Summarize this article in one sentence.
Warren G. Harding, grandiloquent speaker and former President of the United States, had a speech style consisting primarily of “an army of pompous phrases moving across the landscape in search of an idea,” according to one political critic. Emulate the verbosity of the 29th president of the Union. Many speakers start to trail off toward the end of a thought, pausing to take a breath and collect their thoughts. Instead, learn to end passages with openings into new passages, immediately saying, "In other words," or "Additionally," to keep your grip on the conversation firm. To say a writer or a speaker is verbose is to say that, for him, one accurate adjective could never accomplish what five so-so, mediocre, middling, half-cocked, wobbly adjectives could accomplish by piling them up in a heap. Verbosity means wordiness. Over-describe every single noun in your speech and you will be well on your way. Don't neglect adverbs. If a swan is swimming, it should be "swiftly, gently swimming." Think of each sentence as a Christmas tree that you want to hang ornaments. Long-winded verbose speakers of the world never know when to quit. Never give up on proving your viewpoint, even if everyone in the room took your word for it twenty minutes ago.  Restate every claim and position for ultimate rhetorical effect. Make friends with the phrase “in other words," rephrasing your positions in different language but with exactly the same meaning. Rethink everything you put forward, hedging every claim and debating inwardly with yourself over your statements. When you get to the end of one point, train yourself to say, “On the other hand…” to open up an avenue for further chatter. The mind of the verbose should be like a fish tank. Let each thought-fish go wherever it wants, then follow it there. Don't worry so much about where you're going with an argument; just worry about exploring every possible nook and cranny of a conversation before you let it drop. While Shakespeare's Polonius might be the patron-saint of the pompous, if you want more art and less matter in your speech, learn from the masters of long-windedness, who actually manage to pull off extreme verbosity. Check out the following writers of sentence-labyrinthes and pompous characters who never know when to quit:  Herman Melville Susan Sontag Salvatore Scibona William Faulkner Virginia Woolf Samuel Beckett
Start speaking without a clear idea of where you’re going. Use multitudinous, varied, and diverse adjectives. Over-explain yourself. Embrace digressions and asides. Read long-winded writers.
Sammanfatta den här artikeln i en mening. Warren G. Harding, storsint talare och USA:s tidigare president, hade en talstil som främst bestod av "en armé av pompösa fraser som rörde sig över landskapet på jakt efter en idé", enligt en politisk kritiker. Emulera verbositeten hos unionens 29:e president. Många talare börjar spåra av mot slutet av en tanke, stannar upp för att ta ett andetag och samla sina tankar. Lär dig i stället att avsluta passager med öppningar in i nya passager, och säg genast: "Med andra ord", eller "Tilläggsvis", för att hålla fast vid samtalet. Att säga att en författare eller en talare är verbalt är att säga att för honom skulle ett enda korrekt adjektiv aldrig kunna åstadkomma det som fem så-så, medelmåttiga, faddrande, halvknäppta, vingliga adjektiv kunde åstadkomma genom att stapla upp dem i en hög. Verbositet betyder ordighet. Överbeskriv varje substantiv i ditt tal och du kommer att vara på god väg. Försumma inte adverb. Om en svan simmar, ska det vara "snabbt, varsamt simmande." Tänk på varje mening som en julgran som du vill hänga prydnader. Långrandiga verbala talare av världen vet aldrig när de ska sluta. Ge aldrig upp när det gäller att bevisa er ståndpunkt, även om alla i rummet tog ert ord på det för tjugo minuter sedan. Återupprätta varje anspråk och ståndpunkt för ultimat retorisk effekt. Bli vän med frasen "med andra ord", omfrasera dina positioner på olika språk men med exakt samma betydelse. Tänk om allt du lägger fram, säkra varje påstående och diskutera inåt med dig själv över dina uttalanden. När du kommer till slutet av en punkt, träna dig själv att säga, “Å andra sidan...” för att öppna upp en väg för ytterligare prat. Verbets sinne ska vara som en fisktank. Låt varje tankefisk gå vart den vill, följ den sedan dit. Oroa dig inte så mycket för vart du ska med ett gräl; oroa dig bara för att utforska varje möjlig vrå och vrå av ett samtal innan du låter det släppa. Medan Shakespeares Polonius kan vara uppblåsthetens skyddshelgon, om man vill ha mer konst och mindre materia i sitt tal, lär av långrandighetens mästare, som faktiskt lyckas dra av extrem verbalitet. Kolla in följande författare av mening-labyrinter och pompösa karaktärer som aldrig vet när de ska sluta: Herman Melville Susan Sontag Salvatore Scibona William Faulkner Virginia Woolf Samuel Beckett
Summarize this article in a sentence. Warren G. Harding, magnanimous speaker and former President of the United States, had a style of speech composed primarily of "an army of pompous phrases moving across the landscape in search of an idea", according to a political critic. Emulate the verbosity of the 29th President of the Union. Many speakers begin to derail toward the end of a thought, stop to take a breath and collect their thoughts. Instead, learn to end passages with openings into new passages, and say immediately, "In other words", or "In addition", to hold on to the conversation. To say that a writer or a speaker is verbal is to say that for him a single correct adjective could never accomplish what five so-so, mediocre, fiddled, half-crazed, winged adjectives could accomplish by stacking them up in a pile. Verbosity means wordiness. Overdescribe each noun in your speech and you will be well on your way. Don't neglect adverb. If a swan swims, it should be "fast, gentle swimming." Think of every sentence as a Christmas tree that you want to hang ornaments. Long-winded verbal speakers of the world never know when to stop. Never give up on proving your position, even if everyone in the room took your word on it twenty minutes ago. Restoring any claim and position for ultimate rhetorical effect. Be friends with the phrase "in other words", rephrase your positions in different languages but with exactly the same meaning. What if everything you put forward, secure every claim, and discuss inwards with yourself over your statements? When you get to the end of a point, train yourself to say, “On the other side...” to open up a path for further talk. Verbet's mind should be like a fish tank. Let every thoughtfish go wherever it wants, then follow it there. Don't worry so much about where you're going with an argument; just worry about exploring every possible corner and corner of a conversation before letting it drop. While Shakespeare's Polonius may be the patron saint of inflatedness, if one wants more art and less matter in his speech, learn from the master of long-windiness, who actually manages to draw off extreme verbality. Check out the following writers of sentence mazes and pompous characters who never know when to quit: Herman Melville Susan Sontag Salvatore Scibona William Faulkner Virginia Woolf Samuel Beckett
Börja tala utan att ha en klar uppfattning om vart du är på väg. Använd flera olika adjektiv. Överförklara dig själv. Omfamna utvikningar och åt sidan. Läs långrandiga författare.
Start talking without having a clear idea of where you are going. Use several different adjectives. Overexplain yourself. Embrace digressions and aside. Read long striped writers.