Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album.  Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate."  Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova. CANNOTANSWER

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Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career.
Weilands sång- och musikstil visade sig vara mångsidig, och utvecklades ständigt under hela sin karriär. Vid toppen av Stone Temple Pilots framgångar i början till mitten av 1990-talet visade Weiland upp en djup, barytonstämmig stil som till en början var nära jämförd med den hos Pearl Jam-sångaren Eddie Vedder. Eftersom STP fortsatte att grena ut sig under hela sin karriär, gjorde dock även Weilands sångstil det. Bandets tredje album, Tiny Music... Låtar från Vatikan Gift Shop, hade Weiland sjungande i en mycket högre, raspigare ton för att komplettera bandets mer 60-tals rockinfluerade sound på det albumet. Senare album visade upp Weilands influenser som sträcker sig från bossa nova på Shangri-La Dee Da till bluesrock och klassisk rock på bandets självbetitlade album 2010. Weilands första soloskiva, 1998 års 12 Bar Blues, representerade ett enormt skifte i Weilands stil, då albumet innehöll ett sound "rotat i glamrock, filtrerat genom psykedelia och trip-hop." Med Velvet Revolver sträckte sig Weilands sång från hans klassiska baryton till en råare stil för att komplettera bandets hårdrockssound. En New York Post-recension av Velvet Revolvers album Libertad från 2007 kommenterade att "Weilands sång är skarp och kontrollerad men ändå passionerad." Weilands andra soloalbum, 2008 års "Happy" i Galoshes, innehöll en lång rad olika musikgenrer, såsom bossa nova, country, neo-psychedelia och indierock. Weilands soloinsats 2011 bestod julalbumet Årets underbaraste tid helt av julmusik i en crooningstil liknande den hos David Bowie och Frank Sinatra, samt en del reggae och bossa nova. CANNOTANSWER Svar på denna fråga "vad är det viktigaste faktumet i artikeln?" genom att hämta svaret från texten ovan.
Weiland's vocal and music style proved to be versatile, and constantly developed throughout his career. At the top of Stone Temple Pilot's success in the early to mid-1990s, Weiland showcased a deep, baritone tuned style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as the STP continued to branch out throughout his career, Weiland's singing style also did. The band's third album, Tiny Music... Songs from Vatican Gift Shop, Weiland had singing in a much higher, raspier tone to complement the band's more 60s rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's self-titled album in 2010. Weiland's first solo record, the 1998 12 Bar Blues, represented a huge shift in Weiland's style, as the album contained a sound "rooted in glamrock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rougher style to complement the band's hard rock sound. A 2007 New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are sharp and controlled yet passionate." Weiland's second solo album, the 2008 "Happy" in Galoshes, featured a wide range of different music genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The most wonderful time of the year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova. CANNOTANSWER Answer to this question "what is the most important fact in the article?" by taking the answer from the text above.
Weilands sång- och musikstil visade sig vara mångsidig, och utvecklades ständigt under hela sin karriär.
Weiland's vocal and music style proved to be versatile, and constantly developed throughout his career.