Background: The Dark Side of the Moon is the eighth studio album by English rock band Pink Floyd, released on 1 March 1973 by Harvest Records. The album built on ideas explored in earlier recordings and live shows, but lacks the extended instrumental excursions that characterised their earlier work. Its themes explore conflict, greed, the passage of time, and mental illness, the latter partly inspired by the deteriorating mental state of founding member and principal contributor, Syd Barrett. Developed during live performances, an early version was premiered several months before recording began; new material was recorded in two sessions in 1972 and 1973 at Abbey Road in London.
Context: The album features metronomic sound effects during "Speak to Me", and tape loops opening "Money". Mason created a rough version of "Speak to Me" at his home, before completing it in the studio. The track serves as an overture and contains cross-fades of elements from other pieces on the album. A piano chord, replayed backwards, serves to augment the build-up of effects, which are immediately followed by the opening of "Breathe". Mason received a rare solo composing credit for "Speak to Me".  The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine, which were used to create a 7-beat effects loop (later adapted to four tracks in order to create a "walk around the room" effect in quadraphonic presentations of the album). At times the degree of sonic experimentation on the album required the engineers and band to operate the mixing console's faders simultaneously, in order to mix down the intricately assembled multitrack recordings of several of the songs (particularly "On the Run").  Along with the conventional rock band instrumentation, Pink Floyd added prominent synthesizers to their sound. For example, the band experimented with an EMS VCS 3 on "Brain Damage" and "Any Colour You Like", and a Synthi A on "Time" and "On the Run". They also devised and recorded unconventional sounds, such as an assistant engineer running around the studio's echo chamber (during "On the Run"), and a specially treated bass drum made to simulate a human heartbeat (during "Speak to Me", "On the Run", "Time" and "Eclipse"). This heartbeat is most prominent as the intro and the outro to the album, but it can also be heard sporadically on "Time" and "On the Run". "Time" features assorted clocks ticking, then chiming simultaneously at the start of the song, accompanied by a series of Rototoms. The recordings were initially created as a quadraphonic test by Parsons, who recorded each timepiece at an antique clock shop. Although these recordings had not been created specifically for the album, elements of this material were eventually used in the track. CANNOTANSWER
Question: Were there any other songs that used the technique?

Answer:
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Bakgrund: The Dark Side of the Moon är det åttonde studioalbumet av det engelska rockbandet Pink Floyd, släppt den 1 mars 1973 av Harvest Records. Albumet byggde på idéer som utforskats i tidigare inspelningar och liveshower, men saknar de förlängda instrumentala exkursioner som präglade deras tidigare arbete. Dess teman utforskar konflikter, girighet, tidens gång och psykisk sjukdom, den senare delvis inspirerad av det försämrade mentala tillståndet hos grundande medlem och huvudbidragsgivare, Syd Barrett. Utvecklad under liveframträdanden premiärvisades en tidig version flera månader innan inspelningen påbörjades; nytt material spelades in i två sessioner 1972 och 1973 på Abbey Road i London. Sammanhang: Albumet har metronomiska ljudeffekter under "Speake to Me", och bandslingor som öppnar "Money". Mason skapade en grov version av "Speak to Me" i sitt hem, innan han avslutade den i studion. Spåret fungerar som en ouvertyr och innehåller korsfasader av element från andra stycken på albumet. Ett pianoackord, omspelat baklänges, tjänar till att förstärka uppbyggnaden av effekter, som omedelbart följs av öppningen av "Breathe". Mason fick en sällsynt solokomponerande kredit för "Speak to Me". Ljudeffekterna på "Money" skapades genom att Waters' inspelningar av klinkande mynt, rivpapper, en ringande kassaapparat, och en klickande adding machine, som användes för att skapa en 7-slags effektslinga (senare anpassad till fyra spår för att skapa en "promenad runt rummet" effekt i quadrafoniska presentationer av albumet). Tidvis krävde graden av ljudexperiment på albumet ingenjörerna och bandet att driva mixningskonsolens fadders samtidigt, för att kunna mixa ner de intrikat sammansatta multitrackinspelningarna av flera av låtarna (särskilt "On the Run"). Tillsammans med den konventionella rockbandsinstrumenteringen lade Pink Floyd till framstående synthesizers till sitt sound. Bandet experimenterade till exempel med en EMS VCS 3 på "Brain Damage" och "Any Colour You Like", samt en Synthi A på "Time" och "On the Run". De uppfann och spelade även in okonventionella ljud, till exempel en assisterande ingenjör som sprang runt studions ekokammare (under "On the Run"), och en speciellt behandlad bastrumma gjord för att simulera ett mänskligt hjärtslag (under "Speak to Me", "On the Run", "Time" och "Eclipse"). Detta hjärtslag är mest framträdande som introt och outro till albumet, men det kan också höras sporadiskt på "Time" och "On the Run". "Time" har diverse klockor som tickar, och sedan kvittrar samtidigt i början av låten, ackompanjerad av en serie Rototomer. Inspelningarna skapades till en början som ett kvadrafoniskt test av Parsons, som spelade in varje klockare på en antik klockaffär. Trots att dessa inspelningar inte hade skapats specifikt för albumet användes så småningom inslag av detta material i spåret. CANNOTANSWER Question: Fanns det några andra låtar som använde tekniken? Svar:
Background: The Dark Side of the Moon is the eighth studio album by English rock band Pink Floyd, released on March 1, 1973 by Harvest Records. The album was based on ideas explored in previous recordings and live shows, but lacks the extended instrumental excursions that characterized their previous work. Its themes explore conflicts, greed, the passage of time and mental illness, the latter partly inspired by the deteriorating mental condition of founding member and main contributor, Syd Barrett. Developed during live performances, an early version was premiered several months before filming began; new material was recorded in two sessions in 1972 and 1973 on Abbey Road, London. Context: The album has metronomic sound effects during "Speake to Me", and band loops opening "Money". Mason created a rough version of "Speak to Me" in his home, before finishing it in the studio. The track serves as an overture and contains cross-façades of elements from other pieces on the album. A piano chord, replayed backwards, serves to reinforce the build-up of effects, which are immediately followed by the opening of "Breathe". Mason received a rare solo-composing credit for "Speak to Me". The sound effects on "Money" were created by Waters' recordings of clinking coins, scratch paper, a ringing cash register, and a clicking adding machine, which were used to create a 7-stroke effect loop (later adapted to four tracks to create a "walk around the room" effect in quadrafonic presentations of the album). At times, the degree of sound experiments on the album required engineers and the band to power the mixing console's sponsors simultaneously, in order to mix down the intricately composed multitrack recordings of several of the songs (especially "On the Run"). Along with the conventional rock band instrumentation, Pink Floyd added prominent synthesizers to his sound. For example, the band experimented with an EMS VCS 3 on "Brain Damage" and "Any Colour You Like", as well as a Synthi A on "Time" and "On the Run". They also invented and recorded unconventional sounds, such as an assistant engineer running around the studio's echo chamber (under "On the Run"), and a specially treated bass drum made to simulate a human heartbeat (under "Speak to Me", "On the Run", "Time" and "Eclipse"). This heartbeat is most prominent as the intro and outro to the album, but it can also be heard sporadically on "Time" and "On the Run". "Time" has various clocks ticking, and then chirps simultaneously at the beginning of the song, accompanied by a series of Rototoms. The recordings were initially created as a quadraphonic test by Parsons, who recorded each bellkeeper at an antique bell store. Although these recordings had not been created specifically for the album, elements of this material were eventually used in the track. CANNOTANSWER Question: Were there any other songs that used the technique? Answer:
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