Although Cameron Grant was clearly hired to replace Andrew Blake over at Ultimate Pictures when the latter started his own company (Studio A), he practically outdid the "Master" right out of the gate when it came to setting up steamy sex scenes. So, while all the window dressing Blake had pioneered (starlets in fetish lingerie and sun glasses, coiffed and made up as if they're about to hit the catwalk) remained very much present and accounted for, Grant added his own personal spin to the carnal content. In doing so, he raised the heat to a level that had eluded Big A ever since his first  and IMHO best  film NIGHT TRIPS. Cam's maiden effort, ELEMENTS OF DESIRE, might still have been handicapped by an overly slavish adherence to the Blake aesthetic (with a surfeit of girl on girl gropes), but his subsequent DINNER PARTY already shows him at the top of his form in what must surely rank as his masterpiece.

The title spells out the premise as a group of well to do friends and acquaintances gather over dinner to swap sexy stories, with an extended orgy at the conclusion. Scrumptious Juli Ashton and Tammy Parks smear food stuff all over each other's flawless physiques in their kitchen sequence that is sure to delight those with a taste towards combining pleasures of the palette with those of the flesh. Busty Crystal Gold (here : "Catalina") was rarely more than a reliable second-stringer, adding spice to several Ona Zee bargain basement noirs, yet looks absolutely stunning here in a romantic four poster frolic with Fabio lookalike Vince Voyeur. Beautiful blondes Kylie Ireland and Yvonne, making out with Marc Davis (for the record, the latter two were an item at the time) under a waterfall, complete the eye candy section of the movie.

Time to get cooking ! Early Jenna Jameson ("Daisy" back then) foreshadows the greatness to come as she drains Frank Towers ("Mark Slade" on his subsequent shift to the gay side of the industry) of all vital juices, albeit with a little help from brunette Diva for effective contrast, the scene's stylish industrial setting providing an atmospheric backdrop to the full tilt sex taking place. Impossibly hunky construction worker Gerry Pike seeks to cool off on a sweltering summer day by hosing down, a prospect too tantalizing for prim 'n' proper business woman Asia Carrera (at her all time most achingly pretty) to pass up. Best of show must be the imaginative sequence that has nasty Norma Jeane and handsome Sean Michaels teasing the pants off each other  for starters !  while separated by a glass partition right until the predictably splashy conclusion.

With sex that proves either artsy or hot, and more often than not both, Grant has concocted a veritable smörgåsbord of fleshy wares to continue the film's gastronomic analogy the title implies. Couples may be the prime intended audience, but an alternation between naughty 'n' nice should rightfully include that "something for everything" recipe so many adult features are aiming for. Acting as his own DoP, the director shows great eye for detail, like the shot of Asia Carrera's pristine white shoes being spattered with mud, enriching his vision. This marks him out as a great filmmaker rather than a merely serviceable one, as was the case with Nick Steele who stepped up to take his place at Ultimate  effectively making him a replacement's replacement ?  when he packed up for greener pastures.

