Le cycle des astres : oeuvre de création suivi d'un essai sur la mise en récit du quotidien
The source/matter for Le Cycle des astres stems from a stenography of the present, snapshots of daily-life that leave trace through diversified forms of writing that I called écriture-temps. The inscription of the present becoming signs from the past represent the double temporality of the texts used as material used in my creative work where drafts, poetry and autography co-occur, and leave trace of a writing project in which the construction of Meaning unfolds through the process. I studied the recycling of archives and the interplay of temporalities, but mostly the construction of the narrative put forward by the text, and its effect on subjectivity. Du surgissement à l’oeuvre furthers this exploration of fragmentary and heteregeneous writing through a critical reading of Annie Ernaux's L’Événement. Writing is shown here as a means by which the essence of a subjective experience is embodied in a text that reestablishes its coherence.
Annie Ernaux fragment écriture-temps writing heterogeneity subjectivity temporality