His famous series of sixteen great designs for the Apocalypse is dated 1498, as is his engraving of St. Michael Fighting the Dragon. He made the first seven scenes of the Great Passion in the same year, and a little later, a series of eleven on the Holy Family and saints. The Seven Sorrows Polyptych, commissioned by Frederick III of Saxony in 1496, was executed by Durer and his assistants c. Around 1503-1505 he produced the first seventeen of a set illustrating the Life of the Virgin, which he did not finish for some years. Neither these, nor the Great Passion, were published as sets until several years later, but prints were sold individually in considerable numbers. During the same period Durer trained himself in the difficult art of using the burin to make engravings. It is possible he had begun learning this skill during his early training with his father, as it was also an essential skill of the goldsmith. In 1496 he executed the Prodigal Son, which the Italian Renaissance art historian Giorgio Vasari singled out for praise some decades later, noting its Germanic quality. He was soon producing some spectacular and original images, notably Nemesis (1502), The Sea Monster (1498), and Saint Eustace (c. 1501), with a highly detailed landscape background and animals. His landscapes of this period, such as Pond in the Woods and Willow Mill, are quite different from his earlier watercolours. There is a much greater emphasis on capturing atmosphere, rather than depicting topography. He made a number of Madonnas, single religious figures, and small scenes with comic peasant figures. Prints are highly portable and these works made Durer famous throughout the main artistic centres of Europe within a very few years. 

Based on the paragraph, does the response "Art of using the burin to make engravings" correctly answer the question "What skill did Durer possibly learn during his early training with his father?"?

OPTIONS:
- no
- yes
yes
Hans berömda serie av sexton stora designer för Apokalypsen är daterad 1498, liksom hans gravyr av S:t Michael Fighting the Dragon. Han gjorde de sju första scenerna av Stora passionen samma år, och något senare, en serie om elva på Heliga familjen och helgonen. De sju sorgerna Polyptych, beställd av Fredrik III av Sachsen 1496, avrättades av Durer och hans medhjälpare c. Omkring 1503-1505 framställde han den första sjutton av en uppsättning som illustrerade Jungfruns liv, vilket han inte avslutade på några år. Varken dessa eller den stora passionen gavs ut som uppsättningar förrän flera år senare, men tryck såldes individuellt i betydande antal. Under samma period utbildade sig Durer i den svåra konsten att använda burinet för att göra gravyrer. Det är möjligt att han hade börjat lära sig denna färdighet under sin tidiga träning hos sin far, då det också var en väsentlig skicklighet hos guldsmeden. 1496 avrättade han den Prodigale Sonen, som den italienske renässanskonsthistorikern Giorgio Vasari några decennier senare valde ut för beröm, och noterade dess germanska kvalitet. Han producerade snart några spektakulära och originella bilder, framför allt Nemesis (1502), The Sea Monster (1498) och Saint Eustace (ca 1501), med en mycket detaljerad landskapsbakgrund och djur. Hans landskap under denna period, som Pond in the Woods och Willow Mill, skiljer sig helt från hans tidigare akvareller. Det läggs mycket större vikt vid att fånga atmosfären, snarare än att skildra topografi. Han gjorde ett antal madonnor, enstaka religiösa figurer och små scener med komiska bondefigurer. Trycken är mycket bärbara och dessa verk gjorde Durer berömd i Europas främsta konstnärliga centrum inom några år. Med utgångspunkt i stycket, svarar svaret "Konsten att använda burin för att göra gravyrer" korrekt frågan "Vilken skicklighet lärde sig Durer möjligen under sin tidiga träning med sin far?"? ALTERNATIV: - nej - ja
His famous series of sixteen great designers for the Apocalypse is dated 1498, as well as his engraving of St. Michael Fighting the Dragon. He made the first seven scenes of Great Passion that same year, and slightly later, a series of eleven on the Holy Family and Saints. The seven sorrows Polyptych, commissioned by Frederick III of Saxony in 1496, was executed by Durer and his aide c. Around 1503-1505 he presented the first seventeen of a set illustrating the life of the Virgin, which he did not finish for a few years. Neither these nor the great passion were published as sets until several years later, but prints were sold individually in significant numbers. During the same period Durer trained in the difficult art of using the burin to make engravings. It is possible that he had begun to learn this skill during his early training with his father, as it was also an essential skill of the goldsmith. In 1496 he executed the Prodigal Son, whom Italian Renaissance art historian Giorgio Vasari selected a few decades later for praise, noting its Germanic quality. He soon produced some spectacular and original images, notably Nemesis (1502), The Sea Monster (1498) and Saint Eustace (c. 1501), with a very detailed landscape background and animals. His landscapes during this period, such as Pond in the Woods and Willow Mill, are entirely different from his previous watercolors. Much more emphasis is placed on capturing the atmosphere, rather than depicting topography. He made a number of Madonnas, occasional religious figures and small scenes with comic peasant figures. The prints are very portable and these works made Durer famous in Europe's main artistic center within a few years. Based on the paragraph, the answer "The art of using burin to make engravings" correctly answers the question "What skill did Durer possibly learn during his early training with his father?"? ALTERNATIVE: - no - yes
ja
yes