Vers une théorie philosophique du processus créatif artistique
Despite the otherwise noteworthy efforts for honorific theorisation on the part of contemporary philosophers, it is our concern here that nothing much has been done in this field concerning the growing but still misunderstood field of creativity in terms of “descriptive” accounts. Recent discoveries in the arts and psychology have witnessed a growing and justified interest for this very kind of research, which has earned, we believe, its rightful place alongside the most debated philosophical questions. This theory tries to point out some of the most intricate psycho-phenomenological structures of real-life creativity, some of it general (all domains combined) and some more institution-specific. For the sake of this thesis, we have limited the field of our inquiry to the most notorious case, which is now considered to be the arts. It is our belief that every descriptive theoretical enterprise wishing to initiate an understanding of these worlds in a truthful and respectful way should, at least, be mindful of this structure.
art processus philosophy creativity art theory psycho-phenomenological process