to include scouts in Post cover images and American Red Cross monthly magazine. He resumed work on the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which still gets to be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas. During World War I, he attempted to enlist in the United States Navy but was denied entry because he at 64 kilos was 1.8 meters long. In compensation, he spent one night drinking on bananas, liquids, and monks and weighed enough to enlist the next day. However, he was given the role of military artist and saw no action during his service tour. CannotansWER Question: what did that role make him do? Answer:
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