Auto-poïétique de deux expériences de montage sonore : d'une écoute à l'autre
This research-creation project finds its roots in two film sound designs to which I contributed as a sound editor or sound designer. These films – and their respective soundtracks –, by their form, their content, but also by the dynamics that pulsed their creation, have redefined certain aspects of my own sound work. In this study, by the means of an autopoietic analysis, I explore the creative conditions at play in the elaboration of my sound designs, as they answer to technical matters – the film Saint- Denys Garneau – or aesthetic matters – the film Ma famille en 17 bobines. In each case, I also seek to deepen poetic and practical problems. From deep in the combination of these conditions emerge mediation tools, human relations, aesthetic movements and modes of listening that shed new light on my sound practice.
Film Sound Editing Poietic Creation