Vers une musique hantologique instrumentale : réflexions sur l’écriture technomorphe dans le contexte de la musique instrumentale contemporaine
This research explores the notion of technomorphic writing in contemporary music. This process, consisting of transposing electronic models into instrumental music, appeared shortly after the creation of the Westdeutscher Rundfunk (WDR) and Groupe de Recherche Musicale (GRM) studios. This dissertation addresses the origin and evolution of this approach, its possible forms and examples of its dissemination in contemporary music. Four new pieces, created during this master's degree, further explore the idea of hauntological instrumental music, inspired by audio artifacts from the defective analog and digital recording media.
Mark Fisher Technomorphism Electroacoustic music Instrumental music Aesthetics of failure