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OPTIONS:
- negative
- positive
positive
Trots att Cameron Grant tydligt anlitades för att ersätta Andrew Blake över på Ultimate Pictures när den senare startade sitt eget företag (Studio A), överträffade han praktiskt taget "Mästaren" direkt ut ur porten när det gällde att sätta upp ångande sexscener. Så, medan alla fönsterkläder Blake hade pionjär (Starlet i fetischunderkläder och solglasögon, coiffed och smink som om de är på väg att slå catwalken) förblev mycket närvarande och svarade för, Grant lade sin egen personliga spinn till det köttsliga innehållet. Därmed höjde han värmen till en nivå som hade gäckat Big A ända sedan hans första Â° och IMHO bästa Ø°-film NIGHT TRIPS. Cams jungfruansträngning, DELMENTEN AV DESIRE, kan fortfarande ha varit handikappad av en alltför slavisk anslutning till Blake estetik (med en surfaeit av flicka på flicka famlar), men hans efterföljande DINNER PARTY visar honom redan på toppen av hans form i vad som säkert måste rankas som hans mästerverk. Titeln stavar ut premissen som en grupp bra att göra vänner och bekanta samlas över middag för att byta sexiga historier, med en utökad orgie vid avslutningen. Scrumptious Juli Ashton och Tammy Parks smetar mat över varandras felfria kroppsdelar i deras kökssekvens som säkert kommer att glädja dem med en smak mot att kombinera njutningar av paletten med de av köttet. Busty Crystal Gold (här : "Catalina") var sällan mer än en pålitlig andrasträngare, lägga krydda till flera Ona Zee fynd källare noirs, men ser helt fantastisk här i en romantisk fyra poster frylic med Fabio lookalike Vince Voyeur. Vackra blondiner Kylie Ireland och Yvonne, som hånglade med Marc Davis (de två sistnämnda var för övrigt ett föremål på den tiden) under ett vattenfall, fullbordar ögongodisdelen av filmen. Dags att laga mat! Tidiga Jenna Jameson ("Daisy" på den tiden) förebådar storheten att komma när hon tömmer Frank Towers ("Mark Slade" på sin efterföljande övergång till den homosexuella sidan av branschen) av alla vitala juicer, om än med lite hjälp från brunett Diva för effektiv kontrast, scenens stilfulla industriella miljö som ger en atmosfärisk bakgrund till det fulla tiltsex som äger rum. Möjligen hunkig byggnadsarbetare Gerry Pike försöker kyla av sig på en rykande sommardag genom att slampa ner, en utsikt för lockande för prim 'n' ordentlig affärskvinna Asia Carrera (vid henne hela tiden mest värkande söt) att passera upp. Bäst av showen måste vara den fantasifulla sekvensen som har otäcka Norma Jeane och stiliga Sean Michaels som retar byxorna av varandra till att börja med! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Med sex som visar sig antingen artsigt eller hett, och oftare än inte båda, har Grant kokat ihop ett veritabelt smörgåsbord av köttiga varor för att fortsätta filmens gastronomiska analogi titeln antyder. Par kan vara den främsta tänkta publiken, men en alternering mellan stygga 'n' trevligt bör med rätta inkludera att "något för allt" recept så många vuxna funktioner siktar på. I egenskap av sin egen DOP visar regissören stort öga för detaljer, som bilden av Asia Carreras orörda vita skor som blir stänkta med lera, berikar hans vision. Detta utmärker honom som en stor filmskapare snarare än bara en tjänstbar en, som var fallet med Nick Steele som steg upp för att ta hans plats på Ultimate ́ ́ ́ effektivt göra honom till en ersättare ? När han packade ihop för grönare betesmarker. Är den här recensionen positiv eller negativ? ALTERNATIV: - negativ - positiv
Although Cameron Grant was clearly hired to replace Andrew Blake over at Ultimate Pictures when the latter started his own company (Studio A), he virtually surpassed the "Master" directly out of the gate when it came to setting up steaming sex scenes. So, while all the window clothing Blake had pioneered (Starlet in fetish underwear and sunglasses, coiffed and makeup as if they're about to hit the catwalk) remained very present and accounted for, Grant added his own personal spin to the fleshly content. Thus he raised the heat to a level that had eluded Big A ever since his first <unk> and IMHO best <unk> film NIGHT TRIPS. Cam's maiden effort, THE DELEMENTS OF DESIRE, may still have been handicapped by an overly Slavic connection to Blake aesthetics (with a surfeit of girl on girl grope), but his subsequent DINNER PARTY already shows him at the top of his form in what must surely be ranked as his masterpiece. The title spells out the premise as a group good to make friends and acquaintances gather over dinner to exchange sexy stories, with an extended orgy at the conclusion. Scrumptious Julius Ashton and Tammy Parks smear food over each other's flawless body parts in their kitchen sequence that will certainly delight them with a taste against combining the pleasures of the palette with those of the flesh. Busty Crystal Gold (here : "Catalina") was rarely more than a reliable second stringer, adding spice to several Ona Zee finds cellar noirs, but looks absolutely stunning here in a romantic four poster frylic with Fabio lookalike Vince Voyeur. Beautiful blondes Kylie Ireland and Yvonne, who made out with Marc Davis (the latter two were incidentally an object at the time) during a waterfall, complete the eye candy portion of the film. Time to cook! Early Jenna Jameson ("Daisy" at the time) heralds the greatness of coming when she emptys Frank Towers ("Mark Slade" on her subsequent transition to the gay side of the industry) of all vital juices, albeit with a little help from brunette Diva for effective contrast, the stylish industrial environment of the scene providing an atmospheric background to the full tilt sex taking place. Possibly hunky construction worker Gerry Pike tries to cool off on a smoking summer day by slutting down, a view for attracting prime 'n' proper businesswoman Asia Carrera (at her all the time most achingly cute) to pass up. The best of the show must be the imaginative sequence that has nasty Norma Jeane and handsome Sean Michaels teasing each other's pants at first! <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> With sex appearing either artisan or hot, and more often than not both, Grant has concocted a veritable sandwich table of meaty goods to continue the film's gastronomic analogy the title suggests. Couples may be the main intended audience, but an alternate between naughty 'n' nice should rightly include that "something for everything" recipes so many adult functions aim for. As his own DOP, the director shows big eye for details, such as the image of Asia Carrera's pristine white shoes being splashed with clay, enriching his vision. This marks him as a great filmmaker rather than just a serviceable one, as was the case with Nick Steele who got up to take his place at Ultimate  Effectively making him a replacement? When he packed up for greener pastures. Is this review positive or negative? ALTERNATIVE: - negative - positive
positiv
positive