La musique traitée comme sujet dans le cinéma narratif, contemporain et occidental : réflexion et expérimentation autour d’une forme : la matérialisation de la musique
This work is divided in two parts. The first one, theoretical, studies music as the subject in the narrative, western and contemporary cinema, i.e., from the 1960s until today. The second part is a fictional movie of thirty minutes titled A Capella.  The scenario is included here in appendix. SYNOPSIS: Born with a vocal handicap, Hubert developed as time goes by a new technique of rehabilitation: the physiophony. Sophie, a young wounded dancer, tries this new method...  This document, consisting in the theoretical part, first summarizes the reflections of Michel Chion and Claudia Gorbman on the subject.  Then it presents the first draft of a typology on the subject organized around four categories: the musician, the music group, the place of music and the materialization of music.  This last category echoes well the practical part of this project and, as such, it will be developed furthermore in the third section. The interest of this work lies mainly in the bridges between theory and practice it creates, which will be treated in the fourth section.  The materialization of the music is analyzed from the voice of the main character, the movements of the dancer as well as the technique of rehabilitation, the physiophony. The challenges faced while screenwriting, directing the movie and composing the music will also be explained.
narration cinema music narration intermediality materialization